WEBVTT - #57 The Budget Motel

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<v Speaker 1>A word of warning that today's episode contains descriptions of violence.

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<v Speaker 1>Please take care when listening.

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<v Speaker 2>Hi, how are you doing good?

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<v Speaker 3>I left you like four or five messages?

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<v Speaker 2>Busy day, busy day.

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<v Speaker 3>Do you remember on the Dukes of Hazzard there was

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<v Speaker 3>the sheriff. Do you remember what his name was? Roscoe P. Coltrane.

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<v Speaker 4>Oh?

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<v Speaker 3>I remember it was Roscoe. Do you remember what the

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<v Speaker 3>peace stood for?

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<v Speaker 4>No?

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<v Speaker 3>Was it Philip? Oh? My god, no, she's not.

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<v Speaker 4>How do you know I was lying? How did you

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<v Speaker 4>know why I was lying?

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<v Speaker 3>You sounded too loving.

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<v Speaker 1>I'm Jonathan Goldstein and this is heavyweight today's episode the

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<v Speaker 1>Budget Motel. Right after the break, Nick tells me he

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<v Speaker 1>doesn't consider himself to be a writer. He works as

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<v Speaker 1>a landscaper, but several years ago he felt compelled to

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<v Speaker 1>write about an event that derailed his life. The story's

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<v Speaker 1>title What It's Like to Be Shot. Thirty years ago,

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<v Speaker 1>Nick was shot in the stomach by a coworker, a

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<v Speaker 1>guy named Andy. Nick was twenty one years old, and

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<v Speaker 1>ever since that day he's continued to tell versions of

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<v Speaker 1>what happened. In his twenties, it was a good story

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<v Speaker 1>to tell in a bar.

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<v Speaker 2>Packaged in a way to impress girls.

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<v Speaker 1>In his thirties, it became a kind of flex, something

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<v Speaker 1>to give him that tough guy quality he lacked compared

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<v Speaker 1>to the hunters and brawlers he grew up with in Idaho.

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<v Speaker 1>In his forties, he honed the story to the written version.

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<v Speaker 1>I like Nick's writing so much, asked him if he'd

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<v Speaker 1>read the story aloud.

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<v Speaker 3>To me, Would you mind reading it?

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<v Speaker 2>You want me to just start from the beginning, could you? Yeah?

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<v Speaker 1>It all begins with Nick and his coworker Andy and Burley, Idaho.

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<v Speaker 1>They were there for an out of town irrigation contract.

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<v Speaker 1>Andy was originally from Burley, and so we invited some

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<v Speaker 1>high school friends over to drink beer in the room

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<v Speaker 1>he and Nick were sharing at the budget motel. I'll

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<v Speaker 1>let Nick take it from here.

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<v Speaker 2>The guys had brought in a nine millimeter automatic for

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<v Speaker 2>show and tell. I wouldn't have been surprised if it

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<v Speaker 2>was in fact stolen or purchased illegally. I wasn't particularly

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<v Speaker 2>curious about the weapon, having had my share of firearms

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<v Speaker 2>fund growing up in Pocatel. We littered the sagebrush hills

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<v Speaker 2>with spent casings. I remember sitting on the edge of

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<v Speaker 2>the motel bed across Andy. Andy's eyes were on the gun,

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<v Speaker 2>but not downrange. I was downrange. Andy dropped the magazine,

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<v Speaker 2>charged the slider. It's cool to charge a handgun. It

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<v Speaker 2>makes a cool sound and it feels good, and about

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<v Speaker 2>to dry fire, but had not checked the chamber. I

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<v Speaker 2>leaned to the left, about to say, dude, don't point

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<v Speaker 2>that thing at me. Dude, damn. My first thought was,

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<v Speaker 2>damn it. We were so fired. The gun has gone

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<v Speaker 2>off in our room. I looked down toward my lap

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<v Speaker 2>and noticed the whistle of smoke coming from the torn

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<v Speaker 2>hole in the belt line of my pants. I reached

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<v Speaker 2>around with my left hand and felt a wet spot

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<v Speaker 2>in the small on my back. Holy fucking shit, I've

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<v Speaker 2>just been shot in and out right fucking through me.

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<v Speaker 2>Holy shit. Noting the proximity of the wet spot to

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<v Speaker 2>my spine, I quickly stood up to see if my

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<v Speaker 2>legs worked. They did, and he rushed the gun over

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<v Speaker 2>to Israel, who had brought it. Say you did it, man.

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<v Speaker 2>Israel quickly took a knee in front of me, trying

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<v Speaker 2>to get me to hold the weapon. Dude, say you

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<v Speaker 2>shot yourself. Fucking Call nine one.

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<v Speaker 5>One.

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<v Speaker 2>The police report, written by one of what Burly considered

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<v Speaker 2>their finest, says that I reported the wound accidentally self

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<v Speaker 2>inflicted upon his arrival. I remember saying I've been shot.

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<v Speaker 2>It was an accident, as the cop casually strolled in

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<v Speaker 2>with a stupid board look on his face. A lot

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<v Speaker 2>of the actual agony is beyond memory. I can remember

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<v Speaker 2>what the pain led me to think, Okay, if this

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<v Speaker 2>is the end, let's get it over already. Bring on

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<v Speaker 2>the dark fade or the bright light. There was no

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<v Speaker 2>fear of death, only the impatient anticipation of relief. I

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<v Speaker 2>was bawling and blubbering, like a toddler that had fallen

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<v Speaker 2>off a swing. Every story I'd read of soldiers slowly

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<v Speaker 2>dying on battlefields crying out for their mothers made sense.

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<v Speaker 2>There is a very real need for mommy that supersedes

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<v Speaker 2>any macho imprinting. At this level of helplessness, my pleas

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<v Speaker 2>for morphine were denied. Instead, I was impaled with a

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<v Speaker 2>catheter in my urethra and an NG tube into my

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<v Speaker 2>nose and down my throat. Somewhere I found in myself

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<v Speaker 2>a cooperative attitude toward these brutes. I even reported the

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<v Speaker 2>fact I was wearing contact lenses. As they rubbed the

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<v Speaker 2>orange gue on my belly and shaved my pubic hair.

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<v Speaker 2>They plucked out the lenses before I got wheeled into

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<v Speaker 2>the or. Everything suddenly got calmer there. My only company

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<v Speaker 2>was a gentle voice man who said, I'm doctor Lowell Feinstein.

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<v Speaker 2>I'll be your nfcesiologist. Just breathe into this. The nurses

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<v Speaker 2>in ICU took an icy tone with me. They weren't

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<v Speaker 2>going to mommy, some young man and with gunshot wounds

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<v Speaker 2>who probably had a coming. I did get a sarcastic ah,

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<v Speaker 2>poor baby when I cried during my first wound. A breadment.

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<v Speaker 2>That was the daily routine of stuffing ribbons of cotton

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<v Speaker 2>gauze into the boltholes with a long swab. Twice a day.

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<v Speaker 2>They'd pull out the gauze along with all the dead

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<v Speaker 2>tissue dried to it, then stuff new gauze in and

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<v Speaker 2>I got used to it and it became less painful.

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<v Speaker 2>As with most gross things about your body, you eventually

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<v Speaker 2>come to enjoy it, kind of like picking your nose.

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<v Speaker 2>The first visitor was a blurry image, not because of

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<v Speaker 2>the meds, but because of the earlier foolishness of having

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<v Speaker 2>my contacts removed before surgery. It's my dad who is here.

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<v Speaker 2>I make a crack to bring levity to the ICU,

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<v Speaker 2>something quick from a Western Maybe they got me pa.

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<v Speaker 1>There are only tears, and here with his father's tears.

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<v Speaker 1>Is how Nick has always ended the story, a cut

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<v Speaker 1>down hero being wept over by his dad. But now

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<v Speaker 1>that he's in his fifties, Nick doesn't see himself as

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<v Speaker 1>the hero of this story at all. Instead, he sees

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<v Speaker 1>someone else as the true hero of that day. It's

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<v Speaker 1>not Andy or his friend Israel. They mostly seemed concerned

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<v Speaker 1>with not getting in trouble, and I didn't hear a

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<v Speaker 1>word from them since that day. You know, there was

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<v Speaker 1>no visit in the hospital.

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<v Speaker 2>No, if I had accidentally shot somebody, I would have

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<v Speaker 2>been beside myself with apology and just begging forgiveness. But

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<v Speaker 2>I didn't hear a thing from those guys. I didn't

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<v Speaker 2>hear a thing from those guys either. I reached out

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<v Speaker 2>to both Andy and Israel to get their version of

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<v Speaker 2>the story, but never heard back. The cops were indifferent,

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<v Speaker 2>the hospital workers coldly efficient. Nick felt alone and angry

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<v Speaker 2>he'd been blamed for his own injury and then abandoned.

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<v Speaker 2>No one actually cared about what he was going through

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<v Speaker 2>at all, with the exception of one person, a friend

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<v Speaker 2>of Andy's whose name Nick never even caught, but who

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<v Speaker 2>he refers to as the kid. I didn't know this kid.

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<v Speaker 2>He was just in the periphery of everybody that was

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<v Speaker 2>hanging out. So all of a sudden, I'm shot. I

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<v Speaker 2>can just see this kid's face and he's crying, and

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<v Speaker 2>he's looking down at me, and he's asking if there's

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<v Speaker 2>anything he can do, like get me a towel or something.

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<v Speaker 2>The looks on other people's faces was one of detachment

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<v Speaker 2>and coal, like they were looking at a squirrel hitting

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<v Speaker 2>the road or something. And he was the one that

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<v Speaker 2>you could just tell he was legitimately scared, not about

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<v Speaker 2>getting in trouble, but for me.

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<v Speaker 1>And you're able to in that moment, you were able

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<v Speaker 1>to read all of that.

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<v Speaker 2>Yeah, oh yeah, I don't know. I think everything slows

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<v Speaker 2>down to where, you know, some things are sparkling clear. Yeah,

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<v Speaker 2>Like if you've ever been in a car accident or whatever,

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<v Speaker 2>everything seems to go in slow motion. And I just

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<v Speaker 2>that's the thing that still sticks with me, is somebody

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<v Speaker 2>you know, just as scared as I was.

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<v Speaker 1>A kind look a towel, not exactly Superman level of heroism,

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<v Speaker 1>but Nick consists that because the gestures came at one

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<v Speaker 1>of the scariest moments of his life, and because everyone

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<v Speaker 1>else was offering nothing, this is something, even though it

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<v Speaker 1>was a small something, felt like a lot.

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<v Speaker 2>And so in that moment, him and I were not strangers.

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<v Speaker 2>It's a feeling like I don't want to die alone,

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<v Speaker 2>and here's one person that's not a stranger.

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<v Speaker 1>And so thirty years later, what Nick wants is to

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<v Speaker 1>find that kid, that sympathetic kid who cried and offered

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<v Speaker 1>him a towel, and simply thank him. But where the

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<v Speaker 1>search takes us is somewhere neither Nick nor I could

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<v Speaker 1>have anticipated. So we're going to do it. Okay, wow, yeah,

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<v Speaker 1>we're going to try to find this kid. I think

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<v Speaker 1>after the break, we try to find this kid. I think, Hello,

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<v Speaker 1>do you hear me? I can now more importantly, can

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<v Speaker 1>you see me?

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<v Speaker 2>I can't see you?

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<v Speaker 3>Okay, it's not more important.

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<v Speaker 1>Really, I asked Nick to check in over video because

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<v Speaker 1>I have some news. In order to get the name

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<v Speaker 1>of the sympathetic kid, I contacted the Sheriff's Department and

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<v Speaker 1>got the police report from the day Nick was shot.

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<v Speaker 1>Oh wow, yeah, so I wanted to share it with you.

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<v Speaker 1>Nick's not seen the report since the shooting happened thirty

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<v Speaker 1>years ago. I send it over and once again, Nick

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<v Speaker 1>reads an account of the day, but this time from

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<v Speaker 1>the perspective of the police officer on duty.

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<v Speaker 2>On the above date, I was sent to the Budget

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<v Speaker 2>motel room for thirty seven in reference to a subject

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<v Speaker 2>being shot in the stomach. I asked Nick what had happened.

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<v Speaker 2>He stated that he has shot himself while looking at

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<v Speaker 2>a gun.

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<v Speaker 1>When the cops interrogated Andy, he also blamed Nick, who,

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<v Speaker 1>when pressed, came clean.

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<v Speaker 2>He stated that he didn't intend for it to go on.

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<v Speaker 1>Then there are the accounts of everyone else who'd been

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<v Speaker 1>in the room that day. There's Andy's friend Israel.

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<v Speaker 2>Israel heard Andy klick the gun, wasn't sure what had happened.

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<v Speaker 3>And two other guys, someone named Jason he then.

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<v Speaker 2>Saw the gun in Andy's hand with an expression like

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<v Speaker 2>he didn't expect.

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<v Speaker 3>It to go off, and someone named Jared.

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<v Speaker 2>He told me that Nick had a very surprised look

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<v Speaker 2>on his face and that no one really knew what

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<v Speaker 2>had happened. We feel with the information that we received

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<v Speaker 2>that there was no intention on hurting anyone and that

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<v Speaker 2>the shooting was an accidental shooting. The subjects were released

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<v Speaker 2>after obtaining statements. Well, Nick had a very surprised look

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<v Speaker 2>on his face. Sure, I did.

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<v Speaker 1>The names Jason and Jared are both unfamiliar to Nick,

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<v Speaker 1>so to our search for the sympathetic kid.

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<v Speaker 2>It's got to be one of those two guys.

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<v Speaker 3>So what's going on?

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<v Speaker 1>Well, the following week, Nick and I talk again. This

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<v Speaker 1>time though Nick has reached out to me because he

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<v Speaker 1>has some news to share.

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<v Speaker 2>It's been five days or whatever since I contacted Jared.

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<v Speaker 1>After I sent Nick the police report, he spent the

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<v Speaker 1>rest of the day obsessing he was so close to

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<v Speaker 1>finding the person he'd thought about for so long that

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<v Speaker 1>he decided to take matters into his own hands and

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<v Speaker 1>do some digging. Well, Jason's last name was incredibly common,

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<v Speaker 1>Jared's last name was unique, So Nick typed it into

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<v Speaker 1>Facebook and it Jared popped up who was living in

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<v Speaker 1>that same part of Idaho.

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<v Speaker 2>And it looks like he's got a teenage son that

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<v Speaker 2>looks exactly like my memory of what he looked like

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<v Speaker 2>I sent him this very generic message to throw the

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<v Speaker 2>line out there, like I was trying to net a butterfly. Hi, Jared,

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<v Speaker 2>you may not know me at all. That I'm trying

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<v Speaker 2>to find someone with your name that lived in Barely

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<v Speaker 2>back in nineteen ninety three, might be someone who showed

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<v Speaker 2>me a great deal of kindness during an accident that

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<v Speaker 2>happened at the budget.

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<v Speaker 1>Jared's profile didn't seem all that active, so Nick tried

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<v Speaker 1>sending a message to his wife as well, and she responded.

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<v Speaker 2>She says, oh, wow, I think he's told me that story.

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<v Speaker 2>I'll let him know and tell him to message.

0:13:18.080 --> 0:13:21.000
<v Speaker 1>You, And a couple days later, Jared did.

0:13:21.240 --> 0:13:23.920
<v Speaker 2>Yeah, it's me. I have a lot of memories of

0:13:23.960 --> 0:13:27.960
<v Speaker 2>that day, not all good. Then I say, me too,

0:13:28.080 --> 0:13:29.839
<v Speaker 2>I know this is a lot to hit you with

0:13:29.920 --> 0:13:32.600
<v Speaker 2>out of the blue. I think you were the one

0:13:32.640 --> 0:13:35.440
<v Speaker 2>most worried about me. You asked if I needed a tell?

0:13:35.760 --> 0:13:40.520
<v Speaker 2>Was that you? And he responds yes, I remember getting

0:13:40.520 --> 0:13:42.800
<v Speaker 2>a towel for your back, making sure the exit wind

0:13:42.840 --> 0:13:46.480
<v Speaker 2>was clean. I remember staying there till the EMT's got there.

0:13:46.559 --> 0:13:48.040
<v Speaker 2>It's like it happened yesterday.

0:13:48.440 --> 0:13:49.040
<v Speaker 3>Wow.

0:13:49.640 --> 0:13:52.160
<v Speaker 2>And then I said I've been waiting three decades to

0:13:52.200 --> 0:13:55.320
<v Speaker 2>thank you for that and the chaos. Your kindness remains

0:13:55.360 --> 0:13:57.520
<v Speaker 2>with me. You don't know what people are made of

0:13:57.600 --> 0:14:00.480
<v Speaker 2>until something like that happens. You are a good soul,

0:14:01.040 --> 0:14:03.679
<v Speaker 2>and he says, thank you. But even though where it

0:14:03.720 --> 0:14:06.680
<v Speaker 2>shit happens, a life is a life, your kind words

0:14:06.720 --> 0:14:10.680
<v Speaker 2>mean a lot. I did have some flashbacks to that day. Honestly,

0:14:10.720 --> 0:14:13.480
<v Speaker 2>I didn't remember your name because that chaos started thirty

0:14:13.520 --> 0:14:23.240
<v Speaker 2>seconds after I met you. I can still see the

0:14:23.280 --> 0:14:25.880
<v Speaker 2>fear in your eyes. I only did what I hope

0:14:25.920 --> 0:14:29.520
<v Speaker 2>someone would do for me. Then I said, I'm glad

0:14:29.520 --> 0:14:33.920
<v Speaker 2>to be alive. I'm now fifty one. Jared says, I'm

0:14:33.920 --> 0:14:36.040
<v Speaker 2>glad you are doing good. I will message you tomorrow.

0:14:36.200 --> 0:14:38.640
<v Speaker 2>Just got off work and doing the dinner thing. Thank

0:14:38.680 --> 0:14:40.080
<v Speaker 2>you for your kind words.

0:14:40.920 --> 0:14:43.360
<v Speaker 1>But the next day, when Nick raised the prospect of

0:14:43.400 --> 0:14:48.480
<v Speaker 1>actually speaking on the phone, Jared stopped answering. Eventually, Nick

0:14:48.520 --> 0:14:53.160
<v Speaker 1>got another message from Jared's wife, Good morning, Nick. Jared

0:14:53.240 --> 0:14:55.720
<v Speaker 1>knows it was a terrible experience for you and has

0:14:55.760 --> 0:14:58.320
<v Speaker 1>no doubt you went through hell as a result, but

0:14:58.360 --> 0:15:01.320
<v Speaker 1>it was traumatic for him as well. Over the last

0:15:01.360 --> 0:15:03.520
<v Speaker 1>thirty years, he's dealt with it in his own way,

0:15:03.800 --> 0:15:05.640
<v Speaker 1>and he wants it to remain in his past.

0:15:06.480 --> 0:15:06.840
<v Speaker 3>Again.

0:15:07.440 --> 0:15:10.160
<v Speaker 1>Thank you for your kindness and for thanking him after

0:15:10.200 --> 0:15:13.960
<v Speaker 1>all these years. On the one hand, Nick is glad

0:15:14.000 --> 0:15:17.040
<v Speaker 1>to have finally found Jared and been able to thank him,

0:15:17.360 --> 0:15:20.440
<v Speaker 1>But on the other hand, he's a little disappointed their

0:15:20.480 --> 0:15:24.440
<v Speaker 1>exchange was so brief. Whatever Nick was looking for, it

0:15:24.520 --> 0:15:31.920
<v Speaker 1>seems like he hasn't found it, and for the next

0:15:31.960 --> 0:15:35.560
<v Speaker 1>couple months that's where it sits. But all the while,

0:15:35.680 --> 0:15:38.080
<v Speaker 1>as it turns out, just as Nick had been wanting

0:15:38.120 --> 0:15:41.040
<v Speaker 1>to speak with Jared, there's been someone badly wanting to

0:15:41.080 --> 0:15:44.440
<v Speaker 1>speak with him, someone who's always hovered just outside the

0:15:44.480 --> 0:15:48.200
<v Speaker 1>story's frame. Her name doesn't appear in Nick's written account,

0:15:48.400 --> 0:15:51.080
<v Speaker 1>nor does it show up in the police report this,

0:15:51.560 --> 0:15:53.960
<v Speaker 1>although she was present at the time of the shooting,

0:15:54.480 --> 0:15:56.480
<v Speaker 1>if only as a voice on the other end of

0:15:56.480 --> 0:15:57.240
<v Speaker 1>a phone line.

0:15:57.680 --> 0:16:01.520
<v Speaker 4>The phone rang and someone answers, and what I hear?

0:16:01.960 --> 0:16:04.280
<v Speaker 4>As I hear A good shot.

0:16:15.640 --> 0:16:18.920
<v Speaker 1>At the time Nick was shot, he had a girlfriend, Maggie.

0:16:19.680 --> 0:16:22.320
<v Speaker 1>Nickott suggested I reach out to Maggie as a way

0:16:22.320 --> 0:16:25.240
<v Speaker 1>of getting more background on that time, but over the

0:16:25.280 --> 0:16:27.960
<v Speaker 1>course of talking with Maggie, it became clear that she

0:16:28.000 --> 0:16:35.280
<v Speaker 1>had more to offer than just background. Nick Att first

0:16:35.360 --> 0:16:38.400
<v Speaker 1>met Maggie back when she was thirteen and he was fifteen.

0:16:38.920 --> 0:16:41.720
<v Speaker 1>He noticed her at a friend's house, a spiky haired

0:16:41.760 --> 0:16:45.000
<v Speaker 1>punk girl hunched over a Wiji board trying to summon

0:16:45.040 --> 0:16:49.320
<v Speaker 1>the spirit of Nancy Spongeen. Maggie thought Nick was funny

0:16:49.360 --> 0:16:53.480
<v Speaker 1>and a quote champion grade dork. The two became friends,

0:16:53.800 --> 0:16:56.920
<v Speaker 1>and several years later, when Maggie was nineteen, she and

0:16:57.040 --> 0:17:00.400
<v Speaker 1>Nick started dating. To save money, they moved in together.

0:17:01.200 --> 0:17:03.560
<v Speaker 1>It wasn't long after that that Nick set off on

0:17:03.600 --> 0:17:10.600
<v Speaker 1>his ill fated trip to Burley. On the evening of

0:17:10.680 --> 0:17:14.160
<v Speaker 1>June third, nineteen ninety three, Maggie picked up the phone

0:17:14.200 --> 0:17:16.760
<v Speaker 1>and called Nick at his room in the Budget motel,

0:17:17.480 --> 0:17:19.879
<v Speaker 1>and she happened to call at the exact moment the

0:17:19.920 --> 0:17:20.800
<v Speaker 1>shot was fired.

0:17:21.160 --> 0:17:24.920
<v Speaker 4>The phone rang and someone answers, and I say, is Nick?

0:17:24.960 --> 0:17:28.239
<v Speaker 4>There is Nick available? And what I hear before this

0:17:28.280 --> 0:17:31.679
<v Speaker 4>person responds, is I hear, Oh my god, I've been shot.

0:17:32.359 --> 0:17:35.400
<v Speaker 4>Call nine one one. I've been shot. Like by moments

0:17:35.440 --> 0:17:38.840
<v Speaker 4>I missed the you know the capal so in my

0:17:39.000 --> 0:17:43.240
<v Speaker 4>mind's I I have no context for this. It doesn't

0:17:43.280 --> 0:17:45.880
<v Speaker 4>occur to me that someone in the room has actually

0:17:45.920 --> 0:17:48.000
<v Speaker 4>been shot. I thought, well, maybe someone in the room

0:17:48.080 --> 0:17:49.920
<v Speaker 4>was like recounting that, you know, like a cop show

0:17:49.960 --> 0:17:53.240
<v Speaker 4>that something like that, and they just said, like, na,

0:17:53.560 --> 0:17:55.160
<v Speaker 4>he can't come to the phone right now.

0:17:56.200 --> 0:17:59.760
<v Speaker 1>Not only was Maggie there sort of at the budget motel,

0:18:00.320 --> 0:18:02.600
<v Speaker 1>but she was also there beyond the point where Nick

0:18:02.680 --> 0:18:05.600
<v Speaker 1>ends his story. She was there for his long recovery

0:18:05.640 --> 0:18:09.920
<v Speaker 1>process in the months afterwards. Yes, and so you ended

0:18:10.000 --> 0:18:12.920
<v Speaker 1>up kind of becoming the de facto caregiver.

0:18:13.880 --> 0:18:14.760
<v Speaker 2>Yes, that's correct.

0:18:14.960 --> 0:18:17.040
<v Speaker 3>I mean you were just nineteen. That's a lot to

0:18:17.119 --> 0:18:17.439
<v Speaker 3>take on.

0:18:19.600 --> 0:18:21.960
<v Speaker 4>Yeah, that was a really it was a tumultuous It

0:18:22.000 --> 0:18:25.240
<v Speaker 4>was a challenging time, and I Nick had a lot

0:18:25.320 --> 0:18:32.000
<v Speaker 4>of emotions. He was really really fucking angry and depressed.

0:18:32.720 --> 0:18:35.359
<v Speaker 4>He took a lot of it out on me and

0:18:35.480 --> 0:18:43.080
<v Speaker 4>was not very kind to me at all at all.

0:18:43.280 --> 0:18:45.960
<v Speaker 1>So, while Nick was dealing with the trauma of being shot,

0:18:46.480 --> 0:18:49.200
<v Speaker 1>Maggie was dealing with the trauma of dealing with Nick.

0:18:49.920 --> 0:18:51.679
<v Speaker 1>She was the one to stand by him in the

0:18:51.720 --> 0:18:55.879
<v Speaker 1>months to come. If anyone was truly sympathetic, truly a

0:18:55.920 --> 0:19:00.320
<v Speaker 1>good soul, he was Maggie Maggie and Nick broke not

0:19:00.359 --> 0:19:03.320
<v Speaker 1>long after the accident, but they've remained friends for all

0:19:03.359 --> 0:19:07.320
<v Speaker 1>these years. Even so, over the last three decades, they've

0:19:07.359 --> 0:19:10.879
<v Speaker 1>never talked about that time. Nick says it's easier not to.

0:19:11.440 --> 0:19:14.600
<v Speaker 1>He wasn't the best version of himself. That makes a

0:19:14.640 --> 0:19:17.600
<v Speaker 1>conversation with Maggie a harder one to have than the

0:19:17.600 --> 0:19:20.560
<v Speaker 1>one with Jared, but it potentially makes it a more

0:19:20.640 --> 0:19:24.400
<v Speaker 1>valuable conversation too. And Maggie says there's a lot she's

0:19:24.400 --> 0:19:27.120
<v Speaker 1>never said to Nick, that she's now finally ready to.

0:19:27.040 --> 0:19:35.440
<v Speaker 4>Say, hello, my old friend, come on in.

0:19:36.280 --> 0:19:39.080
<v Speaker 1>And so we all meet up one summer afternoon at

0:19:39.080 --> 0:19:40.159
<v Speaker 1>Maggie's townhouse.

0:19:40.480 --> 0:19:44.160
<v Speaker 4>How are you feeling?

0:19:46.640 --> 0:19:49.800
<v Speaker 1>We head upstairs to Maggie's living room. Her place feels

0:19:49.840 --> 0:19:52.560
<v Speaker 1>cozy and inviting. The walls are full of art.

0:19:52.880 --> 0:19:54.760
<v Speaker 4>So I'm gonna I'm gonna pour myself a glass of

0:19:54.760 --> 0:19:55.840
<v Speaker 4>wine because I'm nervous.

0:19:56.440 --> 0:20:00.400
<v Speaker 2>Good for you, So, Nick, do you want to be beer?

0:20:00.440 --> 0:20:02.159
<v Speaker 2>I was like fantasizing that you would ask me.

0:20:02.240 --> 0:20:05.560
<v Speaker 1>That Maggie and Nick sit beside each other on the couch,

0:20:05.960 --> 0:20:09.480
<v Speaker 1>and Maggie begins the story of that day from her perspective.

0:20:09.920 --> 0:20:12.320
<v Speaker 4>What I remember was that I called.

0:20:12.520 --> 0:20:15.400
<v Speaker 1>When Maggie called the Budget motel that day, she heard

0:20:15.400 --> 0:20:18.040
<v Speaker 1>the chaos in the background, Maggie, but it wasn't until

0:20:18.080 --> 0:20:21.520
<v Speaker 1>later that night that she understood what had happened. Nick's

0:20:21.520 --> 0:20:23.760
<v Speaker 1>boss called to tell her that Nick was in surgery

0:20:23.840 --> 0:20:26.399
<v Speaker 1>for a gunshot wound. I remember Maggie got in the

0:20:26.400 --> 0:20:28.679
<v Speaker 1>car to drive the several hours to see him in

0:20:28.720 --> 0:20:29.320
<v Speaker 1>the hospital.

0:20:29.760 --> 0:20:34.080
<v Speaker 4>There was thunder and lightning, storms raging, and the windshield

0:20:34.119 --> 0:20:37.280
<v Speaker 4>wipers and the visibility was terrible, and I was blasting

0:20:37.320 --> 0:20:42.359
<v Speaker 4>social distortion. It's the high planes in Idaho, you know,

0:20:42.560 --> 0:20:46.320
<v Speaker 4>So it's like that sage brushy and not knowing. I

0:20:46.359 --> 0:20:48.240
<v Speaker 4>remember driving not knowing if you were going to be

0:20:48.240 --> 0:20:49.640
<v Speaker 4>alive or dead when I got there.

0:20:55.040 --> 0:20:57.440
<v Speaker 1>In the immediate aftermath, there was a rush of family

0:20:57.480 --> 0:21:01.080
<v Speaker 1>that arrived to visit Nick in the hospital. Receded into

0:21:01.080 --> 0:21:02.400
<v Speaker 1>the background.

0:21:02.119 --> 0:21:04.199
<v Speaker 4>In a way. It was like everyone shows up, you know,

0:21:04.240 --> 0:21:06.840
<v Speaker 4>like while there's all of this fanfare, and then the

0:21:06.920 --> 0:21:09.280
<v Speaker 4>day to day, everyone fucking dissipates.

0:21:09.880 --> 0:21:12.320
<v Speaker 1>And that's what we're here to talk about the time

0:21:12.359 --> 0:21:15.320
<v Speaker 1>after everyone else had dissipated and it was just Nick

0:21:15.320 --> 0:21:16.360
<v Speaker 1>and Maggie.

0:21:18.040 --> 0:21:20.240
<v Speaker 3>For a while. Nick was unable to leave the house.

0:21:20.680 --> 0:21:22.919
<v Speaker 1>His dad was a pretty big stoner, and so he

0:21:22.960 --> 0:21:25.399
<v Speaker 1>gifted Nick a huge bag of weed to help in

0:21:25.400 --> 0:21:26.080
<v Speaker 1>his recovery.

0:21:26.520 --> 0:21:30.280
<v Speaker 2>Every morning androlla dooby and watch the cartoon version of

0:21:30.320 --> 0:21:32.720
<v Speaker 2>Beetlejuice or whatever, and the rest of the day just

0:21:32.800 --> 0:21:37.400
<v Speaker 2>kind of had a nice float to it. It was helpful,

0:21:38.320 --> 0:21:41.600
<v Speaker 2>but I also think I was kind of going stir crazy.

0:21:42.600 --> 0:21:44.800
<v Speaker 1>As a part of his recovery, Nick was forced to

0:21:44.800 --> 0:21:48.400
<v Speaker 1>wear a colostomy bag, an inflatable sack attached to his stomach.

0:21:48.920 --> 0:21:51.879
<v Speaker 1>It was uncomfortable and cumbersome and made him feel old

0:21:51.960 --> 0:21:55.119
<v Speaker 1>before his time. Nick had to lean on Maggie for help.

0:21:55.520 --> 0:21:59.840
<v Speaker 4>I apologize for that, for having a cost to me. Yeah,

0:22:00.560 --> 0:22:03.800
<v Speaker 4>like the cost to me was secondary. On the one hand, yacht,

0:22:03.800 --> 0:22:06.359
<v Speaker 4>it was really hard to wake up covered and shit sometimes.

0:22:07.040 --> 0:22:09.480
<v Speaker 4>But like also what made it hard is then that

0:22:09.560 --> 0:22:12.879
<v Speaker 4>you would be really mad. I'm trying to manage your anger.

0:22:12.960 --> 0:22:14.680
<v Speaker 4>I'm trying to get me cleaned up. I've got to

0:22:14.720 --> 0:22:17.080
<v Speaker 4>get to like I start at seven am.

0:22:17.800 --> 0:22:20.040
<v Speaker 1>It turns out that at the time, Maggie was in

0:22:20.160 --> 0:22:23.119
<v Speaker 1>nursing school, so aside from the full time job of

0:22:23.160 --> 0:22:25.919
<v Speaker 1>taking care of Nick, she also had an internship at

0:22:25.960 --> 0:22:28.960
<v Speaker 1>the hospital and was taking an overwhelming course load.

0:22:29.680 --> 0:22:30.399
<v Speaker 3>It was a lot.

0:22:30.880 --> 0:22:34.119
<v Speaker 2>Thanks for taking care of me. I'm sorry it sucked

0:22:34.160 --> 0:22:34.560
<v Speaker 2>so man.

0:22:35.680 --> 0:22:38.679
<v Speaker 1>Although Nick says the words he's supposed to, thank you,

0:22:38.920 --> 0:22:42.280
<v Speaker 1>I'm sorry, he still doesn't fully understand what he's saying,

0:22:42.280 --> 0:22:45.520
<v Speaker 1>thank you and sorry for so. Maggie tries to tell.

0:22:45.440 --> 0:22:49.720
<v Speaker 4>Him it was really shitty. You were really awful to me.

0:22:52.280 --> 0:22:52.920
<v Speaker 3>I believe that.

0:22:55.400 --> 0:22:59.680
<v Speaker 4>I'm feeling a lot of emotion. That was hard, dear.

0:23:02.160 --> 0:23:05.080
<v Speaker 2>I was, you know, in awe of you for being

0:23:05.119 --> 0:23:08.760
<v Speaker 2>so focused and driven and organized, and also sort of

0:23:08.760 --> 0:23:11.439
<v Speaker 2>felt like this person is sort of out of my

0:23:11.520 --> 0:23:14.600
<v Speaker 2>leg because you were just I couldn't really.

0:23:14.680 --> 0:23:15.960
<v Speaker 4>You were mad at me about it.

0:23:16.520 --> 0:23:21.000
<v Speaker 2>Yeah, that's probably true.

0:23:21.040 --> 0:23:23.159
<v Speaker 1>Maggie sits with her legs tucked up on the couch,

0:23:23.320 --> 0:23:26.200
<v Speaker 1>looking right at Nick Nick stairs ahead at the wall.

0:23:26.680 --> 0:23:28.560
<v Speaker 4>You know, like you were smoking weed in that back

0:23:28.640 --> 0:23:31.919
<v Speaker 4>room all day, watching TV, and you like you wouldn't

0:23:31.920 --> 0:23:34.040
<v Speaker 4>even open the blinds. You'd sit there in the dark

0:23:34.520 --> 0:23:38.480
<v Speaker 4>like it'd be you know, like sunny. We weren't compatible,

0:23:38.520 --> 0:23:47.280
<v Speaker 4>but we were stuck. You were sick. You were so

0:23:47.680 --> 0:23:51.159
<v Speaker 4>fucking depressed and angry at the world.

0:23:52.200 --> 0:23:54.800
<v Speaker 1>Nick was angry at Andy and Israel for abandoning him.

0:23:55.119 --> 0:23:57.480
<v Speaker 1>He was angry at himself for taking the blame with

0:23:57.520 --> 0:23:59.680
<v Speaker 1>the Cobs. He was angry that he was in this

0:23:59.760 --> 0:24:03.439
<v Speaker 1>city situation at all, bedridden and confronting his mortality at

0:24:03.440 --> 0:24:06.560
<v Speaker 1>twenty one. He directed all of that at Maggie.

0:24:07.040 --> 0:24:11.880
<v Speaker 2>I wasn't such a great person as far as I think.

0:24:12.400 --> 0:24:13.359
<v Speaker 2>There was a lot of rage.

0:24:13.960 --> 0:24:18.400
<v Speaker 4>Yeah, do you remember what you would say?

0:24:20.560 --> 0:24:22.760
<v Speaker 2>I don't remember the exact things I would say, but

0:24:22.800 --> 0:24:26.879
<v Speaker 2>I can just kind of imagine being in blind rage

0:24:26.880 --> 0:24:28.359
<v Speaker 2>and just saying awful shit.

0:24:28.880 --> 0:24:34.879
<v Speaker 4>I feel really self conscious even saying it like out loud. Yeah,

0:24:35.680 --> 0:24:37.720
<v Speaker 4>sometimes you would talk A would say how you fantasized

0:24:37.800 --> 0:24:43.119
<v Speaker 4>killing me? Really, I remember what. I don't remember if

0:24:43.119 --> 0:24:47.359
<v Speaker 4>it was your birthday or if there was something something

0:24:47.359 --> 0:24:49.159
<v Speaker 4>that was good. And I remember I made you a

0:24:49.160 --> 0:24:52.480
<v Speaker 4>bunch of cupcakes and you were so fucking mad. I

0:24:52.520 --> 0:24:55.879
<v Speaker 4>made you goddamn cupcakes, Like, why would you want cupcakes?

0:24:57.960 --> 0:24:59.440
<v Speaker 4>You fucking smashed them?

0:25:00.119 --> 0:25:04.560
<v Speaker 2>Really, I don't remember that.

0:25:06.600 --> 0:25:08.720
<v Speaker 1>The first time I read Nick's account of that day,

0:25:09.000 --> 0:25:11.440
<v Speaker 1>I was struck by his ability to recall the minutia,

0:25:12.160 --> 0:25:15.080
<v Speaker 1>given that it's surprising to hear what he doesn't remember.

0:25:16.280 --> 0:25:18.320
<v Speaker 4>I didn't think you would ever do anything on it,

0:25:19.560 --> 0:25:21.720
<v Speaker 4>But I also lived with just a lot of fucking

0:25:22.040 --> 0:25:27.720
<v Speaker 4>rage and hate in my direction, and like, oddly I understood,

0:25:27.760 --> 0:25:31.480
<v Speaker 4>like how and why you were so mad. It's on

0:25:31.560 --> 0:25:34.040
<v Speaker 4>my own fucked up way, like I gave it a pass.

0:25:35.760 --> 0:25:38.639
<v Speaker 1>Nick might have forgotten some of the painful details, but

0:25:38.680 --> 0:25:40.720
<v Speaker 1>he does remember the moment he crossed the line.

0:25:41.160 --> 0:25:42.520
<v Speaker 3>Do you remember what that was?

0:25:42.600 --> 0:25:42.840
<v Speaker 1>I do?

0:25:43.520 --> 0:25:44.560
<v Speaker 3>Oh, tell me about that.

0:25:44.680 --> 0:25:48.359
<v Speaker 2>We were in a fight and it was a raging moment.

0:25:48.400 --> 0:25:50.000
<v Speaker 2>I don't know what the fuck it was about. But

0:25:50.080 --> 0:25:53.280
<v Speaker 2>I pushed you up against the wall and I had

0:25:53.320 --> 0:25:54.919
<v Speaker 2>my hand sort of around your throat.

0:25:55.920 --> 0:25:57.879
<v Speaker 3>Oh, yeah, you remember this, I do know.

0:25:59.400 --> 0:26:02.879
<v Speaker 1>For the first time, Maggie breaks eye contact, she covers

0:26:02.880 --> 0:26:04.080
<v Speaker 1>her face with her hands.

0:26:04.760 --> 0:26:06.639
<v Speaker 4>Why did I hello this shit?

0:26:07.560 --> 0:26:10.600
<v Speaker 2>Well, he said get the fuck out right now, I

0:26:10.600 --> 0:26:13.000
<v Speaker 2>think is what you said, and I agreed with you.

0:26:13.720 --> 0:26:15.600
<v Speaker 4>It reads like domestic violence.

0:26:15.840 --> 0:26:16.040
<v Speaker 1>I know.

0:26:17.200 --> 0:26:20.760
<v Speaker 2>It dawned on me like, wow, this is really fucked up.

0:26:20.800 --> 0:26:23.760
<v Speaker 2>What am I doing? And you were looking at me like, yeah,

0:26:23.800 --> 0:26:26.119
<v Speaker 2>what the fuck are you doing? Can you remember that?

0:26:32.880 --> 0:26:35.040
<v Speaker 4>And I had so much empathy for what you were

0:26:35.080 --> 0:26:38.240
<v Speaker 4>going through and as I sit here hearing that, no,

0:26:38.440 --> 0:26:41.600
<v Speaker 4>it's like, where was I my fucking empathy for myself?

0:26:44.280 --> 0:26:46.800
<v Speaker 4>Who looked out for me? And why wasn't I looking

0:26:46.840 --> 0:26:51.520
<v Speaker 4>out for me? That's this fucking recurring pattern that just

0:26:51.560 --> 0:26:53.800
<v Speaker 4>like lived out, and I think that's why I'm feeling

0:26:53.800 --> 0:26:56.120
<v Speaker 4>all the things that I'm feeling that It's like, holy fuck,

0:26:56.240 --> 0:26:59.639
<v Speaker 4>this is just another iteration of something that was a

0:26:59.640 --> 0:27:01.760
<v Speaker 4>part of that's my own story.

0:27:01.440 --> 0:27:11.959
<v Speaker 5>For years, Maggie, I'm sorry, I don't know.

0:27:12.040 --> 0:27:17.760
<v Speaker 2>I just I'm honest when I say that, you know,

0:27:18.600 --> 0:27:22.160
<v Speaker 2>reflecting as much as I cared to over the years,

0:27:23.040 --> 0:27:26.320
<v Speaker 2>it dawned on me more and more the load of

0:27:26.400 --> 0:27:33.120
<v Speaker 2>shit that you dealt with. But that said, it wasn't

0:27:33.119 --> 0:27:37.120
<v Speaker 2>just till a few minutes ago that I realized how

0:27:37.160 --> 0:27:42.800
<v Speaker 2>fucking happy that was. So it was hard to hear,

0:27:43.920 --> 0:27:48.920
<v Speaker 2>but necessary, and I can't. I'm not defensive because it's true.

0:27:49.040 --> 0:27:49.359
<v Speaker 1>I know.

0:27:49.560 --> 0:27:53.000
<v Speaker 2>I know that for a fact it was true. I

0:27:53.040 --> 0:27:56.399
<v Speaker 2>don't want to remember myself that way about ugly I became.

0:27:57.119 --> 0:27:59.280
<v Speaker 2>I really want to flip this story around to where

0:28:00.040 --> 0:28:01.960
<v Speaker 2>I'm a better person than I was.

0:28:03.520 --> 0:28:05.679
<v Speaker 1>The way Nick has always framed the story around that

0:28:05.760 --> 0:28:07.040
<v Speaker 1>day at the budget motel.

0:28:07.520 --> 0:28:08.400
<v Speaker 3>He was the victim.

0:28:09.040 --> 0:28:12.040
<v Speaker 1>A horrible, painful thing happened to him through no fault

0:28:12.040 --> 0:28:14.880
<v Speaker 1>of his own. He could have been paralyzed, he could

0:28:14.920 --> 0:28:18.439
<v Speaker 1>have died. But when you widen the story's frame beyond

0:28:18.440 --> 0:28:22.280
<v Speaker 1>the motel room, to include Nick's recovery, to include Maggie,

0:28:22.640 --> 0:28:24.400
<v Speaker 1>it isn't so simple. I.

0:28:24.520 --> 0:28:27.760
<v Speaker 4>On some level knew I was just in proximity and

0:28:27.800 --> 0:28:31.080
<v Speaker 4>I was the safest person, and I cared about you.

0:28:33.640 --> 0:28:37.720
<v Speaker 2>I still care about you. Well, I care about it.

0:28:37.800 --> 0:28:44.400
<v Speaker 4>Yeah, Yeah, you were so angry.

0:28:44.520 --> 0:28:48.960
<v Speaker 2>I still am. It's not just the nineteen ninety three

0:28:49.120 --> 0:28:52.800
<v Speaker 2>gunshot that made me pissed off about everything. It's just

0:28:52.920 --> 0:28:59.480
<v Speaker 2>everything going back to nineteen seventy three.

0:29:00.080 --> 0:29:04.720
<v Speaker 4>I remember, even before we were in a relationship, you

0:29:04.840 --> 0:29:06.640
<v Speaker 4>so wanted to connect with your dad.

0:29:07.920 --> 0:29:11.360
<v Speaker 1>Throughout Nick's childhood, his father was a largely absent figure.

0:29:11.960 --> 0:29:14.200
<v Speaker 1>He looked at Nick as an impediment of the things

0:29:14.200 --> 0:29:17.880
<v Speaker 1>he really wanted to do. Party, drink, have a good time.

0:29:18.280 --> 0:29:20.560
<v Speaker 4>You would talk about how like your dad would be

0:29:20.560 --> 0:29:22.480
<v Speaker 4>in the bar and you were a little kid and

0:29:22.560 --> 0:29:24.640
<v Speaker 4>so like, and it's your time to be with your dad,

0:29:24.760 --> 0:29:28.520
<v Speaker 4>and so you'd be sitting in the van for hours.

0:29:30.160 --> 0:29:32.040
<v Speaker 2>Just wait for me in the car. If you see

0:29:32.040 --> 0:29:34.240
<v Speaker 2>a cop or whatever with a flashlight or something, don't

0:29:34.280 --> 0:29:38.680
<v Speaker 2>be crying. Don't be crying, Okay, Dad, I promised, I

0:29:38.720 --> 0:29:42.120
<v Speaker 2>won't be crying if a cop like shine the flashlight

0:29:42.160 --> 0:29:45.520
<v Speaker 2>in here, wondering what I'm doing alone and waiting outside.

0:29:45.120 --> 0:29:50.920
<v Speaker 4>Of for okay. So fast forward to being shot and

0:29:50.960 --> 0:29:53.480
<v Speaker 4>not letting the cops know what's like.

0:29:53.640 --> 0:29:56.719
<v Speaker 2>Just sucking it up. That's a lesson I learned early on.

0:30:00.760 --> 0:30:03.160
<v Speaker 1>Nick had been taught early on, had a shield others

0:30:03.160 --> 0:30:05.959
<v Speaker 1>from blame. It makes sense that he, of all people,

0:30:06.160 --> 0:30:08.640
<v Speaker 1>would have been quick to tell the police he shot himself.

0:30:09.200 --> 0:30:11.560
<v Speaker 2>I was just doing what you told me to you, Dad.

0:30:14.120 --> 0:30:16.160
<v Speaker 1>It's hard to get someone who's ignoring you to even

0:30:16.200 --> 0:30:18.680
<v Speaker 1>notice your anger, whether it's the guy who shot you

0:30:18.760 --> 0:30:21.000
<v Speaker 1>in a motel room or the man who was supposed

0:30:21.040 --> 0:30:23.800
<v Speaker 1>to be raising you. And so you vent your anger

0:30:23.840 --> 0:30:26.080
<v Speaker 1>on the people you think might actually be able to

0:30:26.160 --> 0:30:29.200
<v Speaker 1>absorb it, even if they're not the ones who deserve it.

0:30:29.880 --> 0:30:39.840
<v Speaker 1>That's not an excuse, but it's an explanation. When Nick

0:30:39.880 --> 0:30:42.560
<v Speaker 1>first reached out for my help in finding Jared, his

0:30:42.640 --> 0:30:46.040
<v Speaker 1>dad had died only a few weeks earlier. Hearing all this,

0:30:46.320 --> 0:30:49.160
<v Speaker 1>that timing starts to feel like more than just a coincidence.

0:30:49.760 --> 0:30:52.560
<v Speaker 1>Nick's relationship with his dad is tied up with that day.

0:30:53.640 --> 0:30:55.840
<v Speaker 1>Nick brings up that memory of his dad showing up

0:30:55.880 --> 0:30:57.920
<v Speaker 1>at the hospital right after he was shot.

0:30:58.440 --> 0:31:00.840
<v Speaker 2>I think you had called him or whatever. So he drank.

0:31:00.960 --> 0:31:02.080
<v Speaker 4>I got a whold of him at the bar.

0:31:02.880 --> 0:31:03.240
<v Speaker 1>Wow.

0:31:04.400 --> 0:31:08.600
<v Speaker 2>So he drove, you know, to drunk, probably two hours.

0:31:08.760 --> 0:31:12.320
<v Speaker 2>And there's a couple of moments in my life with

0:31:12.480 --> 0:31:16.120
<v Speaker 2>dad where I felt like we were locked in and

0:31:16.120 --> 0:31:19.560
<v Speaker 2>it wasn't just me waiting around to get his attention.

0:31:20.840 --> 0:31:22.640
<v Speaker 2>And that was one of those moments.

0:31:22.280 --> 0:31:23.800
<v Speaker 4>When you got his attention.

0:31:24.720 --> 0:31:27.080
<v Speaker 2>Yeah, And I could tell he was crying.

0:31:28.400 --> 0:31:29.360
<v Speaker 3>He was so upset.

0:31:33.000 --> 0:31:37.280
<v Speaker 2>So that's just like one of those one time is

0:31:37.320 --> 0:31:40.840
<v Speaker 2>where I was the focus of his attention.

0:31:47.520 --> 0:31:50.320
<v Speaker 4>You're one of the very few people from that time

0:31:50.320 --> 0:31:53.960
<v Speaker 4>in my life where I kept a thread any kind

0:31:53.960 --> 0:31:57.440
<v Speaker 4>of friend. It were somebody else, we wouldn't be sitting

0:31:57.480 --> 0:31:59.120
<v Speaker 4>here in my living room.

0:31:59.440 --> 0:32:04.080
<v Speaker 2>I'm so honored by that. Thank you, because I don't

0:32:04.080 --> 0:32:08.440
<v Speaker 2>know if I deserve it. Thank you are the hero

0:32:08.520 --> 0:32:10.320
<v Speaker 2>of this story.

0:32:16.720 --> 0:32:19.360
<v Speaker 1>The work of being a person is to recognize patterns

0:32:19.360 --> 0:32:21.840
<v Speaker 1>in ourselves, to see the things we do over and

0:32:21.880 --> 0:32:25.000
<v Speaker 1>over and to try to create new patterns, cast ourselves

0:32:25.080 --> 0:32:28.960
<v Speaker 1>in new roles and not just the role of hero. Nick,

0:32:29.120 --> 0:32:31.240
<v Speaker 1>for his part, is working to be more aware of

0:32:31.280 --> 0:32:32.920
<v Speaker 1>his anger, shielding.

0:32:32.640 --> 0:32:34.760
<v Speaker 2>My loved ones from it. How do I channel it

0:32:35.080 --> 0:32:39.440
<v Speaker 2>without hurting people near me? What I don't often realize

0:32:39.480 --> 0:32:43.360
<v Speaker 2>is how much it radiates and fucking penetrates other people.

0:32:44.240 --> 0:32:47.280
<v Speaker 1>As for Maggie, she wants to protect herself, to set

0:32:47.360 --> 0:32:49.200
<v Speaker 1>up her life so that she's the priority.

0:32:49.560 --> 0:32:53.760
<v Speaker 4>I'm trying to Yeah, I'm almost fifty. For the first

0:32:53.760 --> 0:32:55.480
<v Speaker 4>time in my life, I'm trying to.

0:32:55.520 --> 0:33:02.239
<v Speaker 1>Yeah, Yeah, this is the story of a man who

0:33:02.360 --> 0:33:05.800
<v Speaker 1>was shot. I've just told you one version, a different

0:33:05.800 --> 0:33:08.560
<v Speaker 1>one than if Nick were telling it himself, a different

0:33:08.560 --> 0:33:10.120
<v Speaker 1>one than if he tried to lay it all out

0:33:10.160 --> 0:33:14.360
<v Speaker 1>again twenty years down the road. But for now, Nick

0:33:14.400 --> 0:33:17.240
<v Speaker 1>and Maggie hug and while I pack up to head

0:33:17.280 --> 0:33:19.760
<v Speaker 1>back to my hotel, the two of them go out

0:33:19.760 --> 0:33:22.600
<v Speaker 1>to sit on Maggie's balcony to enjoy the rest of

0:33:22.640 --> 0:33:25.880
<v Speaker 1>the day, to soak in what they can before the

0:33:25.880 --> 0:33:26.720
<v Speaker 1>sun goes down.

0:33:56.760 --> 0:34:02.800
<v Speaker 4>Now that the fernures ripped, turning to it's goodwill home.

0:34:06.040 --> 0:34:10.640
<v Speaker 3>Now that the last month's rant is scheming.

0:34:10.040 --> 0:34:14.800
<v Speaker 2>With the damage to Gossle, take this moment to deserve.

0:34:16.920 --> 0:34:17.799
<v Speaker 4>If we meant it.

0:34:17.960 --> 0:34:26.040
<v Speaker 3>If we took but felt around for far too from

0:34:26.120 --> 0:34:28.239
<v Speaker 3>things Accidentally to.

0:34:29.920 --> 0:34:30.160
<v Speaker 4>Zero.

0:34:33.080 --> 0:34:36.240
<v Speaker 1>This episode of Heavyweight was produced by senior producer Khalila

0:34:36.320 --> 0:34:40.080
<v Speaker 1>Holt and me Jonathan Goldstein, along with Phoebe Flanagan. Our

0:34:40.080 --> 0:34:44.400
<v Speaker 1>supervising producer is Stevie Lane. Production assistance by Mohemiy mcgouger,

0:34:44.640 --> 0:34:48.480
<v Speaker 1>editorial guidance from Emily Condon. Special thanks to Annie Minoff,

0:34:48.560 --> 0:34:52.439
<v Speaker 1>Laura Morris, Lauren Silverman, and Jackie Cohen. Bobby Lord mixed

0:34:52.480 --> 0:34:55.800
<v Speaker 1>the episode with original music by Christine Fellows, John K. Sampson,

0:34:55.960 --> 0:34:59.880
<v Speaker 1>Michael Hurst, Katie Condon, Blue Dot Sessions, and Bobby Lord.

0:35:00.280 --> 0:35:03.360
<v Speaker 1>Additional music credits can be found on our website Gimletmedia

0:35:03.400 --> 0:35:06.520
<v Speaker 1>dot com slash Heavyweight. Our theme song is by The

0:35:06.560 --> 0:35:10.520
<v Speaker 1>Weaker Thans courtesy of Epitaph Records. Heavyweight is a Spotify

0:35:10.640 --> 0:35:13.680
<v Speaker 1>original podcast. I'd also like to give a shout out

0:35:13.719 --> 0:35:16.279
<v Speaker 1>to another Spotify podcast that we love around here. On

0:35:16.320 --> 0:35:19.880
<v Speaker 1>the show, it's called Science Versus. The host, Wendy Zuckerman

0:35:20.080 --> 0:35:21.920
<v Speaker 1>is so much fun to listen to and I always

0:35:22.000 --> 0:35:24.920
<v Speaker 1>end up learning so much. Each episode she tackles a

0:35:24.920 --> 0:35:29.440
<v Speaker 1>different myth or fad like vaping or hypnosis, alternative milks,

0:35:29.760 --> 0:35:33.080
<v Speaker 1>and she dives into the science to deliver up the facts.

0:35:33.400 --> 0:35:36.560
<v Speaker 1>Science Versus is available anywhere you listen to podcasts, and

0:35:36.640 --> 0:35:37.440
<v Speaker 1>you really should.

0:35:37.280 --> 0:35:37.759
<v Speaker 3>Check it out.

0:35:38.360 --> 0:35:40.719
<v Speaker 1>You should also follow us on Twitter at Heavyweight, on

0:35:40.840 --> 0:35:44.600
<v Speaker 1>Instagram at Heavyweight podcast, or email us at Heavyweight at.

0:35:44.480 --> 0:35:45.880
<v Speaker 3>Gimletmedia dot com.

0:35:45.960 --> 0:35:48.440
<v Speaker 1>You can also follow our show on Spotify and tap

0:35:48.480 --> 0:35:52.560
<v Speaker 1>the bell to receive notifications when new episodes drop. We'll

0:35:52.560 --> 0:35:56.000
<v Speaker 1>be right back with a new episode just after Thanksgiving.

0:35:56.520 --> 0:36:02.360
<v Speaker 1>Happy Toyky Day.

0:36:02.040 --> 0:36:04.120
<v Speaker 2>The bott