WEBVTT - 12. Manhunt!

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<v Speaker 1>Missing in Arizona contains graphic depictions of violence and may

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<v Speaker 1>not be suitable for all listeners. This episode also discusses

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<v Speaker 1>sexual assault.

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<v Speaker 2>His violence potential to me is unlimited.

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<v Speaker 3>Anybody that could slip their own children's throats and then

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<v Speaker 3>burn them up.

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<v Speaker 2>He's a definite danger to society.

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<v Speaker 1>That's former FBI agent Bob Caldwell speaking to a reporter

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<v Speaker 1>twenty years ago. What he said then remains true today.

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<v Speaker 1>If alive, Robert Fischer is in extreme danger not only

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<v Speaker 1>to society, but most critically, if he has a new

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<v Speaker 1>family to them. It's therefore imperative that we find Fisher,

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<v Speaker 1>not only to bring him to justice, but to avoid

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<v Speaker 1>further bloodshed. If that seems impossible, it's not. In nineteen

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<v Speaker 1>seventy one, John List killed his family and vanished. By

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<v Speaker 1>nineteen eighty six, at the fifteen year mark, many people

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<v Speaker 1>thought he was dead. Newspapers ran headlines like the perfect crime,

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<v Speaker 1>and it was the perfect crime until it wasn't. Investigators

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<v Speaker 1>never gave up. In nineteen eighty six, a prosecutor told

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<v Speaker 1>the Associated Press quote, when you have no evidence to

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<v Speaker 1>the contrary, you must assume he's still alive. Basically, what

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<v Speaker 1>we have here, he said, is a Casper milk toast

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<v Speaker 1>who stepped out of his role, murdered his family, and

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<v Speaker 1>then stepped back into the role and disappeared. A month later,

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<v Speaker 1>Inspired by the case, Hollywood released The Stepfather, a movie

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<v Speaker 1>about a man who kills his family, assumes a new identity,

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<v Speaker 1>and marries a widow with a fifteen year old daughter.

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<v Speaker 4>Oh, that guy had felt who had killed his whole

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<v Speaker 4>family cut him up with knives.

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<v Speaker 2>Maybe they disappointed him.

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<v Speaker 1>When asked about John List, the screenwriter said, my first

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<v Speaker 1>guess is the real life man killed himself in such

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<v Speaker 1>a way that he was never found. My second guess

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<v Speaker 1>is that the movie would be fairly close to what

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<v Speaker 1>might have transpired. Meaningless escaped, changed his name and started

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<v Speaker 1>a new life.

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<v Speaker 5>Who am I here?

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<v Speaker 2>You're a very bad girl.

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<v Speaker 6>The Stepfather?

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<v Speaker 1>I believe he meaning List is alive. Retired Westfield police

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<v Speaker 1>chief James Rand said, fifteen years is a long time.

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<v Speaker 1>The prosecutor said, but it's not an impossible task. We'll

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<v Speaker 1>continue to track him and someday who knows it sounds

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<v Speaker 1>so desperate, so empty, five ten, twenty three years later

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<v Speaker 1>to say, no, really, guys, we'll get him. Someday, But

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<v Speaker 1>someday came America's Most Wanted featured the case. An ex

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<v Speaker 1>neighbor phoned in a lead, and on June first, nineteen

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<v Speaker 1>eighty nine, police arrested List. He was living under a

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<v Speaker 1>new name with a new wife in a new city.

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<v Speaker 1>So yes, this is possible, but not without your help.

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<v Speaker 1>You know what solved the List case, publicity? You know

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<v Speaker 1>who solved it? An audience member with Fisher. That could

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<v Speaker 1>be you from iHeartRadio and neon thirty three. I'm John

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<v Speaker 1>Walzac and this is missing in Arizona, the story of

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<v Speaker 1>a man who disappeared after allegedly killing his wife and kids,

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<v Speaker 1>blowing up their suburban home, and escaping into the wilderness.

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<v Speaker 1>Twenty three years later, I'm hunting Robert Fisher, and I

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<v Speaker 1>need your help. Let's start with a profile of Fisher,

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<v Speaker 1>not a biography, only stuff that can help catch him.

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<v Speaker 1>Fisher was born on April thirteenth, nineteen sixty one. As

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<v Speaker 1>of this recording, he's sixty three. He's six feet tall.

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<v Speaker 1>When he disappeared, he weighed one hundred and ninety pounds.

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<v Speaker 1>Obviously that could have changed, but he cared a lot

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<v Speaker 1>about his weight.

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<v Speaker 5>So I doubt.

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<v Speaker 1>He's emaciated or obese, probably still in the one hundred

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<v Speaker 1>and eighty to two hundred and ten pound range. He

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<v Speaker 1>had light brown, almost blonde hair by now it's likely

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<v Speaker 1>gray or mixed, though he might die it to stave

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<v Speaker 1>off aging. He has blue eyes and a gold tooth

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<v Speaker 1>his upper left first by cuspid, the tooth right behind

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<v Speaker 1>your canines, your fangs. He might still have it, he

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<v Speaker 1>might not. Dentists, hygienists, oral surgeons, pay attention. Does this

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<v Speaker 1>match any of your patients. Fisher also has a scar

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<v Speaker 1>on his lower back midline of the lumbo sacral level

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<v Speaker 1>from surgery doctors, surgeons, nurses, Pay attention. Does this match

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<v Speaker 1>any of your patients. Fisher has small feet in the

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<v Speaker 1>eight to ten range, likely a nine point five. He

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<v Speaker 1>keeps a clean cut, neat appearance. He probably has short

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<v Speaker 1>hair and little to no facial hair, maybe a short beard.

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<v Speaker 1>He's casual jeans, T shirts, flannels, boots, sneakers, baseball caps, bandanas, sunglasses.

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<v Speaker 1>He suffers from back and knee pain. He might be

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<v Speaker 1>dependent on, if not addicted to, opioids. John and Mary

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<v Speaker 1>Beth Rodin Fisher family friends tell me their son remembers

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<v Speaker 1>Robert having a quote weird toe. That might mean something,

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<v Speaker 1>it might not. It could have been a one time

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<v Speaker 1>fungal infection, or he could have a deformed toe. Their

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<v Speaker 1>son was young is murky. Fisher rarely drank, but when

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<v Speaker 1>he did, he liked bourbon. He constantly chewed tobacco, winter

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<v Speaker 1>green Copenhagen. He might still chew or smoke or vape.

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<v Speaker 1>He liked to hunt, fish, camp. He liked pickup trucks,

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<v Speaker 1>country music, guns. He wasn't super political in the nineties,

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<v Speaker 1>but he could be today. And Ammo box in the

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<v Speaker 1>rubble of his house had a sticker on it for

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<v Speaker 1>the NRA. Another had a sticker that read control Criminals,

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<v Speaker 1>not Guns. Fisher wasn't a big sports guy, just the

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<v Speaker 1>casual Diamondbacks and Raiders fan. He liked dogs, not cats.

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<v Speaker 1>He enjoyed nature centric TV shows vicarious adventure, but he

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<v Speaker 1>stayed close to home. He didn't have a passport. He

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<v Speaker 1>only traveled internationally while in the Navy. Many people speculate

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<v Speaker 1>that he's now hiding overseas. I doubt it. He's a

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<v Speaker 1>creature of habit. He sticks to what he knows to

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<v Speaker 1>be safe. Though I tried to find a list of

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<v Speaker 1>places he visited while in the Navy. To see which

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<v Speaker 1>international spots he might know just a bit, I filed

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<v Speaker 1>a record's request and found out that he served from

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<v Speaker 1>nineteen seventy nine to eighty two aboard the USS below Wood,

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<v Speaker 1>an amphibious assault ship based in San Diego. During that period,

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<v Speaker 1>he visited Victoria, British Columbia, and Mast Lawn, Mexico. The

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<v Speaker 1>Navy later deployed him further abroad for six months. On

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<v Speaker 1>April twenty first, nineteen eighty one, the bellow Wood rescued

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<v Speaker 1>one hundred and thirty three Vietnamese refugees, including fifty three children,

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<v Speaker 1>from leaking boats in the South China Sea. So I

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<v Speaker 1>knew he was in or near Asia, But no matter

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<v Speaker 1>what I did, I couldn't find a list of ports

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<v Speaker 1>of call, not in his navy file, not online. Finally,

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<v Speaker 1>our producer, Hannah Rose Snyder, tracked down a copy on

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<v Speaker 1>microfilm at a government facility near DC. To access it,

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<v Speaker 1>we hired a researcher who obtained this list.

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<v Speaker 7>San Diego, Pearl Harbor, Okinawa, Japan, po Hung, South Korea,

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<v Speaker 7>Hong Kong, Subit Bay, the Philippines, Singapore, Colombo, Sri Lanka, Diego, Garcia, Freemantle, Australia,

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<v Speaker 7>Pateya Beach, Thailand.

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<v Speaker 1>And the waters off Lanslown, Australia. Though it's unclear whether

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<v Speaker 1>or not he went ashore. In theory, Fisher could be

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<v Speaker 1>in any of these places, but I doubt it. He's

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<v Speaker 1>likely still in the US, somewhere out west, maybe a

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<v Speaker 1>remote corner of Arizona like Lake Havasu or southern California,

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<v Speaker 1>which he knew well, or Las Vegas where he could

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<v Speaker 1>easily blend in, or even Phoenix. In two thousand and one,

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<v Speaker 1>he had a chance to escape to Mexico. Americans could

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<v Speaker 1>cross the border without a passport until two thousand and nine,

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<v Speaker 1>the day the house exploded, He had enough time to

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<v Speaker 1>flee to the border only three hours away, but he didn't.

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<v Speaker 1>In fact, he didn't even flee the state, at least

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<v Speaker 1>not immediately. He stayed in Arizona. Fisher was a creature

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<v Speaker 1>of habit one key reason I think he's still in

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<v Speaker 1>the US. Also, he was racist, specifically against Mexicans. Several

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<v Speaker 1>people tell me that he made anti Mexican remarks. Not

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<v Speaker 1>to mention, he didn't speak Spanish or any other foreign language.

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<v Speaker 1>Just English. Finally, one of his friends, a former coworker

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<v Speaker 1>who doesn't want to be named, revealed something new, something

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<v Speaker 1>intriguing about Fisher's back pain.

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<v Speaker 8>When I would notice it was associated with like weather,

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<v Speaker 8>so with like arthritis type symptoms. And in Arizona we've

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<v Speaker 8>got the monsoons. So in the morning he would be

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<v Speaker 8>perfectly fine. And you meet up with him like around lunchtime,

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<v Speaker 8>and you know, making a comment like, oh, but a

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<v Speaker 8>storm must becoming because my back's starting to hurt, that

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<v Speaker 8>type of thing. And then I know in the winter time,

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<v Speaker 8>when it was cooler or colder, his back seemed to

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<v Speaker 8>hurn him more.

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<v Speaker 1>So if he did flee somewhere and you don't see

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<v Speaker 1>it being somewhere stormy or cold. No, this is fascinating.

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<v Speaker 1>Cold weather and drops in barometric pressure caused Robert pain.

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<v Speaker 1>But he was fine in the heat. He liked the heat.

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<v Speaker 8>I think it would be much harder for him to

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<v Speaker 8>live a comfortable life in a cold climate.

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<v Speaker 1>Let's keep building a prof What about Fisher's personality. It's

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<v Speaker 1>unclear if he was ever diagnosed with obsessive compulsive disorder,

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<v Speaker 1>likely not, but he certainly had OCD style tendencies He

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<v Speaker 1>kept everything extremely clean. He disliked disorder. He liked routine.

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<v Speaker 1>He wanted to eat dinner every night at five pm sharp.

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<v Speaker 1>He generally followed the rules and appeared to be pro

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<v Speaker 1>law enforcement. On a hunting trip with a friend, he

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<v Speaker 1>was pulled over twice by Saint Trooper's. Both times he

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<v Speaker 1>remained courteous and respectful. Robert was a minimalist. He didn't

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<v Speaker 1>like clutter. A friend and former neighbor, Paul, tells me

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<v Speaker 1>that inside the Fisher house, one room didn't even have furniture.

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<v Speaker 1>According to Mary's friend Kim Davidson, Robert had strict rules

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<v Speaker 1>about home decor.

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<v Speaker 9>Even when you went back into the bedrooms, there wasn't

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<v Speaker 9>a lot of personality there. It was just spare bones.

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<v Speaker 1>Why do you think that is well?

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<v Speaker 9>Come to find out, it was because Robert wouldn't allow

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<v Speaker 9>a well to be painted a color. He wouldn't allow

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<v Speaker 9>the kids to hang up things in their bedroom.

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<v Speaker 1>He didn't even let Mary put up quilts that her

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<v Speaker 1>mom made.

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<v Speaker 9>The quails were quite beautiful, and they just sat up there,

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<v Speaker 9>pulled it on the.

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<v Speaker 1>Shelf because Robert wouldn't let her hang them up. Correct

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<v Speaker 1>Another one of Mary's friends who doesn't want to be named,

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<v Speaker 1>tells me the same thing. She often stayed with the

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<v Speaker 1>Fishers while visiting from out of town. Quote, they didn't

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<v Speaker 1>put bedspreads on their beds. It was just like a sheet.

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<v Speaker 1>It always kind of looked like they were just moving in.

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<v Speaker 1>And I'd be like, why don't you guys like get

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<v Speaker 1>a quilt? The mom knit, she was super crafty, Like,

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<v Speaker 1>why don't we just do something a little decorative, And

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<v Speaker 1>Mary's like, oh, Robert doesn't like that because he thinks

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<v Speaker 1>it gets dusty or dirty or something. Robert seemed to

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<v Speaker 1>have a thing about dirt and germs. He was also

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<v Speaker 1>very particular about his food. According to a police report,

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<v Speaker 1>he never ate at fast food restaurants, and quote in

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<v Speaker 1>regular restaurants was so extreme with questions about food and

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<v Speaker 1>its preparation he would embarrass friends and family. One time,

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<v Speaker 1>Robert and a friend had launched at a truck stop

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<v Speaker 1>near Tucson. Robert gave the waitress quote such a hard time,

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<v Speaker 1>wanting to know what items were being put into the food,

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<v Speaker 1>how the food was prepared. He was also a cheap skate.

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<v Speaker 1>He refused to pay for air conditioning in blazing Arizona.

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<v Speaker 1>John and Mary Beth Rodin tell me that at work,

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<v Speaker 1>Robert would save dirty hemostats tools that clamp onto blood

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<v Speaker 1>vessels to prevent bleeding.

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<v Speaker 10>They'd throw them all out when they were done with them,

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<v Speaker 10>and he'd collect them, and he'd have like twenty or

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<v Speaker 10>thirty of them, and he'd take them to Don's sports

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<v Speaker 10>shop and sell them or trade them for merchandise because

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<v Speaker 10>the fly fishermen like them because they're really good at

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<v Speaker 10>ripping flies. It's like a bent or taking hooks out

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<v Speaker 10>of fish.

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<v Speaker 1>And he would rescue them from work.

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<v Speaker 11>Yeah, he'd take them out of the garbage.

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<v Speaker 10>Probably after proceedures this, he supposedly throw them all away.

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<v Speaker 1>I asked the Rodents if media portrayals of Robert have

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<v Speaker 1>been accurate, not entirely. They say he was not some maladjusted,

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<v Speaker 1>asocial loaner. He could be quiet, soft spoken, but also congenial, funny, sarcastic.

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<v Speaker 9>He didn't like to be by himself. He can go

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<v Speaker 9>for a day or two, but I don't think he

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<v Speaker 9>could ever.

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<v Speaker 10>Very gregarious, love talking to people.

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<v Speaker 7>I don't think he could live by himself for an

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<v Speaker 7>extended period of time.

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<v Speaker 1>So this idea that he would run off and be

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<v Speaker 1>a hermit and just want to be alone.

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<v Speaker 12>I don't think so he had to have an audience.

0:12:13.559 --> 0:12:16.760
<v Speaker 1>This lines up with what Mary's mom told police. Robert

0:12:16.840 --> 0:12:20.080
<v Speaker 1>was very outgoing. She said he had many friends or

0:12:20.160 --> 0:12:23.360
<v Speaker 1>at least friendly acquaintances in both his personal life and

0:12:23.440 --> 0:12:26.600
<v Speaker 1>at work. He got along well with patients too. One

0:12:26.640 --> 0:12:30.240
<v Speaker 1>colleague said, quote older ladies, he was very, very delicate

0:12:30.280 --> 0:12:33.960
<v Speaker 1>with them. Another said he was quote very sociable. One

0:12:34.000 --> 0:12:37.040
<v Speaker 1>time he treated a female Phoenix police officer who was

0:12:37.080 --> 0:12:40.120
<v Speaker 1>preparing to donate a kidney to a family member. Robert

0:12:40.200 --> 0:12:43.319
<v Speaker 1>quote really got into that, and not in a sexual way,

0:12:43.600 --> 0:12:47.080
<v Speaker 1>just chatting. He did it with men too, quote Whenever

0:12:47.080 --> 0:12:49.440
<v Speaker 1>it was somebody that liked to hunt, had guns, or

0:12:49.480 --> 0:12:51.679
<v Speaker 1>had anything to do with the law, he would be

0:12:51.679 --> 0:12:54.960
<v Speaker 1>there holding that groin for about twenty minutes, and normally

0:12:55.000 --> 0:12:57.120
<v Speaker 1>we do it in about ten minutes. It was a

0:12:57.160 --> 0:13:00.000
<v Speaker 1>standing joke. A cop asked what he meant by quote

0:13:00.280 --> 0:13:03.800
<v Speaker 1>holding groins, coworker, hold pressure so they don't bleed.

0:13:03.960 --> 0:13:04.280
<v Speaker 2>Cop.

0:13:04.520 --> 0:13:07.079
<v Speaker 1>Okay. So in other words, he favored people that were

0:13:07.080 --> 0:13:11.240
<v Speaker 1>out doorsy, oh yeah, and he liked law enforcement, oh yeah. However,

0:13:11.360 --> 0:13:14.440
<v Speaker 1>another colleague said Robert could be aloof quote. He'd come

0:13:14.520 --> 0:13:17.360
<v Speaker 1>up to you in the cafeteria. We'd be having a conversation.

0:13:17.679 --> 0:13:20.600
<v Speaker 1>He'd sit down, he'd bring something up, we'd start talking

0:13:20.640 --> 0:13:22.640
<v Speaker 1>about it, and then he'd just get up and leave.

0:13:23.440 --> 0:13:26.360
<v Speaker 1>He could be creepy too. On a hunting trip, he

0:13:26.440 --> 0:13:29.160
<v Speaker 1>toyed with a friend. He went down one trail, the

0:13:29.200 --> 0:13:32.880
<v Speaker 1>friend another. Both had walkie talkies. Robert told the friend

0:13:32.920 --> 0:13:36.720
<v Speaker 1>where to meet, exact spot, exact time. The friend considered

0:13:36.720 --> 0:13:40.600
<v Speaker 1>it a game. Halfway up the trail, Robert's voice crackle through.

0:13:41.080 --> 0:13:43.679
<v Speaker 1>I can see you, he said. The friend looked up

0:13:43.760 --> 0:13:47.440
<v Speaker 1>through binoculars. He spotted Robert on a mountaintop. I've been

0:13:47.480 --> 0:13:49.359
<v Speaker 1>watching you the entire time.

0:13:49.360 --> 0:13:49.840
<v Speaker 5>He said.

0:13:50.760 --> 0:13:54.840
<v Speaker 1>While hunting, Robert also used varmint calls. He vocally mimicked

0:13:54.920 --> 0:13:58.480
<v Speaker 1>small injured animals trying to lure predators so he could

0:13:58.480 --> 0:14:01.000
<v Speaker 1>shoot them, and he played tapes with the sounds of

0:14:01.080 --> 0:14:05.080
<v Speaker 1>dying rabbits. Not abnormal many hunters do this, but given

0:14:05.160 --> 0:14:08.640
<v Speaker 1>the later context, creepy. When he spoke to his hunting

0:14:08.679 --> 0:14:09.959
<v Speaker 1>buddy Jim Rodin, he.

0:14:10.000 --> 0:14:13.000
<v Speaker 13>Liked to get quiet, like like like a tail off,

0:14:13.040 --> 0:14:16.080
<v Speaker 13>and be quiet, you know, even though I sir, because I'm.

0:14:16.040 --> 0:14:19.520
<v Speaker 1>Kind of crazy, and when he wasn't mimicking dying animals,

0:14:19.800 --> 0:14:20.920
<v Speaker 1>he tried.

0:14:20.640 --> 0:14:22.640
<v Speaker 13>To mimic a little bit of a redneck drawl, like

0:14:22.640 --> 0:14:24.960
<v Speaker 13>a good old boy outdoorsman. Tried to do that, tried

0:14:25.000 --> 0:14:26.560
<v Speaker 13>to sound a little bit Western cowboy.

0:14:26.680 --> 0:14:27.440
<v Speaker 1>Do you think it was real?

0:14:29.480 --> 0:14:33.280
<v Speaker 13>That was probably something that was rehearsed. That became a

0:14:33.280 --> 0:14:36.640
<v Speaker 13>part of him because he loved that good old boy

0:14:36.920 --> 0:14:45.760
<v Speaker 13>Americana military, redneck outdoorsman, Copenhagen, tobacco fishing. He liked that

0:14:46.520 --> 0:14:50.040
<v Speaker 13>kind of Cabella's past pro shop, though it wasn't there

0:14:50.080 --> 0:14:52.480
<v Speaker 13>at the time. Yeah, he loved all that, you know,

0:14:52.560 --> 0:14:55.640
<v Speaker 13>had his own little fishing boat and pickup truck.

0:14:56.520 --> 0:15:00.240
<v Speaker 1>Robert often discussed religion with Jim, a pastor. People have

0:15:00.280 --> 0:15:03.720
<v Speaker 1>different opinions about how spiritual Robert really was and how

0:15:03.800 --> 0:15:06.880
<v Speaker 1>much was just for show. I don't know, but he

0:15:06.960 --> 0:15:10.640
<v Speaker 1>read the Bible at work, attended church, and certainly felt guilt.

0:15:11.040 --> 0:15:13.720
<v Speaker 1>In nineteen ninety nine when he cheated on Mary, he

0:15:13.720 --> 0:15:17.560
<v Speaker 1>could have remained silent. Instead, he confessed he appeared to

0:15:17.640 --> 0:15:21.760
<v Speaker 1>feel genuine remorse, which would indicate a savable soul, not

0:15:21.840 --> 0:15:52.120
<v Speaker 1>a psychopath with an evil, irredeemable core. If Robert chooses

0:15:52.120 --> 0:15:55.200
<v Speaker 1>not to surrender, and yes, I know he likely won't.

0:15:55.480 --> 0:15:58.080
<v Speaker 1>How can we find him? Let me split this into

0:15:58.080 --> 0:16:03.160
<v Speaker 1>three parts number one and passwords number two, his face

0:16:03.560 --> 0:16:08.080
<v Speaker 1>number three, his voice jeans. Let's say Robert has a

0:16:08.120 --> 0:16:11.600
<v Speaker 1>new family. Let's say he has kids after twenty three years.

0:16:11.640 --> 0:16:14.240
<v Speaker 1>He could even have adult children. They don't know who

0:16:14.280 --> 0:16:18.120
<v Speaker 1>he is. They use a commercial DNA service like ancestry

0:16:18.240 --> 0:16:21.080
<v Speaker 1>or twenty three and me this is a surefire way

0:16:21.120 --> 0:16:24.360
<v Speaker 1>to find Robert. It would take luck and cooperation from

0:16:24.400 --> 0:16:30.040
<v Speaker 1>his family. His first family, mom, sisters, nieces, nephews, someone.

0:16:30.160 --> 0:16:32.400
<v Speaker 1>I don't know if they've used any of these services.

0:16:32.680 --> 0:16:36.160
<v Speaker 1>If not, I encourage them to asap. If they do,

0:16:36.400 --> 0:16:38.960
<v Speaker 1>and Robert has a new family and his new kids

0:16:39.040 --> 0:16:43.160
<v Speaker 1>upload their DNA, boom, we found him. Law enforcement is

0:16:43.200 --> 0:16:47.640
<v Speaker 1>limited here by privacy laws and corporate regulations. Investigators can

0:16:47.680 --> 0:16:51.520
<v Speaker 1>compare samples of Robert's parents' DNA to open source databases

0:16:51.680 --> 0:16:55.320
<v Speaker 1>like jedmatch. They should do this asap, but the best

0:16:55.360 --> 0:17:00.800
<v Speaker 1>option is for Robert's family to help voluntarily passwords. Our

0:17:00.840 --> 0:17:04.919
<v Speaker 1>researcher Paul Gemperlin had a brilliant idea. If investigators have

0:17:04.960 --> 0:17:08.719
<v Speaker 1>a list of passwords Robert used before the murders, email, banking,

0:17:08.760 --> 0:17:12.080
<v Speaker 1>et cetera. They can compare them to databases of passwords

0:17:12.119 --> 0:17:15.040
<v Speaker 1>that leaked during the past twenty three years. Let's say

0:17:15.119 --> 0:17:19.200
<v Speaker 1>Robert used a highly unique password, for example, Robert nineteen

0:17:19.280 --> 0:17:23.359
<v Speaker 1>sixty one loves Scottsdale. Law enforcement can scan databases to

0:17:23.400 --> 0:17:26.200
<v Speaker 1>see if it shows up anywhere after April two thousand

0:17:26.240 --> 0:17:29.200
<v Speaker 1>and one. If so, it might indicate that Robert did

0:17:29.320 --> 0:17:32.000
<v Speaker 1>escape and start a new life. Best case, it might

0:17:32.040 --> 0:17:35.080
<v Speaker 1>even point us to where he went. It's a Hail Mary, sure,

0:17:35.359 --> 0:17:38.439
<v Speaker 1>But the thing about hail Mary's sometimes.

0:17:37.800 --> 0:17:40.159
<v Speaker 5>They work his face.

0:17:40.680 --> 0:17:43.359
<v Speaker 1>If you've seen any photo of Robert, it's likely the

0:17:43.520 --> 0:17:46.560
<v Speaker 1>photo from a nineteen ninety nine family portrait, the one

0:17:46.680 --> 0:17:50.760
<v Speaker 1>everyone uses from Wikipedia to the FBI. In it, Mary

0:17:50.800 --> 0:17:54.520
<v Speaker 1>Brittany and Bobby smile. Robert purses his lips. I get

0:17:54.560 --> 0:17:57.160
<v Speaker 1>why it became the key photo in this case. It's

0:17:57.240 --> 0:18:00.560
<v Speaker 1>high resolution, taken less than two years before the murders.

0:18:00.880 --> 0:18:03.760
<v Speaker 1>I've only been able to track down twenty eight photos

0:18:03.760 --> 0:18:07.200
<v Speaker 1>of Robert as an adult, including this one. The problem

0:18:07.280 --> 0:18:10.359
<v Speaker 1>is it seems off, like it doesn't represent him. Well,

0:18:10.760 --> 0:18:13.720
<v Speaker 1>I'm sure you have photos like this yes, it's you,

0:18:14.200 --> 0:18:17.320
<v Speaker 1>but it doesn't really look like you. Maybe it's the angle,

0:18:17.560 --> 0:18:20.399
<v Speaker 1>or the lighting, or the lens or the editing. I

0:18:20.440 --> 0:18:23.600
<v Speaker 1>don't know. I never met Robert, but people who did

0:18:23.840 --> 0:18:27.400
<v Speaker 1>agree with me, including Miss Honey, Britney's teacher, the second

0:18:27.440 --> 0:18:29.520
<v Speaker 1>to last person to see and speak with Robert the

0:18:29.640 --> 0:18:30.440
<v Speaker 1>night of the murders.

0:18:30.640 --> 0:18:33.199
<v Speaker 12>That picture is not how I remember him, and it

0:18:33.359 --> 0:18:38.800
<v Speaker 12>hardly recognize him from that picture. So to me, I

0:18:38.840 --> 0:18:41.800
<v Speaker 12>feel like we've been going around now for twenty years

0:18:42.080 --> 0:18:46.479
<v Speaker 12>with an incorrect simulation and incorrect image and persona of

0:18:46.520 --> 0:18:48.840
<v Speaker 12>this person that we're looking for, which has worked to

0:18:48.880 --> 0:18:49.760
<v Speaker 12>his advantage.

0:18:49.880 --> 0:18:53.439
<v Speaker 1>Miss Honey is talking about two images, first, the nineteen

0:18:53.520 --> 0:18:57.280
<v Speaker 1>ninety nine photo, second the ace progressed image based on

0:18:57.359 --> 0:19:00.640
<v Speaker 1>that photo produced by the FBI in twenty sixteen. The

0:19:00.680 --> 0:19:04.359
<v Speaker 1>FBI images, how can I say this nicely, not the best.

0:19:04.760 --> 0:19:07.000
<v Speaker 1>It looks like they took the nineteen ninety nine photo,

0:19:07.200 --> 0:19:09.920
<v Speaker 1>threw on some mister potato head facial hair and said

0:19:10.119 --> 0:19:12.480
<v Speaker 1>this could be what he looks like today. When I

0:19:12.520 --> 0:19:15.560
<v Speaker 1>show it to one person who knew Robert, they literally laugh.

0:19:16.160 --> 0:19:18.639
<v Speaker 1>The other two photos the FBI uses on its wanted

0:19:18.680 --> 0:19:22.240
<v Speaker 1>poster aren't great either. One shows Robert with crazy eyes,

0:19:22.480 --> 0:19:25.080
<v Speaker 1>another makes him look like he has three chins. I'm

0:19:25.119 --> 0:19:27.879
<v Speaker 1>not trying to be needlessly antagonistic here. It's not the

0:19:27.960 --> 0:19:31.160
<v Speaker 1>FBI's fault that Robert blew up his house, incinerating most

0:19:31.160 --> 0:19:33.720
<v Speaker 1>photos of him. But if the images were using to

0:19:33.760 --> 0:19:37.400
<v Speaker 1>find him are at best off and at worst laughable,

0:19:37.680 --> 0:19:40.800
<v Speaker 1>we have a problem. I knew this early on, so

0:19:40.920 --> 0:19:43.160
<v Speaker 1>one of my main goals was to find new photos

0:19:43.200 --> 0:19:46.080
<v Speaker 1>of him. I ask every person I interview if they

0:19:46.119 --> 0:19:49.480
<v Speaker 1>have any I start with twenty six photos. I end

0:19:49.600 --> 0:19:52.639
<v Speaker 1>with twenty eight. That's how tough it is. I find

0:19:52.640 --> 0:19:56.199
<v Speaker 1>two new photos, only two, both given to me by

0:19:56.280 --> 0:19:59.520
<v Speaker 1>John and Mary Beth Rodin. One is dated August sixteenth,

0:19:59.560 --> 0:20:02.200
<v Speaker 1>nineteen nine ninety seven, taken on a camping trip at

0:20:02.200 --> 0:20:05.359
<v Speaker 1>Holly Lake. Robert stands in front of a white pickup truck,

0:20:05.560 --> 0:20:09.600
<v Speaker 1>wearing a gray T shirt tucked into jeans, a baseball cap, sunglasses,

0:20:09.640 --> 0:20:12.639
<v Speaker 1>and a watch. Bobby Junior, a month shy of seven,

0:20:12.840 --> 0:20:15.720
<v Speaker 1>sits on the hood, his legs dangling off the side,

0:20:15.800 --> 0:20:18.760
<v Speaker 1>in a white shirt, red shorts, a blue hat, and

0:20:18.880 --> 0:20:23.040
<v Speaker 1>little white sneakers. Both face the camera. It's sunny. The

0:20:23.119 --> 0:20:26.560
<v Speaker 1>other is dated December ninth, nineteen ninety nine, meaning it's

0:20:26.600 --> 0:20:29.280
<v Speaker 1>now the most recent photo of Robert known to exist,

0:20:29.520 --> 0:20:32.680
<v Speaker 1>a picture, to my knowledge, never obtained by law enforcement.

0:20:33.080 --> 0:20:35.280
<v Speaker 1>In it, he stands on a dirt road next to

0:20:35.320 --> 0:20:38.200
<v Speaker 1>a different truck, wearing a long sleeved blue shirt tucked

0:20:38.200 --> 0:20:42.639
<v Speaker 1>into jeans, boots, a white baseball cap, and sunglasses. It

0:20:42.720 --> 0:20:45.840
<v Speaker 1>was taken in the Apache Sickgreaves National Forest during a

0:20:45.880 --> 0:20:49.760
<v Speaker 1>hunt four Christmas trees. There's a tree in the pickup bed.

0:20:50.119 --> 0:20:53.239
<v Speaker 1>Robert turns its head looks right at the camera. In

0:20:53.280 --> 0:20:55.640
<v Speaker 1>addition to these photos, the Rodents give me a few

0:20:55.680 --> 0:20:58.879
<v Speaker 1>new videos of Robert. One in particular, taken in nineteen

0:20:58.960 --> 0:21:02.000
<v Speaker 1>ninety four, is import It provides a clear shot of

0:21:02.080 --> 0:21:05.639
<v Speaker 1>Robert's smiling. You see his gold tooth. I decide to

0:21:05.640 --> 0:21:09.000
<v Speaker 1>take all images, every single photo and high quality videos

0:21:09.000 --> 0:21:11.800
<v Speaker 1>still and work with a forensic artist to create a

0:21:11.840 --> 0:21:14.840
<v Speaker 1>new age progressed image to see what Robert might look

0:21:14.920 --> 0:21:18.119
<v Speaker 1>like today. In fact, I work with three world renowned

0:21:18.200 --> 0:21:21.440
<v Speaker 1>artists at the same time. None are aware the others

0:21:21.480 --> 0:21:24.159
<v Speaker 1>are also working on this case. I want to conduct

0:21:24.200 --> 0:21:27.520
<v Speaker 1>an experiment to see, when given the same source material,

0:21:27.640 --> 0:21:30.040
<v Speaker 1>what each of them can produce. It's the first time

0:21:30.119 --> 0:21:33.480
<v Speaker 1>this has ever been done. Three talented artists on the

0:21:33.520 --> 0:21:37.040
<v Speaker 1>same case at the same time, starting with.

0:21:37.160 --> 0:21:40.320
<v Speaker 14>Lois Gibson and I got into this because someone murdered me.

0:21:40.440 --> 0:21:41.360
<v Speaker 2>Well, I didn't die.

0:21:41.440 --> 0:21:43.879
<v Speaker 9>That he almost murdered me for fun really got on

0:21:43.880 --> 0:21:44.480
<v Speaker 9>my nerves.

0:21:44.800 --> 0:21:46.240
<v Speaker 2>I wanted justice.

0:21:46.320 --> 0:21:49.120
<v Speaker 1>In nineteen seventy one, a man forced his way into

0:21:49.119 --> 0:21:52.800
<v Speaker 1>Lois's apartment, choked her for twenty five minutes, and sexually

0:21:52.840 --> 0:21:57.200
<v Speaker 1>assaulted her. She nearly died by chance. Six weeks later,

0:21:57.320 --> 0:22:00.840
<v Speaker 1>while driving down a nearby street, Lois recognized her assailant

0:22:01.040 --> 0:22:04.400
<v Speaker 1>as police arrested him for another crime. She later moved

0:22:04.440 --> 0:22:07.760
<v Speaker 1>to Texas, got a fine Arts degree, painted three thousand

0:22:07.760 --> 0:22:11.360
<v Speaker 1>portraits on the San Antonio Riverwalk, and became a forensic

0:22:11.440 --> 0:22:12.320
<v Speaker 1>artist in Houston.

0:22:13.080 --> 0:22:15.399
<v Speaker 5>Next we have Hill Zmam.

0:22:15.440 --> 0:22:17.919
<v Speaker 1>Not only is gill an artist, he's also an author.

0:22:18.440 --> 0:22:21.400
<v Speaker 1>Last year, he published a book called The Mindful Interview

0:22:21.440 --> 0:22:26.000
<v Speaker 1>Method Retrieving cognitive Evidence. Gill view's memory as easily tainted

0:22:26.000 --> 0:22:29.800
<v Speaker 1>evidence that should be carefully uncovered, like a fingerprint, a fiber,

0:22:30.040 --> 0:22:33.639
<v Speaker 1>a drop of blood, Gather it mindfully without altering it.

0:22:33.920 --> 0:22:37.640
<v Speaker 1>He strongly opposes, for example, the use of reference images.

0:22:37.240 --> 0:22:39.560
<v Speaker 15>To simulate the memory. Hey, was his nose like this,

0:22:39.760 --> 0:22:42.560
<v Speaker 15>eyes like this, and so forth. I believe that once

0:22:42.640 --> 0:22:46.840
<v Speaker 15>you do that, you're contaminating someone's memory and they cannot

0:22:47.040 --> 0:22:50.800
<v Speaker 15>distinguish between what they actually remembered to what you're actually

0:22:50.800 --> 0:22:51.359
<v Speaker 15>showing them.

0:22:51.600 --> 0:22:55.160
<v Speaker 1>He's talking about sketches based on witness memory, not age

0:22:55.160 --> 0:23:00.800
<v Speaker 1>progressed images based on photos. But still it's a smart observation. Finally,

0:23:00.920 --> 0:23:04.080
<v Speaker 1>we have Michael W. Streed, who we worked with previously

0:23:04.240 --> 0:23:07.120
<v Speaker 1>on season two Missing on nine to eleven with eights

0:23:07.200 --> 0:23:08.080
<v Speaker 1>progressed images.

0:23:08.200 --> 0:23:10.399
<v Speaker 4>The goal is not to have people praise your art

0:23:10.440 --> 0:23:12.000
<v Speaker 4>and tell you what a great artist you are. The

0:23:12.040 --> 0:23:16.080
<v Speaker 4>actual object is to catch this murderous suspect.

0:23:16.240 --> 0:23:19.200
<v Speaker 1>This is a critical point. These artists are not trying

0:23:19.200 --> 0:23:23.320
<v Speaker 1>to craft award winning photorealistic images of how missing fugitives

0:23:23.359 --> 0:23:26.679
<v Speaker 1>definitely look today, because they don't know how they look today.

0:23:27.040 --> 0:23:29.960
<v Speaker 1>An image should be just familiar enough to make someone

0:23:30.000 --> 0:23:32.320
<v Speaker 1>do a double take and say, hey, that kind of

0:23:32.359 --> 0:23:35.199
<v Speaker 1>looks like my neighbor Joe or my friend Susie. You

0:23:35.280 --> 0:23:38.240
<v Speaker 1>don't want to gamble everything on a very particular vision

0:23:38.320 --> 0:23:41.800
<v Speaker 1>that ends up being wrong. Michael Gill and Lois are

0:23:41.840 --> 0:23:45.520
<v Speaker 1>all talented. They have different methods blending science and art.

0:23:45.880 --> 0:23:48.560
<v Speaker 1>Until we find Robert Fisher, we won't know who did

0:23:48.600 --> 0:23:51.560
<v Speaker 1>the best job. That said, I had to choose a

0:23:51.600 --> 0:23:55.119
<v Speaker 1>winner the main image for our new wanted poster. I

0:23:55.240 --> 0:23:58.280
<v Speaker 1>chose Michael. I think the most important thing to capture

0:23:58.280 --> 0:24:01.879
<v Speaker 1>here Fisher's eyes, your smile. Can you speak to me

0:24:01.920 --> 0:24:04.800
<v Speaker 1>about how you did that in the end, because I

0:24:04.800 --> 0:24:06.120
<v Speaker 1>think you really nailed it, you know.

0:24:06.080 --> 0:24:08.639
<v Speaker 4>The post picture. I looked at the famous picture you

0:24:08.680 --> 0:24:12.399
<v Speaker 4>talked about that was used before in a previous age progression.

0:24:12.600 --> 0:24:15.159
<v Speaker 4>There was some intensity to them, and in some of

0:24:15.200 --> 0:24:17.800
<v Speaker 4>the pictures you provided me they were all they were

0:24:17.960 --> 0:24:21.080
<v Speaker 4>like buggy, just crazy, just bulging in your face kind

0:24:21.080 --> 0:24:24.399
<v Speaker 4>of eyes, angry, intense eyes. But that's not how the

0:24:24.440 --> 0:24:26.879
<v Speaker 4>person walks around. So I looked at some of the

0:24:26.920 --> 0:24:30.960
<v Speaker 4>other normal shots, the more candid shots, more natural, relaxed look,

0:24:31.119 --> 0:24:33.240
<v Speaker 4>and he still had this intensity. You know, the eyes

0:24:33.240 --> 0:24:36.560
<v Speaker 4>were not so buggy, they weren't so bulging, but they

0:24:36.560 --> 0:24:39.440
<v Speaker 4>had this intense I don't want to say crazy look,

0:24:39.520 --> 0:24:41.560
<v Speaker 4>but just this intensity. It would make you look at

0:24:41.560 --> 0:24:44.160
<v Speaker 4>the guy and say, there's something about this guy that's

0:24:44.200 --> 0:24:47.840
<v Speaker 4>not quite right. So we were able to go somewhere

0:24:47.880 --> 0:24:52.240
<v Speaker 4>between normal, relax normalize, friendly eyes and not so buggy

0:24:52.320 --> 0:24:55.240
<v Speaker 4>crazy to this intensity that I believe would stay with

0:24:55.320 --> 0:24:55.920
<v Speaker 4>him over time.

0:24:56.040 --> 0:24:56.959
<v Speaker 1>What about the smile.

0:24:57.800 --> 0:25:00.480
<v Speaker 4>The smile was just kind of one of those smiles

0:25:00.480 --> 0:25:03.040
<v Speaker 4>where one corner of the mouth was maybe a little

0:25:03.040 --> 0:25:05.640
<v Speaker 4>bit more lifted than the other, and maybe both sides

0:25:05.640 --> 0:25:07.159
<v Speaker 4>are a little bit even. But they kind of curled

0:25:07.240 --> 0:25:09.640
<v Speaker 4>up at the end and had this It was more

0:25:09.760 --> 0:25:11.960
<v Speaker 4>than just a cat who ate the canary look the

0:25:12.000 --> 0:25:14.720
<v Speaker 4>look of a guy that Sag got this. It's more

0:25:14.760 --> 0:25:17.800
<v Speaker 4>of a look combined with the eyes that gave him

0:25:17.800 --> 0:25:21.320
<v Speaker 4>almost a quiet, diabolical look that I think people would

0:25:21.359 --> 0:25:24.040
<v Speaker 4>notice in their conversations with him, or if they saw

0:25:24.119 --> 0:25:27.760
<v Speaker 4>him on the streets somewhere with that same smirky, diabolical

0:25:27.800 --> 0:25:30.639
<v Speaker 4>smile and those intense eyes watching them.

0:25:31.000 --> 0:25:33.399
<v Speaker 1>Michael and I went through several rounds of edits of

0:25:33.440 --> 0:25:36.080
<v Speaker 1>the age progressed image. He gave me a rough draft,

0:25:36.240 --> 0:25:39.200
<v Speaker 1>I gave him feedback. We ended up, I think, with

0:25:39.320 --> 0:25:42.800
<v Speaker 1>something great to craft it. He reviewed every single photo

0:25:42.800 --> 0:25:46.560
<v Speaker 1>of Fisher. He chose two as primary references, the famous

0:25:46.640 --> 0:25:50.080
<v Speaker 1>nineteen ninety nine portrait and the new nineteen ninety seven

0:25:50.160 --> 0:25:53.399
<v Speaker 1>photo given to me by the Rodents. That photo is

0:25:53.640 --> 0:25:57.399
<v Speaker 1>especially valuable. The sun lights up Robert's face from the side.

0:25:57.480 --> 0:26:01.320
<v Speaker 1>His lips are pursed, his mouth slightly ajar. You see

0:26:01.320 --> 0:26:04.240
<v Speaker 1>the sinews of his neck, the lines of his cheeks.

0:26:04.520 --> 0:26:07.639
<v Speaker 1>His head looks more compact with a pointier chin than

0:26:07.680 --> 0:26:09.960
<v Speaker 1>the ninety nine portrait, which makes it look like a

0:26:10.000 --> 0:26:13.080
<v Speaker 1>beefy square. I think your image is absolutely stellar. It

0:26:13.160 --> 0:26:17.159
<v Speaker 1>is the line between something that is too vague and

0:26:17.520 --> 0:26:21.640
<v Speaker 1>artsy and something that is too photo realistic and might

0:26:21.680 --> 0:26:25.199
<v Speaker 1>not jog somebody out there to recognize Fisher under an

0:26:25.200 --> 0:26:28.000
<v Speaker 1>assumed identity as Fisher. It is, in my opinion, the

0:26:28.040 --> 0:26:31.359
<v Speaker 1>perfect line. While working with Lois Gill and Michael, I

0:26:31.400 --> 0:26:35.280
<v Speaker 1>stumble upon another artist, A fourth artist. His name is

0:26:35.680 --> 0:26:40.040
<v Speaker 1>Jill is a thirty nine year old creative developer in Belgium.

0:26:40.280 --> 0:26:43.600
<v Speaker 1>He founded a project called the AI Witness Report, which

0:26:43.680 --> 0:26:48.440
<v Speaker 1>uses artificial intelligence to convert police sketches into photorealistic images.

0:26:48.680 --> 0:26:51.639
<v Speaker 1>He was inspired in part by his dad, Ludo, a

0:26:51.680 --> 0:26:55.119
<v Speaker 1>forensic dentist and a talented artist. What first caught my

0:26:55.200 --> 0:26:58.280
<v Speaker 1>eye was Jeal's conversion of the famous dB Cooper sketch

0:26:58.680 --> 0:27:02.280
<v Speaker 1>His work is impressive. You can check it out on Instagram, AI,

0:27:02.400 --> 0:27:06.840
<v Speaker 1>dot Witness, dot Report. With Geel's help, I conduct another experiment.

0:27:07.200 --> 0:27:10.040
<v Speaker 1>I sent him all three AH progressed images, the new

0:27:10.040 --> 0:27:12.680
<v Speaker 1>ones of Robert Fisher. He runs them through AI.

0:27:13.119 --> 0:27:15.880
<v Speaker 3>My main tool that I use is stable effusion. It's

0:27:15.920 --> 0:27:19.320
<v Speaker 3>like an image generation model. And what interests me about

0:27:19.359 --> 0:27:22.680
<v Speaker 3>stable fusion is that it's an open source system, so

0:27:22.920 --> 0:27:26.320
<v Speaker 3>you're not bound to the limitations of like a system

0:27:26.400 --> 0:27:28.960
<v Speaker 3>by OpenAI or microstoft.

0:27:28.680 --> 0:27:33.879
<v Speaker 1>In go age, progressed images out come photorealistic versions of them. Okay,

0:27:34.080 --> 0:27:37.000
<v Speaker 1>it's not that simple. In fact, it takes Giel at

0:27:37.119 --> 0:27:39.760
<v Speaker 1>least seven to eight hours to do each one. In

0:27:39.800 --> 0:27:42.800
<v Speaker 1>the end, for the Fisher case, even Giel agrees that

0:27:42.840 --> 0:27:45.600
<v Speaker 1>it's better to use the old school images, not their

0:27:45.600 --> 0:27:47.120
<v Speaker 1>photorealistic counterparts.

0:27:47.320 --> 0:27:49.320
<v Speaker 3>The sketch is never going to be super accurate, but

0:27:49.359 --> 0:27:51.480
<v Speaker 3>the advantage of the sketch is that it guests a

0:27:51.480 --> 0:27:54.520
<v Speaker 3>wider net because it's a bit fake, and there are

0:27:54.720 --> 0:27:57.480
<v Speaker 3>more people that look like a sketch then there will

0:27:57.520 --> 0:27:59.879
<v Speaker 3>be people that look like if very detailed for the

0:28:00.040 --> 0:28:03.080
<v Speaker 3>realistic image, you're like, oh no, that's not Tom, that's

0:28:03.119 --> 0:28:05.879
<v Speaker 3>a different person. It's a real person, but it's not

0:28:06.000 --> 0:28:08.439
<v Speaker 3>my neighbor Tom. You know, all the while your neighbor

0:28:08.480 --> 0:28:10.920
<v Speaker 3>Tom is the killer and then he gets away with it.

0:28:11.240 --> 0:28:14.040
<v Speaker 1>To view all of the aids, progressed images and yields

0:28:14.080 --> 0:28:17.320
<v Speaker 1>AI conversions, go to neon thirty three dot com and

0:28:17.440 --> 0:28:28.840
<v Speaker 1>sign up for our email list. If you like this show,

0:28:28.960 --> 0:28:32.399
<v Speaker 1>please download our first two seasons, Missing in Alaska and

0:28:32.440 --> 0:28:35.200
<v Speaker 1>Missing on nine to eleven. For updates, visit meon thirty

0:28:35.240 --> 0:28:37.800
<v Speaker 1>three dot com or follow me on Twitter at John

0:28:37.840 --> 0:28:43.360
<v Speaker 1>waalzac j O n w A l Czak. Thanks for listening.

0:28:59.120 --> 0:29:00.120
<v Speaker 5>His voice.

0:29:00.360 --> 0:29:02.840
<v Speaker 1>As far as I know, a fugitive has never been

0:29:02.880 --> 0:29:05.880
<v Speaker 1>located based on the sound of their voice, especially not

0:29:06.000 --> 0:29:09.800
<v Speaker 1>one as high profile as Robert Fisher. As I said previously,

0:29:09.960 --> 0:29:12.680
<v Speaker 1>when he escaped, when he burned down his house, he

0:29:12.760 --> 0:29:15.920
<v Speaker 1>made a big mistake. He left his fire safe locked

0:29:16.160 --> 0:29:19.800
<v Speaker 1>and it worked the safe I mean inside. Police found

0:29:19.880 --> 0:29:23.120
<v Speaker 1>four VHS tapes containing about six and a half hours

0:29:23.160 --> 0:29:26.080
<v Speaker 1>of home videos in grainy footage from the late eighties

0:29:26.080 --> 0:29:29.680
<v Speaker 1>and early nineties. You see and hear Robert Fisher, which

0:29:29.720 --> 0:29:33.200
<v Speaker 1>allows me to conduct one final experiment. Early on. I

0:29:33.240 --> 0:29:36.400
<v Speaker 1>have an idea, what if we use AI to recreate

0:29:36.440 --> 0:29:40.400
<v Speaker 1>Fisher's voice. Seems simple right by now we've all seen

0:29:40.560 --> 0:29:43.600
<v Speaker 1>and heard the magic of generative AI. The voice of

0:29:43.640 --> 0:29:46.680
<v Speaker 1>a dead Frank Sinatra singing Get Low by Lil John,

0:29:46.920 --> 0:29:49.720
<v Speaker 1>the voice of a dead Johnny Cash singing Barbie Girl

0:29:49.800 --> 0:29:53.240
<v Speaker 1>by Aqua. Here's the problem. Those work because we have

0:29:53.280 --> 0:29:56.160
<v Speaker 1>a ton of high quality sample audio of both Sinatra

0:29:56.280 --> 0:30:00.120
<v Speaker 1>and Cash, with Fisher not so much. AI is not

0:30:00.000 --> 0:30:01.840
<v Speaker 1>not yet at the point where you can just throw

0:30:01.880 --> 0:30:04.400
<v Speaker 1>in a few scraps of lo fi eighties audio and

0:30:04.520 --> 0:30:07.560
<v Speaker 1>pop out a high res cloned model of someone's voice.

0:30:07.680 --> 0:30:10.560
<v Speaker 1>You need good source audio, preferably a lot of it.

0:30:10.920 --> 0:30:13.280
<v Speaker 1>So my first task is to figure out how much

0:30:13.320 --> 0:30:17.400
<v Speaker 1>audio we have of Robert. The answer unfortunately, not a lot.

0:30:17.800 --> 0:30:20.440
<v Speaker 1>You can only hear him in a tiny percentage of

0:30:20.480 --> 0:30:24.120
<v Speaker 1>the home videos. So again I ask everyone for help.

0:30:24.440 --> 0:30:28.440
<v Speaker 1>Do you have any other video and or audio of him? Again,

0:30:28.680 --> 0:30:31.760
<v Speaker 1>I strike out, except with John and Mary Beth Rodin,

0:30:31.960 --> 0:30:36.760
<v Speaker 1>who find and share five additional previously unpublished videos of Robert,

0:30:36.800 --> 0:30:39.880
<v Speaker 1>taken in nineteen ninety three and ninety four. These clips

0:30:39.880 --> 0:30:43.520
<v Speaker 1>are brief but extremely helpful, in part because the Rodents

0:30:43.520 --> 0:30:46.680
<v Speaker 1>had a high quality video camera. I spend a week

0:30:46.880 --> 0:30:50.720
<v Speaker 1>painstakingly combing through every second of available footage from the

0:30:50.720 --> 0:30:54.560
<v Speaker 1>Firesafe and the Rodents. I find two hundred and forty

0:30:54.600 --> 0:30:57.600
<v Speaker 1>one clips of Robert's voice, ranging from one second to

0:30:57.680 --> 0:31:01.320
<v Speaker 1>sixty two seconds long. I log every in a Google sheet.

0:31:01.520 --> 0:31:06.959
<v Speaker 1>I categorize each clip best, great, good, okay. The okay

0:31:07.040 --> 0:31:10.080
<v Speaker 1>audio is too low quality to help us, so in

0:31:10.120 --> 0:31:12.600
<v Speaker 1>the end we're left with two point seven to two

0:31:12.640 --> 0:31:15.280
<v Speaker 1>minutes of best audio, two point one to two minutes

0:31:15.320 --> 0:31:18.040
<v Speaker 1>of great audio, and six point six to eight minutes

0:31:18.080 --> 0:31:21.960
<v Speaker 1>of good audio. Eleven point five to two minutes total. Again,

0:31:22.320 --> 0:31:24.920
<v Speaker 1>not a lot. I'm now going to play the seven

0:31:25.040 --> 0:31:27.440
<v Speaker 1>best clips to give you an idea of what we're

0:31:27.440 --> 0:31:30.520
<v Speaker 1>working with. The first three are from videos the Rodents

0:31:30.520 --> 0:31:34.080
<v Speaker 1>gave me. They've never aired before publicly, nor were they

0:31:34.080 --> 0:31:37.400
<v Speaker 1>ever obtained by law enforcement. The next four we're rescued

0:31:37.440 --> 0:31:40.560
<v Speaker 1>from the fire safe from the rubble. Listen carefully to

0:31:40.640 --> 0:31:43.720
<v Speaker 1>Robert's voice. When the audio jumps, it's because we cut

0:31:43.760 --> 0:31:46.000
<v Speaker 1>out other people's voices for privacy's sake.

0:31:46.520 --> 0:31:48.920
<v Speaker 5>Clip one, but boy.

0:31:49.200 --> 0:31:54.840
<v Speaker 16>Smile, you're on candid camera, boy, so say cheese.

0:31:55.080 --> 0:31:55.640
<v Speaker 2>Here you go.

0:31:56.640 --> 0:31:58.520
<v Speaker 1>Clip two, really good.

0:32:00.680 --> 0:32:07.120
<v Speaker 2>Good. Come here boy, Okay, stay, rugger, good.

0:32:06.960 --> 0:32:09.480
<v Speaker 4>Dogs, good dog.

0:32:10.160 --> 0:32:10.760
<v Speaker 1>Clip three.

0:32:11.160 --> 0:32:13.880
<v Speaker 2>It's little beep for there now, Bob, go touch a lot,

0:32:13.960 --> 0:32:20.640
<v Speaker 2>Go touch a lot. Okay, rug, Hey, you guys, get

0:32:20.640 --> 0:32:21.240
<v Speaker 2>around the dog.

0:32:22.440 --> 0:32:24.720
<v Speaker 17>Stay rugs stay.

0:32:25.240 --> 0:32:29.280
<v Speaker 2>Clip four four pound capish at Swallow Lake.

0:32:29.360 --> 0:32:31.720
<v Speaker 17>And he tries to say a cop more than that,

0:32:31.800 --> 0:32:34.960
<v Speaker 17>but no, it was only seventeen four pounders. I must

0:32:34.960 --> 0:32:36.920
<v Speaker 17>say it did a good good job last night.

0:32:36.880 --> 0:32:39.840
<v Speaker 2>Kicking him out. Wait a second, here comes someone. Oh

0:32:39.880 --> 0:32:46.400
<v Speaker 2>it's Danielle. Danielle. What's you doing back here? Girl? Huh?

0:32:46.600 --> 0:32:47.080
<v Speaker 2>Talk to me?

0:32:47.920 --> 0:32:51.920
<v Speaker 17>What's your tongue sticking out for? Okay, let's see what's

0:32:51.920 --> 0:32:54.920
<v Speaker 17>going on over here. I think kids are still putting

0:32:54.920 --> 0:32:57.080
<v Speaker 17>none there she's rugger.

0:32:57.440 --> 0:33:04.760
<v Speaker 2>Come here, come here boy. Okay, Hope, hope, Hope. Sit

0:33:05.840 --> 0:33:07.960
<v Speaker 2>there you go, bigger, lay down.

0:33:08.840 --> 0:33:09.000
<v Speaker 9>Sit.

0:33:09.840 --> 0:33:12.200
<v Speaker 17>It's too hot on the ground here. We must remember

0:33:12.280 --> 0:33:17.360
<v Speaker 17>we live in Arizona. He's going in this corner. Chad,

0:33:17.800 --> 0:33:20.960
<v Speaker 17>get that wagon going, boy, will you hit him out?

0:33:21.120 --> 0:33:21.800
<v Speaker 2>Hang on tight?

0:33:21.920 --> 0:33:23.480
<v Speaker 1>Brett Clip five.

0:33:23.520 --> 0:33:26.200
<v Speaker 2>Chad wan take pictures of his big muscles. Here he is,

0:33:26.560 --> 0:33:29.160
<v Speaker 2>and here's Brittan. Let's hear your big muscles. Bretton. Okay,

0:33:29.240 --> 0:33:32.760
<v Speaker 2>and Danielle. Where's your big muscles? Okay, everybody in their

0:33:32.760 --> 0:33:33.560
<v Speaker 2>big muscles?

0:33:33.800 --> 0:33:34.480
<v Speaker 1>Clip six.

0:33:34.840 --> 0:33:38.320
<v Speaker 14>Hey, Brittany, are you glad Chad and Danielle came down

0:33:38.360 --> 0:33:40.680
<v Speaker 14>to see you. Are you sad that they have to

0:33:40.680 --> 0:33:43.240
<v Speaker 14>go home today? Do you wish they could stay just

0:33:43.280 --> 0:33:46.880
<v Speaker 14>a little longer and play with you? Yeah? Would you

0:33:46.920 --> 0:33:49.920
<v Speaker 14>share your toys with them? He would if they could

0:33:49.920 --> 0:33:51.720
<v Speaker 14>stay longer, you'd share your toys with them.

0:33:52.640 --> 0:33:54.640
<v Speaker 2>I believe you. I believe you.

0:33:54.720 --> 0:33:55.400
<v Speaker 1>Clip seven.

0:33:55.640 --> 0:33:58.000
<v Speaker 17>Okay, Brittany, take a couple of steps this way, so

0:33:58.040 --> 0:34:00.560
<v Speaker 17>when I said go, you can come already, come this

0:34:00.600 --> 0:34:01.240
<v Speaker 17>way a little bit.

0:34:01.720 --> 0:34:05.720
<v Speaker 2>Walk this way, britt a little further. Keep comment, keep comment.

0:34:06.120 --> 0:34:08.000
<v Speaker 2>Okay right there, right there.

0:34:08.800 --> 0:34:11.279
<v Speaker 16>Okay, Brittany, you got you gonna have to run fast

0:34:11.320 --> 0:34:15.440
<v Speaker 16>to beat these two clouds. Okay, on your mark when

0:34:15.480 --> 0:34:19.200
<v Speaker 16>I say go, go, britt on your mark, Get set

0:34:19.520 --> 0:34:21.040
<v Speaker 16>go go bred.

0:34:22.040 --> 0:34:22.239
<v Speaker 17>Yeah.

0:34:24.640 --> 0:34:29.279
<v Speaker 1>That's it. The seven best clips, with everything cataloged. I

0:34:29.360 --> 0:34:33.080
<v Speaker 1>now turn to tech. I research AI voice cloning products.

0:34:33.320 --> 0:34:37.080
<v Speaker 1>We need something high quality, something professional, not a phone app.

0:34:37.480 --> 0:34:39.880
<v Speaker 1>It takes months, but we reached an agreement with a

0:34:39.920 --> 0:34:44.400
<v Speaker 1>company called Altered AI. Altered has worked on many major projects,

0:34:44.640 --> 0:34:48.000
<v Speaker 1>most of which it can't discuss because of non disclosure agreements.

0:34:48.280 --> 0:34:51.600
<v Speaker 1>One notable example is public though for the twenty twenty

0:34:51.600 --> 0:34:54.719
<v Speaker 1>three film Air, Altered recreated the voice of a young

0:34:54.760 --> 0:34:58.239
<v Speaker 1>Michael Jordan. We're lucky then to partner with them. Air

0:34:58.400 --> 0:35:01.840
<v Speaker 1>had a seventy to ninety million dollar budget, US not

0:35:01.960 --> 0:35:05.400
<v Speaker 1>so much. I chat my zoom with Altered CEO my

0:35:05.520 --> 0:35:09.080
<v Speaker 1>name is. I asked me, honest, what he thought when

0:35:09.080 --> 0:35:11.080
<v Speaker 1>he got our request creativity?

0:35:11.360 --> 0:35:13.719
<v Speaker 18>You give someone a spool, and you said, I just

0:35:13.760 --> 0:35:16.720
<v Speaker 18>gave him a spoon, and suddenly he starts sculpturing something.

0:35:16.800 --> 0:35:18.080
<v Speaker 6>Right, you see.

0:35:17.920 --> 0:35:22.719
<v Speaker 18>People using in a completely unpredictable ways. So very interesting

0:35:22.800 --> 0:35:25.560
<v Speaker 18>to see how people can use the tool to create

0:35:25.800 --> 0:35:28.160
<v Speaker 18>something completely new that may be a new form of heart.

0:35:28.280 --> 0:35:30.759
<v Speaker 1>That's fascinating that you say that, How do we rank

0:35:30.880 --> 0:35:34.280
<v Speaker 1>on the ranking of bizarre requests that you've received running

0:35:34.280 --> 0:35:34.840
<v Speaker 1>this company?

0:35:35.000 --> 0:35:37.319
<v Speaker 6>Like, I'm think people who have more bizarre like Like,

0:35:38.480 --> 0:35:41.440
<v Speaker 6>I think the best I've ever heard was something like

0:35:41.600 --> 0:35:47.200
<v Speaker 6>I want to be famous like my dad, so please

0:35:47.360 --> 0:35:48.600
<v Speaker 6>let me clane his voice.

0:35:48.600 --> 0:35:50.840
<v Speaker 11>I'm going to be famous like my dad. So I

0:35:50.880 --> 0:35:53.520
<v Speaker 11>don't know who whose child is.

0:35:53.760 --> 0:35:57.520
<v Speaker 6>No, Honestly, you're not but you are in the top

0:35:57.840 --> 0:35:59.640
<v Speaker 6>the top tail or something.

0:36:00.040 --> 0:36:02.800
<v Speaker 1>And altered all the audio we have of Robert Fisher,

0:36:03.080 --> 0:36:06.040
<v Speaker 1>the best grade and good clips eleven point five to

0:36:06.080 --> 0:36:08.920
<v Speaker 1>two minutes. They aren't sure if it's enough or of

0:36:08.960 --> 0:36:11.960
<v Speaker 1>sufficient quality to clone his voice, but they get to

0:36:12.000 --> 0:36:15.120
<v Speaker 1>work on a custom model. A few weeks later we

0:36:15.200 --> 0:36:17.880
<v Speaker 1>get an email success. What did you think when you

0:36:18.000 --> 0:36:19.160
<v Speaker 1>first heard it work?

0:36:19.880 --> 0:36:24.680
<v Speaker 18>I never heard a person of that level of let's

0:36:24.719 --> 0:36:26.360
<v Speaker 18>say evilness.

0:36:27.600 --> 0:36:29.840
<v Speaker 11>I don't know how to call it. You see movies

0:36:29.840 --> 0:36:34.080
<v Speaker 11>all the time about special characters and murderous characters, right,

0:36:34.200 --> 0:36:38.560
<v Speaker 11>You've seen some videos of Along Hitler or others stalling

0:36:38.640 --> 0:36:40.880
<v Speaker 11>who killed people in scores.

0:36:40.760 --> 0:36:42.839
<v Speaker 18>But that was in the leaders side.

0:36:42.960 --> 0:36:44.960
<v Speaker 11>We never heard people are like every day they were

0:36:45.040 --> 0:36:46.279
<v Speaker 11>hiding and killing them.

0:36:46.840 --> 0:36:50.839
<v Speaker 18>So kind of putting a voice to that personality made

0:36:50.920 --> 0:36:54.840
<v Speaker 18>me wonder about what personality traits does the voice convey?

0:36:55.000 --> 0:36:58.600
<v Speaker 11>Okay, stunt this guy? Would I by his voice being

0:36:58.719 --> 0:36:59.319
<v Speaker 11>able to.

0:36:59.320 --> 0:37:03.719
<v Speaker 18>Say, see this person might be dangerous if I let

0:37:03.800 --> 0:37:05.200
<v Speaker 18>my kids close to him?

0:37:05.719 --> 0:37:06.400
<v Speaker 3>For example?

0:37:06.440 --> 0:37:09.000
<v Speaker 1>What would you think if this voice project that we've

0:37:09.000 --> 0:37:10.880
<v Speaker 1>been doing. What would you think if this actually worked

0:37:10.880 --> 0:37:12.880
<v Speaker 1>and helped to catch him? That would be cool?

0:37:13.400 --> 0:37:17.200
<v Speaker 11>Way enough for him, and I will make the world

0:37:17.239 --> 0:37:17.839
<v Speaker 11>the better place.

0:37:17.920 --> 0:37:20.319
<v Speaker 1>I guess when we work with the visual artists the

0:37:20.360 --> 0:37:22.960
<v Speaker 1>forensic artists, one of the things that they tell us

0:37:23.000 --> 0:37:27.040
<v Speaker 1>about visual age progressed images, so taking the old photos

0:37:27.080 --> 0:37:29.400
<v Speaker 1>and updating them for what he would look like today

0:37:30.040 --> 0:37:34.160
<v Speaker 1>is their work is supposed to be representative, so it

0:37:34.200 --> 0:37:37.600
<v Speaker 1>doesn't necessarily mean that image they produce is going to

0:37:37.600 --> 0:37:41.319
<v Speaker 1>be exactly what he looks like. That their goal is

0:37:41.360 --> 0:37:45.879
<v Speaker 1>to trigger somebody's mind to say that looks familiar. So

0:37:45.960 --> 0:37:48.560
<v Speaker 1>instead of saying this is exactly what he looks like,

0:37:48.719 --> 0:37:52.760
<v Speaker 1>if you trigger somebody out there their mind familiarity, maybe

0:37:52.800 --> 0:37:55.720
<v Speaker 1>they will think for a second, think for a minute

0:37:55.760 --> 0:37:58.719
<v Speaker 1>that this person they know could match the person that

0:37:58.760 --> 0:38:01.759
<v Speaker 1>we are looking for. And it's interesting because in some

0:38:01.800 --> 0:38:05.320
<v Speaker 1>ways this is almost an audio version of that where

0:38:05.600 --> 0:38:09.040
<v Speaker 1>we are using. I was very impressed that Altered was

0:38:09.080 --> 0:38:10.759
<v Speaker 1>able to do what it was able to do with

0:38:10.880 --> 0:38:14.920
<v Speaker 1>limited source audio of questionable quality, which is not your

0:38:14.960 --> 0:38:17.560
<v Speaker 1>fault at all, and you still were able to successfully

0:38:17.600 --> 0:38:20.120
<v Speaker 1>pull this off. And I think even if it's not

0:38:20.280 --> 0:38:23.480
<v Speaker 1>exactly what he sounds like today, my hope would be

0:38:23.560 --> 0:38:26.680
<v Speaker 1>that somebody out there it kind of maybe jogs their

0:38:26.719 --> 0:38:29.640
<v Speaker 1>memory or their mind a little bit that they can say, well,

0:38:29.680 --> 0:38:32.520
<v Speaker 1>that kind of sounds like so and so, and then,

0:38:32.600 --> 0:38:35.120
<v Speaker 1>especially if you combine that with the work we're doing

0:38:35.120 --> 0:38:38.120
<v Speaker 1>with visual forensic artists, if you think, well, that kind

0:38:38.120 --> 0:38:40.480
<v Speaker 1>of looks like and that kind of sounds like that's

0:38:40.520 --> 0:38:43.560
<v Speaker 1>a whole different way of approaching this versus just the

0:38:43.680 --> 0:38:46.000
<v Speaker 1>visual aspect. So, as far as I know, this is

0:38:46.040 --> 0:38:48.440
<v Speaker 1>the first time this has ever been done. Here's how

0:38:48.440 --> 0:38:51.560
<v Speaker 1>it works. Alter set us up with their software. We

0:38:51.640 --> 0:38:54.960
<v Speaker 1>cast our producer Chris Brown as Robert Fisher, which is

0:38:55.000 --> 0:38:58.880
<v Speaker 1>amusing because Chris is a kind, gentle guy, certainly not

0:38:58.960 --> 0:39:02.800
<v Speaker 1>a family killer. I script what I want Chris, excuse

0:39:02.840 --> 0:39:06.439
<v Speaker 1>me Robert to say. We record his audio directly into

0:39:06.480 --> 0:39:10.040
<v Speaker 1>the altered AI studio, which is easy to use. I

0:39:10.120 --> 0:39:15.280
<v Speaker 1>press a button, Boom magic. Chris is now Robert Robert Chris.

0:39:15.800 --> 0:39:17.600
<v Speaker 1>Here are some samples before and after.

0:39:17.920 --> 0:39:20.960
<v Speaker 19>Hey everybody, Chris Brown here, I bet you're as surprised

0:39:21.000 --> 0:39:21.520
<v Speaker 19>as I am.

0:39:21.760 --> 0:39:24.840
<v Speaker 2>Hey everybody, Chris Brown here, I bet you're as surprised

0:39:24.840 --> 0:39:25.359
<v Speaker 2>as I am.

0:39:25.560 --> 0:39:28.200
<v Speaker 19>Don't worry, I'm not singing. I'll leave that for the

0:39:28.239 --> 0:39:29.200
<v Speaker 19>other Chris Brown.

0:39:29.440 --> 0:39:32.080
<v Speaker 2>Don't worry. I'm not singing. I'll leave that for the

0:39:32.120 --> 0:39:33.040
<v Speaker 2>other Chris Brown.

0:39:33.400 --> 0:39:36.880
<v Speaker 19>But enough about me. This is about me, Robert Fisher.

0:39:37.040 --> 0:39:40.480
<v Speaker 2>But enough about me. This is about me, Robert Fisher.

0:39:40.800 --> 0:39:43.720
<v Speaker 1>What you're gonna hear next is a fictional interview between

0:39:43.760 --> 0:39:47.000
<v Speaker 1>me and AI Robert. This is an experiment. There are

0:39:47.000 --> 0:39:51.080
<v Speaker 1>limitations if you hear Robert and think, man, that's not great.

0:39:51.360 --> 0:39:55.760
<v Speaker 1>Remember we had to overcome severe challenges, only eleven point

0:39:55.800 --> 0:39:59.200
<v Speaker 1>five to two minutes of source material from tapes filmed

0:39:59.239 --> 0:40:01.960
<v Speaker 1>in the eighties and n many of which survived an

0:40:01.960 --> 0:40:05.080
<v Speaker 1>explosion and a house fire. I'm saying this because I

0:40:05.120 --> 0:40:08.480
<v Speaker 1>don't want it to reflect negatively on alter ed AI's capabilities.

0:40:08.760 --> 0:40:11.040
<v Speaker 1>They did us a favor. They were able to help

0:40:11.120 --> 0:40:14.960
<v Speaker 1>us when many other companies couldn't or wouldn't. Pay attention

0:40:15.000 --> 0:40:17.799
<v Speaker 1>to the sound of Robert's voice. We weren't able to

0:40:17.840 --> 0:40:20.200
<v Speaker 1>age it, so it's closer to what it sounded like

0:40:20.239 --> 0:40:24.080
<v Speaker 1>at forty than today. But still, do you recognize it?

0:40:24.120 --> 0:40:25.560
<v Speaker 1>Does it match anyone you know?

0:40:26.400 --> 0:40:32.560
<v Speaker 5>Without further ado, mister Fisher, I presume, yep, that's me.

0:40:32.800 --> 0:40:34.120
<v Speaker 5>Do you understand what we're doing here?

0:40:34.400 --> 0:40:35.000
<v Speaker 2>Not really?

0:40:35.160 --> 0:40:37.040
<v Speaker 5>Well, apparently I'm interviewing you.

0:40:37.280 --> 0:40:38.800
<v Speaker 2>How I'm still missing?

0:40:39.000 --> 0:40:42.480
<v Speaker 5>Yeah? I know. We recreated your voice using AI why

0:40:42.840 --> 0:40:45.920
<v Speaker 5>to see if anyone recognizes it, to get publicity so

0:40:46.000 --> 0:40:48.560
<v Speaker 5>we can find you, and to conduct an experiment with

0:40:48.560 --> 0:40:49.719
<v Speaker 5>cutting edge technology.

0:40:49.960 --> 0:40:51.920
<v Speaker 2>So am I real? Yes?

0:40:52.120 --> 0:40:56.000
<v Speaker 5>And no? Is that ethical in this context? Yes, you're

0:40:56.080 --> 0:40:58.480
<v Speaker 5>unpredictable and dangerous. We have to find you.

0:40:58.640 --> 0:40:59.480
<v Speaker 2>This is a gimmick.

0:40:59.560 --> 0:41:01.400
<v Speaker 5>If that's what you want to call it. Fine, I

0:41:01.440 --> 0:41:03.960
<v Speaker 5>don't want to speak to you. Well tough, that's the

0:41:03.960 --> 0:41:06.239
<v Speaker 5>beauty of this. You are not in control. I am

0:41:06.360 --> 0:41:08.400
<v Speaker 5>What do you mean? I can make you say whatever

0:41:08.440 --> 0:41:08.799
<v Speaker 5>I want.

0:41:08.880 --> 0:41:10.360
<v Speaker 2>Oh, I'd like to see you try.

0:41:10.480 --> 0:41:10.960
<v Speaker 5>Okay.

0:41:11.239 --> 0:41:14.440
<v Speaker 2>My name is Robert Fisher. Police believe I killed my

0:41:14.520 --> 0:41:18.160
<v Speaker 2>wife and kids. I caused people extreme pain and made

0:41:18.160 --> 0:41:22.000
<v Speaker 2>it worse by disappearing. I'm a coward. See what gives

0:41:22.000 --> 0:41:23.880
<v Speaker 2>you the right to play god? I can ask you

0:41:23.920 --> 0:41:27.280
<v Speaker 2>the same thing, smart ass. Look, I get it. AI

0:41:27.440 --> 0:41:30.520
<v Speaker 2>is exciting but also dangerous. It can make us doubt

0:41:30.560 --> 0:41:33.080
<v Speaker 2>what's real and believe to be real what's not. That's

0:41:33.200 --> 0:41:35.239
<v Speaker 2>rich And you think I'm the bad guy?

0:41:35.400 --> 0:41:39.719
<v Speaker 5>Yep? I do you profit off people's pain? Pain you caused?

0:41:39.880 --> 0:41:41.400
<v Speaker 5>And no, I'm not in it for money.

0:41:41.520 --> 0:41:43.000
<v Speaker 2>I bet you want to be famous.

0:41:43.480 --> 0:41:45.880
<v Speaker 5>No, trust me. I like my privacy, well.

0:41:45.719 --> 0:41:48.040
<v Speaker 2>So do I. Why are you trying so hard to

0:41:48.080 --> 0:41:48.560
<v Speaker 2>find me?

0:41:48.760 --> 0:41:51.640
<v Speaker 5>Because this is a fascinating case. I want to solve it,

0:41:51.760 --> 0:41:54.440
<v Speaker 5>and because you hurt so many people, I want to

0:41:54.480 --> 0:41:55.000
<v Speaker 5>help them.

0:41:55.080 --> 0:41:57.799
<v Speaker 2>All right, come on, then ask me some real questions,

0:41:57.960 --> 0:42:01.200
<v Speaker 2>like what what everyone wants you to ask about? The murders,

0:42:01.360 --> 0:42:02.880
<v Speaker 2>the fire, my escape.

0:42:02.960 --> 0:42:04.239
<v Speaker 5>I wish I could go on.

0:42:04.360 --> 0:42:05.040
<v Speaker 2>Then do it.

0:42:05.239 --> 0:42:08.480
<v Speaker 5>No, Robert, unlike you, I have ethical limits. I have

0:42:08.520 --> 0:42:10.640
<v Speaker 5>to be careful here. But trust me, the minute they

0:42:10.719 --> 0:42:12.799
<v Speaker 5>drag your ass in, I'm happy to interview you.

0:42:13.000 --> 0:42:14.640
<v Speaker 2>Yeah, but why would I speak to you?

0:42:14.800 --> 0:42:16.960
<v Speaker 5>Because I'm trying to be fair. I'm trying to tell

0:42:17.000 --> 0:42:19.680
<v Speaker 5>the world who you really are, good and bad. I

0:42:19.760 --> 0:42:22.480
<v Speaker 5>didn't just call you a monster and play scary music

0:42:22.520 --> 0:42:25.800
<v Speaker 5>and move on. So Bill, am I you were Robert Fisher?

0:42:25.920 --> 0:42:26.440
<v Speaker 2>No, I'm not.

0:42:26.880 --> 0:42:27.560
<v Speaker 5>No, you're not.

0:42:27.800 --> 0:42:30.240
<v Speaker 2>You're right. I'm Chris Brown, a producer.

0:42:30.400 --> 0:42:32.080
<v Speaker 5>Yes you are, last time I checked.

0:42:32.200 --> 0:42:35.480
<v Speaker 2>No, I'm Robert again. Okay, John, Can I be honest?

0:42:35.640 --> 0:42:36.040
<v Speaker 5>I don't know.

0:42:36.239 --> 0:42:37.839
<v Speaker 2>Can you you're biased? Oh?

0:42:37.920 --> 0:42:41.120
<v Speaker 5>Yeah, I'm biased, all right? Biased against child killers?

0:42:41.280 --> 0:42:43.319
<v Speaker 2>Whatever? You're never gonna find me.

0:42:43.520 --> 0:42:46.799
<v Speaker 5>Well, then I hope you suffer until you surrender or die.

0:42:47.080 --> 0:42:49.840
<v Speaker 2>Boh, okay, real professional.

0:42:49.280 --> 0:42:50.839
<v Speaker 5>Don't you have any shame at all?

0:42:51.000 --> 0:42:53.000
<v Speaker 2>I think we're done here. Where's my lawyer?

0:42:53.040 --> 0:42:54.600
<v Speaker 5>Calm down, man, I'm not a cop.

0:42:54.719 --> 0:42:55.359
<v Speaker 2>I don't care.

0:42:55.560 --> 0:42:58.400
<v Speaker 5>What do you care about? Do you even believe in God?

0:42:58.719 --> 0:42:58.959
<v Speaker 2>Yes?

0:42:59.120 --> 0:42:59.480
<v Speaker 14>I do?

0:42:59.760 --> 0:43:02.040
<v Speaker 5>And you think what You're just gonna live life on

0:43:02.080 --> 0:43:04.160
<v Speaker 5>the lamb and then die and go to heaven after

0:43:04.200 --> 0:43:07.359
<v Speaker 5>what you did. Maybe that's not gonna happen. Okay, you've

0:43:07.360 --> 0:43:10.359
<v Speaker 5>got to know that. Surrender now. It's the only way

0:43:10.360 --> 0:43:11.839
<v Speaker 5>you can redeem yourself at all.

0:43:12.040 --> 0:43:14.960
<v Speaker 2>No, no, what, No, I'm not gonna surrender.

0:43:15.120 --> 0:43:17.400
<v Speaker 5>Fine, in that case, I'm taking control.

0:43:18.160 --> 0:43:20.680
<v Speaker 2>John is in control of my voice. He can make

0:43:20.719 --> 0:43:23.839
<v Speaker 2>me say anything. I can't speak for myself. And less

0:43:23.840 --> 0:43:27.000
<v Speaker 2>I surrender or the police find me, I will live

0:43:27.000 --> 0:43:29.720
<v Speaker 2>in fear for the rest of my life that someone

0:43:29.800 --> 0:43:32.760
<v Speaker 2>recognizes me. For that to happen, I need your help.

0:43:32.960 --> 0:43:36.520
<v Speaker 2>Put my face everywhere. Share the new wanted poster. Put

0:43:36.520 --> 0:43:41.120
<v Speaker 2>it all over social media, Send it to friends, family, coworkers, everyone.

0:43:41.320 --> 0:43:44.799
<v Speaker 2>If you're a celebrity, share my face. If you're an influencer,

0:43:44.920 --> 0:43:47.960
<v Speaker 2>share my face. If you're a billboard company, put out

0:43:48.000 --> 0:43:51.080
<v Speaker 2>my face. If you own movie theaters, air my face.

0:43:51.320 --> 0:43:54.240
<v Speaker 2>If you're a reporter, do a story, put my face.

0:43:54.320 --> 0:43:57.800
<v Speaker 2>Everywhere they've worked with John List. They found him after

0:43:57.840 --> 0:44:00.960
<v Speaker 2>eighteen years, So don't just let this episode and then

0:44:01.080 --> 0:44:03.400
<v Speaker 2>forget about it and move on. Go to knee on

0:44:03.480 --> 0:44:06.439
<v Speaker 2>thirty three dot com to download the new wanted.

0:44:06.160 --> 0:44:10.960
<v Speaker 1>Poster and share my face next time I'm missing in Arizona.

0:44:11.200 --> 0:44:12.960
<v Speaker 9>One thing I'm going to recommend is if you have

0:44:13.000 --> 0:44:15.640
<v Speaker 9>an identical twin brother, don't be a fugitive.

0:44:17.719 --> 0:44:20.120
<v Speaker 1>You can reach us by phone at one eight three

0:44:20.200 --> 0:44:24.000
<v Speaker 1>three new tips. That's one eight three three six three

0:44:24.120 --> 0:44:27.520
<v Speaker 1>nine eight four seven seven, by email at tips at

0:44:27.520 --> 0:44:32.440
<v Speaker 1>iHeartMedia dot com, tip s at iHeartMedia dot com, online

0:44:32.560 --> 0:44:35.480
<v Speaker 1>at meon thirty three dot com, or on Twitter at

0:44:35.560 --> 0:44:40.960
<v Speaker 1>John Wallzac, j O n W A. L. Czak. Paul

0:44:41.000 --> 0:44:44.719
<v Speaker 1>Duckan is our executive producer, Chris Brown is our supervising producer.

0:44:44.840 --> 0:44:48.360
<v Speaker 1>Hannah Rose Snyder is our producer. Paul Gemperlin is our researcher,

0:44:48.480 --> 0:44:51.120
<v Speaker 1>Ben Bowen is a consulting producer. And I'm your host

0:44:51.160 --> 0:44:55.160
<v Speaker 1>and executive producer. John Waalzac special thanks to Wayne Stallert

0:44:55.200 --> 0:44:58.520
<v Speaker 1>and Kashia Katziura, and a big thank you to altered Ai.

0:44:58.840 --> 0:45:02.640
<v Speaker 1>For more information, visit alter dot Ai. Also thank you

0:45:02.680 --> 0:45:06.000
<v Speaker 1>to Mike Constanty, the researcher we hire to access archive

0:45:06.080 --> 0:45:10.480
<v Speaker 1>naval records. Additional production support provided by Ben Hackett AI.

0:45:10.600 --> 0:45:13.719
<v Speaker 1>Robert Fischer voiced by Chris Brown, Navy Ports of Call

0:45:13.760 --> 0:45:17.280
<v Speaker 1>List voiced by Lauren Vogelbaum. Cover art by Pam Peacock,

0:45:17.520 --> 0:45:20.680
<v Speaker 1>Neon thirty three. Logo designed by Derek Rudy. Our intro

0:45:20.800 --> 0:45:24.120
<v Speaker 1>song is Utopia by Ruby Cube. Please download the first

0:45:24.120 --> 0:45:27.320
<v Speaker 1>two seasons of our show, Missing in Alaska and Missing

0:45:27.320 --> 0:45:29.920
<v Speaker 1>on nine to eleven, and if you're so inclined, give

0:45:30.000 --> 0:45:32.520
<v Speaker 1>us a five star rating. Missing in Arizona is a

0:45:32.560 --> 0:45:35.359
<v Speaker 1>co production of iHeartRadio and Neon thirty three