WEBVTT - Laura Brown

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<v Speaker 1>Oh, sorry, don't worry. I love the sirens. It's New York. Well,

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<v Speaker 1>I'm very happy that your hair answering these questions because

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<v Speaker 1>you're a player. Thanks, I'm happy to be asked. We

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<v Speaker 1>are both sounding very dulcet, and you notice that so good.

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<v Speaker 1>I was being soothed because I haven't had a very

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<v Speaker 1>soothing morning, and you're right there. Good. I'm so glad.

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<v Speaker 1>It's also the microphone. It's a really good mike. Oh yeah,

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<v Speaker 1>I love it. But I've got a voice for radio.

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<v Speaker 1>You've got it, got a vice for AI on a

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<v Speaker 1>bad percent now, I've also got a body for radio

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<v Speaker 1>as well. Hello, I'm Mini Driver. Welcome to The Many

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<v Speaker 1>Questions Season two. I've always loved Cruce's questionnaire. It was

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<v Speaker 1>originally a nineteenth century parlor game where players would ask

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<v Speaker 1>each other thirty five questions aimed at revealing the other

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<v Speaker 1>player's true nature. It's just the scientific method, really. In

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<v Speaker 1>asking different people same set of questions, you can make

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<v Speaker 1>observations about which truths appeared to be universal. I love

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<v Speaker 1>this discipline, and it made me wonder, what if these

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<v Speaker 1>questions were just the jumping off point, what greater depths

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<v Speaker 1>would be revealed if I ask these questions as conversation

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<v Speaker 1>starters with thought leaders and trailblazers across all these different disciplines.

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<v Speaker 1>So I adapted prus questionnaire and I wrote my own

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<v Speaker 1>seven questions that I personally think a pertinent to a

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<v Speaker 1>person's story. They are when and where were you happiest?

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<v Speaker 1>What is the quality you like least about yourself? What relationship,

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<v Speaker 1>real or fictionalized, defines love for you? What question would

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<v Speaker 1>you most like answered, What person, place, or experience has

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<v Speaker 1>shaped you the most? What would be your last meal?

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<v Speaker 1>And can you tell me something in your life that's

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<v Speaker 1>grown out of a personal disaster? And I've gathered a

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<v Speaker 1>group of really remarkable people, ones that I am honored

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<v Speaker 1>and humbled to have had the chance to engage with.

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<v Speaker 1>You may not hear their answers to all seven of

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<v Speaker 1>these questions. We've whittled it down to which questions felt

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<v Speaker 1>closest to their experience or the most surprising, or created

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<v Speaker 1>the most fertile ground to connect. My guest today on

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<v Speaker 1>many Questions is Laura Brown. Laura Brown is a brilliant journalist.

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<v Speaker 1>She's the former editor in chief of in Style magazine

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<v Speaker 1>and executive director of Harper's Bazaar magazine. She started her

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<v Speaker 1>career with Mode and Australian Fashion mag eventually working for

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<v Speaker 1>Harper's Bazaar Australia and Talk Magazine. Then she became a

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<v Speaker 1>senior editor at W and then joined Harper's Bazaar, where

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<v Speaker 1>she produced a ton of the magazine's most impressive covers,

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<v Speaker 1>including maybe her most famous cover from March two thousand fifteen,

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<v Speaker 1>featuring Rhianna in a gold bathing suit inside the jaws

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<v Speaker 1>of a great white shark. It is an epic image.

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<v Speaker 1>Laura's interviewed some of the biggest names, Oprah, Stephen Colbert.

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<v Speaker 1>She's hosted the podcast Ladies First with Laura Brown, dedicated

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<v Speaker 1>to women driven by bravery, kindness, and curiosity. And those

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<v Speaker 1>are the cornerstones of who Laura Brown is to me

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<v Speaker 1>and it seems to everybody else. She has a kind

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<v Speaker 1>of rare creative magic about her and a curiosity about

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<v Speaker 1>life and an appetite for metabolizing culture and making it

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<v Speaker 1>available to all of us, for fashion to not be remote,

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<v Speaker 1>for celebrity to not be remote. She brings things in

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<v Speaker 1>and she she makes them comfortable and beautiful and understandable.

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<v Speaker 1>And it was a great pleasure speaking to her. So

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<v Speaker 1>what person, place, or experience most altered your life. I

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<v Speaker 1>was probably my mom getting to botch from my dad

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<v Speaker 1>when I was five and moving. We were on a

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<v Speaker 1>farm outside of Sydney and we moved to Sydney proper.

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<v Speaker 1>We had a bit of money for that year and

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<v Speaker 1>then we didn't have any and I I think that

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<v Speaker 1>was her bringing me up, but me needing to take

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<v Speaker 1>care of myself, you know, and very much wanting to

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<v Speaker 1>react against, you know, being stuck or not having my

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<v Speaker 1>ability and having money or whatever. So I was like

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<v Speaker 1>working I waitress since I was fourteen, so I could

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<v Speaker 1>buy my own clothes and I could do that kind

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<v Speaker 1>of stuff. So I feel like it's having a life

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<v Speaker 1>with one of the person with a mom and the

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<v Speaker 1>resources that you have. But she was always the ongoing

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<v Speaker 1>with a newspaper going read this, read that, like whenever

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<v Speaker 1>I'm on the phone joining out, did you know that

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<v Speaker 1>the trade in Australia is blah blah blah, Like she's

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<v Speaker 1>always so up on things. So a lack of resources

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<v Speaker 1>but a lot of awareness I think read from that,

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<v Speaker 1>and then the desire to get myself up and into

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<v Speaker 1>the world in whatever way that was and get where

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<v Speaker 1>the grown ups were because I didn't have any other

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<v Speaker 1>sisters and brothers around me or that kind of stuff.

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<v Speaker 1>Obviously I made my school friends and everything. But I

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<v Speaker 1>think that situation. I often think about if my mom

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<v Speaker 1>and dad has said together and lived on this farm

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<v Speaker 1>where I would be. I think I'd still get to

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<v Speaker 1>the same. But I don't. You don't know, do you?

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<v Speaker 1>You don't know when when what happens when you're sprung

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<v Speaker 1>somewhere when you're five years old. There i'd be, you know,

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<v Speaker 1>mega farmer brown number two. I'd be a crap farmer,

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<v Speaker 1>farmer browner, farmer browner. No, I would be a terrible farmer.

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<v Speaker 1>But yeah, I think my mom for sure, my mom

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<v Speaker 1>and circumstances with my mom, rather than like that sort

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<v Speaker 1>of mushi my mom. You know, it's part and parcel

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<v Speaker 1>of my mother and the circumstances we were in. So

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<v Speaker 1>what quality do you like least about yourself? Impatience? But

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<v Speaker 1>I kind of like it sometimes in what way, just

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<v Speaker 1>because I want to get things done, you know what

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<v Speaker 1>I mean? And I don't like a lot of dillydall hate.

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<v Speaker 1>I do love fasting around, Like in my apartment, I

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<v Speaker 1>love a good fat Yeah. I think sometimes I was like, oh,

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<v Speaker 1>not everybody can necessarily work at the speed that I do.

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<v Speaker 1>I was going to say, I think it's more to

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<v Speaker 1>do with alacrity and speediness, Like come on, bullet, get there.

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<v Speaker 1>You come on, I see where it's going. Come on,

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<v Speaker 1>get there. You're standing at the finish line with your

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<v Speaker 1>arms crossed, houghily waiting for everyone else to catch up.

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<v Speaker 1>I can imagine you. Yeah, so I was always a

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<v Speaker 1>bit of a ship runner um. But no, a little

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<v Speaker 1>bit a bit of that, I think, just to be like,

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<v Speaker 1>come on, why isn't this is clear? You know? And

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<v Speaker 1>it's just not giving myself a compliment. It's it really

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<v Speaker 1>isn't somebody going, oh, I just get it and you don't.

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<v Speaker 1>It's not it's not the deal. No, no no, no. But also,

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<v Speaker 1>why don't we Why is that a bad thing because

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<v Speaker 1>you're being impatient with other people? Or I'm just wondering

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<v Speaker 1>because it feels like it's quite a good thing to

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<v Speaker 1>get the answer to a problem quicker. I just feel like, socially,

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<v Speaker 1>you shouldn't, you know, I just added empathetically, you should

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<v Speaker 1>be learned to be patient sometimes. But I do think

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<v Speaker 1>in my business, and I guess maybe in New York

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<v Speaker 1>and everything, I'm like, I don't like mucking around. I

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<v Speaker 1>don't like work creation, I don't like wibbly wobbling. I

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<v Speaker 1>don't like second guessing. I hate overthinking, because whoever overthought

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<v Speaker 1>anything and went, oh, that that's better, that was worth it.

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<v Speaker 1>Sometimes I feel like lately I've turned into like some

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<v Speaker 1>sort of like my verbie. It has become like a

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<v Speaker 1>bully in an eighties in high school movie where literally

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<v Speaker 1>the other day I went, I can't stand these weenies.

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<v Speaker 1>People have been freaking weenies. Who is this weenie? But

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<v Speaker 1>I'm like, there's just a lot of weenie. I think

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<v Speaker 1>it's going to think. There's so much language right now

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<v Speaker 1>which has become weaponized. Yes, which is why I'm pulling

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<v Speaker 1>Weenie out. Yeah, pull out. I weaponized my weenie. You

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<v Speaker 1>weaponize your week. I like that you weaponized your whenie.

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<v Speaker 1>Someone had to someone was gonna ladies. It's about ownership

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<v Speaker 1>and weaponizing your weenie. And I don't know, dr F.

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<v Speaker 1>I'd go go to town and up. It's weird because

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<v Speaker 1>like the next of patients and no I can encourage

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<v Speaker 1>you to come up to speed and believe that that

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<v Speaker 1>is actually empowering those people to work harder and faster.

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<v Speaker 1>But as you said, there's a balance with being patients,

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<v Speaker 1>and many people get there in there in time. I

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<v Speaker 1>just get and I'm like, oh it's not working. Look

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<v Speaker 1>I'll just do it. Yeah, I'm not getting it assigned.

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<v Speaker 1>I'm just gonna do you know what I mean. So

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<v Speaker 1>like let's just do it. And we have to talk

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<v Speaker 1>around it for like half an hour, but why we're

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<v Speaker 1>doing it. I decided it's fine, move on. That might

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<v Speaker 1>be a cultural thing though, but it isn't as an

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<v Speaker 1>American thing, like just a bit of Manian And like

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<v Speaker 1>I told you what I mean, I've noticed that Americans

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<v Speaker 1>want a lot of explaining, like talking it out, Like

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<v Speaker 1>I don't want to therapize around a decision sometimes I

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<v Speaker 1>just want a decision exactly. And doesn't mean there's no

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<v Speaker 1>diss on you, you know, there's no diss to the process.

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<v Speaker 1>Just like we're just moving on now, saving my day.

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<v Speaker 1>Not meaning to be mean to Americans because obviously we

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<v Speaker 1>both live here, no, no, but it's sort of a

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<v Speaker 1>corporate American thing a little bit sometimes you know, it's

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<v Speaker 1>not the entire land at all, but it is just

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<v Speaker 1>a little bit of like work creation. And we had

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<v Speaker 1>a talk this straw and we made this deck or

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<v Speaker 1>we did this, and I'm like, I don't need to

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<v Speaker 1>see your deck. I don't need to see like you

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<v Speaker 1>know what I mean, Like, I just need to get

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<v Speaker 1>on with it. There's so much to produce. I think

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<v Speaker 1>it's that. I think it's exactly that. You know. Recently

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<v Speaker 1>I was doing a film and rather guttingly, as usual,

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<v Speaker 1>I found myself in a movie with a huge amount

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<v Speaker 1>of music. But again because I was playing the high

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<v Speaker 1>soprano of the Paris Opera. Of course you are. And

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<v Speaker 1>while I sing, I do not sing like that. And

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<v Speaker 1>she needed to sing in the extraordinary way. Ship dude,

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<v Speaker 1>So the studio or arrange you like, I keep getting

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<v Speaker 1>these emails going. You know, we really want you to

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<v Speaker 1>do these, you know, voice lessons. You know you have

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<v Speaker 1>to go with a vocal coach. And I was like,

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<v Speaker 1>I'm not singing. I've got a lip sync Really, what

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<v Speaker 1>I've got to do is practice lip syncing in front

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<v Speaker 1>of the mirror in a foreign language. Yeah, but they

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<v Speaker 1>were so obsessed with but no, because it's music and

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<v Speaker 1>there's vocalizing. It needed to go in this. So eventually

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<v Speaker 1>I just did it because no one was shutting up

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<v Speaker 1>about it. So I just had this meeting with this

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<v Speaker 1>very nice man where we both went, this is sort

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<v Speaker 1>of pointless, but it's really nice to meet you, right,

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<v Speaker 1>the indulgence of like this sort of work creation. Like

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<v Speaker 1>we said, we're going to do it this way to

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<v Speaker 1>a TI TI see, and I'm like already I'm already

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<v Speaker 1>at D And it's the same result. I know. I

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<v Speaker 1>concur I can't think that that is a quality to likely.

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<v Speaker 1>Don't ever give that up. I like concurring. No, it's

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<v Speaker 1>just like sometimes I mean, yeah, I mean what am

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<v Speaker 1>I going to say? What I like at least about myself?

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<v Speaker 1>You know what, that's actually great thing about me. I

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<v Speaker 1>think it's really good that when you say the thing

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<v Speaker 1>you like least by yourself. Actually, by the time you

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<v Speaker 1>finished talking about it, you go, do you know what?

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<v Speaker 1>I think that's actually fucking great. Scratch that from the record.

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<v Speaker 1>I'm perfect. You know, just if you could just thank

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<v Speaker 1>thank you so much, Minny for concluding that winning Wednesday

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<v Speaker 1>over here, fully winning Wednesday, winning Wednesday. This can be

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<v Speaker 1>honestly as sort of matter or as literal as you decide,

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<v Speaker 1>but the betase I've got them new metaphorse, please no, no,

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<v Speaker 1>that's not about that. When and where were you happiest?

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<v Speaker 1>When and where was I happiest? Ship many Here's the thing.

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<v Speaker 1>I'm a Gemini, know I sort of have a split

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<v Speaker 1>screen life, if it makes sense. So I'm happiest in

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<v Speaker 1>two modes. And I don't know exactly if I can

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<v Speaker 1>pinpoint like a time, but I'm happiest in New York

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<v Speaker 1>and I'm working with incredible people and we're making something

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<v Speaker 1>amazing together, and I'm inspired by them and I can

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<v Speaker 1>feed off that for weeks, or if I'm in Australia

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<v Speaker 1>literally being poured at by baby kangaroos at my friend's sanctuary,

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<v Speaker 1>I'm completely ecstatic by both of them, and I think

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<v Speaker 1>each one sort of feeds the other, and having the

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<v Speaker 1>option to be able to do both. If that makes sense,

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<v Speaker 1>it really doesn't. I love the idea of baby kangaroos

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<v Speaker 1>pouring at fashion. Joey's pouring. They pour at your skirts.

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<v Speaker 1>And then when they're really young, they called pinkies. And

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<v Speaker 1>it's when at the beginning their eyes are still kind

0:11:23.920 --> 0:11:26.760
<v Speaker 1>of closed before they're Joey is their pinkies. The pink

0:11:26.800 --> 0:11:30.000
<v Speaker 1>is because they're literally pink. I love so literal Australia.

0:11:30.080 --> 0:11:32.520
<v Speaker 1>I don't know it's pink, call it pink. You know

0:11:32.640 --> 0:11:35.240
<v Speaker 1>you find pink, pinky kangaroos and the Great Sandy Desert.

0:11:35.280 --> 0:11:38.839
<v Speaker 1>Because it's sad, simple, we're simple folk. I like it.

0:11:38.840 --> 0:11:41.280
<v Speaker 1>It's very user friendly. When their eyes just open, they

0:11:41.280 --> 0:11:43.800
<v Speaker 1>have very dark black eyes and they literally like animatronic

0:11:43.800 --> 0:11:46.280
<v Speaker 1>and they're like, I wish everyone could see Laura's physical

0:11:46.320 --> 0:11:51.720
<v Speaker 1>impression of a pinky baby newborn kangaroo. Hey man, it's legit. Yes,

0:11:51.800 --> 0:11:53.800
<v Speaker 1>so that's sort of I know it's a hybrid answer.

0:11:53.840 --> 0:11:56.840
<v Speaker 1>I'm sorry it is. It is duality, it's not one thing.

0:11:57.240 --> 0:12:00.240
<v Speaker 1>Is that endemic in your life? Do you think there

0:12:00.360 --> 0:12:04.360
<v Speaker 1>is always a duality around most things? Yes, there is

0:12:04.360 --> 0:12:06.400
<v Speaker 1>always a duality most things. I came from Australia. I

0:12:06.400 --> 0:12:08.680
<v Speaker 1>live in New York. I really mythologize New York and

0:12:08.720 --> 0:12:10.840
<v Speaker 1>I really wanted to be part of that. And then

0:12:10.920 --> 0:12:13.959
<v Speaker 1>as one matures and you start to remember where you

0:12:14.000 --> 0:12:15.720
<v Speaker 1>came from and appreciate where you came from and not

0:12:15.760 --> 0:12:18.120
<v Speaker 1>try to strain yourself to get your ass out of

0:12:18.120 --> 0:12:20.720
<v Speaker 1>there so much so I think more as I've gotten older,

0:12:20.880 --> 0:12:23.760
<v Speaker 1>that duality is there, you know, the ability to go

0:12:23.840 --> 0:12:25.800
<v Speaker 1>between the two of that thinking that the place I

0:12:25.840 --> 0:12:28.360
<v Speaker 1>came from is lesser and not cool and not whatever,

0:12:28.440 --> 0:12:29.880
<v Speaker 1>and you know what I mean, And everything had to

0:12:29.920 --> 0:12:31.640
<v Speaker 1>be up here because I think once you get the

0:12:31.640 --> 0:12:33.760
<v Speaker 1>measure of up here versus down there, and you've been

0:12:33.760 --> 0:12:36.079
<v Speaker 1>doing it for a while, there's things you really appreciate,

0:12:36.160 --> 0:12:38.560
<v Speaker 1>but you don't just having perspective on me anything on

0:12:38.640 --> 0:12:41.840
<v Speaker 1>people or things that you have again mythologized and just

0:12:41.920 --> 0:12:44.800
<v Speaker 1>realized that they're oldest people. Do you think that you

0:12:44.840 --> 0:12:47.160
<v Speaker 1>can do that in other aspects of your life, that

0:12:47.280 --> 0:12:50.679
<v Speaker 1>being able to be fluid about the quite literally the

0:12:50.720 --> 0:12:54.680
<v Speaker 1>southern and the Northern hemisphere and kangaroos and high fashion

0:12:54.840 --> 0:12:58.040
<v Speaker 1>that you are pretty fluid? Yeah, I am. I am.

0:12:58.080 --> 0:12:59.800
<v Speaker 1>I can sort of plunk anywhere and be all right.

0:12:59.800 --> 0:13:01.400
<v Speaker 1>And I think they got that for my dad. My

0:13:01.520 --> 0:13:06.000
<v Speaker 1>dad was literally farmer Brown, a dairy farmer, and he's dead.

0:13:06.679 --> 0:13:08.680
<v Speaker 1>He would say that I'm Richard him, I'm dead. But

0:13:08.720 --> 0:13:10.720
<v Speaker 1>anyway he would be able to go to the oscars

0:13:10.800 --> 0:13:13.120
<v Speaker 1>or a gas station or a hospital or whatever it

0:13:13.200 --> 0:13:15.000
<v Speaker 1>is and just be able to kind of find a

0:13:15.080 --> 0:13:18.240
<v Speaker 1>level with people, and I think that that's what I've

0:13:18.280 --> 0:13:20.520
<v Speaker 1>been able to do, at least to date. I don't

0:13:20.559 --> 0:13:22.360
<v Speaker 1>know if it's a bit of only child syndrome too.

0:13:22.360 --> 0:13:23.680
<v Speaker 1>It's like, come on, be my friend. I mean, I

0:13:23.679 --> 0:13:24.959
<v Speaker 1>have a half sister, my dad said, but I was

0:13:25.000 --> 0:13:26.720
<v Speaker 1>raised on my own, so I think there's a bit

0:13:26.760 --> 0:13:30.360
<v Speaker 1>of likes younger as definitely a pleaser. I do like

0:13:30.400 --> 0:13:32.200
<v Speaker 1>to get on with people, but I think that that

0:13:32.600 --> 0:13:34.720
<v Speaker 1>you know, if you are in the world, you should

0:13:34.720 --> 0:13:37.240
<v Speaker 1>be able to meet people on their level, wherever it is,

0:13:37.320 --> 0:13:40.679
<v Speaker 1>if you're alive, and not just have your blinkers on

0:13:40.720 --> 0:13:44.079
<v Speaker 1>all day. M It's interesting. I'm fascinated by what makes

0:13:44.120 --> 0:13:46.360
<v Speaker 1>people happy or what their version of happiness is. I'd

0:13:46.400 --> 0:13:49.040
<v Speaker 1>like the idea that it's an oscillation between two worlds,

0:13:49.280 --> 0:13:51.600
<v Speaker 1>and the idea of being able to move easily through

0:13:51.600 --> 0:13:55.040
<v Speaker 1>the world is what makes you happy. Yeah, freedom of

0:13:55.120 --> 0:13:59.840
<v Speaker 1>movement is what makes me happy, and losing my freedom

0:13:59.840 --> 0:14:03.480
<v Speaker 1>of movement is terrifying being stuck somewhere. I don't like

0:14:03.600 --> 0:14:06.600
<v Speaker 1>the idea of that was the pandemic card for you? Then, like,

0:14:06.679 --> 0:14:09.360
<v Speaker 1>in terms of lockdown, let's say not the pandemic, but

0:14:09.400 --> 0:14:11.360
<v Speaker 1>being locked down and having to be in one place

0:14:11.480 --> 0:14:13.360
<v Speaker 1>or was that hard for you or to do? Like

0:14:13.440 --> 0:14:16.319
<v Speaker 1>it because it let you off the hook. No, because

0:14:16.840 --> 0:14:19.240
<v Speaker 1>because it was everybody, or just because it was a

0:14:19.360 --> 0:14:22.560
<v Speaker 1>universal experience, so it wasn't just me being tied down.

0:14:22.600 --> 0:14:26.080
<v Speaker 1>Everybody else was flapping around. So no, I didn't feel

0:14:26.280 --> 0:14:28.320
<v Speaker 1>you know, we felt constrained, but I didn't feel like

0:14:28.320 --> 0:14:29.920
<v Speaker 1>I was. Something was happening to me that wasn't happening

0:14:29.960 --> 0:14:31.400
<v Speaker 1>to everyone else. So I don't know. I just think

0:14:31.400 --> 0:14:33.840
<v Speaker 1>success is freedom of movements. And no, that doesn't necessarily

0:14:33.880 --> 0:14:36.119
<v Speaker 1>matter how much money you have, not in the slightest

0:14:36.360 --> 0:14:38.840
<v Speaker 1>or whatever allows you to have freedom of movement in

0:14:38.840 --> 0:14:40.880
<v Speaker 1>a schedule because I just I want to be able

0:14:40.920 --> 0:14:43.520
<v Speaker 1>to go places and see people and or at least

0:14:43.640 --> 0:14:45.640
<v Speaker 1>even if I'm not doing it in life, I'm doing

0:14:45.640 --> 0:14:48.120
<v Speaker 1>it on here, aren't I So? And that's also my profession,

0:14:48.200 --> 0:14:50.000
<v Speaker 1>journalism allows me to do that, and I get to

0:14:50.040 --> 0:14:51.960
<v Speaker 1>meet all these different people every single day. So that

0:14:52.040 --> 0:14:55.400
<v Speaker 1>did help me through the old penny because I have

0:14:55.520 --> 0:14:58.240
<v Speaker 1>all these access to other people's experiences. So I think

0:14:58.240 --> 0:15:01.160
<v Speaker 1>I luckily, I think did better than than some people

0:15:01.160 --> 0:15:04.040
<v Speaker 1>because I had that opportunity rather than just sitting around

0:15:04.080 --> 0:15:06.120
<v Speaker 1>going what do I do now? Yeah? You know I

0:15:06.120 --> 0:15:08.080
<v Speaker 1>had work to do. You did, You had to get

0:15:08.120 --> 0:15:23.120
<v Speaker 1>on with it. I did. What question would you most

0:15:23.160 --> 0:15:26.840
<v Speaker 1>like answered? What question would I most like answered? Why

0:15:26.880 --> 0:15:30.120
<v Speaker 1>does so many people not care about other people? Like?

0:15:30.280 --> 0:15:33.920
<v Speaker 1>Why are so many people are so my opics? Someone

0:15:33.960 --> 0:15:37.480
<v Speaker 1>empathetic so lacking an understanding of others. It doesn't mean

0:15:37.520 --> 0:15:40.840
<v Speaker 1>you have to be benevolent or charitable, or give money

0:15:41.080 --> 0:15:44.120
<v Speaker 1>or be woke or hashtag all day on on your Instagram.

0:15:44.120 --> 0:15:45.880
<v Speaker 1>But why don't people are just looking right now? But

0:15:45.920 --> 0:15:47.720
<v Speaker 1>people who won't get vacs, people who are scared of

0:15:47.720 --> 0:15:49.960
<v Speaker 1>other people. You know, I don't get it. I've always

0:15:50.000 --> 0:15:52.200
<v Speaker 1>found it seems to be a harder way to be

0:15:52.480 --> 0:15:55.160
<v Speaker 1>to not just go X, Y and Z are people

0:15:55.200 --> 0:15:57.720
<v Speaker 1>in finaltle. I just don't understan why people don't care

0:15:57.800 --> 0:16:00.360
<v Speaker 1>about others and don't see people as people. I find

0:16:00.360 --> 0:16:04.280
<v Speaker 1>that the most extraordinary and politically here as as we've seen.

0:16:04.600 --> 0:16:07.080
<v Speaker 1>And cynicism, why people cav there in cynical with the

0:16:07.080 --> 0:16:09.600
<v Speaker 1>way they communicate to people. Fox News, you know, gets

0:16:09.640 --> 0:16:12.440
<v Speaker 1>my blood boiling more than anything. And in the past

0:16:12.480 --> 0:16:14.880
<v Speaker 1>you're and just saying how disposable and how little respect

0:16:14.920 --> 0:16:16.800
<v Speaker 1>they have for their audience and for their minds, for

0:16:16.840 --> 0:16:19.360
<v Speaker 1>their health. And then you know, like Lucalan Modock goes

0:16:19.400 --> 0:16:21.520
<v Speaker 1>off and builds a you know, leaves everybody here to

0:16:21.560 --> 0:16:24.000
<v Speaker 1>be misinformed by Tucker Carlson and go to Sydney for

0:16:24.040 --> 0:16:26.480
<v Speaker 1>three months and buys a boat wharf. You know, that

0:16:26.560 --> 0:16:29.040
<v Speaker 1>sort of stuff really upsets me when it just goes.

0:16:29.080 --> 0:16:31.720
<v Speaker 1>It's a disrespect for people who we may not agree with,

0:16:31.840 --> 0:16:34.240
<v Speaker 1>you know, but like people could have real power, why

0:16:34.280 --> 0:16:36.920
<v Speaker 1>they don't care. You still can have your stuff, you

0:16:36.920 --> 0:16:39.240
<v Speaker 1>can still have your boats, you know, but why are

0:16:39.240 --> 0:16:41.880
<v Speaker 1>they throwing these people away? I couldn't agree with you

0:16:41.960 --> 0:16:46.360
<v Speaker 1>more because I think the dislocation from basic humanity, this

0:16:46.520 --> 0:16:51.640
<v Speaker 1>evolution of a protectionist like spiritual protectionism and literal protectionism

0:16:51.680 --> 0:16:56.040
<v Speaker 1>and then closing borders in all senses figuratively and literally. Yeah,

0:16:56.120 --> 0:16:58.560
<v Speaker 1>the evolution of that is them. And I don't even

0:16:58.560 --> 0:17:00.600
<v Speaker 1>mind saying them. I hate the US and them, but

0:17:00.680 --> 0:17:04.040
<v Speaker 1>in this instances them no longer believing that there's anything

0:17:04.040 --> 0:17:07.320
<v Speaker 1>wrong with it, that just looking out for number one,

0:17:07.560 --> 0:17:10.439
<v Speaker 1>and forgetting that you're living in a world full of

0:17:10.480 --> 0:17:14.560
<v Speaker 1>billions of people, and even in your community or representing

0:17:14.560 --> 0:17:17.560
<v Speaker 1>a country, and how how easily that's been stirred up

0:17:17.600 --> 0:17:19.520
<v Speaker 1>in the past few years, and how revealing it is

0:17:19.520 --> 0:17:21.720
<v Speaker 1>whether or not it was obviously they're festering before. But

0:17:21.800 --> 0:17:25.240
<v Speaker 1>I just don't have an inability to just cast aside

0:17:25.440 --> 0:17:27.560
<v Speaker 1>groups of people. And I'm not like a bleeding heart either.

0:17:27.600 --> 0:17:30.600
<v Speaker 1>I'm a pragmatist, but you know, I just to disrespect,

0:17:30.880 --> 0:17:35.359
<v Speaker 1>especially at the moment, people's health. Their health. Oh yeah,

0:17:35.600 --> 0:17:38.320
<v Speaker 1>I mean historically we do this right as human beings.

0:17:38.680 --> 0:17:42.640
<v Speaker 1>We do this, particularly when empires are declining, and it's

0:17:42.720 --> 0:17:45.399
<v Speaker 1>like people start grabbing. It's sort of like a smash

0:17:45.400 --> 0:17:48.160
<v Speaker 1>and grab, and I feel that that's where we're at.

0:17:48.320 --> 0:17:51.040
<v Speaker 1>All these systems are breaking down and people are becoming

0:17:51.040 --> 0:17:54.600
<v Speaker 1>more protectionist and more fearful, which means, funk everybody else

0:17:54.680 --> 0:17:56.920
<v Speaker 1>and take care of myself and I don't care about you.

0:17:57.080 --> 0:18:00.159
<v Speaker 1>I don't want to wear a mask. So I'm not

0:18:00.200 --> 0:18:02.480
<v Speaker 1>wearing a mask because it infringes on my personal freedom,

0:18:02.560 --> 0:18:05.000
<v Speaker 1>which will for the rest of my life be one

0:18:05.040 --> 0:18:06.960
<v Speaker 1>of the most insane things I've ever heard. It's one

0:18:06.960 --> 0:18:10.080
<v Speaker 1>of the most insane things you've heard. And yes, so

0:18:10.160 --> 0:18:12.280
<v Speaker 1>that's that's you know, it's a bit bleak out. But

0:18:12.320 --> 0:18:14.320
<v Speaker 1>that is me question, and I you know, I do

0:18:14.359 --> 0:18:16.919
<v Speaker 1>everything I can within my life and my work to

0:18:17.280 --> 0:18:20.720
<v Speaker 1>demonstrate the very opposite. Perhaps that's all we can do,

0:18:20.960 --> 0:18:23.680
<v Speaker 1>but just get a bit wearing sometimes as a journalist

0:18:23.680 --> 0:18:28.879
<v Speaker 1>because you're sorry, that's Laura Brown hitting herself in the face,

0:18:30.160 --> 0:18:33.200
<v Speaker 1>self flagellating, but being flagellated by everything. So it's in

0:18:33.359 --> 0:18:34.800
<v Speaker 1>that when you absorb a lot of it, I can

0:18:34.880 --> 0:18:37.119
<v Speaker 1>kind of get you down, but you try to really

0:18:37.359 --> 0:18:40.000
<v Speaker 1>really I hope there's a balance for that by seeing

0:18:40.119 --> 0:18:42.880
<v Speaker 1>that there is I quote this lovely geneticist I met

0:18:42.880 --> 0:18:44.960
<v Speaker 1>once all the time because he was like, wherever you

0:18:45.080 --> 0:18:48.240
<v Speaker 1>see the rise of anything specifically like organically in the

0:18:48.280 --> 0:18:51.320
<v Speaker 1>world or energetically, wherever you see the rise of one thing,

0:18:51.440 --> 0:18:53.919
<v Speaker 1>for example, if it makes you frightened, let that be

0:18:53.960 --> 0:18:57.960
<v Speaker 1>a trigger to remind you that it's counterpart is present

0:18:58.280 --> 0:19:02.919
<v Speaker 1>as you're feeling that there about rising darkness if you want, right,

0:19:03.080 --> 0:19:06.400
<v Speaker 1>right right, that is literally how the physical universe works.

0:19:06.960 --> 0:19:09.159
<v Speaker 1>Right now, there is the other side, and that's you know,

0:19:09.200 --> 0:19:10.520
<v Speaker 1>and I know I'm very much now it's there. I

0:19:10.520 --> 0:19:13.199
<v Speaker 1>don't know when you're watching Fox News or and perhaps

0:19:13.240 --> 0:19:15.159
<v Speaker 1>you know by the same token. You don't know when

0:19:15.200 --> 0:19:18.000
<v Speaker 1>you're watching CNN. You know you we are. We've become

0:19:18.119 --> 0:19:21.880
<v Speaker 1>partisan and are everything right? Right? Right? I have great

0:19:21.880 --> 0:19:24.920
<v Speaker 1>friends on MSNBC here and whatever I mean. In the media,

0:19:24.960 --> 0:19:27.760
<v Speaker 1>I pay very close attention. But I'm not watching either

0:19:27.840 --> 0:19:30.560
<v Speaker 1>of those sides just to tripally reinforce my own views.

0:19:30.600 --> 0:19:32.159
<v Speaker 1>I know what they are and just sit there and

0:19:32.160 --> 0:19:34.880
<v Speaker 1>everybody pat themselves in the background. Yeah we agree, Yeah

0:19:34.960 --> 0:19:37.960
<v Speaker 1>they I got it, you know, And um, so I'd

0:19:38.040 --> 0:19:55.359
<v Speaker 1>rather just get on with it. Yea. What relationship real

0:19:55.600 --> 0:19:59.520
<v Speaker 1>or fictionalized? To find love? Fear? My relationship with my

0:19:59.560 --> 0:20:04.359
<v Speaker 1>fiance Brandon. Are you affianced? Yeah? Oh my god. Our

0:20:04.440 --> 0:20:06.600
<v Speaker 1>engagement is vintage by this point. We got engaged at

0:20:06.640 --> 0:20:10.200
<v Speaker 1>the end of eighteen. Well that's got a nice long

0:20:10.240 --> 0:20:14.520
<v Speaker 1>engagement like the Victorians. Liked like the Victorians. Yeah, nothing

0:20:14.560 --> 0:20:17.639
<v Speaker 1>wrong with that. In the Kangaroo Sanctuary, we got engaged

0:20:17.680 --> 0:20:20.639
<v Speaker 1>there and then this crazy thing happened globally, wouldn't believe it,

0:20:20.800 --> 0:20:22.679
<v Speaker 1>and um everybody had to stay home and can get

0:20:22.720 --> 0:20:25.640
<v Speaker 1>married and yes, so, but I love him very much.

0:20:25.720 --> 0:20:29.760
<v Speaker 1>What is it about that particular relationship that defines love

0:20:29.800 --> 0:20:32.480
<v Speaker 1>for you? It's so funny. He can probably hear me,

0:20:32.600 --> 0:20:36.880
<v Speaker 1>can you hear me? I think it is the lack

0:20:36.920 --> 0:20:39.520
<v Speaker 1>of ambiguity, you know what I mean, just the way

0:20:39.560 --> 0:20:43.320
<v Speaker 1>of just being entirely yourself and having that baseline and

0:20:43.400 --> 0:20:46.600
<v Speaker 1>just and sincerity. He's a very very very very sincere

0:20:46.800 --> 0:20:50.320
<v Speaker 1>person who loves people, who loves his family and loves

0:20:50.359 --> 0:20:52.679
<v Speaker 1>his friends, very very deeply loves people so much that

0:20:52.720 --> 0:20:55.159
<v Speaker 1>makes me come off a bit bit pat sometimes. I

0:20:55.200 --> 0:20:58.840
<v Speaker 1>like that clarity and sincerity. No, I write these things

0:20:58.840 --> 0:21:01.360
<v Speaker 1>down because I like to go back and revisit them.

0:21:01.440 --> 0:21:03.840
<v Speaker 1>It's so true, though, isn't it. By the time, you're

0:21:03.880 --> 0:21:06.040
<v Speaker 1>not as old as I am, But there is definitely

0:21:06.160 --> 0:21:09.679
<v Speaker 1>a cong seven. What are you? Yeah, well I'm a

0:21:09.760 --> 0:21:15.040
<v Speaker 1>hundred and seven? Thanks very much. Wow, you're look stunning gorgeous.

0:21:15.080 --> 0:21:17.680
<v Speaker 1>But don't you find that when you've fought your way

0:21:17.720 --> 0:21:22.520
<v Speaker 1>consistently through jungles, particularly around love, and every time it

0:21:22.520 --> 0:21:24.800
<v Speaker 1>seems to be a bit different. The notion of getting

0:21:24.840 --> 0:21:27.600
<v Speaker 1>to a place where you recognize love as being clear

0:21:27.920 --> 0:21:31.920
<v Speaker 1>and sincere and unambiguous and unambiguous, it makes it makes

0:21:32.000 --> 0:21:35.240
<v Speaker 1>so much sense. Yeah, I didn't meet by until I

0:21:35.280 --> 0:21:37.600
<v Speaker 1>was forty one, so you know, it took me a

0:21:37.600 --> 0:21:39.800
<v Speaker 1>long time to get to that point. I was very

0:21:39.800 --> 0:21:42.160
<v Speaker 1>single all the time. I didn't meet my boyfriend until

0:21:42.200 --> 0:21:45.160
<v Speaker 1>I was forty eight, so like see, And by the way,

0:21:45.359 --> 0:21:48.200
<v Speaker 1>actually looking back on it, probably wouldn't have it any

0:21:48.200 --> 0:21:50.200
<v Speaker 1>other way because I don't think I would have been

0:21:50.240 --> 0:21:53.040
<v Speaker 1>able to cheers to all of the assholes that I

0:21:53.160 --> 0:21:57.080
<v Speaker 1>dated before, because frankly they were brilliant training ground to

0:21:57.119 --> 0:22:01.320
<v Speaker 1>actually be able to be unambiguous and sincere in love

0:22:01.800 --> 0:22:05.199
<v Speaker 1>she is. It isn't edit life. Isn't edit like that.

0:22:05.240 --> 0:22:08.200
<v Speaker 1>I like it when you speak in like T shirts. Yeah,

0:22:09.080 --> 0:22:11.600
<v Speaker 1>we're calling pull quotes in the biz. Oh is that right?

0:22:11.640 --> 0:22:14.240
<v Speaker 1>Pull quotes? Yeah? No, But it's like it is like like,

0:22:14.320 --> 0:22:16.200
<v Speaker 1>you know, keep what you like, delete what you don't.

0:22:16.440 --> 0:22:18.840
<v Speaker 1>Isn't that just editing? It is? But I wish I

0:22:18.920 --> 0:22:21.400
<v Speaker 1>sometimes wish it hadn't taken quite as long. But actually

0:22:21.520 --> 0:22:24.200
<v Speaker 1>it's all divine timing in it. And that's just when

0:22:24.240 --> 0:22:27.240
<v Speaker 1>you're like in your bones, you know, Yeah, it is

0:22:27.280 --> 0:22:30.600
<v Speaker 1>divine timing if you like try honestly, forty plus ladies, yes,

0:22:30.640 --> 0:22:32.159
<v Speaker 1>your face to us to fall down and stuff, But

0:22:32.240 --> 0:22:34.520
<v Speaker 1>you are in your bones, aren't you? So I think

0:22:34.560 --> 0:22:36.680
<v Speaker 1>that there's a reason why I'm at brand at forty

0:22:36.720 --> 0:22:38.760
<v Speaker 1>when and you met your beloved at forty that's all right.

0:22:38.880 --> 0:22:44.240
<v Speaker 1>It's quid pro faceful. It really is quid pro urs drag,

0:22:45.440 --> 0:22:50.440
<v Speaker 1>quid pro wrinkle. Katie Couric of mind when she does interviews,

0:22:50.440 --> 0:22:54.680
<v Speaker 1>she calls it instant facelett. She just turns what she's

0:22:54.720 --> 0:22:57.200
<v Speaker 1>doing and she's putting her two fingers at her temple

0:22:57.240 --> 0:22:59.600
<v Speaker 1>and just pulling her I wrinkles back like that. You

0:22:59.600 --> 0:23:01.600
<v Speaker 1>have any I wrinkles. Look at that and now look

0:23:01.600 --> 0:23:06.399
<v Speaker 1>at that. Say no, I'm interested, but also youthful. So good.

0:23:06.760 --> 0:23:10.119
<v Speaker 1>You heavily filtered when you do that. It's quite weird. Yeah, anyway,

0:23:10.160 --> 0:23:12.120
<v Speaker 1>this side to not my best side, though, Katie would

0:23:12.119 --> 0:23:14.480
<v Speaker 1>appreciate this being shared, by the way, just so you

0:23:14.520 --> 0:23:16.359
<v Speaker 1>know it's a good trick. But I'd be stuck there.

0:23:16.359 --> 0:23:17.920
<v Speaker 1>I wouldn't want to let If I let go, then

0:23:17.960 --> 0:23:19.840
<v Speaker 1>it would all it would all You'd have to stay there.

0:23:19.880 --> 0:23:23.040
<v Speaker 1>Now then you hang up, breaking up, I'm going into

0:23:23.080 --> 0:23:31.720
<v Speaker 1>a tunnel. Goodbye. In your life, can you tell me

0:23:32.440 --> 0:23:36.560
<v Speaker 1>something that has grown out of the personal disaster? Did

0:23:36.560 --> 0:23:39.000
<v Speaker 1>I sound pack to say like you? The death of

0:23:39.040 --> 0:23:41.600
<v Speaker 1>my father was a personal disaster. That soundselfish? What do

0:23:41.600 --> 0:23:43.840
<v Speaker 1>you mean? Of course that is it sounds like something

0:23:43.840 --> 0:23:46.080
<v Speaker 1>that like like this happened to me, but it did,

0:23:46.200 --> 0:23:49.359
<v Speaker 1>but well, it happens to everybody. Ultimately, what grew out

0:23:49.400 --> 0:23:52.159
<v Speaker 1>of it? I think more closest with my sister, My

0:23:52.200 --> 0:23:54.520
<v Speaker 1>sister Emily, who is a dairy farmer, who is farmer

0:23:54.560 --> 0:23:57.399
<v Speaker 1>brown and her instagram is literally filled with cow's uders.

0:23:58.040 --> 0:24:01.840
<v Speaker 1>I love her. Shame with the others. Sorry, I'm not trying.

0:24:01.920 --> 0:24:04.080
<v Speaker 1>My dad would appreciate this. I'm talking about my father's

0:24:04.200 --> 0:24:06.720
<v Speaker 1>sad death, but he would love this. That's a moving other.

0:24:07.160 --> 0:24:10.000
<v Speaker 1>It's iconic. O. God, look at those others. I'm looking

0:24:10.240 --> 0:24:13.159
<v Speaker 1>closer up. Oh yeah, I'm looking at other cam a

0:24:13.280 --> 0:24:18.480
<v Speaker 1>cow's bum and beautiful pendulous odds looking both like a

0:24:18.560 --> 0:24:24.520
<v Speaker 1>bottom and also giant saggy breasts. They are beautiful. Actually,

0:24:24.960 --> 0:24:27.159
<v Speaker 1>I love cows and one of our bonding things it

0:24:27.200 --> 0:24:29.040
<v Speaker 1>was sort of funny. It was like, I joke is like, oh,

0:24:29.080 --> 0:24:30.879
<v Speaker 1>you're a dairy farmer and I'm in fashion. But you know,

0:24:30.960 --> 0:24:35.920
<v Speaker 1>sometimes we both worked with cows gidding. So him dying

0:24:36.040 --> 0:24:39.560
<v Speaker 1>created more of a bond and a relationship with her. Yeah,

0:24:39.600 --> 0:24:41.080
<v Speaker 1>because I just have to come and go, and we're

0:24:41.160 --> 0:24:43.160
<v Speaker 1>quite similar in a way, and she's a great writer.

0:24:43.240 --> 0:24:45.119
<v Speaker 1>She just has a very different life from me. I

0:24:45.160 --> 0:24:48.320
<v Speaker 1>think this just this understanding of this sort of sadness

0:24:48.320 --> 0:24:50.240
<v Speaker 1>about the mortality of somebody that we didn't think we

0:24:50.240 --> 0:24:52.000
<v Speaker 1>were going to lose as early as we did, and

0:24:52.040 --> 0:24:53.840
<v Speaker 1>then just kind of move on from it. So I

0:24:53.880 --> 0:24:55.160
<v Speaker 1>love her and I want her to come and visit

0:24:55.200 --> 0:24:57.080
<v Speaker 1>me up here. You know, we got a bit stuck

0:24:57.119 --> 0:24:58.760
<v Speaker 1>as well and not sure if I can get home.

0:24:58.840 --> 0:25:01.320
<v Speaker 1>But I think definitely that when something happens to the

0:25:01.320 --> 0:25:03.480
<v Speaker 1>both of you, you know, I think ultimately it's what

0:25:03.600 --> 0:25:07.720
<v Speaker 1>your parents also want, Like that is a very beautiful

0:25:07.760 --> 0:25:10.480
<v Speaker 1>gift for your dad to have bequeathed both of you.

0:25:11.000 --> 0:25:14.640
<v Speaker 1>Is that, in him dying, you guys became tighter exactly?

0:25:14.680 --> 0:25:17.600
<v Speaker 1>Thanks Rachel, Well done, Richard. Thanks Richard, you get a

0:25:17.640 --> 0:25:20.040
<v Speaker 1>siren for that, really getting all the open noises that

0:25:20.080 --> 0:25:21.919
<v Speaker 1>you're lucky that the freaking buzz hasn't gone off. We

0:25:21.920 --> 0:25:24.160
<v Speaker 1>don't have a dormant, so it goes like, oh yeah,

0:25:24.160 --> 0:25:29.159
<v Speaker 1>I mean, I'm surprised that Bob, Bobby, come, can I do?

0:25:30.960 --> 0:25:33.960
<v Speaker 1>I'm surprised he hasn't lost his mind is that's Bob.

0:25:34.240 --> 0:25:36.960
<v Speaker 1>I'm sorry, Are you gorgeous? Are you gorgeous? He just

0:25:37.040 --> 0:25:39.160
<v Speaker 1>had a boss, so he doesn't currently smell, but he's

0:25:39.200 --> 0:25:41.440
<v Speaker 1>the worst smelling dog in the history of dogs. Oh

0:25:41.480 --> 0:25:44.080
<v Speaker 1>my god, I Bobby to Pequita. He looks beautiful, but

0:25:44.160 --> 0:25:46.959
<v Speaker 1>he's actually he's from a very very bad part of

0:25:47.000 --> 0:25:49.840
<v Speaker 1>Los Angeles. He's like a street fighter who looks like

0:25:50.000 --> 0:25:53.280
<v Speaker 1>he Oh it was street Are you a street tough Bob?

0:25:53.280 --> 0:25:55.240
<v Speaker 1>And he allegedly had a terrible fight with a raccoon,

0:25:55.240 --> 0:25:58.399
<v Speaker 1>which is why he's partially blind. I mean, if I

0:25:58.480 --> 0:26:01.960
<v Speaker 1>had a dollar, every time I've had a terrible fight

0:26:02.040 --> 0:26:05.399
<v Speaker 1>with raccoon, bar mine and mostly in a bar, I

0:26:05.440 --> 0:26:11.160
<v Speaker 1>would have six dollars. It's might be willing on fire.

0:26:11.480 --> 0:26:17.760
<v Speaker 1>I'm really hoping not to hear more from Laura. Please

0:26:17.800 --> 0:26:20.879
<v Speaker 1>do check out her podcast Ladies First with Laura Brown,

0:26:21.160 --> 0:26:23.679
<v Speaker 1>which you can find wherever you listen to your podcasts.

0:26:24.480 --> 0:26:27.720
<v Speaker 1>Mini Questions is hosted and written by me Mini Driver,

0:26:28.280 --> 0:26:35.920
<v Speaker 1>supervising producer Aaron Kaufman, Producer Morgan Lavoy, research assistant Marissa Brown.

0:26:36.440 --> 0:26:41.640
<v Speaker 1>Original music Sorry Baby by Mini Driver, Additional music by

0:26:41.640 --> 0:26:46.840
<v Speaker 1>Aaron Kaufman, executive produced by me Mini Driver Special thanks

0:26:47.080 --> 0:26:52.760
<v Speaker 1>to Jim Nikolay, Will Pearson, Addison No Day, Lisa Castella

0:26:52.840 --> 0:26:57.119
<v Speaker 1>and a Nick Oppenheim at w kPr de La Pescador,

0:26:57.800 --> 0:27:02.200
<v Speaker 1>Kate Driver and Jason Weinberg, and for constantly solicited Tex

0:27:02.200 --> 0:27:03.879
<v Speaker 1>support Henry Driver