1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:09,520 --> 00:00:12,200 Speaker 2: Oh that's you. 3 00:00:17,239 --> 00:00:22,320 Speaker 1: I am all in again with Scott Patterson and iHeartRadio Podcast. 4 00:00:22,800 --> 00:00:25,240 Speaker 1: Hey everybody, Scott Patterson, I Am all in Podcast one 5 00:00:25,280 --> 00:00:30,880 Speaker 1: eleven Productions, iHeartRadio Media, iHeart Podcast very special guest with 6 00:00:30,960 --> 00:00:32,760 Speaker 1: us today. I'm gonna tell you about him. In a minute, 7 00:00:33,159 --> 00:00:36,760 Speaker 1: we are gonna break down Haunted Leg Season three, Episode two. 8 00:00:36,920 --> 00:00:40,800 Speaker 1: Mister moriy Dell himself is here, Ted Rooney, Ted, Hi, 9 00:00:40,920 --> 00:00:41,400 Speaker 1: how are you? 10 00:00:41,479 --> 00:00:45,519 Speaker 2: How are things doing great? Loving in the Northwest autumn? 11 00:00:46,360 --> 00:00:49,440 Speaker 1: It's beautiful right the leaves are turning and it is 12 00:00:49,560 --> 00:00:55,400 Speaker 1: Gilmore time for sure. Christopher has a heated discussion with Lorelei. 13 00:00:56,120 --> 00:01:02,440 Speaker 1: Emily intervenes, Franccene or Francie initiates a power struggle on 14 00:01:02,520 --> 00:01:05,720 Speaker 1: the student council. Meanwhile, Rory and Jess have it out 15 00:01:06,200 --> 00:01:11,440 Speaker 1: about their hurt feelings. Kirk asks someone out there's your 16 00:01:11,440 --> 00:01:15,160 Speaker 1: synopsis Directed by Chris Long, written by Amy Sherman Paladino. 17 00:01:16,120 --> 00:01:18,600 Speaker 1: Things are very awkward down between Emily and Laura I 18 00:01:18,920 --> 00:01:21,520 Speaker 1: Friday night dinner because she walked out if dropping the bomb. 19 00:01:21,560 --> 00:01:25,680 Speaker 1: Her and Christopher won't work out, and YadA, YadA, YadA, 20 00:01:25,959 --> 00:01:29,920 Speaker 1: All right, Ted all I meets up with her mother. 21 00:01:32,360 --> 00:01:34,840 Speaker 1: Right that goes against every rule in the Gilmour Survival 22 00:01:34,840 --> 00:01:37,960 Speaker 1: gud number one, no running with sister's number two, no 23 00:01:38,080 --> 00:01:41,600 Speaker 1: page boy haircuts, number three, never have lunch alone with 24 00:01:42,280 --> 00:01:44,600 Speaker 1: the mother. What do you think any rules for yourself 25 00:01:44,640 --> 00:01:45,800 Speaker 1: with family or in laws? 26 00:01:49,000 --> 00:01:52,280 Speaker 2: My rules is definitely meet them one on one. You 27 00:01:52,320 --> 00:01:54,920 Speaker 2: get my whole family in the room, and you get 28 00:01:55,120 --> 00:01:57,280 Speaker 2: you know, one phrase out at a time. I have 29 00:01:57,320 --> 00:02:00,520 Speaker 2: eight brothers and sisters and we're wow each other. We 30 00:02:00,960 --> 00:02:05,160 Speaker 2: have a talking over culture. Actually meeting one on one 31 00:02:05,280 --> 00:02:06,120 Speaker 2: is the best solution. 32 00:02:06,600 --> 00:02:11,720 Speaker 1: Right. Well, they have lunch at Luke's mom, mother and daughter. 33 00:02:12,320 --> 00:02:14,040 Speaker 1: She tells you to talk to Christopher. She thinks she 34 00:02:14,040 --> 00:02:17,720 Speaker 1: would be rather she he would rather be with her 35 00:02:17,880 --> 00:02:20,800 Speaker 1: and Rory than Shelley, And she thinks Shelley is trying 36 00:02:20,840 --> 00:02:25,040 Speaker 1: to trap Christopher and encourages her to call him. Larel 37 00:02:25,240 --> 00:02:29,359 Speaker 1: gets upset, Yeah, and she runs out. What is ted? 38 00:02:29,520 --> 00:02:31,960 Speaker 1: She continues to shame her own daughter for not wanting 39 00:02:31,960 --> 00:02:34,359 Speaker 1: to work it out with Christopher. After witnessing the fight 40 00:02:34,440 --> 00:02:37,639 Speaker 1: she switched aside. So is she finally seeing what Laurela 41 00:02:37,760 --> 00:02:42,720 Speaker 1: has been talking about this entire time? Read Christopher by. 42 00:02:42,600 --> 00:02:45,360 Speaker 2: The end of this episode, I think I think Emily 43 00:02:45,480 --> 00:02:48,919 Speaker 2: is seeing something. But right now at Luke Steiner when 44 00:02:48,960 --> 00:02:52,880 Speaker 2: she's having this talk which she says, Hey, we're just meeting. 45 00:02:52,960 --> 00:02:54,880 Speaker 2: I'm just meeting to hang out with you, there's no 46 00:02:55,000 --> 00:02:57,880 Speaker 2: way at the moment the conversation starts, it's right in 47 00:02:58,120 --> 00:03:03,000 Speaker 2: with Christopher and he thinks she's doing out of love right, 48 00:03:03,720 --> 00:03:07,520 Speaker 2: love right troll means love right right. 49 00:03:07,639 --> 00:03:10,600 Speaker 1: And now Laura and Rory are back at Friday night dinner. 50 00:03:10,680 --> 00:03:14,760 Speaker 1: Christopher storms in, asking to talk to Laura l I. 51 00:03:14,880 --> 00:03:17,960 Speaker 1: They get into a huge yelling match. Christopher says Rory 52 00:03:18,000 --> 00:03:23,840 Speaker 1: hasn't called back either. This is totally inappropriate for Christopher 53 00:03:23,840 --> 00:03:26,600 Speaker 1: to storm in like this, But we don't expect anything else, right, 54 00:03:26,639 --> 00:03:29,280 Speaker 1: Why is Christopher so desperate? 55 00:03:29,919 --> 00:03:32,920 Speaker 2: You know, he still loves her and he doesn't like 56 00:03:33,000 --> 00:03:36,600 Speaker 2: how things are. Life gets messy when you mess around, right, 57 00:03:37,200 --> 00:03:43,119 Speaker 2: and this girl's pregnant. He doesn't like how things are. 58 00:03:44,000 --> 00:03:47,400 Speaker 2: I want things to work out with everybody. 59 00:03:47,080 --> 00:03:50,360 Speaker 1: Right, right, And so that's statement when he said that, 60 00:03:50,720 --> 00:03:53,920 Speaker 1: I just I don't like how things are. No, he 61 00:03:54,040 --> 00:03:57,600 Speaker 1: sounded like a toddler, didn't He totally we boys, it 62 00:03:57,680 --> 00:04:02,600 Speaker 1: can be like boys. Sometimes yeah, but yeah, well, Rory 63 00:04:02,640 --> 00:04:07,040 Speaker 1: interrupts and she starts yelling at him that she hasn't 64 00:04:07,040 --> 00:04:10,840 Speaker 1: called him back because she doesn't want to, not anymore. 65 00:04:11,000 --> 00:04:14,440 Speaker 1: He promised her at the wedding that it was going 66 00:04:14,520 --> 00:04:17,080 Speaker 1: to work, and there then you got to deal with 67 00:04:17,120 --> 00:04:23,440 Speaker 1: this guy yet again. So Rory maybe finally sees Christopher 68 00:04:23,520 --> 00:04:28,080 Speaker 1: for who he really is. Should this ted? Should this 69 00:04:28,279 --> 00:04:30,640 Speaker 1: change her relationship with him? 70 00:04:31,160 --> 00:04:33,400 Speaker 2: Well, you know, at the end of the At the end, 71 00:04:33,800 --> 00:04:38,440 Speaker 2: uh Lorali talks about how you're gonna make up with 72 00:04:38,520 --> 00:04:41,360 Speaker 2: him eventually. See, it's a good mom seeing the big 73 00:04:41,400 --> 00:04:44,640 Speaker 2: picture instead of that right now. Yes, he sucks. Right now, 74 00:04:46,080 --> 00:04:48,960 Speaker 2: he's your dad and she's she's being a good mom. 75 00:04:49,000 --> 00:04:52,719 Speaker 2: She's not talking bad about him. He's being a jerk 76 00:04:52,920 --> 00:04:57,320 Speaker 2: and he doesn't understand what he's talking about. But eventually 77 00:04:57,760 --> 00:04:59,680 Speaker 2: I see that they're going to be friends, you know. 78 00:04:59,800 --> 00:05:02,560 Speaker 2: But for now she's being smart by shutting him out. 79 00:05:02,600 --> 00:05:04,880 Speaker 2: He's got to teach him a lesson. This is real life, man, 80 00:05:05,600 --> 00:05:07,119 Speaker 2: right all right? 81 00:05:07,320 --> 00:05:10,560 Speaker 1: Now we have Kirk asking Laurel I out on an 82 00:05:10,680 --> 00:05:17,000 Speaker 1: actual date. All right. This storyline obviously brought levity to 83 00:05:17,040 --> 00:05:22,800 Speaker 1: the episode. Did anyone did you ever think that's what 84 00:05:22,839 --> 00:05:25,320 Speaker 1: makes it funny. Yeah. 85 00:05:25,760 --> 00:05:30,599 Speaker 2: Uh, we love guys like Kirk. You know, we find 86 00:05:30,600 --> 00:05:32,919 Speaker 2: it so hard to ask a girl out that we like. 87 00:05:33,000 --> 00:05:36,840 Speaker 2: And along comes Kirk and just the cajones to ask 88 00:05:36,880 --> 00:05:41,240 Speaker 2: out like Mount everest of all, you know, date possibilities 89 00:05:41,720 --> 00:05:44,360 Speaker 2: and just deadpan like he always is. You know, I 90 00:05:44,480 --> 00:05:47,480 Speaker 2: think we're the most beautiful people I've ever you know, 91 00:05:47,480 --> 00:05:49,080 Speaker 2: known she said something. 92 00:05:48,880 --> 00:05:50,240 Speaker 1: Like that about her. 93 00:05:50,440 --> 00:05:52,880 Speaker 2: You got to you gotta love that, right, you love 94 00:05:52,920 --> 00:05:56,280 Speaker 2: it right? Well, you have no chance in help. 95 00:05:56,839 --> 00:05:59,880 Speaker 1: Luke is certainly having a good time teasing her about it. 96 00:06:00,080 --> 00:06:03,560 Speaker 1: You sell you, Yeah, wait for the big day and 97 00:06:03,640 --> 00:06:06,200 Speaker 1: all the whole thing. 98 00:06:10,560 --> 00:06:14,800 Speaker 2: No matter if I don't know if at you Luke 99 00:06:14,880 --> 00:06:20,320 Speaker 2: at this point have some thoughts about you know, dreams 100 00:06:20,440 --> 00:06:23,080 Speaker 2: or anything like that about a Laura I. But you 101 00:06:23,120 --> 00:06:25,120 Speaker 2: don't feel threatened by Kirk, that's for sure. 102 00:06:25,480 --> 00:06:28,320 Speaker 1: Well, yeah, if he did, that would be very odd, 103 00:06:28,360 --> 00:06:33,840 Speaker 1: wouldn't it. Yeah, Yeah, that would be very odd. We 104 00:06:33,920 --> 00:06:36,880 Speaker 1: would take him out of the running for her heart. 105 00:06:37,000 --> 00:06:40,000 Speaker 1: I would say those sweep steaks would be over for Luke. 106 00:06:40,520 --> 00:06:43,320 Speaker 1: Luke tells Laurai he convinced Kirk to ask her out, 107 00:06:43,360 --> 00:06:46,960 Speaker 1: and continues to tease her ted, would you go out 108 00:06:46,960 --> 00:06:49,680 Speaker 1: with someone just because they asked you out knowing how 109 00:06:49,720 --> 00:06:52,800 Speaker 1: hard it is as a as a as a fella. 110 00:06:53,279 --> 00:06:56,599 Speaker 2: That's there's two kinds of people, right, the ones that 111 00:06:56,720 --> 00:07:00,320 Speaker 2: just say yeah, no way, sorry, not going out, and 112 00:07:00,360 --> 00:07:03,480 Speaker 2: the ones are like, well, you know, okay, and but 113 00:07:03,520 --> 00:07:07,360 Speaker 2: they know it's not right. I think I waiver depending 114 00:07:07,400 --> 00:07:10,520 Speaker 2: on how much confidence I have between one or the other. 115 00:07:10,640 --> 00:07:12,400 Speaker 2: Do you know what I'm saying? I mean, I can 116 00:07:12,440 --> 00:07:15,560 Speaker 2: do either. I can I can bend over backwards and 117 00:07:15,680 --> 00:07:19,040 Speaker 2: make something happen. It just wasn't right right right, Well, 118 00:07:19,240 --> 00:07:21,080 Speaker 2: I can put my foot down sometimes when I'm feeling 119 00:07:21,120 --> 00:07:22,240 Speaker 2: good about who I am. 120 00:07:22,440 --> 00:07:27,240 Speaker 1: Right right, Well, laurl I conveniently runs into Kirk in 121 00:07:27,280 --> 00:07:31,520 Speaker 1: front of Luke's after the debacle with Christopher and she 122 00:07:31,680 --> 00:07:34,600 Speaker 1: tells him she can't go out with him. He takes 123 00:07:34,600 --> 00:07:37,680 Speaker 1: it well. I thought she was extraordinarily polite and kind 124 00:07:37,800 --> 00:07:40,520 Speaker 1: about it. I mean, she says, you know, I like 125 00:07:40,600 --> 00:07:45,119 Speaker 1: you and I don't want to hurt you, and yeah, 126 00:07:45,160 --> 00:07:47,520 Speaker 1: have you ever had And I already know the answer 127 00:07:47,600 --> 00:07:51,600 Speaker 1: the question, because we all have as men and former boys. 128 00:07:51,880 --> 00:07:54,160 Speaker 1: Have you ever had in at least I asked a 129 00:07:54,240 --> 00:07:54,960 Speaker 1: moment like. 130 00:07:55,320 --> 00:07:59,040 Speaker 2: That's a good question. And again, two camps of people 131 00:07:59,040 --> 00:08:01,480 Speaker 2: are the ones that are have no fear about asking 132 00:08:01,960 --> 00:08:06,440 Speaker 2: and the ones that it's a big deal. For one time, 133 00:08:06,800 --> 00:08:09,760 Speaker 2: I can say one time I walked up with this 134 00:08:09,800 --> 00:08:14,960 Speaker 2: woman in LA when I was shopping for plants. Actually, 135 00:08:15,200 --> 00:08:18,000 Speaker 2: I walked up to her, and then I walked past 136 00:08:18,000 --> 00:08:19,800 Speaker 2: her and I walked to my car and I sat 137 00:08:19,880 --> 00:08:21,680 Speaker 2: there for five minutes. I got out of my car 138 00:08:21,800 --> 00:08:24,320 Speaker 2: back and went back into the store and said, hey, 139 00:08:24,960 --> 00:08:27,240 Speaker 2: I just wanted to say this is awkward, but I 140 00:08:27,280 --> 00:08:29,680 Speaker 2: thought you're kind of cool looking and I'd love to 141 00:08:29,680 --> 00:08:30,600 Speaker 2: go out to coffee. 142 00:08:30,720 --> 00:08:33,080 Speaker 1: I did it. What you say? 143 00:08:33,480 --> 00:08:34,880 Speaker 2: She said, you know, I got a boyfriend. 144 00:08:38,600 --> 00:08:40,240 Speaker 1: That's a good well, that's a good way. You know, 145 00:08:40,360 --> 00:08:42,640 Speaker 1: that's a good way to say it, right, I did it. 146 00:08:43,040 --> 00:08:47,480 Speaker 2: Yeah, my heart was pounding. Oh, Ted, you got to 147 00:08:47,520 --> 00:08:49,400 Speaker 2: be the man, You got to step up to the plate. 148 00:08:49,640 --> 00:08:51,720 Speaker 2: This is I'm learning that. I was learning that in 149 00:08:51,760 --> 00:08:56,040 Speaker 2: my forties. But oh, the woman who I eventually married, 150 00:08:56,080 --> 00:08:58,120 Speaker 2: I also then put it out there. 151 00:08:58,320 --> 00:09:05,200 Speaker 1: So yeah, I approached a girl of DMV once since 152 00:09:05,200 --> 00:09:07,439 Speaker 1: she saw me comment and she turned and she just 153 00:09:07,520 --> 00:09:10,760 Speaker 1: like hit me with a face full of shotgun shells 154 00:09:11,880 --> 00:09:14,680 Speaker 1: out of my have been face. I just I didn't 155 00:09:14,679 --> 00:09:18,680 Speaker 1: even get a word out. I just did a U turn. 156 00:09:18,800 --> 00:09:21,080 Speaker 1: Like everybody in the DMV stared at me, and I 157 00:09:21,120 --> 00:09:22,840 Speaker 1: just did a U turn and walked right out the door. 158 00:09:24,200 --> 00:09:26,000 Speaker 2: Never asked your gard in a DMV. 159 00:09:26,800 --> 00:09:31,119 Speaker 1: Well I learned that day. Yeah, I didn't know that, 160 00:09:31,160 --> 00:09:36,440 Speaker 1: but every time I passed the DMV. Now I shut 161 00:09:36,440 --> 00:09:41,320 Speaker 1: her all right, now, Rory on the student council, this 162 00:09:41,400 --> 00:09:44,560 Speaker 1: is getting interesting. Things are getting really political at children. 163 00:09:44,880 --> 00:09:47,880 Speaker 1: Rory gets sworn in for student Council. They have their 164 00:09:47,880 --> 00:09:51,040 Speaker 1: first meeting, but Paris doesn't allow anyone to talk. There 165 00:09:51,080 --> 00:09:55,000 Speaker 1: are no ideas being exchanged. It's just Paris dominating. Rory 166 00:09:55,040 --> 00:09:57,480 Speaker 1: points us out. Supposed to get to know everybody at 167 00:09:57,520 --> 00:10:02,120 Speaker 1: the meeting, but nobody did that. Francene threatens Rory over 168 00:10:02,160 --> 00:10:04,920 Speaker 1: Paris's behavior and tells her, since she is the head 169 00:10:04,960 --> 00:10:07,360 Speaker 1: of the Puffs and the most powerful organization at Chiltern, 170 00:10:07,840 --> 00:10:10,600 Speaker 1: she'll make her life a living hell if Rory doesn't 171 00:10:10,640 --> 00:10:15,600 Speaker 1: play the politics of this, because Francene wants things done 172 00:10:16,520 --> 00:10:19,880 Speaker 1: on the student council. Uh, all right, so they're getting political. 173 00:10:20,800 --> 00:10:23,000 Speaker 1: Whose side do you take Francine or Paris Head. 174 00:10:23,400 --> 00:10:28,400 Speaker 2: Well who loves politics, but it's got you gotta do 175 00:10:28,440 --> 00:10:30,439 Speaker 2: what you gotta do, you know what I'm saying, you 176 00:10:31,360 --> 00:10:34,400 Speaker 2: gotta do. And so Rory gets it talking to and 177 00:10:34,520 --> 00:10:40,000 Speaker 2: she she plays politics and the Inmlene goes up. Yeah, yeah, 178 00:10:40,720 --> 00:10:43,800 Speaker 2: so you gotta do it, you gotta, you gotta grease palms, 179 00:10:43,920 --> 00:10:46,120 Speaker 2: make friends. 180 00:10:46,280 --> 00:10:48,560 Speaker 1: That's like, do we expect anything else from Paris? Is 181 00:10:48,559 --> 00:10:52,360 Speaker 1: she too overbearing and controlling her? Is this an endearing 182 00:10:52,440 --> 00:10:54,280 Speaker 1: quality of hers? What do you think? 183 00:10:54,400 --> 00:10:56,679 Speaker 2: Well, that's the way the writing is tricky because we 184 00:10:57,160 --> 00:11:00,360 Speaker 2: grow to like Paris in spite of her, you know, 185 00:11:00,559 --> 00:11:05,559 Speaker 2: obstinates and note all this and all that stuff. Yeah, 186 00:11:05,640 --> 00:11:08,079 Speaker 2: it takes all kinds of people, right. 187 00:11:08,520 --> 00:11:11,200 Speaker 1: Right, Yeah, I really I like that scene in the 188 00:11:11,200 --> 00:11:14,800 Speaker 1: bathroom and she's getting she's getting to talking to from 189 00:11:14,920 --> 00:11:19,559 Speaker 1: Saw with the shakedown, Rory shakedown. It's funny. 190 00:11:19,920 --> 00:11:22,120 Speaker 2: That was a great little speech that Redhead did. 191 00:11:22,360 --> 00:11:26,839 Speaker 1: Yeah she's good, right, Yeah, she nailed that. She really 192 00:11:26,880 --> 00:11:28,800 Speaker 1: owned that part. I wish that was a bigger role. 193 00:11:28,880 --> 00:11:32,880 Speaker 1: That's something I would have enjoyed seeing, you know, on 194 00:11:32,200 --> 00:11:46,559 Speaker 1: a on a regular basis. Those puffs. Yeah. See, now 195 00:11:46,600 --> 00:11:52,120 Speaker 1: we have Rory and Lorelei are backing stars hollow. All right, 196 00:11:53,440 --> 00:11:59,640 Speaker 1: Rory runs into Jests at Josie's Market, and you know, 197 00:12:00,080 --> 00:12:03,800 Speaker 1: it seems like the chemistry is still there. Do you 198 00:12:03,840 --> 00:12:06,840 Speaker 1: think there are they both denying their feelings for each 199 00:12:06,880 --> 00:12:10,280 Speaker 1: other still And why would Jess take such a chance like. 200 00:12:10,280 --> 00:12:15,760 Speaker 2: That too by you know, confronting, Yeah. 201 00:12:15,559 --> 00:12:18,120 Speaker 1: I mean he really kind of got in her face. 202 00:12:18,679 --> 00:12:21,280 Speaker 2: Oh yeah, Well I think this is like the reverse 203 00:12:21,440 --> 00:12:27,200 Speaker 2: of the other scene between Christopher and Lurlai. Lor and 204 00:12:27,280 --> 00:12:30,480 Speaker 2: Rory set him straight about this is the way things are, 205 00:12:31,120 --> 00:12:34,080 Speaker 2: and Jess is like, what are you talking about? You 206 00:12:34,280 --> 00:12:37,480 Speaker 2: are with somebody. I am with somebody. You know, it 207 00:12:37,480 --> 00:12:40,760 Speaker 2: doesn't mean that just clearly doesn't. He does have feelings 208 00:12:40,800 --> 00:12:44,960 Speaker 2: for Rory, but this this game playing, or this weird 209 00:12:45,120 --> 00:12:47,600 Speaker 2: kind of you know, I'm jealous or angry. I mean, 210 00:12:47,600 --> 00:12:50,200 Speaker 2: it's like you didn't write me, you didn't communicate with me. 211 00:12:50,840 --> 00:12:53,959 Speaker 2: You have a boyfriend, I have a girlfriend the way 212 00:12:54,000 --> 00:12:57,520 Speaker 2: this is the way things are. Rory doesn't like the 213 00:12:57,559 --> 00:13:00,560 Speaker 2: way things are. She would say, okay, can eat it too, right. 214 00:13:00,440 --> 00:13:05,200 Speaker 1: There you go, there you go, good observation. You think 215 00:13:05,760 --> 00:13:09,000 Speaker 1: Jess was justified and listing all of that, right, in 216 00:13:09,040 --> 00:13:12,600 Speaker 1: front of her face. I mean, she was being a 217 00:13:12,640 --> 00:13:14,600 Speaker 1: little bit disagreeable, there wasn't she. 218 00:13:16,120 --> 00:13:18,440 Speaker 2: I don't know those episodes and how true what he 219 00:13:18,520 --> 00:13:20,480 Speaker 2: said was. But if it's true, then it's. 220 00:13:20,360 --> 00:13:22,480 Speaker 1: True, you know, right, right, right right? 221 00:13:22,840 --> 00:13:26,679 Speaker 2: What is he supposed to do with that information? You know? Obviously, 222 00:13:27,000 --> 00:13:29,600 Speaker 2: you know, he's free to do what he wants, and 223 00:13:29,920 --> 00:13:31,240 Speaker 2: they didn't do it. 224 00:13:31,240 --> 00:13:33,680 Speaker 1: But that's but that's a real risk he was taking 225 00:13:33,800 --> 00:13:37,000 Speaker 1: losing her in that wh you know what I mean, 226 00:13:37,200 --> 00:13:41,520 Speaker 1: like really sort of confronting her in that way, in 227 00:13:41,559 --> 00:13:45,160 Speaker 1: such a firm way with the truth, you know, and 228 00:13:45,559 --> 00:13:48,760 Speaker 1: you know, throwing it back in her face. And you know, 229 00:13:48,880 --> 00:13:51,360 Speaker 1: people don't like that. They do not like to be 230 00:13:51,400 --> 00:13:53,520 Speaker 1: spoken to that way. They don't like to be called 231 00:13:53,559 --> 00:13:56,080 Speaker 1: out in that way in a public you know, in 232 00:13:56,120 --> 00:13:57,480 Speaker 1: a in a grocery store. 233 00:13:57,880 --> 00:14:00,320 Speaker 2: But I mean, it's the hard even. 234 00:14:00,200 --> 00:14:03,120 Speaker 1: If she was asking for it, you know, wow, I 235 00:14:03,120 --> 00:14:05,200 Speaker 1: mean he really just unloaded on it, right. 236 00:14:05,920 --> 00:14:07,560 Speaker 2: I think That's why I AerR on the side of 237 00:14:07,600 --> 00:14:10,960 Speaker 2: being a nice guy sometimes and I admire people that 238 00:14:11,040 --> 00:14:13,960 Speaker 2: can do that in love to set the record straight 239 00:14:14,200 --> 00:14:18,120 Speaker 2: and now you see their relationship is right, you're dating someone. 240 00:14:18,280 --> 00:14:20,880 Speaker 2: Now they can be friends. They can they can communicate 241 00:14:20,920 --> 00:14:24,000 Speaker 2: with each other without that weird hm. So I feel 242 00:14:24,000 --> 00:14:28,360 Speaker 2: like he's rebooting their relationship. And in the long run, 243 00:14:28,560 --> 00:14:31,320 Speaker 2: you know, people break up and then you have that 244 00:14:31,440 --> 00:14:34,400 Speaker 2: main you've maintained that integrity in the relationship. So I 245 00:14:34,520 --> 00:14:37,480 Speaker 2: really admire the honesty. As much as it's hard for 246 00:14:37,520 --> 00:14:39,880 Speaker 2: me to say things like that to a person, I 247 00:14:39,920 --> 00:14:42,640 Speaker 2: don't know that what you don't seem to like it, 248 00:14:42,680 --> 00:14:43,680 Speaker 2: tell me why, I. 249 00:14:43,560 --> 00:14:46,280 Speaker 1: Say it just shows how arrogant he is. 250 00:14:47,080 --> 00:14:49,720 Speaker 2: Oh, you find it to be arrogant. 251 00:14:49,800 --> 00:14:53,479 Speaker 1: I found that to be extremely arrogant, and not somebody 252 00:14:53,520 --> 00:14:56,600 Speaker 1: who loved her. I just wanted to play games with 253 00:14:56,760 --> 00:14:59,760 Speaker 1: her to gain a psychological advantage, which that kind of 254 00:15:00,440 --> 00:15:03,880 Speaker 1: a tongue lashing is going to get you. It'll get 255 00:15:03,920 --> 00:15:06,880 Speaker 1: you the upper hand, it will free you from this 256 00:15:07,000 --> 00:15:10,800 Speaker 1: burden of feeling this way all the time. I think 257 00:15:10,800 --> 00:15:12,800 Speaker 1: it was almost a way of freeing him from the 258 00:15:13,080 --> 00:15:17,520 Speaker 1: from his feelings for Rory. Interesting, you know, and because man, 259 00:15:17,560 --> 00:15:20,680 Speaker 1: once you unload like that, there's a very big risk 260 00:15:20,800 --> 00:15:25,040 Speaker 1: that she's just gonna walk and the door is closing, 261 00:15:25,200 --> 00:15:27,320 Speaker 1: you know. That was that was a door slam. 262 00:15:27,680 --> 00:15:30,760 Speaker 2: So did you think he's dating that Marilyn Moreau in 263 00:15:30,880 --> 00:15:34,240 Speaker 2: order to just make Rory jealous because he was making 264 00:15:34,280 --> 00:15:35,600 Speaker 2: out in front of her and everything. 265 00:15:35,880 --> 00:15:38,240 Speaker 1: I think it's a fine line, yes and no. I 266 00:15:38,240 --> 00:15:40,040 Speaker 1: think it's a really fine line. I just thought he 267 00:15:40,080 --> 00:15:41,160 Speaker 1: went over the top with it. 268 00:15:41,200 --> 00:15:42,200 Speaker 2: That's interesting. 269 00:15:42,560 --> 00:15:46,240 Speaker 1: Yeah, you know, I don't know he's I guess he's 270 00:15:46,240 --> 00:15:49,800 Speaker 1: that guy, right, Yeah, he's that guy he is. 271 00:15:50,080 --> 00:15:53,240 Speaker 2: Yeah. So you're are you basically not a fan of 272 00:15:53,320 --> 00:15:58,480 Speaker 2: Jesse Jess and you've never been, or you just don't 273 00:15:58,840 --> 00:15:59,960 Speaker 2: you don't find him to be a. 274 00:16:00,360 --> 00:16:07,560 Speaker 1: Integrity Yes, and yes, it's it's interesting. What's the word 275 00:16:07,600 --> 00:16:12,240 Speaker 1: I'm looking for. He's just so damn full of himself. 276 00:16:12,000 --> 00:16:12,200 Speaker 3: You know. 277 00:16:13,040 --> 00:16:17,120 Speaker 1: And I get it. I get why, right, he's over 278 00:16:17,160 --> 00:16:20,840 Speaker 1: compensating on so many levels. He's got some great qualities though, 279 00:16:20,920 --> 00:16:23,400 Speaker 1: you know, he's got some great qualities, and he is 280 00:16:23,520 --> 00:16:26,320 Speaker 1: blood and all that, but boy, he's just so full 281 00:16:26,360 --> 00:16:30,560 Speaker 1: of himself. Real risk there, anyway. We can debate that 282 00:16:30,640 --> 00:16:32,640 Speaker 1: till the cows come home. But I just think somebody 283 00:16:32,680 --> 00:16:35,760 Speaker 1: who's in love and really wants to move forward with 284 00:16:35,800 --> 00:16:39,400 Speaker 1: a relationship, and maybe I'm asking somebody who's you know, 285 00:16:39,520 --> 00:16:41,840 Speaker 1: sixteen or seventeen to be a lot more mature than 286 00:16:41,840 --> 00:16:46,520 Speaker 1: they possibly could be. But wow, that was But I 287 00:16:46,520 --> 00:16:49,000 Speaker 1: guess that's that's a sign of youth, right. They're just 288 00:16:49,120 --> 00:16:53,200 Speaker 1: reckless with each other. Everything's reckless. But wow, if it's 289 00:16:53,200 --> 00:16:55,640 Speaker 1: supposed to be such a special relationship, it's supposed to 290 00:16:55,680 --> 00:16:59,280 Speaker 1: be so you know, written in the stars as they 291 00:16:59,280 --> 00:17:02,920 Speaker 1: both wanted to. Then you know, of course that is 292 00:17:02,960 --> 00:17:06,600 Speaker 1: not how you would behave in my opinion. Anyway, Ted, 293 00:17:06,640 --> 00:17:08,399 Speaker 1: tell us about what you're doing now, what's going on 294 00:17:08,480 --> 00:17:09,120 Speaker 1: in your life? 295 00:17:10,119 --> 00:17:12,240 Speaker 2: Well, I think I mentioned before. I'm in charge of 296 00:17:12,240 --> 00:17:16,040 Speaker 2: a small theater in town twenty one to ten in Portland, Oregon, 297 00:17:16,480 --> 00:17:21,199 Speaker 2: and we're on our fourth season now, and we have 298 00:17:21,280 --> 00:17:23,840 Speaker 2: a play coming up at the first of the month, 299 00:17:23,920 --> 00:17:26,880 Speaker 2: Madonna of the Cat its original play by a local playwright, 300 00:17:26,920 --> 00:17:30,119 Speaker 2: Siue mac and it takes place within the world of 301 00:17:30,200 --> 00:17:34,439 Speaker 2: Winter's Tale, so it's fanciful and it's outdoor mostly and fun. 302 00:17:35,160 --> 00:17:38,440 Speaker 2: Our big ambition is to try to squeeze the huge 303 00:17:38,520 --> 00:17:41,080 Speaker 2: musical Man of La Mancha in our forty seat house 304 00:17:41,600 --> 00:17:44,280 Speaker 2: in May. So we're going to inpect you that and 305 00:17:44,680 --> 00:17:46,800 Speaker 2: that'll be my chance to get on stage again. And 306 00:17:47,840 --> 00:17:52,280 Speaker 2: don Quixote currently I'm in the big theater in Portland. 307 00:17:52,280 --> 00:17:55,200 Speaker 2: We have one regional theater in Portland, Portland Center Stage, 308 00:17:55,720 --> 00:17:58,119 Speaker 2: and we have two more weeks in the run of 309 00:17:58,440 --> 00:18:01,399 Speaker 2: Primary Trust, which is the first play of the season 310 00:18:01,440 --> 00:18:03,920 Speaker 2: at portm Center Stage. And so I'm on the big 311 00:18:03,920 --> 00:18:10,600 Speaker 2: stage using my training, supporting and shouting to the you know, twentieth, thirtieth, fortieth. 312 00:18:10,280 --> 00:18:13,320 Speaker 1: Row nice, great, great stuff, great. 313 00:18:13,080 --> 00:18:16,080 Speaker 2: Stuff, Gillmore gans out there, Gilmore fans out there, can 314 00:18:16,119 --> 00:18:17,000 Speaker 2: you come see the show? 315 00:18:17,720 --> 00:18:22,600 Speaker 1: Absolutely? And speaking of that, what's your experience been, like 316 00:18:22,680 --> 00:18:25,720 Speaker 1: twenty five year anniversary at Gilmore Girls or people approaching 317 00:18:25,760 --> 00:18:28,879 Speaker 1: you or people wanting to talk about it. Are you 318 00:18:29,000 --> 00:18:32,520 Speaker 1: noticing that there's this sort of ground swell of fandom 319 00:18:32,600 --> 00:18:36,520 Speaker 1: and never stopped growing. Yeah, it doesn't. It doesn't stop growing. 320 00:18:36,800 --> 00:18:37,600 Speaker 1: It's incredible. 321 00:18:38,080 --> 00:18:41,040 Speaker 2: The next generation kicks in, The next generation kicks in. 322 00:18:41,280 --> 00:18:44,320 Speaker 2: You know, I'm waiting for my daughter to have a 323 00:18:44,359 --> 00:18:46,439 Speaker 2: girl so that we can all three watch it together. 324 00:18:46,720 --> 00:18:50,640 Speaker 1: Oh, that'd be beautiful, amazing. 325 00:18:50,720 --> 00:18:53,400 Speaker 2: There's a there's an event up here in southern Washington 326 00:18:53,440 --> 00:18:55,399 Speaker 2: that I've been invited to because there's a group of 327 00:18:55,400 --> 00:18:58,040 Speaker 2: fans up there that you know, having me come up 328 00:18:58,760 --> 00:18:59,920 Speaker 2: right it's crazy. 329 00:19:00,160 --> 00:19:03,080 Speaker 1: Yeah, these are cropping up all over the United States. Yeah, 330 00:19:03,119 --> 00:19:06,199 Speaker 1: I mean there's literally thousands of these festivals going on, 331 00:19:06,280 --> 00:19:12,040 Speaker 1: these celebrations, town takeovers, people converting their diners. It's it's amazing. 332 00:19:12,840 --> 00:19:15,160 Speaker 1: I mean, my assistant tracks all this stuff. She didn't 333 00:19:15,240 --> 00:19:17,040 Speaker 1: used to look for it very hard. It's like there's 334 00:19:17,160 --> 00:19:20,760 Speaker 1: thousands of them, and we're getting all kinds of invitations 335 00:19:20,800 --> 00:19:22,439 Speaker 1: to show up and if you happen to be in 336 00:19:22,480 --> 00:19:27,160 Speaker 1: the area and we'd like to bring in incredible this 337 00:19:27,160 --> 00:19:32,600 Speaker 1: this fandom is celebrating like like like it's just fantastic. 338 00:19:32,760 --> 00:19:35,359 Speaker 2: We're gonna have a theater. I advented the theater just 339 00:19:35,400 --> 00:19:38,120 Speaker 2: to take you know, take advantage of it draws people 340 00:19:38,160 --> 00:19:40,840 Speaker 2: into the theater that haven't been into it. So we'll 341 00:19:40,880 --> 00:19:49,560 Speaker 2: definitely do that. But yeah, it's it's insane and I 342 00:19:49,680 --> 00:19:51,360 Speaker 2: was gonna say something I forgot, so we just cut 343 00:19:51,359 --> 00:19:51,880 Speaker 2: that part out. 344 00:19:53,560 --> 00:19:57,400 Speaker 1: It's insane. Ted appreciate you coming on, love spending time. 345 00:19:57,560 --> 00:19:59,920 Speaker 1: They will see you soon, hopefully one. 346 00:20:00,000 --> 00:20:02,480 Speaker 2: Once again, we did this out of order. Last time 347 00:20:02,480 --> 00:20:04,320 Speaker 2: we went right in order down the episode. 348 00:20:04,400 --> 00:20:06,520 Speaker 1: It is second time around. You got to change it up, man. 349 00:20:06,560 --> 00:20:08,199 Speaker 2: Oh, I see right out change it up. 350 00:20:08,240 --> 00:20:10,840 Speaker 1: Okay, cool expeck to fastball, you throw, you take, you 351 00:20:10,880 --> 00:20:12,680 Speaker 1: take about ten miles an hour off it and change 352 00:20:12,680 --> 00:20:13,120 Speaker 1: it up. Man. 353 00:20:13,400 --> 00:20:17,040 Speaker 2: Yeah, thanks for I mean, I watched the episode. I've 354 00:20:17,040 --> 00:20:20,600 Speaker 2: watched more since the season, you know, the show got 355 00:20:20,840 --> 00:20:23,840 Speaker 2: went off the air than when it was on. And 356 00:20:24,359 --> 00:20:26,199 Speaker 2: but I start to get a little hooked. And this 357 00:20:26,480 --> 00:20:30,359 Speaker 2: one in particular, it is an emotional episode that Christopher 358 00:20:30,520 --> 00:20:33,240 Speaker 2: and Laurel I had. It's like, this is real life 359 00:20:33,240 --> 00:20:36,080 Speaker 2: stuff and I'm starting to get kind of pulled into 360 00:20:36,080 --> 00:20:40,399 Speaker 2: the Gilmore magic and the whole thing. The acting again, 361 00:20:40,600 --> 00:20:43,840 Speaker 2: it's just I never see a weak moment. 362 00:20:46,119 --> 00:20:49,120 Speaker 1: Hi, buddy, be well, Good luck with the play. Thanks Scott, 363 00:20:49,160 --> 00:20:53,520 Speaker 1: we'll talk soon, and thanks for coming. I remember best 364 00:20:53,520 --> 00:20:55,800 Speaker 1: fans on the planet. Keep those cards and letters coming, 365 00:20:56,320 --> 00:20:58,959 Speaker 1: and remember where you lead, we will follow. 366 00:20:59,000 --> 00:21:29,840 Speaker 3: Stay safe, everyone, everybody'll forget. 367 00:21:29,920 --> 00:21:33,960 Speaker 1: Follow us on Instagram at I Am all In podcast 368 00:21:34,040 --> 00:21:47,080 Speaker 1: and email us at Gilmore at iHeartRadio dot com.