1 00:00:04,320 --> 00:00:04,760 Speaker 1: World of. 2 00:00:11,800 --> 00:00:16,400 Speaker 2: Mysillion Pieces. 3 00:00:18,920 --> 00:00:29,440 Speaker 1: Bana Banana Bana guys, gals of non binary pals, Welcome 4 00:00:29,440 --> 00:00:31,400 Speaker 1: to a minisode of Bananas. 5 00:00:31,480 --> 00:00:35,000 Speaker 3: Hi, Scottie, Hey, Curtie B. What's up, homeboy? How are you? 6 00:00:35,040 --> 00:00:38,160 Speaker 3: It's another beautiful day in Los Angeles. It is. It's 7 00:00:38,280 --> 00:00:40,800 Speaker 3: very pleasant. It's just like kind of the breezy beginning. 8 00:00:40,920 --> 00:00:44,280 Speaker 2: It's breezy and it's the The sun has not gotten 9 00:00:44,320 --> 00:00:49,120 Speaker 2: to that point where you detest its existence, where it's 10 00:00:49,200 --> 00:00:53,920 Speaker 2: just it's oppressive. It's currently just very pleasant. What a 11 00:00:54,000 --> 00:00:56,520 Speaker 2: time to be alive. Tell me about you, what's going 12 00:00:56,560 --> 00:00:57,000 Speaker 2: on with you? 13 00:00:57,400 --> 00:01:00,560 Speaker 3: I am so good. What's the coolest thing? Oh? So 14 00:01:01,280 --> 00:01:03,800 Speaker 3: this will be good. You'll probably hear about this on 15 00:01:03,840 --> 00:01:06,520 Speaker 3: the main pod. You'll definitely see it on Instagram. In 16 00:01:06,560 --> 00:01:10,280 Speaker 3: my neighborhood in Los Angeles, I live in Echo Park. 17 00:01:10,319 --> 00:01:13,640 Speaker 3: I'm docksing myself. But there is a hill, There's a 18 00:01:13,720 --> 00:01:17,680 Speaker 3: very very famous hill, and where I take walks, there 19 00:01:17,720 --> 00:01:20,520 Speaker 3: is a hill that's got about a twenty two twenty 20 00:01:20,560 --> 00:01:23,440 Speaker 3: four percent grade, which for those who can't picture that, 21 00:01:24,560 --> 00:01:28,760 Speaker 3: it's the fifth steepest street in North America. Oh wow, 22 00:01:28,800 --> 00:01:30,959 Speaker 3: you found out that, Yes, I because somebody told me 23 00:01:31,000 --> 00:01:33,240 Speaker 3: it was the steepest. There was this guy named Nuge 24 00:01:33,440 --> 00:01:37,360 Speaker 3: that skateboarded down it and became Vanuge. Yeah, Nuge, nudgen 25 00:01:37,480 --> 00:01:40,240 Speaker 3: Win real name Win, but you know we people called 26 00:01:40,280 --> 00:01:43,399 Speaker 3: him Nudge, famous skateboarder, and I googled it, and but 27 00:01:43,440 --> 00:01:46,440 Speaker 3: it's steeper than Lombard Street in San Francisco. It's steper 28 00:01:46,560 --> 00:01:50,040 Speaker 3: It's yeah, it's the fifth steepest street. Anyways. I would 29 00:01:50,080 --> 00:01:52,640 Speaker 3: say in the nine years that I've lived in this neighborhood, 30 00:01:52,680 --> 00:01:59,720 Speaker 3: I have seen somewhere between fifty and sixty trucks moving trucks, sparklets, 31 00:01:59,720 --> 00:02:04,720 Speaker 3: water delivery trucks, bread trucks, construction vehicles get stuck the 32 00:02:04,920 --> 00:02:07,200 Speaker 3: tail end. It's so steep that when the front tires 33 00:02:07,240 --> 00:02:10,040 Speaker 3: go up, the back bottom's out, the back tires lift 34 00:02:10,040 --> 00:02:12,360 Speaker 3: off the ground. They have to empty the trucks and 35 00:02:12,400 --> 00:02:14,959 Speaker 3: these tow trucks come up there. The asphalt has these 36 00:02:15,400 --> 00:02:17,960 Speaker 3: giant claw marks from the backs of these trucks and 37 00:02:18,080 --> 00:02:20,760 Speaker 3: lifting docks. Just I mean, it happens all the time. 38 00:02:20,840 --> 00:02:24,680 Speaker 3: I'm gonna start posting photos on our stories of stuck trucks. 39 00:02:25,560 --> 00:02:28,320 Speaker 3: I made a sign for the sign there that warns 40 00:02:28,360 --> 00:02:30,880 Speaker 3: trucks that they clearly ignore. And I'm gonna name that 41 00:02:30,960 --> 00:02:33,760 Speaker 3: hill stuck Truck Hill. And I'm hanging a sign and 42 00:02:33,800 --> 00:02:35,880 Speaker 3: it looks like a National Park sign. I made it 43 00:02:36,040 --> 00:02:38,120 Speaker 3: so realistic. He showed it to me. I love it. 44 00:02:38,480 --> 00:02:40,480 Speaker 3: So I'm gonna do that today. As soon as we're done, 45 00:02:40,480 --> 00:02:42,880 Speaker 3: I'm gonna walk over there. I'm gonna screw it in there, 46 00:02:42,919 --> 00:02:46,639 Speaker 3: hopefully not get arrested. And I encourage anybody that lives 47 00:02:46,720 --> 00:02:49,440 Speaker 3: in East LA if you're ever wandering around near Dodger 48 00:02:49,480 --> 00:02:51,639 Speaker 3: Stadium e Ecco Parks, keep an eye out for either 49 00:02:51,680 --> 00:02:54,320 Speaker 3: a stuck truck or the stuck Truck Hill sign. 50 00:02:54,480 --> 00:02:56,280 Speaker 2: Scottie, I mean, like, if you want, I can come, 51 00:02:56,320 --> 00:02:58,320 Speaker 2: because I gotta go pick up Olive anyway, and she's 52 00:02:58,639 --> 00:03:01,280 Speaker 2: she's over there, so I can come video you doing 53 00:03:01,320 --> 00:03:03,760 Speaker 2: it for the old grand It's been. 54 00:03:03,760 --> 00:03:06,480 Speaker 3: Illegal to do that. It's not telling anybody which direction 55 00:03:06,600 --> 00:03:06,880 Speaker 3: to go. 56 00:03:07,440 --> 00:03:07,520 Speaker 2: No. 57 00:03:08,000 --> 00:03:10,359 Speaker 3: Yeah, this is just a little sign. Somebody can take 58 00:03:10,360 --> 00:03:13,280 Speaker 3: it if they want. Well, well, well that sounds like 59 00:03:13,320 --> 00:03:18,160 Speaker 3: a pleasant afternoon. Let's get into some of these confessions. 60 00:03:18,200 --> 00:03:19,040 Speaker 3: Oh hell yeah. 61 00:03:19,040 --> 00:03:22,240 Speaker 2: In case you're new to a minisoda, when you have 62 00:03:22,360 --> 00:03:25,320 Speaker 2: your confession, you send in your confessions. You send in 63 00:03:25,440 --> 00:03:30,640 Speaker 2: your your stories, your bananas, stories of personal growth and hijinks. 64 00:03:30,320 --> 00:03:33,560 Speaker 3: And we tell our own or just chat about them. 65 00:03:33,680 --> 00:03:39,320 Speaker 3: M that's right, and they're anonymous, so send away. Tell 66 00:03:39,360 --> 00:03:41,960 Speaker 3: us anything. If it's death, if it's a murder, we're 67 00:03:42,000 --> 00:03:44,400 Speaker 3: calling the cops. We say that every time we really 68 00:03:44,440 --> 00:03:47,440 Speaker 3: meet it. For a while, when I was six, this 69 00:03:47,560 --> 00:03:49,560 Speaker 3: is a great one. This might be my favorite confession 70 00:03:49,560 --> 00:03:53,480 Speaker 3: we've done on a recorded one, not a live show. Wow. 71 00:03:54,040 --> 00:03:56,560 Speaker 3: For a while, when I was six, I would sneak 72 00:03:56,600 --> 00:03:59,480 Speaker 3: into my older siblings rooms when they were asleep, remove 73 00:03:59,520 --> 00:04:02,440 Speaker 3: my pants, slide into their beds, and pee before putting 74 00:04:02,440 --> 00:04:10,760 Speaker 3: my pants back on, sneaking out. It's mission impossible. It 75 00:04:10,840 --> 00:04:14,160 Speaker 3: was so good for any of this, go ahead, Yes, 76 00:04:14,200 --> 00:04:16,160 Speaker 3: it's so good. For a while, when I was six, 77 00:04:16,200 --> 00:04:18,240 Speaker 3: i'd sneak into my older siblings rooms while they were 78 00:04:18,279 --> 00:04:21,280 Speaker 3: sleeping and move my pants, slide into their beds, he 79 00:04:21,600 --> 00:04:24,080 Speaker 3: in their beds before putting my pants back on, and 80 00:04:24,120 --> 00:04:26,320 Speaker 3: sneaking out to make them think that they had peed 81 00:04:26,400 --> 00:04:30,800 Speaker 3: their own beds. Six years old. I believe my motive 82 00:04:30,920 --> 00:04:34,040 Speaker 3: was to correct a power imbalance. Uh huh. Anyhow, I 83 00:04:34,160 --> 00:04:36,599 Speaker 3: quit when I was ahead never got caught and have 84 00:04:36,800 --> 00:04:42,080 Speaker 3: never spoken to either sibling about it. No way, that 85 00:04:42,240 --> 00:04:46,640 Speaker 3: is a great bananas mini, So confession, you're absolved. You're 86 00:04:46,680 --> 00:04:48,880 Speaker 3: totally absolved. I love fantastic. 87 00:04:49,080 --> 00:04:51,279 Speaker 2: I love that there's been enough thought into it that 88 00:04:51,360 --> 00:04:56,000 Speaker 2: it was to counter a balance of power, imbalance. 89 00:04:56,040 --> 00:04:58,480 Speaker 3: I love it. Yes, it was attention. We needed that 90 00:04:58,520 --> 00:05:00,839 Speaker 3: little more of that. Yes it was. I guess it 91 00:05:00,880 --> 00:05:03,760 Speaker 3: wasn't attention because they never got caught. 92 00:05:03,600 --> 00:05:07,200 Speaker 2: Right, it was more like, oh you think you to well, 93 00:05:07,200 --> 00:05:09,840 Speaker 2: it looks like you piss your pants, pal, I. 94 00:05:09,760 --> 00:05:13,640 Speaker 3: Mean, it's so sneaky, and six year olds are so small. 95 00:05:13,880 --> 00:05:19,640 Speaker 3: It's such like a petite evil crime. Wow, oh my god, 96 00:05:19,640 --> 00:05:22,480 Speaker 3: that's so very very Did you ever piss a bed? 97 00:05:22,480 --> 00:05:23,440 Speaker 3: Were you ever a bedweather? 98 00:05:23,600 --> 00:05:23,680 Speaker 2: No? 99 00:05:23,839 --> 00:05:25,800 Speaker 3: I mean I'm sure I did, in the same way 100 00:05:25,839 --> 00:05:28,279 Speaker 3: that little kids do up until certain age, But no, 101 00:05:28,440 --> 00:05:32,480 Speaker 3: I was. I was a sleeper that my parents would, 102 00:05:32,560 --> 00:05:35,040 Speaker 3: you know, have friends over little dinner parties or whatever, 103 00:05:35,279 --> 00:05:37,800 Speaker 3: and somebody at some point would realize I was missing, 104 00:05:38,320 --> 00:05:41,200 Speaker 3: and they would start searching, and I would have gone 105 00:05:41,200 --> 00:05:42,760 Speaker 3: into my room and turned off the lights and put 106 00:05:42,760 --> 00:05:44,719 Speaker 3: myself in bed and tucked myself and it went to sleep. 107 00:05:44,920 --> 00:05:48,720 Speaker 2: Wow, no way, that's amazing. You're just like I'm done. 108 00:05:49,320 --> 00:05:50,840 Speaker 3: Yeah, I'm still that way. 109 00:05:52,120 --> 00:05:56,800 Speaker 2: I remember my mom didn't often have people over the 110 00:05:56,839 --> 00:05:59,440 Speaker 2: house because it was just me and my mom, but 111 00:05:59,560 --> 00:06:03,440 Speaker 2: she had a half brother who they were like uh. 112 00:06:03,560 --> 00:06:05,440 Speaker 2: I don't want to say they were swingers, but they 113 00:06:05,480 --> 00:06:08,360 Speaker 2: were from a child perspective, they were definitely like. 114 00:06:09,040 --> 00:06:10,479 Speaker 3: Single and living large. 115 00:06:10,520 --> 00:06:14,320 Speaker 2: This smoked and drank and gambled a lot, you know, yes, 116 00:06:14,800 --> 00:06:16,480 Speaker 2: and uh. And every once in a while, one of them, 117 00:06:16,520 --> 00:06:19,440 Speaker 2: they were twins, twin brothers, one of them would come over. 118 00:06:20,240 --> 00:06:22,599 Speaker 2: I remember one came over and brought his. 119 00:06:22,760 --> 00:06:26,080 Speaker 3: Date okay and spicy stuff. 120 00:06:26,160 --> 00:06:30,640 Speaker 2: And she was just like a model, like yes, gorgeous, 121 00:06:30,640 --> 00:06:33,039 Speaker 2: gorgeous woman, and I was me. I think I was 122 00:06:33,800 --> 00:06:36,880 Speaker 2: probably five four or five, but I have a clear 123 00:06:36,960 --> 00:06:43,880 Speaker 2: memory of this of going in and uh and just 124 00:06:43,960 --> 00:06:48,440 Speaker 2: continually like sneaking out of bed to give her things. 125 00:06:48,880 --> 00:06:50,840 Speaker 3: And it was like just very clear that like I 126 00:06:50,880 --> 00:06:52,200 Speaker 3: had a crush on this. 127 00:06:52,440 --> 00:06:56,640 Speaker 2: Fully adult who was like twenty seven years old or whatever. 128 00:06:57,240 --> 00:06:59,480 Speaker 2: But I would just like write like like make her 129 00:06:59,680 --> 00:07:02,880 Speaker 2: like a like a paper airplane and like sneak out 130 00:07:02,920 --> 00:07:04,159 Speaker 2: of bed and like throw it at her and I 131 00:07:04,200 --> 00:07:06,039 Speaker 2: was like, that's so crazy now to think it. Like 132 00:07:06,080 --> 00:07:08,159 Speaker 2: back then, I was just like, oh this is I 133 00:07:08,200 --> 00:07:10,280 Speaker 2: had feelings that I didn't understand and I did it. 134 00:07:10,400 --> 00:07:12,360 Speaker 2: I was like, but to think that that was what 135 00:07:12,440 --> 00:07:14,960 Speaker 2: was actually happening that I essentially was like, this is 136 00:07:15,000 --> 00:07:17,200 Speaker 2: a beautiful woman and I'm gonna try and get her 137 00:07:17,240 --> 00:07:18,400 Speaker 2: attention somehow. 138 00:07:18,640 --> 00:07:22,480 Speaker 3: It's interesting too, Like you know, we're we're big obvious, 139 00:07:23,000 --> 00:07:26,880 Speaker 3: obvious supporters and fully believe that there's a huge spectrum 140 00:07:26,880 --> 00:07:29,680 Speaker 3: of love and attraction. You can be many things. You 141 00:07:29,680 --> 00:07:31,040 Speaker 3: can be all the way, one way, all the way 142 00:07:31,240 --> 00:07:33,920 Speaker 3: or that all that middle ground. But it is funny 143 00:07:33,960 --> 00:07:37,360 Speaker 3: when you have those childhood things where something about that 144 00:07:37,560 --> 00:07:41,480 Speaker 3: woman is like I am attracted to this, like even 145 00:07:41,520 --> 00:07:43,680 Speaker 3: when you don't know what it is, but exactly. I 146 00:07:43,680 --> 00:07:47,160 Speaker 3: bet I bet if you pass somebody and she today 147 00:07:47,240 --> 00:07:49,800 Speaker 3: that was wearing the same perfume, it would take you back, 148 00:07:49,960 --> 00:07:52,040 Speaker 3: like even if you can't picture it now, I bet 149 00:07:52,040 --> 00:07:54,680 Speaker 3: it go right back to that and you wouldn't understand. 150 00:07:54,720 --> 00:07:59,240 Speaker 3: It would just be a confusing like whoa, ah, my god. 151 00:07:59,360 --> 00:08:03,640 Speaker 2: Have you ever had had the experience of having a 152 00:08:03,760 --> 00:08:07,000 Speaker 2: dream and being in love with someone in the dream 153 00:08:07,160 --> 00:08:09,640 Speaker 2: and you but you've never met them at all, Like 154 00:08:09,640 --> 00:08:12,160 Speaker 2: you've never seen anyone who looks like them, right, and 155 00:08:12,200 --> 00:08:15,080 Speaker 2: it's just a person you've never met, and you are 156 00:08:15,200 --> 00:08:17,120 Speaker 2: fully in love with them. And then you wake up 157 00:08:17,160 --> 00:08:19,080 Speaker 2: and you realize and it's almost like a sense of 158 00:08:19,160 --> 00:08:21,640 Speaker 2: loss when you wake Yes, isn't that? 159 00:08:22,000 --> 00:08:24,800 Speaker 3: I had that once or twice? So some Yeah, what's 160 00:08:24,800 --> 00:08:29,480 Speaker 3: the word amalgamation? Some mixed bag of every trait you've 161 00:08:29,480 --> 00:08:30,800 Speaker 3: seen that becomes a human. 162 00:08:31,560 --> 00:08:35,000 Speaker 2: Yeah, it's either that, Scottie, or it is the other 163 00:08:35,280 --> 00:08:37,199 Speaker 2: universes bleeding in through our own. 164 00:08:37,320 --> 00:08:38,160 Speaker 3: That's just mind. 165 00:08:38,400 --> 00:08:41,640 Speaker 2: I love that, like in another world, you are married 166 00:08:41,679 --> 00:08:42,480 Speaker 2: to that person. 167 00:08:42,720 --> 00:08:45,120 Speaker 3: I had an experienced once. So I was walking in 168 00:08:45,200 --> 00:08:47,559 Speaker 3: Tribecca with three or four friends and I was a 169 00:08:47,600 --> 00:08:50,000 Speaker 3: little ahead of everybody. I think I was leading them 170 00:08:50,080 --> 00:08:51,920 Speaker 3: to the dinner of the bar or whatever. It's pretty 171 00:08:51,960 --> 00:08:54,560 Speaker 3: late night, and a woman is walking up the sidewalk 172 00:08:54,600 --> 00:08:58,680 Speaker 3: towards us, fairly empty sidewalks. We both make eye contact 173 00:08:58,840 --> 00:09:01,840 Speaker 3: with each other and we both say hi, and we 174 00:09:01,920 --> 00:09:04,280 Speaker 3: both go to speak more, and then we both realized 175 00:09:04,320 --> 00:09:06,400 Speaker 3: we don't know each other, but it was like we 176 00:09:06,559 --> 00:09:10,720 Speaker 3: was like total recognition. We said hello, and then we 177 00:09:10,800 --> 00:09:12,960 Speaker 3: kept walking and one of the women that was with me, 178 00:09:13,000 --> 00:09:14,800 Speaker 3: one of my friends, shocks up and goes, do you 179 00:09:14,800 --> 00:09:19,040 Speaker 3: know Julia Stiles? And I go no, she goes, that 180 00:09:19,120 --> 00:09:21,840 Speaker 3: was Julia Styles. You just talked to her, and she 181 00:09:22,040 --> 00:09:24,000 Speaker 3: looked at you like you guys used to hook up. 182 00:09:24,200 --> 00:09:26,160 Speaker 3: And I was like, I've never met her before. And 183 00:09:26,360 --> 00:09:29,520 Speaker 3: the other woman, her friend was like, that wasn't Julias Styles. 184 00:09:29,559 --> 00:09:32,800 Speaker 3: So that woman at the next light, runs across the street, 185 00:09:32,960 --> 00:09:35,640 Speaker 3: runs up the other block, gets ahead like two or 186 00:09:35,640 --> 00:09:38,920 Speaker 3: three blocks, comes back around to pass Julia Styles again, 187 00:09:39,600 --> 00:09:43,800 Speaker 3: passes Julius Styles. It was Julius Styles. And then she's like, 188 00:09:43,960 --> 00:09:48,160 Speaker 3: do you know Julia Stiles? And I was like, no, 189 00:09:48,240 --> 00:09:50,800 Speaker 3: I just look like every fourth white guy and it 190 00:09:50,840 --> 00:09:52,800 Speaker 3: happens to me a lot, but that one was. We 191 00:09:52,880 --> 00:09:55,000 Speaker 3: both looked at each other and I recognize her as 192 00:09:55,000 --> 00:09:57,440 Speaker 3: a you know, I've seen her on TV or whatever movie. 193 00:09:57,559 --> 00:09:59,920 Speaker 2: Oh oh it was you did recognize her. It was 194 00:10:00,240 --> 00:10:02,760 Speaker 2: just like a feeling of familiarity. I didn't know it 195 00:10:02,840 --> 00:10:04,000 Speaker 2: was her when I looked at her. 196 00:10:04,000 --> 00:10:06,120 Speaker 3: It was a feeling of familiarity and we said what 197 00:10:06,240 --> 00:10:08,080 Speaker 3: She was like hey, I was like, hey, what's And 198 00:10:08,120 --> 00:10:10,120 Speaker 3: then we both looked at each other like our mouths closed, 199 00:10:10,120 --> 00:10:12,320 Speaker 3: and we never stopped walking. We just walked by each other. 200 00:10:12,440 --> 00:10:16,359 Speaker 3: It's very tall also, and but my friend was like, 201 00:10:16,360 --> 00:10:18,440 Speaker 3: like the women sensed it. They were like, did you 202 00:10:18,480 --> 00:10:20,360 Speaker 3: two have a thing back in the day. I'm like, 203 00:10:20,800 --> 00:10:23,000 Speaker 3: I I'm trying to even think of a movie. I 204 00:10:23,040 --> 00:10:25,760 Speaker 3: know she was in Save the Last Dance Mate. There 205 00:10:25,760 --> 00:10:27,559 Speaker 3: was a dance one. She was in a dance one 206 00:10:27,559 --> 00:10:30,640 Speaker 3: that was in a dance movie. Remember nice person. But yes, 207 00:10:30,679 --> 00:10:32,560 Speaker 3: it was that thing where we both thought we knew 208 00:10:32,559 --> 00:10:36,559 Speaker 3: each other in real life and then kept on walk in. Oh, 209 00:10:36,600 --> 00:10:39,360 Speaker 3: I love that so much. Here's another one about a 210 00:10:39,440 --> 00:10:41,840 Speaker 3: six year old child confession. I mean, the person's an 211 00:10:41,880 --> 00:10:43,760 Speaker 3: adult now, but they were a child at one point, 212 00:10:43,760 --> 00:10:48,120 Speaker 3: and who wasn't these days, who wasn't I'm still a 213 00:10:48,200 --> 00:10:51,480 Speaker 3: child at heart. Enough brain. It was the mid nineties. 214 00:10:51,640 --> 00:10:54,080 Speaker 3: I was around six, and we were on our way 215 00:10:54,120 --> 00:10:58,280 Speaker 3: home from vacation. My dad was using a payphone to 216 00:10:58,360 --> 00:11:01,840 Speaker 3: try to book a hotel for the night. Classic nineties. Yeah, 217 00:11:02,000 --> 00:11:04,560 Speaker 3: I mean what a dad too. Probably had his entertainment 218 00:11:04,600 --> 00:11:07,880 Speaker 3: coupon book out was just like there's a ho Joe. 219 00:11:08,040 --> 00:11:12,120 Speaker 2: Oh entertainment coupon book hold those were a big deal. 220 00:11:12,320 --> 00:11:14,440 Speaker 3: That was a big deal. It was over one thousand 221 00:11:14,480 --> 00:11:18,719 Speaker 3: dollars in savings. Yes, yeah, that's right. I had a 222 00:11:18,760 --> 00:11:21,480 Speaker 3: lot of friendlies with that. My dad was using a 223 00:11:21,520 --> 00:11:23,520 Speaker 3: payphone to try to book a hotel for the night. 224 00:11:23,559 --> 00:11:25,480 Speaker 3: I feel like he was about to get a good 225 00:11:25,559 --> 00:11:29,120 Speaker 3: deal on the last room somewhere, and I walked up 226 00:11:29,160 --> 00:11:31,520 Speaker 3: and pressed the lever thing and hung up the phone. 227 00:11:34,000 --> 00:11:38,960 Speaker 3: Another great one was six six man six is it? Six? 228 00:11:39,080 --> 00:11:39,120 Speaker 1: Is? 229 00:11:39,160 --> 00:11:40,959 Speaker 3: Were like, you know how to do enough where you 230 00:11:41,000 --> 00:11:44,040 Speaker 3: can really funck shit up? Yes I can't. I can 231 00:11:44,200 --> 00:11:49,400 Speaker 3: still feel my parents frustration. I have no idea what 232 00:11:49,559 --> 00:11:52,400 Speaker 3: I was thinking. I probably didn't even realize what I 233 00:11:52,440 --> 00:11:54,880 Speaker 3: was doing. Yeah, but I've been carrying this burden for 234 00:11:55,040 --> 00:11:59,800 Speaker 3: twenty five years. Absolved. It is so funny. Those are 235 00:11:59,800 --> 00:12:02,000 Speaker 3: the that's a sweet spot one too. These are two 236 00:12:02,080 --> 00:12:05,199 Speaker 3: great confessions. That's it. It's like, get that thing off 237 00:12:05,200 --> 00:12:08,720 Speaker 3: your chest. That's so. It seems unremarkable, but it's stuck 238 00:12:08,760 --> 00:12:10,640 Speaker 3: with you like a jingle from a commercial. 239 00:12:11,200 --> 00:12:14,880 Speaker 2: It is and it is so and and and I'm 240 00:12:14,960 --> 00:12:17,160 Speaker 2: sure that your parents were frustrated the moment and then 241 00:12:17,200 --> 00:12:18,360 Speaker 2: the moment you went to bed. 242 00:12:18,400 --> 00:12:20,559 Speaker 3: They laughed about it. They laughed so hard. 243 00:12:20,440 --> 00:12:25,560 Speaker 2: Because just recently, yes, Olive olives five, going on all 244 00:12:25,920 --> 00:12:32,760 Speaker 2: fifteen ha ha, But it is very true. And Gus 245 00:12:32,800 --> 00:12:35,839 Speaker 2: found something in the dirt. It was like an old toy. 246 00:12:36,000 --> 00:12:36,959 Speaker 2: I had never seen the toy. 247 00:12:37,000 --> 00:12:37,600 Speaker 3: It was like a shark. 248 00:12:38,440 --> 00:12:41,880 Speaker 2: And Olive sees it and immediately fucking wants it because 249 00:12:41,880 --> 00:12:44,839 Speaker 2: that's just what they do back and forth, and. 250 00:12:44,240 --> 00:12:48,280 Speaker 3: She just goes, oh, Gus, what do you have. She goes, oh, 251 00:12:48,320 --> 00:12:52,679 Speaker 3: you know what that is from when you were a baby. 252 00:12:53,280 --> 00:12:55,640 Speaker 3: And it's not it's just it's just not a toy. 253 00:12:55,720 --> 00:12:57,840 Speaker 3: She's just lying. She knows she's lying. 254 00:12:58,360 --> 00:13:04,160 Speaker 2: She's like, and you're not a baby anymore, So do 255 00:13:04,200 --> 00:13:07,400 Speaker 2: you really want to be a baby, because if you don't, 256 00:13:07,480 --> 00:13:08,560 Speaker 2: I could take it for you. 257 00:13:08,640 --> 00:13:13,320 Speaker 3: And then he gave it to her. That is masters. 258 00:13:13,320 --> 00:13:18,080 Speaker 2: Caster and like just putting in a fear of being 259 00:13:18,160 --> 00:13:22,880 Speaker 2: a baby. That's like, oh, it's so amazing. That is 260 00:13:22,960 --> 00:13:24,600 Speaker 2: an ultimate sales technique. 261 00:13:24,679 --> 00:13:27,760 Speaker 3: Yeah. I a guy that I knew in Pensacola. His 262 00:13:27,880 --> 00:13:29,959 Speaker 3: dad was one of the great businessmen I've ever met 263 00:13:29,960 --> 00:13:32,760 Speaker 3: in my life, truly, one of the most incredible salesmen ever. 264 00:13:32,840 --> 00:13:36,320 Speaker 3: And one night over dinner. He was like, do you 265 00:13:36,360 --> 00:13:39,240 Speaker 3: want to know the secret to sales? And I said yes. 266 00:13:39,600 --> 00:13:43,120 Speaker 3: He goes one walk in and never tell anybody while 267 00:13:43,120 --> 00:13:45,880 Speaker 3: you're there, like why you were there, which is so funny. 268 00:13:45,920 --> 00:13:47,760 Speaker 3: Just go I need to speak to Kurt and they 269 00:13:47,800 --> 00:13:49,360 Speaker 3: go and what is this about? You go? I just 270 00:13:49,400 --> 00:13:51,600 Speaker 3: need to speak to him and they go, I'm sorry, 271 00:13:51,640 --> 00:13:53,040 Speaker 3: do you have a meeting? You go, I just got 272 00:13:53,080 --> 00:13:55,320 Speaker 3: to talk to Kurt. So you just go into the 273 00:13:55,320 --> 00:13:57,400 Speaker 3: person's caught off guard. They can't plan for you to 274 00:13:57,440 --> 00:14:01,560 Speaker 3: come in. Then when you sit down, you only ask questions. 275 00:14:01,920 --> 00:14:04,720 Speaker 3: You say, you get closer and closer to the answer 276 00:14:04,760 --> 00:14:08,319 Speaker 3: that you the salesperson wants. So it's what she did. 277 00:14:08,360 --> 00:14:10,160 Speaker 3: It's like, you don't want to be a baby anymore? 278 00:14:10,200 --> 00:14:14,000 Speaker 3: Do you remember when you were a child. And it's 279 00:14:14,000 --> 00:14:17,840 Speaker 3: so funny hearing that she figured that simple technique out 280 00:14:17,960 --> 00:14:21,520 Speaker 3: so early. But I do it in pitches now. I 281 00:14:21,600 --> 00:14:23,080 Speaker 3: like it. But they'll be like, hey, how you being 282 00:14:23,120 --> 00:14:25,240 Speaker 3: blah blah blah before you're pitching TV or a movie. 283 00:14:25,520 --> 00:14:27,080 Speaker 3: A lot of times I'll be like, so what do 284 00:14:27,080 --> 00:14:30,240 Speaker 3: you guys excited about on your slate? What is what's 285 00:14:30,280 --> 00:14:32,040 Speaker 3: something you're looking for? Like you do it in kind 286 00:14:32,080 --> 00:14:34,680 Speaker 3: of this casual way that they kind of go, we're 287 00:14:34,720 --> 00:14:37,400 Speaker 3: really looking to fill the animation space. We're really looking 288 00:14:37,520 --> 00:14:40,480 Speaker 3: to do our Western. And then you as soon as 289 00:14:40,480 --> 00:14:43,280 Speaker 3: they say the thing that you're prepared for, you go, well, 290 00:14:43,320 --> 00:14:46,280 Speaker 3: that is perfect because I'm pitching you a Western and 291 00:14:46,320 --> 00:14:48,040 Speaker 3: it's the best one you're going to hear all day. 292 00:14:49,200 --> 00:14:50,760 Speaker 3: I have a pretty high hit rate. I saw a 293 00:14:50,800 --> 00:14:53,320 Speaker 3: lot of stuff. But it's funny that Olive figured it 294 00:14:53,360 --> 00:14:55,880 Speaker 3: out as a child, as a five year old. 295 00:14:56,000 --> 00:14:59,600 Speaker 2: Yeah, and then probably lost yes, and then and then 296 00:14:59,640 --> 00:15:01,920 Speaker 2: immediately threw it on the ground, immediately threw it on 297 00:15:01,920 --> 00:15:02,640 Speaker 2: the That's right. 298 00:15:02,680 --> 00:15:05,200 Speaker 3: It was the thrill of victory. It was the balance 299 00:15:05,200 --> 00:15:09,200 Speaker 3: of power being restored. Here's one about a ruined vacation. 300 00:15:09,720 --> 00:15:14,200 Speaker 3: I love it. I was on a cruise ship where 301 00:15:14,240 --> 00:15:17,960 Speaker 3: a man fell overboard. Oh my god. They spent seven 302 00:15:18,120 --> 00:15:21,440 Speaker 3: hours looking for him, and then we went back to 303 00:15:21,520 --> 00:15:25,360 Speaker 3: the port. They never found the body. He fell from 304 00:15:25,400 --> 00:15:30,160 Speaker 3: the sixteenth deck. I guess that's sixteenth floor, and they 305 00:15:30,200 --> 00:15:33,400 Speaker 3: are thinking he likely died on impact. 306 00:15:33,600 --> 00:15:37,560 Speaker 2: Whoa Seeah, of course sixteen and it's more than sixteen 307 00:15:37,600 --> 00:15:39,560 Speaker 2: floor is up at the bottom of it. 308 00:15:39,560 --> 00:15:42,320 Speaker 3: It's probably like two hundred feet or something, who knows, 309 00:15:42,360 --> 00:15:46,840 Speaker 3: but it's high and it's interesting seven hours looking back 310 00:15:46,840 --> 00:15:51,920 Speaker 3: at the port. That night they had a huge neon party. 311 00:15:53,160 --> 00:15:56,560 Speaker 2: Oh my god, of course, because all these other people 312 00:15:56,560 --> 00:15:58,840 Speaker 2: have already paid for their vacation and they want to 313 00:15:58,840 --> 00:15:59,520 Speaker 2: have a vacation. 314 00:15:59,640 --> 00:16:03,160 Speaker 3: They don't know this person. Holy shit, shit. I had 315 00:16:03,200 --> 00:16:06,520 Speaker 3: a neon party on the main deck. Not quite quite 316 00:16:06,560 --> 00:16:09,920 Speaker 3: what I would want for my memorial. But I didn't dance. 317 00:16:10,160 --> 00:16:12,480 Speaker 3: I went back to my room and went to sleep, 318 00:16:12,840 --> 00:16:15,000 Speaker 3: so I said. I followed up with this banana bullet, 319 00:16:15,080 --> 00:16:18,320 Speaker 3: said what is a neon party? And they said, it's 320 00:16:18,400 --> 00:16:22,760 Speaker 3: like a black light everybody wears neon colors, like disco, 321 00:16:22,960 --> 00:16:26,240 Speaker 3: techno dance party on the main floor. Oh so it's 322 00:16:26,280 --> 00:16:28,760 Speaker 3: exactly what you said. At some point they were like, well, 323 00:16:28,800 --> 00:16:31,480 Speaker 3: there's three thousand and five, four hundred and ninety nine 324 00:16:31,520 --> 00:16:33,480 Speaker 3: people still on the boat that won a party. 325 00:16:33,760 --> 00:16:36,360 Speaker 2: Yeah, oh my god. And then they I must have 326 00:16:36,440 --> 00:16:40,480 Speaker 2: gone back out. All these people paid for a cruise, right. 327 00:16:40,320 --> 00:16:44,760 Speaker 3: It's crazy. Yes. Our our friend and guest, Allson Fields, 328 00:16:44,800 --> 00:16:47,280 Speaker 3: is in a commercial you can currently see on TV 329 00:16:47,360 --> 00:16:52,360 Speaker 3: for Carnival Cruise Lines, The Thunderstruck commercials, and I asked 330 00:16:52,400 --> 00:16:53,880 Speaker 3: her about it. I forgot. I don't think we talked 331 00:16:53,880 --> 00:16:57,160 Speaker 3: about it when she was on Bananas. No, we did, 332 00:16:57,280 --> 00:17:00,280 Speaker 3: we did, we did. We talked about thunderstruck God, just 333 00:17:00,440 --> 00:17:02,840 Speaker 3: her stories of being on a cruise ship for I 334 00:17:02,840 --> 00:17:05,280 Speaker 3: think like seven days or something, seven or eight days. 335 00:17:05,320 --> 00:17:09,480 Speaker 3: But then you're not your participating. You're forced to participate 336 00:17:09,480 --> 00:17:12,760 Speaker 3: in everything interesting, the water slides, the rides, the dances, 337 00:17:12,800 --> 00:17:15,359 Speaker 3: the karaoke nights because you're in the commercial. But then 338 00:17:15,440 --> 00:17:18,920 Speaker 3: you're also not there with family or friends. That must 339 00:17:19,000 --> 00:17:22,439 Speaker 3: be purgatory. That must be purgatory on Earth. Is on 340 00:17:22,480 --> 00:17:24,359 Speaker 3: a cruise ship where you don't know anybody and you 341 00:17:24,520 --> 00:17:27,200 Speaker 3: have to participate, You have to do all the things. 342 00:17:27,280 --> 00:17:31,120 Speaker 3: It's just the worst. Yeah, And it's like it's not unfun, 343 00:17:31,480 --> 00:17:33,720 Speaker 3: but it's also not what you want to be doing. 344 00:17:34,040 --> 00:17:35,960 Speaker 3: So you're just kind of torn. 345 00:17:35,880 --> 00:17:39,520 Speaker 2: And it's not like and I don't maybe correct me 346 00:17:39,560 --> 00:17:41,800 Speaker 2: if you're if I'm wrong, I don't know. It's not 347 00:17:41,840 --> 00:17:44,320 Speaker 2: like there's a ton of single people who go by 348 00:17:44,359 --> 00:17:48,680 Speaker 2: themselves on a cruise to meet other people. It's mostly 349 00:17:48,720 --> 00:17:51,600 Speaker 2: people who go with people they know, So it's not 350 00:17:51,680 --> 00:17:55,600 Speaker 2: like there's anyone unattached to a group in some way, 351 00:17:55,720 --> 00:17:59,840 Speaker 2: so you're just alone in a very real way. 352 00:18:00,040 --> 00:18:02,399 Speaker 3: Yes, that's exactly what I'm thinking too. It's just like 353 00:18:02,440 --> 00:18:05,600 Speaker 3: this constant loneliness where there is food in every direction 354 00:18:05,800 --> 00:18:08,879 Speaker 3: and entertainment in every direction, and alcohol and views, and 355 00:18:09,000 --> 00:18:12,520 Speaker 3: yet you're like in your own world that, yeah, that's 356 00:18:12,560 --> 00:18:16,679 Speaker 3: my must purgatory exists. That's purgatory, and maybe maybe it 357 00:18:16,720 --> 00:18:17,440 Speaker 3: exists right now. 358 00:18:18,240 --> 00:18:22,560 Speaker 2: I wonder that is a really fucking great purgatory for 359 00:18:22,640 --> 00:18:26,800 Speaker 2: a movie. A cruse a completely empty cruise ship where 360 00:18:26,840 --> 00:18:29,439 Speaker 2: everything is turned on and ready to go so you 361 00:18:29,440 --> 00:18:32,200 Speaker 2: can have anything you want, but there is like no 362 00:18:32,400 --> 00:18:33,320 Speaker 2: joy in any of it. 363 00:18:33,720 --> 00:18:36,880 Speaker 3: Yes, it's like, yes, it feels like. As soon as 364 00:18:37,480 --> 00:18:40,080 Speaker 3: Allison was describing it to me, I was like, that 365 00:18:40,200 --> 00:18:43,440 Speaker 3: feels like you're in between things. Yeah. Well yeah, no, 366 00:18:43,520 --> 00:18:45,399 Speaker 3: I know a lot of I know a lot of 367 00:18:45,560 --> 00:18:49,200 Speaker 3: performers who would do that and that was their gig 368 00:18:49,240 --> 00:18:51,199 Speaker 3: for months and months and months, where they would do 369 00:18:51,240 --> 00:18:53,560 Speaker 3: two shows a week. Oh really, you did that. 370 00:18:53,880 --> 00:18:56,679 Speaker 2: I never did it, no, because they would tell me. 371 00:18:56,720 --> 00:19:00,480 Speaker 2: It's just like it's like the first one is awesome. 372 00:19:00,520 --> 00:19:02,720 Speaker 2: You go to Bermuda, you go out for you go 373 00:19:02,800 --> 00:19:03,920 Speaker 2: do a little level. 374 00:19:04,040 --> 00:19:06,240 Speaker 3: You do your shows. The shows suck, but who cares. 375 00:19:06,280 --> 00:19:07,160 Speaker 3: It's two for the. 376 00:19:07,080 --> 00:19:10,840 Speaker 2: Week, and then like by the fifth time, it's just 377 00:19:11,040 --> 00:19:16,359 Speaker 2: like just brutal, brutal sadness. 378 00:19:16,800 --> 00:19:19,119 Speaker 3: Yeah. I think Alson said like on karaoke nights, the 379 00:19:19,160 --> 00:19:22,000 Speaker 3: same people would sing the same songs consecutive nights in 380 00:19:22,040 --> 00:19:23,920 Speaker 3: a row, like it was like it's my time to 381 00:19:23,960 --> 00:19:26,520 Speaker 3: shine again. And it's like I'm gonna sing here I 382 00:19:26,520 --> 00:19:30,919 Speaker 3: go again on my own again. Because it might be purgatory, 383 00:19:30,960 --> 00:19:34,240 Speaker 3: I've never been. We mentioned a Banana's cruise a long 384 00:19:34,320 --> 00:19:37,200 Speaker 3: time ago, and a lot of people were like, please, 385 00:19:37,280 --> 00:19:39,960 Speaker 3: dear God, do it. If we can get to that scale, 386 00:19:40,160 --> 00:19:41,640 Speaker 3: I would, we should do it. 387 00:19:41,800 --> 00:19:43,640 Speaker 2: I think we can do I think we can totally 388 00:19:43,680 --> 00:19:46,320 Speaker 2: do it soon, because like I said last time, it's 389 00:19:46,359 --> 00:19:47,879 Speaker 2: like I did a max Fun cruise. I think there 390 00:19:47,880 --> 00:19:51,200 Speaker 2: were two hundred people for that thing, so as other 391 00:19:51,240 --> 00:19:53,480 Speaker 2: people were on the boat, but it was like for 392 00:19:53,880 --> 00:19:56,920 Speaker 2: the for the event, it's only two hundred people in 393 00:19:56,960 --> 00:19:58,200 Speaker 2: the festival, do you know what I mean? 394 00:19:58,280 --> 00:19:59,240 Speaker 3: Oh, that's fun. 395 00:19:59,280 --> 00:20:01,359 Speaker 2: And so then you have like you have like one 396 00:20:01,440 --> 00:20:05,040 Speaker 2: theater that's just blocked off all day for three days straight. 397 00:20:05,680 --> 00:20:08,960 Speaker 3: I see that could be fantastic. We could bring three 398 00:20:09,000 --> 00:20:12,440 Speaker 3: different guests. We could and match. I have different mind 399 00:20:12,960 --> 00:20:15,720 Speaker 3: friends of the past sort of thing. Maybe we figure 400 00:20:15,760 --> 00:20:17,639 Speaker 3: this out, but maybe it's an easy one. Maybe. I 401 00:20:17,640 --> 00:20:20,320 Speaker 3: mean they're they're cruise ships from Long Beach in LA now, 402 00:20:20,359 --> 00:20:23,560 Speaker 3: but there's some from Red Hook, there's some from I mean, 403 00:20:23,680 --> 00:20:25,040 Speaker 3: if we're gonna do it, we have to do like 404 00:20:25,080 --> 00:20:27,439 Speaker 3: Fort Lauderdale to the Bahamas and bad like we have 405 00:20:27,480 --> 00:20:33,040 Speaker 3: to do cruise. Yeah, classic cruise, classic cruise. Get a 406 00:20:33,040 --> 00:20:34,879 Speaker 3: photo with a parrot on your head and a goana 407 00:20:34,920 --> 00:20:35,640 Speaker 3: on your shoulder. 408 00:20:36,280 --> 00:20:39,440 Speaker 2: I'm gonna get braces again, just to have a feeling 409 00:20:39,440 --> 00:20:40,320 Speaker 2: because that's the only. 410 00:20:40,200 --> 00:20:43,119 Speaker 3: Picture I have of we're a parrot on my shoulder is. 411 00:20:43,160 --> 00:20:47,440 Speaker 2: Me with braces and and one of those those strips 412 00:20:47,480 --> 00:20:49,639 Speaker 2: that hangs your sunglass. 413 00:20:49,240 --> 00:20:54,000 Speaker 3: Croque croak, floating croquees. Of course I'll post it. Well, guys, 414 00:20:54,560 --> 00:20:56,960 Speaker 3: yeah it is. We did another minisode. We're gonna do 415 00:20:57,000 --> 00:21:02,800 Speaker 3: a tour soonory a live from this live purgatory, a 416 00:21:02,800 --> 00:21:05,199 Speaker 3: lot of cruise ship. We'll figure this out. It might 417 00:21:05,240 --> 00:21:06,840 Speaker 3: take a little doing, but we'll get there. 418 00:21:07,080 --> 00:21:09,520 Speaker 2: Yeah, when you're hearing this six months from now, maybe 419 00:21:09,520 --> 00:21:10,480 Speaker 2: it's already happening. 420 00:21:10,720 --> 00:21:12,960 Speaker 3: That's right. Thank you to. 421 00:21:13,080 --> 00:21:16,639 Speaker 2: Everyone exactly right. Thank you to our producer Katie Levine. 422 00:21:16,680 --> 00:21:19,200 Speaker 2: Thank you to our intern Lisa Maggot. Thank you Scotti. 423 00:21:19,440 --> 00:21:35,160 Speaker 3: Thank you Curti b. Bananas. Bananas is an exactly right 424 00:21:35,240 --> 00:21:38,840 Speaker 3: media production. Our producer and engineer is Katie Levine. The 425 00:21:38,960 --> 00:21:42,040 Speaker 3: catchy Bananas theme song was composed and performed by Kahon. 426 00:21:42,280 --> 00:21:45,880 Speaker 3: Artwork for Bananas was designed by Travis Millard and our 427 00:21:45,880 --> 00:21:49,959 Speaker 3: benevolent overlords are the great Karen Kilgareff and Georgia Hartstart. 428 00:21:49,440 --> 00:21:52,760 Speaker 2: And Lisa Maggott is our full human, not a robot intern. 429 00:21:53,240 --> 00:21:56,000 Speaker 3: You can listen, subscribe, and leave us reviews for Bananas 430 00:21:56,040 --> 00:21:59,480 Speaker 3: on Amazon Music, Apple Podcasts, or wherever you get your 431 00:21:59,640 --> 00:22:01,480 Speaker 3: quality podcast and don't forget. 432 00:22:01,560 --> 00:22:04,400 Speaker 2: You can hear every episode one week early and add 433 00:22:04,520 --> 00:22:08,200 Speaker 2: free plus bonus episodes by subscribing to Wondery Plus in 434 00:22:08,280 --> 00:22:09,080 Speaker 2: the Wondery app