1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff You Missed in History Class, a production 2 00:00:04,360 --> 00:00:14,200 Speaker 1: of I Heart Radio. Hello, and welcome to Casual Friday. 3 00:00:14,400 --> 00:00:18,160 Speaker 1: I'm Holly Fry. I'm Tracy Vie Wilson, Tracy. This whole 4 00:00:18,160 --> 00:00:23,000 Speaker 1: week was Wacky Spy Week. It was Fritz Ducaine. Uh. Yeah, 5 00:00:23,000 --> 00:00:24,799 Speaker 1: who is somebody that I wanted to talk about for 6 00:00:24,840 --> 00:00:28,400 Speaker 1: several years and just kind of kept back burnering it. Uh, 7 00:00:28,480 --> 00:00:33,839 Speaker 1: partially because his life has a lot to pick through. Uh. 8 00:00:33,920 --> 00:00:36,120 Speaker 1: He was very busy, ma'am, and I wanted to make 9 00:00:36,120 --> 00:00:39,240 Speaker 1: sure that I had time to really like read up 10 00:00:39,280 --> 00:00:41,360 Speaker 1: on as many of the shifts in his life as 11 00:00:41,400 --> 00:00:44,440 Speaker 1: I could. And you were actually out last week, so 12 00:00:44,560 --> 00:00:46,560 Speaker 1: I gave me a little extra time when we weren't 13 00:00:46,560 --> 00:00:49,040 Speaker 1: recording where I could do some of that. So that 14 00:00:49,159 --> 00:00:50,600 Speaker 1: is why we ended up with a two parter in 15 00:00:50,680 --> 00:00:54,520 Speaker 1: Fritz Ducaine. I mentioned at the end of our second 16 00:00:54,520 --> 00:00:59,520 Speaker 1: episode about him that I am psychologically fascinated by him 17 00:00:59,560 --> 00:01:03,280 Speaker 1: because I always wonder in the case of someone who, 18 00:01:03,880 --> 00:01:06,680 Speaker 1: even before they are doing it for any sort of 19 00:01:07,080 --> 00:01:13,959 Speaker 1: um wartime spy or sabotage reason, starts kind of telling 20 00:01:14,080 --> 00:01:17,600 Speaker 1: yarns about who they actually are, Like, what is their 21 00:01:17,680 --> 00:01:20,640 Speaker 1: sense of self? How do they self identify when they 22 00:01:20,680 --> 00:01:23,320 Speaker 1: are lying alone at night in the dark, like I 23 00:01:23,319 --> 00:01:25,560 Speaker 1: I will never know, but I always wonder that, which 24 00:01:25,600 --> 00:01:27,600 Speaker 1: is why I think people like him are so appealing. 25 00:01:28,760 --> 00:01:31,600 Speaker 1: There is another part of his story that I did 26 00:01:31,600 --> 00:01:35,280 Speaker 1: not go into in the show because eventually you had 27 00:01:35,319 --> 00:01:37,280 Speaker 1: to start cutting things for time or you end up 28 00:01:37,760 --> 00:01:42,360 Speaker 1: down long explanatory rabbit holes. Um. He had a woman 29 00:01:42,640 --> 00:01:46,920 Speaker 1: in his life from very early on. Uh, this woman 30 00:01:47,000 --> 00:01:51,040 Speaker 1: named Lilian Lending, and it seems they were probably at 31 00:01:51,120 --> 00:01:54,560 Speaker 1: some point linked romantically, but they also were best friends. 32 00:01:54,760 --> 00:01:57,000 Speaker 1: And so a lot of what we do know about 33 00:01:57,120 --> 00:02:01,520 Speaker 1: him kind of comes from his letters to Lilian, which isascinating. Uh. 34 00:02:01,520 --> 00:02:03,240 Speaker 1: He has one of those lives that, of course, as 35 00:02:03,240 --> 00:02:05,160 Speaker 1: you're reading it, you're like, this would be a great movie, 36 00:02:05,280 --> 00:02:07,040 Speaker 1: and I know who should play him, and this would 37 00:02:07,040 --> 00:02:09,720 Speaker 1: be amazing. But I actually think what would be really 38 00:02:09,760 --> 00:02:12,520 Speaker 1: fascinating as a take on that would be his letters 39 00:02:12,560 --> 00:02:15,400 Speaker 1: back and forth with Lilian, because they are a little 40 00:02:15,400 --> 00:02:17,960 Speaker 1: more intimate. There are some towards the end of his 41 00:02:18,040 --> 00:02:21,560 Speaker 1: life where he is feeling his age, but he's also 42 00:02:21,600 --> 00:02:23,760 Speaker 1: talking about like there's one letter that I read where 43 00:02:23,760 --> 00:02:28,640 Speaker 1: he talks about getting lost when he is in New York, um, 44 00:02:28,680 --> 00:02:30,680 Speaker 1: even though he has no New York his whole life. 45 00:02:30,720 --> 00:02:33,960 Speaker 1: But he gets a street in Brooklyn and a street 46 00:02:34,000 --> 00:02:36,680 Speaker 1: and I think queens with the same name confused, and 47 00:02:36,680 --> 00:02:39,440 Speaker 1: he ends up on the wrong train and at and 48 00:02:39,520 --> 00:02:41,960 Speaker 1: he tells her about this whole ordeal of how it 49 00:02:42,000 --> 00:02:44,079 Speaker 1: took him everywhere all over the city. This is when 50 00:02:44,080 --> 00:02:46,000 Speaker 1: he was living in the nursing home and then he 51 00:02:46,040 --> 00:02:48,440 Speaker 1: had to remember exactly where the nursing home was. But 52 00:02:48,560 --> 00:02:51,360 Speaker 1: at the end there is this very sort of sweet 53 00:02:51,800 --> 00:02:54,120 Speaker 1: part of it where he talks about how proud he 54 00:02:54,240 --> 00:02:56,360 Speaker 1: is that he can still get around and figure it 55 00:02:56,400 --> 00:03:00,399 Speaker 1: out even if it's a big mess, and that like 56 00:03:00,520 --> 00:03:02,840 Speaker 1: he fought through it even though it was one of 57 00:03:02,840 --> 00:03:06,080 Speaker 1: the most miserable days of his life. Uh. And to me, 58 00:03:06,200 --> 00:03:10,920 Speaker 1: that stuff is where all of the interesting lives. We 59 00:03:10,919 --> 00:03:13,560 Speaker 1: didn't talk about this in the episode at all, um, 60 00:03:13,600 --> 00:03:18,520 Speaker 1: but he and especially the earlier like big Game hunting, 61 00:03:19,639 --> 00:03:24,760 Speaker 1: living in in South Africa, like the sort of hyper 62 00:03:24,840 --> 00:03:31,799 Speaker 1: masculine persona. Um, Like, that's just a whole thread it is. 63 00:03:32,680 --> 00:03:35,240 Speaker 1: I mean, that's it's one of those things like when 64 00:03:35,280 --> 00:03:39,760 Speaker 1: you get into even the Roosevelt stuff. I mean that's 65 00:03:39,800 --> 00:03:42,640 Speaker 1: what he's selling, right, is like I'm the actual man. 66 00:03:42,760 --> 00:03:46,240 Speaker 1: You are trying to go live the life of um, 67 00:03:46,280 --> 00:03:54,800 Speaker 1: which is a as you said, that's all the whole thing. Um. Yeah, 68 00:03:54,840 --> 00:03:59,240 Speaker 1: it is really really fascinating. There are Uh it's easy 69 00:03:59,280 --> 00:04:04,360 Speaker 1: to find a lot of sympathetic sounding articles when you 70 00:04:04,400 --> 00:04:10,680 Speaker 1: talk about the occupation of transpal in particular by the 71 00:04:10,720 --> 00:04:14,080 Speaker 1: British on the side of the Boers, because they are 72 00:04:14,120 --> 00:04:22,640 Speaker 1: just defending their way of life. Um, that life involves slavery. Yeah, uh, 73 00:04:23,080 --> 00:04:26,120 Speaker 1: slave trade. Like it's very funny. I mean you will 74 00:04:26,160 --> 00:04:29,040 Speaker 1: even find pretty modern writeups where they're like, you know, 75 00:04:29,120 --> 00:04:32,640 Speaker 1: the Boers were really gentle people, they were very Christian, 76 00:04:33,240 --> 00:04:37,440 Speaker 1: and I'm like, but but plus really into slavery. I don't, 77 00:04:39,000 --> 00:04:42,080 Speaker 1: And then that that whole thing was also like just 78 00:04:42,240 --> 00:04:47,479 Speaker 1: part of of European colonialism in South Africa, which like 79 00:04:47,600 --> 00:04:51,280 Speaker 1: is a zone layer of stuff that gets kind of 80 00:04:51,480 --> 00:04:54,680 Speaker 1: glossed over I think, uh not, I mean definitely not 81 00:04:54,720 --> 00:04:56,720 Speaker 1: all the time, but in the accounts that are sort 82 00:04:56,720 --> 00:04:59,320 Speaker 1: of like, oh, these they were simple farmers and they 83 00:04:59,320 --> 00:05:02,520 Speaker 1: were just trying to make They're living, like well, colonialism 84 00:05:02,640 --> 00:05:07,320 Speaker 1: and slavery, and like there's a lot yeah, going on there. Um, 85 00:05:07,360 --> 00:05:12,479 Speaker 1: they were defending their life from Britain, and really Britain 86 00:05:12,560 --> 00:05:14,960 Speaker 1: was just doing a larger scale version of what they 87 00:05:15,000 --> 00:05:22,320 Speaker 1: had done to the populations that already lived in those places, right. Uh. Yeah, 88 00:05:22,360 --> 00:05:26,480 Speaker 1: it's very problematic in that regard. It's interesting this idea 89 00:05:26,600 --> 00:05:31,160 Speaker 1: that um Duquesne hated Britain so much he would do 90 00:05:31,360 --> 00:05:38,960 Speaker 1: anything to hurt them, Yeah, and including siding with Nazis. Yeah, 91 00:05:39,160 --> 00:05:44,080 Speaker 1: it's a really weird thing. There is in that one 92 00:05:44,120 --> 00:05:48,520 Speaker 1: of those um biographies I read that I mentioned because 93 00:05:48,520 --> 00:05:50,760 Speaker 1: there are two primary ones. One is that one, which 94 00:05:50,760 --> 00:05:53,120 Speaker 1: was written in the nineties. The other is a biography 95 00:05:53,160 --> 00:05:56,120 Speaker 1: that came out when Ducaine was still alive before the 96 00:05:56,200 --> 00:05:59,440 Speaker 1: Nazi involvement, so there's no real mention of it, but 97 00:05:59,520 --> 00:06:02,240 Speaker 1: there is sort of like a uh, he didn't really 98 00:06:02,240 --> 00:06:06,640 Speaker 1: seem to buy into the whole like pure blooded airy 99 00:06:06,680 --> 00:06:09,480 Speaker 1: and race thing or any of that. He just wanted 100 00:06:09,520 --> 00:06:12,479 Speaker 1: to hurt Britain and it's like, yeah, but at what 101 00:06:12,880 --> 00:06:17,960 Speaker 1: costs to like his humanity and morality, But that didn't 102 00:06:17,960 --> 00:06:20,200 Speaker 1: ever seem to be a factor in any of the 103 00:06:20,279 --> 00:06:24,240 Speaker 1: discussion or any of his decisions. Um. I mean, it 104 00:06:24,600 --> 00:06:27,039 Speaker 1: comes up when his girlfriend calls a reporter and goes, 105 00:06:27,200 --> 00:06:29,840 Speaker 1: I am Jewish and did not know he was collaborating 106 00:06:30,200 --> 00:06:34,599 Speaker 1: with pro Nazi groups. This is a problem. Um, clearly 107 00:06:34,640 --> 00:06:39,039 Speaker 1: he didn't see the conflict there, right, Right, I think 108 00:06:39,040 --> 00:06:42,839 Speaker 1: he's kind of a mess. I mean that's a big, 109 00:06:42,839 --> 00:06:45,120 Speaker 1: big understatement on my part. But like there as like 110 00:06:45,240 --> 00:06:49,279 Speaker 1: I I enjoy reading about just the over the top 111 00:06:50,080 --> 00:06:55,000 Speaker 1: grandiosity of his own invented backstory and his many many 112 00:06:55,200 --> 00:06:58,800 Speaker 1: escapes like those are fun. But I'm also like, man, 113 00:06:58,880 --> 00:07:03,120 Speaker 1: I I don't like you being well. I think that 114 00:07:03,279 --> 00:07:06,040 Speaker 1: is I think we've stumbled upon what the real problem is. Right, 115 00:07:06,080 --> 00:07:08,880 Speaker 1: There's no morality driving it other than this one thing, 116 00:07:08,920 --> 00:07:12,440 Speaker 1: which is that he hates Britain and clearly horrible things 117 00:07:12,480 --> 00:07:17,320 Speaker 1: happened to his family at the hands of British soldiers. Right. 118 00:07:17,360 --> 00:07:18,960 Speaker 1: I don't want to negate that at all, but that 119 00:07:19,120 --> 00:07:25,160 Speaker 1: completely like obliterated any other nuance of thought for him 120 00:07:25,240 --> 00:07:29,520 Speaker 1: for the rest of his life, which is not really 121 00:07:29,560 --> 00:07:34,440 Speaker 1: a particularly moral way to live. Like vengeance isn't really 122 00:07:34,440 --> 00:07:40,480 Speaker 1: a moral code, uh, and it it Uh Yeah, it's 123 00:07:40,520 --> 00:07:43,200 Speaker 1: a weird thing because that's the other flip, right, is 124 00:07:43,240 --> 00:07:45,480 Speaker 1: that everybody seemed to fall in love with him and 125 00:07:45,520 --> 00:07:50,000 Speaker 1: just find him incredibly appealing. Right, I feel it kind 126 00:07:50,040 --> 00:07:52,640 Speaker 1: of like we're lucky that his only plan was this 127 00:07:52,800 --> 00:07:55,360 Speaker 1: vengeance thing, because he seems like the kind of person 128 00:07:55,400 --> 00:07:59,280 Speaker 1: who in that time, I don't think it would work today. 129 00:08:00,080 --> 00:08:03,120 Speaker 1: He had wanted to take on greater power, he probably 130 00:08:03,160 --> 00:08:09,400 Speaker 1: could have, and then heaven only knows what would happen. Um. 131 00:08:09,560 --> 00:08:12,240 Speaker 1: I certainly wonder and I'm sure many other people do 132 00:08:12,480 --> 00:08:17,040 Speaker 1: if there were always explosives in that giant iron case. Yeah, 133 00:08:20,160 --> 00:08:24,040 Speaker 1: like if he left New York potentially knowing he might 134 00:08:24,200 --> 00:08:26,880 Speaker 1: need explosives, or if there actually was film and then 135 00:08:26,880 --> 00:08:30,080 Speaker 1: he switched that out for explosives, claimed that he had 136 00:08:30,120 --> 00:08:31,960 Speaker 1: lost the film because the film still would have cost 137 00:08:32,040 --> 00:08:33,960 Speaker 1: him something. So even if he had to jettis in 138 00:08:34,000 --> 00:08:37,080 Speaker 1: it to make room for a bomb, I can see 139 00:08:37,080 --> 00:08:41,160 Speaker 1: why he wanted to go after the insurance money. It's 140 00:08:41,200 --> 00:08:44,199 Speaker 1: a weird combination, though, right, of these sort of very 141 00:08:44,280 --> 00:08:51,040 Speaker 1: grandiose plans, really going after a world power and also 142 00:08:51,160 --> 00:08:53,960 Speaker 1: always hustling to make a buck, And that to me 143 00:08:54,040 --> 00:08:57,800 Speaker 1: is the fascinating juxtaposition as well. For him, right, this 144 00:08:57,880 --> 00:09:00,400 Speaker 1: is part of the puzzle of what makes him like 145 00:09:00,440 --> 00:09:02,559 Speaker 1: a creature, where you're just like, what even are you? 146 00:09:02,679 --> 00:09:05,760 Speaker 1: How do you live your life? How does any of 147 00:09:05,800 --> 00:09:09,360 Speaker 1: this function or work? It's okay, So if anybody wants 148 00:09:09,400 --> 00:09:12,199 Speaker 1: to write that screenplay, um, I'm happy to help because 149 00:09:12,200 --> 00:09:17,760 Speaker 1: I'm completely and thralled problematic though he is, I just 150 00:09:18,000 --> 00:09:21,400 Speaker 1: find myself making the big eyes of like I really 151 00:09:21,440 --> 00:09:23,400 Speaker 1: wish I could travel back in time and talk to 152 00:09:23,480 --> 00:09:28,760 Speaker 1: him for like a minute, like, dude, what was your deal? Fritz? 153 00:09:28,800 --> 00:09:32,920 Speaker 1: Are you okay? I know you're not, but um, yeah, 154 00:09:33,200 --> 00:09:36,360 Speaker 1: I also am really, I mean, here's the thing. On 155 00:09:36,400 --> 00:09:39,880 Speaker 1: some level, you have to admire that level of bravado. 156 00:09:40,880 --> 00:09:43,760 Speaker 1: Right that he can convince medical doctors that he has 157 00:09:43,840 --> 00:09:51,800 Speaker 1: actual things wrong with him is an achievement. But again, also, hey, 158 00:09:51,960 --> 00:09:57,439 Speaker 1: you killed people with your horrible behavior. Yeah yeah, and 159 00:09:57,600 --> 00:10:00,480 Speaker 1: sided with Nazis. That's where I keep getting. Oh, I'm 160 00:10:00,480 --> 00:10:03,319 Speaker 1: even before that. I'm like the dudes on the tennis 161 00:10:03,400 --> 00:10:07,280 Speaker 1: in and even like the these stories of him like 162 00:10:07,520 --> 00:10:13,120 Speaker 1: killing people as a kid right right in m this 163 00:10:13,679 --> 00:10:19,320 Speaker 1: you know, conflict that is born inherently of racism. It 164 00:10:19,480 --> 00:10:22,520 Speaker 1: is a weird thing to try to like unspool all 165 00:10:22,559 --> 00:10:26,360 Speaker 1: of that and figure out how that person ended up 166 00:10:26,440 --> 00:10:28,560 Speaker 1: in some of the other pockets of his life, like 167 00:10:28,640 --> 00:10:35,640 Speaker 1: how does that strange very sort of brutal beginning, also 168 00:10:35,960 --> 00:10:38,560 Speaker 1: end up the guy who is like the toast of 169 00:10:38,600 --> 00:10:42,240 Speaker 1: New York society for his writing and his like turn 170 00:10:42,280 --> 00:10:45,920 Speaker 1: of phrase. And then also later you know, making films 171 00:10:46,000 --> 00:10:50,320 Speaker 1: for a school board in South America. Like there, that's 172 00:10:50,320 --> 00:10:56,560 Speaker 1: a life. That's a resume for sure. Um, I think 173 00:10:56,559 --> 00:11:00,120 Speaker 1: where Fritz to caaned out? Probably probably, so Yeah, I'll 174 00:11:00,160 --> 00:11:02,640 Speaker 1: keep thinking about him because he's fascinating. If you would 175 00:11:02,679 --> 00:11:04,439 Speaker 1: like to write to us, you can do so at 176 00:11:04,520 --> 00:11:07,040 Speaker 1: History Podcast at iHeart radio dot com. You can also 177 00:11:07,120 --> 00:11:09,600 Speaker 1: find us everywhere on social media as Missed in History. 178 00:11:09,880 --> 00:11:11,800 Speaker 1: If you would like to subscribe to the podcast, you 179 00:11:11,800 --> 00:11:13,760 Speaker 1: can do that on the I heart Radio app, at 180 00:11:13,800 --> 00:11:21,800 Speaker 1: Apple podcast or wherever it is that you listen. Stuff 181 00:11:21,800 --> 00:11:23,760 Speaker 1: you Missed in History Class is a production of I 182 00:11:23,920 --> 00:11:27,319 Speaker 1: heart Radio. 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