1 00:00:04,000 --> 00:00:08,280 Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart 2 00:00:08,280 --> 00:00:11,879 Speaker 1: three D Audio Blumhouse Television and Grim and Mild from 3 00:00:11,920 --> 00:00:16,160 Speaker 1: Aaron Nankey. Headphones recommended, Listener discretion advised. 4 00:00:25,239 --> 00:00:27,680 Speaker 2: What is there to say about prison life that hasn't 5 00:00:27,680 --> 00:00:32,960 Speaker 2: been said a million times before? It is so boring, 6 00:00:34,560 --> 00:00:39,680 Speaker 2: likes up on your feet, the same shit every. 7 00:00:39,520 --> 00:00:44,600 Speaker 3: Day you again, move along. 8 00:00:45,600 --> 00:00:47,960 Speaker 2: I imagine some people thrive on that routine. 9 00:00:48,800 --> 00:00:49,279 Speaker 3: Checkmate. 10 00:00:49,720 --> 00:00:53,199 Speaker 1: Not if I move here, checkmate, still know. 11 00:00:54,200 --> 00:00:56,280 Speaker 2: And that it beats down those who fight back. 12 00:00:57,120 --> 00:00:57,560 Speaker 4: Checkmate. 13 00:00:58,040 --> 00:01:00,360 Speaker 5: No, that's oh dark. 14 00:01:01,680 --> 00:01:05,559 Speaker 2: They say. The pen gets everyone eventually, either by force 15 00:01:05,840 --> 00:01:16,520 Speaker 2: or attrition. What's nuke all? My question is what are 16 00:01:16,520 --> 00:01:16,960 Speaker 2: they after? 17 00:01:18,080 --> 00:01:20,399 Speaker 1: It's your turn to share today, sireen. 18 00:01:20,240 --> 00:01:22,440 Speaker 2: But I don't have anything to say. 19 00:01:22,720 --> 00:01:23,959 Speaker 4: How does that make you feel? 20 00:01:26,360 --> 00:01:32,319 Speaker 2: If they can keep us physically detained, I'm going if 21 00:01:32,360 --> 00:01:35,720 Speaker 2: they have ways to enter our minds. Any side effects 22 00:01:35,720 --> 00:01:38,160 Speaker 2: from the medication makes me sick to my stomach. 23 00:01:38,720 --> 00:01:40,280 Speaker 1: Maybe time to up your dosage. 24 00:01:41,000 --> 00:01:42,759 Speaker 2: What's left but the soul? 25 00:01:43,800 --> 00:01:48,160 Speaker 6: Take and receive all my liberty, my memory, my understanding, 26 00:01:48,880 --> 00:01:52,520 Speaker 6: and my entire will. All I have and all my 27 00:01:52,600 --> 00:01:55,120 Speaker 6: own you have given all to me. 28 00:01:56,280 --> 00:02:01,480 Speaker 2: I swear no matter what, I refuse to submit choice. 29 00:02:01,920 --> 00:02:04,680 Speaker 2: But I also wonder how long can I hold out? 30 00:02:06,160 --> 00:02:09,799 Speaker 2: Already I'm starting to lose track of time, identical days 31 00:02:09,840 --> 00:02:13,200 Speaker 2: turning into identical weeks, filling identical months against a clock 32 00:02:13,280 --> 00:02:17,280 Speaker 2: and calendar that I have no reason to trust. I 33 00:02:17,360 --> 00:02:20,840 Speaker 2: wonder what is all this time doing to me? How 34 00:02:20,919 --> 00:02:21,720 Speaker 2: is it changing me? 35 00:02:22,720 --> 00:02:24,120 Speaker 4: Has something changed about you? 36 00:02:24,960 --> 00:02:27,400 Speaker 2: Well, I've practically quit smoking. 37 00:02:28,000 --> 00:02:28,520 Speaker 4: Good for you. 38 00:02:29,280 --> 00:02:33,800 Speaker 2: I've started going to church at least more regularly. I noticed, 39 00:02:34,560 --> 00:02:39,000 Speaker 2: and well, I was just so angry when I got here. 40 00:02:39,560 --> 00:02:43,880 Speaker 2: I'm still angry, furious. Actually, if I could, I'd trample 41 00:02:43,919 --> 00:02:46,359 Speaker 2: those guards, break straight through the wall, burn this whole 42 00:02:46,360 --> 00:02:47,800 Speaker 2: place of the ground, and never look back. 43 00:02:48,720 --> 00:02:50,000 Speaker 4: But something's changed. 44 00:02:50,680 --> 00:02:53,920 Speaker 2: Well, that kind of rage was hurting more than it 45 00:02:53,960 --> 00:02:59,600 Speaker 2: was helping me specifically, And if the anger isn't gone, 46 00:03:01,000 --> 00:03:03,560 Speaker 2: maybe it's a little more contained. 47 00:03:04,520 --> 00:03:06,200 Speaker 6: If you were to give it a word, would it 48 00:03:06,240 --> 00:03:07,800 Speaker 6: be fair to say patience? 49 00:03:10,320 --> 00:03:12,680 Speaker 2: I hate to think that I'm just waiting around. That 50 00:03:12,760 --> 00:03:13,720 Speaker 2: makes me feel so weak. 51 00:03:14,400 --> 00:03:19,280 Speaker 6: I would say it demonstrates tremendous strength. Whoever is patient 52 00:03:19,320 --> 00:03:23,840 Speaker 6: has great understanding, But one who is quick tempered displays folly. 53 00:03:24,120 --> 00:03:27,200 Speaker 2: But understanding about what how to marchin a line, what 54 00:03:27,360 --> 00:03:30,040 Speaker 2: not to eat in the cafeteria, who to avoid contact 55 00:03:30,040 --> 00:03:31,680 Speaker 2: with if you don't want a knight stick to the gut. 56 00:03:32,960 --> 00:03:37,560 Speaker 6: Maybe a more personal understanding. Humans have an innate desire 57 00:03:37,680 --> 00:03:41,120 Speaker 6: for control over their own lives. It's a fallacy, really, 58 00:03:41,840 --> 00:03:45,520 Speaker 6: but even the sense of control can be powerful. The 59 00:03:45,600 --> 00:03:48,640 Speaker 6: freedom to make your own choices, to set your own 60 00:03:48,720 --> 00:03:52,840 Speaker 6: goals can come to define your very identity. So what 61 00:03:53,040 --> 00:03:57,080 Speaker 6: happens when that illusion of control vanishes? 62 00:03:58,080 --> 00:04:03,200 Speaker 2: You lose your mind or you grow Ah crap, do 63 00:04:03,240 --> 00:04:04,080 Speaker 2: you know what time it is? 64 00:04:04,600 --> 00:04:05,600 Speaker 4: About twelve thirty? 65 00:04:05,600 --> 00:04:08,200 Speaker 2: I think, well, I gotta get to the rec center. 66 00:04:08,760 --> 00:04:10,280 Speaker 4: Exercise can be good for the soul. 67 00:04:10,920 --> 00:04:14,640 Speaker 2: Well, maybe it's just uh, I'm supposed to meet. 68 00:04:14,520 --> 00:04:17,400 Speaker 6: Someone, meet someone. 69 00:04:17,640 --> 00:04:24,320 Speaker 2: Yeah, well, don't keep them waiting. Thank you, chaplain. 70 00:04:24,839 --> 00:04:26,000 Speaker 4: I hope to see you tomorrow. 71 00:04:26,320 --> 00:04:27,440 Speaker 2: Why what's tomorrow? 72 00:04:28,080 --> 00:04:28,800 Speaker 4: Christmas? Eve? 73 00:04:29,360 --> 00:04:34,440 Speaker 2: Oh? Snap, I gotta find a gift. Okay. Leaving the 74 00:04:34,520 --> 00:04:38,280 Speaker 2: chapel means libraries on my left, TV rooms on my room. 75 00:04:39,839 --> 00:04:45,400 Speaker 2: Here's a weight room, the art room. I just need 76 00:04:45,440 --> 00:04:51,520 Speaker 2: to go down these stairs. Rodriguez, I'm never gonna get 77 00:04:51,600 --> 00:04:52,040 Speaker 2: used to that. 78 00:04:53,080 --> 00:04:54,839 Speaker 3: What do you think you're doing? Uh? 79 00:04:55,040 --> 00:04:55,720 Speaker 2: Recreation. 80 00:04:56,160 --> 00:04:56,720 Speaker 3: Not like that. 81 00:04:56,760 --> 00:04:59,119 Speaker 2: You're not, but I'm sure this is the right door. 82 00:04:59,600 --> 00:05:01,599 Speaker 3: That hair, my hair. 83 00:05:02,120 --> 00:05:04,799 Speaker 2: What's the last time you had a cut? Hmmm, well 84 00:05:05,440 --> 00:05:07,360 Speaker 2: I came in before Easter. 85 00:05:07,160 --> 00:05:10,720 Speaker 3: Weekend, so right, Captain has strict policies. 86 00:05:11,000 --> 00:05:12,880 Speaker 2: Mm okay, I'll get right on that. 87 00:05:13,200 --> 00:05:21,560 Speaker 3: Now with me, let go, I said I could walk, Lorena. 88 00:05:21,160 --> 00:05:22,160 Speaker 2: You got space for one more. 89 00:05:22,200 --> 00:05:24,080 Speaker 3: This one here has never seen a brush in your life. 90 00:05:24,360 --> 00:05:28,240 Speaker 2: Oh, I'm sorry, didn't know I was here to impress Nina. 91 00:05:28,839 --> 00:05:32,400 Speaker 3: Your hair is like a nest birds or spiders. I'm 92 00:05:32,400 --> 00:05:33,159 Speaker 3: afraid to look. 93 00:05:33,640 --> 00:05:35,960 Speaker 2: Then don't go go. 94 00:05:36,080 --> 00:05:38,560 Speaker 3: I'll take care of this one. Don't be afraid to 95 00:05:38,640 --> 00:05:39,600 Speaker 3: use a little force. 96 00:05:41,600 --> 00:05:43,040 Speaker 2: Maybe I do need a trim. 97 00:05:43,440 --> 00:05:47,680 Speaker 3: No, you needed a trim three months ago. Now, Mirena, 98 00:05:48,360 --> 00:05:52,960 Speaker 3: what you need is a miracle good thing. I'm mean. Come, 99 00:05:53,200 --> 00:05:57,440 Speaker 3: I wash first, then we gleam. So what's your style? 100 00:05:58,000 --> 00:06:01,719 Speaker 3: Are you more a pixie cot or maybe a little framing? 101 00:06:02,000 --> 00:06:04,040 Speaker 3: Give some shape to that pretty face. 102 00:06:04,480 --> 00:06:07,760 Speaker 2: No, you're not listening. I don't want you to do anything, 103 00:06:08,440 --> 00:06:09,719 Speaker 2: just a trem. 104 00:06:09,839 --> 00:06:13,239 Speaker 3: Oh, but indulge me. There must be something you want. 105 00:06:13,600 --> 00:06:15,120 Speaker 3: Come on, you can tell me. 106 00:06:15,880 --> 00:06:17,760 Speaker 2: Don't fight it. She'll get it at it. 107 00:06:17,839 --> 00:06:21,000 Speaker 3: You always does do what I wanted before I did. 108 00:06:21,320 --> 00:06:24,479 Speaker 3: She's always right. By the time I'm done, I'll have 109 00:06:24,640 --> 00:06:25,839 Speaker 3: you a feeling all new. 110 00:06:26,160 --> 00:06:28,159 Speaker 2: Look. It's nothing personal. I just don't spend a lot 111 00:06:28,200 --> 00:06:29,520 Speaker 2: of time thinking about how I look. 112 00:06:29,680 --> 00:06:31,200 Speaker 3: Oh, Jerre one of those? 113 00:06:31,240 --> 00:06:32,800 Speaker 2: Aren't you one of those? 114 00:06:33,360 --> 00:06:34,800 Speaker 3: Here? Sit? Lean back? 115 00:06:34,880 --> 00:06:35,960 Speaker 2: What is that supposed to mean? 116 00:06:36,360 --> 00:06:41,240 Speaker 3: I'll change you if you sit, let me guess you 117 00:06:41,480 --> 00:06:45,760 Speaker 3: turn away makeup and hair styling, and she close, saying 118 00:06:45,839 --> 00:06:50,479 Speaker 3: you're not into fashion? But nonina, no service. Is that 119 00:06:50,480 --> 00:06:52,160 Speaker 3: that's a fashion statement in itself? 120 00:06:52,400 --> 00:06:54,200 Speaker 2: No, that's not I don't know. 121 00:06:54,400 --> 00:06:56,840 Speaker 3: Deny, then I deny, but I seen you. 122 00:06:57,640 --> 00:07:00,360 Speaker 2: Oh and what because you cut someone's hair gives you 123 00:07:00,440 --> 00:07:01,560 Speaker 2: license to judge them. 124 00:07:02,320 --> 00:07:05,000 Speaker 3: There's a lot you learn when you shape someone's look. 125 00:07:05,520 --> 00:07:08,640 Speaker 3: I mean, how we present is a mask. No one 126 00:07:08,720 --> 00:07:12,520 Speaker 3: is exactly what they look like. How painfully boring. So 127 00:07:12,920 --> 00:07:15,840 Speaker 3: while they're in my chair letting me chop away at 128 00:07:15,840 --> 00:07:18,720 Speaker 3: little pieces of them, you get to drop the mask 129 00:07:19,000 --> 00:07:22,840 Speaker 3: and I listen. Like a therapist, I use me or 130 00:07:22,880 --> 00:07:27,360 Speaker 3: no therapist. They want to fix you. I prefer to 131 00:07:27,600 --> 00:07:33,880 Speaker 3: enable better dips twenty years at the same overpriced salunge. 132 00:07:33,960 --> 00:07:39,080 Speaker 3: You hear every entitled complaint convertible in a shop AND's 133 00:07:39,160 --> 00:07:42,120 Speaker 3: in the lakehouse. And now I'm as sources out of 134 00:07:42,160 --> 00:07:47,800 Speaker 3: town and my husband is canoodling with the maid. Oh, 135 00:07:47,920 --> 00:07:51,480 Speaker 3: I always hope for something with more substance. Maybe I 136 00:07:51,560 --> 00:07:56,880 Speaker 3: hope too hard. One day I had this woman come 137 00:07:56,960 --> 00:08:01,640 Speaker 3: in sunset of her life, glory, silver hair down. 138 00:08:01,520 --> 00:08:04,040 Speaker 2: To her chest. I loved it. 139 00:08:04,640 --> 00:08:08,920 Speaker 3: I wanted it, oh, to age like that, But she 140 00:08:08,960 --> 00:08:12,160 Speaker 3: said it made her look witchy. Now who could have 141 00:08:12,280 --> 00:08:16,920 Speaker 3: put that idea in her head? Turns out kids were 142 00:08:17,040 --> 00:08:21,840 Speaker 3: shattering her windows with rocks. They riding on their bikes, 143 00:08:22,120 --> 00:08:24,440 Speaker 3: dark of night and no one awake. 144 00:08:25,240 --> 00:08:30,720 Speaker 7: Then crash, kill the witch, they yelled, and then they 145 00:08:30,760 --> 00:08:35,720 Speaker 7: were gone just as fast because acido, poor woman. 146 00:08:36,520 --> 00:08:39,800 Speaker 3: I could hear it in her voice. No not chop 147 00:08:39,840 --> 00:08:41,560 Speaker 3: it off, chop it all off. 148 00:08:41,640 --> 00:08:42,880 Speaker 5: I don't want it anymore. 149 00:08:44,040 --> 00:08:48,960 Speaker 3: How it heard her to lie about, let's get you 150 00:08:49,000 --> 00:08:53,680 Speaker 3: in a chair. Did you cut it off? No, that 151 00:08:53,800 --> 00:08:56,760 Speaker 3: would have been a crime. Instead, I listened to what 152 00:08:56,800 --> 00:08:59,160 Speaker 3: she really wanted here sit? 153 00:09:00,559 --> 00:09:01,320 Speaker 2: What did she say? 154 00:09:02,080 --> 00:09:03,559 Speaker 3: Nothing at first. 155 00:09:03,480 --> 00:09:04,400 Speaker 2: But I pushed. 156 00:09:04,760 --> 00:09:07,600 Speaker 3: I always had that gift, you know, getting people to 157 00:09:07,640 --> 00:09:11,520 Speaker 3: open up. Usually it's a lot of cheesemay. By this 158 00:09:11,720 --> 00:09:17,280 Speaker 3: time this was different. Something in her eyes and how 159 00:09:17,320 --> 00:09:21,240 Speaker 3: her lips scrunched like she was chewing on her words. 160 00:09:21,400 --> 00:09:23,880 Speaker 3: Benures and all lone and all. 161 00:09:24,760 --> 00:09:27,040 Speaker 2: I want to take those rocks. 162 00:09:27,200 --> 00:09:30,839 Speaker 3: I want to find her houses and I want to 163 00:09:31,000 --> 00:09:41,000 Speaker 3: break their bones. Alo rinkled little thing. And then she left, 164 00:09:41,840 --> 00:09:44,720 Speaker 3: Lift your hair, got wrap fist around your neck. 165 00:09:45,600 --> 00:09:46,520 Speaker 2: Do you think she did it? 166 00:09:46,920 --> 00:09:50,000 Speaker 3: How could she? No? That would have been insane. At 167 00:09:50,080 --> 00:09:52,160 Speaker 3: least that's what I thought, And it's what got me 168 00:09:52,200 --> 00:09:55,440 Speaker 3: through the night, because as soon as I got home, 169 00:09:55,960 --> 00:10:02,400 Speaker 3: there was a stamped in my brain. Horrible, horrible headache 170 00:10:03,559 --> 00:10:08,000 Speaker 3: that whole week, actually my last week on the outside 171 00:10:08,760 --> 00:10:10,280 Speaker 3: of horrible. 172 00:10:11,760 --> 00:10:12,839 Speaker 2: Oh careful, what the scalp? 173 00:10:14,120 --> 00:10:19,719 Speaker 3: This is nothing? They after another woman came rolled out 174 00:10:19,720 --> 00:10:23,559 Speaker 3: a magazine and pointed at a model wanted her seventies 175 00:10:23,679 --> 00:10:27,640 Speaker 3: disconneon prom emitra. I'm divine at what I do, but 176 00:10:27,720 --> 00:10:30,840 Speaker 3: my conscience wouldn't let me, so I tried to wear 177 00:10:30,960 --> 00:10:35,880 Speaker 3: her somewhere safe. And you know what she said to me. 178 00:10:37,080 --> 00:10:43,720 Speaker 3: If I wanted safe, I wouldn't put nails in my salad. 179 00:10:45,840 --> 00:10:49,400 Speaker 2: What I can't believe she met that literally. 180 00:10:49,600 --> 00:10:57,960 Speaker 3: I didn't either until she smiled, teas cracked and chipped 181 00:10:58,640 --> 00:11:03,960 Speaker 3: gums blead. She needed a dentist, not a PERM. I 182 00:11:04,040 --> 00:11:09,559 Speaker 3: don't know why she told me, But then the nasia 183 00:11:09,840 --> 00:11:13,560 Speaker 3: hit and I spent the rest of my shift head 184 00:11:13,760 --> 00:11:17,640 Speaker 3: first in a toilet, feeling like there was a hole 185 00:11:17,800 --> 00:11:21,160 Speaker 3: in my gut. I think one of the other girls 186 00:11:21,240 --> 00:11:24,520 Speaker 3: ended up giving her a PERM. I didn't care anymore. 187 00:11:25,320 --> 00:11:28,880 Speaker 3: I'd swear there was something in the air that week, 188 00:11:29,120 --> 00:11:32,560 Speaker 3: but all the crazy seemed to ask for me, And 189 00:11:32,640 --> 00:11:34,720 Speaker 3: the next one was even. 190 00:11:34,559 --> 00:11:37,520 Speaker 2: Worse, worse than eating nails. 191 00:11:38,000 --> 00:11:43,120 Speaker 3: There's always worse, Melinda, and it's never who you expect. 192 00:11:43,880 --> 00:11:44,920 Speaker 3: Tilt your head for me? 193 00:11:45,040 --> 00:11:47,400 Speaker 2: Wouldn't you wait? How about are you taking off? 194 00:11:48,040 --> 00:11:50,840 Speaker 3: Had to get either? Don't you want to know who 195 00:11:50,880 --> 00:11:51,440 Speaker 3: came next? 196 00:11:52,080 --> 00:11:53,520 Speaker 2: Just a trim, got it? 197 00:11:54,200 --> 00:12:02,000 Speaker 3: M now? This girl so thin and twiggy, it was 198 00:12:02,160 --> 00:12:06,120 Speaker 3: like she floated in on a breeze Carolina with her 199 00:12:06,240 --> 00:12:09,720 Speaker 3: heart on the eye. That's how she signed in in 200 00:12:09,920 --> 00:12:13,880 Speaker 3: for a trim, just like Ju. She didn't make so 201 00:12:14,000 --> 00:12:17,199 Speaker 3: much as a sweek. For the full hour, I could 202 00:12:17,240 --> 00:12:23,240 Speaker 3: tell it was something heavy, something ugly, building up. But 203 00:12:23,280 --> 00:12:26,000 Speaker 3: who am I to pry? If a client wants silence. 204 00:12:26,080 --> 00:12:30,240 Speaker 3: I gave them silence. I was nearly done styling her 205 00:12:30,320 --> 00:12:34,480 Speaker 3: before she finally spoke, turned to me with her dull 206 00:12:34,679 --> 00:12:38,400 Speaker 3: eyes and asked if I was married. No, no, no, 207 00:12:38,520 --> 00:12:42,120 Speaker 3: I said, I love myself too much to share. She 208 00:12:42,400 --> 00:12:46,880 Speaker 3: liked that. She was jealous. What about you, I asked, 209 00:12:47,720 --> 00:12:52,520 Speaker 3: and she went quiet again. She jammed me in and whispered, 210 00:12:53,640 --> 00:12:58,760 Speaker 3: I'm going to kill my husband. I just haven't figured 211 00:12:58,800 --> 00:13:05,000 Speaker 3: out how I was frozen. I mean, what do you 212 00:13:05,080 --> 00:13:09,520 Speaker 3: say back? Don't do it? Good luck? I couldn't tell 213 00:13:09,559 --> 00:13:12,480 Speaker 3: if she was kidding, Or maybe I could, and I 214 00:13:12,559 --> 00:13:15,959 Speaker 3: didn't want to admit it. It's not like she waited 215 00:13:16,000 --> 00:13:19,079 Speaker 3: for me to react. She just got up, dropped a 216 00:13:19,120 --> 00:13:20,760 Speaker 3: tip on the counter and left. 217 00:13:21,640 --> 00:13:22,680 Speaker 2: Or was it a good tip? 218 00:13:23,120 --> 00:13:27,160 Speaker 3: Best of my life? But not even close to worth it? 219 00:13:28,280 --> 00:13:35,600 Speaker 3: My fever that night was like a caulduring fluids, boiling skin, 220 00:13:35,840 --> 00:13:41,400 Speaker 3: melting every nerve on fire, or at least it felt 221 00:13:41,480 --> 00:13:44,360 Speaker 3: that way, pinned me down to a bed for two 222 00:13:44,440 --> 00:13:46,120 Speaker 3: days now. 223 00:13:46,440 --> 00:13:50,600 Speaker 2: Still, am I expected to tip? I mean I would, but. 224 00:13:50,760 --> 00:13:55,800 Speaker 3: Ridiculin this is currency enough for once I'm the one talking. 225 00:13:57,120 --> 00:13:58,679 Speaker 3: Take a look, how do you. 226 00:13:58,640 --> 00:14:04,599 Speaker 2: Feel that's not a trim? 227 00:14:05,120 --> 00:14:07,600 Speaker 3: I know, and we're not done yet. 228 00:14:21,720 --> 00:14:23,240 Speaker 2: See you, Rhina, Oh. 229 00:14:23,160 --> 00:14:23,520 Speaker 3: We see you? 230 00:14:23,520 --> 00:14:23,960 Speaker 2: And the girl? 231 00:14:24,000 --> 00:14:27,840 Speaker 3: Will you kin me? Chris? Good luck, Si, you're gonna 232 00:14:27,880 --> 00:14:28,280 Speaker 3: need it. 233 00:14:30,000 --> 00:14:31,040 Speaker 2: How do they know my name? 234 00:14:31,680 --> 00:14:35,120 Speaker 3: Nina? Haven't you been listening? You learn all kinds of 235 00:14:35,160 --> 00:14:38,160 Speaker 3: things in a place like this. Haven't you worked a 236 00:14:38,160 --> 00:14:39,640 Speaker 3: service job? Yeah? 237 00:14:39,800 --> 00:14:41,120 Speaker 2: Actually back before. 238 00:14:41,080 --> 00:14:44,280 Speaker 3: So you know? And I've had dozens. That's why I 239 00:14:44,320 --> 00:14:48,160 Speaker 3: didn't question it at first. How you offer a service 240 00:14:48,480 --> 00:14:51,720 Speaker 3: but they treat you like a product. People think they 241 00:14:51,720 --> 00:14:54,600 Speaker 3: have a right to your time, to your attention, and 242 00:14:54,640 --> 00:14:58,000 Speaker 3: they don't care what you carry home. I'm just happy 243 00:14:58,000 --> 00:15:00,560 Speaker 3: to unload. Even worse when you work for taps. 244 00:15:01,400 --> 00:15:02,720 Speaker 2: Were there more clients like her? 245 00:15:03,320 --> 00:15:10,040 Speaker 3: Carolina gekiets Mass No, she was the last, but that 246 00:15:10,320 --> 00:15:14,400 Speaker 3: wasn't the last time she came. When I finally forced 247 00:15:14,440 --> 00:15:18,520 Speaker 3: myself out of bed after that burning fear, I thought 248 00:15:18,840 --> 00:15:22,640 Speaker 3: enough of this, No more helpful, ear? But what does 249 00:15:22,720 --> 00:15:26,440 Speaker 3: fate care for our plans? My first day back, I 250 00:15:26,640 --> 00:15:31,440 Speaker 3: found her waiting there, almost shivering with fear, cold. I 251 00:15:31,520 --> 00:15:35,400 Speaker 3: don't know. Turns out she'd come every day asking for me. 252 00:15:36,280 --> 00:15:37,080 Speaker 3: What an honor? 253 00:15:38,440 --> 00:15:39,520 Speaker 2: What did she want? Now? 254 00:15:40,120 --> 00:15:45,440 Speaker 3: A manicure? Some pastelic color, and obviously an excuse because 255 00:15:45,520 --> 00:15:48,840 Speaker 3: I'm no technician. Mister Iden is my boss. He knew that. 256 00:15:49,840 --> 00:15:54,560 Speaker 3: But there comes Carolina waiting a stack of fifty, so 257 00:15:54,720 --> 00:15:58,680 Speaker 3: of course he sells me out. Who cares what I want? 258 00:15:59,280 --> 00:16:03,520 Speaker 3: Lorena pisso everybody helps. 259 00:16:04,800 --> 00:16:06,160 Speaker 2: Did you ask if she did it? 260 00:16:06,680 --> 00:16:11,120 Speaker 3: No? Remember, I was done asking questions from now on, 261 00:16:11,720 --> 00:16:16,960 Speaker 3: just smiling and nodding, smiling and nodding. Hole. Still, this 262 00:16:17,200 --> 00:16:17,920 Speaker 3: is for texture. 263 00:16:19,240 --> 00:16:20,880 Speaker 2: So she didn't talk to you. 264 00:16:21,480 --> 00:16:24,400 Speaker 3: Now, where did you get that? All I said was 265 00:16:24,440 --> 00:16:28,359 Speaker 3: that I didn't ask. So while I prepped the manicure, 266 00:16:28,800 --> 00:16:35,440 Speaker 3: she stared at me with those big dough eyes, unblinking, uncomfortable, 267 00:16:35,960 --> 00:16:39,040 Speaker 3: like there was an itch she couldn't scratch. And I 268 00:16:39,120 --> 00:16:45,360 Speaker 3: could tell that heaviness, that ugliness from before it was 269 00:16:45,520 --> 00:16:49,960 Speaker 3: back and she was ready to gossip. So I laid 270 00:16:49,960 --> 00:16:53,080 Speaker 3: out a towel and I asked for her hands, And 271 00:16:53,160 --> 00:16:57,560 Speaker 3: when she spread out her fingers, all I could see 272 00:16:57,800 --> 00:17:04,120 Speaker 3: was blood on her nails, crusty flooded cutoicles hand stand 273 00:17:04,440 --> 00:17:09,440 Speaker 3: up to her wrists. Can you wash it? She asked, 274 00:17:09,840 --> 00:17:13,479 Speaker 3: as if a pink salt exfoliant was enough to scrub 275 00:17:13,520 --> 00:17:18,760 Speaker 3: whatever monstrosity she committed I couldn't speak, I couldn't even 276 00:17:18,800 --> 00:17:24,399 Speaker 3: look up, so instead she leaned in loudina, I so 277 00:17:24,680 --> 00:17:29,560 Speaker 3: appreciated our last session. He was such a weight off 278 00:17:29,760 --> 00:17:34,840 Speaker 3: my shoulders. You're so easy to talk to. You know that. 279 00:17:36,560 --> 00:17:39,560 Speaker 3: I didn't want to be I didn't want to listen 280 00:17:39,560 --> 00:17:46,200 Speaker 3: to another word. She wouldn't stop. I did it, I 281 00:17:46,280 --> 00:17:51,520 Speaker 3: really did. I waited until Rob was asleep. Then I 282 00:17:51,640 --> 00:17:57,080 Speaker 3: grabbed my knitting box, took out my seam ripper, and 283 00:17:57,280 --> 00:18:03,240 Speaker 3: I unsold him. I looked around, but no one else 284 00:18:03,440 --> 00:18:07,840 Speaker 3: in the whole room had even flinched. Was I going insane? 285 00:18:08,760 --> 00:18:13,120 Speaker 3: Or was everyone around me losing their minds? I ran 286 00:18:13,400 --> 00:18:19,040 Speaker 3: out bio coming up in my throat, and the last 287 00:18:19,080 --> 00:18:24,040 Speaker 3: thing I saw was Carolina's face. She looked relieved, like 288 00:18:24,119 --> 00:18:30,439 Speaker 3: that weight was really gone. I quit that very day. 289 00:18:31,760 --> 00:18:33,160 Speaker 3: Let's get you dried up. 290 00:18:37,960 --> 00:18:38,600 Speaker 2: There'd you go? 291 00:18:39,119 --> 00:18:41,399 Speaker 3: Shaped up, real nice with some value? 292 00:18:42,320 --> 00:18:43,320 Speaker 2: Were you sick again? 293 00:18:43,920 --> 00:18:48,159 Speaker 3: Clado ruined my upholstery and pushed the absolute limit on 294 00:18:48,240 --> 00:18:50,960 Speaker 3: how much I'd be broken A person can take. But 295 00:18:51,119 --> 00:18:54,640 Speaker 3: I had to find out if this was awesome twisted job, 296 00:18:55,080 --> 00:18:58,040 Speaker 3: So I did what any irrational person would do. They 297 00:18:58,080 --> 00:19:04,399 Speaker 3: followed her home. I watched her enter a big gated massion, 298 00:19:04,920 --> 00:19:07,440 Speaker 3: you know the fancy sword where the bushes are all 299 00:19:07,480 --> 00:19:12,399 Speaker 3: cut into shapes. And I waited, quiet and in pain 300 00:19:12,840 --> 00:19:16,359 Speaker 3: to catch any glimpse of her husband still alive. It 301 00:19:16,480 --> 00:19:19,800 Speaker 3: was well after dark before I saw her come out again, 302 00:19:20,480 --> 00:19:24,360 Speaker 3: wheeling all the trash. The curiosity ate me a lot. 303 00:19:24,480 --> 00:19:27,639 Speaker 3: I had to know what was in those cans. Now 304 00:19:28,119 --> 00:19:32,280 Speaker 3: I wish with every bone in my body that I 305 00:19:32,440 --> 00:19:39,920 Speaker 3: never looked inside. I jumped in my car and floored 306 00:19:41,000 --> 00:19:43,800 Speaker 3: Ale la Ville and Sata eighty miles an hour, as 307 00:19:43,920 --> 00:19:47,320 Speaker 3: fast as my little clanker could go. That's when I 308 00:19:47,440 --> 00:19:50,960 Speaker 3: saw the cruiser parked at the burger joint cop leaning 309 00:19:51,000 --> 00:19:55,120 Speaker 3: on his food, and I told him everything about Carolina, 310 00:19:55,440 --> 00:19:59,719 Speaker 3: her confession, the gorriness in her trash. I knew I sounded, 311 00:20:00,520 --> 00:20:03,800 Speaker 3: but I pleaded for him to believe me. And you 312 00:20:03,840 --> 00:20:08,119 Speaker 3: know what he did. He said he believed me, but 313 00:20:08,240 --> 00:20:14,120 Speaker 3: that he just didn't care. That punchy mustache man acne 314 00:20:14,400 --> 00:20:19,919 Speaker 3: on his necks, wet on his collar. He said he'd 315 00:20:20,000 --> 00:20:24,480 Speaker 3: seen worse hell, that he'd done worse, chewing on that gristy, 316 00:20:24,920 --> 00:20:28,440 Speaker 3: tripping burger, he told me, bragging. 317 00:20:29,240 --> 00:20:33,720 Speaker 5: Sometimes when there's a body, and I'm supposed to call 318 00:20:33,800 --> 00:20:37,960 Speaker 5: it in. I don't, because for a couple of hours 319 00:20:38,040 --> 00:20:41,960 Speaker 5: after death, there's still warming enough to have fun. 320 00:20:43,320 --> 00:20:48,359 Speaker 3: He just kept going, unloading repulsive details after details. Even 321 00:20:48,400 --> 00:20:51,720 Speaker 3: after I shut myself in my car and blared the horn, 322 00:20:52,280 --> 00:20:55,280 Speaker 3: he was at my window and I could still read 323 00:20:55,400 --> 00:21:00,600 Speaker 3: his lips. Why wouldn't he just leave me alone? 324 00:21:00,800 --> 00:21:01,520 Speaker 6: What did you do? 325 00:21:02,480 --> 00:21:05,960 Speaker 3: Nothing? I regret. I just wish they hadn't caught me, 326 00:21:06,400 --> 00:21:10,119 Speaker 3: because that holding seally threw me into. That was my 327 00:21:10,320 --> 00:21:16,280 Speaker 3: own brand of hell, not like the rooms we've got here. Handcuffed, 328 00:21:16,440 --> 00:21:20,840 Speaker 3: I couldn't even cover my ears while everyone else just 329 00:21:21,160 --> 00:21:25,439 Speaker 3: spilled and spilled. There was something wrong with me. I 330 00:21:25,560 --> 00:21:29,240 Speaker 3: knew that, but I couldn't stop it. So instead I 331 00:21:29,400 --> 00:21:33,720 Speaker 3: screamed the back what I heard, because why should I 332 00:21:33,760 --> 00:21:36,560 Speaker 3: suffer alone? 333 00:21:36,760 --> 00:21:37,720 Speaker 2: How long were you there? 334 00:21:38,480 --> 00:21:44,439 Speaker 3: Not long? Grass, sadios. I suppose eventually somebody listened to 335 00:21:44,480 --> 00:21:47,200 Speaker 3: what I had to say, because two doctors. 336 00:21:46,720 --> 00:21:49,960 Speaker 2: Showed up from the Pendleton. What gave it? The way 337 00:21:50,560 --> 00:21:51,720 Speaker 2: they dragged you here too? 338 00:21:52,440 --> 00:21:55,960 Speaker 3: Dragged me? No, they offered the help, said they could 339 00:21:56,000 --> 00:21:59,320 Speaker 3: make the secret stop, and for that I would have 340 00:21:59,400 --> 00:22:03,359 Speaker 3: claimed in their trunk you look like you don't agree. 341 00:22:03,760 --> 00:22:06,440 Speaker 2: Why would you choose to come here? We can't leave? 342 00:22:07,200 --> 00:22:10,879 Speaker 3: What makes you think I want to free meals, free 343 00:22:11,000 --> 00:22:14,160 Speaker 3: roaming and never having to suck up to anyone else 344 00:22:14,200 --> 00:22:20,600 Speaker 3: for tips Nina, But it's not Tahiti. But it'll do. 345 00:22:21,440 --> 00:22:22,119 Speaker 2: Did they help you? 346 00:22:22,200 --> 00:22:22,320 Speaker 5: Then? 347 00:22:23,080 --> 00:22:28,840 Speaker 3: You mean? Though I still hear people's secrets sometimes, but 348 00:22:28,920 --> 00:22:31,600 Speaker 3: at least the pain is gone. They've got me on 349 00:22:31,640 --> 00:22:35,440 Speaker 3: this regimen. Pills and test and prodding and so on 350 00:22:36,040 --> 00:22:39,280 Speaker 3: is meant to contain it altogether. But we'll see. 351 00:22:39,920 --> 00:22:42,960 Speaker 2: So then you have heard things while you've been here. 352 00:22:43,320 --> 00:22:48,080 Speaker 3: Of course, stranger and stranger every day. 353 00:22:49,080 --> 00:22:49,600 Speaker 2: Strange? 354 00:22:49,680 --> 00:22:52,679 Speaker 3: How oh no, no, no, I do what you're doing? 355 00:22:53,400 --> 00:22:56,560 Speaker 3: Do you think knowing more is always better? But you're 356 00:22:56,600 --> 00:22:58,680 Speaker 3: ignoring how it might hurt you? 357 00:22:59,359 --> 00:23:00,399 Speaker 2: What do you mean hurt me? 358 00:23:01,240 --> 00:23:05,760 Speaker 3: What I mean, Sayuri, is how will you handle the 359 00:23:05,880 --> 00:23:09,280 Speaker 3: darkest secrets of this place when you don't even know 360 00:23:09,440 --> 00:23:10,000 Speaker 3: your own? 361 00:23:11,000 --> 00:23:16,600 Speaker 2: Wait? While I was here? Were you? Is she ready yet? 362 00:23:16,640 --> 00:23:23,320 Speaker 3: Almost? There's no Rushian beauty. Take a look in the mirror. 363 00:23:24,119 --> 00:23:28,240 Speaker 2: Do you like who you see? That's not me? 364 00:23:29,160 --> 00:23:34,199 Speaker 3: Clad O? You see? Like I said, when it comes 365 00:23:34,240 --> 00:23:40,720 Speaker 3: to my work, I'm divine don't worry your secrets safe 366 00:23:40,720 --> 00:23:41,080 Speaker 3: with me? 367 00:23:41,720 --> 00:23:42,600 Speaker 2: What do you mean. 368 00:23:44,000 --> 00:23:48,399 Speaker 3: Now? Are you done? Yes? I'm done? But out you 369 00:23:48,480 --> 00:23:53,399 Speaker 3: go now, beauty queen, and don't forget to brush your hair? 370 00:23:56,359 --> 00:23:56,959 Speaker 3: What's up? 371 00:23:57,800 --> 00:23:58,960 Speaker 5: Three far? 372 00:24:01,160 --> 00:24:02,399 Speaker 3: Nighty night? O? 373 00:24:02,640 --> 00:24:13,600 Speaker 2: Leamsa same shit every day? Wait? Did she leave a 374 00:24:13,640 --> 00:24:14,680 Speaker 2: bobby bit in my hair? 375 00:24:16,800 --> 00:24:17,080 Speaker 3: Hey? You? 376 00:24:18,400 --> 00:24:18,880 Speaker 2: Oh? 377 00:24:19,280 --> 00:24:19,520 Speaker 3: Hey? 378 00:24:20,720 --> 00:24:24,960 Speaker 2: I thought we had a date. I know, I'm sorry. 379 00:24:25,600 --> 00:24:29,879 Speaker 2: I got caught out for looking up haggard was the implication, 380 00:24:30,920 --> 00:24:32,920 Speaker 2: and they dragged me into what account for the beauty 381 00:24:33,000 --> 00:24:37,600 Speaker 2: salt around here? Lady took her sweet time too. I'm sorry. 382 00:24:37,720 --> 00:24:43,040 Speaker 2: I tried, but I couldn't get out. It looks nice, yeah, yeah, 383 00:24:43,080 --> 00:24:48,280 Speaker 2: real nice. I don't quite feel like myself. What is 384 00:24:48,359 --> 00:24:52,800 Speaker 2: that like to feel like you? I don't really know anymore. 385 00:24:53,920 --> 00:24:57,320 Speaker 2: I guess I've never liked to be fussed over, and 386 00:24:57,400 --> 00:25:01,680 Speaker 2: now even that has been taken away. The chaplain said 387 00:25:01,680 --> 00:25:04,640 Speaker 2: something today that I can't stop thinking about. He said 388 00:25:04,680 --> 00:25:08,520 Speaker 2: that losing control over your life forces you to re 389 00:25:08,640 --> 00:25:13,240 Speaker 2: evaluate your identity. Then have you learned a lot about 390 00:25:13,280 --> 00:25:19,199 Speaker 2: yourself since you've been here? To be honest, I have 391 00:25:19,440 --> 00:25:22,400 Speaker 2: learned that I need other people more than I ever 392 00:25:22,440 --> 00:25:26,119 Speaker 2: wanted to admit before. Can I fuss over you for 393 00:25:26,160 --> 00:25:36,040 Speaker 2: a second? Okay, you look beautiful. It's some haircut. I 394 00:25:36,240 --> 00:25:40,520 Speaker 2: like it, but it's not the haircut. I wish we 395 00:25:40,560 --> 00:25:44,560 Speaker 2: didn't always meet like this, these damn bars between us. 396 00:25:45,640 --> 00:25:49,880 Speaker 2: What would happen if we met on the outside, if 397 00:25:49,920 --> 00:25:52,000 Speaker 2: you said something like that to me the way you 398 00:25:52,160 --> 00:25:57,720 Speaker 2: just said it. Yeah, well I might have to reach 399 00:25:57,760 --> 00:26:04,399 Speaker 2: over and kiss you. I Kenleena. 400 00:26:14,320 --> 00:26:15,120 Speaker 5: Oh YEA. 401 00:26:30,560 --> 00:26:35,840 Speaker 1: Thirteen Days of Halloween pennance starring Natalie Morales, Episode eight 402 00:26:36,240 --> 00:26:40,679 Speaker 1: care written by Alessandra Hara del Castillo and Alexander Williams. 403 00:26:40,880 --> 00:26:44,400 Speaker 1: Editing and sound designed by Trevor Young, featuring the voices 404 00:26:44,440 --> 00:26:50,600 Speaker 1: of Sandra Viadares, Rachel Rosenbloom, Wayne Bastrup, Raphael Corkil, Jeff Bowser, 405 00:26:50,920 --> 00:26:56,760 Speaker 1: Blair Chandler, Morgan Brown, and Laura Shine. Directed by Alexander Williams. 406 00:26:57,000 --> 00:27:01,720 Speaker 1: Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky, Matt Frederick 407 00:27:01,800 --> 00:27:06,440 Speaker 1: and Alexander Williams. Supervising producers Trevor Young and Josh Thain. 408 00:27:06,760 --> 00:27:11,560 Speaker 1: Producers Jesse funk Rima Ilkali Nowami Griffin, Chandler Mays and 409 00:27:11,760 --> 00:27:16,440 Speaker 1: Casby Bias. Script editing by Lauren Vogelbaum. Story consultants Ben 410 00:27:16,480 --> 00:27:20,439 Speaker 1: Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and 411 00:27:20,480 --> 00:27:26,240 Speaker 1: Meg Mormon CSA. Production coordinator Wayna Calderon. Production assistants Jenna 412 00:27:26,320 --> 00:27:30,480 Speaker 1: Johnson and Winona Lowe. Theme music by Rose Azerti with 413 00:27:30,640 --> 00:27:34,359 Speaker 1: vocals by Anna Hummler, recorded at This Is Sound Design 414 00:27:34,440 --> 00:27:39,760 Speaker 1: Studios in Burbank, California. Engineered by Ross Arnot, Special thanks 415 00:27:39,760 --> 00:27:44,200 Speaker 1: to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca. 416 00:27:44,720 --> 00:27:47,760 Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and 417 00:27:47,880 --> 00:27:52,719 Speaker 1: Alexander Williams and is a production of iHeart Podcasts, Blumhouse Television, 418 00:27:52,880 --> 00:27:56,000 Speaker 1: and Grimm and Mild from Aaron Makey. Learn more about 419 00:27:56,000 --> 00:27:59,720 Speaker 1: the show at Grimandmild dot com slash thirteen Days and 420 00:27:59,840 --> 00:28:03,560 Speaker 1: find more podcasts from iHeartRadio by visiting the iHeartRadio app, 421 00:28:03,640 --> 00:28:06,840 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows. 422 00:28:07,480 --> 00:28:08,320 Speaker 1: Happy Halloween,