1 00:00:06,440 --> 00:00:11,119 Speaker 1: Introquest created by Michael Freiberg, a production of iHeartRadio and 2 00:00:11,240 --> 00:00:20,239 Speaker 1: Astro Media. Listen with headphones for three D audio. The 3 00:00:20,320 --> 00:00:22,959 Speaker 1: mo Layer should be right here under the baobab tree, 4 00:00:23,320 --> 00:00:25,960 Speaker 1: fifty pieces south of the stone faced bowlders, sixty degrees 5 00:00:26,000 --> 00:00:28,280 Speaker 1: from the shadow nest the dunes. There aligns the tree 6 00:00:28,320 --> 00:00:31,120 Speaker 1: of life or the molayer looms. That's what the map says, 7 00:00:31,200 --> 00:00:33,440 Speaker 1: right logo technically, but are we sure this is the 8 00:00:33,479 --> 00:00:38,360 Speaker 1: right tree? Logo? Look around? This is the only tree 9 00:00:38,560 --> 00:00:41,159 Speaker 1: and the only sign of life within a hundred miles. 10 00:00:41,320 --> 00:00:44,000 Speaker 1: So where is it? It is a rather massive tree. 11 00:00:44,159 --> 00:00:46,840 Speaker 1: It must be ancient. The Molaire should be here. Are 12 00:00:46,840 --> 00:00:52,360 Speaker 1: we lost? Serious? So hungry? Serious need food? We're not 13 00:00:52,440 --> 00:00:56,279 Speaker 1: lost either. We're just experiencing temporary navigational delays. Now if 14 00:00:56,320 --> 00:00:58,440 Speaker 1: you give me a moment to recalculate our position on 15 00:00:58,480 --> 00:01:02,480 Speaker 1: the map, Serious as track mole air We recover satellite 16 00:01:02,480 --> 00:01:06,320 Speaker 1: dish already and now eat. Sure we needs coordinates and 17 00:01:06,360 --> 00:01:08,600 Speaker 1: directions when you have growls and grunts to guide you. 18 00:01:08,760 --> 00:01:10,959 Speaker 1: Maybe if Serious didn't smear the map with his grubby 19 00:01:10,959 --> 00:01:13,240 Speaker 1: paws when he stole it, we wouldn't be in this predicament. Now, 20 00:01:14,440 --> 00:01:18,080 Speaker 1: only reason we have map at all is because of 21 00:01:18,240 --> 00:01:21,679 Speaker 1: serious grubby paws. So we are lost. The sun's gonna 22 00:01:21,680 --> 00:01:23,680 Speaker 1: be setting soon. If we don't figure this out, there'll 23 00:01:23,720 --> 00:01:25,520 Speaker 1: be no shadow left to guide us. You would both 24 00:01:25,560 --> 00:01:27,760 Speaker 1: just quiet down and give me space to concentrate. I'll 25 00:01:27,800 --> 00:01:31,200 Speaker 1: have this figured out before you get Yeah, logo, no, 26 00:01:31,440 --> 00:01:35,639 Speaker 1: have good instinct lead us lost. Now we become food 27 00:01:35,680 --> 00:01:56,320 Speaker 1: for scavengers and starving desert sands. Oh serious, what did 28 00:01:56,320 --> 00:02:02,200 Speaker 1: you do? Serious? Tantrum caused the ground to give way. 29 00:02:02,440 --> 00:02:04,880 Speaker 1: We appear to have fallen into an underground dirt chamber. 30 00:02:05,240 --> 00:02:07,800 Speaker 1: No signs of mole life down here, however, we're surrounded 31 00:02:07,840 --> 00:02:17,120 Speaker 1: by eggs as big as cyclops. High oversized eggs stacked 32 00:02:17,160 --> 00:02:22,359 Speaker 1: in the shape of a pyramid. Curious, isn't it? See? Follow? Serious? 33 00:02:22,840 --> 00:02:29,120 Speaker 1: He's like king m serious weight. I don't think these 34 00:02:29,160 --> 00:02:38,360 Speaker 1: eggs are for eating. This must be a hats Oh 35 00:02:38,360 --> 00:02:41,560 Speaker 1: we've found the mole layer all right. I didn't know 36 00:02:41,639 --> 00:02:49,320 Speaker 1: moles came from eggs. You have a lot to learn. Serious. 37 00:02:49,639 --> 00:02:57,720 Speaker 1: The baby mole thinks hereous father a serious papa. No, 38 00:02:59,160 --> 00:03:02,359 Speaker 1: it's so thinking fleshy rather unsightly. An appearance if you 39 00:03:02,400 --> 00:03:08,079 Speaker 1: asked me, and what's it doing? Now? Looks like it's 40 00:03:08,160 --> 00:03:23,560 Speaker 1: digging arms for serious? Serious, don't eat that. Ah, thank you. 41 00:03:26,639 --> 00:03:34,000 Speaker 1: I call you Dicky because you serious. This specimen, while intriguing, 42 00:03:34,160 --> 00:03:36,200 Speaker 1: is nothing more than a liability with a potential to 43 00:03:36,240 --> 00:03:38,880 Speaker 1: undermine our efforts in recovering the satellite dish. We're ill 44 00:03:38,920 --> 00:03:41,000 Speaker 1: prepared to care for any event, let alone run from 45 00:03:41,000 --> 00:03:48,160 Speaker 1: a species we know nothing about. I know your reckless 46 00:03:48,160 --> 00:03:50,360 Speaker 1: behavior may have led us to the molaire, but I'm 47 00:03:50,400 --> 00:03:53,560 Speaker 1: sorry a line must be drawn. Continued disregard for proper 48 00:03:53,600 --> 00:03:56,480 Speaker 1: protocol will not be tolerated. Any further engagement with that 49 00:03:56,480 --> 00:03:58,840 Speaker 1: creature not only puts our current objective at risk, it 50 00:03:58,920 --> 00:04:07,360 Speaker 1: jeopardizes the entire missions logo. I had no idea, though, 51 00:04:07,400 --> 00:04:13,040 Speaker 1: I have to say the resemblance is uncanny. Congratulations, Mom, 52 00:04:13,120 --> 00:04:16,080 Speaker 1: Now can you two stop playing house so we can 53 00:04:16,120 --> 00:04:19,480 Speaker 1: go find the satellite dish? Come on, there's an exit 54 00:04:19,480 --> 00:04:22,279 Speaker 1: out of the chamber this way and serious Logo's right. 55 00:04:22,720 --> 00:04:33,080 Speaker 1: Leave it behind. Serious, say farewell to the baby mole. 56 00:04:33,240 --> 00:04:35,440 Speaker 1: This is an official mission we're on with direct order 57 00:04:35,520 --> 00:04:43,200 Speaker 1: from the agency. Dudley, you have good instinct, like Papa. 58 00:04:43,880 --> 00:05:11,359 Speaker 1: What's serious on mission. You stay here, Oh giant tunnel 59 00:05:11,440 --> 00:05:16,719 Speaker 1: like baby, It's absolutely breath take. I've never seen anything 60 00:05:16,720 --> 00:05:21,600 Speaker 1: like it before. One big labyrinth of interconnected tunnels and chambers, 61 00:05:21,760 --> 00:05:28,720 Speaker 1: illuminated by lantern fire. Quite spectacular. The tree's roots seem 62 00:05:28,760 --> 00:05:32,200 Speaker 1: to extend all throughout the lairs main corridors. They appear 63 00:05:32,240 --> 00:05:41,039 Speaker 1: to be vibrating of carrying signals. Watch out loose rock 64 00:05:41,520 --> 00:05:48,279 Speaker 1: ah Moly roll Moly exquisite. Despite being quadruplets, the moles 65 00:05:48,320 --> 00:05:51,480 Speaker 1: epidermal left allows them to support their bodies into spheres 66 00:05:51,520 --> 00:05:55,320 Speaker 1: for rolling transport, a more efficient form of locomotion. This 67 00:05:55,360 --> 00:05:59,719 Speaker 1: whole enterprise is truly an engineering marble, each moble operating 68 00:06:00,040 --> 00:06:04,480 Speaker 1: individual dick scaptin rolling, fulfilling their own unique niche, yet 69 00:06:04,520 --> 00:06:07,240 Speaker 1: all the while functioning as the building blocks for a 70 00:06:07,360 --> 00:06:11,520 Speaker 1: larger ordered, unified complex. All a masterpiece at work. And 71 00:06:11,720 --> 00:06:14,760 Speaker 1: look the more mature moles, even of plush brown hair, 72 00:06:15,160 --> 00:06:17,719 Speaker 1: a welcome change from the eyes, or that's a flesh 73 00:06:18,000 --> 00:06:20,600 Speaker 1: chalk like appearance of their youth. They look like junk 74 00:06:20,640 --> 00:06:22,840 Speaker 1: collectors to me, are you saying the moles are smart? 75 00:06:23,040 --> 00:06:25,920 Speaker 1: I'm only theorizing up here, but yes, we're likely in 76 00:06:26,040 --> 00:06:31,039 Speaker 1: the profressence of a highly sophisticated, ultra intelligent advanced society, Grace, 77 00:06:31,320 --> 00:06:34,280 Speaker 1: But we're not here on a science expedition. Maybe one 78 00:06:34,279 --> 00:06:36,159 Speaker 1: of them can tell us where to find the satellite dish. 79 00:06:36,920 --> 00:06:42,800 Speaker 1: What about O sound good observation? Serious? This um makes 80 00:06:42,839 --> 00:06:47,279 Speaker 1: for a rather exotic acoustic ecology. The moles appear to 81 00:06:47,400 --> 00:06:51,200 Speaker 1: mimic the sound, harmonizing to form the grand droning melody 82 00:06:51,200 --> 00:06:55,440 Speaker 1: echoing throughout the corridors. But as for its purpose, I 83 00:06:55,600 --> 00:07:00,400 Speaker 1: can't get drunk conclusion without gathering more data learning to 84 00:07:00,440 --> 00:07:03,800 Speaker 1: the topic of our mission, the whole reason we're down here. 85 00:07:04,120 --> 00:07:06,479 Speaker 1: The satellite dish can be in any one of these chambers. 86 00:07:06,720 --> 00:07:24,000 Speaker 1: We can't possibly search them all. We need a plang Serious, 87 00:07:24,520 --> 00:07:26,840 Speaker 1: what is that thing doing here? I told you to 88 00:07:26,920 --> 00:07:31,280 Speaker 1: leave it behind the hatchery? Serious? No Greek Diggley, diggle 89 00:07:31,320 --> 00:07:38,880 Speaker 1: it mallow, fine, whatever, but it's a liability to our mission. 90 00:07:40,080 --> 00:07:41,800 Speaker 1: There might be a way to use diggley as a 91 00:07:41,840 --> 00:07:44,600 Speaker 1: bargaining chip to get the most help us. Now, come on, 92 00:07:44,800 --> 00:07:53,360 Speaker 1: and no more distractions from either of you. Roll right 93 00:07:53,440 --> 00:08:01,680 Speaker 1: into us a watch roll moll almost higgle either? Serious? 94 00:08:01,680 --> 00:08:04,200 Speaker 1: A little respect for our friend here where guests in 95 00:08:04,320 --> 00:08:07,440 Speaker 1: its home hardened us mole. We didn't mean to intrude 96 00:08:07,520 --> 00:08:10,000 Speaker 1: upon your work. We were just on an intersecting pet. 97 00:08:10,040 --> 00:08:16,760 Speaker 1: Please carry on with your civic mold duties. Serious restrain 98 00:08:16,840 --> 00:08:19,600 Speaker 1: that mold. It's not join anywhere until we find out 99 00:08:19,600 --> 00:08:26,120 Speaker 1: what it knows. Settle down. We need you to answer 100 00:08:26,120 --> 00:08:33,680 Speaker 1: a few questions before we let you go. You're here 101 00:08:33,720 --> 00:08:38,040 Speaker 1: to retrieve something called a satellite dish logo. Please describe 102 00:08:38,040 --> 00:08:42,200 Speaker 1: it to our friend. Here's a large, round, concave piece 103 00:08:42,200 --> 00:08:45,240 Speaker 1: of metal used to receive and transmit signals. This one 104 00:08:45,280 --> 00:08:47,960 Speaker 1: happens to be white and shiny. Maybe you've seen it 105 00:08:48,040 --> 00:08:52,400 Speaker 1: and mistaken it for a communal water bowl, or perhaps 106 00:08:52,760 --> 00:08:55,600 Speaker 1: and it doesn't matter. It's of no value to you molds. 107 00:08:55,760 --> 00:08:57,920 Speaker 1: We've been hired to recover it for our employer, the 108 00:08:58,040 --> 00:09:00,920 Speaker 1: rightful owner. It's among the dug up garbage around here. 109 00:09:01,120 --> 00:09:07,560 Speaker 1: Where can we find it? Logo? You said these things 110 00:09:07,559 --> 00:09:12,880 Speaker 1: are smart? Is it just playing dum on purpose? Maybe 111 00:09:12,880 --> 00:09:15,920 Speaker 1: this one's only a worker mole. Excuse me? Do you 112 00:09:15,960 --> 00:09:18,440 Speaker 1: have a superior or is there someone of higher authority 113 00:09:18,440 --> 00:09:23,560 Speaker 1: to whom we may address our inquiries. I take it back. 114 00:09:23,600 --> 00:09:26,680 Speaker 1: Either at the individual level, these most clearly lack the 115 00:09:26,679 --> 00:09:29,760 Speaker 1: capacity for higher level thought. There must be some kind 116 00:09:29,800 --> 00:09:34,080 Speaker 1: of smarter super mole that's orchestrating all this from behind 117 00:09:34,080 --> 00:09:40,679 Speaker 1: the zines. Serious, release the mole. Get out of here, 118 00:09:40,720 --> 00:09:45,400 Speaker 1: your rascal. You're already shoot roll away while you still 119 00:09:45,440 --> 00:09:59,880 Speaker 1: can no yelling. Scared, Diket you don't it? Okay, pop 120 00:10:00,000 --> 00:10:03,800 Speaker 1: the deep you safe from me? What do they do? 121 00:10:04,960 --> 00:10:10,559 Speaker 1: Deeply sensitive to Tom, I can't be. I'll scout ahead, 122 00:10:11,559 --> 00:10:14,880 Speaker 1: see it. How do you make it stop? I apologize 123 00:10:14,920 --> 00:10:19,679 Speaker 1: to Diggley face to face. Can't you just like shush 124 00:10:19,760 --> 00:10:26,800 Speaker 1: it or something? Okay, Okay, I'm doing it. I'm here, Diggley, Diggly, 125 00:10:26,840 --> 00:10:29,120 Speaker 1: I'm sorry if you're raising my voice. You stopped crying 126 00:10:29,200 --> 00:10:37,200 Speaker 1: now either? Uck you like your shiny hand reeling? Who 127 00:10:37,480 --> 00:10:40,520 Speaker 1: Maybe Diggley try it on, you know, taking it off 128 00:10:40,520 --> 00:10:46,920 Speaker 1: as a bad idea, but look, you stopped crying. I 129 00:10:47,040 --> 00:10:49,200 Speaker 1: scot it a chamber. I'm ahead. It might be worth 130 00:10:49,200 --> 00:10:57,000 Speaker 1: investigating on our way o. No. Judging by the sounds 131 00:10:57,040 --> 00:10:59,480 Speaker 1: coming from inside of this chamber, I think it's best 132 00:10:59,520 --> 00:11:04,760 Speaker 1: we skip going in. I'm trying to listen on Deickly, 133 00:11:04,880 --> 00:11:11,079 Speaker 1: No listen poison Deeply's ears change what I don't get 134 00:11:11,120 --> 00:11:14,960 Speaker 1: it either, But where are you all? Change of plants? 135 00:11:15,160 --> 00:11:17,600 Speaker 1: If there's actually a smarter mole in charge, I bet 136 00:11:17,600 --> 00:11:20,280 Speaker 1: it knows the location of our satellite dish? How do 137 00:11:20,320 --> 00:11:22,440 Speaker 1: you plan on finding it by heading straight to the 138 00:11:22,440 --> 00:11:24,600 Speaker 1: source of the elm I have a feeling that behind 139 00:11:24,600 --> 00:11:26,720 Speaker 1: the sound will find the mole who knows where our 140 00:11:26,720 --> 00:11:34,240 Speaker 1: satellite dish is. You hear that the elms sound is 141 00:11:34,280 --> 00:11:38,160 Speaker 1: getting deeper and more resonant in this direction. The tree 142 00:11:38,240 --> 00:11:40,559 Speaker 1: route seemed to be getting thicker as well, which must 143 00:11:40,600 --> 00:11:46,960 Speaker 1: mean we're getting closer to the tree's trunk. What is 144 00:11:47,040 --> 00:11:55,679 Speaker 1: that that thing that mold mole side boulder? Yeah, and 145 00:11:55,800 --> 00:11:58,000 Speaker 1: it happens to be blocking our entries to the chamber 146 00:11:58,040 --> 00:12:01,200 Speaker 1: where the almost coming from. That male looks like it 147 00:12:01,320 --> 00:12:05,640 Speaker 1: eats other males. Ether, I suggest we find an alternate 148 00:12:05,720 --> 00:12:11,760 Speaker 1: route for a biggly sick logo kind of look like 149 00:12:11,840 --> 00:12:14,720 Speaker 1: a mall with squid eyes? I do, I do kind 150 00:12:14,760 --> 00:12:17,400 Speaker 1: of look like a mall series. Do you have any 151 00:12:17,400 --> 00:12:20,520 Speaker 1: more of those worms you ate here? Either? You're hungry, 152 00:12:20,559 --> 00:12:25,080 Speaker 1: just ask and thanks? But they're not for me. Hey, 153 00:12:25,200 --> 00:12:37,440 Speaker 1: big boy, got something for you, dinner boy? You want 154 00:12:37,440 --> 00:12:40,720 Speaker 1: those worms. Go get those worms. You like those worms, 155 00:12:40,720 --> 00:12:49,240 Speaker 1: don't you? Yeah, you don't get those worms. How did 156 00:12:49,240 --> 00:12:54,400 Speaker 1: you know that would work? Oh? No, like tasty worms. Now, 157 00:12:54,800 --> 00:12:57,960 Speaker 1: before we enter the ome chamber, know that once inside, 158 00:12:58,000 --> 00:13:01,320 Speaker 1: things might go south. Quick a moment to stead yourselves 159 00:13:01,320 --> 00:13:08,199 Speaker 1: and brace for the worst. Serious and deadly grip me too. 160 00:13:08,840 --> 00:13:11,319 Speaker 1: All right, we're about to pull back the veil and 161 00:13:11,400 --> 00:13:21,520 Speaker 1: be behind the curtain. Oh what that source of home? 162 00:13:22,400 --> 00:13:24,800 Speaker 1: There's the satellite dish. What do we make of this? 163 00:13:25,240 --> 00:13:27,840 Speaker 1: An elderly, gray haired moule is projecting its voice directly 164 00:13:27,840 --> 00:13:30,800 Speaker 1: into our satellite dish to create the home sound. I've 165 00:13:30,880 --> 00:13:32,760 Speaker 1: been done trying to make sense of things since you 166 00:13:32,840 --> 00:13:35,320 Speaker 1: and Serious became parents to a baby moul. Let's just 167 00:13:35,440 --> 00:13:41,360 Speaker 1: grab the dish and get out either. Wait, satellite dish 168 00:13:41,400 --> 00:13:45,360 Speaker 1: look important, mole. Serious is right. The dish is suspended 169 00:13:45,400 --> 00:13:47,959 Speaker 1: like a gong in the center of a wooden frame apparatus, 170 00:13:47,960 --> 00:13:50,080 Speaker 1: bound together with tree roots. It appears to be some 171 00:13:50,120 --> 00:13:52,360 Speaker 1: sort of shrine. I don't think she'll just let us 172 00:13:52,440 --> 00:13:55,040 Speaker 1: have it, and we'll have to take it by force, 173 00:13:57,480 --> 00:14:02,200 Speaker 1: you elder mole. Listen, My partners and I have traveled 174 00:14:02,240 --> 00:14:05,440 Speaker 1: halfway through the Azrael desert to get here. That device 175 00:14:05,480 --> 00:14:09,120 Speaker 1: you're coming into the circular piece, it belongs to our employer. 176 00:14:09,400 --> 00:14:12,280 Speaker 1: So you have two choices. Give it to us willingly 177 00:14:12,520 --> 00:14:15,480 Speaker 1: and we'll go in peace, or resist and we'll take 178 00:14:15,520 --> 00:14:22,360 Speaker 1: it by force. So what's it gonna be? Oh, she 179 00:14:22,480 --> 00:14:27,840 Speaker 1: don't care. Just humble home, mam. If you don't respond, 180 00:14:27,920 --> 00:14:30,480 Speaker 1: your choice will be made for you either. She must 181 00:14:30,480 --> 00:14:33,840 Speaker 1: be in a state of deep trance. So this is 182 00:14:33,840 --> 00:14:36,480 Speaker 1: clearly part of some ancient whole ritual. She's using our 183 00:14:36,520 --> 00:14:39,680 Speaker 1: satellite dish to meditate. There's no use shouting. She can't 184 00:14:39,680 --> 00:14:42,960 Speaker 1: hear a thing. Fine, by me, serious, get the dish, 185 00:14:43,080 --> 00:14:53,520 Speaker 1: a serious go, I'll watch digley ah ah, be careful 186 00:14:53,600 --> 00:14:56,320 Speaker 1: taking it down with the frame. The whole setup was 187 00:14:56,600 --> 00:15:14,680 Speaker 1: very fragile. Weaver, who are you? Why are you doing 188 00:15:15,160 --> 00:15:18,200 Speaker 1: in the shrine chamber? How did you get that bother? 189 00:15:20,480 --> 00:15:23,480 Speaker 1: You've come for our oil out tider? How haven't you are? 190 00:15:23,920 --> 00:15:34,360 Speaker 1: Haven't you either? Either? All? Wake up? More of you? 191 00:15:35,440 --> 00:15:39,720 Speaker 1: Oh and you'll take it one of our newborns hunted? 192 00:15:40,920 --> 00:15:45,760 Speaker 1: Oh please please, I think you don't defile the shrine. 193 00:15:46,120 --> 00:15:48,840 Speaker 1: You can have the oil. What the shrine must remain 194 00:15:48,880 --> 00:15:52,080 Speaker 1: in chat We didn't come for your oil. Your shrine 195 00:15:52,160 --> 00:15:55,080 Speaker 1: is our satellite dish, and we're here to take it back. 196 00:15:55,200 --> 00:15:59,800 Speaker 1: You don't understand. If you dismantle it, you'll destroy how 197 00:16:00,080 --> 00:16:05,760 Speaker 1: divine all have settled an irreversible shame reaction when we're 198 00:16:05,800 --> 00:16:10,600 Speaker 1: leading to our colonies demise ether. Maybe there's some way 199 00:16:10,600 --> 00:16:15,000 Speaker 1: to compromise. Grab it serious, grab the satellite dish. It's 200 00:16:15,000 --> 00:16:30,680 Speaker 1: the only way serious. I told you to be careful. 201 00:16:31,120 --> 00:16:36,440 Speaker 1: The Agency's not gonna be happy about this. Sorry logo, right, 202 00:16:36,840 --> 00:16:44,160 Speaker 1: a serious grub your clock unleashed, play our colony, but 203 00:16:44,320 --> 00:16:53,080 Speaker 1: you kill those either. This sounds bad and Diggley's crying again. 204 00:16:53,280 --> 00:16:59,040 Speaker 1: Stopped crying. Look at the shiny amulet like that, like 205 00:16:59,120 --> 00:17:03,720 Speaker 1: the shy. Now, you two, come on, we have our 206 00:17:03,760 --> 00:17:05,280 Speaker 1: own problems to worry about. Help me pick up the 207 00:17:05,320 --> 00:17:10,240 Speaker 1: broken pieces of the satellite dish. How about the damage. 208 00:17:10,720 --> 00:17:13,320 Speaker 1: From a precursory assessment, it appears to be a clean break, 209 00:17:13,560 --> 00:17:17,760 Speaker 1: fractured into three even pieces. Fortunately it looks like a salvage. However, 210 00:17:17,840 --> 00:17:19,920 Speaker 1: I won't know if there's any structural damage until I've 211 00:17:19,920 --> 00:17:22,200 Speaker 1: got the chance to perform an in depth examination. Let's 212 00:17:22,240 --> 00:17:24,000 Speaker 1: each take a piece of the dish and head out 213 00:17:24,000 --> 00:17:26,160 Speaker 1: of here. We're back above ground. We can figure out 214 00:17:26,160 --> 00:17:29,720 Speaker 1: how to piece it back together like new. Everyone got 215 00:17:29,720 --> 00:17:32,680 Speaker 1: their third of the satellite dish. Yes, mine's safely secure 216 00:17:32,720 --> 00:17:36,439 Speaker 1: to my pack, serious strap to back. I'll hold on 217 00:17:36,440 --> 00:17:45,280 Speaker 1: to my piece for now. Let's go. Ether Mall's going 218 00:17:45,359 --> 00:17:47,760 Speaker 1: to be okay, Sure they will. They take care of 219 00:17:47,760 --> 00:17:53,280 Speaker 1: their own, just like we do. Already we've caused enough 220 00:17:53,440 --> 00:17:56,719 Speaker 1: trouble and left us and ruin. At least give us 221 00:17:56,760 --> 00:18:01,719 Speaker 1: the dignity of dying in peace. Ether doesn't feel right. Oh, 222 00:18:01,720 --> 00:18:05,160 Speaker 1: come on, if we stop for every crying over dramatic Mall, 223 00:18:05,240 --> 00:18:08,040 Speaker 1: we'd never have made it past the hatchery chamber. We're 224 00:18:08,040 --> 00:18:10,520 Speaker 1: the ones with a broken satellite dish. We have to 225 00:18:10,560 --> 00:18:19,879 Speaker 1: help ourselves. And Diggley who helped Diggley. I'm sorry. There's 226 00:18:19,880 --> 00:18:21,680 Speaker 1: just no way we can care for a baby Mall 227 00:18:21,800 --> 00:18:26,040 Speaker 1: right now, you can drop them off at the hatchery 228 00:18:26,040 --> 00:18:27,760 Speaker 1: on our way out. It's the best we can do. 229 00:18:28,359 --> 00:18:32,800 Speaker 1: Grab Diggley and come on, relief. A little one doesn't 230 00:18:32,880 --> 00:18:37,760 Speaker 1: matter unless the divine ome is restored. No Mall has 231 00:18:37,800 --> 00:18:44,360 Speaker 1: a future down here, all all right? Go on, tell 232 00:18:44,480 --> 00:18:48,439 Speaker 1: us what's so special about the home sound, which useless 233 00:18:48,520 --> 00:18:53,080 Speaker 1: trying to explain to an outsider. Besides, I cannot tell 234 00:18:53,119 --> 00:18:56,080 Speaker 1: you what home is any more than I can tell 235 00:18:56,080 --> 00:19:01,160 Speaker 1: you what it means to be yourself. Oh please please 236 00:19:01,600 --> 00:19:08,520 Speaker 1: tell We want help a very well. Then, Ome is 237 00:19:08,600 --> 00:19:13,080 Speaker 1: more than a sound. It is a path to a 238 00:19:13,160 --> 00:19:18,880 Speaker 1: deeper understanding of the true nature of the universe. Now 239 00:19:18,880 --> 00:19:22,880 Speaker 1: we hear it in the divine harmony of the spheres, 240 00:19:23,480 --> 00:19:28,000 Speaker 1: the resonance of the cosmos, the life force which echoes 241 00:19:28,040 --> 00:19:32,840 Speaker 1: through the souls of every living being. OM is the 242 00:19:32,920 --> 00:19:39,560 Speaker 1: natural frequency at which all energy flows. But why is 243 00:19:39,600 --> 00:19:44,080 Speaker 1: am so important to you most Why surely you've noticed 244 00:19:44,119 --> 00:19:48,199 Speaker 1: the lanterns and our home. Just as we use oil 245 00:19:48,320 --> 00:19:53,800 Speaker 1: to illuminate our tunnels, we use home to illuminate our minds. 246 00:19:54,440 --> 00:19:59,240 Speaker 1: Through Ome, we unite our consciousness into one. You unite 247 00:19:59,280 --> 00:20:02,359 Speaker 1: your consciousness. I knew it. Each mole is like a 248 00:20:02,480 --> 00:20:08,160 Speaker 1: node operating in a giant neural network. Precisely, our colony 249 00:20:08,240 --> 00:20:14,440 Speaker 1: has evolved as a shared consciousness, experiencing a singular existence, 250 00:20:14,880 --> 00:20:19,760 Speaker 1: living for one collective purpose. Now all things are one, 251 00:20:20,320 --> 00:20:24,919 Speaker 1: a Ome, unite all things. To be in sync with 252 00:20:25,080 --> 00:20:29,320 Speaker 1: Home is to we in sync with the universe. Why 253 00:20:29,359 --> 00:20:34,359 Speaker 1: do you need our satellite dish? You mean the singing bowl? 254 00:20:34,720 --> 00:20:37,240 Speaker 1: Sure right? Isn't it just another piece of junk? You 255 00:20:37,480 --> 00:20:43,240 Speaker 1: Moll's dug up. The singing bowl is an ancient Moull relic, 256 00:20:43,840 --> 00:20:49,600 Speaker 1: our oldest artifact. It is the conduit for channeling home 257 00:20:55,160 --> 00:21:01,520 Speaker 1: the diviners. Singing bawl possesses an ethereal sense and resonates 258 00:21:01,520 --> 00:21:05,320 Speaker 1: at Owen's natural frequency. You know, when a conductor Moll 259 00:21:05,440 --> 00:21:10,760 Speaker 1: like myself, focuses their energy into the shrine, the ball 260 00:21:11,000 --> 00:21:15,720 Speaker 1: absorbs and amplifies the force, which is then channeled through 261 00:21:15,800 --> 00:21:20,440 Speaker 1: the tree roots in our tunnels and chambers, allowing OH 262 00:21:20,920 --> 00:21:25,719 Speaker 1: to radiate throughout the colony. Now, this energy, when harnessed 263 00:21:25,760 --> 00:21:29,600 Speaker 1: through the ball, unite the consciousness of each mole into 264 00:21:29,640 --> 00:21:35,560 Speaker 1: one connected universal mind. Without the ball to keep our 265 00:21:35,640 --> 00:21:39,400 Speaker 1: colony in seek with Home, the harmony between the moles 266 00:21:39,560 --> 00:21:45,280 Speaker 1: will fade into the chaos of darkness. How come gray 267 00:21:45,280 --> 00:21:48,359 Speaker 1: hair Moll can talk of like not roly poly mall 268 00:21:48,440 --> 00:21:54,440 Speaker 1: in tunnel Because as I said, I am a conductor mall. 269 00:21:54,920 --> 00:22:02,040 Speaker 1: I've studied the common tongue. A conductor is a mole 270 00:22:02,160 --> 00:22:07,960 Speaker 1: gifted with superior spirituality and mind. For this conductor soults 271 00:22:08,119 --> 00:22:11,400 Speaker 1: are said to be naturally in tune with the universe, 272 00:22:11,640 --> 00:22:15,520 Speaker 1: which gives us a heightened sense of intuition, a sixth 273 00:22:15,520 --> 00:22:21,280 Speaker 1: sense beyond ordinary perception. Admittedly, my sense is done with age. 274 00:22:21,560 --> 00:22:24,879 Speaker 1: How many conductor malls are there? You're looking at him 275 00:22:25,520 --> 00:22:29,119 Speaker 1: around Every sixty years, a new conductor mall is said 276 00:22:29,119 --> 00:22:32,640 Speaker 1: to be born and is then trained as a master 277 00:22:33,000 --> 00:22:36,040 Speaker 1: in the ways of home, to one day relieve the 278 00:22:36,119 --> 00:22:39,800 Speaker 1: prior conductor of her duties and take the helm At 279 00:22:39,840 --> 00:22:45,600 Speaker 1: the shrine chamber's singing boll our colony is actually overdue 280 00:22:45,880 --> 00:22:50,440 Speaker 1: for a new birth. Nevertheless, midway through a conductor's training, 281 00:22:50,760 --> 00:22:54,800 Speaker 1: the apprentice leaves the colony unsabbatical and for a short 282 00:22:54,880 --> 00:22:59,560 Speaker 1: while enters the outside world to acquire knowledge and learn 283 00:22:59,680 --> 00:23:02,760 Speaker 1: the common time. So you've experienced life on the outside. 284 00:23:03,040 --> 00:23:05,600 Speaker 1: I may be a very old mole, but from what 285 00:23:05,680 --> 00:23:08,440 Speaker 1: I remember of the outside world, it is a cruel 286 00:23:08,680 --> 00:23:14,440 Speaker 1: and unforgiving place. Not true good exists. They're true during 287 00:23:14,480 --> 00:23:16,480 Speaker 1: our journey. If we come across another bowl with the 288 00:23:16,520 --> 00:23:18,560 Speaker 1: same home frequency, we'll be sure to send it back 289 00:23:18,600 --> 00:23:23,159 Speaker 1: to you. Yeah right, yeah, an empty gesture. There simply 290 00:23:23,240 --> 00:23:28,040 Speaker 1: isn't time, not enough time. What do you mean. Do 291 00:23:28,119 --> 00:23:31,240 Speaker 1: you see my drinking bowl? You notice it empty? Big 292 00:23:31,320 --> 00:23:36,600 Speaker 1: empty glass bowl. And unfortunately there's past year has been 293 00:23:36,600 --> 00:23:40,720 Speaker 1: the greatest drought in our colony's history since the first birth. 294 00:23:41,240 --> 00:23:45,240 Speaker 1: As we've grown physically weaker, so too have the mental 295 00:23:45,280 --> 00:23:50,200 Speaker 1: bonds uniting our colony. Now soon, one by one, each 296 00:23:50,280 --> 00:23:53,520 Speaker 1: mole will fall out of sync with Ome, and our 297 00:23:53,600 --> 00:23:57,920 Speaker 1: divine sound will fade, with nothing left to preserve our 298 00:23:58,040 --> 00:24:03,200 Speaker 1: delicate equilibrium. The drone of madness will spread through our 299 00:24:03,240 --> 00:24:08,879 Speaker 1: home and the darkness will once again return. That was 300 00:24:08,920 --> 00:24:11,240 Speaker 1: never our intention. There has to be a way we 301 00:24:11,240 --> 00:24:15,720 Speaker 1: can help now. I wish there was, outsider. But once 302 00:24:15,760 --> 00:24:20,119 Speaker 1: the last mole has turned dark, our tree will die, 303 00:24:20,359 --> 00:24:24,400 Speaker 1: and all hope of restoring the balance will die with it. 304 00:24:24,880 --> 00:24:28,439 Speaker 1: For our colony, there will be no coming back to 305 00:24:28,520 --> 00:24:32,280 Speaker 1: the light. Serious logo. If what the conductor says it's true, 306 00:24:32,280 --> 00:24:34,119 Speaker 1: we need to leave right now before things take a 307 00:24:34,160 --> 00:24:39,280 Speaker 1: turn for the worse. Agreed for the sake of the mission. 308 00:24:40,400 --> 00:24:48,520 Speaker 1: Ah ah, go then leave my chamber. The exit from 309 00:24:48,520 --> 00:24:53,119 Speaker 1: our colony is through the tree tree. The tree's trunk 310 00:24:53,280 --> 00:24:57,600 Speaker 1: is hollow, insider wooden stairs. Presumably that is how you 311 00:24:57,840 --> 00:25:00,679 Speaker 1: entered near the top. There is a hole in the 312 00:25:00,720 --> 00:25:03,760 Speaker 1: trunk from which you may exit to return to the 313 00:25:03,840 --> 00:25:08,119 Speaker 1: outside world. Where do we enter the trunk through the 314 00:25:08,160 --> 00:25:12,760 Speaker 1: base one level directly above this chamber. Now please leave 315 00:25:12,880 --> 00:25:21,600 Speaker 1: me me we're going ah serious, now leave giggly behind. Sorry, serious, 316 00:25:21,640 --> 00:25:24,400 Speaker 1: but he's not our responsibility. As I said, we'll return 317 00:25:24,520 --> 00:25:26,640 Speaker 1: him back to the hatchery where we found him. It's 318 00:25:26,680 --> 00:25:50,000 Speaker 1: for the best. Ah no, oh no, The buzzing to 319 00:25:50,119 --> 00:25:53,040 Speaker 1: break down of the omen has begun. The sound of 320 00:25:53,160 --> 00:25:56,680 Speaker 1: males turn to furious even how we find our way 321 00:25:56,680 --> 00:26:01,000 Speaker 1: to the base of the tree trunks? Um, all roots 322 00:26:01,080 --> 00:26:03,159 Speaker 1: lead to the tree trunk. After we stop at the hatchery, 323 00:26:03,200 --> 00:26:04,920 Speaker 1: we can follow this tree room. We should be able 324 00:26:04,960 --> 00:26:06,159 Speaker 1: to track it all the way to the base of 325 00:26:06,160 --> 00:26:08,000 Speaker 1: the tree. From there, we'll go up and exit through 326 00:26:08,040 --> 00:26:11,240 Speaker 1: the hole in the tree's trunk. Like the conductor said, now, 327 00:26:11,280 --> 00:26:23,280 Speaker 1: come on this way right, keep up? Are you okay? Yeah? 328 00:26:23,680 --> 00:26:27,880 Speaker 1: That grace wolf came in newhere. What are they doing? 329 00:26:28,920 --> 00:26:34,919 Speaker 1: Moster and violent fight? Old grammy? Oh lud, let's go. 330 00:26:35,160 --> 00:26:46,560 Speaker 1: The hatchery is just up ahead. Serious, I'm gonna need 331 00:26:46,600 --> 00:26:48,160 Speaker 1: you to know that, as bad as it may seem, 332 00:26:48,160 --> 00:26:50,720 Speaker 1: returning bigly to this hatchery is the right thing to do. 333 00:26:51,240 --> 00:26:53,439 Speaker 1: He's better off down here with his own kind than 334 00:26:53,560 --> 00:26:56,160 Speaker 1: outside in the harsh desert. Stands with us. The desert's 335 00:26:56,200 --> 00:27:00,280 Speaker 1: no place for a baby moll and the conductor. The 336 00:27:00,320 --> 00:27:02,800 Speaker 1: colony has been in darkness without hom in the past. 337 00:27:02,920 --> 00:27:04,760 Speaker 1: If they came out of it once before, they can 338 00:27:04,760 --> 00:27:08,520 Speaker 1: find a way out again. Logo and I will wait 339 00:27:08,520 --> 00:27:10,479 Speaker 1: in the main passage way so you can say goodbye 340 00:27:10,480 --> 00:27:17,160 Speaker 1: to Diggley. Logo coming. I'll be right there either, Diggley. 341 00:27:17,280 --> 00:27:19,199 Speaker 1: I have to be quick, and I'm afraid I'm not 342 00:27:19,240 --> 00:27:22,560 Speaker 1: always so eloquent with words. Although our time together has 343 00:27:22,600 --> 00:27:24,719 Speaker 1: been breathed, I want you to know that I consider 344 00:27:24,760 --> 00:27:28,480 Speaker 1: you a very special mole. Take care now, Diggley. I 345 00:27:28,640 --> 00:27:51,240 Speaker 1: must be going. Logo coming either, Ah Deglee good agree, 346 00:27:55,960 --> 00:28:02,680 Speaker 1: deadly serious, have to leave now, but be strong more 347 00:28:02,800 --> 00:28:10,880 Speaker 1: brothers and and sisters need you strong more, Conductor, need 348 00:28:10,960 --> 00:28:34,000 Speaker 1: you strong? Serious serious, need you strong? Oh Diggli Diiggli serious? 349 00:28:34,040 --> 00:28:35,720 Speaker 1: What are you still doing with Diggley? I thought we 350 00:28:35,800 --> 00:28:41,720 Speaker 1: came to an understanding Dogie eyes still with Siddle Diggley 351 00:28:41,840 --> 00:28:55,000 Speaker 1: starting to turn dig sick. Listen, No, it can't be 352 00:28:55,840 --> 00:28:59,080 Speaker 1: your madness is umbrus called it's not safe here. The 353 00:28:59,160 --> 00:29:01,720 Speaker 1: darkness overtaken the colony is umbra. The mole layer won't 354 00:29:01,720 --> 00:29:04,120 Speaker 1: be stable much longer. How do you know? Trust me? 355 00:29:04,240 --> 00:29:08,040 Speaker 1: We have to leave now, then go without serious here 356 00:29:08,480 --> 00:29:12,680 Speaker 1: piece exactly likeiteness, No serious. We've already sacrificed too much 357 00:29:12,720 --> 00:29:14,080 Speaker 1: for this mission. You can't just give it all up 358 00:29:14,080 --> 00:29:17,320 Speaker 1: from one tiny mole. We leave Diggley behind, likeness, We 359 00:29:17,440 --> 00:29:23,440 Speaker 1: leave Giggley to die. Okay, Okay, we'll help them, we will, 360 00:29:23,920 --> 00:29:27,200 Speaker 1: how I don't know. Maybe if we find Digley's actual 361 00:29:27,240 --> 00:29:29,280 Speaker 1: parents don't know how to take care of them at 362 00:29:29,320 --> 00:29:31,760 Speaker 1: the very least under their parental guidency, stands the best 363 00:29:31,840 --> 00:29:34,760 Speaker 1: chance of recovery. But either we can't count on finding 364 00:29:34,800 --> 00:29:36,960 Speaker 1: Diggley's parents down here. We don't even have a way 365 00:29:36,960 --> 00:29:39,600 Speaker 1: of communicating with the moles. Besides, even if we some 366 00:29:39,760 --> 00:29:42,800 Speaker 1: show manage to track them down, there's no guarantee it's 367 00:29:42,840 --> 00:29:49,320 Speaker 1: not too late. They may have already no terms. You 368 00:29:49,440 --> 00:29:51,800 Speaker 1: heard what the conductor said. The only certain way to 369 00:29:51,840 --> 00:29:54,400 Speaker 1: help Digley is to restore the Ohm sound and bring 370 00:29:54,440 --> 00:29:56,920 Speaker 1: back harmony to the colony. Yeah, but the om was 371 00:29:56,960 --> 00:29:59,600 Speaker 1: funneled through the satellite dish, which is now broken and 372 00:29:59,640 --> 00:30:01,880 Speaker 1: which you have to bring back with us anyway. There's 373 00:30:02,000 --> 00:30:11,080 Speaker 1: no chance or stories, no need more barren serious, deady bearing, deady, 374 00:30:11,160 --> 00:30:16,240 Speaker 1: no need all me there did already needs serious love 375 00:30:18,200 --> 00:30:31,240 Speaker 1: right deeply right, Oh, the drone of madness. It's spreading 376 00:30:31,320 --> 00:30:38,320 Speaker 1: rapidly throughout them all areas. That's hard dirt walls, burt 377 00:30:38,360 --> 00:30:44,600 Speaker 1: that sounds colis tongue all he was right most you're 378 00:30:44,680 --> 00:30:47,400 Speaker 1: turning self destructive and alarming rate. They appear to get 379 00:30:47,440 --> 00:30:49,400 Speaker 1: first and self head first against the walls of their 380 00:30:49,400 --> 00:30:54,880 Speaker 1: own colleague. If this continues, the whole are found the glass. 381 00:30:56,320 --> 00:31:00,240 Speaker 1: What you saying? There must be something where miss see 382 00:31:02,640 --> 00:31:11,880 Speaker 1: Do you hear that? What a rumbling noise? Tell me about? Yeah? 383 00:31:12,000 --> 00:31:25,120 Speaker 1: Where's it coming from? There? Behind us? It's but that's way. 384 00:31:25,520 --> 00:31:28,480 Speaker 1: There's no time to change during cour us skip in 385 00:31:28,520 --> 00:31:33,760 Speaker 1: the end squashway Big Bubba giggling come back and even 386 00:31:33,840 --> 00:31:39,560 Speaker 1: Diggley's abandoned us finished gold Digley kicked down game and 387 00:31:39,720 --> 00:31:47,920 Speaker 1: turned of course digging down worry help digging day from 388 00:31:48,880 --> 00:32:05,800 Speaker 1: Dick didn't even up. Dahle say it works, Babba, roll 389 00:32:06,040 --> 00:32:11,280 Speaker 1: right over, Giggli save us well we're still inside an 390 00:32:11,320 --> 00:32:13,960 Speaker 1: underground collapsing layer. First things first, up and out of 391 00:32:14,000 --> 00:32:21,200 Speaker 1: this hole, Giggle? Serious? How about the hole? Serious? Way, 392 00:32:21,680 --> 00:32:24,760 Speaker 1: don't get Diiggli up just yet. You can leave your 393 00:32:24,800 --> 00:32:26,240 Speaker 1: pack in the hole for now. I need to talk 394 00:32:26,320 --> 00:32:32,440 Speaker 1: with you and Logo in private. Wow, he's that everything? Okay. 395 00:32:34,120 --> 00:32:36,680 Speaker 1: There's no easy way to put this, but clearly there's 396 00:32:36,720 --> 00:32:38,600 Speaker 1: no getting Diggli the help he needs down to you. 397 00:32:38,920 --> 00:32:41,080 Speaker 1: We don't need another close call with death to tell 398 00:32:41,160 --> 00:32:44,520 Speaker 1: us that. Right, we have to head for the exit. 399 00:32:44,720 --> 00:32:46,440 Speaker 1: We'll find Giggli the help he needs once we're on 400 00:32:46,480 --> 00:32:51,440 Speaker 1: the outside. Land's change to bring Giggli with us. Not quite. 401 00:32:52,440 --> 00:32:56,240 Speaker 1: As I said before, Diggli won't survive in the desert. 402 00:32:56,440 --> 00:32:58,560 Speaker 1: It's no place for a baby mole. But down here, 403 00:32:58,640 --> 00:33:00,880 Speaker 1: even in this current state, he's still has a chance. 404 00:33:01,240 --> 00:33:04,880 Speaker 1: You prom no, but that's the only way we make 405 00:33:04,920 --> 00:33:07,280 Speaker 1: out of this alive. It's too dangerous for us to 406 00:33:07,280 --> 00:33:09,560 Speaker 1: be down here. And if something happens to us, who's 407 00:33:09,600 --> 00:33:23,040 Speaker 1: gonna help Digley? Then? Lo go? There's right? Serious? Are okay? Serious? 408 00:33:23,240 --> 00:33:28,120 Speaker 1: To Dickley, I don't even know you're making the right choice. 409 00:33:29,880 --> 00:33:41,320 Speaker 1: But we'll come back soon. We're now absolutely did you 410 00:33:41,480 --> 00:33:48,680 Speaker 1: disappeutiful mom? What what? Pretty? Go? Serious? Where's your piece 411 00:33:48,680 --> 00:33:52,920 Speaker 1: of the satellite dish? It's missing too, it appears Dickley 412 00:33:53,000 --> 00:33:56,040 Speaker 1: dug even further down into the hall, taking seriously piece 413 00:33:56,080 --> 00:33:59,000 Speaker 1: of the dish with him. Why what get Dickley? What 414 00:33:59,040 --> 00:34:02,400 Speaker 1: were a piece of satellite dish? Maybe he even safe 415 00:34:02,440 --> 00:34:06,440 Speaker 1: for us until we return, or more likely it's just 416 00:34:06,480 --> 00:34:08,920 Speaker 1: because the satellite is just shining the same reason you like. 417 00:34:09,120 --> 00:34:11,600 Speaker 1: Either's a ah. We have to fight Diggley and get 418 00:34:11,640 --> 00:34:14,080 Speaker 1: it back. We're not leaving without it. The only one 419 00:34:14,080 --> 00:34:17,400 Speaker 1: way to go from here. Help me dick down in 420 00:34:17,440 --> 00:34:38,600 Speaker 1: the hall, faster, faster, stout his trail. Where are we? 421 00:34:38,920 --> 00:34:41,320 Speaker 1: We seem to have emptied out into a vast muddy 422 00:34:41,360 --> 00:34:44,839 Speaker 1: plane at the colony's base. It's slip by lantern fire 423 00:34:44,880 --> 00:34:46,799 Speaker 1: and the ground is covered by tree roots, but it's 424 00:34:46,840 --> 00:34:49,360 Speaker 1: completely devoid of all mole life. In fact, there are 425 00:34:49,440 --> 00:34:51,880 Speaker 1: here to be no natural passageways in or out of 426 00:34:51,880 --> 00:34:54,360 Speaker 1: this chamber. So we've tunneled so deep we've reached a 427 00:34:54,440 --> 00:35:02,120 Speaker 1: secret chamber in bedrock. Now where's Diggley. Diggley footprint ah, 428 00:35:02,239 --> 00:35:08,719 Speaker 1: our footprints lost in tree roots? A serious what is it? 429 00:35:10,640 --> 00:35:15,240 Speaker 1: Large round pit in chamber center tree roots lead straight 430 00:35:15,280 --> 00:35:19,719 Speaker 1: down to a pit bottom. Careful, serious, don't get too 431 00:35:19,719 --> 00:35:23,720 Speaker 1: close to the pit's edge. M Two wooden poles staked 432 00:35:23,760 --> 00:35:26,440 Speaker 1: around the pit circumference, a central axle with a hand 433 00:35:26,480 --> 00:35:29,640 Speaker 1: crying mechanism, and a rope. Although the connecting pail is 434 00:35:29,680 --> 00:35:32,000 Speaker 1: no longer attached and lies sidelined on the ground, It's 435 00:35:32,040 --> 00:35:34,680 Speaker 1: unmistakable this is not simply a pit. It's a well. 436 00:35:35,280 --> 00:35:37,840 Speaker 1: The secret chamber must be used to house the mole's 437 00:35:37,880 --> 00:35:41,960 Speaker 1: water supply logo. I can't quite see to the bottom, 438 00:35:41,960 --> 00:35:44,319 Speaker 1: but it looks to be completely black down there. There's 439 00:35:44,360 --> 00:35:47,000 Speaker 1: no water in that well. Precisely the conductor said, there's 440 00:35:47,000 --> 00:35:49,280 Speaker 1: been a devastating drought, so it makes sense it's empty. 441 00:35:49,400 --> 00:35:57,080 Speaker 1: Too bad. Where Didgley go? I'm sorry, serious, but given 442 00:35:57,120 --> 00:36:05,840 Speaker 1: it's an open well, Digley may fallen in well bucket 443 00:36:05,840 --> 00:36:11,320 Speaker 1: on ground. Moving inside the bucket. It must be day 444 00:36:13,280 --> 00:36:17,919 Speaker 1: Papa coming Dagley. This is Mama speaking. Complete Stay away 445 00:36:17,920 --> 00:36:21,000 Speaker 1: from the well's edge. Look at the shiny anelated Dagley 446 00:36:21,560 --> 00:36:35,520 Speaker 1: like ammulate hamulate God giggle saved. Why scare Papa like that? 447 00:36:36,040 --> 00:36:42,320 Speaker 1: Playing in bucket by whole serious could loose Diggley forever. Diggley, 448 00:36:42,440 --> 00:36:44,560 Speaker 1: I want you to recognize how much danger you put 449 00:36:44,560 --> 00:36:46,759 Speaker 1: yourself in. If you had fallen into the well, we 450 00:36:46,840 --> 00:36:48,919 Speaker 1: might not have been able to get you out. Wait, 451 00:36:49,680 --> 00:36:53,640 Speaker 1: we're serious, piece of satellite dish. Ether, where are you going? 452 00:36:53,719 --> 00:36:56,160 Speaker 1: You're getting dangerously close to the well. I see it's 453 00:36:56,360 --> 00:36:59,120 Speaker 1: the satellite dish pieces snacked on a tree root dangling 454 00:36:59,200 --> 00:37:01,200 Speaker 1: just inside the wall was opening if I could just 455 00:37:01,320 --> 00:37:17,840 Speaker 1: anchor myself through a Wait, don't do it. What's so funny? 456 00:37:19,239 --> 00:37:22,040 Speaker 1: Found what the satellite dish beef? No, the moles secret 457 00:37:22,080 --> 00:37:25,000 Speaker 1: reserve what they keep inside the whil It's not water 458 00:37:25,320 --> 00:37:30,680 Speaker 1: and it's not empty either. It's oil. Look, why would 459 00:37:30,719 --> 00:37:36,360 Speaker 1: Digley have come for the oil? O shiny? Of course 460 00:37:36,920 --> 00:37:40,080 Speaker 1: the refractive property of oil. Digley was attracted to the 461 00:37:40,120 --> 00:37:42,520 Speaker 1: oil sheen for the same reasons he was attracted to 462 00:37:42,520 --> 00:37:48,120 Speaker 1: my aMule and serious piece of satellite. Okay, now, what's 463 00:37:48,120 --> 00:37:51,719 Speaker 1: the fastest way out of here? I have her exit plan. 464 00:37:52,200 --> 00:37:56,080 Speaker 1: It's right in front of us. Ah. No, don't even 465 00:37:56,120 --> 00:37:59,799 Speaker 1: say it. Hey, oil is flammable, right ah either you 466 00:38:00,120 --> 00:38:03,799 Speaker 1: cast we have everything we need fire from the lanterns, 467 00:38:04,080 --> 00:38:06,920 Speaker 1: tree roots covering the ground and a well full of oil. 468 00:38:07,200 --> 00:38:09,399 Speaker 1: We can set off an explosion and blow our way 469 00:38:09,400 --> 00:38:12,279 Speaker 1: to the surface. But an explosion will undermine the entire 470 00:38:12,320 --> 00:38:15,800 Speaker 1: structural integrity of the layer. This whole place could collapse. 471 00:38:15,880 --> 00:38:17,960 Speaker 1: It's only a matter of time until it collapses. Anyway. 472 00:38:18,040 --> 00:38:19,799 Speaker 1: The molts can always tunnel their way out, but we'll 473 00:38:19,840 --> 00:38:22,160 Speaker 1: be bury alive. All we have to do is light 474 00:38:22,160 --> 00:38:24,400 Speaker 1: the far end of the tree root on fire. Waits, 475 00:38:24,440 --> 00:38:26,520 Speaker 1: the flame trickles down like a fuse into the well, 476 00:38:26,680 --> 00:38:31,480 Speaker 1: and then when it hits the oil, boom. Freedom and 477 00:38:31,760 --> 00:38:35,160 Speaker 1: DIGGLEI change your plan. Diggli's coming with us, no doubt 478 00:38:35,200 --> 00:38:36,799 Speaker 1: about it. Fresh air will do them some good, but 479 00:38:37,040 --> 00:38:41,680 Speaker 1: we have to act fast, okay for Diggli serious, Put 480 00:38:41,680 --> 00:38:43,239 Speaker 1: those grubby pots to work and take down one of 481 00:38:43,239 --> 00:38:46,960 Speaker 1: the lanterns off the wall. You do know that once 482 00:38:47,040 --> 00:38:49,120 Speaker 1: we light the tree root, there's no going back. Then 483 00:38:49,120 --> 00:38:55,800 Speaker 1: what are we waiting for? Let it burn? Let it up? Serious? Ah? Okay? 484 00:38:55,800 --> 00:38:59,160 Speaker 1: How long is till reaches the oiliate? Just over a minute? Okay, 485 00:38:59,200 --> 00:39:01,560 Speaker 1: Everyone away from the well, hold on tights, your satellite 486 00:39:01,600 --> 00:39:03,120 Speaker 1: dis pieces and we'll be out of here in no 487 00:39:03,280 --> 00:39:12,720 Speaker 1: time either. Now, what me. Moles total him from chamber walls. 488 00:39:12,960 --> 00:39:15,720 Speaker 1: There's a dot of them. What do they want? Perhaps 489 00:39:15,719 --> 00:39:19,520 Speaker 1: they've come for the oil or maybe moles across. We 490 00:39:19,640 --> 00:39:21,439 Speaker 1: can't let them put up the fuse. It's our only 491 00:39:21,480 --> 00:39:37,480 Speaker 1: hopeful to escape serious protect us from boles. Adang serious, 492 00:39:37,520 --> 00:39:47,120 Speaker 1: don't just stand there during health fights the health. This 493 00:39:47,239 --> 00:39:49,200 Speaker 1: is the battle of wits, in the battle of him 494 00:39:49,360 --> 00:39:55,200 Speaker 1: and stuff that. Oh, this one seems understand. I wonder 495 00:39:55,280 --> 00:39:57,920 Speaker 1: how to molst it into the hall, whether I could 496 00:39:57,960 --> 00:40:01,520 Speaker 1: possibly roll it with sufficient bol lost and precision. At 497 00:40:01,560 --> 00:40:13,120 Speaker 1: the approaching group, Males goes nothing. I'm not thinking about 498 00:40:13,200 --> 00:40:20,239 Speaker 1: the deck to them where heat back near the well? 499 00:40:20,560 --> 00:40:29,480 Speaker 1: He's going for the oil Diggle No, Digley going to 500 00:40:29,560 --> 00:40:34,359 Speaker 1: the oil well fil to deferent, to trim it. More 501 00:40:34,400 --> 00:40:38,520 Speaker 1: holes just wild it serious, going to wow rescue Diggley. 502 00:40:39,320 --> 00:40:42,759 Speaker 1: Wait serious, I'll go. You're more healthy Diggley up here 503 00:40:42,760 --> 00:40:48,480 Speaker 1: of fending off the hostile holes. He started saying, I 504 00:40:48,640 --> 00:40:51,120 Speaker 1: will logo and needs your health. Come with me to 505 00:40:51,120 --> 00:40:58,640 Speaker 1: the well. Let's go going in after Digley. Even the 506 00:40:58,640 --> 00:41:00,640 Speaker 1: claim is going to reach the oil thirty seconds to 507 00:41:01,080 --> 00:41:03,160 Speaker 1: we don't have an opportunity to distinguish it with all 508 00:41:03,200 --> 00:41:05,160 Speaker 1: these molten ways. You won't make it in time. I 509 00:41:05,280 --> 00:41:07,120 Speaker 1: have to try. How are you gonna find him in 510 00:41:07,120 --> 00:41:10,840 Speaker 1: the oil? It's too dark to see down sick. You 511 00:41:10,840 --> 00:41:15,720 Speaker 1: need mother Daniel to it to Dixon. The intra unrolled 512 00:41:15,960 --> 00:41:23,440 Speaker 1: the second arcas. I'll count down the seconds until dead 513 00:41:23,480 --> 00:41:26,040 Speaker 1: pation by the under that second, I need you out 514 00:41:26,040 --> 00:41:54,200 Speaker 1: of the tent. Five second, Oh by zeconds call tue serious, 515 00:41:54,560 --> 00:41:59,400 Speaker 1: Oh no pious neither Texas can you hear me? Get 516 00:41:59,440 --> 00:42:16,720 Speaker 1: out of their new What happened there is just warmed 517 00:42:16,800 --> 00:42:21,440 Speaker 1: up collar horse run away. They're drinking water from the 518 00:42:21,480 --> 00:42:26,879 Speaker 1: well water. A guiser of water erupted from the well 519 00:42:27,000 --> 00:42:31,360 Speaker 1: and extinguished the Hugh, stopping the explosion. And either deple 520 00:42:37,520 --> 00:42:42,880 Speaker 1: got him, Get us back up, either Diggley alive, either 521 00:42:43,080 --> 00:42:46,880 Speaker 1: I'm throwing down the road. Tie it around yourself and 522 00:42:46,960 --> 00:42:56,640 Speaker 1: Diggley and we'll lift you too up. Ready, h r 523 00:42:58,320 --> 00:43:03,000 Speaker 1: water under the oil of course the water table. It 524 00:43:03,080 --> 00:43:06,480 Speaker 1: all makes sense now. The dress leading into the well 525 00:43:06,520 --> 00:43:09,840 Speaker 1: and the face of the molar absorbed the water underneath 526 00:43:09,840 --> 00:43:13,319 Speaker 1: the oil to support the Bayo battery about Stifly must 527 00:43:13,360 --> 00:43:16,719 Speaker 1: have somehow instinctually know that the entire time and never 528 00:43:16,760 --> 00:43:19,400 Speaker 1: stopped digging until he greeted the water. Mama raised a 529 00:43:19,520 --> 00:43:31,400 Speaker 1: ginion loganamile here, thank the stars. You're okay. Good to 530 00:43:31,440 --> 00:43:34,520 Speaker 1: be back on solid ground, even if we're so far 531 00:43:34,560 --> 00:43:39,239 Speaker 1: beneath the surface. And with all this water last, we 532 00:43:39,320 --> 00:43:43,400 Speaker 1: can refill the mold conductor's drinking bold as a consolation 533 00:43:43,880 --> 00:43:54,479 Speaker 1: by destroying the owner ah more drowne madness lesson after 534 00:43:54,600 --> 00:44:02,400 Speaker 1: drinking water. Maybe maybe water helped digger. That's it to restore. 535 00:44:02,480 --> 00:44:06,560 Speaker 1: Oh the water. Fill the well's bucket along with our 536 00:44:06,600 --> 00:44:09,360 Speaker 1: canteens and come with me. Serious spring dict. We have 537 00:44:09,400 --> 00:44:11,759 Speaker 1: to pay the conductor of visits. I'll fill you another way. 538 00:44:11,800 --> 00:44:23,920 Speaker 1: There's no time to waste time. Excuse us. We don't 539 00:44:23,960 --> 00:44:26,000 Speaker 1: mean to barge in. But Bubba wasn't at his post. 540 00:44:27,280 --> 00:44:32,799 Speaker 1: Shall you stayed to Winders? The demise of our colony entertaining? 541 00:44:33,000 --> 00:44:35,520 Speaker 1: Is it? I think we can help. We may have 542 00:44:35,520 --> 00:44:40,759 Speaker 1: found a solution, you three. I've done enough already. I 543 00:44:40,920 --> 00:44:44,880 Speaker 1: look around. I am the last remaining mole that is 544 00:44:44,960 --> 00:44:47,759 Speaker 1: yet to turn, and once I go, that will be 545 00:44:47,840 --> 00:44:51,320 Speaker 1: the end, at least in darkness. I'll join the others. 546 00:44:51,760 --> 00:44:57,799 Speaker 1: But we find water for drinking ball, It's too late 547 00:44:57,840 --> 00:45:01,200 Speaker 1: for that, my Thursday. It is all dry it up. 548 00:45:01,719 --> 00:45:09,480 Speaker 1: The water is what can restore own. I'm done playing games. 549 00:45:10,320 --> 00:45:14,920 Speaker 1: There is no restoring home after you've re destroyed the 550 00:45:15,000 --> 00:45:18,920 Speaker 1: singing bowl. Now, please let me go peacefully into the dark. 551 00:45:19,440 --> 00:45:22,360 Speaker 1: But you still have your drinking ball, which you know 552 00:45:22,960 --> 00:45:27,200 Speaker 1: does not resonate a desame frequency as our divine home. 553 00:45:28,000 --> 00:45:31,239 Speaker 1: But that's it. We can transform it. We can alter 554 00:45:31,320 --> 00:45:33,759 Speaker 1: the frequency of your drinking bowl by altering its water 555 00:45:33,840 --> 00:45:38,800 Speaker 1: level and make it resonate home. Fah impossible. The bowl's 556 00:45:38,840 --> 00:45:41,720 Speaker 1: frequency is based off the speed at which vibrations travel 557 00:45:41,800 --> 00:45:44,600 Speaker 1: through it. By adding water to the bowl, we can 558 00:45:44,640 --> 00:45:47,560 Speaker 1: alter its resonant frequency, as the bowl will vibrate with 559 00:45:47,640 --> 00:45:50,319 Speaker 1: the water inside it. To find home, we just need 560 00:45:50,360 --> 00:45:54,520 Speaker 1: the right water level in harmony with its degree of vibration. Yeah, 561 00:45:54,960 --> 00:45:59,560 Speaker 1: you've made a mockery of our colony. I will not 562 00:45:59,640 --> 00:46:02,440 Speaker 1: allow you to make a mockery of hour to find 563 00:46:02,680 --> 00:46:15,359 Speaker 1: home as well. Please give chance for mallsily all right, 564 00:46:16,640 --> 00:46:21,400 Speaker 1: I'll put myself through one last humiliation at your hands. 565 00:46:22,520 --> 00:46:27,040 Speaker 1: M hmm. Okay. As I'm pouring the water into the bowl, 566 00:46:27,360 --> 00:46:31,280 Speaker 1: keep channeling home directly into the center. Don't stop until 567 00:46:31,320 --> 00:46:34,560 Speaker 1: we hit the water level that matches the frequency very 568 00:46:34,600 --> 00:46:57,759 Speaker 1: well on my account. Street two one. It can't be. 569 00:46:59,640 --> 00:47:05,200 Speaker 1: It can't be. I don't believe it. Home, it's in 570 00:47:05,640 --> 00:47:13,000 Speaker 1: my water bowl. It's restored. Thank you outsiders, you've shown 571 00:47:13,080 --> 00:47:16,120 Speaker 1: me there is still light at the end of the tunnel. 572 00:47:22,880 --> 00:47:29,800 Speaker 1: DIGGLEI stopped drawn madness, the Diggli cured. Diggli get away 573 00:47:29,840 --> 00:47:44,680 Speaker 1: from new Hombole. What do you listen to that? Diggli's 574 00:47:45,280 --> 00:47:52,480 Speaker 1: a natural. There's little one is a conductor mole my 575 00:47:52,880 --> 00:48:03,120 Speaker 1: Diggli and doctor No. Diggley is destined to one day 576 00:48:03,239 --> 00:48:07,760 Speaker 1: served at the helm of our new singing bowl, spreading 577 00:48:07,920 --> 00:48:12,880 Speaker 1: home throughout our colony and ushering in a new era 578 00:48:13,040 --> 00:48:17,400 Speaker 1: of prosperity for us. Moves. With him by my side, 579 00:48:17,840 --> 00:48:23,200 Speaker 1: we will rebuild our home. Serious, I know, I swore 580 00:48:23,280 --> 00:48:28,200 Speaker 1: to you. We dig Diggley with us. Oh no either, Diggley, 581 00:48:28,239 --> 00:48:39,400 Speaker 1: but along here. That's bold layer conductor, Spread home, Diggley, 582 00:48:41,360 --> 00:48:46,600 Speaker 1: make Papa proud. One day meet again when Giggley big 583 00:48:46,600 --> 00:48:57,879 Speaker 1: and grown. We go. Now we spread home through land, farewell, 584 00:48:59,400 --> 00:49:28,879 Speaker 1: friend farewell indeed h ah ah oh serious stucking tree 585 00:49:28,920 --> 00:49:32,839 Speaker 1: trunk hole, Come on, logo, give me a hand, help 586 00:49:32,880 --> 00:49:40,080 Speaker 1: me pull serious free from the tree trunk's hole. Ow 587 00:49:44,640 --> 00:49:50,959 Speaker 1: Ow look the bay of bab tree. It's beginning to blossom. 588 00:49:51,120 --> 00:49:57,560 Speaker 1: But you look at that flowers sign of new life. 589 00:49:59,440 --> 00:50:11,200 Speaker 1: M InterQuest created by Michael Freiberg, a production of iHeartRadio 590 00:50:11,239 --> 00:50:15,040 Speaker 1: and Astro Media Executive produced by Michael Freiberg and I 591 00:50:15,200 --> 00:50:19,240 Speaker 1: Hear Radio, co produced by Adam Raimunda and Chelsea English. 592 00:50:19,680 --> 00:50:23,439 Speaker 1: Sound design and mix by Dennis Denbeck, Music by Trey Toy, 593 00:50:23,960 --> 00:50:31,080 Speaker 1: Performances by Matthew Brissard, Ether, Mike Leibovitz, Serious Mike Kaplan Logo, 594 00:50:31,719 --> 00:50:38,239 Speaker 1: Lucy poul Umbra featuring Tim Platt, Digley jen Cone, mul Conductor, 595 00:50:38,560 --> 00:50:43,200 Speaker 1: director and head writer Michael Fraberck, Writers Tom Delgado and 596 00:50:43,280 --> 00:50:48,879 Speaker 1: Will Julian, story editor, Chelsea English dialogue editor jay Anne Wang, 597 00:50:49,400 --> 00:50:53,760 Speaker 1: Fully Post, fret fulcast and crew in the description. Find 598 00:50:53,760 --> 00:50:56,680 Speaker 1: more podcasts for my Heart Radio on the iHeartRadio app, 599 00:50:56,840 --> 00:50:59,480 Speaker 1: Apple podcast, or wherever you listen to podcasts.