WEBVTT - Jamey Johnson

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is the one and only Jamie Johnston. Jamie,

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<v Speaker 1>you just put out a new album, Midnight Gasoline, your

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<v Speaker 1>first in fourteen years. But what's the break.

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<v Speaker 2>About a lot of different things? I guess, Uh. One,

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<v Speaker 2>I'd just been on the road, uh, seemingly NonStop and

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<v Speaker 2>just didn't have time to write, didn't have time to record.

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<v Speaker 2>But there's also writer's block, and writer's block came in,

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<v Speaker 2>I guess from a head injury.

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<v Speaker 1>So tell me about this head injury.

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<v Speaker 2>Yeah, I was walking out of the studio one night.

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<v Speaker 2>Tw and I were leaving, uh, my studio and stepped

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<v Speaker 2>out onto the asphalt and it had frozen over while

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<v Speaker 2>we were inside working, And as soon as I took

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<v Speaker 2>a step on the asphalt, both of my feet came

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<v Speaker 2>up and broke the fall with the corner of my

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<v Speaker 2>head and I hit so hard that blood shot out

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<v Speaker 2>both nostrils, and of course we got cleaned up and

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<v Speaker 2>went on to the bar.

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<v Speaker 1>Okay, you went to went to the bar. Did you

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<v Speaker 1>ultimately go to the emergency room or see a doctor.

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<v Speaker 2>Yeah, it was a couple of days later, and i'd

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<v Speaker 2>had a concussion.

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<v Speaker 1>Okay, so the blood you were bleeding, but you didn't

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<v Speaker 1>have like a brain bleed, which could kill you.

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<v Speaker 2>What it didn't?

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<v Speaker 1>So you know, I know, and I haven't had a

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<v Speaker 1>concussion myself, but I know people who have. So you're

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<v Speaker 1>after effects went on for a long time. How long

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<v Speaker 1>did the after effects the concussion last?

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<v Speaker 2>Years? I think the first time I really addressed it,

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<v Speaker 2>I did this program out in Scottsdale, Arizona. Back then

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<v Speaker 2>it was called brain State Technology. A man named Lee

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<v Speaker 2>Gertis came up with a technique of basically playing back

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<v Speaker 2>your brain activity in your ears real time, and it's

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<v Speaker 2>like your brain can detect itself and fix itself in

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<v Speaker 2>certain ways. I remember Lee telling me, he said, I

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<v Speaker 2>don't have to know exactly how the brain works. The

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<v Speaker 2>brain knows how it works, and it knows how it

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<v Speaker 2>doesn't work. And that seemed to really helped me for

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<v Speaker 2>a while. The company has since changed names. I think

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<v Speaker 2>they go by Sarah set Now start with a C.

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<v Speaker 1>Okay, so when did this fall happen?

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<v Speaker 2>It's two thy ten?

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<v Speaker 1>And do you think you're fully recovered? Now?

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<v Speaker 2>I don't know what to think now, but it's a

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<v Speaker 2>lot better than it used to be, but it's still

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<v Speaker 2>not like it was before, if that makes any sense.

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<v Speaker 1>Yeah, sure there's improvement. When it was bad, what was

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<v Speaker 1>it like?

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<v Speaker 2>Everything seemed to put me in fight or flight. It

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<v Speaker 2>was like I was walking around nine point nine out

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<v Speaker 2>of ten almost all the time, and you and I

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<v Speaker 2>could be having a conversation and you'd say one thing

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<v Speaker 2>that triggered me, and it would absolutely infuriate me to

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<v Speaker 2>the point I need to separate myself from you. Different

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<v Speaker 2>things like that. It was like parts of it were

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<v Speaker 2>uncharacteristically angry about things, and the other parts were there.

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<v Speaker 2>You know. Songwriting used to be something that was an

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<v Speaker 2>ongoing process with me. I was always writing, even if

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<v Speaker 2>I was having a conversation with somebody, I was still

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<v Speaker 2>in the back of my mind etching out some sort

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<v Speaker 2>of a song detail or working on something that I'd

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<v Speaker 2>started earlier. But it was always running behind the scenes.

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<v Speaker 2>And all of that seemed to come to a screeching

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<v Speaker 2>halt around that time, and songwriting turned into a more

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<v Speaker 2>of a chore. It was something I they had to

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<v Speaker 2>dig into and focus on in order to even complete

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<v Speaker 2>the exercise. There's so many songs that I would that

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<v Speaker 2>I started and just never never finished. You know that

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<v Speaker 2>I would start and just leave little parts of songs

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<v Speaker 2>or just little lines or lyrics or you know, certain things.

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<v Speaker 2>It was almost like a junk yard of song parts

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<v Speaker 2>on legal pads laying around the house.

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<v Speaker 1>Okay, in this period of years when you were having

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<v Speaker 1>the after effects of the concussions, were you on your

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<v Speaker 1>own or was there continuing medical treatment or did you

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<v Speaker 1>have a significant other orho was helping you? What was

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<v Speaker 1>going on now?

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<v Speaker 2>I never really had any help with it. If I

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<v Speaker 2>ever did anything to treat it, it was, you know,

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<v Speaker 2>suggestions I would get from a friend here or there,

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<v Speaker 2>and things that I would try out well that didn't work,

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<v Speaker 2>and then just go back on the road. It's not

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<v Speaker 2>easy to get any kind of medical care when you're

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<v Speaker 2>constantly touring.

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<v Speaker 1>So if this lead date, do you believe your ability

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<v Speaker 1>to write songs is fully re establish itself.

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<v Speaker 2>I feel like I'm able to do it now, and

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<v Speaker 2>that's something that I haven't felt in a long time.

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<v Speaker 2>And I never really did quit. You know, I tried

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<v Speaker 2>and I but my productivity level suffered as a result,

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<v Speaker 2>and it was more important to me over the past. Ever,

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<v Speaker 2>how many years that I tour, you know, that's what

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<v Speaker 2>was paying the bills.

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<v Speaker 1>So despite all these after effects, you could play and

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<v Speaker 1>you could go on the road. Yeah, how difficult was

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<v Speaker 1>that for you?

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<v Speaker 2>I wouldn't say it was difficult. It was you know,

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<v Speaker 2>touring is the road trades everybody the same, you know,

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<v Speaker 2>it's it's the same level of stress and struggle that

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<v Speaker 2>everybody else has to go through. Those of us who

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<v Speaker 2>travel understand it doesn't It doesn't trade anybody any differently.

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<v Speaker 2>So I can't say it wasn't some kind of work,

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<v Speaker 2>but I don't think the road was any more work

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<v Speaker 2>as a result of a concussion.

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<v Speaker 1>Okay, Willie Nelson legendarily got home and still slept on

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<v Speaker 1>the bus. And there are different ways to travel. At

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<v Speaker 1>the other extreme, there are acts the play stadiums where

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<v Speaker 1>they are in one location and they take a jet

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<v Speaker 1>to each gig. So you know, although all roadwork is stressful,

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<v Speaker 1>depending on the income, it can be more stressful. Would

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<v Speaker 1>you say that.

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<v Speaker 2>There's all kinds of ways to do it, and I've

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<v Speaker 2>done it most of those ways. But yeah, there were

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<v Speaker 2>a lot of years there where I just lived on

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<v Speaker 2>the bus. I remember one year I went six or

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<v Speaker 2>eight months something like that and never even saw my house.

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<v Speaker 1>And you know, some people that are on the road

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<v Speaker 1>because they have to make a living. Other people, I

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<v Speaker 1>know they're on the road because they just have to play.

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<v Speaker 2>What's it for you, I'd say sort of both. I

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<v Speaker 2>could never come off of the road altogether and just

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<v Speaker 2>give it up. That's not in me. I'm more like

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<v Speaker 2>Willy in that regard. But I am getting to a

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<v Speaker 2>point where I don't have to be on the road

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<v Speaker 2>three hundred days a year anymore.

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<v Speaker 1>You know.

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<v Speaker 2>I've got a you know, Fyonce, and had to get married,

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<v Speaker 2>and so I'm looking for more of a lifestyle.

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<v Speaker 1>Well where'd you meet her?

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<v Speaker 2>We met at the governor's inauguration in Mississippi in twenty twenty.

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<v Speaker 1>Wait wait wait, wait, hey, what were you doing at

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<v Speaker 1>the inauguration? B how'd you meet her?

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<v Speaker 2>Well? All good questions. I got an invitation in the

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<v Speaker 2>mail to go to the inauguration from the governor's brother,

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<v Speaker 2>who is a friend of mine. He supports our annual

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<v Speaker 2>NICKI Mitchell golf tournament every year. And I remember when

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<v Speaker 2>when Todd and I first became friends, his brother was

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<v Speaker 2>the lieutenant governor. Well, I didn't even know he was

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<v Speaker 2>running for governor. We just don't talk about that sort

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<v Speaker 2>of thing. And I didn't get the invitation myself. My

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<v Speaker 2>assistant got the invitation in the mail and she said, oh,

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<v Speaker 2>I'm sure he'll want to go to this. So she

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<v Speaker 2>just put it on my calendar and it was about

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<v Speaker 2>a week and I remember looking at the calendar and

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<v Speaker 2>I said, Hannah, what is this inauguration thing? What am

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<v Speaker 2>I doing? And she said, You're going to the governor's

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<v Speaker 2>inauguration governor of what she said, governor of Mississippi. And

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<v Speaker 2>I went, I'll be damp. I guess he ran for

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<v Speaker 2>governor and won. So I had this idea that I

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<v Speaker 2>would go down there and be hanging out in the

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<v Speaker 2>back of a bunch of Mississippians and watching the inauguration

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<v Speaker 2>from the back of a crowd out in the open.

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<v Speaker 2>When I got down there, it was raining, like Noah

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<v Speaker 2>was going to be flooding by any moment, you know.

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<v Speaker 2>Animals were lining up too. By two and the Pearl

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<v Speaker 2>River had come up out of the banks. It was

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<v Speaker 2>an epic flood that year. So they moved the inauguration indoors. Well,

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<v Speaker 2>I'm wearing jeans and a denim shirt. I looked like

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<v Speaker 2>I came to change the light bulbs. So I'm standing there,

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<v Speaker 2>and they put me in a prominent seat at the

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<v Speaker 2>front of the room, sitting next to the treasurer and

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<v Speaker 2>his wife. Everybody in there is dressed to the nines,

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<v Speaker 2>and I look like the long guy that got ushered in.

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<v Speaker 2>But so the governor and his security staff start walking by,

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<v Speaker 2>and I backed. I stood up out of my chairs

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<v Speaker 2>and backed myself up against the wall so they could

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<v Speaker 2>make the turn and get around the corner to get

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<v Speaker 2>to the stage. And I looked over next to me,

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<v Speaker 2>and she was backed up on the same wall, right

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<v Speaker 2>there next to me, And I remember I asked her,

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<v Speaker 2>I said, what are you hiding from?

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<v Speaker 1>So? Was it an instant romance? Oh?

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<v Speaker 2>I can't say instant, but on my behalf it sure was.

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<v Speaker 1>So who pursued who?

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<v Speaker 2>Oh? You kid? And I chased her all over the

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<v Speaker 2>place after that. If I wasn't on the road, I

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<v Speaker 2>was making my way back to Jackson, Mississippi.

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<v Speaker 1>And how hard was she to catch?

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<v Speaker 2>She's nearly impossible. Took some doing.

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<v Speaker 1>So what sealed the deal?

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<v Speaker 2>Well, you know it ain't over yet. This is that wedding,

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<v Speaker 2>ain't till May, so there's probably still some room. I

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<v Speaker 2>don't know. I think I must be that kind of

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<v Speaker 2>guy that she never thought she would meet. And she's

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<v Speaker 2>certainly the kind of woman I never thought I would meet.

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<v Speaker 1>And what's her life about?

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<v Speaker 2>Well, she's an attorney. When I met her, she was

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<v Speaker 2>working with the State Supreme Court. She left that job

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<v Speaker 2>and got a gig working for the Attorney General. And

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<v Speaker 2>when she left them, she went to work with Morgan

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<v Speaker 2>and Morgan oh so, but she is incredibly smart, incredibly beautiful,

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<v Speaker 2>and she comes from the coast and I believe the

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<v Speaker 2>term is coon ass, but she's just a gorgeous coon

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<v Speaker 2>ass Mississippi lawyer.

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<v Speaker 1>Okay, you're a musician who lives his life on the road,

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<v Speaker 1>So what's it gonna look like when you're married?

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<v Speaker 2>Well, I guess that's what we're trying to carve out

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<v Speaker 2>right now. I can't stay on the road as much

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<v Speaker 2>as I used to, and I don't want to, you know,

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<v Speaker 2>I want to come home and have a have a

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<v Speaker 2>better version of a life with her.

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<v Speaker 1>And does she plan to continue to work? And where

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<v Speaker 1>do you plan to live?

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<v Speaker 2>She is definitely going to continue to work. We're probably

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<v Speaker 2>going to have house, a house in Nashville for my

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<v Speaker 2>music business, and probably a place down in Mississippi. And

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<v Speaker 2>her whole family's from m Kill.

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<v Speaker 1>And so you're going to have children?

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<v Speaker 2>Oh, I don't know. We'll find out.

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<v Speaker 1>Okay, you're forty nine. How old is she today?

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<v Speaker 2>She's thirty three.

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<v Speaker 1>Okay, Well, the reason I asked is, you know, in

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<v Speaker 1>terms of having children, age can make a difference. Let

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<v Speaker 1>me go back a step. You talked about the governor's

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<v Speaker 1>brother going to your fundraiser golf tournament. Are you a golfer?

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<v Speaker 2>I wasn't until Willie, and golf ain't even the worst

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<v Speaker 2>thing he got me hooked on when I had quit

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<v Speaker 2>drinking in twenty eleven and I kind of needed something

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<v Speaker 2>to pour all my time into, and Willie invited me

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<v Speaker 2>to go to his He called it his first annual

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<v Speaker 2>Fourth of July golf tournament, what turned out to be

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<v Speaker 2>his only annual fourth at golf tournament. And I learned

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<v Speaker 2>how to swing a club and hit a golf ball

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<v Speaker 2>at Willy's course. It was a burden Aalics country club,

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<v Speaker 2>but it's now Willie's cutting put. It's a nine hole

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<v Speaker 2>executive out there in burden Alice, Texas Spicewood.

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<v Speaker 1>Okay, so you got sober, Willy invited you, you went

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<v Speaker 1>to the event. How much have you played thereafter?

0:16:14.360 --> 0:16:18.360
<v Speaker 2>I guess for the first few years after that. I

0:16:18.400 --> 0:16:20.960
<v Speaker 2>took it on as an assignment. And I mean I

0:16:21.080 --> 0:16:25.600
<v Speaker 2>was out there on the course every time it rain

0:16:25.680 --> 0:16:27.920
<v Speaker 2>or shine. It didn't matter, man. I would turn around,

0:16:29.080 --> 0:16:31.440
<v Speaker 2>get out there and go spend hours out there, hitting

0:16:31.440 --> 0:16:33.640
<v Speaker 2>about a thousand balls a day, that sort of thing,

0:16:35.360 --> 0:16:42.960
<v Speaker 2>especially after Alice Cooper told me that that was really

0:16:43.000 --> 0:16:46.920
<v Speaker 2>what kept him off the bottle for a while. He

0:16:47.000 --> 0:16:49.440
<v Speaker 2>said he leaned on golf too.

0:16:52.320 --> 0:16:54.440
<v Speaker 1>So how much do you play now? And how good

0:16:54.440 --> 0:16:54.720
<v Speaker 1>are you?

0:16:56.400 --> 0:16:59.680
<v Speaker 2>I'm not good at all. I do enjoy it, but

0:17:00.520 --> 0:17:03.240
<v Speaker 2>it's not one of those things that ever registered with me.

0:17:03.360 --> 0:17:05.760
<v Speaker 2>I still can't go out there and you know, put

0:17:05.760 --> 0:17:09.280
<v Speaker 2>one right up the middle every time. I have to

0:17:09.320 --> 0:17:10.920
<v Speaker 2>go out there and figure out what am I doing

0:17:10.960 --> 0:17:14.600
<v Speaker 2>wrong today? But I enjoy it.

0:17:14.840 --> 0:17:16.320
<v Speaker 1>But how much do you play now?

0:17:18.240 --> 0:17:23.600
<v Speaker 2>I probably four or five times a year. I just

0:17:23.640 --> 0:17:25.640
<v Speaker 2>don't have a whole lot of time for it anymore.

0:17:26.040 --> 0:17:30.880
<v Speaker 1>Okay, how does Jamie Johnson from Alabama country musician meet

0:17:30.920 --> 0:17:31.720
<v Speaker 1>Alice Cooper?

0:17:36.520 --> 0:17:39.240
<v Speaker 2>It would have been at one of his shows, and

0:17:39.359 --> 0:17:43.600
<v Speaker 2>he was opening for Rob Zombie. And I remember that

0:17:43.720 --> 0:17:46.320
<v Speaker 2>night pretty well because we went back and forth. We

0:17:46.359 --> 0:17:51.000
<v Speaker 2>went and saw Alice's show first, and then we drove

0:17:51.080 --> 0:17:57.160
<v Speaker 2>from that venue to the Rhyme and caught Don Williams set,

0:17:57.760 --> 0:18:00.520
<v Speaker 2>and left Don Williams and got back over to Alice

0:18:00.560 --> 0:18:04.520
<v Speaker 2>This show right about the time Rob Zombie was on

0:18:04.640 --> 0:18:06.720
<v Speaker 2>his second or third song, so we got to see

0:18:06.760 --> 0:18:08.000
<v Speaker 2>all three of them in one night.

0:18:09.160 --> 0:18:14.040
<v Speaker 1>Okay, you happened to look a little bit in terms

0:18:14.119 --> 0:18:16.640
<v Speaker 1>of you know your hero or whatever like Rob Zombie.

0:18:16.880 --> 0:18:18.720
<v Speaker 1>But what were you doing there to begin with? You

0:18:18.920 --> 0:18:20.160
<v Speaker 1>were Rob Zombie fan?

0:18:22.119 --> 0:18:25.600
<v Speaker 2>Well, I had definitely heard of him because back then,

0:18:26.440 --> 0:18:29.840
<v Speaker 2>before my hair turned blonde and gray and everything else

0:18:29.920 --> 0:18:32.879
<v Speaker 2>when it had some color in it, I was constantly

0:18:32.960 --> 0:18:37.640
<v Speaker 2>getting confused for Rob Zombie. And when I met him,

0:18:37.680 --> 0:18:40.439
<v Speaker 2>I told him my name, he said, oh, you're Jamie Johnson.

0:18:40.480 --> 0:18:42.080
<v Speaker 2>I now looked at him and I said, yeah, well,

0:18:42.080 --> 0:18:50.600
<v Speaker 2>I see it now too. But I wasn't very familiar

0:18:50.720 --> 0:18:53.760
<v Speaker 2>with his music until that night. But man, he is

0:18:53.880 --> 0:18:58.240
<v Speaker 2>absolutely wonderful. And I wanted to go meet Alice because

0:18:58.280 --> 0:19:00.920
<v Speaker 2>I knew he and Willie were good friends.

0:19:02.480 --> 0:19:04.760
<v Speaker 1>Okay, how did you meet Willie.

0:19:07.480 --> 0:19:09.560
<v Speaker 2>H through Pooty?

0:19:11.280 --> 0:19:12.719
<v Speaker 1>Okay, tell me that story.

0:19:14.119 --> 0:19:20.720
<v Speaker 2>Well, Pooty Locke was one of Willie's old friends. They went,

0:19:20.840 --> 0:19:24.719
<v Speaker 2>they went back a long time. Pooty's business card with

0:19:24.760 --> 0:19:30.720
<v Speaker 2>Willie said he was the vibe coordinator. That's his role

0:19:30.800 --> 0:19:34.480
<v Speaker 2>on the Willie Nelson to her back then, Well, I

0:19:34.560 --> 0:19:40.280
<v Speaker 2>met Pooty at the exit in in Nashville, and all

0:19:40.359 --> 0:19:43.680
<v Speaker 2>I knew about him that night was everybody kept saying,

0:19:43.720 --> 0:19:51.160
<v Speaker 2>that's Pooty, he's with Willie. Well, I went and introduced myself.

0:19:51.200 --> 0:19:55.959
<v Speaker 2>We shook hands, told a few jokes. I bought him

0:19:55.960 --> 0:20:00.439
<v Speaker 2>a beer, he turned around, We traded numbers and just

0:20:00.520 --> 0:20:06.679
<v Speaker 2>became instant friends, you know. And the next thing that

0:20:06.840 --> 0:20:10.120
<v Speaker 2>happened after that, Willie invited me to go play farm Maid,

0:20:11.040 --> 0:20:14.479
<v Speaker 2>and I believe every bit of that came through Foody

0:20:14.560 --> 0:20:16.320
<v Speaker 2>and some of the other guys in the band that

0:20:16.359 --> 0:20:20.080
<v Speaker 2>i'd met. So the first time I played farm Maid

0:20:20.240 --> 0:20:21.560
<v Speaker 2>was in two thousand and eight.

0:20:22.840 --> 0:20:26.520
<v Speaker 1>Okay, you played farm Maid. How did you go one

0:20:26.560 --> 0:20:28.960
<v Speaker 1>on one with Willy? And were you instant friends? What

0:20:29.160 --> 0:20:29.720
<v Speaker 1>was going on?

0:20:31.560 --> 0:20:35.879
<v Speaker 2>Yeah, that was pretty well immediate. I had met Willy,

0:20:36.160 --> 0:20:39.280
<v Speaker 2>but it was in nineteen ninety seven at a show

0:20:39.280 --> 0:20:43.919
<v Speaker 2>he did in Auburn, Alabama, and it was brief. I

0:20:44.000 --> 0:20:46.000
<v Speaker 2>just got in a line of folks that were hanging

0:20:46.000 --> 0:20:50.000
<v Speaker 2>out outside his bus, and of course I had my

0:20:50.080 --> 0:20:53.280
<v Speaker 2>guitar and just like everybody else, hey would you sign

0:20:53.320 --> 0:20:57.520
<v Speaker 2>my guitar? Well, over the years, that signature that he

0:20:57.600 --> 0:21:00.280
<v Speaker 2>put on the side of my guitar rubbed off off

0:21:01.000 --> 0:21:03.800
<v Speaker 2>and so when I saw him again at Farm Maide,

0:21:03.840 --> 0:21:06.240
<v Speaker 2>I grabbed my guitar and had him sign the front

0:21:07.000 --> 0:21:08.600
<v Speaker 2>and this time I had to wear it with all

0:21:08.640 --> 0:21:10.760
<v Speaker 2>the spray, a little lacquer over it when I got

0:21:10.800 --> 0:21:14.240
<v Speaker 2>done and keep it from rubbing off. It's it's still

0:21:14.280 --> 0:21:14.960
<v Speaker 2>on there today.

0:21:18.280 --> 0:21:21.879
<v Speaker 1>Are you know? You talked about introducing yourself to whody.

0:21:22.040 --> 0:21:25.640
<v Speaker 1>Is that your personality that you go up and introduce

0:21:25.720 --> 0:21:26.720
<v Speaker 1>and me connections?

0:21:29.840 --> 0:21:34.639
<v Speaker 2>I did back then, but I was also kind of

0:21:34.680 --> 0:21:37.560
<v Speaker 2>the new guy and the music business and was still

0:21:37.640 --> 0:21:40.560
<v Speaker 2>kind of in a mode of network and I guess

0:21:40.600 --> 0:21:44.080
<v Speaker 2>at the time. Now I don't hardly ever go out

0:21:44.080 --> 0:21:47.520
<v Speaker 2>the bars, but uh, but back then, it was it

0:21:47.640 --> 0:21:49.919
<v Speaker 2>was my It was normal.

0:21:51.280 --> 0:21:54.399
<v Speaker 1>Okay, But you've been in the business for decades. Are

0:21:54.440 --> 0:21:58.119
<v Speaker 1>you the type of guy who knows everybody or just

0:21:58.160 --> 0:21:59.399
<v Speaker 1>the people. No.

0:22:01.119 --> 0:22:04.160
<v Speaker 2>I know who I know, And every now and then

0:22:04.200 --> 0:22:08.320
<v Speaker 2>I might meet somebody that walks up and introduces themselves.

0:22:08.400 --> 0:22:11.800
<v Speaker 2>And I meet people all the time that you know

0:22:12.720 --> 0:22:13.960
<v Speaker 2>I probably should.

0:22:13.800 --> 0:22:18.479
<v Speaker 1>Know, so generally speak you know, some people I know,

0:22:19.280 --> 0:22:22.560
<v Speaker 1>they're on the road or they're home. They're on their computers,

0:22:22.600 --> 0:22:26.600
<v Speaker 1>they're sending messages to all these people they know. They

0:22:26.600 --> 0:22:28.840
<v Speaker 1>may not even see them for a while because they're

0:22:28.840 --> 0:22:31.240
<v Speaker 1>on the road. Are you the type of person who

0:22:31.320 --> 0:22:32.840
<v Speaker 1>keeps contact with your friends.

0:22:35.480 --> 0:22:40.199
<v Speaker 2>I try to. I try to keep up with people

0:22:40.280 --> 0:22:43.720
<v Speaker 2>I love, and sometimes it's possible and sometimes it's just not.

0:22:44.000 --> 0:22:47.200
<v Speaker 2>But I feel like I surround myself with the kind

0:22:47.200 --> 0:22:49.840
<v Speaker 2>of friends that it's all right if you go go

0:22:49.960 --> 0:22:54.919
<v Speaker 2>awhile and you're not able to catch up. But I

0:22:54.960 --> 0:22:58.240
<v Speaker 2>mean I have to these days. It seems like I

0:22:58.320 --> 0:23:00.399
<v Speaker 2>have to schedule time to think about something.

0:23:02.440 --> 0:23:05.560
<v Speaker 1>So are there one or two people that you can

0:23:05.600 --> 0:23:06.440
<v Speaker 1>really rely on?

0:23:09.600 --> 0:23:12.240
<v Speaker 2>I've got way more than one or two. I'm a

0:23:12.359 --> 0:23:17.119
<v Speaker 2>very fortunate man in that regard. I'm surrounded by people

0:23:17.119 --> 0:23:17.720
<v Speaker 2>who love me.

0:23:18.400 --> 0:23:21.320
<v Speaker 1>And are those people from people you grew up with,

0:23:21.520 --> 0:23:23.760
<v Speaker 1>people you met in the music business, People you just

0:23:23.840 --> 0:23:24.680
<v Speaker 1>met in passing.

0:23:26.440 --> 0:23:31.120
<v Speaker 2>Some are everything, you know. I've got friends that I've

0:23:31.119 --> 0:23:38.439
<v Speaker 2>had since Man, there's a family of them down in

0:23:38.480 --> 0:23:41.320
<v Speaker 2>Montgomery I've known since I was three or four years old.

0:23:42.520 --> 0:23:47.480
<v Speaker 2>You know, the Walley family. But I've got some other

0:23:47.520 --> 0:23:51.879
<v Speaker 2>friends from elementary school, go back to first grade. And

0:23:51.960 --> 0:23:56.800
<v Speaker 2>I've got brand new friends that that I love just

0:23:56.840 --> 0:23:59.000
<v Speaker 2>as dearly as if we have known each other for

0:23:59.040 --> 0:24:00.240
<v Speaker 2>twenty years.

0:24:01.720 --> 0:24:04.000
<v Speaker 1>And I mean, I realize you're on the road so much,

0:24:04.000 --> 0:24:06.720
<v Speaker 1>and after you're on the road, if you're home, you

0:24:06.760 --> 0:24:09.960
<v Speaker 1>don't want to leave. But generally speaking, are you the

0:24:10.080 --> 0:24:13.960
<v Speaker 1>kind of guy who if I say, hey, Jamie, you

0:24:14.000 --> 0:24:16.199
<v Speaker 1>know we're gonna go to this guy's house, there'd be

0:24:16.200 --> 0:24:18.920
<v Speaker 1>some good people there, you're gonna say no, or you're

0:24:18.920 --> 0:24:20.560
<v Speaker 1>gonna say yeah, that sounds good.

0:24:22.440 --> 0:24:26.040
<v Speaker 2>I'm gonna say no, and I'm gonna be overruled by Britney.

0:24:26.040 --> 0:24:28.720
<v Speaker 2>Who's gonna remind me you're supposed to be getting out

0:24:28.720 --> 0:24:30.879
<v Speaker 2>and mingling with people and getting to know people.

0:24:30.960 --> 0:24:34.560
<v Speaker 1>Let's go, Okay, that's good.

0:24:34.720 --> 0:24:37.280
<v Speaker 2>I'm an introvert. I like to stay home and reach

0:24:37.400 --> 0:24:38.800
<v Speaker 2>charge the battery when I can.

0:24:39.200 --> 0:24:43.639
<v Speaker 1>So you're still sober, right, Yes, sir, So, how do

0:24:43.680 --> 0:24:45.840
<v Speaker 1>you fill your time when you're home or when you're

0:24:45.840 --> 0:24:47.240
<v Speaker 1>on the road not performing?

0:24:52.320 --> 0:24:55.120
<v Speaker 2>I would say I feel most of it writing songs

0:24:55.200 --> 0:25:03.000
<v Speaker 2>and recording in the studio, and I read a good bit.

0:25:04.760 --> 0:25:06.120
<v Speaker 1>What do you read?

0:25:08.200 --> 0:25:08.840
<v Speaker 2>That depends?

0:25:10.600 --> 0:25:15.520
<v Speaker 1>I mean, I'm a big reader. There's magazines, there's newspapers,

0:25:16.119 --> 0:25:18.200
<v Speaker 1>there's fiction, there's nonfiction.

0:25:21.240 --> 0:25:26.360
<v Speaker 2>Yeah, I've read all of it. Uh. I like the classics,

0:25:27.080 --> 0:25:33.720
<v Speaker 2>like a good Stein back Okay, I like JD. Sallenger.

0:25:35.560 --> 0:25:38.000
<v Speaker 2>He didn't uh, he didn't write much, but man when

0:25:38.040 --> 0:25:40.600
<v Speaker 2>he did, it was easy to get locked into his

0:25:41.320 --> 0:25:42.240
<v Speaker 2>writer's voice.

0:25:42.920 --> 0:25:43.640
<v Speaker 1>Absolutely.

0:25:44.480 --> 0:25:46.480
<v Speaker 2>It just kind of puts you puts me in a

0:25:47.400 --> 0:25:50.040
<v Speaker 2>in a mode. I don't usually pick up a Sallenger

0:25:50.119 --> 0:25:52.520
<v Speaker 2>without reading every single one of them back to back.

0:25:54.000 --> 0:25:54.119
<v Speaker 1>Uh.

0:25:54.800 --> 0:25:59.640
<v Speaker 2>Here. Lately, my my book of choice, oddly enough, has

0:25:59.680 --> 0:26:04.479
<v Speaker 2>been the the Bible. I started from Genesis and I

0:26:04.480 --> 0:26:08.880
<v Speaker 2>guess it's been about almost two months ago and right

0:26:08.920 --> 0:26:13.160
<v Speaker 2>now I'm finishing up Jeremiah.

0:26:13.560 --> 0:26:15.600
<v Speaker 1>Did you study that stuff as a kid or is

0:26:15.640 --> 0:26:17.679
<v Speaker 1>this the first or second time around or what?

0:26:19.840 --> 0:26:23.960
<v Speaker 2>I can't say I studied it, but I did hear

0:26:24.160 --> 0:26:29.640
<v Speaker 2>all the stories. And you know, I like to say

0:26:29.880 --> 0:26:31.560
<v Speaker 2>I read it, but I read it with a young

0:26:31.640 --> 0:26:35.720
<v Speaker 2>mind and I haven't read it since. And the things

0:26:35.720 --> 0:26:38.320
<v Speaker 2>that I have read I probably read twenty five years

0:26:38.320 --> 0:26:42.920
<v Speaker 2>ago or so, and this is my first time reading

0:26:42.960 --> 0:26:47.080
<v Speaker 2>them at this age with a little bit more life seasoning,

0:26:49.000 --> 0:26:51.439
<v Speaker 2>and the stories kind of hit different.

0:26:53.000 --> 0:26:54.719
<v Speaker 1>So what inspired you to pick it up?

0:27:01.440 --> 0:27:08.600
<v Speaker 2>It's hard to say. There's probably a lot of different

0:27:08.640 --> 0:27:10.000
<v Speaker 2>factors playing into that.

0:27:12.000 --> 0:27:14.520
<v Speaker 1>Okay, are you a religious man?

0:27:19.920 --> 0:27:22.320
<v Speaker 2>I think we all are to a degree, and I'd

0:27:22.359 --> 0:27:25.960
<v Speaker 2>say right now my degree has intensified over the past

0:27:25.960 --> 0:27:27.159
<v Speaker 2>several months.

0:27:28.160 --> 0:27:29.800
<v Speaker 1>Was there a reason it was intensified?

0:27:32.400 --> 0:27:35.119
<v Speaker 2>Probably a lot of life change is happening at one time.

0:27:35.240 --> 0:27:38.440
<v Speaker 2>It's a first record I've put out in fourteen years.

0:27:39.400 --> 0:27:46.320
<v Speaker 2>It's also getting engaged and having that wedding day coming.

0:27:47.320 --> 0:27:50.280
<v Speaker 2>But it's also some friends passing away and that sort

0:27:50.280 --> 0:27:50.600
<v Speaker 2>of thing.

0:27:51.920 --> 0:27:53.560
<v Speaker 1>Friends died before their time.

0:27:55.040 --> 0:27:59.080
<v Speaker 2>Yeah, that's happened a lot. You know. I've had a

0:27:59.119 --> 0:28:01.240
<v Speaker 2>lot of friends asked away, way to you.

0:28:02.280 --> 0:28:05.840
<v Speaker 1>From misadventure or illness or accidents.

0:28:07.200 --> 0:28:09.600
<v Speaker 2>Well, some of both, some of everything, you know. Some

0:28:10.040 --> 0:28:13.000
<v Speaker 2>I had one of them that overdosed, one of them

0:28:13.040 --> 0:28:16.440
<v Speaker 2>that died from type one diabetes, one of them got

0:28:16.480 --> 0:28:20.280
<v Speaker 2>shot in the head.

0:28:20.520 --> 0:28:23.800
<v Speaker 1>Tell me about the guy being what were the circumstances

0:28:23.800 --> 0:28:25.000
<v Speaker 1>that he gets shot in the head?

0:28:28.920 --> 0:28:34.120
<v Speaker 2>Well, the best I understood it was he was smoking

0:28:34.200 --> 0:28:36.840
<v Speaker 2>inside a bar and the bar owner didn't want him

0:28:36.840 --> 0:28:41.280
<v Speaker 2>smoking in there. And uh, I don't know what was

0:28:41.320 --> 0:28:44.080
<v Speaker 2>said back and forth, but Wayne was the kind of

0:28:44.120 --> 0:28:51.680
<v Speaker 2>guy that had the innate ability to absolutely uh infuriate

0:28:51.920 --> 0:28:57.280
<v Speaker 2>somebody with his words. He could make you so mad

0:28:57.400 --> 0:29:02.760
<v Speaker 2>with just a pointed comment. And he wasn't the kind

0:29:02.800 --> 0:29:08.760
<v Speaker 2>of guy that went around looking for trouble. But it

0:29:09.760 --> 0:29:12.000
<v Speaker 2>definitely found him that night.

0:29:13.240 --> 0:29:14.880
<v Speaker 1>The guy shot him in the bar.

0:29:16.400 --> 0:29:18.040
<v Speaker 2>Yeah.

0:29:18.080 --> 0:29:20.120
<v Speaker 1>Did the guy pay at the price for that, go

0:29:20.240 --> 0:29:21.240
<v Speaker 1>to jail or anything?

0:29:22.880 --> 0:29:27.040
<v Speaker 2>Yeah, he did. He was convicted and I think he

0:29:27.120 --> 0:29:34.480
<v Speaker 2>might still be in jail. And do you want a gun, Yes, sir,

0:29:35.280 --> 0:29:36.400
<v Speaker 2>oh quite a few.

0:29:37.920 --> 0:29:40.440
<v Speaker 1>Are you type of person who has it purely for

0:29:40.520 --> 0:29:43.160
<v Speaker 1>defense or are you a hunter or target shooter?

0:29:45.600 --> 0:29:50.280
<v Speaker 2>Well? I grew up in the country, and you didn't

0:29:50.320 --> 0:29:53.560
<v Speaker 2>necessarily have a gun out in the country for people.

0:29:54.640 --> 0:29:56.280
<v Speaker 2>You had it because if you were going to be

0:29:56.320 --> 0:29:58.920
<v Speaker 2>walking around anywhere, it might be a snake, it might

0:29:58.960 --> 0:30:04.400
<v Speaker 2>be a cootie, could be something dangerous that you needed protection.

0:30:04.560 --> 0:30:07.400
<v Speaker 2>From it probably wasn't going to be a burglar breaking

0:30:07.440 --> 0:30:13.680
<v Speaker 2>in your house. So I grew up around guns, and uh,

0:30:13.880 --> 0:30:18.520
<v Speaker 2>when I was nineteen I joined the United States Marine Corps. Well,

0:30:18.560 --> 0:30:21.760
<v Speaker 2>I've also been trained in how to use guns, and

0:30:23.800 --> 0:30:25.480
<v Speaker 2>they're very much a part of who I am.

0:30:27.400 --> 0:30:29.840
<v Speaker 1>So when was the last time you fired a gun?

0:30:38.600 --> 0:30:42.560
<v Speaker 2>It's it's probably been a couple of years now. No,

0:30:42.760 --> 0:30:46.720
<v Speaker 2>I can't say that I killed a I killed a nail.

0:30:46.840 --> 0:30:51.480
<v Speaker 2>Last year I went up to Saskatchewan, went hunting with

0:30:51.520 --> 0:30:57.920
<v Speaker 2>a buddy of mine up there, and left everything up there.

0:30:57.960 --> 0:30:59.880
<v Speaker 2>I didn't bring a gun in there. We used one

0:31:00.160 --> 0:31:02.600
<v Speaker 2>his and I left all the meet up there with him.

0:31:04.760 --> 0:31:09.720
<v Speaker 1>What inspired you to join the Marines? And you don't

0:31:09.800 --> 0:31:12.280
<v Speaker 1>seem to me the type of guy who wants to

0:31:12.320 --> 0:31:15.680
<v Speaker 1>color between the lines and take orders from other people.

0:31:20.800 --> 0:31:23.040
<v Speaker 2>I knew from the time I was a young kid

0:31:23.080 --> 0:31:25.960
<v Speaker 2>that I was going to be a marine. And I

0:31:25.960 --> 0:31:30.040
<v Speaker 2>don't know where I got that from. I just always knew.

0:31:32.360 --> 0:31:38.480
<v Speaker 2>And I had a free ride scholarship at Jacksonville State University,

0:31:38.960 --> 0:31:40.720
<v Speaker 2>and so I went up there and did a couple

0:31:40.760 --> 0:31:45.040
<v Speaker 2>of years learning music theory and all that kind of thing.

0:31:45.920 --> 0:31:50.080
<v Speaker 2>And when I was done with that, and I may

0:31:50.160 --> 0:31:53.480
<v Speaker 2>not when I had gotten my degree. I don't mean

0:31:53.520 --> 0:31:55.400
<v Speaker 2>I got a degree. I was just done with it.

0:31:58.400 --> 0:32:01.400
<v Speaker 2>I went and found a recruit we were in Montgomery, Alabama,

0:32:01.480 --> 0:32:03.959
<v Speaker 2>and told him I wanted to be a marine. It

0:32:04.040 --> 0:32:05.240
<v Speaker 2>was time for me to go do that.

0:32:05.400 --> 0:32:05.600
<v Speaker 1>Now.

0:32:07.200 --> 0:32:11.160
<v Speaker 2>They offered me a spot in the Marine Corps band

0:32:12.320 --> 0:32:14.800
<v Speaker 2>and I remember laughing at the recruiter and I said,

0:32:15.480 --> 0:32:21.040
<v Speaker 2>I'm not going to be that kind of marine. He said,

0:32:21.040 --> 0:32:25.040
<v Speaker 2>all right, he said, well, you you scored pretty well

0:32:25.080 --> 0:32:28.240
<v Speaker 2>on the as fab test. We don't we make you

0:32:28.560 --> 0:32:33.720
<v Speaker 2>a mortarman. So I became a mortarman in the Marine Corps.

0:32:34.920 --> 0:32:36.640
<v Speaker 1>And so what did that actually involve?

0:32:36.720 --> 0:32:44.680
<v Speaker 2>Doing a lot of yelling, a lot of go a

0:32:44.680 --> 0:32:48.360
<v Speaker 2>lot of going deaf, a lot of a lot of

0:32:48.400 --> 0:32:51.160
<v Speaker 2>shots fired out of a tube that sat right next

0:32:51.200 --> 0:32:57.960
<v Speaker 2>to my ear For about eight years. It was fun

0:32:58.480 --> 0:33:01.120
<v Speaker 2>and you had to love it and hated all in

0:33:01.200 --> 0:33:04.240
<v Speaker 2>the same breath. And I learned that love and hate

0:33:04.280 --> 0:33:06.920
<v Speaker 2>were the same emotion. They both come from the same place.

0:33:16.240 --> 0:33:18.320
<v Speaker 1>Okay, so if you were doing it for eight years,

0:33:18.320 --> 0:33:19.160
<v Speaker 1>you weumped.

0:33:20.840 --> 0:33:23.520
<v Speaker 2>Now when I signed up, they weren't offering any four

0:33:23.600 --> 0:33:27.720
<v Speaker 2>year contracts. They were only offering eight year contracts, and

0:33:28.400 --> 0:33:31.520
<v Speaker 2>so the one there were some guys that could do

0:33:32.200 --> 0:33:35.920
<v Speaker 2>four year active and four inactive, and then the one

0:33:35.960 --> 0:33:39.800
<v Speaker 2>that I did was called a six and two. I'm

0:33:39.840 --> 0:33:43.320
<v Speaker 2>also still kind of a control freak, and I was

0:33:43.400 --> 0:33:46.600
<v Speaker 2>back then too, and I didn't like the idea of

0:33:46.680 --> 0:33:50.120
<v Speaker 2>having to go to Okinawa and places like that, you know,

0:33:50.200 --> 0:33:54.400
<v Speaker 2>where I'd just be completely uprooted. So I signed up

0:33:54.440 --> 0:33:57.160
<v Speaker 2>as a reservist where I could pick the classes that

0:33:57.240 --> 0:33:59.200
<v Speaker 2>I wanted to go to, you know, where you'd go

0:33:59.240 --> 0:34:01.200
<v Speaker 2>do this for a couple of months, and then go

0:34:01.240 --> 0:34:03.800
<v Speaker 2>do that for a few months, and you know, at

0:34:03.880 --> 0:34:06.560
<v Speaker 2>least I had some kind of control over where I'd

0:34:06.600 --> 0:34:09.040
<v Speaker 2>be stationed and for how long and that sort of thing.

0:34:09.960 --> 0:34:13.680
<v Speaker 1>Okay, was the reservist only the last two years of

0:34:13.719 --> 0:34:14.400
<v Speaker 1>the whole time.

0:34:15.400 --> 0:34:16.400
<v Speaker 2>It was a whole time.

0:34:16.880 --> 0:34:22.759
<v Speaker 1>Yeah, So when would they call you up and say, hey,

0:34:22.760 --> 0:34:23.560
<v Speaker 1>you got a report?

0:34:25.719 --> 0:34:29.360
<v Speaker 2>Well, there was you know, your one weekend a month

0:34:29.400 --> 0:34:31.760
<v Speaker 2>that was always on the schedule. There was two weeks

0:34:31.800 --> 0:34:34.840
<v Speaker 2>over the summer. And in addition to that, if you

0:34:34.880 --> 0:34:38.959
<v Speaker 2>wanted to take different classes and courses and that sort

0:34:39.000 --> 0:34:44.080
<v Speaker 2>of thing, you could you could sign up and you know,

0:34:45.120 --> 0:34:47.919
<v Speaker 2>go to San Diego for a couple of months, train

0:34:47.960 --> 0:34:51.239
<v Speaker 2>at Camp Pendleton and be studying a specific kind of

0:34:52.040 --> 0:34:54.040
<v Speaker 2>thing for a couple of months, and leave that and

0:34:54.080 --> 0:34:58.880
<v Speaker 2>go go do something in Jacksonville, North Carolina, or wherever else.

0:35:00.760 --> 0:35:02.680
<v Speaker 1>So if you had to do it all over again,

0:35:02.719 --> 0:35:03.920
<v Speaker 1>would you have joined the Marines?

0:35:05.400 --> 0:35:07.320
<v Speaker 2>Oh? Hell yeah?

0:35:07.360 --> 0:35:09.279
<v Speaker 1>So what exactly did you get out of it?

0:35:11.360 --> 0:35:13.880
<v Speaker 2>I got a nice scar on the outside of my

0:35:14.000 --> 0:35:19.240
<v Speaker 2>right knee over here, got a bad case of arthritis.

0:35:22.680 --> 0:35:25.680
<v Speaker 2>I got some really cool camouflages closed I keep in

0:35:25.719 --> 0:35:29.799
<v Speaker 2>a closet because they're all too small. I got a

0:35:29.800 --> 0:35:34.120
<v Speaker 2>bunch of loud, long lasting friendships with guys that are

0:35:34.160 --> 0:35:37.719
<v Speaker 2>so close I don't even think the word brother would

0:35:37.800 --> 0:35:45.480
<v Speaker 2>be accurate enough to describe them. I've got some friends

0:35:45.520 --> 0:35:49.799
<v Speaker 2>from that generation of my life right there that you

0:35:49.920 --> 0:35:53.200
<v Speaker 2>know you can count on when everything else goes to hell,

0:35:53.920 --> 0:35:54.880
<v Speaker 2>the Marines come in.

0:35:57.080 --> 0:36:03.239
<v Speaker 1>So you never saw any action or anything, no, sir,

0:36:04.600 --> 0:36:10.399
<v Speaker 1>And yeah there's a camaraderie. How about all the discipline

0:36:10.440 --> 0:36:12.279
<v Speaker 1>and you know, were you down with that?

0:36:15.680 --> 0:36:18.760
<v Speaker 2>Yeah? But that's been there all my life. That didn't

0:36:19.000 --> 0:36:22.560
<v Speaker 2>that didn't even start with the Marine Corps. Uh. That

0:36:22.719 --> 0:36:26.600
<v Speaker 2>started probably from my mother more than anything her. Her

0:36:26.600 --> 0:36:30.879
<v Speaker 2>mother was a marine, so I knew how to make

0:36:30.920 --> 0:36:31.799
<v Speaker 2>a bed by God.

0:36:35.960 --> 0:36:43.000
<v Speaker 1>So you see group in the country exactly where, well, that's.

0:36:42.840 --> 0:36:46.080
<v Speaker 2>Spout what I'm thinking of when I say that in

0:36:46.120 --> 0:36:51.719
<v Speaker 2>the country's way out in rural Montgomery, Alabama. It's uh

0:36:52.360 --> 0:36:56.880
<v Speaker 2>south of the city, and it's on the road that

0:36:57.080 --> 0:37:07.200
<v Speaker 2>uh uh Stay Young wrote that song about the seven

0:37:07.239 --> 0:37:10.759
<v Speaker 2>Bridges road, right, the one that the song that the

0:37:10.800 --> 0:37:15.080
<v Speaker 2>Eagles recorded, right, But he wrote it he grew up

0:37:15.120 --> 0:37:17.040
<v Speaker 2>out there in the same place that I did. And

0:37:17.080 --> 0:37:19.520
<v Speaker 2>he called it the seven Bridges Road because if you

0:37:19.640 --> 0:37:23.280
<v Speaker 2>left Montgomery going down that road right there, you crossed

0:37:23.320 --> 0:37:27.200
<v Speaker 2>over seven bridges before you got to his house. But

0:37:27.320 --> 0:37:31.600
<v Speaker 2>that uh, that old moss in the trees, there's some

0:37:31.640 --> 0:37:35.200
<v Speaker 2>of the most beautiful Spanish moss. And if you catch

0:37:35.239 --> 0:37:37.600
<v Speaker 2>it on them, on them one of those big old

0:37:38.120 --> 0:37:42.080
<v Speaker 2>full moon nights and you see that stuff glowing against

0:37:42.120 --> 0:37:44.279
<v Speaker 2>the sky, it's one of the most beautiful things I'll

0:37:44.280 --> 0:37:44.880
<v Speaker 2>ever see.

0:37:46.440 --> 0:37:51.040
<v Speaker 1>So how far from downtown was where you grew up.

0:37:54.320 --> 0:37:58.440
<v Speaker 2>It was thirty minutes if you drive slow in fifteen

0:37:58.520 --> 0:38:00.000
<v Speaker 2>minutes if you drive normally.

0:38:02.719 --> 0:38:05.480
<v Speaker 1>Okay, what'd your parents do for a living?

0:38:09.040 --> 0:38:13.760
<v Speaker 2>My mother was a paralegal, and my dad was always

0:38:13.800 --> 0:38:17.560
<v Speaker 2>in retail sales in one way or another. When I

0:38:17.640 --> 0:38:24.080
<v Speaker 2>was born, he was managing a super Rex drugs down

0:38:24.120 --> 0:38:28.040
<v Speaker 2>in Troy, Alabama, and he did everything over the years.

0:38:28.080 --> 0:38:37.439
<v Speaker 2>He managed Wilson's and helped them trends what's the word

0:38:37.719 --> 0:38:42.560
<v Speaker 2>transfer into a service merchandise. He worked for Circuit City

0:38:42.600 --> 0:38:46.960
<v Speaker 2>for a while. He managed a warehouse for a furniture store,

0:38:46.960 --> 0:38:48.520
<v Speaker 2>all kinds of things.

0:38:50.560 --> 0:38:54.160
<v Speaker 1>And what was your relationship with your parents then and now?

0:38:54.280 --> 0:38:57.240
<v Speaker 1>Were you the type of person who was testing the rules?

0:38:57.280 --> 0:38:59.480
<v Speaker 1>Your type person who's dying to get out of the house.

0:39:03.960 --> 0:39:08.640
<v Speaker 2>I wouldn't say I tested the rules. I'm not one

0:39:08.680 --> 0:39:11.520
<v Speaker 2>that kind of just pushes to see how much somebody

0:39:11.520 --> 0:39:16.160
<v Speaker 2>can take, you know. But I do appreciate a good

0:39:16.200 --> 0:39:18.719
<v Speaker 2>amount of freedom, and I felt like they gave it

0:39:18.719 --> 0:39:23.120
<v Speaker 2>to me when when I was young, I learned that

0:39:23.120 --> 0:39:25.960
<v Speaker 2>if I made good grades, that the answer to whatever

0:39:26.000 --> 0:39:30.000
<v Speaker 2>I wanted to do was yes. And so I studied

0:39:30.000 --> 0:39:32.759
<v Speaker 2>hard and I kept my grades up and made sure

0:39:32.800 --> 0:39:35.200
<v Speaker 2>that I had enough leniency when the time came.

0:39:36.160 --> 0:39:37.480
<v Speaker 1>How many kids in the family.

0:39:39.200 --> 0:39:41.480
<v Speaker 2>I had three sisters, so there was four of us.

0:39:41.880 --> 0:39:44.120
<v Speaker 1>And where are you in the hierarchy.

0:39:45.000 --> 0:39:45.560
<v Speaker 2>Number two?

0:39:47.440 --> 0:39:50.880
<v Speaker 1>And did your parents treat you all equally? Or because

0:39:50.920 --> 0:39:53.000
<v Speaker 1>you were the boy, you were the fear heard son.

0:39:55.560 --> 0:39:59.960
<v Speaker 2>Well, from my perspective, I thought we all got everything equal.

0:40:00.200 --> 0:40:04.240
<v Speaker 2>But you listen to my sisters, you get a different

0:40:04.280 --> 0:40:07.200
<v Speaker 2>take on it. I thought it was I thought it

0:40:07.239 --> 0:40:09.279
<v Speaker 2>was fairly equal. All of us got some.

0:40:11.160 --> 0:40:16.120
<v Speaker 1>And then you were good in school? Were you like

0:40:17.160 --> 0:40:18.320
<v Speaker 1>number one in the class?

0:40:21.440 --> 0:40:24.600
<v Speaker 2>I know, I wouldn't say that. It was always somebody

0:40:24.640 --> 0:40:29.680
<v Speaker 2>in there smarter and made better grades. But I was

0:40:29.719 --> 0:40:33.680
<v Speaker 2>an age student. I hated getting bees. I hated missing

0:40:33.719 --> 0:40:35.399
<v Speaker 2>one if I knew I could get them all.

0:40:35.400 --> 0:40:45.279
<v Speaker 1>Right, Okay? And what about friends in sports and other activities? Yeah?

0:40:45.320 --> 0:40:49.040
<v Speaker 2>I played enough sports I did. I played soccer a lot,

0:40:49.120 --> 0:40:53.160
<v Speaker 2>I played some football, some baseball. I wrestled one year.

0:40:53.200 --> 0:40:57.200
<v Speaker 2>I tried just about everything. Just I was good. I

0:40:57.280 --> 0:41:01.320
<v Speaker 2>was a good fast runner, and I was always strong

0:41:01.400 --> 0:41:05.319
<v Speaker 2>as far as my size and my body weight. You know,

0:41:05.400 --> 0:41:10.759
<v Speaker 2>I never was a real big guy. I was a

0:41:10.800 --> 0:41:12.839
<v Speaker 2>guy that could hit the pull up bar and real

0:41:12.920 --> 0:41:15.600
<v Speaker 2>quick knock out twenty wow.

0:41:16.480 --> 0:41:18.680
<v Speaker 1>So you were still getting these in high school?

0:41:20.800 --> 0:41:21.480
<v Speaker 2>Oh yeah?

0:41:22.239 --> 0:41:25.200
<v Speaker 1>So what if I talked to high school Jamie Johnson,

0:41:25.280 --> 0:41:27.759
<v Speaker 1>what would he have said his future path would be.

0:41:30.160 --> 0:41:33.839
<v Speaker 2>I'd have probably said something along the lines of engineering

0:41:33.960 --> 0:41:40.920
<v Speaker 2>or architecture. I always saw myself as getting into building

0:41:41.040 --> 0:41:42.960
<v Speaker 2>science or something like that.

0:41:42.880 --> 0:41:47.360
<v Speaker 1>You know. So how did it switch to music?

0:41:50.200 --> 0:41:54.319
<v Speaker 2>I'd say that switch happened in Nashville. I had a

0:41:54.360 --> 0:42:00.759
<v Speaker 2>construction company do an insurance restoration. I was a general contractor.

0:42:00.800 --> 0:42:04.080
<v Speaker 2>We came in and rebuilt stuff that had been burned

0:42:04.120 --> 0:42:07.200
<v Speaker 2>in a fire, blown over in a tornado, and that

0:42:07.239 --> 0:42:12.560
<v Speaker 2>sort of thing. I wasn't a good business man, or

0:42:12.600 --> 0:42:19.240
<v Speaker 2>that company would have survived. But uh, I really didn't

0:42:19.560 --> 0:42:22.760
<v Speaker 2>do well in terms of business. I did did good work,

0:42:22.840 --> 0:42:31.440
<v Speaker 2>you know, but the business ended up bankrupt. I did

0:42:31.480 --> 0:42:35.920
<v Speaker 2>a reorganization bankrupt and paid off all the debt from it,

0:42:35.960 --> 0:42:37.840
<v Speaker 2>and I ended up paying off all that debt with

0:42:37.960 --> 0:42:39.919
<v Speaker 2>my music royalties.

0:42:43.520 --> 0:42:48.920
<v Speaker 1>Okay, let's really buy a couple of steps. You got

0:42:48.960 --> 0:42:54.640
<v Speaker 1>this free ride to college, you're an e student. How'd

0:42:54.640 --> 0:42:55.879
<v Speaker 1>you decide to drop out?

0:42:58.000 --> 0:43:05.120
<v Speaker 2>It was about money. I was tired of working like

0:43:05.280 --> 0:43:09.719
<v Speaker 2>crazy to pay a rent and only these utilities and

0:43:09.760 --> 0:43:14.920
<v Speaker 2>everything else, just to live this subpar kind of lifestyle

0:43:14.960 --> 0:43:17.640
<v Speaker 2>where you never had money to do anything. I mean,

0:43:17.680 --> 0:43:20.120
<v Speaker 2>I never had money for gas putting the car, and

0:43:20.160 --> 0:43:24.839
<v Speaker 2>I was delivering pizzas at the time, so it just

0:43:24.880 --> 0:43:30.879
<v Speaker 2>got to be a little too much of a challenge.

0:43:31.200 --> 0:43:33.680
<v Speaker 2>Even with the full ride scholarship, it was hard to

0:43:33.760 --> 0:43:35.240
<v Speaker 2>keep up with bills.

0:43:36.440 --> 0:43:38.880
<v Speaker 1>But you were taking music courses there.

0:43:41.239 --> 0:43:44.239
<v Speaker 2>Oh yeah. I was taking all kinds of music courses,

0:43:45.239 --> 0:43:53.719
<v Speaker 2>including applied science on French horn, and I think I

0:43:53.760 --> 0:43:55.839
<v Speaker 2>had gotten to a point where I felt like I

0:43:55.960 --> 0:43:59.800
<v Speaker 2>wasn't learning much. I was just practicing all the time.

0:44:01.600 --> 0:44:04.239
<v Speaker 1>So how did you end up in Nashville.

0:44:04.480 --> 0:44:09.319
<v Speaker 2>Well, I always knew Nashville was in my future. I

0:44:09.400 --> 0:44:16.359
<v Speaker 2>just didn't know when. When I decided to leave Montgomery,

0:44:17.080 --> 0:44:20.080
<v Speaker 2>I had already had a job at a cable company

0:44:20.120 --> 0:44:24.160
<v Speaker 2>where I was making all kinds of money going door

0:44:24.200 --> 0:44:26.680
<v Speaker 2>to door and signing people up for this new cable

0:44:26.719 --> 0:44:32.520
<v Speaker 2>company down there, and I realized I really didn't want

0:44:32.520 --> 0:44:35.440
<v Speaker 2>to be in sales for the rest of my life.

0:44:36.160 --> 0:44:39.800
<v Speaker 2>And I also realized that my writing, as far as songs,

0:44:40.520 --> 0:44:44.680
<v Speaker 2>was getting better and better. I had a little following

0:44:45.400 --> 0:44:52.920
<v Speaker 2>in a local bar down there called Pure Country, and

0:44:53.000 --> 0:44:55.120
<v Speaker 2>I had a lot of friends down there that really

0:44:55.160 --> 0:44:59.000
<v Speaker 2>supported me. I had a group of guys that were

0:44:59.000 --> 0:45:01.520
<v Speaker 2>in a band that I thought was really good. It

0:45:01.600 --> 0:45:05.279
<v Speaker 2>was called Southern Sons, and these guys had all come

0:45:05.320 --> 0:45:11.400
<v Speaker 2>to Nashville and were given the country music scene a

0:45:11.520 --> 0:45:15.399
<v Speaker 2>run for the money, and they were starting to have

0:45:15.440 --> 0:45:18.440
<v Speaker 2>some success. And one of them, in particular, had gotten

0:45:18.440 --> 0:45:28.360
<v Speaker 2>a job with CMT. He was a program director with CMT. Well,

0:45:29.320 --> 0:45:33.319
<v Speaker 2>Kurk Brewer is his name. Kirk told me about this

0:45:33.520 --> 0:45:37.600
<v Speaker 2>sign company that his wife was working for at the

0:45:37.640 --> 0:45:41.120
<v Speaker 2>time and said, man, they need a good outside sales

0:45:41.160 --> 0:45:44.240
<v Speaker 2>rep and this could be a way to get started

0:45:44.280 --> 0:45:48.440
<v Speaker 2>in Nashville for you. Well, I came up and interviewed

0:45:48.440 --> 0:45:52.080
<v Speaker 2>with that company and got the job, and so I

0:45:52.200 --> 0:45:54.760
<v Speaker 2>moved to town January the first two thousand.

0:45:55.280 --> 0:45:58.399
<v Speaker 1>Okay, let me kind of get this street we're and

0:45:58.440 --> 0:46:00.680
<v Speaker 1>when did you have the construction company?

0:46:03.480 --> 0:46:08.440
<v Speaker 2>Well, the construction company was about my third job in Nashville.

0:46:08.640 --> 0:46:12.960
<v Speaker 2>That fast science gig lasted me, I guess until about

0:46:13.000 --> 0:46:17.880
<v Speaker 2>October that year, and I had to resign my posts

0:46:18.400 --> 0:46:21.440
<v Speaker 2>when I went to help this guy figure out the

0:46:21.440 --> 0:46:25.480
<v Speaker 2>color scheme for his restaurant, only to find out that

0:46:25.560 --> 0:46:28.520
<v Speaker 2>I couldn't help him at all, and he couldn't help me.

0:46:28.600 --> 0:46:32.080
<v Speaker 2>At all. And he kept asking me what color do

0:46:32.160 --> 0:46:33.880
<v Speaker 2>you think this ought to be? And what color do

0:46:34.000 --> 0:46:36.719
<v Speaker 2>you think that ought to be? And I finally had

0:46:36.760 --> 0:46:40.480
<v Speaker 2>to tell him, right, I can't help you at all

0:46:40.560 --> 0:46:43.359
<v Speaker 2>with this. I'm colorblind. He said, hell, I'm colorblind too.

0:46:47.520 --> 0:46:51.320
<v Speaker 2>So I had to go back to the office until

0:46:51.400 --> 0:46:54.160
<v Speaker 2>the owner of the company. I said, Man, I can't

0:46:54.239 --> 0:46:57.600
<v Speaker 2>thank you enough for the opportunity, but I can't do

0:46:57.719 --> 0:47:02.759
<v Speaker 2>this a fish out the out of the pond over here.

0:47:02.800 --> 0:47:06.319
<v Speaker 2>I can't be out here talking to people about very

0:47:06.400 --> 0:47:09.600
<v Speaker 2>specific colors too. It's not just hey, we think this

0:47:09.640 --> 0:47:12.719
<v Speaker 2>ought to be yellow, you know, it had to be

0:47:12.760 --> 0:47:15.759
<v Speaker 2>a They called them Pantone colors, and there's got to

0:47:15.760 --> 0:47:21.120
<v Speaker 2>be fifteen thousand shades of yellow, and man, you mess

0:47:21.200 --> 0:47:23.960
<v Speaker 2>that up one time, buddy, it's a it's a mess.

0:47:25.080 --> 0:47:27.520
<v Speaker 2>So I left that company and went to work with

0:47:27.760 --> 0:47:30.920
<v Speaker 2>a different company where I didn't have to discern colors.

0:47:31.120 --> 0:47:33.720
<v Speaker 2>I went to work with a company called Heartland Pump.

0:47:35.600 --> 0:47:39.840
<v Speaker 2>And this company would rent out big industrial water pumps

0:47:39.960 --> 0:47:43.120
<v Speaker 2>to do like a creek bypass if you were going

0:47:43.200 --> 0:47:44.920
<v Speaker 2>to build a bridge over a creek.

0:47:46.080 --> 0:47:46.200
<v Speaker 1>Uh.

0:47:46.680 --> 0:47:51.759
<v Speaker 2>And they also dewatered rock quarries and mines and all

0:47:51.800 --> 0:47:55.560
<v Speaker 2>that sort of thing, so we're bypasses whatever anything had

0:47:55.600 --> 0:47:58.880
<v Speaker 2>to be bypassed. They had a pump and a plug system.

0:47:59.800 --> 0:48:03.359
<v Speaker 2>And I loved that company. I loved everybody I got

0:48:03.400 --> 0:48:06.680
<v Speaker 2>to know there. That's where I was when nine to

0:48:06.680 --> 0:48:10.839
<v Speaker 2>eleven happened. By the way, I was sitting in their

0:48:10.880 --> 0:48:18.880
<v Speaker 2>conference room in Carbondale or Carterville, Illinois. That the owner

0:48:18.920 --> 0:48:22.160
<v Speaker 2>and I, well, he sold the companies since then, but

0:48:22.520 --> 0:48:27.239
<v Speaker 2>he and I we still talk and try to try

0:48:27.239 --> 0:48:31.200
<v Speaker 2>to keep current. And it would have been that company

0:48:31.280 --> 0:48:35.240
<v Speaker 2>right there that I left. When my then wife Amy

0:48:36.160 --> 0:48:41.879
<v Speaker 2>inherited her parents construction company, they decided they were going

0:48:41.920 --> 0:48:44.799
<v Speaker 2>out of business and that they'd been an insurance restoration

0:48:45.840 --> 0:48:49.719
<v Speaker 2>her whole life, and so they left her the assets

0:48:49.760 --> 0:48:56.719
<v Speaker 2>of the company. We started another construction company. But even

0:48:56.760 --> 0:48:59.759
<v Speaker 2>before that, back in Montgomery, I was framing houses all

0:48:59.840 --> 0:49:02.200
<v Speaker 2>the time in between jobs and that sort of thing.

0:49:02.239 --> 0:49:06.560
<v Speaker 2>So I've always had had a background in construction and

0:49:06.920 --> 0:49:10.280
<v Speaker 2>a hunger for it. I still love it. I still

0:49:10.320 --> 0:49:14.000
<v Speaker 2>love it. If I'm not building or renovating something, I

0:49:14.000 --> 0:49:15.080
<v Speaker 2>feel like something's wrong.

0:49:23.520 --> 0:49:28.120
<v Speaker 1>So do you think you were a bad businessman because

0:49:28.160 --> 0:49:29.680
<v Speaker 1>you were essentially an artist?

0:49:32.080 --> 0:49:34.560
<v Speaker 2>I think I was a bad business man because I

0:49:34.680 --> 0:49:39.280
<v Speaker 2>legitimately couldn't give a rat's ass about money. I don't

0:49:39.280 --> 0:49:42.720
<v Speaker 2>care about money. It's the least valuable thing on the planet,

0:49:43.360 --> 0:49:47.120
<v Speaker 2>and I just refused to ever learn anything about it.

0:49:47.239 --> 0:49:51.000
<v Speaker 2>The first time I ever had to dive in and

0:49:51.120 --> 0:49:54.359
<v Speaker 2>learn something about the principles of money, it was when

0:49:54.400 --> 0:49:58.200
<v Speaker 2>I first got to Nashville. I started listening to a

0:49:58.239 --> 0:50:04.160
<v Speaker 2>program on the AM RADI the Dave Ramsey Show, right,

0:50:04.440 --> 0:50:07.680
<v Speaker 2>And I remember listening to Dave Ramsey and starting to

0:50:07.719 --> 0:50:14.480
<v Speaker 2>feel guilty about my own personal finances. But that was

0:50:14.520 --> 0:50:18.440
<v Speaker 2>a That was the first time I ever, uh, it

0:50:18.560 --> 0:50:20.760
<v Speaker 2>ever dawned on me that you know, you should stop

0:50:20.800 --> 0:50:24.200
<v Speaker 2>and learn how money operates. And it just took me

0:50:24.239 --> 0:50:25.480
<v Speaker 2>a while to kind of catch on.

0:50:26.520 --> 0:50:29.680
<v Speaker 1>Well, the music business is femous and raife, with even

0:50:29.719 --> 0:50:34.080
<v Speaker 1>the most successful musicians being ripped off. Since you weren't

0:50:34.120 --> 0:50:36.239
<v Speaker 1>an expert in money, have you've been ripped off?

0:50:38.880 --> 0:50:41.400
<v Speaker 2>Well, if you're not an expert in money, you can't

0:50:41.440 --> 0:50:42.960
<v Speaker 2>say that you got ripped off.

0:50:43.480 --> 0:50:46.200
<v Speaker 1>Excellent point. There's the A level student.

0:50:46.360 --> 0:50:53.719
<v Speaker 2>Okay, you have to pay attention. Money cannot wait to

0:50:53.760 --> 0:50:56.160
<v Speaker 2>get away from you. And if you're not aiming it

0:50:56.239 --> 0:51:00.120
<v Speaker 2>in a direction. It's gonna go whatever direction seems like

0:51:00.200 --> 0:51:03.640
<v Speaker 2>the least resistance.

0:51:06.320 --> 0:51:11.920
<v Speaker 1>Okay, when did you first pick up an instrument and

0:51:11.960 --> 0:51:16.439
<v Speaker 1>when did you decide you wanted to write songs.

0:51:22.160 --> 0:51:24.680
<v Speaker 2>I'd say the first time I picked up an instrument

0:51:24.719 --> 0:51:27.920
<v Speaker 2>would have been a guitar. I mean picked it up

0:51:27.920 --> 0:51:32.560
<v Speaker 2>with the intent of learning how to play, not just

0:51:32.680 --> 0:51:36.000
<v Speaker 2>banging around and making a noise like you know sometimes

0:51:36.080 --> 0:51:40.799
<v Speaker 2>kids will do. And for me that probably would have

0:51:40.800 --> 0:51:48.520
<v Speaker 2>happened around five or six years old. I remember my

0:51:48.640 --> 0:51:53.399
<v Speaker 2>dad would play songs on his guitar and he would

0:51:53.400 --> 0:51:57.080
<v Speaker 2>strum some chords and the songs that he were playing

0:51:57.080 --> 0:52:01.600
<v Speaker 2>and I didn't know about you know, some people wrote

0:52:01.600 --> 0:52:04.040
<v Speaker 2>these songs and that sort of thing. I just knew

0:52:04.040 --> 0:52:08.480
<v Speaker 2>my dad sang all these songs. Well, a lot of

0:52:08.480 --> 0:52:12.879
<v Speaker 2>the Hank Williams songs that I learned from early childhood.

0:52:13.320 --> 0:52:19.280
<v Speaker 2>I thought those are my dad's songs. I remember first

0:52:19.280 --> 0:52:22.120
<v Speaker 2>time hearing Hank Williams on the radio and thinking that's

0:52:22.120 --> 0:52:31.239
<v Speaker 2>my dad's song. Who's this guy? I just kind of

0:52:31.360 --> 0:52:35.960
<v Speaker 2>I grew up with a passion for music, though, it's

0:52:36.000 --> 0:52:39.279
<v Speaker 2>what really drove me. And even if I didn't know

0:52:39.320 --> 0:52:42.160
<v Speaker 2>how to play. There was always this version of me

0:52:42.280 --> 0:52:45.800
<v Speaker 2>that was writing my own song, and it might have

0:52:45.920 --> 0:52:49.320
<v Speaker 2>just been taken the lyrics to somebody else's and replacing

0:52:49.360 --> 0:52:55.640
<v Speaker 2>them with whatever I was thinking about, but it was

0:52:55.680 --> 0:52:56.880
<v Speaker 2>always a hunger for me.

0:52:58.360 --> 0:53:02.680
<v Speaker 1>Now, other than your father, were you listening to the

0:53:02.880 --> 0:53:06.840
<v Speaker 1>radio you were born in seventy five, MTV hits in

0:53:06.920 --> 0:53:10.640
<v Speaker 1>eighty one, What music were you listening to and where

0:53:10.640 --> 0:53:11.480
<v Speaker 1>did you find it?

0:53:13.280 --> 0:53:17.160
<v Speaker 2>We didn't have MTV. We had those rabbit ears on

0:53:17.200 --> 0:53:21.279
<v Speaker 2>the TV that picked up the three channels for free.

0:53:24.400 --> 0:53:26.520
<v Speaker 2>Music for me would have been what we heard on

0:53:26.560 --> 0:53:34.000
<v Speaker 2>the radio. I remember I was a big Buddy Holly fan,

0:53:36.960 --> 0:53:39.720
<v Speaker 2>and it was like the first two or three tapes

0:53:39.760 --> 0:53:44.120
<v Speaker 2>that I ever bought were Buddy Holly, and I remember

0:53:44.160 --> 0:53:50.240
<v Speaker 2>when I found out that Whalon Jennings had played bass

0:53:50.880 --> 0:53:54.560
<v Speaker 2>and Buddy's band, and Whalen was also the guy on

0:53:54.640 --> 0:53:57.400
<v Speaker 2>the Dukes of Hazard, and that turned me into the

0:53:57.400 --> 0:54:04.720
<v Speaker 2>biggest Whalon Jennings fan ever. So it's all kind of interwoven.

0:54:04.800 --> 0:54:07.680
<v Speaker 2>But we didn't we didn't have no MTV in my

0:54:07.800 --> 0:54:12.239
<v Speaker 2>house growing up. We had vinyl records and my mother

0:54:12.520 --> 0:54:15.960
<v Speaker 2>was a big Alabama fan and she had every record

0:54:16.000 --> 0:54:18.200
<v Speaker 2>that they put out, and I'm talking about the day

0:54:18.280 --> 0:54:22.600
<v Speaker 2>it became available. She came home with that record. And

0:54:23.320 --> 0:54:26.600
<v Speaker 2>we also had a book that had the sheet music

0:54:26.680 --> 0:54:29.680
<v Speaker 2>of all these Alabama records. I think I had like

0:54:29.800 --> 0:54:35.000
<v Speaker 2>six different albums, including My Homes in Alabama. And that's

0:54:35.040 --> 0:54:37.000
<v Speaker 2>the first song I ever learned how to play on

0:54:37.040 --> 0:54:40.000
<v Speaker 2>a guitar and sing. I learned it right out of

0:54:40.040 --> 0:54:40.520
<v Speaker 2>that book.

0:54:43.000 --> 0:54:46.160
<v Speaker 1>So you were listening mostly to country music. Did you

0:54:46.200 --> 0:54:47.640
<v Speaker 1>listen to any rock music?

0:54:50.800 --> 0:54:55.360
<v Speaker 2>Probably, but I didn't know there was a difference. To

0:54:55.760 --> 0:55:00.200
<v Speaker 2>me the Eagles. That wasn't really rock, you know, the

0:55:00.239 --> 0:55:04.880
<v Speaker 2>main heaven. It fit just as good with our country

0:55:04.960 --> 0:55:08.480
<v Speaker 2>music as it did anything else. But that would have

0:55:08.480 --> 0:55:10.440
<v Speaker 2>been the version of rock and roll I listened to.

0:55:10.560 --> 0:55:14.040
<v Speaker 2>My sister was down the hallway with her Madonna records

0:55:14.080 --> 0:55:17.680
<v Speaker 2>and Prince and she even had that Guns and Roses

0:55:17.760 --> 0:55:18.879
<v Speaker 2>record when it came out.

0:55:20.200 --> 0:55:22.040
<v Speaker 1>Did you like Appetite for Disruption?

0:55:27.040 --> 0:55:31.480
<v Speaker 2>Not? Probably? Not at first. I mean, down on my

0:55:31.680 --> 0:55:34.000
<v Speaker 2>end of the hall, it was still Vern Godzeden and

0:55:34.120 --> 0:55:34.880
<v Speaker 2>Merle Haggard.

0:55:37.239 --> 0:55:40.480
<v Speaker 1>Okay, So if you pick up a guitar at age

0:55:40.520 --> 0:55:43.560
<v Speaker 1>five or six, when you're in high school, are you

0:55:43.680 --> 0:55:45.680
<v Speaker 1>known as the guy who plays a guitar. Did you

0:55:45.719 --> 0:55:48.520
<v Speaker 1>play any gigs, form many bands anything like that.

0:55:51.200 --> 0:55:56.400
<v Speaker 2>No, most people didn't even know I did anything of musical,

0:55:56.680 --> 0:56:01.799
<v Speaker 2>I guess until about seventh grade. And that's but I

0:56:01.880 --> 0:56:04.279
<v Speaker 2>also kept to myself. You know, I didn't have a

0:56:04.320 --> 0:56:07.279
<v Speaker 2>whole lot of friends. Well, we lived so far out

0:56:07.280 --> 0:56:09.680
<v Speaker 2>in the country. Wasn't like I would get home from

0:56:09.960 --> 0:56:13.160
<v Speaker 2>school and hop on my bicycle and go visit friends.

0:56:13.800 --> 0:56:19.080
<v Speaker 2>We just didn't have neighbors like that. I kind of

0:56:19.120 --> 0:56:23.239
<v Speaker 2>grew up on my own, So even if I did

0:56:23.440 --> 0:56:25.560
<v Speaker 2>learn something on the guitar, it wasn't like I had

0:56:25.560 --> 0:56:27.719
<v Speaker 2>anybody I could call up and share it with. I

0:56:27.840 --> 0:56:29.600
<v Speaker 2>just played for my dad when he got home.

0:56:32.200 --> 0:56:36.320
<v Speaker 1>So okay, that seventh grade people learned you played the guitar.

0:56:36.840 --> 0:56:38.120
<v Speaker 1>How did they find out?

0:56:40.160 --> 0:56:42.440
<v Speaker 2>Well, it wasn't guitar at first. It would have been

0:56:42.480 --> 0:56:45.840
<v Speaker 2>that French orn that I was learning in the beginner band.

0:56:47.120 --> 0:56:52.200
<v Speaker 2>And I didn't stay in beginner band for very long.

0:56:53.640 --> 0:56:57.239
<v Speaker 2>I practiced so much, and I had already learned how

0:56:57.239 --> 0:57:00.400
<v Speaker 2>to read sheet music. My dad taught help me on

0:57:00.520 --> 0:57:06.680
<v Speaker 2>my hand growing up. You take your five fingers right there,

0:57:06.680 --> 0:57:10.640
<v Speaker 2>and they represent the five bars of a staff and

0:57:10.719 --> 0:57:14.360
<v Speaker 2>if it's a line, it's every good boy does fine.

0:57:14.440 --> 0:57:19.120
<v Speaker 2>And if it's a space, it's face face. So he

0:57:19.200 --> 0:57:21.560
<v Speaker 2>taught me how to reach sheep music just looking at

0:57:21.560 --> 0:57:25.680
<v Speaker 2>the palm of my hand. And the more I practiced

0:57:25.720 --> 0:57:29.120
<v Speaker 2>on that horn, the better I got. Within a few weeks,

0:57:29.280 --> 0:57:32.720
<v Speaker 2>the band director of that junior high school had me

0:57:32.800 --> 0:57:35.200
<v Speaker 2>sitting in with the advance band.

0:57:37.760 --> 0:57:39.960
<v Speaker 1>Okay, then what happened?

0:57:42.440 --> 0:57:48.680
<v Speaker 2>I got into Drumming Bugle Corps. After that, this old

0:57:48.720 --> 0:57:53.080
<v Speaker 2>drum and Bugle Corps had well, they had a couple

0:57:53.080 --> 0:57:56.120
<v Speaker 2>of years back in eighty and eighty one, and then

0:57:56.160 --> 0:57:58.840
<v Speaker 2>they were just kind of coming back out. It's called

0:57:58.920 --> 0:58:03.600
<v Speaker 2>south Wind, and they had some auditions and I went

0:58:03.680 --> 0:58:07.280
<v Speaker 2>an auditioned for them and got into that where I

0:58:07.280 --> 0:58:14.120
<v Speaker 2>could travel during the summer. And I guess since it's

0:58:14.160 --> 0:58:18.920
<v Speaker 2>been since I was about twelve thirteen years old, I

0:58:18.960 --> 0:58:22.840
<v Speaker 2>started spending my summers out on the road traveling with

0:58:22.920 --> 0:58:27.280
<v Speaker 2>that Drumming Bugle Corps. So I've been a traveling musician

0:58:28.480 --> 0:58:29.880
<v Speaker 2>most of my life now.

0:58:30.400 --> 0:58:34.360
<v Speaker 1>Okay, so what are you playing in the Drumming Bugle Corps.

0:58:35.880 --> 0:58:38.160
<v Speaker 2>Well, they called it a soprano, but it was a

0:58:38.160 --> 0:58:42.480
<v Speaker 2>soprano bugle, which is akin to a two valve trumpet.

0:58:43.880 --> 0:58:48.240
<v Speaker 1>Okay, okay, you started with a French worn your father

0:58:48.360 --> 0:58:51.440
<v Speaker 1>helped you out. You would greet how'd you get into

0:58:51.480 --> 0:58:52.000
<v Speaker 1>the bugle?

0:58:54.000 --> 0:58:57.080
<v Speaker 2>That was it. I heard these guys were taking auditions

0:58:57.080 --> 0:59:00.720
<v Speaker 2>and trying to put this corps back together. I went

0:59:00.760 --> 0:59:05.000
<v Speaker 2>and auditioned, and uh, and became became one of them.

0:59:06.520 --> 0:59:09.520
<v Speaker 2>And uh, that's also kind of what started me down

0:59:09.600 --> 0:59:14.400
<v Speaker 2>that path of I guess you'd call it discipline, but

0:59:15.080 --> 0:59:17.920
<v Speaker 2>you had to have a good degree a discipline to

0:59:18.280 --> 0:59:21.160
<v Speaker 2>be successful in the drummer bugle corps.

0:59:23.000 --> 0:59:26.160
<v Speaker 1>Okay, are you the type of person that you can

0:59:26.240 --> 0:59:27.800
<v Speaker 1>pick up and play any instrument?

0:59:30.560 --> 0:59:33.280
<v Speaker 2>I wouldn't say that, but I can figure it out,

0:59:33.840 --> 0:59:38.320
<v Speaker 2>you know, I can. I can usually get some some

0:59:38.440 --> 0:59:39.840
<v Speaker 2>kind of tone out of anything.

0:59:41.720 --> 0:59:43.720
<v Speaker 1>So you're in the drum and bugle cort and you're

0:59:43.760 --> 0:59:45.800
<v Speaker 1>traveling during the summer, where you're going.

0:59:48.720 --> 0:59:55.080
<v Speaker 2>All over. We would travel, Uh, you'd stay at high schools.

0:59:56.240 --> 0:59:58.560
<v Speaker 2>You know, most of us had a little sleeping bag

0:59:58.720 --> 1:00:04.440
<v Speaker 2>or a bedroll or whatever enough closed to get you

1:00:04.520 --> 1:00:11.200
<v Speaker 2>through the summer, and did our work out on football

1:00:11.240 --> 1:00:13.439
<v Speaker 2>fields and that sort of thing. In fact, that's where

1:00:13.440 --> 1:00:18.400
<v Speaker 2>our shows were were in some of these uh big

1:00:18.400 --> 1:00:24.440
<v Speaker 2>old high school and college football stadiums. So that was

1:00:24.480 --> 1:00:27.160
<v Speaker 2>the kind of places we'd travel. We didn't stay in hotels.

1:00:28.000 --> 1:00:30.840
<v Speaker 2>I learned to sleep in a luggage rack on a bus.

1:00:31.960 --> 1:00:34.840
<v Speaker 1>Well, I mean, you're in Alabama. How far from Alabama

1:00:34.920 --> 1:00:35.440
<v Speaker 1>would you go?

1:00:37.480 --> 1:00:42.640
<v Speaker 2>Oh? Hell? I remember seeing Niagara Falls for the first time.

1:00:42.680 --> 1:00:45.640
<v Speaker 2>Oh wow, about thirteen years old. I mean we got out.

1:00:47.240 --> 1:00:53.720
<v Speaker 2>We did some sure enough, travel up New York, Maine, Kansas, Tennessee.

1:00:54.040 --> 1:00:57.680
<v Speaker 2>I mean just we went everywhere we toured.

1:00:57.840 --> 1:01:02.160
<v Speaker 1>Okay, in the world of drumming google cores, was this

1:01:02.400 --> 1:01:06.400
<v Speaker 1>like a known good? I mean, is there a hierarchy

1:01:06.440 --> 1:01:09.080
<v Speaker 1>of drumming and bugle cores? Oh?

1:01:09.240 --> 1:01:14.560
<v Speaker 2>Yeah. Ours wasn't necessarily one of the best. It was

1:01:16.120 --> 1:01:19.320
<v Speaker 2>a smaller cores. Back then, they used to have this division.

1:01:19.400 --> 1:01:22.560
<v Speaker 2>It was called Age sixty I think it was. And

1:01:22.640 --> 1:01:24.880
<v Speaker 2>all it meant was you didn't have as many members

1:01:24.880 --> 1:01:28.520
<v Speaker 2>as the bigger cores, and we didn't. We had a

1:01:28.600 --> 1:01:32.640
<v Speaker 2>very small drummer bugle corps. But for our size, we

1:01:32.640 --> 1:01:33.400
<v Speaker 2>were really good.

1:01:34.800 --> 1:01:36.480
<v Speaker 1>And how many summers did you do that?

1:01:38.920 --> 1:01:43.960
<v Speaker 2>Oh? I did probably two summers traveling with those guys.

1:01:44.000 --> 1:01:46.600
<v Speaker 2>But I probably did winter camps and that sort of

1:01:46.640 --> 1:01:48.600
<v Speaker 2>thing four years or so.

1:01:48.600 --> 1:01:50.760
<v Speaker 1>So how did it end with the drum and bugle corps.

1:01:53.200 --> 1:01:55.680
<v Speaker 2>Well, you age out at twenty one, but I didn't

1:01:55.680 --> 1:01:58.520
<v Speaker 2>get anywhere close to that. I did it up until

1:01:58.560 --> 1:02:00.880
<v Speaker 2>I got into high school, and by then I was

1:02:00.920 --> 1:02:04.400
<v Speaker 2>already working during the summers and didn't have didn't have

1:02:04.440 --> 1:02:05.520
<v Speaker 2>time to do it anymore.

1:02:06.520 --> 1:02:10.960
<v Speaker 1>So when did you start playing guitar and writing songs

1:02:11.720 --> 1:02:14.640
<v Speaker 1>to the point where other people heard you perform?

1:02:17.240 --> 1:02:20.400
<v Speaker 2>I guess by the time I was in tenth grade

1:02:20.480 --> 1:02:23.360
<v Speaker 2>or so, I was already sharing songs that I wrote

1:02:23.400 --> 1:02:28.160
<v Speaker 2>with some some friends, you know, some guys and gals

1:02:28.200 --> 1:02:35.160
<v Speaker 2>I was hanging out with aside from school, but not

1:02:35.400 --> 1:02:37.800
<v Speaker 2>to the point where I was bothering people with it.

1:02:37.880 --> 1:02:41.160
<v Speaker 2>Are you know, purposely pursuing Hey, check out this song

1:02:41.280 --> 1:02:45.160
<v Speaker 2>I wrote, just you know. But by the time I

1:02:45.280 --> 1:02:50.200
<v Speaker 2>was a junior in high school. I remember then there

1:02:50.320 --> 1:02:53.360
<v Speaker 2>was a group of kids from my church that really

1:02:53.400 --> 1:02:57.200
<v Speaker 2>thought it was a neat thing. But my dad had

1:02:57.240 --> 1:03:01.560
<v Speaker 2>me and my sister playing in church with him from

1:03:01.600 --> 1:03:03.720
<v Speaker 2>a young age. So for a lot of the people

1:03:03.760 --> 1:03:07.680
<v Speaker 2>in our church, they just that they knew since I

1:03:07.760 --> 1:03:10.440
<v Speaker 2>was about ten years old or so that you know

1:03:12.080 --> 1:03:15.560
<v Speaker 2>that I played guitar and sang harmony with my dad

1:03:15.600 --> 1:03:17.400
<v Speaker 2>when he would get up and sing in front of

1:03:17.440 --> 1:03:17.840
<v Speaker 2>the church.

1:03:19.040 --> 1:03:23.640
<v Speaker 1>And did you ever play high school talent shows or

1:03:23.720 --> 1:03:27.600
<v Speaker 1>you know sweet sixteens bar Mitzvah's anything like that.

1:03:30.560 --> 1:03:34.280
<v Speaker 2>No, I never got into that sort of thing. I

1:03:34.320 --> 1:03:38.520
<v Speaker 2>never saw music as a competition, and I just saw

1:03:38.520 --> 1:03:43.120
<v Speaker 2>it as a something I really wanted to do and

1:03:43.280 --> 1:03:46.120
<v Speaker 2>I wanted to do it well, but I didn't. I

1:03:46.120 --> 1:03:51.439
<v Speaker 2>didn't get into the competitive stuff with it so much.

1:03:51.720 --> 1:03:54.240
<v Speaker 2>And I did some of that. You know, the drum

1:03:54.320 --> 1:03:57.120
<v Speaker 2>Corps thing was a competition, but I really didn't care

1:03:57.160 --> 1:03:59.760
<v Speaker 2>how we did. I was in it more for the

1:04:00.640 --> 1:04:03.520
<v Speaker 2>getting the summer away from the house and getting to

1:04:03.560 --> 1:04:07.200
<v Speaker 2>travel than I was and anything else. And now even

1:04:07.240 --> 1:04:10.720
<v Speaker 2>the stuff or like state band competitions and all that

1:04:10.760 --> 1:04:12.840
<v Speaker 2>where you get the ribbons and all that kind of thing,

1:04:12.880 --> 1:04:14.160
<v Speaker 2>I didn't care about that. Junt.

1:04:17.480 --> 1:04:23.480
<v Speaker 1>Okay, you grew up in Alabama. Even at this late date,

1:04:24.160 --> 1:04:27.280
<v Speaker 1>the North in the South are very different, and you've

1:04:27.320 --> 1:04:32.800
<v Speaker 1>also traveled around the country. What do people who don't

1:04:32.840 --> 1:04:35.320
<v Speaker 1>live in the South, don't live in Alabama, what don't

1:04:35.360 --> 1:04:37.560
<v Speaker 1>they understand about Alabama.

1:04:42.440 --> 1:04:44.760
<v Speaker 2>Well, that's a tough one. I guess it had a

1:04:44.800 --> 1:04:51.040
<v Speaker 2>perspective comes into play. Being from Alabama is the only

1:04:51.120 --> 1:04:54.520
<v Speaker 2>perspective that I have, So I'm not real sure what

1:04:54.720 --> 1:05:01.360
<v Speaker 2>somebody else's perspective of Alabama would be. I am aware

1:05:01.400 --> 1:05:04.800
<v Speaker 2>that there's a lot of things that we considered normal

1:05:05.880 --> 1:05:10.600
<v Speaker 2>down there that that other people would consider taboo, like

1:05:10.680 --> 1:05:16.080
<v Speaker 2>putting cheese in your grits. Uh. Some people you have

1:05:16.160 --> 1:05:21.360
<v Speaker 2>to explain to them what grits are. So I don't

1:05:21.400 --> 1:05:23.840
<v Speaker 2>know that there's there's probably a lot of things that

1:05:24.680 --> 1:05:30.480
<v Speaker 2>uh about Alabama that would be taboo even to today's Alabama.

1:05:32.000 --> 1:05:35.080
<v Speaker 2>It's changed a lot, just like everywhere else in the world,

1:05:35.320 --> 1:05:41.000
<v Speaker 2>especially over the past since the information age came in.

1:05:48.920 --> 1:05:51.560
<v Speaker 1>We're in wind in this scenario, did you meet your

1:05:51.560 --> 1:05:52.320
<v Speaker 1>first wife?

1:05:53.400 --> 1:05:58.120
<v Speaker 2>I met Amy. When I first got to Nashville. It

1:05:58.280 --> 1:06:03.600
<v Speaker 2>snowed fores well for me, being from South Alabama, I've

1:06:03.800 --> 1:06:06.040
<v Speaker 2>never seen that much snow in my life. And I

1:06:06.080 --> 1:06:10.680
<v Speaker 2>had a couple of dogs I had rescued from this

1:06:10.880 --> 1:06:16.600
<v Speaker 2>shelter down there. They were Japanese akitas, and I took

1:06:16.640 --> 1:06:21.000
<v Speaker 2>them over to the side of priests dam where they

1:06:21.040 --> 1:06:24.720
<v Speaker 2>got a nice steep hill and I just let them

1:06:24.800 --> 1:06:28.320
<v Speaker 2>drag everybody around in the snow that day, where her

1:06:28.360 --> 1:06:31.440
<v Speaker 2>friends thought it was a lot of fun to grab

1:06:31.440 --> 1:06:33.560
<v Speaker 2>a hold of these two akitas and ride them down

1:06:33.600 --> 1:06:37.560
<v Speaker 2>this hill, let these dogs pull their sled around.

1:06:38.920 --> 1:06:43.880
<v Speaker 1>So, hi'd you meet her? And how did it become

1:06:44.400 --> 1:06:45.960
<v Speaker 1>a romance in marriage?

1:06:48.600 --> 1:06:52.080
<v Speaker 2>So they invited me to do to go to church,

1:06:53.520 --> 1:06:59.160
<v Speaker 2>and I started going to that church. It was it

1:06:59.200 --> 1:07:05.400
<v Speaker 2>was Two Rivers Baptist, and it was the biggest church

1:07:05.440 --> 1:07:09.680
<v Speaker 2>I'd ever seen in my life. It was a big, old,

1:07:09.720 --> 1:07:14.800
<v Speaker 2>massive building and it kind of helped me, you know,

1:07:14.920 --> 1:07:20.800
<v Speaker 2>meet some people and get rooted and get established in Nashville. So, oh,

1:07:22.800 --> 1:07:25.680
<v Speaker 2>I guess for me, Amy goes back to the very

1:07:25.720 --> 1:07:29.120
<v Speaker 2>beginning of my time in Nashville, which has been twenty

1:07:29.160 --> 1:07:32.760
<v Speaker 2>five years now. She wouldn't appreciate me mentioning the number

1:07:32.760 --> 1:07:38.480
<v Speaker 2>of years for that. For that, I apologize.

1:07:39.160 --> 1:07:40.480
<v Speaker 1>How did it end with Amy?

1:07:44.640 --> 1:07:48.320
<v Speaker 2>Willie says, you never have an ex wife, there's only

1:07:48.360 --> 1:07:54.640
<v Speaker 2>additional ones, So there is no end. Amy and I

1:07:54.680 --> 1:07:58.880
<v Speaker 2>are still wonderful friends today and we have a twenty

1:07:58.920 --> 1:08:04.760
<v Speaker 2>one year old daughter, and there's no end to that. Relationship.

1:08:06.240 --> 1:08:11.960
<v Speaker 2>It's just it's morphed into a beautiful friendship over the years.

1:08:13.240 --> 1:08:14.600
<v Speaker 1>Well, who wanted the divorce?

1:08:17.400 --> 1:08:20.639
<v Speaker 2>You know, some scabs are better left unpicked at up.

1:08:23.160 --> 1:08:28.479
<v Speaker 1>Okay, Well, let's just put it this way. You're great

1:08:28.560 --> 1:08:33.559
<v Speaker 1>friends now you were married before? Were you always great friends?

1:08:33.640 --> 1:08:35.679
<v Speaker 1>Or where there were some bumps in the road before

1:08:35.720 --> 1:08:38.520
<v Speaker 1>you became great friends?

1:08:40.000 --> 1:08:44.160
<v Speaker 2>I like any good friendship. We've had some bumps in

1:08:44.200 --> 1:08:47.320
<v Speaker 2>the road. We just chose not to dwell on them

1:08:47.479 --> 1:08:50.080
<v Speaker 2>longer than it took to put them away and move

1:08:50.160 --> 1:08:52.759
<v Speaker 2>on and forgive and forget.

1:08:54.040 --> 1:08:56.320
<v Speaker 1>And what is your twenty one year old daughter up to?

1:09:00.000 --> 1:09:04.519
<v Speaker 2>Whatever she decides is the correct answer. She's a very

1:09:04.600 --> 1:09:10.519
<v Speaker 2>smart young lady. And I mean she's got a brilliant mind.

1:09:11.560 --> 1:09:17.719
<v Speaker 2>She's got a wonderful discipline and a great disposition. She's

1:09:18.120 --> 1:09:20.800
<v Speaker 2>smart enough to do anything she puts her mind to,

1:09:21.000 --> 1:09:26.240
<v Speaker 2>and she knows that, and she's very selective about what

1:09:26.400 --> 1:09:30.120
<v Speaker 2>she will apply herself to, and when she does, there's

1:09:30.160 --> 1:09:36.600
<v Speaker 2>nothing stopping her. She goes to Sanford University. She's studying

1:09:37.040 --> 1:09:40.920
<v Speaker 2>physical therapy, and I'm sure that may change a couple

1:09:40.920 --> 1:09:43.479
<v Speaker 2>of more times before she graduates, but she's in her

1:09:43.520 --> 1:09:44.599
<v Speaker 2>third year right now?

1:09:45.920 --> 1:09:47.880
<v Speaker 1>And did Aby ever find somebody new?

1:09:49.439 --> 1:09:53.599
<v Speaker 2>Oh? Yeah, she got married probably four or five years ago.

1:09:53.840 --> 1:09:57.240
<v Speaker 2>I want to say it was during the lockdown with COVID.

1:09:59.080 --> 1:10:01.599
<v Speaker 2>And he's a good he's good to our daughter, and

1:10:02.120 --> 1:10:05.000
<v Speaker 2>he's great for Amy. So I like him a lot.

1:10:05.360 --> 1:10:06.280
<v Speaker 2>His name is Keith.

1:10:07.680 --> 1:10:15.000
<v Speaker 1>Okay, So you move to Nashville because there's a job

1:10:15.080 --> 1:10:20.719
<v Speaker 1>with the sign company. You ultimately get into construction. We're

1:10:20.920 --> 1:10:24.479
<v Speaker 1>in this narrative. Do you say I want to make

1:10:24.600 --> 1:10:25.759
<v Speaker 1>music my career.

1:10:28.880 --> 1:10:31.600
<v Speaker 2>I think the whole point of me coming to Nashville

1:10:32.280 --> 1:10:37.120
<v Speaker 2>was about making music my career. I guess I got

1:10:38.560 --> 1:10:41.719
<v Speaker 2>really serious in it, and it took me a while.

1:10:41.760 --> 1:10:45.240
<v Speaker 2>I had to I had to grow a business in

1:10:45.920 --> 1:10:52.439
<v Speaker 2>singing demos, and that started just about from the beginning too.

1:10:52.880 --> 1:10:55.799
<v Speaker 2>When I got to Nashville, I guess it was within

1:10:55.840 --> 1:10:58.000
<v Speaker 2>a couple of weeks. I had met a guy in

1:10:58.080 --> 1:11:01.519
<v Speaker 2>one of the bars down on Lower Broad UH named

1:11:01.560 --> 1:11:07.320
<v Speaker 2>Greg Perkins. And Greg was a fiddle and steel player. Uh.

1:11:07.400 --> 1:11:10.400
<v Speaker 2>He played with Tammy Wyett and some other ones. But

1:11:10.479 --> 1:11:14.719
<v Speaker 2>he he had asked me to come down to his studio,

1:11:14.800 --> 1:11:17.840
<v Speaker 2>which is in the old r c A building on

1:11:18.080 --> 1:11:22.680
<v Speaker 2>Music Row, and uh, and sing some demos. And so

1:11:22.720 --> 1:11:26.760
<v Speaker 2>the first thing, the thing I ever sang, uh, that

1:11:26.960 --> 1:11:29.840
<v Speaker 2>was recorded, was in that building. And that's that's where

1:11:29.840 --> 1:11:33.640
<v Speaker 2>my studio is today. His his studio was on the

1:11:33.680 --> 1:11:39.640
<v Speaker 2>first floor. Mine's mine's on the third floor. Oh but

1:11:39.760 --> 1:11:42.759
<v Speaker 2>I in one way or another, I've been making music

1:11:42.840 --> 1:11:44.679
<v Speaker 2>in that building ever since I got to town.

1:11:45.840 --> 1:11:50.920
<v Speaker 1>Okay, so you meet Perkins and he says, come sing

1:11:50.960 --> 1:11:54.080
<v Speaker 1>on the demos. What happens after that.

1:11:56.760 --> 1:11:59.920
<v Speaker 2>Well, I met some other folks, and you know, once

1:12:00.240 --> 1:12:05.040
<v Speaker 2>they start passing around these songs trying to get somebody

1:12:05.040 --> 1:12:08.040
<v Speaker 2>to cut these songs, your voice is going around with them.

1:12:09.040 --> 1:12:11.200
<v Speaker 2>One of the first things he had me do was

1:12:11.200 --> 1:12:16.880
<v Speaker 2>a duet and with a singer I didn't know at

1:12:16.920 --> 1:12:20.680
<v Speaker 2>the time. Again, I'm new to town. Everybody's new to me. Well,

1:12:20.680 --> 1:12:24.160
<v Speaker 2>this gal comes in and she's about twelve months pregnant

1:12:25.040 --> 1:12:27.960
<v Speaker 2>and she, I mean, you know, that turkey button was

1:12:28.040 --> 1:12:31.240
<v Speaker 2>just looked like it had popped three weeks ago. She

1:12:31.479 --> 1:12:35.080
<v Speaker 2>was very pregnant, about to give birth to this baby.

1:12:35.680 --> 1:12:38.160
<v Speaker 2>And walked in there, and I mean, within twenty minutes

1:12:38.200 --> 1:12:40.759
<v Speaker 2>had just delivered one of the best vocals I've ever heard.

1:12:40.960 --> 1:12:45.280
<v Speaker 2>I knew people could sing like that. And she walked

1:12:45.280 --> 1:12:48.280
<v Speaker 2>out and he explained to me, he said, that's Gretchen Wilson.

1:12:48.320 --> 1:12:51.840
<v Speaker 2>You're gonna be hearing that name, and boy did everybody

1:12:51.880 --> 1:12:55.840
<v Speaker 2>hear that name. After that, she was something else.

1:12:56.640 --> 1:12:59.240
<v Speaker 1>So that was before her redneck woman hit.

1:13:00.720 --> 1:13:03.200
<v Speaker 2>Yes, sir, and she she pretty much taught me what

1:13:03.320 --> 1:13:05.559
<v Speaker 2>it was like to walk in a studio and deliver

1:13:06.520 --> 1:13:10.960
<v Speaker 2>a vocal performance. You know, you could lollygag around in

1:13:11.000 --> 1:13:13.719
<v Speaker 2>there for three hours and get something that sounds like crap,

1:13:13.840 --> 1:13:16.240
<v Speaker 2>or you can you can walk in there and just

1:13:16.600 --> 1:13:18.880
<v Speaker 2>pour the coals to it and be done in ten

1:13:18.960 --> 1:13:21.760
<v Speaker 2>minutes and you make a make a good sized check.

1:13:22.080 --> 1:13:24.880
<v Speaker 1>So, so what is the trick?

1:13:27.000 --> 1:13:31.679
<v Speaker 2>Open up? Don't don't be so reserved with it. Don't

1:13:31.680 --> 1:13:34.800
<v Speaker 2>be in there humming around trying to figure out you know,

1:13:34.840 --> 1:13:37.639
<v Speaker 2>you got to go in there with everything you got,

1:13:37.760 --> 1:13:41.240
<v Speaker 2>let that personality come open, and then try to reel

1:13:41.320 --> 1:13:45.599
<v Speaker 2>that back in if it's too much. But uh, that's

1:13:45.640 --> 1:13:48.160
<v Speaker 2>what that's what I learned from watching her do it.

1:13:48.960 --> 1:13:53.280
<v Speaker 1>Okay, you're selling point for these demos, Perkins or somebody else.

1:13:53.360 --> 1:13:58.240
<v Speaker 1>Immediately realized you had a signature, very unique and great voices.

1:13:58.320 --> 1:13:59.679
<v Speaker 1>That what made it happen.

1:14:02.680 --> 1:14:05.960
<v Speaker 2>I would say, it's what God it started, you know,

1:14:06.280 --> 1:14:11.120
<v Speaker 2>But once people start hearing your voice, after that, it's

1:14:11.200 --> 1:14:14.320
<v Speaker 2>like that, it's how many times do they hear your voice?

1:14:14.479 --> 1:14:17.120
<v Speaker 2>If every time they hear a song and they go,

1:14:17.360 --> 1:14:19.439
<v Speaker 2>who in the hell is that singing? And it's your

1:14:19.560 --> 1:14:23.840
<v Speaker 2>name that comes out, they go, man, that guy, and

1:14:23.880 --> 1:14:27.040
<v Speaker 2>they start marking your name. And so I guess over

1:14:27.360 --> 1:14:30.200
<v Speaker 2>the course of a few years, I must have sang

1:14:30.280 --> 1:14:36.519
<v Speaker 2>a couple of thousand demos, and I became that guy

1:14:36.600 --> 1:14:40.559
<v Speaker 2>that everybody recognized my voice even if we'd never met.

1:14:42.000 --> 1:14:45.320
<v Speaker 1>And at the time, will you pling out it all?

1:14:45.439 --> 1:14:46.960
<v Speaker 1>Or its all like recording?

1:14:48.840 --> 1:14:53.000
<v Speaker 2>I was always playing out in the bars if I could,

1:14:53.920 --> 1:14:59.160
<v Speaker 2>and I was also doing writer shows. Anytime I could

1:15:00.280 --> 1:15:02.400
<v Speaker 2>get out in front of a crowd, I was, I

1:15:02.479 --> 1:15:06.240
<v Speaker 2>was going to I played a writer's round one night.

1:15:06.479 --> 1:15:08.800
<v Speaker 2>A buddy of mine that was he actually produced a

1:15:08.840 --> 1:15:12.080
<v Speaker 2>record on me, Dave Brainer invited me to do this

1:15:12.160 --> 1:15:16.599
<v Speaker 2>writer's round around two thousand and one, and I remember

1:15:16.600 --> 1:15:19.959
<v Speaker 2>that because it was about a week after nine eleven,

1:15:21.280 --> 1:15:24.439
<v Speaker 2>and uh, I went and played this writer's round and

1:15:24.479 --> 1:15:26.760
<v Speaker 2>on the other end of the round from me was

1:15:27.040 --> 1:15:32.880
<v Speaker 2>Randy Hardison. Randy was a studio drummer and a hell

1:15:32.920 --> 1:15:38.000
<v Speaker 2>of a songwriter. And I learned that that night, when

1:15:38.080 --> 1:15:41.280
<v Speaker 2>when every song that I did followed one that you

1:15:41.320 --> 1:15:44.599
<v Speaker 2>know that Randy sang, I learned that my songs suck

1:15:46.160 --> 1:15:50.799
<v Speaker 2>that you know, he had these these top level songs

1:15:50.880 --> 1:15:55.000
<v Speaker 2>down there and and and perfect delivery, and uh, I

1:15:55.360 --> 1:15:58.720
<v Speaker 2>realized all I was doing was singing down here. When

1:15:58.720 --> 1:16:03.320
<v Speaker 2>we got done with that round, he and I traded

1:16:03.439 --> 1:16:06.600
<v Speaker 2>numbers and he's He's the one that got me to

1:16:06.600 --> 1:16:09.479
<v Speaker 2>Buddy Cannon. He's the one that introduced me to Buddy

1:16:09.479 --> 1:16:15.000
<v Speaker 2>and Noroh and Buddy and I have been friends ever since.

1:16:15.800 --> 1:16:19.240
<v Speaker 1>Okay, so you know you ultimately had a couple of

1:16:19.320 --> 1:16:23.360
<v Speaker 1>huge hits like Hockey Talk Badonka Donk. When did you

1:16:23.439 --> 1:16:27.280
<v Speaker 1>start writing songs that were circulated and how did that

1:16:27.360 --> 1:16:30.400
<v Speaker 1>happen as supposed to just singing on demos.

1:16:34.360 --> 1:16:37.280
<v Speaker 2>I was already working on an album in two thousand

1:16:37.320 --> 1:16:43.080
<v Speaker 2>and one and with with Dave, which we released it

1:16:43.120 --> 1:16:47.000
<v Speaker 2>on my own and uh May of two thousand and two,

1:16:48.400 --> 1:16:50.400
<v Speaker 2>so that that would have been the first stuff that

1:16:50.720 --> 1:16:52.519
<v Speaker 2>I put out there. I put it out. It was

1:16:52.800 --> 1:17:00.760
<v Speaker 2>a record called They Called Me Country and even at

1:17:00.760 --> 1:17:03.880
<v Speaker 2>the same time then I'm still singing demos and singing

1:17:04.240 --> 1:17:08.200
<v Speaker 2>singing songs for everybody else as a songwriter. That that

1:17:08.200 --> 1:17:11.559
<v Speaker 2>would have been the first stuff. Uh, but donka don't

1:17:11.600 --> 1:17:15.880
<v Speaker 2>came later. And this this was after meeting a bunch

1:17:15.920 --> 1:17:23.040
<v Speaker 2>of studio musicians. You know, Randy Hardison, he got killed

1:17:24.200 --> 1:17:28.920
<v Speaker 2>probably with I don't know man, six months after I

1:17:29.000 --> 1:17:33.240
<v Speaker 2>met him. We were talking about doing a record together

1:17:33.400 --> 1:17:37.960
<v Speaker 2>and and you know, writing together and all this kind

1:17:37.960 --> 1:17:40.040
<v Speaker 2>of thing, but we didn't even have enough time to

1:17:40.040 --> 1:17:44.920
<v Speaker 2>get anything on the calendar. Really yeah, and uh, and

1:17:44.960 --> 1:17:50.360
<v Speaker 2>he was well, I say, murdered, even though them guys

1:17:50.400 --> 1:17:54.759
<v Speaker 2>got off from from it, but they still killed my friend.

1:18:01.280 --> 1:18:03.600
<v Speaker 2>But through him, I got to meet a bunch of

1:18:03.600 --> 1:18:07.360
<v Speaker 2>other studio musicians and I kind of learned by that

1:18:07.479 --> 1:18:11.759
<v Speaker 2>time the ropes of the demo business. So I started

1:18:11.920 --> 1:18:19.519
<v Speaker 2>hanging out with other writers that had publishing deals and

1:18:20.080 --> 1:18:23.759
<v Speaker 2>was starting to kind of I had booked my first

1:18:23.800 --> 1:18:29.240
<v Speaker 2>session that em I was helping me with, and at

1:18:29.280 --> 1:18:31.360
<v Speaker 2>the time I wasn't even signed to em I, but

1:18:31.400 --> 1:18:33.760
<v Speaker 2>they were willing to pay for a session or two

1:18:34.880 --> 1:18:39.719
<v Speaker 2>on good faith. And I had written this great song

1:18:39.800 --> 1:18:43.960
<v Speaker 2>the night before and I couldn't wait to get into

1:18:44.000 --> 1:18:47.479
<v Speaker 2>the studio the next day because it was my first

1:18:47.520 --> 1:18:51.559
<v Speaker 2>tracking session on these new demos. Well, I was gonna

1:18:51.560 --> 1:18:54.880
<v Speaker 2>bump the donk a donk off of that session, but

1:18:54.960 --> 1:18:57.280
<v Speaker 2>I'd been out drinking the night before. I think I

1:18:57.360 --> 1:19:00.559
<v Speaker 2>was playing that new song for Luke Bryan hanging out

1:19:00.600 --> 1:19:03.200
<v Speaker 2>in the car of the parking lot in front of

1:19:03.280 --> 1:19:09.280
<v Speaker 2>tin roof, and uh whatever whatever happened next. I remember

1:19:09.320 --> 1:19:12.840
<v Speaker 2>I was late to the session by about ten minutes

1:19:12.960 --> 1:19:14.760
<v Speaker 2>or so, and when I walked in, the band was

1:19:14.800 --> 1:19:20.720
<v Speaker 2>already playing Badonka dont I thought, was it too late

1:19:20.760 --> 1:19:22.240
<v Speaker 2>for that? I guess.

1:19:24.120 --> 1:19:28.320
<v Speaker 1>So you were hanging with Luke Bryant before he had

1:19:28.400 --> 1:19:28.760
<v Speaker 1>a deal.

1:19:30.560 --> 1:19:34.840
<v Speaker 2>Yeah, yeah, we were. We were all kind of yeah,

1:19:35.800 --> 1:19:41.519
<v Speaker 2>just good friends back then. You know, there was a

1:19:41.720 --> 1:19:43.680
<v Speaker 2>there was a group of us that hung out and

1:19:43.720 --> 1:19:46.920
<v Speaker 2>the bars together, and we all knew each other from

1:19:47.000 --> 1:19:49.880
<v Speaker 2>the writers rounds and from the from the various things

1:19:49.880 --> 1:19:57.960
<v Speaker 2>that we were all getting into. Yeah, Randy uh Howser

1:19:58.040 --> 1:20:04.200
<v Speaker 2>is a good friend of mine. Jared Nehman, Dallas Davidson,

1:20:04.320 --> 1:20:11.000
<v Speaker 2>Rob Hatch, we were all friends back then and supported

1:20:11.040 --> 1:20:14.639
<v Speaker 2>each other. It was wasn't a competitive thing, you know,

1:20:14.760 --> 1:20:17.439
<v Speaker 2>like you're trying to get somebody else's gig or nothing

1:20:17.560 --> 1:20:21.080
<v Speaker 2>like that. If I find out these guys are playing somewhere,

1:20:21.479 --> 1:20:24.080
<v Speaker 2>I'm gonna go hang out and support, just be there

1:20:24.120 --> 1:20:26.800
<v Speaker 2>for them, you know. Plus it's good music.

1:20:34.560 --> 1:20:40.000
<v Speaker 1>The people who had success of a grander scale, like

1:20:40.160 --> 1:20:44.480
<v Speaker 1>Luke Bryan. Did you see that in advance? Were you surprised?

1:20:46.400 --> 1:20:50.160
<v Speaker 2>Oh? I wasn't surprised, but nobody. You couldn't predict that

1:20:50.240 --> 1:20:53.600
<v Speaker 2>stuff back then. You know, I couldn't look over that

1:20:53.680 --> 1:20:57.320
<v Speaker 2>group of friends and decided in advance who was gonna

1:20:57.400 --> 1:21:02.920
<v Speaker 2>hit one over the wall. And you know, I knew

1:21:03.000 --> 1:21:07.400
<v Speaker 2>every one of them was capable, and still are. You

1:21:07.479 --> 1:21:09.519
<v Speaker 2>never know what to expect out of those guys.

1:21:09.920 --> 1:21:13.840
<v Speaker 1>Okay, so the first album, m I paid for it.

1:21:16.120 --> 1:21:20.040
<v Speaker 2>No, I paid for the first one. Actually, I'd have

1:21:20.160 --> 1:21:22.960
<v Speaker 2>to correct myself on that. Mister Garner paid for the

1:21:23.000 --> 1:21:28.920
<v Speaker 2>first one, John Garner. I paid him back though, if

1:21:28.920 --> 1:21:29.760
<v Speaker 2>that counts.

1:21:30.320 --> 1:21:31.640
<v Speaker 1>Do you remember how much it was?

1:21:36.600 --> 1:21:38.559
<v Speaker 2>If I had to guess, I'd say it was probably

1:21:38.640 --> 1:21:41.400
<v Speaker 2>about thirty thousand dollars something like that.

1:21:41.720 --> 1:21:46.800
<v Speaker 1>Okay, you cut the album, what happens after you put

1:21:46.840 --> 1:21:47.160
<v Speaker 1>it out?

1:21:52.840 --> 1:22:01.320
<v Speaker 2>You can almost hear yourself going broke. It's a it's

1:22:01.360 --> 1:22:04.840
<v Speaker 2>the sound of going broke. You play in your own album,

1:22:04.960 --> 1:22:07.280
<v Speaker 2>in your own truck, going up and down the road.

1:22:08.479 --> 1:22:12.759
<v Speaker 2>It's not like any kind of there's an immediate change,

1:22:12.800 --> 1:22:16.720
<v Speaker 2>and suddenly I'm, you know, hearing the sounds of registers

1:22:16.840 --> 1:22:20.759
<v Speaker 2>ring in the background. I think I printed two thousand

1:22:20.880 --> 1:22:26.080
<v Speaker 2>copies of that album, and we probably sold half of them,

1:22:27.560 --> 1:22:32.040
<v Speaker 2>and I gave a bunch of them away to the

1:22:32.160 --> 1:22:35.760
<v Speaker 2>USO at one point. And I still get a lot

1:22:35.800 --> 1:22:38.040
<v Speaker 2>of those guys and gals and bring me their copy

1:22:38.120 --> 1:22:45.080
<v Speaker 2>to sign that they got when they were overseas. Of

1:22:45.120 --> 1:22:48.120
<v Speaker 2>course I see them still. They people put them on

1:22:48.200 --> 1:22:49.280
<v Speaker 2>eBay and sell them.

1:22:50.720 --> 1:22:56.400
<v Speaker 1>So did the first album? Did it lead to something?

1:22:56.479 --> 1:22:58.360
<v Speaker 1>Did it cause a certain success?

1:23:00.960 --> 1:23:02.800
<v Speaker 2>I guess you have to look at it like it

1:23:02.840 --> 1:23:05.439
<v Speaker 2>was a business card, and it made its way around

1:23:05.439 --> 1:23:09.280
<v Speaker 2>to a lot of offices, and later on a lot

1:23:09.280 --> 1:23:12.960
<v Speaker 2>of good opportunity came from that. People who wouldn't have

1:23:12.960 --> 1:23:15.519
<v Speaker 2>taken a meeting with me otherwise, but because they had

1:23:15.520 --> 1:23:18.920
<v Speaker 2>this CD sitting on their desk, you know, they had

1:23:18.960 --> 1:23:22.960
<v Speaker 2>something that was at least somewhat representative of what I

1:23:23.000 --> 1:23:29.760
<v Speaker 2>can do. I wrote just about every song on there

1:23:29.840 --> 1:23:37.080
<v Speaker 2>with the exception of a couple of cover songs, and yeah,

1:23:37.280 --> 1:23:41.240
<v Speaker 2>it definitely opened a lot of doors. E AM. I

1:23:41.280 --> 1:23:45.439
<v Speaker 2>paid for the first demo sessions that I did after that,

1:23:45.560 --> 1:23:48.559
<v Speaker 2>and they helped me a lot kind of getting my

1:23:49.360 --> 1:23:54.000
<v Speaker 2>feed in the door of the labels. Back back in

1:23:54.080 --> 1:23:57.320
<v Speaker 2>that day before it was before social media, and so

1:23:57.760 --> 1:24:00.240
<v Speaker 2>the only kind of attention you would ever get would

1:24:00.240 --> 1:24:03.360
<v Speaker 2>have been word of mouth in town. And it helped

1:24:03.360 --> 1:24:07.000
<v Speaker 2>me tremendously to have the biggest publisher in town open

1:24:07.080 --> 1:24:10.479
<v Speaker 2>all these doors and start pitching my songs to A

1:24:10.640 --> 1:24:14.320
<v Speaker 2>and R representatives at labels. That's how I met Brian Wright.

1:24:16.200 --> 1:24:20.360
<v Speaker 2>Brian was an an R rep for Universal of Mercury

1:24:20.400 --> 1:24:28.439
<v Speaker 2>and MCA, and he's ultimately the guy that after a

1:24:30.560 --> 1:24:37.400
<v Speaker 2>my attempt with BNA Records failed, I wrote in Color

1:24:37.439 --> 1:24:39.479
<v Speaker 2>and a bunch of other songs, went and recorded an

1:24:39.560 --> 1:24:43.599
<v Speaker 2>album called That Lonesome Song. And it was Brian Wright

1:24:43.640 --> 1:24:47.360
<v Speaker 2>that brought me into Mercury Records in two thousand and eight.

1:24:50.560 --> 1:24:54.160
<v Speaker 1>Okay, but you did make a record for BNA.

1:24:55.680 --> 1:24:58.400
<v Speaker 2>Yep, it's called The Dollar And how did.

1:24:58.240 --> 1:25:01.640
<v Speaker 1>That come to happen? What happened in the week of

1:25:01.680 --> 1:25:02.439
<v Speaker 1>that coming out?

1:25:07.760 --> 1:25:14.000
<v Speaker 2>Well, I guess the record would be an A. At

1:25:14.040 --> 1:25:16.839
<v Speaker 2>the time, I kind of had a buzz going around

1:25:16.880 --> 1:25:21.840
<v Speaker 2>town and there were some opportunity at some labels, but

1:25:22.200 --> 1:25:26.080
<v Speaker 2>Joe Gilani was the first one to make me an

1:25:26.160 --> 1:25:34.440
<v Speaker 2>offer and and put a record deal together, and I

1:25:34.479 --> 1:25:38.720
<v Speaker 2>took the opportunity. It seemed like a It seemed like

1:25:38.800 --> 1:25:42.880
<v Speaker 2>a great deal to me at the time. And you know,

1:25:43.200 --> 1:25:45.160
<v Speaker 2>if I had it to do over again, I'd still

1:25:45.200 --> 1:25:48.000
<v Speaker 2>do it. I probably would have done some things different,

1:25:48.080 --> 1:25:55.639
<v Speaker 2>but I got to put out a a Buddy Cannon record,

1:25:56.600 --> 1:25:59.320
<v Speaker 2>so I know it's a good record. It sounds great.

1:25:59.360 --> 1:26:03.640
<v Speaker 2>Some of the songs on there I probably would not

1:26:03.760 --> 1:26:06.600
<v Speaker 2>cut if I had it to do over. But it

1:26:06.640 --> 1:26:07.639
<v Speaker 2>ain't a bad record.

1:26:09.320 --> 1:26:12.479
<v Speaker 1>So how is it in with BNA such as you

1:26:12.560 --> 1:26:15.800
<v Speaker 1>get on Mercury.

1:26:17.160 --> 1:26:22.200
<v Speaker 2>Oh, I was kind of a problem child for Joe,

1:26:26.240 --> 1:26:29.800
<v Speaker 2>and I've apologized to him since, so I could. I

1:26:29.840 --> 1:26:31.880
<v Speaker 2>think it's all right to tell the story, But uh,

1:26:35.160 --> 1:26:39.040
<v Speaker 2>I don't know. Like like you said about the Marine Corps,

1:26:40.520 --> 1:26:44.720
<v Speaker 2>that discipline only goes so far with me. And I

1:26:44.720 --> 1:26:47.280
<v Speaker 2>guess when I got my opportunity with bn A, I

1:26:47.400 --> 1:26:49.519
<v Speaker 2>was done with people telling me what to do and

1:26:49.560 --> 1:26:53.400
<v Speaker 2>what time to do it, and uh, it just kind

1:26:53.439 --> 1:26:58.559
<v Speaker 2>of it didn't set well with me, So I stayed

1:26:58.640 --> 1:27:00.719
<v Speaker 2>drunk a lot of the time. Plus I was dealing

1:27:00.760 --> 1:27:06.280
<v Speaker 2>with a divorce and my life was changing in all

1:27:06.360 --> 1:27:08.679
<v Speaker 2>kinds of ways, and a lot of it wasn't real good.

1:27:10.400 --> 1:27:13.960
<v Speaker 2>And so that that deal lasted as long as it

1:27:14.000 --> 1:27:17.200
<v Speaker 2>took to to try and push a single or two

1:27:17.280 --> 1:27:21.479
<v Speaker 2>at country radio and country radio where that didn't embrace

1:27:21.600 --> 1:27:26.400
<v Speaker 2>me at all. They I must have repelled them in

1:27:26.479 --> 1:27:28.240
<v Speaker 2>a lot of different ways.

1:27:28.920 --> 1:27:31.599
<v Speaker 1>Okay, we're in this scenario. Do you give up your

1:27:31.680 --> 1:27:32.520
<v Speaker 1>d job.

1:27:34.560 --> 1:27:38.000
<v Speaker 2>That would have been before that BNA record?

1:27:39.520 --> 1:27:45.200
<v Speaker 1>So what happens first Mercury is interested or BNA says

1:27:45.240 --> 1:27:46.719
<v Speaker 1>we don't want to work with you anymore.

1:27:49.920 --> 1:27:54.120
<v Speaker 2>Well, Mercury didn't come until after BNA. But even when

1:27:54.160 --> 1:27:58.160
<v Speaker 2>I did that BNA deal, after Joe had made me

1:27:58.280 --> 1:28:00.920
<v Speaker 2>the offer, I still call Brian right and told him, man,

1:28:01.080 --> 1:28:02.360
<v Speaker 2>just bring me an offer.

1:28:03.600 --> 1:28:03.720
<v Speaker 1>Well.

1:28:03.800 --> 1:28:06.800
<v Speaker 2>The reason I couldn't get an offer from Mercury at

1:28:06.840 --> 1:28:12.960
<v Speaker 2>the time was because James Stroud had joined Lewis at

1:28:13.040 --> 1:28:17.160
<v Speaker 2>Mercury and he had had a policy that he was

1:28:17.200 --> 1:28:19.719
<v Speaker 2>going to be producing any new artists that were signed

1:28:19.800 --> 1:28:24.200
<v Speaker 2>under the umbrella for that duration of his tenure there. Well,

1:28:24.240 --> 1:28:28.120
<v Speaker 2>I already had a relationship with Buddy Cannon, and I

1:28:28.160 --> 1:28:30.360
<v Speaker 2>was determined he was going to be the guy producing

1:28:30.439 --> 1:28:35.720
<v Speaker 2>my record and I didn't Uh, I didn't see the

1:28:35.760 --> 1:28:40.160
<v Speaker 2>need and it would have felt like a betrayal to

1:28:40.240 --> 1:28:42.880
<v Speaker 2>me and I couldn't do that.

1:28:44.640 --> 1:28:49.880
<v Speaker 1>Okay, So how did you get involved in writing give

1:28:49.920 --> 1:28:52.439
<v Speaker 1>it Away? And Ladies Love Country Boys?

1:28:56.120 --> 1:29:02.200
<v Speaker 2>Well, ladies love country boys? It was uh, kind of

1:29:02.240 --> 1:29:10.360
<v Speaker 2>a nod to Ladies love Outlaws. That's been so long ago,

1:29:10.439 --> 1:29:11.599
<v Speaker 2>I can't hardly remember.

1:29:12.640 --> 1:29:13.680
<v Speaker 1>I remember.

1:29:17.760 --> 1:29:22.519
<v Speaker 2>Very little. I can't e I can't even remember writing

1:29:22.560 --> 1:29:29.120
<v Speaker 2>that song though, that's been a quite a while back. Now,

1:29:31.200 --> 1:29:32.760
<v Speaker 2>what other one did you ask me about?

1:29:32.800 --> 1:29:33.360
<v Speaker 1>Give it Away?

1:29:33.840 --> 1:29:37.600
<v Speaker 2>I would give it away? Well, give it Away was

1:29:37.680 --> 1:29:42.479
<v Speaker 2>kind of was written after the BNA deal, and that

1:29:42.640 --> 1:29:45.320
<v Speaker 2>was my first time to write. I think it was

1:29:45.360 --> 1:29:49.120
<v Speaker 2>my first time to write with Whispering Bill Anderson. Buddy

1:29:49.120 --> 1:29:51.800
<v Speaker 2>had called me in and said, hey, you need to

1:29:51.840 --> 1:29:58.680
<v Speaker 2>meet Bill. So we came in to write, and I

1:29:58.800 --> 1:30:04.920
<v Speaker 2>had written that idea, but I didn't expand on it

1:30:04.960 --> 1:30:07.400
<v Speaker 2>even in my notes. And so when I told them

1:30:07.439 --> 1:30:13.760
<v Speaker 2>the idea, they asked me to explain it, and I said, well,

1:30:13.800 --> 1:30:16.600
<v Speaker 2>you know, sort of like she was storming through the

1:30:16.640 --> 1:30:18.679
<v Speaker 2>house that day and I could tell she was leaving,

1:30:18.720 --> 1:30:20.559
<v Speaker 2>but I thought, all she'll be back. And she turned

1:30:20.560 --> 1:30:22.400
<v Speaker 2>around and turn her pointing at the walls and all

1:30:22.439 --> 1:30:25.400
<v Speaker 2>this stuff, and said, you see that, just give it away.

1:30:26.760 --> 1:30:30.599
<v Speaker 2>Well I spit it out and something just like that,

1:30:30.680 --> 1:30:34.720
<v Speaker 2>and Bill said, I love everything you just said. How

1:30:34.760 --> 1:30:37.719
<v Speaker 2>do we incorporate that? That might be your whole first verse?

1:30:38.479 --> 1:30:38.599
<v Speaker 1>Had?

1:30:38.960 --> 1:30:41.439
<v Speaker 2>I had to back up the tape and play it

1:30:41.520 --> 1:30:43.360
<v Speaker 2>just to find out what all I had said, and

1:30:43.680 --> 1:30:46.960
<v Speaker 2>I wrote it down the way that it came out.

1:30:47.080 --> 1:30:48.960
<v Speaker 2>She was storming through the house that day and I

1:30:48.960 --> 1:30:51.240
<v Speaker 2>could tell she was leaving, but I thought, all hell,

1:30:51.360 --> 1:30:58.439
<v Speaker 2>she'll be back. So that I remember we were sitting

1:30:58.439 --> 1:31:01.920
<v Speaker 2>there talking about putting the mellow to all those words,

1:31:03.320 --> 1:31:07.800
<v Speaker 2>and Buddy said, why don't you just let it be

1:31:07.880 --> 1:31:13.280
<v Speaker 2>a recitation? And I remember hearing Bill Anderson go a

1:31:13.360 --> 1:31:23.840
<v Speaker 2>recitation that's brilliant. The I learned a lot right with

1:31:23.960 --> 1:31:29.559
<v Speaker 2>those two guys. You know, Bill Anderson, he is the

1:31:29.640 --> 1:31:34.560
<v Speaker 2>consummate Nashville songwriter. He's had a hit in every generation,

1:31:34.920 --> 1:31:40.519
<v Speaker 2>in every decade since well before I was born and

1:31:40.720 --> 1:31:43.400
<v Speaker 2>just one of the greatest people you could meet, one

1:31:43.400 --> 1:31:44.920
<v Speaker 2>of the greatest songwriters ever.

1:31:47.320 --> 1:31:52.880
<v Speaker 1>So how long after you've that afternoon did he get

1:31:52.920 --> 1:31:54.599
<v Speaker 1>to George Street and it came out?

1:31:58.400 --> 1:32:02.360
<v Speaker 2>It didn't happen the afternoon wrote it. We put together

1:32:02.439 --> 1:32:06.680
<v Speaker 2>a work tape and and I mean, I don't know

1:32:06.680 --> 1:32:11.000
<v Speaker 2>how many times I even had that song demos over

1:32:11.080 --> 1:32:14.439
<v Speaker 2>the years. I'd say within a couple of months. Though.

1:32:15.120 --> 1:32:19.880
<v Speaker 2>My manager at the time was IRV Woolsey, and IRV

1:32:20.000 --> 1:32:24.080
<v Speaker 2>was also George Strait's manager. And I remember I was

1:32:24.080 --> 1:32:28.880
<v Speaker 2>in Myrtle Beach. I was working on one of the

1:32:28.920 --> 1:32:32.720
<v Speaker 2>shows that I had booked, and I got a call

1:32:32.800 --> 1:32:36.519
<v Speaker 2>from IRV and he said, George just cut your song.

1:32:38.320 --> 1:32:41.160
<v Speaker 2>They were down in the shrimp boat in Key West,

1:32:41.600 --> 1:32:45.920
<v Speaker 2>Jimmy Buffett Shrimp Boat Studio, and IRV told me, he said,

1:32:46.240 --> 1:32:48.920
<v Speaker 2>you know, George just cut your song. Of course I'm

1:32:50.280 --> 1:32:52.799
<v Speaker 2>doing double backflips on the other end of the line

1:32:55.320 --> 1:32:57.639
<v Speaker 2>and I had to ask you, but I said, what

1:32:57.640 --> 1:33:00.519
<v Speaker 2>what song are you talking about? They said, give it away?

1:33:00.680 --> 1:33:02.840
<v Speaker 2>And I thought, man, I would have never thought George

1:33:02.880 --> 1:33:05.599
<v Speaker 2>Strait would cut that, but I'm glad he did.

1:33:07.479 --> 1:33:11.200
<v Speaker 1>Okay, what about what it became a huge hit. He

1:33:11.360 --> 1:33:12.200
<v Speaker 1>went to number one.

1:33:16.240 --> 1:33:20.640
<v Speaker 2>It felt in a lot of ways like redemption. It

1:33:20.720 --> 1:33:28.519
<v Speaker 2>felt like I think I described it in a song.

1:33:28.560 --> 1:33:32.080
<v Speaker 2>It felt like I'd been forgiven for all my wrongs.

1:33:33.840 --> 1:33:39.160
<v Speaker 2>And it really put me back in the gear of

1:33:39.200 --> 1:33:45.439
<v Speaker 2>writing songs and looking to record again. It's like George

1:33:45.479 --> 1:33:49.120
<v Speaker 2>decided country music wasn't done with me just yet.

1:33:50.840 --> 1:33:54.080
<v Speaker 1>Okay, you make a deal with Mercury and Luke Lewis

1:33:55.240 --> 1:33:59.960
<v Speaker 1>and you make an album and Dave Cobb is the producer.

1:34:00.240 --> 1:34:03.280
<v Speaker 1>Dave Cobb is one of the hottest guys in Nashville

1:34:03.360 --> 1:34:07.160
<v Speaker 1>today and has been for like a decade at this point.

1:34:07.560 --> 1:34:10.479
<v Speaker 1>But when you were working with him, it was at

1:34:10.520 --> 1:34:12.880
<v Speaker 1>the very beginning. How'd you get involved with Deve Cobb?

1:34:14.880 --> 1:34:20.479
<v Speaker 2>Well before Dave, I had already finished that album. I

1:34:20.520 --> 1:34:23.360
<v Speaker 2>had already written everything I was gonna put on it

1:34:23.400 --> 1:34:25.640
<v Speaker 2>and recorded everything I was gonna put on it. We

1:34:25.640 --> 1:34:29.519
<v Speaker 2>were in the studio working on the mixes, and Shooter

1:34:29.840 --> 1:34:33.719
<v Speaker 2>had introduced me to Dave before that, and Shooter Jennings

1:34:33.760 --> 1:34:37.160
<v Speaker 2>and Shooter keeps telling me, and I mean now he's

1:34:37.160 --> 1:34:39.439
<v Speaker 2>calling me every other day going, hey, you got to

1:34:39.439 --> 1:34:43.040
<v Speaker 2>come work with Dave and I said, well, Shooter, I've

1:34:43.120 --> 1:34:46.920
<v Speaker 2>already I'm already done with this record. You got to

1:34:47.080 --> 1:34:49.479
<v Speaker 2>give me some time to get this thing. But he said,

1:34:49.479 --> 1:34:51.720
<v Speaker 2>you don't need to release that record until you come

1:34:51.800 --> 1:34:56.519
<v Speaker 2>out here and meet Dave. I said, all right, Well,

1:34:58.080 --> 1:35:01.360
<v Speaker 2>I had this promotional thing I had to go to

1:35:01.760 --> 1:35:09.320
<v Speaker 2>LA for for this show called Nashville and not the

1:35:09.360 --> 1:35:14.160
<v Speaker 2>one that everybody got crazy about later on, but this

1:35:14.360 --> 1:35:19.559
<v Speaker 2>was the preliminary version of Nashville. When they first told

1:35:19.640 --> 1:35:24.400
<v Speaker 2>me about it, they said it was a documentary. Later

1:35:24.439 --> 1:35:29.839
<v Speaker 2>on I heard the word docu soap, and it turns

1:35:29.840 --> 1:35:33.599
<v Speaker 2>out this was what is it they call it when

1:35:37.080 --> 1:35:41.400
<v Speaker 2>reality TV. This was before they ever had coined the

1:35:41.400 --> 1:35:44.120
<v Speaker 2>phrase reality TV. This would have been one of the

1:35:44.120 --> 1:35:48.640
<v Speaker 2>first kind of kind of things like that. And I

1:35:48.640 --> 1:35:51.120
<v Speaker 2>had to go out there to promote that show. So

1:35:51.200 --> 1:35:53.360
<v Speaker 2>I told Dave. I said, while I'm out there, let's

1:35:53.400 --> 1:35:56.320
<v Speaker 2>take a few days and get in the studio. I'll

1:35:56.320 --> 1:35:59.080
<v Speaker 2>bring all the songs that I've got. We could even

1:35:59.120 --> 1:36:02.320
<v Speaker 2>write some out there, and if it doesn't work, you're

1:36:02.360 --> 1:36:11.600
<v Speaker 2>eating the cost of this. And I really got to

1:36:12.320 --> 1:36:17.280
<v Speaker 2>love Dave Cobb getting in the studio working with the

1:36:17.800 --> 1:36:20.679
<v Speaker 2>band he had out there those guys were just starving

1:36:20.760 --> 1:36:23.200
<v Speaker 2>for some good country music, and I happened to have

1:36:23.280 --> 1:36:26.400
<v Speaker 2>a bucket full of it. We sat down and had

1:36:26.439 --> 1:36:29.479
<v Speaker 2>the probably one of the best three day sessions I've

1:36:29.479 --> 1:36:31.719
<v Speaker 2>ever been through in my life. It was just one

1:36:31.760 --> 1:36:35.519
<v Speaker 2>song after another, and when I got done, I realized

1:36:35.560 --> 1:36:38.400
<v Speaker 2>I now had a perfect conundrum. I've got to figure

1:36:38.400 --> 1:36:41.880
<v Speaker 2>out what to do with all these songs. And so

1:36:42.000 --> 1:36:44.640
<v Speaker 2>I got back to Nashville and t W and I

1:36:44.680 --> 1:36:47.880
<v Speaker 2>sat there in the control room. We realized, Man, we're

1:36:47.880 --> 1:36:50.160
<v Speaker 2>gonna we need to take a couple of these songs

1:36:50.160 --> 1:36:56.519
<v Speaker 2>and put them on this record before we put it out. So, yeah,

1:36:56.640 --> 1:36:59.680
<v Speaker 2>Dave Cobb helped me help me produce some of the

1:37:00.080 --> 1:37:03.280
<v Speaker 2>that Lonesome Song, and then after that we put out

1:37:03.320 --> 1:37:06.639
<v Speaker 2>that double album, The Guitar Song, which was a lot

1:37:06.680 --> 1:37:13.000
<v Speaker 2>of those Dave Cobb produced songs on there. And yeah,

1:37:13.720 --> 1:37:18.559
<v Speaker 2>he was a fine producer, but not in this way

1:37:18.600 --> 1:37:21.639
<v Speaker 2>where like he's dominating the sessions and that sort of thing.

1:37:21.760 --> 1:37:26.439
<v Speaker 2>David just has this finely tuned ear for guitar sounds.

1:37:26.479 --> 1:37:29.400
<v Speaker 2>If I told him I really want to sound on

1:37:29.439 --> 1:37:34.720
<v Speaker 2>this like Leonyard Skinnard in the seventies, he's going to

1:37:34.800 --> 1:37:38.320
<v Speaker 2>know exactly what amp, exactly what guitar, and not just

1:37:38.439 --> 1:37:40.479
<v Speaker 2>know what they are. He's got them hanging on his

1:37:40.600 --> 1:37:44.320
<v Speaker 2>wall and go over there and pick up a nineteen

1:37:44.920 --> 1:37:48.920
<v Speaker 2>fifty whatever, Les Paul, and here's a Princeton amp that

1:37:49.040 --> 1:37:56.320
<v Speaker 2>you play that through. And a brilliant idea guy and

1:37:56.360 --> 1:38:01.880
<v Speaker 2>a strategist in the studio. He doesn't waste time and

1:38:01.920 --> 1:38:04.679
<v Speaker 2>he doesn't let it all slip away. He can really

1:38:04.720 --> 1:38:07.320
<v Speaker 2>get to the heart of something really quick. He's a

1:38:07.360 --> 1:38:12.360
<v Speaker 2>truly talented human band. So I stole Dave's band and

1:38:12.400 --> 1:38:13.320
<v Speaker 2>took him on the road.

1:38:15.439 --> 1:38:17.000
<v Speaker 1>You made him a full time producer.

1:38:18.240 --> 1:38:21.120
<v Speaker 2>No, I literally stole his band. I took his drummer

1:38:21.200 --> 1:38:25.080
<v Speaker 2>and the guitar player Raddy Cope, and I put him

1:38:25.080 --> 1:38:28.040
<v Speaker 2>in my traveling band and took him on the road.

1:38:28.040 --> 1:38:31.000
<v Speaker 2>And they've had to move to Nashville to steal them back.

1:38:33.160 --> 1:38:36.960
<v Speaker 1>So you know, on that record and on the new record,

1:38:37.760 --> 1:38:42.720
<v Speaker 1>another producer credited is the Kent Hardly Plea Boys, And

1:38:42.840 --> 1:38:45.960
<v Speaker 1>obviously that's a joke. Knt Hardley Plea Boys, is that

1:38:46.320 --> 1:38:47.680
<v Speaker 1>just basically.

1:38:47.160 --> 1:38:52.479
<v Speaker 2>You No, No, that's my old demo band. Those are

1:38:52.479 --> 1:38:55.439
<v Speaker 2>the guys I used to make a living with We

1:38:55.439 --> 1:38:59.720
<v Speaker 2>were kind of we were just a squad of hooligans

1:38:59.720 --> 1:39:03.120
<v Speaker 2>that figured out a niche where we could make a living,

1:39:03.560 --> 1:39:07.160
<v Speaker 2>get the bills paid. All we were doing were cutting

1:39:07.200 --> 1:39:11.640
<v Speaker 2>demos that for songs that other songwriters had written. You know,

1:39:11.720 --> 1:39:15.360
<v Speaker 2>we'd get in there and chart them up, get a lyric,

1:39:15.680 --> 1:39:19.200
<v Speaker 2>put them all together, tw do all the mixes, and

1:39:20.160 --> 1:39:26.240
<v Speaker 2>we ran pretty much. It was like a cycle. You know,

1:39:26.600 --> 1:39:29.439
<v Speaker 2>we could we could have all that that stuff done,

1:39:29.479 --> 1:39:32.800
<v Speaker 2>probably knock out an album in four days, you know,

1:39:33.280 --> 1:39:36.400
<v Speaker 2>track it one day to a couple of days, vocals

1:39:36.400 --> 1:39:39.880
<v Speaker 2>and mixes, and have it turned in after that, you know,

1:39:40.920 --> 1:39:42.519
<v Speaker 2>better than some people's albums.

1:39:43.680 --> 1:39:46.040
<v Speaker 1>And you're still working with those guys today on your

1:39:46.080 --> 1:39:46.679
<v Speaker 1>new album.

1:39:48.439 --> 1:39:50.320
<v Speaker 2>Well, work is a strong word for it.

1:39:50.360 --> 1:39:54.719
<v Speaker 1>But yeah, it's a strong word because you don't consider

1:39:54.800 --> 1:39:58.800
<v Speaker 1>playing music work or there is something about the guys.

1:39:59.000 --> 1:39:59.839
<v Speaker 1>What do you mean.

1:40:01.360 --> 1:40:04.120
<v Speaker 2>It ain't work. We get together and hang around and

1:40:04.200 --> 1:40:07.160
<v Speaker 2>somebody will play a work tape and next thing you know,

1:40:07.200 --> 1:40:09.559
<v Speaker 2>we got the headphones on and we're laying it down.

1:40:09.680 --> 1:40:12.640
<v Speaker 2>That ain't work. That's just loving what you do.

1:40:20.880 --> 1:40:26.120
<v Speaker 1>Okay? On that album in color is on that did

1:40:26.160 --> 1:40:28.799
<v Speaker 1>you realize that would have as much of an impact

1:40:28.840 --> 1:40:29.479
<v Speaker 1>as it did.

1:40:31.720 --> 1:40:39.559
<v Speaker 2>No and color came around after a BMI award show.

1:40:43.280 --> 1:40:46.920
<v Speaker 2>So let me back up completely and tell you I'm color.

1:40:46.640 --> 1:40:52.600
<v Speaker 1>Blind, right, Well you said that. Yeah.

1:40:52.680 --> 1:40:56.920
<v Speaker 2>So they were playing some photos on the back wall

1:40:56.960 --> 1:41:03.960
<v Speaker 2>of the BMI that night, and I really didn't gather

1:41:04.160 --> 1:41:12.240
<v Speaker 2>until I saw Lee Thomas Miller. I ran into him

1:41:12.280 --> 1:41:14.280
<v Speaker 2>on a sidewalk out in front of B of My

1:41:14.960 --> 1:41:20.280
<v Speaker 2>a few days after that, and he was telling me

1:41:20.320 --> 1:41:23.519
<v Speaker 2>about those pictures. He said, did you see at the

1:41:23.520 --> 1:41:25.719
<v Speaker 2>b of MY Awards the other night those old black

1:41:25.760 --> 1:41:28.559
<v Speaker 2>and white pictures they were playing on the wall? And

1:41:28.640 --> 1:41:30.519
<v Speaker 2>I did. I was sitting there looking at him, but

1:41:30.560 --> 1:41:32.639
<v Speaker 2>it didn't occur to me that they were black and white.

1:41:33.920 --> 1:41:36.840
<v Speaker 2>And he said, I know what I see when I

1:41:36.880 --> 1:41:39.800
<v Speaker 2>look at those pictures. I see Bill Anderson and a

1:41:39.840 --> 1:41:44.760
<v Speaker 2>couple of random people. But I wonder what Bill Anderson

1:41:44.840 --> 1:41:48.599
<v Speaker 2>sees when he looks at those pictures. Well, as soon

1:41:48.640 --> 1:41:51.400
<v Speaker 2>as he started talking about black and white, my brain's

1:41:51.439 --> 1:41:56.719
<v Speaker 2>over here on autopilot. And I remember growing up hearing

1:41:56.800 --> 1:42:01.800
<v Speaker 2>about the Wizard of Oz when they had corrected the

1:42:01.840 --> 1:42:04.240
<v Speaker 2>color and put it in code of color. And the

1:42:04.240 --> 1:42:06.040
<v Speaker 2>big deal at the time was that It was an

1:42:06.600 --> 1:42:11.920
<v Speaker 2>irreversible procedure that they did on the original tape, and

1:42:11.960 --> 1:42:14.640
<v Speaker 2>so there was no going back and reverting back to

1:42:14.720 --> 1:42:18.519
<v Speaker 2>the original black and white version of it. Once they

1:42:18.560 --> 1:42:23.519
<v Speaker 2>did this, and I remember the big slogan was where's

1:42:23.560 --> 1:42:26.719
<v Speaker 2>the diva? I see it in color? So that's hanging

1:42:26.760 --> 1:42:30.000
<v Speaker 2>around in the back of my mind. And when he

1:42:30.040 --> 1:42:33.840
<v Speaker 2>got done telling me, you know, what does Bill Anderson see?

1:42:33.920 --> 1:42:37.479
<v Speaker 2>I said, yeah, you should have seen it in color. Huh. Well,

1:42:37.800 --> 1:42:42.559
<v Speaker 2>we laughed and had that Dewey Cox moment where we're

1:42:43.320 --> 1:42:47.040
<v Speaker 2>gazing off into the wilderness trying to see if some

1:42:47.600 --> 1:42:53.320
<v Speaker 2>ideas come. But we wrote down a writing day to

1:42:53.400 --> 1:42:57.000
<v Speaker 2>get together and write that idea. In the morning we

1:42:57.080 --> 1:43:00.600
<v Speaker 2>got together, we were still poor in the coffee, and

1:43:00.840 --> 1:43:04.680
<v Speaker 2>James Otto called me and said his co writers had

1:43:04.720 --> 1:43:07.840
<v Speaker 2>canceled on him that day. I said, well, me and

1:43:07.960 --> 1:43:09.960
<v Speaker 2>Lee are about to sit down and write this song

1:43:10.360 --> 1:43:12.639
<v Speaker 2>and it ought to be a pretty easy rite. Why

1:43:12.640 --> 1:43:18.160
<v Speaker 2>don't you come over here and join us. So when

1:43:18.160 --> 1:43:20.320
<v Speaker 2>we got done with the song, we realized we had

1:43:20.360 --> 1:43:25.360
<v Speaker 2>put a little bit of each of our grandfathers in

1:43:25.520 --> 1:43:28.840
<v Speaker 2>that song. And I didn't really realize even then that

1:43:28.880 --> 1:43:32.559
<v Speaker 2>we had written a song that was based on an

1:43:32.680 --> 1:43:40.120
<v Speaker 2>entire generation. It was really based on our personal experiences,

1:43:40.720 --> 1:43:43.160
<v Speaker 2>and the experience is just sitting there looking through an

1:43:43.160 --> 1:43:48.559
<v Speaker 2>old photo album where everything's in black and white. Ours

1:43:48.680 --> 1:43:51.160
<v Speaker 2>is the first generation that saw those old black and

1:43:51.200 --> 1:43:55.760
<v Speaker 2>white pictures turn into color and saw color pictures turn

1:43:55.840 --> 1:44:05.160
<v Speaker 2>into digital. So I guess that's where the idea impacts.

1:44:06.880 --> 1:44:09.720
<v Speaker 1>Okay, stopping for a second, did you do a lot

1:44:09.720 --> 1:44:18.439
<v Speaker 1>of those writing sessions still do? Okay? And the record

1:44:18.560 --> 1:44:22.320
<v Speaker 1>was a huge critical success in commercial success, how did

1:44:22.360 --> 1:44:22.920
<v Speaker 1>that feel?

1:44:28.560 --> 1:44:35.080
<v Speaker 2>Everything got busy, I mean busier than you can ever imagine,

1:44:36.680 --> 1:44:39.080
<v Speaker 2>Like you can't keep a calendar. You have to have

1:44:39.240 --> 1:44:42.599
<v Speaker 2>somebody nearby who has the calendar, You have to have

1:44:42.640 --> 1:44:45.559
<v Speaker 2>somebody else do the drive, and you got to have

1:44:45.680 --> 1:44:49.479
<v Speaker 2>somebody else that can get us past security in these

1:44:49.520 --> 1:44:52.840
<v Speaker 2>places because you're in a hurry. You know, you got

1:44:52.880 --> 1:44:54.880
<v Speaker 2>a lot of things to do and very little time

1:44:54.920 --> 1:44:57.120
<v Speaker 2>in the day to get them all done. So that

1:44:57.320 --> 1:45:00.280
<v Speaker 2>was the first impact that I remember it having. I

1:45:00.280 --> 1:45:02.120
<v Speaker 2>remember it was the first time I had to have

1:45:02.200 --> 1:45:07.400
<v Speaker 2>somebody whose whole job it was to buy clothes for

1:45:07.560 --> 1:45:12.000
<v Speaker 2>me because of all the different events we were doing

1:45:12.040 --> 1:45:12.479
<v Speaker 2>that year.

1:45:15.280 --> 1:45:19.000
<v Speaker 1>So after that cycle ends. To what degree did you

1:45:19.080 --> 1:45:23.240
<v Speaker 1>have pressure from Mercury to have another hit.

1:45:26.000 --> 1:45:28.519
<v Speaker 2>I don't know that there was ever any real pressure.

1:45:28.960 --> 1:45:31.519
<v Speaker 2>I know that they had a high cost of living

1:45:31.560 --> 1:45:34.479
<v Speaker 2>that they sent out the country radio and it was

1:45:34.520 --> 1:45:38.240
<v Speaker 2>immediately rejected, And there was probably some other songs that

1:45:38.280 --> 1:45:43.000
<v Speaker 2>we sent out there, and if there was a pressure,

1:45:43.040 --> 1:45:45.040
<v Speaker 2>it was one that they didn't pass on to me.

1:45:46.920 --> 1:45:49.880
<v Speaker 2>But over time I kind of recognized that country radio

1:45:50.040 --> 1:45:52.559
<v Speaker 2>was never going to play my songs and it seemed

1:45:52.600 --> 1:45:57.000
<v Speaker 2>like a big waste of financial resources to keep going

1:45:57.000 --> 1:46:00.639
<v Speaker 2>around the country and asking them to. You know, every

1:46:00.640 --> 1:46:04.000
<v Speaker 2>time you go out there and work a song at

1:46:04.080 --> 1:46:07.439
<v Speaker 2>these radio stations, you're spending a lot of money to

1:46:07.520 --> 1:46:09.960
<v Speaker 2>get around there to visit them. Well, I had already

1:46:10.000 --> 1:46:15.200
<v Speaker 2>done by this time several times over and running up

1:46:15.280 --> 1:46:19.400
<v Speaker 2>huge bills with these record labels wasn't what I intended

1:46:19.439 --> 1:46:22.160
<v Speaker 2>to keep doing, especially if it was never going to

1:46:22.200 --> 1:46:26.000
<v Speaker 2>pay off. So I kind of retired from from pitching

1:46:26.080 --> 1:46:28.960
<v Speaker 2>songs to country radio. And that would have been around

1:46:29.200 --> 1:46:30.280
<v Speaker 2>eight or nine.

1:46:30.400 --> 1:46:33.800
<v Speaker 1>Really, So how did it end with Mercury.

1:46:36.160 --> 1:46:40.879
<v Speaker 2>Well, it ended when Luke Lewis retired, That's what I figured,

1:46:42.160 --> 1:46:45.719
<v Speaker 2>and I just really didn't want to make another record

1:46:45.760 --> 1:46:50.840
<v Speaker 2>after that. You know, I was by twenty ten, I'd

1:46:50.880 --> 1:46:55.800
<v Speaker 2>already had that concussion, and Luke retired. They brought in

1:46:56.080 --> 1:46:58.559
<v Speaker 2>Mike Dungan, who was nice enough to let me out

1:46:58.560 --> 1:47:03.120
<v Speaker 2>of my deal. But when when Mike and I first met,

1:47:02.520 --> 1:47:06.120
<v Speaker 2>I I told him my heart just wasn't in it anymore,

1:47:07.160 --> 1:47:09.240
<v Speaker 2>and uh, it was it was time for me to

1:47:09.280 --> 1:47:13.320
<v Speaker 2>step aside. And uh, he was nice enough he let

1:47:13.360 --> 1:47:15.240
<v Speaker 2>me out of my deal. And I think it was

1:47:16.600 --> 1:47:19.880
<v Speaker 2>maybe two weeks later they had already signed Chris Stapleton,

1:47:21.560 --> 1:47:25.040
<v Speaker 2>and hey, man, I couldn't be more proud. I was like,

1:47:25.680 --> 1:47:28.960
<v Speaker 2>they nailed it. They nailed it. They got the best

1:47:29.040 --> 1:47:30.280
<v Speaker 2>damson singer in town.

1:47:30.880 --> 1:47:32.320
<v Speaker 1>Had you known Chris before?

1:47:33.640 --> 1:47:37.240
<v Speaker 2>I didn't know him. I knew his wife, Morgan. Uh.

1:47:37.280 --> 1:47:40.200
<v Speaker 2>We were both demo singers together, and she was also

1:47:40.320 --> 1:47:43.559
<v Speaker 2>on B and A the same time that I was,

1:47:44.520 --> 1:47:48.880
<v Speaker 2>and uh, she and I did some demos together back

1:47:48.920 --> 1:47:52.240
<v Speaker 2>in the day. I knew of Chris because he was

1:47:52.280 --> 1:47:55.679
<v Speaker 2>one of those voices that every time I got stunned

1:47:55.720 --> 1:47:59.160
<v Speaker 2>listening to a song and asked, who is that? My God,

1:47:59.800 --> 1:48:04.320
<v Speaker 2>that's Chris Stapleton. Jesus. He was one of those guys.

1:48:04.360 --> 1:48:07.160
<v Speaker 2>It was just every time I heard his voice, it

1:48:07.240 --> 1:48:10.960
<v Speaker 2>was distinct, it was as real and just as man.

1:48:11.000 --> 1:48:14.080
<v Speaker 2>It was so good still is he's great.

1:48:14.640 --> 1:48:23.400
<v Speaker 1>So it ends with Mercury. You've had the concussion. Do

1:48:23.479 --> 1:48:26.400
<v Speaker 1>you think you're never going to make another record? Are

1:48:26.400 --> 1:48:29.040
<v Speaker 1>you depressed? I mean, what's your state of mind? Then?

1:48:36.680 --> 1:48:40.439
<v Speaker 2>No. I was absolutely convinced I had made my last record.

1:48:42.040 --> 1:48:45.160
<v Speaker 2>I just knew it. I didn't have it in my

1:48:47.960 --> 1:48:52.800
<v Speaker 2>I wasn't inspired anymore. You know. I'd made all of

1:48:52.800 --> 1:48:56.400
<v Speaker 2>these records or recorded all of these songs, and I

1:48:56.439 --> 1:48:59.760
<v Speaker 2>had yet to have any kind of financial success in

1:48:59.800 --> 1:49:04.840
<v Speaker 2>the and the record business. In fact, somebody else owned

1:49:04.920 --> 1:49:07.920
<v Speaker 2>my publishing and somebody else owned my masters, and it

1:49:08.040 --> 1:49:10.280
<v Speaker 2>was one of those things. It was like I didn't

1:49:10.280 --> 1:49:14.160
<v Speaker 2>get anything out of it. You know, radio never even

1:49:14.160 --> 1:49:17.519
<v Speaker 2>played my songs. I got some trophies, but hell, who

1:49:17.560 --> 1:49:21.800
<v Speaker 2>wants that, you know? So it just didn't do me

1:49:21.880 --> 1:49:24.639
<v Speaker 2>any good. And I was really done with it all,

1:49:24.840 --> 1:49:27.719
<v Speaker 2>to be honest, and I just didn't have a reason

1:49:27.760 --> 1:49:32.040
<v Speaker 2>to make another to record another session. I didn't want

1:49:32.080 --> 1:49:39.120
<v Speaker 2>to do it. And I still had friends that would

1:49:39.240 --> 1:49:42.320
<v Speaker 2>hate come sing on the song with me. And you know,

1:49:43.520 --> 1:49:46.040
<v Speaker 2>do stuff like that here and there, and I guess

1:49:46.040 --> 1:49:49.240
<v Speaker 2>I had enough of that. Where I was still appearing

1:49:49.280 --> 1:49:53.919
<v Speaker 2>on fifteen albums a year, there were just everybody else's records,

1:49:53.960 --> 1:49:58.559
<v Speaker 2>and you know, I was content with that for the

1:49:58.600 --> 1:50:03.840
<v Speaker 2>longest time. It wasn't really until Toby Keith passed away

1:50:05.320 --> 1:50:08.439
<v Speaker 2>that I kind of woke up and recognized that's the

1:50:08.560 --> 1:50:13.120
<v Speaker 2>end of his contribution to country music. That's it. Whatever

1:50:13.160 --> 1:50:16.200
<v Speaker 2>he's recorded up to this date is all we're getting.

1:50:17.920 --> 1:50:21.800
<v Speaker 2>So I started paying attention to my own and realizing

1:50:21.840 --> 1:50:24.479
<v Speaker 2>I'm nowhere near done. I got a lot of work

1:50:24.520 --> 1:50:27.439
<v Speaker 2>to do. I got a lot of music I got

1:50:27.439 --> 1:50:31.400
<v Speaker 2>to put out just to even get caught up. So

1:50:31.680 --> 1:50:35.240
<v Speaker 2>that's what kind of got me back in the studio.

1:50:35.560 --> 1:50:42.479
<v Speaker 1>Okay, but in that interim, you were continuing to work live. Yeah,

1:50:42.520 --> 1:50:46.519
<v Speaker 1>But were your numbers going down because you had no

1:50:46.680 --> 1:50:47.880
<v Speaker 1>record in the marketplace.

1:50:51.840 --> 1:50:55.920
<v Speaker 2>I don't think so. I think it was quite the opposite.

1:50:56.000 --> 1:51:00.320
<v Speaker 2>Brian Wright tells me all the time that those records

1:51:00.320 --> 1:51:05.559
<v Speaker 2>are still type performing records at their label. The thing

1:51:05.600 --> 1:51:08.280
<v Speaker 2>that happens is after you, when you're not on a

1:51:08.320 --> 1:51:11.000
<v Speaker 2>major label, there's no more of the parties where they

1:51:11.040 --> 1:51:14.439
<v Speaker 2>celebrate you now have a gold record, or your gold

1:51:14.479 --> 1:51:17.719
<v Speaker 2>record's gone platinum, or now you've gone double platinum. And

1:51:18.000 --> 1:51:20.840
<v Speaker 2>it wasn't until I put out another record where they

1:51:20.880 --> 1:51:25.200
<v Speaker 2>are I aa uh, I think that's what it's called.

1:51:25.240 --> 1:51:32.400
<v Speaker 2>And they've certified. They refreshed all their numbers one day

1:51:32.400 --> 1:51:35.200
<v Speaker 2>and I got to see what some of these albums

1:51:35.200 --> 1:51:37.719
<v Speaker 2>had actually done. And it's kind of nice.

1:51:39.000 --> 1:51:40.960
<v Speaker 1>And you know, you rent up a lot of costs

1:51:40.960 --> 1:51:43.400
<v Speaker 1>going to radio whatever. Do you make any money off

1:51:43.439 --> 1:51:44.320
<v Speaker 1>the records?

1:51:47.000 --> 1:51:49.160
<v Speaker 2>I suppose I've made a nickel or two. Now I

1:51:49.200 --> 1:51:52.800
<v Speaker 2>don't know what all's recouped and what happened recouped. I

1:51:52.840 --> 1:51:56.400
<v Speaker 2>think that's that's something for the lawyers and the CPAs

1:51:56.439 --> 1:51:57.120
<v Speaker 2>to sort out.

1:51:58.320 --> 1:52:00.280
<v Speaker 1>So how did you end up making a new record

1:52:00.360 --> 1:52:01.280
<v Speaker 1>with Warner.

1:52:05.160 --> 1:52:10.560
<v Speaker 2>It started with Brian Wright again when he and Stephanie

1:52:10.680 --> 1:52:17.439
<v Speaker 2>left Mercury. His wife Stephanie that they left Mercury and

1:52:17.479 --> 1:52:20.400
<v Speaker 2>I told him, I said, well, I guess we're making

1:52:20.439 --> 1:52:24.280
<v Speaker 2>another record. He didn't have anything, He didn't have anything

1:52:24.320 --> 1:52:27.680
<v Speaker 2>else to do, and I really didn't either. But at

1:52:27.680 --> 1:52:34.640
<v Speaker 2>the same time, Chris Lacy, Chris and I pretty much

1:52:34.680 --> 1:52:37.680
<v Speaker 2>started our careers running the same time, and We've been

1:52:37.720 --> 1:52:41.200
<v Speaker 2>friends for an awful long time. Well over the years,

1:52:41.240 --> 1:52:44.800
<v Speaker 2>she moved up through the ranks of a publishing and

1:52:44.840 --> 1:52:47.599
<v Speaker 2>got into the record business and ended up with Warner

1:52:48.560 --> 1:52:52.400
<v Speaker 2>and handed up in the in the driver's seat over there,

1:52:53.800 --> 1:53:00.599
<v Speaker 2>And she came to me one day and just says,

1:53:01.360 --> 1:53:04.479
<v Speaker 2>we're not done by a long shot. She says, I

1:53:04.520 --> 1:53:07.720
<v Speaker 2>don't want a record from you in hopes that we're

1:53:07.760 --> 1:53:09.559
<v Speaker 2>going to make a bunch of money off of you.

1:53:10.400 --> 1:53:12.559
<v Speaker 2>I just want you to get back to doing what

1:53:12.600 --> 1:53:15.280
<v Speaker 2>you were put on this earth to do, and get

1:53:15.320 --> 1:53:18.639
<v Speaker 2>you back to making country music records. And I don't

1:53:18.680 --> 1:53:24.560
<v Speaker 2>care what it takes. I'm here to help. And so

1:53:24.800 --> 1:53:28.320
<v Speaker 2>I didn't have a reason not to anymore. And I

1:53:28.479 --> 1:53:33.320
<v Speaker 2>just kind of I gave up on the whole idea

1:53:33.360 --> 1:53:36.280
<v Speaker 2>that I would never make another record. I abandoned that

1:53:36.400 --> 1:53:40.160
<v Speaker 2>whatsoever and just started from scratch and started back in

1:53:40.200 --> 1:53:44.080
<v Speaker 2>the writing rooms. And man, it took me forever to

1:53:44.160 --> 1:53:46.880
<v Speaker 2>figure out how to write songs again. You ought to

1:53:46.920 --> 1:53:54.479
<v Speaker 2>hear them first ones I wrote. They're absolute garbage. It's

1:53:54.560 --> 1:53:57.479
<v Speaker 2>like any kind of craft, the more you do it,

1:53:57.520 --> 1:54:01.559
<v Speaker 2>the better you get. Really had to get back in it,

1:54:04.000 --> 1:54:07.360
<v Speaker 2>and I mean with a lot of time invested in

1:54:08.080 --> 1:54:12.560
<v Speaker 2>writing with some of the greatest writers that I can

1:54:13.120 --> 1:54:15.720
<v Speaker 2>get in the room with, and Chris Stapleton was one

1:54:15.760 --> 1:54:21.400
<v Speaker 2>of those. He really helped light my pilot light again

1:54:21.439 --> 1:54:22.559
<v Speaker 2>and get me back to going.

1:54:24.160 --> 1:54:27.160
<v Speaker 1>So how long to go did this process begin?

1:54:31.720 --> 1:54:35.280
<v Speaker 2>I'm trying to figure it's twenty twenty five now. I

1:54:35.320 --> 1:54:39.280
<v Speaker 2>guess this would have been uh as far as the

1:54:39.360 --> 1:54:43.440
<v Speaker 2>record goes, probably two or three years now. As far

1:54:43.480 --> 1:54:47.360
<v Speaker 2>as the writing, Chris and I really started writing together,

1:54:47.480 --> 1:54:51.520
<v Speaker 2>I guess around twenty eighteen, twenty nineteen. We'd written some

1:54:51.640 --> 1:54:57.240
<v Speaker 2>songs together back back around nine twenty ten, but I

1:54:57.280 --> 1:55:02.600
<v Speaker 2>mean we really got to, you know, working together, around

1:55:02.680 --> 1:55:04.680
<v Speaker 2>eighteen or so.

1:55:04.680 --> 1:55:09.520
<v Speaker 1>So the album's been out for a while, you can reflect,

1:55:10.760 --> 1:55:13.200
<v Speaker 1>what do you think about the experience having done it?

1:55:15.960 --> 1:55:18.800
<v Speaker 2>I thank God every day that he put friends around

1:55:18.880 --> 1:55:22.120
<v Speaker 2>me that loved me enough to remind me what my

1:55:22.240 --> 1:55:27.200
<v Speaker 2>purpose is. It would have been easy for everybody just

1:55:27.240 --> 1:55:31.640
<v Speaker 2>to leave me alone and that would have been the

1:55:31.800 --> 1:55:36.680
<v Speaker 2>end of it. But I have all these people who

1:55:36.720 --> 1:55:39.960
<v Speaker 2>love me in my life enough to make me get

1:55:40.040 --> 1:55:43.560
<v Speaker 2>up and do it again. That wouldn't leave me just

1:55:43.640 --> 1:55:44.240
<v Speaker 2>sitting there.

1:55:46.240 --> 1:55:51.040
<v Speaker 1>And now that the project has finished is Warner, and

1:55:51.080 --> 1:55:54.240
<v Speaker 1>everybody's still excited as excited about moving forward.

1:55:56.400 --> 1:56:00.920
<v Speaker 2>I hope so I have an answer. I haven't checked

1:56:00.960 --> 1:56:06.760
<v Speaker 2>the numbers lately, but I don't I doubt that even

1:56:06.800 --> 1:56:09.960
<v Speaker 2>if it didn't perform well that they would give up

1:56:10.000 --> 1:56:11.960
<v Speaker 2>on me. They seemed like such a great team of

1:56:12.000 --> 1:56:16.200
<v Speaker 2>people over there, and you know, I really enjoy making

1:56:16.280 --> 1:56:19.720
<v Speaker 2>records with them, and I really never thought i'd enjoy

1:56:19.880 --> 1:56:23.480
<v Speaker 2>that aspect of working with a label. I always kind

1:56:23.480 --> 1:56:25.720
<v Speaker 2>of looked at the at the labels and thought, man,

1:56:26.280 --> 1:56:29.840
<v Speaker 2>I can't do nothing to make them happy. Every song

1:56:29.920 --> 1:56:32.360
<v Speaker 2>I wrote was to this or to that, or too

1:56:32.400 --> 1:56:36.560
<v Speaker 2>long or too short, or too country and not country enough.

1:56:44.320 --> 1:56:45.839
<v Speaker 1>So how did you get sober?

1:56:49.520 --> 1:56:55.080
<v Speaker 2>Well, that's a long story too. I got tired of

1:56:55.120 --> 1:57:03.360
<v Speaker 2>waking up surprised I would. I was a heavy drinker

1:57:06.520 --> 1:57:09.160
<v Speaker 2>and I wasn't a social drinker. It wasn't like I

1:57:09.240 --> 1:57:12.400
<v Speaker 2>was gonna have two or three after work and then

1:57:12.480 --> 1:57:18.280
<v Speaker 2>go home if I If I had one, I had

1:57:18.360 --> 1:57:20.920
<v Speaker 2>just decided how the rest of the evening was gonna go.

1:57:24.680 --> 1:57:27.640
<v Speaker 2>So drinking wasn't one of those things that I It's

1:57:27.640 --> 1:57:31.200
<v Speaker 2>not like I didn't have the ability to stop. I

1:57:31.200 --> 1:57:33.440
<v Speaker 2>didn't ever, just said that I didn't have a reason

1:57:33.480 --> 1:57:38.280
<v Speaker 2>to see if I had the ability. I just really

1:57:38.400 --> 1:57:43.080
<v Speaker 2>liked a drink, and I found out from years of

1:57:43.160 --> 1:57:46.600
<v Speaker 2>therapy later that it was probably masking some other kind

1:57:46.640 --> 1:57:53.320
<v Speaker 2>of pain or hiding something else behind it. I quit

1:57:53.400 --> 1:57:58.440
<v Speaker 2>drinking in twenty eleven. I still taste it when I

1:57:58.480 --> 1:58:05.880
<v Speaker 2>burt all these years later, seems like it's still fresh

1:58:05.920 --> 1:58:09.360
<v Speaker 2>on my mind. I don't think I'll live long enough

1:58:09.360 --> 1:58:17.120
<v Speaker 2>to forget what Jack Daniels tastes like. I quit smoking

1:58:17.400 --> 1:58:25.200
<v Speaker 2>pot probably around twenty fifteen, and I didn't smoke for

1:58:25.240 --> 1:58:30.000
<v Speaker 2>the longest time, And I also didn't write anything for

1:58:30.040 --> 1:58:33.880
<v Speaker 2>the longest time, and didn't record anything that didn't have

1:58:33.960 --> 1:58:38.160
<v Speaker 2>any passion for most of it for the longest time.

1:58:40.080 --> 1:58:43.000
<v Speaker 2>And for the most part, I still don't smoke. But

1:58:43.400 --> 1:58:45.720
<v Speaker 2>every now and then I may have one when I'm

1:58:45.720 --> 1:58:50.240
<v Speaker 2>writing a song or something like that, if I felt

1:58:50.280 --> 1:58:55.800
<v Speaker 2>like I needed to lift an inhibition or something. And

1:58:56.160 --> 1:58:57.840
<v Speaker 2>what it is it is like you sit down to

1:58:57.880 --> 1:59:02.800
<v Speaker 2>write and you get this washing negativity over you. It's

1:59:03.360 --> 1:59:06.000
<v Speaker 2>it's the analytical part of my brain that I can't

1:59:06.000 --> 1:59:11.000
<v Speaker 2>seem to get past. It's it's a bunch of cluttered

1:59:11.080 --> 1:59:15.520
<v Speaker 2>up noise, and it stops you from being as creative

1:59:15.560 --> 1:59:16.480
<v Speaker 2>as you should be.

1:59:17.840 --> 1:59:21.320
<v Speaker 1>What were the triggers to stop drinking and to stop

1:59:21.400 --> 1:59:22.720
<v Speaker 1>smoking pot?

1:59:28.720 --> 1:59:32.280
<v Speaker 2>The main trigger to stop drinking drinking would have been

1:59:32.320 --> 1:59:36.760
<v Speaker 2>my daughter. She was at the time seven years old,

1:59:37.640 --> 1:59:43.200
<v Speaker 2>and was you know, you're being an example one way

1:59:43.320 --> 1:59:46.680
<v Speaker 2>or the other, and up until that point in her life,

1:59:46.760 --> 1:59:51.960
<v Speaker 2>I'd been a bad example and I was adamant about

1:59:51.960 --> 1:59:57.560
<v Speaker 2>correcting that. So she she was a driving factor and

1:59:58.320 --> 2:00:04.960
<v Speaker 2>quitting drinking. Pott was not really something I felt like

2:00:05.040 --> 2:00:10.080
<v Speaker 2>I ever had any kind of issue with. I was

2:00:10.120 --> 2:00:12.040
<v Speaker 2>always kind of, you know, take it or leave it.

2:00:12.080 --> 2:00:17.080
<v Speaker 2>As far as POT was, I never saw the harm

2:00:17.120 --> 2:00:17.320
<v Speaker 2>in it.

2:00:18.000 --> 2:00:23.280
<v Speaker 1>Going back to drinking, when you stop drinking, you have

2:00:23.360 --> 2:00:26.520
<v Speaker 1>to change your lifestyle because you're not going to the

2:00:26.560 --> 2:00:29.640
<v Speaker 1>bar and your friends always say, oh, let's go out

2:00:29.680 --> 2:00:32.560
<v Speaker 1>for a drink. What's wrong with you? How did you

2:00:32.680 --> 2:00:35.560
<v Speaker 1>actually stop drinking? And how hard was the transition?

2:00:38.880 --> 2:00:41.120
<v Speaker 2>Well, you're gonna have to change a lot of things,

2:00:41.520 --> 2:00:43.240
<v Speaker 2>and that is one of the things I had to

2:00:43.320 --> 2:00:48.640
<v Speaker 2>change was my entire social life was happening in these bars,

2:00:50.120 --> 2:00:53.240
<v Speaker 2>and it wasn't much of a life to begin with.

2:00:53.360 --> 2:00:57.200
<v Speaker 2>If I'm being one hundred percent honest. People tell you

2:00:57.320 --> 2:00:59.360
<v Speaker 2>had a good time, but if you don't remember having

2:00:59.400 --> 2:01:01.360
<v Speaker 2>a good time, did you really have a good time?

2:01:04.240 --> 2:01:07.880
<v Speaker 2>So it wasn't doing me much good to begin with,

2:01:08.720 --> 2:01:13.480
<v Speaker 2>and it was starting to damage my relationships beyond repair.

2:01:14.800 --> 2:01:16.840
<v Speaker 2>And it was not something that I had to have

2:01:16.880 --> 2:01:19.920
<v Speaker 2>a whole lot of coersion to make a decision that

2:01:20.000 --> 2:01:23.320
<v Speaker 2>this wasn't doing me a lot of good. You know,

2:01:23.800 --> 2:01:27.880
<v Speaker 2>I don't. If you know, there's people out there who

2:01:27.960 --> 2:01:31.960
<v Speaker 2>can drink and it doesn't do anything at all. There's

2:01:32.000 --> 2:01:35.480
<v Speaker 2>other people who when they drink, their life starts falling apart.

2:01:35.520 --> 2:01:38.880
<v Speaker 2>And those people know what I'm talking about. When you

2:01:39.440 --> 2:01:42.840
<v Speaker 2>drink and it starts impacting your relationships with people you

2:01:42.920 --> 2:01:46.200
<v Speaker 2>love and people who love you, it's time to examine,

2:01:47.120 --> 2:01:49.040
<v Speaker 2>and it's probably time to pull up and give it

2:01:49.040 --> 2:01:49.560
<v Speaker 2>a break.

2:01:52.240 --> 2:01:56.040
<v Speaker 1>So did you go to rehib did you go to AA?

2:01:56.320 --> 2:01:57.600
<v Speaker 1>Did you just cool turkey?

2:02:00.280 --> 2:02:04.280
<v Speaker 2>I'm a very stubborn man, and all I had to

2:02:04.320 --> 2:02:08.080
<v Speaker 2>do was rewire the drinking into that part of my

2:02:08.240 --> 2:02:13.400
<v Speaker 2>mind that makes me upset. And once I had it

2:02:13.440 --> 2:02:16.800
<v Speaker 2>wired in there correctly, it was one of those things

2:02:16.800 --> 2:02:20.120
<v Speaker 2>that I knew I didn't need any more help to

2:02:20.560 --> 2:02:26.920
<v Speaker 2>deal with I'd already dealt with it. I realized that

2:02:26.920 --> 2:02:30.080
<v Speaker 2>that sort of thing doesn't work for a lot of people,

2:02:30.120 --> 2:02:34.200
<v Speaker 2>and so I don't advocate for that style. But if

2:02:34.240 --> 2:02:36.160
<v Speaker 2>I tell you I'm going to do something, you can

2:02:36.200 --> 2:02:38.840
<v Speaker 2>take it to the bank. And if I tell you

2:02:38.920 --> 2:02:41.440
<v Speaker 2>I'm not gonna do something, there's nothing you can do

2:02:41.480 --> 2:02:44.920
<v Speaker 2>that'll make me even reconsider my position on it.

2:02:46.840 --> 2:02:51.440
<v Speaker 1>Okay, something you said at the top was you're an

2:02:51.560 --> 2:02:57.480
<v Speaker 1>angry guy. Now, needless to say your regular demeanor in

2:02:57.640 --> 2:03:02.560
<v Speaker 1>talking that doesn't come cross. But tell me more about

2:03:02.600 --> 2:03:03.200
<v Speaker 1>your anger.

2:03:07.000 --> 2:03:12.440
<v Speaker 2>I wish I knew more about it. It's it's not

2:03:12.560 --> 2:03:16.040
<v Speaker 2>there always, And I don't know that I would describe

2:03:16.080 --> 2:03:20.720
<v Speaker 2>myself overall as angry. I think I would describe myself

2:03:20.760 --> 2:03:26.720
<v Speaker 2>as it was more like high blood pressure. It was

2:03:26.800 --> 2:03:33.680
<v Speaker 2>like being being always at the at the brink of stress.

2:03:35.360 --> 2:03:37.680
<v Speaker 2>You know, when your stress is at a perfect ten

2:03:37.840 --> 2:03:40.600
<v Speaker 2>and any little thing can tip you over the edge.

2:03:41.240 --> 2:03:45.960
<v Speaker 2>And I think that's what the concussion had done to me.

2:03:46.800 --> 2:03:50.560
<v Speaker 2>It it had raised my stress level to a permanent level.

2:03:52.440 --> 2:03:55.640
<v Speaker 2>Drinking didn't bring it back down anymore like it used to.

2:03:56.760 --> 2:04:04.280
<v Speaker 2>Nothing did, and that that's the part that that sent

2:04:04.360 --> 2:04:08.200
<v Speaker 2>me to the brain state technology and leke artists and

2:04:09.320 --> 2:04:14.800
<v Speaker 2>all those guys to start getting I guess it's called

2:04:14.840 --> 2:04:15.720
<v Speaker 2>brain balancing.

2:04:17.760 --> 2:04:22.560
<v Speaker 1>I'm not sure. But the anger do you feel separate

2:04:24.160 --> 2:04:30.480
<v Speaker 1>from other people in society and do things frustrate you?

2:04:31.040 --> 2:04:33.320
<v Speaker 1>Is it that kind of anger? Or you're out with

2:04:33.360 --> 2:04:37.040
<v Speaker 1>some people and somebody is just talking and you're saying, men,

2:04:37.040 --> 2:04:38.680
<v Speaker 1>they just can't handle this anymore.

2:04:43.480 --> 2:04:52.720
<v Speaker 2>No, it's not a It was more personal things, you know.

2:04:52.840 --> 2:04:54.800
<v Speaker 2>It was more things that I had to deal with.

2:04:54.880 --> 2:04:59.080
<v Speaker 2>I guess over time. I think the root word that

2:04:59.160 --> 2:05:02.400
<v Speaker 2>I've been learning in the Bible here lately is forgiveness,

2:05:03.800 --> 2:05:10.840
<v Speaker 2>And what does that really mean? To receive forgiveness means

2:05:10.880 --> 2:05:16.480
<v Speaker 2>you have to admit having wronged somebody and you received

2:05:16.560 --> 2:05:21.000
<v Speaker 2>the forgiveness as a gift, but you first have to

2:05:21.080 --> 2:05:25.320
<v Speaker 2>repent and you have to do your best to make

2:05:25.360 --> 2:05:29.240
<v Speaker 2>the thing right. And it's not a skill that a

2:05:29.280 --> 2:05:33.120
<v Speaker 2>whole lot of people possess today. People don't like to

2:05:33.160 --> 2:05:37.400
<v Speaker 2>admit they've been wrong. They don't like to admit they've

2:05:37.440 --> 2:05:41.440
<v Speaker 2>done wrong or said something wrong, or you know, maybe

2:05:41.480 --> 2:05:47.800
<v Speaker 2>betrayed a friendship, behaved in some way that wasn't appropriate

2:05:47.960 --> 2:05:52.520
<v Speaker 2>or very friendly, and we don't like to be called

2:05:52.560 --> 2:05:59.280
<v Speaker 2>out on our bullshit, and I guess that's coming and going.

2:06:00.640 --> 2:06:08.320
<v Speaker 2>So what I'm learning is we're supposed to forgive as

2:06:08.360 --> 2:06:15.920
<v Speaker 2>we're forgiven, and it's hard. It's hard to forgive, just outright,

2:06:16.640 --> 2:06:20.120
<v Speaker 2>especially to forgive somebody who's never issued an apology for

2:06:20.200 --> 2:06:27.200
<v Speaker 2>what they did. It's hard, but it's not impossible. And

2:06:27.240 --> 2:06:28.720
<v Speaker 2>it was a lot of that kind of pin up

2:06:28.760 --> 2:06:31.720
<v Speaker 2>frustration that I just carried with me for so many

2:06:31.880 --> 2:06:37.000
<v Speaker 2>years and allowed it to eat me up from the inside.

2:06:37.240 --> 2:06:40.880
<v Speaker 2>You know that holding a grudge poisons the vessel in

2:06:40.960 --> 2:06:45.879
<v Speaker 2>which it's kept. That's what I was. I was a

2:06:45.880 --> 2:06:52.160
<v Speaker 2>poisoned vessel for a while. It gets better every day.

2:06:53.640 --> 2:06:58.040
<v Speaker 1>Well, that's good to hear, and I think, on that

2:06:58.200 --> 2:07:03.200
<v Speaker 1>note of insight, we're going to leave it at that. Jamie,

2:07:04.400 --> 2:07:08.080
<v Speaker 1>been fascinating speaking with you. I want to thank you

2:07:08.160 --> 2:07:10.120
<v Speaker 1>for taking this time with my audience.

2:07:12.160 --> 2:07:17.640
<v Speaker 2>You wrote such a wonderful column about my show out

2:07:17.680 --> 2:07:20.320
<v Speaker 2>in Los Angeles one year, and I want you to

2:07:20.400 --> 2:07:22.880
<v Speaker 2>know you put a smile on my face and made

2:07:22.880 --> 2:07:26.520
<v Speaker 2>my heart beat a little bit prouder. And I appreciate

2:07:26.680 --> 2:07:30.080
<v Speaker 2>all of the words of encouragement I've gotten from you,

2:07:30.200 --> 2:07:32.400
<v Speaker 2>Bob over the years. Thank you.

2:07:32.800 --> 2:07:34.920
<v Speaker 1>Well, you know, I remember it was at the Wilter,

2:07:35.040 --> 2:07:39.600
<v Speaker 1>and I remember exactly where I was standing. I was

2:07:39.640 --> 2:07:43.000
<v Speaker 1>a big fan and it was a great show, and

2:07:43.080 --> 2:07:46.200
<v Speaker 1>it's great to finally pluck your feast to face.

2:07:47.400 --> 2:07:49.600
<v Speaker 2>Thank you so much that it was the biggest pat

2:07:49.720 --> 2:07:52.480
<v Speaker 2>on the back for me. It meant so much to

2:07:52.560 --> 2:07:55.120
<v Speaker 2>me and I still wear that like a badge of honor.

2:07:55.200 --> 2:07:55.640
<v Speaker 2>Thank you.

2:07:57.400 --> 2:08:00.680
<v Speaker 1>While you're leaving me speechless with a smile, my thieves

2:08:02.240 --> 2:08:04.280
<v Speaker 1>and I think we're going to leave it at that

2:08:04.560 --> 2:08:07.360
<v Speaker 1>till next time. This is Bob leftstis