WEBVTT - The Spirited Actor - Alexis Austriaco

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<v Speaker 1>Hello, and welcome to the Spirited Actor Podcast with me

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<v Speaker 1>Tracy Moore. I was a casting director for film and

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<v Speaker 1>TV and commercials for over thirty years. I transitioned to

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<v Speaker 1>a celebrity acting coach after I cast a film New

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<v Speaker 1>Jersey Drive with executive producers Spike Lee and director Nick Domez.

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<v Speaker 1>I auditioned every rapper from biggiees Balls to Tupac, and

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<v Speaker 1>I realized that rappers and musical artists they needed help

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<v Speaker 1>transitioning to acting. My clients consist of musical artists from

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<v Speaker 1>Buster Rhymes to Eve, Missy Elliott, Angela Yee from The

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<v Speaker 1>Breakfast Club, and Vanessa Simmons to name a few. I

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<v Speaker 1>also coach sports stars and host as well. I feel

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<v Speaker 1>I have the best of both worlds. As a casting director,

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<v Speaker 1>I know exactly what they're looking for, and as an

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<v Speaker 1>acting coach, I can coach you to be remembered in

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<v Speaker 1>that room.

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<v Speaker 2>Now I know.

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<v Speaker 1>I know actors want to get the job. I get that,

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<v Speaker 1>but being remembered by a casting director that is powerful.

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<v Speaker 3>And now it's time for meditation of the day. Breathe then,

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<v Speaker 3>I calm my body, breathe out, I smile.

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<v Speaker 2>Anonymous. When is enough enough.

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<v Speaker 3>I ask myself this every single day, not for myself,

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<v Speaker 3>but just for the world in general. Like, if we're honest,

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<v Speaker 3>America has a lot and we have a lot of

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<v Speaker 3>excess of food, of products, things right. My question is,

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<v Speaker 3>if peace and happiness and love is what you're seeking

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<v Speaker 3>in this life, and we only know of this life,

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<v Speaker 3>then we have to have a conversation with ourselves to

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<v Speaker 3>let us ourselves.

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<v Speaker 2>Know that when enough is enough, when we don't have.

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<v Speaker 3>To strive so hard, work so hard, think so hard,

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<v Speaker 3>live so hard. When we can just know that this

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<v Speaker 3>amount of money is good and this house or condo,

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<v Speaker 3>whatever it is that you have that you are blessed

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<v Speaker 3>to live in is good, then we can seek peace.

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<v Speaker 3>But every day is literally a rat race to where

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<v Speaker 3>and we have to answer that question so that we

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<v Speaker 3>can create calmness in our soul and we can live

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<v Speaker 3>peacefully and love. Today, I will believe that love, peace

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<v Speaker 3>and happiness truly exists when you know that enough is enough.

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<v Speaker 3>Before we get started, I like to remind everyone to

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<v Speaker 3>go to Crackle Network to use the Evans one and

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<v Speaker 3>two of my show Inside the Black Box that I

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<v Speaker 3>co host with the Great Emmy Award winning Joe Morton.

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<v Speaker 3>Look out for news on season three soon. Welcome to

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<v Speaker 3>the Spirited Actor Podcast with me Tracy Moore. I am

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<v Speaker 3>beyond excited. Like you guys don't understand, when you meet

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<v Speaker 3>people and your soul and spirit are familiar, it is

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<v Speaker 3>a confirmation that that is the energy that.

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<v Speaker 2>You want to and need to be around. And that's

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<v Speaker 2>what I felt when I met this woman.

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<v Speaker 3>And I and I have to say this too because

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<v Speaker 3>I don't know if I've ever said this to her.

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<v Speaker 2>But like I know, when I meet actors. Does that

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<v Speaker 2>make sense? I know when I meet actors, but I

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<v Speaker 2>felt like I felt, I feel like I met.

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<v Speaker 3>The person first and then I was on the set like,

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<v Speaker 3>oh yeah, you enacted. So anyway, I'm not gonna I'm

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<v Speaker 3>not going to delay this introduction because you are going

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<v Speaker 3>to feel exactly the same way I do after this

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<v Speaker 3>interview conversation. Ladies and gentlemen, Please my new friend, my actress,

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<v Speaker 3>she was Fiefe in the Lifetime movie Abduction at NHBCU,

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<v Speaker 3>please put chance together for Alexis Austria cup.

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<v Speaker 4>All right ya, everybody?

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<v Speaker 2>Can I do it?

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<v Speaker 5>Okay?

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<v Speaker 2>No, no, no, we have to. You know, I was

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<v Speaker 2>going over this.

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<v Speaker 4>Yes, yes, let's see there we go, thank you very much.

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<v Speaker 3>Yes.

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<v Speaker 2>So, as I said in May, they.

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<v Speaker 3>Were shooting fifteen days in Atlanta, Georgia and so cool

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<v Speaker 3>on you know, the Moorhouse and Spellman campuses. Historically it

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<v Speaker 3>was beautiful. My first night, well pretty much. I think

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<v Speaker 3>all of our days were night shoots. And so when

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<v Speaker 3>we do night shoots, you're leaving actors around three o'clock

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<v Speaker 3>in the afternoon and then you come back to your

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<v Speaker 3>hotel or your space around you know, nine am in

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<v Speaker 3>the morning sometimes right, Yes, but I want to talk

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<v Speaker 3>about because this was what my takeaway from the whole

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<v Speaker 3>production was.

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<v Speaker 2>Is how you shoot a featured film.

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<v Speaker 3>Now in fifteen days? And for you, what was your

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<v Speaker 3>process when you got casts and then the contract? Where

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<v Speaker 3>because actors asked this, where do you start studying and working?

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<v Speaker 2>You know? And then what is that process until you

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<v Speaker 2>get on the set.

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<v Speaker 4>So my first concern is when I do good books,

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<v Speaker 4>so yay and thank you Leslie Green. Shout out to

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<v Speaker 4>Leslie Green for casting. Yes, yes, and so yeah. So

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<v Speaker 4>the first thing I I you know, I ask for

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<v Speaker 4>is the script because I want to read the script

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<v Speaker 4>in its entirety. So I can understand, you know, the

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<v Speaker 4>vibe and everything like that, because I feel like sometimes,

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<v Speaker 4>I mean all the time, when you just read that

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<v Speaker 4>certain part before you film, you miss a lot of

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<v Speaker 4>how you could build a character or how you know,

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<v Speaker 4>you could present yourself in the film. So that would

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<v Speaker 4>be my step every time when I do. And Plus

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<v Speaker 4>I love I love the you know, I love the scenery,

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<v Speaker 4>and I love the you know, thinking about, oh, what's

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<v Speaker 4>going to happen and then getting on set and be like, oh,

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<v Speaker 4>this is a little different than what I thought.

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<v Speaker 2>So I love that.

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<v Speaker 4>And then in regards to like, you know, uh, contracts

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<v Speaker 4>and stuff, Luckily I have an agent who takes care

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<v Speaker 4>of that.

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<v Speaker 3>So and I was gonna say to alexis that when

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<v Speaker 3>you said the first thing I asked for is a script.

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<v Speaker 3>I just want to make it clear actors, if you

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<v Speaker 3>do not have an agent or a manager, it is

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<v Speaker 3>very rare that you get to the script. So that

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<v Speaker 3>is why she had asked us to the script, and

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<v Speaker 3>she had someone to negotiate her contracts.

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<v Speaker 6>Because she has an agent. Yes, So I just wanted

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<v Speaker 6>to throw that in. Yes, shout out to say it again,

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<v Speaker 6>I said, shout out.

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<v Speaker 4>To Baron entertainment, my agency who got me deducted at

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<v Speaker 4>HBCU as well.

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<v Speaker 2>Yeah, you know, one of this is so in alignment.

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<v Speaker 3>But I was thinking to the other day and preparing

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<v Speaker 3>for my I do give love just talking about gratitude

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<v Speaker 3>and the way that you are giving these shout outs

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<v Speaker 3>like this to me. You know, the energy that you

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<v Speaker 3>put out is the energy that you give and this

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<v Speaker 3>is your spirit. Have you found because in your you know,

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<v Speaker 3>tell us about because my thing again is fifteen days.

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<v Speaker 3>What was your experience? You you prep one way at home,

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<v Speaker 3>but then when you get to the set, what was different?

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<v Speaker 3>What was you know, what did you feel you didn't

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<v Speaker 3>have time for, like because fifteen days, like I come

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<v Speaker 3>from I'm old school, four to six weeks if you

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<v Speaker 3>have a good budget.

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<v Speaker 2>Well yeah, so fifteen days.

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<v Speaker 4>Yeah, yeah, definitely it was definitely sped up. But the

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<v Speaker 4>you know, the thing I feel like I did also

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<v Speaker 4>a lot of like relaxation, meditation also in addition, so

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<v Speaker 4>I wasn't so like a little bit you know, nervous,

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<v Speaker 4>because I was a little nervous for a second, but

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<v Speaker 4>then I realized, Yeah, I realized that I'm just going

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<v Speaker 4>to enjoy myself and not overthink it and just be

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<v Speaker 4>the character. But in regards to preparation, having only fifteen days,

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<v Speaker 4>I spent most of my mornings before my shoot just

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<v Speaker 4>restudying the lines, restudying the lines and restudying you know,

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<v Speaker 4>the parts beforehand, and so I kind of know where

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<v Speaker 4>my mindset will be. So it's a lot of if

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<v Speaker 4>you don't have too much prep time, which is like

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<v Speaker 4>luki Ley for the people who film for to six weeks,

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<v Speaker 4>they got a lot more prep time. They can do

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<v Speaker 4>the character more and all that stuff. You know, you

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<v Speaker 4>just have to consistently work and you know, you just

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<v Speaker 4>keep building yourself. But when you truly love something like this,

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<v Speaker 4>it's like it's kind of like almost a cake walk,

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<v Speaker 4>but not saying it like like cocky or anything, but

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<v Speaker 4>it's if you love it, here, it's gonna it's gonna

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<v Speaker 4>be fine, and you just keep working hard and have

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<v Speaker 4>your mind focused on it, you'll be fine. But yeah,

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<v Speaker 4>just make sure to keep understand also when you are

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<v Speaker 4>on set, things can be thrown differently at you. So

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<v Speaker 4>they can change a whole thing, yes, and take out

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<v Speaker 4>a whole part of the script, and you'll have to

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<v Speaker 4>write then and there two seconds you better catch that

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<v Speaker 4>real quick. But no worries. Once you relax and everything,

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<v Speaker 4>you'll get it just fine.

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<v Speaker 3>Yes, and this is really important, really important. And talking

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<v Speaker 3>to these actors who are listening to you now. For

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<v Speaker 3>those of you who have not seen the film Lifetime

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<v Speaker 3>Abduction at an HVCU, I would encourage you to see

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<v Speaker 3>this film because excuse me, Fifie, I mean, look, Fifi,

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<v Speaker 3>I believe alexis Alexis.

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<v Speaker 2>Yeah, that's okay.

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<v Speaker 3>Can you tell them how you prepared for Fifi, because

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<v Speaker 3>give them a little of your background, because that is

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<v Speaker 3>not you.

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<v Speaker 4>Yes, yes, I yeah. So for Fifi, it's she's such

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<v Speaker 4>a she's she went through a lot in her past

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<v Speaker 4>in order to get to where she is now. So

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<v Speaker 4>she she also I don't know if I should say

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<v Speaker 4>any spoilers or anything.

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<v Speaker 2>Should I say spoilers? Well, but it's but but you

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<v Speaker 2>introduced yourself like that, you know what I mean. We're

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<v Speaker 2>not talking anything else?

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<v Speaker 4>Yeah, gotcha, yes, definitely, So, yeah, prepare for Fife. It's

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<v Speaker 4>just so I'm usually a goofy person, but Fefee is

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<v Speaker 4>a little bit more serious about the business because her

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<v Speaker 4>task is to make sure these girls are okay, and

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<v Speaker 4>that is I mean, at moments when the task at

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<v Speaker 4>hand me as a person, I do that as well.

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<v Speaker 4>But otherwise I'm a very goofy person. I love you know,

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<v Speaker 4>I love joking around. I love life, and life is

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<v Speaker 4>amazing and fantastic and I'm so blessed to be alive.

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<v Speaker 4>And so with Fifi, I had to just always my

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<v Speaker 4>concern the girls in the back of my head, so

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<v Speaker 4>serious mode was always on hand. I didn't have any

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<v Speaker 4>joking mode. I had a task to do. I had

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<v Speaker 4>to get, you know, help these girls, and that was

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<v Speaker 4>one of my it. And then I had to deal

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<v Speaker 4>with the pain of my past, which is still healing,

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<v Speaker 4>so of the fife of the fife of the fee.

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<v Speaker 3>Yeah, and I have to say that, you know, when

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<v Speaker 3>we were shooting the first scene, which was really the

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<v Speaker 3>first introduction of the.

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<v Speaker 2>Two of you, the weight, like, I kept saying to myself,

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<v Speaker 2>she can't.

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<v Speaker 3>She had a camera in you guys, like just a

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<v Speaker 3>regular Panasonic or Cannon camera, and it had a strap

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<v Speaker 3>and she was carrying it on her shoulder, and then

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<v Speaker 3>she had a bag, and I kept saying to myself,

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<v Speaker 3>you look so way down, but it's not the camera

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<v Speaker 3>and it's not the bag, it's your history.

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<v Speaker 2>Yes, you wore to me, you wore the pain, the

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<v Speaker 2>healing because.

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<v Speaker 3>I'm not going I really encourage you guys to watch

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<v Speaker 3>this because what her past entailed.

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<v Speaker 2>You, that's not.

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<v Speaker 3>Something that I don't know if you truly to recover

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<v Speaker 3>from that, because it's a daily back there unless you go,

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<v Speaker 3>you know, get hypnotized to erase that from your memory.

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<v Speaker 3>Like I can't imagine you not not thinking about it

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<v Speaker 3>sometime during.

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<v Speaker 2>The day, you know. So that's the first thing I

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<v Speaker 2>saw on you before I.

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<v Speaker 3>Met you was the weight that you were carrying, you know,

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<v Speaker 3>your overcoat.

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<v Speaker 2>It just everything just looked like it was just weighing

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<v Speaker 2>on you right, right.

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<v Speaker 3>But then when you spoke, that's when you could that's

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<v Speaker 3>when you felt the passion and like the commitment that

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<v Speaker 3>you made to yourself, yes, that you were going to

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<v Speaker 3>be a part of this and save these and and

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<v Speaker 3>you know, I mean it was lifetime, right, Alexis. So

0:13:39.360 --> 0:13:40.520
<v Speaker 3>it was like it was.

0:13:40.400 --> 0:13:41.920
<v Speaker 2>A little safe, right.

0:13:42.280 --> 0:13:46.160
<v Speaker 3>But yes, I talked to someone who's an investigator that

0:13:46.240 --> 0:13:49.640
<v Speaker 3>said to me, I said to him, don't these men

0:13:49.800 --> 0:13:55.160
<v Speaker 3>have mothers, sisters, daughters, He said, Tracy, they paid them

0:13:55.320 --> 0:13:59.720
<v Speaker 3>enough to forget they have mothers, sisters, daughters, aunts.

0:14:00.640 --> 0:14:01.640
<v Speaker 2>That's yeah.

0:14:01.679 --> 0:14:05.000
<v Speaker 3>So even if you were doing that research just to

0:14:05.000 --> 0:14:07.719
<v Speaker 3>get that in your head, like where do you have

0:14:07.880 --> 0:14:11.520
<v Speaker 3>to go? And not go too far because this is

0:14:11.880 --> 0:14:15.480
<v Speaker 3>it's sex trafficking. That's what abduction is about. Like we

0:14:15.520 --> 0:14:19.680
<v Speaker 3>can tell you that. So when these girls are snatched,

0:14:19.720 --> 0:14:24.600
<v Speaker 3>and I can only imagine very few are saved. But

0:14:24.880 --> 0:14:27.960
<v Speaker 3>when you are saying where where, like for you as

0:14:28.000 --> 0:14:30.000
<v Speaker 3>an actress, where did you have to go to a

0:14:30.120 --> 0:14:32.560
<v Speaker 3>dark place or create a dark place?

0:14:32.640 --> 0:14:36.520
<v Speaker 2>Like, because that is not alexis you guys? Yes?

0:14:36.760 --> 0:14:41.400
<v Speaker 4>Like well, first, you know, I would watch YouTube videos

0:14:41.440 --> 0:14:43.680
<v Speaker 4>to see kind of like investigators and stuff like that.

0:14:43.720 --> 0:14:46.720
<v Speaker 4>YouTube is so helpful to kind of research what you can.

0:14:48.160 --> 0:14:51.560
<v Speaker 4>But of course, uh in addition to that, I just

0:14:52.320 --> 0:14:56.160
<v Speaker 4>I listen to the other actor and I listen, which

0:14:56.200 --> 0:15:00.200
<v Speaker 4>also helps me play off of what I'm feeling. So

0:15:01.320 --> 0:15:03.800
<v Speaker 4>listening is one of the most important thing you could do.

0:15:03.840 --> 0:15:08.720
<v Speaker 4>I feel as an actor, you know, and thank you, welcome,

0:15:08.760 --> 0:15:12.320
<v Speaker 4>thank you, and so that is very important when you

0:15:12.400 --> 0:15:13.960
<v Speaker 4>listen and not worry about, oh my god, what am

0:15:13.960 --> 0:15:14.400
<v Speaker 4>I going to say?

0:15:14.440 --> 0:15:15.120
<v Speaker 2>What is my lines?

0:15:16.240 --> 0:15:19.800
<v Speaker 4>Instead of being like know your lines? Of course, but listen,

0:15:19.880 --> 0:15:21.960
<v Speaker 4>and when you listen, then you respond and you can

0:15:22.000 --> 0:15:24.560
<v Speaker 4>feel it right here in the heart, you know, right

0:15:24.600 --> 0:15:26.800
<v Speaker 4>here in the heart where it comes or whatever place

0:15:26.880 --> 0:15:29.680
<v Speaker 4>that certain feeling you get. You know, the thing is

0:15:29.800 --> 0:15:33.000
<v Speaker 4>also in life. You study life. When you study life,

0:15:33.680 --> 0:15:37.120
<v Speaker 4>you can also it also pertains to when you act,

0:15:37.160 --> 0:15:39.560
<v Speaker 4>because you know, you get mad in real life. So

0:15:39.640 --> 0:15:42.560
<v Speaker 4>getting mad in real life for example, you know you'll

0:15:42.920 --> 0:15:45.200
<v Speaker 4>know how that feeling is. So pay attention to stuff

0:15:45.200 --> 0:15:48.480
<v Speaker 4>like that too. And then also when watching the YouTube videos,

0:15:48.480 --> 0:15:50.600
<v Speaker 4>pay it, you know, pay attention to their mannerisms, what

0:15:50.720 --> 0:15:54.160
<v Speaker 4>is happening everything like that, you know, theirs, their backstory,

0:15:54.160 --> 0:15:56.720
<v Speaker 4>how are they sitting. Every I feel like every detail

0:15:56.760 --> 0:16:00.520
<v Speaker 4>is very important to building your character in whatever the

0:16:00.600 --> 0:16:03.320
<v Speaker 4>character is, like for example, sex trafficker or a nurse.

0:16:03.400 --> 0:16:05.800
<v Speaker 4>Let's say for a nurse, for example, a hard working nurse.

0:16:06.200 --> 0:16:08.600
<v Speaker 4>Research upon that nurse, what do they do? Shoot. I

0:16:08.880 --> 0:16:11.360
<v Speaker 4>would even go as far to volunteering at a hospital

0:16:11.400 --> 0:16:13.960
<v Speaker 4>if they allow it to kind of shadow a nurse,

0:16:14.120 --> 0:16:16.920
<v Speaker 4>because then you can really get that hard you know,

0:16:16.960 --> 0:16:19.480
<v Speaker 4>that view and that real feel the energy of the

0:16:19.480 --> 0:16:23.080
<v Speaker 4>whole place instead of just YouTube. So yeah, that's that's

0:16:23.120 --> 0:16:25.800
<v Speaker 4>that's what research you should always do as an actor.

0:16:25.920 --> 0:16:28.800
<v Speaker 4>Just go above and beyond that any anybody would do,

0:16:28.840 --> 0:16:30.880
<v Speaker 4>and that will really help you, you know, build your

0:16:30.920 --> 0:16:35.280
<v Speaker 4>acting career, build yourself better as an actor, and then

0:16:35.320 --> 0:16:36.760
<v Speaker 4>it will make you love it even more.

0:16:37.360 --> 0:16:41.040
<v Speaker 3>So I just want to say, in watching the work,

0:16:41.320 --> 0:16:44.400
<v Speaker 3>like I felt the work that you did, the research

0:16:44.520 --> 0:16:45.400
<v Speaker 3>that you did.

0:16:45.240 --> 0:16:46.120
<v Speaker 2>That's what I'm saying.

0:16:46.280 --> 0:16:49.360
<v Speaker 3>Like, you know, it would have been fake to me

0:16:49.800 --> 0:16:55.800
<v Speaker 3>if the character Fefee was, for instance, had makeup on,

0:16:56.520 --> 0:17:01.160
<v Speaker 3>like of course, you know Alexis had makeup on, but

0:17:01.320 --> 0:17:05.800
<v Speaker 3>she didn't have makeup on that looked like she had makeup.

0:17:05.840 --> 0:17:08.959
<v Speaker 3>She her face looked warm, you know, she looked tired.

0:17:09.080 --> 0:17:12.199
<v Speaker 3>I mean, this woman you'll see when you watch it

0:17:12.280 --> 0:17:14.800
<v Speaker 3>what she does for a living. You know how she

0:17:14.960 --> 0:17:20.840
<v Speaker 3>moves right right, So so that played a part in

0:17:21.080 --> 0:17:21.440
<v Speaker 3>for me.

0:17:24.400 --> 0:17:27.400
<v Speaker 2>And and just there was a sadness.

0:17:28.400 --> 0:17:32.399
<v Speaker 3>But when I say that, there were moments where you

0:17:32.440 --> 0:17:34.840
<v Speaker 3>could see there was light at the end of the tunnel,

0:17:35.000 --> 0:17:35.960
<v Speaker 3>you know, because of you.

0:17:36.880 --> 0:17:39.840
<v Speaker 2>So you told the for me, you told the full story.

0:17:41.680 --> 0:17:44.320
<v Speaker 3>Now I was down there working with my client Natry

0:17:44.400 --> 0:17:47.680
<v Speaker 3>not how was it you sees?

0:17:48.080 --> 0:17:58.280
<v Speaker 4>Yeah, yes, the torri, Yes, the toy.

0:17:57.160 --> 0:17:59.160
<v Speaker 2>How did you feel, I mean, how was that?

0:17:59.240 --> 0:18:06.879
<v Speaker 3>You know, I know that like and I said this

0:18:07.040 --> 0:18:09.520
<v Speaker 3>sanatory that I wish that you guys had time to

0:18:09.520 --> 0:18:13.359
<v Speaker 3>meet each other prior, just to get some energy because like,

0:18:13.720 --> 0:18:17.479
<v Speaker 3>you know, eventually you know the story, yes, so, but

0:18:17.600 --> 0:18:18.800
<v Speaker 3>you guys created that.

0:18:18.880 --> 0:18:21.800
<v Speaker 2>But how was it working with her, you know in

0:18:21.840 --> 0:18:22.320
<v Speaker 2>this film?

0:18:23.119 --> 0:18:23.359
<v Speaker 7>Oh?

0:18:23.400 --> 0:18:27.919
<v Speaker 4>It was amazing. She was so kind. She when she

0:18:28.040 --> 0:18:30.520
<v Speaker 4>saw there was a little she offered me advice, and

0:18:30.680 --> 0:18:33.080
<v Speaker 4>which was very amazing because a lot of actors I've

0:18:33.119 --> 0:18:35.400
<v Speaker 4>worked with don't do that. They only concern about themselves

0:18:35.440 --> 0:18:40.320
<v Speaker 4>a lot of times. But sorry, but Notori really stepped

0:18:40.320 --> 0:18:43.040
<v Speaker 4>into to kind of give me some advice. Hey, maybe

0:18:43.040 --> 0:18:45.440
<v Speaker 4>you should, you know, do this this way. And I said,

0:18:45.480 --> 0:18:47.120
<v Speaker 4>you know what, that is a great way.

0:18:46.920 --> 0:18:47.320
<v Speaker 2>To do it.

0:18:47.400 --> 0:18:50.040
<v Speaker 4>I love it. And she was, yeah, she very and

0:18:50.040 --> 0:18:54.240
<v Speaker 4>she would offer suggestions that would be even better than

0:18:54.359 --> 0:18:56.639
<v Speaker 4>what originally was you know, thought of.

0:18:57.640 --> 0:18:58.640
<v Speaker 2>So because of her.

0:18:58.560 --> 0:19:01.280
<v Speaker 4>Long experience, she's been in this industry since she was

0:19:01.280 --> 0:19:04.640
<v Speaker 4>fifteen years old, I mean, she has a lot of experience,

0:19:04.680 --> 0:19:06.679
<v Speaker 4>so she understands a lot of it. And whenever you

0:19:06.680 --> 0:19:08.399
<v Speaker 4>are as an actor, you're dealing with you know, a

0:19:08.520 --> 0:19:12.520
<v Speaker 4>very well seasoned, you know, actor and you know, take

0:19:12.560 --> 0:19:15.040
<v Speaker 4>their advice. They know what they're doing. And she's just

0:19:15.680 --> 0:19:18.160
<v Speaker 4>amazing energy. I really enjoyed. And there was a part

0:19:18.200 --> 0:19:20.600
<v Speaker 4>we held hands in the film and I just felt

0:19:20.600 --> 0:19:23.000
<v Speaker 4>the energy right through our hands and I.

0:19:22.880 --> 0:19:25.440
<v Speaker 2>Just didn't go I didn't want let go of the hand. Yeah,

0:19:25.480 --> 0:19:29.400
<v Speaker 2>I loved it. Yes, And she's a good mommy and yeah,

0:19:30.480 --> 0:19:32.840
<v Speaker 2>very nurturing and loving.

0:19:33.119 --> 0:19:40.959
<v Speaker 3>Yeah, I enjoyed. I enjoyed. I'm not gonna tell but

0:19:41.160 --> 0:19:44.040
<v Speaker 3>there's two of my favorite scenes in there with you guys,

0:19:44.160 --> 0:19:49.879
<v Speaker 3>and and I got a chance to see the film

0:19:49.920 --> 0:19:52.800
<v Speaker 3>with her because she had a screaming and we were

0:19:52.920 --> 0:19:56.920
<v Speaker 3>so happy after the film. We really enjoyed it, you know.

0:19:56.960 --> 0:20:02.760
<v Speaker 2>Because you know, it's very challenging actors.

0:20:02.800 --> 0:20:05.760
<v Speaker 3>And I really want you to know this because you know,

0:20:08.160 --> 0:20:11.280
<v Speaker 3>to rush through things as an actor and not be

0:20:11.359 --> 0:20:14.639
<v Speaker 3>able to go through the process. That's why classes and

0:20:14.760 --> 0:20:18.040
<v Speaker 3>rehearsals are so important, because you have to edit back

0:20:18.720 --> 0:20:19.920
<v Speaker 3>when you get on the set.

0:20:20.040 --> 0:20:22.639
<v Speaker 2>You're not gonna was that challenging for you?

0:20:22.720 --> 0:20:26.160
<v Speaker 3>Because there were moments where I saw and I'm gonna

0:20:26.160 --> 0:20:27.800
<v Speaker 3>tell you Mother's Day.

0:20:27.880 --> 0:20:33.800
<v Speaker 2>I'm gonna just say Mother's Day. We shot and there

0:20:33.920 --> 0:20:36.159
<v Speaker 2>I wanted you to take a little more time with

0:20:36.240 --> 0:20:40.760
<v Speaker 2>the situation. However, how was it challenging.

0:20:40.280 --> 0:20:46.120
<v Speaker 4>For you as an actress because in a well, I

0:20:46.160 --> 0:20:50.159
<v Speaker 4>think as an actress, a lot of things are challenging,

0:20:50.240 --> 0:20:52.880
<v Speaker 4>especially if you don't take class. I feel like sometimes

0:20:52.880 --> 0:20:55.680
<v Speaker 4>when you don't take a class and you don't get

0:20:55.680 --> 0:20:58.240
<v Speaker 4>that outside perspective, it can make you miss some things

0:20:58.240 --> 0:20:59.879
<v Speaker 4>what you should have thought of before. Like, for example,

0:21:00.040 --> 0:21:04.520
<v Speaker 4>the wonderful Tracy. She helps so much. Everything she does,

0:21:04.680 --> 0:21:08.280
<v Speaker 4>she offers this amazing advice that makes you completely do

0:21:08.320 --> 0:21:11.159
<v Speaker 4>a one eighty in your head, you know, a one

0:21:11.280 --> 0:21:13.760
<v Speaker 4>eighty to just be like, okay, this is what I need.

0:21:13.920 --> 0:21:15.680
<v Speaker 4>Okay I missed this, so this is what I could

0:21:15.720 --> 0:21:17.440
<v Speaker 4>do better next time, or.

0:21:17.359 --> 0:21:18.080
<v Speaker 2>Stuff like that.

0:21:18.160 --> 0:21:21.520
<v Speaker 4>So I feel like, you know, acting is challenging, but

0:21:21.560 --> 0:21:23.440
<v Speaker 4>it also isn't because when you love it so much,

0:21:23.480 --> 0:21:25.200
<v Speaker 4>it's it's really funny.

0:21:25.000 --> 0:21:25.199
<v Speaker 7>You know.

0:21:25.880 --> 0:21:29.760
<v Speaker 3>So and you know what, I had such a like again,

0:21:30.480 --> 0:21:35.240
<v Speaker 3>I don't even think about consciously like let me help somebody.

0:21:35.320 --> 0:21:40.200
<v Speaker 3>It's just it just it's it's just my DNA, right.

0:21:40.720 --> 0:21:45.359
<v Speaker 3>So I on Mother's Day it was really really super

0:21:45.400 --> 0:21:48.280
<v Speaker 3>important seeing you got this for her and I really

0:21:48.440 --> 0:21:51.960
<v Speaker 3>wanted to be there for you in a visual way,

0:21:52.600 --> 0:21:55.520
<v Speaker 3>so I would let her know what the shot was,

0:21:55.560 --> 0:21:58.240
<v Speaker 3>you guys, if it was a close up on her.

0:21:58.200 --> 0:22:02.160
<v Speaker 2>Face, so that Alexis.

0:22:01.600 --> 0:22:04.240
<v Speaker 3>Could be aware, like you all need to know, it's

0:22:04.280 --> 0:22:07.840
<v Speaker 3>so important to know what your camera angle is, you know,

0:22:08.400 --> 0:22:11.080
<v Speaker 3>and how long it's on you and all of that, because,

0:22:12.040 --> 0:22:14.240
<v Speaker 3>like Alexis said, that is.

0:22:14.240 --> 0:22:17.399
<v Speaker 2>One thing that she does. She listens, and she listens

0:22:17.440 --> 0:22:21.480
<v Speaker 2>with her eyes. Thank you, Tracy, Yo.

0:22:21.440 --> 0:22:24.840
<v Speaker 3>When that camera was on you, I was watching your

0:22:24.880 --> 0:22:27.959
<v Speaker 3>eyes on the monitor. It was all in your eyes,

0:22:28.119 --> 0:22:31.800
<v Speaker 3>the pain, the desperation, the all of that, and it

0:22:32.000 --> 0:22:35.240
<v Speaker 3>just came off right. So I'm saying that to say

0:22:36.119 --> 0:22:39.639
<v Speaker 3>that I really felt great every time I got a

0:22:39.720 --> 0:22:41.360
<v Speaker 3>chance to like sneak in that.

0:22:41.400 --> 0:22:47.959
<v Speaker 8>Crowded room and you read the signals very well those.

0:22:49.119 --> 0:22:52.280
<v Speaker 3>But I'm saying it wasn't something that I consciously thought of.

0:22:52.400 --> 0:22:56.800
<v Speaker 2>It was like, Yo, this is an important moment for you.

0:22:56.720 --> 0:23:00.000
<v Speaker 3>As an actress, for people like me to see the verse,

0:23:00.040 --> 0:23:03.240
<v Speaker 3>ssatility and wealth of your talent. Definitely that you know

0:23:03.400 --> 0:23:05.120
<v Speaker 3>the moments son right.

0:23:05.240 --> 0:23:10.240
<v Speaker 4>Definitely, Yes, definitely, and you know you never know, like example, Tracy,

0:23:10.280 --> 0:23:12.119
<v Speaker 4>who's going to be watching to kind of you know,

0:23:12.960 --> 0:23:16.320
<v Speaker 4>give you that extra to help lead you to the

0:23:16.400 --> 0:23:18.520
<v Speaker 4>right path and how you want your career as well,

0:23:18.560 --> 0:23:21.360
<v Speaker 4>and then you know, keep the right people in regards

0:23:21.440 --> 0:23:22.720
<v Speaker 4>around you because you don't.

0:23:22.560 --> 0:23:23.200
<v Speaker 2>Want to just work.

0:23:23.520 --> 0:23:25.920
<v Speaker 4>This is me. I don't want to work with just everybody.

0:23:25.920 --> 0:23:28.040
<v Speaker 4>I'm actually very picky. I want to work with honest,

0:23:28.040 --> 0:23:30.560
<v Speaker 4>good working people, because there are people in the film

0:23:30.600 --> 0:23:33.359
<v Speaker 4>industry that aren't always good and honest people even you know,

0:23:33.480 --> 0:23:36.159
<v Speaker 4>But I like, I'd rather go to a little bit

0:23:36.200 --> 0:23:38.840
<v Speaker 4>slower route meeting the right people than the fast route,

0:23:38.840 --> 0:23:39.080
<v Speaker 4>you know.

0:23:39.520 --> 0:23:43.360
<v Speaker 3>Right, right, so, and and and the other thing too.

0:23:45.200 --> 0:23:48.760
<v Speaker 3>Every set that I go on outside of my client,

0:23:49.359 --> 0:23:52.560
<v Speaker 3>I always ask the director, and I asked del Mark

0:23:52.640 --> 0:23:54.720
<v Speaker 3>it was okay if I can say something to you,

0:23:55.080 --> 0:23:59.280
<v Speaker 3>because I never I'm not there to direct with my clients.

0:23:59.359 --> 0:24:01.359
<v Speaker 2>I've been with Toy over twenty years.

0:24:01.400 --> 0:24:04.760
<v Speaker 3>I've been with Buster for twenty nine years, so I

0:24:04.840 --> 0:24:08.080
<v Speaker 3>know them and I'm able to the director says, this

0:24:08.240 --> 0:24:11.320
<v Speaker 3>is the adjustment. I'm able to articulate. I found myself

0:24:11.359 --> 0:24:14.679
<v Speaker 3>an interpreter. I'm able to articulate it to them and

0:24:14.720 --> 0:24:20.159
<v Speaker 3>then boom right. So I have that respect for the directors,

0:24:20.280 --> 0:24:23.480
<v Speaker 3>and so once I got the okay, I didn't feel

0:24:23.480 --> 0:24:24.160
<v Speaker 3>like I had to.

0:24:24.119 --> 0:24:25.399
<v Speaker 2>Ask every scene.

0:24:25.520 --> 0:24:27.960
<v Speaker 3>Because I got the first okay, then I can have

0:24:28.160 --> 0:24:33.960
<v Speaker 3>okay throughout you know, the show. But it was, it was,

0:24:34.160 --> 0:24:38.919
<v Speaker 3>it was such an amazing journey. And I wanted to

0:24:39.040 --> 0:24:43.000
<v Speaker 3>say this is this true because I read that you

0:24:43.119 --> 0:24:49.159
<v Speaker 3>were thirty one in making the decision to come into acting,

0:24:50.000 --> 0:24:51.160
<v Speaker 3>but you have been seventy.

0:24:52.920 --> 0:24:53.160
<v Speaker 2>Yes.

0:24:53.480 --> 0:24:56.600
<v Speaker 4>So actually, so the story is I was actually going

0:24:56.680 --> 0:24:58.159
<v Speaker 4>to go to I was going to school for animation

0:24:58.240 --> 0:25:00.000
<v Speaker 4>at first because I wanted to be an animator because

0:25:00.000 --> 0:25:02.600
<v Speaker 4>I love to draw. But one of the criterias for

0:25:02.640 --> 0:25:05.720
<v Speaker 4>being an animator is to go and take an acting class.

0:25:05.760 --> 0:25:07.120
<v Speaker 4>And I was like, okay, I'm going to try this thing.

0:25:07.680 --> 0:25:09.199
<v Speaker 4>And then I took it and I realized, you know what,

0:25:09.200 --> 0:25:11.480
<v Speaker 4>I like this more than animation. So I stopped animation

0:25:11.560 --> 0:25:14.119
<v Speaker 4>and just pursued acting. Now I'm doing this full time

0:25:14.720 --> 0:25:17.200
<v Speaker 4>and just I'm going to keep pursuing and keep building

0:25:17.280 --> 0:25:20.000
<v Speaker 4>until I keep going to the next mountain, the next mountain,

0:25:20.040 --> 0:25:21.280
<v Speaker 4>and the next and keep it going.

0:25:21.920 --> 0:25:22.560
<v Speaker 2>Yeah.

0:25:22.600 --> 0:25:27.159
<v Speaker 3>Well, you know what's great about animation one, you know,

0:25:29.800 --> 0:25:34.560
<v Speaker 3>it's different actors than you know, live action because it

0:25:34.680 --> 0:25:38.000
<v Speaker 3>takes a lot of time, right, Alexis is that But

0:25:38.240 --> 0:25:44.000
<v Speaker 3>I feel like the what is going to help move

0:25:44.080 --> 0:25:47.359
<v Speaker 3>this project along with you as your relationships, because a

0:25:47.359 --> 0:25:52.080
<v Speaker 3>lot of relationships that you have and are continue to form. Yeah,

0:25:52.720 --> 0:26:02.040
<v Speaker 3>those relationships can be voiceovers definitely. Yeah, yes, you know so,

0:26:03.960 --> 0:26:06.840
<v Speaker 3>but that's you know, like I love the fact that

0:26:07.000 --> 0:26:11.320
<v Speaker 3>as an actress you are multi hyphening because you have

0:26:11.359 --> 0:26:15.240
<v Speaker 3>to be in these days. She's also a producer creator, yes,

0:26:15.520 --> 0:26:18.520
<v Speaker 3>and that's you know. I mean, can you tell the

0:26:18.560 --> 0:26:22.040
<v Speaker 3>actors like, because that's another I feel like, just.

0:26:22.040 --> 0:26:25.879
<v Speaker 2>As acting brings you this energy and this great vibe,

0:26:26.280 --> 0:26:27.840
<v Speaker 2>creating is the same way.

0:26:28.000 --> 0:26:33.240
<v Speaker 3>So can you just encourage to let them know how

0:26:33.240 --> 0:26:36.760
<v Speaker 3>important it is to have something else within you know?

0:26:37.760 --> 0:26:41.080
<v Speaker 4>Oh definitely, yeah, I think it is so important in

0:26:41.160 --> 0:26:43.960
<v Speaker 4>addition to having your agent and getting your auditions and

0:26:44.080 --> 0:26:46.679
<v Speaker 4>you know, getting the right headshots all that stuff create, right,

0:26:46.880 --> 0:26:51.359
<v Speaker 4>write a movie, you know, write a book definitely, you know,

0:26:51.440 --> 0:26:54.119
<v Speaker 4>become a producer, become a writer, like right now, currently

0:26:54.160 --> 0:26:56.280
<v Speaker 4>I have a partner his name is Rodney Hopson, who

0:26:56.320 --> 0:26:59.040
<v Speaker 4>created a TV series called city Lights, which we eventually

0:26:59.080 --> 0:27:02.760
<v Speaker 4>will be pitching to Netflick. So and then it's gonna

0:27:02.760 --> 0:27:06.240
<v Speaker 4>be your number one show, baby, and yes, yes it is.

0:27:06.800 --> 0:27:08.879
<v Speaker 4>And yeah, make your connections with people who believe in

0:27:08.920 --> 0:27:11.280
<v Speaker 4>themselves and will keep pushing until they get to where

0:27:11.280 --> 0:27:13.919
<v Speaker 4>they want to go and in the same vision as you.

0:27:14.000 --> 0:27:15.879
<v Speaker 4>And that's why I've been working with Rodney. We've been

0:27:15.880 --> 0:27:19.439
<v Speaker 4>working on this TV series for the past well, he

0:27:19.520 --> 0:27:21.159
<v Speaker 4>created it. I've been working on it with him for

0:27:21.200 --> 0:27:22.760
<v Speaker 4>the past two years. He's been working on it for

0:27:22.800 --> 0:27:26.359
<v Speaker 4>six years. And so we're just keep pushing making our

0:27:26.400 --> 0:27:30.480
<v Speaker 4>connections like the awesome Glenn Plummer who is going to

0:27:30.560 --> 0:27:36.199
<v Speaker 4>be on it, and then you know awesome you know,

0:27:36.440 --> 0:27:38.840
<v Speaker 4>Tracy Moore and then everybody else.

0:27:39.720 --> 0:27:43.439
<v Speaker 3>Listen, listen, like you know, I mean I told you

0:27:43.520 --> 0:27:47.040
<v Speaker 3>I have relationships in this business, and you know I

0:27:47.080 --> 0:27:51.199
<v Speaker 3>wanted to bring you on to celebrate you because you like,

0:27:51.480 --> 0:27:55.480
<v Speaker 3>in terms of actors that I've recently met and just

0:27:55.560 --> 0:27:59.520
<v Speaker 3>been around. Like it's a spirit you guys. Like when

0:27:59.520 --> 0:28:02.639
<v Speaker 3>I talk of spirit, like I'm talking like I feel

0:28:02.680 --> 0:28:07.200
<v Speaker 3>like the feathers, I feel like the dream Catchers, you know,

0:28:07.400 --> 0:28:13.040
<v Speaker 3>like there's something That's why I said soul And what

0:28:13.080 --> 0:28:18.760
<v Speaker 3>that does, alexis is it? It does it softens the

0:28:18.840 --> 0:28:22.080
<v Speaker 3>desperation of this business. Like it makes you feel like

0:28:22.520 --> 0:28:24.480
<v Speaker 3>you don't have to be tapping your wrists.

0:28:24.520 --> 0:28:26.520
<v Speaker 2>I got to get this role. You don't have to

0:28:26.520 --> 0:28:30.280
<v Speaker 2>be like, what's my next project? You can actually have

0:28:30.840 --> 0:28:32.080
<v Speaker 2>a career.

0:28:32.920 --> 0:28:38.640
<v Speaker 4>Be happy. Yes, yes, you can do all that. Should

0:28:38.640 --> 0:28:39.560
<v Speaker 4>go to Disney World.

0:28:40.400 --> 0:28:42.200
<v Speaker 2>I love Disney. I'm just saying.

0:28:42.760 --> 0:28:46.360
<v Speaker 3>And the thing about you is, that's that's how you are.

0:28:46.600 --> 0:28:48.800
<v Speaker 3>And that's why I said when I met you, I

0:28:48.920 --> 0:28:52.280
<v Speaker 3>met the person before I met the actress, even though

0:28:52.320 --> 0:28:58.080
<v Speaker 3>we were on set. And I know, you know, somebody

0:28:58.120 --> 0:29:01.280
<v Speaker 3>can you don't even have to tell me you're an actor?

0:29:01.400 --> 0:29:03.640
<v Speaker 2>Right when I go out to LA and I go

0:29:03.760 --> 0:29:05.840
<v Speaker 2>to a restaurant or something, and then people come up

0:29:05.880 --> 0:29:07.600
<v Speaker 2>and you know, with the.

0:29:07.560 --> 0:29:10.200
<v Speaker 3>Presentation, I'm like, I don't need I don't say are

0:29:10.240 --> 0:29:13.360
<v Speaker 3>you an actor? They'll say eventually I'm an actor, And

0:29:13.440 --> 0:29:15.920
<v Speaker 3>in my head, I'll say, I already knew that, Like

0:29:16.120 --> 0:29:19.960
<v Speaker 3>the whole presentation told me that right.

0:29:22.800 --> 0:29:23.160
<v Speaker 2>Now.

0:29:24.000 --> 0:29:27.000
<v Speaker 3>I was looking at you know, I always encourage actors

0:29:27.040 --> 0:29:30.680
<v Speaker 3>to go to IMDb dot com and you know, look

0:29:30.760 --> 0:29:31.480
<v Speaker 3>up credits and.

0:29:31.440 --> 0:29:37.360
<v Speaker 2>Look up everything. And I love the fact that you

0:29:37.400 --> 0:29:38.760
<v Speaker 2>did a short film.

0:29:39.200 --> 0:29:42.440
<v Speaker 3>You know, and because I one of the things and

0:29:42.480 --> 0:29:44.640
<v Speaker 3>this is before short films. You know, I started in

0:29:44.720 --> 0:29:48.160
<v Speaker 3>eighty seven, so this was before short films were a thing.

0:29:48.960 --> 0:29:52.240
<v Speaker 2>But I always encourage actors to.

0:29:52.280 --> 0:29:58.480
<v Speaker 3>Do like here in New York, NYU Columbia, because they

0:29:58.560 --> 0:30:02.200
<v Speaker 3>give them. In the day, they gave them brands, so

0:30:02.240 --> 0:30:04.960
<v Speaker 3>they had budgets, and then you know, they have great

0:30:05.000 --> 0:30:06.719
<v Speaker 3>equipment because people donate.

0:30:06.800 --> 0:30:09.480
<v Speaker 2>It's just like UCLA u AS the film school like that.

0:30:10.800 --> 0:30:14.920
<v Speaker 3>But now you know, these film festivals are platform for

0:30:15.000 --> 0:30:18.680
<v Speaker 3>short films. And then when I was at HBO in

0:30:18.720 --> 0:30:22.239
<v Speaker 3>the nineties, they used to use short films as interstitials,

0:30:23.120 --> 0:30:23.360
<v Speaker 3>you know.

0:30:23.400 --> 0:30:27.280
<v Speaker 2>Commercials, right, what was like.

0:30:30.440 --> 0:30:33.800
<v Speaker 3>What encouraged you or was it the script or how

0:30:33.800 --> 0:30:35.120
<v Speaker 3>did you do this short film?

0:30:35.160 --> 0:30:36.240
<v Speaker 2>How did that come abound?

0:30:37.280 --> 0:30:41.160
<v Speaker 4>So actually the short film I worked on called Bruja,

0:30:41.400 --> 0:30:48.960
<v Speaker 4>which is actually gonna be on YouTube in August thirteenth.

0:30:45.360 --> 0:30:45.440
<v Speaker 5>And.

0:30:46.920 --> 0:30:53.000
<v Speaker 4>Yay, thank you, I know, yeah it's August thirteen, Yes, yes,

0:30:54.080 --> 0:30:54.800
<v Speaker 4>thank you, Tracy.

0:30:56.000 --> 0:30:56.320
<v Speaker 2>I love.

0:30:56.840 --> 0:30:59.640
<v Speaker 4>It's a character role and it's like a really deep

0:30:59.720 --> 0:31:02.880
<v Speaker 4>character role. It's uh brujaw basically is in Spanish it

0:31:02.920 --> 0:31:05.280
<v Speaker 4>means which, so it's like a little bit of a

0:31:05.280 --> 0:31:09.840
<v Speaker 4>horror short. So yes, and I do. I go huge

0:31:09.880 --> 0:31:12.040
<v Speaker 4>for like good scripts, Like if it's a good script,

0:31:12.080 --> 0:31:15.760
<v Speaker 4>I want to work that thing, you know, right right,

0:31:15.880 --> 0:31:18.520
<v Speaker 4>And it was really put together. It was really very

0:31:18.520 --> 0:31:22.400
<v Speaker 4>well put together. It was a very it was actually

0:31:22.480 --> 0:31:26.080
<v Speaker 4>a no budget film, so unfortunately, but you know, starting off,

0:31:26.120 --> 0:31:28.000
<v Speaker 4>you don't sometimes get paid because you got to build

0:31:28.000 --> 0:31:31.440
<v Speaker 4>your real instudy. Yeah, no, at first it's no you know,

0:31:31.680 --> 0:31:33.320
<v Speaker 4>you got to build something, you know.

0:31:33.760 --> 0:31:35.640
<v Speaker 2>And that's why I encourage actors to do.

0:31:36.320 --> 0:31:39.280
<v Speaker 3>Because the thing about NYU is that, you know, not

0:31:39.360 --> 0:31:43.560
<v Speaker 3>negating any other schools, but I knew about NYU Film School.

0:31:43.600 --> 0:31:47.160
<v Speaker 3>I knew about Columbia because as a casting director, I've

0:31:47.160 --> 0:31:50.560
<v Speaker 3>been on panels at these schools, so I know the

0:31:50.600 --> 0:31:54.560
<v Speaker 3>money that they have to do these short films. And

0:31:54.600 --> 0:31:56.520
<v Speaker 3>like I said, the equipment. You can rent out the

0:31:56.520 --> 0:31:59.640
<v Speaker 3>equipment on Friday and you have the equipment all weekend

0:31:59.680 --> 0:32:02.520
<v Speaker 3>and have to return it on that Monday, right, so

0:32:02.560 --> 0:32:05.680
<v Speaker 3>you can shoot a short film in three days. So

0:32:05.920 --> 0:32:08.959
<v Speaker 3>and I used to work on short cast short films

0:32:08.960 --> 0:32:12.960
<v Speaker 3>for my friends and stuff. But I think that it

0:32:13.080 --> 0:32:15.600
<v Speaker 3>is a great platform for you to not only do

0:32:15.680 --> 0:32:19.440
<v Speaker 3>the work as an actor, but also understand the positions

0:32:19.480 --> 0:32:23.080
<v Speaker 3>on that set, the DP, the AD because that's never

0:32:23.160 --> 0:32:27.400
<v Speaker 3>going to change, and just understanding how you know everything

0:32:27.600 --> 0:32:29.840
<v Speaker 3>moves as an actor on that set.

0:32:30.160 --> 0:32:31.600
<v Speaker 2>You get an opportunity to do that.

0:32:31.720 --> 0:32:35.040
<v Speaker 3>In short films feature films, the expectations are here.

0:32:35.000 --> 0:32:37.200
<v Speaker 2>And now you know when you know.

0:32:37.360 --> 0:32:41.720
<v Speaker 3>Now I can honestly say that short films, the expectation

0:32:41.840 --> 0:32:44.840
<v Speaker 3>is wotive for the world. So there is a higher expectation,

0:32:45.400 --> 0:32:49.240
<v Speaker 3>and you know it's your resume, it's your walking, talking

0:32:49.320 --> 0:32:56.360
<v Speaker 3>resume as an actor director DP. So there's advantages. Okay, Alexis,

0:32:56.800 --> 0:32:59.520
<v Speaker 3>you got five minutes and I'm so sad, but this

0:32:59.640 --> 0:33:04.080
<v Speaker 3>is the best. So if these actors who are listening

0:33:04.120 --> 0:33:06.840
<v Speaker 3>to you, whatever advice tips that.

0:33:06.880 --> 0:33:08.280
<v Speaker 2>You think they need right.

0:33:08.080 --> 0:33:11.719
<v Speaker 3>Now in this climate, because you are present in current

0:33:11.880 --> 0:33:13.440
<v Speaker 3>please do yes.

0:33:13.520 --> 0:33:17.280
<v Speaker 4>Okay, So biggest advice definitely create your own stuff as well.

0:33:17.880 --> 0:33:21.160
<v Speaker 4>I think that's huge. Pay attention to life. I think

0:33:21.200 --> 0:33:24.200
<v Speaker 4>that's very important. Pay attention how you feel when you

0:33:24.240 --> 0:33:27.240
<v Speaker 4>get mad, pay attention when you're happy. Where in your

0:33:27.280 --> 0:33:30.160
<v Speaker 4>body are you feeling when you feel this way? So

0:33:30.240 --> 0:33:34.440
<v Speaker 4>then whenever you listen as you act, you can associate

0:33:34.480 --> 0:33:36.720
<v Speaker 4>that feeling to what you're going to say to that

0:33:36.800 --> 0:33:39.920
<v Speaker 4>actor back in response to what you are listening. Listening

0:33:40.040 --> 0:33:43.920
<v Speaker 4>is very important and relaxing. Take a few breaths, and

0:33:43.960 --> 0:33:47.240
<v Speaker 4>you know, practice practice, you know yourself. But also be

0:33:47.680 --> 0:33:51.840
<v Speaker 4>ready for any slight changes. It's whenever you start filming.

0:33:52.440 --> 0:33:54.640
<v Speaker 4>Just be open and be like be like water, like

0:33:54.680 --> 0:33:56.000
<v Speaker 4>Bruce Lee says, be like water.

0:33:56.920 --> 0:34:00.560
<v Speaker 2>You know right? Oh, I love that. Grew up with

0:34:00.640 --> 0:34:02.200
<v Speaker 2>Bruce Sweeve. I love you that.

0:34:02.920 --> 0:34:04.040
<v Speaker 4>Yes, he's awesome.

0:34:04.080 --> 0:34:08.120
<v Speaker 2>I like, yes, ah, that is so beautiful.

0:34:08.200 --> 0:34:12.640
<v Speaker 3>Okay, I'm going to bring Elsa on now because we

0:34:12.680 --> 0:34:16.880
<v Speaker 3>have two actors, spirited actors that dying to ask you

0:34:16.920 --> 0:34:17.400
<v Speaker 3>a question.

0:34:18.080 --> 0:34:27.279
<v Speaker 9>Yeah, yeah, been so hearing your story of Lesus. Thank you,

0:34:27.680 --> 0:34:32.000
<v Speaker 9>Thank you, Elsa. I appreciate you absolutely so. Today we

0:34:32.120 --> 0:34:36.920
<v Speaker 9>have two of our spirited actors to ask questions of you.

0:34:37.080 --> 0:34:40.640
<v Speaker 9>We have mister Randall Holloway, Welcome back, Randon, come on.

0:34:42.000 --> 0:34:45.280
<v Speaker 9>And we have miss Nia Simone Smith. Welcome back Nia

0:34:45.560 --> 0:34:46.240
<v Speaker 9>on camera.

0:34:49.160 --> 0:34:53.280
<v Speaker 2>Hello you two, Bendia, you can ask you a question first?

0:34:53.880 --> 0:34:57.840
<v Speaker 10>Yes, okay, so uh I really First of all, I

0:34:57.840 --> 0:35:00.000
<v Speaker 10>really love your story and I really love your transition

0:35:00.200 --> 0:35:01.200
<v Speaker 10>from doing animation.

0:35:01.960 --> 0:35:03.360
<v Speaker 2>Do you want into acting?

0:35:03.560 --> 0:35:07.480
<v Speaker 10>I feel like people that do that just have great luck.

0:35:08.080 --> 0:35:09.200
<v Speaker 2>And then I don't know, I.

0:35:09.080 --> 0:35:11.640
<v Speaker 10>Just feel like it's like this transition and that is

0:35:11.719 --> 0:35:13.040
<v Speaker 10>just a really cool transition.

0:35:13.160 --> 0:35:14.839
<v Speaker 2>That is kudos to you for that.

0:35:14.840 --> 0:35:15.759
<v Speaker 9>That is amazing.

0:35:17.040 --> 0:35:21.399
<v Speaker 2>But I just want to know, from a fellow.

0:35:21.080 --> 0:35:23.920
<v Speaker 10>Actor to actor, how do you feel when you start

0:35:23.960 --> 0:35:26.919
<v Speaker 10>doing your own creating, like writing and things like that.

0:35:27.960 --> 0:35:31.160
<v Speaker 9>You know a lot of people didn't go to school

0:35:31.200 --> 0:35:32.280
<v Speaker 9>for writing.

0:35:31.880 --> 0:35:34.839
<v Speaker 10>And all these different things, and you're setting in and

0:35:34.880 --> 0:35:39.359
<v Speaker 10>you're like, is this script good enough? You know, you

0:35:39.440 --> 0:35:42.440
<v Speaker 10>have all those doubts and those things. How do you

0:35:42.640 --> 0:35:46.560
<v Speaker 10>present your work when you're feeling that way? It may

0:35:46.800 --> 0:35:50.879
<v Speaker 10>or you're exploring a new realm of the entertainment industry.

0:35:52.560 --> 0:35:58.360
<v Speaker 4>So I personally love creating. I you know, I don't

0:35:58.880 --> 0:36:01.480
<v Speaker 4>one thing I've learned. I don't overthink anything. I don't

0:36:01.520 --> 0:36:03.360
<v Speaker 4>like to overthink. I go for the gusto. You know,

0:36:03.400 --> 0:36:05.120
<v Speaker 4>I'm saying, if they don't like it, they they might

0:36:05.200 --> 0:36:07.040
<v Speaker 4>not like it today, but tomorrow they may love it.

0:36:07.080 --> 0:36:09.399
<v Speaker 4>You know. So I'm that type of person that I'll

0:36:09.400 --> 0:36:14.480
<v Speaker 4>write this script and you know I will just you know,

0:36:14.640 --> 0:36:17.439
<v Speaker 4>keep writing, adjusting and YouTube is great if you ever

0:36:17.560 --> 0:36:20.040
<v Speaker 4>like feel like oh man, what should I do? YouTube

0:36:20.080 --> 0:36:23.520
<v Speaker 4>is I'm also a Hannah artist and I learned doing

0:36:23.560 --> 0:36:24.560
<v Speaker 4>Hannah from YouTube.

0:36:25.400 --> 0:36:27.640
<v Speaker 2>So YouTube is that's your school?

0:36:27.880 --> 0:36:30.279
<v Speaker 4>You know, what is your school in addition to life

0:36:30.560 --> 0:36:32.680
<v Speaker 4>if you if you can't go to school or anything

0:36:32.760 --> 0:36:36.760
<v Speaker 4>like that. But I honestly I don't. I don't worry

0:36:36.800 --> 0:36:40.799
<v Speaker 4>too much because worry does not give me the best creativity.

0:36:40.840 --> 0:36:43.080
<v Speaker 4>I feel like the creativity part is one of the

0:36:43.080 --> 0:36:46.040
<v Speaker 4>most important whenever you're writing a script or you know,

0:36:46.120 --> 0:36:50.279
<v Speaker 4>creating anything and reading books. Reading books is amazing. I

0:36:50.320 --> 0:36:53.160
<v Speaker 4>think reading all types of genres, you know, watching all

0:36:53.239 --> 0:36:56.319
<v Speaker 4>kinds of films, and studying, you know, because in the

0:36:56.400 --> 0:36:58.799
<v Speaker 4>end people say, oh, this person stole this. No, everybody

0:36:58.840 --> 0:37:02.520
<v Speaker 4>we It's just it's we borrow from everybody. Everybody takes

0:37:02.520 --> 0:37:05.520
<v Speaker 4>from something, you know, we learn. So I that that's

0:37:05.560 --> 0:37:08.880
<v Speaker 4>how I feel. I feel like, no, every story has

0:37:08.920 --> 0:37:11.239
<v Speaker 4>like a base where they build off of. Maybe they

0:37:11.280 --> 0:37:13.080
<v Speaker 4>have a little tweak here and there, what makes it

0:37:13.400 --> 0:37:15.759
<v Speaker 4>you know interesting for that whatever however they make it.

0:37:15.800 --> 0:37:20.279
<v Speaker 4>But you know, otherwise, yeah, the writing definitely. I just

0:37:20.360 --> 0:37:22.040
<v Speaker 4>I don't I don't like to overthink it. I want

0:37:22.040 --> 0:37:23.960
<v Speaker 4>to just enjoy and I feel like when you enjoy it,

0:37:24.520 --> 0:37:27.040
<v Speaker 4>the outcomes are great instead of worrying. But I have

0:37:27.120 --> 0:37:29.120
<v Speaker 4>to do this, I have to make this, which is good.

0:37:29.239 --> 0:37:31.680
<v Speaker 4>Keep that in mind. But when you enjoy the process

0:37:31.960 --> 0:37:34.799
<v Speaker 4>it the what you want comes even ten times more,

0:37:35.360 --> 0:37:35.560
<v Speaker 4>you know.

0:37:36.560 --> 0:37:38.439
<v Speaker 2>Yeah, yeah, thank you, Nia.

0:37:38.719 --> 0:37:40.880
<v Speaker 3>And I just want to add to that that she

0:37:41.000 --> 0:37:45.319
<v Speaker 3>didn't say. That's another like she does kinda for real,

0:37:45.680 --> 0:37:50.040
<v Speaker 3>Like she gets booked to do and he learned all

0:37:50.080 --> 0:37:52.280
<v Speaker 3>of YouTube. That is unbelievable.

0:37:52.560 --> 0:37:55.359
<v Speaker 2>So because I want her to do, meet her all

0:37:55.400 --> 0:37:58.800
<v Speaker 2>the way. Stunning work and it's spanding work. You guys,

0:37:59.160 --> 0:37:59.600
<v Speaker 2>thank you.

0:38:00.120 --> 0:38:02.239
<v Speaker 4>Just as we were talking, Nia, someone trying to book

0:38:02.280 --> 0:38:04.000
<v Speaker 4>trying to book an appointment now for.

0:38:05.280 --> 0:38:05.799
<v Speaker 2>I love that.

0:38:05.880 --> 0:38:07.879
<v Speaker 10>I might need to book an appointment with you too.

0:38:08.120 --> 0:38:09.840
<v Speaker 10>I love Hannah. It's so beautiful.

0:38:10.080 --> 0:38:11.200
<v Speaker 2>So thank you so much.

0:38:11.280 --> 0:38:11.760
<v Speaker 4>Nia.

0:38:11.800 --> 0:38:13.840
<v Speaker 3>Well we got to bring her here, Nia, because she

0:38:14.200 --> 0:38:16.959
<v Speaker 3>she's not in New York all day.

0:38:18.520 --> 0:38:21.480
<v Speaker 11>She'll come here maybe next time.

0:38:21.760 --> 0:38:24.160
<v Speaker 4>With City Lights too, especially our TV series that's where

0:38:24.200 --> 0:38:24.880
<v Speaker 4>we want to film it.

0:38:25.600 --> 0:38:30.320
<v Speaker 2>Yeah, yes, and she's looking for well I'm not saying

0:38:30.360 --> 0:38:31.440
<v Speaker 2>nothing else, but anyway, no.

0:38:31.600 --> 0:38:37.799
<v Speaker 8>Thank you, that's so awesome. Okay, Randall, what's your question?

0:38:38.760 --> 0:38:42.400
<v Speaker 8>All right, my name is Randall Holloway. I'm also multi

0:38:42.480 --> 0:38:46.759
<v Speaker 8>hyphenated artist. I'm a singer, actor, writer, and painter and producer,

0:38:48.239 --> 0:38:48.960
<v Speaker 8>so I'm.

0:38:48.840 --> 0:38:50.520
<v Speaker 7>All over the place sometimes.

0:38:51.840 --> 0:38:57.279
<v Speaker 12>But my fortune to you is, you know, as actors,

0:39:00.320 --> 0:39:05.279
<v Speaker 12>what a role that scares you, that really is like

0:39:05.600 --> 0:39:06.920
<v Speaker 12>just really scared you.

0:39:06.840 --> 0:39:11.400
<v Speaker 7>Like is something that you know you shouldn't take, you

0:39:11.440 --> 0:39:14.200
<v Speaker 7>don't want to take, but when it comes across you

0:39:14.239 --> 0:39:16.080
<v Speaker 7>know that you're gonna take it.

0:39:16.880 --> 0:39:22.560
<v Speaker 4>Oh oh man, this is you know, honestly, if there's

0:39:22.600 --> 0:39:26.640
<v Speaker 4>a superhero role that ever really comes for me, that

0:39:26.680 --> 0:39:28.640
<v Speaker 4>will scare me because that is going to be like

0:39:28.680 --> 0:39:30.920
<v Speaker 4>a lead because I have never been a lead in

0:39:30.920 --> 0:39:37.160
<v Speaker 4>a film before, but that role, I would. It would

0:39:37.160 --> 0:39:38.920
<v Speaker 4>take a lot, but I would. I would definitely take

0:39:38.920 --> 0:39:41.480
<v Speaker 4>it first off, because I love doing superhero stuff. I

0:39:41.480 --> 0:39:45.440
<v Speaker 4>love fantasy. Fantasy is like fantasy, action and drama. Those

0:39:45.440 --> 0:39:47.319
<v Speaker 4>are my things. I do like comedy even, you know,

0:39:47.480 --> 0:39:52.480
<v Speaker 4>but like those are my main things. But yeah, that's yeah,

0:39:52.480 --> 0:39:55.839
<v Speaker 4>that's that's what I would take, is that superhero role.

0:39:55.920 --> 0:39:58.439
<v Speaker 4>And sorry, I forgot the other part of your question.

0:39:58.520 --> 0:40:00.520
<v Speaker 4>What was what else was it?

0:40:00.520 --> 0:40:03.480
<v Speaker 7>It was pretty much like, what what's the role that

0:40:03.600 --> 0:40:05.880
<v Speaker 7>you you know that comes across or left that you

0:40:05.960 --> 0:40:07.719
<v Speaker 7>know that you wouldn't want to take, but you know

0:40:07.760 --> 0:40:09.240
<v Speaker 7>that you're going to take, oh.

0:40:09.040 --> 0:40:11.960
<v Speaker 4>That they wouldn't want to take. Sorry, I definitely want

0:40:11.960 --> 0:40:16.640
<v Speaker 4>to take the superhero role. Man. You know, I don't shoot.

0:40:16.680 --> 0:40:19.920
<v Speaker 4>That's hard, you know, I don't know because I like

0:40:19.960 --> 0:40:21.920
<v Speaker 4>a lot of roles. I don't know if there's much.

0:40:22.200 --> 0:40:24.880
<v Speaker 4>But one thing I know I wouldn't do is, you know,

0:40:24.920 --> 0:40:27.680
<v Speaker 4>anything with high nudity. I know that's totally not your question,

0:40:27.719 --> 0:40:30.239
<v Speaker 4>but I wouldn't take those. But there's not really any

0:40:30.320 --> 0:40:32.640
<v Speaker 4>roles out there that I know I wouldn't take but

0:40:32.719 --> 0:40:35.879
<v Speaker 4>will take because there's so many great roles out there

0:40:35.920 --> 0:40:38.520
<v Speaker 4>I feel like and very you know, many great writing

0:40:38.640 --> 0:40:41.000
<v Speaker 4>and off the top of my head, I'm not one

0:40:41.080 --> 0:40:44.920
<v Speaker 4>hundred percent sure, but you know, I take a lot

0:40:44.920 --> 0:40:47.600
<v Speaker 4>of roles, So I'm sorry I didn't give you this.

0:40:48.719 --> 0:40:49.920
<v Speaker 2>No. No.

0:40:50.840 --> 0:40:54.200
<v Speaker 3>And in terms of a super like, I highly recommend

0:40:54.239 --> 0:40:58.359
<v Speaker 3>if you haven't seen its super Supercell on Netflix, Oh

0:40:59.480 --> 0:41:02.840
<v Speaker 3>look at that. And I encourage you guys as actors

0:41:02.880 --> 0:41:06.000
<v Speaker 3>to not just shoot in the United States of America,

0:41:06.120 --> 0:41:10.919
<v Speaker 3>but also think global, you know, because we're everywhere. So

0:41:11.440 --> 0:41:15.640
<v Speaker 3>but this is shot in Britain and it is a

0:41:15.719 --> 0:41:20.960
<v Speaker 3>really great series and talk about superpowers. It's very interesting

0:41:21.200 --> 0:41:24.920
<v Speaker 3>and so we the I benched on season one, but

0:41:25.040 --> 0:41:26.799
<v Speaker 3>season two should be coming out.

0:41:27.040 --> 0:41:29.759
<v Speaker 2>Oh nice, so super that is all. Check it out.

0:41:30.239 --> 0:41:32.080
<v Speaker 2>I can see you on that. I love it because

0:41:32.239 --> 0:41:34.000
<v Speaker 2>I can see you. I guess se you as a

0:41:34.040 --> 0:41:36.520
<v Speaker 2>friend with the superpower of something else. You'll see.

0:41:36.600 --> 0:41:39.200
<v Speaker 4>My partner, Ronnie is actually writing a superhero movie too,

0:41:39.280 --> 0:41:41.839
<v Speaker 4>so he's gonna get that made as well.

0:41:41.880 --> 0:41:48.000
<v Speaker 2>So yeah, you go, yes, Okay.

0:41:46.320 --> 0:41:50.000
<v Speaker 3>This has been Oh my god, like I'm just a Levettat.

0:41:50.719 --> 0:41:53.960
<v Speaker 3>I'm really levitained. This is this is Do you guys

0:41:54.000 --> 0:41:55.160
<v Speaker 3>feel what I feel?

0:41:55.200 --> 0:41:57.239
<v Speaker 2>Now? This is a line in the strip. Do you

0:41:57.320 --> 0:42:00.359
<v Speaker 2>understand what I'm saying? Randall and Nina? Okay, all right,

0:42:00.440 --> 0:42:03.920
<v Speaker 2>I apologize. I need some help with the last name again.

0:42:04.160 --> 0:42:09.320
<v Speaker 3>Okay, all right, all righty okay, I'm just saying, Alexis

0:42:09.360 --> 0:42:11.840
<v Speaker 3>you come in, you're Lucy impo.

0:42:11.960 --> 0:42:15.720
<v Speaker 2>Here we go. Okay, ladies and gentlemen, I want.

0:42:15.520 --> 0:42:17.840
<v Speaker 3>You to put chands together, but still sit down, because

0:42:17.920 --> 0:42:23.799
<v Speaker 3>Alexis Austriaco is going to be back with us in

0:42:23.920 --> 0:42:27.040
<v Speaker 3>class infession and this is gonna be fun. Because she

0:42:27.239 --> 0:42:30.520
<v Speaker 3>did the seat to give feedback and constructive criticism.

0:42:30.920 --> 0:42:31.680
<v Speaker 2>So sit back.

0:42:31.960 --> 0:42:34.080
<v Speaker 3>We'll be back on the Spirited Actor Podcast with me

0:42:34.239 --> 0:42:37.280
<v Speaker 3>Tracy Moore and Alexis.

0:42:36.680 --> 0:42:39.480
<v Speaker 4>See Ostriaco and mister Sea last time, but you know.

0:42:43.719 --> 0:42:47.359
<v Speaker 3>Welcome back to the Spirited Active Podcast with me Tracy Moore,

0:42:47.440 --> 0:42:50.360
<v Speaker 3>and we still have my dear friend, actress and multi

0:42:50.440 --> 0:42:56.839
<v Speaker 3>High Canadia producer, creator person of the world, Alexis Astriaco.

0:42:57.960 --> 0:43:06.239
<v Speaker 2>Yes, thank you, Tracy. Okay, I would throw it to

0:43:06.320 --> 0:43:09.160
<v Speaker 2>Elsa that class in session. You got some actress from you.

0:43:09.640 --> 0:43:12.239
<v Speaker 2>I'm looking forward, I do, I do.

0:43:12.320 --> 0:43:16.120
<v Speaker 9>I'm looking forward to this one today too, Tracy. So

0:43:16.160 --> 0:43:20.120
<v Speaker 9>today we have back mister Randall Holloway, Welcome back.

0:43:20.040 --> 0:43:22.279
<v Speaker 7>Randall, thanks for having me.

0:43:23.120 --> 0:43:26.560
<v Speaker 9>And we have back miss Nia Simon Smith. Welcome back Nia.

0:43:27.640 --> 0:43:28.840
<v Speaker 2>Hey a hi.

0:43:30.480 --> 0:43:30.680
<v Speaker 6>Yah.

0:43:32.239 --> 0:43:37.960
<v Speaker 9>So today's scene is Trapped written by Damien Law. Interior

0:43:38.480 --> 0:43:43.319
<v Speaker 9>prison cell like room night. A woman wakes up and

0:43:43.440 --> 0:43:47.680
<v Speaker 9>is immediately met with a pounding headache. It's enough to

0:43:47.800 --> 0:43:50.480
<v Speaker 9>daze her a bit, but her focus is automatically on

0:43:50.520 --> 0:43:54.080
<v Speaker 9>the room with one toilet and the mysterious man with her,

0:43:54.320 --> 0:44:00.600
<v Speaker 9>who's fixated on the door in front of him.

0:44:00.040 --> 0:44:12.759
<v Speaker 2>Mhm. What's going on? Mm hmm, what the hell is

0:44:12.840 --> 0:44:23.239
<v Speaker 2>going on? Where am I? I don't know? Who are you?

0:44:24.760 --> 0:44:25.560
<v Speaker 2>Why am I here?

0:44:27.080 --> 0:44:27.680
<v Speaker 7>I don't know?

0:44:29.920 --> 0:44:31.080
<v Speaker 5>What do you mean?

0:44:31.160 --> 0:44:34.640
<v Speaker 2>You don't know how did you end up here? I

0:44:34.680 --> 0:44:39.279
<v Speaker 2>don't know do you know anything going on right now?

0:44:39.280 --> 0:44:41.600
<v Speaker 2>Because I'm freaking the fuck out?

0:44:42.200 --> 0:44:44.520
<v Speaker 13>I know that's screaming is not going to open that door,

0:44:44.560 --> 0:44:46.200
<v Speaker 13>even though your voice is supersonic.

0:44:48.040 --> 0:44:51.520
<v Speaker 7>I know that you have a spinning headache, so it's

0:44:51.560 --> 0:44:54.640
<v Speaker 7>probably best that you take it easy.

0:44:56.560 --> 0:45:00.120
<v Speaker 14>Okay, I relax when I'm up in a fucking that

0:45:00.160 --> 0:45:00.920
<v Speaker 14>out fell.

0:45:02.280 --> 0:45:05.040
<v Speaker 9>He's met with a brutal feeling in her head and

0:45:05.160 --> 0:45:06.760
<v Speaker 9>quickly finds a seat on the floor.

0:45:07.800 --> 0:45:08.960
<v Speaker 11>How did I get here?

0:45:10.239 --> 0:45:13.400
<v Speaker 14>Remembers who went to the ball and getting ambushed by

0:45:13.440 --> 0:45:16.080
<v Speaker 14>my father's teat and telling me that I'm gonna safe.

0:45:17.760 --> 0:45:20.319
<v Speaker 2>They told me to stay quiet, and they wouldn't let

0:45:20.320 --> 0:45:20.960
<v Speaker 2>me walk.

0:45:21.080 --> 0:45:25.520
<v Speaker 9>Without one of them leaning h Barcus notices the girl's

0:45:25.600 --> 0:45:30.120
<v Speaker 9>attire from makeup and her aura. She's clearly come from

0:45:30.120 --> 0:45:36.280
<v Speaker 9>wealth and a lot of it, big.

0:45:36.239 --> 0:45:41.120
<v Speaker 14>Singing, I know the blindfolders in the car driving away

0:45:41.120 --> 0:45:44.120
<v Speaker 14>from something you can get.

0:45:43.920 --> 0:45:51.959
<v Speaker 2>A chance to see. After that, just gonna Stark. Mm hmm.

0:45:53.200 --> 0:45:53.879
<v Speaker 7>What's your name?

0:45:56.200 --> 0:46:09.240
<v Speaker 2>Angel, Angel Perez. Nice to meet you, Angel. I'm Marcus. Now.

0:46:10.080 --> 0:46:10.600
<v Speaker 7>I'm sorry.

0:46:10.640 --> 0:46:12.239
<v Speaker 13>I don't have an answer to why you're here, but

0:46:12.280 --> 0:46:15.080
<v Speaker 13>we're here to get there, and that's what matters.

0:46:16.760 --> 0:46:25.200
<v Speaker 7>Now. I need your focus and your attention. Who's ever

0:46:25.280 --> 0:46:27.600
<v Speaker 7>listening or watching right now? We got to get out

0:46:27.600 --> 0:46:27.919
<v Speaker 7>of here.

0:46:30.280 --> 0:46:33.359
<v Speaker 9>Angel notices he has a certain familiarity to the cell

0:46:34.080 --> 0:46:37.800
<v Speaker 9>and the situation. How long have you been here?

0:46:44.520 --> 0:46:45.920
<v Speaker 7>I had a roommate before here.

0:46:47.960 --> 0:46:51.040
<v Speaker 9>He's visibly distraught at the thought of this quote unquote

0:46:51.160 --> 0:46:57.839
<v Speaker 9>whole roommate. There's bad memories there and they're fresh.

0:46:57.480 --> 0:46:58.680
<v Speaker 7>That Nick and Darren.

0:47:00.400 --> 0:47:02.560
<v Speaker 2>Told his dumb ass we should have never gone in

0:47:02.600 --> 0:47:11.800
<v Speaker 2>that place. What happened to you, guys, That motherfucker happened.

0:47:14.239 --> 0:47:16.600
<v Speaker 7>All I know is is that we had a job

0:47:17.239 --> 0:47:18.360
<v Speaker 7>and he got plopped.

0:47:21.640 --> 0:47:24.040
<v Speaker 13>I made a run for it, except I didn't escape,

0:47:24.080 --> 0:47:27.640
<v Speaker 13>and everything went black and I ended up here. That

0:47:27.800 --> 0:47:35.200
<v Speaker 13>was like a week, two weeks maybe more. Who was

0:47:35.239 --> 0:47:43.120
<v Speaker 13>here with you, Damien. They wrapped his wounds with cooled

0:47:43.200 --> 0:47:49.040
<v Speaker 13>galls wrapped. She would have died from natural circumstances.

0:47:49.480 --> 0:47:50.719
<v Speaker 2>It wasn't putting this spo.

0:47:53.080 --> 0:47:56.080
<v Speaker 9>Andrew notices the blood on the floor and the scratch

0:47:56.160 --> 0:48:00.000
<v Speaker 9>marks from what should be torture. The realization is an

0:48:00.080 --> 0:48:03.440
<v Speaker 9>enough to send her into another panic. At that moment,

0:48:03.520 --> 0:48:05.880
<v Speaker 9>the couple is interrupted by the sound of a master

0:48:05.960 --> 0:48:11.520
<v Speaker 9>lock opening, followed by a slow, lumbering step. Marcus notices

0:48:11.560 --> 0:48:14.879
<v Speaker 9>the anxiety attack coming in and quickly sets her into

0:48:14.880 --> 0:48:16.560
<v Speaker 9>a state of focus.

0:48:17.400 --> 0:48:23.279
<v Speaker 5>I'm scared too, but I'm not heating this place for

0:48:23.360 --> 0:48:26.880
<v Speaker 5>another hour, So I need you to control your breathing

0:48:27.200 --> 0:48:30.800
<v Speaker 5>and get your shit together and follow my lead.

0:48:31.400 --> 0:48:31.759
<v Speaker 7>You want to.

0:48:34.400 --> 0:48:39.160
<v Speaker 9>Angel nods. There's a calming sincerity in his words, So

0:48:39.200 --> 0:48:41.759
<v Speaker 9>the two get ready for whatever the guard has to

0:48:41.800 --> 0:48:45.400
<v Speaker 9>throw at them. See.

0:48:46.880 --> 0:48:50.719
<v Speaker 2>Wow, good job is a great job. I have to

0:48:50.760 --> 0:48:51.200
<v Speaker 2>say this.

0:48:51.520 --> 0:48:54.719
<v Speaker 3>I am so proud and I want to brag. But

0:48:54.920 --> 0:48:58.880
<v Speaker 3>Randall created that scene in the spirited after the class.

0:48:59.040 --> 0:49:00.120
<v Speaker 2>I always want to stay.

0:49:02.440 --> 0:49:03.000
<v Speaker 9>This one.

0:49:05.480 --> 0:49:14.280
<v Speaker 2>Written in that class. We have ones coming from Randall. Yeah, okay, that, Oh.

0:49:14.160 --> 0:49:16.839
<v Speaker 4>My god, you got me invested. Guys, you guys, it's

0:49:16.960 --> 0:49:21.520
<v Speaker 4>so amazing. Like painted the picture. I love the dynamic.

0:49:21.640 --> 0:49:25.120
<v Speaker 4>You were like, you know, Nea, You're just like, you know,

0:49:25.160 --> 0:49:27.600
<v Speaker 4>freaking out and it gives that good you know balance

0:49:27.600 --> 0:49:30.040
<v Speaker 4>between Randal you. I knew you were freaking out inside,

0:49:30.080 --> 0:49:31.920
<v Speaker 4>but you kept it calm still, And I love the

0:49:32.000 --> 0:49:34.000
<v Speaker 4>difference instead of both of you like ah, then it

0:49:34.040 --> 0:49:37.120
<v Speaker 4>becomes us like a scrabbled mess. And I like, I

0:49:37.160 --> 0:49:39.200
<v Speaker 4>love the difference between you two. And I love how

0:49:39.200 --> 0:49:42.200
<v Speaker 4>you painted the room. I saw the cell with you guys,

0:49:42.760 --> 0:49:46.480
<v Speaker 4>because the way you're looking around as you're saying your lines,

0:49:46.520 --> 0:49:48.640
<v Speaker 4>and it just it really paints the picture. And I

0:49:49.040 --> 0:49:51.399
<v Speaker 4>became invested. I'm like, how do I help these people

0:49:51.480 --> 0:49:52.600
<v Speaker 4>get out of this dang room?

0:49:53.080 --> 0:49:55.160
<v Speaker 2>Like dang it?

0:49:55.480 --> 0:49:57.000
<v Speaker 4>And then I felt bad because I feel like me

0:49:57.080 --> 0:49:59.080
<v Speaker 4>I was about to be like you started crying and

0:49:59.120 --> 0:50:02.240
<v Speaker 4>I was like, oh my god. You know, but really

0:50:02.400 --> 0:50:04.719
<v Speaker 4>really good job. And it was a build up. That's

0:50:04.719 --> 0:50:06.839
<v Speaker 4>what I loved the most is that it was such

0:50:06.840 --> 0:50:08.920
<v Speaker 4>a build up. It wasn't just constant.

0:50:08.560 --> 0:50:09.719
<v Speaker 2>Ah freak out right away.

0:50:09.760 --> 0:50:12.040
<v Speaker 4>It was a build up. Like Randall, you had a

0:50:12.040 --> 0:50:14.399
<v Speaker 4>build up moment and Mia you also had a build

0:50:14.440 --> 0:50:16.800
<v Speaker 4>up moment, and when you freaked out, it wasn't overdone.

0:50:16.840 --> 0:50:19.480
<v Speaker 4>It was a controlled like. It was really good. It

0:50:19.520 --> 0:50:22.919
<v Speaker 4>was believable. You know you're thinking, yeah, And that's what

0:50:22.960 --> 0:50:25.399
<v Speaker 4>I like, And you're actually teaching me. I'm actually paying

0:50:25.400 --> 0:50:27.239
<v Speaker 4>attention to learning from you guys too, just so you.

0:50:27.200 --> 0:50:34.920
<v Speaker 3>Know, you know I you know, as soon as they started,

0:50:34.920 --> 0:50:36.240
<v Speaker 3>I recognized the scene.

0:50:36.760 --> 0:50:39.640
<v Speaker 2>But more importantly, randall the work.

0:50:39.480 --> 0:50:43.160
<v Speaker 3>Like I was like, wow, like that no compared to

0:50:43.400 --> 0:50:47.240
<v Speaker 3>I've seen the last time I saw it, you.

0:50:47.080 --> 0:50:49.759
<v Speaker 2>Could have walked away from it. And I didn't see

0:50:49.840 --> 0:50:51.000
<v Speaker 2>Nia in that character.

0:50:51.360 --> 0:50:54.480
<v Speaker 3>There was another actress, Alexis, but Mia bought it, like

0:50:55.000 --> 0:50:58.359
<v Speaker 3>I agree with you. I was so invested and I

0:50:58.400 --> 0:51:02.840
<v Speaker 3>had to keep saying myself, Tracy's stop looking shot because you've.

0:51:02.719 --> 0:51:05.640
<v Speaker 2>Heard the c or. But I was like, is he

0:51:05.719 --> 0:51:09.840
<v Speaker 2>gonna get out? Yes? It was so good.

0:51:10.040 --> 0:51:11.840
<v Speaker 4>I was like, when's the movie out? When's the movie

0:51:11.840 --> 0:51:12.279
<v Speaker 4>coming out?

0:51:12.360 --> 0:51:15.200
<v Speaker 2>Like, come on, Joe, It's great. You guys see a

0:51:15.200 --> 0:51:15.719
<v Speaker 2>great job.

0:51:16.080 --> 0:51:20.080
<v Speaker 3>Thank you, Radville, thank you, Nina, thank you, Elsea, thank

0:51:20.120 --> 0:51:23.840
<v Speaker 3>you You're welcome. This is the time where I feel

0:51:23.880 --> 0:51:27.240
<v Speaker 3>sad because we have to say goodbye to our stellar guest,

0:51:28.160 --> 0:51:30.880
<v Speaker 3>and I just want to say before we get before

0:51:30.960 --> 0:51:35.040
<v Speaker 3>she leaves us, you guys, go to YouTube on August

0:51:35.080 --> 0:51:40.120
<v Speaker 3>thirteenth for Bruha, check it out, like it, share it

0:51:40.160 --> 0:51:44.280
<v Speaker 3>with a friend, do all of that ig social media

0:51:44.320 --> 0:51:48.360
<v Speaker 3>stuff at a story. I am so blessed. I know

0:51:48.480 --> 0:51:50.439
<v Speaker 3>you guys are blessed. And this is what I told

0:51:50.480 --> 0:51:52.279
<v Speaker 3>you in the beginning. You're going to walk away and

0:51:52.320 --> 0:51:54.880
<v Speaker 3>feel the same thing. And our two actors they also

0:51:55.000 --> 0:51:56.799
<v Speaker 3>told you the energy and this is.

0:51:58.440 --> 0:52:03.360
<v Speaker 2>Authentic. I just want to thank you for the great conversation.

0:52:05.640 --> 0:52:06.640
<v Speaker 2>I'm gonna be great.

0:52:07.560 --> 0:52:10.440
<v Speaker 4>I love you, Tracy, I love I'm so grateful to

0:52:10.640 --> 0:52:13.080
<v Speaker 4>have met you. I thank you so much and generating.

0:52:14.640 --> 0:52:16.919
<v Speaker 2>Well, we were not going anywhere. It don't we'll see

0:52:16.960 --> 0:52:20.480
<v Speaker 2>it like that, that kind of never going anywhere.

0:52:20.920 --> 0:52:22.120
<v Speaker 4>We are together forever.

0:52:23.239 --> 0:52:32.160
<v Speaker 3>This is just the end of the podcast. Yeah, all right,

0:52:33.000 --> 0:52:35.080
<v Speaker 3>I want to take it out on the right way. Lucy,

0:52:35.120 --> 0:52:42.759
<v Speaker 3>He'll be out. Please put your hands together for the amazing, dynamic, phenomenal,

0:52:42.840 --> 0:52:49.160
<v Speaker 3>outstanding Alexa the Austririoco.

0:52:55.560 --> 0:52:59.239
<v Speaker 2>Love you so much, man, thank you, love you.

0:53:00.280 --> 0:53:04.160
<v Speaker 3>And when we come back from the Spirited Actor Podcast

0:53:05.239 --> 0:53:08.719
<v Speaker 3>with me Tracy Moore, I'm going to give all the.

0:53:08.680 --> 0:53:13.160
<v Speaker 2>Love I have to you. Welcome to Kudos Corner.

0:53:13.440 --> 0:53:18.320
<v Speaker 11>Kudos Corner is where we celebrate spirited actors by supporting them.

0:53:18.360 --> 0:53:19.839
<v Speaker 2>And loving on them.

0:53:20.520 --> 0:53:24.160
<v Speaker 3>This week's Kudos Corner puts the spotlight on spirited actor

0:53:24.360 --> 0:53:29.239
<v Speaker 3>Lulu Lopez. Tune into your favorite streaming services to see

0:53:29.239 --> 0:53:36.240
<v Speaker 3>films featuring Lulu Lopez, including She's Broken, The Raven, Carrollton Bully,

0:53:36.360 --> 0:53:41.319
<v Speaker 3>The Rico Story, and New to the City, which she wrote, directed,

0:53:41.480 --> 0:53:46.160
<v Speaker 3>produced and acted in. Lulu will also be featured in

0:53:46.440 --> 0:53:52.719
<v Speaker 3>upcoming projects including Blended Christmas, Bedridden, and the sequel to

0:53:52.920 --> 0:53:59.319
<v Speaker 3>the House of Dolls. Kudos to Lulu Lopez and now

0:53:59.360 --> 0:54:02.840
<v Speaker 3>it's time to get of love. What moves your life

0:54:03.719 --> 0:54:06.799
<v Speaker 3>in warp speed is gratitude.

0:54:07.080 --> 0:54:08.160
<v Speaker 2>When you think.

0:54:09.680 --> 0:54:15.000
<v Speaker 3>The God, whatever your spiritual belief is, for the things

0:54:15.040 --> 0:54:20.480
<v Speaker 3>that you have. Now you are actually creating this engine

0:54:21.000 --> 0:54:24.719
<v Speaker 3>that is starting to ram up even faster to create.

0:54:24.480 --> 0:54:26.239
<v Speaker 2>More of which you are grateful for.

0:54:27.200 --> 0:54:31.799
<v Speaker 3>So when you are not grateful for anything, then you

0:54:31.880 --> 0:54:33.160
<v Speaker 3>create even more of that.

0:54:34.080 --> 0:54:38.120
<v Speaker 2>But just get in the habit every morning, even.

0:54:37.880 --> 0:54:42.680
<v Speaker 3>If it's just saying thank you for allowing me another day.

0:54:45.200 --> 0:54:50.920
<v Speaker 3>Be grateful when I give my granddaughter Soriah the littlest

0:54:50.960 --> 0:54:54.640
<v Speaker 3>things and her face brightens up like I gave her

0:54:54.640 --> 0:54:56.080
<v Speaker 3>a million dollars.

0:54:56.640 --> 0:55:00.160
<v Speaker 2>That's what soothes my soul. Gratitude.

0:55:00.719 --> 0:55:04.360
<v Speaker 3>Be grateful for what you have be grateful for where

0:55:04.400 --> 0:55:08.960
<v Speaker 3>you are in your life and know that gratitude can

0:55:09.160 --> 0:55:13.280
<v Speaker 3>change your future and present state.

0:55:15.160 --> 0:55:15.760
<v Speaker 2>Be greateful.

0:55:16.360 --> 0:55:22.200
<v Speaker 11>Hi everyone, The Spirited Actor Podcast with Tracy Moore now has.

0:55:22.080 --> 0:55:23.600
<v Speaker 2>A YouTube channel.

0:55:24.160 --> 0:55:28.560
<v Speaker 11>You'll get to see exclusive video footage from our podcast taping,

0:55:28.920 --> 0:55:32.319
<v Speaker 11>as well as your favorite segments from the show. Make

0:55:32.400 --> 0:55:36.719
<v Speaker 11>sure to like our videos, subscribe to our channel, and

0:55:36.880 --> 0:55:38.719
<v Speaker 11>share with all your friends.

0:55:39.160 --> 0:55:41.239
<v Speaker 2>Don't forget to also follow us.

0:55:41.120 --> 0:55:45.400
<v Speaker 11>On Instagram at the Spirited Actor and at both Tracy

0:55:45.400 --> 0:55:49.880
<v Speaker 11>Moore and at The Spirited Actor Podcast with Tracy Moore on.

0:55:49.800 --> 0:55:51.920
<v Speaker 2>Facebook and X.

0:55:52.520 --> 0:55:55.840
<v Speaker 1>Thank you for joining us on The Spirited Actor Podcast

0:55:55.880 --> 0:55:59.320
<v Speaker 1>with me Tracy Moore. I look forward to our next

0:55:59.360 --> 0:56:00.520
<v Speaker 1>Spirited podcast.

0:56:00.920 --> 0:56:01.319
<v Speaker 2>Thank you.