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Speaker 1: An illegal alien from Guatemala charged with raping a child

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Speaker 1: in Massachusetts. An MS thirteen gang member from Al Salvador

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Speaker 1: accused of murdering a Texas man of Venezuelan charged with

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Speaker 1: filming and selling child pornography in Michigan. These are just

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Speaker 1: some of the heinous migrant criminals caught because of President

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Speaker 1: Donald J.

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Speaker 2: Trump's leadership.

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Speaker 1: I'm Christy nom the United States Secretary of Homeland Security.

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Speaker 1: Under President Trump, attempted illegal border crossings are at the

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Speaker 1: lowest levels ever recorded, and over one hundred thousand illegal

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Speaker 1: aliens have been arrested. If you are here illegally, your

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Speaker 1: next you will be fined nearly one thousand dollars a day, imprisoned,

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Speaker 1: and deported.

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Speaker 2: You will never return.

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Speaker 1: But if you register using our CBP home app and

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Speaker 1: leave now, you could be allowed to return legally.

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Speaker 2: Do what's right. Leave now.

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Speaker 1: Under President Trump, America's laws, border and families will.

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Speaker 3: Be protected sponsored by the United States Department of Homeland Security.

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Speaker 4: With XIT and with JAY, I'm sitting there looking and

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Speaker 4: I'm like, Yo, these niggas just made like four hundred

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Speaker 4: million this year just with my niggas the label.

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Speaker 5: They made like four hundred. Damn, what was your salary?

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Speaker 4: Sixty K the dumb niggas. This dumb nigga ain't gonna

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Speaker 4: be dumb too.

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Speaker 6: My graduate from my school being forced back drop bag drop, Mike,

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Speaker 6: drop back drop drop.

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Speaker 7: All right, guys, welcome back e y l. We're on

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Speaker 7: the West coast. Yeah, this is gonna be something that's

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Speaker 7: gonna be a very exciting legendary situation, something I actually

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Speaker 7: been looking forward to for a while. So first I

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Speaker 7: got a shout out his brother, but my brother, well,

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Speaker 7: Chris legend.

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Speaker 5: I met Chris.

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Speaker 7: Everybody knows the story, and ever since we met, we

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Speaker 7: always tapped in and Chris one of the best storytellers

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Speaker 7: of all time.

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Speaker 5: Crazy.

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Speaker 7: I told Angie that, and she was like, Earth is

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Speaker 7: a better story teller than Chris.

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Speaker 5: That's the first thing she said.

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Speaker 7: Hearth stories because he's way like his stories that immaculate.

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Speaker 7: So irv Gotti really needs no introduction, but pioneer in

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Speaker 7: the space. But somebody who's been able to reinvent himself.

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Speaker 7: I don't think it gets enough credit for that. So

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Speaker 7: obviously one of the biggest musical music moguls Murder Inc.

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Speaker 7: And then actually transitioned to the media side with Tales

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Speaker 7: killing the game TV and recently changed the game again

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Speaker 7: when he sold his Masters for one hundred million. So

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Speaker 7: there's actually a lot to talk about because that Masters

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Speaker 7: conversation is really really exciting prevalent. A lot of people

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Speaker 7: have different takes on it. I think Future just sold

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Speaker 7: this Master, keep it.

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Speaker 8: Away, Lil Wayne did it, Future, John Legend has done

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Speaker 8: the Future. You got like sixty seven, but justin, justin

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Speaker 8: Timberlake did it?

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Speaker 5: Timberlake.

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Speaker 9: Yeah, we keep seeing it, but it's like, what does

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Speaker 9: it really mean?

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Speaker 5: Like details and all that, you know what it means.

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Speaker 8: Yeah, I think like when people saw it, like they

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Speaker 8: saw Timberlake do it, and obviously they saw Wayne he

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Speaker 8: got a bag, so that we know that, people are

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Speaker 8: just like, wait, huh, why they doing it?

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Speaker 7: So it's discussing the bag because that's it. You're gonna

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Speaker 7: have a dough conversation. But first and foremo, thank you

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Speaker 7: for joining us, appreciate.

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Speaker 4: It, happy to be here. You guys is Jesus and Moses.

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Speaker 7: That's what they say right on the street, the street,

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Speaker 7: Jesus and Moses on the street. Man. So let's lie,

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Speaker 7: let's start. I want to start with this. We might

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Speaker 7: well start with this one hundred million dollars for selling

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Speaker 7: your masters, right, Yeah, so walk us through that process

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Speaker 7: because you told it to us when we first met.

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Speaker 7: Is an interesting story. How to I even came about

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Speaker 7: because I wasn't on your radar. No, so talk about

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Speaker 7: how that was even on your radar, Well, it was.

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Speaker 5: On my radar.

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Speaker 4: Was making the film and I needed five million dollars

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Speaker 4: to make a film. So I wanted to raise the

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Speaker 4: money because the people I was asking that I thought

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Speaker 4: would just loan me to five million, was asking.

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Speaker 5: For fifty percent of my.

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Speaker 9: Real friends for five million friends.

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Speaker 4: I'm telling them this is going to be a multi

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Speaker 4: billion dollar company. They give me five million, they want

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Speaker 4: fifty percent. I was like, I'm not getting jerked, right.

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Speaker 4: So people told me, they said, oh, if you got

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Speaker 4: the money, just use your mass as is leverage. So

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Speaker 4: that's what I did. I did a deal with this

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Speaker 4: company called Sound Royalties, and they gave me five million dollars.

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Speaker 4: I had to give them a big interest rate. I

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Speaker 4: had to pay him back like six million.

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Speaker 7: Six million for five million. Yeah, it's like a loan shark.

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Speaker 7: The shot lock rates definitely. Uh.

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Speaker 4: But I didn't care because I had a situation set

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Speaker 4: up with Paramount and boy Backage that I felt very

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Speaker 4: strong that if I made the movie for five I

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Speaker 4: would get back seven to ten. So if you know me,

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Speaker 4: once I want to do something, I'm doing it right.

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Speaker 4: There's no looking back. I got a tunnel vision. I

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Speaker 4: don't give a fuck. I'm going so basically, when I

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Speaker 4: did that, the word got out that I'm doing shit

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Speaker 4: with my masters. Zach Harrwitz a great friend of mine.

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Speaker 4: He was the COO of the Universal Music Group, and

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Speaker 4: he called me and he's like, erv you you want

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Speaker 4: to sell your masters. I said, well, I borrowed money

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Speaker 4: against it. I ain't selling them. He said, but what

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Speaker 4: do you want it? I said, well, if the price

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Speaker 4: is right, I said, I want to make TV and

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Speaker 4: film and I want to own it. I want to

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Speaker 4: have the money to pay for what to own it.

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Speaker 4: He said, this is this guy, Olivier Chastin. He pays

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Speaker 4: the most for masters, and he plugged me with him.

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Speaker 4: As soon as I'm at Olivier, it was like a

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Speaker 4: love fest, and he gave me a like twenty seven X.

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Speaker 4: He gave me a big multiple for my masters. So

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Speaker 4: I took the deal and took the money right then.

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Speaker 4: Where he got his money from or the company that

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Speaker 4: he's partnered with is this company called Pimco, Pimco Giant

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Speaker 4: Financial Giant. So he put me on to Ben Frishman.

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Speaker 4: So we're sitting there at a meeting. You know, they

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Speaker 4: buying my masters. So Ben was like, so, why are

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Speaker 4: you selling your masters? If you might if, he said,

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Speaker 4: if I could ask you, And I said, well, I'm

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Speaker 4: selling my past to ignite my future. I said, I

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Speaker 4: want to pay for my own TV series, pay for

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Speaker 4: my own films, so I could own it one hundred

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Speaker 4: percent and build that catalog up, just how I built

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Speaker 4: my music catalog. He said, well, I'll give you two

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Speaker 4: hundred million, because to which I'm like, you know, coming

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Speaker 4: from where I come from, the nigga say you're giving

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Speaker 4: you two hundred million. So my immediately response was like,

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Speaker 4: so what you want like fifty percent of my company?

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Speaker 5: Oh, eighty percent?

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Speaker 4: He's like, nah, I don't want nothing, said, I just

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Speaker 4: want whatever money that you borrow from me, pay me

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Speaker 4: back eight percent.

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Speaker 5: I said, that's it, that's it. I couldn't believe it.

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Speaker 4: Man was offered me a two hundred million line of

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Speaker 4: credit and didn't want a percentage in my company, so

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Speaker 4: he said, you know, you don't have to spend that hundred.

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Speaker 5: For your mask.

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Speaker 4: He's like, we'll give you the money to make your product.

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Speaker 4: I said, cool. So you know, it's really a dope

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Speaker 4: story because it's a story of.

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Speaker 5: I really it fell in my lap.

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Speaker 7: The story, I mean, the way you tell it, and

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Speaker 7: like I said when we first met, you, actually, you know,

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Speaker 7: give us a breath to it.

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Speaker 8: But if it feels like this is how's this even happen?

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Speaker 8: And how unbelievable is this? Can you talk about the

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Speaker 8: contrast and to the industry that you came from, where

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Speaker 8: deals weren't structured like that?

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Speaker 5: Oh no, just trying to like sick vanity where I

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Speaker 5: came from.

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Speaker 4: If a nigga offered me two hundred million, he probably

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Speaker 4: wanted ninety nine percent of my company, you know what

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Speaker 4: I'm saying. And it's like, so the whole process of

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Speaker 4: what happened, I gotta give it up to God, and

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Speaker 4: God just blessed me because I can't explain it.

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Speaker 5: So let's break this down a little bit.

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Speaker 7: Because you said a twenty seven x multiple, So this

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Speaker 7: is important people to understand because a lot of times

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Speaker 7: people aren't fully educated, so they're like, yo, they're looking

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Speaker 7: at music, like, don't sell your music because you're not

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Speaker 7: going to have a legacy for your children. But when

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Speaker 7: we were in London, DJ he explained it to us.

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Speaker 7: I never really thought about it like this. He was like,

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Speaker 7: it's like a startup company. Like when Elon Musk sells

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Speaker 7: PayPal for two hundred million. Nobody criticized him for doing

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Speaker 7: that because he used that money to fund SpaceX and

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Speaker 7: Tesla and now he's the richest person in the world.

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Speaker 7: He's about to be a trillionaire. So he was like,

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Speaker 7: you could look at up music catalog just like that.

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Speaker 7: It's like you're selling a company for it's a liquidation event.

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Speaker 7: You get a lump sum of money as opposed to

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Speaker 7: getting residual amount of money.

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Speaker 5: And now that lumps do you.

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Speaker 4: Take that one hundred or do you take four million

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Speaker 4: a year for thirty years?

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Speaker 7: It's like a lottery exactly. Yeah, which money you take

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Speaker 7: the kids to have?

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Speaker 5: And is the thing?

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Speaker 4: If I'm retiring, maybe the four million is good, But

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Speaker 4: I'm not retiring. In my mind, I got other things

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Speaker 4: that I'm trying to do where I could use that hundred.

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Speaker 4: But look, doing that deal for the hundred, it bounced

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Speaker 4: into the two hundred, and then so the.

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Speaker 7: Two hundred, that's a lot of so the same company.

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Speaker 7: The hundred is upfront, they gave it to you. That's

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Speaker 7: money in the bank. The two hundred is a lot

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Speaker 7: of credit. Essentially, it's like a credit card.

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Speaker 5: I ain't got to use my hundred.

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Speaker 7: When you use the two hundred, as long as you

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Speaker 7: get it.

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Speaker 4: I just when I said, I told your tails Latin,

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Speaker 4: so Olivia is like, he's like, how much is it

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Speaker 4: gonna be? As a maybe two million in that twenty million,

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Speaker 4: He's gonna give it to me, and that'll be part

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Speaker 4: of probably the line of credit twenty million, which I

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Speaker 4: got to give him back eight percent. Let's start because

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Speaker 4: once I make it, I'm gonna sell it for more

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Speaker 4: to a streamers company.

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Speaker 5: And then but I own it now, I own it.

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Speaker 8: So you said two million in episodes, So I'm sure

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Speaker 8: there's a lot of people that are in start up

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Speaker 8: and trying to get into two TV and film.

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Speaker 5: It's not like music.

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Speaker 9: It's not definitely not like music.

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Speaker 8: What are some of these expenses or these line items,

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Speaker 8: these large ones that go into a production like that.

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Speaker 8: So you said two million per episode, said twenty minutes.

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Speaker 8: I'm assuming that's ten episodes for the season. What goes

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Speaker 8: into that is it obviously cast crew quickly.

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Speaker 4: Got above the line numbers and you got below the line.

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Speaker 4: Above the line is like the actors and actresses because

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Speaker 4: you don't know how much they're gonna cost. The belowder

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Speaker 4: line is like set numbers. How much is that camera costs?

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Speaker 4: And how much is that operated courses and it's gonna

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Speaker 4: operate it? How many cameras you're gonna need different things

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Speaker 4: like that? How much is this justlike these is this's

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Speaker 4: a belowder line cost? Right, And that's how you make

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Speaker 4: up a budget of how much each episode is going

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Speaker 4: to be. And you're you're exactly and if you're union,

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Speaker 4: if you're non union, right, if you going union, that

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Speaker 4: camera operator has a set price.

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Speaker 5: If you're non union, you could negotiate a deal.

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Speaker 9: Then the hours of when they can work and when

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Speaker 9: they can't work the break.

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Speaker 4: How many hours and it's overtime, they're not working Saturdays

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Speaker 4: and Sundays. You know what I'm saying. It's like it's

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Speaker 4: like different shit. I know all that shit now though.

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Speaker 4: And then like, I know, I know everything.

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Speaker 8: Yeah, I think I heard you in the conversation last

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Speaker 8: week and you were telling this young filmmaker like I

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Speaker 8: think he said something very key to you.

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Speaker 9: He was like, yeah, I own my own equipment, and you're.

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Speaker 8: Like that's good. When you walked away, like I like him.

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Speaker 8: You talk about like the ownership of having the equipment.

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Speaker 4: Yeah, because if you own it and you have the equipment,

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Speaker 4: you could finagle with the lines. You could fenagle with

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Speaker 4: the budget. You could do it for lower because it's

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Speaker 4: your ship. So instead of thousand dollars for this camera

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Speaker 4: five hundred, it's sures you own it, so you could

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Speaker 4: finagle with the numbers.

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Speaker 7: So you told my son your masters. You didn't sell

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Speaker 7: the Web three, No, I just sold my masters. Like

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Speaker 7: the branding, the likeness, murdering, the logo. It's another check coming.

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Speaker 7: So you can still make money, unless you said you

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Speaker 7: can still make money.

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Speaker 4: You know, death ro Snoop doesn't own the music, he

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Speaker 4: owns the logo, he owns the likeness. And they said

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Speaker 4: he's scored like a forty or forty five million dollar

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Speaker 4: deal with NFT's or Web three or something. I don't

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Speaker 4: even know that I don't know about Web three nfds nothing.

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Speaker 4: What I do know is money today, so we get it.

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Speaker 4: So when I secured the deal, I got the money

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Speaker 4: for the Masters. When man Walter he left open all

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Speaker 4: of that Web three shit, which I'm gonna get another check.

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Speaker 7: No, it's important because it's like I look at it

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Speaker 7: as an opportunity, like you said, to get a lump

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Speaker 7: sum of money, and now if you have a plan,

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Speaker 7: that's gonna accelerate your plan as opposed to trying to

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Speaker 7: borrow money and put pieces together.

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Speaker 4: Now you got I mean the goal my ultimate goal

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Speaker 4: now is with the money that I've attained with the

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Speaker 4: two hundred million line of credit, is to produce films, TV, soundtracks, music.

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Speaker 4: So just think if I got one hundred million for

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Speaker 4: some shit I made twenty years ago. So if I

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Speaker 4: got one hundred episodes of television, ten films, maybe another

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Speaker 4: ten albums, shit, music is this? This is the smallest

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Speaker 4: form of the entertaining business. TV in films is way bigger.

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Speaker 4: So that's why I said, if I have one hundred

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Speaker 4: episodes of television, thing, I'm a multi billion dollar company.

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Speaker 9: Is music still a passion of your I mean, obviously

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Speaker 9: that's it's.

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Speaker 5: All a lot.

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Speaker 4: I love all of it, TV, film, music. I enjoy

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Speaker 4: entertaining people, and I feel I'm good at it, and

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Speaker 4: I think if you could do one, the others is

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Speaker 4: in far off Earners.

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Speaker 8: What's up, look Cardier, Rolex, Gucci, Prouda, Jordan, Adidas, Potega

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Speaker 8: Veneda at eBay. It's real or it's getting the fake out.

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Speaker 8: E based team of luxury authenticators are making sure you

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00:15:43,640 --> 00:15:47,960
Speaker 8: never get faked over again. Watches inspected by watch officionados,

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Speaker 8: sneakers checked by legit sneakerheads, handbags examined by handbag connoisseurs,

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Speaker 8: and jewelry in the scopes of expert gemologists. These authenticators

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Speaker 8: are leaders in their field, with meticulous eyes, making sure

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00:15:59,920 --> 00:16:03,160
Speaker 8: your piece of robs as authentic as your style and

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Speaker 8: worthy of your collection. As experts, they know the true

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Speaker 8: difference between a real and a fake. Reel carries that rare,

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Speaker 8: distinguished feel, the weight of pure platinum, exquisite scent of

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Speaker 8: tog leather, the tight stitching on a pair of dunks,

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Speaker 8: the brilliance of real diamonds. So rest assured your Rolex

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Speaker 8: moves like a Rolex should, and that colorway on your

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Speaker 8: Jordan Royals will always be on point, the details inspected,

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Speaker 8: the fakes rejected, ensure your next purchase is the real deal.

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Speaker 8: With eBay's authenticity guarantee, everyone deserves real physic eBay dot

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Speaker 8: com for terms.

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Speaker 4: I was a great music maker. Okay, if you're a

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Speaker 4: great music maker, I have to decide what beat is

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Speaker 4: gonna move to people, what are they gonna like, what

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Speaker 4: lyrics to put on side. It's the same thing with

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Speaker 4: script then characters and things is very similar.

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Speaker 7: So you said something to us. She was like, you

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Speaker 7: can't sell what you don't own. And somebody told.

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Speaker 10: You that about Mark Lazar the BT situation, right, Mark

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Speaker 10: laswy he owns the Milwaukee Bucks.

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Speaker 4: He is Avenue Capital, very close friend of mine. He's

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Speaker 4: probably worth like ten billion, who knows, maybe more. But

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Speaker 4: you know, I was at his house shooting the shit,

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Speaker 4: just shooting the shit, and I was bragging about myself.

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Speaker 4: I direct, I produce, I write, I could do it all.

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Speaker 4: I'm a one man recond crew. I'm Spielberg, Katzenberg and

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Speaker 4: Geffing and rolling the one.

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Speaker 5: And he's nice.

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Speaker 4: And then he was like, you said everything with the

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Speaker 4: right thing, and he stopped me and I was like,

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Speaker 4: what he said, who owns it? And I was like, well,

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Speaker 4: BT owns the majority of the shit that I make.

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Speaker 4: He said, well, there you have it. He said, you

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Speaker 4: can't sell what you don't own, and then he just

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Speaker 4: kept drilling it. You know, you can't sell what you

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Speaker 4: don't know. You know, you can't sell what you don't know.

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Speaker 4: He kept saying it to me, and he changed me.

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Speaker 4: He changed me, and that's what got me on my

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Speaker 4: ownership vibe times ten.

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Speaker 7: So now going forward with Tails, you're gonna own Tails

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Speaker 7: or so.

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Speaker 4: I owned the first season, BT owns the second and third.

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Speaker 4: But moving forward, I wanted to be a licensing deal.

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Speaker 7: So it'll BT will distributed, but you'll own it. BT

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Speaker 7: A license it and they'll profit off of it for

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Speaker 7: say five years. But then the reverse back to me.

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Speaker 8: How does that work from domestic to an international play?

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Speaker 8: Because I know bt obys is trying to.

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Speaker 4: Scale depends I own, I own it internationally, I owned worldwide.

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Speaker 5: Perfect. Yeah, you know what I'm saying.

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Speaker 4: You could strike deals, but nah, I'm own my shit everywhere. Yeah,

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Speaker 4: And it's just he's right, you can't sell what you

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Speaker 4: don't own. So yeah, you could make millions of dollars.

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Speaker 4: I make millions of dollars producing, directing, writing, being the

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Speaker 4: production company.

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Speaker 5: But the ownership check is a different check.

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Speaker 4: Is like, you can make millions of dollars or you

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Speaker 4: can make hundreds of millions, if not billions.

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Speaker 8: How does that work with I mean, obviously Tales, there's

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Speaker 8: a writer for it. I'm sure you're probably involved in

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Speaker 8: every Friends Friend the Friends you know, Netflix paid three

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Speaker 8: hundred million of license it for ten years. That explains

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Speaker 8: it to you.

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Speaker 4: Whoever owns Friends got three hundred three.

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Speaker 5: Hundred million for a ten year license fee for one show.

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Speaker 7: That's what you were talking to Steve Harvey, and that's

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Speaker 7: what he was saying about Family Few, you know, on

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Speaker 7: the own Family Few. But he did have an opportunity

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Speaker 7: to own Family Food.

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Speaker 8: In Africa exactly. He did it and now he's doing

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Speaker 8: it with his Judge show. Put his complete ownership in

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Speaker 8: that too.

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Speaker 5: He's owning it. Yeah, and not here. Steve is a

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Speaker 5: rich guy.

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Speaker 4: So even with our ownership, I probably put Steve on

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Speaker 4: he was probably making anywhere like suing the neighborhood fifty

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Speaker 4: million a year, but he wasn't. He's probably looking at

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Speaker 4: what the owners is making and like, damn, so, yeah,

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Speaker 4: I'm getting rich, but these niggas is.

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Speaker 5: Definitely these niggas billionaires.

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Speaker 7: Yeah, the master is that was murder Ankle. That was

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Speaker 7: like those Jalo records and all that too.

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Speaker 4: You know, the Jalo records is part of my masters.

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Speaker 4: You have the masters for that.

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Speaker 8: Yeah, did you own one hundred percent of your masters

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Speaker 8: or was it like fifty fifty deals with Universal?

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Speaker 4: And again, when I did that, that was just because

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Speaker 4: everyone was doing it.

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Speaker 5: It's not like I even knew what the.

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Speaker 7: Fuck I was doing when we spoke to When we

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Speaker 7: spoke to Chris, it was a long time ago. So

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Speaker 7: if you can refresh this, he said, when y'all was

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Speaker 7: going to trial, Universal, they did something where they try

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Speaker 7: to take the masters away.

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Speaker 5: No, they terminated us, so they cut tides.

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Speaker 7: But they never offered you money for the master. They

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Speaker 7: offer you money, like a little bit amount of money

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Speaker 7: for bullshit.

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Speaker 4: They have like five hundred thousand, and I was like no,

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Speaker 4: So they was like, all right, moving forward, you own

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Speaker 4: your fifty and we on our fifty. They offered me

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Speaker 4: five hundred thousand for.

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Speaker 7: The whole catalog because they figured you was in trouble.

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Speaker 4: Now, when I spoke to Zach about this, Zach was like,

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Speaker 4: we wasn't jerking you, and I was like, explain.

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Speaker 5: He said, it was no streaming.

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Speaker 4: He said, so basically a catalog is based off of

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Speaker 4: CD sales, and he says.

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Speaker 5: It was a way different metric.

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Speaker 9: You understand, it was like two thousand and seven.

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Speaker 5: If it's basing it off of just see these sales.

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Speaker 4: Maybe I'm making a hundred thousand dollars two hundred thousand

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Speaker 4: dollars a yeah.

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Speaker 7: And streaming change everything, streaming and I'm making millions.

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Speaker 5: So he was like, we didn't jerk you. It was

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Speaker 5: just what we was making. Yeah.

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Speaker 8: I mean, so from from the standpoint of the masters

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Speaker 8: in the space of music, and now turn it into

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Speaker 8: the catalog for Tales.

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Speaker 9: Were the other things that you're going to add to it?

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Speaker 5: Right?

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Speaker 8: We talked about going to Tales sales is the franchise, Yeah,

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00:22:39,960 --> 00:22:45,480
Speaker 8: it's TV. Yeah, films, w these films will be a soundtrack.

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Speaker 8: So you add the music new artists trying to break

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Speaker 8: new artists. I know how to do it.

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Speaker 5: We've seen that. Yeah, I know how to do it.

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00:22:54,400 --> 00:22:56,520
Speaker 8: From a standpoint of Tales. This is I mean, obviously

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Speaker 8: I was trying to get to this earlier. You obviously

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Speaker 8: evolved in the writing process, but how how evolved at

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00:23:01,840 --> 00:23:04,040
Speaker 8: the artists? Because I know each episode is based upon

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Speaker 8: a song. Are they involved or it's just we're just

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Speaker 8: taking using the title for the song and create content.

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Speaker 5: They're not involved. Me and my writers have a idea.

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Speaker 10: I mean, we make it okay, but you have to

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Speaker 10: pay the artists, all right, So favored Nation costs every

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Speaker 10: artist when we use this song for an episode.

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Speaker 5: Everyone gets the same. So it's not like someone couldn't negotiate.

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Speaker 4: It's favor nations is what it's called most favoring nations.

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Speaker 5: That means everyone gets X amount. That's the same.

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Speaker 4: Everyone gets the same, and it's a good fee. Ain't

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Speaker 4: no boys your fee. The songs that I choose for

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Speaker 4: the episodes they get they get a DC check.

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Speaker 5: But it's no negotiating, is what I'm saying. It is

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Speaker 5: what it is. This is what you're getting favor nations.

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Speaker 4: But that makes it better, So no one's they everyone

435
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Speaker 4: gets the same.

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Speaker 9: There's any been a time where artists is like, nah,

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00:24:02,560 --> 00:24:02,960
Speaker 9: we're good.

438
00:24:03,880 --> 00:24:06,920
Speaker 5: I've never got turned down yet. Okay, I'm not gonna work.

439
00:24:07,760 --> 00:24:10,679
Speaker 4: I never got turned down from when I did Lauren

440
00:24:10,760 --> 00:24:13,720
Speaker 4: Hill X factor. That's what I thought because Lauren, but

441
00:24:13,800 --> 00:24:16,280
Speaker 4: Lauren I have a phenomenal relationship with it.

442
00:24:16,400 --> 00:24:20,080
Speaker 8: She approved it. She approved because I was thinking, like,

443
00:24:20,400 --> 00:24:23,640
Speaker 8: I got a story to tell. I mean, Biggie, that'suff

444
00:24:23,640 --> 00:24:24,480
Speaker 8: ain't gonna na me.

445
00:24:24,760 --> 00:24:26,560
Speaker 9: I mean, I just just thought it was a great idea.

446
00:24:26,600 --> 00:24:28,000
Speaker 8: I mean, the concept of Tales is just a great

447
00:24:28,000 --> 00:24:29,840
Speaker 8: idea because a lot of times that I had, especially

448
00:24:29,880 --> 00:24:32,080
Speaker 8: as fans of the music, we hear songs on an

449
00:24:32,080 --> 00:24:33,600
Speaker 8: album and we're like, yo, there should be a video

450
00:24:33,640 --> 00:24:36,159
Speaker 8: for this. This is a story that should be captured

451
00:24:36,160 --> 00:24:38,440
Speaker 8: in the video. Move a movie around there. But that's

452
00:24:38,440 --> 00:24:40,280
Speaker 8: what Tales has become. It's like now it's like, oh

453
00:24:40,359 --> 00:24:42,919
Speaker 8: it's a one now movie. That three minute song has

454
00:24:42,960 --> 00:24:44,320
Speaker 8: now turned into expanded content.

455
00:24:44,640 --> 00:24:49,720
Speaker 5: We get to really dive in. Yeah, yeah, story to tell.

456
00:24:50,080 --> 00:24:54,480
Speaker 4: But Biggie was one of the original songs. That's you know,

457
00:24:54,960 --> 00:24:59,080
Speaker 4: because it's so d vivid and graphic. How could it

458
00:24:59,400 --> 00:25:03,399
Speaker 4: tailor made perfect? Slick wrecked children's story?

459
00:25:04,680 --> 00:25:05,399
Speaker 5: Did you do? I gave you?

460
00:25:05,600 --> 00:25:13,080
Speaker 11: I gave yeps, Renee Nay Going Damien.

461
00:25:12,920 --> 00:25:14,800
Speaker 5: Was thing d m X.

462
00:25:16,000 --> 00:25:18,439
Speaker 4: But I want to turn that into a movie, a

463
00:25:18,520 --> 00:25:21,119
Speaker 4: real movie about a rapper who sells the soul to

464
00:25:21,160 --> 00:25:21,639
Speaker 4: the devil.

465
00:25:22,240 --> 00:25:23,600
Speaker 5: That's like that Snoop Dogg song.

466
00:25:25,400 --> 00:25:30,520
Speaker 4: Yeah, I talked to Actually, my brother hooked me up.

467
00:25:31,560 --> 00:25:34,440
Speaker 4: I actually spoke to Matthew mcconnae and he was he's

468
00:25:34,480 --> 00:25:37,840
Speaker 4: interested to play the devil.

469
00:25:40,280 --> 00:25:42,560
Speaker 7: He did that movie. That was that law movie where

470
00:25:42,560 --> 00:25:45,359
Speaker 7: he uh the law firm that he was working at.

471
00:25:46,160 --> 00:25:47,680
Speaker 5: Nah, that's devil's advocate he was.

472
00:25:48,000 --> 00:25:55,320
Speaker 7: He wasn't a devil's advocate. I want to ask you

473
00:25:55,320 --> 00:25:57,560
Speaker 7: some if he can't go back in time. Whatever happened

474
00:25:57,560 --> 00:26:00,359
Speaker 7: with that situation with j Princeton Shug when y'all trying

475
00:26:00,400 --> 00:26:03,720
Speaker 7: to start the distribution but he wasn't a distribution Okay,

476
00:26:03,760 --> 00:26:04,600
Speaker 7: what was it?

477
00:26:04,600 --> 00:26:12,000
Speaker 4: It was a union now baseball, basketball, football got crazy

478
00:26:13,000 --> 00:26:18,280
Speaker 4: and honestly it was all Shugs idea and Shug masterminded

479
00:26:18,320 --> 00:26:18,880
Speaker 4: the whole ship.

480
00:26:19,480 --> 00:26:19,840
Speaker 5: Sug.

481
00:26:22,920 --> 00:26:26,760
Speaker 4: It's one of the most brilliant guys that I've learned

482
00:26:26,800 --> 00:26:29,520
Speaker 4: so much. He schooled me so much with the business

483
00:26:29,600 --> 00:26:32,359
Speaker 4: and everything. He's just a brilliant guy. But he just

484
00:26:32,480 --> 00:26:36,840
Speaker 4: enjoyed being a gangster and doing gangster ship. But he's

485
00:26:36,840 --> 00:26:41,720
Speaker 4: he was brilliant, so met him and Prince. We was

486
00:26:42,000 --> 00:26:44,840
Speaker 4: sitting down and having meetings and it was funny because

487
00:26:45,240 --> 00:26:49,159
Speaker 4: we meet at like the Lamitage, this hotel in Beverly Hills,

488
00:26:49,320 --> 00:26:55,280
Speaker 4: and when people will see this together, they were, well,

489
00:26:55,720 --> 00:27:01,040
Speaker 4: when I say scared, that was an understatement. He's looking

490
00:27:01,040 --> 00:27:05,160
Speaker 4: at me, fucking Princeton shewy. It was like, what the fuck, yo?

491
00:27:05,359 --> 00:27:10,879
Speaker 5: What did they right? But sure came up with the idea.

492
00:27:10,960 --> 00:27:11,840
Speaker 5: It was a brilliant plan.

493
00:27:13,600 --> 00:27:18,440
Speaker 4: It's basically like the labels say your recording phone was

494
00:27:18,480 --> 00:27:21,800
Speaker 4: a million dollars, he said, whatever, the recording fund is

495
00:27:21,840 --> 00:27:25,119
Speaker 4: ten percent goes to the union. So instead of a million,

496
00:27:25,160 --> 00:27:27,119
Speaker 4: you would have a million one with one hundred thousand

497
00:27:27,160 --> 00:27:30,239
Speaker 4: going to the union. Now that said artists would get

498
00:27:30,320 --> 00:27:36,240
Speaker 4: medical pension, all of the stuff that unions, the benefits

499
00:27:36,240 --> 00:27:38,000
Speaker 4: that unions do. You can go get your te fixed,

500
00:27:38,080 --> 00:27:39,560
Speaker 4: now you know what I'm saying.

501
00:27:40,880 --> 00:27:41,439
Speaker 5: All that.

502
00:27:43,119 --> 00:27:48,080
Speaker 4: And each time you do a new album ten and

503
00:27:48,119 --> 00:27:51,199
Speaker 4: it was easy metrics because instead of you recouping a

504
00:27:51,200 --> 00:27:59,919
Speaker 4: million dollars, you recoop a million one. Right shortly after that,

505
00:28:00,119 --> 00:28:03,239
Speaker 4: the Feds rated me or whatever, so you know, you

506
00:28:03,280 --> 00:28:06,600
Speaker 4: could say that they was listening and they wanted to

507
00:28:06,640 --> 00:28:07,160
Speaker 4: stop it.

508
00:28:07,960 --> 00:28:09,320
Speaker 5: But it was a brilliant idea.

509
00:28:10,760 --> 00:28:14,720
Speaker 4: But if I'm speaking one hundred percent truthful, we would

510
00:28:14,760 --> 00:28:15,440
Speaker 4: have fucked it up.

511
00:28:16,920 --> 00:28:20,040
Speaker 7: I think all that money, like we were who was

512
00:28:20,080 --> 00:28:23,040
Speaker 7: we me President show y'all was going to be the

513
00:28:23,080 --> 00:28:23,800
Speaker 7: custodians of it.

514
00:28:23,920 --> 00:28:25,640
Speaker 4: We was going to be the owners of this union.

515
00:28:25,680 --> 00:28:27,880
Speaker 4: He was going to be the custodians whatever you want

516
00:28:27,880 --> 00:28:28,320
Speaker 4: to call it.

517
00:28:30,480 --> 00:28:33,520
Speaker 5: And we're roll niggas at the end of the day

518
00:28:33,840 --> 00:28:34,320
Speaker 5: of the day.

519
00:28:34,560 --> 00:28:39,040
Speaker 4: So it was crazy because we were sitting there and

520
00:28:40,320 --> 00:28:42,560
Speaker 4: it was gonna be some getting damn or later down ship.

521
00:28:43,200 --> 00:28:45,520
Speaker 7: Oh you like that, Oh, because you couldn't opt out

522
00:28:45,840 --> 00:28:46,280
Speaker 7: artists if.

523
00:28:46,240 --> 00:28:49,880
Speaker 5: It wasn't joining the union on outside, it was going to.

524
00:28:49,880 --> 00:28:53,680
Speaker 4: Be a problem at your shows at whatever for showing

525
00:28:53,760 --> 00:28:56,680
Speaker 4: up favors. It was going to be some ship like

526
00:28:57,600 --> 00:28:59,840
Speaker 4: it was going to be some ship like that. But

527
00:28:59,840 --> 00:29:02,520
Speaker 4: the funny thing is like I was like, all right,

528
00:29:02,600 --> 00:29:06,120
Speaker 4: I got the East Coast, so I got the East Coast,

529
00:29:06,160 --> 00:29:10,040
Speaker 4: Sugars like, I got the West Coast. My nigga, my

530
00:29:10,080 --> 00:29:16,280
Speaker 4: brother prince, see, I got anywhere else, he said, I

531
00:29:16,320 --> 00:29:23,200
Speaker 4: got everywhere else. Little nigga strong was strong.

532
00:29:24,280 --> 00:29:28,560
Speaker 5: But I just know it would have it probably.

533
00:29:31,520 --> 00:29:33,560
Speaker 4: I feel artist would have would have been like, yeah,

534
00:29:33,640 --> 00:29:36,000
Speaker 4: fuck it, they'll get down because it's benefiting you.

535
00:29:36,680 --> 00:29:38,520
Speaker 7: It's just, you know, it's crazy because we had this

536
00:29:38,760 --> 00:29:42,160
Speaker 7: conversation with Dunky Fresher Randon, Dunky Fresh, and he was saying,

537
00:29:42,400 --> 00:29:43,880
Speaker 7: one of the hip hop part and this all mention

538
00:29:43,960 --> 00:29:45,400
Speaker 7: his name is happening a lot of health issues, and

539
00:29:45,440 --> 00:29:47,880
Speaker 7: he was saying that, you know, he really wants to

540
00:29:47,880 --> 00:29:49,760
Speaker 7: put together a union because he was like a lot

541
00:29:49,800 --> 00:29:52,680
Speaker 7: of the pioneers like his generation are even older, are

542
00:29:52,720 --> 00:29:53,480
Speaker 7: really struggling.

543
00:29:53,560 --> 00:29:57,200
Speaker 4: But we wasn't just doing hip hop. He was doing

544
00:29:57,240 --> 00:30:01,360
Speaker 4: the music business. So Taylor Swift, who her own budget

545
00:30:01,440 --> 00:30:05,000
Speaker 4: was probably fifteen million, that's one point five.

546
00:30:05,640 --> 00:30:07,080
Speaker 9: And you're showing up as shows.

547
00:30:07,760 --> 00:30:11,280
Speaker 4: Yeah, ship ain't no one above. Justin Bieber, it was

548
00:30:11,360 --> 00:30:13,280
Speaker 4: above to shake down. Very important.

549
00:30:13,320 --> 00:30:16,560
Speaker 7: But you know, I mean, what is that but a

550
00:30:16,640 --> 00:30:20,040
Speaker 7: shade is not actually betterfect. It's my business physiness.

551
00:30:20,080 --> 00:30:24,479
Speaker 4: When you look at you to see half a half yea,

552
00:30:25,080 --> 00:30:27,360
Speaker 4: when you look at half a with the unions, that's

553
00:30:27,360 --> 00:30:31,800
Speaker 4: how Vegas was when yeah it got a little violent.

554
00:30:32,000 --> 00:30:36,719
Speaker 5: Very violent. It was a little get down and lay

555
00:30:36,840 --> 00:30:38,480
Speaker 5: down type of activity.

556
00:30:38,520 --> 00:30:40,600
Speaker 8: It helps, it's for the greater goods, for the greater goods,

557
00:30:40,640 --> 00:30:41,480
Speaker 8: for the greater good.

558
00:30:41,680 --> 00:30:42,840
Speaker 5: And that's what we were saying.

559
00:30:42,880 --> 00:30:46,160
Speaker 4: What we were saying to all the artists is like, yo,

560
00:30:47,560 --> 00:30:50,479
Speaker 4: you have a pension, so when you ain't making these

561
00:30:50,560 --> 00:30:53,200
Speaker 4: hit records, you're gonna have a little trickle.

562
00:30:53,280 --> 00:30:55,600
Speaker 7: But what I could see, I could I couldn't exist

563
00:30:55,600 --> 00:30:57,719
Speaker 7: stuff like I mean, I think I said that right.

564
00:30:57,760 --> 00:30:59,760
Speaker 9: No, you know, damn playing, I can't eat off one hundred.

565
00:30:59,800 --> 00:31:03,040
Speaker 7: I think a younger artist, especially now, you ain't balling

566
00:31:03,280 --> 00:31:06,160
Speaker 7: like she was, like, maybe you don't have five cars,

567
00:31:06,360 --> 00:31:06,720
Speaker 7: but you.

568
00:31:06,720 --> 00:31:09,480
Speaker 5: Still got one. You know what I'm saying.

569
00:31:09,720 --> 00:31:12,800
Speaker 4: So of course when you're making the music, you ain't

570
00:31:12,840 --> 00:31:16,280
Speaker 4: balling like that. But damn, nigga, if you got something

571
00:31:16,320 --> 00:31:19,760
Speaker 4: coming in and trickling in, I think that's a good thing.

572
00:31:19,920 --> 00:31:20,800
Speaker 7: It makes a lot of sense.

573
00:31:20,800 --> 00:31:23,400
Speaker 4: It's just go get de fixed, nigga. You can go

574
00:31:23,800 --> 00:31:27,280
Speaker 4: if if your kids you gotta go see a doctor.

575
00:31:28,680 --> 00:31:30,920
Speaker 5: I think the younger artists might have issue. That's what

576
00:31:31,000 --> 00:31:32,440
Speaker 5: we're at right now, Like so they.

577
00:31:32,320 --> 00:31:34,840
Speaker 7: Feel like they don't have the same respect even they

578
00:31:34,840 --> 00:31:37,480
Speaker 7: look at it like I'm paying for older people and

579
00:31:37,520 --> 00:31:39,000
Speaker 7: they don't have reverence for them.

580
00:31:39,120 --> 00:31:41,480
Speaker 9: But they're doing it now with Social Security.

581
00:31:41,280 --> 00:31:43,000
Speaker 5: But they don't They're not educated, they don't know.

582
00:31:43,000 --> 00:31:45,680
Speaker 7: That's what I'm saying, Like, you're already doing already doing

583
00:31:45,680 --> 00:31:46,480
Speaker 7: it with the government.

584
00:31:47,040 --> 00:31:48,760
Speaker 9: You're already doing the Social Security, you're paying for the

585
00:31:48,760 --> 00:31:49,280
Speaker 9: older generation.

586
00:31:49,360 --> 00:31:51,480
Speaker 5: I think it would be a good would everybody. I

587
00:31:51,480 --> 00:31:52,160
Speaker 5: think it should happen.

588
00:31:52,200 --> 00:31:55,160
Speaker 7: Anybody who's intelligent enough to understand that knows that. But

589
00:31:55,240 --> 00:31:56,320
Speaker 7: everybody's not intelligent.

590
00:31:56,960 --> 00:31:59,680
Speaker 4: Yeah, I think it's overall, if you look at it,

591
00:31:59,760 --> 00:32:01,040
Speaker 4: it'll be a good thing.

592
00:32:01,760 --> 00:32:06,280
Speaker 5: So yeah, well Sugar's in prison. Well not.

593
00:32:08,040 --> 00:32:10,920
Speaker 7: Generally, because like I said, someone could be first.

594
00:32:10,960 --> 00:32:14,160
Speaker 4: I think someone could put it together, but it'll take

595
00:32:14,320 --> 00:32:16,680
Speaker 4: Like but Sugar was like he was getting the nigga

596
00:32:16,720 --> 00:32:20,320
Speaker 4: that did the Baseball Union. He was going to have

597
00:32:20,360 --> 00:32:24,640
Speaker 4: like reputable people like because he knew, like if it's

598
00:32:24,680 --> 00:32:28,160
Speaker 4: just us some nigga shit, so he was getting he

599
00:32:28,280 --> 00:32:32,120
Speaker 4: was bringing in real people. And then it just you know,

600
00:32:32,720 --> 00:32:35,520
Speaker 4: the fans got on me. I think you know, he

601
00:32:35,560 --> 00:32:40,080
Speaker 4: went to jail. It just it just didn't pan out,

602
00:32:40,600 --> 00:32:41,960
Speaker 4: you know what I'm saying. But I could tell you

603
00:32:42,000 --> 00:32:46,440
Speaker 4: this for a fact, Sugar is a He's brilliant, good dude.

604
00:32:47,120 --> 00:32:52,440
Speaker 4: He's a great dude to me. Everyone, everyone has their

605
00:32:52,480 --> 00:32:57,000
Speaker 4: own opinion interactions with us. So I'm quite sure there's

606
00:32:57,040 --> 00:32:59,520
Speaker 4: a gang of people that hate him and think he's

607
00:32:59,520 --> 00:33:01,320
Speaker 4: the devil, you know what I'm saying.

608
00:33:02,520 --> 00:33:02,840
Speaker 12: Not me.

609
00:33:04,040 --> 00:33:04,880
Speaker 5: I think he's.

610
00:33:04,680 --> 00:33:09,800
Speaker 4: A a good dude With me, He's been nothing but

611
00:33:09,840 --> 00:33:13,440
Speaker 4: a great dude. And if you want to talk about smart,

612
00:33:13,680 --> 00:33:18,120
Speaker 4: you in circles around ninety percent of these motherfuckers out here, Yeah,

613
00:33:18,160 --> 00:33:21,400
Speaker 4: I think something about you, like he's really really smart,

614
00:33:21,480 --> 00:33:28,840
Speaker 4: y'all really smart and knows this business, how to get paid,

615
00:33:28,920 --> 00:33:31,680
Speaker 4: where to get he knows all of it.

616
00:33:31,800 --> 00:33:33,480
Speaker 8: I feel like people look at you the same way,

617
00:33:33,640 --> 00:33:36,440
Speaker 8: and we look just obviously from this pretty smart. This

618
00:33:36,480 --> 00:33:38,640
Speaker 8: is what I'm saying. But also I think what to

619
00:33:38,720 --> 00:33:40,840
Speaker 8: your credit is something that you said to us. It's

620
00:33:40,840 --> 00:33:44,760
Speaker 8: like you are not bashful about knowing that you didn't

621
00:33:44,760 --> 00:33:46,640
Speaker 8: though there's so much that you didn't.

622
00:33:47,760 --> 00:33:52,080
Speaker 4: When I say fast learner, right, super fast learning, I'm

623
00:33:52,120 --> 00:33:54,800
Speaker 4: a sponge, so I'll know, Like if I'm in a

624
00:33:54,880 --> 00:33:57,800
Speaker 4: room and I know, like I'm not the smartest nigga

625
00:33:57,800 --> 00:34:00,240
Speaker 4: in this room or whatever, but give me a for

626
00:34:00,400 --> 00:34:03,480
Speaker 4: so I'm smart snis from now.

627
00:34:04,400 --> 00:34:07,040
Speaker 8: Yeah, that sill. Has that been the approach from day one?

628
00:34:07,080 --> 00:34:10,120
Speaker 8: Because I remember the conversation were like, y'all want my masters?

629
00:34:10,160 --> 00:34:12,160
Speaker 8: I want my masters, and then like you're like, wait,

630
00:34:12,200 --> 00:34:14,359
Speaker 8: what does it even mean to have your masters? How

631
00:34:14,400 --> 00:34:16,640
Speaker 8: many times has that been happening throughout your career?

632
00:34:17,239 --> 00:34:21,400
Speaker 4: Like like I said, when I negotiate the fifty to

633
00:34:21,440 --> 00:34:24,400
Speaker 4: fifty joint venture, really it was because I was hearing

634
00:34:24,719 --> 00:34:29,160
Speaker 4: Shug say this shit and other counterparts say this shit.

635
00:34:29,640 --> 00:34:31,160
Speaker 9: So that must be the standard.

636
00:34:31,520 --> 00:34:32,640
Speaker 5: Right, So did I know?

637
00:34:33,400 --> 00:34:33,480
Speaker 13: No?

638
00:34:34,280 --> 00:34:35,359
Speaker 5: But I figured it out.

639
00:34:37,080 --> 00:34:42,080
Speaker 4: That's niggas though that right, we're the most lemits to

640
00:34:42,239 --> 00:34:46,880
Speaker 4: lemonade motherfuckers in the history of people. We're gonna figure

641
00:34:46,880 --> 00:34:52,560
Speaker 4: the shit out or whatever. And that's basically me. I'm

642
00:34:52,560 --> 00:34:55,520
Speaker 4: gonna figure the shit out, y'all niggas.

643
00:34:55,800 --> 00:34:56,359
Speaker 5: I don't know that.

644
00:34:56,440 --> 00:35:01,840
Speaker 4: Okay, everyone's talking masters. I need to own masters. Fifty

645
00:35:01,880 --> 00:35:02,720
Speaker 4: to fifty venture?

646
00:35:03,320 --> 00:35:10,239
Speaker 5: All right? Did I really really? No? No? I know now.

647
00:35:11,480 --> 00:35:13,560
Speaker 7: I'm sure when you saw the master is the publishing

648
00:35:13,600 --> 00:35:15,239
Speaker 7: you saw the publishing too, that's part of it.

649
00:35:15,760 --> 00:35:19,040
Speaker 5: No, you could I could have did just the masters.

650
00:35:19,920 --> 00:35:23,319
Speaker 5: Did you do the publishing? Also did the publishing and

651
00:35:23,400 --> 00:35:29,000
Speaker 5: did the producer royalties take it like it even the

652
00:35:29,000 --> 00:35:30,000
Speaker 5: biggest check ticket.

653
00:35:31,520 --> 00:35:36,759
Speaker 4: But that's that's because also I knew I was coming

654
00:35:36,800 --> 00:35:37,319
Speaker 4: with no ship.

655
00:35:39,360 --> 00:35:41,240
Speaker 9: Yeah, so you got the obviously tales.

656
00:35:41,520 --> 00:35:44,240
Speaker 8: But let's talk about that documentaries because I mean, obviously

657
00:35:44,239 --> 00:35:48,240
Speaker 8: we've seen some of the work already. The Murder indocumentary incredible,

658
00:35:48,280 --> 00:35:49,440
Speaker 8: but the movie, let's talk about that.

659
00:35:50,840 --> 00:35:55,799
Speaker 4: I have a slate of documentaries that's insane and it's

660
00:35:55,800 --> 00:35:57,840
Speaker 4: all because of the fifty year anniversary of.

661
00:35:57,880 --> 00:36:00,239
Speaker 5: Hip Hopes next year. Yes, yes, so.

662
00:36:00,200 --> 00:36:01,759
Speaker 4: One of the docs that I want to do is

663
00:36:01,800 --> 00:36:05,120
Speaker 4: the story of hip hop from start to present day.

664
00:36:05,440 --> 00:36:08,960
Speaker 4: That's a lot, Yeah, it's I feel it's like minimum

665
00:36:08,960 --> 00:36:12,319
Speaker 4: ten one hours. Yeah, because I got to touch on

666
00:36:12,440 --> 00:36:18,120
Speaker 4: the international, the Latin explosion, so many things to touch on.

667
00:36:19,800 --> 00:36:24,000
Speaker 5: How will we Howard originated? What was the thought? What

668
00:36:24,080 --> 00:36:28,240
Speaker 5: was the mind process? The evolution.

669
00:36:30,280 --> 00:36:33,520
Speaker 4: From Grandmass to Flash and Furious five to groups like

670
00:36:33,600 --> 00:36:38,359
Speaker 4: that to then run DMC, then fucking every being rock

671
00:36:38,440 --> 00:36:42,160
Speaker 4: him in public Enemy and so I want to touch

672
00:36:42,239 --> 00:36:45,080
Speaker 4: on it all and do it's justice and making an

673
00:36:45,120 --> 00:36:46,360
Speaker 4: award winning doc.

674
00:36:46,640 --> 00:36:48,399
Speaker 8: It's going to happen as long as you don't say

675
00:36:48,520 --> 00:36:54,000
Speaker 8: hip hop sell in Queensbridge. No, I mean Queen's God.

676
00:36:54,080 --> 00:36:55,080
Speaker 8: You never know what.

677
00:36:55,160 --> 00:36:58,360
Speaker 4: Speak Queen's God speaking of Queen, well, Queen's God. But

678
00:36:58,480 --> 00:37:01,560
Speaker 4: you know it started in the Bronx, signed in the Bronx,

679
00:37:01,640 --> 00:37:05,080
Speaker 4: but Queen's damn sure we elevated it.

680
00:37:06,520 --> 00:37:09,600
Speaker 5: Not sure did it. There was a lot of elevation

681
00:37:10,400 --> 00:37:11,600
Speaker 5: in the Borough of Queen.

682
00:37:14,160 --> 00:37:16,600
Speaker 4: I mean when you think about it, right with all

683
00:37:16,800 --> 00:37:19,080
Speaker 4: they was doing in the Bronx with the groups, Like

684
00:37:19,320 --> 00:37:24,120
Speaker 4: what I'm saying, nigga, when Sucking Seeds came out, the

685
00:37:24,160 --> 00:37:28,160
Speaker 4: game changed because them niggas wasn't rapping like that. They

686
00:37:28,239 --> 00:37:34,359
Speaker 4: wasn't rapping like Grand Master Flash and Furious Five. They

687
00:37:34,440 --> 00:37:37,280
Speaker 4: wasn't wearing costumes like them niggas. Them niggas from DMC

688
00:37:37,520 --> 00:37:41,480
Speaker 4: was walking out Lee D's and the T shirt arrest

689
00:37:41,520 --> 00:37:42,200
Speaker 4: came up before them.

690
00:37:42,640 --> 00:37:44,960
Speaker 5: They came out before the MC, came out before kids.

691
00:37:45,080 --> 00:37:46,879
Speaker 9: They're the first global sensation in hip hop.

692
00:37:47,160 --> 00:37:50,640
Speaker 5: Like that's where ye did they come out? Queens, Parlas Queens.

693
00:37:50,880 --> 00:37:54,640
Speaker 5: I'm giving them the where? Yeah was that eighty eighty four,

694
00:37:55,080 --> 00:37:56,480
Speaker 5: eighty three, eighty four crazy?

695
00:37:57,360 --> 00:38:01,200
Speaker 4: I was like thirteen eighty four, nigga, you gotta understand,

696
00:38:01,320 --> 00:38:05,239
Speaker 4: Like I'm a DJ, I would cut sucking seas for

697
00:38:05,520 --> 00:38:09,160
Speaker 4: ten hours because there was no other records. Like in

698
00:38:09,200 --> 00:38:12,279
Speaker 4: the beginning of hip hop, we had only had like

699
00:38:12,320 --> 00:38:16,040
Speaker 4: three four records. So if you was a DJ nigga

700
00:38:16,200 --> 00:38:20,600
Speaker 4: at a partyist certain season's ringing off for at least

701
00:38:20,680 --> 00:38:23,760
Speaker 4: two hours. Yeah, because you ain't got no other records

702
00:38:23,760 --> 00:38:28,200
Speaker 4: to play. Whodini benefited from that, Hudini's Dope.

703
00:38:28,719 --> 00:38:32,120
Speaker 5: But you knows hip.

704
00:38:31,960 --> 00:38:34,200
Speaker 4: Hop nigga, you want to play hip hop, you're gonna

705
00:38:34,200 --> 00:38:38,440
Speaker 4: play Houdini had the option at that time. Yeah, all

706
00:38:38,440 --> 00:38:41,719
Speaker 4: them niggas they benefited. There wasn't no competition. If you

707
00:38:41,719 --> 00:38:45,600
Speaker 4: want to play hip hopmo d how do you like

708
00:38:45,680 --> 00:38:46,239
Speaker 4: me now?

709
00:38:46,760 --> 00:38:51,640
Speaker 5: With the shades, with the fucking shades. It was a

710
00:38:51,680 --> 00:38:52,280
Speaker 5: good record.

711
00:38:52,320 --> 00:38:55,319
Speaker 4: But I mean if that record came out with there

712
00:38:55,400 --> 00:38:57,719
Speaker 4: was fifty other records, it does it ring off?

713
00:38:57,840 --> 00:38:59,640
Speaker 5: Friends? Friends?

714
00:38:59,680 --> 00:39:04,400
Speaker 4: Is going to ring off that that beat was thinking

715
00:39:04,680 --> 00:39:05,839
Speaker 4: the Freaks come out at Night.

716
00:39:06,000 --> 00:39:09,240
Speaker 5: I don't know that's a decent record friends his.

717
00:39:09,120 --> 00:39:12,200
Speaker 7: Friends was Friends ring Dogs come out. That's like a

718
00:39:12,239 --> 00:39:13,440
Speaker 7: Halloween record almost right.

719
00:39:13,719 --> 00:39:14,600
Speaker 5: Yeah, it's like.

720
00:39:14,960 --> 00:39:17,279
Speaker 4: If there's fifty records out, when the Freaks come Out

721
00:39:17,320 --> 00:39:19,800
Speaker 4: at Night comes out. I don't know if it rings

722
00:39:19,840 --> 00:39:22,920
Speaker 4: off like that, probably not why not right?

723
00:39:23,360 --> 00:39:26,879
Speaker 9: Yeah, but run globalizes.

724
00:39:27,320 --> 00:39:27,960
Speaker 5: They changed.

725
00:39:28,760 --> 00:39:30,120
Speaker 9: That's when people started.

726
00:39:29,840 --> 00:39:32,520
Speaker 5: Run dmc uh.

727
00:39:32,960 --> 00:39:35,359
Speaker 4: I'll give Big Daddy Kane and never being rock Him.

728
00:39:35,920 --> 00:39:41,000
Speaker 4: I'll pay them together. But like rock Him change.

729
00:39:40,719 --> 00:39:44,680
Speaker 5: Ship rock Him definitely changed. He's a game changer. They say,

730
00:39:44,680 --> 00:39:47,839
Speaker 5: Cares care Rest is in there. He's in there with

731
00:39:47,920 --> 00:39:50,920
Speaker 5: rock Him, Daddy King, Oh yeah, okay, you know.

732
00:39:50,960 --> 00:39:54,080
Speaker 4: And then you of course public enemy from a social stamp.

733
00:39:54,120 --> 00:39:58,279
Speaker 4: Absolutely absolutely, but Chuck dee Lyrically, I used to be

734
00:39:58,320 --> 00:40:00,640
Speaker 4: like this nigga gets busy. He's just gets busy on

735
00:40:00,680 --> 00:40:04,759
Speaker 4: the political front. But that nigga is and he was

736
00:40:04,880 --> 00:40:06,960
Speaker 4: old like he was an older round.

737
00:40:07,480 --> 00:40:10,120
Speaker 9: That's crazy. Yeah, fair black fear of a black planet

738
00:40:10,760 --> 00:40:11,320
Speaker 9: and then.

739
00:40:11,880 --> 00:40:17,080
Speaker 4: Come on man that when I first heard that record,

740
00:40:17,200 --> 00:40:19,360
Speaker 4: I listened to it a thousand times. I was like,

741
00:40:19,920 --> 00:40:23,120
Speaker 4: how did they make this record? That's what I used

742
00:40:23,120 --> 00:40:25,399
Speaker 4: to do, to be honest with you, when like Ill

743
00:40:25,520 --> 00:40:29,320
Speaker 4: Records came out, I was just staying in my house

744
00:40:29,800 --> 00:40:36,120
Speaker 4: and literally try and figure out why, because I felt

745
00:40:36,200 --> 00:40:38,759
Speaker 4: if I figured it out, I could then do it.

746
00:40:39,360 --> 00:40:41,560
Speaker 7: So when did you want to get into being an

747
00:40:41,680 --> 00:40:46,000
Speaker 7: executi because you was a you was a DJ right

748
00:40:46,040 --> 00:40:50,200
Speaker 7: and then and then you was actually like a producer, producer,

749
00:40:50,800 --> 00:40:54,000
Speaker 7: and he was making deals that like you brought DMX

750
00:40:54,040 --> 00:40:57,560
Speaker 7: to death jam right, Yeah, but you never thought when

751
00:40:57,560 --> 00:41:00,000
Speaker 7: did you think instead of bringing DMX to death Cham,

752
00:41:00,080 --> 00:41:02,719
Speaker 7: I'm gonna sign joaou as an artist to murder.

753
00:41:02,480 --> 00:41:09,160
Speaker 4: Ink Shortly after I brought so then I started getting

754
00:41:09,200 --> 00:41:09,760
Speaker 4: in again.

755
00:41:09,880 --> 00:41:12,000
Speaker 5: But did you have too? Yeah?

756
00:41:12,080 --> 00:41:15,279
Speaker 4: But but when I did DMX and Jay and then

757
00:41:15,360 --> 00:41:17,400
Speaker 4: the metric, the business of it kicked in.

758
00:41:17,560 --> 00:41:18,440
Speaker 5: Okay, Okay, you.

759
00:41:18,440 --> 00:41:22,520
Speaker 4: Know Gerano ain't selling no records like that with X

760
00:41:22,920 --> 00:41:27,879
Speaker 4: and with Jay. I'm sitting there looking and I'm like, yo,

761
00:41:27,960 --> 00:41:30,560
Speaker 4: these niggas just made like four hundred million.

762
00:41:30,320 --> 00:41:35,160
Speaker 5: This year just with my niggas the label. They made

763
00:41:35,239 --> 00:41:40,000
Speaker 5: like four hundred damn. What was your salary? Sixty k?

764
00:41:41,560 --> 00:41:46,480
Speaker 4: The dumb niggas, The dumb nigga ain't gonna be dumb too.

765
00:41:47,640 --> 00:41:48,359
Speaker 4: I ain't gonna be dumb.

766
00:41:48,400 --> 00:41:51,200
Speaker 9: A niggas made four hundred million, sixty thousand and.

767
00:41:51,239 --> 00:41:52,520
Speaker 5: He didn't give me a bonus nothing.

768
00:41:52,520 --> 00:41:55,280
Speaker 7: What was your job title? I was saying on ain't.

769
00:41:56,920 --> 00:42:00,560
Speaker 4: I quit deaf Jam because Tina Davis and Jane Jones,

770
00:42:00,560 --> 00:42:01,960
Speaker 4: who was the vps of van On.

771
00:42:02,719 --> 00:42:04,120
Speaker 5: They wouldn't let me sign X.

772
00:42:05,480 --> 00:42:08,640
Speaker 4: But you know, I was very aggressive, so very first

773
00:42:08,719 --> 00:42:12,080
Speaker 4: meeting and they're telling me the duties of an NR

774
00:42:12,200 --> 00:42:15,160
Speaker 4: director and I'm sitting there, I'm like, okay. As soon

775
00:42:15,160 --> 00:42:23,160
Speaker 4: as they stopped talking, Yo, we gotta sign DMX straight

776
00:42:23,239 --> 00:42:24,120
Speaker 4: laughed in my face.

777
00:42:24,560 --> 00:42:27,319
Speaker 5: I don't think it was gonna work. They know it

778
00:42:27,400 --> 00:42:28,160
Speaker 5: was the first meeting.

779
00:42:28,480 --> 00:42:30,120
Speaker 7: It's like, you're not in a position to say that.

780
00:42:30,120 --> 00:42:33,200
Speaker 5: Shut the fuck up, learn what you try to do.

781
00:42:36,080 --> 00:42:39,160
Speaker 4: So the second meeting, Yo, we gotta sign DMX started

782
00:42:39,160 --> 00:42:43,200
Speaker 4: playing music. He's barking, gotta get the fuck out of here,

783
00:42:43,680 --> 00:42:44,239
Speaker 4: so I quit.

784
00:42:46,000 --> 00:42:49,279
Speaker 8: Ernie Leisure is supported by First Republic Bank. Have you

785
00:42:49,360 --> 00:42:52,080
Speaker 8: ever experienced a relationship with a banker who was available

786
00:42:52,080 --> 00:42:55,319
Speaker 8: to answer all your questions even by phone or email?

787
00:42:55,719 --> 00:42:58,440
Speaker 9: Doesn't exist? You say, it does the First Republic.

788
00:42:58,880 --> 00:43:01,839
Speaker 8: At First Republic, everyone gets a personal banker who's ready

789
00:43:01,880 --> 00:43:05,280
Speaker 8: to sit down and answer your questions, no matter how complex.

790
00:43:05,840 --> 00:43:08,640
Speaker 8: And did you know that First republic commitment to extraordinary

791
00:43:08,680 --> 00:43:12,560
Speaker 8: service extends beyond its clients. First Republic is committed to

792
00:43:12,600 --> 00:43:16,400
Speaker 8: strengthening the communities it serves through meaningful partnerships with innovative

793
00:43:16,440 --> 00:43:21,120
Speaker 8: nonprofit organizations. To learn more, visit first Republic dot Com.

794
00:43:21,280 --> 00:43:25,840
Speaker 8: That's First Republic dot Com member FDIC equal Housing lender.

795
00:43:27,280 --> 00:43:33,239
Speaker 4: That actually made me an X like this. When the

796
00:43:33,360 --> 00:43:37,239
Speaker 4: X found out, he said, yo, yo, you quit dog.

797
00:43:38,160 --> 00:43:40,719
Speaker 4: He said you quit for me, and I was like, yeah,

798
00:43:40,800 --> 00:43:43,680
Speaker 4: it wasn't signing you. So it wasn't signing you. I

799
00:43:43,719 --> 00:43:46,360
Speaker 4: didn't want to be there. That made me and that

800
00:43:46,440 --> 00:43:52,359
Speaker 4: nigga like this, Cause if you knew x X ain't

801
00:43:52,360 --> 00:43:56,520
Speaker 4: big on words because he's been lied to so much

802
00:43:56,560 --> 00:43:59,839
Speaker 4: by growing ups, like grown up sly Gotti, so he's

803
00:44:00,239 --> 00:44:03,000
Speaker 4: he was never a god big on words, he big

804
00:44:03,040 --> 00:44:07,080
Speaker 4: on actions. So when I did that, it was like

805
00:44:09,239 --> 00:44:11,719
Speaker 4: I couldn't tell him I loved him anymore than that.

806
00:44:14,040 --> 00:44:18,880
Speaker 4: And after that, me and him was we went on

807
00:44:18,880 --> 00:44:21,920
Speaker 4: the ring and terror. Anything I wanted, he would do it,

808
00:44:23,719 --> 00:44:27,080
Speaker 4: Darren and why like they needed him to do something?

809
00:44:28,400 --> 00:44:31,160
Speaker 4: Tell God, he to ask him because he wouldn't tell me. No,

810
00:44:32,440 --> 00:44:36,640
Speaker 4: he couldn't believe. He said you quit, death Jam. I said, yeah,

811
00:44:36,719 --> 00:44:38,880
Speaker 4: fuck the niggas they corny.

812
00:44:39,440 --> 00:44:40,000
Speaker 5: He was like.

813
00:44:41,680 --> 00:44:44,960
Speaker 4: Death Jam is like that's the biggest label ever. And

814
00:44:45,360 --> 00:44:48,040
Speaker 4: for me to say I quit because you ain't signing

815
00:44:48,120 --> 00:44:51,279
Speaker 4: my man. That's all he needed to like.

816
00:44:51,360 --> 00:44:53,960
Speaker 5: He was me and him.

817
00:44:54,200 --> 00:44:59,080
Speaker 4: We was all in with each other, all in.

818
00:45:00,840 --> 00:45:02,319
Speaker 7: How did that work on the three sixty? When you

819
00:45:02,360 --> 00:45:04,719
Speaker 7: come back and actually get a label at that chap,

820
00:45:04,800 --> 00:45:07,200
Speaker 7: then how's that Leo didn't give me the label?

821
00:45:07,480 --> 00:45:08,080
Speaker 5: Gave you label.

822
00:45:08,400 --> 00:45:11,839
Speaker 8: Dave mcphiston and Tommy Mantola, so.

823
00:45:11,840 --> 00:45:14,719
Speaker 5: They sitting there watching me blaze it.

824
00:45:15,640 --> 00:45:18,560
Speaker 4: So this guy David fishing home, I want you to

825
00:45:18,560 --> 00:45:21,600
Speaker 4: produce some records for me. Come to a meeting, remember

826
00:45:21,640 --> 00:45:27,319
Speaker 4: the shock Ball met him at the shock Ball. I

827
00:45:27,400 --> 00:45:29,359
Speaker 4: get there. He said, I don't want no records. I

828
00:45:29,400 --> 00:45:31,720
Speaker 4: want to offer you a label. I think you're a genius.

829
00:45:32,280 --> 00:45:35,920
Speaker 4: I said what he said, me and Sony and Timy Mottola,

830
00:45:36,000 --> 00:45:37,760
Speaker 4: we want to offer you a record label.

831
00:45:39,600 --> 00:45:40,279
Speaker 5: I was like that.

832
00:45:41,280 --> 00:45:44,680
Speaker 4: I said with Yoe Jackson Joe, if y'all want them,

833
00:45:45,120 --> 00:45:47,719
Speaker 4: they signed already, I said, I could probably get them

834
00:45:47,719 --> 00:45:52,040
Speaker 4: to do some records. Say yeah, I said, they didn't care.

835
00:45:52,880 --> 00:45:56,840
Speaker 4: He was like yeah the star, Jaymickfish and Tom Mattola

836
00:45:56,960 --> 00:45:59,440
Speaker 4: was like, yeare the star. And it was like we

837
00:45:59,560 --> 00:46:00,839
Speaker 4: know you're gonna make it work.

838
00:46:01,640 --> 00:46:03,960
Speaker 8: So is that is that how we get to the

839
00:46:03,960 --> 00:46:06,600
Speaker 8: double X cover of Murdered Ink because the first time I.

840
00:46:06,640 --> 00:46:09,000
Speaker 4: Heard double XL cover was before that, because it was

841
00:46:09,000 --> 00:46:10,120
Speaker 4: for Jo's album.

842
00:46:10,280 --> 00:46:13,719
Speaker 7: Okay, so Jow wasn't signed to Murder Inc At first, Yeah,

843
00:46:13,800 --> 00:46:17,080
Speaker 7: Joab was signed to Murder Ring all right, so what happened?

844
00:46:17,280 --> 00:46:20,560
Speaker 4: Jow was originally signed the Top Dog Productions, but then

845
00:46:20,600 --> 00:46:22,399
Speaker 4: I this triggered a label jail.

846
00:46:23,080 --> 00:46:26,680
Speaker 5: This triggered the label deal. So of course I go

847
00:46:26,760 --> 00:46:27,839
Speaker 5: back to LIL and I'm like.

848
00:46:27,880 --> 00:46:31,240
Speaker 4: Yo, Tim resld Is just offered me and Davy Physicists

849
00:46:31,280 --> 00:46:32,440
Speaker 4: offered me a label deal.

850
00:46:34,160 --> 00:46:35,720
Speaker 5: Three million dollars.

851
00:46:38,719 --> 00:46:43,520
Speaker 14: You should stay with me for less. You're going to

852
00:46:43,600 --> 00:46:47,560
Speaker 14: win with me, So that was his first line of bullshit.

853
00:46:48,719 --> 00:46:50,439
Speaker 14: I was like, yo, it's three million dollars. He said,

854
00:46:50,480 --> 00:46:53,960
Speaker 14: I give you a million five he offered me half.

855
00:46:54,480 --> 00:46:55,520
Speaker 5: Like why the fuck am I saying?

856
00:46:56,120 --> 00:46:59,000
Speaker 4: And then and then I said, Yo, this is crazy

857
00:46:59,000 --> 00:47:01,760
Speaker 4: because I didn't make themgas hundreds of millions of dollars.

858
00:47:02,160 --> 00:47:04,239
Speaker 4: I made you hundreds of millions of dollars. So if

859
00:47:04,239 --> 00:47:06,560
Speaker 4: they offered me three, really you should be giving me ten.

860
00:47:07,760 --> 00:47:10,880
Speaker 4: But I said, yo, you're my man, like a father figure.

861
00:47:11,200 --> 00:47:12,160
Speaker 4: Just smashed the deal.

862
00:47:13,160 --> 00:47:15,080
Speaker 5: You wouldn't.

863
00:47:15,800 --> 00:47:21,920
Speaker 4: Until it was a crazy means me Leo, Kevin Lywles,

864
00:47:22,080 --> 00:47:28,000
Speaker 4: Russell Simmons and this is getting to it and he's

865
00:47:28,000 --> 00:47:29,560
Speaker 4: still at his million five ship.

866
00:47:31,440 --> 00:47:33,880
Speaker 5: He is your fucking like a son to me. You

867
00:47:33,960 --> 00:47:38,560
Speaker 5: cannot leave, see terms of Russell Russell. He's about to leave,

868
00:47:39,120 --> 00:47:40,640
Speaker 5: fucking say something.

869
00:47:41,880 --> 00:47:44,680
Speaker 4: So Russell looks at me. But the nigga Chip and

870
00:47:44,800 --> 00:47:50,000
Speaker 4: Russell kicked in the nigga in Russell. This nigga's from Hollis,

871
00:47:50,080 --> 00:47:53,520
Speaker 4: just like me. This nigga got a family, he got things.

872
00:47:54,040 --> 00:48:00,320
Speaker 4: So he was like, oh, Leo, I can I The

873
00:48:00,440 --> 00:48:03,279
Speaker 4: nigga Chip kicked in Russell and he couldn't tell me

874
00:48:03,600 --> 00:48:12,000
Speaker 4: take half. This nigga fucking Leo, you fucking he goes

875
00:48:12,040 --> 00:48:14,720
Speaker 4: in on Russell. He looked at Kevin low Kevin Lowds

876
00:48:14,800 --> 00:48:18,239
Speaker 4: and the nigga chick Chip kicked in him too.

877
00:48:18,520 --> 00:48:22,960
Speaker 5: He knew he was all alone and he was screaming

878
00:48:23,000 --> 00:48:24,080
Speaker 5: and hollering.

879
00:48:25,040 --> 00:48:30,399
Speaker 15: And he says some wild ship who said, he said,

880
00:48:30,440 --> 00:48:35,200
Speaker 15: it's his job, it's his job to keep me at

881
00:48:35,239 --> 00:48:36,560
Speaker 15: the lowest possible course.

882
00:48:38,360 --> 00:48:40,160
Speaker 4: And when he said that, I said, what the fuck

883
00:48:40,239 --> 00:48:41,920
Speaker 4: did you say to me? So it's your job that

884
00:48:42,320 --> 00:48:45,560
Speaker 4: you jerk me. I said, all right, Dad, I'm out.

885
00:48:45,560 --> 00:48:48,000
Speaker 4: I'm taking the deal that sony fuck all y'all and

886
00:48:48,239 --> 00:48:48,960
Speaker 4: slammed the door.

887
00:48:50,880 --> 00:48:58,040
Speaker 5: I left. A hour later, Leo twin to argue talk.

888
00:48:58,920 --> 00:49:03,880
Speaker 4: I just want you to meet someone, Okay, Doug Marris,

889
00:49:04,840 --> 00:49:05,880
Speaker 4: which is his boss.

890
00:49:06,960 --> 00:49:08,200
Speaker 5: So I go to meet Doug.

891
00:49:08,840 --> 00:49:13,719
Speaker 4: Leo really loves you, Doug. He's damaged control because Leo said,

892
00:49:13,719 --> 00:49:14,399
Speaker 4: I said some ship.

893
00:49:14,480 --> 00:49:15,200
Speaker 5: I shouldn't have said.

894
00:49:15,320 --> 00:49:19,840
Speaker 9: He's the top of the label. Morris said, yeah, that's.

895
00:49:19,600 --> 00:49:24,520
Speaker 5: Like he's the boss of the universe. Yeah, exactly. He's like,

896
00:49:25,040 --> 00:49:27,440
Speaker 5: Lee really loves you, and you you need to stay

897
00:49:27,480 --> 00:49:27,879
Speaker 5: with Leo.

898
00:49:28,040 --> 00:49:31,600
Speaker 4: And then and then Doug says, I want you to

899
00:49:31,600 --> 00:49:35,480
Speaker 4: meet somebody and walks Eggar fucking Brothman.

900
00:49:36,440 --> 00:49:40,440
Speaker 5: You know Edgar Brothman. He's the billionaire nigga who bought

901
00:49:40,680 --> 00:49:42,080
Speaker 5: the Universal Music Group.

902
00:49:43,400 --> 00:49:47,400
Speaker 4: Now, his money came from Seagum's gen His father was

903
00:49:47,440 --> 00:49:51,480
Speaker 4: a bootlegger, famous that turned billionaire. So he comes in

904
00:49:51,480 --> 00:49:55,680
Speaker 4: there and I know exactly who he is. And I

905
00:49:56,719 --> 00:49:58,360
Speaker 4: don't know why I said it, but I said it.

906
00:49:58,400 --> 00:50:01,480
Speaker 5: I said he heay? I said he ain't you? Ain't you?

907
00:50:01,560 --> 00:50:06,719
Speaker 4: The family of room runners that likes music business, the

908
00:50:06,840 --> 00:50:07,399
Speaker 4: high sight.

909
00:50:07,480 --> 00:50:09,320
Speaker 5: This could have fucked be over.

910
00:50:09,480 --> 00:50:14,440
Speaker 4: He start dying laughing, right, he started dying laughing, and

911
00:50:14,560 --> 00:50:17,160
Speaker 4: he goes, ain't you the guy who thinks they're gonna

912
00:50:17,160 --> 00:50:20,360
Speaker 4: go to Sony. I started laughing, and he said, what

913
00:50:20,400 --> 00:50:22,920
Speaker 4: are they offering you? I made him big mistake. I

914
00:50:22,960 --> 00:50:26,239
Speaker 4: should have said ten million. I said three million. He

915
00:50:26,280 --> 00:50:28,920
Speaker 4: said done. Put his arm around me, walk with me.

916
00:50:30,440 --> 00:50:33,440
Speaker 4: He's my man to this day. I got a good relationship.

917
00:50:34,200 --> 00:50:34,560
Speaker 5: How much?

918
00:50:34,600 --> 00:50:37,840
Speaker 7: How much did they end up giving you three?

919
00:50:38,160 --> 00:50:39,719
Speaker 5: I played myself.

920
00:50:40,320 --> 00:50:41,840
Speaker 4: He said, what did they offer you? I should have

921
00:50:41,840 --> 00:50:46,960
Speaker 4: said ten Whatever I'd have said, he was done. That

922
00:50:47,040 --> 00:50:49,360
Speaker 4: was one of the mistakes. I mean the return of

923
00:50:49,640 --> 00:50:50,720
Speaker 4: Hindsights twenty twenty.

924
00:50:50,760 --> 00:50:52,120
Speaker 7: And then you get the jail and the first thing,

925
00:50:52,400 --> 00:50:54,560
Speaker 7: now job Will becomes your first he's your first.

926
00:50:54,400 --> 00:50:57,799
Speaker 5: Artist for day. He goes from top dog to.

927
00:50:58,920 --> 00:51:01,680
Speaker 7: The rest of his history comes right after that. Venevetta

928
00:51:01,760 --> 00:51:04,160
Speaker 7: VICI that's good, that's good man.

929
00:51:04,640 --> 00:51:06,920
Speaker 5: You had that album. I didn't have the album I

930
00:51:06,960 --> 00:51:07,800
Speaker 5: went to I went.

931
00:51:07,640 --> 00:51:09,600
Speaker 9: To Brazil off that album like.

932
00:51:12,239 --> 00:51:14,680
Speaker 5: Williams. Hi Williams.

933
00:51:15,800 --> 00:51:17,880
Speaker 9: They oh yeah, they owe y'all for tourism.

934
00:51:17,960 --> 00:51:21,080
Speaker 5: Yeah, video. Hi Williams, y'all, we need to go to Brazil.

935
00:51:21,360 --> 00:51:24,600
Speaker 4: Shooting in Brazil. I said, what we get to Brazil

936
00:51:27,320 --> 00:51:31,880
Speaker 4: ain't nothing but bad bitches. But there was like, you know,

937
00:51:31,920 --> 00:51:36,960
Speaker 4: it's eighty five percent prostitution. Then they was like, you know,

938
00:51:37,080 --> 00:51:41,440
Speaker 4: age is running round quick. So we on the beach,

939
00:51:42,360 --> 00:51:45,080
Speaker 4: be shooting on the beach. What niggas didn't know is

940
00:51:45,120 --> 00:51:46,560
Speaker 4: this fucking needles in the.

941
00:51:46,520 --> 00:51:49,279
Speaker 5: Beach ship keep it, keep your shoes on, keep your

942
00:51:49,320 --> 00:51:52,520
Speaker 5: fucking shoes on, and your socks socks on it. And

943
00:51:52,680 --> 00:51:55,120
Speaker 5: niggas is there's needles all over the place.

944
00:51:56,080 --> 00:51:59,279
Speaker 4: And the chicks is pretty and sexy, but they're like

945
00:52:00,239 --> 00:52:01,960
Speaker 4: they all prostitutes.

946
00:52:03,719 --> 00:52:08,279
Speaker 5: In the club. Then the club was called Club Hell

947
00:52:08,960 --> 00:52:09,600
Speaker 5: word the mother.

948
00:52:09,719 --> 00:52:12,080
Speaker 4: I thought these niggas were gonna turn into vampires and

949
00:52:12,160 --> 00:52:12,680
Speaker 4: kill us yo.

950
00:52:13,560 --> 00:52:18,000
Speaker 5: The club was called Hell Yo. Brazil, the city of

951
00:52:18,040 --> 00:52:19,640
Speaker 5: God is you know they love.

952
00:52:19,520 --> 00:52:23,760
Speaker 4: Rule behind that shoot Jesus side rulers loved in Brazil

953
00:52:23,840 --> 00:52:26,520
Speaker 4: because of because Vinni vede Vici.

954
00:52:26,880 --> 00:52:30,759
Speaker 5: We went up to the Cristal. Have you ever been that? Yes,

955
00:52:31,360 --> 00:52:34,399
Speaker 5: religious hotel. You walk up forty.

956
00:52:34,080 --> 00:52:37,520
Speaker 4: Five minutes flights, you get there and it's fucking Jesus

957
00:52:37,640 --> 00:52:41,839
Speaker 4: like this and this mad religious because it's like, no,

958
00:52:41,920 --> 00:52:45,640
Speaker 4: you stay, you stand next to at it's a.

959
00:52:45,160 --> 00:52:47,560
Speaker 5: Huge statue, see the whole. So that's how we took

960
00:52:47,600 --> 00:52:50,200
Speaker 5: the nigga. We took a polaroid. That's his album cover.

961
00:52:50,640 --> 00:52:54,080
Speaker 4: And I was the photographer on the ground and that's

962
00:52:54,080 --> 00:52:54,799
Speaker 4: his album cover.

963
00:52:55,640 --> 00:53:00,160
Speaker 5: You know what I'm saying. But it is man religious.

964
00:53:00,480 --> 00:53:04,880
Speaker 4: But you know, John, they got murals of job in

965
00:53:05,400 --> 00:53:07,319
Speaker 4: Brazil in the favelas or whatever.

966
00:53:07,560 --> 00:53:08,399
Speaker 5: Yeah, I went through.

967
00:53:09,200 --> 00:53:11,800
Speaker 8: I'm telling you, like, my whole thing was next to

968
00:53:11,840 --> 00:53:13,640
Speaker 8: the club. I went looking for it because I'm like, yo,

969
00:53:13,760 --> 00:53:20,080
Speaker 8: this It's like it was too That club is mad sketchy.

970
00:53:20,160 --> 00:53:22,399
Speaker 8: This episode is brought to you by P and C Bank.

971
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972
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973
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974
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975
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976
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977
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978
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979
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981
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982
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Speaker 9: Erners, What's up?

983
00:54:04,120 --> 00:54:06,600
Speaker 8: You ever walk into a small business and everything just

984
00:54:06,760 --> 00:54:09,920
Speaker 8: works like the checkout is fast, the receipts or digital

985
00:54:10,440 --> 00:54:13,440
Speaker 8: tipping is a breeze, and you're out the door before

986
00:54:13,440 --> 00:54:14,520
Speaker 8: the line even builds.

987
00:54:14,719 --> 00:54:17,040
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988
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989
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990
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991
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Speaker 8: pop up market, or even one of our merch partners,

992
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993
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994
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995
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996
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997
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998
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999
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1000
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1001
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1002
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1003
00:55:06,960 --> 00:55:09,360
Speaker 8: pushing your vision forward.

1004
00:55:10,400 --> 00:55:14,080
Speaker 1: An illegal alien from Guatemala charged with raping a child

1005
00:55:14,120 --> 00:55:17,920
Speaker 1: in Massachusetts. An MS thirteen gang member from Al Salvador

1006
00:55:18,160 --> 00:55:22,279
Speaker 1: accused of murdering a Texas man of Venezuelan charged with

1007
00:55:22,360 --> 00:55:25,280
Speaker 1: filming and selling child pornography in Michigan.

1008
00:55:25,640 --> 00:55:26,319
Speaker 2: These are just.

1009
00:55:26,360 --> 00:55:30,120
Speaker 1: Some of the heinous migrant criminals caught because of President

1010
00:55:30,160 --> 00:55:33,920
Speaker 1: Donald J. Trump's leadership. I'm Christy Noman, the United States.

1011
00:55:33,760 --> 00:55:35,520
Speaker 2: Secretary of Homeland Security.

1012
00:55:35,840 --> 00:55:39,600
Speaker 1: Under President Trump, attempted illegal border crossings are at the

1013
00:55:39,640 --> 00:55:43,520
Speaker 1: lowest levels ever recorded, and over one hundred thousand illegal

1014
00:55:43,560 --> 00:55:47,359
Speaker 1: aliens have been arrested. If you are here illegally, your

1015
00:55:47,480 --> 00:55:52,240
Speaker 1: next you will be fined nearly one thousand dollars a day, imprisoned.

1016
00:55:51,880 --> 00:55:54,200
Speaker 2: And deported. You will never return.

1017
00:55:54,520 --> 00:55:57,560
Speaker 1: But if you register using our CBP home app and

1018
00:55:57,640 --> 00:55:59,839
Speaker 1: leave now, you could be allowed.

1019
00:55:59,520 --> 00:56:03,080
Speaker 2: To return legally. Do what's right. Leave now.

1020
00:56:03,440 --> 00:56:08,240
Speaker 1: Under President Trump, America's laws, border and families will be protected.

1021
00:56:08,360 --> 00:56:10,480
Speaker 3: Sponsored by the United States Department of Home mad Security.

1022
00:56:11,000 --> 00:56:14,160
Speaker 11: I found out that club will talk first time I

1023
00:56:14,160 --> 00:56:15,480
Speaker 11: almost got I swear to god.

1024
00:56:15,360 --> 00:56:18,359
Speaker 4: I thought it was gonna be where the joke's on

1025
00:56:18,440 --> 00:56:21,759
Speaker 4: us and everyone turns into vampires and we die. I

1026
00:56:21,800 --> 00:56:23,239
Speaker 4: was like, Yo, let's get the fuck out of here

1027
00:56:23,280 --> 00:56:26,600
Speaker 4: before these guys for everyone turns into vampires and eat us.

1028
00:56:26,680 --> 00:56:29,279
Speaker 5: Yo. You see dust to Dawn.

1029
00:56:29,960 --> 00:56:31,879
Speaker 4: I'm like, this is gonna be some dust to Dawn

1030
00:56:32,000 --> 00:56:35,000
Speaker 4: or some blade shit everyone's going to and we're gonna die.

1031
00:56:35,120 --> 00:56:37,800
Speaker 8: Yo, It's a dangerous The first I get there in

1032
00:56:37,840 --> 00:56:39,800
Speaker 8: the hotel, the first thing I mean is just some

1033
00:56:39,920 --> 00:56:42,560
Speaker 8: random dude. He has his phone book and he's like,

1034
00:56:42,560 --> 00:56:44,239
Speaker 8: come in, young man, it's me and my brother.

1035
00:56:44,400 --> 00:56:46,520
Speaker 5: And I'm like, what's that didn't wear no jewelry or none.

1036
00:56:47,200 --> 00:56:48,719
Speaker 5: I'm gonna I'll get there in a second.

1037
00:56:48,480 --> 00:56:50,319
Speaker 4: Because if you did, you got robbed. Then the next

1038
00:56:50,400 --> 00:56:51,839
Speaker 4: door you're gonna tell me that's the next story.

1039
00:56:51,840 --> 00:56:53,160
Speaker 5: Then I almost got robbed.

1040
00:56:53,280 --> 00:56:55,880
Speaker 8: The dude snatched my will rob you, of course, But

1041
00:56:55,960 --> 00:56:58,359
Speaker 8: this I was taking a picture and the dude came

1042
00:56:58,400 --> 00:57:00,360
Speaker 8: down the bike, snatched my camera on my hand and

1043
00:57:00,400 --> 00:57:02,120
Speaker 8: try to pedal so fast that he felt the bike.

1044
00:57:02,160 --> 00:57:04,080
Speaker 8: I got the camera back. This is in the first hour.

1045
00:57:04,200 --> 00:57:05,439
Speaker 8: This is after I mee to do with the book.

1046
00:57:05,440 --> 00:57:08,400
Speaker 8: I'm like, what's the book for? He was like, I

1047
00:57:08,480 --> 00:57:10,000
Speaker 8: want you to take a look at it. So I'm like,

1048
00:57:10,120 --> 00:57:12,080
Speaker 8: all right, I'm looking through the book. It's pictures of women.

1049
00:57:12,560 --> 00:57:14,680
Speaker 8: He was like, pick any three you want. I'll have

1050
00:57:14,760 --> 00:57:15,279
Speaker 8: a mail later.

1051
00:57:15,520 --> 00:57:17,880
Speaker 5: I'm like they're all prostitutes. What is this like?

1052
00:57:18,040 --> 00:57:20,160
Speaker 8: And so I'm like, oh, let's go outside pictures And

1053
00:57:20,200 --> 00:57:22,160
Speaker 8: that's when I almost got robbed and got the camera back.

1054
00:57:22,200 --> 00:57:23,640
Speaker 9: But it's a crazy place.

1055
00:57:23,680 --> 00:57:25,400
Speaker 4: But try to rob you for camera. Imagine you had

1056
00:57:25,440 --> 00:57:28,840
Speaker 4: on the Rolex, nigga, you chop your fucking armore for time.

1057
00:57:30,080 --> 00:57:30,560
Speaker 4: It's different.

1058
00:57:31,120 --> 00:57:33,640
Speaker 5: It's the city of God for real. But we didn't

1059
00:57:33,680 --> 00:57:33,960
Speaker 5: know that.

1060
00:57:35,280 --> 00:57:37,920
Speaker 4: But then Rule did a song with some Brazilian big

1061
00:57:37,960 --> 00:57:41,920
Speaker 4: female Brazilian artists. They love Rule in Brazil's that's one

1062
00:57:41,920 --> 00:57:44,560
Speaker 4: of his biggest markets. They don't give a fuck. They

1063
00:57:44,680 --> 00:57:49,840
Speaker 4: love all of those uh slum lord drug dealers all

1064
00:57:49,880 --> 00:57:52,520
Speaker 4: fuck with Rule. They were like, yo, come you know

1065
00:57:52,520 --> 00:57:55,240
Speaker 4: because with the in the slums, if you don't get

1066
00:57:55,240 --> 00:57:58,280
Speaker 4: permission from the drug and you can't go in, you're

1067
00:57:58,280 --> 00:58:00,240
Speaker 4: gonna get shot, You.

1068
00:58:02,240 --> 00:58:04,040
Speaker 5: Bang, nigga, You're gonna get shot.

1069
00:58:04,560 --> 00:58:06,680
Speaker 9: Another thing you don't give remission.

1070
00:58:06,200 --> 00:58:09,320
Speaker 4: From the drug lord and those favelas or whatever. You're

1071
00:58:09,360 --> 00:58:13,280
Speaker 4: getting shot. I took a cab in all them ships.

1072
00:58:13,320 --> 00:58:16,919
Speaker 4: They love them. He got murals, Rule got murals of him.

1073
00:58:17,160 --> 00:58:20,000
Speaker 4: I'm like, wow, this is insane. How much they love

1074
00:58:20,040 --> 00:58:20,600
Speaker 4: you here, yo.

1075
00:58:21,320 --> 00:58:23,840
Speaker 9: I wasn't ruled when I went. I took a cab into.

1076
00:58:23,640 --> 00:58:25,840
Speaker 5: The bunch of Little Z's. You see city, you got

1077
00:58:25,920 --> 00:58:28,120
Speaker 5: it yea through the runs in Little Z.

1078
00:58:28,240 --> 00:58:30,840
Speaker 8: Yeah, was on bikes. We pulled the cab. The cap

1079
00:58:30,880 --> 00:58:33,000
Speaker 8: almost broke down. They had three bikes around us. I

1080
00:58:33,000 --> 00:58:34,880
Speaker 8: had to watch on. I just took it off. I

1081
00:58:34,960 --> 00:58:36,040
Speaker 8: knew I was just gonna get robbed.

1082
00:58:36,080 --> 00:58:38,040
Speaker 9: And then it was Sunday, so it was that's the

1083
00:58:38,040 --> 00:58:38,920
Speaker 9: first thing they told us.

1084
00:58:38,920 --> 00:58:39,680
Speaker 5: I don't win nothing.

1085
00:58:39,760 --> 00:58:43,800
Speaker 4: He said, don't wear nothing, yo, but wear nothing. You're

1086
00:58:43,800 --> 00:58:45,680
Speaker 4: gonna get robbed. And he said, you get robbed by

1087
00:58:45,760 --> 00:58:48,600
Speaker 4: the cops. They said, He's like the best thing that

1088
00:58:48,720 --> 00:58:50,040
Speaker 4: happens if the cops.

1089
00:58:49,800 --> 00:58:52,760
Speaker 12: Robbed you, because Lisia won't get killed, Aleasha won't get killed.

1090
00:58:53,080 --> 00:58:56,040
Speaker 12: Maybe never knows a bunch of Little Z's out there

1091
00:58:56,120 --> 00:59:00,160
Speaker 12: that this wild Mizelle is.

1092
00:59:00,200 --> 00:59:02,600
Speaker 4: It's crazy and I probably I was like after the

1093
00:59:02,640 --> 00:59:06,200
Speaker 4: City of got movie. It probably made it worse. People

1094
00:59:06,240 --> 00:59:08,240
Speaker 4: see the movie and they it amps them out.

1095
00:59:08,280 --> 00:59:10,320
Speaker 5: I gotta see that. I gotta go there.

1096
00:59:11,800 --> 00:59:14,120
Speaker 4: The runs, The Runs. The Runs is like we're going

1097
00:59:14,160 --> 00:59:17,280
Speaker 4: to be drug dealers. We do like Little Z kill everybody.

1098
00:59:17,440 --> 00:59:20,960
Speaker 7: But from a from a point that was you have

1099
00:59:21,080 --> 00:59:24,720
Speaker 7: foresight to actually do the first video overseas in a

1100
00:59:24,720 --> 00:59:25,440
Speaker 7: different country.

1101
00:59:26,120 --> 00:59:29,040
Speaker 5: I gotta give that to hype. It was awesome hype because.

1102
00:59:28,880 --> 00:59:32,760
Speaker 8: I think he took Snoop the next beau beautiful, beautiful situation.

1103
00:59:33,240 --> 00:59:35,720
Speaker 7: But talk about that, like as far as like expanding

1104
00:59:35,720 --> 00:59:38,840
Speaker 7: the reach, like you know, globally again.

1105
00:59:39,720 --> 00:59:40,720
Speaker 5: Stupid is it? Stupid?

1106
00:59:40,760 --> 00:59:43,320
Speaker 4: Does I didn't know? It was just hype saying let's

1107
00:59:43,320 --> 00:59:46,640
Speaker 4: shoot it in Brazil. It's bad bitches, you go to Brazil,

1108
00:59:48,600 --> 00:59:49,200
Speaker 4: we shoot it.

1109
00:59:49,840 --> 00:59:50,320
Speaker 5: I didn't know.

1110
00:59:52,320 --> 00:59:54,320
Speaker 4: I In other words, what I'm trying to say is

1111
00:59:54,400 --> 00:59:57,320
Speaker 4: like I didn't know a lot of the things that

1112
00:59:57,440 --> 01:00:01,320
Speaker 4: happened because of what we did. It wasn't like, yo,

1113
01:00:01,360 --> 01:00:03,440
Speaker 4: we're gonna shoot this in Brazil. We're gonna be the

1114
01:00:03,440 --> 01:00:06,320
Speaker 4: biggest art of No, you just did it.

1115
01:00:06,440 --> 01:00:09,400
Speaker 8: But think about now when you talk about Tails Latin,

1116
01:00:09,960 --> 01:00:11,160
Speaker 8: the impact that.

1117
01:00:11,040 --> 01:00:12,400
Speaker 5: I have foresight you see what I'm saying.

1118
01:00:13,400 --> 01:00:17,320
Speaker 8: That's what I'm saying, get from Hollae queens. But your

1119
01:00:17,400 --> 01:00:21,720
Speaker 8: Latin audience is huge, right, like even I remember, and a.

1120
01:00:21,960 --> 01:00:25,439
Speaker 4: Latin market is so faithful to their own Yeah that

1121
01:00:26,040 --> 01:00:28,360
Speaker 4: when I thought of Tails Latin, I said, if I

1122
01:00:28,400 --> 01:00:32,360
Speaker 4: could get someone like Jbalve and Bad Bunny and get

1123
01:00:32,400 --> 01:00:34,439
Speaker 4: these guys to do a song with them, they don't

1124
01:00:34,480 --> 01:00:36,440
Speaker 4: even have to be in an episode like that, just

1125
01:00:36,480 --> 01:00:42,480
Speaker 4: a cameo, right, I don't see the whole Latin market

1126
01:00:42,520 --> 01:00:45,880
Speaker 4: is gonna subscribe to whatever streaming service has.

1127
01:00:45,800 --> 01:00:47,560
Speaker 5: That they're gonna want to see that.

1128
01:00:48,080 --> 01:00:51,040
Speaker 8: Netflix did it with with they put uh that Bunny

1129
01:00:51,080 --> 01:00:56,000
Speaker 8: and Knuckles listen, yeah he's a Knuckles in Mexico.

1130
01:00:56,200 --> 01:01:00,640
Speaker 4: Yeah, but listen, Netflix didn't need even know what the

1131
01:01:00,640 --> 01:01:04,560
Speaker 4: fuck they was doing. They did Narcos, which they used

1132
01:01:04,560 --> 01:01:07,120
Speaker 4: that as a vehicle that they wanted to open up

1133
01:01:07,120 --> 01:01:10,920
Speaker 4: their Latin market, the Latin countries and get them to subscribe.

1134
01:01:11,080 --> 01:01:13,440
Speaker 4: They had no idea that it was gonna be that big.

1135
01:01:13,920 --> 01:01:17,160
Speaker 4: Where niggas was on that shit, non Latin people was

1136
01:01:17,200 --> 01:01:21,200
Speaker 4: on that shit, And that's what's gonna happen with Tales Latin.

1137
01:01:21,880 --> 01:01:24,320
Speaker 4: Because it's like the stories and everything. So if I

1138
01:01:24,360 --> 01:01:27,360
Speaker 4: do about a Mexican drug cartel, I'm making Circario.

1139
01:01:28,480 --> 01:01:31,720
Speaker 5: It's just an episode of Tales Latin. But it's fucking.

1140
01:01:31,440 --> 01:01:35,160
Speaker 4: Cecario, Nigga, we love Cecario.

1141
01:01:35,520 --> 01:01:36,680
Speaker 5: Not the second one, but the.

1142
01:01:36,640 --> 01:01:41,080
Speaker 4: First one, the first one. Come on, man, you're telling

1143
01:01:41,080 --> 01:01:45,000
Speaker 4: me I make a Tales episode like Circario non latins

1144
01:01:45,040 --> 01:01:45,840
Speaker 4: is subscribing.

1145
01:01:46,120 --> 01:01:46,280
Speaker 5: Well.

1146
01:01:46,320 --> 01:01:49,280
Speaker 7: The good thing about the Laton market also is that,

1147
01:01:49,880 --> 01:01:53,040
Speaker 7: like Bad Bunny, I think he's Puerto Rican.

1148
01:01:52,920 --> 01:01:55,480
Speaker 10: Right, yeah he's I think he's Dominican. I think he's

1149
01:01:55,480 --> 01:02:00,920
Speaker 10: Puerto ricantric. Yeah he's from PR. But you sure sure fact?

1150
01:02:01,000 --> 01:02:03,919
Speaker 5: Jack? Can we can we google this googles. I think

1151
01:02:05,160 --> 01:02:05,680
Speaker 5: Puerto Rican?

1152
01:02:05,800 --> 01:02:07,720
Speaker 9: Eight different, he's not Dominican.

1153
01:02:08,400 --> 01:02:10,600
Speaker 7: Who's Dominican? None of those sand Thos, none of these

1154
01:02:10,640 --> 01:02:15,120
Speaker 7: gods are Dominican. What I realized with the Dominican music

1155
01:02:15,240 --> 01:02:18,760
Speaker 7: is that it's more of the beat, right, it's more

1156
01:02:18,800 --> 01:02:23,120
Speaker 7: like like that techno, like that's that, but then the

1157
01:02:23,280 --> 01:02:26,520
Speaker 7: rapping and all that, they all from Puerto Rico. Bad Bunny,

1158
01:02:26,720 --> 01:02:29,600
Speaker 7: what's the other one, Nicky Jams j Balvin?

1159
01:02:30,080 --> 01:02:30,680
Speaker 5: Puerto Rican.

1160
01:02:30,720 --> 01:02:33,160
Speaker 4: But the thing about it is, do you know Mexican

1161
01:02:33,240 --> 01:02:38,400
Speaker 4: music the rappers sing about the drug cartels, makes sense.

1162
01:02:38,680 --> 01:02:41,800
Speaker 5: That's what Pitbull was like. He was like, you get

1163
01:02:41,800 --> 01:02:42,440
Speaker 5: a Mexican.

1164
01:02:43,400 --> 01:02:46,120
Speaker 4: He says, all they do is sing about is the

1165
01:02:46,160 --> 01:02:50,640
Speaker 4: biggest drug cartels. The drug cartels, have them sing about

1166
01:02:50,680 --> 01:02:53,320
Speaker 4: their life, he says. So the episodes you could do

1167
01:02:53,360 --> 01:02:56,800
Speaker 4: with Mexican rappers, it's all drug cartels.

1168
01:02:57,200 --> 01:02:59,840
Speaker 5: He says, it's all Sokario and the music.

1169
01:03:00,640 --> 01:03:05,120
Speaker 7: They're united under one commonality, which is language. So a

1170
01:03:05,160 --> 01:03:09,160
Speaker 7: Puerto Rican artist could be big in Colombia, big in Venezuela. Yeah,

1171
01:03:09,240 --> 01:03:12,400
Speaker 7: could be big in Mexico because once you're a Latin artists,

1172
01:03:12,600 --> 01:03:15,200
Speaker 7: you get all of that. All speak Spanish, gett you're

1173
01:03:15,200 --> 01:03:17,240
Speaker 7: getting all of that. There's more Spanish people in America

1174
01:03:17,320 --> 01:03:18,240
Speaker 7: than there are Black.

1175
01:03:18,080 --> 01:03:21,360
Speaker 5: People Spanish speaking. That's why Bad Bunny is the biggest

1176
01:03:21,440 --> 01:03:22,720
Speaker 5: artists in the world. Exactly.

1177
01:03:22,800 --> 01:03:24,680
Speaker 7: That's what I'm saying. That's why the opportunity for that's

1178
01:03:24,720 --> 01:03:25,040
Speaker 7: why it.

1179
01:03:24,960 --> 01:03:27,680
Speaker 5: Tells Latin is gonna be humongous.

1180
01:03:27,920 --> 01:03:31,440
Speaker 4: That's why when I pitched it, Olivia is like, we'll

1181
01:03:31,440 --> 01:03:33,720
Speaker 4: pay for it, and then he said, then we'll go

1182
01:03:33,800 --> 01:03:36,360
Speaker 4: to the streaming service what it already done, because we'll

1183
01:03:36,400 --> 01:03:37,320
Speaker 4: cut a sweet deal.

1184
01:03:37,600 --> 01:03:39,160
Speaker 5: We won't let them pay for it.

1185
01:03:40,200 --> 01:03:43,760
Speaker 4: And I was like, you're right, because anyone who sees it,

1186
01:03:43,800 --> 01:03:46,320
Speaker 4: if I got any of those big artists and if

1187
01:03:46,320 --> 01:03:49,080
Speaker 4: they're gonna won it, and then it'll give us the

1188
01:03:49,160 --> 01:03:50,479
Speaker 4: leverage to cut the right deal.

1189
01:03:51,000 --> 01:03:52,880
Speaker 8: You got the asset in hand, here it is, you

1190
01:03:52,880 --> 01:03:54,360
Speaker 8: can take it. If not, I can go over here.

1191
01:03:54,440 --> 01:03:56,800
Speaker 5: I want I want subscriptions. I want a piece.

1192
01:03:58,000 --> 01:04:01,360
Speaker 4: The numbers is crazy because at ten dollars a month,

1193
01:04:02,040 --> 01:04:04,800
Speaker 4: if you just got a million subscribers, that's one hundred

1194
01:04:04,800 --> 01:04:07,920
Speaker 4: and twenty million a year. You guys know, it's a

1195
01:04:08,000 --> 01:04:11,160
Speaker 4: ten to twenty multiple. So you basically with a million

1196
01:04:11,200 --> 01:04:14,760
Speaker 4: subscribers generated a billion to two billion dollars worth of business.

1197
01:04:14,600 --> 01:04:15,520
Speaker 9: Ten next on a minimum.

1198
01:04:15,960 --> 01:04:19,360
Speaker 4: Right, I think I can get more than a million

1199
01:04:20,400 --> 01:04:23,240
Speaker 4: if I got Bad Bunny and Jay Balvin and Nikki

1200
01:04:23,360 --> 01:04:27,480
Speaker 4: jan and all of these the big Mark Anthony Cardi,

1201
01:04:27,640 --> 01:04:34,439
Speaker 4: b Yeah, Cardi right, the Milligan yep speak Jennifer Lopez right,

1202
01:04:35,040 --> 01:04:38,800
Speaker 4: I'm gonna get ten million subscribers. So that's why I'm like,

1203
01:04:38,840 --> 01:04:42,280
Speaker 4: that's why he said let's do it ourselves, because now

1204
01:04:42,320 --> 01:04:45,080
Speaker 4: if we do that, we could go to them and

1205
01:04:45,160 --> 01:04:48,680
Speaker 4: basically say Hey, we want a percentage of the subscribers.

1206
01:04:49,240 --> 01:04:51,560
Speaker 5: How they judge a subscriber.

1207
01:04:51,560 --> 01:04:55,200
Speaker 4: If you brought it in, If someone subscribes the first

1208
01:04:55,280 --> 01:04:58,000
Speaker 4: thing that they watched, they give that the credit to.

1209
01:04:59,240 --> 01:05:03,200
Speaker 4: So if someone pays the ten dollars and first thing

1210
01:05:03,240 --> 01:05:05,640
Speaker 4: they watch is tails Latin, they give.

1211
01:05:05,480 --> 01:05:07,320
Speaker 5: Me that's why they paid the time, they give me

1212
01:05:07,360 --> 01:05:08,120
Speaker 5: the credit for that.

1213
01:05:08,680 --> 01:05:11,480
Speaker 4: So there's a metric that they can figure out new

1214
01:05:11,520 --> 01:05:17,600
Speaker 4: subscribers and how they subscribe and who is responsible. So

1215
01:05:17,600 --> 01:05:20,760
Speaker 4: that's why I was like, yo, again, the dumb nigga

1216
01:05:20,840 --> 01:05:24,080
Speaker 4: smartened up. The old me would have just I just

1217
01:05:24,720 --> 01:05:27,439
Speaker 4: want to do it. I'm gonna make twenty million. I'll

1218
01:05:27,480 --> 01:05:30,360
Speaker 4: make two million for the production costs. I'll make another

1219
01:05:31,360 --> 01:05:34,640
Speaker 4: million for the EP. I'man fuck all that. Yeah, I'm

1220
01:05:34,640 --> 01:05:40,000
Speaker 4: gonna take that. But on a piece of that shit.

1221
01:05:40,880 --> 01:05:43,200
Speaker 5: Yeah, I get you five million subscribers.

1222
01:05:43,200 --> 01:05:48,320
Speaker 4: That's six hundred million a year, okay, and then the

1223
01:05:48,400 --> 01:05:51,000
Speaker 4: metrics of it six hundred million a year. That's six

1224
01:05:51,760 --> 01:05:54,320
Speaker 4: to ten to twelve billion dollars.

1225
01:05:54,640 --> 01:05:58,200
Speaker 5: Okay. I don't give a fuck about, nigga, what you're

1226
01:05:58,200 --> 01:06:02,080
Speaker 5: giving me? Been a very good boy? What are you

1227
01:06:02,200 --> 01:06:10,640
Speaker 5: giving me? That's again the dumb nigga small enough?

1228
01:06:11,200 --> 01:06:14,040
Speaker 4: Yeah, I ain't ain't. Now, I'll tell you I'm dumb.

1229
01:06:14,200 --> 01:06:16,040
Speaker 4: He is dumb here, but I ain't dumb no more,

1230
01:06:17,000 --> 01:06:17,320
Speaker 4: I'm not.

1231
01:06:17,480 --> 01:06:20,480
Speaker 7: That's like that streaming. What was it with Canelo?

1232
01:06:20,560 --> 01:06:23,240
Speaker 5: Fights Days days? And Yeah?

1233
01:06:24,120 --> 01:06:26,360
Speaker 7: Who has that? People that like Canelo?

1234
01:06:26,480 --> 01:06:27,760
Speaker 9: They gave him three hundred million for it.

1235
01:06:27,800 --> 01:06:30,280
Speaker 5: That's what I'm saying. Have you ever? Have you ever?

1236
01:06:30,400 --> 01:06:33,040
Speaker 7: Do you know anybody has that? You've heard of it before?

1237
01:06:33,120 --> 01:06:34,560
Speaker 5: I know exactly what you're talking about.

1238
01:06:35,080 --> 01:06:37,200
Speaker 4: I don't know anybody that has it, but they if

1239
01:06:37,240 --> 01:06:40,200
Speaker 4: you watch canelot he got a whole country.

1240
01:06:39,920 --> 01:06:40,640
Speaker 5: Behind him, that's the thing.

1241
01:06:40,680 --> 01:06:43,240
Speaker 8: But you don't gonna watch him four times a year

1242
01:06:43,480 --> 01:06:46,480
Speaker 8: where two times he's trying to eat. That's his thing.

1243
01:06:46,480 --> 01:06:48,240
Speaker 8: What's to do for it? But he messed it up.

1244
01:06:48,240 --> 01:06:50,600
Speaker 8: But if you get a guy like just think about

1245
01:06:50,600 --> 01:06:53,200
Speaker 8: the streaming numbers on some of these artis you're talking about, right, Like,

1246
01:06:53,280 --> 01:06:56,960
Speaker 8: I think Bad Bunnies at over five billion streams this

1247
01:06:57,120 --> 01:06:58,960
Speaker 8: year this right now, this year.

1248
01:06:59,000 --> 01:07:01,920
Speaker 5: This streams and their views in the.

1249
01:07:01,880 --> 01:07:04,840
Speaker 9: Billion billion dollar video billion view billion videos.

1250
01:07:04,840 --> 01:07:06,720
Speaker 4: So if you do a metrics of Bad Bunny and

1251
01:07:06,760 --> 01:07:10,200
Speaker 4: you say, even if I get one percent. This guy

1252
01:07:10,360 --> 01:07:13,600
Speaker 4: is five billion, what's one percent? So ten percent five

1253
01:07:13,640 --> 01:07:17,120
Speaker 4: billion is five hundred million, so one percent is five million.

1254
01:07:17,960 --> 01:07:19,800
Speaker 4: So he would be like, if I just get one

1255
01:07:19,840 --> 01:07:21,960
Speaker 4: percent of the people that fuck with him?

1256
01:07:22,200 --> 01:07:26,880
Speaker 5: Yeah, well lit sup, we're suprillit.

1257
01:07:28,680 --> 01:07:30,280
Speaker 9: You brought up you brought up pit Bull?

1258
01:07:30,520 --> 01:07:33,280
Speaker 8: And I remember reading it at one point was he

1259
01:07:33,400 --> 01:07:34,840
Speaker 8: almost on the label?

1260
01:07:35,480 --> 01:07:36,200
Speaker 5: Is that? Is that?

1261
01:07:36,200 --> 01:07:36,400
Speaker 4: What? It?

1262
01:07:36,960 --> 01:07:37,640
Speaker 5: So paceable?

1263
01:07:37,880 --> 01:07:40,640
Speaker 4: I seen him first time I seen him for anyone,

1264
01:07:41,080 --> 01:07:42,840
Speaker 4: first time I seen him DMX video.

1265
01:07:42,880 --> 01:07:44,400
Speaker 5: Ain't the other guy's got love of me?

1266
01:07:45,360 --> 01:07:47,600
Speaker 4: He' shooting the video of Miami. Now, if you know

1267
01:07:47,720 --> 01:07:51,440
Speaker 4: us back then, if there was four people that rap battle,

1268
01:07:53,720 --> 01:07:55,680
Speaker 4: people destroyed Dragon.

1269
01:07:56,800 --> 01:07:59,160
Speaker 5: When I say want some hip hop shit, want some

1270
01:07:59,280 --> 01:07:59,720
Speaker 5: rap shit?

1271
01:08:00,040 --> 01:08:02,840
Speaker 4: Now, if you know Pitbull, he's very hard to beat

1272
01:08:03,200 --> 01:08:06,840
Speaker 4: in the battle because he's off the top, and he's

1273
01:08:07,280 --> 01:08:10,240
Speaker 4: great off the top. Not certain people's off the top,

1274
01:08:10,280 --> 01:08:13,920
Speaker 4: but they're not really good. No, So it's hard to

1275
01:08:13,960 --> 01:08:16,479
Speaker 4: be the nigga who's going to start rhyming about your

1276
01:08:16,520 --> 01:08:21,120
Speaker 4: pumas and clown you in It's hot. So he destroyed Drag.

1277
01:08:21,960 --> 01:08:26,439
Speaker 4: So I fly him to New York. Behind that he

1278
01:08:26,479 --> 01:08:29,200
Speaker 4: gets in the crackhouse, he gets in the booth. His

1279
01:08:29,280 --> 01:08:36,719
Speaker 4: nigga's rhyming for like twenty minutes straight freestyle and everything,

1280
01:08:36,760 --> 01:08:39,840
Speaker 4: and I'm like, I said, Joe, that got you here.

1281
01:08:40,880 --> 01:08:44,480
Speaker 5: Now we got to make hit records. So I basically

1282
01:08:44,520 --> 01:08:45,479
Speaker 5: broke down what.

1283
01:08:45,560 --> 01:08:52,160
Speaker 4: Hit records is hooks, melodies and shit to which when

1284
01:08:52,200 --> 01:08:54,639
Speaker 4: you think of Pitt Boy as an artist, now that's

1285
01:08:54,720 --> 01:08:56,040
Speaker 4: all he is.

1286
01:08:56,160 --> 01:09:00,880
Speaker 5: Right. This nigga ain't no lyric. This nigga does four

1287
01:09:00,960 --> 01:09:04,800
Speaker 5: the eight ball, hugs chanty. So he took what and

1288
01:09:04,840 --> 01:09:05,400
Speaker 5: he says it.

1289
01:09:06,400 --> 01:09:08,040
Speaker 4: If you have a look at an interview with him,

1290
01:09:08,080 --> 01:09:12,840
Speaker 4: he credits his whole success behind me. In that conversation,

1291
01:09:13,840 --> 01:09:15,880
Speaker 4: he said, IRV got He changed my whole way of thinking,

1292
01:09:16,160 --> 01:09:18,640
Speaker 4: my whole way think. IRV Gott he gets all the

1293
01:09:19,160 --> 01:09:21,080
Speaker 4: He credits me for his whole career.

1294
01:09:21,120 --> 01:09:21,479
Speaker 5: So happened.

1295
01:09:21,600 --> 01:09:24,840
Speaker 4: Ain't signed on because I nigga had I'm on fire

1296
01:09:24,880 --> 01:09:25,880
Speaker 4: with j X and Joh.

1297
01:09:26,240 --> 01:09:27,160
Speaker 5: He wasn't thinking about it.

1298
01:09:28,080 --> 01:09:32,599
Speaker 4: He came to the studio, he failed miserably because I

1299
01:09:32,640 --> 01:09:35,920
Speaker 4: gave him my knowledge advice like advice, and he went

1300
01:09:36,040 --> 01:09:39,160
Speaker 4: off and became one of the biggest international stars. I

1301
01:09:39,160 --> 01:09:42,080
Speaker 4: should have signed him, but I was so busy at

1302
01:09:42,080 --> 01:09:43,679
Speaker 4: the time, I was off the hook.

1303
01:09:43,880 --> 01:09:48,040
Speaker 5: Ashanti's exploding fucking j X job Lord. Like nigga, I'm

1304
01:09:48,080 --> 01:09:48,639
Speaker 5: off the hook.

1305
01:09:49,040 --> 01:09:53,200
Speaker 7: I always forget Lloyd shout out the Lloyd you Got album.

1306
01:09:53,439 --> 01:09:54,479
Speaker 7: First album was really good.

1307
01:09:54,800 --> 01:09:58,040
Speaker 4: Yeah, that was the album that I put my print

1308
01:09:58,080 --> 01:09:58,360
Speaker 4: on that.

1309
01:09:59,000 --> 01:09:59,639
Speaker 5: You know what I'm saying.

1310
01:09:59,680 --> 01:10:02,680
Speaker 4: I tell him all the time, his first album is

1311
01:10:02,720 --> 01:10:04,160
Speaker 4: the foundation of his career.

1312
01:10:05,680 --> 01:10:07,040
Speaker 5: He got the g Z feature.

1313
01:10:07,160 --> 01:10:10,200
Speaker 4: That's what made Wayne want to fuck with them that

1314
01:10:10,280 --> 01:10:13,519
Speaker 4: first album because it was it was like gangster. It

1315
01:10:13,560 --> 01:10:16,320
Speaker 4: was R and B, but it had a feel to it.

1316
01:10:16,320 --> 01:10:19,080
Speaker 4: It wasn't a regular R and B album. I don't

1317
01:10:19,080 --> 01:10:21,600
Speaker 4: make regular R and B albums, and his album, that

1318
01:10:21,680 --> 01:10:24,080
Speaker 4: first album, it had a feel to it. That's why

1319
01:10:24,080 --> 01:10:27,439
Speaker 4: he got a ball MJG. Like all these niggas was

1320
01:10:27,479 --> 01:10:30,240
Speaker 4: called they always calling them because he was the little

1321
01:10:30,320 --> 01:10:32,519
Speaker 4: nigga that he was like R and B.

1322
01:10:32,600 --> 01:10:36,120
Speaker 5: But he had that feel that so had a vibe.

1323
01:10:36,160 --> 01:10:38,519
Speaker 5: That's why I tell him all, I'm like, yo, nigga,

1324
01:10:38,560 --> 01:10:42,600
Speaker 5: that first album is your foundation. It went gold. You know,

1325
01:10:42,680 --> 01:10:45,479
Speaker 5: his next one went platinum, But.

1326
01:10:45,320 --> 01:10:48,639
Speaker 7: That get It shows on that one. On the first one,

1327
01:10:49,040 --> 01:10:52,839
Speaker 7: get it shows later. No, so first one.

1328
01:10:53,000 --> 01:10:53,719
Speaker 5: Get It show.

1329
01:10:54,439 --> 01:10:55,200
Speaker 9: It's the first album.

1330
01:10:55,280 --> 01:10:56,040
Speaker 5: Yeah, first album.

1331
01:10:56,120 --> 01:10:59,439
Speaker 7: Yeah, South littl Wayne Song is the second album, Lil

1332
01:10:59,479 --> 01:11:01,200
Speaker 7: Wayne Song, Girls on the World.

1333
01:11:01,439 --> 01:11:03,880
Speaker 5: Yeah you was on the first album, No You sec

1334
01:11:04,320 --> 01:11:05,600
Speaker 5: second album.

1335
01:11:06,080 --> 01:11:07,599
Speaker 9: Girls around the World is the first album.

1336
01:11:07,880 --> 01:11:10,040
Speaker 5: Girls around the World. I think it's the third album.

1337
01:11:10,640 --> 01:11:14,879
Speaker 5: That was a whole difference. That's what the Paid in Full. Yeah, yeah,

1338
01:11:15,000 --> 01:11:15,519
Speaker 5: that's the third.

1339
01:11:16,800 --> 01:11:18,240
Speaker 7: Before we ride, I want to ask you about the

1340
01:11:18,240 --> 01:11:21,599
Speaker 7: Supreme movie. What's what's the deal with that Supreme movie.

1341
01:11:22,320 --> 01:11:26,000
Speaker 4: It's gonna be a gigantic movie to do my man

1342
01:11:26,520 --> 01:11:29,559
Speaker 4: preame who I love to do him justice. I didn't

1343
01:11:29,560 --> 01:11:32,360
Speaker 4: want the movie to be like even though I love

1344
01:11:32,439 --> 01:11:36,040
Speaker 4: Paid in Full, and I wanted to be bigger than that.

1345
01:11:37,200 --> 01:11:41,360
Speaker 4: So I got Todd Phillips. Todd Phillips did the Hangover trilogy,

1346
01:11:41,720 --> 01:11:45,280
Speaker 4: but he also did The Joker. I sold them on

1347
01:11:45,320 --> 01:11:49,640
Speaker 4: the whole idea ideology of prem in the movie. So

1348
01:11:50,200 --> 01:11:54,960
Speaker 4: it's a visionary I did slash joint effort production. Not

1349
01:11:55,040 --> 01:11:58,559
Speaker 4: the only problem when you involved people like Todd. He's

1350
01:11:58,600 --> 01:12:01,960
Speaker 4: doing Joker too right now, so I gotta wait. You

1351
01:12:01,960 --> 01:12:06,000
Speaker 4: know what I'm saying, He's doing Joker too. Nick Cassavetti's

1352
01:12:06,040 --> 01:12:11,080
Speaker 4: is probably gonna be involved. Chris Brancado, who wrote Narcos,

1353
01:12:11,120 --> 01:12:16,840
Speaker 4: who wrote Godfather, Harlem wrote wrote it. I've spoken to

1354
01:12:17,840 --> 01:12:22,320
Speaker 4: Jamie Fox. I've spoken to Michael B. Jordan to play Prince.

1355
01:12:24,360 --> 01:12:28,920
Speaker 4: Spoken of Bradley Cooper. I've spoken to Leonardo DiCaprio, but

1356
01:12:29,000 --> 01:12:31,320
Speaker 4: the latest who I spoke to, I really want to

1357
01:12:31,320 --> 01:12:34,160
Speaker 4: be a part Mark Wahlburg to play the law enforcement.

1358
01:12:35,479 --> 01:12:41,720
Speaker 4: So I'm going for it. American Gangster did three point

1359
01:12:41,720 --> 01:12:43,360
Speaker 4: fifty worldwide.

1360
01:12:44,200 --> 01:12:46,320
Speaker 5: Did you know who Frank Lucas was before the movie?

1361
01:12:46,360 --> 01:12:46,720
Speaker 5: I did not.

1362
01:12:47,640 --> 01:12:50,200
Speaker 4: This is this is part of my p Listen, this

1363
01:12:50,240 --> 01:12:53,360
Speaker 4: is part of my pitch. I said, Frank Lucas story

1364
01:12:53,400 --> 01:12:56,479
Speaker 4: with American Gangster and really did it because of Denzel

1365
01:12:56,479 --> 01:12:59,080
Speaker 4: On Russell Crow because we didn't know you, Nigga.

1366
01:13:00,400 --> 01:13:03,240
Speaker 5: Great great story though, great great story, great sounds. Okay,

1367
01:13:04,720 --> 01:13:06,760
Speaker 5: everybody knows preing. This is true.

1368
01:13:06,960 --> 01:13:11,479
Speaker 4: The fact everybody knows my man. So if you judge

1369
01:13:11,479 --> 01:13:13,920
Speaker 4: it off that if they did three fifty two, my

1370
01:13:14,040 --> 01:13:16,519
Speaker 4: man doing the half yo, were gonna get that half

1371
01:13:16,520 --> 01:13:20,200
Speaker 4: of bee because I'm gonna get the actors. I'm gonna

1372
01:13:20,240 --> 01:13:22,640
Speaker 4: get the big actors to be in it. But then

1373
01:13:22,920 --> 01:13:26,280
Speaker 4: I got Todd Phillips to produce it. With me, I'm

1374
01:13:26,280 --> 01:13:29,840
Speaker 4: gonna get Nick Cassavetti's so I'm gonna get all of

1375
01:13:29,880 --> 01:13:33,200
Speaker 4: the big names and we're gonna tell a great, great story.

1376
01:13:33,560 --> 01:13:38,120
Speaker 4: And with prem you got all of the gangster shit

1377
01:13:38,200 --> 01:13:41,200
Speaker 4: from the eighties, but then you got the music business.

1378
01:13:42,120 --> 01:13:45,200
Speaker 4: What makes his movies a Prens movie so electric it's

1379
01:13:45,200 --> 01:13:49,840
Speaker 4: his affiliation with me and murder Rink, his affiliation in the.

1380
01:13:49,880 --> 01:13:52,680
Speaker 5: Music scene, the beef with fifty, you know.

1381
01:13:52,680 --> 01:13:55,000
Speaker 4: What I'm saying to beef like, So his music, his

1382
01:13:55,160 --> 01:13:57,639
Speaker 4: movie just ain't the whole five percent of it ain't yeah,

1383
01:13:57,640 --> 01:14:00,920
Speaker 4: the whole five It just ain't gangster shit. That's why

1384
01:14:00,920 --> 01:14:04,320
Speaker 4: when you add all of that together, oh we're gonna

1385
01:14:04,360 --> 01:14:09,320
Speaker 4: We're gonna kill him. But now I'm not gonna rush it.

1386
01:14:09,680 --> 01:14:12,920
Speaker 4: That's why I wait for Todd Phillips for After Joker.

1387
01:14:13,400 --> 01:14:16,479
Speaker 4: It may take two three years for it to come out,

1388
01:14:16,560 --> 01:14:19,120
Speaker 4: but when it comes out, that shit gonna be perfect.

1389
01:14:19,560 --> 01:14:23,320
Speaker 7: But movies, I think it's different now because nobody watches

1390
01:14:23,360 --> 01:14:26,960
Speaker 7: movies in box office anymore. So everything is through streaming.

1391
01:14:27,240 --> 01:14:29,280
Speaker 7: So does that effect the revenue that could be because

1392
01:14:29,280 --> 01:14:31,080
Speaker 7: like when I remember when American Gangster came out. I

1393
01:14:31,160 --> 01:14:33,519
Speaker 7: was in college. I went to the movie theater. See

1394
01:14:33,520 --> 01:14:34,559
Speaker 7: that everybody went to the movie.

1395
01:14:34,600 --> 01:14:36,800
Speaker 4: I think the Supreme Team movie is a movie that

1396
01:14:36,840 --> 01:14:39,200
Speaker 4: people will want to watch in theaters.

1397
01:14:40,000 --> 01:14:40,400
Speaker 5: That's like.

1398
01:14:41,320 --> 01:14:44,920
Speaker 4: So there's certain like Top Top Gun that shit did

1399
01:14:44,920 --> 01:14:48,479
Speaker 4: two billion, or some shit something like Wakanda Forever when

1400
01:14:48,520 --> 01:14:50,920
Speaker 4: it comes out, it's gonna do a billion. So there's

1401
01:14:50,960 --> 01:14:55,200
Speaker 4: certain movies that I do feel people still want to

1402
01:14:55,240 --> 01:14:58,920
Speaker 4: go to a movie. Get the popcorn, the big screen,

1403
01:14:59,000 --> 01:15:02,120
Speaker 4: the this surrounding sound, dope be sins.

1404
01:15:02,320 --> 01:15:02,960
Speaker 5: They want that.

1405
01:15:03,200 --> 01:15:04,960
Speaker 7: When you tell when you tell a story like that,

1406
01:15:05,240 --> 01:15:07,840
Speaker 7: how do you be cause it's like obviously you know,

1407
01:15:08,040 --> 01:15:10,679
Speaker 7: I think Prince is still trying to come home, right yeah,

1408
01:15:12,240 --> 01:15:14,720
Speaker 7: So like how do you do that without you know

1409
01:15:14,720 --> 01:15:18,479
Speaker 7: what I'm saying, walking thin lines? And it's hard fully

1410
01:15:18,520 --> 01:15:21,280
Speaker 7: incriminating somebody on something that is hard.

1411
01:15:21,840 --> 01:15:25,280
Speaker 5: It's hard, but they don't get done. It's hard, but

1412
01:15:25,320 --> 01:15:26,240
Speaker 5: it don't get done.

1413
01:15:26,640 --> 01:15:29,880
Speaker 12: Just being careful with everything, I think the prem will

1414
01:15:29,920 --> 01:15:31,080
Speaker 12: be there the whole step of the way.

1415
01:15:31,240 --> 01:15:35,679
Speaker 4: Like I speak to Preme. I still I still talk

1416
01:15:35,760 --> 01:15:39,080
Speaker 4: to my man. So it's not like anything is gonna

1417
01:15:39,120 --> 01:15:40,600
Speaker 4: get done without him going on.

1418
01:15:41,000 --> 01:15:42,519
Speaker 5: He watches, it looks it over.

1419
01:15:42,400 --> 01:15:46,000
Speaker 4: And nothing's getting done with Nothing's getting done with Supreme

1420
01:15:46,080 --> 01:15:47,880
Speaker 4: without a dialogue with Preme.

1421
01:15:48,080 --> 01:15:51,679
Speaker 5: How you feel about Supreme clothing, the Supreme brand, I thought,

1422
01:15:51,760 --> 01:15:53,559
Speaker 5: I think it's one of the biggest clothing brands.

1423
01:15:53,600 --> 01:15:55,720
Speaker 7: I mean, do you think that had any You think

1424
01:15:55,760 --> 01:15:57,519
Speaker 7: they got the name from Supreme or it was just

1425
01:15:57,560 --> 01:15:58,120
Speaker 7: a coincidence.

1426
01:15:58,160 --> 01:16:02,400
Speaker 4: I don't know, probably yeah, or I know they heard

1427
01:16:02,439 --> 01:16:06,560
Speaker 4: it from somewhere unless you under a rock, you know

1428
01:16:06,600 --> 01:16:07,040
Speaker 4: what I'm saying.

1429
01:16:07,080 --> 01:16:09,320
Speaker 8: That was that was even something you uncosored in the documentary.

1430
01:16:09,320 --> 01:16:10,840
Speaker 8: I didn't even know that where it was like, Yo,

1431
01:16:10,880 --> 01:16:14,360
Speaker 8: they was playing the record the World Supreme Team, and

1432
01:16:14,520 --> 01:16:15,960
Speaker 8: they was just having to be in there, like Yo,

1433
01:16:16,720 --> 01:16:17,320
Speaker 8: the sun.

1434
01:16:17,439 --> 01:16:19,960
Speaker 5: Well famous Supreme Team jug.

1435
01:16:21,400 --> 01:16:24,719
Speaker 7: But there's there's two Supremes, right, it was a Puerto

1436
01:16:24,760 --> 01:16:28,960
Speaker 7: Rican one. Yeah, that was what Eric being rock him, Yeah.

1437
01:16:28,439 --> 01:16:34,640
Speaker 4: Yes, correct, there's another one from Brooklyn. It's like a

1438
01:16:34,680 --> 01:16:38,599
Speaker 4: couple of springs. But they used to call prim green

1439
01:16:38,640 --> 01:16:41,599
Speaker 4: eye print because he got green eyes. But my pream

1440
01:16:41,720 --> 01:16:48,439
Speaker 4: is I've never been you know, it's so crazy. Everyone

1441
01:16:48,479 --> 01:16:52,759
Speaker 4: knows this nigga. Like I remember when we first met Shugg,

1442
01:16:53,200 --> 01:16:56,920
Speaker 4: we had to we sampled Tupac Pain. So I called

1443
01:16:57,000 --> 01:17:00,000
Speaker 4: Jimmy Ivan and he said, you gotta call you gotta

1444
01:17:00,640 --> 01:17:06,280
Speaker 4: Claire what shugged and he said, sug controls everything. Said,

1445
01:17:06,280 --> 01:17:08,639
Speaker 4: I give me his number, so he hooked it up.

1446
01:17:09,680 --> 01:17:14,280
Speaker 4: He's coming to Enterprise Studios to meet with us, and

1447
01:17:14,600 --> 01:17:19,000
Speaker 4: it's crazy. And that's when Preem was home Supremes with me.

1448
01:17:19,920 --> 01:17:24,920
Speaker 4: He was like, thirty niggas in the studio hood it out,

1449
01:17:25,000 --> 01:17:27,000
Speaker 4: but that was murder ring. It was just a normal

1450
01:17:27,640 --> 01:17:31,600
Speaker 4: session at the office, another dead's office number, but niggas.

1451
01:17:32,720 --> 01:17:35,400
Speaker 4: So she'll pulls up and his limo he gets out,

1452
01:17:35,680 --> 01:17:36,400
Speaker 4: you know the cigar.

1453
01:17:36,640 --> 01:17:39,599
Speaker 5: Oh. He's looking around.

1454
01:17:39,640 --> 01:17:46,360
Speaker 4: He's like, you niggas ain't on no Hollywood shit, first.

1455
01:17:46,160 --> 01:17:46,760
Speaker 5: Shit he said.

1456
01:17:46,800 --> 01:17:49,360
Speaker 4: I was like nah, I said, this is just so

1457
01:17:49,960 --> 01:17:55,479
Speaker 4: he's all my niggas. He recognized Spring. I don't give

1458
01:17:55,479 --> 01:17:58,559
Speaker 4: a fuck where we was at. I think niggas knew

1459
01:17:58,840 --> 01:18:03,479
Speaker 4: that who that nigga was, and even himI Primum immediately bonded.

1460
01:18:04,080 --> 01:18:06,519
Speaker 5: He's say, oh, Ship, what's up, homie. He was like,

1461
01:18:06,560 --> 01:18:09,800
Speaker 5: what's up. He's like yov he said yeah. In Premium he.

1462
01:18:09,800 --> 01:18:13,840
Speaker 4: Said, yeah, I'm the murdering murder rank and ship. But

1463
01:18:13,920 --> 01:18:15,719
Speaker 4: he used to be like, nah, God, he's my brother.

1464
01:18:16,360 --> 01:18:16,760
Speaker 5: I'm here.

1465
01:18:17,320 --> 01:18:21,200
Speaker 4: You know, we all in so we all got to talking.

1466
01:18:22,520 --> 01:18:24,759
Speaker 4: He gave me, he gave me the sample for free.

1467
01:18:26,160 --> 01:18:28,400
Speaker 4: He gave me the sample for free. Every time he

1468
01:18:28,400 --> 01:18:31,599
Speaker 4: heard pop on the Jaw albums, he gave it to

1469
01:18:31,680 --> 01:18:33,200
Speaker 4: us for free.

1470
01:18:35,479 --> 01:18:37,439
Speaker 5: Niggas used to come up to me, niggas from New York.

1471
01:18:37,920 --> 01:18:39,400
Speaker 5: How the fuck you fuck with that nigga?

1472
01:18:39,439 --> 01:18:39,559
Speaker 7: Yo?

1473
01:18:39,920 --> 01:18:41,639
Speaker 4: You know he probably has something to do with Biggie.

1474
01:18:41,720 --> 01:18:46,120
Speaker 4: I said, listen, man, I don't know that right. And

1475
01:18:46,160 --> 01:18:50,360
Speaker 4: I said I could only judge the man how he

1476
01:18:50,439 --> 01:18:53,720
Speaker 4: is with me, said, I heard all the stories, but

1477
01:18:53,800 --> 01:18:56,280
Speaker 4: how he is with me. He's a great nigga and

1478
01:18:56,320 --> 01:19:01,160
Speaker 4: a great friend. And they would be like, because you

1479
01:19:01,200 --> 01:19:04,320
Speaker 4: know how it is in the hood too. You be

1480
01:19:04,400 --> 01:19:06,200
Speaker 4: in the hood and you know the nigga that killed

1481
01:19:06,240 --> 01:19:09,639
Speaker 4: this nigga. You know who killed them. But you're cool

1482
01:19:09,680 --> 01:19:13,479
Speaker 4: with both sides. So it's like, what you want me

1483
01:19:13,479 --> 01:19:16,720
Speaker 4: to do? I know him, I know him. I don't

1484
01:19:16,760 --> 01:19:19,280
Speaker 4: want the nigga to do I don't I love Biggie.

1485
01:19:19,400 --> 01:19:21,240
Speaker 4: I had some great times with Biggie.

1486
01:19:21,520 --> 01:19:22,880
Speaker 5: What the fuck you want me to do?

1487
01:19:26,040 --> 01:19:29,880
Speaker 4: Yeah, I'm cool with both sides, and that happens very

1488
01:19:29,920 --> 01:19:32,559
Speaker 4: often in the hood, right at least with me.

1489
01:19:32,640 --> 01:19:34,440
Speaker 5: I was dj erv I knew everybody.

1490
01:19:35,240 --> 01:19:37,479
Speaker 7: But even that relationship is because I spoke to Christian

1491
01:19:37,800 --> 01:19:40,680
Speaker 7: y'all from how Hollis. He's from south Side Hollis. In

1492
01:19:40,720 --> 01:19:43,000
Speaker 7: south Side, they don't really your pream. It's an issue.

1493
01:19:43,000 --> 01:19:45,200
Speaker 7: It's a hat field to McCoy's used the issues right.

1494
01:19:45,240 --> 01:19:46,800
Speaker 7: But I never was a nigga like that.

1495
01:19:47,320 --> 01:19:49,920
Speaker 4: I never was a territory arm from Holland, so I

1496
01:19:49,960 --> 01:19:52,519
Speaker 4: can't be cool. I always tell the story this nigga

1497
01:19:52,600 --> 01:19:55,360
Speaker 4: named Big Rich. He was a basketball player. So when

1498
01:19:55,360 --> 01:19:59,000
Speaker 4: I used to make my blend tapes now selling them,

1499
01:19:59,200 --> 01:20:01,799
Speaker 4: Big Rich was like, Yo, niggas love you in forty

1500
01:20:02,240 --> 01:20:05,080
Speaker 4: I'm like where He's like, niggas love you and forty

1501
01:20:05,120 --> 01:20:06,160
Speaker 4: and Baisley.

1502
01:20:06,320 --> 01:20:07,639
Speaker 5: He's you, I'm taking you over there.

1503
01:20:07,680 --> 01:20:09,760
Speaker 4: So I used to be in forty and Baisley all

1504
01:20:09,920 --> 01:20:12,920
Speaker 4: night in the projects selling my tapes and niggas love

1505
01:20:13,000 --> 01:20:16,160
Speaker 4: my tapes. So yeah, I'm a house snigger, but I

1506
01:20:16,200 --> 01:20:23,600
Speaker 4: never was into that, like we all niggas, you know.

1507
01:20:23,840 --> 01:20:26,000
Speaker 7: I mean, I think it makes sense. I'm just saying

1508
01:20:26,400 --> 01:20:29,080
Speaker 7: I was never like that I was never. Oh, I'm

1509
01:20:29,080 --> 01:20:32,080
Speaker 7: from Hollis, so I can't fuck with no No.

1510
01:20:32,600 --> 01:20:35,120
Speaker 4: When I shot Get the Fortune video, which is when

1511
01:20:35,160 --> 01:20:39,040
Speaker 4: I'm at Preem, I'm a Hollist nigga with this group

1512
01:20:39,080 --> 01:20:41,720
Speaker 4: that's from Hollis. But I wanted to shoot on god Bro,

1513
01:20:43,120 --> 01:20:46,080
Speaker 4: which your south side. So I'm shooting on god Bro

1514
01:20:46,280 --> 01:20:48,760
Speaker 4: because on the block that I shot, it looked like

1515
01:20:48,760 --> 01:20:53,240
Speaker 4: a block for a hood grocery store, laundry mat Lick,

1516
01:20:53,320 --> 01:20:57,040
Speaker 4: the store. It had the aesthetics. So I'm shooting over there.

1517
01:20:57,120 --> 01:21:01,720
Speaker 4: I'm shooting because I've always been. I fucked with everybody.

1518
01:21:02,479 --> 01:21:06,040
Speaker 4: And sure enough, Yoe, you want to meet Preme, I'm

1519
01:21:06,080 --> 01:21:09,040
Speaker 4: like Supreme Supreme. They said, yeah, he right there, he

1520
01:21:09,120 --> 01:21:11,280
Speaker 4: want to talk to you. I said, yeah, I want

1521
01:21:11,280 --> 01:21:14,639
Speaker 4: to meet him. Nigga, come over. This nigga's like five

1522
01:21:14,680 --> 01:21:17,040
Speaker 4: for five or so. This little nigga. You think it's

1523
01:21:17,040 --> 01:21:20,080
Speaker 4: supreme that all these niggas.

1524
01:21:20,479 --> 01:21:23,120
Speaker 5: Oh, J Prince is the same way, and he sit

1525
01:21:23,240 --> 01:21:24,040
Speaker 5: there and talk to.

1526
01:21:24,080 --> 01:21:29,160
Speaker 4: You, and he's this little nigga monster I got anywhere else.

1527
01:21:35,400 --> 01:21:38,599
Speaker 4: That's how it was with Preme. Come up, man, he's

1528
01:21:38,640 --> 01:21:41,960
Speaker 4: just a good nigga. He asked me if I could

1529
01:21:42,000 --> 01:21:44,559
Speaker 4: help him shoot a movie. I said, I'm shooting this video.

1530
01:21:44,600 --> 01:21:47,240
Speaker 4: It's like the first video I'm shooting. Not you know,

1531
01:21:48,360 --> 01:21:51,360
Speaker 4: I ain't no front nigga. You know another niggas.

1532
01:21:51,400 --> 01:21:53,160
Speaker 5: Yeah, I can shoot a movie. You know what I'm saying.

1533
01:21:53,439 --> 01:21:56,400
Speaker 5: I've never been I'm not a front nigga. So I'm like, nah,

1534
01:21:56,439 --> 01:21:56,720
Speaker 5: I don't.

1535
01:21:56,800 --> 01:21:59,280
Speaker 4: I don't think I can shoot a movie, spreing or

1536
01:21:59,320 --> 01:22:02,400
Speaker 4: whatever he said, and then we just start kicking it.

1537
01:22:02,479 --> 01:22:05,439
Speaker 4: We exchanged numbers. He was like in the halfway house,

1538
01:22:06,640 --> 01:22:11,160
Speaker 4: still coming off the Feds, and we just we just

1539
01:22:11,240 --> 01:22:14,680
Speaker 4: bonded up, me and him and BJ. We just to

1540
01:22:14,720 --> 01:22:17,439
Speaker 4: ride around in my I had a j just three hundred.

1541
01:22:19,600 --> 01:22:21,960
Speaker 4: I give prem credit for Ain't No Nigga coming out

1542
01:22:23,240 --> 01:22:25,080
Speaker 4: because he loved that record so much.

1543
01:22:25,400 --> 01:22:27,280
Speaker 5: So, you know, I had all of Jay's records before

1544
01:22:27,320 --> 01:22:29,800
Speaker 5: a reasonable doubt. Men play Ain't No Nigga. Yo.

1545
01:22:31,040 --> 01:22:33,160
Speaker 4: He loved the line weapons can say what the fuck

1546
01:22:33,240 --> 01:22:35,680
Speaker 4: y'all feel? If y'all niggas play sick, we could all

1547
01:22:35,720 --> 01:22:36,040
Speaker 4: get there.

1548
01:22:36,240 --> 01:22:36,760
Speaker 5: What the deal?

1549
01:22:37,000 --> 01:22:40,160
Speaker 4: He'd be like, Man, Jay Vicious, Man that nigga Vicious

1550
01:22:40,160 --> 01:22:43,760
Speaker 4: got he that niggaious d Yes, nigga. I brought for

1551
01:22:43,920 --> 01:22:46,600
Speaker 4: him up to seventeen John Street, and he used to

1552
01:22:46,640 --> 01:22:48,720
Speaker 4: always be like, man, Ain't no Nigga to won Yo,

1553
01:22:48,960 --> 01:22:50,559
Speaker 4: and I used to be like, ain't no niggas the

1554
01:22:50,600 --> 01:22:53,800
Speaker 4: single And because of that pressure, they said fucking and

1555
01:22:53,840 --> 01:22:55,960
Speaker 4: put it on the B side of their presidency.

1556
01:22:56,520 --> 01:22:58,240
Speaker 5: But that was the record that did it for him.

1557
01:22:58,320 --> 01:23:03,320
Speaker 4: Yeah, definitely, yeah, And I'm telling you Prem's energy, I'm

1558
01:23:03,320 --> 01:23:04,519
Speaker 4: gonna give him credit for that.

1559
01:23:05,520 --> 01:23:08,120
Speaker 5: He loved that record. He loved j too.

1560
01:23:08,439 --> 01:23:12,599
Speaker 4: He loved j It was great because me and Jay

1561
01:23:13,240 --> 01:23:15,879
Speaker 4: would have differences of opinion.

1562
01:23:18,080 --> 01:23:21,639
Speaker 5: Prem would always Naw, you gotta see it like this.

1563
01:23:22,240 --> 01:23:24,320
Speaker 4: He would be I'd be like, yo, we're pre at

1564
01:23:24,360 --> 01:23:26,240
Speaker 4: the sid Joe he had, he had Dot Savannah with

1565
01:23:26,360 --> 01:23:30,880
Speaker 4: Jay and shit talking. They would have like meetings and

1566
01:23:31,000 --> 01:23:35,559
Speaker 4: he would always keep the peace and keep us together

1567
01:23:37,640 --> 01:23:39,519
Speaker 4: because I was mad at Jae a few times, but

1568
01:23:40,479 --> 01:23:42,080
Speaker 4: you know what I'm saying, he was mad at me

1569
01:23:42,160 --> 01:23:43,599
Speaker 4: probably a few times too.

1570
01:23:44,760 --> 01:23:46,320
Speaker 8: I'm just thinking, like at the height of it, like

1571
01:23:47,800 --> 01:23:51,879
Speaker 8: especially when Joe's ringing off right like he's the biggest

1572
01:23:51,920 --> 01:23:55,240
Speaker 8: artist right like X ninety eight ninety nine, and then

1573
01:23:55,320 --> 01:23:58,080
Speaker 8: John just takes over and Jay's still like consistently there.

1574
01:23:58,120 --> 01:24:02,360
Speaker 8: But that's your guy, very competitive and he's watching your guy.

1575
01:24:02,520 --> 01:24:02,640
Speaker 5: Now.

1576
01:24:03,200 --> 01:24:07,880
Speaker 4: Let me tell you those three guys, it was weird

1577
01:24:07,920 --> 01:24:12,120
Speaker 4: for me because each one of them thought that they

1578
01:24:12,240 --> 01:24:15,920
Speaker 4: was the best. So if I was doing something with Jay,

1579
01:24:16,160 --> 01:24:18,439
Speaker 4: X would be like, Yo, you think that nigga better

1580
01:24:18,439 --> 01:24:18,680
Speaker 4: than me?

1581
01:24:19,960 --> 01:24:21,960
Speaker 5: And I'd be like, Yo, the niggas is man nice

1582
01:24:22,120 --> 01:24:26,759
Speaker 5: just like you and Jay. Forget about it, Yo.

1583
01:24:26,640 --> 01:24:30,080
Speaker 4: You think them niggas is better than me? They're nice, Jay,

1584
01:24:30,160 --> 01:24:33,880
Speaker 4: They're nice. But it would be constant. That would for

1585
01:24:34,000 --> 01:24:36,320
Speaker 4: like three four years out it was. It was heavy

1586
01:24:36,680 --> 01:24:37,160
Speaker 4: like that.

1587
01:24:37,640 --> 01:24:40,280
Speaker 9: Can I get it for John?

1588
01:24:41,080 --> 01:24:41,639
Speaker 5: Out of here?

1589
01:24:43,320 --> 01:24:48,040
Speaker 8: That's the biggest record on Blume two Hard Knocked Life,

1590
01:24:48,240 --> 01:24:52,720
Speaker 8: biggest record saying yeah, because that ends up.

1591
01:24:52,680 --> 01:24:55,280
Speaker 4: The record would not go away. When that record came out,

1592
01:24:55,360 --> 01:24:57,360
Speaker 4: it stayed on the charts for like a year.

1593
01:24:57,680 --> 01:24:59,240
Speaker 7: And then it ended up. And that's what they used

1594
01:24:59,240 --> 01:25:00,479
Speaker 7: to do. They don't do that any more, but it

1595
01:25:00,560 --> 01:25:01,880
Speaker 7: ended up on this album. But it was also on

1596
01:25:01,920 --> 01:25:02,879
Speaker 7: the Rush Hour soundtrack.

1597
01:25:03,479 --> 01:25:06,080
Speaker 5: Rushower sold four million, j sold.

1598
01:25:05,840 --> 01:25:09,040
Speaker 4: Eight million, so that was double well whatever that is,

1599
01:25:09,080 --> 01:25:11,200
Speaker 4: and that record was largely responsible.

1600
01:25:11,280 --> 01:25:14,840
Speaker 9: Yeah, yeah, big, big time. It wasn't the Drew Hill single.

1601
01:25:15,960 --> 01:25:19,720
Speaker 4: No, it all helped it all, It all helped though,

1602
01:25:20,320 --> 01:25:22,080
Speaker 4: But that can I get a record?

1603
01:25:22,240 --> 01:25:25,600
Speaker 5: Was the Savage? It would not go away? Y'all? Yeah,

1604
01:25:25,720 --> 01:25:26,479
Speaker 5: like it was.

1605
01:25:26,479 --> 01:25:29,760
Speaker 4: First it was an urban record at urban radio crushed it.

1606
01:25:30,080 --> 01:25:33,519
Speaker 4: Then it was a rhythm record crushed it. Then it

1607
01:25:33,520 --> 01:25:37,120
Speaker 4: when it stopped forty crushed it. So it just would

1608
01:25:37,160 --> 01:25:40,320
Speaker 4: not go away. It would not go away, and it

1609
01:25:40,400 --> 01:25:45,400
Speaker 4: was fueling sales of rush Hour and Jay's up do.

1610
01:25:45,400 --> 01:25:45,960
Speaker 5: You listen to?

1611
01:25:46,360 --> 01:25:48,519
Speaker 8: I mean we said this to hit make it other day,

1612
01:25:48,680 --> 01:25:53,280
Speaker 8: I was like, I feel like puff dominated music, especially remixes,

1613
01:25:53,680 --> 01:25:55,559
Speaker 8: and then it was your turn and you came and

1614
01:25:55,680 --> 01:25:58,760
Speaker 8: just flipped it and dominated. And I feel like he's

1615
01:25:58,800 --> 01:26:00,680
Speaker 8: doing it too. Out there producer that you listen to

1616
01:26:00,720 --> 01:26:03,840
Speaker 8: now you're like hit makers. He'll tell you he's said,

1617
01:26:03,960 --> 01:26:05,200
Speaker 8: he said he did.

1618
01:26:05,320 --> 01:26:07,559
Speaker 5: Hit Maker came up to me. He says, I only

1619
01:26:07,600 --> 01:26:10,160
Speaker 5: do what I think you would do. He said that. Kall,

1620
01:26:10,240 --> 01:26:12,880
Speaker 5: It says that too. You know, so that they was

1621
01:26:12,880 --> 01:26:14,400
Speaker 5: watching me and watching what I do.

1622
01:26:15,800 --> 01:26:18,280
Speaker 4: You know, I applaud him. I think he's killing it.

1623
01:26:18,400 --> 01:26:22,960
Speaker 4: He hit maker makes great feel good music, So I

1624
01:26:23,080 --> 01:26:25,679
Speaker 4: got no problem with with any of that.

1625
01:26:25,760 --> 01:26:27,639
Speaker 9: Is there any other cats that you're looking at, like Yo,

1626
01:26:28,000 --> 01:26:28,840
Speaker 9: just do is nice.

1627
01:26:29,520 --> 01:26:32,800
Speaker 4: There's a few hit boy. I thought hit boy. I

1628
01:26:32,840 --> 01:26:36,800
Speaker 4: thought that niggas in Paris beat. That beat alone is

1629
01:26:37,000 --> 01:26:38,519
Speaker 4: like he's immortal to me.

1630
01:26:38,560 --> 01:26:40,880
Speaker 7: I like what he's been doing with Nas to the last.

1631
01:26:41,000 --> 01:26:42,360
Speaker 7: I think he did three albums together.

1632
01:26:43,080 --> 01:26:44,280
Speaker 5: One's coming. It's very nostalgic.

1633
01:26:45,240 --> 01:26:48,479
Speaker 4: Yeah, but I think with Nas and this is just me.

1634
01:26:49,560 --> 01:26:52,439
Speaker 4: Nas is the Queen's nigga. So I have a specific opinion.

1635
01:26:53,680 --> 01:26:57,439
Speaker 4: I don't like it, and he hates this. But I

1636
01:26:57,520 --> 01:27:02,680
Speaker 4: don't give a fuck about to going to Africa spiritual nods.

1637
01:27:03,120 --> 01:27:06,479
Speaker 4: The I don't give a fuck about the ns. Who

1638
01:27:06,560 --> 01:27:11,000
Speaker 4: wants to do right by the world. I want the

1639
01:27:11,080 --> 01:27:14,040
Speaker 4: nigga pissing in the elevator. So you want nasty nods

1640
01:27:14,720 --> 01:27:18,040
Speaker 4: every time? Like every time, I don't. I don't want

1641
01:27:18,040 --> 01:27:22,479
Speaker 4: to hear. I know I can with the kids, fuck

1642
01:27:22,560 --> 01:27:25,880
Speaker 4: all that. I want to hear they shooting now made

1643
01:27:25,920 --> 01:27:29,320
Speaker 4: you look. I want to hear the grimy pissing it

1644
01:27:29,360 --> 01:27:33,400
Speaker 4: in the elevator nods. I think when he's on that vibe,

1645
01:27:33,680 --> 01:27:37,439
Speaker 4: there's no one like him. When he's on that vibe

1646
01:27:37,600 --> 01:27:41,800
Speaker 4: and painting them pictures of Queensbridge and drug dealing, and

1647
01:27:41,920 --> 01:27:43,960
Speaker 4: that there's no one like this.

1648
01:27:44,040 --> 01:27:44,320
Speaker 5: Nigga.

1649
01:27:44,400 --> 01:27:49,840
Speaker 4: Yo, I think Illmatic. I think Illmatic might be the

1650
01:27:49,880 --> 01:27:51,519
Speaker 4: best hip hop album I ever made.

1651
01:27:51,560 --> 01:27:53,439
Speaker 9: You know what, well we can now.

1652
01:27:54,360 --> 01:27:55,000
Speaker 5: No, it's a fact.

1653
01:27:55,040 --> 01:27:57,559
Speaker 9: I've been arguing this for the past twenty years.

1654
01:27:57,680 --> 01:27:59,519
Speaker 7: I mean it's not on the argument, but I mean

1655
01:27:59,640 --> 01:28:00,880
Speaker 7: as a hip hop album.

1656
01:28:00,960 --> 01:28:02,400
Speaker 9: But then it defeats your argument.

1657
01:28:02,479 --> 01:28:04,880
Speaker 5: No, no, no, you gotta understand who you think.

1658
01:28:04,960 --> 01:28:08,639
Speaker 9: No, no, say your argument. I can get a chance.

1659
01:28:08,680 --> 01:28:10,760
Speaker 7: I think it was written as a better album than

1660
01:28:10,760 --> 01:28:11,320
Speaker 7: it Matic.

1661
01:28:11,320 --> 01:28:13,880
Speaker 5: I'm gonna tell you why. I'll tell you why. I'm

1662
01:28:13,880 --> 01:28:15,680
Speaker 5: gonna tell you why. I'm gonna tell you why. I'm

1663
01:28:15,680 --> 01:28:18,040
Speaker 5: gonna tell you what. I'm gonna tell you why it

1664
01:28:18,080 --> 01:28:18,519
Speaker 5: was written.

1665
01:28:18,560 --> 01:28:21,400
Speaker 7: He started thinking, No, no, it was written when he

1666
01:28:21,439 --> 01:28:22,400
Speaker 7: was on some fly ship.

1667
01:28:22,520 --> 01:28:23,559
Speaker 5: Look, I don't like it.

1668
01:28:23,600 --> 01:28:26,720
Speaker 7: Did I just say that that's personal opinion because it

1669
01:28:27,000 --> 01:28:29,759
Speaker 7: got his best Well, when did he become a superstar?

1670
01:28:30,000 --> 01:28:33,360
Speaker 5: It was every day, complete, your last thing, the young

1671
01:28:34,840 --> 01:28:35,160
Speaker 5: the world.

1672
01:28:35,760 --> 01:28:38,800
Speaker 9: Hey, hey, it's an anticipation for him.

1673
01:28:39,120 --> 01:28:41,799
Speaker 5: Listen, super listen, listen and see.

1674
01:28:41,760 --> 01:28:46,760
Speaker 4: I give nads the same thing I give Dre, Doctor Dre.

1675
01:28:46,920 --> 01:28:47,880
Speaker 5: I said to Dre Dre.

1676
01:28:48,000 --> 01:28:50,559
Speaker 4: Once, I said, Dre, do you know why you could

1677
01:28:50,560 --> 01:28:53,200
Speaker 4: put out The Chronic ten years later? It still serve

1678
01:28:53,280 --> 01:28:57,479
Speaker 4: niggas because we don't do what you do. Nigga, when's

1679
01:28:57,520 --> 01:29:00,400
Speaker 4: the last time you heard a gangst the album The

1680
01:29:00,479 --> 01:29:01,760
Speaker 4: Chronic two thousand and one.

1681
01:29:02,000 --> 01:29:05,600
Speaker 5: So if he comes out and him and Snoop and fucking.

1682
01:29:07,000 --> 01:29:10,559
Speaker 4: All those old gangst niggs, if they make a record

1683
01:29:11,520 --> 01:29:14,839
Speaker 4: and doctor Dre makes it, it's gonna be that gangster

1684
01:29:14,880 --> 01:29:16,160
Speaker 4: ship that were missing.

1685
01:29:16,960 --> 01:29:19,160
Speaker 5: And I said to Nas the same thing.

1686
01:29:19,760 --> 01:29:23,600
Speaker 4: Niggas, don't give that motherfucking pits it in the elevator

1687
01:29:23,760 --> 01:29:24,960
Speaker 4: music like you.

1688
01:29:26,280 --> 01:29:30,559
Speaker 7: The Army Jacket Nas is legendary, but the aver Rex

1689
01:29:30,720 --> 01:29:35,519
Speaker 7: Nas no different. Bro Esco the Third like the Esco

1690
01:29:35,640 --> 01:29:43,240
Speaker 7: ball Era. You're losing, man.

1691
01:29:41,439 --> 01:29:42,280
Speaker 5: You're losing.

1692
01:29:44,520 --> 01:29:47,479
Speaker 7: Esco bro Escot's fly.

1693
01:29:48,080 --> 01:29:53,240
Speaker 4: I don't want to fly, nigga. I want the fucking ignorant.

1694
01:29:53,840 --> 01:29:57,200
Speaker 4: I went to hell for snuffing Jesus. Nigga, who the

1695
01:29:57,240 --> 01:30:00,600
Speaker 4: fuck says that when I was twelve into hell for

1696
01:30:00,640 --> 01:30:01,599
Speaker 4: snuffing Jesus.

1697
01:30:01,640 --> 01:30:03,360
Speaker 5: First of all, for.

1698
01:30:03,360 --> 01:30:07,800
Speaker 4: You to think that that's crazy, you're fucking a lunaty.

1699
01:30:08,520 --> 01:30:11,000
Speaker 4: But he expanded on it going to the later things.

1700
01:30:11,000 --> 01:30:12,800
Speaker 4: He says, y'all don't believe in none of this ship.

1701
01:30:12,880 --> 01:30:14,080
Speaker 4: Your facts is backwards.

1702
01:30:14,479 --> 01:30:17,800
Speaker 8: So this nigga is a He was waving automatic guns

1703
01:30:17,800 --> 01:30:21,479
Speaker 8: and nuns like, come on, man, come that's Max.

1704
01:30:21,560 --> 01:30:23,400
Speaker 9: I mean, I'm glad I came to say that from.

1705
01:30:23,479 --> 01:30:26,759
Speaker 4: Made You Look may be the best hip hop record.

1706
01:30:27,720 --> 01:30:30,400
Speaker 4: He has the best hip hop album and the best

1707
01:30:30,479 --> 01:30:34,280
Speaker 4: hip hop single. The best hip hop record might be

1708
01:30:34,400 --> 01:30:35,240
Speaker 4: Made You Look.

1709
01:30:35,080 --> 01:30:36,360
Speaker 5: Better than if I Roll the World.

1710
01:30:37,520 --> 01:30:39,680
Speaker 13: If I Roll the Wall, it isn't even in the

1711
01:30:39,720 --> 01:30:44,360
Speaker 13: fucking It isn't even in the sentence, and isn't none

1712
01:30:44,320 --> 01:30:45,120
Speaker 13: of the last.

1713
01:30:47,640 --> 01:30:50,120
Speaker 5: I said a hip hop record, you're gonna put it?

1714
01:30:50,240 --> 01:30:55,519
Speaker 13: If I wrote and Laura in the bitch listen, great record, immortal, iconic.

1715
01:30:55,880 --> 01:30:58,559
Speaker 5: He ain't on a fucking less that's the greatest hip

1716
01:30:58,560 --> 01:30:59,360
Speaker 5: hop if he does.

1717
01:30:59,520 --> 01:31:01,960
Speaker 7: If he doesn't, Versus, that's his last song, that's his

1718
01:31:02,000 --> 01:31:02,519
Speaker 7: last song.

1719
01:31:02,400 --> 01:31:06,240
Speaker 13: On the funk about Versus, Nigga talking about I said

1720
01:31:06,280 --> 01:31:10,040
Speaker 13: it him, if I said it, Hippro, I said, Major

1721
01:31:10,120 --> 01:31:13,160
Speaker 13: Look might be the best hip hop records.

1722
01:31:13,200 --> 01:31:13,799
Speaker 5: Major Records.

1723
01:31:13,840 --> 01:31:17,240
Speaker 7: Make You Look was our theme songs. Intro to intro

1724
01:31:17,479 --> 01:31:23,200
Speaker 7: to the show. That's dope, the tollhot, the gun shot, No,

1725
01:31:23,320 --> 01:31:26,040
Speaker 7: you gotta let it fly with the gun shot starts

1726
01:31:26,120 --> 01:31:28,640
Speaker 7: off like to the world, let the beat fly, and

1727
01:31:28,640 --> 01:31:30,280
Speaker 7: then yeah, beats ridiculous.

1728
01:31:30,640 --> 01:31:35,360
Speaker 5: So the beas ridiculous, but it's a fucking breakbeat. It's

1729
01:31:35,439 --> 01:31:40,280
Speaker 5: hip hop absolutely with the basse nigga.

1730
01:31:40,560 --> 01:31:42,759
Speaker 13: And then you just said that if I ruled the world,

1731
01:31:43,000 --> 01:31:45,920
Speaker 13: it's not even in the same beat continent.

1732
01:31:47,200 --> 01:31:49,720
Speaker 5: If I ruled the world and made you look, ain't

1733
01:31:49,760 --> 01:31:57,800
Speaker 5: even the same planet, nigga, then planet alright, alright, so

1734
01:31:59,040 --> 01:32:01,840
Speaker 5: let's hold on. I want to hear one on the list.

1735
01:32:02,160 --> 01:32:02,840
Speaker 5: What's on the list?

1736
01:32:02,880 --> 01:32:05,360
Speaker 8: Like if we had the best hip hop records, because

1737
01:32:05,400 --> 01:32:06,719
Speaker 8: like in my mind, I got like five.

1738
01:32:06,840 --> 01:32:09,040
Speaker 9: I'm like, yo, these are the best records that I've

1739
01:32:09,080 --> 01:32:09,960
Speaker 9: ever heard in hip hop.

1740
01:32:10,000 --> 01:32:12,080
Speaker 5: It's like, I want to hear yours.

1741
01:32:12,080 --> 01:32:14,080
Speaker 11: And then the ones that you album the song so

1742
01:32:14,280 --> 01:32:17,400
Speaker 11: talking just songs, the song single, what's the best you

1743
01:32:17,520 --> 01:32:22,800
Speaker 11: gotta put Sucker MC's run DMC And I know I'm old,

1744
01:32:23,560 --> 01:32:24,479
Speaker 11: that's fair, but you.

1745
01:32:24,439 --> 01:32:25,599
Speaker 5: Gotta put that on there.

1746
01:32:25,640 --> 01:32:28,439
Speaker 11: Okay, okay, it's the best hip hop made you look

1747
01:32:29,200 --> 01:32:30,000
Speaker 11: is on in there.

1748
01:32:31,200 --> 01:32:34,519
Speaker 4: Every beef for president has to be there. It's in

1749
01:32:34,600 --> 01:32:37,120
Speaker 4: the conversation that has to be there. No, but I'm

1750
01:32:37,120 --> 01:32:40,559
Speaker 4: saying it's in the conversation. Okay, okay, but it ain't

1751
01:32:40,600 --> 01:32:41,880
Speaker 4: harder than made You Look.

1752
01:32:42,040 --> 01:32:44,360
Speaker 5: And you so one of them every beef for president. No,

1753
01:32:44,439 --> 01:32:46,719
Speaker 5: it's not. It's not harder than made You Look.

1754
01:32:47,160 --> 01:32:48,639
Speaker 9: I'm gonna let you go, keep going.

1755
01:32:49,080 --> 01:32:51,519
Speaker 5: It's a great hip hop record, but it ain't harder

1756
01:32:51,560 --> 01:32:52,360
Speaker 5: than Major Look.

1757
01:32:52,960 --> 01:32:59,080
Speaker 4: Uh, West Coast is different because West Coast made production

1758
01:33:00,240 --> 01:33:03,479
Speaker 4: like these records that I just named is like raw

1759
01:33:03,640 --> 01:33:04,760
Speaker 4: hip hop records.

1760
01:33:04,520 --> 01:33:06,440
Speaker 7: But it's still hip hop. Is it's a different.

1761
01:33:06,479 --> 01:33:09,040
Speaker 5: First Coach, don't give you raw hip hop.

1762
01:33:09,840 --> 01:33:15,760
Speaker 4: They give you oh my God production hip hop, Doctor Dre,

1763
01:33:16,800 --> 01:33:25,320
Speaker 4: they give you doctor Dre. Masterpieces, hip hop classics might

1764
01:33:25,360 --> 01:33:28,360
Speaker 4: have been definitely raw Nigga like bomb Bom Bomb Bums

1765
01:33:28,800 --> 01:33:30,720
Speaker 4: Boom like that.

1766
01:33:32,320 --> 01:33:33,559
Speaker 5: That's like a raw hip hop.

1767
01:33:33,560 --> 01:33:35,000
Speaker 7: I think I think this is a This is a joke.

1768
01:33:35,080 --> 01:33:36,720
Speaker 5: Whatever happened to Little Malik.

1769
01:33:38,160 --> 01:33:40,480
Speaker 4: That nigga was supposed to be the biggest rapper.

1770
01:33:40,520 --> 01:33:45,320
Speaker 5: Over Pump Pup? No, and when I can't be deep

1771
01:33:46,280 --> 01:33:48,400
Speaker 5: Little Malik, y'all niggas wasn't.

1772
01:33:48,400 --> 01:33:50,680
Speaker 13: The whole world was on Little Mile we find out

1773
01:33:51,640 --> 01:33:52,679
Speaker 13: what the fuck happened?

1774
01:33:52,680 --> 01:33:58,439
Speaker 5: A little happened? Google what happened to Little Belief? Please someone.

1775
01:33:58,960 --> 01:34:03,240
Speaker 13: Yo, Hey, y'all, never think that that nigga off of

1776
01:34:03,360 --> 01:34:06,120
Speaker 13: Snoops album, which was the biggest album then he had

1777
01:34:06,160 --> 01:34:09,880
Speaker 13: the last verse on that fucking album and smoked it.

1778
01:34:11,240 --> 01:34:12,200
Speaker 5: That Pump Pump.

1779
01:34:12,000 --> 01:34:15,680
Speaker 4: Record is like that was there? That was to me,

1780
01:34:16,000 --> 01:34:18,800
Speaker 4: their coach to a raw hip hop record, because they

1781
01:34:18,800 --> 01:34:21,240
Speaker 4: don't make like Jen and Juice ain't no raw hip

1782
01:34:21,280 --> 01:34:25,760
Speaker 4: hop record. That's a colossal, big record production.

1783
01:34:26,200 --> 01:34:26,880
Speaker 5: So what's raw?

1784
01:34:27,160 --> 01:34:30,000
Speaker 7: So I'm trying to all right, you're saying raw hip hop,

1785
01:34:30,000 --> 01:34:34,080
Speaker 7: but you're you're you're biased, You're biased from a geographic

1786
01:34:34,240 --> 01:34:37,120
Speaker 7: and even even the records you've you've made are like

1787
01:34:37,479 --> 01:34:39,919
Speaker 7: they're not the big records.

1788
01:34:40,080 --> 01:34:40,280
Speaker 5: Right.

1789
01:34:40,960 --> 01:34:43,439
Speaker 11: I would never say put It on Me is the

1790
01:34:44,680 --> 01:34:46,800
Speaker 11: no no no, that's that's the equivalent to this nigga

1791
01:34:48,200 --> 01:34:53,080
Speaker 11: the world didn't records, bro No, put It on Me

1792
01:34:53,160 --> 01:34:55,240
Speaker 11: is one of is a hip hop record made you

1793
01:34:55,360 --> 01:34:57,240
Speaker 11: get it's an argument that it could be a top

1794
01:34:57,280 --> 01:34:57,799
Speaker 11: ten record.

1795
01:34:58,800 --> 01:34:59,360
Speaker 5: Was so big.

1796
01:35:01,160 --> 01:35:05,160
Speaker 7: Listen, Jago had the best karaoke catalog. We've tested this out.

1797
01:35:05,520 --> 01:35:07,240
Speaker 7: Jago karaoke is a real thing, you know.

1798
01:35:07,320 --> 01:35:09,519
Speaker 5: That's why my catalog sold for so much.

1799
01:35:10,640 --> 01:35:14,760
Speaker 4: I actually went and spoke to people at Spotify at

1800
01:35:14,760 --> 01:35:19,440
Speaker 4: titled the Streamers, and what they said to me was crazy.

1801
01:35:19,520 --> 01:35:25,200
Speaker 4: They was, there was likerv. Your music streams probably more

1802
01:35:25,240 --> 01:35:32,320
Speaker 4: than most new artists. Not little Baby right, but like

1803
01:35:33,760 --> 01:35:37,879
Speaker 4: poland Polish. No, but he's what his's why they said Polish.

1804
01:35:38,000 --> 01:35:43,400
Speaker 4: They said, you know Spotify, you strive to get on

1805
01:35:43,479 --> 01:35:47,479
Speaker 4: Rap Caveat. Yes, they got twenty million followers. You're lit

1806
01:35:47,520 --> 01:35:50,160
Speaker 4: if you're on ra CA, they said, herb. But with

1807
01:35:50,240 --> 01:35:53,000
Speaker 4: you though, a weird thing happens because a lot of

1808
01:35:53,439 --> 01:35:57,960
Speaker 4: most everyone makes their own playlists, like you'll make your

1809
01:35:57,960 --> 01:35:59,439
Speaker 4: own music that I like.

1810
01:35:59,800 --> 01:36:04,400
Speaker 5: And they said, IRV, you're gonna have a lot of

1811
01:36:04,439 --> 01:36:08,240
Speaker 5: records on people's playlists. There's an IRV. If they make

1812
01:36:08,680 --> 01:36:11,559
Speaker 5: barbecue Vibe, you got like ten records on there.

1813
01:36:12,600 --> 01:36:15,760
Speaker 4: No that that job cooking, cooking in the kitchen Vibe,

1814
01:36:16,040 --> 01:36:17,920
Speaker 4: you're gonna have like three or four records on it.

1815
01:36:18,439 --> 01:36:22,519
Speaker 4: So they told me the metrics of my music because

1816
01:36:22,560 --> 01:36:26,200
Speaker 4: it's such field goal music, which everyone loves. They like,

1817
01:36:26,320 --> 01:36:30,200
Speaker 4: you're on most people's playlists when they make their own playlists.

1818
01:36:31,240 --> 01:36:33,040
Speaker 4: You have records on their playlist.

1819
01:36:33,320 --> 01:36:34,479
Speaker 5: But do you think I know you said.

1820
01:36:34,680 --> 01:36:37,240
Speaker 4: I mean, if you make a playlist, listen, if you

1821
01:36:37,320 --> 01:36:41,040
Speaker 4: make a playlist that, okay, this is my playlist. When

1822
01:36:41,040 --> 01:36:44,320
Speaker 4: I have company over, I'm entertaining a vast group of people,

1823
01:36:44,760 --> 01:36:46,639
Speaker 4: I'm gonna have a lot of records on that playlist.

1824
01:36:46,920 --> 01:36:48,439
Speaker 5: You do, like I said.

1825
01:36:50,640 --> 01:36:54,880
Speaker 7: So, But that's why they said my ship is worth

1826
01:36:54,960 --> 01:36:56,479
Speaker 7: what you said. It also been going up since you

1827
01:36:56,560 --> 01:36:58,840
Speaker 7: sold it, though, too right, this ship is weird.

1828
01:36:58,960 --> 01:37:01,240
Speaker 5: Why do you think so? I fucking have no idea.

1829
01:37:01,400 --> 01:37:01,880
Speaker 5: Do you think so?

1830
01:37:02,080 --> 01:37:04,160
Speaker 8: That's that's what I was alluding to, is like he

1831
01:37:04,280 --> 01:37:07,519
Speaker 8: did the verses with Joe, and I feel like it

1832
01:37:07,640 --> 01:37:09,599
Speaker 8: was definitely made it go. That made it go great

1833
01:37:09,600 --> 01:37:11,120
Speaker 8: that it was like it was a reminder like, yo,

1834
01:37:11,200 --> 01:37:14,720
Speaker 8: look this dude has monster like you don't want to

1835
01:37:14,720 --> 01:37:15,439
Speaker 8: play with that dude.

1836
01:37:15,479 --> 01:37:18,880
Speaker 7: You know, people have short term memories because like when

1837
01:37:18,920 --> 01:37:20,800
Speaker 7: I was in prep school, Jaru, he was like, what

1838
01:37:20,960 --> 01:37:21,720
Speaker 7: Drake is?

1839
01:37:22,120 --> 01:37:24,200
Speaker 5: Yes? No, he was which Drake?

1840
01:37:24,640 --> 01:37:27,280
Speaker 7: Huh drizzy he was? He was like Drake, Yes, he

1841
01:37:27,400 --> 01:37:29,160
Speaker 7: was like Drake, Drake just has a longer run.

1842
01:37:29,240 --> 01:37:31,560
Speaker 8: I'm saying, what Drake? It is like Tom Brady with

1843
01:37:31,640 --> 01:37:33,599
Speaker 8: this now, it's like ten years of dominant Drake.

1844
01:37:34,000 --> 01:37:37,160
Speaker 7: Drake's been a number one stuff twelve years. That's what

1845
01:37:37,160 --> 01:37:38,920
Speaker 7: I'm saying. This is Tom Brady now like one of

1846
01:37:38,960 --> 01:37:41,360
Speaker 7: those twelve years when Drake was Drake's been number one

1847
01:37:41,439 --> 01:37:45,360
Speaker 7: artists twelve years. Yes, Jaru had about three years when

1848
01:37:45,400 --> 01:37:47,240
Speaker 7: he was that big right artist.

1849
01:37:47,720 --> 01:37:48,559
Speaker 5: He was the biggest artist.

1850
01:37:48,600 --> 01:37:52,600
Speaker 7: Okay, that's it people, people people forget that though, So

1851
01:37:52,720 --> 01:37:55,160
Speaker 7: when the verses, I already knew he was going to

1852
01:37:55,200 --> 01:37:57,320
Speaker 7: have a stellar performance. It wasn't even up for debate.

1853
01:37:57,400 --> 01:37:59,080
Speaker 7: In my mind, I don't think they forgot it.

1854
01:37:59,160 --> 01:38:02,200
Speaker 8: I think the fifty he made them feel like, yo,

1855
01:38:02,280 --> 01:38:05,599
Speaker 8: you can't like him, even though he had big ass records, right.

1856
01:38:05,880 --> 01:38:06,479
Speaker 5: He might have forgot.

1857
01:38:06,680 --> 01:38:08,519
Speaker 7: They might have forgotten too though, they forgot a lot

1858
01:38:08,520 --> 01:38:09,360
Speaker 7: of records.

1859
01:38:09,080 --> 01:38:11,919
Speaker 4: That he had a big part in it because exactly

1860
01:38:11,960 --> 01:38:16,960
Speaker 4: what you said. He made people like not want to

1861
01:38:17,439 --> 01:38:20,240
Speaker 4: discredit the situation. He made people feel like I ain't

1862
01:38:20,280 --> 01:38:23,519
Speaker 4: cool if I play jib, which is crazy. All of

1863
01:38:23,600 --> 01:38:26,519
Speaker 4: that's over now though the hits live.

1864
01:38:27,200 --> 01:38:30,360
Speaker 5: You can't us. You can't know, but you can't.

1865
01:38:30,479 --> 01:38:33,439
Speaker 4: What I've learned with my catalog is something that I've

1866
01:38:33,520 --> 01:38:37,080
Speaker 4: taken over the TV film make great Ship, because great

1867
01:38:37,160 --> 01:38:40,240
Speaker 4: ship will stand the test of time, and like a

1868
01:38:40,320 --> 01:38:44,080
Speaker 4: great movie is forever, a great TV series you'll watch

1869
01:38:44,120 --> 01:38:46,960
Speaker 4: it forever. So it's like the same thing with music.

1870
01:38:47,240 --> 01:38:50,080
Speaker 4: I make great music. It's standing, it's gonna be forever.

1871
01:38:50,520 --> 01:38:52,639
Speaker 4: I'm gonna make TV and film like that too.

1872
01:38:54,280 --> 01:38:58,880
Speaker 5: That's it. That's when. That's when, when you own it,

1873
01:38:59,000 --> 01:39:01,560
Speaker 5: it's worth something. Yeah, there's a lot of people that

1874
01:39:01,720 --> 01:39:04,400
Speaker 5: was making music twenty years ago like me, but they

1875
01:39:04,439 --> 01:39:06,920
Speaker 5: ain't selling the ship for a hundred. They own it.

1876
01:39:07,160 --> 01:39:07,840
Speaker 9: It's gonna be tough.

1877
01:39:08,000 --> 01:39:08,840
Speaker 5: They don't own it.

1878
01:39:08,880 --> 01:39:10,360
Speaker 4: But even if they own they own it, it's not

1879
01:39:10,439 --> 01:39:13,639
Speaker 4: worth not worth anything because a lot of niggas came

1880
01:39:14,360 --> 01:39:18,200
Speaker 4: in with Olivier and Olivia is like, I don't want

1881
01:39:18,240 --> 01:39:20,160
Speaker 4: to buy it. It's not like yours.

1882
01:39:20,280 --> 01:39:22,719
Speaker 5: Not interested. He's like, it's not like yours.

1883
01:39:23,840 --> 01:39:28,000
Speaker 4: It's not gonna in twenty years where he feels it's

1884
01:39:28,040 --> 01:39:29,200
Speaker 4: still gonna be ringing off.

1885
01:39:30,320 --> 01:39:31,200
Speaker 5: It's still gonna be ringing.

1886
01:39:32,120 --> 01:39:34,080
Speaker 4: That's when you could get that hundred. That's when you

1887
01:39:34,120 --> 01:39:37,719
Speaker 4: could get the bag. So that's why I said, moving forward,

1888
01:39:37,920 --> 01:39:40,679
Speaker 4: that's I took that with TV and film. I gotta

1889
01:39:40,720 --> 01:39:42,400
Speaker 4: make great, great content.

1890
01:39:42,640 --> 01:39:44,639
Speaker 9: How many singles in it? How many songs in the catalog?

1891
01:39:45,320 --> 01:39:49,400
Speaker 5: It's like twenty something like twenty five albums. Twenty five

1892
01:39:49,479 --> 01:39:55,000
Speaker 5: albums so wow yeah, wow. See but you look at

1893
01:39:55,120 --> 01:39:55,880
Speaker 5: like No Limit.

1894
01:39:56,520 --> 01:40:00,760
Speaker 4: Remember No Limit was dropping records, right, but albums every week,

1895
01:40:00,800 --> 01:40:03,519
Speaker 4: So even even thing if I'm quite sure if Master

1896
01:40:03,640 --> 01:40:06,400
Speaker 4: P wanted to sell it's a big best check.

1897
01:40:06,920 --> 01:40:09,320
Speaker 7: Yeah, and that's the only think. It's nobody's the biggest.

1898
01:40:09,680 --> 01:40:12,200
Speaker 7: That's the cash money's the biggest, but nobody's got nobody's

1899
01:40:12,400 --> 01:40:12,920
Speaker 7: listening to those.

1900
01:40:13,160 --> 01:40:14,800
Speaker 5: To those cash money will get a billy.

1901
01:40:15,280 --> 01:40:17,360
Speaker 7: But the little but little How was little Wayne able

1902
01:40:17,400 --> 01:40:19,040
Speaker 7: to sell his master's I heard.

1903
01:40:18,960 --> 01:40:20,639
Speaker 5: Lil Wayne sold his young money.

1904
01:40:20,680 --> 01:40:22,559
Speaker 9: Money like young money. It wasn't cash money.

1905
01:40:22,600 --> 01:40:26,000
Speaker 7: But baby didn't That wasn't babies. No, he probably had

1906
01:40:26,040 --> 01:40:29,240
Speaker 7: fifty percent some some level ownership. Yeah, that's just young money.

1907
01:40:29,280 --> 01:40:31,800
Speaker 7: So that's only from two thousand and eight to the present.

1908
01:40:33,160 --> 01:40:34,559
Speaker 5: But I heard hey got a hundred too.

1909
01:40:35,040 --> 01:40:36,200
Speaker 7: Ber Man the best that ever did it.

1910
01:40:36,800 --> 01:40:41,320
Speaker 4: Yeah, as far as labels goes, there's no disputing cash

1911
01:40:41,360 --> 01:40:42,680
Speaker 4: money is the greatest slave ever.

1912
01:40:43,400 --> 01:40:46,400
Speaker 7: Yeah, it is twenty five years still going think about it.

1913
01:40:46,560 --> 01:40:50,200
Speaker 7: Biggest artists. You know what I man, Huh that shit

1914
01:40:50,360 --> 01:40:55,280
Speaker 7: was out over twenty five, twenty three years ago, ninety nine.

1915
01:40:55,360 --> 01:40:58,360
Speaker 5: Yeah, nigga did the nigga's been hot. Now they got

1916
01:40:58,640 --> 01:41:00,360
Speaker 5: a young boy twenty three later.

1917
01:41:00,439 --> 01:41:02,280
Speaker 9: I think he's just as he signed, as he managed him.

1918
01:41:02,280 --> 01:41:04,559
Speaker 5: Hey, listen, they've been hot all the time.

1919
01:41:05,000 --> 01:41:07,640
Speaker 9: They got and they got Drake, and they got Nikki.

1920
01:41:07,720 --> 01:41:09,479
Speaker 5: Drake, they got nick They don't got Drake anymore.

1921
01:41:10,680 --> 01:41:14,880
Speaker 9: We're always in the business of Drake. That's what he said.

1922
01:41:14,920 --> 01:41:16,040
Speaker 9: We're always gonna be in a business.

1923
01:41:16,479 --> 01:41:19,320
Speaker 5: Yeah. It's like Lebron. Can't let Lebron go.

1924
01:41:20,960 --> 01:41:24,120
Speaker 4: Yeah, but they're the best. They're the best label ever.

1925
01:41:24,640 --> 01:41:27,880
Speaker 4: No one's even close to cash money. I don't think

1926
01:41:28,240 --> 01:41:31,000
Speaker 4: no one's close to him. And if they, if if

1927
01:41:31,040 --> 01:41:34,000
Speaker 4: they ever wanted to sell baby and Slim could get

1928
01:41:34,000 --> 01:41:36,479
Speaker 4: a billy, someone will get him a billion dollars show.

1929
01:41:37,560 --> 01:41:41,439
Speaker 7: Yeah, earth been a pleasure, my brother. Anything you want

1930
01:41:41,479 --> 01:41:42,760
Speaker 7: to let the people know before we before we.

1931
01:41:42,880 --> 01:41:47,880
Speaker 4: Rap tails, we made it an American movie, come on

1932
01:41:48,000 --> 01:41:50,160
Speaker 4: top of the year with a soundtrack.

1933
01:41:51,280 --> 01:41:53,639
Speaker 5: Be on the lookout. It's great content. It's a movie.

1934
01:41:53,920 --> 01:41:55,720
Speaker 5: It's a movie. Streamer services a BT.

1935
01:41:55,880 --> 01:41:58,720
Speaker 4: Oh it's gonna go No, it's gonna be a theatrical

1936
01:41:59,000 --> 01:42:03,799
Speaker 4: then straight stream. Yeah, And I'm adamant about that because

1937
01:42:04,320 --> 01:42:07,839
Speaker 4: when I talk to my business people and the streaming services,

1938
01:42:07,880 --> 01:42:13,599
Speaker 4: as I see Joe, I'm really about my culture. I'm like, nigga,

1939
01:42:13,720 --> 01:42:15,960
Speaker 4: my culture needs to see a movie in the theater.

1940
01:42:16,120 --> 01:42:16,320
Speaker 5: Y'all.

1941
01:42:17,000 --> 01:42:20,080
Speaker 4: We don't get movies made for us. So I want

1942
01:42:20,120 --> 01:42:22,160
Speaker 4: them to be able to go get some popcorn and

1943
01:42:22,320 --> 01:42:24,920
Speaker 4: watch it in the theaties. Hear that music play in

1944
01:42:25,000 --> 01:42:29,640
Speaker 4: the theaters. I actually really want that. So hopefully that.

1945
01:42:29,800 --> 01:42:33,000
Speaker 7: Happens will be as the premiere we will hopefully if

1946
01:42:33,000 --> 01:42:33,599
Speaker 7: we get invited.

1947
01:42:34,080 --> 01:42:40,920
Speaker 5: Yeah, I definitely invited. Jesus Moses. Who's Jesus? Stuff with debate,

1948
01:42:41,080 --> 01:42:44,599
Speaker 5: who's Jesus. He's claiming Jesus, He's Jesus Moses.

1949
01:42:44,840 --> 01:42:46,439
Speaker 8: I guess that's how it was going. Every time Chris

1950
01:42:46,479 --> 01:42:48,120
Speaker 8: says that, he starts with him and says, Jesus.

1951
01:42:48,560 --> 01:42:49,679
Speaker 5: I want to make a movie.

1952
01:42:49,520 --> 01:42:54,160
Speaker 4: Because I hate I hate that you never see black

1953
01:42:54,280 --> 01:43:00,519
Speaker 4: people fight for their freedom. M like Brave Heart, whenever

1954
01:43:00,520 --> 01:43:02,960
Speaker 4: you see white people from three hundred to Brave Heart,

1955
01:43:03,479 --> 01:43:09,200
Speaker 4: white people will die before they fucking become slaves black people.

1956
01:43:10,680 --> 01:43:14,360
Speaker 4: They never showed black people like that. Tried it, Yeah,

1957
01:43:14,400 --> 01:43:17,600
Speaker 4: he tried it, but it wasn't what I'm saying. So

1958
01:43:17,760 --> 01:43:20,000
Speaker 4: I did a little knowledge and they said the Haitian

1959
01:43:20,120 --> 01:43:21,720
Speaker 4: I was just about to say that. He said the

1960
01:43:21,800 --> 01:43:25,280
Speaker 4: Haitians revolted the white people and wasn't going, well, you

1961
01:43:25,320 --> 01:43:27,439
Speaker 4: know they're going to be slaves. You know, Haiti is

1962
01:43:27,479 --> 01:43:29,920
Speaker 4: the only successful and I'm making that movie.

1963
01:43:30,040 --> 01:43:32,880
Speaker 7: Well, Haiti is the only country in the world that

1964
01:43:33,080 --> 01:43:36,800
Speaker 7: has ever been birthed out of a slave revolt. It

1965
01:43:36,920 --> 01:43:37,920
Speaker 7: never has been done before.

1966
01:43:38,200 --> 01:43:40,200
Speaker 5: I'm making that movie because like.

1967
01:43:42,040 --> 01:43:43,920
Speaker 9: The breaking this is breaking news.

1968
01:43:44,160 --> 01:43:49,360
Speaker 4: Free nigga got his head chopped off me freedom till

1969
01:43:49,400 --> 01:43:53,800
Speaker 4: he died, y'all. I want to see black people do

1970
01:43:54,560 --> 01:43:58,280
Speaker 4: it makes sense. Every time we see black people and

1971
01:43:58,479 --> 01:44:02,680
Speaker 4: we're very strong, we could probably fuck white people up.

1972
01:44:03,120 --> 01:44:05,000
Speaker 4: I'm gonna go out on the limb and say, your

1973
01:44:05,040 --> 01:44:09,720
Speaker 4: niggas from Africa, my bunny on. I'm gonna go out

1974
01:44:09,760 --> 01:44:11,840
Speaker 4: on the limb. The niggas came over there with the

1975
01:44:12,439 --> 01:44:16,720
Speaker 4: baying that to whatever perhaps, but what they do, they

1976
01:44:16,800 --> 01:44:21,400
Speaker 4: got on the boat. So I want to make a

1977
01:44:21,520 --> 01:44:27,599
Speaker 4: movie that's true, that depicts niggas standing up and saying

1978
01:44:27,760 --> 01:44:28,200
Speaker 4: fuck you.

1979
01:44:28,800 --> 01:44:30,280
Speaker 5: Freedom or death.

1980
01:44:31,360 --> 01:44:32,519
Speaker 9: That might be the name of the movie.

1981
01:44:34,680 --> 01:44:38,600
Speaker 5: I'm serious, though, I'm serious. You can't do that. You

1982
01:44:38,720 --> 01:44:39,240
Speaker 5: can't do that.

1983
01:44:41,080 --> 01:44:43,600
Speaker 4: Your man Kanye, and Kanye is a friend, but I

1984
01:44:43,800 --> 01:44:45,439
Speaker 4: just I don't know what he's doing.

1985
01:44:46,920 --> 01:44:47,120
Speaker 5: Right now.

1986
01:44:47,160 --> 01:44:50,640
Speaker 4: I don't know what he's doing. Like Ken, I'll tell

1987
01:44:50,680 --> 01:44:53,400
Speaker 4: you that, I don't know. I'll tell you this though, me,

1988
01:44:53,600 --> 01:44:56,400
Speaker 4: Jay and Kanye was in Paris. Niggas in Paris. I

1989
01:44:56,479 --> 01:44:59,160
Speaker 4: had to go see them perform. So when they I

1990
01:44:59,200 --> 01:45:01,599
Speaker 4: think it was Washington Room tour, flew out to Paris.

1991
01:45:03,080 --> 01:45:06,680
Speaker 4: We was at this little Dinah and if y'all know, yeah,

1992
01:45:06,760 --> 01:45:07,719
Speaker 4: Yeay is just different.

1993
01:45:07,920 --> 01:45:10,160
Speaker 5: He is, so he said. They told me.

1994
01:45:10,240 --> 01:45:12,639
Speaker 4: He says, you know, got he He said, I want

1995
01:45:12,640 --> 01:45:14,680
Speaker 4: to do some shit to make the whole world hate me.

1996
01:45:16,320 --> 01:45:18,760
Speaker 4: They don't make him love me again. So whenever he

1997
01:45:18,880 --> 01:45:21,560
Speaker 4: does crazy shit like this, I'll be like, is this

1998
01:45:21,960 --> 01:45:24,920
Speaker 4: is he trying to make everyone? Because what what do

1999
01:45:25,000 --> 01:45:29,680
Speaker 4: you think you're gonna get getting from black people by

2000
01:45:29,760 --> 01:45:34,040
Speaker 4: shitting on George Floyd and his death. No black person,

2001
01:45:36,000 --> 01:45:38,800
Speaker 4: even if you're right, I don't No one cares if

2002
01:45:38,840 --> 01:45:41,240
Speaker 4: you're right or wrong. If you have fentanyl, nigga got

2003
01:45:41,400 --> 01:45:45,240
Speaker 4: choked out by some fucking racist cops. Shut the fuck up.

2004
01:45:46,880 --> 01:45:50,840
Speaker 5: Like, what is that? Yeah, I think it was a miscordedor.

2005
01:45:51,040 --> 01:45:52,439
Speaker 7: I don't think he said they said.

2006
01:45:52,600 --> 01:45:54,759
Speaker 5: He said, Oh, he said he died from fentanyl.

2007
01:45:54,800 --> 01:45:56,920
Speaker 7: So they hit him with the finanel. They hit him,

2008
01:45:57,200 --> 01:45:59,600
Speaker 7: So I think his brain it's a conspiracy that they

2009
01:45:59,680 --> 01:46:01,559
Speaker 7: actually tried to set him up and they shot him

2010
01:46:01,560 --> 01:46:03,679
Speaker 7: with because he said he prayed for eight minutes before

2011
01:46:04,040 --> 01:46:05,519
Speaker 7: and he said it even fucked him up because he

2012
01:46:05,600 --> 01:46:07,840
Speaker 7: reminded him of virtue. So I think what he was

2013
01:46:07,880 --> 01:46:10,719
Speaker 7: trying to say was like they killed him with fittanel,

2014
01:46:10,720 --> 01:46:12,559
Speaker 7: because he said they hit him. If you listen, he said,

2015
01:46:12,640 --> 01:46:14,519
Speaker 7: they said they hit him with the fittanel.

2016
01:46:14,880 --> 01:46:15,439
Speaker 5: That's what he said.

2017
01:46:15,520 --> 01:46:17,200
Speaker 9: Yeah, but the Melican examiner said that wasn't.

2018
01:46:17,680 --> 01:46:19,320
Speaker 5: No. I'm just saying, well, that's what he said, they

2019
01:46:19,400 --> 01:46:20,320
Speaker 5: hit him with the fittanel.

2020
01:46:20,479 --> 01:46:22,560
Speaker 9: I think it's just tough to watch, Like, and I

2021
01:46:22,640 --> 01:46:24,280
Speaker 9: saw Trevor Noah's talk about it.

2022
01:46:24,360 --> 01:46:27,240
Speaker 8: He was like he's had he's dealt with mental illness

2023
01:46:27,280 --> 01:46:30,400
Speaker 8: in his family, and when you know somebody's going through that,

2024
01:46:31,160 --> 01:46:33,360
Speaker 8: we're not putting the camera on him. We're like, yo,

2025
01:46:33,680 --> 01:46:36,600
Speaker 8: is everything okay, you're taking your medication. We're nurturing that

2026
01:46:37,040 --> 01:46:40,400
Speaker 8: rather than saying, oh, having never sold, let's recorded, Yeah, dude, do.

2027
01:46:40,439 --> 01:46:40,960
Speaker 5: It, do it? Do it?

2028
01:46:41,080 --> 01:46:42,720
Speaker 4: And I feel like, I mean, I know, I like

2029
01:46:42,880 --> 01:46:45,960
Speaker 4: Kanye personally, we love him. I know him and I

2030
01:46:46,280 --> 01:46:52,040
Speaker 4: like him, but I don't know what he's doing when

2031
01:46:52,080 --> 01:46:55,240
Speaker 4: he's saying all this shit. And it's like he keeps

2032
01:46:55,280 --> 01:46:59,240
Speaker 4: saying shit to make black people not like him. White

2033
01:46:59,280 --> 01:47:02,120
Speaker 4: lives matter, that the new ship.

2034
01:47:03,040 --> 01:47:05,679
Speaker 9: But it's like, yo, you want you white man can't

2035
01:47:05,680 --> 01:47:06,880
Speaker 9: be like he can't.

2036
01:47:07,560 --> 01:47:10,880
Speaker 4: He's the most like is it because he's running for

2037
01:47:11,000 --> 01:47:12,920
Speaker 4: president and he wants the white vote?

2038
01:47:13,960 --> 01:47:15,920
Speaker 5: That could be part of it. I don't know. I

2039
01:47:15,960 --> 01:47:17,560
Speaker 5: don't know. I don't know.

2040
01:47:17,680 --> 01:47:19,200
Speaker 9: I tried not to give it too much attention.

2041
01:47:20,240 --> 01:47:21,400
Speaker 5: Me too, I don't.

2042
01:47:22,880 --> 01:47:26,120
Speaker 4: I try not to like have an opinion on anything

2043
01:47:26,200 --> 01:47:30,719
Speaker 4: on it, just like that's just it's Kanye, Kanye, Kanye Kanye.

2044
01:47:30,920 --> 01:47:33,920
Speaker 9: I just just pray for our brother, that's all I said. Prayful.

2045
01:47:35,200 --> 01:47:39,200
Speaker 5: We'll see. Yeah, he's a poet, you'll see there.

2046
01:47:39,240 --> 01:47:43,719
Speaker 7: You have a ladies and gentlemen, talsals.

2047
01:47:43,720 --> 01:47:45,760
Speaker 5: We made it in America top of the Year.

2048
01:47:46,439 --> 01:47:49,880
Speaker 4: It's also a TV component called Double Threat showing the

2049
01:47:50,000 --> 01:47:53,200
Speaker 4: making of the movie We made it in America.

2050
01:47:54,479 --> 01:47:58,040
Speaker 5: That's coming to you too. So just feeling a lookout.

2051
01:47:58,080 --> 01:48:00,600
Speaker 5: It's gonna be content coming from you. Boy, I G.

2052
01:48:03,120 --> 01:48:03,640
Speaker 5: Do you have it?

2053
01:48:03,680 --> 01:48:05,479
Speaker 7: Ladies and gentlemen, think you got Rock and West will

2054
01:48:05,479 --> 01:48:06,120
Speaker 7: see you next week.

2055
01:48:10,439 --> 01:48:15,639
Speaker 6: My graduates from my school being force back drop bag drop.

2056
01:48:16,280 --> 01:48:32,320
Speaker 1: Mike Drotadrop, an illegal alien from Guatemala charged with raping

2057
01:48:32,400 --> 01:48:35,840
Speaker 1: a child in Massachusetts. An MS thirteen gang member from

2058
01:48:35,880 --> 01:48:40,200
Speaker 1: Al Salvador accused of murdering a Texas man of Venezuelan

2059
01:48:40,600 --> 01:48:44,599
Speaker 1: charged with filming and selling child pornography in Michigan. These

2060
01:48:44,640 --> 01:48:48,320
Speaker 1: are just some of the heinous migrant criminals caught because

2061
01:48:48,320 --> 01:48:49,280
Speaker 1: of President Donald J.

2062
01:48:49,400 --> 01:48:50,320
Speaker 2: Trump's leadership.

2063
01:48:50,640 --> 01:48:54,240
Speaker 1: I'm Christine nom the United States Secretary of Homeland Security.

2064
01:48:54,600 --> 01:48:58,280
Speaker 1: Under President Trump, attempted illegal border crossings are at the

2065
01:48:58,400 --> 01:49:02,240
Speaker 1: lowest levels ever recorded, and over one hundred thousand illegal

2066
01:49:02,280 --> 01:49:06,080
Speaker 1: aliens have been arrested. If you are here illegally, your

2067
01:49:06,200 --> 01:49:09,519
Speaker 1: next you will be fine nearly one thousand dollars a day.

2068
01:49:09,720 --> 01:49:13,680
Speaker 1: Imprisoned and deported, you will never return, but If you

2069
01:49:13,840 --> 01:49:17,959
Speaker 1: register using our CBP home app and leave now, you could.

2070
01:49:17,720 --> 01:49:21,680
Speaker 2: Be allowed to return legally. Do what's right. Leave now.

2071
01:49:22,200 --> 01:49:26,479
Speaker 1: Under President Trump America's laws, border and families.

2072
01:49:26,160 --> 01:49:26,960
Speaker 2: Will be protected.

2073
01:49:27,080 --> 01:49:29,200
Speaker 3: Sponsored by the United States Department of Homeland Security,