1 00:00:00,800 --> 00:00:03,800 Speaker 1: This is the Ben and Ashley I Almost Famous podcast 2 00:00:03,880 --> 00:00:04,640 Speaker 1: with iHeartRadio. 3 00:00:06,040 --> 00:00:08,520 Speaker 2: Hey, guys, welcome to the almost in his podcast today, 4 00:00:08,520 --> 00:00:11,600 Speaker 2: But and I are going to be breaking down the 5 00:00:11,720 --> 00:00:17,640 Speaker 2: Fantasy Suite episode of Joey's season. Then, what's your overall 6 00:00:17,920 --> 00:00:19,520 Speaker 2: take on this episode? 7 00:00:21,239 --> 00:00:24,239 Speaker 3: Every single human involved in this season up to this 8 00:00:24,400 --> 00:00:33,560 Speaker 3: point is an emotional, romantic wreck. They have no clue 9 00:00:33,720 --> 00:00:36,480 Speaker 3: what to do next, none of them Joey included. I'll 10 00:00:36,520 --> 00:00:42,280 Speaker 3: say this, he is a spiral of chaos and confusion 11 00:00:42,479 --> 00:00:47,920 Speaker 3: and emotion. And I don't think we've seen what we're 12 00:00:47,960 --> 00:00:51,159 Speaker 3: seeing during at this point in the season in a 13 00:00:51,240 --> 00:00:54,760 Speaker 3: long time where there is I still think only two 14 00:00:54,800 --> 00:00:57,640 Speaker 3: women that will be there, I mean like obviously be 15 00:00:57,720 --> 00:00:59,480 Speaker 3: there in the end, but like really only two women. 16 00:01:00,120 --> 00:01:02,080 Speaker 3: This is the like gonna be the real deal with 17 00:01:02,840 --> 00:01:05,400 Speaker 3: but all but I but I think he's so into 18 00:01:05,440 --> 00:01:08,160 Speaker 3: all three women. I think all three owner are into 19 00:01:08,280 --> 00:01:12,800 Speaker 3: him that this is this is like pulling at my 20 00:01:12,920 --> 00:01:16,959 Speaker 3: heart strings from being in it before and having a 21 00:01:16,959 --> 00:01:17,800 Speaker 3: similar situation. 22 00:01:17,880 --> 00:01:21,240 Speaker 2: Really yeah, I know, I'm trying to think about a 23 00:01:21,240 --> 00:01:27,520 Speaker 2: finale that would have been as just like not knowing 24 00:01:27,560 --> 00:01:29,320 Speaker 2: what's going to happen, like for like the lead. The 25 00:01:29,400 --> 00:01:30,600 Speaker 2: lead probably was just. 26 00:01:30,520 --> 00:01:33,560 Speaker 4: Like I don't I would say, Peter season. 27 00:01:33,400 --> 00:01:34,920 Speaker 2: Okay, Peter, there you go, Peter. 28 00:01:35,080 --> 00:01:37,399 Speaker 3: Probably the last time I would think back on like 29 00:01:37,480 --> 00:01:39,720 Speaker 3: the kind of the same level of my. 30 00:01:39,760 --> 00:01:41,760 Speaker 2: Goodness exsiveness, But like, I don't want to call it 31 00:01:41,800 --> 00:01:42,600 Speaker 2: indecis No. 32 00:01:42,760 --> 00:01:44,680 Speaker 4: I don't. I think that's the wrong word, Ashley, Yeah 33 00:01:44,680 --> 00:01:47,480 Speaker 4: I do. I don't think we can be love for 34 00:01:47,640 --> 00:01:48,240 Speaker 4: both people. 35 00:01:48,720 --> 00:01:52,520 Speaker 3: Yeah, I don't think you can criticize. Remember, I don't 36 00:01:52,560 --> 00:01:55,080 Speaker 3: think you can criticize somebody for feeling this way at 37 00:01:55,120 --> 00:01:57,720 Speaker 3: the end. It is not indecisiveness. It's not cold feet. 38 00:01:57,760 --> 00:01:59,080 Speaker 3: It's not knowing what you want. 39 00:01:59,200 --> 00:02:00,680 Speaker 2: It's it's wanting both. 40 00:02:01,200 --> 00:02:02,280 Speaker 4: It's having everything. 41 00:02:02,400 --> 00:02:06,200 Speaker 3: It's like I have the most amazing people here with me, 42 00:02:06,560 --> 00:02:09,360 Speaker 3: and the women are going this is the most amazing guy, 43 00:02:10,080 --> 00:02:11,680 Speaker 3: and it makes it so much harder and it makes 44 00:02:11,720 --> 00:02:13,639 Speaker 3: it so much better to watch. And I think that's 45 00:02:13,680 --> 00:02:14,840 Speaker 3: what we love about this show. 46 00:02:15,160 --> 00:02:18,320 Speaker 2: Yeah, it's great. It's it's it's really edge of your 47 00:02:18,320 --> 00:02:22,080 Speaker 2: seat right now. I'm nervous, and I haven't been nervous 48 00:02:22,120 --> 00:02:24,240 Speaker 2: for a while. Like I'm always like you know me, 49 00:02:24,360 --> 00:02:26,440 Speaker 2: I'm always like you know what the person's gonna get heartbroken. 50 00:02:26,440 --> 00:02:29,400 Speaker 2: They're gonna get over it. They're gonna become the bachelor bachelorette, 51 00:02:29,400 --> 00:02:31,160 Speaker 2: They're gonna go on a paradise, They're gonna be fine. 52 00:02:31,720 --> 00:02:34,880 Speaker 2: But right now I'm like, actually, like quite nervous because 53 00:02:35,200 --> 00:02:37,880 Speaker 2: this is like real, it feels like real love with 54 00:02:38,040 --> 00:02:42,520 Speaker 2: him and Kelsey and him with Daisy. Let me tell 55 00:02:42,560 --> 00:02:46,680 Speaker 2: you that I started out the episode when he's crying 56 00:02:46,760 --> 00:02:48,840 Speaker 2: about the fact that, like, you know, his biggest fear 57 00:02:48,880 --> 00:02:52,880 Speaker 2: again is not being chosen back, And I'm like, why 58 00:02:52,919 --> 00:02:54,959 Speaker 2: is this man such a good crier? Like why is 59 00:02:55,000 --> 00:02:58,400 Speaker 2: he He's such an emotional crier? Like his cry makes 60 00:02:58,440 --> 00:02:59,239 Speaker 2: you really sad. 61 00:03:00,760 --> 00:03:02,680 Speaker 3: I've never felt that. I mean, I don't love to 62 00:03:02,720 --> 00:03:07,200 Speaker 3: see people cry. I will say that. I I mean, 63 00:03:07,320 --> 00:03:10,000 Speaker 3: remember I said it last week. I was there the 64 00:03:10,000 --> 00:03:14,400 Speaker 3: week before this and sitting with Joey. I sat next 65 00:03:14,400 --> 00:03:18,640 Speaker 3: to him, and like, his reaction this week is not 66 00:03:18,800 --> 00:03:21,240 Speaker 3: shocking to me. You could see it in his eyes 67 00:03:21,280 --> 00:03:25,440 Speaker 3: when I was with him that this was like pulling 68 00:03:25,520 --> 00:03:27,720 Speaker 3: him to a place that he didn't know where to go. 69 00:03:27,960 --> 00:03:32,560 Speaker 3: This is an unfamiliar, uncharted territory for Joey and these women, 70 00:03:33,560 --> 00:03:36,240 Speaker 3: but it is a season of the Bachelor. There is 71 00:03:36,320 --> 00:03:37,360 Speaker 3: no prep for this. 72 00:03:37,840 --> 00:03:38,440 Speaker 4: There is no. 73 00:03:40,080 --> 00:03:43,120 Speaker 3: Life lessons that you can learn to make you go 74 00:03:43,280 --> 00:03:47,400 Speaker 3: into these situations and do them well. At this point, 75 00:03:47,720 --> 00:03:49,760 Speaker 3: for the rest of the season, Joey is holding on 76 00:03:50,520 --> 00:03:53,680 Speaker 3: by a thread because at the same time that he's 77 00:03:53,680 --> 00:03:56,080 Speaker 3: telling these women he loves them, he's gonna be saying 78 00:03:56,120 --> 00:03:59,120 Speaker 3: goodbye to people that he loves. 79 00:03:59,600 --> 00:04:01,560 Speaker 2: And when you're saying this, I feel like you're saying 80 00:04:01,560 --> 00:04:04,160 Speaker 2: this because you know Joey quite well. You guys have 81 00:04:04,880 --> 00:04:08,640 Speaker 2: multiple conversations per week. I feel like we have Joey 82 00:04:08,760 --> 00:04:09,960 Speaker 2: quotes coming out of your mouth. 83 00:04:12,680 --> 00:04:16,599 Speaker 3: It's not quotes from him, more of quotes from my 84 00:04:16,800 --> 00:04:19,640 Speaker 3: experience on the show and watching him and getting to 85 00:04:19,720 --> 00:04:26,279 Speaker 3: know him a little bit. I just don't outside of 86 00:04:26,279 --> 00:04:29,360 Speaker 3: everything else, I really love that we have a season. 87 00:04:29,080 --> 00:04:32,000 Speaker 4: That this is existing in. Okay, I know it hurts. 88 00:04:32,360 --> 00:04:35,400 Speaker 3: It hurts all the people involved, but I'm really glad 89 00:04:35,400 --> 00:04:38,440 Speaker 3: that we're watching this and we're being like, this is real. Okay, 90 00:04:38,480 --> 00:04:41,279 Speaker 3: So say whatever happens at the end, like say that 91 00:04:41,400 --> 00:04:44,040 Speaker 3: whoever he's with, it doesn't work out right, like for 92 00:04:44,080 --> 00:04:48,840 Speaker 3: whatever reason life, For whatever reason, life brings itself and 93 00:04:48,920 --> 00:04:52,760 Speaker 3: they find themselves not working out. What we'll always do 94 00:04:52,839 --> 00:04:54,760 Speaker 3: is look back on Joey's season and be like, but 95 00:04:54,839 --> 00:04:56,880 Speaker 3: we felt it, and I think that's a huge win 96 00:04:56,960 --> 00:04:57,280 Speaker 3: for us. 97 00:04:57,520 --> 00:04:59,520 Speaker 2: Yeah, that's kind of like Caitlin's season. 98 00:05:00,480 --> 00:05:01,560 Speaker 4: Yes, good, good point. 99 00:05:02,200 --> 00:05:06,120 Speaker 2: We still think about Caitlin and Sean eight years, nine 100 00:05:06,160 --> 00:05:06,719 Speaker 2: years later. 101 00:05:07,680 --> 00:05:09,039 Speaker 4: Yeah, I don't think they do, but we do. 102 00:05:10,560 --> 00:05:13,279 Speaker 2: Okay, Okay, let's go look into the step by step 103 00:05:13,640 --> 00:05:17,560 Speaker 2: the first one the first dates with Rachel and I 104 00:05:17,640 --> 00:05:20,119 Speaker 2: don't know the real order of these dates this week, 105 00:05:20,200 --> 00:05:26,640 Speaker 2: and I'm really interested to know because Rachel's is the throwaway. 106 00:05:26,720 --> 00:05:29,480 Speaker 2: It was meant to be first for us to see 107 00:05:29,520 --> 00:05:32,960 Speaker 2: because it's just we can't compare it to the other two. 108 00:05:33,480 --> 00:05:37,080 Speaker 2: It could be in a totally separate episode. Not to 109 00:05:37,160 --> 00:05:38,680 Speaker 2: say that he doesn't like her. I like her. I 110 00:05:39,080 --> 00:05:40,720 Speaker 2: know that he does, and I know that he even 111 00:05:40,920 --> 00:05:43,599 Speaker 2: said he's falling in love with her, but he never 112 00:05:43,640 --> 00:05:45,520 Speaker 2: said it to her face. Right, that's like kind of 113 00:05:45,560 --> 00:05:46,920 Speaker 2: like what he says to the camera. 114 00:05:47,600 --> 00:05:49,240 Speaker 3: I feel like he says something along the lines of 115 00:05:49,320 --> 00:05:52,120 Speaker 3: I'm falling for you. I don't remember a moment where 116 00:05:52,120 --> 00:05:54,279 Speaker 3: he actually admitted his love to her. 117 00:05:54,520 --> 00:05:57,200 Speaker 2: Yeah, because it's so much different than the feelings of 118 00:05:57,240 --> 00:06:00,279 Speaker 2: when he admits loving feelings towards the other two that 119 00:06:00,320 --> 00:06:01,920 Speaker 2: I looked back on it and I was like, wait, 120 00:06:01,960 --> 00:06:03,680 Speaker 2: did he actually say it to her? You just say 121 00:06:03,720 --> 00:06:09,560 Speaker 2: it to the screen anyway. Well, it isn't without a 122 00:06:09,560 --> 00:06:12,680 Speaker 2: little bit of drama though, because she ends up jump 123 00:06:12,760 --> 00:06:15,240 Speaker 2: from that sky you know whatever, you want to call it, 124 00:06:15,320 --> 00:06:18,600 Speaker 2: a very high diving board, and she really messes up 125 00:06:18,880 --> 00:06:21,400 Speaker 2: her jaw. I feel like, she like whacks her face 126 00:06:21,520 --> 00:06:23,279 Speaker 2: really bad, to the point where she thinks that maybe 127 00:06:23,279 --> 00:06:26,800 Speaker 2: her jaw's broken. So they go and spend some time 128 00:06:26,800 --> 00:06:29,800 Speaker 2: in the hospital instead of who knows what they would 129 00:06:29,800 --> 00:06:31,880 Speaker 2: even been doing. But you know what, I feel like, 130 00:06:31,920 --> 00:06:34,840 Speaker 2: Evan Bass would tell you that sometimes a hospital date 131 00:06:34,960 --> 00:06:40,880 Speaker 2: can be a good thing. It's quite vulnerable, and it's 132 00:06:40,920 --> 00:06:42,880 Speaker 2: like one of those moments in life where you're like, Wow, 133 00:06:43,000 --> 00:06:44,760 Speaker 2: I really didn't want to ever be here with you, 134 00:06:44,880 --> 00:06:47,240 Speaker 2: but here we are, and it's kind of more real 135 00:06:47,240 --> 00:06:49,440 Speaker 2: life than anything you're going to experience on the show. 136 00:06:49,960 --> 00:06:52,719 Speaker 3: Maybe a little boring note here. Yeah, I was curious 137 00:06:52,720 --> 00:06:54,799 Speaker 3: about how in the world did the show get clearance 138 00:06:54,839 --> 00:06:56,640 Speaker 3: to film in a hospital so quickly. 139 00:06:57,080 --> 00:06:59,719 Speaker 2: Yeah, I was wondering about that. I was also wondering, like, okay, 140 00:06:59,760 --> 00:07:02,279 Speaker 2: so since that they're on a show, like and they're 141 00:07:02,320 --> 00:07:06,119 Speaker 2: at the er, do they get bounced ahead of everybody else? 142 00:07:07,120 --> 00:07:09,280 Speaker 2: Can't like wait in the er waiting room for three 143 00:07:09,279 --> 00:07:10,160 Speaker 2: hours to be seen? 144 00:07:10,640 --> 00:07:12,640 Speaker 3: Yeah, like what was going on? I want to see 145 00:07:12,640 --> 00:07:14,560 Speaker 3: the waiting room. I want to see them just sitting there. 146 00:07:15,560 --> 00:07:17,680 Speaker 3: It looks like it hurts. You can tell that it 147 00:07:17,720 --> 00:07:20,360 Speaker 3: shook her. You also know that this is the last 148 00:07:20,360 --> 00:07:23,920 Speaker 3: thing she wanted. She did not want to be hurt 149 00:07:24,200 --> 00:07:28,120 Speaker 3: and spending this day, you know, away from their activities. 150 00:07:28,440 --> 00:07:35,920 Speaker 3: But they do bounce back. I just don't feel it actually, 151 00:07:36,560 --> 00:07:38,960 Speaker 3: like I like her and I like him, I like 152 00:07:39,040 --> 00:07:42,840 Speaker 3: them together. I just don't feel it like I feel 153 00:07:42,840 --> 00:07:46,320 Speaker 3: it with Daisy and Kelsey. And I don't know if 154 00:07:46,320 --> 00:07:48,400 Speaker 3: I can put any Maybe you can help me. I 155 00:07:48,520 --> 00:07:51,480 Speaker 3: can't necessarily put my finger on it other than the 156 00:07:51,560 --> 00:07:55,000 Speaker 3: fact that maybe in my mind all season, I've just 157 00:07:55,080 --> 00:07:56,960 Speaker 3: built up that it's going to be Daisy or Kelsey 158 00:07:57,000 --> 00:08:01,640 Speaker 3: in the end, and nobody else is really like everybody 159 00:08:01,680 --> 00:08:05,040 Speaker 3: else is just kind of playing for second and thirds. 160 00:08:05,560 --> 00:08:09,760 Speaker 2: Mm hmm. Well, for me, the conversation between the two 161 00:08:09,800 --> 00:08:13,760 Speaker 2: of them is always about like, can she get vulnerable. 162 00:08:14,160 --> 00:08:17,679 Speaker 2: Is she open enough? And it's like, Okay, I'm tired 163 00:08:17,720 --> 00:08:21,600 Speaker 2: of talking about talking about it, Let's just see it 164 00:08:21,720 --> 00:08:24,120 Speaker 2: in action. How many times are I going to say 165 00:08:24,160 --> 00:08:27,120 Speaker 2: open and vulnerable and honest? And I'm just like, let's 166 00:08:27,160 --> 00:08:31,240 Speaker 2: have a conversation that is about something that is open, 167 00:08:31,320 --> 00:08:35,040 Speaker 2: vulnerable and honest. But is it about saying those words 168 00:08:35,040 --> 00:08:35,800 Speaker 2: over and over again? 169 00:08:36,080 --> 00:08:38,120 Speaker 4: Because we really haven't seen that. I mean we've we've 170 00:08:38,120 --> 00:08:38,600 Speaker 4: seen them. 171 00:08:39,240 --> 00:08:42,440 Speaker 2: Talking about her dad, remember when she like yeah, but. 172 00:08:42,440 --> 00:08:45,320 Speaker 3: Like we've seen them touch on it, but they bring 173 00:08:45,360 --> 00:08:47,800 Speaker 3: it up, but there is no yeah, there is no 174 00:08:48,000 --> 00:08:52,319 Speaker 3: kind of follow up where emotions start getting you know, expressed, 175 00:08:52,440 --> 00:08:55,400 Speaker 3: and they start sharing with each other their dreams and 176 00:08:55,440 --> 00:08:55,880 Speaker 3: what they. 177 00:08:55,760 --> 00:08:58,880 Speaker 4: Want in a relationship, and you you don't see that. 178 00:09:00,040 --> 00:09:01,640 Speaker 2: Tell me a story. It doesn't have to be a 179 00:09:01,679 --> 00:09:05,520 Speaker 2: sad story, sob story. Just like, let's see a story. 180 00:09:05,920 --> 00:09:09,360 Speaker 3: Let's see where you're at as a couple. So they 181 00:09:09,360 --> 00:09:11,440 Speaker 3: do go to then overnight. I was I would say 182 00:09:11,440 --> 00:09:13,520 Speaker 3: that that was something I was surprised about. I think 183 00:09:13,600 --> 00:09:17,280 Speaker 3: after the day date, I was curious to see if 184 00:09:17,320 --> 00:09:19,559 Speaker 3: they would actually go to an overnight or not. 185 00:09:19,880 --> 00:09:22,680 Speaker 2: Oh, I thought for sure because they needed the extra time. 186 00:09:23,120 --> 00:09:27,040 Speaker 3: That's fair, I think I was. I'm I think I'm 187 00:09:27,080 --> 00:09:30,920 Speaker 3: just waiting for to see how this ends. So I 188 00:09:31,000 --> 00:09:34,400 Speaker 3: was just wondering when when this relationship was going to end, 189 00:09:34,440 --> 00:09:36,520 Speaker 3: if it was going to end at a you know, overnight, 190 00:09:36,679 --> 00:09:39,040 Speaker 3: But what is what by them going to an overnight, 191 00:09:39,080 --> 00:09:42,440 Speaker 3: what it does for me is it shows me that 192 00:09:42,520 --> 00:09:44,400 Speaker 3: Joey is more into this than I think I'm giving 193 00:09:44,440 --> 00:09:45,000 Speaker 3: him credit for. 194 00:09:45,679 --> 00:09:47,760 Speaker 2: Especially in the morning. I thought they seemed like they 195 00:09:47,800 --> 00:09:50,679 Speaker 2: had pretty nice, like intimate conversation there. 196 00:09:51,160 --> 00:09:55,320 Speaker 3: I think I'm misreading this whole situation because I'm thinking, oh, Joey, 197 00:09:55,400 --> 00:09:57,719 Speaker 3: you know, Joey knows that it's he doesn't know what 198 00:09:57,760 --> 00:10:00,560 Speaker 3: he wants yet, maybe, but he knows that it's daysier Kelsey. 199 00:10:00,720 --> 00:10:02,800 Speaker 4: Yeah, but by him. 200 00:10:02,600 --> 00:10:04,400 Speaker 3: Saying, no, we're gonna do this thing tonight, like we're 201 00:10:04,440 --> 00:10:06,600 Speaker 3: gonna go to an overnight, We're gonna take more time together, 202 00:10:07,280 --> 00:10:09,440 Speaker 3: it makes me have to take a step back and 203 00:10:09,440 --> 00:10:11,600 Speaker 3: be like, yeah, he's more into this than I thought 204 00:10:11,679 --> 00:10:14,360 Speaker 3: he was, So I have to take that into consideration. 205 00:10:15,000 --> 00:10:18,760 Speaker 2: Yeah, okay, let's move on to the Kelsey date, which 206 00:10:18,760 --> 00:10:23,600 Speaker 2: is just everything like that date was. It was so 207 00:10:23,760 --> 00:10:28,360 Speaker 2: many feelings, so much like joy and happiness and lightness 208 00:10:28,400 --> 00:10:31,360 Speaker 2: and I love feeling that. And she was so cute 209 00:10:31,400 --> 00:10:34,439 Speaker 2: and giddy when she was excited about telling him that 210 00:10:34,480 --> 00:10:39,280 Speaker 2: she's in love with him, and it just felt good 211 00:10:39,360 --> 00:10:40,000 Speaker 2: to watch. 212 00:10:40,840 --> 00:10:45,040 Speaker 3: Yeah, it overnights are so unique because you do have 213 00:10:45,160 --> 00:10:48,600 Speaker 3: kind of the ones that maybe don't hit the emotional 214 00:10:48,640 --> 00:10:50,520 Speaker 3: mark that you know you expect, and that's what I'd 215 00:10:50,559 --> 00:10:54,320 Speaker 3: put Rachel's in. Again, I could be completely wrong on this, 216 00:10:54,440 --> 00:10:56,920 Speaker 3: and I'm very willing to say, you know what, maybe 217 00:10:56,960 --> 00:10:58,640 Speaker 3: it's the two of them at the end, and I'll 218 00:10:58,679 --> 00:11:00,800 Speaker 3: be shocked and it will be yet the most shocking 219 00:11:00,800 --> 00:11:03,160 Speaker 3: season ever. And I love it still, Like it's great. 220 00:11:03,640 --> 00:11:06,920 Speaker 3: But you have those not overnights. You also have the 221 00:11:07,000 --> 00:11:11,800 Speaker 3: overnights that are very like stressful, kind of like Daisies, Right, 222 00:11:11,840 --> 00:11:14,240 Speaker 3: she's very nervous about this. This is a big deal. 223 00:11:14,240 --> 00:11:16,760 Speaker 3: It's hard to process what's happening. It's hard to process 224 00:11:17,160 --> 00:11:20,280 Speaker 3: the week and that he's kind of navigating this whole thing. 225 00:11:20,720 --> 00:11:23,839 Speaker 3: And then you have the overnights that just feel natural, like, yes, 226 00:11:24,320 --> 00:11:28,200 Speaker 3: I'm so excited to have an evening with you doing 227 00:11:28,280 --> 00:11:30,800 Speaker 3: whatever it is we choose to do. But you and 228 00:11:30,840 --> 00:11:33,680 Speaker 3: I having this evening together is so exciting for me. 229 00:11:33,960 --> 00:11:37,439 Speaker 3: That's Kelsey's We get all three this season. We get, 230 00:11:37,800 --> 00:11:39,640 Speaker 3: at least, in my opinion, the one that doesn't feel 231 00:11:39,640 --> 00:11:43,280 Speaker 3: like it's there. We get the one that's like very 232 00:11:43,320 --> 00:11:47,120 Speaker 3: nervous and stressful Daisies, and then we get the one 233 00:11:47,120 --> 00:11:50,560 Speaker 3: that's like, Hey, just you and I hanging out. Let's 234 00:11:50,720 --> 00:11:53,520 Speaker 3: like we're gonna do She even says this quote. She goes, 235 00:11:53,520 --> 00:11:56,200 Speaker 3: I get to spend the evening with my boyfriend and 236 00:11:56,280 --> 00:12:00,559 Speaker 3: it feels like, yeah, it's easy for them, so it's 237 00:12:00,600 --> 00:12:01,320 Speaker 3: so natural. 238 00:12:02,920 --> 00:12:05,959 Speaker 2: But let's also say that they wanted to freak her 239 00:12:05,960 --> 00:12:09,479 Speaker 2: out by setting her up with Leslie before. 240 00:12:09,840 --> 00:12:10,760 Speaker 4: More than they. 241 00:12:12,120 --> 00:12:13,720 Speaker 2: I did like the fact that they were able to 242 00:12:13,760 --> 00:12:17,120 Speaker 2: bond over losing their mom early in life, so I 243 00:12:17,120 --> 00:12:18,920 Speaker 2: think that they set them up for that reason. But 244 00:12:18,920 --> 00:12:20,720 Speaker 2: they also set them up because they were like, I 245 00:12:20,720 --> 00:12:23,640 Speaker 2: think Kelsey's feeling too good about this, let's put some 246 00:12:23,760 --> 00:12:26,360 Speaker 2: doubt in her mind. And I don't think the doubt 247 00:12:26,360 --> 00:12:30,000 Speaker 2: creeped in much during the date. But of course they're 248 00:12:30,000 --> 00:12:31,720 Speaker 2: gonna let you know. She gets home from the date, 249 00:12:31,800 --> 00:12:34,720 Speaker 2: she's probably even more emotionally attached to him. After the 250 00:12:34,800 --> 00:12:37,840 Speaker 2: fantasy suite and then that Simmer's in her mind that 251 00:12:38,000 --> 00:12:40,520 Speaker 2: Leslie said, I went to a fantasy suite. I thought 252 00:12:40,520 --> 00:12:43,319 Speaker 2: in that moment it was me. I was one hundred 253 00:12:43,320 --> 00:12:46,760 Speaker 2: percent sure, and then after and then then it wasn't me. 254 00:12:47,200 --> 00:12:49,960 Speaker 2: So just always remember like it I'd be hopeful, but 255 00:12:50,120 --> 00:12:51,840 Speaker 2: don't be like overly confident. 256 00:12:54,280 --> 00:12:54,920 Speaker 4: It's hard. 257 00:12:55,240 --> 00:12:58,720 Speaker 3: It's such a weird week where you are connecting on 258 00:12:58,720 --> 00:13:01,120 Speaker 3: a level you haven't yet because no matter what, cameras 259 00:13:01,120 --> 00:13:04,480 Speaker 3: aren't there, So like you are letting your guard down 260 00:13:04,600 --> 00:13:09,559 Speaker 3: in many ways, some physically, some emotionally, you know, but 261 00:13:09,640 --> 00:13:14,160 Speaker 3: you're you're hanging out in a different environment than you have. Also, 262 00:13:14,200 --> 00:13:18,520 Speaker 3: at the same time, things are said behind those doors 263 00:13:18,880 --> 00:13:22,960 Speaker 3: that are not said other places. It's always interesting to 264 00:13:23,000 --> 00:13:26,480 Speaker 3: me to see the confidence of people coming out of it, 265 00:13:26,559 --> 00:13:29,640 Speaker 3: because I do think there's a world where you genuinely 266 00:13:29,640 --> 00:13:32,160 Speaker 3: try your best not to express emotion and not to 267 00:13:32,600 --> 00:13:35,960 Speaker 3: lead somebody on, but you're telling all of them like 268 00:13:36,760 --> 00:13:37,319 Speaker 3: a life. 269 00:13:37,160 --> 00:13:39,840 Speaker 4: With you would be great. This is super fun. I'm 270 00:13:39,880 --> 00:13:41,559 Speaker 4: so glad we get this time, and. 271 00:13:41,520 --> 00:13:43,679 Speaker 3: You don't mean to be leading them on, but you 272 00:13:43,760 --> 00:13:46,560 Speaker 3: also don't know what's going to be happening next, and 273 00:13:46,600 --> 00:13:49,040 Speaker 3: so you're saying whatever you're feeling at the time. It 274 00:13:49,240 --> 00:13:52,280 Speaker 3: feels like to me, Ashley, they did set her up 275 00:13:52,320 --> 00:13:56,319 Speaker 3: to have a little doubt. One hundred percent totally makes sense. 276 00:13:56,360 --> 00:13:59,640 Speaker 3: And I also think it makes me think she's the 277 00:13:59,679 --> 00:14:01,280 Speaker 3: one in the because I don't think they would do 278 00:14:01,280 --> 00:14:05,199 Speaker 3: that unless she was gonna be the one chosen. But 279 00:14:05,200 --> 00:14:07,880 Speaker 3: I don't know if they know that at this point, or. 280 00:14:08,120 --> 00:14:12,440 Speaker 2: They're trying to foreshadow another Leslie situation where we're all like, 281 00:14:12,600 --> 00:14:15,560 Speaker 2: quite certain, she seems quite certain and then it's not. 282 00:14:16,160 --> 00:14:18,319 Speaker 2: But wait, let's just go back just because you said 283 00:14:18,559 --> 00:14:21,120 Speaker 2: there's so many things that happened behind the closed doors 284 00:14:21,440 --> 00:14:25,440 Speaker 2: that we don't see. Well, they made sure that Rachel, 285 00:14:25,560 --> 00:14:28,360 Speaker 2: who ended up saying I love you or I'm falling 286 00:14:28,360 --> 00:14:32,080 Speaker 2: in love with you, whatever the difference is behind the 287 00:14:32,120 --> 00:14:35,720 Speaker 2: closed doors of the fantasy suite. She said it there 288 00:14:35,720 --> 00:14:37,640 Speaker 2: in private, and they were like, Okay, but in the morning, 289 00:14:37,680 --> 00:14:39,560 Speaker 2: you're gonna sit down, you're gonna tell everybody that that's 290 00:14:39,560 --> 00:14:39,960 Speaker 2: what you said. 291 00:14:40,600 --> 00:14:53,320 Speaker 3: Yeah, I want to kind of skip forward then here 292 00:14:53,560 --> 00:14:55,760 Speaker 3: with what you were just saying there and say. I 293 00:14:55,920 --> 00:15:01,800 Speaker 3: wonder if the note how much it hints back to 294 00:15:01,800 --> 00:15:04,720 Speaker 3: the Fantasy Suite or how much it hints to her doubts. 295 00:15:04,960 --> 00:15:05,960 Speaker 4: I think it could be one of two. 296 00:15:06,240 --> 00:15:08,000 Speaker 3: I think it can be the motion kind of flowing 297 00:15:08,000 --> 00:15:10,280 Speaker 3: through her and overwhelming her and her having all these 298 00:15:10,320 --> 00:15:13,360 Speaker 3: concerns and questions because her feelings are so strong. Or 299 00:15:14,120 --> 00:15:16,240 Speaker 3: it could be something that was said in the fantasy 300 00:15:16,280 --> 00:15:18,760 Speaker 3: suite that she's holding on too, and now she has 301 00:15:18,800 --> 00:15:20,720 Speaker 3: a few like maybe he did say, hey, you're the 302 00:15:20,760 --> 00:15:23,320 Speaker 3: one at the end. Yeah, And then then there's a 303 00:15:23,320 --> 00:15:26,440 Speaker 3: few days removed, and she's going if he said that, 304 00:15:26,480 --> 00:15:29,040 Speaker 3: he better have meant it, like, he better have meant that. 305 00:15:29,160 --> 00:15:31,600 Speaker 3: If not, like, and I've got to confront about it 306 00:15:31,600 --> 00:15:34,200 Speaker 3: because right now I'm tail spinning thinking about him going 307 00:15:34,200 --> 00:15:35,320 Speaker 3: on another date after. 308 00:15:35,160 --> 00:15:37,400 Speaker 4: Me and he said yes to that date? Why would 309 00:15:37,400 --> 00:15:38,120 Speaker 4: he say yes to that. 310 00:15:38,120 --> 00:15:39,680 Speaker 3: Date if I am the one in the end, Like, 311 00:15:40,560 --> 00:15:42,240 Speaker 3: it's gonna be one of those two, I think. 312 00:15:42,680 --> 00:15:45,720 Speaker 2: Yeah, especially since there was that voiceover where she says, 313 00:15:46,560 --> 00:15:50,240 Speaker 2: I just don't want I want to leave now if 314 00:15:50,240 --> 00:15:52,720 Speaker 2: it's not going to be me or something along those lines. 315 00:15:53,280 --> 00:15:56,160 Speaker 2: And what I'm scared about is that she's going to 316 00:15:56,200 --> 00:15:58,680 Speaker 2: go up to him and like, just play it a 317 00:15:58,720 --> 00:16:02,920 Speaker 2: little bit wrong. It's not wrong, but you know. It's 318 00:16:02,960 --> 00:16:04,880 Speaker 2: it's kind of like a Sean Booth move. Let's make 319 00:16:04,960 --> 00:16:08,120 Speaker 2: this theme a theme, kind of like if it's not me, 320 00:16:08,640 --> 00:16:11,040 Speaker 2: you got to tell me it's me right now, you 321 00:16:11,080 --> 00:16:13,360 Speaker 2: know what I mean. I'm afraid that she's gonna go 322 00:16:13,440 --> 00:16:17,760 Speaker 2: up to him and say, if it's not me, let 323 00:16:17,800 --> 00:16:20,760 Speaker 2: me go now. And then it's like, okay, well, you 324 00:16:20,920 --> 00:16:22,840 Speaker 2: know that this is part of the process, like you 325 00:16:22,880 --> 00:16:27,280 Speaker 2: can't can't do that, Like you know, he's gonna eliminate 326 00:16:27,480 --> 00:16:30,440 Speaker 2: word supposing Rachel and then you just got to get 327 00:16:30,440 --> 00:16:34,400 Speaker 2: through one more week. But I'm really scared about like 328 00:16:34,480 --> 00:16:36,680 Speaker 2: her just saying like I can't do it any longer 329 00:16:36,760 --> 00:16:38,800 Speaker 2: if it's me. If it's not me, I'm leaving. 330 00:16:39,560 --> 00:16:41,440 Speaker 4: Yeah, it is. That's a sham Bu scenario. 331 00:16:41,440 --> 00:16:43,320 Speaker 3: It's kind of the ultimatum that you don't want to 332 00:16:43,320 --> 00:16:46,480 Speaker 3: place in somebody, especially when he has no options there, 333 00:16:46,880 --> 00:16:49,560 Speaker 3: like he can't be like no, you have to stay. 334 00:16:49,360 --> 00:16:50,480 Speaker 4: Because you are the one. 335 00:16:50,880 --> 00:16:51,800 Speaker 2: Yeah, he can't do that. 336 00:16:52,240 --> 00:16:54,160 Speaker 4: He can't do it. It's the format of the show. 337 00:16:54,480 --> 00:16:56,720 Speaker 4: It's it's why this last few weeks gets messy. 338 00:16:56,800 --> 00:16:59,080 Speaker 3: I think you really do feel like you're holding on 339 00:16:59,200 --> 00:17:01,400 Speaker 3: by a thread to every relationship you have because even 340 00:17:01,440 --> 00:17:04,480 Speaker 3: the people you're most confident in are now starting to 341 00:17:04,520 --> 00:17:07,760 Speaker 3: have doubt and they're starting to ask you questions like well, 342 00:17:07,760 --> 00:17:09,520 Speaker 3: if it's me, then why are you going on other 343 00:17:09,560 --> 00:17:10,560 Speaker 3: fantasy suite dates? 344 00:17:10,800 --> 00:17:13,719 Speaker 4: And you're like, right, I don't really know. 345 00:17:13,800 --> 00:17:17,480 Speaker 3: I can't I don't even get answer formula. Yeah, like, Ri, 346 00:17:18,359 --> 00:17:20,800 Speaker 3: I'm still signed up for a show. I'm still on 347 00:17:20,880 --> 00:17:23,600 Speaker 3: a show, and this is how the show works, and 348 00:17:23,680 --> 00:17:27,520 Speaker 3: I don't really have another option, and so can you 349 00:17:28,000 --> 00:17:30,679 Speaker 3: can you like forget that I did this? I mean, 350 00:17:30,720 --> 00:17:33,919 Speaker 3: like Ashley in your Perfect World here and this is 351 00:17:33,920 --> 00:17:37,400 Speaker 3: a question fans ask every season. Though gives Joey criticism 352 00:17:37,480 --> 00:17:40,000 Speaker 3: for this, I know they will. It happens every year 353 00:17:40,080 --> 00:17:43,520 Speaker 3: to every lead Bachelor or Bachelor. You're down to the 354 00:17:43,520 --> 00:17:48,479 Speaker 3: final three, it's fantasy suite week, say you know who 355 00:17:48,560 --> 00:17:51,320 Speaker 3: you're choosing, You're you're like so convinced. 356 00:17:52,880 --> 00:17:54,840 Speaker 4: What is an option that you could do? 357 00:17:55,359 --> 00:17:55,439 Speaker 2: Like? 358 00:17:55,480 --> 00:17:57,439 Speaker 3: Could you just say no to all three? Could you 359 00:17:57,480 --> 00:18:02,120 Speaker 3: just not go to any fantasy suite? Do you say 360 00:18:02,200 --> 00:18:05,280 Speaker 3: yes to all three? Do you go to two not three? 361 00:18:05,440 --> 00:18:08,359 Speaker 3: You say goodbye to one? Like, what is the best 362 00:18:08,359 --> 00:18:10,960 Speaker 3: option here that fans want to see? 363 00:18:11,640 --> 00:18:14,199 Speaker 4: If they know that you're convinced. 364 00:18:14,680 --> 00:18:18,199 Speaker 2: The closest option is kind of what Colton did. I 365 00:18:18,280 --> 00:18:22,240 Speaker 2: know that Cassie was like, I'm leaving, but he was like, Okay, 366 00:18:22,280 --> 00:18:27,200 Speaker 2: I'm ending the show now. No, I'm leaving, I'm going 367 00:18:27,240 --> 00:18:30,000 Speaker 2: to I'm done with this. I'm following her. 368 00:18:30,800 --> 00:18:34,879 Speaker 4: Yeah. I think Colton situation is literally. 369 00:18:36,440 --> 00:18:40,280 Speaker 2: And we found out that there was more layers. But 370 00:18:40,320 --> 00:18:43,280 Speaker 2: then let's also just talk about how we I do 371 00:18:43,320 --> 00:18:47,480 Speaker 2: feel like producers really wanted to use that fear of 372 00:18:48,960 --> 00:18:51,919 Speaker 2: Joey's that the person that he would want to be 373 00:18:52,000 --> 00:18:55,600 Speaker 2: with would not choose him, And I just think that 374 00:18:55,640 --> 00:18:58,359 Speaker 2: this was the best way of doing something. Was like 375 00:19:00,440 --> 00:19:06,560 Speaker 2: harnessing on her her like worry that Leslie instilled in her, 376 00:19:07,160 --> 00:19:10,280 Speaker 2: and then just like messing with his brain somehow. 377 00:19:12,160 --> 00:19:15,760 Speaker 3: I am confused, and we'll move on past this Today'sy's 378 00:19:15,840 --> 00:19:18,359 Speaker 3: day here in a second. I am a little bit confused, 379 00:19:18,720 --> 00:19:24,560 Speaker 3: and I hesitant, hesitate to say this because I don't 380 00:19:24,600 --> 00:19:27,119 Speaker 3: want to criticize somebody for being honest about where they're at, 381 00:19:27,200 --> 00:19:29,720 Speaker 3: and I think Joey's doing that. I am a little 382 00:19:29,760 --> 00:19:32,600 Speaker 3: confused on how this insecurity continues to seep in every week, 383 00:19:32,640 --> 00:19:34,920 Speaker 3: right now because he has he has three women that 384 00:19:34,960 --> 00:19:37,520 Speaker 3: are very, very convincing that they will be there with 385 00:19:37,600 --> 00:19:40,120 Speaker 3: him in the end, Like he is getting the validation 386 00:19:40,240 --> 00:19:42,600 Speaker 3: he needs. These women are very into him. They're giving 387 00:19:42,640 --> 00:19:45,960 Speaker 3: them all the signs. Now, you know, insecurities are weird. 388 00:19:46,000 --> 00:19:47,880 Speaker 3: Sometimes they don't need to make sense of the outside 389 00:19:47,920 --> 00:19:51,679 Speaker 3: world because you know, they they're internal. And I know 390 00:19:51,760 --> 00:19:53,480 Speaker 3: that he's living in that and holding. 391 00:19:53,200 --> 00:19:53,639 Speaker 4: On to that. 392 00:19:53,960 --> 00:19:59,280 Speaker 3: But at this point now outside of Charity's experience, because 393 00:19:59,280 --> 00:20:01,400 Speaker 3: I think he's way removed from that, Like I don't 394 00:20:01,440 --> 00:20:02,800 Speaker 3: I don't know. I mean, I really don't know how 395 00:20:02,880 --> 00:20:06,040 Speaker 3: much that still affects him, honestly, Like, what is it 396 00:20:06,119 --> 00:20:08,320 Speaker 3: in his life or what is it through this process 397 00:20:08,640 --> 00:20:11,360 Speaker 3: that has made him think that any of these women 398 00:20:11,400 --> 00:20:15,080 Speaker 3: are going home. I have seen no hints at it, 399 00:20:15,240 --> 00:20:16,640 Speaker 3: zero hints until this week. 400 00:20:17,640 --> 00:20:18,919 Speaker 2: Just trying. They're trying. 401 00:20:19,800 --> 00:20:22,680 Speaker 3: It's showing a little bit of relatability. But I think 402 00:20:22,720 --> 00:20:24,840 Speaker 3: he really feels it. Maybe he's been convinced that he 403 00:20:24,880 --> 00:20:28,200 Speaker 3: feels it more than he actually is. And I'm wondering 404 00:20:28,240 --> 00:20:30,359 Speaker 3: if this note that Kelsey wrote will like kind of 405 00:20:30,400 --> 00:20:31,440 Speaker 3: spark that up in him. 406 00:20:31,800 --> 00:20:35,359 Speaker 2: Also, it's all that scary, it says, we need to talk. 407 00:20:36,520 --> 00:20:38,080 Speaker 2: It's not like be scary. 408 00:20:38,200 --> 00:20:39,560 Speaker 4: Oh, that would be the scariest thing. 409 00:20:39,640 --> 00:20:41,080 Speaker 2: You think that's the scariest of all them. 410 00:20:41,240 --> 00:20:42,320 Speaker 4: Oh my goodness. 411 00:20:42,440 --> 00:20:44,359 Speaker 2: What if she's like, I just want to talk because 412 00:20:44,400 --> 00:20:45,879 Speaker 2: like I miss you so much. I just want to 413 00:20:45,880 --> 00:20:46,520 Speaker 2: sit down with you. Man. 414 00:20:46,640 --> 00:20:49,800 Speaker 3: Sure, And that sounds like something my wife would do. 415 00:20:49,840 --> 00:20:51,239 Speaker 3: When she calls me, he's like, hey, we got to talk. 416 00:20:51,280 --> 00:20:52,120 Speaker 3: When I get home, and I'm. 417 00:20:52,040 --> 00:20:54,480 Speaker 4: Like, about, what what's happening? Like, tell me more? 418 00:20:54,800 --> 00:20:57,280 Speaker 2: My dad does that, He goes, I need to speak 419 00:20:57,320 --> 00:20:59,800 Speaker 2: with you, like he te me like, are you kidding me? 420 00:21:00,200 --> 00:21:01,560 Speaker 2: What the hell does that mean? 421 00:21:02,040 --> 00:21:03,480 Speaker 4: Yeah? And you need more context. 422 00:21:03,480 --> 00:21:05,680 Speaker 2: He started freaking out, like when he answers the phone 423 00:21:05,720 --> 00:21:07,680 Speaker 2: and he's like, I just I just want to tell 424 00:21:07,680 --> 00:21:10,320 Speaker 2: you that I had this piece of mail, what. 425 00:21:10,880 --> 00:21:12,119 Speaker 4: I had a good piece of beats to day. 426 00:21:12,160 --> 00:21:14,639 Speaker 3: You're like, you cannot do that anymore, Like you have 427 00:21:14,720 --> 00:21:17,680 Speaker 3: to give me some context for what you're asking me, 428 00:21:17,760 --> 00:21:20,359 Speaker 3: because my mind always we've talked about, both of our 429 00:21:20,400 --> 00:21:23,600 Speaker 3: minds always go to the worst case scenarios, like give 430 00:21:23,600 --> 00:21:25,680 Speaker 3: me the benefit of the doubt here. So I don't 431 00:21:25,760 --> 00:21:27,360 Speaker 3: know why she just says we need to talk. Why 432 00:21:27,359 --> 00:21:29,359 Speaker 3: didn't she say, Hey, Joey, I'm missing you and I 433 00:21:29,359 --> 00:21:30,840 Speaker 3: can't wait to see but we need to talk. 434 00:21:30,960 --> 00:21:34,199 Speaker 2: Wow, yeah, we know that, we know why she couldn't 435 00:21:34,240 --> 00:21:37,000 Speaker 2: say something reassuring before him. She needs to instill all 436 00:21:37,000 --> 00:21:40,639 Speaker 2: the fear. But there's also one other insecurity that Joey 437 00:21:40,680 --> 00:21:43,439 Speaker 2: has that we've seen between his two seasons, and that 438 00:21:43,640 --> 00:21:45,840 Speaker 2: gets brought up on the Daisy date. So we'll go 439 00:21:45,880 --> 00:21:48,560 Speaker 2: over to the Daisy date where he discusses with her 440 00:21:48,640 --> 00:21:53,800 Speaker 2: that he's just he's just very worried that somebody is 441 00:21:53,840 --> 00:21:55,679 Speaker 2: really going to get to know him and he's not 442 00:21:55,800 --> 00:21:57,520 Speaker 2: going to be enough for him. He's not going to 443 00:21:57,560 --> 00:22:00,760 Speaker 2: be that great of a guy. He has this perpetual 444 00:22:00,800 --> 00:22:03,040 Speaker 2: insecurity that he's just not as good as what people 445 00:22:03,080 --> 00:22:08,080 Speaker 2: think he is. And again I still get a little concerned. 446 00:22:08,080 --> 00:22:10,720 Speaker 2: I'm like, Joey, what are you like in a relationship? 447 00:22:10,800 --> 00:22:13,679 Speaker 2: Like why are you so scared? Because now you're scaring me? 448 00:22:13,920 --> 00:22:15,600 Speaker 2: Maybe you do have this dark side. 449 00:22:16,720 --> 00:22:22,560 Speaker 3: M Yeah, I mean it's a very valid insecurity. And 450 00:22:22,600 --> 00:22:27,080 Speaker 3: in fact, I think there's a personality type that just 451 00:22:27,280 --> 00:22:30,840 Speaker 3: has that intrinsic like I am a fraud mentality, right, 452 00:22:30,920 --> 00:22:34,640 Speaker 3: imposter syndrome all the time, through everything, especially when you're 453 00:22:34,680 --> 00:22:35,240 Speaker 3: the bachelor. 454 00:22:35,440 --> 00:22:36,879 Speaker 4: When you're the bachelor, you mean. 455 00:22:36,840 --> 00:22:38,600 Speaker 2: It makes sense as the bachelor. 456 00:22:38,359 --> 00:22:41,080 Speaker 3: Yeah, Joey goes from like what living with his sister 457 00:22:41,280 --> 00:22:44,720 Speaker 3: in Philly to them being the bachelor in nice suits 458 00:22:44,840 --> 00:22:47,440 Speaker 3: and like having thirty women chased out. Now, granted, I'm 459 00:22:47,480 --> 00:22:49,879 Speaker 3: sure Joey's never hurt to get good attention and he 460 00:22:49,960 --> 00:22:53,280 Speaker 3: deserves it all. He's a great dude, but he's probably 461 00:22:53,280 --> 00:22:55,119 Speaker 3: a moment's looking back on his life and be like, 462 00:22:55,119 --> 00:22:58,760 Speaker 3: outside of this experience, guys like, this is not what 463 00:22:58,800 --> 00:23:01,040 Speaker 3: my life looks like, and that concerns me, that scares 464 00:23:01,119 --> 00:23:03,280 Speaker 3: me this. I had this conversation when I was on 465 00:23:03,320 --> 00:23:06,920 Speaker 3: the show with the final two, was do you realize 466 00:23:06,920 --> 00:23:10,439 Speaker 3: that life outside of this is not this? Like, I 467 00:23:10,600 --> 00:23:12,800 Speaker 3: don't you know, I'm in bed at nine thirty and 468 00:23:13,760 --> 00:23:17,960 Speaker 3: I like, don't go on a lot of vacations. And yes, 469 00:23:18,119 --> 00:23:20,840 Speaker 3: you know, having a following on Instagram does help people 470 00:23:21,080 --> 00:23:23,040 Speaker 3: get you on vacation more and have more of an 471 00:23:23,080 --> 00:23:25,560 Speaker 3: exciting life. But for the most part, I'm still a 472 00:23:25,560 --> 00:23:28,720 Speaker 3: software salesman and I still sit at a cubicle in 473 00:23:28,760 --> 00:23:31,600 Speaker 3: this small little office, and I get paid like a 474 00:23:31,600 --> 00:23:36,320 Speaker 3: little bit of a minimum wage. So just understand that 475 00:23:36,560 --> 00:23:39,800 Speaker 3: all of this is amazing. It's not who I am, 476 00:23:40,200 --> 00:23:42,520 Speaker 3: It's not what my life looks like. I would love 477 00:23:42,560 --> 00:23:46,080 Speaker 3: to provide everything that, you know, the person that I 478 00:23:46,119 --> 00:23:50,280 Speaker 3: love desires, but there's gonna be that sacrifice. There's a 479 00:23:50,320 --> 00:23:52,639 Speaker 3: story actually that came up with me when I was 480 00:23:52,680 --> 00:23:56,680 Speaker 3: doing my season and I have a friend whose parents 481 00:23:56,720 --> 00:23:59,000 Speaker 3: had been married for a long time, and I'll never 482 00:23:59,000 --> 00:24:01,680 Speaker 3: forget this conversation that we had. They were very wealthy 483 00:24:01,920 --> 00:24:03,679 Speaker 3: at this point in their life. They were living in 484 00:24:03,680 --> 00:24:06,480 Speaker 3: this beautiful, big hall. We would always go out by 485 00:24:06,480 --> 00:24:09,000 Speaker 3: the pool. And one night I was over there for dinner, 486 00:24:09,160 --> 00:24:12,040 Speaker 3: sitting around the table, and they started talking about how. 487 00:24:11,800 --> 00:24:14,400 Speaker 4: For the first like eight years of their life they 488 00:24:14,400 --> 00:24:16,840 Speaker 4: were living in this like good life together. 489 00:24:17,520 --> 00:24:20,240 Speaker 3: Yeah, their life together, their marriage together, so kind of 490 00:24:20,320 --> 00:24:23,280 Speaker 3: up until they were like early thirties, they were living 491 00:24:23,320 --> 00:24:27,280 Speaker 3: in this small little condo in downtown San Francisco and 492 00:24:27,320 --> 00:24:31,159 Speaker 3: it was like in this really tough area and they 493 00:24:31,320 --> 00:24:33,600 Speaker 3: had they were talking about the food that they had 494 00:24:33,600 --> 00:24:35,360 Speaker 3: to eat for dinner at night because it's the only 495 00:24:35,359 --> 00:24:38,239 Speaker 3: thing they could afford. And I and that's a lot 496 00:24:38,240 --> 00:24:40,679 Speaker 3: of people's stories. I understand that, but what it showed 497 00:24:40,800 --> 00:24:42,840 Speaker 3: I remember this feeling and I was like, wait, now 498 00:24:42,840 --> 00:24:44,879 Speaker 3: this is where they live, and they've been in love 499 00:24:45,240 --> 00:24:48,200 Speaker 3: then and now, like they're in love in both places. 500 00:24:48,359 --> 00:24:49,240 Speaker 4: They love each other. 501 00:24:49,400 --> 00:24:52,800 Speaker 3: They would go through, you know, anything, as long as 502 00:24:52,840 --> 00:24:53,640 Speaker 3: they were together. 503 00:24:54,720 --> 00:24:56,400 Speaker 4: And that's the kind of love you're looking for. 504 00:24:56,480 --> 00:24:58,320 Speaker 3: And I think it's kind of love that it's a 505 00:24:58,359 --> 00:25:01,600 Speaker 3: hard thing to get when you're on this show. Is 506 00:25:01,960 --> 00:25:04,720 Speaker 3: are you cool? Are we still going to do this thing? 507 00:25:04,720 --> 00:25:06,760 Speaker 3: Do you love me even if our life does not 508 00:25:06,800 --> 00:25:07,360 Speaker 3: look like this? 509 00:25:07,760 --> 00:25:10,000 Speaker 2: Yeah, that's a good point. 510 00:25:10,200 --> 00:25:12,840 Speaker 3: And so it's that insecurity. I also think that Joey 511 00:25:12,920 --> 00:25:15,919 Speaker 3: is a very humble human. I don't think he has 512 00:25:15,960 --> 00:25:20,920 Speaker 3: a very like narcissistic, egotistical high view of himself, which 513 00:25:20,960 --> 00:25:23,920 Speaker 3: I think is a very admirable quality. I think it's 514 00:25:23,920 --> 00:25:27,320 Speaker 3: a very good quality to have. And I think some 515 00:25:28,240 --> 00:25:29,840 Speaker 3: would go, oh, he has to have a dark side. 516 00:25:29,840 --> 00:25:31,720 Speaker 3: I don't think that's what he's saying at all. I 517 00:25:31,720 --> 00:25:34,560 Speaker 3: think people in The Bachelor tried to go, Ben, you 518 00:25:34,640 --> 00:25:36,520 Speaker 3: there must be a dark side, right, Oh, he has 519 00:25:36,560 --> 00:25:39,320 Speaker 3: this dark side thing going on, So maybe I do. 520 00:25:39,359 --> 00:25:40,920 Speaker 3: I'd love to have a little bit of a dark side. 521 00:25:40,920 --> 00:25:42,920 Speaker 3: I would love to find that dark side if it exists. 522 00:25:43,359 --> 00:25:47,119 Speaker 3: But my point always was like, do you just have 523 00:25:47,160 --> 00:25:50,840 Speaker 3: to understand that this is not my life. It's not 524 00:25:50,880 --> 00:25:53,520 Speaker 3: that I have a hidden secret, It's that this is 525 00:25:53,560 --> 00:25:55,040 Speaker 3: not my life, and I want to know that you're 526 00:25:55,080 --> 00:25:55,840 Speaker 3: in it no matter what. 527 00:25:56,200 --> 00:25:59,639 Speaker 2: Yeah. Well, he did give a specific this time. He said, 528 00:26:00,000 --> 00:26:03,480 Speaker 2: my last relationship with this woman in Hawaii, she told 529 00:26:03,520 --> 00:26:08,080 Speaker 2: me that I didn't make her feel special enough, and 530 00:26:08,119 --> 00:26:13,320 Speaker 2: that that could be something that he wasn't mature enough 531 00:26:13,320 --> 00:26:15,919 Speaker 2: in the relationship at the point to give her everything 532 00:26:15,960 --> 00:26:19,320 Speaker 2: that she needed. But also like maybe they just weren't 533 00:26:19,320 --> 00:26:20,400 Speaker 2: a compatible match. 534 00:26:21,000 --> 00:26:22,919 Speaker 3: Yeah, I don't even know what that means. I hear that, like, 535 00:26:22,960 --> 00:26:24,879 Speaker 3: you don't make me feel special enough. I have no 536 00:26:24,920 --> 00:26:27,240 Speaker 3: clue what that means. Yeah, I don't know how to 537 00:26:27,280 --> 00:26:29,840 Speaker 3: do that as a partner, Like I wouldn't know how 538 00:26:29,920 --> 00:26:34,399 Speaker 3: to other than to support my wife well and to 539 00:26:34,960 --> 00:26:37,920 Speaker 3: like make her feel beautiful and go on dates and 540 00:26:38,400 --> 00:26:40,000 Speaker 3: you know, look at her and sit down with her 541 00:26:40,000 --> 00:26:41,439 Speaker 3: for dinner and listen to her when she wants to 542 00:26:41,440 --> 00:26:43,840 Speaker 3: tell me a story. Like I don't know how to 543 00:26:43,880 --> 00:26:49,080 Speaker 3: make any other human feel anything differently, than what they're 544 00:26:49,080 --> 00:26:50,600 Speaker 3: feeling about themselves. 545 00:26:50,760 --> 00:26:53,080 Speaker 2: Well, I heard recently this week. I'm not sure if 546 00:26:53,119 --> 00:26:55,520 Speaker 2: it was you that said it that like somebody was 547 00:26:55,520 --> 00:26:59,639 Speaker 2: in marriage counseling. Oh okay, it wasn't you know, somebody's 548 00:26:59,640 --> 00:27:02,720 Speaker 2: in marriage and the counselor said, if you could, what 549 00:27:02,800 --> 00:27:07,600 Speaker 2: are the three things that will make marriage just feel 550 00:27:07,600 --> 00:27:10,560 Speaker 2: better for you, make you feel more special? I suppose 551 00:27:10,640 --> 00:27:13,239 Speaker 2: if you implemented it this week and it was just 552 00:27:13,320 --> 00:27:17,440 Speaker 2: like hug more go to bed at the same time together, 553 00:27:17,880 --> 00:27:19,520 Speaker 2: just like even if they're just gonna lie there on 554 00:27:19,560 --> 00:27:21,960 Speaker 2: their phone just to be closed and stuff like that. 555 00:27:22,600 --> 00:27:26,879 Speaker 2: And we don't know whether or not this woman was 556 00:27:27,000 --> 00:27:31,439 Speaker 2: vocal about how to make her feel special, but I 557 00:27:31,440 --> 00:27:34,080 Speaker 2: guess if Joey was ignoring the things that she told 558 00:27:34,119 --> 00:27:35,480 Speaker 2: him would make her feel. 559 00:27:35,280 --> 00:27:36,920 Speaker 4: Better, that's a lesson learn though. 560 00:27:37,200 --> 00:27:39,800 Speaker 3: That's not like a that's not a character flaw, that's 561 00:27:39,840 --> 00:27:42,560 Speaker 3: not something that like he wants to continue doing. I'm 562 00:27:42,560 --> 00:27:45,320 Speaker 3: just saying, if I enter into any romantic relationship and 563 00:27:45,359 --> 00:27:47,320 Speaker 3: the person's like, what I need from you is for 564 00:27:47,440 --> 00:27:49,119 Speaker 3: you to make me feel special, I said, okay, how 565 00:27:49,160 --> 00:27:50,960 Speaker 3: can I do that? And they're like, just make me 566 00:27:51,000 --> 00:27:53,880 Speaker 3: feel special. Yeah, of course I was lost, like I've 567 00:27:53,920 --> 00:27:54,520 Speaker 3: got nothing. 568 00:27:55,640 --> 00:27:59,440 Speaker 2: Hopefully the person would be explanatory as to what would 569 00:27:59,480 --> 00:28:00,240 Speaker 2: make them feel good. 570 00:28:00,600 --> 00:28:02,520 Speaker 4: I've got I do not have that trade. 571 00:28:02,680 --> 00:28:05,280 Speaker 2: Neither you and I are very concerned about Joey making 572 00:28:05,320 --> 00:28:08,640 Speaker 2: people feel special or Joey being a good partner. Okay, 573 00:28:08,720 --> 00:28:11,879 Speaker 2: so let's continue with the Daisy date. My biggest complain 574 00:28:11,920 --> 00:28:15,840 Speaker 2: about this date was that there was like too much 575 00:28:15,880 --> 00:28:17,879 Speaker 2: making out and not enough talking. 576 00:28:18,720 --> 00:28:23,399 Speaker 3: Yeah, well, I wonder too. I don't know Daisy just 577 00:28:23,400 --> 00:28:26,879 Speaker 3: being as a human, you know. But Sondra's advice to 578 00:28:26,960 --> 00:28:29,359 Speaker 3: Daisy was to spice things up a little bit. I 579 00:28:29,359 --> 00:28:30,960 Speaker 3: think you can summarize it with like, hey, you can 580 00:28:30,960 --> 00:28:32,720 Speaker 3: find ways to spice this up a little bit. 581 00:28:33,160 --> 00:28:35,960 Speaker 2: That you cat me. You're right. That was supposed to 582 00:28:36,000 --> 00:28:36,520 Speaker 2: be the theme. 583 00:28:37,000 --> 00:28:39,720 Speaker 3: It was the theme like, Daisy, you and Joey have 584 00:28:39,800 --> 00:28:42,240 Speaker 3: great conversation, you connect on great levels, right, you have 585 00:28:42,400 --> 00:28:46,800 Speaker 3: this playful relationship. But I think Daisy left that conversation 586 00:28:46,840 --> 00:28:50,120 Speaker 3: with Sonder being like I'm going full force into sex 587 00:28:50,160 --> 00:28:53,560 Speaker 3: it up. Yeah, like let's let's make out like I 588 00:28:53,600 --> 00:28:55,960 Speaker 3: want to, Like I mean, I mean it was set 589 00:28:56,040 --> 00:28:57,440 Speaker 3: up with like a shower scene. 590 00:28:58,200 --> 00:29:00,000 Speaker 4: Yeah, it was also set up. 591 00:29:00,240 --> 00:29:03,520 Speaker 2: Basically, they were the ATV for like three seconds and 592 00:29:03,560 --> 00:29:04,280 Speaker 2: then they just shower. 593 00:29:04,560 --> 00:29:11,800 Speaker 3: Let's go shower. It's like, okay, I mean cool, that's fine, right, Ashley. 594 00:29:11,800 --> 00:29:13,360 Speaker 3: You got to tell me if I'm just a perverb. 595 00:29:14,760 --> 00:29:18,760 Speaker 3: But there's a line that Daisy says and it makes 596 00:29:18,800 --> 00:29:21,760 Speaker 3: me laugh. And I could just be like a middle 597 00:29:21,800 --> 00:29:25,080 Speaker 3: school boy here and like not knowing, like and making 598 00:29:25,120 --> 00:29:28,800 Speaker 3: everything sexual. But there's a line that Daisy says that 599 00:29:28,920 --> 00:29:30,720 Speaker 3: talking about their relationship. But then she says and it's 600 00:29:30,760 --> 00:29:34,960 Speaker 3: growing in all the right ways, and they do a 601 00:29:35,040 --> 00:29:38,040 Speaker 3: slow mod camera down to like their crosh line. Oh 602 00:29:38,160 --> 00:29:42,520 Speaker 3: so okay, And I'm like, that's either very ironic or 603 00:29:42,600 --> 00:29:44,400 Speaker 3: this show has weird minds. 604 00:29:44,840 --> 00:29:46,600 Speaker 4: But it made me giggle. I don't know if anybody 605 00:29:46,640 --> 00:29:48,719 Speaker 4: else recognize this. It did make me giggle. 606 00:29:48,760 --> 00:29:52,400 Speaker 3: And I and I don't like that there's an innuendo there. 607 00:29:53,040 --> 00:29:56,400 Speaker 2: Of course I didn't pick up on it. I don't 608 00:29:56,480 --> 00:29:58,240 Speaker 2: know why. Now I feel like. 609 00:29:58,280 --> 00:29:59,120 Speaker 4: So I am a weirdo. 610 00:29:59,360 --> 00:30:02,080 Speaker 3: No, I feel I get it. I knew I would be. 611 00:30:02,160 --> 00:30:03,520 Speaker 3: I just had to say it, no. 612 00:30:03,640 --> 00:30:05,760 Speaker 2: Knowing Daisy's sense of humor. I think she said it 613 00:30:05,800 --> 00:30:06,360 Speaker 2: on purpose. 614 00:30:06,840 --> 00:30:09,800 Speaker 3: Okay, it was very quick, but like she's talking and 615 00:30:09,840 --> 00:30:11,800 Speaker 3: then they do this like slow mode down to them 616 00:30:11,840 --> 00:30:14,880 Speaker 3: in the shower at you know, at a sight line 617 00:30:14,920 --> 00:30:17,480 Speaker 3: that's like none of us really care to see that. Anyways, 618 00:30:17,480 --> 00:30:19,640 Speaker 3: this isn't why we're watching the show. But she's saying 619 00:30:19,640 --> 00:30:22,000 Speaker 3: this in the background as it's talking. I'm like, I 620 00:30:22,040 --> 00:30:23,560 Speaker 3: wonder if that's just one of those moments where an 621 00:30:23,640 --> 00:30:27,000 Speaker 3: editor was behind the scenes being like perfect, so good, 622 00:30:27,120 --> 00:30:27,680 Speaker 3: now this. 623 00:30:27,640 --> 00:30:30,920 Speaker 2: Is everybody is involved with that. I'm once again watching 624 00:30:30,960 --> 00:30:33,320 Speaker 2: this in my kid's playroom, like with him, like playing 625 00:30:33,320 --> 00:30:35,680 Speaker 2: with cars in the background. So like I may not 626 00:30:35,880 --> 00:30:39,479 Speaker 2: have picked up on like this sextual stuff, you know, 627 00:30:39,600 --> 00:30:43,440 Speaker 2: the puns, but I know producers and I know that. 628 00:30:43,480 --> 00:30:46,040 Speaker 2: Like they pulled her aside to just do a little 629 00:30:46,360 --> 00:30:49,400 Speaker 2: in the moment interview and then they were like, would 630 00:30:49,440 --> 00:30:51,960 Speaker 2: you say that it's growing in all the right directions? 631 00:30:52,160 --> 00:30:54,600 Speaker 2: And then she was like I would say, it's. 632 00:30:54,840 --> 00:31:11,160 Speaker 4: Yeah, just dirty, dirty humans. Yeah. This day is definitely 633 00:31:11,160 --> 00:31:12,280 Speaker 4: a more physical day. 634 00:31:12,960 --> 00:31:16,240 Speaker 3: The chemistry and connection is as strong as I've felt 635 00:31:16,240 --> 00:31:19,320 Speaker 3: the whole time. There is no lagging for me with 636 00:31:19,360 --> 00:31:20,520 Speaker 3: the date. 637 00:31:20,600 --> 00:31:24,280 Speaker 2: Oh see there was wow. So I was like, oh, 638 00:31:24,400 --> 00:31:26,200 Speaker 2: I think this is an order. I think the dates 639 00:31:26,240 --> 00:31:29,640 Speaker 2: are in order because when he saw Daisy and when 640 00:31:29,680 --> 00:31:32,320 Speaker 2: she was like I forgot something or like one more 641 00:31:32,360 --> 00:31:33,160 Speaker 2: thing I have for you. 642 00:31:33,320 --> 00:31:34,720 Speaker 4: Oh, I do agree with this. 643 00:31:34,960 --> 00:31:37,360 Speaker 2: You didn't seem that excited about he was like, okay, 644 00:31:37,400 --> 00:31:40,560 Speaker 2: ready now, Yes, it looks like he was like, I'm 645 00:31:40,560 --> 00:31:42,080 Speaker 2: not ready to move on to the Kelsey date. 646 00:31:43,240 --> 00:31:45,040 Speaker 4: You're right, And I did pick up on that. 647 00:31:45,040 --> 00:31:46,640 Speaker 3: I knew exactly what you're gonna say when you said 648 00:31:46,640 --> 00:31:49,080 Speaker 3: it was yes, he goes there's one, and it was 649 00:31:49,120 --> 00:31:53,120 Speaker 3: that like it was very cute and very like kind 650 00:31:53,120 --> 00:31:55,040 Speaker 3: of spur of the moment. But yeah, his response was 651 00:31:55,080 --> 00:31:57,760 Speaker 3: like all right, cool, we're good now, Like, yes, it 652 00:31:57,840 --> 00:32:00,520 Speaker 3: felt like it wasn't what he wanted at the time. 653 00:32:00,760 --> 00:32:03,600 Speaker 2: I know, I think he got there like they got 654 00:32:03,640 --> 00:32:07,400 Speaker 2: hot and heavy and all that, but but initially I 655 00:32:07,440 --> 00:32:09,680 Speaker 2: don't think he was in the right mindset. 656 00:32:09,920 --> 00:32:15,280 Speaker 3: Yeah, well, fantasy sweet week is you know, you're going 657 00:32:15,320 --> 00:32:17,920 Speaker 3: back to back to back. You're not getting any sleep 658 00:32:17,960 --> 00:32:20,360 Speaker 3: no matter what is going on in the Fantasy Suite room. 659 00:32:20,760 --> 00:32:27,200 Speaker 3: It is more connectionable than any other week. We at 660 00:32:27,280 --> 00:32:30,960 Speaker 3: date three, you're pretty much like I cannot wait to 661 00:32:31,000 --> 00:32:33,160 Speaker 3: get this over with because I think the show typically 662 00:32:33,240 --> 00:32:35,720 Speaker 3: gives you almost like two days to rest. 663 00:32:36,080 --> 00:32:38,400 Speaker 2: I was gonna say, Ben, can you give us a timeline. 664 00:32:38,400 --> 00:32:41,000 Speaker 2: I'm sure you've done this before, but please refresh all 665 00:32:41,000 --> 00:32:44,120 Speaker 2: of our memories. Do you have back to back fantasy 666 00:32:44,120 --> 00:32:46,360 Speaker 2: sweet days or do you have in between days? 667 00:32:46,680 --> 00:32:49,360 Speaker 3: You have a you have you usually get done with 668 00:32:49,960 --> 00:32:53,560 Speaker 3: it's exhausting, So you have a fantasy suite day date, 669 00:32:54,160 --> 00:32:59,640 Speaker 3: spend the night, wake up usually early early, you know, 670 00:33:00,120 --> 00:33:02,880 Speaker 3: have breakfast. You're usually i would say, leaving that dat 671 00:33:02,920 --> 00:33:05,760 Speaker 3: at ten am. Okay, you're leaving the day at ten am. 672 00:33:05,800 --> 00:33:07,880 Speaker 3: You go and do your ITMS, so you do the 673 00:33:07,920 --> 00:33:13,360 Speaker 3: interviews till lunch. You have lunch. After lunch, typically you're 674 00:33:13,400 --> 00:33:18,960 Speaker 3: doing like pickups till like five okay, So like you're 675 00:33:19,520 --> 00:33:23,280 Speaker 3: do either doing media interviews, you're doing like behind the 676 00:33:23,360 --> 00:33:26,200 Speaker 3: scenes like shots, you're doing b roll, you're doing anything 677 00:33:26,200 --> 00:33:29,960 Speaker 3: that like that episode needs. As the lead, the as 678 00:33:30,000 --> 00:33:33,600 Speaker 3: a contestant, you're kind of like free, you're not really 679 00:33:33,640 --> 00:33:36,400 Speaker 3: doing much. You're just kind of chilling after that, but 680 00:33:36,480 --> 00:33:40,200 Speaker 3: the lead and you're full grind until like dinnertime. Then 681 00:33:40,240 --> 00:33:42,400 Speaker 3: after dinner time you're going to sleep and you're waking 682 00:33:42,480 --> 00:33:44,880 Speaker 3: up the next morning and starting all over again right 683 00:33:44,920 --> 00:33:47,920 Speaker 3: like very early again, So you don't really get it. 684 00:33:48,000 --> 00:33:49,240 Speaker 4: I mean, you do get a day, at. 685 00:33:49,200 --> 00:33:51,920 Speaker 2: Least you have one buffer day where you're not seeing someone. 686 00:33:52,320 --> 00:33:54,520 Speaker 3: Those days were more exhausting for me because you're just 687 00:33:54,520 --> 00:33:57,080 Speaker 3: getting thrown around and you're getting tossed around in a 688 00:33:57,120 --> 00:34:00,760 Speaker 3: thousand directions and asked a thousand questions about all these dates. 689 00:34:00,760 --> 00:34:03,080 Speaker 3: And by the time you're at date three, you're getting 690 00:34:03,120 --> 00:34:07,320 Speaker 3: asked questions now about the week and your feelings and 691 00:34:07,480 --> 00:34:09,240 Speaker 3: the comparisons and all those things. 692 00:34:09,840 --> 00:34:10,840 Speaker 4: You're so tired. 693 00:34:11,080 --> 00:34:14,080 Speaker 3: So is it weird that he's kind of over it? No, 694 00:34:14,400 --> 00:34:16,920 Speaker 3: does it say anything about their relationship. I don't think 695 00:34:16,960 --> 00:34:20,439 Speaker 3: it does, because he did get into it at some point, 696 00:34:21,040 --> 00:34:24,120 Speaker 3: but he's probably like I would prefer again, I'd prefer 697 00:34:24,360 --> 00:34:25,880 Speaker 3: just to not have any dates this week. 698 00:34:26,160 --> 00:34:28,280 Speaker 4: I'm so tired. I'm so tired. 699 00:34:28,719 --> 00:34:31,120 Speaker 2: Okay, Well, I'm just glad that you have one day 700 00:34:31,120 --> 00:34:34,760 Speaker 2: in between. So it sound like you're going from one fantasy. 701 00:34:34,600 --> 00:34:35,800 Speaker 4: To you just couldn't. 702 00:34:35,840 --> 00:34:39,440 Speaker 2: I mean, there's just yeah that you couldn't rag them 703 00:34:39,440 --> 00:34:41,600 Speaker 2: out without rag them out. 704 00:34:41,640 --> 00:34:45,480 Speaker 3: Well well yeah, literally, goodness, Ashley, holy cow. 705 00:34:48,040 --> 00:34:51,080 Speaker 2: Okay, moving on, anything else about Daisy's date. 706 00:34:51,400 --> 00:34:53,279 Speaker 3: No, you picked up on it. I do think it 707 00:34:53,320 --> 00:34:56,520 Speaker 3: didn't lack. Again, I'll go back and I'll say none. 708 00:34:56,680 --> 00:34:59,960 Speaker 3: Kelsey and Daisy did not set there's relationships back for me. 709 00:35:00,280 --> 00:35:02,359 Speaker 3: I do think there was that weird moment that felt 710 00:35:02,440 --> 00:35:05,279 Speaker 3: like off a little bit. It could have just been off. 711 00:35:05,360 --> 00:35:09,960 Speaker 3: But I'll leave Daisy's day going one hundred percent. In 712 00:35:10,080 --> 00:35:12,720 Speaker 3: my mind, if I was a betting man, it's Daisy 713 00:35:12,760 --> 00:35:15,280 Speaker 3: and Kelsey next week. Rachel's going home in a very 714 00:35:15,320 --> 00:35:18,960 Speaker 3: sad exit because I think she's great, but I do 715 00:35:19,040 --> 00:35:21,040 Speaker 3: think she's going home. I think Daisy and Kelsey will 716 00:35:21,040 --> 00:35:21,640 Speaker 3: be there at the end. 717 00:35:22,000 --> 00:35:25,719 Speaker 2: I think he's gonna eliminate Rachel, not in a Row ceremony, 718 00:35:25,760 --> 00:35:28,200 Speaker 2: because I don't think we've got any teases of a 719 00:35:28,320 --> 00:35:30,439 Speaker 2: Row ceremony with three girls standing there. 720 00:35:30,719 --> 00:35:31,440 Speaker 4: Yeah, I don't think he. 721 00:35:31,760 --> 00:35:35,040 Speaker 3: I think Rose ceremonies at this point are very optional 722 00:35:35,160 --> 00:35:37,640 Speaker 3: and I don't think they're necessary. I don't think they're needed. 723 00:35:37,920 --> 00:35:40,160 Speaker 3: I think the only thing we might see is you know, him, 724 00:35:40,200 --> 00:35:42,799 Speaker 3: talk to whoever he's sending home. They go home, and 725 00:35:42,840 --> 00:35:45,120 Speaker 3: then the two others show up to a Row ceremony. 726 00:35:45,120 --> 00:35:49,440 Speaker 3: He's like hey, you're here, Like, and then my favorite 727 00:35:49,440 --> 00:35:51,359 Speaker 3: part of every season happens. You know what that is 728 00:35:52,600 --> 00:35:58,239 Speaker 3: nil in now the very awkward three person hug with 729 00:35:58,320 --> 00:36:02,880 Speaker 3: the two in people end and the lead giving this like, hey, 730 00:36:03,080 --> 00:36:06,160 Speaker 3: we're still in it together, Like very awkward moment. 731 00:36:07,120 --> 00:36:09,520 Speaker 2: Yeah, yeah, that's very awkward where. 732 00:36:09,360 --> 00:36:12,160 Speaker 4: Everybody stands around and you still cheers together. 733 00:36:12,680 --> 00:36:15,320 Speaker 3: You're looking at the other person and you're like, we 734 00:36:15,320 --> 00:36:17,880 Speaker 3: were way past this, Like I don't I like you 735 00:36:17,960 --> 00:36:20,240 Speaker 3: as a human. I don't want to see you here, like, yeah, 736 00:36:20,280 --> 00:36:22,760 Speaker 3: this is very awkward for me. This is my boyfriend. 737 00:36:22,800 --> 00:36:26,320 Speaker 3: The other person's going, this is my boyfriend, Like it's 738 00:36:26,400 --> 00:36:29,720 Speaker 3: it's a very weird scenarios. 739 00:36:28,840 --> 00:36:30,279 Speaker 2: Very weird. I don't know. I don't know if I 740 00:36:30,320 --> 00:36:33,680 Speaker 2: first see that that eve that even moment, even because 741 00:36:33,680 --> 00:36:35,880 Speaker 2: we haven't seen anything like that, we haven't seen these 742 00:36:35,920 --> 00:36:38,080 Speaker 2: girls with justice. To keep this fast forwarding to the 743 00:36:38,120 --> 00:36:41,279 Speaker 2: finale scene, which is the last point I really want 744 00:36:41,320 --> 00:36:46,000 Speaker 2: to make on this podcast, is there have been some 745 00:36:46,600 --> 00:36:49,240 Speaker 2: spoiler esque things that have come out over the past 746 00:36:49,239 --> 00:36:53,560 Speaker 2: couple of weeks from multiple people in the franchise. I'm 747 00:36:53,600 --> 00:36:55,200 Speaker 2: not going to call out who they might be, and 748 00:36:55,239 --> 00:36:59,560 Speaker 2: there's multiples yeah, And Jesse's voiceover made me think that 749 00:36:59,560 --> 00:37:02,200 Speaker 2: they are almost like playing into that because he said, 750 00:37:02,280 --> 00:37:04,680 Speaker 2: like you think you think you know what's gonna happen, 751 00:37:05,080 --> 00:37:09,600 Speaker 2: Like you don't. Okay, Am I overreact? Am I overanalyzing 752 00:37:09,640 --> 00:37:12,640 Speaker 2: that line? Because I really do, in my in my soul, 753 00:37:13,239 --> 00:37:16,800 Speaker 2: I I think I know who he ends up with. Okay, 754 00:37:17,040 --> 00:37:18,960 Speaker 2: but I don't think it's going to be a conventional 755 00:37:19,000 --> 00:37:21,520 Speaker 2: happy ending because it keeps teasing that it's not going 756 00:37:21,600 --> 00:37:24,160 Speaker 2: to be. And maybe the Tea's is just so so good. 757 00:37:24,480 --> 00:37:27,319 Speaker 2: But Jesse also says that we've never seen anything like that. 758 00:37:27,400 --> 00:37:29,719 Speaker 2: Oh no, no, no. Even Joey himself says this couldn't have 759 00:37:29,760 --> 00:37:31,319 Speaker 2: possibly happened before, has it. 760 00:37:32,680 --> 00:37:36,400 Speaker 3: He says that I think Joey's saying it holds a 761 00:37:36,400 --> 00:37:39,560 Speaker 3: different weight from me. You know, remember how you and 762 00:37:39,560 --> 00:37:41,839 Speaker 3: I started to complain a few years ago about how 763 00:37:41,880 --> 00:37:46,080 Speaker 3: the show overhyped everything, like they were like the most 764 00:37:46,120 --> 00:37:47,080 Speaker 3: dramatic season ever. 765 00:37:47,280 --> 00:37:49,200 Speaker 2: You know, the only thing that really lived up was 766 00:37:49,280 --> 00:37:52,640 Speaker 2: Hannah Brown moving the podium and then the whole we 767 00:37:53,040 --> 00:37:55,640 Speaker 2: did a windmill, and then the fence and then the 768 00:37:55,640 --> 00:37:57,839 Speaker 2: fence jump. Those are like the things that were like 769 00:37:58,120 --> 00:37:59,080 Speaker 2: I gotic. 770 00:37:59,280 --> 00:38:03,920 Speaker 3: Yeah, exactly, like one hundred percent right. So I'm hoping 771 00:38:03,960 --> 00:38:06,200 Speaker 3: the show isn't going back and falling back into that 772 00:38:06,320 --> 00:38:10,480 Speaker 3: like kind of rhythm of over dramatizing for the public 773 00:38:10,520 --> 00:38:13,319 Speaker 3: to stay and pay attention, because it ultimately the show 774 00:38:13,400 --> 00:38:15,680 Speaker 3: loses the fans trust, which I think is why people 775 00:38:15,680 --> 00:38:19,520 Speaker 3: stop watching. Yeah, but with Joeys saying it, I do 776 00:38:19,560 --> 00:38:24,200 Speaker 3: think there's something that neither you nor I know that happens. 777 00:38:25,520 --> 00:38:28,600 Speaker 3: My gut tells me it's not as big of a 778 00:38:28,680 --> 00:38:33,080 Speaker 3: deal as what they're hyping it up to be. But 779 00:38:33,120 --> 00:38:35,719 Speaker 3: I don't know that for certain, Like I have no idea. 780 00:38:35,800 --> 00:38:37,239 Speaker 4: I'm just saying I don't. 781 00:38:37,480 --> 00:38:40,480 Speaker 3: I don't know what that could be. Like, I have 782 00:38:40,600 --> 00:38:43,279 Speaker 3: no idea what could happen here in the final two 783 00:38:45,239 --> 00:38:48,640 Speaker 3: that makes it something that's never happened before. But the 784 00:38:48,680 --> 00:38:51,760 Speaker 3: show has surprised me every season that feels like there's 785 00:38:51,800 --> 00:38:55,040 Speaker 3: something different that happens at the very end that you know, 786 00:38:55,160 --> 00:38:56,560 Speaker 3: really throws us for a loop. 787 00:38:57,880 --> 00:38:58,920 Speaker 4: I just don't know what it could be. 788 00:39:00,440 --> 00:39:04,040 Speaker 2: It could be as simple but dramatic as the woman 789 00:39:04,080 --> 00:39:08,600 Speaker 2: who doesn't get picked just having a very strange reaction. 790 00:39:09,000 --> 00:39:10,120 Speaker 4: Yes, smacking them. 791 00:39:10,200 --> 00:39:16,960 Speaker 2: Yeah, Yeah, that would be something that we've never seen before. Question. 792 00:39:17,040 --> 00:39:19,480 Speaker 3: I don't see it with these two. I don't see it. 793 00:39:19,760 --> 00:39:23,960 Speaker 3: I don't see it with these two. Who knows it's 794 00:39:24,000 --> 00:39:26,560 Speaker 3: gonna keep us engaged intrigued, Not like that we need 795 00:39:26,960 --> 00:39:29,560 Speaker 3: anything to keep us engaged in intrigued. This season, I 796 00:39:29,600 --> 00:39:31,680 Speaker 3: think the fans are very happy with how the season's going. 797 00:39:31,719 --> 00:39:33,600 Speaker 3: I'm getting more people than ever coming up to me 798 00:39:33,680 --> 00:39:35,360 Speaker 3: being like, are you watching the season? What do you 799 00:39:35,360 --> 00:39:38,960 Speaker 3: think happens with Joey? I do you know in my 800 00:39:39,080 --> 00:39:43,000 Speaker 3: workout class that I take here, the hot pilates that 801 00:39:43,160 --> 00:39:47,160 Speaker 3: duality in Denver, it's me about three other dudes and 802 00:39:47,680 --> 00:39:51,360 Speaker 3: thirty women. I know for the first time they're watching 803 00:39:51,440 --> 00:39:53,960 Speaker 3: this season. I've been going here for three four years. 804 00:39:54,560 --> 00:39:57,600 Speaker 3: This season, they're asking me more questions than ever. It's 805 00:39:57,640 --> 00:40:00,640 Speaker 3: funny for me. They're very engaged this Yeah. 806 00:40:00,719 --> 00:40:03,040 Speaker 2: I got to see my best friend yesterday and she 807 00:40:03,080 --> 00:40:05,240 Speaker 2: hasn't watched the show in years, and she was asking 808 00:40:05,239 --> 00:40:06,400 Speaker 2: me a whole bunch of questions. 809 00:40:06,600 --> 00:40:09,080 Speaker 3: Yeah, it's great, It's really fun. Okay, Ashley, we are 810 00:40:09,120 --> 00:40:11,399 Speaker 3: going to close out here. We do have a lot 811 00:40:11,440 --> 00:40:14,439 Speaker 3: more content to get prepared for. We have a big 812 00:40:14,440 --> 00:40:17,640 Speaker 3: week ahead of us. Obviously, we're continue to breakdown the 813 00:40:17,680 --> 00:40:20,239 Speaker 3: Bachelor season. We got almost good advice, which has been 814 00:40:20,280 --> 00:40:22,279 Speaker 3: a ton of fun and a big success for us. 815 00:40:22,520 --> 00:40:24,759 Speaker 3: We have some great interviews coming out, so we do 816 00:40:24,800 --> 00:40:26,759 Speaker 3: have a busy week in front of us. To kind 817 00:40:26,760 --> 00:40:28,720 Speaker 3: of close out. I'm not going to share my opinion 818 00:40:28,760 --> 00:40:31,839 Speaker 3: because I really don't have one necessarily and not one 819 00:40:31,880 --> 00:40:35,000 Speaker 3: that I could speak to. What do you think this 820 00:40:35,120 --> 00:40:38,319 Speaker 3: letter is intending and meaning? How do you think we 821 00:40:38,400 --> 00:40:41,279 Speaker 3: see that whole letter situation play out? Is it being 822 00:40:41,320 --> 00:40:45,040 Speaker 3: over dramatized? Is it a big deal? Is it something 823 00:40:45,080 --> 00:40:47,640 Speaker 3: that's very forgettable? Just what's your thoughts? 824 00:40:47,960 --> 00:40:52,120 Speaker 2: I think that if there's something between the two, between 825 00:40:52,160 --> 00:40:58,240 Speaker 2: the two teases, the note will be the less dramatic event. Okay, 826 00:40:58,600 --> 00:41:02,920 Speaker 2: I think it could simply just be Kelsey wanting just 827 00:41:02,960 --> 00:41:05,759 Speaker 2: like a little like another conversation, a little bit more affirmation. 828 00:41:06,760 --> 00:41:10,360 Speaker 4: Okay, that makes sense. I how about you? I don't know. 829 00:41:10,480 --> 00:41:12,239 Speaker 3: Like I said, I don't have an opinion really to 830 00:41:12,280 --> 00:41:15,960 Speaker 3: speak on right now. It's I typically can formulate what 831 00:41:16,000 --> 00:41:17,840 Speaker 3: I think is going to be. I don't want to 832 00:41:17,880 --> 00:41:21,480 Speaker 3: over analyze it because it could be way more emotional 833 00:41:21,719 --> 00:41:23,880 Speaker 3: than I expect, and it could be game changing for 834 00:41:23,920 --> 00:41:29,680 Speaker 3: the whole process. I will only say this, what if 835 00:41:30,200 --> 00:41:32,759 Speaker 3: this is the thing that we're hearing Joey say, this 836 00:41:32,840 --> 00:41:36,239 Speaker 3: has never happened before, right, yeah, Oh, but. 837 00:41:36,680 --> 00:41:39,160 Speaker 2: I think that we actually see his mouth move. 838 00:41:39,360 --> 00:41:40,120 Speaker 4: Oh they're good at that. 839 00:41:40,200 --> 00:41:45,200 Speaker 2: Actually, maybe maybe his back is turned, but he is present. 840 00:41:45,239 --> 00:41:47,399 Speaker 3: When I put that over, I'm not saying, just don't 841 00:41:47,480 --> 00:41:49,680 Speaker 3: leave it out that this could be the moment that 842 00:41:49,760 --> 00:41:50,480 Speaker 3: changes everything. 843 00:41:50,600 --> 00:41:54,120 Speaker 2: Okay, okay, okay. Now next week we have women Tell All. 844 00:41:55,040 --> 00:41:56,719 Speaker 2: But I also think we're going to get more of this. 845 00:41:56,760 --> 00:41:58,720 Speaker 2: I don't think it's going to be a full two hours, 846 00:41:59,000 --> 00:42:00,560 Speaker 2: just basically, which is good. 847 00:42:00,640 --> 00:42:01,080 Speaker 4: We love it. 848 00:42:01,280 --> 00:42:03,839 Speaker 2: We love not seeing a lot of We love not 849 00:42:03,880 --> 00:42:04,680 Speaker 2: having a big one. 850 00:42:05,000 --> 00:42:08,400 Speaker 3: I can't watch two hours of Sydney and Maria fighting. 851 00:42:09,080 --> 00:42:10,480 Speaker 4: We don't. 852 00:42:10,560 --> 00:42:13,880 Speaker 2: We want to happy. We want to happy come together 853 00:42:13,960 --> 00:42:16,320 Speaker 2: moment for everyone though, and that'll be it. 854 00:42:16,560 --> 00:42:17,120 Speaker 4: Don't we all? 855 00:42:17,239 --> 00:42:20,920 Speaker 3: Okay, Hey, Ashley, it's been great. We're coming to the 856 00:42:21,000 --> 00:42:22,560 Speaker 3: end of the season, which is sad in a lot 857 00:42:22,600 --> 00:42:24,680 Speaker 3: of ways, but we do, as I mentioned, have a 858 00:42:24,719 --> 00:42:26,680 Speaker 3: lot of good things coming your way here at the 859 00:42:26,719 --> 00:42:30,839 Speaker 3: Almost Famous podcast. The fun part about this time of 860 00:42:31,040 --> 00:42:34,160 Speaker 3: the year is soon we'll start having these interviews with 861 00:42:34,200 --> 00:42:36,080 Speaker 3: some of the people that are your favorites from this season, 862 00:42:36,520 --> 00:42:40,120 Speaker 3: including Joey the Bachelor, to you know, the Marias and 863 00:42:40,120 --> 00:42:41,440 Speaker 3: the Sydney's hopefully of the world. 864 00:42:41,520 --> 00:42:43,080 Speaker 4: We're going to have great interviews. 865 00:42:42,719 --> 00:42:45,200 Speaker 3: Coming out, getting more of a lay of the land 866 00:42:45,320 --> 00:42:47,360 Speaker 3: of this season and the behind the scenes of everything 867 00:42:47,400 --> 00:42:50,200 Speaker 3: going on. So we'll be back, but until next time, 868 00:42:50,239 --> 00:42:51,560 Speaker 3: I've been Ben, I've been. 869 00:42:51,480 --> 00:42:52,960 Speaker 2: Actually see you guys. Thank you. 870 00:42:53,600 --> 00:42:56,560 Speaker 1: Follow the Ben and Ashley I Almost Famous podcast on 871 00:42:56,600 --> 00:42:59,799 Speaker 1: iHeartRadio or subscribe wherever you listen to podcasts.