WEBVTT - 12. A Nasty Piece of Work

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<v Speaker 1>Pushkin. For most of Mickey's adult life, he was on

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<v Speaker 1>the run, hiding, changing identities, trying to stay one step

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<v Speaker 1>ahead of everyone. He called himself a gypsy. He called

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<v Speaker 1>himself a wandering rabbi. He saw himself as cast out

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<v Speaker 1>of Golden Malibu as it changed before his eyes. Linda

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<v Speaker 1>Kai was with Mickey on and off for the better

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<v Speaker 1>part of a decade. She was his longest term romantic partner,

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<v Speaker 1>his confidante, and his partner in crime. And when they

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<v Speaker 1>weren't together, he wrote to her.

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<v Speaker 2>And there's some There are sixty four letters from all

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<v Speaker 2>over the world with addresses in sta amps and this

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<v Speaker 2>was all with Mickey. And see his artwork. Yeah, this

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<v Speaker 2>is a lot of us must there's a lot of

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<v Speaker 2>lure in here, would you say? The love letters.

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<v Speaker 1>Linda and I are sitting at the breakfast table of

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<v Speaker 1>her mobile home in Ventura. Light streams in through the windows.

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<v Speaker 1>On the table between us is the black binder where

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<v Speaker 1>she keeps the letters from Mickey. Flipping through the binder,

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<v Speaker 1>I'm overwhelmed by the explosion of strange drawings of cats

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<v Speaker 1>and witches and cataclysmic world events.

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<v Speaker 2>Also jokes.

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<v Speaker 1>There's a clipping from a newspaper of a man surrounded

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<v Speaker 1>by credit card applications. Quote mister plastic fantastic collector has

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<v Speaker 1>seven hundred and eighty eight credit cards, can't stop applying,

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<v Speaker 1>and what appears to be a photo of Mickey Dora

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<v Speaker 1>pasted onto his head. There are formulas, equations and references

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<v Speaker 1>to the episodic wave. There's some mathematical formulas.

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<v Speaker 2>Yes, everything is a secret, and you know, well, it's

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<v Speaker 2>like I was. I was scared to death when I

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<v Speaker 2>would get one and I had to let it sit

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<v Speaker 2>for a while. Wow, this is yeah. I had to

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<v Speaker 2>let them sit for a couple of weeks before I

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<v Speaker 2>actually would open them to get I'm head right, you know,

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<v Speaker 2>to be sure. I was ready to read this some

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<v Speaker 2>of this stuff because a lot of it's super paranoia

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<v Speaker 2>about the world and collapse from the Russians. And you know,

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<v Speaker 2>he was.

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<v Speaker 1>Way In the letters, Mickey makes liberal use of the

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<v Speaker 1>N word. He also indulges in blatant Internet style anti

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<v Speaker 1>Semitic conspiracy theories. Quote the Jews Zionists are the richest

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<v Speaker 1>people in the world and control much of its destiny.

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<v Speaker 1>Jews like Lord Rothschild every day in ironclad secrecy decide

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<v Speaker 1>and flat around the world how high the price of

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<v Speaker 1>gold should be on a particular day. That would be

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<v Speaker 1>Philip de Rothschild, his father's employer, the same person Mickey

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<v Speaker 1>would steal stationary from whenever he had the chance.

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<v Speaker 2>The conspiracies rent rampant in his head. No, he never

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<v Speaker 2>was like talking about aliens. It was always the nuclear bomb.

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<v Speaker 2>This was all about New Zealand. You know, let's go

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<v Speaker 2>to New Zealand where it's safe. He didn't want to

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<v Speaker 2>be in the northern hemisphere. He said, Oh, it's going

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<v Speaker 2>to be radiation, it's going to be trouble, everything's going

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<v Speaker 2>to blow up. A lot of the letters contain all this,

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<v Speaker 2>and sometimes I couldn't read them. I was like, this

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<v Speaker 2>is awful.

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<v Speaker 3>You know.

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<v Speaker 1>It says here in this letter. Can you smell it?

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<v Speaker 1>It's the asshole conspiracy. The spread of assholeism during the

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<v Speaker 1>last century has been orchestrated on the part of a

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<v Speaker 1>secret international conspiracy. Experts have believed that the problems of

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<v Speaker 1>society could be blamed on poverty, ignorance, exploitation, racism, sexism,

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<v Speaker 1>or the devil, but they were wrong. These problems were

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<v Speaker 1>created by well placed assholes in the media, government, education,

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<v Speaker 1>and religion who kept society stirred up and confused with

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<v Speaker 1>their little brown tricks, a worldwide revolution, a social enema

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<v Speaker 1>to purge assholes and assholeism forever all my best m

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<v Speaker 1>and s. Boy, did you start to think at some

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<v Speaker 1>point that he was really losing it? Like it got worse,

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<v Speaker 1>the sort of paranoia and the conspiracy thinking and the

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<v Speaker 1>sort of darkness of his vision.

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<v Speaker 2>Yes. When I started reading and educating myself, I was thinking,

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<v Speaker 2>this is you know, where is Russia getting us in?

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<v Speaker 2>Why are we having a thing with Russia? There's nothing

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<v Speaker 2>going on, you know, Mickey saw something bad in situations,

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<v Speaker 2>probably a lot of them in I was interested in

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<v Speaker 2>the surfing bar, not all this conspiracy stuff.

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<v Speaker 4>You know.

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<v Speaker 1>At a certain point, the darkness it threatened to engulf her,

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<v Speaker 1>and she fled. But Mickey's fear, whatever he was running from,

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<v Speaker 1>it affected Linda's whole life, and not only Linda's. The

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<v Speaker 1>dark Prince cast a shadow over Malibu and surfing, and

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<v Speaker 1>it was the people around him that paid the price.

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<v Speaker 1>I'm Dana Goodyear and this is Lost Hills, episode twelve,

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<v Speaker 1>A nasty piece of work. Mickey's whole life was a

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<v Speaker 1>giant fu to society.

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<v Speaker 5>I used to say to people when they would give

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<v Speaker 5>me the oh, by god, Mickey Dora, unbelievable euch a,

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<v Speaker 5>you know, and I would just say, if you really

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<v Speaker 5>like Mickey Dora, you never met the guy.

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<v Speaker 1>California Surf Museum president Jim Kempton, I.

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<v Speaker 5>Don't know anybody that really knew Mickey well that would say,

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<v Speaker 5>what a great guy, what a friend, what a pal,

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<v Speaker 5>what a dude that really went out of his way

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<v Speaker 5>for me. There just isn't There isn't one person I

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<v Speaker 5>know who's ever said that.

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<v Speaker 1>Mickey has his place in his He's the man who

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<v Speaker 1>mastered Malibu.

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<v Speaker 5>That is something that you won't get much better than Mickey,

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<v Speaker 5>you know. There aren't many people who rode a surfboard

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<v Speaker 5>and more elegance and more refinery, more style, more arrogance

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<v Speaker 5>than Mickey, you know. And that is, as I say,

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<v Speaker 5>it's that's the work. And you just can't take that.

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<v Speaker 5>No matter what else, that image, that that thing will

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<v Speaker 5>always be iconic.

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<v Speaker 1>For many surfing insiders, Mickey was the definition of the

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<v Speaker 1>true surfer. He claimed to be authentic compared to all

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<v Speaker 1>the phonies and the fakes and the gidget wannabes.

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<v Speaker 6>My whole life is this escape. My whole life is

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<v Speaker 6>this way. If I drop into set, the whole thing up,

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<v Speaker 6>pull up the bottom, true, and pull up into it

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<v Speaker 6>and shoot for my life. I'm going in for me,

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<v Speaker 6>and behind me, all of this shit goes over my back,

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<v Speaker 6>and I'm shooting for my life.

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<v Speaker 1>This is the classic Mickey Dora rebel yell. There's more

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<v Speaker 1>of it. Mickey goes on behind me, all this shit

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<v Speaker 1>goes over my back. The screaming parents, teachers, screaming teachers,

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<v Speaker 1>police priests, politicians, knee boarders, windsurfers, They're all going over

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<v Speaker 1>the falls, head first into the reef, head first into

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<v Speaker 1>the motherfucking reef. And I'm shooting for my life. And

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<v Speaker 1>when it starts to close up, I pull to the bottom,

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<v Speaker 1>out to the back, and I pick up another one

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<v Speaker 1>and do the same goddamn thing. This is why the

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<v Speaker 1>wild kids loved him, this attitude, this rejection of authority.

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<v Speaker 1>But I hear something else in it now, something I

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<v Speaker 1>didn't hear before. Desperation. Not the joy of escape, but

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<v Speaker 1>the stress and the panic of being pursued. From early adulthood,

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<v Speaker 1>Mickey lived a secret life wherever he went North America,

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<v Speaker 1>South America, Asia, Africa, Australia, New Zealand, Europe. All he

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<v Speaker 1>wanted was to be free, but he lived in fear

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<v Speaker 1>that someone would sniff out his secrets, betray him, catch him,

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<v Speaker 1>know him.

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<v Speaker 7>He was performative. Mickey was theater.

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<v Speaker 1>This is David Renson again. He's the author of the

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<v Speaker 1>Mickey Dora Oral History All for a few perfect Waves.

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<v Speaker 1>He spent years trying to root out Mickey's secrets, whatever

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<v Speaker 1>they might be. David and I have been talking about

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<v Speaker 1>Mickey's dark side, the swastikas, the Nazi posturing. He wants

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<v Speaker 1>to give me some context.

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<v Speaker 7>Mickey came from an era of guys who liked to

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<v Speaker 7>rat fuck each other, who wanted to be in the

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<v Speaker 7>face of conformity in society, like Marlon Brando on a

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<v Speaker 7>motorcycle or James Dean at the Griffith Park Observatory, that

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<v Speaker 7>whole thing. And I just think that in the forties

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<v Speaker 7>and the early fifties, what would be something he could

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<v Speaker 7>throw in society's face. I think he put a swastik

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<v Speaker 7>on a board, and I believe Mickey also had a

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<v Speaker 7>SS leather coat. He wasn't a Nazi had never, never,

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<v Speaker 7>to my knowledge, did he say those kinds of things.

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<v Speaker 7>He was a loner. He just wasn't, you know, an

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<v Speaker 7>anti Semite, although he could perform it. But then the

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<v Speaker 7>question is if you perform it, then maybe you are reading.

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<v Speaker 1>With the letters Mickey sent Linda, I saw a number

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<v Speaker 1>of references to David Renson, the person Mickey feared was

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<v Speaker 1>going to expose him in the pages of California Magazine

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<v Speaker 1>back in the early eighties. When I was with Linda,

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<v Speaker 1>she brought out this binder of letters that Mickey had

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<v Speaker 1>sent her and I took pictures of a bunch of them,

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<v Speaker 1>and it was okay with her. And in reading through them,

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<v Speaker 1>I have to tell you, I came across some references

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<v Speaker 1>that I found really toxic that he made, and I

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<v Speaker 1>think they were about you, but I'm not sure.

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<v Speaker 7>Well this is the one where you call me a

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<v Speaker 7>third rate carpetbagger, or well I.

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<v Speaker 1>Can show you he doesn't say your name, so I don't.

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<v Speaker 7>Yeah, I'd like to know for sure. Yeah, I may

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<v Speaker 7>have shaded a paragraph there. Fat You from New York

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<v Speaker 7>has spent six months researching My life, huge anticipated article

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<v Speaker 7>to be published in July for okay, has been bugging

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<v Speaker 7>my asshole father and other assholes. This guy's going frantic

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<v Speaker 7>to locate my whereabouts. So far I'm safe. Snooper's talking

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<v Speaker 7>everyone I hate, including guests who none o the Pirate

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<v Speaker 7>captain m Yeah, okay, well it's toxic, but so fucking.

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<v Speaker 1>What it gets uglier. Mickey wrote to Linda, quote, we

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<v Speaker 1>both knew that some hook knows MF would sniff out

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<v Speaker 1>a story one day. He also wrote that the Pirate

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<v Speaker 1>captain Don Wilson, Linda's X, who talked to Rensen quote

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<v Speaker 1>kissed the feet of this Jew bastard. And then, when

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<v Speaker 1>the article was optioned by the producer David Geffen, Mickey

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<v Speaker 1>wrote quote, I've found out some beady eyed, copulating Jew

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<v Speaker 1>faggot has bought my life story from the other Jew

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<v Speaker 1>and are making my life into a film starring another

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<v Speaker 1>well favored, bright eyed Jew. If they want information, talk

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<v Speaker 1>to the rats. This is clearly not punk, not a pose,

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<v Speaker 1>not a middle finger to society. This is raw bigotry.

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<v Speaker 1>As David absorbs the letters, I feel him processing this

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<v Speaker 1>question of whether Mickey is performing anti Semitism or expressing it.

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<v Speaker 7>People ask me how I can celebrate Mickey Dora. You know,

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<v Speaker 7>but I don't think I'm celebrating him. I mean unless

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<v Speaker 7>the act of writing about somebody is celebration. I mean,

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<v Speaker 7>he's a too bit hustler to some people, and he's

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<v Speaker 7>God on a surfboard to other people. I just thought

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<v Speaker 7>it was an interesting story to tell. I agree with you. Yeah, well,

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<v Speaker 7>I'm glad you show me those letters, because Micky was

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<v Speaker 7>a nasty piece of work at times.

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<v Speaker 1>It's subtle, but it literally feels like a change has

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<v Speaker 1>come over David, like he's revising his opinion in real

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<v Speaker 1>time in front of me, and there's this other feeling disappointment.

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<v Speaker 1>Micky didn't even say his name. He reduced him to

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<v Speaker 1>a slur.

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<v Speaker 7>I really, I've lost weight, Mickey. He just can't take

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<v Speaker 7>this up personally. I mean, it sucks, but I mean

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<v Speaker 7>it just shows, you know, he he was anti Semitic

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<v Speaker 7>when it suited him, so I you know, and I

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<v Speaker 7>wouldn't be his friend.

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<v Speaker 1>David's thinking, still trying to make sense of his subject.

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<v Speaker 1>Twenty plus years after his death.

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<v Speaker 7>Somebody said to me that they listened to Mickey and

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<v Speaker 7>what he said sounded great, made no sense at all.

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<v Speaker 7>And you know, when you're somebody hero, you're more willing

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<v Speaker 7>to give them a break.

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<v Speaker 1>Mickey and Linda's romance played out across a dozen countries

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<v Speaker 1>in hotel rooms and hideouts and campgrounds. They were chasing

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<v Speaker 1>the surf, living by their wits and getting away with it,

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<v Speaker 1>stealing from the market for breakfast and dining with the

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<v Speaker 1>Rothschilds for lunch. They did exactly as they pleased. Mickey

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<v Speaker 1>thought this made them free, but Linda found out nothing

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<v Speaker 1>is for free. Is there anything that you sort of

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<v Speaker 1>took away from your relationship with Mickey when you reflect

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<v Speaker 1>back on.

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<v Speaker 2>It, Yeah, I'd say it. I used to be very,

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<v Speaker 2>very trusting, and I think now I really look at

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<v Speaker 2>stuff twice or three times or four times, you know,

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<v Speaker 2>to be sure. Yeah, it's a hard one to really

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<v Speaker 2>go deep into that. It's like the love thing, you know,

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<v Speaker 2>like what is it?

0:16:48.036 --> 0:16:50.756
<v Speaker 1>Linda says there was a moment in nineteen seventy six

0:16:50.956 --> 0:16:54.556
<v Speaker 1>when she saw Micky clearly and could never unsee him.

0:16:55.476 --> 0:16:58.236
<v Speaker 1>They were on the run from the FBI and Linda

0:16:58.356 --> 0:16:59.516
<v Speaker 1>needed Mickey's help.

0:17:00.956 --> 0:17:04.076
<v Speaker 2>I get we were coming back from I think it

0:17:04.116 --> 0:17:08.716
<v Speaker 2>was Kenya, and we flew into we were in Europe,

0:17:09.436 --> 0:17:12.956
<v Speaker 2>and I was sick well. I couldn't hold anything down.

0:17:14.196 --> 0:17:16.916
<v Speaker 1>This was when they stopped in Germany and Mickey bought

0:17:16.956 --> 0:17:19.956
<v Speaker 1>his dark green Mercedes camera van. They were on their

0:17:19.996 --> 0:17:21.956
<v Speaker 1>way to France to disappear.

0:17:23.196 --> 0:17:27.156
<v Speaker 2>I was losing weight. I couldn't eat, it was throwing

0:17:27.276 --> 0:17:34.916
<v Speaker 2>up every morning. And Mickey was not very sympathetic. It

0:17:34.956 --> 0:17:39.556
<v Speaker 2>was like, you deal with your problem. He kept giving

0:17:39.556 --> 0:17:44.156
<v Speaker 2>me this German Undenberg, which you take. It's if you've

0:17:44.196 --> 0:17:47.156
<v Speaker 2>had a hangover and you've sick to your stomach, you

0:17:47.316 --> 0:17:50.236
<v Speaker 2>down this stuff. It was horrible. He gave me a

0:17:50.236 --> 0:17:53.356
<v Speaker 2>couple of those, and I was sicker and I said,

0:17:53.356 --> 0:17:59.756
<v Speaker 2>this is not a hangover. I said, I'm pregnant because

0:17:59.796 --> 0:18:02.796
<v Speaker 2>I was missing periods and you know, I knew the symptoms.

0:18:02.836 --> 0:18:04.916
<v Speaker 2>You know, I was having morning sickness, and I said,

0:18:04.916 --> 0:18:13.156
<v Speaker 2>this is pregnancy. You know. Mickey wasn't happy. Why his

0:18:13.196 --> 0:18:16.036
<v Speaker 2>Mickey's thing was always his little comment was you'll ruin

0:18:16.036 --> 0:18:20.116
<v Speaker 2>the trip if I didn't do something, You're going to

0:18:20.236 --> 0:18:21.076
<v Speaker 2>ruin the trip.

0:18:21.276 --> 0:18:25.916
<v Speaker 1>By being pregnant. Yeah, she was pregnant on the run

0:18:26.156 --> 0:18:28.876
<v Speaker 1>and living in a camera van, and add to that,

0:18:29.196 --> 0:18:33.596
<v Speaker 1>her passport had been stolen and Mickey wasn't there for her.

0:18:34.756 --> 0:18:39.476
<v Speaker 2>I was scared. I was scared, you know, because when

0:18:39.476 --> 0:18:41.356
<v Speaker 2>that happens like that, you're on your own.

0:18:41.396 --> 0:18:41.596
<v Speaker 3>Man.

0:18:42.956 --> 0:18:45.836
<v Speaker 2>You know, you're not married, you're not in a house,

0:18:46.516 --> 0:18:49.836
<v Speaker 2>you're on the road. You don't even have right id

0:18:50.796 --> 0:19:00.556
<v Speaker 2>you were, you know, money. It's not an environment where

0:19:00.596 --> 0:19:06.036
<v Speaker 2>you want to have a child. Come period. This was real,

0:19:06.436 --> 0:19:09.836
<v Speaker 2>real scary.

0:19:09.876 --> 0:19:11.956
<v Speaker 1>And you couldn't raise a kid with Mickey if Mickey

0:19:11.956 --> 0:19:16.236
<v Speaker 1>didn't want to raise a kid. No, Linda won't say

0:19:16.436 --> 0:19:19.716
<v Speaker 1>exactly what happened with the baby, but she does tell

0:19:19.756 --> 0:19:24.076
<v Speaker 1>me why Mickey didn't want a child. Clearly, a baby

0:19:24.116 --> 0:19:29.076
<v Speaker 1>would have complicated their international surf bandit plans, but Mickey's

0:19:29.116 --> 0:19:32.556
<v Speaker 1>reluctance to become a father came from a deeper, more

0:19:32.636 --> 0:19:33.596
<v Speaker 1>tortured place.

0:19:34.876 --> 0:19:44.796
<v Speaker 2>Mickey was worried about a child, especially a girl, that

0:19:45.116 --> 0:19:48.276
<v Speaker 2>she would be abused in the future by people trying

0:19:48.276 --> 0:19:53.836
<v Speaker 2>to get back at him. And he even said, you know,

0:19:54.516 --> 0:19:56.516
<v Speaker 2>he said, a boy, he said, I don't care, you know,

0:19:56.596 --> 0:19:59.956
<v Speaker 2>let him get his ass kicked. You know, if a

0:20:00.076 --> 0:20:03.356
<v Speaker 2>son would be like, okay, your turn now to figure

0:20:03.356 --> 0:20:08.316
<v Speaker 2>it out. A daughter, he was like, very very worried.

0:20:09.156 --> 0:20:12.356
<v Speaker 2>He said, some asshole is going to come along and

0:20:12.996 --> 0:20:16.356
<v Speaker 2>fuck her and get her pregnant just to get back

0:20:16.396 --> 0:20:16.596
<v Speaker 2>at me.

0:20:18.076 --> 0:20:24.716
<v Speaker 1>This makes Mickey seem truly sick, unless it was just

0:20:24.756 --> 0:20:29.316
<v Speaker 1>his excuse. Linda broke up with Mickey for good in

0:20:29.436 --> 0:20:33.876
<v Speaker 1>nineteen eighty, not long before Mickey was arrested. Linda went

0:20:33.916 --> 0:20:36.876
<v Speaker 1>to Ireland and spent years living in a rusted out

0:20:36.996 --> 0:20:41.356
<v Speaker 1>VW on a desolate beach, purging Mickey from her system.

0:20:41.836 --> 0:20:45.516
<v Speaker 1>He visited her sometimes, but Ireland was too cold for him.

0:20:46.236 --> 0:20:49.036
<v Speaker 1>He begged her to join him in South Africa.

0:20:49.836 --> 0:20:55.836
<v Speaker 2>Found the perfect right point Jeffrey's Bay Come Good movement.

0:20:55.876 --> 0:21:01.996
<v Speaker 2>I was stuck. Love was gone. That wasn't love, but

0:21:02.116 --> 0:21:05.796
<v Speaker 2>you know there was something fascination, Yeah, the fascination there,

0:21:05.796 --> 0:21:08.836
<v Speaker 2>it is. The fascination was gone.

0:21:09.236 --> 0:21:13.076
<v Speaker 1>Mickey wanted to rekindle what they had, but Linda had

0:21:13.116 --> 0:21:15.196
<v Speaker 1>reached her limit long ago.

0:21:16.516 --> 0:21:23.556
<v Speaker 2>I think I saw too much, you know, I was

0:21:24.076 --> 0:21:26.556
<v Speaker 2>experiencing too much and I was done. You know, I

0:21:26.596 --> 0:21:30.156
<v Speaker 2>wanted to just be calm. And it wasn't going to

0:21:30.196 --> 0:21:32.036
<v Speaker 2>be New Zealand, and it wasn't going to be France,

0:21:32.196 --> 0:21:35.276
<v Speaker 2>and it wasn't going to be Jeffrey's Bay.

0:21:35.476 --> 0:21:39.116
<v Speaker 1>Mickey put her through a lot. As exhilarating as their

0:21:39.156 --> 0:21:45.396
<v Speaker 1>shared adventure was, it was exhausting. He was exhausting. For

0:21:45.436 --> 0:21:49.516
<v Speaker 1>a long time, she'd believed they were pursuing freedom together.

0:21:50.556 --> 0:21:59.116
<v Speaker 1>Then she realized he was only for himself. I'm gonna

0:21:59.196 --> 0:22:02.436
<v Speaker 1>ask you to read this little passage at the end

0:22:02.476 --> 0:22:07.596
<v Speaker 1>of your book and then sort of, you know, people

0:22:07.596 --> 0:22:11.396
<v Speaker 1>can do what they want with it. I passed Linda

0:22:11.476 --> 0:22:14.516
<v Speaker 1>a copy of her book, The Surf Sting. It's an

0:22:14.556 --> 0:22:17.756
<v Speaker 1>account of her adventures with Mickey, Dora and Don Wilson,

0:22:17.996 --> 0:22:21.476
<v Speaker 1>the pirate Captain. I circled it right there.

0:22:22.836 --> 0:22:26.996
<v Speaker 2>She need reading? Is there the blue?

0:22:27.716 --> 0:22:29.876
<v Speaker 1>This is a passage that comes right at the end.

0:22:30.476 --> 0:22:32.676
<v Speaker 1>It's set apart from the rest of the text in

0:22:32.756 --> 0:22:33.876
<v Speaker 1>a larger typeface.

0:22:35.236 --> 0:22:40.276
<v Speaker 2>Mikola. She's beautiful, dark brown, curly hair, big brown eyes,

0:22:40.356 --> 0:22:45.156
<v Speaker 2>almost gipsy looking, maybe a bit Italian. She's a young

0:22:45.196 --> 0:22:49.196
<v Speaker 2>woman now speaks three languages, raised by a wealthy and

0:22:49.316 --> 0:22:54.356
<v Speaker 2>prominent wine connoisseur. Does she serf? Maybe she definitely skis

0:22:54.716 --> 0:22:55.516
<v Speaker 2>any pictures?

0:22:55.676 --> 0:22:56.036
<v Speaker 6>What for?

0:22:56.716 --> 0:23:00.636
<v Speaker 2>You might get lucky and meet her sometime? Any more questions?

0:23:00.876 --> 0:23:04.556
<v Speaker 2>Nobody bothered to ask Mickey. I didn't have to I

0:23:04.636 --> 0:23:15.196
<v Speaker 2>was there. It is what it is bittersweet.

0:23:16.676 --> 0:23:21.156
<v Speaker 1>It's bittersweet because the life she's just described. Mikola's life

0:23:21.516 --> 0:23:26.956
<v Speaker 1>sounds wonderful in many ways, wherever she is, whoever she is.

0:23:28.276 --> 0:23:31.436
<v Speaker 1>But I can't help thinking of all that Linda lost,

0:23:32.396 --> 0:23:37.356
<v Speaker 1>sacrificed for Mickey's fear and selfishness that could make a

0:23:37.396 --> 0:23:39.516
<v Speaker 1>person fall right out of love.

0:23:40.716 --> 0:23:44.916
<v Speaker 2>It wasn't about love. I don't think it ever was.

0:23:46.876 --> 0:23:50.596
<v Speaker 2>Because love, what is love? I mean, what's the definition

0:23:50.676 --> 0:23:54.076
<v Speaker 2>of love? You have to I mean, love can be

0:23:54.116 --> 0:23:57.716
<v Speaker 2>different for everybody. I don't think it's something you can

0:23:57.796 --> 0:24:01.756
<v Speaker 2>really say this is how it works, you know, because

0:24:01.796 --> 0:24:05.236
<v Speaker 2>I love my husband. My husband is just the pickle,

0:24:07.956 --> 0:24:10.556
<v Speaker 2>and I would have never had that with Mickey or

0:24:10.636 --> 0:24:13.076
<v Speaker 2>don Period. I know that for sure.

0:24:14.996 --> 0:24:19.116
<v Speaker 1>Did you have other kids in your life?

0:24:19.396 --> 0:24:25.196
<v Speaker 2>No, but my husband has two boys. They're both very,

0:24:25.396 --> 0:24:28.556
<v Speaker 2>very good, good kids. He raised them well. And it's

0:24:28.556 --> 0:24:30.916
<v Speaker 2>funny because I think about if I had a kid

0:24:30.996 --> 0:24:36.236
<v Speaker 2>with him, it would have been wonderful, you know, but

0:24:38.436 --> 0:24:42.916
<v Speaker 2>life can bite you sometimes big time. It's funny too

0:24:42.956 --> 0:24:48.036
<v Speaker 2>because my mom, when I told her, you know, she

0:24:48.196 --> 0:24:48.956
<v Speaker 2>was so mad at me.

0:24:50.836 --> 0:24:51.316
<v Speaker 1>She said I.

0:24:51.316 --> 0:24:55.596
<v Speaker 2>Would have raised her. I would have raised my grandchild.

0:24:56.276 --> 0:25:00.196
<v Speaker 2>And I said, Mom, it wasn't like that. I said,

0:25:00.196 --> 0:25:04.516
<v Speaker 2>you couldn't just have her here because somebody would know

0:25:05.596 --> 0:25:09.036
<v Speaker 2>who she was, you know, I said, it wouldn't.

0:25:12.596 --> 0:25:18.316
<v Speaker 1>This is Linda's regret that she believed Mickey bought in

0:25:18.716 --> 0:25:22.316
<v Speaker 1>for a time to his dark view of the world.

0:25:23.276 --> 0:25:28.076
<v Speaker 1>Back then she couldn't see beyond it, and now she

0:25:28.276 --> 0:25:29.276
<v Speaker 1>has no daughter.

0:25:30.556 --> 0:25:31.556
<v Speaker 7>But it's okay.

0:25:32.916 --> 0:25:36.116
<v Speaker 2>It's all hard. Everything was fun and breezy and nice,

0:25:36.236 --> 0:25:38.876
<v Speaker 2>and then that was the hard part. So you get

0:25:38.876 --> 0:25:45.076
<v Speaker 2>slapped in the end. You know, in some way you'll pay.

0:25:45.956 --> 0:25:52.756
<v Speaker 2>I paid the price. Not nice.

0:25:52.836 --> 0:25:55.716
<v Speaker 1>The promise of the Mickey and Linda adventure had been

0:25:55.796 --> 0:25:59.036
<v Speaker 1>that it would all be free. They would travel and

0:25:59.156 --> 0:26:02.396
<v Speaker 1>surf and not have to work. The lifestyle would be

0:26:02.436 --> 0:26:07.356
<v Speaker 1>free and they would be free. But it didn't really

0:26:07.436 --> 0:26:11.596
<v Speaker 1>turn out that way. So I was going to ask you,

0:26:11.676 --> 0:26:14.356
<v Speaker 1>but I think you may have just answered this. What

0:26:14.676 --> 0:26:16.516
<v Speaker 1>these adventures cost you.

0:26:20.036 --> 0:26:28.116
<v Speaker 2>I got from your daughter, Yeah, which would have been

0:26:28.516 --> 0:26:35.996
<v Speaker 2>very amazing, you know, to have brought her here. But

0:26:36.036 --> 0:26:41.036
<v Speaker 2>it's okay. She's fretet and easy.

0:26:42.156 --> 0:26:46.316
<v Speaker 1>Mickey paid to he went to prison, but he never

0:26:46.516 --> 0:26:49.876
<v Speaker 1>grew up the way Linda did. He never had to.

0:26:50.956 --> 0:26:53.316
<v Speaker 1>He continued to write her letters from the ends of

0:26:53.356 --> 0:26:57.316
<v Speaker 1>the earth. Wherever he was. He referred to it as

0:26:58.196 --> 0:27:24.036
<v Speaker 1>never never Land. Mickey will always represent the worst impulses

0:27:24.036 --> 0:27:29.516
<v Speaker 1>of surf culture, the pull toward exclusion and xenophobia, But

0:27:29.636 --> 0:27:34.756
<v Speaker 1>the surf media that fanned Mickey's legend has never forsaken him.

0:27:35.396 --> 0:27:38.996
<v Speaker 8>How hard is it to just say, Gee, this guy

0:27:39.036 --> 0:27:41.436
<v Speaker 8>who died a long time ago, who was just a

0:27:41.436 --> 0:27:43.636
<v Speaker 8>good surfer in the fifties. That's all he was, was

0:27:43.636 --> 0:27:46.916
<v Speaker 8>a handsome guy who was a good surfer, said some

0:27:46.956 --> 0:27:50.636
<v Speaker 8>really nasty, gross things that suggest really dark hatreds in

0:27:50.676 --> 0:27:56.356
<v Speaker 8>his heart. Writer and surfer Dan Dwayne again, that question,

0:27:56.716 --> 0:28:01.036
<v Speaker 8>to myself is right, what is the big deal? Why

0:28:01.076 --> 0:28:02.956
<v Speaker 8>is it so hard to say that was kind of gross?

0:28:02.996 --> 0:28:06.796
<v Speaker 8>Maybe we shouldn't worship that guy anymore. Why can't we

0:28:06.876 --> 0:28:09.956
<v Speaker 8>just say it's painful? Why can can't we just say

0:28:10.036 --> 0:28:13.676
<v Speaker 8>it's hateful? This is not a big lift, This is

0:28:13.796 --> 0:28:16.956
<v Speaker 8>not a high bar. You know, you don't have to

0:28:16.956 --> 0:28:19.556
<v Speaker 8>be a conspiracy theorist to connect the dots around this.

0:28:20.996 --> 0:28:24.236
<v Speaker 1>Surfing now is so much bigger than when Mickey was

0:28:24.236 --> 0:28:28.116
<v Speaker 1>in his prime, and that Dan says is a good thing.

0:28:29.436 --> 0:28:34.636
<v Speaker 8>This is a global culture, and more and more it's

0:28:34.676 --> 0:28:38.996
<v Speaker 8>in everybody culture in a kind of a beautiful way,

0:28:39.156 --> 0:28:40.836
<v Speaker 8>Like that's better that way for it to be in

0:28:40.916 --> 0:28:43.996
<v Speaker 8>everybody culture. I'm glad it's in everybody culture. I don't

0:28:44.036 --> 0:28:46.316
<v Speaker 8>want to go back to when it's not in everybody culture.

0:28:46.596 --> 0:28:47.996
<v Speaker 8>I didn't like it more that way.

0:28:49.116 --> 0:28:52.276
<v Speaker 1>And when I think of an everybody culture, I know

0:28:52.396 --> 0:28:55.716
<v Speaker 1>that doesn't come from Mickey. It comes from a spunky

0:28:55.796 --> 0:28:58.556
<v Speaker 1>fifteen year old who didn't let a few pineapples in

0:28:58.596 --> 0:29:01.076
<v Speaker 1>the face get between her and the waves.

0:29:03.036 --> 0:29:04.236
<v Speaker 4>Oh no, back again.

0:29:04.596 --> 0:29:07.196
<v Speaker 2>Any objections you want me to reel off the whole

0:29:07.196 --> 0:29:08.916
<v Speaker 2>list that I like to start?

0:29:09.316 --> 0:29:14.556
<v Speaker 1>How does on Mickey blamed Gidget for ruining Malibu? But

0:29:14.636 --> 0:29:19.076
<v Speaker 1>I have to disagree. I think Mickey ruined Malibu by

0:29:19.116 --> 0:29:21.596
<v Speaker 1>treating it like it belonged to him and trying to

0:29:21.636 --> 0:29:28.156
<v Speaker 1>scare everyone else away. There's a thread that seems to

0:29:28.236 --> 0:29:31.916
<v Speaker 1>lead from Kathy's identity and her family's history in Hollywood

0:29:32.316 --> 0:29:36.196
<v Speaker 1>to the popularization of surfing and Mickey's vitriol about all

0:29:36.196 --> 0:29:40.516
<v Speaker 1>of it, not to mention Mickey's SS leather trench coat

0:29:40.636 --> 0:29:47.076
<v Speaker 1>and the swastika on his surfboard. Did he express specific

0:29:47.316 --> 0:29:51.396
<v Speaker 1>frustration about Gidget.

0:29:53.396 --> 0:29:57.036
<v Speaker 2>Yeah, he didn't like the whole thing because it was

0:29:57.116 --> 0:30:01.196
<v Speaker 2>the start. It threw everything up into the air and

0:30:01.276 --> 0:30:06.276
<v Speaker 2>everybody had a look, you know, And he never liked her.

0:30:07.516 --> 0:30:11.196
<v Speaker 2>He always had to of a racist attitude.

0:30:12.676 --> 0:30:13.716
<v Speaker 1>Because she was Jewish.

0:30:14.156 --> 0:30:18.156
<v Speaker 2>Yeah, and he used to like to throw that around. True.

0:30:18.956 --> 0:30:22.916
<v Speaker 1>The Gidget movie, with its daffy blonde starlet, isn't really

0:30:22.956 --> 0:30:27.436
<v Speaker 1>what surfing's all about. But Gidget, the person, an intrepid

0:30:27.516 --> 0:30:30.156
<v Speaker 1>Jewish girl who insisted that the guys on the beach

0:30:30.196 --> 0:30:34.556
<v Speaker 1>except her, is the living proof that surfing doesn't belong

0:30:34.796 --> 0:30:37.716
<v Speaker 1>to the guard Chapins and Mickey Dora's of the world.

0:30:38.836 --> 0:30:42.916
<v Speaker 9>That the women to the surfing community, which was really

0:30:43.316 --> 0:30:44.356
<v Speaker 9>unheard of back then.

0:30:45.836 --> 0:30:49.556
<v Speaker 1>Former Malibu lifeguard Henry Ford, there are.

0:30:49.556 --> 0:30:52.796
<v Speaker 9>Very few women in those early days that came down

0:30:52.836 --> 0:30:55.916
<v Speaker 9>and I think Gidget opened that up. Kathy opened that

0:30:56.036 --> 0:30:58.996
<v Speaker 9>door for a lot of women, and women became part

0:30:59.036 --> 0:31:01.956
<v Speaker 9>of the surfing community. And now almost any day you've

0:31:01.996 --> 0:31:03.876
<v Speaker 9>had out in any of the surf spots that you'll

0:31:03.876 --> 0:31:07.916
<v Speaker 9>see at least at least a third of the people

0:31:07.956 --> 0:31:12.476
<v Speaker 9>in the water are women. Nowadays, maybe even more depending

0:31:12.476 --> 0:31:15.876
<v Speaker 9>on where you are. So I think that it started

0:31:15.916 --> 0:31:19.676
<v Speaker 9>with Kathy and those films and moving forward.

0:31:21.276 --> 0:31:25.076
<v Speaker 1>Mickey and Kathy were from the same world of European emigres.

0:31:25.596 --> 0:31:29.116
<v Speaker 1>They met and found fame on the same beach in Malibu,

0:31:29.636 --> 0:31:35.236
<v Speaker 1>riding the same waves. Mickey vanished and by disappearing became

0:31:35.356 --> 0:31:40.436
<v Speaker 1>the most legendary surfer of all time. Kathy stayed put,

0:31:40.716 --> 0:31:43.596
<v Speaker 1>but she was more or less forgotten after her reputation

0:31:43.716 --> 0:31:48.196
<v Speaker 1>in the surf world was destroyed. Mickey said, Gidget was

0:31:48.236 --> 0:31:52.356
<v Speaker 1>what was wrong with surfing, but finally people are starting

0:31:52.356 --> 0:31:55.636
<v Speaker 1>to recognize that she represents what's right about it.

0:31:59.116 --> 0:32:03.676
<v Speaker 5>From that Gigan on having the California Serti Museum, we'd

0:32:03.676 --> 0:32:07.116
<v Speaker 5>like in you this silver Server reward. So let's hear

0:32:07.156 --> 0:32:07.756
<v Speaker 5>it from the gind.

0:32:10.636 --> 0:32:14.636
<v Speaker 1>That's jim Kempton again. Back in November twenty twenty two,

0:32:15.036 --> 0:32:18.676
<v Speaker 1>the California Surf Museum honored Kathy with a Lifetime Achievement

0:32:18.716 --> 0:32:21.236
<v Speaker 1>Award for her contributions to the surf industry.

0:32:22.116 --> 0:32:24.436
<v Speaker 4>I give you the one and only Kathy kohnor Zuckerman,

0:32:24.956 --> 0:32:27.076
<v Speaker 4>aka the real Gidget.

0:32:31.556 --> 0:32:34.156
<v Speaker 3>They say, keep company with those that make me feel better,

0:32:34.756 --> 0:32:39.316
<v Speaker 3>and how Honestly, this has been unbelievable.

0:32:39.476 --> 0:32:41.636
<v Speaker 4>Like me, like me, and really like me.

0:32:45.836 --> 0:32:48.956
<v Speaker 1>Gidget opened the door for women to surf. She gave

0:32:48.996 --> 0:32:52.356
<v Speaker 1>them a template, an iconic figure they could relate to

0:32:52.676 --> 0:32:53.596
<v Speaker 1>and try to imitate.

0:32:55.156 --> 0:32:57.596
<v Speaker 2>I loved Didgit the TV show as a kid like

0:32:57.676 --> 0:32:59.316
<v Speaker 2>I always the Sally Field.

0:32:59.036 --> 0:33:03.156
<v Speaker 1>And even an accidental icon a twenty ten documentary about

0:33:03.236 --> 0:33:08.116
<v Speaker 1>Kathy's life. Many professional female surfers credited the Gidget franchise

0:33:08.316 --> 0:33:12.356
<v Speaker 1>with making surf a more welcoming sport for women to

0:33:12.476 --> 0:33:12.916
<v Speaker 1>the sport.

0:33:13.236 --> 0:33:16.916
<v Speaker 2>I grew up seeing images of Gidget surfing on TV,

0:33:16.996 --> 0:33:19.636
<v Speaker 2>and she's the only woman that I ever saw surfing

0:33:19.676 --> 0:33:21.836
<v Speaker 2>on TV. And it never occurred to.

0:33:21.796 --> 0:33:24.316
<v Speaker 1>Me that girls didn't surf until I was a teenager

0:33:24.356 --> 0:33:26.156
<v Speaker 1>and looked around in the lineup and saw that I

0:33:26.196 --> 0:33:26.916
<v Speaker 1>was the only one.

0:33:27.076 --> 0:33:27.276
<v Speaker 4>You know.

0:33:27.316 --> 0:33:28.996
<v Speaker 3>I used to watch all those movies when I was

0:33:28.996 --> 0:33:29.836
<v Speaker 3>a kid and just.

0:33:29.756 --> 0:33:32.036
<v Speaker 6>Like fantasize about the whole beach life.

0:33:32.076 --> 0:33:34.476
<v Speaker 2>And when I got to, you know, live at myself,

0:33:34.476 --> 0:33:37.116
<v Speaker 2>it was awesome, you know. And without her, and without

0:33:37.116 --> 0:33:39.716
<v Speaker 2>those movies, who know where surfing today would be.

0:33:41.236 --> 0:33:44.956
<v Speaker 1>That last voice belongs to Cassia Miador. She's one of

0:33:44.956 --> 0:33:47.756
<v Speaker 1>the best long borders in the world and a surf

0:33:47.796 --> 0:33:51.396
<v Speaker 1>mentor to me. A few times now, I've gone with

0:33:51.516 --> 0:33:55.756
<v Speaker 1>Cassia and her friend Leah Dawson, another amazing longboarder, to

0:33:55.796 --> 0:33:58.796
<v Speaker 1>spend a few days at Santa Nofre, that beach where

0:33:58.836 --> 0:34:03.276
<v Speaker 1>Mickey learned to surf. It's a bunch of women surfing

0:34:03.356 --> 0:34:07.356
<v Speaker 1>and camping and sitting around the fire pit. I don't

0:34:07.356 --> 0:34:11.156
<v Speaker 1>think I've heard anyone mention Gidget, but she's there in

0:34:11.196 --> 0:34:14.316
<v Speaker 1>the background. In the subtext of the stories, the women

0:34:14.396 --> 0:34:17.636
<v Speaker 1>tell of how they learned to surf and kept at

0:34:17.676 --> 0:34:20.436
<v Speaker 1>it in spite of all the things that might have

0:34:20.516 --> 0:34:25.476
<v Speaker 1>made them turn away, because surfing is that fun, that

0:34:25.956 --> 0:34:31.036
<v Speaker 1>worth it. When I was pregnant with my second child,

0:34:31.236 --> 0:34:35.756
<v Speaker 1>my husband gave me a beautiful pink surfboard. He doesn't surf,

0:34:36.116 --> 0:34:39.356
<v Speaker 1>but he said he could picture me surfing and he

0:34:39.436 --> 0:34:43.396
<v Speaker 1>thought I would love it. The baby was a girl,

0:34:43.756 --> 0:34:46.236
<v Speaker 1>and after she was born, my husband and I would

0:34:46.276 --> 0:34:49.036
<v Speaker 1>take her and her older brother to the beach. My

0:34:49.116 --> 0:34:51.076
<v Speaker 1>husband would play with the kids in the sand while

0:34:51.076 --> 0:34:55.236
<v Speaker 1>I messed around in the waves a happy coop. I

0:34:55.356 --> 0:34:58.596
<v Speaker 1>remember carrying my daughter on one hip and my board

0:34:58.636 --> 0:35:03.556
<v Speaker 1>on the other she's ten now, and of course she's

0:35:03.596 --> 0:35:07.796
<v Speaker 1>a better surfer than I am. This is how it's

0:35:07.836 --> 0:35:14.476
<v Speaker 1>supposed to be. The division's Mickey sde still pop up

0:35:14.876 --> 0:35:19.796
<v Speaker 1>like ugly weeds, but he was fighting the inevitable. And

0:35:19.836 --> 0:35:22.156
<v Speaker 1>I hope that by the time my daughter is driving

0:35:22.236 --> 0:35:26.076
<v Speaker 1>herself to the beach to surf, the signs telling kooks

0:35:26.116 --> 0:35:30.996
<v Speaker 1>to go home, the racial hate, the swastikas, that will

0:35:31.036 --> 0:35:34.916
<v Speaker 1>all just be a story to her, a story from

0:35:34.956 --> 0:35:35.836
<v Speaker 1>the dark ages.

0:35:38.716 --> 0:35:41.276
<v Speaker 4>It was never going to be anything other than what's

0:35:41.276 --> 0:35:43.516
<v Speaker 4>sort of happening now, which is come one, come.

0:35:43.356 --> 0:35:47.076
<v Speaker 1>All, surf historian Matt Warshaw.

0:35:47.676 --> 0:35:52.796
<v Speaker 4>Because being in the ocean, riding waves, talking about riding

0:35:52.796 --> 0:35:57.956
<v Speaker 4>waves is a really fun, compelling, gorgeous thing to do,

0:35:58.596 --> 0:36:00.036
<v Speaker 4>and why shouldn't everybody do it.

0:36:07.036 --> 0:36:10.636
<v Speaker 1>Kathy doesn't surf anymore. She and Marv walk every day,

0:36:10.916 --> 0:36:14.036
<v Speaker 1>rain or shine, and often they go down to the beach.

0:36:14.716 --> 0:36:16.476
<v Speaker 1>She likes to watch the surfers.

0:36:17.716 --> 0:36:19.476
<v Speaker 3>You know, my husband. I went to the jetty the

0:36:19.476 --> 0:36:23.236
<v Speaker 3>other day and the water was like churning, and it

0:36:23.276 --> 0:36:26.436
<v Speaker 3>was after the rain, and a guy comes in a

0:36:26.476 --> 0:36:31.596
<v Speaker 3>wetsuit by himself, throws his backpack down on the sand

0:36:32.516 --> 0:36:37.236
<v Speaker 3>and heads out to surf, and I was impressed with

0:36:37.276 --> 0:36:41.956
<v Speaker 3>that because that's what it was about. He just went

0:36:41.996 --> 0:36:45.236
<v Speaker 3>out for a ride. I want to ride, and I

0:36:45.276 --> 0:36:49.196
<v Speaker 3>know what I'm doing, and that's you know what surfing

0:36:49.236 --> 0:36:51.276
<v Speaker 3>to me is all about. Am I going to catch

0:36:51.276 --> 0:36:52.956
<v Speaker 3>this one? Or am I going to hang back? Am

0:36:52.956 --> 0:36:54.556
<v Speaker 3>I going to catch it? Am I gonna walk the nose?

0:36:54.596 --> 0:36:56.156
<v Speaker 3>Am I not going to walk the noses? You and

0:36:56.236 --> 0:37:01.756
<v Speaker 3>the element. It's you and the weather and the ocean.

0:37:02.916 --> 0:37:05.316
<v Speaker 2>And a board and a board.

0:37:05.396 --> 0:37:07.116
<v Speaker 3>And you know, it doesn't have to be a fancy

0:37:07.156 --> 0:37:10.876
<v Speaker 3>triple fin board. It can be a longboard, a short board,

0:37:10.956 --> 0:37:15.676
<v Speaker 3>one fin, little rocker, no rocker, but it's you on

0:37:15.716 --> 0:37:16.436
<v Speaker 3>the board in motion.

0:37:19.436 --> 0:37:21.716
<v Speaker 1>What Kathy's saying reminds me of the end of her

0:37:21.756 --> 0:37:25.436
<v Speaker 1>father's novel, where Gidget sees a set rolling in and

0:37:25.476 --> 0:37:28.476
<v Speaker 1>grabs her board and heads for the ocean, leaving a

0:37:28.476 --> 0:37:32.316
<v Speaker 1>lot of drama with the big Kahuna and Moondoggie behind her.

0:37:32.796 --> 0:37:36.316
<v Speaker 1>She cheers herself on. Shoot at Gidget, shoot the curl,

0:37:37.436 --> 0:37:38.116
<v Speaker 1>and she does.

0:37:39.716 --> 0:37:40.476
<v Speaker 2>It's powerful.

0:37:40.596 --> 0:37:44.956
<v Speaker 3>Book, Yeah, it's powerful. So whatever you do, you can

0:37:44.996 --> 0:37:48.916
<v Speaker 3>do it. Maybe that's a broader message, but there's something

0:37:48.996 --> 0:37:51.636
<v Speaker 3>really fun about just getting a wave and peddling out.

0:37:52.556 --> 0:37:54.876
<v Speaker 3>It just leave everything on the sand, you know.

0:37:57.196 --> 0:37:59.756
<v Speaker 1>The last line of the book is, maybe I was

0:37:59.956 --> 0:38:02.676
<v Speaker 1>just a woman in love with a surfboard. It's as

0:38:02.676 --> 0:38:08.836
<v Speaker 1>simple as that. Maybe it's always been that simple. Mickey

0:38:08.876 --> 0:38:12.996
<v Speaker 1>brought so much drama to surfing, and he left a

0:38:13.156 --> 0:38:16.156
<v Speaker 1>stain on the sport that has not yet been expunged.

0:38:17.516 --> 0:38:21.836
<v Speaker 1>Gidget's true contribution to surf culture was overlooked for decades.

0:38:22.716 --> 0:38:27.076
<v Speaker 1>She's not important because she helped make surfing popular. She's

0:38:27.116 --> 0:38:33.796
<v Speaker 1>important because she made surfing accessible. The Ambassador of Aloha says,

0:38:34.276 --> 0:38:40.796
<v Speaker 1>come to the beach. The rightful King wasn't royal, and

0:38:40.836 --> 0:38:47.516
<v Speaker 1>he wasn't right And whatever he once said, Malibu belongs

0:38:47.996 --> 0:39:15.796
<v Speaker 1>to everyone. This was Lost Hills, The Dark Prince. Lost

0:39:15.876 --> 0:39:18.636
<v Speaker 1>Hills the Dark Prince is written and reported by me

0:39:18.956 --> 0:39:24.156
<v Speaker 1>Dana Goodyear. Sabrina Fang is the senior producer. Colin McNulty

0:39:24.276 --> 0:39:27.436
<v Speaker 1>is the showrunner. He also edited the show with Benadere.

0:39:28.196 --> 0:39:32.396
<v Speaker 1>Sarah Deeley is our production assistant. Original composition and sound

0:39:32.476 --> 0:39:36.756
<v Speaker 1>design by Alex McGinnis, Mixing by Alex McGinnis with help

0:39:36.796 --> 0:39:41.396
<v Speaker 1>from Victoria Schifflett. The Lost Hills theme is by Dan Leone.

0:39:41.436 --> 0:39:45.476
<v Speaker 1>Our cover art is by Francesca Gabiani. Benadera and I

0:39:45.596 --> 0:39:50.716
<v Speaker 1>are the creators and executive producers of Lost Hills. Executive

0:39:50.756 --> 0:39:55.476
<v Speaker 1>producers for Pushkin Industries are Jacob Weisberg, Letama Laude, Jacob

0:39:55.516 --> 0:40:00.836
<v Speaker 1>Smith and Sophie Crane. Fact checking by Arthur Gomperts and

0:40:00.916 --> 0:40:05.636
<v Speaker 1>thanks to the Pushkin team. Farah Digrunge, Jake Flanagan, Heather Fain,

0:40:06.076 --> 0:40:11.916
<v Speaker 1>John Schnars, Greta Cone, Carly mcglei, Eric Sandler, Morgan Ratner,

0:40:12.316 --> 0:40:19.476
<v Speaker 1>Isabella Navarrez, Jordan McMillan, Sean Karney, Roystonbserve, Nicole Optenbosch, Maya

0:40:19.556 --> 0:40:24.036
<v Speaker 1>Kanik and Daniella la Con. Lost Hills is a production

0:40:24.156 --> 0:40:27.996
<v Speaker 1>of Westernsound and Pushkin Industries. You can sign up for

0:40:28.036 --> 0:40:33.636
<v Speaker 1>Westernsounds newsletter at Westerndashsound dot com. Pushkin's newsletter is at

0:40:33.636 --> 0:40:39.236
<v Speaker 1>Pushkin dot fm. Follow at Lost Hills pod on social media,

0:40:39.276 --> 0:40:41.836
<v Speaker 1>and please remember to rate and review the show in

0:40:41.876 --> 0:40:45.556
<v Speaker 1>your podcast app. Subscribe to Pushkin Plus and you can

0:40:45.596 --> 0:40:49.676
<v Speaker 1>binge entire seasons of other podcasts right now ad free.

0:40:50.076 --> 0:40:52.716
<v Speaker 1>Find Pushkin Plus on the Lost Hills show page in

0:40:52.796 --> 0:40:57.436
<v Speaker 1>Apple Podcasts or at Pushkin, dot Fm, slash plus. To

0:40:57.476 --> 0:41:02.116
<v Speaker 1>find more Pushkin podcasts, listen on the iHeartRadio app, Apple Podcasts,

0:41:02.236 --> 0:41:12.156
<v Speaker 1>or wherever you listen to podcasts.