1 00:00:01,840 --> 00:00:06,239 Speaker 1: Hey listeners, Niminy here, host of historical records. 2 00:00:06,440 --> 00:00:09,520 Speaker 2: Get ready to hear about a historical hero through hip hop. 3 00:00:09,800 --> 00:00:13,440 Speaker 1: Also, parents and teachers, you can download a free activity 4 00:00:13,480 --> 00:00:17,360 Speaker 1: related to today's episode by visiting story pirates dot com 5 00:00:17,400 --> 00:00:22,000 Speaker 1: slash Historical Records and now onto the show. After a 6 00:00:22,040 --> 00:00:29,720 Speaker 1: few words for the grown ups, Hey listeners, Nimini here, 7 00:00:30,080 --> 00:00:31,800 Speaker 1: what's that ringling sound? 8 00:00:31,880 --> 00:00:32,400 Speaker 3: You ask? 9 00:00:32,600 --> 00:00:37,280 Speaker 1: Oh, nothing, just this awesome scooter I found. Can you 10 00:00:37,320 --> 00:00:39,720 Speaker 1: believe it was just lying on the floor of the bunker. 11 00:00:40,080 --> 00:00:42,839 Speaker 1: Perfect timing too, you see. I woke up this morning 12 00:00:42,880 --> 00:00:44,360 Speaker 1: and realize just how. 13 00:00:44,320 --> 00:00:45,800 Speaker 3: Much history there is. 14 00:00:46,120 --> 00:00:48,080 Speaker 1: There is so much work to do when we hear 15 00:00:48,159 --> 00:00:51,239 Speaker 1: at historical records are simply not working fast enough. But 16 00:00:51,760 --> 00:00:54,360 Speaker 1: this scooter will help me get it all done. First, 17 00:00:54,520 --> 00:00:55,600 Speaker 1: let me put on my helmet. 18 00:00:57,040 --> 00:00:59,960 Speaker 3: Then let's see you just how fast I can go. 19 00:01:00,800 --> 00:01:06,000 Speaker 4: Hey, robot voice, robot voice initiating initiating. 20 00:01:06,280 --> 00:01:08,520 Speaker 1: Hurry up, robot voice, I need you to time me 21 00:01:08,600 --> 00:01:10,319 Speaker 1: while I scoop to the other end of the hall. 22 00:01:10,480 --> 00:01:14,760 Speaker 1: There's no time to lose, Okay, start the clock in 23 00:01:15,160 --> 00:01:17,800 Speaker 1: three two one go? 24 00:01:19,280 --> 00:01:23,520 Speaker 3: What and so how long was that? 25 00:01:23,800 --> 00:01:25,640 Speaker 2: Four point three seconds? 26 00:01:25,720 --> 00:01:27,319 Speaker 5: A new record. 27 00:01:29,360 --> 00:01:31,080 Speaker 2: I've got a need to speed. 28 00:01:31,280 --> 00:01:33,960 Speaker 1: Indeed, think of how much work I can get done, 29 00:01:34,280 --> 00:01:36,760 Speaker 1: all the historical figures I can learn about, all the 30 00:01:36,880 --> 00:01:39,440 Speaker 1: songs I can write. Oh, this is going to be 31 00:01:39,520 --> 00:01:44,280 Speaker 1: my most productive episode ever. Listeners, it's time to get 32 00:01:44,360 --> 00:01:46,320 Speaker 1: this show on the road. 33 00:01:50,000 --> 00:01:53,760 Speaker 5: Its historical record. 34 00:01:54,400 --> 00:01:57,600 Speaker 2: You are now listening to historical We're. 35 00:01:57,360 --> 00:01:59,440 Speaker 3: Called to make history. 36 00:01:59,560 --> 00:02:01,600 Speaker 2: You get I have struggles to make history. 37 00:02:01,760 --> 00:02:03,680 Speaker 6: You got to show pois cannot. 38 00:02:03,400 --> 00:02:06,080 Speaker 3: Be quiet loud as the riot to make history, you 39 00:02:06,080 --> 00:02:07,640 Speaker 3: gotta make some noise. 40 00:02:12,080 --> 00:02:16,240 Speaker 1: Welcome back to Historical Records, where we conduct highly experimental 41 00:02:16,280 --> 00:02:20,160 Speaker 1: experiments combining history and hip hop. Working at top speed 42 00:02:20,320 --> 00:02:23,960 Speaker 1: gets me a bit winded. But those are the breaks, 43 00:02:24,080 --> 00:02:26,080 Speaker 1: or I guess these are the breaks. 44 00:02:26,840 --> 00:02:27,240 Speaker 3: Anyway. 45 00:02:27,440 --> 00:02:31,639 Speaker 1: Today's episode is about labor activist Emma tenne Yuka. 46 00:02:31,800 --> 00:02:34,600 Speaker 3: But before we get to her, there's so much work 47 00:02:34,639 --> 00:02:34,919 Speaker 3: to do. 48 00:02:36,080 --> 00:02:38,400 Speaker 1: First order of business, check in on Tina and the 49 00:02:38,440 --> 00:02:40,799 Speaker 1: rest of the Raccoons and see how today's beat is 50 00:02:40,840 --> 00:02:41,440 Speaker 1: coming along. 51 00:02:41,720 --> 00:02:44,200 Speaker 3: I'll just give a knock here on the studio door. 52 00:02:46,280 --> 00:02:49,000 Speaker 1: Hey, Tina, I hope you don't mind that I opened 53 00:02:49,000 --> 00:02:50,799 Speaker 1: the door, but I couldn't wait for you to open it. 54 00:02:51,080 --> 00:02:53,079 Speaker 3: Time waiting is time wasted. 55 00:02:53,320 --> 00:02:55,600 Speaker 1: Anyway, I'm checking in on today's beat, and what what 56 00:02:55,840 --> 00:03:04,519 Speaker 1: is going on? You're doing yoga? There's no time for yoga. 57 00:03:04,680 --> 00:03:09,280 Speaker 1: TikTok tina. We have to finish this song cut out. 58 00:03:09,639 --> 00:03:09,959 Speaker 3: Well. 59 00:03:10,040 --> 00:03:13,600 Speaker 1: If you already finished the first half of today's beat, ye. 60 00:03:14,320 --> 00:03:16,800 Speaker 3: You'd better get started on the second half. 61 00:03:17,000 --> 00:03:19,640 Speaker 1: Chop chop hop to it. No time to waste. Let 62 00:03:19,720 --> 00:03:21,760 Speaker 1: me turn off these yoga tunes so you can focus. 63 00:03:23,680 --> 00:03:26,240 Speaker 1: I said, no time. I'm off to check on Phil 64 00:03:26,280 --> 00:03:28,240 Speaker 1: the hype Man. We need Phil to be ready with 65 00:03:28,320 --> 00:03:31,480 Speaker 1: his A plus hype game or we'll fall behind schedule. 66 00:03:32,000 --> 00:03:34,400 Speaker 2: Off to film office. 67 00:03:35,520 --> 00:03:36,200 Speaker 3: I can't believe I. 68 00:03:36,200 --> 00:03:39,040 Speaker 1: Caught those raccoons slippings. How are we gonna get everything 69 00:03:39,120 --> 00:03:42,000 Speaker 1: done if we don't do it fast, fast, fast? Hey, 70 00:03:42,600 --> 00:03:45,040 Speaker 1: maybe I should look into adding a laptop connection to 71 00:03:45,080 --> 00:03:47,360 Speaker 1: the scooter so I can get even more work done 72 00:03:47,480 --> 00:03:47,800 Speaker 1: on the go. 73 00:03:48,320 --> 00:03:49,440 Speaker 3: Oh, look at that, I'm. 74 00:03:49,280 --> 00:03:53,720 Speaker 1: Already at FIL's office, even though Robot Voice and the 75 00:03:53,840 --> 00:03:57,680 Speaker 1: raccoons were doing some new age lollygaggon. There's no need 76 00:03:57,720 --> 00:04:00,839 Speaker 1: to worry about philm It's basically a hue An energy drink, 77 00:04:00,920 --> 00:04:06,840 Speaker 1: so that's absolutely no way he'll be fast asleep. 78 00:04:07,320 --> 00:04:11,880 Speaker 7: Part of people say what yeah, wo oh. 79 00:04:11,240 --> 00:04:13,160 Speaker 3: He even hipes when he snores. 80 00:04:13,640 --> 00:04:16,480 Speaker 1: All right, niminy, don't be distracted by how cute Phil 81 00:04:16,640 --> 00:04:18,239 Speaker 1: is when he's sleep HIPing. 82 00:04:18,560 --> 00:04:20,720 Speaker 3: Get back to work and wake this man up so 83 00:04:20,760 --> 00:04:21,400 Speaker 3: we can get. 84 00:04:21,279 --> 00:04:27,560 Speaker 1: To work, I said, Pila, Oh he's still fast. 85 00:04:27,240 --> 00:04:29,080 Speaker 3: Asleep, Thank goodness. 86 00:04:29,080 --> 00:04:32,640 Speaker 1: Phil is a textbook hype man, so he always keeps 87 00:04:32,680 --> 00:04:44,880 Speaker 1: an airhorn nearby and in three two one, Hello. 88 00:04:45,440 --> 00:04:47,240 Speaker 3: Hey Phil, quick question for you. 89 00:04:47,480 --> 00:04:48,920 Speaker 7: Oh, I bet it's a good world. 90 00:04:49,120 --> 00:04:54,360 Speaker 3: Lead on me, Sure thing, Phil? What were you doing sleeping? 91 00:04:55,040 --> 00:04:58,080 Speaker 7: Tough foot bear? I just felt like my batteries needed 92 00:04:58,200 --> 00:04:58,880 Speaker 7: with charge. 93 00:04:58,920 --> 00:05:01,200 Speaker 8: And you know, since there wasn't any hype in to do, 94 00:05:01,279 --> 00:05:03,480 Speaker 8: I thought maybe I'd make like a cat and take 95 00:05:03,520 --> 00:05:04,239 Speaker 8: a quick nap. 96 00:05:04,600 --> 00:05:06,280 Speaker 3: Miro, philter, there. 97 00:05:06,360 --> 00:05:10,280 Speaker 1: Is always hyping to do. Coffee deal, seize the day, 98 00:05:10,680 --> 00:05:11,720 Speaker 1: Rise and grind. 99 00:05:12,320 --> 00:05:16,080 Speaker 7: Okay, rise and grind. What am I grinding? 100 00:05:16,440 --> 00:05:17,159 Speaker 2: I don't know. 101 00:05:17,360 --> 00:05:19,600 Speaker 3: Coffee beans? Maybe here? Take these? 102 00:05:20,839 --> 00:05:21,960 Speaker 7: Are these coffee beans? 103 00:05:22,279 --> 00:05:22,599 Speaker 1: Yeah? 104 00:05:22,880 --> 00:05:25,599 Speaker 5: But you don't drink coffee, Philly, my man? 105 00:05:26,120 --> 00:05:27,760 Speaker 3: Is that what a hype man would say? 106 00:05:28,440 --> 00:05:32,279 Speaker 7: I mean, yeah, coffee. You know, I'm always on the 107 00:05:32,279 --> 00:05:34,080 Speaker 7: coffee grind 'spresso. 108 00:05:33,680 --> 00:05:37,880 Speaker 1: Drip woo that's more like it. Gosh, I'm glad I 109 00:05:37,920 --> 00:05:41,040 Speaker 1: found this scooter. I'm getting so much done. Now off 110 00:05:41,080 --> 00:05:43,920 Speaker 1: to the library to check on Gabe Today's Historian. 111 00:05:44,240 --> 00:05:49,839 Speaker 3: And look, I'm gonna have a schedule. I'm doing it. 112 00:05:50,080 --> 00:05:54,480 Speaker 2: I'm working faster and smarter. I'm headed for the library. 113 00:05:58,279 --> 00:05:59,960 Speaker 3: Good thing I was wearing my helmet. 114 00:06:00,320 --> 00:06:02,280 Speaker 5: Nimini, I heard a huge crash. 115 00:06:02,400 --> 00:06:03,120 Speaker 7: Are you okay? 116 00:06:03,520 --> 00:06:07,080 Speaker 3: I'm fine? Sorry about your books, Gabe, no worries. 117 00:06:07,120 --> 00:06:09,480 Speaker 5: The books are fine. I'll clean them up after lunch. 118 00:06:09,880 --> 00:06:10,240 Speaker 3: Lunch. 119 00:06:10,680 --> 00:06:15,120 Speaker 5: Yeah, this is my lunch break, today's panini day. Yum game. 120 00:06:15,200 --> 00:06:18,720 Speaker 1: There's no time for my historian to take lunch. We 121 00:06:18,800 --> 00:06:21,599 Speaker 1: have to explore the life of Emma Tenna Yuka, write 122 00:06:21,600 --> 00:06:24,239 Speaker 1: a song, and now we have to put away these books. 123 00:06:24,320 --> 00:06:25,680 Speaker 3: We can't fall behind. Schedule. 124 00:06:26,000 --> 00:06:26,760 Speaker 2: What schedule? 125 00:06:27,000 --> 00:06:28,880 Speaker 3: The one that we don't want to fall behind. 126 00:06:28,839 --> 00:06:32,679 Speaker 5: Niminy, really don't worry about it. You just crashed a scooter. 127 00:06:32,960 --> 00:06:35,120 Speaker 5: You should sit and take a break. Have some of 128 00:06:35,160 --> 00:06:37,159 Speaker 5: my panini. I've got extra. 129 00:06:37,240 --> 00:06:41,440 Speaker 1: Panini, more like panin no as in no time. We 130 00:06:41,520 --> 00:06:44,760 Speaker 1: have to get to today's historical figure. If you're still hungry, 131 00:06:44,839 --> 00:06:47,240 Speaker 1: I have a great idea for eating on the go. 132 00:06:47,640 --> 00:06:50,159 Speaker 1: I call it on the go gulp tube for gulping 133 00:06:50,200 --> 00:06:50,839 Speaker 1: food on the go. 134 00:06:51,440 --> 00:06:57,680 Speaker 3: That sounds awful, Bye awful? Do you mean efficient? I 135 00:06:57,839 --> 00:06:58,240 Speaker 3: do not. 136 00:06:58,800 --> 00:07:01,799 Speaker 5: Food isn't meant to be gulped on the go. Lunch 137 00:07:01,839 --> 00:07:05,360 Speaker 5: breaks are good for people, and they're good for workers. 138 00:07:05,760 --> 00:07:06,960 Speaker 3: They are they are. 139 00:07:07,400 --> 00:07:11,720 Speaker 5: There's something Emma Tana Yuka would have passionately supported too. 140 00:07:11,800 --> 00:07:14,800 Speaker 5: Did you know she believed in workers' rights so strongly 141 00:07:14,960 --> 00:07:16,080 Speaker 5: that she went to jail? 142 00:07:16,480 --> 00:07:19,600 Speaker 3: Really, that's amazing. I need to see that. Where's this 143 00:07:19,640 --> 00:07:21,040 Speaker 3: week's history simulator? 144 00:07:21,400 --> 00:07:25,680 Speaker 5: You're standing on it the scooter? Yep, I was wondering 145 00:07:25,720 --> 00:07:27,920 Speaker 5: where I left it. Let me just flip the simulator 146 00:07:27,920 --> 00:07:28,560 Speaker 5: switch on. 147 00:07:30,600 --> 00:07:31,320 Speaker 7: Ready to go? 148 00:07:32,280 --> 00:07:33,480 Speaker 3: Aren't you forgetting something? 149 00:07:33,840 --> 00:07:34,360 Speaker 5: All right? 150 00:07:34,640 --> 00:07:35,200 Speaker 7: My helmet? 151 00:07:36,360 --> 00:07:37,600 Speaker 3: Now we're ready to go. 152 00:07:41,280 --> 00:07:44,480 Speaker 5: Welcome to San Antonio, nineteen twenty. 153 00:07:46,280 --> 00:07:48,560 Speaker 3: Woo, this place is busy. 154 00:07:49,200 --> 00:07:53,320 Speaker 1: Theyre's singers, speakers, people waving newspapers. 155 00:07:53,480 --> 00:07:55,280 Speaker 3: Are we in some kind of plaza? 156 00:07:55,640 --> 00:07:59,880 Speaker 5: We are in the Plaza Plaza del Zacupte to be exact. 157 00:08:00,240 --> 00:08:03,080 Speaker 5: It's known today as Millam Park, but in the nineteen 158 00:08:03,120 --> 00:08:06,840 Speaker 5: twenties it was the place for Mexican Americans to exchange 159 00:08:06,920 --> 00:08:10,240 Speaker 5: news and ideas. It was where a lot of socialists 160 00:08:10,240 --> 00:08:14,000 Speaker 5: and anarchists would come and spread their ideas about radical 161 00:08:14,120 --> 00:08:15,520 Speaker 5: social change. 162 00:08:15,680 --> 00:08:19,200 Speaker 1: I've heard the phrase getting on your soapbox, but I've 163 00:08:19,240 --> 00:08:20,880 Speaker 1: never seen anyone actually do it. 164 00:08:21,120 --> 00:08:24,240 Speaker 3: Look at that guy over there with the newspaper. What's 165 00:08:24,240 --> 00:08:24,679 Speaker 3: he doing. 166 00:08:25,120 --> 00:08:27,640 Speaker 5: He's reading the latest news from Mexico. There was a 167 00:08:27,720 --> 00:08:31,000 Speaker 5: recent revolution where people fought against the government. Some people 168 00:08:31,040 --> 00:08:33,080 Speaker 5: had to flee, and a lot of them ended up 169 00:08:33,120 --> 00:08:36,280 Speaker 5: here in San Antonio. So they're anxious to hear the 170 00:08:36,360 --> 00:08:39,200 Speaker 5: latest news about the new government back in Mexico. 171 00:08:39,760 --> 00:08:42,200 Speaker 3: Hey, I see a little girl. Is that who I 172 00:08:42,240 --> 00:08:43,200 Speaker 3: think it is? It? 173 00:08:43,280 --> 00:08:47,199 Speaker 5: Sure is that's a young Amma Tanayuka here with her grandfather. 174 00:08:47,559 --> 00:08:50,240 Speaker 5: He's helping to raise Emma and he's making sure she 175 00:08:50,360 --> 00:08:54,360 Speaker 5: learns everything. So he brings her here. Mika, go and 176 00:08:54,400 --> 00:08:56,960 Speaker 5: listen to the different speakers and bring me back some 177 00:08:57,120 --> 00:08:58,240 Speaker 5: interesting news. 178 00:08:58,679 --> 00:09:00,880 Speaker 2: Yes, whale, Look at her run. 179 00:09:01,240 --> 00:09:02,959 Speaker 3: She's so eager to hear the news. 180 00:09:03,480 --> 00:09:03,920 Speaker 6: Oh. 181 00:09:03,960 --> 00:09:07,080 Speaker 5: She soaks up all the energy and political discussion in 182 00:09:07,120 --> 00:09:10,240 Speaker 5: the plaza like a sponge. The plaza is her school 183 00:09:10,280 --> 00:09:15,479 Speaker 5: outside of school, where she learns about religion, socialism, labor movements, 184 00:09:15,640 --> 00:09:19,120 Speaker 5: the injustice of segregation and the struggle of the poor 185 00:09:19,360 --> 00:09:21,000 Speaker 5: all over the world. 186 00:09:21,400 --> 00:09:24,920 Speaker 1: Ooh, here's your gums, and she is ronic. I wonder 187 00:09:24,960 --> 00:09:28,240 Speaker 1: what she heard a willow. The railroad workers have voted 188 00:09:28,280 --> 00:09:29,080 Speaker 1: to go on strike. 189 00:09:31,360 --> 00:09:33,960 Speaker 5: Very good, Micha, very good. 190 00:09:34,840 --> 00:09:38,240 Speaker 1: She can't be more than what eight. How amazing that 191 00:09:38,280 --> 00:09:40,199 Speaker 1: she is learning all this stuff at such. 192 00:09:40,040 --> 00:09:40,920 Speaker 3: A young age. 193 00:09:41,160 --> 00:09:43,960 Speaker 5: She's off to a radical start. Wait until you see 194 00:09:43,960 --> 00:09:44,840 Speaker 5: her in high school. 195 00:09:50,240 --> 00:09:50,400 Speaker 7: Now. 196 00:09:50,440 --> 00:09:53,160 Speaker 5: It's nineteen thirty three, right smack in the middle of 197 00:09:53,200 --> 00:09:56,800 Speaker 5: the Great Depression. People all over the United States and 198 00:09:56,840 --> 00:09:59,320 Speaker 5: the rest of the world are having a really hard 199 00:09:59,360 --> 00:10:02,120 Speaker 5: time make a living and getting enough to eat. 200 00:10:02,559 --> 00:10:05,040 Speaker 3: I see Emma, she's under that tree reading a book. 201 00:10:05,360 --> 00:10:08,880 Speaker 5: Emma is always reading books. She's a junior in high school, 202 00:10:08,960 --> 00:10:12,000 Speaker 5: where she's both a star athlete and a star scholar. 203 00:10:12,320 --> 00:10:15,000 Speaker 5: Did you know she formed an afterschool reading club. 204 00:10:15,360 --> 00:10:15,920 Speaker 2: Awesome? 205 00:10:16,120 --> 00:10:19,520 Speaker 5: I love books, so do I, and so does Emma. 206 00:10:19,760 --> 00:10:22,920 Speaker 5: Looks like she's reading The Advancing Proletariats. 207 00:10:23,280 --> 00:10:23,800 Speaker 7: What is that? 208 00:10:24,280 --> 00:10:27,360 Speaker 5: It's a booklet published by the Industrial Workers of the World. 209 00:10:27,720 --> 00:10:32,680 Speaker 5: The IWW, also known as the Wobbles, are an international workers' 210 00:10:32,760 --> 00:10:36,160 Speaker 5: union that was founded in nineteen oh five. That pamphlet 211 00:10:36,200 --> 00:10:40,040 Speaker 5: is encouraging workers to unite and use their collective power 212 00:10:40,160 --> 00:10:41,800 Speaker 5: to fight for better treatment. 213 00:10:42,320 --> 00:10:45,560 Speaker 1: She's learning about workers' unions at sixteen. 214 00:10:46,040 --> 00:10:49,800 Speaker 5: Oh yeah, she's learning all kinds of advanced stuff. She 215 00:10:49,880 --> 00:10:55,199 Speaker 5: reads enthusiastically about the Wobbleys, Thomas Paine, Karl Marx, Tolstoy, 216 00:10:55,520 --> 00:10:59,200 Speaker 5: Charles A. Beard and Moore. Do you see the size 217 00:10:59,240 --> 00:10:59,880 Speaker 5: of her book? 218 00:11:00,559 --> 00:11:01,960 Speaker 3: How does she even carry it? 219 00:11:02,360 --> 00:11:05,920 Speaker 1: Santa could never? Hey, who's that boy approaching Emma? 220 00:11:06,320 --> 00:11:06,480 Speaker 7: Oh? 221 00:11:06,559 --> 00:11:09,360 Speaker 5: That's one of her classmates. He's a member of one 222 00:11:09,400 --> 00:11:14,439 Speaker 5: of the school's Latino groups. La Emma go mostas Ola. 223 00:11:14,559 --> 00:11:14,800 Speaker 7: Hmm. 224 00:11:15,360 --> 00:11:17,280 Speaker 1: He looks like he wants to ask her something, but 225 00:11:17,520 --> 00:11:19,040 Speaker 1: he's hesitating. 226 00:11:18,800 --> 00:11:20,720 Speaker 5: Probably because he already knows the answers. 227 00:11:20,800 --> 00:11:20,839 Speaker 9: No. 228 00:11:21,360 --> 00:11:24,720 Speaker 5: He's part of the League of United Latin American Citizens 229 00:11:24,880 --> 00:11:26,600 Speaker 5: and he wants Emma to join their cause. 230 00:11:27,000 --> 00:11:28,240 Speaker 3: But why would she say no? 231 00:11:28,760 --> 00:11:31,600 Speaker 5: Because this group and other groups like it advocate for 232 00:11:31,679 --> 00:11:33,160 Speaker 5: something called assimilation. 233 00:11:33,840 --> 00:11:34,560 Speaker 3: What does that mean? 234 00:11:34,960 --> 00:11:37,880 Speaker 5: They want to gain acceptance in society by acting more 235 00:11:38,000 --> 00:11:41,360 Speaker 5: like the white people who often treat them unfairly. Emma 236 00:11:41,400 --> 00:11:43,800 Speaker 5: knows that they want her to join just because she 237 00:11:43,920 --> 00:11:47,400 Speaker 5: has lighter skin, meaning white people might be more willing 238 00:11:47,440 --> 00:11:50,360 Speaker 5: to accept her. But she's only interested in a movement 239 00:11:50,440 --> 00:11:51,840 Speaker 5: that helps all people. 240 00:11:52,280 --> 00:11:53,280 Speaker 2: Ah, I see. 241 00:11:53,679 --> 00:11:56,360 Speaker 3: Oh, now she's getting up and packing her book away. 242 00:11:56,640 --> 00:11:57,480 Speaker 3: Where's she off to. 243 00:11:58,000 --> 00:12:00,920 Speaker 5: She's on her way to the Fink Cigar Company to 244 00:12:01,040 --> 00:12:02,480 Speaker 5: join the picket line. 245 00:12:02,880 --> 00:12:04,000 Speaker 3: What's a picket line? 246 00:12:04,480 --> 00:12:11,640 Speaker 5: I'll show you. Let's go. We've arrived at the Fink 247 00:12:11,760 --> 00:12:15,080 Speaker 5: Cigar Company. See that big group of people walking in 248 00:12:15,120 --> 00:12:16,079 Speaker 5: front of the factory. 249 00:12:16,280 --> 00:12:19,880 Speaker 1: They're holding signs enchanting st strip. 250 00:12:20,280 --> 00:12:23,640 Speaker 5: That's a picket line. It's one way that workers fight 251 00:12:23,720 --> 00:12:26,520 Speaker 5: for better treatment. They refuse to go into the building 252 00:12:26,600 --> 00:12:29,680 Speaker 5: to work and instead stay outside and protest the low 253 00:12:29,800 --> 00:12:31,760 Speaker 5: pay and the bad working conditions. 254 00:12:32,000 --> 00:12:32,760 Speaker 3: And there's Emma. 255 00:12:33,000 --> 00:12:36,920 Speaker 5: She's holding a sign yup at the young age of sixteen, 256 00:12:37,080 --> 00:12:40,040 Speaker 5: Emma is joining the Fink Cigar Company strike. 257 00:12:41,800 --> 00:12:45,120 Speaker 1: Police whistles, What are the police doing here? Nobody here 258 00:12:45,160 --> 00:12:45,800 Speaker 1: is in danger. 259 00:12:46,200 --> 00:12:48,760 Speaker 5: Business owners don't like it when workers go on strike. 260 00:12:48,960 --> 00:12:51,680 Speaker 5: It costs them money, so they often use the police 261 00:12:51,880 --> 00:12:54,360 Speaker 5: to try to break up the picket lines and force 262 00:12:54,400 --> 00:12:56,080 Speaker 5: the workers to give up their cause. 263 00:12:56,480 --> 00:12:58,040 Speaker 7: You're there, you're under arrest. 264 00:12:58,520 --> 00:13:01,720 Speaker 3: Oh, they're arresting Emma. Oh, but she didn't do anything wrong. 265 00:13:02,120 --> 00:13:05,319 Speaker 5: It'll be okay, and Emma will be okay. In fact, 266 00:13:05,640 --> 00:13:08,280 Speaker 5: getting arrested is what inspires her to go on to 267 00:13:08,360 --> 00:13:16,640 Speaker 5: make history. Let's go to nineteen thirty eight. It's January 268 00:13:16,679 --> 00:13:19,920 Speaker 5: thirty first, nineteen thirty eight, and we're outside of the 269 00:13:20,000 --> 00:13:21,680 Speaker 5: Delicious Pecan Company. 270 00:13:22,120 --> 00:13:26,640 Speaker 3: Ooh, pecans. That explains the delicious smell. Are we stopping 271 00:13:26,640 --> 00:13:27,200 Speaker 3: for a snack? 272 00:13:27,720 --> 00:13:31,320 Speaker 5: No, we're here because this is where Emma Tenayuka made 273 00:13:31,320 --> 00:13:35,520 Speaker 5: her biggest contribution to the workers' rights movement. Niminy, what 274 00:13:35,559 --> 00:13:37,280 Speaker 5: do you know about shelling pecans? 275 00:13:37,640 --> 00:13:38,800 Speaker 3: P conzap shalls? 276 00:13:39,160 --> 00:13:41,880 Speaker 5: Not once these workers are through with them. But shelling 277 00:13:41,920 --> 00:13:46,000 Speaker 5: pecans is hard, dangerous work. These women work seven days 278 00:13:46,040 --> 00:13:50,680 Speaker 5: a week, all will being exposed to respiratory diseases like tuberculosis, 279 00:13:51,000 --> 00:13:53,320 Speaker 5: and they get paid less than two dollars a week. 280 00:13:53,679 --> 00:13:55,240 Speaker 3: Oh that is so unfair. 281 00:13:55,720 --> 00:13:58,400 Speaker 5: Emma thought so too, which is why she took up 282 00:13:58,400 --> 00:14:01,240 Speaker 5: the cans. Look here she is giving one of her 283 00:14:01,280 --> 00:14:03,119 Speaker 5: trademark passionate speeches. 284 00:14:03,440 --> 00:14:10,720 Speaker 2: Workers, We must unite against these unfair conditions. La laitana. 285 00:14:12,840 --> 00:14:13,920 Speaker 3: What are they calling her? 286 00:14:14,200 --> 00:14:18,800 Speaker 5: La capitana, which means the captain. They've unanimously elected Emma 287 00:14:18,840 --> 00:14:21,280 Speaker 5: as their leader, and they're about to follow her to 288 00:14:21,400 --> 00:14:22,360 Speaker 5: the picket line. 289 00:14:22,880 --> 00:14:27,280 Speaker 1: We can no longer tolerate these terrible working conditions. 290 00:14:27,680 --> 00:14:28,680 Speaker 2: We are on. 291 00:14:29,320 --> 00:14:31,840 Speaker 7: Strike, strike shut. 292 00:14:32,120 --> 00:14:33,440 Speaker 3: There are so many of them. 293 00:14:33,880 --> 00:14:38,240 Speaker 5: Almost twelve thousand workers walked off the job. It's the 294 00:14:38,440 --> 00:14:41,880 Speaker 5: largest strike in San Antonio history, and it was the 295 00:14:41,920 --> 00:14:47,080 Speaker 5: first major Mexican American action for civil rights and economic justice. 296 00:14:47,240 --> 00:14:51,040 Speaker 3: I can't believe Emma is leading this huge movement. She's 297 00:14:51,200 --> 00:14:53,280 Speaker 3: only twenty two. 298 00:14:53,720 --> 00:14:56,360 Speaker 1: Oh no, the police are coming to this strike too. 299 00:14:56,920 --> 00:14:57,240 Speaker 7: Yep. 300 00:14:57,600 --> 00:15:00,480 Speaker 5: The mayor of San Antonio sent the police out with 301 00:15:00,560 --> 00:15:03,440 Speaker 5: tear gas and clubs to break up the picket lines. 302 00:15:04,760 --> 00:15:08,080 Speaker 5: This is an illegal gathering. You are ordered to disburse immediately. 303 00:15:10,440 --> 00:15:12,880 Speaker 3: These workers are not backing down. 304 00:15:13,320 --> 00:15:13,840 Speaker 7: That's right. 305 00:15:14,120 --> 00:15:17,560 Speaker 5: The Pecan shullers went on strike for a whole three months. 306 00:15:17,720 --> 00:15:18,000 Speaker 2: Tena. 307 00:15:18,040 --> 00:15:21,720 Speaker 5: Yuka's passionate speeches brought national attention to the strike and 308 00:15:21,840 --> 00:15:26,160 Speaker 5: earned her the nickname Lapacion Nadia de dejas. Historians today 309 00:15:26,320 --> 00:15:29,720 Speaker 5: regard the strike as the first successful large scale act 310 00:15:29,760 --> 00:15:33,280 Speaker 5: of Mexican American struggle for civil rights and justice. 311 00:15:33,720 --> 00:15:34,320 Speaker 3: Amazing. 312 00:15:34,760 --> 00:15:37,160 Speaker 1: I can't believe someone would care so much about fair 313 00:15:37,280 --> 00:15:40,960 Speaker 1: working conditions that they risk getting arrested or beaten up. 314 00:15:41,240 --> 00:15:44,280 Speaker 5: Or something worse. Emma received a lot of threats of 315 00:15:44,360 --> 00:15:49,000 Speaker 5: violence and death just for striking sort of. Emma was 316 00:15:49,040 --> 00:15:52,120 Speaker 5: a member of something called the Communist Party in the 317 00:15:52,200 --> 00:15:55,760 Speaker 5: nineteen thirties. People were very afraid of the Communists and 318 00:15:55,840 --> 00:15:58,480 Speaker 5: believed that they had to stop them at all costs. 319 00:15:58,840 --> 00:16:02,920 Speaker 5: It made Emma's work very dangerous. Even the FBI came 320 00:16:02,960 --> 00:16:03,760 Speaker 5: to spy on her. 321 00:16:04,040 --> 00:16:06,040 Speaker 3: Oh my goodness, does she go into hiding. 322 00:16:06,640 --> 00:16:09,680 Speaker 5: Nope. She left the picket lines, but spent the rest 323 00:16:09,680 --> 00:16:13,040 Speaker 5: of her life teaching and mentoring other activists. A lot 324 00:16:13,040 --> 00:16:15,640 Speaker 5: of people say that without Emma Tenayuka, there may have 325 00:16:15,680 --> 00:16:19,560 Speaker 5: been no Delores Squerta or Caesar Chavez. Let's check out 326 00:16:19,560 --> 00:16:21,840 Speaker 5: what she said in an interview in her seventies. 327 00:16:26,360 --> 00:16:29,320 Speaker 3: She still has such fire in her eyes. 328 00:16:29,240 --> 00:16:30,240 Speaker 5: And a lot to say. 329 00:16:30,800 --> 00:16:34,520 Speaker 10: What started out as a movement for organizing for equal 330 00:16:34,640 --> 00:16:40,520 Speaker 10: wages turned into a mass movement against starvation, for civil rights, 331 00:16:40,680 --> 00:16:43,960 Speaker 10: for a minimum wage law, and it changed. 332 00:16:43,560 --> 00:16:46,160 Speaker 3: The character of westside San Antonio. 333 00:16:46,560 --> 00:16:49,760 Speaker 5: The goal of her activism wasn't a certain ideology or 334 00:16:49,800 --> 00:16:53,000 Speaker 5: an abstract concept, but simply food. 335 00:16:53,920 --> 00:16:57,040 Speaker 1: Food as in food that should be eaten on a 336 00:16:57,120 --> 00:17:01,080 Speaker 1: RESTful lunch break and not gulped on the go exactly. 337 00:17:01,680 --> 00:17:04,040 Speaker 3: Hmmm, this gives me a lot to think about. 338 00:17:04,359 --> 00:17:06,480 Speaker 1: I think I might need to make some changes to 339 00:17:06,520 --> 00:17:09,679 Speaker 1: the way I've been working. Let's head back to the bunker. 340 00:17:14,200 --> 00:17:17,040 Speaker 3: We made it back. Oh hey, all the raccoons are here. 341 00:17:17,320 --> 00:17:21,879 Speaker 1: I can't wait to tell you all about Emma tenne Yuga. 342 00:17:23,000 --> 00:17:24,800 Speaker 3: Yes, it is time for the song. 343 00:17:25,080 --> 00:17:30,440 Speaker 1: Indeed, let's turn this history into an epic showstopping song 344 00:17:30,560 --> 00:17:35,359 Speaker 1: for the ages, featuring Broadway legend Mandy Gonzalez. 345 00:17:51,480 --> 00:17:54,160 Speaker 2: So here's what you need to know. 346 00:17:54,560 --> 00:17:58,720 Speaker 9: Year's nineteen thirty eight, San Antonio. Strike it for our 347 00:17:58,800 --> 00:18:02,000 Speaker 9: right to get what we old. Strikes running long though, 348 00:18:02,240 --> 00:18:05,120 Speaker 9: and the mood is low. Just want to little mod 349 00:18:05,240 --> 00:18:08,320 Speaker 9: but they still say no. Up to twenty thousand strong 350 00:18:08,440 --> 00:18:10,000 Speaker 9: our number scroll. 351 00:18:09,680 --> 00:18:12,479 Speaker 2: Reason by men. They will hit it stiff. They may eical. 352 00:18:12,800 --> 00:18:16,399 Speaker 9: This ain't ever happening in the us BI boat. Three 353 00:18:16,400 --> 00:18:19,480 Speaker 9: months with thousand, we've been off the blow, and we 354 00:18:19,560 --> 00:18:22,439 Speaker 9: don't know how long that the throng can go, like 355 00:18:22,520 --> 00:18:25,000 Speaker 9: a powder cake that's about to blown. 356 00:18:25,200 --> 00:18:28,960 Speaker 2: But thank god we got a leader to control the flow. Management. 357 00:18:29,119 --> 00:18:33,000 Speaker 9: How it's working long even on the weekends making only peanuts. 358 00:18:33,040 --> 00:18:35,920 Speaker 2: Yet we be selling peek. Can'st need it? Some hope. 359 00:18:36,080 --> 00:18:39,560 Speaker 2: A young sister the beacon and Emma, Tenna, you got. 360 00:18:39,720 --> 00:18:40,240 Speaker 9: Here's what you. 361 00:18:40,359 --> 00:18:42,120 Speaker 6: Speaking fucking. 362 00:18:43,760 --> 00:18:43,800 Speaker 5: For. 363 00:18:44,000 --> 00:18:48,680 Speaker 2: They treated how they do and it to a simple tune. 364 00:18:49,880 --> 00:18:50,199 Speaker 9: For the. 365 00:18:53,160 --> 00:18:59,720 Speaker 2: Goodness, and you were goods for strong zuers, dream big 366 00:19:02,280 --> 00:19:04,040 Speaker 2: yours a Latina, you go. 367 00:19:04,520 --> 00:19:08,320 Speaker 9: Emma's parents were poor but practical, but in the plaza. 368 00:19:08,440 --> 00:19:10,840 Speaker 9: Had at night with her gramps, she would listen to 369 00:19:10,880 --> 00:19:14,760 Speaker 9: the radicals. She read works magical, picked up common sense 370 00:19:14,760 --> 00:19:15,960 Speaker 9: from Thomas Paine. 371 00:19:16,040 --> 00:19:16,600 Speaker 2: And from Mark. 372 00:19:16,680 --> 00:19:19,720 Speaker 9: She learned of capital first trying to strike at sixteen. 373 00:19:19,800 --> 00:19:23,320 Speaker 9: She wasn't natural arrested at the protest, which made her 374 00:19:23,320 --> 00:19:27,679 Speaker 9: fight more fanatical. Her plight was rational, living under the 375 00:19:27,760 --> 00:19:30,239 Speaker 9: fists of capitalists with their backing all. 376 00:19:30,480 --> 00:19:33,200 Speaker 2: She joined an org, found a lack in the leadership, 377 00:19:33,320 --> 00:19:36,320 Speaker 2: especially bat at, reaching the Latina membership. 378 00:19:36,520 --> 00:19:39,720 Speaker 9: After high school, she led more and led more, read 379 00:19:39,720 --> 00:19:40,680 Speaker 9: more manifestos. 380 00:19:40,760 --> 00:19:43,639 Speaker 2: No Emma scene as read the peak can't strike. 381 00:19:43,760 --> 00:19:47,760 Speaker 9: She runs it at twenty one workers getting poor conditions 382 00:19:47,880 --> 00:19:50,600 Speaker 9: and low fun. Emma's on the front lines. The crowd 383 00:19:50,720 --> 00:19:53,320 Speaker 9: is at a low hum. On the megaphone, she is 384 00:19:53,359 --> 00:19:54,680 Speaker 9: shouting out the ball. 385 00:19:57,640 --> 00:20:02,120 Speaker 2: Fully treated. How add a dot of simple. 386 00:20:01,880 --> 00:20:09,080 Speaker 11: Tude for you reduce. 387 00:20:10,200 --> 00:20:14,359 Speaker 6: Stronger than Mazurkas dreamding, hallo. 388 00:20:16,080 --> 00:20:20,120 Speaker 2: Your ten. We're singing actions. 389 00:20:20,160 --> 00:20:23,680 Speaker 9: Our factions had enough, we uper deals, but they still 390 00:20:23,800 --> 00:20:25,920 Speaker 9: be passing up sick the boar. 391 00:20:26,080 --> 00:20:29,439 Speaker 2: Oh honest, they harassing us. We marching mass, but the 392 00:20:29,560 --> 00:20:31,399 Speaker 2: brass here gassing us. 393 00:20:31,440 --> 00:20:35,920 Speaker 9: Oh now they're targeting our comrade, Emma speature so powerful 394 00:20:36,119 --> 00:20:39,520 Speaker 9: they are like an antenna raw casted wide from the 395 00:20:39,560 --> 00:20:42,760 Speaker 9: press to the wrong manner. This creates in the movement 396 00:20:43,000 --> 00:20:46,640 Speaker 9: a wrong level. There's a rift afraid. The public would 397 00:20:46,720 --> 00:20:49,040 Speaker 9: be niffed if they knew the leader of the striker 398 00:20:49,040 --> 00:20:49,360 Speaker 9: was cat. 399 00:20:49,400 --> 00:20:51,920 Speaker 2: The communists just applied. 400 00:20:51,680 --> 00:20:55,760 Speaker 9: To try to make the people stuf, but consequently Emma lost. 401 00:20:55,440 --> 00:20:58,280 Speaker 2: Her special stayed on unofficial to combat. 402 00:20:58,400 --> 00:21:01,399 Speaker 9: The regime won the battle, but i'd a told for 403 00:21:01,600 --> 00:21:04,080 Speaker 9: our tea secure and raise until the greedy came and 404 00:21:04,160 --> 00:21:05,960 Speaker 9: stole our dream A few months later. 405 00:21:06,040 --> 00:21:07,000 Speaker 2: Were replaced with. 406 00:21:07,040 --> 00:21:12,800 Speaker 6: Machines bas fucking courier before they treated how they do. 407 00:21:14,560 --> 00:21:15,960 Speaker 2: And a dot as simple. 408 00:21:15,760 --> 00:21:24,520 Speaker 11: Joy for rods the order organizing you producer for stronger 409 00:21:24,560 --> 00:21:30,920 Speaker 11: than a zulkas dream big Halluia. 410 00:21:29,920 --> 00:21:31,680 Speaker 2: Yours a montenac. 411 00:21:33,040 --> 00:21:39,520 Speaker 4: I continue to organize for a few boy years, a 412 00:21:39,560 --> 00:21:48,359 Speaker 4: crucial time from the woods and Fox. I left, the party, left, 413 00:21:48,400 --> 00:21:51,120 Speaker 4: the triumph, left the tears. 414 00:21:51,320 --> 00:21:58,399 Speaker 2: Became a teacher, And this is what I taught bas 415 00:21:58,400 --> 00:22:02,080 Speaker 2: sucking courier. Bully treated heavy. 416 00:22:03,760 --> 00:22:05,200 Speaker 1: And simple. 417 00:22:06,840 --> 00:22:07,119 Speaker 12: For no. 418 00:22:07,280 --> 00:22:07,919 Speaker 9: When the. 419 00:22:10,000 --> 00:22:17,120 Speaker 6: Organize and you producer for stronger than Missulcus, dream big. 420 00:22:16,880 --> 00:22:29,800 Speaker 2: Helloluia, yours a montena. You bullly treated heavy and as simple. 421 00:22:31,440 --> 00:22:39,760 Speaker 13: For noon the organize and you producer for stronger than Missulcus. 422 00:22:40,720 --> 00:22:44,840 Speaker 13: Dream big, Hallolua yours a montena. 423 00:22:44,960 --> 00:22:45,800 Speaker 7: You come. 424 00:22:49,640 --> 00:22:52,159 Speaker 1: We'll be right back after a few words for the 425 00:22:52,200 --> 00:22:58,240 Speaker 1: grown ups. Wow, I could really feel Emma's passion coming 426 00:22:58,280 --> 00:23:00,960 Speaker 1: through in every beat and every note. 427 00:23:01,200 --> 00:23:02,439 Speaker 3: Great work, Raccoons. 428 00:23:04,400 --> 00:23:07,240 Speaker 1: One other thing, I'm sorry I was pushing you all 429 00:23:07,280 --> 00:23:10,720 Speaker 1: so hard earlier. Seeing how hard Emma Tenna Yuka fought 430 00:23:10,720 --> 00:23:13,840 Speaker 1: for workers to be treated fairly made me realize I 431 00:23:13,960 --> 00:23:17,639 Speaker 1: was taking fair working conditions for granted. People fought to 432 00:23:17,680 --> 00:23:19,639 Speaker 1: earn those rights, and I shouldn't be so quick to 433 00:23:19,680 --> 00:23:20,200 Speaker 1: forget that. 434 00:23:21,920 --> 00:23:22,320 Speaker 3: Thanks. 435 00:23:22,960 --> 00:23:27,680 Speaker 1: Hey, have you guys ever thought of starting a union? Yeah, 436 00:23:27,760 --> 00:23:30,760 Speaker 1: here's a pamphlet. It's called so you're a raccoon who 437 00:23:30,760 --> 00:23:34,760 Speaker 1: wants to start a union. I got it from Gabe. 438 00:23:34,880 --> 00:23:37,800 Speaker 1: I know it's pretty specific. Leave it to Gabe to 439 00:23:37,840 --> 00:23:44,639 Speaker 1: find the perfect literature for the moment. I feel just 440 00:23:44,720 --> 00:23:46,000 Speaker 1: the hype man I was looking for. 441 00:23:46,359 --> 00:23:48,680 Speaker 7: I don't need to finish that sentence. I know exactly 442 00:23:48,760 --> 00:23:50,480 Speaker 7: what you want to hear. Don't worry. 443 00:23:50,680 --> 00:23:53,760 Speaker 8: I've been hyping non stap since we had a little talk. 444 00:23:54,000 --> 00:23:56,400 Speaker 8: I told Tina that she made the sigss be i've 445 00:23:56,400 --> 00:23:57,000 Speaker 8: ever heard. 446 00:23:57,200 --> 00:23:59,720 Speaker 7: I told some birds outside the bunker that their. 447 00:23:59,560 --> 00:24:02,720 Speaker 8: Nest was off the hook, and I told robot boys 448 00:24:02,920 --> 00:24:06,520 Speaker 8: I won't stop hyping until it gig up works. 449 00:24:07,680 --> 00:24:11,719 Speaker 1: Who actually, Phil, I was going to ask you to 450 00:24:11,760 --> 00:24:15,879 Speaker 1: take a break. Well, I want to apologize for interrupting 451 00:24:15,920 --> 00:24:18,879 Speaker 1: your nap earlier. Going forward, you can take all the 452 00:24:18,960 --> 00:24:22,119 Speaker 1: naps you need, as long as we are too behind 453 00:24:22,160 --> 00:24:22,720 Speaker 1: the schedule. 454 00:24:22,760 --> 00:24:23,920 Speaker 3: Of course, of. 455 00:24:23,920 --> 00:24:26,679 Speaker 7: Course, I wear this tying alarm clock for a reason. 456 00:24:26,720 --> 00:24:30,119 Speaker 1: You know, Oh, I thought wearing clocks was just the 457 00:24:30,160 --> 00:24:31,880 Speaker 1: standard hype man uniform. 458 00:24:31,920 --> 00:24:32,920 Speaker 7: It is, but. 459 00:24:32,920 --> 00:24:37,240 Speaker 8: It's because being a hype man requires impeccable timing, including 460 00:24:37,359 --> 00:24:39,359 Speaker 8: getting up from naps right on time. 461 00:24:40,200 --> 00:24:45,600 Speaker 1: Yeah awesome, Oh hey, are you interested in joining a union? 462 00:24:45,960 --> 00:24:46,760 Speaker 3: Here's a pamphlet. 463 00:24:47,000 --> 00:24:49,080 Speaker 8: So you're a hype man who wants to join a 464 00:24:49,200 --> 00:24:51,520 Speaker 8: union that's made up of mostly raccoons. 465 00:24:51,920 --> 00:24:53,919 Speaker 7: Simony, how did you know? 466 00:24:54,440 --> 00:24:54,800 Speaker 1: Hollah? 467 00:24:55,080 --> 00:24:57,240 Speaker 3: Peruse that at your leisure. 468 00:24:57,160 --> 00:24:59,800 Speaker 7: At my leisure, shouldn't we rides and gride? 469 00:25:00,240 --> 00:25:00,640 Speaker 3: Nope? 470 00:25:00,720 --> 00:25:03,280 Speaker 1: I hereby declare that we have finished our work for 471 00:25:03,320 --> 00:25:04,960 Speaker 1: the day, and so we can spend the rest of 472 00:25:04,960 --> 00:25:08,119 Speaker 1: the day taking care of ourselves. In fact, I think 473 00:25:08,160 --> 00:25:09,960 Speaker 1: today is the perfect day. 474 00:25:10,720 --> 00:25:13,480 Speaker 8: Oh she's pausing, so you know the rest of the 475 00:25:13,560 --> 00:25:14,960 Speaker 8: sentence is gonna be. 476 00:25:15,119 --> 00:25:21,440 Speaker 1: God to open up the bunker poolay, robot voice, Please 477 00:25:21,600 --> 00:25:23,800 Speaker 1: open the door to the bunker. 478 00:25:23,440 --> 00:25:25,760 Speaker 5: Pool active eighteen door. 479 00:25:27,720 --> 00:25:30,240 Speaker 1: And when you're done, take a nice long break and 480 00:25:30,320 --> 00:25:31,440 Speaker 1: join us pool side. 481 00:25:31,680 --> 00:25:33,280 Speaker 3: You've earned it, Thank you. 482 00:25:33,760 --> 00:25:35,920 Speaker 11: I am overcome with emotion. 483 00:25:36,680 --> 00:25:38,840 Speaker 3: All right, y'all, last one in the pool? 484 00:25:38,880 --> 00:25:47,400 Speaker 7: And who play Mary? All right, robot voice? Good Rid Marco. 485 00:25:48,600 --> 00:25:54,720 Speaker 6: By Marco, who is going to be difficult to win 486 00:25:54,880 --> 00:25:57,080 Speaker 6: this game without a corporeal on. 487 00:25:58,000 --> 00:25:59,720 Speaker 3: How's the water fil water is? 488 00:26:00,440 --> 00:26:02,840 Speaker 7: Come out in and play around on Marco polo with us. 489 00:26:03,080 --> 00:26:07,399 Speaker 1: I will just give me one second to end this episode. Listeners, 490 00:26:07,680 --> 00:26:09,680 Speaker 1: Thanks for joining in today and for going on a 491 00:26:09,760 --> 00:26:13,159 Speaker 1: journey with me to learn about legendary labor activists and 492 00:26:13,320 --> 00:26:16,840 Speaker 1: a Tenayoka, and a huge thanks to today's musical guest, 493 00:26:17,240 --> 00:26:21,160 Speaker 1: Mandy Gonzalez. We'll be back next week with another episode, 494 00:26:21,320 --> 00:26:23,280 Speaker 1: another song, and another hero. 495 00:26:23,880 --> 00:26:26,080 Speaker 3: For now, it's time to get in the pool, because 496 00:26:26,080 --> 00:26:27,399 Speaker 3: it's my turn to be Marco. 497 00:26:28,200 --> 00:26:31,920 Speaker 1: Until next time, remember to make history, you gotta make 498 00:26:32,040 --> 00:26:32,560 Speaker 1: some noise. 499 00:26:33,280 --> 00:26:56,040 Speaker 12: Bine Historical Records is produced in partnership with Story Pirate Studios, 500 00:26:56,320 --> 00:27:01,400 Speaker 12: Questloves two on five Entertainment, John Glickman and iHeart Podcasts 501 00:27:02,000 --> 00:27:07,119 Speaker 12: Executive produced by Emir Questlove Thompson, John Glickman, Lee Overtree 502 00:27:07,320 --> 00:27:12,080 Speaker 12: and Benjamin Salka. Executive produced for iHeart Podcasts by Noel Brown. 503 00:27:12,480 --> 00:27:16,520 Speaker 12: Producers for Story Pirate Studios are Isabella Riccio, Sam Bear, 504 00:27:17,000 --> 00:27:21,400 Speaker 12: Eric Gerson, Andrew Miller, Lee Overtree, Peter McNerney and niminy Ware. 505 00:27:22,000 --> 00:27:25,400 Speaker 12: Producers for two one five are Sean ge Britney, Benjamin 506 00:27:25,520 --> 00:27:29,240 Speaker 12: and Zarah Zolman. Hosted by niminy Ware. Our head writer 507 00:27:29,480 --> 00:27:33,680 Speaker 12: is Duke Doyle. Our historians are Gabe Pacheco and Lee Polos. 508 00:27:34,280 --> 00:27:38,040 Speaker 12: Music supervision for two one five by Stroe Elliott. Scoring 509 00:27:38,160 --> 00:27:41,479 Speaker 12: and music supervision for Story Pirate Studios by Eric Gerson. 510 00:27:42,000 --> 00:27:44,440 Speaker 12: Sound designed and mixing by Sam Bear at the Relic 511 00:27:44,520 --> 00:27:47,719 Speaker 12: Room in New York City. Additional recording by Brett Tuban, 512 00:27:48,280 --> 00:27:51,960 Speaker 12: song mastering by Josh Hahn. Theme song by Dan Foster 513 00:27:52,080 --> 00:27:55,840 Speaker 12: and Eric Gerson and produced by Eric Gerson. Production coordination 514 00:27:56,040 --> 00:28:00,240 Speaker 12: by Isabelle Riccio. Production management by Maggie Lee. The line 515 00:28:00,240 --> 00:28:03,760 Speaker 12: producer for Story Pirate Studios is Glennis Brault. Pr for 516 00:28:03,840 --> 00:28:07,840 Speaker 12: Story Pirate Studios is provided by Naomi Shaw. Episode artwork 517 00:28:07,920 --> 00:28:11,840 Speaker 12: by Camilla Franklin. This episode was written by Alexis Simpson. 518 00:28:12,080 --> 00:28:14,760 Speaker 12: The song Emma Tenna Yuka was written by Dan Foster 519 00:28:14,920 --> 00:28:18,880 Speaker 12: and Eric Gerson and produced by Micah James. Special guest 520 00:28:19,080 --> 00:28:23,639 Speaker 12: Mandy Gonzalez. This episode features performances by Peter McNerney Kento, 521 00:28:23,760 --> 00:28:28,399 Speaker 12: Marita Lee Overtree, Gabe Pacheco, Rebecca Roblaz, Austin Sanders, and 522 00:28:28,600 --> 00:28:29,400 Speaker 12: Matt Sombrano.