WEBVTT - Sinclair Daniel

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<v Speaker 1>Once I got the role, I did chemistry reads with

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<v Speaker 1>all the Owens, all the Malaikahs. So I was on

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<v Speaker 1>the phone with these people a lot. Okay, I don't

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<v Speaker 1>even remember at what point I had the job. I

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<v Speaker 1>was just like, I hope there's a lab at the

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<v Speaker 1>end of this.

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<v Speaker 2>Hi.

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<v Speaker 1>I'm Sinclair Daniel and I play Nella and the other

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<v Speaker 1>Black Girls streaming on Hulu.

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<v Speaker 2>Hello everybody, and welcome back to Off the Beat. I

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<v Speaker 2>have got some pep in my step today, of course.

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<v Speaker 2>I'm your host, Brian Baumgartner and Ding Dong. The Witch

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<v Speaker 2>is dead. Maybe you've heard the news, maybe you haven't.

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<v Speaker 2>The Screen Actors Guild strike is over. One hundred and

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<v Speaker 2>eighteen days later, sag Aftra has reached a deal with

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<v Speaker 2>the studios who that was a long time. We have

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<v Speaker 2>a new contract now that hopefully we'll make all this

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<v Speaker 2>time off worth it. It's been such a long road,

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<v Speaker 2>but I am so happy that we can all get

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<v Speaker 2>back to work now, which includes talking about shows, particularly

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<v Speaker 2>talking about new shows. Yes, now you may have noticed

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<v Speaker 2>there was a dearth of actors joining me on the

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<v Speaker 2>podcast here. Well, there's a very very good reason for that,

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<v Speaker 2>because nobody was allowed to talk about any shows or

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<v Speaker 2>movies that we're currently streaming on any platform. So I

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<v Speaker 2>have been chomping at the bit to tell you about

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<v Speaker 2>a recent project I did. As some of you know

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<v Speaker 2>from my conversations last year, I had the absolute pleasure

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<v Speaker 2>to work on the show The Other Black Girl, and

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<v Speaker 2>my guest today is the star of our show, Sinclair Daniel.

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<v Speaker 2>Sinclair plays Nella, who works at a publishing company. I

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<v Speaker 2>played Colin, one of the authors that said publishing company represents.

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<v Speaker 2>The show focuses on how Nella navigates office dynamics, race relations,

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<v Speaker 2>and well otherness as a black woman in a white

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<v Speaker 2>dominated space. Sinclair does an absolutely beautiful job as Nella,

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<v Speaker 2>dealing with all of the complexity and humor and darkness

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<v Speaker 2>that comes with She is so good everybody, and it

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<v Speaker 2>is so good for me to finally be able to

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<v Speaker 2>talk to another actor about well acting, especially new, recent,

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<v Speaker 2>important and great work. So I am so excited to

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<v Speaker 2>dive right back in to let you get to know

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<v Speaker 2>the funny, the brilliant, and the so so so talented

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<v Speaker 2>Sinclair Daniel. Bubble and Squeak. I love it, Bubble and Squeak,

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<v Speaker 2>Bubble and Squeak, cooking every move over from the night. People. Hey,

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<v Speaker 2>how are you? I'm good? How are you?

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<v Speaker 1>I'm good.

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<v Speaker 2>It's been so long now.

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<v Speaker 1>I know, it's been a couple of like lifetimes.

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<v Speaker 2>How are you doing.

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<v Speaker 1>I'm good. You know. It's just now starting to get

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<v Speaker 1>like wintery cold. So drinking a lot of tea, wearing

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<v Speaker 1>a lot of scarves, having a good time.

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<v Speaker 2>Okay, you're in New York, right, yeah, I am yeah,

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<v Speaker 2>and it's getting it's getting cold. You're feeling fall.

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<v Speaker 1>I'm feeling fall. We usually skip fall and skip spring

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<v Speaker 1>and just go straight to the extremes. So I'm really

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<v Speaker 1>trying to revel in the niceness that is happening outside

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<v Speaker 1>right now.

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<v Speaker 2>Well, you and I, Oh my gosh, we last. It's

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<v Speaker 2>been almost a year before if you could believe that, Uh,

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<v Speaker 2>it's been almost a year. I want to tell everybody

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<v Speaker 2>about how we got to know each other. But I

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<v Speaker 2>want but I want I want to start. I want

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<v Speaker 2>to start just with you. I want to I want to.

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<v Speaker 2>I wanta this is your life. This is okay, this

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<v Speaker 2>is s Claire Daniel's life. You grew up in New York?

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<v Speaker 2>Is that right?

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<v Speaker 1>No? I didn't. Actually, I grew up in d C.

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<v Speaker 1>So not super far. But I was born in d

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<v Speaker 1>C and then lived around that DC Maryland, Virginia area

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<v Speaker 1>for a little bit, and then in high school and moved.

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<v Speaker 3>To California, California. Where in California, Pasadena? Oh there, Da,

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<v Speaker 3>it's actually very nice and it's a really nice place.

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<v Speaker 2>So you went to high school out here?

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<v Speaker 1>I did? Yeah, I went to LaSalle High School shout

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<v Speaker 1>out for two years. Shout out LaSalle in Pasadena.

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<v Speaker 2>Yeah. Yeah, what was your So why did you move

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<v Speaker 2>to California? Was this? Was this a parental thing?

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<v Speaker 1>Yeah? So my mom's parents were living in California and

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<v Speaker 1>she was looking for a little bit of a change

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<v Speaker 1>and they were getting older, so it just made sense

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<v Speaker 1>to go out there. We would go a couple of

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<v Speaker 1>times a year anyway. So you just hit the bullet.

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<v Speaker 2>He bit the bullet and moved out. What what were

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<v Speaker 2>you interested in as a as a kid? What were

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<v Speaker 2>you what were you focused on? What were you interested in?

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<v Speaker 1>I was really I was a theater kid through and through.

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<v Speaker 1>I was. Yes, I was just having this conversation with

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<v Speaker 1>my cousin the other night and she was like, wait,

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<v Speaker 1>how did you get into this again? I mean the

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<v Speaker 1>The answer is I had a lot of allergies as

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<v Speaker 1>a kid, and both my parents worked full time jobs,

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<v Speaker 1>so I needed something to do from three to six

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<v Speaker 1>pm that was indoors, okay, because I couldn't do the

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<v Speaker 1>sports without having an athletsack or an allergy episode. So yeah,

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<v Speaker 1>theater was kind of the answer for me, and I

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<v Speaker 1>just liked it, so I stayed with it.

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<v Speaker 2>Yeah, so this is like you're talking about like even

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<v Speaker 2>elementary school or was this like in high school?

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<v Speaker 1>Okay, probably starting around fifth grade, and so I was

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<v Speaker 1>really into that. I was really I also liked winter

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<v Speaker 1>activity sports, so I also because no pollen, I liked

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<v Speaker 1>to ski and ice skate what you can also do

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<v Speaker 1>in California, which was very exciting to learn, right, surf

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<v Speaker 1>and ski in the same day.

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<v Speaker 2>And we're are you doing Were you doing like school

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<v Speaker 2>plays or were you branching out from that children's theater

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<v Speaker 2>or Yeah.

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<v Speaker 1>I was doing the school plays. We would do like

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<v Speaker 1>one play in one musical year, and then I would

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<v Speaker 1>also do some summer programs. I started to do those.

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<v Speaker 1>I did like community Christmas time, theater productions, pretty much

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<v Speaker 1>anything that would allow like a kid to just come

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<v Speaker 1>and participate. I was. I was pretty into that.

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<v Speaker 2>And when you moved to Pasadena, did you get into

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<v Speaker 2>the I mean, I find it so lame, like to

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<v Speaker 2>call it Hollywood, but for lack of a better, more

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<v Speaker 2>accurate phrase, like did you start doing an agent thing

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<v Speaker 2>or were you doing commercials or were you still pretty

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<v Speaker 2>much just strictly doing theater in school and stuff.

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<v Speaker 1>Yeah, I was not doing all that stuff. I was

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<v Speaker 1>really of all the kids who were. I wanted to

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<v Speaker 1>be the kid who had to leave school early because

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<v Speaker 1>I had an audition and sorry, I can't come. I'm

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<v Speaker 1>going on the Disney Channel next week. But I was

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<v Speaker 1>very much not that. My mom was like, you're gonna

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<v Speaker 1>stay in school and if you do the play in school,

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<v Speaker 1>that's fine. I think I went to like one quote

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<v Speaker 1>unquote Hollywood audition and they required that we emancipated ourselves,

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<v Speaker 1>and so my mother said absolutely not and we went home.

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<v Speaker 2>Really yeah, I think I was.

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<v Speaker 1>I could not even tell you what it was. I

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<v Speaker 1>went in. I was so excited I got to do

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<v Speaker 1>this one audition. It went really well. They called my

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<v Speaker 1>mom and they're like, okay, so how do you guys

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<v Speaker 1>feel about emancipation from your parent and I didn't know

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<v Speaker 1>if that was so I was like, yeah, let's do it,

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<v Speaker 1>and she said no, no, no, no, Wow.

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<v Speaker 2>I didn't even know that was a real And what's

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<v Speaker 2>the what's the point of that so they can better

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<v Speaker 2>control you?

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<v Speaker 1>Yeah, I think it's so they can screw you over.

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<v Speaker 1>I think it's just like so they can have a

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<v Speaker 1>fourteen year old sign on the dotted line and they

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<v Speaker 1>don't need like a co uh, a co signer, no

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<v Speaker 1>guardian or anything. You speak for yourself essentially, or you

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<v Speaker 1>temporarily turn over your rights to somebody else. Like kind

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<v Speaker 1>of interesting dark when I got into it.

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<v Speaker 2>Wow, so that is that. That is not a good

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<v Speaker 2>that's not a good start. I'm surprised you are where

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<v Speaker 2>you are now, that's crazy, all right, So you you

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<v Speaker 2>continue to do the theater stuff, and then what makes

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<v Speaker 2>you decide now, okay, so you're doing theater because you

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<v Speaker 2>have allergies. You need an activity to do, right, But

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<v Speaker 2>when when is the moment for you that it changes

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<v Speaker 2>and you decide, no, no, this is not an activity.

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<v Speaker 2>Because everybody sort of has these moments right where it

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<v Speaker 2>turns from an activity to like, oh no, I can

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<v Speaker 2>this is what I want to do, Yeah, what what

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<v Speaker 2>was that? What was that for you?

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<v Speaker 1>I think it was less of a like Eureka moment

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<v Speaker 1>and more of, you know, the span of a couple

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<v Speaker 1>of years. And when I got to the age where

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<v Speaker 1>the school play was no longer kind of a requirement

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<v Speaker 1>or like you know, most kids didn't have to be

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<v Speaker 1>in it, I kept doing it because I thought it

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<v Speaker 1>was really fun. And I think that's really what has

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<v Speaker 1>always been the motivating factor to me, is that it's

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<v Speaker 1>just so much fun. And then in high school, when

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<v Speaker 1>I moved to California, they had a pretty good arts department,

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<v Speaker 1>and I joined their arts department. And really what it

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<v Speaker 1>came down to is college application. Because for whatever reason,

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<v Speaker 1>we ask seventeen year olds what they want to do

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<v Speaker 1>for the rest of their lives.

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<v Speaker 2>It's crazy. I charge them.

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<v Speaker 1>Hundreds of thousands of dollars to follow through on that.

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<v Speaker 1>So I had to really sit with myself and just say,

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<v Speaker 1>what do I want to do for the rest of

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<v Speaker 1>my life? And the only thing that came up for

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<v Speaker 1>me really that I thought I was any good at

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<v Speaker 1>or that made me happy, or that I could in

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<v Speaker 1>reality see myself doing for a long time was acting

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<v Speaker 1>and performing. So I applied to college with that. That's

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<v Speaker 1>what I ended up majoring in. And luckily I had

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<v Speaker 1>parents who are very supportive of that dream and saw

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<v Speaker 1>it as a valid degree choice kind of path.

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<v Speaker 2>Yeah, me too. You know, I think that we're rare.

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<v Speaker 2>I mean, you make the joke, but you know it

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<v Speaker 2>is true. It's it's insane that people are asked at

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<v Speaker 2>that age like, so what do you want to study?

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<v Speaker 2>What's your focus for work? Ever? But I think most

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<v Speaker 2>people change like three or four, absolutely five times. But

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<v Speaker 2>it sounds like you and myself, like once I got

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<v Speaker 2>on the train and it was a similar time for

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<v Speaker 2>me in high school. It was like, oh no, this

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<v Speaker 2>is this is actually what I want to do. You

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<v Speaker 2>went for it. Now you ended up going to the

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<v Speaker 2>prestigious Tish School of the Arts. They're back in now

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<v Speaker 2>your hometown of New York. Was this an audition process you, Yeah,

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<v Speaker 2>you auditioned to get in there.

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<v Speaker 1>Yes, this was probably. College auditions were probably the most

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<v Speaker 1>stressful audition I've ever had in my life. And I'm

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<v Speaker 1>including TV movies, Broadway like college auditions, you know, states

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<v Speaker 1>were high and yes, so most schools require you to

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<v Speaker 1>do a contemporary monologue and a contrasting classical monologue, if

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<v Speaker 1>not more. And n Yu didn't ask for a classical monologue.

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<v Speaker 1>They just wanted to contemporary monologues. And they sent a

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<v Speaker 1>representative out to Los Angeles, which was nice, so I

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<v Speaker 1>didn't have to fly across the country. It was in

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<v Speaker 1>some hotel downtown where I think I later had prom

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<v Speaker 1>It was weird, but we go in there. I was

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<v Speaker 1>first of the day, first in line. I was like,

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<v Speaker 1>I need to get this over with so I can

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<v Speaker 1>start reading again. I go in there, I do my thing,

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<v Speaker 1>and then they ask for I do both my monologue,

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<v Speaker 1>and they ask for a classical monologue Shakespeare, and that

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<v Speaker 1>was not something on their requirements, and I had not

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<v Speaker 1>done it yet for my other auditions. I was keeping

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<v Speaker 1>that in my back pocket because the time hadn't come yet.

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<v Speaker 1>So I was panicking, and I remember taking my shoes off.

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<v Speaker 1>I just to like ground myself, and I took my

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<v Speaker 1>shoes off and I was in my socks and I

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<v Speaker 1>did my Shakespeare and then I left and it was

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<v Speaker 1>it was good. It ended up being working out. I

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<v Speaker 1>really didn't expect it to happen. I think it was

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<v Speaker 1>the only non California school I applied to It was

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<v Speaker 1>a pipe dream, but yeah it was. You know, you're

0:14:23.480 --> 0:14:30.920
<v Speaker 1>just sitting there in a hallway with other nervous, scared teenagers.

0:14:31.720 --> 0:14:36.120
<v Speaker 2>Just imagine what was Tish where you wanted to go?

0:14:37.080 --> 0:14:38.680
<v Speaker 1>Yeah, I mean I had, I had, I had a

0:14:38.720 --> 0:14:42.680
<v Speaker 1>top three and Tish was on the top three. But

0:14:43.000 --> 0:14:45.480
<v Speaker 1>really I did not even think I would get in.

0:14:45.920 --> 0:14:50.760
<v Speaker 1>It just seemed like such a a dream reach, you know,

0:14:51.360 --> 0:14:56.440
<v Speaker 1>going to study acting in New York City. That's that

0:14:56.440 --> 0:15:01.040
<v Speaker 1>could never happen to somebody like me. But it did,

0:15:01.120 --> 0:15:05.080
<v Speaker 1>and I'm so glad I made that choice to apply

0:15:05.280 --> 0:15:06.280
<v Speaker 1>to try and then.

0:15:06.160 --> 0:15:08.680
<v Speaker 2>Also to go What did give you.

0:15:10.480 --> 0:15:13.720
<v Speaker 1>A lot? And I also gave them a lot and

0:15:13.760 --> 0:15:19.720
<v Speaker 1>I'm still giving them some every month. But I did

0:15:20.560 --> 0:15:22.400
<v Speaker 1>get a lot out of that experience. I mean, I

0:15:22.440 --> 0:15:25.280
<v Speaker 1>still live in New York and going to college here.

0:15:25.480 --> 0:15:29.440
<v Speaker 1>My circle hasn't. I mean, I've met more people, but

0:15:29.480 --> 0:15:34.400
<v Speaker 1>my college circle is now my professional circle. These are

0:15:34.440 --> 0:15:38.320
<v Speaker 1>now people that hire me and I work with and

0:15:39.160 --> 0:15:42.160
<v Speaker 1>we just see each other all the time and it's amazing.

0:15:42.560 --> 0:15:48.120
<v Speaker 1>So it gave me a really amazing foundational community. You know,

0:15:48.120 --> 0:15:51.000
<v Speaker 1>I moved here as a teenager and I was hanging

0:15:51.000 --> 0:15:55.800
<v Speaker 1>out with other teenagers. And now these teenagers are associate

0:15:55.840 --> 0:15:58.920
<v Speaker 1>directors on Broadway. They are in the casting office at

0:15:58.960 --> 0:16:03.320
<v Speaker 1>CBS like we are, and we're friends. It gave me that,

0:16:03.400 --> 0:16:05.480
<v Speaker 1>It gave me a great sense of independence. There's not

0:16:05.600 --> 0:16:09.280
<v Speaker 1>much of a campus here. Our famous tedious slogan is

0:16:09.680 --> 0:16:16.520
<v Speaker 1>the city is your campus. So and yeah, that's what

0:16:16.600 --> 0:16:20.840
<v Speaker 1>they tell you. Give us all your money and we

0:16:20.880 --> 0:16:26.600
<v Speaker 1>won't even give you a quad. But it did. I mean,

0:16:26.680 --> 0:16:30.320
<v Speaker 1>I was going. I got an internship my freshman year

0:16:30.400 --> 0:16:34.160
<v Speaker 1>that was in Lincoln Center. I was seeing art shows

0:16:34.160 --> 0:16:36.000
<v Speaker 1>for free. I was taking advantage of all of the

0:16:36.160 --> 0:16:41.600
<v Speaker 1>student discounts for museums and outings and all these wonderful things.

0:16:42.320 --> 0:16:49.920
<v Speaker 1>So I felt like I grew up at my own speed,

0:16:50.000 --> 0:16:52.280
<v Speaker 1>at my own pace, but in a place that was

0:16:52.360 --> 0:16:56.840
<v Speaker 1>really built for me. I really felt a deep connection

0:16:56.880 --> 0:16:58.240
<v Speaker 1>to New York. I still do. I love it here

0:16:58.280 --> 0:17:03.600
<v Speaker 1>so much, and coming here through college was a really

0:17:05.600 --> 0:17:10.040
<v Speaker 1>fortunate transition. Wasn't just here had to figure stuff out?

0:17:10.640 --> 0:17:12.959
<v Speaker 2>Yeah, I mean you bring up a couple of super

0:17:13.000 --> 0:17:19.120
<v Speaker 2>interesting points in terms of you know, you're in this

0:17:19.600 --> 0:17:24.080
<v Speaker 2>school and as you say, there's no quad, the city's

0:17:24.160 --> 0:17:28.119
<v Speaker 2>your campus, But it sounds like you really took advantage

0:17:28.160 --> 0:17:33.720
<v Speaker 2>of that and having though that variety of experience. It's

0:17:33.760 --> 0:17:38.600
<v Speaker 2>sort of the opposite of most college experiences, right, because

0:17:39.040 --> 0:17:44.200
<v Speaker 2>I feel like, almost intentionally, most colleges are we are

0:17:44.240 --> 0:17:50.160
<v Speaker 2>a bubble to help protect you and help you to

0:17:50.240 --> 0:17:53.480
<v Speaker 2>become who you're going to become. Right, I mean it's

0:17:53.600 --> 0:17:58.480
<v Speaker 2>like we're it's insular in a way, whereas it sounds

0:17:59.119 --> 0:18:03.239
<v Speaker 2>to me like for you, you had because you went

0:18:03.320 --> 0:18:05.720
<v Speaker 2>to NYU and you have these discounts. You didn't have

0:18:05.800 --> 0:18:08.080
<v Speaker 2>money or whatever, and but you were able to go

0:18:08.160 --> 0:18:12.240
<v Speaker 2>out and have those experiences in the city, which, right,

0:18:12.280 --> 0:18:14.600
<v Speaker 2>I mean, let's be honest, that's an that's a part

0:18:14.640 --> 0:18:17.160
<v Speaker 2>of the education I think of itself.

0:18:17.280 --> 0:18:21.840
<v Speaker 1>Right, Probably the best sell NYU can make is where

0:18:21.920 --> 0:18:27.080
<v Speaker 1>it is. It is New York University, so you get

0:18:27.160 --> 0:18:32.439
<v Speaker 1>New York that is promised. Yeah. I felt like a

0:18:32.480 --> 0:18:37.840
<v Speaker 1>baby bird being shoved out of the nest. But yeah,

0:18:37.880 --> 0:18:42.080
<v Speaker 1>we the adjustment period was brief because the city ways

0:18:42.080 --> 0:18:44.200
<v Speaker 1>for no one and then you just get on board

0:18:44.240 --> 0:18:45.440
<v Speaker 1>and it's been amazing.

0:18:46.640 --> 0:18:54.280
<v Speaker 2>Yeah, do you feel like you like there's an experience

0:18:54.320 --> 0:18:57.040
<v Speaker 2>from when you're in high school and you're working on

0:18:57.119 --> 0:19:01.680
<v Speaker 2>shows and you have accomplished have you know, you've had

0:19:01.680 --> 0:19:06.520
<v Speaker 2>a various degree of success or whatever. You go to NYU,

0:19:06.800 --> 0:19:09.040
<v Speaker 2>which is an actor training program, which is the same

0:19:09.160 --> 0:19:12.520
<v Speaker 2>type of school that I went to. Do you feel

0:19:12.560 --> 0:19:14.960
<v Speaker 2>like you were I always felt like I was sort

0:19:14.960 --> 0:19:19.920
<v Speaker 2>of punched in the face very quickly about like, oh, no, son,

0:19:20.359 --> 0:19:24.800
<v Speaker 2>you don't know, you don't know anything. Yeah, right, like

0:19:24.880 --> 0:19:28.879
<v Speaker 2>you have you know, instincts, you have stage presence, but no,

0:19:29.040 --> 0:19:32.240
<v Speaker 2>this is do you feel like was that your experience

0:19:32.280 --> 0:19:34.320
<v Speaker 2>as well? Like here we're now going to tell you

0:19:34.359 --> 0:19:35.560
<v Speaker 2>how this actually works.

0:19:35.920 --> 0:19:40.800
<v Speaker 1>Yeah, we had a lot of uh that going on

0:19:40.920 --> 0:19:42.879
<v Speaker 1>in those first couple of weeks we had We had

0:19:42.880 --> 0:19:45.840
<v Speaker 1>people drop out in the first couple of weeks. It's

0:19:45.880 --> 0:19:50.640
<v Speaker 1>it's it's stark, and it's sudden. It's like, you know, ice,

0:19:50.680 --> 0:19:53.159
<v Speaker 1>cold water just being thrown on your face, right, And

0:19:53.240 --> 0:19:56.440
<v Speaker 1>a lot of kids who were previously big fishes in

0:19:56.520 --> 0:20:02.679
<v Speaker 1>little ponds, right and now diny minnows in the Pacific Ocean.

0:20:04.880 --> 0:20:08.440
<v Speaker 1>So I knew that going in, though I wanted that.

0:20:08.600 --> 0:20:10.720
<v Speaker 1>I wanted kind of to be punched in the face

0:20:10.880 --> 0:20:14.080
<v Speaker 1>a little because to me, that makes it real. I

0:20:14.119 --> 0:20:17.160
<v Speaker 1>wanted the hard work. I didn't want to fall into

0:20:17.200 --> 0:20:19.359
<v Speaker 1>any type of misconception that I'm going to move to

0:20:19.359 --> 0:20:21.800
<v Speaker 1>New York and like walk straight onto a set the

0:20:21.880 --> 0:20:27.400
<v Speaker 1>day I graduate. I wanted it to feel like I

0:20:27.440 --> 0:20:30.320
<v Speaker 1>was working hard so that when I accomplished things, I

0:20:30.320 --> 0:20:37.720
<v Speaker 1>wouldn't be afraid of them. But we yeah, we had.

0:20:37.960 --> 0:20:43.480
<v Speaker 1>I think probably what like a third didn't come back

0:20:43.520 --> 0:20:49.040
<v Speaker 1>for second year, switched majors or switched schools, switch cities.

0:20:49.160 --> 0:20:53.800
<v Speaker 1>You know, it's not for everybody, but it did happen.

0:20:53.880 --> 0:20:56.879
<v Speaker 1>I had a teacher on one of my first acting classes.

0:20:57.200 --> 0:21:00.200
<v Speaker 1>She just walks in the door and she goes, how

0:21:00.200 --> 0:21:03.880
<v Speaker 1>many of you have divorced parents? And you're like, oh,

0:21:03.920 --> 0:21:06.720
<v Speaker 1>that's kind of personal. But I raised my hand and

0:21:07.000 --> 0:21:08.600
<v Speaker 1>said it a couple of other people and she said,

0:21:09.080 --> 0:21:10.920
<v Speaker 1>I don't really know why the rest of you are

0:21:10.920 --> 0:21:16.720
<v Speaker 1>even here. And I was thinking to myself, what thing

0:21:16.800 --> 0:21:22.800
<v Speaker 1>to say looking around at all the happily married, a

0:21:22.920 --> 0:21:28.000
<v Speaker 1>couple of parent children in the room, well the tables

0:21:28.000 --> 0:21:28.600
<v Speaker 1>and turns.

0:21:47.280 --> 0:21:49.320
<v Speaker 2>Did you want to do theater? You wanted to be

0:21:49.320 --> 0:21:51.600
<v Speaker 2>an actor? You went you, you got in as an actor.

0:21:52.440 --> 0:21:54.800
<v Speaker 2>Did you want to do theater? What? Where? Where was

0:21:54.800 --> 0:21:57.800
<v Speaker 2>your brain? I mean you're still young, so I mean

0:21:58.359 --> 0:22:02.480
<v Speaker 2>you transition pretty quickly. But were did you want to

0:22:02.520 --> 0:22:06.000
<v Speaker 2>be an actor in anything? Did you have a particular

0:22:06.400 --> 0:22:08.520
<v Speaker 2>view in mind for what your future held.

0:22:09.480 --> 0:22:12.359
<v Speaker 1>I think I went in like everybody else, wanting to

0:22:12.359 --> 0:22:18.600
<v Speaker 1>be in movies and on a hit television show with

0:22:18.760 --> 0:22:23.080
<v Speaker 1>many seasons and spin offs and reboots. And then I

0:22:23.119 --> 0:22:26.560
<v Speaker 1>got to New York and I really fell in love

0:22:26.600 --> 0:22:28.920
<v Speaker 1>with theater. I'd already been doing it, but to see

0:22:28.920 --> 0:22:33.800
<v Speaker 1>it done at a professional level consistently everywhere I went

0:22:34.200 --> 0:22:39.119
<v Speaker 1>was so inspiring, and I really wanted to do that.

0:22:39.200 --> 0:22:43.080
<v Speaker 1>So my junior year I actually opted to go study

0:22:43.119 --> 0:22:46.919
<v Speaker 1>abroad in London and study at RADA because I wanted

0:22:47.200 --> 0:22:50.639
<v Speaker 1>classical training. I wanted to go see West End shows,

0:22:50.640 --> 0:22:56.680
<v Speaker 1>fringe shows. I wanted to be in it. And then

0:22:56.720 --> 0:22:59.840
<v Speaker 1>I came back in my senior year, I went to

0:22:59.880 --> 0:23:02.200
<v Speaker 1>the film and television studio to just kind of go

0:23:02.480 --> 0:23:04.879
<v Speaker 1>the other way, and I was like, oh, yeah, I

0:23:04.920 --> 0:23:08.520
<v Speaker 1>really do like this stuff, so ultimately I'm all, I

0:23:08.920 --> 0:23:10.440
<v Speaker 1>like all of it. I want to do all of it.

0:23:12.520 --> 0:23:14.440
<v Speaker 1>I just did a play and it was the first

0:23:14.480 --> 0:23:17.240
<v Speaker 1>play I'd done in a while, and it felt so good,

0:23:17.920 --> 0:23:20.679
<v Speaker 1>you know, I was exhausted. I made no money, and

0:23:20.760 --> 0:23:24.200
<v Speaker 1>I couldn't have been happier I was. It just felt,

0:23:24.640 --> 0:23:27.200
<v Speaker 1>you know, your whole body gets engaged, and it's a

0:23:27.280 --> 0:23:29.800
<v Speaker 1>nice reminder for why I got into this.

0:23:32.440 --> 0:23:38.199
<v Speaker 2>Yeah, it's funny, I I think. I think that's the

0:23:38.320 --> 0:23:45.840
<v Speaker 2>difference between NYU and most other actor conservatory training programs.

0:23:45.920 --> 0:23:49.200
<v Speaker 2>I think because you said you entered of course wanting

0:23:50.560 --> 0:23:55.480
<v Speaker 2>TV series like that was never in my consciousness early on,

0:23:56.359 --> 0:23:59.000
<v Speaker 2>Like I just wanted to be an actor in the

0:23:59.000 --> 0:24:03.560
<v Speaker 2>theater like that was like that was the only thing

0:24:03.560 --> 0:24:05.280
<v Speaker 2>that I wanted and the only thing that I thought

0:24:05.359 --> 0:24:07.320
<v Speaker 2>that I would ever do, And I didn't even really

0:24:07.359 --> 0:24:12.680
<v Speaker 2>think about that. NYU has great actor training. How much

0:24:12.840 --> 0:24:16.600
<v Speaker 2>training are you getting? I mean you said, and I

0:24:16.640 --> 0:24:18.480
<v Speaker 2>don't know exactly what this means when you went back

0:24:18.520 --> 0:24:21.399
<v Speaker 2>your senior year film and television, Are you getting film

0:24:21.440 --> 0:24:25.480
<v Speaker 2>and television acting training as well, or training in the

0:24:25.560 --> 0:24:29.960
<v Speaker 2>business at all, or how does that work there?

0:24:30.200 --> 0:24:33.080
<v Speaker 1>Yeah? They have so at ny you have to do

0:24:33.200 --> 0:24:37.000
<v Speaker 1>primary training first, so when you go you get sorted

0:24:37.000 --> 0:24:39.359
<v Speaker 1>into a studio. I always compare it to the Harry

0:24:39.359 --> 0:24:42.719
<v Speaker 1>Potter sorting hat. It's all the same school, but different

0:24:42.800 --> 0:24:45.800
<v Speaker 1>acting techniques, right, you don't get to choose, and you

0:24:45.800 --> 0:24:48.080
<v Speaker 1>have to stay there for two years. And then after

0:24:48.119 --> 0:24:51.120
<v Speaker 1>your two years you can go abroad, you can try

0:24:51.119 --> 0:24:54.000
<v Speaker 1>a different acting studio, or you can go do your

0:24:54.040 --> 0:24:55.960
<v Speaker 1>film and TV stuff, but you're not allowed to do

0:24:56.040 --> 0:24:59.840
<v Speaker 1>until you finish your theater training. So there's a school

0:25:00.280 --> 0:25:04.159
<v Speaker 1>NYU called Stone Street Studios, and that's the film and

0:25:04.240 --> 0:25:06.720
<v Speaker 1>TV side of things, and they really try and make

0:25:06.760 --> 0:25:10.360
<v Speaker 1>it all of those all of those things that you're

0:25:10.400 --> 0:25:13.720
<v Speaker 1>talking about. So it's you know, you work on camera

0:25:14.119 --> 0:25:18.679
<v Speaker 1>with scene work, scene study, but you also have classes

0:25:18.800 --> 0:25:23.040
<v Speaker 1>on how to read a call sheet and what a

0:25:23.040 --> 0:25:26.360
<v Speaker 1>typical contract might look like. And we have guest speakers

0:25:26.400 --> 0:25:30.560
<v Speaker 1>come in and then we have to role plaze the

0:25:30.600 --> 0:25:33.399
<v Speaker 1>first eighty, the second eighty, the boom op, the gaffer,

0:25:33.520 --> 0:25:37.919
<v Speaker 1>like you learn those things, which I actually found to

0:25:37.920 --> 0:25:41.600
<v Speaker 1>be the most valuable part of the whole education at

0:25:41.640 --> 0:25:45.800
<v Speaker 1>Stone Street was just learning how a set actually runs.

0:25:46.480 --> 0:25:48.800
<v Speaker 1>I don't know, nobody's gonna slow it down and explain

0:25:48.800 --> 0:25:49.640
<v Speaker 1>it to you want to get there.

0:25:49.720 --> 0:25:54.520
<v Speaker 2>I know that, and I was when I started in

0:25:54.560 --> 0:25:57.560
<v Speaker 2>film and television. I was much older and knew not

0:25:57.720 --> 0:26:01.280
<v Speaker 2>absolutely nothing. And that's what I always say, like, in

0:26:01.320 --> 0:26:03.359
<v Speaker 2>some ways the hardest part of the job is like

0:26:04.200 --> 0:26:07.840
<v Speaker 2>figuring out how it actually works. Like if it's just

0:26:07.920 --> 0:26:11.120
<v Speaker 2>about saying your lines in character to another person, I'm

0:26:11.160 --> 0:26:15.399
<v Speaker 2>good with that. Like wait, why is this? Why is

0:26:15.400 --> 0:26:18.879
<v Speaker 2>this person under me? Why am I rattling this person

0:26:18.960 --> 0:26:24.040
<v Speaker 2>right now? I'm saying everyone close, everyone, so in my

0:26:24.200 --> 0:26:28.880
<v Speaker 2>face all the time. Yeah, uh, that's that's fascinating. All right.

0:26:29.040 --> 0:26:35.000
<v Speaker 2>So you graduate, You're in the big city. What what

0:26:35.000 --> 0:26:36.439
<v Speaker 2>what are you? What are you trying to do? Are

0:26:36.480 --> 0:26:38.600
<v Speaker 2>you just trying to work? It doesn't matter where it is.

0:26:39.000 --> 0:26:43.720
<v Speaker 1>So I immediately I've been working as like hearing their

0:26:43.800 --> 0:26:48.040
<v Speaker 1>jobs through college Marista nannying, And then when I graduated,

0:26:48.280 --> 0:26:53.480
<v Speaker 1>I started working at a gym because I wanted to

0:26:53.560 --> 0:26:57.560
<v Speaker 1>have my days free to go sit around for hours

0:26:57.560 --> 0:26:59.280
<v Speaker 1>at Actors Equity and like hope to get seen for

0:26:59.280 --> 0:27:01.600
<v Speaker 1>an audition. So I would start my work day at

0:27:01.640 --> 0:27:03.119
<v Speaker 1>like four point thirty in the morning so that I

0:27:03.119 --> 0:27:05.439
<v Speaker 1>could be done by noon and then I could go

0:27:05.440 --> 0:27:08.880
<v Speaker 1>to Actors Equity and wait for six hours and then

0:27:08.920 --> 0:27:12.080
<v Speaker 1>maybe get seen live in the dream. So that was

0:27:12.280 --> 0:27:17.680
<v Speaker 1>post grad immediately, and I had done a showcase in

0:27:17.720 --> 0:27:21.080
<v Speaker 1>my senior year. Second semester and I had met my

0:27:21.720 --> 0:27:26.080
<v Speaker 1>manager and she was kind of just like, I like you,

0:27:26.200 --> 0:27:28.000
<v Speaker 1>let's see how this goes. So she would send me

0:27:28.480 --> 0:27:35.200
<v Speaker 1>little auditions here and there. I got my first TV appearance,

0:27:35.720 --> 0:27:37.920
<v Speaker 1>which was very cool for me, on one of those

0:27:38.200 --> 0:27:43.760
<v Speaker 1>New York courtroom shows. What was it was Madam Secretary.

0:27:43.920 --> 0:27:46.040
<v Speaker 2>Okay, that's what I thought, Madam Secretary.

0:27:46.400 --> 0:27:48.600
<v Speaker 1>She wasn't that one. One wasn't actually that court roomy,

0:27:48.760 --> 0:27:51.280
<v Speaker 1>but it was. It's, you know, very New York type show.

0:27:52.119 --> 0:27:58.679
<v Speaker 2>Media Costello, Media Costello in Madam Secretary. So how was

0:27:58.720 --> 0:28:02.080
<v Speaker 2>that experience? Like being on a set for the first.

0:28:01.880 --> 0:28:07.560
<v Speaker 1>Time is incredible, I am. I mean every time I

0:28:07.560 --> 0:28:09.440
<v Speaker 1>step on a set, it's amazing. But I don't think

0:28:09.480 --> 0:28:11.840
<v Speaker 1>anything can really top the first time that you get

0:28:11.880 --> 0:28:15.320
<v Speaker 1>to go and you're sitting in the hair and makeup

0:28:15.400 --> 0:28:18.040
<v Speaker 1>chair and you're handed your scene for the day, and

0:28:18.800 --> 0:28:20.919
<v Speaker 1>you know, you get to talk to the director, you

0:28:20.960 --> 0:28:22.879
<v Speaker 1>get to talk to the actor who you've been watching

0:28:22.880 --> 0:28:26.280
<v Speaker 1>on television, Like there's just something so exciting about that.

0:28:26.320 --> 0:28:29.639
<v Speaker 1>I was nervous, so nervous, and I even now sometimes

0:28:29.680 --> 0:28:33.080
<v Speaker 1>when I watch that scene back, like, oh goodness, girl,

0:28:33.320 --> 0:28:38.600
<v Speaker 1>loosen up. Read a little bit, but you know, all

0:28:38.640 --> 0:28:42.160
<v Speaker 1>in time, it was. It was a really fun day.

0:28:42.280 --> 0:28:45.160
<v Speaker 1>I was just so happy, and I remember calling my

0:28:45.400 --> 0:28:47.560
<v Speaker 1>parents and I was like, I'm gonna be on TEAMV.

0:28:49.520 --> 0:28:50.480
<v Speaker 1>It was so exciting.

0:28:52.600 --> 0:28:55.320
<v Speaker 2>But you were you were nervous, Yeah, I was.

0:28:55.440 --> 0:28:57.520
<v Speaker 1>I was nervous. I was really nervous.

0:28:59.360 --> 0:29:01.200
<v Speaker 2>How many days did you have that first time?

0:29:01.720 --> 0:29:05.400
<v Speaker 1>I was there for five hours? It was not days.

0:29:06.320 --> 0:29:09.640
<v Speaker 1>A scene where we were sitting at a table, so

0:29:09.720 --> 0:29:12.520
<v Speaker 1>they did one over the shoulder, another over the shoulder,

0:29:13.040 --> 0:29:15.760
<v Speaker 1>wid at a medium. They called it okay.

0:29:18.160 --> 0:29:21.320
<v Speaker 2>You end up working on some other shows there in

0:29:21.400 --> 0:29:26.600
<v Speaker 2>New York, Bull for one, The Good Fight. Do you

0:29:26.880 --> 0:29:30.520
<v Speaker 2>do you feel like you start gaining confidence with these

0:29:30.560 --> 0:29:34.400
<v Speaker 2>guest stars, you start feeling more comfortable, or is every

0:29:34.440 --> 0:29:36.360
<v Speaker 2>time you still get nervous.

0:29:36.680 --> 0:29:41.040
<v Speaker 1>I mean, honestly, I find new reasons to get nervous

0:29:41.120 --> 0:29:44.640
<v Speaker 1>every time. It's different nerves. But when I was on

0:29:45.400 --> 0:29:49.160
<v Speaker 1>The Good Fight, I was My scene was with Audrey

0:29:49.280 --> 0:29:53.720
<v Speaker 1>McDonald and then Christine Baranski's sitting right across the table

0:29:53.760 --> 0:29:56.880
<v Speaker 1>from us, and I have to be talking about my

0:29:57.000 --> 0:30:01.120
<v Speaker 1>dead friend and I'm just in the presence of legends,

0:30:01.760 --> 0:30:04.520
<v Speaker 1>trying to sitting on a stand in a courtroom, so

0:30:04.600 --> 0:30:07.200
<v Speaker 1>everyone's just staring at me, and I'm staring at Audre

0:30:07.280 --> 0:30:10.160
<v Speaker 1>McDonald and she smelled so good and I just wanted

0:30:10.160 --> 0:30:13.120
<v Speaker 1>her to come stand next to me, and so that

0:30:13.200 --> 0:30:16.240
<v Speaker 1>made me nervous, but that was also a really it

0:30:16.280 --> 0:30:20.520
<v Speaker 1>ended up being a really fun day and Bull. I

0:30:20.560 --> 0:30:23.120
<v Speaker 1>was nervous because it was my first day, my first

0:30:23.160 --> 0:30:25.840
<v Speaker 1>job where I was on for multiple days. So I

0:30:25.880 --> 0:30:28.440
<v Speaker 1>was on Bull for I think ten days, So I

0:30:28.480 --> 0:30:33.560
<v Speaker 1>was nervous about that, you know, building a character, an

0:30:33.680 --> 0:30:39.240
<v Speaker 1>arc or something like that. But all of the previous

0:30:39.280 --> 0:30:44.800
<v Speaker 1>experiences inform the next one, which is great, But it

0:30:44.800 --> 0:30:46.680
<v Speaker 1>doesn't mean I'm not going to be nervous every time

0:30:46.720 --> 0:30:48.720
<v Speaker 1>I step onto a set, because it's always something new

0:30:48.760 --> 0:30:49.560
<v Speaker 1>to be nervous about.

0:30:50.160 --> 0:30:55.640
<v Speaker 2>Yeah, I know you did a lot. I mean I

0:30:55.680 --> 0:30:58.240
<v Speaker 2>have seven here listed in front of me. I won't

0:30:58.240 --> 0:30:59.960
<v Speaker 2>go through all the titles, but a lot of short

0:31:00.080 --> 0:31:04.600
<v Speaker 2>films gaining experience. Now is this are these projects that

0:31:04.640 --> 0:31:07.800
<v Speaker 2>you're doing with some of your NYU cohorts. You guys

0:31:07.800 --> 0:31:11.800
<v Speaker 2>are putting stuff together, just trying to work there.

0:31:11.960 --> 0:31:18.240
<v Speaker 1>Yeah. Some of them were NYU friends that we were,

0:31:19.120 --> 0:31:22.000
<v Speaker 1>you know, working with. Some were casting calls that I

0:31:22.080 --> 0:31:27.520
<v Speaker 1>answered in college just for other universities looking for actors.

0:31:28.440 --> 0:31:33.480
<v Speaker 1>One of my teachers had a friend who was making

0:31:33.520 --> 0:31:38.800
<v Speaker 1>a production who needed somebody and recommended me. And oh

0:31:38.840 --> 0:31:41.360
<v Speaker 1>I also spent a summer at Williamstown Theater Festival.

0:31:41.800 --> 0:31:42.440
<v Speaker 2>Oh yeah, me.

0:31:42.520 --> 0:31:46.720
<v Speaker 1>Eighteen and I was an apprentice there, and I'd say

0:31:47.640 --> 0:31:52.480
<v Speaker 1>second to NYU, if not even on par with NYU

0:31:52.640 --> 0:31:57.160
<v Speaker 1>as far as networking and meeting people, that was really great.

0:31:57.240 --> 0:31:59.320
<v Speaker 1>So a lot of those short films came out of

0:31:59.480 --> 0:32:02.040
<v Speaker 1>collaboration with people from there. You know, you just pick

0:32:02.120 --> 0:32:06.520
<v Speaker 1>up people along the way, and especially with social media

0:32:06.560 --> 0:32:09.720
<v Speaker 1>now you can just get connected so easily. Right, So

0:32:09.760 --> 0:32:11.800
<v Speaker 1>people are always looking for somebody to be in their

0:32:11.800 --> 0:32:14.320
<v Speaker 1>short film, and if you have the patience to do it,

0:32:15.240 --> 0:32:16.080
<v Speaker 1>they'll let you do it.

0:32:16.880 --> 0:32:23.560
<v Speaker 2>Right. At this point, you're auditioning, trying to find work,

0:32:23.840 --> 0:32:28.880
<v Speaker 2>working some in the theater. As you mentioned before, how

0:32:28.920 --> 0:32:34.720
<v Speaker 2>do you meet the folks on the other Black Girl?

0:32:36.160 --> 0:32:42.960
<v Speaker 1>So, yes, I was coming out of When was that

0:32:43.360 --> 0:32:48.080
<v Speaker 1>so twenty twenty one? Is that twenty twenty one? Yes,

0:32:48.120 --> 0:32:49.920
<v Speaker 1>twenty twenty one, the top of twenty to twenty one.

0:32:50.920 --> 0:32:54.000
<v Speaker 1>I'm coming off of like a year nothing. I had

0:32:54.040 --> 0:32:56.040
<v Speaker 1>signed with my agent in February twenty twenty, and then

0:32:56.200 --> 0:32:58.520
<v Speaker 1>we all know what happens two weeks.

0:32:58.320 --> 0:33:02.080
<v Speaker 2>Later, right right, was just there was great timing.

0:33:02.160 --> 0:33:05.600
<v Speaker 1>Great timing. I yeah, fresh out of school. I was like,

0:33:05.720 --> 0:33:10.240
<v Speaker 1>I'm gonna take this by the whole, nothing, nothing, silence.

0:33:11.880 --> 0:33:14.280
<v Speaker 1>So top of between twenty one, I think one of

0:33:14.320 --> 0:33:17.680
<v Speaker 1>my first auditions is I get something in my inbox

0:33:17.720 --> 0:33:24.280
<v Speaker 1>says like untitled Insidious project, and I didn't know what

0:33:24.320 --> 0:33:26.120
<v Speaker 1>that meant, so I was like, I'm just gonna submit.

0:33:27.080 --> 0:33:28.800
<v Speaker 1>I get a call back, and then I find out

0:33:28.840 --> 0:33:31.760
<v Speaker 1>it's the Insidious franchise, like the horror movies, and I'm like,

0:33:31.800 --> 0:33:33.960
<v Speaker 1>oh my gosh, I actually love these. So I end

0:33:34.040 --> 0:33:38.040
<v Speaker 1>up booking that, and I while I'm on set for that,

0:33:38.760 --> 0:33:40.560
<v Speaker 1>I get this audition for the show called The Other

0:33:40.600 --> 0:33:43.000
<v Speaker 1>Black Girl. At this point, I'm sleeping on my friend's

0:33:43.000 --> 0:33:47.120
<v Speaker 1>couch underneath his bookshelf, and on his bookshelf is The

0:33:47.160 --> 0:33:50.880
<v Speaker 1>Other Black Girl. And so I novel the novel the book.

0:33:51.240 --> 0:33:53.240
<v Speaker 1>So I'm looking at my computer and I said, I've

0:33:53.280 --> 0:33:55.840
<v Speaker 1>seen that before, and I just turn around and grabbed

0:33:55.840 --> 0:33:59.080
<v Speaker 1>the book and start reading. And I was like, Okay,

0:33:59.160 --> 0:34:02.440
<v Speaker 1>well great, but I'm also trying to learn my lines

0:34:02.480 --> 0:34:04.480
<v Speaker 1>for this movie I'm doing, so I'm not really that focused.

0:34:06.320 --> 0:34:09.759
<v Speaker 1>So I when it comes time for my audition, I'm

0:34:09.800 --> 0:34:12.640
<v Speaker 1>on set for Insidious, I have to talk to the

0:34:12.680 --> 0:34:15.279
<v Speaker 1>director before Patrick Wilson. He was so lovely for this.

0:34:15.400 --> 0:34:17.520
<v Speaker 1>He gave me like an extra long lunch break and

0:34:17.560 --> 0:34:21.279
<v Speaker 1>he moved around the schedule so I could do this

0:34:21.440 --> 0:34:25.000
<v Speaker 1>zoom audition for the other Black Girl. And it was

0:34:25.000 --> 0:34:26.480
<v Speaker 1>great because I was already in hair makeup and I

0:34:26.560 --> 0:34:30.480
<v Speaker 1>was like, I feel fabulous, and so that was how

0:34:30.520 --> 0:34:33.520
<v Speaker 1>I got my first audition for that, and I auditioned

0:34:33.560 --> 0:34:37.719
<v Speaker 1>for Nella and then when they called me back, they

0:34:37.719 --> 0:34:40.360
<v Speaker 1>wanted me to read for Hazel. So I read for

0:34:40.440 --> 0:34:47.080
<v Speaker 1>Hazel and then they said, actually, you know, we kind

0:34:47.080 --> 0:34:49.680
<v Speaker 1>of feel like you fall in between these two characters

0:34:50.239 --> 0:34:53.440
<v Speaker 1>too much, so we're going to pass. And I was

0:34:54.200 --> 0:34:56.600
<v Speaker 1>pretty disappointed because I was like, I kind of feel

0:34:56.600 --> 0:34:59.040
<v Speaker 1>like I could do this. I feel like I get

0:34:59.080 --> 0:35:03.040
<v Speaker 1>this person character. But you know what happens. They passed,

0:35:03.920 --> 0:35:06.800
<v Speaker 1>and then three weeks later they called me back and

0:35:06.840 --> 0:35:08.319
<v Speaker 1>they said, we actually want to have you back in

0:35:08.360 --> 0:35:10.480
<v Speaker 1>for Nola. And at that point it just goes like

0:35:10.960 --> 0:35:13.719
<v Speaker 1>rapid fire. It's pretty much a call a week or

0:35:13.800 --> 0:35:15.960
<v Speaker 1>two calls a week or something like that. But it

0:35:16.080 --> 0:35:20.839
<v Speaker 1>ended up being like a July to October process.

0:35:21.200 --> 0:35:23.000
<v Speaker 2>How many times did you read for them?

0:35:23.560 --> 0:35:23.799
<v Speaker 1>Yes?

0:35:25.360 --> 0:35:26.280
<v Speaker 2>How many times?

0:35:26.719 --> 0:35:30.920
<v Speaker 1>I don't know. I want to say. I did my Nella,

0:35:31.160 --> 0:35:33.960
<v Speaker 1>I did my Hazel. I think I did one more

0:35:34.000 --> 0:35:38.960
<v Speaker 1>Nella after that, and then I did kind of like

0:35:39.000 --> 0:35:42.920
<v Speaker 1>a bracket style chemistry read which took three hours, and

0:35:42.960 --> 0:35:46.239
<v Speaker 1>then I did two chemistry reads with Ashley, who ended

0:35:46.320 --> 0:35:50.799
<v Speaker 1>up playing Hazel. And then once I got the role,

0:35:51.360 --> 0:35:55.120
<v Speaker 1>I did chemistry reads with all the Owens, all the Malaikahs.

0:35:55.560 --> 0:35:58.000
<v Speaker 1>So I was on the phone with these people a lot.

0:35:58.440 --> 0:35:59.400
<v Speaker 2>Okay, I don't.

0:35:59.239 --> 0:36:02.040
<v Speaker 1>Even remember point I had the job. I was just like,

0:36:02.320 --> 0:36:03.799
<v Speaker 1>I hope there's a job at the end of this.

0:36:06.560 --> 0:36:09.800
<v Speaker 2>Wow. I had no idea.

0:36:10.400 --> 0:36:15.680
<v Speaker 1>It was quite the process. Yes, So also different countries.

0:36:15.719 --> 0:36:18.040
<v Speaker 1>I was traveling. I was on vacation, so I was

0:36:18.080 --> 0:36:21.080
<v Speaker 1>on a road trip on in a van in Iceland

0:36:21.120 --> 0:36:23.520
<v Speaker 1>when I had my first chemistry read and they said

0:36:23.520 --> 0:36:25.840
<v Speaker 1>we want to see you tomorrow. So I had to

0:36:25.880 --> 0:36:29.640
<v Speaker 1>get on my phone and find the nearest hotel on

0:36:29.680 --> 0:36:33.920
<v Speaker 1>the Icelandic like country side where the whole country's population

0:36:34.040 --> 0:36:36.640
<v Speaker 1>is like two hundred and fifty thousand people found one

0:36:36.719 --> 0:36:40.839
<v Speaker 1>room with the strongest WiFi in Iceland. I still think

0:36:40.880 --> 0:36:41.640
<v Speaker 1>about that hotel.

0:36:42.040 --> 0:36:43.000
<v Speaker 2>Oh my god.

0:36:43.080 --> 0:36:45.239
<v Speaker 1>And I did. I did my my reads in there.

0:36:45.600 --> 0:36:50.760
<v Speaker 1>My friend sat in the van. Wow, it was chaos.

0:36:51.400 --> 0:36:56.040
<v Speaker 2>That's incredible. Did you when you when you were when

0:36:56.080 --> 0:36:59.320
<v Speaker 2>you were sleeping under the bookshelf and you turned around

0:36:59.320 --> 0:37:01.600
<v Speaker 2>and you picked up the book. Did you respond to

0:37:01.640 --> 0:37:03.840
<v Speaker 2>the book? I mean, I know you wanted a job

0:37:04.360 --> 0:37:08.640
<v Speaker 2>and spoiler alert, it's the lead, But did you respond

0:37:08.719 --> 0:37:11.240
<v Speaker 2>did you respond to the to the to the book?

0:37:11.400 --> 0:37:12.920
<v Speaker 2>Was there? Yes? Yeah?

0:37:12.960 --> 0:37:15.120
<v Speaker 1>I mean when I picked up the book, I read

0:37:15.360 --> 0:37:17.719
<v Speaker 1>the back or the inside cover wherever the synopsis was,

0:37:17.760 --> 0:37:20.600
<v Speaker 1>and I said, this sounds really, really good. And then

0:37:20.880 --> 0:37:23.040
<v Speaker 1>I read the first couple of chapters. And then they

0:37:23.040 --> 0:37:24.840
<v Speaker 1>had also sent me the pilot, so I read the

0:37:24.880 --> 0:37:28.120
<v Speaker 1>pilot script and between I did all of that at

0:37:28.120 --> 0:37:30.600
<v Speaker 1>the same time. So between all of that, I was

0:37:30.640 --> 0:37:35.520
<v Speaker 1>already pretty hooked. I really felt like I knew who

0:37:35.600 --> 0:37:39.719
<v Speaker 1>Nella was and I identified with a lot of the

0:37:39.760 --> 0:37:44.400
<v Speaker 1>things that I was reading about her. And I didn't

0:37:44.440 --> 0:37:48.800
<v Speaker 1>finish the book until the end of the audition process.

0:37:49.040 --> 0:37:51.440
<v Speaker 1>I kind of didn't want to know how it ended,

0:37:53.640 --> 0:37:57.239
<v Speaker 1>but I was as they were sending me scripts, I

0:37:57.280 --> 0:37:59.279
<v Speaker 1>was reading little bits of the book and just kind

0:37:59.320 --> 0:38:02.520
<v Speaker 1>of getting more and more interested. And since it's it's

0:38:02.320 --> 0:38:06.799
<v Speaker 1>it's not necessarily mystery, but thriller. The not knowing, I

0:38:06.800 --> 0:38:10.200
<v Speaker 1>thought was helping me. I Wela doesn't know what's happening

0:38:10.239 --> 0:38:12.319
<v Speaker 1>to her, so I shouldn't know what's happening either.

0:38:12.960 --> 0:38:17.399
<v Speaker 2>That's very That's very interesting and astute of you. I think.

0:38:17.480 --> 0:38:20.280
<v Speaker 2>By the way, the other black Girl New York Times

0:38:21.120 --> 0:38:29.839
<v Speaker 2>best selling book, Rave Book made into a series. Now,

0:38:29.960 --> 0:38:33.480
<v Speaker 2>did you have any connection with Rashida Jones.

0:38:34.280 --> 0:38:39.160
<v Speaker 1>Besides being a lifelong fan. Nope. I saw her name

0:38:39.440 --> 0:38:44.279
<v Speaker 1>and I was I called my dad had Jones. That's

0:38:44.320 --> 0:38:47.120
<v Speaker 1>what it says. Unless there's another one.

0:38:47.880 --> 0:38:52.799
<v Speaker 2>Yeah, I had no idea. They put you guys through

0:38:52.800 --> 0:38:53.680
<v Speaker 2>the ringer.

0:38:53.880 --> 0:38:56.799
<v Speaker 1>Yeah, it was you know, and we all got there

0:38:56.840 --> 0:38:59.040
<v Speaker 1>and I was talking to everybody else, and Ashley had

0:38:59.080 --> 0:39:03.000
<v Speaker 1>a similar experience. I think they wanted to get it

0:39:03.080 --> 0:39:07.319
<v Speaker 1>right that those two relationship, I understand, you know, it

0:39:07.400 --> 0:39:10.520
<v Speaker 1>was you could find one but maybe didn't have great

0:39:10.600 --> 0:39:13.120
<v Speaker 1>chemistry with the other. And they made Ashley and I. I

0:39:13.120 --> 0:39:15.680
<v Speaker 1>think Ashley and I tested together two or three times

0:39:16.040 --> 0:39:21.319
<v Speaker 1>and it took hours, but nobody was trying to be

0:39:22.080 --> 0:39:26.000
<v Speaker 1>aloof about it. At one point, Todd, our producing director,

0:39:26.600 --> 0:39:28.640
<v Speaker 1>straight up set He's like, we really like you too,

0:39:29.040 --> 0:39:32.000
<v Speaker 1>and we really like you two together, so we're just

0:39:32.040 --> 0:39:34.480
<v Speaker 1>going to give you some stuff to heighten it so

0:39:34.600 --> 0:39:36.520
<v Speaker 1>we can send it off to the people at Hulu

0:39:36.600 --> 0:39:38.480
<v Speaker 1>and they'll love you as much as we do. And

0:39:38.560 --> 0:39:40.160
<v Speaker 1>I appreciated that transparency.

0:39:41.120 --> 0:40:02.759
<v Speaker 2>Yeah, that's awesome. You get this job, your first obviously

0:40:03.000 --> 0:40:08.640
<v Speaker 2>central leading role of a big series. Now, is there

0:40:08.960 --> 0:40:14.880
<v Speaker 2>nerves from you in beginning to work on the show.

0:40:15.560 --> 0:40:18.680
<v Speaker 1>Yeah, there's nerves. It's a whole new thing to be

0:40:18.760 --> 0:40:19.520
<v Speaker 1>nervous about.

0:40:20.120 --> 0:40:21.200
<v Speaker 2>Yeah.

0:40:21.560 --> 0:40:27.040
<v Speaker 1>I I don't even know how to tell you the

0:40:27.080 --> 0:40:31.120
<v Speaker 1>nerves I was experiencing. But yes, lead of a show

0:40:31.560 --> 0:40:34.600
<v Speaker 1>that was a very well liked book, that's going to

0:40:34.640 --> 0:40:39.640
<v Speaker 1>be on a very popular streaming platform. And everyone kept

0:40:39.680 --> 0:40:42.640
<v Speaker 1>reminding me that, like, this is so cool. You're going

0:40:42.719 --> 0:40:44.879
<v Speaker 1>to be the lead of a hula show. You've never

0:40:44.960 --> 0:40:45.800
<v Speaker 1>done that before.

0:40:47.320 --> 0:40:49.960
<v Speaker 2>Yes, I know, yeah, I know that.

0:40:51.880 --> 0:40:54.359
<v Speaker 1>So you know, I was really happy that we got

0:40:54.360 --> 0:40:56.080
<v Speaker 1>to go down a few weeks before we started shooting,

0:40:56.080 --> 0:40:58.480
<v Speaker 1>so we got to talk to everybody, We got to

0:40:58.520 --> 0:41:01.040
<v Speaker 1>do a few rehearsals, which I think is pretty rare

0:41:01.719 --> 0:41:07.720
<v Speaker 1>in the space, and had got to have a relationship

0:41:08.280 --> 0:41:11.080
<v Speaker 1>with the people we'd be spending the next four months

0:41:11.160 --> 0:41:17.640
<v Speaker 1>with ahead of time. And because the show moved so quickly,

0:41:17.760 --> 0:41:24.000
<v Speaker 1>we shot ten episodes in under four months, and we

0:41:24.000 --> 0:41:26.120
<v Speaker 1>were block shooting, so we were shooting multiple episodes at

0:41:26.160 --> 0:41:27.799
<v Speaker 1>the same time. The timeline was all messed up. We're

0:41:27.800 --> 0:41:33.800
<v Speaker 1>having different directors come in, we're having new actors join us. Honestly,

0:41:34.000 --> 0:41:37.319
<v Speaker 1>all that was going on really didn't give me enough

0:41:37.320 --> 0:41:40.880
<v Speaker 1>time to be nervous after a while, which I really appreciated.

0:41:41.800 --> 0:41:45.480
<v Speaker 1>We were just so busy and everyone there cared about

0:41:45.600 --> 0:41:48.560
<v Speaker 1>what we were making so much, and I was actually

0:41:48.600 --> 0:41:50.919
<v Speaker 1>just having so much fun because we had so many

0:41:51.040 --> 0:41:58.320
<v Speaker 1>amazing comedians on set and funny people that the whole

0:41:59.200 --> 0:42:02.359
<v Speaker 1>energy vibe was light, even though we were doing this

0:42:02.440 --> 0:42:03.640
<v Speaker 1>pretty herculean thing.

0:42:04.320 --> 0:42:07.480
<v Speaker 2>Yeah, you know, it's interesting because you know, there are

0:42:08.200 --> 0:42:11.360
<v Speaker 2>you and Ashley and a lot of the other actors

0:42:11.520 --> 0:42:18.720
<v Speaker 2>who well, primarily one young with less experience, and then

0:42:18.960 --> 0:42:23.000
<v Speaker 2>you know you have people coming in like Eric McCormick

0:42:23.640 --> 0:42:30.080
<v Speaker 2>and Bellamy Young. Well, I was there. I was there

0:42:30.120 --> 0:42:34.600
<v Speaker 2>for a little bit, but I really enjoyed my work

0:42:34.640 --> 0:42:38.000
<v Speaker 2>with you. I thought you were fantastic to work with

0:42:38.440 --> 0:42:45.080
<v Speaker 2>and so open and receptive to Shenanigans that I would

0:42:45.400 --> 0:42:47.080
<v Speaker 2>try to.

0:42:46.520 --> 0:42:49.279
<v Speaker 1>I appreciate it with you. I appreciated it because that

0:42:49.400 --> 0:42:51.799
<v Speaker 1>was still kind of early on in our process. So

0:42:52.760 --> 0:42:55.520
<v Speaker 1>every curveball took me out of my own head a

0:42:55.560 --> 0:43:00.640
<v Speaker 1>little bit. And I remember specifically that that that we

0:43:00.640 --> 0:43:05.920
<v Speaker 1>were doing where you know, Nella's fighting tooth and nail

0:43:06.160 --> 0:43:11.400
<v Speaker 1>through an apology and we got really I don't I

0:43:11.440 --> 0:43:15.600
<v Speaker 1>don't know what you and Dodd talked about, but every

0:43:15.640 --> 0:43:18.239
<v Speaker 1>take was different and I appreciated it. It was It

0:43:18.280 --> 0:43:24.680
<v Speaker 1>was great. But yes, being the youngest, the greenest on

0:43:24.880 --> 0:43:33.879
<v Speaker 1>set was daunting until I realized nobody else cared. They

0:43:34.360 --> 0:43:37.080
<v Speaker 1>they were They just wanted us all to do a

0:43:37.120 --> 0:43:41.080
<v Speaker 1>good job. Nobody was whispering, she's so young, this is

0:43:41.120 --> 0:43:45.239
<v Speaker 1>her first big job. They were like, we'd all hang

0:43:45.280 --> 0:43:49.440
<v Speaker 1>out in the actors holding and joke around and everybody

0:43:49.560 --> 0:43:54.279
<v Speaker 1>was just there was no hierarchy of of uh, you know,

0:43:54.400 --> 0:43:57.799
<v Speaker 1>status or anything. We were all chilling together and it

0:43:57.880 --> 0:43:58.560
<v Speaker 1>was really nice.

0:43:59.080 --> 0:44:05.520
<v Speaker 2>Yeah, well, I mean it certainly helps that you're really good. No,

0:44:06.000 --> 0:44:08.359
<v Speaker 2>I mean, let's be honest about it, because if I mean,

0:44:08.400 --> 0:44:12.560
<v Speaker 2>if you were bad, yeah, there would have there would

0:44:12.600 --> 0:44:15.120
<v Speaker 2>have been tons of whisky. Yeah, yeah, there would have been,

0:44:15.360 --> 0:44:19.840
<v Speaker 2>especially from that McCormick guy. He is yeah, he is evil.

0:44:20.280 --> 0:44:25.520
<v Speaker 2>Love he can be he can be so evil. So

0:44:27.200 --> 0:44:29.200
<v Speaker 2>the show out in September.

0:44:30.080 --> 0:44:33.360
<v Speaker 1>We're in the middle of sixty days, six days ago.

0:44:33.239 --> 0:44:35.920
<v Speaker 2>Today, sixty days ago today.

0:44:35.920 --> 0:44:37.719
<v Speaker 1>Well, maybe not six days, two months.

0:44:38.480 --> 0:44:45.359
<v Speaker 2>Months, yeah, September, that's right, September thirteenth. We how did

0:44:46.640 --> 0:44:54.600
<v Speaker 2>let me tell you something. I felt horribly for you

0:44:55.200 --> 0:45:00.560
<v Speaker 2>and for Ashley, because I I just felt like this

0:45:00.880 --> 0:45:08.680
<v Speaker 2>was not fair to the two of you. Obviously, spoiler

0:45:08.760 --> 0:45:12.640
<v Speaker 2>alert for those of you listening. The show comes out

0:45:12.719 --> 0:45:17.360
<v Speaker 2>and we're in the middle of the first actor strike

0:45:17.880 --> 0:45:21.800
<v Speaker 2>in over fifty years. That's right, the last actor strike.

0:45:22.320 --> 0:45:27.080
<v Speaker 2>Ronald Reagan was president of the Union, not of the

0:45:27.239 --> 0:45:33.480
<v Speaker 2>United States. So it's over fifty years ago since the

0:45:33.560 --> 0:45:37.440
<v Speaker 2>last strike. And so they're making up rules as we

0:45:37.480 --> 0:45:42.520
<v Speaker 2>go along because there's no playbook to what happens, and

0:45:42.719 --> 0:45:48.840
<v Speaker 2>we're told that we cannot promote shows that that is

0:45:49.000 --> 0:45:52.320
<v Speaker 2>part of our job, which it is, is to promote shows,

0:45:53.840 --> 0:45:57.320
<v Speaker 2>and we were on strike, so that is not something

0:45:57.320 --> 0:45:59.239
<v Speaker 2>we were to do. And let me tell you, I

0:45:59.320 --> 0:46:03.600
<v Speaker 2>felt horribly for you and for Ashley because your work

0:46:03.680 --> 0:46:08.360
<v Speaker 2>is so strong and the material is so good. The

0:46:08.480 --> 0:46:12.840
<v Speaker 2>end product, which I watched by myself without talking about

0:46:12.880 --> 0:46:17.160
<v Speaker 2>it either, was so strong that I felt terribly for

0:46:17.360 --> 0:46:20.080
<v Speaker 2>you that you were not able to go through the

0:46:20.160 --> 0:46:23.920
<v Speaker 2>experience and get the attention that you deserved to get

0:46:24.000 --> 0:46:26.480
<v Speaker 2>for the work that you did. Was that difficult for

0:46:26.520 --> 0:46:28.600
<v Speaker 2>you for it to come out and not be able

0:46:28.680 --> 0:46:29.399
<v Speaker 2>to talk about it.

0:46:30.160 --> 0:46:32.880
<v Speaker 1>Yeah, I would be lying if I said it wasn't difficult.

0:46:33.040 --> 0:46:33.600
<v Speaker 2>Don't lie.

0:46:33.880 --> 0:46:41.800
<v Speaker 1>Yeah. No, it was such a conplex amalgamation of conflicting emotions.

0:46:41.880 --> 0:46:44.919
<v Speaker 1>It was just, you know, highs and lows every day.

0:46:46.719 --> 0:46:50.400
<v Speaker 1>I think that the actor strike was announced on June

0:46:50.560 --> 0:46:55.800
<v Speaker 1>twelfth or July twelfth, and our show, the Hollywood Reporter

0:46:57.680 --> 0:47:03.759
<v Speaker 1>announced our show's release date, so we were almost exactly

0:47:03.920 --> 0:47:08.759
<v Speaker 1>in line with the actors strike. So we had been

0:47:08.920 --> 0:47:11.520
<v Speaker 1>told in advance, you know, keep your summer open. We

0:47:11.600 --> 0:47:15.160
<v Speaker 1>have this big press rollout. We had talks about maybe

0:47:15.520 --> 0:47:18.360
<v Speaker 1>going up to Tiff and you know, they wanted to

0:47:18.400 --> 0:47:19.880
<v Speaker 1>do the talk show circuits and they wanted to do

0:47:19.880 --> 0:47:23.880
<v Speaker 1>all this, and it was so exciting also because you know,

0:47:23.920 --> 0:47:28.640
<v Speaker 1>this was my first anything of the size, and then

0:47:28.719 --> 0:47:32.840
<v Speaker 1>to learn in one day that none of that was

0:47:32.880 --> 0:47:35.839
<v Speaker 1>going to be happening, and that they were also going

0:47:35.840 --> 0:47:39.680
<v Speaker 1>to release the show without the promo and not bump

0:47:39.800 --> 0:47:44.839
<v Speaker 1>the release date we had. Yeah, that day was tough.

0:47:45.120 --> 0:47:49.239
<v Speaker 1>That that that learning that was like, oh no, the

0:47:49.280 --> 0:47:51.880
<v Speaker 1>next six months of my life that I've kind of

0:47:51.920 --> 0:47:53.960
<v Speaker 1>cleared out for this big thing is just not going

0:47:54.040 --> 0:48:00.720
<v Speaker 1>to happen anymore. But the show did still come out,

0:48:00.880 --> 0:48:03.520
<v Speaker 1>and though we were not allowed to talk about it

0:48:03.560 --> 0:48:09.640
<v Speaker 1>publicly or promote it publicly or post about it, it

0:48:09.719 --> 0:48:15.640
<v Speaker 1>really kind of personalized this experience for me because I

0:48:15.719 --> 0:48:18.640
<v Speaker 1>still heard from a lot of people. I still got

0:48:18.760 --> 0:48:22.600
<v Speaker 1>texts and calls and messages from folks I haven't heard

0:48:22.640 --> 0:48:26.000
<v Speaker 1>from in years, or I don't even know directly, and

0:48:26.040 --> 0:48:29.479
<v Speaker 1>they'd be sending me random billboards from Cincinnati or Los

0:48:29.520 --> 0:48:33.440
<v Speaker 1>Angeles or Chicago or Philadelphia. People from different countries are

0:48:33.440 --> 0:48:35.520
<v Speaker 1>reaching out to me saying they've watched the show, and

0:48:35.560 --> 0:48:37.959
<v Speaker 1>it's given me a little bit more time to read

0:48:38.000 --> 0:48:41.960
<v Speaker 1>those messages and have conversations with the people in my

0:48:42.080 --> 0:48:45.360
<v Speaker 1>life who were happy for me and have been following

0:48:45.400 --> 0:48:49.279
<v Speaker 1>this accomplishment. And at the end of the day, as

0:48:49.360 --> 0:48:52.640
<v Speaker 1>fun as all that stuff would have been, you can't

0:48:52.680 --> 0:48:56.600
<v Speaker 1>really miss what you never had. I am excited for

0:48:56.680 --> 0:49:00.640
<v Speaker 1>whatever project will allow me to have those type of experiences,

0:49:01.400 --> 0:49:03.759
<v Speaker 1>but I am no less proud of the work that

0:49:03.800 --> 0:49:07.880
<v Speaker 1>we did on this show. I'm glad that SAG was

0:49:07.920 --> 0:49:11.560
<v Speaker 1>able to get a deal that they feel is fair

0:49:11.800 --> 0:49:16.880
<v Speaker 1>so that next time we can go all out. But yeah,

0:49:17.120 --> 0:49:21.360
<v Speaker 1>you know it was. It was a lot of conflicting

0:49:21.360 --> 0:49:25.200
<v Speaker 1>emotions over the past couple of months, but ultimately ruled

0:49:25.200 --> 0:49:25.960
<v Speaker 1>by gratitude.

0:49:27.640 --> 0:49:33.160
<v Speaker 2>Good for you. That's uh, it's it's very mature. And look,

0:49:33.320 --> 0:49:35.120
<v Speaker 2>let me be let me, let me be honest with you.

0:49:36.080 --> 0:49:44.040
<v Speaker 2>That stuff isn't fun. It's really not it's really not funk.

0:49:45.560 --> 0:49:49.560
<v Speaker 2>It sounds it sounds it's way it sounds way better

0:49:49.600 --> 0:49:56.640
<v Speaker 2>than it is. But that being said, I was really

0:49:57.040 --> 0:50:05.480
<v Speaker 2>upset for particularly for the two of you now, because

0:50:05.520 --> 0:50:12.799
<v Speaker 2>you deserved to get that attention and I wanted. I mean, look,

0:50:12.880 --> 0:50:16.040
<v Speaker 2>the point of all of that promotion, fun or not,

0:50:16.640 --> 0:50:20.000
<v Speaker 2>is to get people to watch and so you know. Look,

0:50:20.239 --> 0:50:23.400
<v Speaker 2>it's part of what the fight was about, is not

0:50:23.640 --> 0:50:27.080
<v Speaker 2>having information about the streaming. I have no idea. I

0:50:27.120 --> 0:50:32.400
<v Speaker 2>will tell you this, which means absolutely nothing. But I

0:50:32.480 --> 0:50:37.400
<v Speaker 2>was set by my publicist the day that the trailer

0:50:37.480 --> 0:50:41.560
<v Speaker 2>came out, which said, you know, hey, here's the trailer

0:50:41.600 --> 0:50:44.879
<v Speaker 2>of your new show. Don't tweet about it, don't talk

0:50:44.920 --> 0:50:48.439
<v Speaker 2>about it, don't share it with anybody. But just what

0:50:48.480 --> 0:50:52.640
<v Speaker 2>was it for your not for your information, but I

0:50:52.640 --> 0:50:55.600
<v Speaker 2>don't know, for your consciousness. I don't know. They said

0:50:55.640 --> 0:51:02.480
<v Speaker 2>the trailer, and I clicked on it, and I showed

0:51:02.520 --> 0:51:04.600
<v Speaker 2>it to someone the next day. So I clicked on

0:51:04.680 --> 0:51:07.840
<v Speaker 2>it the next day and there were three or four

0:51:07.880 --> 0:51:10.600
<v Speaker 2>million views of this thing within twenty four hours.

0:51:10.880 --> 0:51:13.080
<v Speaker 1>Yeah, so it got traction.

0:51:14.120 --> 0:51:16.480
<v Speaker 2>That got subtraction. Now I don't know if people watch

0:51:16.560 --> 0:51:18.120
<v Speaker 2>the show or not, but I hope to God that

0:51:18.160 --> 0:51:25.240
<v Speaker 2>they did. Now for those of you who haven't seen

0:51:25.440 --> 0:51:30.280
<v Speaker 2>the other Black Girl one, do because I mean, jesus,

0:51:30.400 --> 0:51:35.520
<v Speaker 2>I'm in it. But too more importantly, Sinclair is in it.

0:51:35.680 --> 0:51:42.760
<v Speaker 2>I was there through I think episode five. So we're

0:51:42.800 --> 0:51:44.879
<v Speaker 2>not going to give spoilers away here because I really

0:51:44.880 --> 0:51:46.920
<v Speaker 2>want people to go and watch the show. But I

0:51:46.960 --> 0:51:49.600
<v Speaker 2>do want to mention something because I was gone at

0:51:49.600 --> 0:51:55.680
<v Speaker 2>five there was a unscheduled and by the way, who

0:51:55.680 --> 0:51:57.200
<v Speaker 2>knows if we're allowed to talk about this, but I

0:51:57.200 --> 0:52:02.080
<v Speaker 2>don't really care. There was an unse scheduled hiatus that

0:52:02.239 --> 0:52:10.040
<v Speaker 2>happened during the course of the show because of quote

0:52:10.200 --> 0:52:15.040
<v Speaker 2>wanting to go in a slightly different direction at the

0:52:15.280 --> 0:52:22.800
<v Speaker 2>end of the series. Was this done with the thought

0:52:22.960 --> 0:52:24.479
<v Speaker 2>of bringing it back for season two.

0:52:26.280 --> 0:52:30.520
<v Speaker 1>I wish people would include me in those conversations. I

0:52:30.719 --> 0:52:36.640
<v Speaker 1>have to imagine, you know, like, what's the plan? I was.

0:52:40.080 --> 0:52:48.000
<v Speaker 2>No, I it's no, it's more from me watching it.

0:52:48.000 --> 0:52:53.080
<v Speaker 2>It ends differently it had than what had been when

0:52:53.120 --> 0:52:57.000
<v Speaker 2>I was there. It ended differently than what it was

0:52:57.080 --> 0:52:59.360
<v Speaker 2>explained to how it was explained to me.

0:52:59.640 --> 0:53:04.399
<v Speaker 1>We were ending You really see, I didn't. I did

0:53:04.440 --> 0:53:06.680
<v Speaker 1>not ask for the ending. I did not want to

0:53:06.719 --> 0:53:09.440
<v Speaker 1>know what the ending was, similar to like reading the book,

0:53:09.800 --> 0:53:11.799
<v Speaker 1>so I didn't figure out how they were going to

0:53:11.880 --> 0:53:15.279
<v Speaker 1>end it until I read the episode ten script. But

0:53:15.719 --> 0:53:18.240
<v Speaker 1>it does feel because it's different than the book.

0:53:18.520 --> 0:53:20.799
<v Speaker 2>So it's different than the book. It's different and that's

0:53:20.800 --> 0:53:24.200
<v Speaker 2>what I mean. No one was filling me. I wasn't

0:53:24.239 --> 0:53:30.200
<v Speaker 2>in high level meetings. It was more conversations about it

0:53:31.000 --> 0:53:35.040
<v Speaker 2>and then when I watched it, because I didn't know

0:53:35.680 --> 0:53:39.680
<v Speaker 2>really what had happened after, you know, I didn't know

0:53:40.280 --> 0:53:42.960
<v Speaker 2>the end of the story from the serious perspective I

0:53:42.960 --> 0:53:49.680
<v Speaker 2>had read the book, and I went, oh, oh, well, yeah, oh.

0:53:49.680 --> 0:53:53.279
<v Speaker 1>Okay, Well I felt I felt like, you know, if

0:53:53.320 --> 0:53:56.160
<v Speaker 1>they're taking an extra couple of weeks to go and

0:53:56.480 --> 0:54:01.480
<v Speaker 1>rewrite the ending of a story that already has an end, right,

0:54:01.800 --> 0:54:06.640
<v Speaker 1>then that probably means that they want to do something

0:54:06.680 --> 0:54:09.880
<v Speaker 1>with the story as a whole, I would think, because

0:54:10.560 --> 0:54:12.960
<v Speaker 1>I mean, there's literally a book that could tell you

0:54:13.000 --> 0:54:16.520
<v Speaker 1>how to end it right, But to make a different choice,

0:54:17.000 --> 0:54:22.840
<v Speaker 1>a more left open choice, feels intentional. And obviously nobody

0:54:22.920 --> 0:54:26.359
<v Speaker 1>knew that we were going to release this show into

0:54:26.400 --> 0:54:31.719
<v Speaker 1>the strike, but I would hope that that intention is

0:54:31.800 --> 0:54:32.400
<v Speaker 1>still alive.

0:54:32.440 --> 0:54:37.840
<v Speaker 2>And well, yeah, well I hope so too. Maybe Colin

0:54:37.880 --> 0:54:40.880
<v Speaker 2>will come back and melt down in some other horrific

0:54:40.920 --> 0:54:49.400
<v Speaker 2>way as well. Hope. I so enjoyed your work, and

0:54:49.680 --> 0:54:53.720
<v Speaker 2>I enjoyed one. I enjoyed working with you, and two

0:54:54.000 --> 0:55:01.120
<v Speaker 2>to see your journey played out, the complex of your performance,

0:55:01.560 --> 0:55:07.319
<v Speaker 2>the depth of your performance, and the reality of your

0:55:07.320 --> 0:55:13.319
<v Speaker 2>performance was stunning to watch, and you know what I

0:55:13.360 --> 0:55:20.000
<v Speaker 2>told you is true the within I'm gonna be real.

0:55:20.400 --> 0:55:25.319
<v Speaker 2>Within twelve minutes of me getting a text that the

0:55:25.360 --> 0:55:31.160
<v Speaker 2>strike was over, I emailed I couldn't find your number,

0:55:31.760 --> 0:55:36.120
<v Speaker 2>and I emailed Jordan and Gus and said, I need

0:55:36.120 --> 0:55:39.400
<v Speaker 2>to get a hold of Sinclair because.

0:55:39.440 --> 0:55:44.400
<v Speaker 1>They've reached out, like the same day.

0:55:44.160 --> 0:55:47.360
<v Speaker 2>Because I wanted to have you on. I wanted to

0:55:47.400 --> 0:55:50.719
<v Speaker 2>talk to you about you and your experience and and

0:55:51.239 --> 0:55:54.960
<v Speaker 2>the show because it's a show that deserves to be seen,

0:55:55.400 --> 0:55:59.640
<v Speaker 2>and I just I wish it all of the best,

0:55:59.680 --> 0:56:01.880
<v Speaker 2>and I hope we get to do it again sometimes.

0:56:02.600 --> 0:56:06.960
<v Speaker 1>Well, thank you, I do too. It was truly the

0:56:06.960 --> 0:56:10.240
<v Speaker 1>most fun I've ever had on a job and exactly

0:56:10.280 --> 0:56:13.680
<v Speaker 1>why I do this and really affirming, and to do

0:56:13.760 --> 0:56:16.240
<v Speaker 1>that again would be such a blessing.

0:56:17.400 --> 0:56:21.759
<v Speaker 2>Awesome. Congratulations. I'm I'm happy to hear you just went

0:56:21.800 --> 0:56:24.960
<v Speaker 2>back and did something in the theater as well. One

0:56:24.960 --> 0:56:27.200
<v Speaker 2>of these one of these days, one of these days,

0:56:27.239 --> 0:56:30.960
<v Speaker 2>I'll follow you and Eric back. Did you see his show?

0:56:31.680 --> 0:56:34.400
<v Speaker 1>Yeah? We had three the other Black Girl members on

0:56:34.480 --> 0:56:37.120
<v Speaker 1>Broadway this fall, and I went to opening night of

0:56:37.160 --> 0:56:39.719
<v Speaker 1>all of them. Cheered my pants off. It was amazing.

0:56:40.239 --> 0:56:41.080
<v Speaker 2>Wow.

0:56:41.400 --> 0:56:45.440
<v Speaker 1>Yeah, the theater was calling, you know. Yeah, returning it

0:56:45.520 --> 0:56:49.400
<v Speaker 1>was fun. I did see Eric. He's hilarious. I didn't

0:56:49.440 --> 0:56:53.960
<v Speaker 1>expect anything less like truly just drove the whole show

0:56:54.040 --> 0:56:56.200
<v Speaker 1>with his comedic timing. It was phenomenal.

0:56:57.160 --> 0:57:01.359
<v Speaker 2>He's the best. Oh, such a good time. Thank you

0:57:02.120 --> 0:57:04.960
<v Speaker 2>for coming on and taking the time to talk to me.

0:57:05.239 --> 0:57:10.640
<v Speaker 2>Good luck and everybody out there. I'm serious, go and

0:57:10.800 --> 0:57:18.360
<v Speaker 2>watch on the aforementioned Hulu The Other Black Girl starring

0:57:18.800 --> 0:57:23.800
<v Speaker 2>Sinclair Daniel. I promise you this, you won't be disappointed.

0:57:24.320 --> 0:57:26.200
<v Speaker 2>You won't be disappointed. Thanks Sinclair.

0:57:26.360 --> 0:57:27.680
<v Speaker 1>Thank you so much, Brian.

0:57:39.760 --> 0:57:43.720
<v Speaker 2>Sinclair. So great to have you on today. It was

0:57:43.760 --> 0:57:46.720
<v Speaker 2>such a pleasure to talk to you, a pleasure to

0:57:46.800 --> 0:57:49.440
<v Speaker 2>work with you. I'm so happy that I could finally

0:57:49.560 --> 0:57:52.959
<v Speaker 2>talk about this show that I do, really, really love,

0:57:53.160 --> 0:57:55.919
<v Speaker 2>and truly you're a big part of why I love

0:57:55.920 --> 0:57:59.520
<v Speaker 2>it so much. If you haven't already, go watch The

0:57:59.600 --> 0:58:03.840
<v Speaker 2>Other Black Girl streaming on Hulu. You're gonna love Sinclair.

0:58:04.160 --> 0:58:08.000
<v Speaker 2>You'll get a glimpse of me as well. You probably

0:58:08.040 --> 0:58:10.040
<v Speaker 2>forgot what I look like because all you do is

0:58:10.080 --> 0:58:14.080
<v Speaker 2>hear my voice now, but check it out. Yeah, We're back, Baby,

0:58:14.440 --> 0:58:28.280
<v Speaker 2>We're back. I will see you next week. Off the

0:58:28.320 --> 0:58:32.200
<v Speaker 2>Beat is hosted and executive produced by me Brian Baumgartner,

0:58:32.480 --> 0:58:36.480
<v Speaker 2>alongside our executive producer Ling Lee. Our senior producer is

0:58:36.560 --> 0:58:40.560
<v Speaker 2>Diego Tapia. Our producers are Liz Hayes, Hannah Harris, and

0:58:40.640 --> 0:58:45.040
<v Speaker 2>Emily Carr. Our talent producer is Ryan Papa Zachary, and

0:58:45.120 --> 0:58:49.240
<v Speaker 2>our intern is Ali Amir Saheed. Our theme song Bubble

0:58:49.320 --> 0:58:53.320
<v Speaker 2>and Squeak, performed by the one and only Creed Bratton,