WEBVTT - NORM STEELE - Bigg Steele Nachos

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<v Speaker 1>Hey, guys, welcome to another episode of Eating Wild Broke.

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<v Speaker 1>I'm your host, Colleen Wit and today we have a

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<v Speaker 1>very special guest. We have Norm Steel from you guys

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<v Speaker 1>may know him from Gangster Chronicles on The Black Effect,

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<v Speaker 1>On the Black Effect. I met you on a panel

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<v Speaker 1>through My Heart and in the Black Effect, and I

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<v Speaker 1>was like, Gangster Chronicles. I don't know you know, but

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<v Speaker 1>if you guys know anything about Gangster Chronicles, Um, what

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<v Speaker 1>makes Gangster Chronicles interesting is your perspective on and your

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<v Speaker 1>mission of the show, which is you kind of get

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<v Speaker 1>the behind the scenes of what's going on in the streets. Um,

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<v Speaker 1>and it's not so much about gangsterism. We have to

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<v Speaker 1>redefine what gangster means to me as gangster the Colleen

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<v Speaker 1>is all you're doing her She's following her dreams. This

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<v Speaker 1>is gangster right here, she's actually producing her own show

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<v Speaker 1>in conjunction with Black Effect. There's gangster. So gangster to

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<v Speaker 1>me is anyone who has overcame into amountable odds to

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<v Speaker 1>make something happen. Yeah. So those are the people we

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<v Speaker 1>talk about. Whether it's the guy that got to prison,

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<v Speaker 1>may have served twenty years and now he owns a

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<v Speaker 1>chain of car wash. There's gangster right there. He's made

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<v Speaker 1>a change in his life. Yeah, And I like that

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<v Speaker 1>you it's it's also like educational and you showcase the

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<v Speaker 1>impacts of like what decisions were made that led to

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<v Speaker 1>what certain outcomes without glorifying like a negative lifestyle. And

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<v Speaker 1>I think, I think when you hear the term gangster chronicles,

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<v Speaker 1>you know, And I'm only addressing it now right now

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<v Speaker 1>because I want our listeners to like really understand like

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<v Speaker 1>your mission and what the show is about if they

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<v Speaker 1>haven't already checked it out. But in the interim, I

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<v Speaker 1>would love to know what you are cooking us on

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<v Speaker 1>eating while broke. Well, right now, you guys are gonna

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<v Speaker 1>get treated to big steel noxios. I like that. This

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<v Speaker 1>is something I sort of made up when I was

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<v Speaker 1>in college because when you're in college, you don't have

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<v Speaker 1>that much money, but you want to eat good. So

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<v Speaker 1>I think, um Taco Bill might have impeded on my

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<v Speaker 1>trademark on my IP when they start doing the reto

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<v Speaker 1>locals tackles and all that stuff, because I like using

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<v Speaker 1>the retos. They just gave it the extra flavor, right,

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<v Speaker 1>And plus I didn't have the money to go out

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<v Speaker 1>and buy a whole bunch of season. So it's almost

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<v Speaker 1>like the ritos gave you your flavor, right and then

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<v Speaker 1>you know you started adding I started adding stuff on

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<v Speaker 1>to the dishes. It's time went along and you know

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<v Speaker 1>today we're going to be using some ground turkey versus beef.

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<v Speaker 1>You know, you can do this with chicken as well.

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<v Speaker 1>Or if you're vegan, you can go out and get that.

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<v Speaker 1>What's the type of meat that they have, the false

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<v Speaker 1>meat and beyond me, beyond me or whatever it was

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<v Speaker 1>like that, you know, health conscious? So ready to kick

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<v Speaker 1>it off? Yeah, let's kick it off. Start us off.

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<v Speaker 1>What are the ingredients before? Right here? We have some

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<v Speaker 1>evaporated milk. Now you can use good old milk out

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<v Speaker 1>your refrigerator. I choose to use evaporated milk because it

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<v Speaker 1>makes the cheese come out cream here. I mixed that

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<v Speaker 1>in with the cheese when i'm you know, know it.

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<v Speaker 1>But or you can just go get a bag of

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<v Speaker 1>shredded cheese if that's what you want to and it's

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<v Speaker 1>gonna milk on his own when you put someone hot

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<v Speaker 1>ingredients on there. Again, it's whatever you want. We have jalapenos,

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<v Speaker 1>we have sour cream. We have ree fried beans, you know,

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<v Speaker 1>the whole monkey. And this right here is velvita right here. Again,

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<v Speaker 1>it doesn't have to be velvita. You can go out

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<v Speaker 1>and get your use your own alternatives. But first we'll

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<v Speaker 1>be going to and then you have the cool ranch chips,

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<v Speaker 1>the cool ranch, yeah, cool range, the retos right here.

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<v Speaker 1>What are you gonna season to meet with them? It's

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<v Speaker 1>right here. Good old salt and get old salt and pepper,

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<v Speaker 1>because you remember, usually now you can do your meat

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<v Speaker 1>with the tacole sauce to you know, taco season something

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<v Speaker 1>like that. You can't do that, but I didn't do

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<v Speaker 1>that today for the sake of time. And just you know,

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<v Speaker 1>again we are dying while broke. The Every student may

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<v Speaker 1>not have that extra you know, guard and get the things.

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<v Speaker 1>So first what we're gonna do. We're using this ground

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<v Speaker 1>of turkey. We're gonna put that in here first. Already hot,

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<v Speaker 1>and it's already hot. You know, you want to get

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<v Speaker 1>this together because you want the meat to be really

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<v Speaker 1>you don't want to be in clumps, you know what

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<v Speaker 1>I mean? You want to spread out. Yeah, get this

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<v Speaker 1>right here. Once I shot this is that we get

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<v Speaker 1>started on getting our cheese together. You want, let me

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<v Speaker 1>go ahead and help you. I'll open the cheese, yes, ma'am. Yeah,

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<v Speaker 1>you could beat my assistant. Ye see, I'm using my

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<v Speaker 1>daughter as using my assistant. You know. Actually she's gotten

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<v Speaker 1>the point where she's doing the whole thing. I usually

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<v Speaker 1>just to give her directions and I stand back and

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<v Speaker 1>kind of look, and she said, and all day you're

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<v Speaker 1>too critical. Oh so this is my first time, for

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<v Speaker 1>all your listeners, that I've actually ever used Velvita cheese. Um,

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<v Speaker 1>I actually did not know if this was an refrigerated

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<v Speaker 1>section or not. And it's actually not in the refrigerated section. No,

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<v Speaker 1>you can find that right right on the shelf. So dude,

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<v Speaker 1>so I put, I put the Velvita cheese on the choppolo,

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<v Speaker 1>and I'm going to cut this up right now right there.

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<v Speaker 1>I'm not gonna do that to you. Yeah. So my

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<v Speaker 1>envisioning of Elvita cheese was like this melted gooey thing.

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<v Speaker 1>But I guess that's the end result of what you're

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<v Speaker 1>about to do with the Velvita cheese. Yes, I am.

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<v Speaker 1>Can we turn this up somewhere? Yeah, so you're a

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<v Speaker 1>burner for this? Is this one? Anyway? We can turn

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<v Speaker 1>it up. You want to turn up just a little

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<v Speaker 1>bit so we can get some heat on there. We go,

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<v Speaker 1>put some salt and pepper on there. You know you

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<v Speaker 1>gotta have some season. Yeah, of course. And nothing beats

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<v Speaker 1>good old fashioned salt and pepper. Yeah. I've had chefs

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<v Speaker 1>on the show, and I used to think salt was

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<v Speaker 1>something that seasons things. But he had told that salt

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<v Speaker 1>is what brings out the flavor. Yes, salt is what

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<v Speaker 1>actually brings out the flavor. Like if you're cooking steak

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<v Speaker 1>at home. Gets another side note. I see people going

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<v Speaker 1>to all these um different little seasons and stuff. The

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<v Speaker 1>best season for steak is good old salt and pepper. Yeah. Yeah,

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<v Speaker 1>I'm learning because I'm definitely one of those people that

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<v Speaker 1>see the steak the steak seasoning sauce, and I dumped

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<v Speaker 1>the steak in it. Massage and go marinate. Baby is cooking.

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<v Speaker 1>Chop a par velveta right here, and chop this up

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<v Speaker 1>right here. Get this right here. We don't need a

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<v Speaker 1>whole bunch of this. We probably half a half a

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<v Speaker 1>pack of this leftover. And that's for when you want,

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<v Speaker 1>you know, some more big steel naxos or whatever you want.

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<v Speaker 1>To call them once you start making them. Whatever your

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<v Speaker 1>name meals. There would be your version of nacho's. Like

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<v Speaker 1>when you're making you can call them Colleen's Colleen's nacho.

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<v Speaker 1>I'm okay, keep the steel nachos. I like it. Now,

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<v Speaker 1>Velvita cheese, Is that real cheese? Yes, the deal is

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<v Speaker 1>real cheese. Well how come it wasn't in a refrigerated section.

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<v Speaker 1>Well that's something you have to call then. Ass crafting

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<v Speaker 1>these other companies, I don't know how they do it,

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<v Speaker 1>but I just know it's nice and convenient. And you

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<v Speaker 1>get like, I'm gonna show you the purpose of the

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<v Speaker 1>milk because you get a nice little cream take. You know,

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<v Speaker 1>you want to cut this assistant. Oh you are, You're

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<v Speaker 1>doing a great job. You want to have to get

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<v Speaker 1>our chees together. Okay, So for all your listeners, he's

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<v Speaker 1>chopping up the Velvita cheese into like little triangles. Yeah. Yeah,

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<v Speaker 1>And that's the way you know you pour your milk

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<v Speaker 1>in right, So you pour the milk into the pot.

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<v Speaker 1>You're right here, see it's right there, pouring this in there,

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<v Speaker 1>and we start adding this in there, right, and you

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<v Speaker 1>know with the cheese, you want to stir as it

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<v Speaker 1>goes along, right, you want to stir this, keep stirring

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<v Speaker 1>because and you want to do this in the prefer

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<v Speaker 1>FreeFly a nine stick pot because it could be some

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<v Speaker 1>nilvents try to clean up. Yeah, there's the sticks to

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<v Speaker 1>the pain, right, um hm, six of the pin. Okay,

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<v Speaker 1>so you got the milk. You have the carnation milk

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<v Speaker 1>with the velveta cheese, and then you're gonna stir it. Yeah,

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<v Speaker 1>I'm gonna stir and add more cheese as I go along.

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<v Speaker 1>I may even need it even cheese. You know, I'm

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<v Speaker 1>gonna get something like this. I'm gonna turn this up

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<v Speaker 1>a little bit. Where is this at right here? I

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<v Speaker 1>think it's this one? This one, right, you want to

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<v Speaker 1>turn it up to like five, turn up like a

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<v Speaker 1>little bit, like let's put a beat on that. Right?

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<v Speaker 1>Are we gonna bring this to a boiler. We're just

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<v Speaker 1>trying to see it all meshed together. We're just trying

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<v Speaker 1>to see the all make together. Like you know, when

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<v Speaker 1>it goes to a little bit, it won't really boil,

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<v Speaker 1>it won't really come to a boil like that. But

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<v Speaker 1>you want to get it warm enough to wear milks

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<v Speaker 1>the cheese, you know, we want to have a nice move.

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<v Speaker 1>You want to have a nice smooth You don't want

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<v Speaker 1>it with lumps. And you know what, we're gonna see

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<v Speaker 1>some Naxos with big lumps in it. You know. Now,

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<v Speaker 1>what do you say to those people that believe that

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<v Speaker 1>use the notchal cheese that's in the jaw. They can

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<v Speaker 1>use that too. It's whatever, whatever it fits you. If

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<v Speaker 1>you find some nice not your cheese that you're a

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<v Speaker 1>fan of that comes in the jar or whatever, you

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<v Speaker 1>can use that too, even better, even quicker, because you

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<v Speaker 1>came up with the velveta cheese. Yeah, I came up

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<v Speaker 1>with the velvet cheese. I just thought of added a

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<v Speaker 1>different level to it, you know what I mean. Like

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<v Speaker 1>I even put a little bit of pepper, and mind

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<v Speaker 1>I'm putting no salt because she's already has enough sodium

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<v Speaker 1>in it to where you don't want to make it

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<v Speaker 1>too salty. You know, you don't want to have it

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<v Speaker 1>to wear it's too salty or whatever. You want to

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<v Speaker 1>do this and have it to wear, it's not start together,

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<v Speaker 1>and then another thing we want to start warming up. Two.

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<v Speaker 1>Next we start with all this is getting together. We

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<v Speaker 1>start getting our refried beans together, because you want thves

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<v Speaker 1>to have a nice little texture to them, because you know,

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<v Speaker 1>refried beans are normally stiff, right, you want to get

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<v Speaker 1>them to where they're kind of like, you know what's smooth.

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<v Speaker 1>It's not too stiff, but smooth, you know. So we're

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<v Speaker 1>gonna put these in here. You see all these come out. Yeah,

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<v Speaker 1>it looks like a yeah, it looks like you can

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<v Speaker 1>of care food. But it's not going to look that

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<v Speaker 1>way by the time I'm finished. Well, you gotta show

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<v Speaker 1>love to your food. Are you laughing behind your mask?

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<v Speaker 1>I think I think there's laughing behind the mask because

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<v Speaker 1>I refer to it as a can of careful. Well,

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<v Speaker 1>this Nigel takets like no carefold when I'm done with it.

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<v Speaker 1>So you gotta put a lot of love until you do.

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<v Speaker 1>You need this burner turned up to a little bit.

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<v Speaker 1>Yeah we can. We can turn it up a little

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<v Speaker 1>bit so you don't have to add anything to refight beings.

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<v Speaker 1>You just have to heat it. You just gotta heat

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<v Speaker 1>him up. I just gotta heat him up. And that's

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<v Speaker 1>more sort of get a little bit smooth. Because you

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<v Speaker 1>see how it came out the can. Who were going

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<v Speaker 1>to eat that at the can? Like that? No definitely, No, not.

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<v Speaker 1>It has just enough fluid already where you don't have

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<v Speaker 1>to add anything. You know it's gonna get nice, nicest

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<v Speaker 1>move I always get I don't know enough about beings.

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<v Speaker 1>I always getting nervous cooking with ings because I don't

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<v Speaker 1>really know if they're like if it's like kind of

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<v Speaker 1>how you're doing it where you can heat it and

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<v Speaker 1>it becomes something you can eat. Yeah, it is. And

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<v Speaker 1>you're not gonna even beaut to tail. They wasn't. They

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<v Speaker 1>was out of the king. Let me get them that

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<v Speaker 1>can over here. To keep your work area clean, you

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<v Speaker 1>know you don't want to have a lot of stuff

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<v Speaker 1>going on. You want to keep your work area cleaning

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<v Speaker 1>to be safe. We are not responsible for anybody out

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<v Speaker 1>there that burns their fingers what they're doing this. And

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<v Speaker 1>you want to make sure whether you're using turkey. I

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<v Speaker 1>know me if I'm using turkey and ground beef, I

0:11:32.160 --> 0:11:34.160
<v Speaker 1>want this to be nice and brown when I get

0:11:34.240 --> 0:11:35.440
<v Speaker 1>you know what I mean. I want to be nice

0:11:35.440 --> 0:11:37.640
<v Speaker 1>and brown so I can have that flavor. And we're

0:11:37.679 --> 0:11:41.360
<v Speaker 1>using turkey today, ground turkey. For those health conscious people

0:11:41.360 --> 0:11:42.760
<v Speaker 1>out there, you know they want to get nice and

0:11:42.760 --> 0:11:46.240
<v Speaker 1>swol like me and then ultimate shaped like me and Kyleen.

0:11:46.240 --> 0:11:49.520
<v Speaker 1>I'm just joking. I need to lose a good thirty pound.

0:11:50.800 --> 0:11:52.720
<v Speaker 1>You know what, It's funny whenever you're in that twenty

0:11:53.040 --> 0:11:55.480
<v Speaker 1>thirty pound range, it's like a part of my brain.

0:11:55.559 --> 0:11:57.839
<v Speaker 1>When I'm trying to lose anything that's under twenty pounds,

0:11:57.880 --> 0:12:01.320
<v Speaker 1>it's like I'll get to it eventually, you know. But

0:12:01.400 --> 0:12:03.200
<v Speaker 1>I guess if it was like fifty or a pounds,

0:12:03.240 --> 0:12:04.559
<v Speaker 1>I feel like it would be a little bit more

0:12:04.679 --> 0:12:06.760
<v Speaker 1>urgency on losing it. Yeah, it is. I got to

0:12:06.760 --> 0:12:10.640
<v Speaker 1>give a shout out to my wife. She loses weight

0:12:10.960 --> 0:12:13.640
<v Speaker 1>and stays in shape better than anybody else. I know.

0:12:14.440 --> 0:12:18.600
<v Speaker 1>She's a pisketarian, which means she only eats fishy. Look,

0:12:18.679 --> 0:12:23.200
<v Speaker 1>I'm spilling stuff. So look, this can't get message because yea,

0:12:23.240 --> 0:12:25.720
<v Speaker 1>I'm gonna put some more cheese in there. And that's

0:12:25.840 --> 0:12:27.760
<v Speaker 1>that's the thing you want to put. You don't want

0:12:27.760 --> 0:12:29.840
<v Speaker 1>to start off with too much, but you want to

0:12:29.840 --> 0:12:31.760
<v Speaker 1>put just enough so you can add more into it

0:12:31.800 --> 0:12:34.000
<v Speaker 1>to your life. And I want this a little bit thicker, right,

0:12:34.880 --> 0:12:38.559
<v Speaker 1>So I'm gonna add some more cheese to this. You

0:12:38.679 --> 0:12:46.040
<v Speaker 1>cut me some cheese up right there. See, Look Kyleen

0:12:46.120 --> 0:12:47.840
<v Speaker 1>is pulling the double due to your day. It's the chef,

0:12:47.920 --> 0:12:49.960
<v Speaker 1>the big you know, his assistant to Chef Big. Still

0:12:50.559 --> 0:12:52.880
<v Speaker 1>just a little bit more, just so you know, I

0:12:53.400 --> 0:12:56.840
<v Speaker 1>actually don't co help. This is my first time. So

0:12:57.440 --> 0:13:00.400
<v Speaker 1>I hope you like these, uh col chef services. Is

0:13:00.440 --> 0:13:03.400
<v Speaker 1>that you're getting there perfect turn out? That way you

0:13:03.559 --> 0:13:05.520
<v Speaker 1>get some credit on the big steel of nachos. Then

0:13:05.760 --> 0:13:09.640
<v Speaker 1>you know there we go, tell your daughter to move over.

0:13:10.160 --> 0:13:14.160
<v Speaker 1>Watch out. Now you got another assistant on the scene.

0:13:15.080 --> 0:13:17.280
<v Speaker 1>Do you need more cheese? Let me get some more.

0:13:17.800 --> 0:13:20.120
<v Speaker 1>Your cheese looks cheesy. Yeah, we can turn this down

0:13:20.200 --> 0:13:22.320
<v Speaker 1>now now that we got this, is it right here?

0:13:23.520 --> 0:13:25.400
<v Speaker 1>Turn it down right here? Put this in there. So

0:13:25.440 --> 0:13:27.679
<v Speaker 1>we put you on a timer. So you have like

0:13:27.880 --> 0:13:30.000
<v Speaker 1>sixty seconds left. I'm trying to see if you can

0:13:30.040 --> 0:13:34.679
<v Speaker 1>make steals nachos in under ten minutes. Sixty seconds left,

0:13:34.760 --> 0:13:38.080
<v Speaker 1>sixty seconds. If he was on a cook I would lose.

0:13:39.520 --> 0:13:42.680
<v Speaker 1>I wouldn't you know what I wanted to be right, okay, okay,

0:13:42.800 --> 0:13:44.400
<v Speaker 1>I wanted to be I wanted to taste good. I

0:13:44.400 --> 0:13:45.840
<v Speaker 1>don't want you to look at him and you just

0:13:45.880 --> 0:13:47.920
<v Speaker 1>look good and see some of that stuff on these shows.

0:13:47.960 --> 0:13:50.839
<v Speaker 1>Look good, but it tastes nasty. You ever seen the

0:13:50.880 --> 0:13:52.920
<v Speaker 1>play the food it's played and they've got the nice

0:13:52.920 --> 0:13:55.679
<v Speaker 1>look garnishings and everything around it, but you even you're like, man,

0:13:55.760 --> 0:13:58.120
<v Speaker 1>what is this? Man? So it's like some stuff. They're

0:13:58.120 --> 0:14:00.599
<v Speaker 1>straight from the bottom of the pot of something, you

0:14:00.640 --> 0:14:03.839
<v Speaker 1>know when I cook it, when I cook. Actually, we

0:14:03.840 --> 0:14:05.600
<v Speaker 1>could turn this off right now. We go stirn this

0:14:05.640 --> 0:14:07.439
<v Speaker 1>in because we've got enough heat going on in there

0:14:07.520 --> 0:14:10.920
<v Speaker 1>right now. He on which one to meat? Right here?

0:14:11.320 --> 0:14:13.520
<v Speaker 1>You want to turn it off? Turn this off right here?

0:14:13.960 --> 0:14:16.680
<v Speaker 1>We're good. We just go turned off and stir. Okay,

0:14:16.800 --> 0:14:19.440
<v Speaker 1>And then do you want men to stir the beans? Yeah? Please,

0:14:19.480 --> 0:14:21.040
<v Speaker 1>you can stir the beans. That will make us even

0:14:21.080 --> 0:14:23.160
<v Speaker 1>help you. I don't know if it gets me off camera,

0:14:23.240 --> 0:14:29.080
<v Speaker 1>but I'm sure yeat that. Okay, beans looks stir ready.

0:14:31.960 --> 0:14:33.520
<v Speaker 1>So we just want to make sure those are nice

0:14:33.520 --> 0:14:35.920
<v Speaker 1>and warms. Do you typically add water to the beans

0:14:36.000 --> 0:14:38.000
<v Speaker 1>or do you let them be this thick? You know

0:14:38.080 --> 0:14:39.800
<v Speaker 1>what I'd like to add a little bit of water.

0:14:39.840 --> 0:14:42.160
<v Speaker 1>So what we could do today is I actually have

0:14:42.240 --> 0:14:46.360
<v Speaker 1>some water right here, break out of a little bit.

0:14:46.440 --> 0:14:47.800
<v Speaker 1>We want to add this a little bit, you know,

0:14:47.840 --> 0:14:49.920
<v Speaker 1>like we had a little bit, so want you stir

0:14:49.960 --> 0:14:56.080
<v Speaker 1>as our poor trying. Okay, that's good. I think that's cool. Yeah,

0:14:56.120 --> 0:14:59.760
<v Speaker 1>that's good. Yeah, okay, okay, I'm learning the bean game

0:14:59.840 --> 0:15:02.080
<v Speaker 1>now because it gets them a little bit smooth that

0:15:02.120 --> 0:15:04.200
<v Speaker 1>way when you're putting them on the nachos, they're not

0:15:04.280 --> 0:15:06.040
<v Speaker 1>all just clumped up in one place. And when to

0:15:06.160 --> 0:15:07.920
<v Speaker 1>eat the nacho, be like, man, I got all beans

0:15:07.920 --> 0:15:10.000
<v Speaker 1>on your ain't getting no meat early? You want to

0:15:10.040 --> 0:15:12.040
<v Speaker 1>make sure your stuff. You see how the cheese and smooth.

0:15:12.160 --> 0:15:17.600
<v Speaker 1>Now she's a moving now seeing we are actually now

0:15:18.080 --> 0:15:23.160
<v Speaker 1>what we do. We can actually start plating our noxios. Okay, okay,

0:15:23.640 --> 0:15:25.360
<v Speaker 1>I get it, I got it. Not can do that

0:15:25.400 --> 0:15:29.400
<v Speaker 1>if you want to what we're gonna play that for

0:15:29.440 --> 0:15:31.920
<v Speaker 1>a nacho we play that we're using we could use

0:15:31.960 --> 0:15:35.000
<v Speaker 1>this well, I didn't know if you're gonna qut and

0:15:35.120 --> 0:15:36.960
<v Speaker 1>do the whole nacho thing or if you want to

0:15:37.000 --> 0:15:39.320
<v Speaker 1>do like, well, you know what, let's put them on

0:15:39.360 --> 0:15:41.000
<v Speaker 1>a plate that way, they're even down. You know what

0:15:41.040 --> 0:15:42.880
<v Speaker 1>I mean that even now we could play them. We

0:15:43.080 --> 0:15:47.400
<v Speaker 1>could we could do yeah, go ahead, okay, and everybody

0:15:47.400 --> 0:15:51.800
<v Speaker 1>can eat over there, okay, and just you gonna do

0:15:52.040 --> 0:15:53.360
<v Speaker 1>so you want to do that. That's how we do it.

0:15:53.440 --> 0:15:56.200
<v Speaker 1>That's how we do it on our shows. Okay, cool, perfect, okay,

0:15:56.440 --> 0:16:00.200
<v Speaker 1>at na, Let's get some more chips on there on

0:16:00.320 --> 0:16:04.360
<v Speaker 1>both of them. Might spread them out if you might

0:16:04.400 --> 0:16:07.600
<v Speaker 1>have some of the food, may want to eat something,

0:16:07.680 --> 0:16:09.440
<v Speaker 1>you know what I mean? All right, So we got

0:16:09.520 --> 0:16:12.160
<v Speaker 1>a good looking nacho plate. Good, all right? So now

0:16:12.400 --> 0:16:14.360
<v Speaker 1>what do we add next? Alright? So we go turn

0:16:14.400 --> 0:16:17.240
<v Speaker 1>these off right now, we're done. We're done with these

0:16:17.360 --> 0:16:20.280
<v Speaker 1>right here, all right. The first thing we're going to

0:16:20.400 --> 0:16:25.160
<v Speaker 1>add now, right now is our beans. We're gonna add beans,

0:16:25.400 --> 0:16:27.920
<v Speaker 1>then we're gonna add our cheese. Then we're gonna add

0:16:27.960 --> 0:16:30.120
<v Speaker 1>everything else from top of it, because those are two

0:16:30.200 --> 0:16:35.320
<v Speaker 1>hottest things, right but you add meeting Okay, okay, let

0:16:35.400 --> 0:16:38.400
<v Speaker 1>me sit back and watch some magic. Alright, So the

0:16:38.520 --> 0:16:42.840
<v Speaker 1>taking parts done, everybody, The cooking part is there, and

0:16:42.920 --> 0:16:44.640
<v Speaker 1>everything is turned up. I want to make sure but

0:16:44.720 --> 0:16:47.360
<v Speaker 1>these are still hot again, everybody at home and it's

0:16:47.360 --> 0:16:49.200
<v Speaker 1>still all and be careful. I want to hear about

0:16:49.240 --> 0:16:53.920
<v Speaker 1>nobody's fingers getting burnt off. We want to do this.

0:16:54.040 --> 0:16:55.920
<v Speaker 1>We want to have it to where it's like uh

0:16:56.440 --> 0:17:01.200
<v Speaker 1>a saucy type, a nice and sautage like right, all right,

0:17:01.400 --> 0:17:03.480
<v Speaker 1>you want to be kind of right to where you

0:17:03.520 --> 0:17:06.440
<v Speaker 1>spread them around a little bit, to where you spread

0:17:06.520 --> 0:17:08.760
<v Speaker 1>them around to where it's like because you want to

0:17:08.800 --> 0:17:11.879
<v Speaker 1>taste hopefully a little bit of everything and everybody right

0:17:14.600 --> 0:17:23.800
<v Speaker 1>and right there to see. What I usually do is

0:17:23.840 --> 0:17:25.840
<v Speaker 1>tossing nachos up, So it would be kind of like

0:17:27.320 --> 0:17:31.120
<v Speaker 1>to like you do it in a bag or something. Yeah,

0:17:31.119 --> 0:17:32.880
<v Speaker 1>you can do it with your hands, however, you because

0:17:32.880 --> 0:17:35.240
<v Speaker 1>these don't be your noxial, so you could do however

0:17:35.320 --> 0:17:37.320
<v Speaker 1>you want to. But I wouldn't be wanting nobody putting

0:17:37.320 --> 0:17:40.239
<v Speaker 1>their hands in my noxial. No, no, pick your one

0:17:40.359 --> 0:17:44.480
<v Speaker 1>chip and exit the plate exactly. That's the name of

0:17:44.520 --> 0:17:46.960
<v Speaker 1>the game when you share nochals, right, you don't be

0:17:47.720 --> 0:17:50.359
<v Speaker 1>all around your plate. I do that this squak on that,

0:17:50.520 --> 0:17:52.840
<v Speaker 1>or I'll reach Oldren, you know, and we could ask.

0:17:52.880 --> 0:17:56.360
<v Speaker 1>You could definitely ask some so I get it, yeah,

0:17:56.400 --> 0:17:59.520
<v Speaker 1>because everybody may not beautiful that, you know, wacamole is

0:17:59.640 --> 0:18:02.600
<v Speaker 1>sometimes I'm to be expensive depending on the seasons. Then,

0:18:03.080 --> 0:18:06.560
<v Speaker 1>So we got enough of that right now. Perfect. The

0:18:06.680 --> 0:18:08.760
<v Speaker 1>next thing the cheese. The next thing we're doing is

0:18:08.800 --> 0:18:13.600
<v Speaker 1>the cheese right here right then, before the meat, don't

0:18:13.640 --> 0:18:17.120
<v Speaker 1>after that. Put the meat on right there. See your

0:18:17.160 --> 0:18:19.760
<v Speaker 1>smooth that he is right there. See your smooth that

0:18:19.840 --> 0:18:22.240
<v Speaker 1>he is right there. That looks great. You pour it

0:18:22.320 --> 0:18:25.440
<v Speaker 1>on there, and you know you want to have a

0:18:25.520 --> 0:18:29.160
<v Speaker 1>little bit everywhere, nice and cheese, and you know nice

0:18:29.200 --> 0:18:36.120
<v Speaker 1>and cheese. You wonna put this on there. Season Staline

0:18:36.160 --> 0:18:37.399
<v Speaker 1>is the whole. I'm gonna make hook it up and

0:18:37.440 --> 0:18:42.040
<v Speaker 1>make sure she got cheese and every sector and every crevice. Well,

0:18:42.200 --> 0:18:45.320
<v Speaker 1>you know what, I don't be a host up asking

0:18:45.359 --> 0:18:49.520
<v Speaker 1>you a lot of questions and a little bit soft,

0:18:49.520 --> 0:18:55.280
<v Speaker 1>too cold. Then we start off with me started at

0:18:55.320 --> 0:18:58.960
<v Speaker 1>the meeting there. We want this to be nice and green,

0:19:00.000 --> 0:19:02.920
<v Speaker 1>know to where you don't have two big, bigger clumps.

0:19:04.640 --> 0:19:07.480
<v Speaker 1>This looks really good. It's conuld be the bond. I'm

0:19:07.480 --> 0:19:10.000
<v Speaker 1>one of those people that I go to a Taco Bell. Well,

0:19:10.040 --> 0:19:11.440
<v Speaker 1>I used to go to Taco bell a lot and

0:19:11.520 --> 0:19:14.720
<v Speaker 1>my order was always the Naturals Bell grand Day. I

0:19:14.840 --> 0:19:17.600
<v Speaker 1>was like my go to these killing the next bill

0:19:17.640 --> 0:19:20.280
<v Speaker 1>grand Day. It's kind of like, uh, you can make

0:19:20.359 --> 0:19:21.879
<v Speaker 1>these and mikes you want to. You can put the

0:19:21.920 --> 0:19:24.160
<v Speaker 1>guacamole on it, you can put the side with cream

0:19:24.600 --> 0:19:29.199
<v Speaker 1>and see now what we're doing right now. We got

0:19:29.280 --> 0:19:31.639
<v Speaker 1>some of these right there, We got some sauce. We

0:19:31.720 --> 0:19:33.880
<v Speaker 1>always want to make sure. I opened it a little

0:19:33.880 --> 0:19:36.600
<v Speaker 1>bit so it's cool. I mean it's going to spill

0:19:36.640 --> 0:19:39.080
<v Speaker 1>that when you shake it. It's what I got my

0:19:39.119 --> 0:19:58.040
<v Speaker 1>hand over the top. Problem problem. Oh yeah, we're not

0:19:58.119 --> 0:20:01.840
<v Speaker 1>playing those games in here to day. So how often

0:20:01.880 --> 0:20:04.680
<v Speaker 1>would you eat this? You know what? The last time

0:20:04.720 --> 0:20:07.440
<v Speaker 1>I had these was maybe probably a month and a

0:20:07.480 --> 0:20:10.760
<v Speaker 1>half ago. It's not something not eat every day because

0:20:10.800 --> 0:20:16.119
<v Speaker 1>this can it's good, but it's something that they can

0:20:16.200 --> 0:20:19.199
<v Speaker 1>kind of get you one bigger. Oh yeah, you can

0:20:19.240 --> 0:20:21.600
<v Speaker 1>get gain weight eating if you definitely go gain some weight,

0:20:21.640 --> 0:20:24.600
<v Speaker 1>you eat notchos. Everything especially not was like this. I

0:20:24.640 --> 0:20:26.639
<v Speaker 1>mean this thing was beautiful with the red. Okay, so

0:20:26.760 --> 0:20:29.920
<v Speaker 1>we added the salsa. The lapenos are optional, Yeah, the

0:20:29.960 --> 0:20:33.960
<v Speaker 1>healepinios optional. I'm going to skip the jalepenos. See she's

0:20:34.000 --> 0:20:36.359
<v Speaker 1>gonna skip the helopineos. I'm gonna put a couple of

0:20:36.400 --> 0:20:38.680
<v Speaker 1>them on there, and we gotta fork right here. I

0:20:38.720 --> 0:20:42.120
<v Speaker 1>don't want to hold a bunch of them. I don't

0:20:42.119 --> 0:20:43.480
<v Speaker 1>want to hold a bunch of them. Hold on. I

0:20:43.520 --> 0:20:46.320
<v Speaker 1>forgot almost kind about this right here to trust the

0:20:46.400 --> 0:20:55.800
<v Speaker 1>sour cream. Sour cream is stick and just for show purposes,

0:20:56.680 --> 0:20:58.720
<v Speaker 1>We'll put you some clumps around there. You can always do.

0:21:00.200 --> 0:21:03.440
<v Speaker 1>We'll put you some cloth. This smells and looks way

0:21:03.560 --> 0:21:06.639
<v Speaker 1>better than my Natural's bell grande on this show, I

0:21:06.720 --> 0:21:08.119
<v Speaker 1>have so many guys to be like. I want you

0:21:08.240 --> 0:21:10.040
<v Speaker 1>to try you first, like no, no, no no, we

0:21:10.160 --> 0:21:12.160
<v Speaker 1>tried to get it. I found me a perfect one

0:21:12.200 --> 0:21:15.560
<v Speaker 1>with a nice combination of salta cheese and everything else.

0:21:17.359 --> 0:21:30.640
<v Speaker 1>It's too good, outstanding. First of all, I gotta get

0:21:30.640 --> 0:21:35.960
<v Speaker 1>it with the cheese on it. This is outstanding. You

0:21:36.040 --> 0:21:41.760
<v Speaker 1>want me too, I can always chase Hell yeah, hell yeah.

0:21:41.920 --> 0:21:44.200
<v Speaker 1>So let me just tell you listeners about this cheese.

0:21:46.920 --> 0:21:51.640
<v Speaker 1>I've had the natural cheese in a can, definitely nasty,

0:21:51.800 --> 0:21:55.440
<v Speaker 1>compared to this cheese. I've never had velveted cheese. I've

0:21:55.440 --> 0:21:57.359
<v Speaker 1>never even thought to mix it with carnation milk. But

0:21:57.440 --> 0:22:01.000
<v Speaker 1>this cheese is amazing. That's the key doing Nation new.

0:22:01.520 --> 0:22:06.920
<v Speaker 1>The flavor is absolutely nuts. I wish I could take

0:22:06.920 --> 0:22:09.320
<v Speaker 1>this home without it, like getting the chip soggy. Well,

0:22:09.400 --> 0:22:14.960
<v Speaker 1>you know, we're usually what we would do is I

0:22:15.000 --> 0:22:18.520
<v Speaker 1>would get a big like kind of flatter tree, spread

0:22:18.560 --> 0:22:21.520
<v Speaker 1>the noxios across there, and I would put the beans

0:22:21.560 --> 0:22:24.040
<v Speaker 1>on there, and I would I wear plastic lives and cooking.

0:22:24.080 --> 0:22:25.480
<v Speaker 1>I would kind of just you don't want to tear

0:22:25.520 --> 0:22:28.200
<v Speaker 1>the nachos up, but she would kind of just to wear.

0:22:28.280 --> 0:22:33.080
<v Speaker 1>So everybody that you give is like, um, an experience

0:22:33.160 --> 0:22:35.800
<v Speaker 1>and experience. You've got all these different flavors of explosion

0:22:35.840 --> 0:22:39.200
<v Speaker 1>and flavors in here and seeing. The thing is, I

0:22:39.320 --> 0:22:43.840
<v Speaker 1>can't stress how amazing these nachos are. Like, Jared, I

0:22:43.880 --> 0:22:47.600
<v Speaker 1>wish you'd come over and eat some of the drill Katie, huh,

0:22:49.200 --> 0:22:53.320
<v Speaker 1>we have plenty of them at the words, you have

0:22:53.400 --> 0:22:57.080
<v Speaker 1>plenty for them. After words, UM, this is amazing, all right?

0:22:57.160 --> 0:23:02.760
<v Speaker 1>My last bit? And then I can they're addictive and

0:23:02.840 --> 0:23:04.639
<v Speaker 1>that's why you don't eat these every day because you

0:23:04.680 --> 0:23:08.200
<v Speaker 1>have missed round. It's kind of like almost made my

0:23:08.320 --> 0:23:12.879
<v Speaker 1>fried deviled eggs. What. So let me just tell you

0:23:12.880 --> 0:23:14.800
<v Speaker 1>a little backstory. So Norm and I have been trying

0:23:14.840 --> 0:23:18.080
<v Speaker 1>to tape with each other for months. Norm, come on,

0:23:18.600 --> 0:23:22.080
<v Speaker 1>we're trying to work our schedules together. Then I was like, Norm,

0:23:22.119 --> 0:23:24.359
<v Speaker 1>what do you want to make? His first option for me?

0:23:24.520 --> 0:23:27.040
<v Speaker 1>Everybody was meat loaf, and I was like, he was like,

0:23:27.080 --> 0:23:29.399
<v Speaker 1>have you ever had meat loaf? I'm like, uh, if

0:23:29.440 --> 0:23:31.640
<v Speaker 1>I did, I don't think I ever remember the experience.

0:23:31.720 --> 0:23:33.960
<v Speaker 1>But I didn't want meat loaf. And I was like,

0:23:34.000 --> 0:23:36.600
<v Speaker 1>I'm sure, norm you have something else. He was like, oh,

0:23:36.640 --> 0:23:38.399
<v Speaker 1>what about these nachos? And I was like, that's a

0:23:38.440 --> 0:23:42.920
<v Speaker 1>great idea. But now while we're here, you offer me

0:23:43.720 --> 0:23:47.840
<v Speaker 1>deviled eggs. Deviled eggs. I've never had that. It's like,

0:23:50.680 --> 0:23:53.640
<v Speaker 1>those are pretty much like the traditional deviled eggs, except

0:23:54.960 --> 0:23:57.600
<v Speaker 1>you got a twist on him. You couldn't egg whites,

0:23:57.640 --> 0:23:59.359
<v Speaker 1>and half couldn't and they have you put your arm,

0:24:00.640 --> 0:24:03.199
<v Speaker 1>You're you're yoking the boat right when it's done, when

0:24:03.240 --> 0:24:06.600
<v Speaker 1>it's cooked right, You take those halves, You're dip them

0:24:06.640 --> 0:24:08.399
<v Speaker 1>in a little bit of flour. Then you dip them

0:24:08.400 --> 0:24:10.159
<v Speaker 1>in some egg white. Then you put them in the

0:24:10.240 --> 0:24:13.720
<v Speaker 1>bread crumbs read crimebs. You put them in the skill

0:24:13.760 --> 0:24:16.760
<v Speaker 1>of deep friar hope it with a little um, one

0:24:16.760 --> 0:24:19.960
<v Speaker 1>of the little scoops. Put them in there, maybe ten seconds,

0:24:20.400 --> 0:24:23.199
<v Speaker 1>take them out, but I'm driving. You know, paper towels, napkins,

0:24:23.280 --> 0:24:28.080
<v Speaker 1>you know the absorb the oil. Then you know like

0:24:28.200 --> 0:24:30.640
<v Speaker 1>traditional devil the eggs. You put the eggs in the basket,

0:24:31.480 --> 0:24:33.399
<v Speaker 1>whip them up, put some miracle whip in there, some

0:24:33.520 --> 0:24:36.159
<v Speaker 1>sweet relish, nice sweeting tank. You relish a little bit

0:24:36.160 --> 0:24:38.240
<v Speaker 1>of a little bit of you know, kayenne, just a

0:24:38.280 --> 0:24:40.399
<v Speaker 1>little taste of cayenne pepper, just so it has that

0:24:40.480 --> 0:24:43.240
<v Speaker 1>little bite to him. Then you want to get the bacon,

0:24:44.440 --> 0:24:46.440
<v Speaker 1>but you want a specific kind of bacon. You want

0:24:46.520 --> 0:24:50.119
<v Speaker 1>the bacon that has um, like the sweet bacon, like

0:24:50.160 --> 0:24:52.600
<v Speaker 1>the hickory with the hickory tasting, or you can put

0:24:52.640 --> 0:24:54.560
<v Speaker 1>a cheat them, even put a little bit of syrup

0:24:54.640 --> 0:24:57.760
<v Speaker 1>on when you're cooking the bacon. Right, that's a whole

0:24:57.760 --> 0:25:00.879
<v Speaker 1>another story though, I was gonna say, um, when you

0:25:01.000 --> 0:25:04.440
<v Speaker 1>come back, fire devil eggs will be the option. I

0:25:04.560 --> 0:25:06.520
<v Speaker 1>definitely well hooked at up those take long. You can't

0:25:06.520 --> 0:25:09.720
<v Speaker 1>be putting me under those stipulations with that college. These

0:25:09.800 --> 0:25:12.199
<v Speaker 1>naturs are amazing. But I really want to know your

0:25:12.240 --> 0:25:16.320
<v Speaker 1>backstory on how you got to gangster chronicles and where

0:25:16.320 --> 0:25:18.919
<v Speaker 1>you're at today. Now, you said you were in college

0:25:18.960 --> 0:25:22.080
<v Speaker 1>when you were eating these, So tell me like a

0:25:22.200 --> 0:25:25.080
<v Speaker 1>little bit about your background, Like what were you doing

0:25:25.160 --> 0:25:28.399
<v Speaker 1>in college? Well, I'm originally from Cleveland, Ohio, and I

0:25:28.600 --> 0:25:30.800
<v Speaker 1>was a guy like a lot of other athletes, especially

0:25:30.840 --> 0:25:34.560
<v Speaker 1>in that area, to where I didn't have the academic

0:25:34.720 --> 0:25:37.520
<v Speaker 1>portion together out of high school. So a lot of

0:25:37.560 --> 0:25:39.800
<v Speaker 1>opportunities I had coming out of high school I couldn't

0:25:39.840 --> 0:25:42.520
<v Speaker 1>take advantage of because I've had a great So I

0:25:42.680 --> 0:25:44.879
<v Speaker 1>wound up coming out here to long Be City College.

0:25:44.880 --> 0:25:47.359
<v Speaker 1>There was the choice between either me coming here to

0:25:47.440 --> 0:25:49.640
<v Speaker 1>a tend school or going to coffee Ville in Kansas.

0:25:50.359 --> 0:25:53.280
<v Speaker 1>And they actually had scholarships and coffee Field, Kansas dorms

0:25:53.320 --> 0:25:57.400
<v Speaker 1>and everything. But anybody that knows about Coffeeville, Kansas knows

0:25:57.480 --> 0:26:01.200
<v Speaker 1>it's not exactly the sexiest destination and the planet. So

0:26:01.760 --> 0:26:03.800
<v Speaker 1>I chose to come out here to California. Came out

0:26:03.800 --> 0:26:08.000
<v Speaker 1>here when I was seventeen years old. Um, thanks to

0:26:08.080 --> 0:26:11.080
<v Speaker 1>coach weal Shaw good mentor mind steal the manness in

0:26:11.119 --> 0:26:12.960
<v Speaker 1>my life that day. Me and his son are best friends.

0:26:13.000 --> 0:26:15.680
<v Speaker 1>So I played football at Longbe City College, who there

0:26:15.840 --> 0:26:19.720
<v Speaker 1>got a scholarship to New Mexico State University. UM. I

0:26:19.840 --> 0:26:21.920
<v Speaker 1>met my wife when I was at Longbe City College.

0:26:21.960 --> 0:26:24.720
<v Speaker 1>So I wound up twin around playing professional football in

0:26:24.800 --> 0:26:27.320
<v Speaker 1>the CFL and Arena Football League for a few years.

0:26:27.960 --> 0:26:31.480
<v Speaker 1>That really wasn't my thing. So I came back. You know,

0:26:31.560 --> 0:26:33.080
<v Speaker 1>I had a son already, so I wanted to be

0:26:33.160 --> 0:26:34.840
<v Speaker 1>in my son's life. And it's not like I was

0:26:34.920 --> 0:26:37.840
<v Speaker 1>making millions of dollars playing arena football, so I had

0:26:37.880 --> 0:26:39.919
<v Speaker 1>to make a choice. I came home and started kind

0:26:39.960 --> 0:26:43.520
<v Speaker 1>of integrating into the real world. Always had a love

0:26:43.600 --> 0:26:47.639
<v Speaker 1>for music. You know, my family food musicians, right, So

0:26:47.720 --> 0:26:50.480
<v Speaker 1>I was always had this love for music. So I

0:26:50.640 --> 0:26:53.080
<v Speaker 1>wound up somehow through one of my friends, Mario, he

0:26:53.119 --> 0:26:55.280
<v Speaker 1>could add them. I wound up getting involved in the

0:26:55.440 --> 0:26:59.560
<v Speaker 1>music business distribution. At first, UM we were going out

0:26:59.600 --> 0:27:02.679
<v Speaker 1>to some conventions, you know, conventions that they had back then,

0:27:02.760 --> 0:27:05.000
<v Speaker 1>sex as Jack the Rapper and all this different stuff.

0:27:05.040 --> 0:27:06.920
<v Speaker 1>And then we wound up going out to a convention

0:27:07.000 --> 0:27:10.560
<v Speaker 1>called mid Him that's where all the distributors meet up worldwide.

0:27:10.680 --> 0:27:13.800
<v Speaker 1>From there, I met one of my um like the

0:27:13.840 --> 0:27:15.280
<v Speaker 1>guy that would become a mentor to me and the

0:27:15.359 --> 0:27:19.239
<v Speaker 1>music industry, Dim run Pillow from the UK. Wound up

0:27:19.280 --> 0:27:21.200
<v Speaker 1>doing a lot of business with them. So I started

0:27:21.200 --> 0:27:24.040
<v Speaker 1>distributing a lot of records here from United States overseas.

0:27:24.800 --> 0:27:28.440
<v Speaker 1>Our company did two million dollars our first year. And

0:27:28.520 --> 0:27:31.000
<v Speaker 1>you when you say our company like your own, your

0:27:31.000 --> 0:27:33.320
<v Speaker 1>own company. We had our own distributors, We had our

0:27:33.359 --> 0:27:35.840
<v Speaker 1>own distributors. We were distributing the albums. We were distributing

0:27:35.880 --> 0:27:38.520
<v Speaker 1>the dog Pounds albums through my boy big A. Shoutut

0:27:38.560 --> 0:27:41.280
<v Speaker 1>to my partner, big A. We were doing Dad's Dear

0:27:41.320 --> 0:27:44.399
<v Speaker 1>Luxury Corrupt all those guys overseas and I haven't heard

0:27:45.080 --> 0:27:48.040
<v Speaker 1>so long. But then what happened was we had this

0:27:48.119 --> 0:27:52.680
<v Speaker 1>strange little thing to where the record company started kind

0:27:52.720 --> 0:27:55.560
<v Speaker 1>of tripping on people selling. Look, it's called mixtapes. That's

0:27:55.600 --> 0:27:57.359
<v Speaker 1>when you had the whole thing that went down with

0:27:57.480 --> 0:28:01.040
<v Speaker 1>DJ's drama. And even though we were selling legal you know,

0:28:01.080 --> 0:28:03.399
<v Speaker 1>we were selling legal content. We wouldn't bootleg enough. And

0:28:03.440 --> 0:28:05.919
<v Speaker 1>these release artists albums. The record companies was like, man,

0:28:05.960 --> 0:28:07.679
<v Speaker 1>we're not getting our cut off that ship. So they

0:28:07.760 --> 0:28:10.119
<v Speaker 1>started shifting everything down. So wait, how are you able

0:28:10.200 --> 0:28:13.359
<v Speaker 1>to get the record without the label? You were selling

0:28:13.480 --> 0:28:17.320
<v Speaker 1>legal records, but but you were getting the material from

0:28:17.359 --> 0:28:20.479
<v Speaker 1>the artist without from the artists, but without the labels involvement,

0:28:20.720 --> 0:28:23.640
<v Speaker 1>without the labels involving, you know, the average artists only

0:28:23.840 --> 0:28:26.399
<v Speaker 1>is getting the CD. So they got to try to

0:28:26.440 --> 0:28:29.000
<v Speaker 1>find ways outside of touring and make money. So we

0:28:29.080 --> 0:28:31.040
<v Speaker 1>were doing this stuff, and I was doing some other

0:28:31.080 --> 0:28:33.280
<v Speaker 1>people that were independent to those weren't the problem that

0:28:33.359 --> 0:28:35.159
<v Speaker 1>one the stuff that was selling a bunch of records

0:28:35.200 --> 0:28:37.520
<v Speaker 1>was the stuff that came from the record companies. So

0:28:38.480 --> 0:28:40.280
<v Speaker 1>I kind of started writing on the wall with that.

0:28:40.680 --> 0:28:45.080
<v Speaker 1>But through me starting to release more material that was

0:28:45.160 --> 0:28:48.040
<v Speaker 1>kind of proprietary to me. I was clearing the sample

0:28:48.120 --> 0:28:50.360
<v Speaker 1>one day and I called this company Mind of Music, Hey,

0:28:50.840 --> 0:28:52.640
<v Speaker 1>we want to get this sample clear. You know we're

0:28:52.680 --> 0:28:55.400
<v Speaker 1>gonna pay to get the sample clear. They started asking

0:28:55.440 --> 0:28:57.360
<v Speaker 1>a bunch of questions like well, who is the artist?

0:28:58.040 --> 0:29:00.200
<v Speaker 1>Who is this? Who wrote this? Who wrote that? And

0:29:00.280 --> 0:29:02.360
<v Speaker 1>I was like, well I did this and I did that.

0:29:03.040 --> 0:29:05.240
<v Speaker 1>So they wound up needing when me in l A

0:29:05.280 --> 0:29:08.120
<v Speaker 1>and we wound up doing a publishing deal. I was

0:29:08.160 --> 0:29:11.400
<v Speaker 1>a writer and that was your first publishing. Yeah, so

0:29:11.480 --> 0:29:13.800
<v Speaker 1>I did want to doing the publishing with them. On

0:29:13.960 --> 0:29:15.959
<v Speaker 1>top of that, they told me some goals that they

0:29:16.000 --> 0:29:18.800
<v Speaker 1>had as far as expanding into a United States because

0:29:18.880 --> 0:29:21.160
<v Speaker 1>this company had a huge catalog. They had like the

0:29:21.240 --> 0:29:24.719
<v Speaker 1>regional rights to like the fall some of the Beatles

0:29:24.800 --> 0:29:27.280
<v Speaker 1>catalog so they had, you know, the Gap band. They

0:29:27.320 --> 0:29:30.680
<v Speaker 1>had a lot of catalog, right, So we wound up

0:29:30.720 --> 0:29:33.280
<v Speaker 1>happing deals from near They said, hey, norm, we want

0:29:33.320 --> 0:29:36.560
<v Speaker 1>to open up office here in the States. Would you

0:29:36.800 --> 0:29:39.920
<v Speaker 1>run that office? But but you're at this point you're

0:29:39.920 --> 0:29:42.239
<v Speaker 1>assigned to them as almost like an artist right as

0:29:42.280 --> 0:29:47.240
<v Speaker 1>a as a writer. So and then to backtrack just

0:29:47.320 --> 0:29:49.640
<v Speaker 1>a little bit, can you break down what a publishing

0:29:49.720 --> 0:29:52.640
<v Speaker 1>deal looks like to just the average listener? Well, the

0:29:52.720 --> 0:29:55.920
<v Speaker 1>publishing deal is someone they come to you. It could

0:29:55.960 --> 0:29:59.239
<v Speaker 1>be you. You can come to someone and say, hey,

0:29:59.280 --> 0:30:01.440
<v Speaker 1>I want to partend is paid in your publishing rights.

0:30:02.000 --> 0:30:04.520
<v Speaker 1>I'm going to advance you a certain amount of money

0:30:04.600 --> 0:30:06.480
<v Speaker 1>based on what I think it was your worth. They

0:30:06.560 --> 0:30:08.960
<v Speaker 1>may say, okay, i'm gonna give you two and fifty

0:30:09.400 --> 0:30:12.440
<v Speaker 1>dollars and we're going to share in. We're gonna do

0:30:12.440 --> 0:30:14.520
<v Speaker 1>a co pub deal, which means mean you're going straight

0:30:14.560 --> 0:30:16.720
<v Speaker 1>down the middle. You get twenty five percent and I

0:30:16.760 --> 0:30:22.520
<v Speaker 1>get you get fifty percent. And in turn, they're usually

0:30:22.600 --> 0:30:24.840
<v Speaker 1>people that are able to take your music to different

0:30:24.880 --> 0:30:28.960
<v Speaker 1>places to work those assets. So I wounded up working

0:30:29.040 --> 0:30:32.200
<v Speaker 1>with them maybe six years. Um I wanted up coming

0:30:32.280 --> 0:30:36.920
<v Speaker 1>the head of Urban music Um. The first record that

0:30:37.000 --> 0:30:39.240
<v Speaker 1>we actually got placed wind up going platinum. It was

0:30:39.280 --> 0:30:42.360
<v Speaker 1>ice cream paying job. Shout out to my little partner

0:30:42.400 --> 0:30:44.520
<v Speaker 1>two months. That was the first producer I ever signed.

0:30:45.080 --> 0:30:48.200
<v Speaker 1>He wind up going platinum at the gate Um. But

0:30:48.800 --> 0:30:52.280
<v Speaker 1>I started having issues with the publishing company because I

0:30:52.440 --> 0:30:54.360
<v Speaker 1>brought some artists in there that I feelt could have

0:30:54.440 --> 0:30:57.280
<v Speaker 1>been a really revolutionized music. I brought Kendrick Lamar and

0:30:57.360 --> 0:31:01.480
<v Speaker 1>when he was just going by, they see no. I thought,

0:31:01.520 --> 0:31:03.360
<v Speaker 1>actually all the TV in there, they told me no.

0:31:04.160 --> 0:31:05.800
<v Speaker 1>So I kind of was feeling some kind of way

0:31:05.840 --> 0:31:07.760
<v Speaker 1>about that because I said, well, you know, you give

0:31:07.800 --> 0:31:13.440
<v Speaker 1>me this job, you're not giving me the support to it.

0:31:13.800 --> 0:31:16.400
<v Speaker 1>I pretty much had a pin with no ink. They

0:31:16.520 --> 0:31:19.040
<v Speaker 1>let me do too much because that deal was cheap

0:31:20.040 --> 0:31:22.640
<v Speaker 1>in comparison, and TD wasn't asking for a whole lot

0:31:22.640 --> 0:31:24.360
<v Speaker 1>of money at that time, not comparing it what you

0:31:24.400 --> 0:31:26.880
<v Speaker 1>would have got. Yeah, you know that we did that deal,

0:31:26.920 --> 0:31:28.520
<v Speaker 1>we would all probably be sitting on top of the

0:31:28.560 --> 0:31:33.160
<v Speaker 1>hills somewhere. So they so you ended up walking. I

0:31:33.320 --> 0:31:35.240
<v Speaker 1>ended up walking, and I was young back then, the

0:31:35.360 --> 0:31:37.160
<v Speaker 1>kind of arrogant. If I had to do all over again,

0:31:37.160 --> 0:31:39.360
<v Speaker 1>I would handled it a little differently. But yea, I

0:31:39.360 --> 0:31:42.320
<v Speaker 1>wound up walking away. Now when you say arrogant, was

0:31:42.640 --> 0:31:44.160
<v Speaker 1>do you feel like you probably took over? And you

0:31:44.240 --> 0:31:47.160
<v Speaker 1>were like, I can I come make money on my own?

0:31:47.240 --> 0:31:50.000
<v Speaker 1>So I'm good. It was one of those things. And

0:31:50.080 --> 0:31:51.960
<v Speaker 1>I had a lot of people at that time offered

0:31:52.000 --> 0:31:54.880
<v Speaker 1>me jobs in other houses like I had. Cobalt offered

0:31:54.920 --> 0:31:58.080
<v Speaker 1>me a job. I had, Bug Music offered me a job.

0:31:58.160 --> 0:32:01.120
<v Speaker 1>I had different like you know, from publishing companies off

0:32:01.120 --> 0:32:04.080
<v Speaker 1>from me a job because everybody wants the black guy

0:32:04.120 --> 0:32:06.680
<v Speaker 1>that's connected to the streets, you know, they want the

0:32:06.720 --> 0:32:09.120
<v Speaker 1>black guy that can go to anybody's studio session and

0:32:09.200 --> 0:32:12.280
<v Speaker 1>just kind of pop up. And they were willing to support.

0:32:12.440 --> 0:32:15.480
<v Speaker 1>But what I didn't know was you're only good for

0:32:15.600 --> 0:32:18.240
<v Speaker 1>one of those other jobs when you're working at the job.

0:32:18.720 --> 0:32:21.080
<v Speaker 1>Once you're gone, they don't know if you got fired,

0:32:21.120 --> 0:32:22.680
<v Speaker 1>they don't know what it is. They're not trying to

0:32:22.720 --> 0:32:25.560
<v Speaker 1>investigate why. So all those same people that was blowing

0:32:25.640 --> 0:32:28.520
<v Speaker 1>up my phone, you know, five six months earlier, they

0:32:28.640 --> 0:32:30.800
<v Speaker 1>wasn't around no more. So I had to figure out

0:32:30.880 --> 0:32:35.640
<v Speaker 1>some stuff. So what I started doing is my friend

0:32:35.680 --> 0:32:38.960
<v Speaker 1>at that time, Glasses my loan. He was hot as

0:32:39.000 --> 0:32:41.800
<v Speaker 1>fish recent the streets like he was hot, he was

0:32:42.040 --> 0:32:44.680
<v Speaker 1>m He was in Games camp at the time. He

0:32:44.720 --> 0:32:47.160
<v Speaker 1>was running around the Black Wall Street camp. So and

0:32:47.280 --> 0:32:49.680
<v Speaker 1>me and him were always friends. I started helping him

0:32:49.760 --> 0:32:52.480
<v Speaker 1>more and more because he was knew he was an

0:32:52.480 --> 0:32:56.120
<v Speaker 1>incredible rapper, but he didn't know the song writing. So

0:32:57.320 --> 0:32:59.840
<v Speaker 1>Glasses had this situation. He was running around with Black

0:33:00.000 --> 0:33:02.600
<v Speaker 1>Off Street with Game and them, and he became the

0:33:02.680 --> 0:33:05.320
<v Speaker 1>hottest guy in the streets. Like he had a song

0:33:05.440 --> 0:33:07.560
<v Speaker 1>called three hundred that went crazy on the ready and

0:33:07.640 --> 0:33:10.600
<v Speaker 1>at that time his brother who was managing them and

0:33:10.800 --> 0:33:12.480
<v Speaker 1>um he was signed to Sony. He has signed a

0:33:12.520 --> 0:33:17.920
<v Speaker 1>million dollar deal with Sony Music and m Sony One.

0:33:18.000 --> 0:33:20.520
<v Speaker 1>They decided that they were getting rid of their urban department.

0:33:20.800 --> 0:33:24.280
<v Speaker 1>He had an album that was already completely done finished.

0:33:24.280 --> 0:33:27.480
<v Speaker 1>You know, White left Gene a whole bunch of different

0:33:27.520 --> 0:33:29.840
<v Speaker 1>people on their many fresh on the production DJ to

0:33:30.320 --> 0:33:33.200
<v Speaker 1>you know, we had a real album. So in the

0:33:33.320 --> 0:33:35.720
<v Speaker 1>process of the label decided he was getting rid of

0:33:35.720 --> 0:33:37.840
<v Speaker 1>the Urban music department. He became a free agent. They

0:33:37.920 --> 0:33:39.760
<v Speaker 1>let him walk away with the money in the album.

0:33:40.840 --> 0:33:43.120
<v Speaker 1>So there was a lot of people calling and so

0:33:44.600 --> 0:33:48.360
<v Speaker 1>mat Ten from Cat from on who banging records. He

0:33:48.480 --> 0:33:50.680
<v Speaker 1>wanted to sign Glasses, but he wanted to do it

0:33:50.760 --> 0:33:53.240
<v Speaker 1>with cash money records, and we thought, you know what,

0:33:53.480 --> 0:33:56.320
<v Speaker 1>we got somebody from the west still kind of the

0:33:56.400 --> 0:33:59.480
<v Speaker 1>picture versus let's just dealing directly with cash money. So

0:33:59.600 --> 0:34:01.880
<v Speaker 1>we did that deal and it turned out good. Burdman

0:34:01.960 --> 0:34:04.880
<v Speaker 1>paid everything that Birdman and Mac took care of us.

0:34:04.960 --> 0:34:07.160
<v Speaker 1>It wasn't. None of the descripancies that we hear about

0:34:07.200 --> 0:34:11.600
<v Speaker 1>what the other artists or whatever? Did you own most

0:34:11.600 --> 0:34:14.240
<v Speaker 1>of your publishing or did you have glass is always

0:34:14.280 --> 0:34:16.200
<v Speaker 1>on this punty public and we didn't. I made sure

0:34:16.280 --> 0:34:18.359
<v Speaker 1>that we didn't do those deals unless they was coming

0:34:18.400 --> 0:34:21.160
<v Speaker 1>with a bunch of money. So the cool part of

0:34:21.200 --> 0:34:24.400
<v Speaker 1>Batty was we winds up signing the cash money. Now,

0:34:24.520 --> 0:34:27.439
<v Speaker 1>remember I told you earlier about Glasses and this record

0:34:27.520 --> 0:34:30.959
<v Speaker 1>making ability. One of the greatest rappers in the world

0:34:30.960 --> 0:34:35.080
<v Speaker 1>at that time. But song structural wist. He has dope songs,

0:34:35.200 --> 0:34:37.360
<v Speaker 1>but you know you're trying to, you know, hit on

0:34:37.440 --> 0:34:39.120
<v Speaker 1>some trakes ship. You didn't trying to come out and

0:34:39.239 --> 0:34:41.440
<v Speaker 1>just have some ship that's right here. You want to

0:34:41.719 --> 0:34:44.680
<v Speaker 1>go right here. So he got a lot better at

0:34:44.719 --> 0:34:46.920
<v Speaker 1>what it was he was doing in a situation with

0:34:47.040 --> 0:34:50.759
<v Speaker 1>cash Money didn't quite work out because they were talking

0:34:50.800 --> 0:34:53.600
<v Speaker 1>about pushing the album back, and at that time the

0:34:53.600 --> 0:34:56.839
<v Speaker 1>Glasses didn't don't know better, none of us knew any better.

0:34:57.200 --> 0:34:58.880
<v Speaker 1>We probably should have just deal with their asses to

0:34:58.920 --> 0:35:02.120
<v Speaker 1>him push the record back. Glasses like, no, I want

0:35:02.160 --> 0:35:04.279
<v Speaker 1>to I want my record to come out. I want

0:35:04.320 --> 0:35:06.799
<v Speaker 1>to release. So we wound up getting to release from

0:35:06.840 --> 0:35:09.399
<v Speaker 1>cash Money and wanted up release an album to somebody else.

0:35:09.920 --> 0:35:12.480
<v Speaker 1>Even though it was technically steal through cash Money, it

0:35:12.560 --> 0:35:14.759
<v Speaker 1>wasn't through the universe anymore through somebody else, So that

0:35:14.840 --> 0:35:16.920
<v Speaker 1>album did would have did I think we might have

0:35:16.960 --> 0:35:19.640
<v Speaker 1>wound up doing fifty thousand units, which is not that much,

0:35:20.160 --> 0:35:21.960
<v Speaker 1>you know for the caliper of artist he was. But

0:35:23.680 --> 0:35:26.080
<v Speaker 1>that kind of took us through, like this soul searching

0:35:26.200 --> 0:35:29.360
<v Speaker 1>period to where we really start locking in the studio.

0:35:29.520 --> 0:35:31.800
<v Speaker 1>Like Glasses want to learn how to play the bass guitar.

0:35:32.280 --> 0:35:34.040
<v Speaker 1>He learned how to play the guitar. He really got

0:35:34.160 --> 0:35:37.200
<v Speaker 1>in his music, started playing drums. Would you say at

0:35:37.239 --> 0:35:39.759
<v Speaker 1>that point you guys hit Do you think you hit

0:35:39.920 --> 0:35:42.120
<v Speaker 1>like a kind of rock bottom when or was it

0:35:42.200 --> 0:35:45.239
<v Speaker 1>like a reality check? Because you're it sounds like you

0:35:45.280 --> 0:35:49.200
<v Speaker 1>guys were like so confident, and then the record, you know,

0:35:49.400 --> 0:35:52.720
<v Speaker 1>you you went against you went against cash Money's decision,

0:35:52.880 --> 0:35:55.439
<v Speaker 1>and then the reality was the record didn't do as

0:35:55.480 --> 0:35:57.600
<v Speaker 1>well as the record didn't do as well when if

0:35:57.640 --> 0:35:59.919
<v Speaker 1>we were listening to Baby Team, we'd have been find

0:36:00.640 --> 0:36:03.560
<v Speaker 1>And you think, do you think at that point it

0:36:03.719 --> 0:36:05.400
<v Speaker 1>was a timing thing or do you think it was

0:36:05.480 --> 0:36:08.719
<v Speaker 1>like the record just wasn't there, or maybe he went

0:36:08.800 --> 0:36:11.160
<v Speaker 1>with the wrong single. What the thing was, we didn't

0:36:11.200 --> 0:36:13.520
<v Speaker 1>have no records there. We was trying to guess. It's

0:36:13.600 --> 0:36:15.799
<v Speaker 1>like we had dope records. Don't get me wrong. These

0:36:15.800 --> 0:36:20.279
<v Speaker 1>records were incredible, but they weren't records that fitting Glasses Lane.

0:36:20.400 --> 0:36:22.120
<v Speaker 1>Like last I was still trying to figure out who

0:36:22.160 --> 0:36:24.719
<v Speaker 1>he was as an artist. Like so, you know, when

0:36:24.760 --> 0:36:26.920
<v Speaker 1>you're looking at everybody else this popum, when you look

0:36:26.960 --> 0:36:30.520
<v Speaker 1>at Tune, which is Wayne, what works for Wayne ain't

0:36:30.680 --> 0:36:35.000
<v Speaker 1>necessarily work for Lashes and Wayne had a people look

0:36:35.000 --> 0:36:36.879
<v Speaker 1>at Wayne now, but Wayne has been around for such

0:36:36.920 --> 0:36:39.040
<v Speaker 1>a long time, it was and he went through an

0:36:39.120 --> 0:36:42.480
<v Speaker 1>evolution process as an artist himself exactly. And Wayne was

0:36:42.520 --> 0:36:44.840
<v Speaker 1>going stupid at that time. It's like, I remember we

0:36:44.920 --> 0:36:49.600
<v Speaker 1>went to Vegas to for the Lollipop video, and I

0:36:49.719 --> 0:36:52.600
<v Speaker 1>remember Birdman just standing on the side of the bus saying, yeah,

0:36:52.680 --> 0:36:54.680
<v Speaker 1>Wayne sold a million copies this week, and I was

0:36:54.719 --> 0:36:57.880
<v Speaker 1>just like, God, damn, this dude is actually the baddest

0:36:57.920 --> 0:37:00.080
<v Speaker 1>motherfucker on the planet right now. And Wayne is just

0:37:00.200 --> 0:37:03.800
<v Speaker 1>such a cool motherfucker. He's not m how are we

0:37:03.920 --> 0:37:05.919
<v Speaker 1>in here talking about? Now? That's how win niels. He's

0:37:05.920 --> 0:37:08.239
<v Speaker 1>gonna come by and introduced himself to you and shake

0:37:08.280 --> 0:37:10.439
<v Speaker 1>your hand, shake your hand, or douce himself. He's gonna

0:37:10.440 --> 0:37:13.640
<v Speaker 1>shake everybody in your hand, and he's gonna treat everybody

0:37:13.680 --> 0:37:16.200
<v Speaker 1>from the janitor to the manager to place the same way.

0:37:16.880 --> 0:37:19.640
<v Speaker 1>I So I used to have a magazine and I

0:37:19.760 --> 0:37:22.319
<v Speaker 1>had the opportunity to a little way, and I think

0:37:22.400 --> 0:37:26.120
<v Speaker 1>dropped the Lollipop record around that time, And I remember

0:37:26.480 --> 0:37:28.719
<v Speaker 1>I worked a lot with Universal Records, but I do

0:37:28.920 --> 0:37:32.720
<v Speaker 1>remember it being like, if you wanted to interview Wayne,

0:37:32.920 --> 0:37:35.480
<v Speaker 1>it was completely up to Wayne, like they had no

0:37:35.719 --> 0:37:39.160
<v Speaker 1>control over anything that that camp did. It was just

0:37:39.239 --> 0:37:41.239
<v Speaker 1>kind of like they were so thankful to even be

0:37:41.360 --> 0:37:43.920
<v Speaker 1>able to distribute. They just didn't mess with the process.

0:37:44.320 --> 0:37:47.239
<v Speaker 1>But I could not get Wayne unless I had a

0:37:47.280 --> 0:37:50.719
<v Speaker 1>Wayne direct contact. At the time, it was like you

0:37:50.760 --> 0:37:52.920
<v Speaker 1>couldn't go through a label. The book an interview with

0:37:53.360 --> 0:37:56.640
<v Speaker 1>Tune is doing what Tune want to do? Is the man?

0:37:57.120 --> 0:37:59.640
<v Speaker 1>Yeah he was. It was yeah. It wasn't even option

0:37:59.680 --> 0:38:01.319
<v Speaker 1>they did even they were just like, yeah, we don't.

0:38:01.360 --> 0:38:03.440
<v Speaker 1>We don't have because it's not like he needs to

0:38:03.520 --> 0:38:05.759
<v Speaker 1>cover your magazine. It's not like he needs you to

0:38:05.840 --> 0:38:07.480
<v Speaker 1>play a song on the radio. If you look at

0:38:07.960 --> 0:38:11.480
<v Speaker 1>if you look at Wayne's influence today on the music industry,

0:38:12.880 --> 0:38:19.160
<v Speaker 1>you have what's the kid's name, the kid from Philly's name. Well, no,

0:38:19.840 --> 0:38:23.200
<v Speaker 1>you don't even talk about younger rappers now. First of all,

0:38:23.200 --> 0:38:25.120
<v Speaker 1>I don't. I don't even listen to the Mumble rappers

0:38:27.400 --> 0:38:32.879
<v Speaker 1>star I do not you the guy that had that song,

0:38:34.840 --> 0:38:37.440
<v Speaker 1>short guy, he has a big record. Anyway, if you

0:38:37.520 --> 0:38:41.520
<v Speaker 1>look at everybody, the kids from Philly, I think, if

0:38:41.560 --> 0:38:45.560
<v Speaker 1>you look at everybody from young Thug to the other

0:38:45.719 --> 0:38:49.800
<v Speaker 1>rappers day, everybody has Wayne's influence written all over. But Wayne,

0:38:50.640 --> 0:38:53.279
<v Speaker 1>I would say that, But Wayne is I don't. I

0:38:53.320 --> 0:38:57.120
<v Speaker 1>don't even consider him a rapper. He is a full string.

0:38:57.239 --> 0:38:59.400
<v Speaker 1>He's he's almost on the level of her right now.

0:38:59.560 --> 0:39:05.960
<v Speaker 1>Or he really is all encompassing art music. Yeah, he

0:39:06.800 --> 0:39:09.879
<v Speaker 1>different instruments, like he's he's his own body of art. Yeah.

0:39:09.920 --> 0:39:12.160
<v Speaker 1>The only guy I know they can even compare to

0:39:12.320 --> 0:39:14.040
<v Speaker 1>him kind of like as a level on the level

0:39:14.080 --> 0:39:18.000
<v Speaker 1>of artistry he's on, it's probably Kendrick. And Kendrick is

0:39:18.040 --> 0:39:20.160
<v Speaker 1>a guy I've known since he was sixteen years old,

0:39:20.200 --> 0:39:22.600
<v Speaker 1>and I saw him go through his evolution, but he

0:39:22.760 --> 0:39:24.960
<v Speaker 1>just figured it out hell of early. Like I remember

0:39:25.040 --> 0:39:26.600
<v Speaker 1>one day he was in the studio when he made

0:39:26.680 --> 0:39:29.160
<v Speaker 1>that transition. He was over a top Dog studio in Carson.

0:39:29.200 --> 0:39:31.440
<v Speaker 1>They had a studio behind the house that was just

0:39:31.520 --> 0:39:33.600
<v Speaker 1>in the back, and I remember him saying one day, like,

0:39:34.480 --> 0:39:36.480
<v Speaker 1>because he went through a period where he was sounding

0:39:36.600 --> 0:39:38.800
<v Speaker 1>just like Wayne for it, man, he was releasing mixtapes

0:39:38.800 --> 0:39:40.680
<v Speaker 1>and he sounds just like Wayne. And he said one

0:39:40.760 --> 0:39:43.880
<v Speaker 1>day like, you know what, I'm just gonna be Kentried,

0:39:44.520 --> 0:39:46.440
<v Speaker 1>Like I'm gonna be who I am, and his music

0:39:46.560 --> 0:39:48.800
<v Speaker 1>just kind of exchanged. And he was always incredible, but

0:39:48.880 --> 0:39:51.919
<v Speaker 1>then you saw him just kind of just go It's

0:39:51.960 --> 0:39:54.200
<v Speaker 1>just like it's some special people. So being around these

0:39:54.239 --> 0:39:56.319
<v Speaker 1>special people, Glasses said, Man, I want to be one

0:39:56.320 --> 0:40:00.880
<v Speaker 1>of these special people. So he really just evolved like

0:40:01.040 --> 0:40:03.240
<v Speaker 1>on this level, and he has a level of truth

0:40:03.320 --> 0:40:05.680
<v Speaker 1>and honesty to his records that may piss some people off,

0:40:06.360 --> 0:40:08.520
<v Speaker 1>Like when we did the two part Much Die record.

0:40:09.480 --> 0:40:11.600
<v Speaker 1>For those that really didn't listen to the record, there

0:40:11.640 --> 0:40:13.520
<v Speaker 1>was a lot of people pissed off about the records.

0:40:13.800 --> 0:40:17.560
<v Speaker 1>They were just off a long. But when Glasses realized

0:40:17.560 --> 0:40:19.160
<v Speaker 1>that that it has to be more than just a

0:40:19.280 --> 0:40:21.800
<v Speaker 1>song and the story or nobody is gonna look at it,

0:40:21.920 --> 0:40:24.439
<v Speaker 1>listen to it, nobody's gonna pay attention to the video,

0:40:24.520 --> 0:40:27.000
<v Speaker 1>nobody's gonna look at it. So even if you look

0:40:27.040 --> 0:40:30.879
<v Speaker 1>at his last single, Kanye shouldn't have married that bitch

0:40:31.560 --> 0:40:35.000
<v Speaker 1>the language, but he knew that would catch people's attention

0:40:36.520 --> 0:40:39.000
<v Speaker 1>even though it wasn't. Then they're really degrading offer Kim

0:40:39.120 --> 0:40:40.880
<v Speaker 1>or whatever. It was just a song about the scandals

0:40:40.920 --> 0:40:44.239
<v Speaker 1>as girl and he tiled Kane, so he figured out

0:40:44.360 --> 0:40:47.600
<v Speaker 1>the whole thing. Like, if Glasses wasn't a rapper, I

0:40:47.680 --> 0:40:49.360
<v Speaker 1>think in another life he would probably be one of

0:40:49.400 --> 0:41:08.400
<v Speaker 1>the biggest marketing guys in the company Sound Problem. So

0:41:08.560 --> 0:41:12.440
<v Speaker 1>at this point you're managing Glasses, all right, So then

0:41:12.800 --> 0:41:14.400
<v Speaker 1>how do we get all the way I'm trying to

0:41:14.480 --> 0:41:18.320
<v Speaker 1>get to where you're This is all the story, so

0:41:19.160 --> 0:41:21.960
<v Speaker 1>me managing Glasses and figuring out who he was as

0:41:21.960 --> 0:41:24.640
<v Speaker 1>a man. He's an opinion they to do and he's

0:41:24.640 --> 0:41:27.279
<v Speaker 1>a contrarian as well. Anything you have to say, he's

0:41:27.320 --> 0:41:30.000
<v Speaker 1>gonna have an argument against it or maybe for but

0:41:30.160 --> 0:41:32.520
<v Speaker 1>he's gonna really and he's gonna debate. You want an

0:41:32.520 --> 0:41:36.040
<v Speaker 1>intellectual capacity, he's We don't deal with emotion. We're just

0:41:36.080 --> 0:41:38.359
<v Speaker 1>gonna take the truth straight out. This is what it is. Right.

0:41:39.160 --> 0:41:42.120
<v Speaker 1>So with that being said, I started really getting big

0:41:42.200 --> 0:41:44.359
<v Speaker 1>in the talk radio. I was listening to a lot

0:41:44.400 --> 0:41:47.680
<v Speaker 1>of talk radio, you know, just because when you work

0:41:47.719 --> 0:41:48.880
<v Speaker 1>in the music and it for you don't want to

0:41:48.880 --> 0:41:51.799
<v Speaker 1>hear music, or you love music, but you just want

0:41:51.840 --> 0:41:53.600
<v Speaker 1>to get away from that ship. So I started listening

0:41:53.640 --> 0:41:55.680
<v Speaker 1>to a lot of different people and I said, Glasses,

0:41:56.719 --> 0:41:59.160
<v Speaker 1>I heard this thing people are doing called the podcast.

0:41:59.239 --> 0:42:01.000
<v Speaker 1>And at this time they were probably only like thirty

0:42:01.040 --> 0:42:03.640
<v Speaker 1>or forty people doing podcasts. You figured this is maybe

0:42:05.200 --> 0:42:08.960
<v Speaker 1>this is maybe two thousand and eighteen, and we're like, man,

0:42:09.360 --> 0:42:11.319
<v Speaker 1>So we wanted to talk to your boy Ski over

0:42:11.400 --> 0:42:18.319
<v Speaker 1>at m J Ski because Ski had com Steve has

0:42:18.360 --> 0:42:21.320
<v Speaker 1>a company called um, he has this little app that

0:42:21.400 --> 0:42:24.440
<v Speaker 1>he has. Right, So we were up their recording Glasses podcast.

0:42:25.239 --> 0:42:28.279
<v Speaker 1>Of course, Glasses didn't do it consistently. We would do

0:42:28.400 --> 0:42:30.640
<v Speaker 1>one or two episodes. Then I come show up to

0:42:30.680 --> 0:42:33.200
<v Speaker 1>this law to do it and he wouldn't be there.

0:42:33.320 --> 0:42:35.240
<v Speaker 1>Just wait for me, Bro, I'll beat him thirty minutes,

0:42:35.239 --> 0:42:36.920
<v Speaker 1>thirty minutes termed to two hours. You know how you

0:42:37.000 --> 0:42:40.960
<v Speaker 1>we use Glasses, but with Right now, I'm hoping we

0:42:41.000 --> 0:42:46.640
<v Speaker 1>can la. These will come in trust me. So we

0:42:46.840 --> 0:42:49.200
<v Speaker 1>go through this thing where we're doing these podcasts, right

0:42:49.560 --> 0:42:53.240
<v Speaker 1>and Glasses podcasts. Actually it was called The Unpopular Opinion,

0:42:54.000 --> 0:42:56.040
<v Speaker 1>and it actually started catching people. But then we went

0:42:56.120 --> 0:42:58.200
<v Speaker 1>on this hiatus with it. Then that's when I see it.

0:42:58.280 --> 0:43:01.600
<v Speaker 1>You know what fun this? I went full on the

0:43:01.719 --> 0:43:06.040
<v Speaker 1>podcast and I decided to start Digital Soapbox Media. At

0:43:06.120 --> 0:43:08.080
<v Speaker 1>that time, I didn't really want to do a podcast.

0:43:08.640 --> 0:43:11.600
<v Speaker 1>I had plans on doing one, but I wanted to

0:43:11.680 --> 0:43:13.880
<v Speaker 1>get this off the ground. I was like, I figured

0:43:13.880 --> 0:43:16.600
<v Speaker 1>out the business model of it, right. So I had

0:43:16.640 --> 0:43:19.200
<v Speaker 1>a friend who worked at CBS. He said, send me

0:43:19.239 --> 0:43:22.000
<v Speaker 1>an air check tape. So I sent him Glass and Show.

0:43:22.080 --> 0:43:24.440
<v Speaker 1>He loved it. So now we got this deal with

0:43:25.080 --> 0:43:27.560
<v Speaker 1>CBS the time, which is probably a worth deal and

0:43:27.800 --> 0:43:29.960
<v Speaker 1>hit real podcast, and it was like, I think we

0:43:30.080 --> 0:43:33.120
<v Speaker 1>was getting something like thirty They was paying for the

0:43:33.200 --> 0:43:36.399
<v Speaker 1>studio time on certain shows, right, but on other shows

0:43:36.440 --> 0:43:38.640
<v Speaker 1>they didn't pick up. I had to cover that studio time, right.

0:43:38.760 --> 0:43:41.520
<v Speaker 1>So I had these shows, and I had an idea

0:43:41.520 --> 0:43:44.520
<v Speaker 1>of a year earlier by the show called gainst the Chronicles.

0:43:44.560 --> 0:43:48.440
<v Speaker 1>I said, dude, I want to do a show about people.

0:43:48.680 --> 0:43:51.080
<v Speaker 1>I didn't. I wanted to be a crime show, but

0:43:51.160 --> 0:43:53.080
<v Speaker 1>I wanted to show the opposite effect of it. I

0:43:53.200 --> 0:43:55.319
<v Speaker 1>just didn't want to be out there like everybody else,

0:43:55.400 --> 0:43:57.719
<v Speaker 1>kind of like glorifying some ship because it looks cool.

0:43:58.200 --> 0:44:00.719
<v Speaker 1>I wanted to tell the truth, you know, and show

0:44:00.800 --> 0:44:02.160
<v Speaker 1>that it is light at the end of the tunnel.

0:44:02.160 --> 0:44:04.840
<v Speaker 1>So we started The Gangster Chronicles. I said, we need

0:44:04.920 --> 0:44:07.120
<v Speaker 1>to get a real street dude. If we could find

0:44:07.160 --> 0:44:09.879
<v Speaker 1>a guy that worked in law enforcement, and we gotta

0:44:09.920 --> 0:44:14.000
<v Speaker 1>have a square. I played the Square for the first

0:44:14.239 --> 0:44:16.960
<v Speaker 1>five episodes, but at that time I was looking at

0:44:17.000 --> 0:44:19.680
<v Speaker 1>moving to Atlanta, because you know, I'm in the music industry,

0:44:19.719 --> 0:44:21.360
<v Speaker 1>and I was like, man, this is really cracking and

0:44:21.440 --> 0:44:23.400
<v Speaker 1>a t L. I want to go down there and

0:44:23.480 --> 0:44:25.839
<v Speaker 1>plus your money districts from me and my wife had

0:44:25.840 --> 0:44:28.480
<v Speaker 1>actually went down there and actually was in the process

0:44:28.480 --> 0:44:29.839
<v Speaker 1>of booting to a house and I was gonna rint

0:44:29.880 --> 0:44:32.680
<v Speaker 1>my house out to a friend out here. So that

0:44:32.760 --> 0:44:35.160
<v Speaker 1>didn't happened. I wound up staying. So in the course

0:44:35.239 --> 0:44:38.680
<v Speaker 1>of that, I wound up hiring somebody to replace me

0:44:38.800 --> 0:44:41.920
<v Speaker 1>as the square the Squares gets the moderator on Gangster Chronicles.

0:44:42.520 --> 0:44:44.759
<v Speaker 1>He's not really the start. He's like the guy that

0:44:44.880 --> 0:44:48.040
<v Speaker 1>kind of keeps the conversation flowing because you've got two guys.

0:44:48.600 --> 0:44:50.640
<v Speaker 1>Is that the reason why you're calling the squares Because

0:44:50.719 --> 0:44:52.880
<v Speaker 1>you didn't have like a gangster background. Yeah, because you

0:44:52.920 --> 0:44:55.960
<v Speaker 1>don't have no gang affiliation. There had to be somebody

0:44:56.120 --> 0:44:58.560
<v Speaker 1>to be neutral, Like, we didn't want nobody in there

0:44:58.600 --> 0:45:00.560
<v Speaker 1>that was, like, you know, may have the crip or

0:45:00.600 --> 0:45:03.600
<v Speaker 1>blood or whatever, because they couldn't come from a really

0:45:04.200 --> 0:45:06.759
<v Speaker 1>they couldn't come from a subjective place. You feel what

0:45:06.760 --> 0:45:09.200
<v Speaker 1>I'm saying. They would always be about theyhood or whatever.

0:45:10.000 --> 0:45:13.680
<v Speaker 1>So we brought this other guy in. Um, the whole

0:45:13.760 --> 0:45:16.160
<v Speaker 1>thing leaves with that show. We knew that one of

0:45:16.200 --> 0:45:18.440
<v Speaker 1>the hosts, Reggie Wright, was gonna be a head to

0:45:18.440 --> 0:45:21.360
<v Speaker 1>turn himself in. He got caught up in some stuff

0:45:21.360 --> 0:45:23.960
<v Speaker 1>with his Mari wanted dispensery or whatever, and he he

0:45:24.040 --> 0:45:25.759
<v Speaker 1>didn't know what kind of time he was gonna get.

0:45:25.760 --> 0:45:27.239
<v Speaker 1>He didn't know what he was whether he was gonna

0:45:27.280 --> 0:45:29.600
<v Speaker 1>get a year or twenty years. We didn't know what

0:45:29.680 --> 0:45:32.280
<v Speaker 1>them people were talking about. Right, So luckily he wounded

0:45:32.360 --> 0:45:34.320
<v Speaker 1>up getting a year. So we had him going to jail.

0:45:35.040 --> 0:45:39.319
<v Speaker 1>So I said, you know what, I didn't bring up

0:45:39.320 --> 0:45:43.080
<v Speaker 1>the part about you know, everybody knowing podcasting is going

0:45:43.120 --> 0:45:45.080
<v Speaker 1>through this thing and where when someone makes it big,

0:45:45.200 --> 0:45:47.759
<v Speaker 1>it's always somebody discriminal and their crew that comes out

0:45:47.840 --> 0:45:50.480
<v Speaker 1>talking ship like, oh he dogged me out. So this

0:45:50.600 --> 0:45:52.959
<v Speaker 1>is what happened with me. This is my first lesson

0:45:53.000 --> 0:45:56.239
<v Speaker 1>and stuff. Right, we got the show going and they're

0:45:56.239 --> 0:45:58.719
<v Speaker 1>starting to pop because and I'm not gonna say it's

0:45:58.719 --> 0:46:02.000
<v Speaker 1>because of my genius, and that's sail, but lad has

0:46:02.040 --> 0:46:04.239
<v Speaker 1>starts speaking on the show a whole lot. And at

0:46:04.280 --> 0:46:06.920
<v Speaker 1>that time, the guy James was this a thing second

0:46:07.000 --> 0:46:11.840
<v Speaker 1>highest still maybe the second most watched interview ever on

0:46:11.960 --> 0:46:14.400
<v Speaker 1>his podcast. He was like at like something like fifteen

0:46:14.440 --> 0:46:18.640
<v Speaker 1>million views or something like that, Right, James James McDonald's

0:46:18.680 --> 0:46:22.160
<v Speaker 1>on one of the coasts the chronicles. Then you had Reggio,

0:46:22.200 --> 0:46:25.560
<v Speaker 1>when that Reggio was a real, real controversial guy. Reggie

0:46:25.560 --> 0:46:27.560
<v Speaker 1>ain't got no filter. He kind of just says whatever

0:46:27.680 --> 0:46:30.239
<v Speaker 1>comes to the Reggie's mind and he's gonna say it, right.

0:46:30.840 --> 0:46:33.279
<v Speaker 1>So you already had that like kind of like um

0:46:34.040 --> 0:46:36.800
<v Speaker 1>that car crash effect to where people have turned around

0:46:36.840 --> 0:46:39.360
<v Speaker 1>you don't know what they gonna say next. And so

0:46:39.840 --> 0:46:42.040
<v Speaker 1>we got this other guy whose name I won't mention

0:46:42.080 --> 0:46:45.360
<v Speaker 1>this on that right the very the second month he

0:46:45.520 --> 0:46:49.600
<v Speaker 1>was there, he tried to convince James and the other

0:46:49.719 --> 0:46:52.040
<v Speaker 1>co hosts to come with him and his other guy

0:46:52.080 --> 0:46:57.080
<v Speaker 1>across the street somewhere. So they told me about it again.

0:46:57.160 --> 0:47:00.440
<v Speaker 1>I don't deal in emotion, not deal in business. I

0:47:00.520 --> 0:47:02.880
<v Speaker 1>need no one new Ray. She was about to go

0:47:03.000 --> 0:47:06.160
<v Speaker 1>to jail and mean knowing that there's no way James

0:47:06.200 --> 0:47:07.719
<v Speaker 1>could do this by myself. Now, I don't have the

0:47:07.760 --> 0:47:10.000
<v Speaker 1>time to do this show. I couldn't just check this

0:47:10.080 --> 0:47:11.640
<v Speaker 1>dude off the show. So I told him, hey, man,

0:47:11.680 --> 0:47:14.320
<v Speaker 1>I'm getting to what you got going on. Don't be

0:47:14.400 --> 0:47:16.359
<v Speaker 1>trying to impede on my show, you know what I mean?

0:47:16.680 --> 0:47:18.880
<v Speaker 1>And I just took a totally professional approach to it.

0:47:19.000 --> 0:47:21.800
<v Speaker 1>I said, you know, I was gonna get attorneys evolved

0:47:21.800 --> 0:47:24.160
<v Speaker 1>and everything else. But them dudes when leaving, right, So

0:47:24.680 --> 0:47:27.840
<v Speaker 1>he stayed there and he just kind of just became

0:47:27.920 --> 0:47:30.680
<v Speaker 1>more and more of a headache. It was always things

0:47:30.800 --> 0:47:34.480
<v Speaker 1>like and at that time, the first fifteen twenty episodes

0:47:34.520 --> 0:47:37.040
<v Speaker 1>Against the Chronicles ain't on film because it was the

0:47:37.040 --> 0:47:40.200
<v Speaker 1>strictly audio thing. But we had a fan base of

0:47:40.239 --> 0:47:42.640
<v Speaker 1>people start saying, you guys just started recording the show,

0:47:42.960 --> 0:47:44.600
<v Speaker 1>and I was thinking, like, what the hell do I

0:47:44.719 --> 0:47:47.799
<v Speaker 1>find up and a person that I just that wasn't

0:47:47.840 --> 0:47:49.920
<v Speaker 1>my world and I didn't get into it for that.

0:47:50.480 --> 0:47:53.400
<v Speaker 1>So I had this guy did it kept in boxing

0:47:53.440 --> 0:47:54.800
<v Speaker 1>me and I didn't know he was in boxing me

0:47:54.960 --> 0:48:00.719
<v Speaker 1>on Instagram, different hitting boxes and here. Because if you

0:48:00.920 --> 0:48:03.200
<v Speaker 1>somebody not following you, you can have somebody trying to

0:48:03.239 --> 0:48:05.000
<v Speaker 1>give you a million dollars and they didn't get to you.

0:48:05.760 --> 0:48:07.560
<v Speaker 1>So I finally looked at it and I said, you

0:48:07.680 --> 0:48:09.360
<v Speaker 1>know what, this guy has some pretty good stuff. I

0:48:09.480 --> 0:48:12.120
<v Speaker 1>called him. I wanted to make sure he wasn't weird,

0:48:12.640 --> 0:48:14.480
<v Speaker 1>because you know, dealing with the internet, you don't know

0:48:14.560 --> 0:48:16.400
<v Speaker 1>you invite somebody in your studio. They might comep in,

0:48:16.520 --> 0:48:19.040
<v Speaker 1>try to murder you, ask something you know. So I

0:48:19.200 --> 0:48:21.000
<v Speaker 1>met him. He wounded up being a cool dude, So

0:48:21.080 --> 0:48:23.680
<v Speaker 1>he wounded up being our guy. Actually wanted up becoming

0:48:23.719 --> 0:48:27.000
<v Speaker 1>an employee of Digital Soapbox. So it kind of pissed

0:48:27.040 --> 0:48:29.200
<v Speaker 1>me off when this other guy would be calling him

0:48:29.640 --> 0:48:31.279
<v Speaker 1>and telling him, Hey, I want you to edit this

0:48:31.440 --> 0:48:33.000
<v Speaker 1>like this, And I had to tell him, like, dude,

0:48:34.080 --> 0:48:38.720
<v Speaker 1>don't contradict my stuff with my employe. This guy works

0:48:38.760 --> 0:48:41.920
<v Speaker 1>with me. He's not your employe. You are just to

0:48:42.000 --> 0:48:44.239
<v Speaker 1>work for hire yourself. So I don't even know why

0:48:44.280 --> 0:48:45.880
<v Speaker 1>you're going through all that. You're not to produce for

0:48:45.920 --> 0:48:49.920
<v Speaker 1>this show. So again, and I kept a professional. This

0:48:50.120 --> 0:48:52.240
<v Speaker 1>dude just kept a bunch of stuff when he started

0:48:52.280 --> 0:48:54.080
<v Speaker 1>being late all the time. This is when Raised went

0:48:54.120 --> 0:48:56.440
<v Speaker 1>to jail and starting to piss James off too. Right,

0:48:57.400 --> 0:49:04.879
<v Speaker 1>So Covid comes up. Clovid comes around. The whole world

0:49:05.000 --> 0:49:07.640
<v Speaker 1>is in a panic. I'm pretty sure you all remember that.

0:49:07.920 --> 0:49:13.279
<v Speaker 1>I remember really fast. Yes, I'm scared to death because

0:49:13.280 --> 0:49:15.200
<v Speaker 1>I gotta ask mom and I don't know, man, some

0:49:15.239 --> 0:49:16.759
<v Speaker 1>ship in the air. We might fun around and go

0:49:16.840 --> 0:49:18.719
<v Speaker 1>outside and pass out. We don't know what's going on.

0:49:18.800 --> 0:49:20.880
<v Speaker 1>Remember I dropped something on the ground at the grocery

0:49:20.920 --> 0:49:23.200
<v Speaker 1>store and I wouldn't even pick it up because I said, man,

0:49:23.239 --> 0:49:28.840
<v Speaker 1>it's contaminated. Right, So do you remember that? It was

0:49:28.920 --> 0:49:32.440
<v Speaker 1>like two years of straight man. It was bullshit and

0:49:32.640 --> 0:49:34.640
<v Speaker 1>just it's almost like you in house the rest. You

0:49:34.680 --> 0:49:36.600
<v Speaker 1>don't want to go, no where. You're scared to death,

0:49:37.040 --> 0:49:39.040
<v Speaker 1>and your kids don't give a funk. That's what makes

0:49:39.080 --> 0:49:41.440
<v Speaker 1>it even more scary because they're trying out, they refusing

0:49:41.480 --> 0:49:43.800
<v Speaker 1>to weard mask and all that ship. Well, it's not

0:49:43.920 --> 0:49:45.960
<v Speaker 1>gonna matter, you know. And I'm looking at my daughter like,

0:49:46.040 --> 0:49:47.640
<v Speaker 1>if you don't put that damn mask on, you have

0:49:47.719 --> 0:49:52.399
<v Speaker 1>to sleep in the garage. So we get all scared, right,

0:49:53.200 --> 0:49:56.239
<v Speaker 1>So I'm sorry. That is the funniest thing I heard

0:49:56.280 --> 0:49:58.840
<v Speaker 1>a week. So at that point we got an interview

0:49:58.920 --> 0:50:01.439
<v Speaker 1>of Warringe. He coming up Warreng she is my guy.

0:50:02.440 --> 0:50:05.000
<v Speaker 1>So I text him, I say, hey, this is the

0:50:05.120 --> 0:50:09.160
<v Speaker 1>zoom Wing. We have interview with Warrangey. He just don't

0:50:09.200 --> 0:50:12.240
<v Speaker 1>respond back. You know me, I can give a fine,

0:50:13.120 --> 0:50:14.759
<v Speaker 1>like I'm just tired of just do what I'm moving.

0:50:14.800 --> 0:50:18.320
<v Speaker 1>You don't respond back. But James is kind of panicking

0:50:18.560 --> 0:50:20.520
<v Speaker 1>because he's like, I can't do the show by myself.

0:50:20.600 --> 0:50:23.040
<v Speaker 1>Well en up, and I'm like, dude, shut up, I

0:50:23.160 --> 0:50:26.640
<v Speaker 1>got you. He calls to dude like a hundred times. Dude,

0:50:26.680 --> 0:50:29.279
<v Speaker 1>don't respond. I'm like, dude, stop calling him. If he

0:50:29.440 --> 0:50:30.879
<v Speaker 1>want to be here, he'd be here if he don't.

0:50:30.960 --> 0:50:34.520
<v Speaker 1>Let him go in about his business. So that warrangey

0:50:34.680 --> 0:50:38.120
<v Speaker 1>episode winds up turning the two episodes three episodes. We

0:50:38.200 --> 0:50:42.759
<v Speaker 1>wound up doing all of episodes just me and him

0:50:42.800 --> 0:50:45.840
<v Speaker 1>after that, right, and I never addressed the elephant in

0:50:45.880 --> 0:50:47.920
<v Speaker 1>the room with him being done, I'm thinking, Bregg, you

0:50:47.960 --> 0:50:49.640
<v Speaker 1>could be back home in a year. As soon as

0:50:49.680 --> 0:50:52.319
<v Speaker 1>they come back. It's cracking. And by this time, James

0:50:52.360 --> 0:50:54.359
<v Speaker 1>is getting a lot more season than what he's doing.

0:50:54.800 --> 0:50:56.920
<v Speaker 1>He actually ran a few episodes by itself and they

0:50:57.000 --> 0:51:00.400
<v Speaker 1>turned out really well. So at this point we just

0:51:00.560 --> 0:51:05.840
<v Speaker 1>keep on moving. Right then people start calling us. I

0:51:05.920 --> 0:51:08.840
<v Speaker 1>started getting all kinds of different costs of people's research department,

0:51:09.000 --> 0:51:11.640
<v Speaker 1>like Spotify hit us up and say, hey, what's going

0:51:11.680 --> 0:51:14.160
<v Speaker 1>on with this show? Won't you won't can you confirm

0:51:14.200 --> 0:51:17.920
<v Speaker 1>your analytics? Because contrary to what people know, these companies

0:51:18.000 --> 0:51:21.160
<v Speaker 1>have ways to find out what your numbers are. It's

0:51:21.239 --> 0:51:24.080
<v Speaker 1>just the best case, though they don't know for sure that.

0:51:24.120 --> 0:51:25.960
<v Speaker 1>So they asked you to see your analytics and sport

0:51:26.040 --> 0:51:30.840
<v Speaker 1>making you sitting us your analytics. Sure, so they offered

0:51:30.920 --> 0:51:32.440
<v Speaker 1>us something, but it wasn't really hitting on what I

0:51:32.600 --> 0:51:35.600
<v Speaker 1>was interested in because I knew for always want to

0:51:35.640 --> 0:51:38.160
<v Speaker 1>own my own content. Unless you've give me a bag

0:51:38.239 --> 0:51:42.080
<v Speaker 1>of money. No, this is still mine, and you know

0:51:42.200 --> 0:51:43.960
<v Speaker 1>what you got is yours, and it's just still mind.

0:51:43.960 --> 0:51:45.880
<v Speaker 1>But unless you're giving me a couple of million dollars,

0:51:46.400 --> 0:51:48.920
<v Speaker 1>why would I just give you my intellectual property? So

0:51:50.800 --> 0:51:52.760
<v Speaker 1>we get these people calls and they got a company

0:51:52.840 --> 0:51:55.520
<v Speaker 1>Benchtown that hits us. Again. It was another deal that

0:51:55.600 --> 0:51:57.239
<v Speaker 1>was cool. All these companies are cool, but it was

0:51:57.320 --> 0:52:00.400
<v Speaker 1>just not nothing to my liking. And but I got

0:52:00.480 --> 0:52:02.279
<v Speaker 1>to explain the Exames because he wondered why why we

0:52:02.360 --> 0:52:04.399
<v Speaker 1>aren't taking this money from these people, And I'm like, dude,

0:52:04.400 --> 0:52:05.800
<v Speaker 1>it's not a good deal. You can want to be

0:52:06.000 --> 0:52:07.719
<v Speaker 1>mad at me in a year or so if we

0:52:07.800 --> 0:52:12.799
<v Speaker 1>do take this deal. Right, So then one day I'm

0:52:12.880 --> 0:52:15.520
<v Speaker 1>going in the Kaiser, right, and you know this is

0:52:15.719 --> 0:52:19.320
<v Speaker 1>steel a pandemic. We massed up, we outside. My phone

0:52:19.440 --> 0:52:22.320
<v Speaker 1>rings a couple of times from this weird number, and

0:52:22.400 --> 0:52:24.640
<v Speaker 1>I ignored the first time because you know, like your

0:52:24.680 --> 0:52:27.040
<v Speaker 1>phone said scam on there and started doing a little

0:52:27.080 --> 0:52:30.320
<v Speaker 1>scam thing and knowing the call. Then I finally answered

0:52:30.440 --> 0:52:33.960
<v Speaker 1>like like like kind of mad, like hello Peace King.

0:52:34.719 --> 0:52:37.399
<v Speaker 1>I'm like, who is this is? Charlotte Mane? I hang

0:52:37.520 --> 0:52:39.759
<v Speaker 1>up like like you know, like how to hell you

0:52:39.800 --> 0:52:41.680
<v Speaker 1>get the Charlotte Maine calling me? You know what I mean?

0:52:41.840 --> 0:52:44.680
<v Speaker 1>So I didn't play some mind at him. And Glasses

0:52:44.760 --> 0:52:47.279
<v Speaker 1>was friends like Glasses and known Charlotte Mayne since he

0:52:47.480 --> 0:52:50.040
<v Speaker 1>was just coming to business going on a little small

0:52:50.120 --> 0:52:56.040
<v Speaker 1>promo tourists. He knew Charlotte Mayne before Charlotte Mayne was yeah,

0:52:56.040 --> 0:52:57.960
<v Speaker 1>I didn't think it was him. So I finally answered.

0:52:58.000 --> 0:53:00.640
<v Speaker 1>He was like, hey, man, you know I'm starting this network.

0:53:00.680 --> 0:53:02.719
<v Speaker 1>If I got your I'm from Glasses and I really

0:53:02.800 --> 0:53:05.560
<v Speaker 1>like YO show. And so I was like, damn, this

0:53:05.719 --> 0:53:08.320
<v Speaker 1>is dope. That's Charlotte Magne calling the motherfucker. You know

0:53:08.360 --> 0:53:11.560
<v Speaker 1>what I'm like, I'm kind of feeling myself. I'm like, man,

0:53:11.880 --> 0:53:14.040
<v Speaker 1>the people calling me, I'm answering, I gotta call you back.

0:53:14.080 --> 0:53:16.360
<v Speaker 1>I'm on the phone with Charlotte Magne just let him know,

0:53:16.440 --> 0:53:21.040
<v Speaker 1>you know what I mean. So we're kicking it right,

0:53:21.200 --> 0:53:22.719
<v Speaker 1>we have to figure out what we go do not

0:53:22.840 --> 0:53:25.200
<v Speaker 1>tell I don't even tell James Jackson. I don't tell

0:53:25.280 --> 0:53:27.640
<v Speaker 1>him nothing unless it's going down, because then you've got

0:53:27.760 --> 0:53:30.880
<v Speaker 1>somebody bugging the hell out of you know, what's going on? This?

0:53:31.040 --> 0:53:36.200
<v Speaker 1>What's going on? Right? So we get that. Then we

0:53:36.360 --> 0:53:38.320
<v Speaker 1>set up a series of calls. Right then, me and

0:53:38.440 --> 0:53:40.200
<v Speaker 1>Charlotte Maine talking one day and he asked me how

0:53:40.280 --> 0:53:43.399
<v Speaker 1>much money y'all want. I'm like, damn, let me get

0:53:43.440 --> 0:53:45.239
<v Speaker 1>back to you, bro. Then let me figure you know,

0:53:45.360 --> 0:53:50.040
<v Speaker 1>let me figure out. So then we get a call

0:53:50.080 --> 0:53:52.680
<v Speaker 1>on the phone. I just liked the vibe everybody up there,

0:53:52.719 --> 0:53:56.160
<v Speaker 1>see Dolly, and then wasn't there yet. Dolly hadn't came

0:53:56.200 --> 0:53:58.320
<v Speaker 1>on board yet. She wasn't there yet. And then I

0:53:58.440 --> 0:54:06.480
<v Speaker 1>called the wonder Woman, Wonder the wonder women, you know,

0:54:06.719 --> 0:54:10.240
<v Speaker 1>Dolly high Cool and all of them, Chanel. They weren't

0:54:10.280 --> 0:54:15.320
<v Speaker 1>there yet. But I just felt like the genuineness of

0:54:15.400 --> 0:54:17.719
<v Speaker 1>the whole network. It wasn't even something much about the money.

0:54:17.760 --> 0:54:19.640
<v Speaker 1>It was about somebody that's gonna stand up on the

0:54:19.719 --> 0:54:23.160
<v Speaker 1>table for you when somebody possibly talking about releasing you

0:54:23.320 --> 0:54:25.000
<v Speaker 1>or something like that. They're the type people that's gonna

0:54:25.000 --> 0:54:27.040
<v Speaker 1>stand from the table for you, you know. So I

0:54:27.200 --> 0:54:29.800
<v Speaker 1>felt that was important. So we wound up doing a

0:54:29.880 --> 0:54:31.680
<v Speaker 1>deal with them, and we had to be real quiet

0:54:31.719 --> 0:54:34.480
<v Speaker 1>about it. And the hardest thing for me was keeping

0:54:34.600 --> 0:54:37.799
<v Speaker 1>James kind of like because he don't know how corporations work.

0:54:38.080 --> 0:54:39.799
<v Speaker 1>When he did the deal with me, I was able

0:54:39.800 --> 0:54:42.319
<v Speaker 1>to get the paperwork to them even with us now

0:54:42.360 --> 0:54:45.080
<v Speaker 1>as slow as hell because we got attorneys and everything involved. Now,

0:54:45.160 --> 0:54:47.279
<v Speaker 1>so I hit my attorney and I want to get

0:54:47.280 --> 0:54:49.319
<v Speaker 1>a deal. Sometimes I have that like, dude, I want

0:54:49.320 --> 0:54:51.080
<v Speaker 1>to ask you for the because it ain't a boiler plate.

0:54:51.280 --> 0:54:52.880
<v Speaker 1>It's not just like a template on the deal. You

0:54:52.920 --> 0:54:55.080
<v Speaker 1>gotta ask you throw that up from word one, right.

0:54:55.719 --> 0:54:58.520
<v Speaker 1>So we're waiting on the paper and James like, man,

0:54:58.560 --> 0:55:01.399
<v Speaker 1>it's these people bullshit. Man, I've been two week. US said, dude,

0:55:02.400 --> 0:55:05.759
<v Speaker 1>you gotta chill, man like, you gotta really chill, like

0:55:06.200 --> 0:55:08.480
<v Speaker 1>I ain't gonna do this ship. You gotta relax. Like.

0:55:08.719 --> 0:55:12.400
<v Speaker 1>So we wound up getting the deal done, and I

0:55:12.600 --> 0:55:16.320
<v Speaker 1>tell you, it's been one of the biggest joys I

0:55:16.480 --> 0:55:20.279
<v Speaker 1>had because you very rarely have those situations to where

0:55:20.320 --> 0:55:23.879
<v Speaker 1>you like everybody you work like. Dolly is cool to see.

0:55:24.200 --> 0:55:27.759
<v Speaker 1>I love Dolly, always call the President. I've known Dolly

0:55:27.920 --> 0:55:32.720
<v Speaker 1>for over ten years, I think, and I've seen her blossom.

0:55:32.840 --> 0:55:35.160
<v Speaker 1>We both worked with Nick Cannon for a long time,

0:55:35.760 --> 0:55:40.319
<v Speaker 1>and so I've seen her blossom and surpassed I think

0:55:40.520 --> 0:55:43.280
<v Speaker 1>anything anybody could ever imagine. And even when we talked,

0:55:43.320 --> 0:55:45.800
<v Speaker 1>like her level of acumen, just like sometimes I'll be

0:55:45.880 --> 0:55:49.239
<v Speaker 1>talking to her and she'll you know, it's like I

0:55:49.360 --> 0:55:52.040
<v Speaker 1>felt like for a long time it was the opposite,

0:55:52.080 --> 0:55:53.359
<v Speaker 1>like she kind of looked up to me, and now

0:55:53.400 --> 0:55:56.480
<v Speaker 1>I switched and it's for me. It's a beautiful thing.

0:55:56.520 --> 0:55:57.839
<v Speaker 1>And sometimes she'd be like, you know, I still look

0:55:57.880 --> 0:55:59.960
<v Speaker 1>I'm seeing me like, girl, please don't hump ump, don't

0:56:00.000 --> 0:56:02.920
<v Speaker 1>trying to make me feel good right now. In the

0:56:02.960 --> 0:56:05.000
<v Speaker 1>whole crew over there is the bomb. Yeah, they're they're

0:56:05.080 --> 0:56:07.080
<v Speaker 1>really good people. And so I said, as you know, what,

0:56:07.800 --> 0:56:10.200
<v Speaker 1>if I'm gonna be in the business relationship with somebody,

0:56:10.280 --> 0:56:12.040
<v Speaker 1>I wanted to be that way too, where we all

0:56:12.120 --> 0:56:14.800
<v Speaker 1>honest each other. And it's like if they called me

0:56:14.920 --> 0:56:17.440
<v Speaker 1>tomorrow and say, hey, we're not messing with y'all show

0:56:17.520 --> 0:56:19.480
<v Speaker 1>no more. It wouldn't be no beef. It wouldn't be

0:56:19.880 --> 0:56:23.320
<v Speaker 1>right because they just all those people are good people.

0:56:23.800 --> 0:56:26.279
<v Speaker 1>They're not going to ever do nothing like underhanded. It's like,

0:56:26.360 --> 0:56:27.919
<v Speaker 1>I don't even think that way with them. I don't

0:56:27.920 --> 0:56:30.399
<v Speaker 1>even have to worry about it, because first of all,

0:56:30.400 --> 0:56:32.680
<v Speaker 1>it's making corporation. You don't get no bigger than our

0:56:32.719 --> 0:56:36.120
<v Speaker 1>Heart media. And I like the fact that Black Effect

0:56:36.160 --> 0:56:39.040
<v Speaker 1>feels its own separate entity. So when people ask me,

0:56:39.080 --> 0:56:40.879
<v Speaker 1>I'll say, yeah, they go through our heart, but I'm

0:56:40.920 --> 0:56:42.800
<v Speaker 1>signed the Black Effect. I'm signed. You know, this is

0:56:42.840 --> 0:56:44.920
<v Speaker 1>what we say. I will say this thought. Oh when

0:56:44.960 --> 0:56:47.359
<v Speaker 1>we were at the Heart, I think I heart had

0:56:47.440 --> 0:56:51.919
<v Speaker 1>that that event. I heard people were also pretty oh yeah,

0:56:51.960 --> 0:56:56.839
<v Speaker 1>the Black Effect really great. So it's I just think

0:56:57.200 --> 0:56:59.120
<v Speaker 1>the thing about the Black Effect, which, by the way,

0:56:59.160 --> 0:57:02.200
<v Speaker 1>I remember that transition where like I heard that Charlottagne

0:57:02.200 --> 0:57:06.560
<v Speaker 1>wanted eating wall Broke, which I was like, Jesus, you're

0:57:06.719 --> 0:57:08.720
<v Speaker 1>you're you know, like, oh my gosh, what a miracle.

0:57:09.160 --> 0:57:11.960
<v Speaker 1>But I remember that period where like from Charlottagne saying

0:57:12.040 --> 0:57:14.680
<v Speaker 1>he wants eating well Broke too, the period where the

0:57:14.680 --> 0:57:19.200
<v Speaker 1>paperwork actually came it was like, like, you know, I

0:57:19.280 --> 0:57:21.960
<v Speaker 1>remember that period of like waiting and I was like

0:57:22.040 --> 0:57:24.680
<v Speaker 1>waiting on the baby. Because you're like waiting, it's like

0:57:25.600 --> 0:57:26.920
<v Speaker 1>and you don't you don't want to be eager either.

0:57:26.960 --> 0:57:28.520
<v Speaker 1>You can't call and be like hey, you just gotta

0:57:28.520 --> 0:57:30.520
<v Speaker 1>be chilled. You gotta be like Okay. That's how it

0:57:30.720 --> 0:57:33.640
<v Speaker 1>was because you gotta remember at the time on him

0:57:33.680 --> 0:57:36.680
<v Speaker 1>as other people still calling. So I have the pressure

0:57:36.800 --> 0:57:40.880
<v Speaker 1>like even now when you're waiting on those renews. And

0:57:40.960 --> 0:57:42.960
<v Speaker 1>that's why they tell like, do you kind of need

0:57:43.000 --> 0:57:45.080
<v Speaker 1>to know because this people calling, these people with a

0:57:45.160 --> 0:57:48.360
<v Speaker 1>lot of money and they I'm trying to keep them,

0:57:48.880 --> 0:57:50.640
<v Speaker 1>you know what I'm saying. I'm like, yeah, I need

0:57:50.680 --> 0:57:52.040
<v Speaker 1>to know what we do. But you know what I mean.

0:57:52.480 --> 0:57:54.160
<v Speaker 1>And she may say, oh, norm we found you know,

0:57:54.240 --> 0:57:55.600
<v Speaker 1>I thought we was. You know, I need to know

0:57:55.720 --> 0:57:57.600
<v Speaker 1>on paper kind of because it's still it was a

0:57:57.680 --> 0:58:00.600
<v Speaker 1>business at the end of the day, and I know

0:58:00.720 --> 0:58:04.040
<v Speaker 1>we're about to go through renewal. So I'm like sweat

0:58:04.080 --> 0:58:06.720
<v Speaker 1>and bullets and the girls there are so nice, They're

0:58:06.800 --> 0:58:09.400
<v Speaker 1>just like holy and I'm like, well, I kind of

0:58:09.440 --> 0:58:11.520
<v Speaker 1>need to know to you know, with the next step,

0:58:11.680 --> 0:58:14.000
<v Speaker 1>especially when you have interview shows because you have to

0:58:14.080 --> 0:58:17.520
<v Speaker 1>take so many in advances to make sure. And that's

0:58:17.560 --> 0:58:19.520
<v Speaker 1>the big thing. And we're going down. I can't say

0:58:19.560 --> 0:58:21.680
<v Speaker 1>too much about it, but we're going through a massive

0:58:21.720 --> 0:58:25.280
<v Speaker 1>transition on the gainst the chronicles to where we are

0:58:25.400 --> 0:58:29.840
<v Speaker 1>getting more focused on crime, but not just not just

0:58:30.080 --> 0:58:34.040
<v Speaker 1>dealing with the l A stuff. You know, we're going

0:58:34.080 --> 0:58:36.400
<v Speaker 1>to dealing more with the vice lords. You know what

0:58:36.480 --> 0:58:39.640
<v Speaker 1>the Vice Lords had going on, you know, Larry Hoover's case,

0:58:39.760 --> 0:58:43.040
<v Speaker 1>even some of the um like the Black Prison Games,

0:58:43.080 --> 0:58:46.080
<v Speaker 1>like the Black Guerrilla Family and the Arian Nation, the

0:58:46.160 --> 0:58:48.800
<v Speaker 1>Arian Brotherhood. We're going to go and do a really

0:58:48.920 --> 0:58:52.480
<v Speaker 1>journalistic deep dive to these people, these organizations, right, So

0:58:52.640 --> 0:58:56.080
<v Speaker 1>it's like we need to know what's going on, and

0:58:56.160 --> 0:58:59.880
<v Speaker 1>that's the part of the business, but with digital soapbox.

0:59:00.240 --> 0:59:02.160
<v Speaker 1>But wound up happening to me was we have so

0:59:02.280 --> 0:59:05.320
<v Speaker 1>many great people from Young Mouth, you know, from the

0:59:05.360 --> 0:59:08.400
<v Speaker 1>Bay Area, from the Group to Looney's um, Crazy bone

0:59:08.400 --> 0:59:11.120
<v Speaker 1>on walk through our doors. Before you know, math Offer,

0:59:11.880 --> 0:59:14.080
<v Speaker 1>he was with us at first, and even though and

0:59:14.120 --> 0:59:16.440
<v Speaker 1>I appreciate math Offer, that was one of those situations

0:59:16.480 --> 0:59:18.240
<v Speaker 1>and where it never was no beat for nothing like

0:59:18.360 --> 0:59:21.400
<v Speaker 1>that he just didn't know what enough about the business

0:59:21.480 --> 0:59:23.360
<v Speaker 1>to his conference. He kind of told me, big bro,

0:59:23.560 --> 0:59:25.280
<v Speaker 1>let me go and do my thing four minutes so

0:59:25.280 --> 0:59:27.280
<v Speaker 1>I can figure this out. And it was cool. I

0:59:27.360 --> 0:59:29.840
<v Speaker 1>don't hold people of paperwork. It was just, you know,

0:59:29.960 --> 0:59:31.760
<v Speaker 1>it was cool. I didn't have no bunch of money

0:59:31.800 --> 0:59:34.200
<v Speaker 1>out there with him, so it was like, you know what, man,

0:59:34.280 --> 0:59:36.040
<v Speaker 1>we shook hands and he wanted to buy his business,

0:59:36.080 --> 0:59:38.320
<v Speaker 1>and you see he's flourishing. Now. You know, we got

0:59:38.400 --> 0:59:41.320
<v Speaker 1>some great people on network. And we went from this

0:59:41.440 --> 0:59:43.960
<v Speaker 1>transition sort of like you know, I told you we

0:59:44.040 --> 0:59:46.720
<v Speaker 1>had the camera guy coming in that one camera got

0:59:46.800 --> 0:59:49.000
<v Speaker 1>turned the two guys that you're done with them. Next thing,

0:59:49.040 --> 0:59:51.120
<v Speaker 1>you know, you've got three guys. Then you've got four guys.

0:59:51.240 --> 0:59:54.000
<v Speaker 1>Now you got a building that you're dealing with. And

0:59:54.120 --> 0:59:56.040
<v Speaker 1>it kind of turned to a media company because we

0:59:56.160 --> 0:59:59.320
<v Speaker 1>started putting different stuff together, different types of content together,

0:59:59.800 --> 1:00:03.840
<v Speaker 1>to where now we're launching your own TV network, you know,

1:00:04.040 --> 1:00:06.440
<v Speaker 1>rap television. We're kind of bringing back the old b

1:00:06.600 --> 1:00:10.520
<v Speaker 1>et basement flavor to where we're playing it just nothing

1:00:10.600 --> 1:00:13.560
<v Speaker 1>but hip hop music videos. But we're also showing content,

1:00:14.120 --> 1:00:17.280
<v Speaker 1>urban content, the best urban content, and which we want

1:00:17.280 --> 1:00:22.360
<v Speaker 1>to bring you know, you know, and that's the thing, um,

1:00:22.760 --> 1:00:25.600
<v Speaker 1>you know, because streaming has just went like this. It

1:00:25.680 --> 1:00:28.320
<v Speaker 1>went from just being I remember when I first got Roku,

1:00:28.880 --> 1:00:30.880
<v Speaker 1>I was invested by one. Then I saw this thick

1:00:30.960 --> 1:00:33.040
<v Speaker 1>and I got I was just talking about my cable

1:00:33.080 --> 1:00:36.240
<v Speaker 1>be obviously cable three dollars a month, we playing for

1:00:36.320 --> 1:00:38.000
<v Speaker 1>some ship. They don't even showing little on this. So

1:00:38.080 --> 1:00:40.240
<v Speaker 1>I got that Roku stick. Ever since then, I've been

1:00:40.760 --> 1:00:45.040
<v Speaker 1>off a cable man. So, UM, I just want to

1:00:45.080 --> 1:00:48.480
<v Speaker 1>say thank you so much for coming to our show. Um,

1:00:48.800 --> 1:00:52.280
<v Speaker 1>what advice would you give to anybody that's striving to

1:00:52.480 --> 1:00:55.640
<v Speaker 1>be not just the music business or the publishing business,

1:00:55.720 --> 1:01:03.000
<v Speaker 1>but the podcast business coming from I was the first

1:01:03.040 --> 1:01:06.680
<v Speaker 1>thing I would say is to manage your expectations. I

1:01:06.840 --> 1:01:10.600
<v Speaker 1>think people in general here so much about these deals

1:01:10.680 --> 1:01:13.360
<v Speaker 1>that are often inflated. And you know that's no problem.

1:01:13.440 --> 1:01:15.440
<v Speaker 1>All these brothers I are making as much money as

1:01:15.480 --> 1:01:17.440
<v Speaker 1>they can. But a lot of the more over inflated.

1:01:18.280 --> 1:01:21.080
<v Speaker 1>You know, they hear about people getting five, ten million dollars,

1:01:21.120 --> 1:01:26.080
<v Speaker 1>fifty million dollars like Joe Rogan also had astronomical numbers

1:01:26.200 --> 1:01:27.960
<v Speaker 1>to back it up. I think this dude was doing

1:01:28.080 --> 1:01:32.760
<v Speaker 1>something like a million an episode on YouTube. Same with

1:01:32.840 --> 1:01:35.960
<v Speaker 1>his podcast, so he's deserving that type of money. But

1:01:36.120 --> 1:01:40.040
<v Speaker 1>Joe has also been doing this since the beginning a podcast.

1:01:40.120 --> 1:01:42.480
<v Speaker 1>It took a while. I would tell people just to

1:01:42.560 --> 1:01:44.880
<v Speaker 1>persevere and don't think about the money, just to keep

1:01:44.960 --> 1:01:49.160
<v Speaker 1>their stuff going consistent, being be consistent what you're doing.

1:01:49.240 --> 1:01:51.000
<v Speaker 1>It doesn't matter if you ain't making a dyme matter.

1:01:51.400 --> 1:01:53.480
<v Speaker 1>Don't get into it for money, because that's the same

1:01:53.560 --> 1:01:56.640
<v Speaker 1>thing with music. Any artists that every approached me like

1:01:56.720 --> 1:01:58.360
<v Speaker 1>I'm trying to get a bag, I'm like, I ain't

1:01:58.400 --> 1:02:01.000
<v Speaker 1>the one for you. Any One tells me they're passionate

1:02:01.040 --> 1:02:03.720
<v Speaker 1>about their music and want to get better their craft.

1:02:04.600 --> 1:02:06.960
<v Speaker 1>I'm with that because if you're the more proficient you're

1:02:07.000 --> 1:02:10.360
<v Speaker 1>becoming something, money is going to come evetiently. I don't

1:02:10.400 --> 1:02:12.560
<v Speaker 1>care if you are. If you are, do to just

1:02:12.720 --> 1:02:15.920
<v Speaker 1>paint pictures of cartoons in your room all day. Eventually

1:02:15.960 --> 1:02:18.080
<v Speaker 1>them cartoons will be so dope where people gonna be

1:02:18.120 --> 1:02:21.160
<v Speaker 1>offering your money for them cartoons. Yeah, So focus on

1:02:21.280 --> 1:02:23.439
<v Speaker 1>being great, don't focus on gett into the bagage y'all.

1:02:23.480 --> 1:02:25.680
<v Speaker 1>Young people would say, focus on being great with what

1:02:25.760 --> 1:02:29.840
<v Speaker 1>it is you're doing and enjoying it and enjoying its Yeah,

1:02:29.920 --> 1:02:31.720
<v Speaker 1>because I don't care how much money you know, Like

1:02:31.840 --> 1:02:35.320
<v Speaker 1>I said, I think with that publishing company, I was

1:02:35.400 --> 1:02:37.600
<v Speaker 1>making three hundred thousand dollars a year on the salary

1:02:37.680 --> 1:02:40.760
<v Speaker 1>man when they have money, but I was miserable. Yeah,

1:02:41.360 --> 1:02:43.480
<v Speaker 1>I wasn't happy doing it. So I don't care how

1:02:43.640 --> 1:02:46.400
<v Speaker 1>much money you've got. Money ain't gonna make you happy. No, no,

1:02:46.720 --> 1:02:50.360
<v Speaker 1>And it's it's the forever ending chase. Like I'll see

1:02:50.400 --> 1:02:53.360
<v Speaker 1>people and still be a person living on forty thousand

1:02:53.440 --> 1:02:56.000
<v Speaker 1>and then there's another person living on two hundred thousand.

1:02:56.600 --> 1:02:57.920
<v Speaker 1>And at the end of the day, it's like the

1:02:58.000 --> 1:03:01.800
<v Speaker 1>more money you make your the more overhead. It just

1:03:02.120 --> 1:03:05.440
<v Speaker 1>never stops. So just finding what kind of provides you

1:03:05.520 --> 1:03:07.200
<v Speaker 1>piece and not being a slave to the system. And

1:03:07.240 --> 1:03:09.120
<v Speaker 1>then's the thing. Remember this, and this is from my

1:03:09.240 --> 1:03:12.960
<v Speaker 1>brothers out there, guerrillas only below in the ejumple. They

1:03:13.000 --> 1:03:16.520
<v Speaker 1>don't belong in the boardroom. You're going to have disagreements.

1:03:16.600 --> 1:03:19.520
<v Speaker 1>Sometimes you can't take stuff personal. So I would tell

1:03:19.640 --> 1:03:23.320
<v Speaker 1>people think more with their brain and not with emotions.

1:03:23.880 --> 1:03:26.080
<v Speaker 1>Everything is not a personal attack. So I see a

1:03:26.120 --> 1:03:28.200
<v Speaker 1>lot of people play themselves like that like they may

1:03:28.280 --> 1:03:30.840
<v Speaker 1>be having a problem with the label and think the

1:03:31.000 --> 1:03:33.360
<v Speaker 1>labels all the time trying to cheat you. Sometimes it's

1:03:33.440 --> 1:03:37.080
<v Speaker 1>just it's just what it is. You know, you want

1:03:37.120 --> 1:03:39.680
<v Speaker 1>to get an understanding with them, But everything about cussing

1:03:39.720 --> 1:03:43.600
<v Speaker 1>people out, you always want to maintain your professionalism. Yeah,

1:03:43.760 --> 1:03:46.520
<v Speaker 1>I think as a woman, that is probably going to

1:03:46.600 --> 1:03:49.600
<v Speaker 1>be harder advice to take. Well, y'all go through a

1:03:49.680 --> 1:03:52.520
<v Speaker 1>lot more too. Yeah, y'all go through a lot more too.

1:03:52.520 --> 1:03:54.160
<v Speaker 1>It's a difference. And you know, I'm the six ft four,

1:03:54.280 --> 1:03:59.640
<v Speaker 1>big black dudes, so people people, people are going to

1:03:59.720 --> 1:04:01.919
<v Speaker 1>handle me a certain way versius you. They may feel

1:04:01.960 --> 1:04:04.240
<v Speaker 1>like they can handle you in a certain way. And

1:04:04.400 --> 1:04:07.760
<v Speaker 1>I do know this personally that some of the strongest

1:04:07.800 --> 1:04:09.680
<v Speaker 1>people I know are women, Like my mom is a

1:04:09.720 --> 1:04:12.800
<v Speaker 1>strong woman, and I've seen it sometimes in the home.

1:04:12.880 --> 1:04:15.240
<v Speaker 1>I always laughed because when I'm dealing with sometimes with

1:04:15.320 --> 1:04:19.240
<v Speaker 1>some of our female holes, they're always professional, but they'll

1:04:19.320 --> 1:04:21.200
<v Speaker 1>let you know, Hey, I'm here and I'm strong when

1:04:21.200 --> 1:04:24.439
<v Speaker 1>I'm willing to fight for as me laughing, I see,

1:04:24.440 --> 1:04:26.240
<v Speaker 1>I got your system. You ain't gonna have no problems

1:04:26.280 --> 1:04:29.840
<v Speaker 1>out of me, but they will let you know. Yeah, Well,

1:04:29.960 --> 1:04:32.040
<v Speaker 1>I'm so thankful that you took the time to come

1:04:32.080 --> 1:04:34.680
<v Speaker 1>on my show and took it took a couple of

1:04:34.720 --> 1:04:36.680
<v Speaker 1>months to get it together, and you bless me with

1:04:36.800 --> 1:04:39.720
<v Speaker 1>one of my favorite dishes on the show, which is

1:04:39.840 --> 1:04:41.320
<v Speaker 1>very hard to say. I think I have like three

1:04:41.400 --> 1:04:43.919
<v Speaker 1>favorites on the show. This is in my top three.

1:04:44.360 --> 1:04:46.160
<v Speaker 1>YEA have to send I'm gonna have to send Prayer

1:04:46.160 --> 1:04:48.080
<v Speaker 1>as a copy of this song and you know, and

1:04:48.160 --> 1:04:50.000
<v Speaker 1>you guys can get this recipe in the Eating wall

1:04:50.040 --> 1:04:53.080
<v Speaker 1>Bro cookbook when it does come out, so you can

1:04:53.120 --> 1:04:55.320
<v Speaker 1>make it at home. And it took us about less

1:04:55.320 --> 1:04:59.080
<v Speaker 1>than fifteen minutes. In minutes, and we had the best

1:04:59.160 --> 1:05:03.400
<v Speaker 1>nozos for a couple of bucks literally probably max twenty

1:05:03.840 --> 1:05:07.800
<v Speaker 1>total and that's because we had turkey meats or yeah,

1:05:07.880 --> 1:05:09.360
<v Speaker 1>or you could just eat nachos without the meat and

1:05:09.400 --> 1:05:11.840
<v Speaker 1>it could really be pennies on the dollar. And I

1:05:12.320 --> 1:05:16.000
<v Speaker 1>definitely would advise the LV to cheese over the nacho.

1:05:18.320 --> 1:05:21.680
<v Speaker 1>It hits way different. Um, thank you again for coming.

1:05:22.120 --> 1:05:24.400
<v Speaker 1>And if you guys want to check out Gangster Chronicles,

1:05:24.440 --> 1:05:27.160
<v Speaker 1>you can check it out wherever you get your podcasts. Um.

1:05:27.240 --> 1:05:29.760
<v Speaker 1>We are both on the Black Effects, so you can

1:05:29.800 --> 1:05:44.919
<v Speaker 1>also check out That network also's out for more eating

1:05:44.960 --> 1:05:47.480
<v Speaker 1>While broke from I Heeart Radio and The Black Effect,

1:05:47.680 --> 1:05:50.800
<v Speaker 1>visit the I Heart Radio app, Apple podcast, or wherever

1:05:50.880 --> 1:05:52.360
<v Speaker 1>you listen to your favorite shows.