WEBVTT - Ep6 | Mole Lair

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<v Speaker 1>Introquest created by Michael Freiberg, a production of iHeartRadio and

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<v Speaker 1>Astro Media. Listen with headphones for three D audio. The

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<v Speaker 1>mo Layer should be right here under the baobab tree,

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<v Speaker 1>fifty pieces south of the stone faced bowlders, sixty degrees

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<v Speaker 1>from the shadow nest the dunes. There aligns the tree

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<v Speaker 1>of life or the molayer looms. That's what the map says,

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<v Speaker 1>right logo technically, but are we sure this is the

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<v Speaker 1>right tree? Logo? Look around? This is the only tree

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<v Speaker 1>and the only sign of life within a hundred miles.

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<v Speaker 1>So where is it? It is a rather massive tree.

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<v Speaker 1>It must be ancient. The Molaire should be here. Are

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<v Speaker 1>we lost? Serious? So hungry? Serious need food? We're not

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<v Speaker 1>lost either. We're just experiencing temporary navigational delays. Now if

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<v Speaker 1>you give me a moment to recalculate our position on

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<v Speaker 1>the map, Serious as track mole air We recover satellite

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<v Speaker 1>dish already and now eat. Sure we needs coordinates and

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<v Speaker 1>directions when you have growls and grunts to guide you.

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<v Speaker 1>Maybe if Serious didn't smear the map with his grubby

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<v Speaker 1>paws when he stole it, we wouldn't be in this predicament. Now,

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<v Speaker 1>only reason we have map at all is because of

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<v Speaker 1>serious grubby paws. So we are lost. The sun's gonna

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<v Speaker 1>be setting soon. If we don't figure this out, there'll

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<v Speaker 1>be no shadow left to guide us. You would both

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<v Speaker 1>just quiet down and give me space to concentrate. I'll

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<v Speaker 1>have this figured out before you get Yeah, logo, no,

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<v Speaker 1>have good instinct lead us lost. Now we become food

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<v Speaker 1>for scavengers and starving desert sands. Oh serious, what did

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<v Speaker 1>you do? Serious? Tantrum caused the ground to give way.

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<v Speaker 1>We appear to have fallen into an underground dirt chamber.

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<v Speaker 1>No signs of mole life down here, however, we're surrounded

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<v Speaker 1>by eggs as big as cyclops. High oversized eggs stacked

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<v Speaker 1>in the shape of a pyramid. Curious, isn't it? See? Follow? Serious?

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<v Speaker 1>He's like king m serious weight. I don't think these

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<v Speaker 1>eggs are for eating. This must be a hats Oh

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<v Speaker 1>we've found the mole layer all right. I didn't know

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<v Speaker 1>moles came from eggs. You have a lot to learn. Serious.

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<v Speaker 1>The baby mole thinks hereous father a serious papa. No,

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<v Speaker 1>it's so thinking fleshy rather unsightly. An appearance if you

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<v Speaker 1>asked me, and what's it doing? Now? Looks like it's

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<v Speaker 1>digging arms for serious? Serious, don't eat that. Ah, thank you.

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<v Speaker 1>I call you Dicky because you serious. This specimen, while intriguing,

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<v Speaker 1>is nothing more than a liability with a potential to

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<v Speaker 1>undermine our efforts in recovering the satellite dish. We're ill

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<v Speaker 1>prepared to care for any event, let alone run from

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<v Speaker 1>a species we know nothing about. I know your reckless

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<v Speaker 1>behavior may have led us to the molaire, but I'm

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<v Speaker 1>sorry a line must be drawn. Continued disregard for proper

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<v Speaker 1>protocol will not be tolerated. Any further engagement with that

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<v Speaker 1>creature not only puts our current objective at risk, it

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<v Speaker 1>jeopardizes the entire missions logo. I had no idea, though,

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<v Speaker 1>I have to say the resemblance is uncanny. Congratulations, Mom,

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<v Speaker 1>Now can you two stop playing house so we can

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<v Speaker 1>go find the satellite dish? Come on, there's an exit

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<v Speaker 1>out of the chamber this way and serious Logo's right.

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<v Speaker 1>Leave it behind. Serious, say farewell to the baby mole.

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<v Speaker 1>This is an official mission we're on with direct order

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<v Speaker 1>from the agency. Dudley, you have good instinct, like Papa.

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<v Speaker 1>What's serious on mission. You stay here, Oh giant tunnel

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<v Speaker 1>like baby, It's absolutely breath take. I've never seen anything

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<v Speaker 1>like it before. One big labyrinth of interconnected tunnels and chambers,

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<v Speaker 1>illuminated by lantern fire. Quite spectacular. The tree's roots seem

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<v Speaker 1>to extend all throughout the lairs main corridors. They appear

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<v Speaker 1>to be vibrating of carrying signals. Watch out loose rock

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<v Speaker 1>ah Moly roll Moly exquisite. Despite being quadruplets, the moles

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<v Speaker 1>epidermal left allows them to support their bodies into spheres

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<v Speaker 1>for rolling transport, a more efficient form of locomotion. This

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<v Speaker 1>whole enterprise is truly an engineering marble, each moble operating

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<v Speaker 1>individual dick scaptin rolling, fulfilling their own unique niche, yet

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<v Speaker 1>all the while functioning as the building blocks for a

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<v Speaker 1>larger ordered, unified complex. All a masterpiece at work. And

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<v Speaker 1>look the more mature moles, even of plush brown hair,

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<v Speaker 1>a welcome change from the eyes, or that's a flesh

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<v Speaker 1>chalk like appearance of their youth. They look like junk

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<v Speaker 1>collectors to me, are you saying the moles are smart?

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<v Speaker 1>I'm only theorizing up here, but yes, we're likely in

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<v Speaker 1>the profressence of a highly sophisticated, ultra intelligent advanced society, Grace,

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<v Speaker 1>But we're not here on a science expedition. Maybe one

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<v Speaker 1>of them can tell us where to find the satellite dish.

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<v Speaker 1>What about O sound good observation? Serious? This um makes

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<v Speaker 1>for a rather exotic acoustic ecology. The moles appear to

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<v Speaker 1>mimic the sound, harmonizing to form the grand droning melody

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<v Speaker 1>echoing throughout the corridors. But as for its purpose, I

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<v Speaker 1>can't get drunk conclusion without gathering more data learning to

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<v Speaker 1>the topic of our mission, the whole reason we're down here.

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<v Speaker 1>The satellite dish can be in any one of these chambers.

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<v Speaker 1>We can't possibly search them all. We need a plang Serious,

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<v Speaker 1>what is that thing doing here? I told you to

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<v Speaker 1>leave it behind the hatchery? Serious? No Greek Diggley, diggle

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<v Speaker 1>it mallow, fine, whatever, but it's a liability to our mission.

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<v Speaker 1>There might be a way to use diggley as a

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<v Speaker 1>bargaining chip to get the most help us. Now, come on,

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<v Speaker 1>and no more distractions from either of you. Roll right

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<v Speaker 1>into us a watch roll moll almost higgle either? Serious?

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<v Speaker 1>A little respect for our friend here where guests in

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<v Speaker 1>its home hardened us mole. We didn't mean to intrude

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<v Speaker 1>upon your work. We were just on an intersecting pet.

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<v Speaker 1>Please carry on with your civic mold duties. Serious restrain

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<v Speaker 1>that mold. It's not join anywhere until we find out

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<v Speaker 1>what it knows. Settle down. We need you to answer

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<v Speaker 1>a few questions before we let you go. You're here

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<v Speaker 1>to retrieve something called a satellite dish logo. Please describe

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<v Speaker 1>it to our friend. Here's a large, round, concave piece

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<v Speaker 1>of metal used to receive and transmit signals. This one

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<v Speaker 1>happens to be white and shiny. Maybe you've seen it

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<v Speaker 1>and mistaken it for a communal water bowl, or perhaps

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<v Speaker 1>and it doesn't matter. It's of no value to you molds.

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<v Speaker 1>We've been hired to recover it for our employer, the

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<v Speaker 1>rightful owner. It's among the dug up garbage around here.

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<v Speaker 1>Where can we find it? Logo? You said these things

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<v Speaker 1>are smart? Is it just playing dum on purpose? Maybe

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<v Speaker 1>this one's only a worker mole. Excuse me? Do you

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<v Speaker 1>have a superior or is there someone of higher authority

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<v Speaker 1>to whom we may address our inquiries. I take it back.

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<v Speaker 1>Either at the individual level, these most clearly lack the

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<v Speaker 1>capacity for higher level thought. There must be some kind

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<v Speaker 1>of smarter super mole that's orchestrating all this from behind

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<v Speaker 1>the zines. Serious, release the mole. Get out of here,

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<v Speaker 1>your rascal. You're already shoot roll away while you still

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<v Speaker 1>can no yelling. Scared, Diket you don't it? Okay, pop

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<v Speaker 1>the deep you safe from me? What do they do?

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<v Speaker 1>Deeply sensitive to Tom, I can't be. I'll scout ahead,

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<v Speaker 1>see it. How do you make it stop? I apologize

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<v Speaker 1>to Diggley face to face. Can't you just like shush

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<v Speaker 1>it or something? Okay, Okay, I'm doing it. I'm here, Diggley, Diggly,

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<v Speaker 1>I'm sorry if you're raising my voice. You stopped crying

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<v Speaker 1>now either? Uck you like your shiny hand reeling? Who

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<v Speaker 1>Maybe Diggley try it on, you know, taking it off

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<v Speaker 1>as a bad idea, but look, you stopped crying. I

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<v Speaker 1>scot it a chamber. I'm ahead. It might be worth

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<v Speaker 1>investigating on our way o. No. Judging by the sounds

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<v Speaker 1>coming from inside of this chamber, I think it's best

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<v Speaker 1>we skip going in. I'm trying to listen on Deickly,

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<v Speaker 1>No listen poison Deeply's ears change what I don't get

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<v Speaker 1>it either, But where are you all? Change of plants?

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<v Speaker 1>If there's actually a smarter mole in charge, I bet

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<v Speaker 1>it knows the location of our satellite dish? How do

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<v Speaker 1>you plan on finding it by heading straight to the

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<v Speaker 1>source of the elm I have a feeling that behind

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<v Speaker 1>the sound will find the mole who knows where our

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<v Speaker 1>satellite dish is. You hear that the elms sound is

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<v Speaker 1>getting deeper and more resonant in this direction. The tree

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<v Speaker 1>route seemed to be getting thicker as well, which must

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<v Speaker 1>mean we're getting closer to the tree's trunk. What is

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<v Speaker 1>that that thing that mold mole side boulder? Yeah, and

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<v Speaker 1>it happens to be blocking our entries to the chamber

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<v Speaker 1>where the almost coming from. That male looks like it

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<v Speaker 1>eats other males. Ether, I suggest we find an alternate

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<v Speaker 1>route for a biggly sick logo kind of look like

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<v Speaker 1>a mall with squid eyes? I do, I do kind

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<v Speaker 1>of look like a mall series. Do you have any

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<v Speaker 1>more of those worms you ate here? Either? You're hungry,

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<v Speaker 1>just ask and thanks? But they're not for me. Hey,

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<v Speaker 1>big boy, got something for you, dinner boy? You want

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<v Speaker 1>those worms. Go get those worms. You like those worms,

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<v Speaker 1>don't you? Yeah, you don't get those worms. How did

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<v Speaker 1>you know that would work? Oh? No, like tasty worms. Now,

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<v Speaker 1>before we enter the ome chamber, know that once inside,

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<v Speaker 1>things might go south. Quick a moment to stead yourselves

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<v Speaker 1>and brace for the worst. Serious and deadly grip me too.

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<v Speaker 1>All right, we're about to pull back the veil and

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<v Speaker 1>be behind the curtain. Oh what that source of home?

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<v Speaker 1>There's the satellite dish. What do we make of this?

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<v Speaker 1>An elderly, gray haired moule is projecting its voice directly

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<v Speaker 1>into our satellite dish to create the home sound. I've

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<v Speaker 1>been done trying to make sense of things since you

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<v Speaker 1>and Serious became parents to a baby moul. Let's just

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<v Speaker 1>grab the dish and get out either. Wait, satellite dish

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<v Speaker 1>look important, mole. Serious is right. The dish is suspended

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<v Speaker 1>like a gong in the center of a wooden frame apparatus,

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<v Speaker 1>bound together with tree roots. It appears to be some

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<v Speaker 1>sort of shrine. I don't think she'll just let us

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<v Speaker 1>have it, and we'll have to take it by force,

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<v Speaker 1>you elder mole. Listen, My partners and I have traveled

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<v Speaker 1>halfway through the Azrael desert to get here. That device

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<v Speaker 1>you're coming into the circular piece, it belongs to our employer.

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<v Speaker 1>So you have two choices. Give it to us willingly

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<v Speaker 1>and we'll go in peace, or resist and we'll take

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<v Speaker 1>it by force. So what's it gonna be? Oh, she

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<v Speaker 1>don't care. Just humble home, mam. If you don't respond,

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<v Speaker 1>your choice will be made for you either. She must

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<v Speaker 1>be in a state of deep trance. So this is

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<v Speaker 1>clearly part of some ancient whole ritual. She's using our

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<v Speaker 1>satellite dish to meditate. There's no use shouting. She can't

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<v Speaker 1>hear a thing. Fine, by me, serious, get the dish,

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<v Speaker 1>a serious go, I'll watch digley ah ah, be careful

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<v Speaker 1>taking it down with the frame. The whole setup was

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<v Speaker 1>very fragile. Weaver, who are you? Why are you doing

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<v Speaker 1>in the shrine chamber? How did you get that bother?

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<v Speaker 1>You've come for our oil out tider? How haven't you are?

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<v Speaker 1>Haven't you either? Either? All? Wake up? More of you?

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<v Speaker 1>Oh and you'll take it one of our newborns hunted?

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<v Speaker 1>Oh please please, I think you don't defile the shrine.

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<v Speaker 1>You can have the oil. What the shrine must remain

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<v Speaker 1>in chat We didn't come for your oil. Your shrine

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<v Speaker 1>is our satellite dish, and we're here to take it back.

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<v Speaker 1>You don't understand. If you dismantle it, you'll destroy how

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<v Speaker 1>divine all have settled an irreversible shame reaction when we're

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<v Speaker 1>leading to our colonies demise ether. Maybe there's some way

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<v Speaker 1>to compromise. Grab it serious, grab the satellite dish. It's

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<v Speaker 1>the only way serious. I told you to be careful.

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<v Speaker 1>The Agency's not gonna be happy about this. Sorry logo, right,

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<v Speaker 1>a serious grub your clock unleashed, play our colony, but

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<v Speaker 1>you kill those either. This sounds bad and Diggley's crying again.

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<v Speaker 1>Stopped crying. Look at the shiny amulet like that, like

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<v Speaker 1>the shy. Now, you two, come on, we have our

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<v Speaker 1>own problems to worry about. Help me pick up the

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<v Speaker 1>broken pieces of the satellite dish. How about the damage.

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<v Speaker 1>From a precursory assessment, it appears to be a clean break,

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<v Speaker 1>fractured into three even pieces. Fortunately it looks like a salvage. However,

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<v Speaker 1>I won't know if there's any structural damage until I've

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<v Speaker 1>got the chance to perform an in depth examination. Let's

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<v Speaker 1>each take a piece of the dish and head out

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<v Speaker 1>of here. We're back above ground. We can figure out

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<v Speaker 1>how to piece it back together like new. Everyone got

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<v Speaker 1>their third of the satellite dish. Yes, mine's safely secure

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<v Speaker 1>to my pack, serious strap to back. I'll hold on

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<v Speaker 1>to my piece for now. Let's go. Ether Mall's going

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<v Speaker 1>to be okay, Sure they will. They take care of

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<v Speaker 1>their own, just like we do. Already we've caused enough

0:17:53.440 --> 0:17:56.719
<v Speaker 1>trouble and left us and ruin. At least give us

0:17:56.760 --> 0:18:01.719
<v Speaker 1>the dignity of dying in peace. Ether doesn't feel right. Oh,

0:18:01.720 --> 0:18:05.160
<v Speaker 1>come on, if we stop for every crying over dramatic Mall,

0:18:05.240 --> 0:18:08.040
<v Speaker 1>we'd never have made it past the hatchery chamber. We're

0:18:08.040 --> 0:18:10.520
<v Speaker 1>the ones with a broken satellite dish. We have to

0:18:10.560 --> 0:18:19.879
<v Speaker 1>help ourselves. And Diggley who helped Diggley. I'm sorry. There's

0:18:19.880 --> 0:18:21.680
<v Speaker 1>just no way we can care for a baby Mall

0:18:21.800 --> 0:18:26.040
<v Speaker 1>right now, you can drop them off at the hatchery

0:18:26.040 --> 0:18:27.760
<v Speaker 1>on our way out. It's the best we can do.

0:18:28.359 --> 0:18:32.800
<v Speaker 1>Grab Diggley and come on, relief. A little one doesn't

0:18:32.880 --> 0:18:37.760
<v Speaker 1>matter unless the divine ome is restored. No Mall has

0:18:37.800 --> 0:18:44.360
<v Speaker 1>a future down here, all all right? Go on, tell

0:18:44.480 --> 0:18:48.439
<v Speaker 1>us what's so special about the home sound, which useless

0:18:48.520 --> 0:18:53.080
<v Speaker 1>trying to explain to an outsider. Besides, I cannot tell

0:18:53.119 --> 0:18:56.080
<v Speaker 1>you what home is any more than I can tell

0:18:56.080 --> 0:19:01.160
<v Speaker 1>you what it means to be yourself. Oh please please

0:19:01.600 --> 0:19:08.520
<v Speaker 1>tell We want help a very well. Then, Ome is

0:19:08.600 --> 0:19:13.080
<v Speaker 1>more than a sound. It is a path to a

0:19:13.160 --> 0:19:18.880
<v Speaker 1>deeper understanding of the true nature of the universe. Now

0:19:18.880 --> 0:19:22.880
<v Speaker 1>we hear it in the divine harmony of the spheres,

0:19:23.480 --> 0:19:28.000
<v Speaker 1>the resonance of the cosmos, the life force which echoes

0:19:28.040 --> 0:19:32.840
<v Speaker 1>through the souls of every living being. OM is the

0:19:32.920 --> 0:19:39.560
<v Speaker 1>natural frequency at which all energy flows. But why is

0:19:39.600 --> 0:19:44.080
<v Speaker 1>am so important to you most Why surely you've noticed

0:19:44.119 --> 0:19:48.199
<v Speaker 1>the lanterns and our home. Just as we use oil

0:19:48.320 --> 0:19:53.800
<v Speaker 1>to illuminate our tunnels, we use home to illuminate our minds.

0:19:54.440 --> 0:19:59.240
<v Speaker 1>Through Ome, we unite our consciousness into one. You unite

0:19:59.280 --> 0:20:02.359
<v Speaker 1>your consciousness. I knew it. Each mole is like a

0:20:02.480 --> 0:20:08.160
<v Speaker 1>node operating in a giant neural network. Precisely, our colony

0:20:08.240 --> 0:20:14.440
<v Speaker 1>has evolved as a shared consciousness, experiencing a singular existence,

0:20:14.880 --> 0:20:19.760
<v Speaker 1>living for one collective purpose. Now all things are one,

0:20:20.320 --> 0:20:24.919
<v Speaker 1>a Ome, unite all things. To be in sync with

0:20:25.080 --> 0:20:29.320
<v Speaker 1>Home is to we in sync with the universe. Why

0:20:29.359 --> 0:20:34.359
<v Speaker 1>do you need our satellite dish? You mean the singing bowl?

0:20:34.720 --> 0:20:37.240
<v Speaker 1>Sure right? Isn't it just another piece of junk? You

0:20:37.480 --> 0:20:43.240
<v Speaker 1>Moll's dug up. The singing bowl is an ancient Moull relic,

0:20:43.840 --> 0:20:49.600
<v Speaker 1>our oldest artifact. It is the conduit for channeling home

0:20:55.160 --> 0:21:01.520
<v Speaker 1>the diviners. Singing bawl possesses an ethereal sense and resonates

0:21:01.520 --> 0:21:05.320
<v Speaker 1>at Owen's natural frequency. You know, when a conductor Moll

0:21:05.440 --> 0:21:10.760
<v Speaker 1>like myself, focuses their energy into the shrine, the ball

0:21:11.000 --> 0:21:15.720
<v Speaker 1>absorbs and amplifies the force, which is then channeled through

0:21:15.800 --> 0:21:20.440
<v Speaker 1>the tree roots in our tunnels and chambers, allowing OH

0:21:20.920 --> 0:21:25.719
<v Speaker 1>to radiate throughout the colony. Now, this energy, when harnessed

0:21:25.760 --> 0:21:29.600
<v Speaker 1>through the ball, unite the consciousness of each mole into

0:21:29.640 --> 0:21:35.560
<v Speaker 1>one connected universal mind. Without the ball to keep our

0:21:35.640 --> 0:21:39.400
<v Speaker 1>colony in seek with Home, the harmony between the moles

0:21:39.560 --> 0:21:45.280
<v Speaker 1>will fade into the chaos of darkness. How come gray

0:21:45.280 --> 0:21:48.359
<v Speaker 1>hair Moll can talk of like not roly poly mall

0:21:48.440 --> 0:21:54.440
<v Speaker 1>in tunnel Because as I said, I am a conductor mall.

0:21:54.920 --> 0:22:02.040
<v Speaker 1>I've studied the common tongue. A conductor is a mole

0:22:02.160 --> 0:22:07.960
<v Speaker 1>gifted with superior spirituality and mind. For this conductor soults

0:22:08.119 --> 0:22:11.400
<v Speaker 1>are said to be naturally in tune with the universe,

0:22:11.640 --> 0:22:15.520
<v Speaker 1>which gives us a heightened sense of intuition, a sixth

0:22:15.520 --> 0:22:21.280
<v Speaker 1>sense beyond ordinary perception. Admittedly, my sense is done with age.

0:22:21.560 --> 0:22:24.879
<v Speaker 1>How many conductor malls are there? You're looking at him

0:22:25.520 --> 0:22:29.119
<v Speaker 1>around Every sixty years, a new conductor mall is said

0:22:29.119 --> 0:22:32.640
<v Speaker 1>to be born and is then trained as a master

0:22:33.000 --> 0:22:36.040
<v Speaker 1>in the ways of home, to one day relieve the

0:22:36.119 --> 0:22:39.800
<v Speaker 1>prior conductor of her duties and take the helm At

0:22:39.840 --> 0:22:45.600
<v Speaker 1>the shrine chamber's singing boll our colony is actually overdue

0:22:45.880 --> 0:22:50.440
<v Speaker 1>for a new birth. Nevertheless, midway through a conductor's training,

0:22:50.760 --> 0:22:54.800
<v Speaker 1>the apprentice leaves the colony unsabbatical and for a short

0:22:54.880 --> 0:22:59.560
<v Speaker 1>while enters the outside world to acquire knowledge and learn

0:22:59.680 --> 0:23:02.760
<v Speaker 1>the common time. So you've experienced life on the outside.

0:23:03.040 --> 0:23:05.600
<v Speaker 1>I may be a very old mole, but from what

0:23:05.680 --> 0:23:08.440
<v Speaker 1>I remember of the outside world, it is a cruel

0:23:08.680 --> 0:23:14.440
<v Speaker 1>and unforgiving place. Not true good exists. They're true during

0:23:14.480 --> 0:23:16.480
<v Speaker 1>our journey. If we come across another bowl with the

0:23:16.520 --> 0:23:18.560
<v Speaker 1>same home frequency, we'll be sure to send it back

0:23:18.600 --> 0:23:23.159
<v Speaker 1>to you. Yeah right, yeah, an empty gesture. There simply

0:23:23.240 --> 0:23:28.040
<v Speaker 1>isn't time, not enough time. What do you mean. Do

0:23:28.119 --> 0:23:31.240
<v Speaker 1>you see my drinking bowl? You notice it empty? Big

0:23:31.320 --> 0:23:36.600
<v Speaker 1>empty glass bowl. And unfortunately there's past year has been

0:23:36.600 --> 0:23:40.720
<v Speaker 1>the greatest drought in our colony's history since the first birth.

0:23:41.240 --> 0:23:45.240
<v Speaker 1>As we've grown physically weaker, so too have the mental

0:23:45.280 --> 0:23:50.200
<v Speaker 1>bonds uniting our colony. Now soon, one by one, each

0:23:50.280 --> 0:23:53.520
<v Speaker 1>mole will fall out of sync with Ome, and our

0:23:53.600 --> 0:23:57.920
<v Speaker 1>divine sound will fade, with nothing left to preserve our

0:23:58.040 --> 0:24:03.200
<v Speaker 1>delicate equilibrium. The drone of madness will spread through our

0:24:03.240 --> 0:24:08.879
<v Speaker 1>home and the darkness will once again return. That was

0:24:08.920 --> 0:24:11.240
<v Speaker 1>never our intention. There has to be a way we

0:24:11.240 --> 0:24:15.720
<v Speaker 1>can help now. I wish there was, outsider. But once

0:24:15.760 --> 0:24:20.119
<v Speaker 1>the last mole has turned dark, our tree will die,

0:24:20.359 --> 0:24:24.400
<v Speaker 1>and all hope of restoring the balance will die with it.

0:24:24.880 --> 0:24:28.439
<v Speaker 1>For our colony, there will be no coming back to

0:24:28.520 --> 0:24:32.280
<v Speaker 1>the light. Serious logo. If what the conductor says it's true,

0:24:32.280 --> 0:24:34.119
<v Speaker 1>we need to leave right now before things take a

0:24:34.160 --> 0:24:39.280
<v Speaker 1>turn for the worse. Agreed for the sake of the mission.

0:24:40.400 --> 0:24:48.520
<v Speaker 1>Ah ah, go then leave my chamber. The exit from

0:24:48.520 --> 0:24:53.119
<v Speaker 1>our colony is through the tree tree. The tree's trunk

0:24:53.280 --> 0:24:57.600
<v Speaker 1>is hollow, insider wooden stairs. Presumably that is how you

0:24:57.840 --> 0:25:00.679
<v Speaker 1>entered near the top. There is a hole in the

0:25:00.720 --> 0:25:03.760
<v Speaker 1>trunk from which you may exit to return to the

0:25:03.840 --> 0:25:08.119
<v Speaker 1>outside world. Where do we enter the trunk through the

0:25:08.160 --> 0:25:12.760
<v Speaker 1>base one level directly above this chamber. Now please leave

0:25:12.880 --> 0:25:21.600
<v Speaker 1>me me we're going ah serious, now leave giggly behind. Sorry, serious,

0:25:21.640 --> 0:25:24.400
<v Speaker 1>but he's not our responsibility. As I said, we'll return

0:25:24.520 --> 0:25:26.640
<v Speaker 1>him back to the hatchery where we found him. It's

0:25:26.680 --> 0:25:50.000
<v Speaker 1>for the best. Ah no, oh no, The buzzing to

0:25:50.119 --> 0:25:53.040
<v Speaker 1>break down of the omen has begun. The sound of

0:25:53.160 --> 0:25:56.680
<v Speaker 1>males turn to furious even how we find our way

0:25:56.680 --> 0:26:01.000
<v Speaker 1>to the base of the tree trunks? Um, all roots

0:26:01.080 --> 0:26:03.159
<v Speaker 1>lead to the tree trunk. After we stop at the hatchery,

0:26:03.200 --> 0:26:04.920
<v Speaker 1>we can follow this tree room. We should be able

0:26:04.960 --> 0:26:06.159
<v Speaker 1>to track it all the way to the base of

0:26:06.160 --> 0:26:08.000
<v Speaker 1>the tree. From there, we'll go up and exit through

0:26:08.040 --> 0:26:11.240
<v Speaker 1>the hole in the tree's trunk. Like the conductor said, now,

0:26:11.280 --> 0:26:23.280
<v Speaker 1>come on this way right, keep up? Are you okay? Yeah?

0:26:23.680 --> 0:26:27.880
<v Speaker 1>That grace wolf came in newhere. What are they doing?

0:26:28.920 --> 0:26:34.919
<v Speaker 1>Moster and violent fight? Old grammy? Oh lud, let's go.

0:26:35.160 --> 0:26:46.560
<v Speaker 1>The hatchery is just up ahead. Serious, I'm gonna need

0:26:46.600 --> 0:26:48.160
<v Speaker 1>you to know that, as bad as it may seem,

0:26:48.160 --> 0:26:50.720
<v Speaker 1>returning bigly to this hatchery is the right thing to do.

0:26:51.240 --> 0:26:53.439
<v Speaker 1>He's better off down here with his own kind than

0:26:53.560 --> 0:26:56.160
<v Speaker 1>outside in the harsh desert. Stands with us. The desert's

0:26:56.200 --> 0:27:00.280
<v Speaker 1>no place for a baby moll and the conductor. The

0:27:00.320 --> 0:27:02.800
<v Speaker 1>colony has been in darkness without hom in the past.

0:27:02.920 --> 0:27:04.760
<v Speaker 1>If they came out of it once before, they can

0:27:04.760 --> 0:27:08.520
<v Speaker 1>find a way out again. Logo and I will wait

0:27:08.520 --> 0:27:10.479
<v Speaker 1>in the main passage way so you can say goodbye

0:27:10.480 --> 0:27:17.160
<v Speaker 1>to Diggley. Logo coming. I'll be right there either, Diggley.

0:27:17.280 --> 0:27:19.199
<v Speaker 1>I have to be quick, and I'm afraid I'm not

0:27:19.240 --> 0:27:22.560
<v Speaker 1>always so eloquent with words. Although our time together has

0:27:22.600 --> 0:27:24.719
<v Speaker 1>been breathed, I want you to know that I consider

0:27:24.760 --> 0:27:28.480
<v Speaker 1>you a very special mole. Take care now, Diggley. I

0:27:28.640 --> 0:27:51.240
<v Speaker 1>must be going. Logo coming either, Ah Deglee good agree,

0:27:55.960 --> 0:28:02.680
<v Speaker 1>deadly serious, have to leave now, but be strong more

0:28:02.800 --> 0:28:10.880
<v Speaker 1>brothers and and sisters need you strong more, Conductor, need

0:28:10.960 --> 0:28:34.000
<v Speaker 1>you strong? Serious serious, need you strong? Oh Diggli Diiggli serious?

0:28:34.040 --> 0:28:35.720
<v Speaker 1>What are you still doing with Diggley? I thought we

0:28:35.800 --> 0:28:41.720
<v Speaker 1>came to an understanding Dogie eyes still with Siddle Diggley

0:28:41.840 --> 0:28:55.000
<v Speaker 1>starting to turn dig sick. Listen, No, it can't be

0:28:55.840 --> 0:28:59.080
<v Speaker 1>your madness is umbrus called it's not safe here. The

0:28:59.160 --> 0:29:01.720
<v Speaker 1>darkness overtaken the colony is umbra. The mole layer won't

0:29:01.720 --> 0:29:04.120
<v Speaker 1>be stable much longer. How do you know? Trust me?

0:29:04.240 --> 0:29:08.040
<v Speaker 1>We have to leave now, then go without serious here

0:29:08.480 --> 0:29:12.680
<v Speaker 1>piece exactly likeiteness, No serious. We've already sacrificed too much

0:29:12.720 --> 0:29:14.080
<v Speaker 1>for this mission. You can't just give it all up

0:29:14.080 --> 0:29:17.320
<v Speaker 1>from one tiny mole. We leave Diggley behind, likeness, We

0:29:17.440 --> 0:29:23.440
<v Speaker 1>leave Giggley to die. Okay, Okay, we'll help them, we will,

0:29:23.920 --> 0:29:27.200
<v Speaker 1>how I don't know. Maybe if we find Digley's actual

0:29:27.240 --> 0:29:29.280
<v Speaker 1>parents don't know how to take care of them at

0:29:29.320 --> 0:29:31.760
<v Speaker 1>the very least under their parental guidency, stands the best

0:29:31.840 --> 0:29:34.760
<v Speaker 1>chance of recovery. But either we can't count on finding

0:29:34.800 --> 0:29:36.960
<v Speaker 1>Diggley's parents down here. We don't even have a way

0:29:36.960 --> 0:29:39.600
<v Speaker 1>of communicating with the moles. Besides, even if we some

0:29:39.760 --> 0:29:42.800
<v Speaker 1>show manage to track them down, there's no guarantee it's

0:29:42.840 --> 0:29:49.320
<v Speaker 1>not too late. They may have already no terms. You

0:29:49.440 --> 0:29:51.800
<v Speaker 1>heard what the conductor said. The only certain way to

0:29:51.840 --> 0:29:54.400
<v Speaker 1>help Digley is to restore the Ohm sound and bring

0:29:54.440 --> 0:29:56.920
<v Speaker 1>back harmony to the colony. Yeah, but the om was

0:29:56.960 --> 0:29:59.600
<v Speaker 1>funneled through the satellite dish, which is now broken and

0:29:59.640 --> 0:30:01.880
<v Speaker 1>which you have to bring back with us anyway. There's

0:30:02.000 --> 0:30:11.080
<v Speaker 1>no chance or stories, no need more barren serious, deady bearing, deady,

0:30:11.160 --> 0:30:16.240
<v Speaker 1>no need all me there did already needs serious love

0:30:18.200 --> 0:30:31.240
<v Speaker 1>right deeply right, Oh, the drone of madness. It's spreading

0:30:31.320 --> 0:30:38.320
<v Speaker 1>rapidly throughout them all areas. That's hard dirt walls, burt

0:30:38.360 --> 0:30:44.600
<v Speaker 1>that sounds colis tongue all he was right most you're

0:30:44.680 --> 0:30:47.400
<v Speaker 1>turning self destructive and alarming rate. They appear to get

0:30:47.440 --> 0:30:49.400
<v Speaker 1>first and self head first against the walls of their

0:30:49.400 --> 0:30:54.880
<v Speaker 1>own colleague. If this continues, the whole are found the glass.

0:30:56.320 --> 0:31:00.240
<v Speaker 1>What you saying? There must be something where miss see

0:31:02.640 --> 0:31:11.880
<v Speaker 1>Do you hear that? What a rumbling noise? Tell me about? Yeah?

0:31:12.000 --> 0:31:25.120
<v Speaker 1>Where's it coming from? There? Behind us? It's but that's way.

0:31:25.520 --> 0:31:28.480
<v Speaker 1>There's no time to change during cour us skip in

0:31:28.520 --> 0:31:33.760
<v Speaker 1>the end squashway Big Bubba giggling come back and even

0:31:33.840 --> 0:31:39.560
<v Speaker 1>Diggley's abandoned us finished gold Digley kicked down game and

0:31:39.720 --> 0:31:47.920
<v Speaker 1>turned of course digging down worry help digging day from

0:31:48.880 --> 0:32:05.800
<v Speaker 1>Dick didn't even up. Dahle say it works, Babba, roll

0:32:06.040 --> 0:32:11.280
<v Speaker 1>right over, Giggli save us well we're still inside an

0:32:11.320 --> 0:32:13.960
<v Speaker 1>underground collapsing layer. First things first, up and out of

0:32:14.000 --> 0:32:21.200
<v Speaker 1>this hole, Giggle? Serious? How about the hole? Serious? Way,

0:32:21.680 --> 0:32:24.760
<v Speaker 1>don't get Diiggli up just yet. You can leave your

0:32:24.800 --> 0:32:26.240
<v Speaker 1>pack in the hole for now. I need to talk

0:32:26.320 --> 0:32:32.440
<v Speaker 1>with you and Logo in private. Wow, he's that everything? Okay.

0:32:34.120 --> 0:32:36.680
<v Speaker 1>There's no easy way to put this, but clearly there's

0:32:36.720 --> 0:32:38.600
<v Speaker 1>no getting Diggli the help he needs down to you.

0:32:38.920 --> 0:32:41.080
<v Speaker 1>We don't need another close call with death to tell

0:32:41.160 --> 0:32:44.520
<v Speaker 1>us that. Right, we have to head for the exit.

0:32:44.720 --> 0:32:46.440
<v Speaker 1>We'll find Giggli the help he needs once we're on

0:32:46.480 --> 0:32:51.440
<v Speaker 1>the outside. Land's change to bring Giggli with us. Not quite.

0:32:52.440 --> 0:32:56.240
<v Speaker 1>As I said before, Diggli won't survive in the desert.

0:32:56.440 --> 0:32:58.560
<v Speaker 1>It's no place for a baby mole. But down here,

0:32:58.640 --> 0:33:00.880
<v Speaker 1>even in this current state, he's still has a chance.

0:33:01.240 --> 0:33:04.880
<v Speaker 1>You prom no, but that's the only way we make

0:33:04.920 --> 0:33:07.280
<v Speaker 1>out of this alive. It's too dangerous for us to

0:33:07.280 --> 0:33:09.560
<v Speaker 1>be down here. And if something happens to us, who's

0:33:09.600 --> 0:33:23.040
<v Speaker 1>gonna help Digley? Then? Lo go? There's right? Serious? Are okay? Serious?

0:33:23.240 --> 0:33:28.120
<v Speaker 1>To Dickley, I don't even know you're making the right choice.

0:33:29.880 --> 0:33:41.320
<v Speaker 1>But we'll come back soon. We're now absolutely did you

0:33:41.480 --> 0:33:48.680
<v Speaker 1>disappeutiful mom? What what? Pretty? Go? Serious? Where's your piece

0:33:48.680 --> 0:33:52.920
<v Speaker 1>of the satellite dish? It's missing too, it appears Dickley

0:33:53.000 --> 0:33:56.040
<v Speaker 1>dug even further down into the hall, taking seriously piece

0:33:56.080 --> 0:33:59.000
<v Speaker 1>of the dish with him. Why what get Dickley? What

0:33:59.040 --> 0:34:02.400
<v Speaker 1>were a piece of satellite dish? Maybe he even safe

0:34:02.440 --> 0:34:06.440
<v Speaker 1>for us until we return, or more likely it's just

0:34:06.480 --> 0:34:08.920
<v Speaker 1>because the satellite is just shining the same reason you like.

0:34:09.120 --> 0:34:11.600
<v Speaker 1>Either's a ah. We have to fight Diggley and get

0:34:11.640 --> 0:34:14.080
<v Speaker 1>it back. We're not leaving without it. The only one

0:34:14.080 --> 0:34:17.400
<v Speaker 1>way to go from here. Help me dick down in

0:34:17.440 --> 0:34:38.600
<v Speaker 1>the hall, faster, faster, stout his trail. Where are we?

0:34:38.920 --> 0:34:41.320
<v Speaker 1>We seem to have emptied out into a vast muddy

0:34:41.360 --> 0:34:44.839
<v Speaker 1>plane at the colony's base. It's slip by lantern fire

0:34:44.880 --> 0:34:46.799
<v Speaker 1>and the ground is covered by tree roots, but it's

0:34:46.840 --> 0:34:49.360
<v Speaker 1>completely devoid of all mole life. In fact, there are

0:34:49.440 --> 0:34:51.880
<v Speaker 1>here to be no natural passageways in or out of

0:34:51.880 --> 0:34:54.360
<v Speaker 1>this chamber. So we've tunneled so deep we've reached a

0:34:54.440 --> 0:35:02.120
<v Speaker 1>secret chamber in bedrock. Now where's Diggley. Diggley footprint ah,

0:35:02.239 --> 0:35:08.719
<v Speaker 1>our footprints lost in tree roots? A serious what is it?

0:35:10.640 --> 0:35:15.240
<v Speaker 1>Large round pit in chamber center tree roots lead straight

0:35:15.280 --> 0:35:19.719
<v Speaker 1>down to a pit bottom. Careful, serious, don't get too

0:35:19.719 --> 0:35:23.720
<v Speaker 1>close to the pit's edge. M Two wooden poles staked

0:35:23.760 --> 0:35:26.440
<v Speaker 1>around the pit circumference, a central axle with a hand

0:35:26.480 --> 0:35:29.640
<v Speaker 1>crying mechanism, and a rope. Although the connecting pail is

0:35:29.680 --> 0:35:32.000
<v Speaker 1>no longer attached and lies sidelined on the ground, It's

0:35:32.040 --> 0:35:34.680
<v Speaker 1>unmistakable this is not simply a pit. It's a well.

0:35:35.280 --> 0:35:37.840
<v Speaker 1>The secret chamber must be used to house the mole's

0:35:37.880 --> 0:35:41.960
<v Speaker 1>water supply logo. I can't quite see to the bottom,

0:35:41.960 --> 0:35:44.319
<v Speaker 1>but it looks to be completely black down there. There's

0:35:44.360 --> 0:35:47.000
<v Speaker 1>no water in that well. Precisely the conductor said, there's

0:35:47.000 --> 0:35:49.280
<v Speaker 1>been a devastating drought, so it makes sense it's empty.

0:35:49.400 --> 0:35:57.080
<v Speaker 1>Too bad. Where Didgley go? I'm sorry, serious, but given

0:35:57.120 --> 0:36:05.840
<v Speaker 1>it's an open well, Digley may fallen in well bucket

0:36:05.840 --> 0:36:11.320
<v Speaker 1>on ground. Moving inside the bucket. It must be day

0:36:13.280 --> 0:36:17.919
<v Speaker 1>Papa coming Dagley. This is Mama speaking. Complete Stay away

0:36:17.920 --> 0:36:21.000
<v Speaker 1>from the well's edge. Look at the shiny anelated Dagley

0:36:21.560 --> 0:36:35.520
<v Speaker 1>like ammulate hamulate God giggle saved. Why scare Papa like that?

0:36:36.040 --> 0:36:42.320
<v Speaker 1>Playing in bucket by whole serious could loose Diggley forever. Diggley,

0:36:42.440 --> 0:36:44.560
<v Speaker 1>I want you to recognize how much danger you put

0:36:44.560 --> 0:36:46.759
<v Speaker 1>yourself in. If you had fallen into the well, we

0:36:46.840 --> 0:36:48.919
<v Speaker 1>might not have been able to get you out. Wait,

0:36:49.680 --> 0:36:53.640
<v Speaker 1>we're serious, piece of satellite dish. Ether, where are you going?

0:36:53.719 --> 0:36:56.160
<v Speaker 1>You're getting dangerously close to the well. I see it's

0:36:56.360 --> 0:36:59.120
<v Speaker 1>the satellite dish pieces snacked on a tree root dangling

0:36:59.200 --> 0:37:01.200
<v Speaker 1>just inside the wall was opening if I could just

0:37:01.320 --> 0:37:17.840
<v Speaker 1>anchor myself through a Wait, don't do it. What's so funny?

0:37:19.239 --> 0:37:22.040
<v Speaker 1>Found what the satellite dish beef? No, the moles secret

0:37:22.080 --> 0:37:25.000
<v Speaker 1>reserve what they keep inside the whil It's not water

0:37:25.320 --> 0:37:30.680
<v Speaker 1>and it's not empty either. It's oil. Look, why would

0:37:30.719 --> 0:37:36.360
<v Speaker 1>Digley have come for the oil? O shiny? Of course

0:37:36.920 --> 0:37:40.080
<v Speaker 1>the refractive property of oil. Digley was attracted to the

0:37:40.120 --> 0:37:42.520
<v Speaker 1>oil sheen for the same reasons he was attracted to

0:37:42.520 --> 0:37:48.120
<v Speaker 1>my aMule and serious piece of satellite. Okay, now, what's

0:37:48.120 --> 0:37:51.719
<v Speaker 1>the fastest way out of here? I have her exit plan.

0:37:52.200 --> 0:37:56.080
<v Speaker 1>It's right in front of us. Ah. No, don't even

0:37:56.120 --> 0:37:59.799
<v Speaker 1>say it. Hey, oil is flammable, right ah either you

0:38:00.120 --> 0:38:03.799
<v Speaker 1>cast we have everything we need fire from the lanterns,

0:38:04.080 --> 0:38:06.920
<v Speaker 1>tree roots covering the ground and a well full of oil.

0:38:07.200 --> 0:38:09.399
<v Speaker 1>We can set off an explosion and blow our way

0:38:09.400 --> 0:38:12.279
<v Speaker 1>to the surface. But an explosion will undermine the entire

0:38:12.320 --> 0:38:15.800
<v Speaker 1>structural integrity of the layer. This whole place could collapse.

0:38:15.880 --> 0:38:17.960
<v Speaker 1>It's only a matter of time until it collapses. Anyway.

0:38:18.040 --> 0:38:19.799
<v Speaker 1>The molts can always tunnel their way out, but we'll

0:38:19.840 --> 0:38:22.160
<v Speaker 1>be bury alive. All we have to do is light

0:38:22.160 --> 0:38:24.400
<v Speaker 1>the far end of the tree root on fire. Waits,

0:38:24.440 --> 0:38:26.520
<v Speaker 1>the flame trickles down like a fuse into the well,

0:38:26.680 --> 0:38:31.480
<v Speaker 1>and then when it hits the oil, boom. Freedom and

0:38:31.760 --> 0:38:35.160
<v Speaker 1>DIGGLEI change your plan. Diggli's coming with us, no doubt

0:38:35.200 --> 0:38:36.799
<v Speaker 1>about it. Fresh air will do them some good, but

0:38:37.040 --> 0:38:41.680
<v Speaker 1>we have to act fast, okay for Diggli serious, Put

0:38:41.680 --> 0:38:43.239
<v Speaker 1>those grubby pots to work and take down one of

0:38:43.239 --> 0:38:46.960
<v Speaker 1>the lanterns off the wall. You do know that once

0:38:47.040 --> 0:38:49.120
<v Speaker 1>we light the tree root, there's no going back. Then

0:38:49.120 --> 0:38:55.800
<v Speaker 1>what are we waiting for? Let it burn? Let it up? Serious? Ah? Okay?

0:38:55.800 --> 0:38:59.160
<v Speaker 1>How long is till reaches the oiliate? Just over a minute? Okay,

0:38:59.200 --> 0:39:01.560
<v Speaker 1>Everyone away from the well, hold on tights, your satellite

0:39:01.600 --> 0:39:03.120
<v Speaker 1>dis pieces and we'll be out of here in no

0:39:03.280 --> 0:39:12.720
<v Speaker 1>time either. Now, what me. Moles total him from chamber walls.

0:39:12.960 --> 0:39:15.720
<v Speaker 1>There's a dot of them. What do they want? Perhaps

0:39:15.719 --> 0:39:19.520
<v Speaker 1>they've come for the oil or maybe moles across. We

0:39:19.640 --> 0:39:21.439
<v Speaker 1>can't let them put up the fuse. It's our only

0:39:21.480 --> 0:39:37.480
<v Speaker 1>hopeful to escape serious protect us from boles. Adang serious,

0:39:37.520 --> 0:39:47.120
<v Speaker 1>don't just stand there during health fights the health. This

0:39:47.239 --> 0:39:49.200
<v Speaker 1>is the battle of wits, in the battle of him

0:39:49.360 --> 0:39:55.200
<v Speaker 1>and stuff that. Oh, this one seems understand. I wonder

0:39:55.280 --> 0:39:57.920
<v Speaker 1>how to molst it into the hall, whether I could

0:39:57.960 --> 0:40:01.520
<v Speaker 1>possibly roll it with sufficient bol lost and precision. At

0:40:01.560 --> 0:40:13.120
<v Speaker 1>the approaching group, Males goes nothing. I'm not thinking about

0:40:13.200 --> 0:40:20.239
<v Speaker 1>the deck to them where heat back near the well?

0:40:20.560 --> 0:40:29.480
<v Speaker 1>He's going for the oil Diggle No, Digley going to

0:40:29.560 --> 0:40:34.359
<v Speaker 1>the oil well fil to deferent, to trim it. More

0:40:34.400 --> 0:40:38.520
<v Speaker 1>holes just wild it serious, going to wow rescue Diggley.

0:40:39.320 --> 0:40:42.759
<v Speaker 1>Wait serious, I'll go. You're more healthy Diggley up here

0:40:42.760 --> 0:40:48.480
<v Speaker 1>of fending off the hostile holes. He started saying, I

0:40:48.640 --> 0:40:51.120
<v Speaker 1>will logo and needs your health. Come with me to

0:40:51.120 --> 0:40:58.640
<v Speaker 1>the well. Let's go going in after Digley. Even the

0:40:58.640 --> 0:41:00.640
<v Speaker 1>claim is going to reach the oil thirty seconds to

0:41:01.080 --> 0:41:03.160
<v Speaker 1>we don't have an opportunity to distinguish it with all

0:41:03.200 --> 0:41:05.160
<v Speaker 1>these molten ways. You won't make it in time. I

0:41:05.280 --> 0:41:07.120
<v Speaker 1>have to try. How are you gonna find him in

0:41:07.120 --> 0:41:10.840
<v Speaker 1>the oil? It's too dark to see down sick. You

0:41:10.840 --> 0:41:15.720
<v Speaker 1>need mother Daniel to it to Dixon. The intra unrolled

0:41:15.960 --> 0:41:23.440
<v Speaker 1>the second arcas. I'll count down the seconds until dead

0:41:23.480 --> 0:41:26.040
<v Speaker 1>pation by the under that second, I need you out

0:41:26.040 --> 0:41:54.200
<v Speaker 1>of the tent. Five second, Oh by zeconds call tue serious,

0:41:54.560 --> 0:41:59.400
<v Speaker 1>Oh no pious neither Texas can you hear me? Get

0:41:59.440 --> 0:42:16.720
<v Speaker 1>out of their new What happened there is just warmed

0:42:16.800 --> 0:42:21.440
<v Speaker 1>up collar horse run away. They're drinking water from the

0:42:21.480 --> 0:42:26.879
<v Speaker 1>well water. A guiser of water erupted from the well

0:42:27.000 --> 0:42:31.360
<v Speaker 1>and extinguished the Hugh, stopping the explosion. And either deple

0:42:37.520 --> 0:42:42.880
<v Speaker 1>got him, Get us back up, either Diggley alive, either

0:42:43.080 --> 0:42:46.880
<v Speaker 1>I'm throwing down the road. Tie it around yourself and

0:42:46.960 --> 0:42:56.640
<v Speaker 1>Diggley and we'll lift you too up. Ready, h r

0:42:58.320 --> 0:43:03.000
<v Speaker 1>water under the oil of course the water table. It

0:43:03.080 --> 0:43:06.480
<v Speaker 1>all makes sense now. The dress leading into the well

0:43:06.520 --> 0:43:09.840
<v Speaker 1>and the face of the molar absorbed the water underneath

0:43:09.840 --> 0:43:13.319
<v Speaker 1>the oil to support the Bayo battery about Stifly must

0:43:13.360 --> 0:43:16.719
<v Speaker 1>have somehow instinctually know that the entire time and never

0:43:16.760 --> 0:43:19.400
<v Speaker 1>stopped digging until he greeted the water. Mama raised a

0:43:19.520 --> 0:43:31.400
<v Speaker 1>ginion loganamile here, thank the stars. You're okay. Good to

0:43:31.440 --> 0:43:34.520
<v Speaker 1>be back on solid ground, even if we're so far

0:43:34.560 --> 0:43:39.239
<v Speaker 1>beneath the surface. And with all this water last, we

0:43:39.320 --> 0:43:43.400
<v Speaker 1>can refill the mold conductor's drinking bold as a consolation

0:43:43.880 --> 0:43:54.479
<v Speaker 1>by destroying the owner ah more drowne madness lesson after

0:43:54.600 --> 0:44:02.400
<v Speaker 1>drinking water. Maybe maybe water helped digger. That's it to restore.

0:44:02.480 --> 0:44:06.560
<v Speaker 1>Oh the water. Fill the well's bucket along with our

0:44:06.600 --> 0:44:09.360
<v Speaker 1>canteens and come with me. Serious spring dict. We have

0:44:09.400 --> 0:44:11.759
<v Speaker 1>to pay the conductor of visits. I'll fill you another way.

0:44:11.800 --> 0:44:23.920
<v Speaker 1>There's no time to waste time. Excuse us. We don't

0:44:23.960 --> 0:44:26.000
<v Speaker 1>mean to barge in. But Bubba wasn't at his post.

0:44:27.280 --> 0:44:32.799
<v Speaker 1>Shall you stayed to Winders? The demise of our colony entertaining?

0:44:33.000 --> 0:44:35.520
<v Speaker 1>Is it? I think we can help. We may have

0:44:35.520 --> 0:44:40.759
<v Speaker 1>found a solution, you three. I've done enough already. I

0:44:40.920 --> 0:44:44.880
<v Speaker 1>look around. I am the last remaining mole that is

0:44:44.960 --> 0:44:47.759
<v Speaker 1>yet to turn, and once I go, that will be

0:44:47.840 --> 0:44:51.320
<v Speaker 1>the end, at least in darkness. I'll join the others.

0:44:51.760 --> 0:44:57.799
<v Speaker 1>But we find water for drinking ball, It's too late

0:44:57.840 --> 0:45:01.200
<v Speaker 1>for that, my Thursday. It is all dry it up.

0:45:01.719 --> 0:45:09.480
<v Speaker 1>The water is what can restore own. I'm done playing games.

0:45:10.320 --> 0:45:14.920
<v Speaker 1>There is no restoring home after you've re destroyed the

0:45:15.000 --> 0:45:18.920
<v Speaker 1>singing bowl. Now, please let me go peacefully into the dark.

0:45:19.440 --> 0:45:22.360
<v Speaker 1>But you still have your drinking ball, which you know

0:45:22.960 --> 0:45:27.200
<v Speaker 1>does not resonate a desame frequency as our divine home.

0:45:28.000 --> 0:45:31.239
<v Speaker 1>But that's it. We can transform it. We can alter

0:45:31.320 --> 0:45:33.759
<v Speaker 1>the frequency of your drinking bowl by altering its water

0:45:33.840 --> 0:45:38.800
<v Speaker 1>level and make it resonate home. Fah impossible. The bowl's

0:45:38.840 --> 0:45:41.720
<v Speaker 1>frequency is based off the speed at which vibrations travel

0:45:41.800 --> 0:45:44.600
<v Speaker 1>through it. By adding water to the bowl, we can

0:45:44.640 --> 0:45:47.560
<v Speaker 1>alter its resonant frequency, as the bowl will vibrate with

0:45:47.640 --> 0:45:50.319
<v Speaker 1>the water inside it. To find home, we just need

0:45:50.360 --> 0:45:54.520
<v Speaker 1>the right water level in harmony with its degree of vibration. Yeah,

0:45:54.960 --> 0:45:59.560
<v Speaker 1>you've made a mockery of our colony. I will not

0:45:59.640 --> 0:46:02.440
<v Speaker 1>allow you to make a mockery of hour to find

0:46:02.680 --> 0:46:15.359
<v Speaker 1>home as well. Please give chance for mallsily all right,

0:46:16.640 --> 0:46:21.400
<v Speaker 1>I'll put myself through one last humiliation at your hands.

0:46:22.520 --> 0:46:27.040
<v Speaker 1>M hmm. Okay. As I'm pouring the water into the bowl,

0:46:27.360 --> 0:46:31.280
<v Speaker 1>keep channeling home directly into the center. Don't stop until

0:46:31.320 --> 0:46:34.560
<v Speaker 1>we hit the water level that matches the frequency very

0:46:34.600 --> 0:46:57.759
<v Speaker 1>well on my account. Street two one. It can't be.

0:46:59.640 --> 0:47:05.200
<v Speaker 1>It can't be. I don't believe it. Home, it's in

0:47:05.640 --> 0:47:13.000
<v Speaker 1>my water bowl. It's restored. Thank you outsiders, you've shown

0:47:13.080 --> 0:47:16.120
<v Speaker 1>me there is still light at the end of the tunnel.

0:47:22.880 --> 0:47:29.800
<v Speaker 1>DIGGLEI stopped drawn madness, the Diggli cured. Diggli get away

0:47:29.840 --> 0:47:44.680
<v Speaker 1>from new Hombole. What do you listen to that? Diggli's

0:47:45.280 --> 0:47:52.480
<v Speaker 1>a natural. There's little one is a conductor mole my

0:47:52.880 --> 0:48:03.120
<v Speaker 1>Diggli and doctor No. Diggley is destined to one day

0:48:03.239 --> 0:48:07.760
<v Speaker 1>served at the helm of our new singing bowl, spreading

0:48:07.920 --> 0:48:12.880
<v Speaker 1>home throughout our colony and ushering in a new era

0:48:13.040 --> 0:48:17.400
<v Speaker 1>of prosperity for us. Moves. With him by my side,

0:48:17.840 --> 0:48:23.200
<v Speaker 1>we will rebuild our home. Serious, I know, I swore

0:48:23.280 --> 0:48:28.200
<v Speaker 1>to you. We dig Diggley with us. Oh no either, Diggley,

0:48:28.239 --> 0:48:39.400
<v Speaker 1>but along here. That's bold layer conductor, Spread home, Diggley,

0:48:41.360 --> 0:48:46.600
<v Speaker 1>make Papa proud. One day meet again when Giggley big

0:48:46.600 --> 0:48:57.879
<v Speaker 1>and grown. We go. Now we spread home through land, farewell,

0:48:59.400 --> 0:49:28.879
<v Speaker 1>friend farewell indeed h ah ah oh serious stucking tree

0:49:28.920 --> 0:49:32.839
<v Speaker 1>trunk hole, Come on, logo, give me a hand, help

0:49:32.880 --> 0:49:40.080
<v Speaker 1>me pull serious free from the tree trunk's hole. Ow

0:49:44.640 --> 0:49:50.959
<v Speaker 1>Ow look the bay of bab tree. It's beginning to blossom.

0:49:51.120 --> 0:49:57.560
<v Speaker 1>But you look at that flowers sign of new life.

0:49:59.440 --> 0:50:11.200
<v Speaker 1>M InterQuest created by Michael Freiberg, a production of iHeartRadio

0:50:11.239 --> 0:50:15.040
<v Speaker 1>and Astro Media Executive produced by Michael Freiberg and I

0:50:15.200 --> 0:50:19.240
<v Speaker 1>Hear Radio, co produced by Adam Raimunda and Chelsea English.

0:50:19.680 --> 0:50:23.439
<v Speaker 1>Sound design and mix by Dennis Denbeck, Music by Trey Toy,

0:50:23.960 --> 0:50:31.080
<v Speaker 1>Performances by Matthew Brissard, Ether, Mike Leibovitz, Serious Mike Kaplan Logo,

0:50:31.719 --> 0:50:38.239
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<v Speaker 1>director and head writer Michael Fraberck, Writers Tom Delgado and

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<v Speaker 1>Will Julian, story editor, Chelsea English dialogue editor jay Anne Wang,

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