1 00:00:04,000 --> 00:00:08,280 Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart 2 00:00:08,280 --> 00:00:11,879 Speaker 1: three D Audio Blumhouse Television and Grim and Mild from 3 00:00:11,920 --> 00:00:16,160 Speaker 1: Aaron Nankey. Headphones recommended, Listener discretion advised. 4 00:00:25,239 --> 00:00:27,680 Speaker 2: What is there to say about prison life that hasn't 5 00:00:27,680 --> 00:00:33,440 Speaker 2: been said a million times before? It is so boring. 6 00:00:34,560 --> 00:00:39,680 Speaker 3: Likes up on your feet, the same shit every. 7 00:00:39,520 --> 00:00:44,600 Speaker 4: Day you again, move along. 8 00:00:45,600 --> 00:00:47,960 Speaker 3: I imagine some people thrive on that routine. 9 00:00:48,800 --> 00:00:49,279 Speaker 4: Checkmate. 10 00:00:49,720 --> 00:00:53,400 Speaker 1: Not if I move here, checkmate, still. 11 00:00:53,120 --> 00:00:56,280 Speaker 3: Know and that it beats down those who fight back. 12 00:00:57,120 --> 00:00:57,560 Speaker 5: Checkmate. 13 00:00:58,040 --> 00:01:00,400 Speaker 6: No, that's oh darn. 14 00:01:01,680 --> 00:01:02,080 Speaker 3: They say. 15 00:01:02,120 --> 00:01:06,840 Speaker 2: The pen gets everyone eventually, either by force or attrition. 16 00:01:09,800 --> 00:01:16,960 Speaker 3: What's nuke all? My question is what are they after? 17 00:01:18,080 --> 00:01:20,399 Speaker 1: It's your turn to share today, sireen. 18 00:01:20,240 --> 00:01:22,440 Speaker 3: But I don't have anything to say. 19 00:01:22,720 --> 00:01:23,959 Speaker 5: How does that make you feel? 20 00:01:26,360 --> 00:01:32,319 Speaker 2: If they can keep us physically detained, I'm going if 21 00:01:32,360 --> 00:01:34,320 Speaker 2: they have ways to enter our minds. 22 00:01:34,800 --> 00:01:36,880 Speaker 7: Any side effects from the medication. 23 00:01:36,840 --> 00:01:39,479 Speaker 3: Makes me sick to my stomach. Maybe time to up 24 00:01:39,480 --> 00:01:42,759 Speaker 3: your dosage. What's left but the soul? 25 00:01:43,800 --> 00:01:48,160 Speaker 7: Take and receive all my liberty, my memory, my understanding, 26 00:01:48,880 --> 00:01:52,520 Speaker 7: and my entire will. All I have and all my 27 00:01:52,600 --> 00:01:55,120 Speaker 7: own You have given all to me. 28 00:01:56,280 --> 00:02:01,480 Speaker 2: I swear no matter what, I refuse to submit choice. 29 00:02:01,920 --> 00:02:04,680 Speaker 3: But I also wonder how long can I hold out? 30 00:02:06,160 --> 00:02:09,799 Speaker 2: Already I'm starting to lose track of time, Identical days 31 00:02:09,840 --> 00:02:13,239 Speaker 2: turning into identical weeks, filling identical months against a clock 32 00:02:13,280 --> 00:02:17,280 Speaker 2: and calendar that I have no reason to trust. I 33 00:02:17,360 --> 00:02:20,840 Speaker 2: wonder what is all this time doing to me? How 34 00:02:20,919 --> 00:02:21,720 Speaker 2: is it changing me? 35 00:02:22,720 --> 00:02:24,120 Speaker 5: Has something changed about you? 36 00:02:24,960 --> 00:02:27,400 Speaker 3: Well, I've practically quit smoking. 37 00:02:28,000 --> 00:02:28,520 Speaker 5: Good for you. 38 00:02:29,280 --> 00:02:33,800 Speaker 2: I've started going to church at least more regularly. I noticed, 39 00:02:34,560 --> 00:02:39,000 Speaker 2: and well, I was just so angry when I got here. 40 00:02:39,560 --> 00:02:43,880 Speaker 2: I'm still angry, furious. Actually, if I could, I'd trample 41 00:02:43,919 --> 00:02:46,359 Speaker 2: those guards, break straight through the wall, burn this whole 42 00:02:46,360 --> 00:02:47,800 Speaker 2: place of the ground, and never look back. 43 00:02:48,720 --> 00:02:50,000 Speaker 5: But something's changed. 44 00:02:50,680 --> 00:02:53,920 Speaker 2: Well, that kind of rage was hurting more than it 45 00:02:53,960 --> 00:03:00,720 Speaker 2: was helping me specifically, And if the anger isn't gone, 46 00:03:01,000 --> 00:03:03,560 Speaker 2: maybe it's a little more contained. 47 00:03:04,520 --> 00:03:06,200 Speaker 7: If you were to give it a word, would it 48 00:03:06,240 --> 00:03:07,800 Speaker 7: be fair to say patience? 49 00:03:10,320 --> 00:03:12,680 Speaker 3: I hate to think that I'm just waiting around. That 50 00:03:12,760 --> 00:03:13,720 Speaker 3: makes me feel so weak. 51 00:03:14,400 --> 00:03:19,280 Speaker 7: I would say it demonstrates tremendous strength. Whoever is patient 52 00:03:19,320 --> 00:03:23,840 Speaker 7: has great understanding, But one who is quick tempered displays folly. 53 00:03:24,120 --> 00:03:27,200 Speaker 2: But understanding about what how to marchin a line, what 54 00:03:27,360 --> 00:03:30,040 Speaker 2: not to eat in the cafeteria, who to avoid contact 55 00:03:30,040 --> 00:03:31,680 Speaker 2: with if you don't want a knight stick to the gut. 56 00:03:32,960 --> 00:03:37,560 Speaker 7: Maybe a more personal understanding. Humans have an innate desire 57 00:03:37,680 --> 00:03:41,120 Speaker 7: for control over their own lives. It's a fallacy, really, 58 00:03:41,840 --> 00:03:45,520 Speaker 7: but even the sense of control can be powerful. The 59 00:03:45,600 --> 00:03:48,640 Speaker 7: freedom to make your own choices, to set your own 60 00:03:48,720 --> 00:03:52,840 Speaker 7: goals can come to define your very identity. So what 61 00:03:53,040 --> 00:03:57,080 Speaker 7: happens when that illusion of control vanishes? 62 00:03:58,080 --> 00:04:03,200 Speaker 3: You lose your mind or you grow Ah crap, do 63 00:04:03,240 --> 00:04:04,080 Speaker 3: you know what time it is? 64 00:04:04,600 --> 00:04:05,600 Speaker 5: About twelve thirty? 65 00:04:05,600 --> 00:04:08,200 Speaker 3: I think, well, I gotta get to the rec center. 66 00:04:08,760 --> 00:04:10,280 Speaker 5: Exercise can be good for the soul. 67 00:04:10,920 --> 00:04:14,400 Speaker 3: Well maybe it's just uh, I'm supposed to. 68 00:04:14,320 --> 00:04:17,400 Speaker 7: Meet someone, meet someone. 69 00:04:17,640 --> 00:04:21,200 Speaker 2: Yeah, well, don't keep them waiting. 70 00:04:22,920 --> 00:04:24,320 Speaker 3: Thank you, chaplain. 71 00:04:24,839 --> 00:04:26,000 Speaker 5: I hope to see you tomorrow. 72 00:04:26,320 --> 00:04:27,440 Speaker 3: Why what's tomorrow? 73 00:04:28,080 --> 00:04:28,800 Speaker 5: Christmas? Eve? 74 00:04:29,360 --> 00:04:29,560 Speaker 2: Oh? 75 00:04:29,680 --> 00:04:33,800 Speaker 3: Snap, I gotta find a gift. Okay. 76 00:04:34,080 --> 00:04:38,160 Speaker 2: Leaving the chapel means libraries on my left, TV rooms. 77 00:04:37,920 --> 00:04:39,680 Speaker 6: On my room. 78 00:04:39,839 --> 00:04:45,400 Speaker 3: Here's a weight room, the art room. I just need 79 00:04:45,440 --> 00:04:51,520 Speaker 3: to go down these stairs. Rodriguez, I'm never gonna get 80 00:04:51,600 --> 00:04:52,040 Speaker 3: used to that. 81 00:04:53,080 --> 00:04:54,159 Speaker 4: What do you think you're doing? 82 00:04:54,640 --> 00:04:58,239 Speaker 3: Uh, recreation, not like that. You're not, but I'm sure 83 00:04:58,240 --> 00:05:02,280 Speaker 3: this is the right door. That hair, my hair. What's 84 00:05:02,279 --> 00:05:05,520 Speaker 3: the last time you had a cut. Hmmm, well I 85 00:05:05,600 --> 00:05:07,360 Speaker 3: came in before Easter. 86 00:05:07,160 --> 00:05:10,720 Speaker 4: Weekend, so right, Captain has strict policies. 87 00:05:11,000 --> 00:05:12,880 Speaker 3: Mm okay, I'll get right on that. 88 00:05:13,200 --> 00:05:21,120 Speaker 4: Now with me, let go, I said I could walk, Lorena, 89 00:05:21,160 --> 00:05:22,719 Speaker 4: you got space for one more. This one here has 90 00:05:22,760 --> 00:05:24,080 Speaker 4: never seen a brush in your life. 91 00:05:24,360 --> 00:05:26,920 Speaker 3: Oh, I'm sorry, didn't know. I was here to impress. 92 00:05:28,839 --> 00:05:32,400 Speaker 4: Your hair is like a nest birds or spiders. I'm 93 00:05:32,400 --> 00:05:33,159 Speaker 4: afraid to look. 94 00:05:33,640 --> 00:05:35,960 Speaker 3: Then don't go. Go. 95 00:05:36,080 --> 00:05:38,560 Speaker 4: I'll take care of this one. Don't be afraid to 96 00:05:38,640 --> 00:05:39,600 Speaker 4: use a little force. 97 00:05:41,600 --> 00:05:43,040 Speaker 3: Maybe I do need a trim. 98 00:05:43,440 --> 00:05:47,640 Speaker 4: No, you needed a trim three months ago. Now, Mirena, 99 00:05:48,360 --> 00:05:52,960 Speaker 4: what you need is a miracle good thing. I'm mean. Come, 100 00:05:53,200 --> 00:05:57,440 Speaker 4: I wash first, then we gleam. So what's your style? 101 00:05:58,000 --> 00:06:01,719 Speaker 4: Are you more a pixie cot or maybe a little framing? 102 00:06:02,000 --> 00:06:04,040 Speaker 4: Give some shape to that pretty face. 103 00:06:04,480 --> 00:06:07,760 Speaker 3: No, you're not listening. I don't want you to do anything, 104 00:06:08,440 --> 00:06:09,719 Speaker 3: just a trem. 105 00:06:09,839 --> 00:06:13,239 Speaker 4: Oh, but indulge me. There must be something you want. 106 00:06:13,600 --> 00:06:15,120 Speaker 4: Come on, you can tell me. 107 00:06:15,880 --> 00:06:16,720 Speaker 3: Don't fight it. 108 00:06:16,839 --> 00:06:19,599 Speaker 4: She'll get it at it you always does do. 109 00:06:19,680 --> 00:06:20,960 Speaker 3: What I wanted before I did. 110 00:06:21,320 --> 00:06:24,479 Speaker 4: She's always right. By the time I'm done, I'll have 111 00:06:24,640 --> 00:06:25,840 Speaker 4: you a feeling all new. 112 00:06:26,160 --> 00:06:28,159 Speaker 3: Look. It's nothing personal. I just don't spend a lot 113 00:06:28,200 --> 00:06:29,520 Speaker 3: of time thinking about how I look. 114 00:06:29,680 --> 00:06:31,200 Speaker 4: Oh, Jerre one of those? 115 00:06:31,240 --> 00:06:32,800 Speaker 3: Aren't you one of those? 116 00:06:33,360 --> 00:06:34,800 Speaker 4: Here? Sit lean back? 117 00:06:34,880 --> 00:06:35,960 Speaker 3: What is that supposed to mean? 118 00:06:36,360 --> 00:06:41,360 Speaker 4: I'll change you if you sit, Let me guess you'll 119 00:06:41,480 --> 00:06:45,760 Speaker 4: turn away makeup and hair styling. And she close, saying 120 00:06:45,839 --> 00:06:50,479 Speaker 4: you're not into fashion? But nonina, no service. Is that 121 00:06:50,480 --> 00:06:52,160 Speaker 4: that's a fashion statement in itself? 122 00:06:52,400 --> 00:06:54,200 Speaker 3: No, that's not I don't know. 123 00:06:54,400 --> 00:06:56,880 Speaker 4: Deny, then I deny, but I seen you? 124 00:06:57,640 --> 00:07:00,360 Speaker 2: Oh and what because you cut someone's hair gives you 125 00:07:00,440 --> 00:07:01,560 Speaker 2: license to judge them. 126 00:07:02,320 --> 00:07:05,000 Speaker 4: There's a lot you learn when you shape someone's look. 127 00:07:05,520 --> 00:07:08,640 Speaker 4: I mean, how we present is a mask. No one 128 00:07:08,720 --> 00:07:12,520 Speaker 4: is exactly what they look like. How painfully boring. So 129 00:07:12,920 --> 00:07:15,840 Speaker 4: while they're in my chair letting me chop away at 130 00:07:15,840 --> 00:07:18,720 Speaker 4: little pieces of them, you get to drop the mask 131 00:07:19,000 --> 00:07:22,840 Speaker 4: and I listen. Like a therapist, I heals me or 132 00:07:22,880 --> 00:07:27,360 Speaker 4: no therapist. They want to fix you. I prefer to 133 00:07:27,600 --> 00:07:33,880 Speaker 4: enable better dips twenty years at the same overpriced salunge 134 00:07:33,920 --> 00:07:39,080 Speaker 4: you hear every entitled complaint. Convertible in a shop AND's 135 00:07:39,160 --> 00:07:42,120 Speaker 4: in the lakehouse, and now myn as sources out of 136 00:07:42,160 --> 00:07:47,800 Speaker 4: town and my husband is canoodling with the maid. Oh, 137 00:07:47,920 --> 00:07:51,480 Speaker 4: I always hope for something with more substance. Maybe I 138 00:07:51,560 --> 00:07:56,880 Speaker 4: hope too hard. One day I had this woman come 139 00:07:56,960 --> 00:08:01,560 Speaker 4: in sunset of her life, glory, silver hair down to 140 00:08:01,680 --> 00:08:06,720 Speaker 4: her chest. I loved it. I wanted it, oh, to 141 00:08:06,840 --> 00:08:10,400 Speaker 4: age like that, But she said it made her look witchy. 142 00:08:11,120 --> 00:08:13,920 Speaker 4: Now who could have put that idea in her head? 143 00:08:14,680 --> 00:08:19,480 Speaker 4: Turns out kids were shattering her windows with rocks. 144 00:08:20,000 --> 00:08:20,920 Speaker 5: They riding on. 145 00:08:21,000 --> 00:08:27,120 Speaker 4: Their bikes, dark of night and no one awake. Then crash, 146 00:08:27,560 --> 00:08:31,160 Speaker 4: kill the witch, they yelled, and then they were gone 147 00:08:31,280 --> 00:08:37,280 Speaker 4: just as fast because acido, poor woman. I could hear 148 00:08:37,360 --> 00:08:40,920 Speaker 4: it in her voice. No not chop it off, chop 149 00:08:40,960 --> 00:08:41,560 Speaker 4: it all off. 150 00:08:41,640 --> 00:08:42,880 Speaker 6: I don't want it anymore. 151 00:08:44,040 --> 00:08:48,960 Speaker 4: How it heard her to lie about, let's get you 152 00:08:49,000 --> 00:08:49,559 Speaker 4: in a chair. 153 00:08:50,760 --> 00:08:52,000 Speaker 3: Did you cut it off? 154 00:08:52,559 --> 00:08:56,400 Speaker 4: No, that would have been a crime. Instead, I listened 155 00:08:56,440 --> 00:08:59,120 Speaker 4: to what she really wanted here sit? 156 00:09:00,559 --> 00:09:01,320 Speaker 3: What did she say? 157 00:09:02,080 --> 00:09:06,160 Speaker 4: Nothing at first, but I pushed. I always had that gift, 158 00:09:06,200 --> 00:09:09,440 Speaker 4: you know, getting people to open up. Usually it's a 159 00:09:09,440 --> 00:09:15,600 Speaker 4: lot of cheesemay. By this time this was different. Something 160 00:09:15,640 --> 00:09:19,600 Speaker 4: in her eyes and how her lips scrunched like she 161 00:09:19,840 --> 00:09:23,880 Speaker 4: was chewing on her words. Benures and all lone and all. 162 00:09:24,760 --> 00:09:26,760 Speaker 3: I want to take those rocks. 163 00:09:27,200 --> 00:09:30,839 Speaker 4: I want to find her houses and I want to 164 00:09:31,000 --> 00:09:41,000 Speaker 4: break their bones. Al rinkled little thing. And then she left, 165 00:09:41,840 --> 00:09:44,720 Speaker 4: Lift your hair, got wrap fist around your neck. 166 00:09:45,600 --> 00:09:46,520 Speaker 3: Do you think she did it? 167 00:09:46,920 --> 00:09:47,480 Speaker 8: How could she? 168 00:09:48,200 --> 00:09:50,640 Speaker 4: No? That would have been insane. At least that's what 169 00:09:50,720 --> 00:09:52,760 Speaker 4: I thought, And it's what got me through the night, 170 00:09:53,440 --> 00:09:56,880 Speaker 4: because as soon as I got home, there was a 171 00:09:56,920 --> 00:10:04,520 Speaker 4: stamped in my brain. Horrible, horrible headache that whole week, 172 00:10:05,200 --> 00:10:10,280 Speaker 4: actually my last week on the outside of horrible. 173 00:10:11,760 --> 00:10:12,839 Speaker 3: Oh careful, what the scalp? 174 00:10:14,120 --> 00:10:19,719 Speaker 4: This is nothing? They after another woman came rolled out 175 00:10:19,720 --> 00:10:23,599 Speaker 4: a magazine and pointed at a model wanted her seventies 176 00:10:23,679 --> 00:10:27,640 Speaker 4: disconneon prom emitra. I'm divine at what I do, but 177 00:10:27,720 --> 00:10:30,840 Speaker 4: my conscience wouldn't let me, so I tried to wear 178 00:10:30,960 --> 00:10:35,880 Speaker 4: her somewhere safe. And you know what she said to me. 179 00:10:37,080 --> 00:10:43,720 Speaker 4: If I wanted safe, I wouldn't put nails in my salad. 180 00:10:45,840 --> 00:10:49,400 Speaker 3: What I can't believe she met that literally. 181 00:10:49,600 --> 00:10:57,960 Speaker 4: I didn't either until she smiled, teas cracked and chipped 182 00:10:58,640 --> 00:11:03,960 Speaker 4: gums blead. She needed a dentist, not a perm. I 183 00:11:04,040 --> 00:11:09,559 Speaker 4: don't know why she told me, But then the nasia 184 00:11:09,840 --> 00:11:13,560 Speaker 4: hit and I spent the rest of my shift head 185 00:11:13,760 --> 00:11:17,640 Speaker 4: first in a toilet, feeling like there was a hole 186 00:11:17,760 --> 00:11:21,160 Speaker 4: in my got. I think one of the other girls 187 00:11:21,240 --> 00:11:24,520 Speaker 4: ended up giving her a PERM. I didn't care anymore. 188 00:11:25,320 --> 00:11:28,880 Speaker 4: I'd swear there was something in the air that week, 189 00:11:29,120 --> 00:11:32,560 Speaker 4: but all the crazy seemed to ask for me, And 190 00:11:32,640 --> 00:11:34,959 Speaker 4: the next one was even worse. 191 00:11:36,120 --> 00:11:37,520 Speaker 3: Worse than eating nails. 192 00:11:38,000 --> 00:11:43,120 Speaker 4: There's always worse, Melina, and it's never who you expect. 193 00:11:43,880 --> 00:11:46,400 Speaker 4: Tilt your head for me, wouldn't you wait? 194 00:11:46,440 --> 00:11:47,400 Speaker 3: How about are you taking off? 195 00:11:47,480 --> 00:11:50,679 Speaker 4: Really had to get either? Don't you want to know. 196 00:11:50,640 --> 00:11:53,520 Speaker 3: Who came next? Just a trim? Got it? 197 00:11:54,200 --> 00:11:54,360 Speaker 6: Mm? 198 00:11:57,280 --> 00:12:02,280 Speaker 4: Now? This girl so thin and twiggy, it was like 199 00:12:02,360 --> 00:12:06,520 Speaker 4: she floated in on a breeze Carolina with her heart 200 00:12:06,600 --> 00:12:10,000 Speaker 4: on the eye. That's how she signed in in for 201 00:12:10,120 --> 00:12:14,200 Speaker 4: a trim, just like you. She didn't make so much 202 00:12:14,200 --> 00:12:17,560 Speaker 4: as a sweek. For the full hour, I could tell 203 00:12:17,600 --> 00:12:23,439 Speaker 4: it was something heavy, something ugly, building up. But who 204 00:12:23,440 --> 00:12:26,160 Speaker 4: am I to pry? If a client wants silence. I 205 00:12:26,320 --> 00:12:30,640 Speaker 4: gave them silence. I was nearly done styling her before 206 00:12:30,679 --> 00:12:35,199 Speaker 4: she finally spoke, turned to me with her dull eyes 207 00:12:35,320 --> 00:12:39,040 Speaker 4: and asked if I was married. No, no, no, I said, 208 00:12:39,320 --> 00:12:42,720 Speaker 4: I love myself too much to share. She liked that. 209 00:12:43,440 --> 00:12:44,680 Speaker 3: She was jealous. 210 00:12:45,320 --> 00:12:49,240 Speaker 4: What about you, I asked, and she went quiet again. 211 00:12:49,960 --> 00:12:55,080 Speaker 4: She jamed me in and whispered, I'm going to kill 212 00:12:55,280 --> 00:12:59,280 Speaker 4: my husband. I just haven't figured out. 213 00:12:59,280 --> 00:13:03,680 Speaker 3: How I was frozen. 214 00:13:04,080 --> 00:13:06,760 Speaker 4: I mean, what do you say back? Don't do it? 215 00:13:07,280 --> 00:13:07,840 Speaker 3: Good luck? 216 00:13:08,800 --> 00:13:11,760 Speaker 4: I couldn't tell if she was kidding, Or maybe I could, 217 00:13:11,920 --> 00:13:15,200 Speaker 4: and I didn't want to admit it. It's not like 218 00:13:15,320 --> 00:13:18,280 Speaker 4: she waited for me to react. She just got up, 219 00:13:18,679 --> 00:13:20,760 Speaker 4: dropped a tip on the counter and left. 220 00:13:21,640 --> 00:13:22,680 Speaker 3: Or was it a good tip? 221 00:13:23,120 --> 00:13:27,160 Speaker 4: Best of my life? But not even close to worth it? 222 00:13:28,280 --> 00:13:31,280 Speaker 4: My fever that night was like a. 223 00:13:31,440 --> 00:13:40,360 Speaker 8: Caulduring fluids, boiling skin, melting every nerve on fire, or 224 00:13:40,400 --> 00:13:43,520 Speaker 8: at least it felt that way, pinned me down to 225 00:13:43,559 --> 00:13:46,120 Speaker 8: a bed for two days now. 226 00:13:46,440 --> 00:13:49,480 Speaker 3: Still, am I expected to tip? 227 00:13:49,559 --> 00:13:53,199 Speaker 4: I mean I would, but ridiculin this is currency enough 228 00:13:53,760 --> 00:13:58,320 Speaker 4: for once I'm the one talking. Take a look, how 229 00:13:58,360 --> 00:13:58,679 Speaker 4: do you. 230 00:13:58,640 --> 00:14:04,599 Speaker 3: Feel that's not a trim? 231 00:14:05,120 --> 00:14:07,600 Speaker 4: I know, and we're not done yet. 232 00:14:21,720 --> 00:14:23,960 Speaker 3: See you, Rhina, Oh, see you and the girl? 233 00:14:24,000 --> 00:14:27,840 Speaker 4: Will you kin me? Chris? Good luck, Si, you're gonna 234 00:14:27,880 --> 00:14:28,280 Speaker 4: need it. 235 00:14:30,000 --> 00:14:31,040 Speaker 3: How do they know my name? 236 00:14:31,680 --> 00:14:35,120 Speaker 4: Ninya? Haven't you been listening? You learn all kinds of 237 00:14:35,160 --> 00:14:38,160 Speaker 4: things in a place like this. Haven't you worked a 238 00:14:38,160 --> 00:14:38,920 Speaker 4: service job? 239 00:14:39,280 --> 00:14:41,120 Speaker 3: Yeah? Actually back before. 240 00:14:41,080 --> 00:14:44,280 Speaker 4: So you know? And I've had dozens. That's why I 241 00:14:44,320 --> 00:14:48,160 Speaker 4: didn't question it at first. How you offer a service 242 00:14:48,480 --> 00:14:51,720 Speaker 4: but they treat you like a product. People think they 243 00:14:51,720 --> 00:14:54,600 Speaker 4: have a right to your time, to your attention, and 244 00:14:54,640 --> 00:14:58,000 Speaker 4: they don't care what you carry home. I'm just happy 245 00:14:58,000 --> 00:15:00,560 Speaker 4: to unload. Even worse when you work for taps. 246 00:15:01,400 --> 00:15:02,720 Speaker 3: Were there more clients like her? 247 00:15:03,320 --> 00:15:10,040 Speaker 4: Carolina Gegetts Mass No, she was the last, but that 248 00:15:10,320 --> 00:15:14,400 Speaker 4: wasn't the last time she came. When I finally forced 249 00:15:14,440 --> 00:15:18,520 Speaker 4: myself out of bed after that burning fear, I thought 250 00:15:18,840 --> 00:15:22,640 Speaker 4: enough of this, No more helpful ear? But what does 251 00:15:22,720 --> 00:15:26,440 Speaker 4: fate care for our plans? My first day back, I 252 00:15:26,640 --> 00:15:31,440 Speaker 4: found her waiting there, almost shivering with fear, cold. I 253 00:15:31,520 --> 00:15:35,400 Speaker 4: don't know. Turns out she'd come every day asking for me. 254 00:15:36,280 --> 00:15:37,080 Speaker 4: What an honor? 255 00:15:38,440 --> 00:15:39,520 Speaker 3: What did she want? Now? 256 00:15:40,120 --> 00:15:45,440 Speaker 4: A manicure? Some pastelic color? And obviously an excuse because 257 00:15:45,520 --> 00:15:48,840 Speaker 4: I'm no technician. Mister Iden is my boss. He knew that. 258 00:15:49,840 --> 00:15:54,560 Speaker 4: But there comes Carolina waiting a stack of fifty, so 259 00:15:54,720 --> 00:15:58,680 Speaker 4: of course he sells me out. Who cares what I want? 260 00:15:59,280 --> 00:16:03,520 Speaker 4: Lorena pisso everybody helps. 261 00:16:04,800 --> 00:16:06,160 Speaker 3: Did you ask if she did it? 262 00:16:06,680 --> 00:16:11,120 Speaker 4: No? Remember, I was done asking questions from now on, 263 00:16:11,720 --> 00:16:16,960 Speaker 4: just smiling and nodding, smiling and nodding. Hole. Still, this 264 00:16:17,200 --> 00:16:17,920 Speaker 4: is for texture. 265 00:16:19,240 --> 00:16:20,880 Speaker 3: So she didn't talk to you. 266 00:16:21,480 --> 00:16:24,400 Speaker 4: Now, where did you get that? All I said was 267 00:16:24,440 --> 00:16:28,359 Speaker 4: that I didn't ask. So while I prepped the manicure, 268 00:16:28,800 --> 00:16:35,440 Speaker 4: she stared at me with those big dough eyes, unblinking, uncomfortable, 269 00:16:35,960 --> 00:16:39,040 Speaker 4: like there was an itch she couldn't scratch. And I 270 00:16:39,120 --> 00:16:45,360 Speaker 4: could tell that heaviness, that ugliness from before it was 271 00:16:45,520 --> 00:16:49,960 Speaker 4: back and she was ready to gossip. So I laid 272 00:16:49,960 --> 00:16:53,080 Speaker 4: out a towel and I asked for her hands, And 273 00:16:53,160 --> 00:16:57,560 Speaker 4: when she spread out her fingers, all I could see 274 00:16:57,800 --> 00:17:04,120 Speaker 4: was blood on her nails, crusty flooded cutocles, hand stand 275 00:17:04,400 --> 00:17:09,440 Speaker 4: up to her wrists. Can you wash it? She asked, 276 00:17:09,840 --> 00:17:13,479 Speaker 4: as if a pink salt exfoliant was enough to scrub 277 00:17:13,520 --> 00:17:18,760 Speaker 4: whatever monstrosity she committed I couldn't speak, I couldn't even 278 00:17:18,800 --> 00:17:21,680 Speaker 4: look up, so instead she leaned. 279 00:17:21,400 --> 00:17:28,280 Speaker 9: In loudina, I so appreciated our last session. He was 280 00:17:28,440 --> 00:17:32,679 Speaker 9: such a weight off my shoulders. You're so easy to 281 00:17:32,840 --> 00:17:33,240 Speaker 9: talk to. 282 00:17:34,280 --> 00:17:38,840 Speaker 4: You know that. I didn't want to be I didn't 283 00:17:38,880 --> 00:17:42,400 Speaker 4: want to listen to another word. She wouldn't stop. 284 00:17:43,720 --> 00:17:49,600 Speaker 9: I did it, I really did. I waited until Rob 285 00:17:49,800 --> 00:17:54,800 Speaker 9: was asleep. Then I grabbed my knitting box, took out 286 00:17:54,880 --> 00:17:59,600 Speaker 9: my seam ripper, and I unsold him. 287 00:18:00,480 --> 00:18:04,200 Speaker 4: I looked around, but no one else in the whole 288 00:18:04,280 --> 00:18:09,040 Speaker 4: room had even flinched. Was I going insane? Or was 289 00:18:09,280 --> 00:18:14,919 Speaker 4: everyone around me losing their minds? I ran out bio 290 00:18:15,320 --> 00:18:19,479 Speaker 4: coming up in my throat, and the last thing I 291 00:18:19,520 --> 00:18:24,600 Speaker 4: saw was Carolina's face. She looked relieved, like that weight 292 00:18:24,920 --> 00:18:32,320 Speaker 4: was really gone. I quit that very day. Let's get 293 00:18:32,400 --> 00:18:33,200 Speaker 4: you dried up. 294 00:18:37,960 --> 00:18:38,600 Speaker 3: There'd you go? 295 00:18:39,119 --> 00:18:41,960 Speaker 4: Shaped up, real nice with some value? 296 00:18:42,320 --> 00:18:43,320 Speaker 3: Were you sick again? 297 00:18:43,920 --> 00:18:48,159 Speaker 4: Clado ruined my upholstery and pushed the absolute limit on 298 00:18:48,240 --> 00:18:50,960 Speaker 4: how much I'd be broken A person can take. But 299 00:18:51,119 --> 00:18:54,640 Speaker 4: I had to find out if this was awesome twisted job, 300 00:18:55,080 --> 00:18:57,960 Speaker 4: So I did what any irrational person would do. They 301 00:18:58,080 --> 00:19:04,399 Speaker 4: followed her home. I watched her enter a big gated massion, 302 00:19:04,920 --> 00:19:07,440 Speaker 4: you know the fancy sword where the bushes are all 303 00:19:07,480 --> 00:19:12,399 Speaker 4: cut into shapes. And I waited, quiet and in pain 304 00:19:12,840 --> 00:19:16,359 Speaker 4: to catch any glimpse of her husband still alive. It 305 00:19:16,480 --> 00:19:19,800 Speaker 4: was well after dark before I saw her come out again, 306 00:19:20,480 --> 00:19:24,360 Speaker 4: wheeling out the trash. The curiosity ate me a lot. 307 00:19:24,480 --> 00:19:27,639 Speaker 4: I had to know what was in those cans. Now 308 00:19:28,119 --> 00:19:32,280 Speaker 4: I wish with every bone in my body that I 309 00:19:32,440 --> 00:19:39,920 Speaker 4: never looked inside. I jumped in my car and floored 310 00:19:41,280 --> 00:19:43,800 Speaker 4: La Ville and seat that eighty miles an hour, as 311 00:19:43,920 --> 00:19:47,320 Speaker 4: fast as my little clanker could go. That's when I 312 00:19:47,440 --> 00:19:50,960 Speaker 4: saw the cruiser parked at the burger joint, cop leaning 313 00:19:51,000 --> 00:19:55,120 Speaker 4: on his hood, and I told him everything about Carolina, 314 00:19:55,440 --> 00:19:59,719 Speaker 4: her confession, the gorriness in her trash. I knew I sounded, 315 00:20:00,520 --> 00:20:03,800 Speaker 4: but I pleaded for him to believe me. And you 316 00:20:03,840 --> 00:20:08,119 Speaker 4: know what he did. He said he believed me, but 317 00:20:08,240 --> 00:20:14,120 Speaker 4: that he just didn't care. That punchy mustache man acne 318 00:20:14,400 --> 00:20:19,919 Speaker 4: on his necks, wet on his collar. He said he'd 319 00:20:20,000 --> 00:20:24,480 Speaker 4: seen worse, hell, that he'd done worse chewing on that gristy, 320 00:20:24,920 --> 00:20:27,920 Speaker 4: tripping burger, he told me, bragging. 321 00:20:29,240 --> 00:20:33,720 Speaker 6: Sometimes when there's a body, and I'm supposed to call 322 00:20:33,800 --> 00:20:37,960 Speaker 6: it in. I don't, because for a couple of hours 323 00:20:38,040 --> 00:20:41,960 Speaker 6: after death, there's still warming enough to have fun. 324 00:20:43,320 --> 00:20:48,359 Speaker 4: He just kept going, unloading repulsive details after details. Even 325 00:20:48,400 --> 00:20:51,720 Speaker 4: after I shut myself in my car and blared the horn, 326 00:20:52,280 --> 00:20:55,280 Speaker 4: he was at my window and I could still read 327 00:20:55,400 --> 00:21:00,600 Speaker 4: his lips. Why wouldn't he just leave me alone? 328 00:21:00,800 --> 00:21:01,520 Speaker 3: What did you do? 329 00:21:02,480 --> 00:21:05,960 Speaker 4: Nothing? I regret. I just wish they hadn't caught me, 330 00:21:06,400 --> 00:21:10,119 Speaker 4: because that holding seally threw me into. That was my 331 00:21:10,320 --> 00:21:16,280 Speaker 4: own brand of hell, not like the rooms we've got here. Handcuffed, 332 00:21:16,440 --> 00:21:20,840 Speaker 4: I couldn't even cover my ears while everyone else just 333 00:21:21,160 --> 00:21:25,439 Speaker 4: spilled and spilled. There was something wrong with me. I 334 00:21:25,560 --> 00:21:29,240 Speaker 4: knew that, but I couldn't stop it. So instead I 335 00:21:29,400 --> 00:21:33,720 Speaker 4: screamed the back what I heard, because why should I 336 00:21:33,760 --> 00:21:36,520 Speaker 4: suffer alone? 337 00:21:36,760 --> 00:21:37,720 Speaker 3: How long were you there? 338 00:21:38,480 --> 00:21:44,439 Speaker 4: Not long? Grass, sadios? I suppose eventually somebody listened to 339 00:21:44,480 --> 00:21:47,560 Speaker 4: what I had to say, because two doctors showed up 340 00:21:47,760 --> 00:21:48,560 Speaker 4: from the Pendleton. 341 00:21:49,080 --> 00:21:51,720 Speaker 3: What gave it? The way they dragged you here too? 342 00:21:52,440 --> 00:21:55,960 Speaker 4: Dragged me? No, they offered the help, said they could 343 00:21:56,000 --> 00:21:59,320 Speaker 4: make the secret stop, and for that I would have 344 00:21:59,400 --> 00:22:03,359 Speaker 4: claimed in their trunk. You look like you don't agree. 345 00:22:03,760 --> 00:22:06,440 Speaker 3: Why would you choose to come here? We can't leave? 346 00:22:07,200 --> 00:22:10,879 Speaker 4: What makes you think I want to free meals, free 347 00:22:11,000 --> 00:22:14,160 Speaker 4: roaming and never having to suck up to anyone else 348 00:22:14,200 --> 00:22:19,439 Speaker 4: for tips, Nina, But it's not Tahiti. 349 00:22:20,000 --> 00:22:22,119 Speaker 3: But it'll do. Did they help you? 350 00:22:22,200 --> 00:22:22,320 Speaker 6: Then? 351 00:22:23,080 --> 00:22:28,840 Speaker 4: You mean? Though? I still hear people's secrets sometimes, but 352 00:22:28,920 --> 00:22:31,600 Speaker 4: at least the pain is gone. They've got me on 353 00:22:31,640 --> 00:22:35,440 Speaker 4: this regimen. Pills and test and prodding and so on 354 00:22:36,040 --> 00:22:37,879 Speaker 4: is meant to contain it altogether. 355 00:22:38,480 --> 00:22:42,000 Speaker 3: But we'll see. So then you have heard things while 356 00:22:42,040 --> 00:22:42,960 Speaker 3: you've been here. 357 00:22:43,320 --> 00:22:48,080 Speaker 4: Of course, stranger and stranger every day. 358 00:22:49,080 --> 00:22:49,600 Speaker 3: Strange? 359 00:22:49,680 --> 00:22:52,679 Speaker 4: How oh no, no, no, I do what you're doing? 360 00:22:53,400 --> 00:22:56,560 Speaker 4: Do you think knowing more is always better? But you're 361 00:22:56,600 --> 00:22:58,680 Speaker 4: ignoring how it might hurt you? 362 00:22:59,359 --> 00:23:00,399 Speaker 3: What do you mean hurt me? 363 00:23:01,240 --> 00:23:05,760 Speaker 4: What I mean, Sayuri, is how will you handle the 364 00:23:05,880 --> 00:23:09,280 Speaker 4: darkest secrets of this place when you don't even know 365 00:23:09,440 --> 00:23:10,000 Speaker 4: your own? 366 00:23:11,000 --> 00:23:11,240 Speaker 2: Wait? 367 00:23:12,000 --> 00:23:16,600 Speaker 3: While I was here? Were you? Is she ready yet? 368 00:23:16,640 --> 00:23:23,320 Speaker 4: Almost? There's no rushing beauty. Take a look in the mirror. 369 00:23:24,080 --> 00:23:25,760 Speaker 4: Do you like who you see? 370 00:23:27,200 --> 00:23:28,240 Speaker 3: That's not me? 371 00:23:29,160 --> 00:23:34,199 Speaker 4: Clad o ca see? Like I said, when it comes 372 00:23:34,240 --> 00:23:40,720 Speaker 4: to my work, I'm divine, don't worry your secrets safe 373 00:23:40,720 --> 00:23:41,080 Speaker 4: with me? 374 00:23:41,720 --> 00:23:42,600 Speaker 3: What do you mean. 375 00:23:44,000 --> 00:23:48,399 Speaker 4: Now? Are you done? Yes? I'm done? But out you 376 00:23:48,480 --> 00:23:53,399 Speaker 4: go now, beauty queen, and don't forget to brush your hair? 377 00:23:56,359 --> 00:23:56,959 Speaker 4: What's up? 378 00:23:57,800 --> 00:23:58,960 Speaker 6: Three far? 379 00:24:01,160 --> 00:24:02,399 Speaker 4: Nighty night o? 380 00:24:02,640 --> 00:24:09,720 Speaker 3: Damsa same shit every day? 381 00:24:11,440 --> 00:24:11,720 Speaker 8: Wait? 382 00:24:12,880 --> 00:24:14,680 Speaker 3: Did she leave a bobby bit in my hair? 383 00:24:16,800 --> 00:24:16,960 Speaker 9: Hey? 384 00:24:17,040 --> 00:24:17,080 Speaker 4: You? 385 00:24:18,400 --> 00:24:18,840 Speaker 3: Oh? 386 00:24:19,280 --> 00:24:19,520 Speaker 4: Hey? 387 00:24:20,720 --> 00:24:24,960 Speaker 3: I thought we had a date. I know, I'm sorry. 388 00:24:25,600 --> 00:24:29,879 Speaker 2: I got caught out for looking up haggard was the implication, 389 00:24:30,920 --> 00:24:32,920 Speaker 2: and they dragged me into what account for the beauty 390 00:24:33,000 --> 00:24:37,600 Speaker 2: salt around here? Lady took her sweet time too. I'm sorry. 391 00:24:37,720 --> 00:24:43,040 Speaker 2: I tried, but I couldn't get out. It looks nice, yeah, yeah, 392 00:24:43,080 --> 00:24:48,280 Speaker 2: real nice. I don't quite feel like myself. What is 393 00:24:48,359 --> 00:24:52,800 Speaker 2: that like to feel like you? I don't really know anymore. 394 00:24:53,920 --> 00:24:57,320 Speaker 2: I guess I've never liked to be fussed over, and 395 00:24:57,400 --> 00:25:01,680 Speaker 2: now even that has been taken away. The chaplain said 396 00:25:01,680 --> 00:25:04,640 Speaker 2: something today that I can't stop thinking about. He said 397 00:25:04,680 --> 00:25:08,520 Speaker 2: that losing control over your life forces you to re 398 00:25:08,640 --> 00:25:13,240 Speaker 2: evaluate your identity. Then have you learned a lot about 399 00:25:13,320 --> 00:25:19,199 Speaker 2: yourself since you've been here? To be honest, I have 400 00:25:19,440 --> 00:25:22,400 Speaker 2: learned that I need other people more than I ever 401 00:25:22,440 --> 00:25:23,520 Speaker 2: wanted to admit before. 402 00:25:24,680 --> 00:25:30,240 Speaker 3: Can I fuss over you for a second. Okay, you 403 00:25:30,400 --> 00:25:37,040 Speaker 3: look beautiful. It's some haircut. I like it, but it's 404 00:25:37,080 --> 00:25:37,960 Speaker 3: not the haircut. 405 00:25:39,840 --> 00:25:43,520 Speaker 2: I wish we didn't always meet like this, these damn 406 00:25:43,560 --> 00:25:48,240 Speaker 2: bars between us. What would happen if we met on 407 00:25:48,320 --> 00:25:51,439 Speaker 2: the outside, if you said something like that to me 408 00:25:51,560 --> 00:25:57,080 Speaker 2: the way you just said it. Yeah, well I might 409 00:25:57,200 --> 00:26:00,560 Speaker 2: have to reach over and kiss you. 410 00:26:02,119 --> 00:26:15,120 Speaker 3: I Kenleena oh YEA. 411 00:26:30,560 --> 00:26:35,840 Speaker 1: Thirteen Days of Halloween pennance starring Natalie Morales, Episode eight 412 00:26:36,240 --> 00:26:40,679 Speaker 1: care written by Alessandra Hara del Castillo and Alexander Williams. 413 00:26:40,880 --> 00:26:44,400 Speaker 1: Editing and sound designed by Trevor Young, featuring the voices 414 00:26:44,440 --> 00:26:50,600 Speaker 1: of Sandra Viadares, Rachel Rosenbloom, Wayne Bastrup, Raphael Corkil, Jeff Bowser, 415 00:26:50,920 --> 00:26:56,760 Speaker 1: Blair Chandler, Morgan Brown, and Laura Shine. Directed by Alexander Williams. 416 00:26:57,000 --> 00:27:01,720 Speaker 1: Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky, Matt Frederick 417 00:27:01,800 --> 00:27:06,440 Speaker 1: and Alexander Williams. Supervising producers Trevor Young and Josh Thain. 418 00:27:06,760 --> 00:27:11,520 Speaker 1: Producers Jesse funk Rima Ilkali Nowami Griffin, Chandler Mays, and 419 00:27:11,760 --> 00:27:16,440 Speaker 1: Casby Bias. Script Editing by Lauren Vogelbaum, Story consultants Ben 420 00:27:16,480 --> 00:27:20,439 Speaker 1: Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and 421 00:27:20,480 --> 00:27:26,240 Speaker 1: Meg Mormon CSA. Production coordinator Wayna Calderon. Production assistants Jenna 422 00:27:26,320 --> 00:27:30,480 Speaker 1: Johnson and Winona Lowe. Theme music by Rose Azerti with 423 00:27:30,640 --> 00:27:34,359 Speaker 1: vocals by Anna Hummler, recorded at This Is Sound Design 424 00:27:34,440 --> 00:27:39,760 Speaker 1: Studios in Burbank, California. Engineered by Ross Arnot, Special thanks 425 00:27:39,760 --> 00:27:44,200 Speaker 1: to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca. 426 00:27:44,720 --> 00:27:47,760 Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and 427 00:27:47,880 --> 00:27:52,719 Speaker 1: Alexander Williams and is a production of iHeart Podcasts, Blumhouse Television, 428 00:27:52,880 --> 00:27:56,000 Speaker 1: and Grimm and Mild from Aaron Makey. Learn more about 429 00:27:56,000 --> 00:27:59,720 Speaker 1: the show at Grimandmild dot com slash thirteen Days and 430 00:27:59,840 --> 00:28:03,560 Speaker 1: find more podcasts from iHeartRadio by visiting the iHeartRadio app, 431 00:28:03,640 --> 00:28:06,840 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows. 432 00:28:07,480 --> 00:28:08,320 Speaker 1: Happy Halloween,