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Speaker 1: Boulet Camp Podcast special guests. Here, my dog Isaac Palo

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Speaker 1: in the building.

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Speaker 2: How you doing.

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Speaker 1: Good to see you man. Likewise, so you have a

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Speaker 1: show coming up, I do explain because you always have

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Speaker 1: some cool events going on.

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Speaker 2: Yeah. Yeah, So I wasn't gonna do anything this year

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Speaker 2: just because I've been so I've been so out of it,

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Speaker 2: you know, mentally, emotionally, with all kinds of shit. But

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Speaker 2: it's my thirtieth birthday this year, so.

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Speaker 1: It's a big, big, big birthday and thirty thirty. So

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Speaker 1: is the event kind of like in correlation with a

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Speaker 1: birthday thing? Yeah.

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Speaker 2: I usually do that because it's more incentsive for people

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Speaker 2: to come out. Right, Like, if they're not going to

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Speaker 2: support my art, well they.

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Speaker 1: Can come support it comes come part my birthday.

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Speaker 2: So you know, it gives you know, it's like a

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Speaker 2: it's cool. It's a double way to get people to

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Speaker 2: come out. But like I said, I wasn't gonna do

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Speaker 2: anything for my birthday this year. I was just gonna,

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Speaker 2: like I swear, I had like written it down. I'm like, dude,

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Speaker 2: I'm gonna just fucking go watch the sunrise on my

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Speaker 2: birthday by myself at the each and then call it

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Speaker 2: a year like that's it, and I'm like, you know

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Speaker 2: what I do with thirty? I should probably do something

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Speaker 2: special this one time at least, right, So yeah, I

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Speaker 2: like a month, like a month ago, I was like,

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Speaker 2: you know what, I'm gonna do a fucking show. But

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Speaker 2: instead of producing any brand new work, what essentially what

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Speaker 2: I'm doing is I have a few pieces from that

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Speaker 2: I've held on from every series of work over the

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Speaker 2: last like seven years, from twenty twenty to now, So

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Speaker 2: I figure I'll just show a couple of those pieces

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Speaker 2: from each body of work, almost like a retrospective. But

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Speaker 2: you know it's it's just because I did a show

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Speaker 2: in Paris, Arizona, New York and people from LA didn't

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Speaker 2: get to go see those shows, So that's work. People

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Speaker 2: never got a missing home for you, This is home.

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Speaker 2: So I figure, you know what, let me bring all

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Speaker 2: these work back home and then have a chance for

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Speaker 2: like home based people to come see it. And that's

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Speaker 2: what I'm doing. So it's like thirty thirty paintings or more?

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Speaker 1: Do you feel like because I feel like the art

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Speaker 1: market can be like the stock market, and we've seen

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Speaker 1: like a I feel like during COVID, there was like

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Speaker 1: this super spike and like art, Pokemon cards, sports cards, watches. Yeah,

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Speaker 1: has it calmed down a little or do you feel

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Speaker 1: like it's still because I feel like people like would

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Speaker 1: rather plant their money in these one of a kind

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Speaker 1: items or these limited items because they know there's a

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Speaker 1: finite amount of them, so instead of it sitting in

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Speaker 1: a bank account or risking it on the stock market,

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Speaker 1: it might look nice.

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Speaker 3: On the wall.

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Speaker 2: Right. Well, it definitely has calmed down a significant amount,

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Speaker 2: and for various reasons. You know it during COVID, I

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Speaker 2: mean with the whole stimulus check and shit, people just

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Speaker 2: had play money, right, and they weren't paying you know,

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Speaker 2: at some point a lot of people had rent relief,

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Speaker 2: so they weren't paying they were paying rent, They're getting

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Speaker 2: that stimulus check. They were trapping doing whatever they can

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Speaker 2: to make money, so they're like, fuck it, I'm gonna

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Speaker 2: buy something, you know, like an NFT or I'm gonna

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Speaker 2: get into cards, or I'm gonna get into fucking sneakers

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Speaker 2: or some shit. There was just a big boom in it,

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Speaker 2: and I think twenty twenty saw like one of the

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Speaker 2: biggest years in art sales, Like billions of dollars in

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Speaker 2: the blue chip art market and for lower tier artists

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Speaker 2: like myself starting out. You know, it really shot a

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Speaker 2: lot of artists to start them. Yeah, because for me

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Speaker 2: at least, you know, I've used Instagram all these years

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Speaker 2: as a tool to market myself. For sure, it's a gallery,

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Speaker 2: it's website, it's it's a platform to be able to

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Speaker 2: reach people globally that you wouldn't be able to otherwise.

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Speaker 2: But there's there's a it's a catch twenty two because

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Speaker 2: there's so many artists that are coming out of the

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Speaker 2: fucking woodwork. So you have millions of artists all of

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Speaker 2: a sudden, like ten times more than what they're already was.

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Speaker 1: Kind of like like there was like a rapper DJ

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Speaker 1: boom oh dude, when it became easy to record at

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Speaker 1: home or or Serando came out there, all of a sudden,

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Speaker 1: everyone's a DJ.

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Speaker 2: But every motherfucking person became an art This is crazy,

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Speaker 2: and some of them became very successful and still are

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Speaker 2: successful today. So I'm not hating on it. It's you know,

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Speaker 2: it's incredible what it did. But yeah, I think a

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Speaker 2: lot of people just spent a lot of money on

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Speaker 2: you know, that NFT thing. I didn't really get involved

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Speaker 2: because I didn't. First of all, I didn't understand the

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Speaker 2: whole NFT thing at first, and I didn't really care

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Speaker 2: to want to learn about it. I was already you know,

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Speaker 2: I mean, it came and went, It came and went definitely,

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Speaker 2: and I I just feel like I was already digging

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Speaker 2: my feet in the dirt. I was. I was planning

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Speaker 2: my feet in the in the ground so much with

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Speaker 2: real art, with fine art sales and real collectors having

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Speaker 2: tangible shit that people could collect. I didn't want to

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Speaker 2: try to educate myself on this whole, you know, new

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Speaker 2: technological wave way of making art and making money. I

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Speaker 2: just seemed like too much work. And I'm like, nah, bro,

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Speaker 2: I need cash overhand, Like fuck all that other shit, right,

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Speaker 2: I'm like, I'm archaic with this shiit, you know, give

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Speaker 2: me some fucking the balloons, right, some fucking ducats. So I,

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Speaker 2: uh yeah, I saw, you know all again, a lot

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Speaker 2: of artists did some crazy shit with it. I made

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Speaker 2: one NFT and it was cool, but I just think,

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Speaker 2: you know, a lot of people spent a lot of

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Speaker 2: money and they didn't really make a lot of smart investments.

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Speaker 2: And they're kind of reaping what they so then you.

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Speaker 1: Know, yeah, I mean, I mean a lot of the

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Speaker 1: people who like fuck dude, like Logan Paw, I think

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Speaker 1: he spent nine hundred ft dude.

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Speaker 3: I mean, I'm sure he made it up with his

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Speaker 3: Pokemon cards.

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Speaker 2: But justin Bieber did he bought I think what is it?

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Speaker 2: The ape?

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Speaker 3: Yeah, one of them. It's crazy.

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Speaker 2: They just worth dog shit. Yeah, like, but you know

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Speaker 2: that's what happens. The thing with fine art, though, is

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Speaker 2: fine art has such a huge footprint, and the infrastructure

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Speaker 2: has existed for hundreds of years, and the people that

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Speaker 2: have have created and operate the infrastructure are not gonna

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Speaker 2: let it fall apart. After all these years, art only

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Speaker 2: goes up in value. The only time fine art really

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Speaker 2: depletes some value is of now with this whole like cancer,

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Speaker 2: cancel culture bullshit. You know, someone can really damage someone's

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Speaker 2: name and reputation and say, Okay, we're not supporting this

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Speaker 2: artist anymore, no matter how influential we think they are.

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Speaker 2: I mean, look at the whole Caesar Chad shit, bro, Like,

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Speaker 2: I'm not even trying to.

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Speaker 1: Happen quick, dude, it happened in like four hours.

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Speaker 2: It was like the same day went dude win triple

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Speaker 2: platinum overnight.

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Speaker 1: Bro. I remember, I like saw the story and then

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Speaker 1: like almost immediately, they're like they're taking down statues and

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Speaker 1: changing names, and I was like, oh shit.

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Speaker 2: Dude, yeah the street name that we fucking cruise on.

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Speaker 1: But the girl, but the lady who accused him is

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Speaker 1: like also like a huge glorious Yeah, what's your last name?

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Speaker 1: There's a school in Burbank named after her. But so

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Speaker 1: she's it's not like she's like some random persons. So,

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Speaker 1: but it's it's crazy. How quick I think that's the

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Speaker 1: quick So that.

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Speaker 2: Is the fastest someone's ever got canceled.

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Speaker 1: It was wild. It was very like, it was damnar impressive.

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Speaker 1: I was like, Yo, they got this guy out of here.

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Speaker 1: Change the straight dames they took I think in La

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Speaker 1: they took the statue down within like twenty four hours.

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Speaker 2: They erased him from history. It's incredible. It's pretty insane.

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Speaker 1: Well, what's crazy too, is like then they'll then then

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Speaker 1: like these other clips start popping up of like how

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Speaker 1: he would talk about like immigrants and women and shit.

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Speaker 2: That was yeah, but.

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Speaker 3: I feel like I feel like there's it was known.

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Speaker 1: But I feel like it wasn't like people, it wasn't

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Speaker 1: like anything people thought about. It's almost like the Bill

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Speaker 1: Cosby thing, Like people kind of had heard about the

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Speaker 1: Bill Cosby shit, and then Hannibal Burris did the bit

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Speaker 1: in his stand up and it kind of dug it

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Speaker 1: up and people are like, wait a minute, Bill Cosby.

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Speaker 3: Was a piece of ship. Yeah, yeah, but yeah, I

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Speaker 3: know that that is true.

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Speaker 1: I think with the NFT thing is kind of like

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Speaker 1: a perfect example of like a tall tale of a

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Speaker 1: telltale of how you should not buy into any of

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Speaker 1: this hype too quick because it could it could break you,

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Speaker 1: especially when it comes to this digital shit. Because I mean, obviously,

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Speaker 1: how do you feel about bitcoin, cryptocurrency, whatever it is,

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Speaker 1: There is a certain amount of all of this shit

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Speaker 1: that is kind of a Ponzi scheme.

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Speaker 2: Oh well, you know, bitcoin is different. I mean that's

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Speaker 2: like that's been around for a lot longer.

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Speaker 1: Yeah. But I mean like if you're like yo, so

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Speaker 1: and so has a token, it's like, hey, man, like

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Speaker 1: it's probably it's probably baked in that you're gonna like

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Speaker 1: lose all your money if you invest. By the time

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Speaker 1: you hear about it, it's too late.

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Speaker 2: Like yeah, it's usually too late. Yeah, it's funny. I

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Speaker 2: want a movie that I watched with my dad all

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Speaker 2: the time as a boiler room, great movie. I love

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Speaker 2: that movie and my dad's like, my Dad's Top three,

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Speaker 2: it's so good. And the beginning of the movie, he's like,

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Speaker 2: you know, you just He's like, either you got a

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Speaker 2: sick jump shot or you know you're fucking It's like

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Speaker 2: in crack rock. So he's like, you just want to

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Speaker 2: get in. Yeah, And it's true. Everybody just wants to

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Speaker 2: get in, and by the time you find out it

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Speaker 2: is way too fucking late, and you know, the price

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Speaker 2: to get in is it's not even worth it.

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Speaker 3: Yeah.

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Speaker 1: I feel like with art though, it's it's it's always

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Speaker 1: I think people need to look at it like it's

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Speaker 1: a twenty thirty year play. It's like, yo, man, if

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Speaker 1: you're gonna especially if you invest in an artist early. Yeah.

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Speaker 2: Well, and another aspect of it, too, is the thing

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Speaker 2: with fine art is that there's always new talent, right,

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Speaker 2: There's always new talent. Every day, there's a new fucking

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Speaker 2: person coming out and making something and that's gonna be

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Speaker 2: the next big thing. And essentially what happens is someone

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Speaker 2: creates something, maybe they make a little noise with it,

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Speaker 2: and then a second person comes around and does it better,

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Speaker 2: and then they get all the credit for it, and

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Speaker 2: then that, you know, and then they kind of set

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Speaker 2: the tone. And so that's what happens. And there's always

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Speaker 2: new It's like, you know, the best way I can

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Speaker 2: say is like fucking you know, crocodile teeth. They're always

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Speaker 2: coming in, they're always replacing, and and it's never gonna

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Speaker 2: go dry.

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Speaker 3: More affordable than.

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Speaker 2: Nike.

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Speaker 1: They're better than Nike. They're the best socks. And listen

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Speaker 1: to the basics line. Whether you got the ankle socks,

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Speaker 1: whether you got the anklet socks, the tube socks, white black,

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Speaker 1: whatever the case is, ladies, they got all kind of

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Speaker 1: flavors for y'all. And of course the vintage you know,

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Speaker 1: odd socks man, they got the licensing game on smash.

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Speaker 1: Shoutouts to them because they just did an incredible job

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Speaker 1: with their odd Socks pop up in Tampa.

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Speaker 3: Whatever you're into man.

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Speaker 1: Of course, they got the Budweiser, they got the Michelo,

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Speaker 1: they got that. They even got fucking liquid death socks.

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Speaker 3: What are we doing here?

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Speaker 1: Shot out to odd Socks. Go to odd socksofficial dot com.

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Speaker 1: Use the promo code boot leg right now, save twenty

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Speaker 1: percent off your or get you some basics. Thank me later. Hey,

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Speaker 1: can we show a little footage from the odds Socks

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Speaker 1: pop up that they did. They made their very own

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Speaker 1: like liquor store, corner store, and all of the products

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Speaker 1: were odd socks. Yes, cut to the footage. It looks great.

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Speaker 1: Shout out to odd Socks. Use that promo code. Support

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Speaker 1: our family, all right, odd socksofficial dot com promo code

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Speaker 1: bootleg and save some money and get some socks man,

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Speaker 1: Thank me later.

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Speaker 2: So that's interesting about fine art, and like I said,

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Speaker 2: it's been around for the way we look at fine

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Speaker 2: art after the Renaissance for the last five hundred years.

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Speaker 2: It's only gone up in value. And the way we

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Speaker 2: treat fine art is it operates on its own set

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Speaker 2: of rules. It's you know, it's like when fine art

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Speaker 2: is stolen, federal government gets involved. Yeah, because its value

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Speaker 2: is like it's one of those things that holds intrinsic

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Speaker 2: value that isn't actually valuable. We just put a number

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Speaker 2: on it because it's what we're willing to pay for it.

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Speaker 2: But it's a it's an anomaly, and it's really hard

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Speaker 2: to even comprehend how it operates on its own set

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Speaker 2: of roles. And it'll never go away. That you'll see

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Speaker 2: a dip sometimes because people get scared and you know,

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Speaker 2: with a lot.

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Speaker 1: Of Yeah, sometimes like people be like Okay, I need

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Speaker 1: to I.

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Speaker 2: Need to sell, I need to write, or you know,

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Speaker 2: look what happened with the Palistates. With the fire, A

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Speaker 2: lot of people lost a lot of money.

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Speaker 3: But you a lot of art got lost.

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Speaker 2: A ship ton of fine art got lost.

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Speaker 1: I saw Mel Gibson had like one of the craziest

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Speaker 1: book collections ever, and that shit's just gone.

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Speaker 2: I think he had like a very rare bible.

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Speaker 1: Yeah, no, he had some shit, and he would be

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Speaker 1: the guy that would have some crazy shit. Yeah, I

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Speaker 1: mean the guy who made the fucking Jesus movie happened

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Speaker 1: the Yeah, rare Bible.

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Speaker 2: No, I'm excited for part two. You I don't know

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Speaker 2: the Resurrection, I am, I just because what's happening in two? Yeah?

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Speaker 2: Oh yeah it's called the Resurrection.

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Speaker 3: Oh, I mean I watch it.

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Speaker 2: I mean the first one was so good.

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Speaker 3: Just it was good.

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Speaker 1: It was the first one was solid and I'm not

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Speaker 1: a I mean it came out when i was probably seventeen. Yeah,

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Speaker 1: so I just remember being like, oh, this is good.

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Speaker 1: I'm not a religious person, but yeah, it's a good

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Speaker 1: It's a good movie.

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Speaker 3: Yeah.

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Speaker 2: I mean, just the way they depicted that story was

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Speaker 2: I think best out of any other accurate. It was

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Speaker 2: very accurate. I love that they used the proper language

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Speaker 2: and the setting.

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Speaker 1: It was.

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Speaker 2: You did a really good job with that movie. And

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Speaker 2: I'm just just as far as storytelling. I think I'm

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Speaker 2: looking forward for part two because he's been working on

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Speaker 2: it for years and I'm a Mel Gibson fan.

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Speaker 1: Me too, man, I mean, listen, he definitely got They

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Speaker 1: got him in the fuck up out of here, but

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Speaker 1: they didn't get him.

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Speaker 2: All the way the fuck up out of here.

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Speaker 1: Nah. Yeah, I love Mel. When you decide to kind

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Speaker 1: of approach like cause you're kind of known for your

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Speaker 1: super realism like portrait stuff. But then like I'll see

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Speaker 1: you do like uh, like you have the painting with

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Speaker 1: the guy on the horse with the fire. That's kind

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Speaker 1: of like I would say, like a global warming type

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Speaker 1: of you know when when like what inspires you to

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Speaker 1: kind of say, Okay, I need to kind of make

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Speaker 1: a statement with the piece, as opposed to I need

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Speaker 1: to portray something with this, I portray someone.

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Speaker 2: Well, that particular piece was for a show my print

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Speaker 2: partner and Martin who owned Sugar Press. It was her

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Speaker 2: tenth year anniversary show and she had asked me to

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Speaker 2: be a part of it just because you know, I'm

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Speaker 2: one of her artists that I've been working with her

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Speaker 2: for several years now and she's my web manager too.

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Speaker 2: So she her whole thing is being eco friendly. All

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Speaker 2: her materials are you know, the inks, the paper, it's

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Speaker 2: all eco friendly and so that's what she advocates for.

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Speaker 2: So the show was about, you know, the environment. It

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Speaker 2: was all promoting you know, green Earth and all that

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Speaker 2: stuff and touching on topics of you know a little

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Speaker 2: bit of political topics. I mean, she's more on the

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Speaker 2: you know, democratic Liverpool side of things. And so she

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Speaker 2: had asked me, you know, she goes, what do you

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Speaker 2: think about painting a horse for the show her. I mean,

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Speaker 2: she grew up with horses. So I said, I can

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Speaker 2: do that. And originally I was going to do just

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Speaker 2: a horse on its own, kind of coming out of

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Speaker 2: like smoke. And I was like, yeah, that's cool. I'm like,

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Speaker 2: let me, let me dig deeper into this. I think

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Speaker 2: I can come up with something really, really powerful. So

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Speaker 2: I went through some photographs that I shot on my

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Speaker 2: film camera and I found this photo I shot of

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Speaker 2: this gentleman right here by the Hanson Dam in San

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Speaker 2: Fernando Valley, and I asked him if I can take

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Speaker 2: a photo of him on his horse. He was, you know,

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Speaker 2: happy to let me take a photo of him. And

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Speaker 2: it was just I felt like it. You know that

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Speaker 2: it touched on a lot of current topics with whole

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Speaker 2: you know, the whole immigration thing, with the environment. You know,

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Speaker 2: the fires that happened here in La you know, the

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Speaker 2: amount of animal life that got affected from it, the

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Speaker 2: horses that you saw the videos of like horses running

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Speaker 2: from stateroom from the fire. So there was that there

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Speaker 2: was you know, I had like a gas can that

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Speaker 2: touched on you know, the whole oil industry and how

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Speaker 2: that you know, the pollution that that that that inflicts

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Speaker 2: on you know, our ocean and shit, and so it

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Speaker 2: was I just used it as a way to touch

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Speaker 2: on all kinds of topics. And I'm not a political

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Speaker 2: artist by any means. I don't like really making political

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Speaker 2: art because there's I'm so in the middle of things.

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Speaker 2: I could see I can agree and disagree on a

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Speaker 2: lot of things, and I don't like to identify with

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Speaker 2: one or the other. And I'm like, look, you know,

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Speaker 2: I'm I'm I'm not necessarily Switzerland.

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Speaker 1: Well, I think the biggest like shit that people like

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Speaker 1: they've tricked us into is that there is a left

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Speaker 1: and right in general.

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Speaker 3: It's like, hey man, most people agree on.

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Speaker 1: Like a gigantic amount of shit. Yeah, and then it's

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Speaker 1: all of the divisive shit that's kind of made up

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Speaker 1: that doesn't really affect a lot of It's like, you know,

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Speaker 1: it's almost like the right has done such a good

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Speaker 1: job of like tricking everyone into thinking like there's like

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Speaker 1: trans athletes like participating in high schools all across America

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Speaker 1: when it's like such a small anecdotal example that they

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Speaker 1: always point to that it's like, you know, this doesn't

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Speaker 1: even affect people, but it's such a small talking point

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Speaker 1: that you can enrage and scare people into believing that.

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Speaker 1: It's like we're just like, really, we're hey, man, let's

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Speaker 1: just call a spade a spade. This is what it is.

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Speaker 3: Let's do common sense.

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Speaker 2: Ship.

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Speaker 1: I want my politicians to acknowledge that, uh, there's a

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Speaker 1: fucking genocide happening in fucking in Palestine and in Gaza,

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Speaker 1: and that you know, Israel's expand against borders, we're at war.

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Speaker 1: Nothing gases high as fuckhere.

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Speaker 3: Yeah, Like people don't think.

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Speaker 1: I don't think anybody wants their kids to go die

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Speaker 1: in a war for nothing, Like any nobody, not even

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Speaker 1: the politicians that are fighting for that ship that as

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Speaker 1: long as it ain't my kid, they don't.

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Speaker 2: Give money, dude, It's almost it's money in power. That's

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Speaker 2: That's literally all it boils down to. And what I

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Speaker 2: what I discovered, you know about the left and the

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Speaker 2: far left and the far right is that they're willing

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Speaker 2: to go to the edge of the earth to fight

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Speaker 2: for their own opinion and which it benefits them right,

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Speaker 2: and I don't care if people die in the process.

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Speaker 2: And it's like you're you're advocating for I have a

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Speaker 2: lot of agreements and disagreements, and at the end of

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Speaker 2: the day, like I say, i'm i'm I'm, I'm promoting

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Speaker 2: peace and promoting love equality across the board. You know,

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Speaker 2: if you're if you're I pay attention to people's actions.

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Speaker 2: I pay attention to people's attentions, and I base my

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Speaker 2: opinion am I. I don't like to even judge people.

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Speaker 2: I'm trying to practice non judgment. You know, I got

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Speaker 2: really big into Buddhism last year, so I'm like trying

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Speaker 2: to practice no judgment and just acceptance of people. But

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Speaker 2: it's hard because you know you as I don't know

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Speaker 2: like you you for uh, you know what you've been doing.

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Speaker 2: You work with people, you talk to people, you have

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Speaker 2: a connection with people, and so there's got to be

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Speaker 2: a degree of like, you have a certain love and

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Speaker 2: passion for people. And then when you look out the

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Speaker 2: fucking window and you see that this is what humanity's

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Speaker 2: up to, right and with society is participating in, You're like, dude,

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Speaker 2: how could I how could I even feel proud? Of

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Speaker 2: being part of the society when where there's so much.

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Speaker 3: Fu fucked up shit happening so much.

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Speaker 2: I mean, just the war alone.

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Speaker 1: It was crazy. We brew up a whole entire school

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Speaker 1: full of children that first day.

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Speaker 2: Yeah, and I'm getting kind of fuckings tired of Instagram

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Speaker 2: like allowing certain content on there. And I'm like, yo,

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Speaker 2: I'm not trying to see this shit like it'll access really.

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Speaker 1: Where if you really want to dive into like a

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Speaker 1: bunch of like blown up children, you'll be.

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Speaker 2: Like, fuck, yeah, what are we doing? It's crazy, dude.

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Speaker 2: Rotten dot Com scarred me when I was.

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Speaker 1: Like, dude, I just telling my boy. I was like,

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Speaker 1: y'all were not around when we had rotten dot Com.

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Speaker 1: Disgusting bro A lot of people, a lot of kids.

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Speaker 1: I'm thirty nine, so my age group we got the Internet,

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Speaker 1: I would say twelve thirteen, fourteen in that maybe like

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Speaker 1: twelve ish thirteen.

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Speaker 3: Ish, yeah, seventh grade or so.

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Speaker 1: And I remember, but like, my parents never had the internet,

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Speaker 1: so we would have have the school internet. And the

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Speaker 1: first place we go is rotten dot Com.

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Speaker 2: At the school campus.

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Speaker 1: That's crazy, and we and and and it'd be crazy,

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Speaker 1: and then the other thing. And I know this is

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Speaker 1: gonna sound wild, but there was like this. There was

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Speaker 1: always the lure of this Internet thing that's new and

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Speaker 1: that there's pitches fucking horses on the Internet. So the

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Speaker 1: first thing me and the homies did when we got

435
00:20:25,040 --> 00:20:29,560
Speaker 1: a computer would see if that was true, and it was.

436
00:20:29,720 --> 00:20:31,880
Speaker 2: Bro, I know, we're not talking about best reality.

437
00:20:31,880 --> 00:20:34,960
Speaker 1: On the early Internet days would be like, Bro, there's

438
00:20:34,960 --> 00:20:37,160
Speaker 1: bitches on the Internet, Like, what is this Internet thing?

439
00:20:37,200 --> 00:20:37,360
Speaker 2: Bro?

440
00:20:37,400 --> 00:20:39,760
Speaker 1: You don't understand? It's crazy, bro, And the ship would

441
00:20:39,760 --> 00:20:46,359
Speaker 1: be so fucking slow, so fucking hell. Epixelated AOL seven

442
00:20:47,080 --> 00:20:50,320
Speaker 1: day trial this spring for an hour, not crazy time.

443
00:20:51,240 --> 00:20:53,639
Speaker 2: So speaking of animal, fucking dude, I just saw some

444
00:20:53,760 --> 00:20:56,200
Speaker 2: rumors about the Claremont Twins.

445
00:20:57,000 --> 00:20:59,000
Speaker 1: Did you hear about I heard about them, the chicks.

446
00:20:59,000 --> 00:21:01,080
Speaker 1: I didn't hear, man, I've met them once.

447
00:21:01,240 --> 00:21:04,080
Speaker 2: But I heard some ship on like X. Read some

448
00:21:04,119 --> 00:21:05,959
Speaker 2: ship on X the other day that was like there

449
00:21:05,960 --> 00:21:08,920
Speaker 2: were fucking dogs or something. I was like, what the

450
00:21:09,000 --> 00:21:09,640
Speaker 2: fuck was.

451
00:21:09,560 --> 00:21:11,560
Speaker 3: Like, No, Sawdi Prince paid them to do it.

452
00:21:11,840 --> 00:21:13,919
Speaker 2: I don't know, bro. So one of them, one of them.

453
00:21:16,320 --> 00:21:19,879
Speaker 1: Saudi Arabia, they doing some widow ship. They get shot

454
00:21:19,920 --> 00:21:21,159
Speaker 1: on that.

455
00:21:21,400 --> 00:21:25,399
Speaker 2: Yeah, thirty grand thirty grand to get and that's what

456
00:21:25,440 --> 00:21:25,800
Speaker 2: they're doing.

457
00:21:26,880 --> 00:21:29,680
Speaker 1: Shout out to our brothers at hard Dean man O's family.

458
00:21:29,720 --> 00:21:32,120
Speaker 1: Of course, they've been sponsoring the podcast for years now.

459
00:21:32,400 --> 00:21:34,560
Speaker 1: You've been seeing the mic flag for years now. Want

460
00:21:34,600 --> 00:21:36,040
Speaker 1: to give a shout out to our brothers. I just

461
00:21:36,119 --> 00:21:38,200
Speaker 1: was in Vegas. I had to pull up, all right. Look,

462
00:21:38,200 --> 00:21:40,960
Speaker 1: it's the number one dispensary in the world. When I

463
00:21:41,000 --> 00:21:44,159
Speaker 1: tell you, you walk in that thing and the butt tenders

464
00:21:44,200 --> 00:21:46,960
Speaker 1: are great. They take care of you immediately. The selection

465
00:21:47,160 --> 00:21:49,200
Speaker 1: is great. So when you go to Vegas, you get

466
00:21:49,240 --> 00:21:51,560
Speaker 1: into that cab, you get into that uber immediately, say

467
00:21:51,560 --> 00:21:53,760
Speaker 1: take me to Hardean. Don't know what they're doing, all right,

468
00:21:53,920 --> 00:21:55,560
Speaker 1: they go get you right, all right, the number one

469
00:21:55,560 --> 00:21:58,760
Speaker 1: premium cannabis dispensary in the world. They just got me right.

470
00:21:58,800 --> 00:22:01,800
Speaker 1: I was just in town for Raffi's birthday. Had to

471
00:22:01,800 --> 00:22:02,960
Speaker 1: pull up, get right.

472
00:22:02,960 --> 00:22:06,280
Speaker 3: Get this nice little one to one Harding jersey. These

473
00:22:06,280 --> 00:22:08,120
Speaker 3: are not available, all right?

474
00:22:08,200 --> 00:22:10,119
Speaker 1: Shot to them, man, all right, salute to the family.

475
00:22:10,119 --> 00:22:13,160
Speaker 1: Follow him on Instagram. Harding Underscore Las Vegas. Sorry, let's

476
00:22:13,200 --> 00:22:15,639
Speaker 1: get back to the podcast. Anyway, back to the art

477
00:22:16,680 --> 00:22:20,880
Speaker 1: you've painted so many people. Have you ever had somebody

478
00:22:20,880 --> 00:22:23,280
Speaker 1: who didn't like the fact that you painted them?

479
00:22:24,160 --> 00:22:29,160
Speaker 2: Uh no, not necessarily. I know we were talking about

480
00:22:29,200 --> 00:22:31,320
Speaker 2: the Doom thing before this, so I'll touch on that.

481
00:22:32,760 --> 00:22:35,000
Speaker 1: So I had a couple of Doom pieces.

482
00:22:34,760 --> 00:22:37,359
Speaker 2: At two to at two one was a commission for

483
00:22:37,640 --> 00:22:40,040
Speaker 2: the other one's darker, right, Yeah, it was for Conductor.

484
00:22:41,240 --> 00:22:42,720
Speaker 2: I did that a couple of years ago. This was

485
00:22:42,720 --> 00:22:45,359
Speaker 2: the first one. And I'm a fan of Doom as

486
00:22:45,440 --> 00:22:49,040
Speaker 2: much as anybody else. So obviously, you know, whenever I'm

487
00:22:49,080 --> 00:22:54,280
Speaker 2: painting portraits of notable figures, I typically try to do

488
00:22:54,440 --> 00:22:56,720
Speaker 2: them only as commission paintings. I don't like to do

489
00:22:56,800 --> 00:22:59,720
Speaker 2: them just for myself because it's just I don't know,

490
00:23:00,080 --> 00:23:02,679
Speaker 2: you know, like my dad in the beginning of his career,

491
00:23:03,359 --> 00:23:06,240
Speaker 2: he you know, he created a collection a body of

492
00:23:06,280 --> 00:23:09,000
Speaker 2: work called the Icon Series, and it was just icons.

493
00:23:09,000 --> 00:23:12,680
Speaker 2: It was celebrity work drugs. Yeah, but this is way

494
00:23:12,760 --> 00:23:15,720
Speaker 2: like early two thousands, and you know, he told me like, hey, dude,

495
00:23:15,760 --> 00:23:17,520
Speaker 2: you don't want to get into that trap of doing

496
00:23:17,560 --> 00:23:19,760
Speaker 2: celebrities because everybody's doing it. Don't do what I did.

497
00:23:20,119 --> 00:23:22,120
Speaker 2: Make your own shit. So that's what I started doing.

498
00:23:24,320 --> 00:23:27,240
Speaker 2: So for Doom though. That was a portrait that I

499
00:23:27,240 --> 00:23:30,360
Speaker 2: wanted to do just as a passion project, and it

500
00:23:30,440 --> 00:23:32,800
Speaker 2: blew the fuck up, and people were like, Yo, we

501
00:23:32,840 --> 00:23:35,760
Speaker 2: want prints, we want t shirts, like we want this ship,

502
00:23:36,280 --> 00:23:38,320
Speaker 2: get it to us, because I had told the original

503
00:23:38,400 --> 00:23:41,320
Speaker 2: right away, and you know, for the for the fans,

504
00:23:41,359 --> 00:23:44,679
Speaker 2: I mean, they really like having that memorabilia and that

505
00:23:44,760 --> 00:23:47,600
Speaker 2: stuff to decorate their house and they love that shit.

506
00:23:47,760 --> 00:23:52,720
Speaker 2: So I tried to reach out to to Doom's a state.

507
00:23:52,800 --> 00:23:54,280
Speaker 2: I couldn't get a hold of him. So I said,

508
00:23:54,320 --> 00:23:56,560
Speaker 2: you know what, here's what I'll do. I'm gonna drop

509
00:23:56,600 --> 00:23:59,320
Speaker 2: these prints and then when they reach out to me,

510
00:23:59,480 --> 00:24:02,679
Speaker 2: I got for that, no problem, and I did that.

511
00:24:02,920 --> 00:24:06,880
Speaker 2: I dropped the Prince limited edition prints. I held onto

512
00:24:06,920 --> 00:24:09,960
Speaker 2: the money and I eventually I had some people on

513
00:24:10,000 --> 00:24:12,119
Speaker 2: my Instagram being like, yo, are you donating the Dooms

514
00:24:12,119 --> 00:24:13,639
Speaker 2: of State? And I'm like, if you can get me

515
00:24:13,680 --> 00:24:17,680
Speaker 2: in contact with them, I got money for him, and

516
00:24:17,760 --> 00:24:22,119
Speaker 2: someone had forwarded me an email to you know, Rhyme

517
00:24:22,160 --> 00:24:23,919
Speaker 2: Sayers and quote unquote.

518
00:24:23,960 --> 00:24:27,760
Speaker 1: Yeah someonear I think Rhyme says runs his copywriter, his

519
00:24:28,080 --> 00:24:30,000
Speaker 1: likeliness for the estate, right.

520
00:24:30,240 --> 00:24:32,440
Speaker 2: So I was trying to get in contact with his wife,

521
00:24:32,640 --> 00:24:34,440
Speaker 2: because the way I saw it was like, if I'm

522
00:24:34,480 --> 00:24:36,240
Speaker 2: giving up any money, I want to give it to

523
00:24:36,320 --> 00:24:39,200
Speaker 2: her directly, exactly like I need to know is going

524
00:24:39,240 --> 00:24:41,119
Speaker 2: to his family. I'm not trying to give it to

525
00:24:41,160 --> 00:24:44,760
Speaker 2: no motherfucking label, like I'm supporting his his flesh and blood.

526
00:24:44,840 --> 00:24:45,200
Speaker 2: That's how.

527
00:24:45,359 --> 00:24:46,879
Speaker 1: That's how. That's because you're doing the right thing, not

528
00:24:46,880 --> 00:24:48,600
Speaker 1: necessarily because you have to write because this is the

529
00:24:48,600 --> 00:24:49,480
Speaker 1: original art.

530
00:24:49,640 --> 00:24:53,120
Speaker 2: Or I mean it's not obscure. I mean it is.

531
00:24:53,480 --> 00:24:57,080
Speaker 2: Here's the thing, people, if these people came after every

532
00:24:57,080 --> 00:24:59,760
Speaker 2: single person that made fan art, I mean there's people

533
00:24:59,760 --> 00:25:03,240
Speaker 2: that are making tens of thousands of shit like this right,

534
00:25:03,359 --> 00:25:05,239
Speaker 2: And I'm like, I'm not making tens of thousands off

535
00:25:05,280 --> 00:25:07,439
Speaker 2: this shit. And and I do donate as much of

536
00:25:07,480 --> 00:25:10,240
Speaker 2: the proceeds as I can to if there's a foundation,

537
00:25:10,320 --> 00:25:13,000
Speaker 2: I'll donate anonymously. If I can't get a hold of him.

538
00:25:13,520 --> 00:25:15,920
Speaker 2: So I was back and forth with this email who

539
00:25:16,040 --> 00:25:19,360
Speaker 2: was quote unquote his manager, and I'm.

540
00:25:19,200 --> 00:25:23,520
Speaker 1: Like, yeah, those guys definitely run his trademark and his licensing.

541
00:25:23,840 --> 00:25:24,760
Speaker 1: I know that for sure.

542
00:25:24,840 --> 00:25:27,000
Speaker 2: So I told this guy said, look, I'm happy to,

543
00:25:27,760 --> 00:25:30,240
Speaker 2: you know, break you off some of the pro seeds.

544
00:25:30,320 --> 00:25:32,520
Speaker 2: I'm like, but I really would like to get in

545
00:25:32,560 --> 00:25:34,680
Speaker 2: contact with his wife and give it to her directly

546
00:25:34,760 --> 00:25:37,479
Speaker 2: so I know that it went to its stores. And

547
00:25:37,520 --> 00:25:40,359
Speaker 2: he was like, well, you know she doesn't. I handle

548
00:25:40,359 --> 00:25:43,000
Speaker 2: everything that's via email. And I'm like, well, with all

549
00:25:43,080 --> 00:25:44,879
Speaker 2: due respect, I'm not trying to get scammed here. I

550
00:25:44,920 --> 00:25:46,520
Speaker 2: don't know who you are, Like, I'm not going to

551
00:25:46,600 --> 00:25:51,159
Speaker 2: go around bragging that I I donated money to Doom's family.

552
00:25:51,200 --> 00:25:53,479
Speaker 2: And then it didn't go. It didn't get I'm not

553
00:25:53,640 --> 00:25:55,360
Speaker 2: I just you know what I'm saying. So it just got.

554
00:25:55,720 --> 00:25:57,159
Speaker 2: It was a lot of back and forth and it

555
00:25:57,200 --> 00:26:01,280
Speaker 2: got dropped fast forward. I did the Doom for Conductor

556
00:26:01,920 --> 00:26:04,119
Speaker 2: and then I was like, okay, let's try this again,

557
00:26:04,600 --> 00:26:06,720
Speaker 2: because I wanted to make prints and but I wanted

558
00:26:06,720 --> 00:26:08,800
Speaker 2: to do it with Dooms of State. I said, let's

559
00:26:08,800 --> 00:26:12,000
Speaker 2: do it right, let's let's really do something special for

560
00:26:12,040 --> 00:26:15,920
Speaker 2: the fans, and let's do this correct. I reached out again,

561
00:26:16,320 --> 00:26:18,320
Speaker 2: and the same thing. Oh, pay us for the first thing,

562
00:26:18,320 --> 00:26:20,199
Speaker 2: and then we could talk about the second. I'm like, okay,

563
00:26:20,440 --> 00:26:22,199
Speaker 2: you know what, fuck it. At this point, give me

564
00:26:22,520 --> 00:26:27,040
Speaker 2: a Venmo, a PayPal, a Zelle, or nothing. I got

565
00:26:27,040 --> 00:26:28,560
Speaker 2: nothing back, so I said, all right, well, I guess

566
00:26:28,560 --> 00:26:30,680
Speaker 2: you guys don't want the fucking money that bad because

567
00:26:30,680 --> 00:26:33,040
Speaker 2: I'm trying to pay you and it just never happened.

568
00:26:33,200 --> 00:26:35,399
Speaker 2: But every time I did some doom shit, whether it

569
00:26:35,440 --> 00:26:39,040
Speaker 2: was prints or merch, dude, I got a lot of

570
00:26:39,080 --> 00:26:40,760
Speaker 2: love for it. And there was a handful of people

571
00:26:40,800 --> 00:26:42,440
Speaker 2: that would be like, oh, you know, I hope you're

572
00:26:42,440 --> 00:26:44,080
Speaker 2: giving bread to the family, and I'm like, well, I'm

573
00:26:44,080 --> 00:26:46,760
Speaker 2: fucking trying to, dude, Like it's not easy, Like these

574
00:26:46,760 --> 00:26:48,399
Speaker 2: people are difficult sometimes, you know.

575
00:26:48,480 --> 00:26:51,840
Speaker 1: Sometimes yeah, I know the rhyme sayers bruhs are connected

576
00:26:51,880 --> 00:26:54,560
Speaker 1: with his estate officially, I just don't know, like to

577
00:26:54,600 --> 00:26:57,320
Speaker 1: the extent of how they I heard. I heard that

578
00:26:57,320 --> 00:26:58,800
Speaker 1: they're not the easiest cats to do with.

579
00:26:58,920 --> 00:27:00,679
Speaker 2: I mean, via email, dude was a pain in the

580
00:27:00,680 --> 00:27:02,920
Speaker 2: fucking ass. And I was like, dude, I'm never doing

581
00:27:02,920 --> 00:27:05,080
Speaker 2: some doom ship again, like even if it was on

582
00:27:05,080 --> 00:27:08,320
Speaker 2: some commission ship, because I just it's just too much.

583
00:27:08,359 --> 00:27:10,200
Speaker 2: It's just too much of a headache. And I'm like, look,

584
00:27:10,240 --> 00:27:12,240
Speaker 2: it's all love, Like I'm a fan and I'm trying

585
00:27:12,280 --> 00:27:16,680
Speaker 2: to trying to contribute to uh, you know, where I'm

586
00:27:16,720 --> 00:27:19,480
Speaker 2: getting the inspiration from. I'm trying to contribute to the camp,

587
00:27:19,520 --> 00:27:21,040
Speaker 2: but I want to make sure that it's going to

588
00:27:21,119 --> 00:27:24,879
Speaker 2: his family. Bro, Like like I'm gonna say some ship

589
00:27:24,960 --> 00:27:29,199
Speaker 2: that you know, It's like, CJ is my you know,

590
00:27:29,240 --> 00:27:31,760
Speaker 2: biggie son is my homeboy, and I'm known CJ for

591
00:27:31,840 --> 00:27:32,640
Speaker 2: several years now.

592
00:27:32,680 --> 00:27:33,919
Speaker 1: You did his dad?

593
00:27:33,640 --> 00:27:36,440
Speaker 3: I did yeah at Didy's studio.

594
00:27:36,480 --> 00:27:37,680
Speaker 2: We talked about that last time.

595
00:27:37,960 --> 00:27:39,280
Speaker 1: By the way, do we know where that is now?

596
00:27:39,320 --> 00:27:41,800
Speaker 1: Because of course the studios I mean is it just.

597
00:27:41,760 --> 00:27:45,760
Speaker 2: Got the painting the craziest fucking story. So I'm tripping.

598
00:27:45,880 --> 00:27:49,280
Speaker 2: I'm like, what the fuck is going on? I'm like,

599
00:27:49,680 --> 00:27:53,600
Speaker 2: oh my god, it is ship is shit is hot?

600
00:27:53,840 --> 00:27:57,080
Speaker 2: You know? It was like the the the amount of

601
00:27:57,119 --> 00:28:00,320
Speaker 2: notifications I was getting was crazy, and I'm like, a bro,

602
00:28:00,359 --> 00:28:02,480
Speaker 2: where the fuck is my painting? I'd like to have

603
00:28:02,560 --> 00:28:05,600
Speaker 2: it back. At this point, it's gonna get just confiscated

604
00:28:05,640 --> 00:28:08,119
Speaker 2: by FBI. Who knows what kind of fucking jiz is

605
00:28:08,119 --> 00:28:12,840
Speaker 2: on it, you know what? Right? So I I tried

606
00:28:12,880 --> 00:28:15,440
Speaker 2: to find out where it was and then I couldn't

607
00:28:15,440 --> 00:28:21,120
Speaker 2: get any leads and then finally what's uh Stevie J

608
00:28:21,560 --> 00:28:25,439
Speaker 2: was on his Instagram live and someone sends me the

609
00:28:25,600 --> 00:28:29,200
Speaker 2: live and it's behind him, and I message Stevie, I go, hey,

610
00:28:29,480 --> 00:28:31,240
Speaker 2: with all due respect, how the fuck did you get

611
00:28:31,240 --> 00:28:34,200
Speaker 2: my painting? Because that's not the studio that I recognized,

612
00:28:34,520 --> 00:28:37,760
Speaker 2: And he's like, oh, it's here in Miami, like I'm

613
00:28:37,800 --> 00:28:40,120
Speaker 2: holding onto it and I'm like, oh where. I'm like,

614
00:28:40,200 --> 00:28:43,280
Speaker 2: so I need to get that ship back, bro, Like

615
00:28:43,560 --> 00:28:46,400
Speaker 2: you know, if I can't, just I'd rather give it

616
00:28:46,400 --> 00:28:51,160
Speaker 2: to CJ. And but my yeah, my point in saying

617
00:28:51,240 --> 00:28:54,560
Speaker 2: the whole CG thing is like I I have never

618
00:28:54,640 --> 00:28:59,880
Speaker 2: made prints of the Biggie piece in recent years, like

619
00:29:00,160 --> 00:29:02,520
Speaker 2: I had did some fucking Kinko ship like way back

620
00:29:02,560 --> 00:29:04,360
Speaker 2: in the day that when I first did it, but

621
00:29:04,440 --> 00:29:06,760
Speaker 2: it was nothing legit. And I don't want to do

622
00:29:06,840 --> 00:29:10,080
Speaker 2: prints or T shirts without CJ. And you know, his

623
00:29:10,160 --> 00:29:13,560
Speaker 2: sister's consent, like that's the Homeboys. So sure, I'm like,

624
00:29:14,240 --> 00:29:18,120
Speaker 2: if I do anything with that, I I only want

625
00:29:18,120 --> 00:29:20,360
Speaker 2: that money to go to him, and I want to

626
00:29:20,400 --> 00:29:24,160
Speaker 2: go anywhere else. Those kids, those those are his kids, like,

627
00:29:24,560 --> 00:29:27,320
Speaker 2: and I'm sure I I speak for most people in

628
00:29:27,400 --> 00:29:30,120
Speaker 2: saying that that would be the right move. You know,

629
00:29:30,240 --> 00:29:33,600
Speaker 2: I'm just break them off directly right, TEXTA C Jeff

630
00:29:33,600 --> 00:29:35,120
Speaker 2: fucking Apple, pay him?

631
00:29:35,120 --> 00:29:35,560
Speaker 3: You know what I mean?

632
00:29:35,560 --> 00:29:40,720
Speaker 1: If somebody wanted to get something commissioned, Yeah what what? What?

633
00:29:40,760 --> 00:29:42,680
Speaker 1: How did? How does? How does that process work?

634
00:29:43,640 --> 00:29:46,800
Speaker 2: Uh? Well, typically it's it's you know, just via DM.

635
00:29:46,880 --> 00:29:49,640
Speaker 2: Like if someone's say, if a rapper, someone's reaching out

636
00:29:49,640 --> 00:29:51,680
Speaker 2: to me, Hey, I want to get a painting, what

637
00:29:51,720 --> 00:29:54,560
Speaker 2: do you charge? And I typically have a formula the

638
00:29:54,600 --> 00:29:57,360
Speaker 2: way I charge. I have like a fixed dollar per

639
00:29:57,400 --> 00:30:01,360
Speaker 2: square inch, and commissions always are based off of size

640
00:30:01,400 --> 00:30:03,240
Speaker 2: and detail. So I have a bag, you know, a

641
00:30:03,320 --> 00:30:06,480
Speaker 2: general price, and then depending on what they want that

642
00:30:07,200 --> 00:30:10,160
Speaker 2: can vary, that can go up and down. And then

643
00:30:10,520 --> 00:30:14,160
Speaker 2: typically like depending on the project, I don't say yes

644
00:30:14,200 --> 00:30:16,360
Speaker 2: to everything, right Like I I think, I don't know

645
00:30:16,400 --> 00:30:17,880
Speaker 2: if I told you last time, but I was talking

646
00:30:17,880 --> 00:30:19,760
Speaker 2: to like Meek Mill for like two years on doing

647
00:30:19,800 --> 00:30:22,880
Speaker 2: an album cover, but I was kind of we were

648
00:30:22,880 --> 00:30:25,160
Speaker 2: going back and forth about it. He wanted some fucking

649
00:30:25,280 --> 00:30:28,400
Speaker 2: crazy shit and I was like, Okay, well what I

650
00:30:28,440 --> 00:30:30,320
Speaker 2: don't know, bro, I saw the way you moved about

651
00:30:30,360 --> 00:30:32,840
Speaker 2: that fucking sneaker deal at that that's you know, trying

652
00:30:32,840 --> 00:30:35,440
Speaker 2: to get a crazy deal on some fucking sneakers. I'm like,

653
00:30:35,480 --> 00:30:37,960
Speaker 2: you can't. You can't do this with art, bro, So

654
00:30:38,480 --> 00:30:40,240
Speaker 2: I didn't. I didn't know what I was dealing with there.

655
00:30:40,240 --> 00:30:42,440
Speaker 2: And plus I kind of wanted to consult Wes too.

656
00:30:42,520 --> 00:30:46,400
Speaker 2: I just you know, I keep I like keeping my

657
00:30:46,400 --> 00:30:51,280
Speaker 2: my wrapper world very tight knit with Wes in the

658
00:30:51,320 --> 00:30:54,360
Speaker 2: Griselda camp because that's that's what we built.

659
00:30:54,600 --> 00:30:56,800
Speaker 1: Yeah. I mean, look though, I think it is also

660
00:30:56,840 --> 00:31:02,880
Speaker 1: the It's it's if you start getting you know, commissioned

661
00:31:02,920 --> 00:31:06,520
Speaker 1: by other rappers. It's it's just another extent of the

662
00:31:06,600 --> 00:31:08,360
Speaker 1: influence that Gun and the Gun.

663
00:31:08,200 --> 00:31:09,840
Speaker 2: Has, Oh for sure. I was just telling them, Bro,

664
00:31:09,880 --> 00:31:13,280
Speaker 2: I got motherfuckers that owe me money bands, dude, for

665
00:31:13,400 --> 00:31:17,840
Speaker 2: paintings or for paintings, oh wow, because motherfuckers started moving

666
00:31:17,880 --> 00:31:20,440
Speaker 2: weird rappers trying to be like, you know, on that

667
00:31:20,480 --> 00:31:23,480
Speaker 2: West shit, and then they're moving, they end up moving

668
00:31:23,480 --> 00:31:25,080
Speaker 2: with I got a motherfucker that owes me.

669
00:31:25,040 --> 00:31:27,800
Speaker 1: Ten bands for a single piece of art, for a

670
00:31:27,840 --> 00:31:30,760
Speaker 1: single piece of art, and the original quote was twenty.

671
00:31:31,840 --> 00:31:33,280
Speaker 2: Yeah, and they already have it.

672
00:31:33,600 --> 00:31:36,160
Speaker 1: So what's the Is there ever been something you've said

673
00:31:36,240 --> 00:31:38,840
Speaker 1: no to painting because it just doesn't sit well with you,

674
00:31:38,960 --> 00:31:40,520
Speaker 1: or you're like I can't. I'm not painting that.

675
00:31:40,640 --> 00:31:42,240
Speaker 2: Yeah, I mean I've had people, you know, you get

676
00:31:42,240 --> 00:31:45,360
Speaker 2: these random fucking trappers that want some bullshit artwork that

677
00:31:45,400 --> 00:31:47,400
Speaker 2: looks like some shit you could photoshop, and I'm like, dude,

678
00:31:47,400 --> 00:31:48,360
Speaker 2: I'm not doing that shit.

679
00:31:48,440 --> 00:31:50,719
Speaker 1: Like if somebody was like, yo, I need Donald Trump,

680
00:31:51,600 --> 00:31:53,840
Speaker 1: I mean for the right price.

681
00:31:54,320 --> 00:31:58,360
Speaker 2: Hey, you know you may be, but no one has

682
00:31:58,400 --> 00:32:00,920
Speaker 2: asked me any political ship yet.

683
00:32:01,360 --> 00:32:03,040
Speaker 1: You know, I feel like it would be hard. And

684
00:32:03,160 --> 00:32:07,200
Speaker 1: I just had this random thought, if you did Nacho libre.

685
00:32:07,640 --> 00:32:09,640
Speaker 2: Well, it's funny. I just did a piece based on

686
00:32:09,680 --> 00:32:11,120
Speaker 2: that for my dad's Luca.

687
00:32:11,280 --> 00:32:13,320
Speaker 3: Are you talking about the one where with the l mask.

688
00:32:13,480 --> 00:32:15,920
Speaker 1: Yeah, yeah, that was I saw that and I was like, yo,

689
00:32:15,960 --> 00:32:19,040
Speaker 1: if he did a natural libre Jack Black, that ship

690
00:32:19,080 --> 00:32:19,720
Speaker 1: would go crack.

691
00:32:19,840 --> 00:32:22,200
Speaker 2: Well, it's it's funny you say that because my dad

692
00:32:22,240 --> 00:32:26,960
Speaker 2: is actually trying to He's wants to do a lucha

693
00:32:27,000 --> 00:32:30,400
Speaker 2: event based on the real guy that that is based

694
00:32:30,440 --> 00:32:33,560
Speaker 2: on the real and he wants to get Jack Black

695
00:32:33,600 --> 00:32:34,440
Speaker 2: to host the event.

696
00:32:34,520 --> 00:32:38,800
Speaker 1: I'd go crazy, dude, wrestling is hot right now. Going crazy, dude.

697
00:32:38,640 --> 00:32:40,520
Speaker 2: You should miss You just missed out on my dad's

698
00:32:41,280 --> 00:32:47,000
Speaker 2: tenth anniversary ship. Yeah, it was at a at a

699
00:32:47,040 --> 00:32:49,760
Speaker 2: super Chief gallery and that ship was fucking cracked.

700
00:32:49,840 --> 00:32:53,120
Speaker 1: Brother Kanye was using a bunch of Lucas ship for Bully.

701
00:32:53,440 --> 00:32:55,120
Speaker 2: Yeah. Hunter Biden pulled up.

702
00:32:55,720 --> 00:32:57,520
Speaker 3: Oh bet Betty fucking did bro.

703
00:32:57,680 --> 00:32:58,640
Speaker 2: Hunter Biden pulled up.

704
00:32:59,200 --> 00:33:00,440
Speaker 3: He's not a horrible artist.

705
00:33:01,000 --> 00:33:03,040
Speaker 2: I haven't seen his work, but it's not bad.

706
00:33:03,160 --> 00:33:06,640
Speaker 1: I mean, look, I've seen some celebrity like Nepo art

707
00:33:06,760 --> 00:33:09,600
Speaker 1: that you're like, come on, his ship is like not

708
00:33:09,640 --> 00:33:11,400
Speaker 1: as bad as like a lot of the stuff I've.

709
00:33:11,280 --> 00:33:15,480
Speaker 2: Seen, Like President Bush's ship isn't too bad. I mean, dude,

710
00:33:15,520 --> 00:33:16,960
Speaker 2: President Bush can fucking paint.

711
00:33:17,400 --> 00:33:18,440
Speaker 1: Shouts to Hunter Biden.

712
00:33:18,760 --> 00:33:20,760
Speaker 2: There's a lot of politicians that can paint. And we're

713
00:33:20,760 --> 00:33:23,040
Speaker 2: not going to talk about that dude who can paint.

714
00:33:23,560 --> 00:33:26,080
Speaker 2: We could, but you know that dude can fucking paint too.

715
00:33:26,240 --> 00:33:27,920
Speaker 1: Yeah he's a doodler.

716
00:33:28,320 --> 00:33:31,840
Speaker 2: Yeah, yeah, that politicians can fucking paint. They love art.

717
00:33:31,920 --> 00:33:33,080
Speaker 3: They ain't got shit else going on.

718
00:33:33,880 --> 00:33:37,560
Speaker 2: Yeah, I mean, you know, they're just fucking yeah, they can.

719
00:33:38,320 --> 00:33:40,720
Speaker 2: You know, maybe I should be a politician, you know,

720
00:33:40,800 --> 00:33:43,720
Speaker 2: hey maybe No, No, I couldn't. That's a terrible job, dude.

721
00:33:43,800 --> 00:33:45,680
Speaker 3: So what's next for you?

722
00:33:45,720 --> 00:33:47,800
Speaker 1: Do you have like like like when you kind of

723
00:33:47,840 --> 00:33:50,080
Speaker 1: like visualize, like Okay, I kind of know what the

724
00:33:50,120 --> 00:33:51,800
Speaker 1: next big because I feel like you have a couple

725
00:33:51,800 --> 00:33:53,640
Speaker 1: of these pieces, like like whether it's like the Mike

726
00:33:53,880 --> 00:33:55,840
Speaker 1: I think the Mike Tyson piece is like its own thing.

727
00:33:55,880 --> 00:33:58,320
Speaker 1: That was like, yeah, oh this is crazy.

728
00:33:58,880 --> 00:34:01,760
Speaker 2: Another situation to cut you off, but another situation where

729
00:34:01,840 --> 00:34:05,239
Speaker 2: you know, I did it out of love because I

730
00:34:05,320 --> 00:34:07,200
Speaker 2: you know, I love Mike and I love Ali, and

731
00:34:07,240 --> 00:34:10,600
Speaker 2: I donated the proceeds to the foundations that they have.

732
00:34:11,400 --> 00:34:12,879
Speaker 2: Mike was anonymous.

733
00:34:13,600 --> 00:34:15,840
Speaker 1: It was the Mike Tyson Foundation, like how to Smoke

734
00:34:15,880 --> 00:34:16,320
Speaker 1: the Toad.

735
00:34:17,920 --> 00:34:18,279
Speaker 2: I don't know.

736
00:34:18,360 --> 00:34:20,000
Speaker 3: It was the Benefits of d MT.

737
00:34:20,520 --> 00:34:24,240
Speaker 2: I just googled, like what what foundation does Mike advocate

738
00:34:24,360 --> 00:34:27,000
Speaker 2: or involved in, and it was some like some some

739
00:34:27,160 --> 00:34:30,359
Speaker 2: heart something, and I just I donated some money. That's synonymously.

740
00:34:30,400 --> 00:34:32,759
Speaker 2: And then with the Ali thing, I have a friend

741
00:34:32,760 --> 00:34:36,120
Speaker 2: who put me in a show in Kentucky in Louisville,

742
00:34:36,719 --> 00:34:39,680
Speaker 2: and it was a show and by the way, it's Louisville, Louisville,

743
00:34:39,840 --> 00:34:41,919
Speaker 2: lou Louisville. Yeah.

744
00:34:42,200 --> 00:34:44,960
Speaker 1: I just saw a video today. Someone got annoyed and

745
00:34:45,000 --> 00:34:48,759
Speaker 1: they were like it's Louisville, Louisville. Yeah, it's like a noise.

746
00:34:48,640 --> 00:34:50,839
Speaker 2: Yeah, Louisville. Yeah, I don't. I don't say that ship.

747
00:34:50,960 --> 00:34:51,160
Speaker 1: Yeah.

748
00:34:51,160 --> 00:34:54,239
Speaker 2: But I went to I went to Louisville, Kentucky, and

749
00:34:54,320 --> 00:34:56,520
Speaker 2: I was part of a group show with Shepherd Ferry.

750
00:34:56,600 --> 00:34:59,520
Speaker 2: He was doing a big ass mural dedicated to Ali

751
00:35:00,040 --> 00:35:03,280
Speaker 2: and I had my my Ali piece there. And then

752
00:35:03,840 --> 00:35:06,200
Speaker 2: I from the princes that I made in the shirts

753
00:35:06,360 --> 00:35:09,759
Speaker 2: through my friend that that organized that whole thing, he

754
00:35:09,840 --> 00:35:13,240
Speaker 2: had a we exchanged and I was able to donate

755
00:35:13,239 --> 00:35:14,360
Speaker 2: direct for the foundation.

756
00:35:14,680 --> 00:35:18,000
Speaker 1: Do you because I think the last time I'd asked you,

757
00:35:18,040 --> 00:35:20,640
Speaker 1: what's the most someone's ever paid for your art? Has

758
00:35:20,640 --> 00:35:24,120
Speaker 1: that has that changed? Or maybe even on the second second.

759
00:35:23,880 --> 00:35:27,000
Speaker 2: Well, everybody knows the last supper was one hundred thousand,

760
00:35:27,120 --> 00:35:32,440
Speaker 2: that's West's Peace. But in recent days you know that,

761
00:35:32,960 --> 00:35:35,840
Speaker 2: Like I just I just sold a small painting about

762
00:35:35,840 --> 00:35:40,279
Speaker 2: that size for twenty one thousand, damn, And that's kind

763
00:35:40,320 --> 00:35:43,560
Speaker 2: of a big deal because those paintings I was typically

764
00:35:43,640 --> 00:35:47,440
Speaker 2: selling between seven and ten thousand, so the were that

765
00:35:47,680 --> 00:35:49,160
Speaker 2: kind of doubles going, right.

766
00:35:49,320 --> 00:35:51,839
Speaker 1: Have you seen anything on the resale market that has

767
00:35:51,840 --> 00:35:54,200
Speaker 1: caught your eye, like damn? Someone flipped my painting for

768
00:35:54,239 --> 00:35:55,200
Speaker 1: this all the time.

769
00:35:55,200 --> 00:35:58,000
Speaker 2: All the time. Like I have, dude, the Prey for

770
00:35:58,040 --> 00:36:00,319
Speaker 2: Paris prints that Wes and I did in twenty twenty.

771
00:36:00,360 --> 00:36:02,840
Speaker 2: Those are going for like two grand on eBay, so

772
00:36:03,200 --> 00:36:06,000
Speaker 2: he sold those for one hundred bucks two grand, dude,

773
00:36:06,000 --> 00:36:08,920
Speaker 2: how much time's over is that? You know? It's twenty

774
00:36:09,120 --> 00:36:14,000
Speaker 2: x Like, yeah, it's fucking crazy. So people definitely are

775
00:36:14,040 --> 00:36:16,879
Speaker 2: flippers with the prints. Mostly with the originals, they're more

776
00:36:16,920 --> 00:36:19,719
Speaker 2: sat on. I've seen a couple originals go up for

777
00:36:19,800 --> 00:36:22,000
Speaker 2: sale and it's kind of whack because you're like, dude,

778
00:36:22,000 --> 00:36:24,320
Speaker 2: hold on to it, like wait a few more years,

779
00:36:24,480 --> 00:36:27,160
Speaker 2: like because you're just trying to you know, but people

780
00:36:27,200 --> 00:36:29,880
Speaker 2: are hurting. People want to, you know, they're selling their watches,

781
00:36:29,920 --> 00:36:30,560
Speaker 2: they're selling.

782
00:36:30,520 --> 00:36:32,560
Speaker 1: People are People are definitely hurting.

783
00:36:32,640 --> 00:36:35,960
Speaker 2: The sneaker game is shot, you know, the fucking there's

784
00:36:36,000 --> 00:36:38,320
Speaker 2: a lot of games again, Yeah, there's a lot of

785
00:36:38,360 --> 00:36:40,680
Speaker 2: games that are shot right now. With with art is

786
00:36:40,800 --> 00:36:43,320
Speaker 2: just it's up and down, and we saw a little

787
00:36:43,320 --> 00:36:46,359
Speaker 2: bit of a rise last year. I'm seeing a rise

788
00:36:46,360 --> 00:36:48,760
Speaker 2: in my market right you know, I mean I'm doing

789
00:36:49,280 --> 00:36:51,960
Speaker 2: I just did a fucking show in Paris, which was

790
00:36:52,000 --> 00:36:54,000
Speaker 2: crazy you know, I sold a portrait of Louis Vuitton

791
00:36:54,080 --> 00:36:57,720
Speaker 2: for fifteen thousand. I you know, just sold a painting

792
00:36:57,760 --> 00:37:00,000
Speaker 2: for twenty one thousand through the agency that I worked with,

793
00:37:00,080 --> 00:37:03,040
Speaker 2: the management company Mansion of Art. Shout out to them.

794
00:37:03,080 --> 00:37:05,440
Speaker 2: They were the ones that put the pair show together

795
00:37:05,719 --> 00:37:09,319
Speaker 2: and sold that painting. So yeah, it's just putting the

796
00:37:09,400 --> 00:37:12,640
Speaker 2: paintings in front of the right market, in the right people.

797
00:37:12,960 --> 00:37:15,920
Speaker 2: You know, a lot of my collectors consist of you know,

798
00:37:16,000 --> 00:37:19,120
Speaker 2: hip hop heads and West Side fans, and you know

799
00:37:19,960 --> 00:37:22,200
Speaker 2: they got they got bread, but they don't got twenty

800
00:37:22,239 --> 00:37:25,479
Speaker 2: one thousand dollars art bread. You know, they got five

801
00:37:25,520 --> 00:37:29,439
Speaker 2: thousand dollars art bread. And so it's just that's why

802
00:37:29,480 --> 00:37:32,600
Speaker 2: the Prince I try to make the prints available for

803
00:37:32,640 --> 00:37:33,720
Speaker 2: people that want to collect.

804
00:37:33,760 --> 00:37:37,000
Speaker 1: Shout out to Raffi Law Group, our family. Yes, it's

805
00:37:37,040 --> 00:37:39,440
Speaker 1: been so dope to partner with, you know, such a

806
00:37:39,560 --> 00:37:42,279
Speaker 1: name and brand and somebody who I actually am a

807
00:37:42,320 --> 00:37:45,759
Speaker 1: customer of. Shout out to Raffi Law Group, man Arizona's

808
00:37:45,800 --> 00:37:49,319
Speaker 1: premier personal injury law firm. And I don't just put

809
00:37:49,320 --> 00:37:52,040
Speaker 1: my name on anybody when we do this stuff on

810
00:37:52,040 --> 00:37:54,720
Speaker 1: the Bootleg cap podcast and you see us partnering with brands.

811
00:37:54,880 --> 00:37:58,080
Speaker 1: We're very selective about who we connect with, and Raffi

812
00:37:58,280 --> 00:38:01,400
Speaker 1: is someone who's actually helped my family, help my wife

813
00:38:01,520 --> 00:38:04,840
Speaker 1: get a settlement, all right, has helped over seventy thousand

814
00:38:04,880 --> 00:38:10,400
Speaker 1: people in Arizona. No matter what happens, man, car accident, crash, injury,

815
00:38:10,600 --> 00:38:12,600
Speaker 1: you maybe get bit by a dog, I don't know,

816
00:38:12,640 --> 00:38:17,040
Speaker 1: whatever it is, Raffi Law Group makes the process less stressful.

817
00:38:17,280 --> 00:38:19,960
Speaker 1: They put money in your pocket. Yes, the name you

818
00:38:19,960 --> 00:38:23,160
Speaker 1: can trust. You already know, man, Raffi Law Group. Save

819
00:38:23,280 --> 00:38:25,640
Speaker 1: the number just in case, because hey, you get into

820
00:38:25,640 --> 00:38:28,759
Speaker 1: a car accident tomorrow, you gotta call Raffi six two

821
00:38:28,800 --> 00:38:32,279
Speaker 1: three three eight eight four three three three and want

822
00:38:32,280 --> 00:38:35,160
Speaker 1: to wish a big happy birthday to Raffi's just celebrated

823
00:38:35,160 --> 00:38:37,120
Speaker 1: his fortieth birthday. We had a good time in Vegas.

824
00:38:37,680 --> 00:38:40,520
Speaker 1: Fifty cent was there, pauly D was there, mad Rich

825
00:38:40,640 --> 00:38:43,960
Speaker 1: was there. E c Rock was there. It was a movie,

826
00:38:44,000 --> 00:38:46,279
Speaker 1: all right, Secretary of State was there. We were just

827
00:38:46,320 --> 00:38:48,720
Speaker 1: hanging out, Man Show. Look shout out to Brandon Raffi.

828
00:38:48,760 --> 00:38:51,480
Speaker 1: Don't forget Raffi Law Group. The only calling you to

829
00:38:51,520 --> 00:38:53,480
Speaker 1: make if you're an az and you get into an

830
00:38:53,520 --> 00:38:56,960
Speaker 1: accident or you get into any sort of injury situation,

831
00:38:57,200 --> 00:39:00,400
Speaker 1: they'll take care you immediately call Raffi baby, get back

832
00:39:00,440 --> 00:39:01,480
Speaker 1: to the podcast.

833
00:39:01,520 --> 00:39:02,480
Speaker 2: Something for me, you know.

834
00:39:02,840 --> 00:39:07,640
Speaker 1: So for the on the Prey for Paris front, you

835
00:39:07,640 --> 00:39:11,160
Speaker 1: you don't do the original cover, right, the one with

836
00:39:11,400 --> 00:39:13,600
Speaker 1: the head that's a Virgil flip.

837
00:39:14,120 --> 00:39:17,960
Speaker 2: Okay, So I'll explain that. So sometimes I do the covers.

838
00:39:18,280 --> 00:39:21,440
Speaker 2: I do mostly the alternate covers that go on vinyl.

839
00:39:21,239 --> 00:39:24,160
Speaker 1: Because there is an alternate Prey for Paris cover yeah yeah.

840
00:39:24,000 --> 00:39:26,160
Speaker 2: Which I'm the alternate Pray for Paris, Yeah, which is

841
00:39:26,160 --> 00:39:29,759
Speaker 2: this essentially right, It's essentially that Simona Lisa with the

842
00:39:29,800 --> 00:39:32,839
Speaker 2: smiley face. So I had spoke to Wes. It was fun,

843
00:39:32,880 --> 00:39:34,960
Speaker 2: this is crazy. So it was the last tour day

844
00:39:35,040 --> 00:39:37,759
Speaker 2: of the what was Shine Gun Do tour in La

845
00:39:38,520 --> 00:39:41,560
Speaker 2: talking to West backstage and I'm like, Ao, like, what

846
00:39:41,600 --> 00:39:43,440
Speaker 2: are we doing next? And He's like, I'm working on

847
00:39:43,680 --> 00:39:45,400
Speaker 2: my new album, Pray for Paris, And I said, what

848
00:39:45,400 --> 00:39:46,880
Speaker 2: are we doing for it? I'm sitting back there like

849
00:39:46,880 --> 00:39:49,400
Speaker 2: a mosquito, like the fuck we cooking? And he was like, oh,

850
00:39:49,440 --> 00:39:52,360
Speaker 2: I got Virgil on it. So I'm like all right, whatever,

851
00:39:52,560 --> 00:39:55,919
Speaker 2: like you know, cool. So a few months go by

852
00:39:56,080 --> 00:39:58,480
Speaker 2: and then COVID hits, and then.

853
00:39:58,440 --> 00:40:00,000
Speaker 1: I was at the show because that was the show.

854
00:40:00,080 --> 00:40:03,359
Speaker 2: Oh when jay Z was back backstage, Yeah, and then

855
00:40:03,640 --> 00:40:05,400
Speaker 2: and then he had a moment with Conway.

856
00:40:05,560 --> 00:40:08,720
Speaker 1: It was after did the cow.

857
00:40:08,719 --> 00:40:10,759
Speaker 2: Yeah, dude, it was hard. And then jay Z's and

858
00:40:10,840 --> 00:40:11,799
Speaker 2: backstage talking to.

859
00:40:11,840 --> 00:40:13,600
Speaker 1: Con and there was a game I think it was

860
00:40:13,640 --> 00:40:17,920
Speaker 1: a Bucks game. Bucks Lakers game was happening at Crypto

861
00:40:18,000 --> 00:40:18,399
Speaker 1: that night.

862
00:40:18,520 --> 00:40:21,000
Speaker 2: Yeah, and it was just all packed. Yeah, he came

863
00:40:21,040 --> 00:40:23,680
Speaker 2: straight from there. Yep, yep, yep, yep. I was back there.

864
00:40:24,960 --> 00:40:26,960
Speaker 2: But so I was talking to West and a couple

865
00:40:26,960 --> 00:40:30,600
Speaker 2: months go by, COVID hits. So I painted this Mona

866
00:40:30,640 --> 00:40:33,680
Speaker 2: Lisa with the smiley face. I sent it to him

867
00:40:33,880 --> 00:40:35,400
Speaker 2: and he was like, yo, I gotta use that for

868
00:40:35,400 --> 00:40:37,680
Speaker 2: pray for Paris. I was like, yeah, the fuck you are, Like,

869
00:40:37,800 --> 00:40:41,160
Speaker 2: I know you are. So he That ended up becoming

870
00:40:41,160 --> 00:40:45,799
Speaker 2: the alternate cover that went on CDs, cassettes, merch. So

871
00:40:46,000 --> 00:40:50,560
Speaker 2: Virgil's cover was what was on like DSPSP and some

872
00:40:50,640 --> 00:40:53,040
Speaker 2: of the most of the vinyls and there's some I

873
00:40:53,040 --> 00:40:55,160
Speaker 2: think there might be some vinyls with it. I'm not sure,

874
00:40:55,200 --> 00:40:58,360
Speaker 2: but the covers that I've done that are out on

875
00:40:58,480 --> 00:41:03,239
Speaker 2: DSPs are like the Liz covers for Our Money, all

876
00:41:03,320 --> 00:41:05,520
Speaker 2: the you know, the ben Wa there was some it

877
00:41:05,680 --> 00:41:08,759
Speaker 2: was like on some DSPs and then like title I

878
00:41:08,800 --> 00:41:11,759
Speaker 2: think had the ben Walk cover with the Supreme Blind

879
00:41:11,840 --> 00:41:14,600
Speaker 2: Time album. So it's like weird, like there's some DSPs

880
00:41:14,600 --> 00:41:15,200
Speaker 2: that have my.

881
00:41:15,320 --> 00:41:16,799
Speaker 1: Well and then like he just had to have a

882
00:41:16,800 --> 00:41:19,520
Speaker 1: bunch of shit taken down because the WW haters.

883
00:41:19,880 --> 00:41:23,600
Speaker 2: Yeah yeah, and now that's some bullshit brou I.

884
00:41:23,600 --> 00:41:25,279
Speaker 1: Don't know if there's a single guy who spent more

885
00:41:25,320 --> 00:41:27,440
Speaker 1: money on fucking wrestling tickets in him.

886
00:41:28,120 --> 00:41:31,480
Speaker 2: I'm so disappointed in WW for that ship like that.

887
00:41:31,719 --> 00:41:36,000
Speaker 2: I've never I've never seen a more heavier supporter in

888
00:41:36,160 --> 00:41:40,520
Speaker 2: hip hop than Wes likenif bro significantly, like you see,

889
00:41:41,120 --> 00:41:42,799
Speaker 2: you know, you might have seen like way back in

890
00:41:42,800 --> 00:41:45,360
Speaker 2: the day, like maybe like a snoop at like whatever,

891
00:41:45,480 --> 00:41:47,759
Speaker 2: and that was cool, but like Wes.

892
00:41:47,560 --> 00:41:49,839
Speaker 1: Is, no, he's coming out of pocket, and he's coming

893
00:41:49,880 --> 00:41:50,920
Speaker 1: out of pocket culture.

894
00:41:50,960 --> 00:41:53,399
Speaker 2: Yeah, they're probably paying a snoop to be there, for sure,

895
00:41:53,440 --> 00:41:55,719
Speaker 2: Wes is paying to be there himself, and he's a

896
00:41:56,040 --> 00:41:56,720
Speaker 2: front row.

897
00:41:56,920 --> 00:41:58,239
Speaker 3: Fourth rope's going crazy though.

898
00:41:58,239 --> 00:41:59,680
Speaker 1: I think it kind of yeah, I think all that

899
00:41:59,719 --> 00:42:01,880
Speaker 1: ship kind of lit the fire under his ass, so

900
00:42:01,920 --> 00:42:03,239
Speaker 1: he needed to keep building that.

901
00:42:03,360 --> 00:42:05,719
Speaker 2: And and they see him as a threat. They know,

902
00:42:05,960 --> 00:42:09,640
Speaker 2: like he's what he's doing with this indie ship is

903
00:42:09,719 --> 00:42:14,400
Speaker 2: he's creating a whole new wave and audience for wrestling,

904
00:42:14,600 --> 00:42:18,920
Speaker 2: merging the hip hop and the merch. The merchant like

905
00:42:19,760 --> 00:42:23,920
Speaker 2: it's it's really pushing. It's an aspect that you can't

906
00:42:24,040 --> 00:42:27,480
Speaker 2: separate from the whole thing, like fourth rope. That's important,

907
00:42:27,760 --> 00:42:28,279
Speaker 2: The fourth rope.

908
00:42:28,440 --> 00:42:29,320
Speaker 3: I mean that's how it started.

909
00:42:29,600 --> 00:42:32,239
Speaker 2: Yeah, I mean it's the art. Art is at the forefront,

910
00:42:32,680 --> 00:42:35,120
Speaker 2: and I'm you know, I'm part of that forefront because

911
00:42:35,120 --> 00:42:37,240
Speaker 2: when it's time to make art for the merch or Prince,

912
00:42:38,080 --> 00:42:40,120
Speaker 2: he's hitting me. Guy, like we just did you know

913
00:42:40,160 --> 00:42:44,160
Speaker 2: the Virgil piece last year that was I didn't I

914
00:42:44,440 --> 00:42:46,319
Speaker 2: thought that was going to be on merch but it

915
00:42:46,360 --> 00:42:48,759
Speaker 2: was just Prince. And I'm working on several ship for

916
00:42:48,840 --> 00:42:52,319
Speaker 2: him right now as we speak, so I can't, you know,

917
00:42:52,400 --> 00:42:55,960
Speaker 2: talk too much about it. But there's at least four

918
00:42:56,120 --> 00:42:59,280
Speaker 2: artworks that and the works and the like it's.

919
00:42:59,120 --> 00:43:01,920
Speaker 1: Put well, he had like his like museum of Art

920
00:43:01,960 --> 00:43:04,200
Speaker 1: in Phoenix forever. I don't know if it's that that

921
00:43:04,320 --> 00:43:06,800
Speaker 1: was his house, that was I know, but he damned

922
00:43:06,840 --> 00:43:09,000
Speaker 1: your turned his Yeah they called it the all right,

923
00:43:09,080 --> 00:43:10,480
Speaker 1: Yeah it was a fucking thing.

924
00:43:10,640 --> 00:43:13,520
Speaker 2: Yeah, yeah, it was crazy. I want to actually talk

925
00:43:13,560 --> 00:43:15,840
Speaker 2: to him. He's going to hear it on fucking bootleg

926
00:43:16,160 --> 00:43:19,560
Speaker 2: okay podcast. First, we need to do a retrospective show

927
00:43:19,600 --> 00:43:21,960
Speaker 2: at the Buffalo Art Museum of all the work that

928
00:43:22,000 --> 00:43:23,880
Speaker 2: I've done for him for the last ten years. That's

929
00:43:23,960 --> 00:43:26,760
Speaker 2: like fifty paintings, bro, that's a lot at the Buffalo

930
00:43:26,840 --> 00:43:30,200
Speaker 2: Art Museum. That show will be bananasas well.

931
00:43:30,239 --> 00:43:34,520
Speaker 1: Listen to your show for your birthdays next Friday, Saturday Saturday,

932
00:43:34,680 --> 00:43:37,279
Speaker 1: June sixth. Yeah, for sixth sixth.

933
00:43:37,080 --> 00:43:39,640
Speaker 2: Saturday, June sixth. My birthday is on the seventh. You know,

934
00:43:39,920 --> 00:43:43,239
Speaker 2: I'm a fucking diehard Gemini, So but my birthday, the

935
00:43:43,280 --> 00:43:45,840
Speaker 2: show is on the six For friends and family, they know,

936
00:43:45,840 --> 00:43:48,640
Speaker 2: it's a birthday party. For the general public, it's it's

937
00:43:48,640 --> 00:43:49,640
Speaker 2: a it's a solotion.

938
00:43:49,680 --> 00:43:50,520
Speaker 1: Where is it.

939
00:43:50,520 --> 00:43:53,400
Speaker 2: It's gonna be at Mad Rabbit Studios. Mad Rabbit is

940
00:43:53,440 --> 00:43:55,120
Speaker 2: a is a tattoo company.

941
00:43:55,160 --> 00:43:58,320
Speaker 1: They is that in Hollywood District.

942
00:43:58,400 --> 00:44:01,319
Speaker 2: Okay, okay, so there they have a tattoo shop that

943
00:44:01,560 --> 00:44:03,839
Speaker 2: serves as a creative space also in downtown, So I'm

944
00:44:03,840 --> 00:44:06,560
Speaker 2: taking over it. You using it as a gallery space

945
00:44:06,600 --> 00:44:09,600
Speaker 2: because it's really huge and contemporary, so it works well

946
00:44:09,640 --> 00:44:12,279
Speaker 2: for a gallery. Plus I do tattoos too, so it

947
00:44:12,400 --> 00:44:13,760
Speaker 2: just works. And those are my guys.

948
00:44:13,800 --> 00:44:15,640
Speaker 3: You know, how often are you tattooing people?

949
00:44:16,360 --> 00:44:16,560
Speaker 1: You know?

950
00:44:16,719 --> 00:44:18,800
Speaker 2: I took a break for a year and a half

951
00:44:18,880 --> 00:44:20,880
Speaker 2: last year. Over the last year and a half, I've

952
00:44:20,920 --> 00:44:23,759
Speaker 2: been like really working on like mental health stuff, and

953
00:44:23,840 --> 00:44:25,680
Speaker 2: I just had to pull back from that stuff. And

954
00:44:25,960 --> 00:44:29,239
Speaker 2: it's very like mentally draining because you know, you're thinking

955
00:44:29,280 --> 00:44:31,640
Speaker 2: about people's skin. You don't want to fuck anybody else.

956
00:44:32,160 --> 00:44:34,360
Speaker 2: And plus you're it's a lot of energy exchange. You know,

957
00:44:34,400 --> 00:44:37,040
Speaker 2: you're you're dealing with people, you're touching, you're fucking touching people,

958
00:44:37,160 --> 00:44:39,719
Speaker 2: and you're sitting listening to people. People love to like

959
00:44:39,960 --> 00:44:42,440
Speaker 2: use that as therapy, so they're just talking about their problems.

960
00:44:43,200 --> 00:44:44,840
Speaker 2: So I had to take a break and I just

961
00:44:44,880 --> 00:44:48,360
Speaker 2: started to yeah, and I'm like, ro shut the fuck up,

962
00:44:48,440 --> 00:44:50,560
Speaker 2: place of doctor dre or sound like you know.

963
00:44:50,600 --> 00:44:51,840
Speaker 1: You have you tattooed yourself?

964
00:44:52,000 --> 00:44:54,719
Speaker 2: Hell yeah, yeah, I've done most of this work right here, myself.

965
00:44:55,120 --> 00:44:56,719
Speaker 2: I got to touch the shut up and I'm looking

966
00:44:56,760 --> 00:44:59,799
Speaker 2: ashy as hell. And you know, Matt Rabbit. They there

967
00:44:59,800 --> 00:45:02,920
Speaker 2: at Tattoo Aftercare Company. So if anyone's got tattoos, you know,

968
00:45:03,200 --> 00:45:05,520
Speaker 2: check their shut out because they got great products to

969
00:45:05,560 --> 00:45:09,160
Speaker 2: revitalize their tattoos. I did everything on this arm, and I.

970
00:45:09,120 --> 00:45:13,360
Speaker 1: Did That's gotta be hard to get my chest as well, even.

971
00:45:13,200 --> 00:45:17,160
Speaker 2: That, yeah yeah, yeah, the birds on my chest. Yeah yeah,

972
00:45:17,239 --> 00:45:20,120
Speaker 2: so yeah, you're in the mirror. Nah looking down. You

973
00:45:20,160 --> 00:45:21,920
Speaker 2: can't do it in the mirror because it's it's backwards.

974
00:45:22,040 --> 00:45:23,480
Speaker 1: Yeah, we try to trip you out.

975
00:45:23,719 --> 00:45:26,239
Speaker 2: But yeah, so the show is that mad Rabbit. It's

976
00:45:26,280 --> 00:45:30,120
Speaker 2: gonna be lit. I have works from Wes's personal collection

977
00:45:30,200 --> 00:45:32,080
Speaker 2: on view. Oh fine, so that's gonna be fun.

978
00:45:32,719 --> 00:45:34,680
Speaker 1: And where do you know where the one hundred thousand

979
00:45:34,719 --> 00:45:37,000
Speaker 1: dollars Last Supper painting is kept? Yeah?

980
00:45:37,080 --> 00:45:39,080
Speaker 2: Yeah, it's at his house. Okay, yeah, I see it

981
00:45:39,120 --> 00:45:42,279
Speaker 2: all the time. But he's got multiple places, bro, that's

982
00:45:42,520 --> 00:45:44,879
Speaker 2: all over the world. I in fucking Europe right now,

983
00:45:44,920 --> 00:45:46,960
Speaker 2: you know, shout out to west you just got sold

984
00:45:46,960 --> 00:45:49,920
Speaker 2: out European tour, fucking gangster. I wish I was out there.

985
00:45:49,960 --> 00:45:53,319
Speaker 2: I just texted him yesterday. I'm like, bro, you better

986
00:45:53,360 --> 00:45:56,160
Speaker 2: saved me some fucking merch something because you know, hat

987
00:45:56,320 --> 00:45:56,800
Speaker 2: or anything.

988
00:45:56,880 --> 00:45:59,200
Speaker 1: Ship go get Where can people just go to your

989
00:45:59,239 --> 00:46:00,879
Speaker 1: website to get a tickets to the show or show

990
00:46:00,960 --> 00:46:01,919
Speaker 1: up at the door.

991
00:46:02,120 --> 00:46:04,640
Speaker 2: Well, my website is Isaac Polile dot com. But the

992
00:46:04,680 --> 00:46:09,560
Speaker 2: best way to RSVP, dude, it's seventeen hundred RSVPs right now.

993
00:46:09,880 --> 00:46:11,800
Speaker 1: Oh yeah, And it's probably not the biggest space.

994
00:46:12,320 --> 00:46:14,480
Speaker 2: No, So there's gonna be a fat ass line and.

995
00:46:14,440 --> 00:46:16,600
Speaker 1: There's probably gonna be people who can't get in. It

996
00:46:16,680 --> 00:46:17,840
Speaker 1: might get to the point where it's like, hey, we

997
00:46:17,840 --> 00:46:18,960
Speaker 1: gotta wait for ten people to leave.

998
00:46:19,040 --> 00:46:21,880
Speaker 2: That's what I'm doing. I have my security running crowd

999
00:46:21,880 --> 00:46:24,520
Speaker 2: detail and they're going to be controlling, you know, the

1000
00:46:24,560 --> 00:46:27,359
Speaker 2: capacity on the inside, letting people in as people come out.

1001
00:46:27,440 --> 00:46:32,000
Speaker 2: But what's exciting is that I'm releasing and I wanted

1002
00:46:32,040 --> 00:46:34,400
Speaker 2: to tell talk about this on here. I'm releasing a

1003
00:46:34,400 --> 00:46:39,240
Speaker 2: limited edition print collab with Shepherd Ferry. It's being available.

1004
00:46:39,440 --> 00:46:42,200
Speaker 1: Was this something that the genesis of that happening? Was

1005
00:46:42,200 --> 00:46:45,560
Speaker 1: you going to Louisville for the or you guys already

1006
00:46:45,600 --> 00:46:46,600
Speaker 1: had some cooking.

1007
00:46:46,719 --> 00:46:51,239
Speaker 2: I had been plotting this idea for several years, and

1008
00:46:51,320 --> 00:46:53,560
Speaker 2: I just was waiting for the right time to pitch.

1009
00:46:53,560 --> 00:46:56,520
Speaker 2: It's him. I mean, Shepherd does not know just anybody

1010
00:46:56,520 --> 00:46:58,759
Speaker 2: that you could just pitch anyone, you know.

1011
00:46:58,800 --> 00:47:00,680
Speaker 3: One of the goats and even one of the most

1012
00:47:00,800 --> 00:47:02,160
Speaker 3: iconic artists modern artists.

1013
00:47:02,239 --> 00:47:05,440
Speaker 2: Yeah, I mean even though that he's you know, arguably

1014
00:47:05,520 --> 00:47:07,960
Speaker 2: a friend, but I look at him as a mentor

1015
00:47:08,000 --> 00:47:10,960
Speaker 2: and I look up to him first and foremost. I'm

1016
00:47:11,000 --> 00:47:13,799
Speaker 2: a fan. I say I'm a fan first before I'm

1017
00:47:13,800 --> 00:47:17,799
Speaker 2: a friend. So I'm always very like reluctant approaching him

1018
00:47:17,800 --> 00:47:20,160
Speaker 2: about anything or any ideas, but I do consult him

1019
00:47:20,160 --> 00:47:21,879
Speaker 2: a lot. I ask him for advice all the time

1020
00:47:21,960 --> 00:47:25,520
Speaker 2: via email and and so finally, you know, I had this.

1021
00:47:25,719 --> 00:47:27,880
Speaker 2: I was been sitting on this idea and I texted

1022
00:47:27,920 --> 00:47:30,800
Speaker 2: him just literally a couple days ago, and I was like, dude,

1023
00:47:31,239 --> 00:47:33,560
Speaker 2: I'm gonna ask you straight up and just give me.

1024
00:47:33,520 --> 00:47:34,440
Speaker 1: A no or yes.

1025
00:47:35,120 --> 00:47:38,520
Speaker 2: I bring anything I'm fucking retarded or crazy whatever, but

1026
00:47:38,560 --> 00:47:40,040
Speaker 2: what do you think about doing this collab with me

1027
00:47:40,120 --> 00:47:42,200
Speaker 2: for my show? And he was like, yeah, let's do it.

1028
00:47:42,400 --> 00:47:44,800
Speaker 2: I was like, de was sweating. I was like really,

1029
00:47:45,239 --> 00:47:47,160
Speaker 2: So I said, look, I'll do all the work. I'll

1030
00:47:47,200 --> 00:47:49,680
Speaker 2: handle it. So I have a team right now producing

1031
00:47:49,719 --> 00:47:52,759
Speaker 2: the prints for me. But it's exciting because it's gonna

1032
00:47:52,800 --> 00:47:55,560
Speaker 2: be dope. The fact that I have and it's related

1033
00:47:55,600 --> 00:47:58,800
Speaker 2: to wrestling, and the fact that I have West Sides

1034
00:47:59,800 --> 00:48:02,279
Speaker 2: are and art there and then we have prints I

1035
00:48:02,320 --> 00:48:04,760
Speaker 2: have Princeville West that are available at the show as well.

1036
00:48:05,320 --> 00:48:07,560
Speaker 2: And now I have the print clab with Shepherd, the

1037
00:48:07,600 --> 00:48:11,200
Speaker 2: two people that like, really I sit on the highest

1038
00:48:11,200 --> 00:48:14,040
Speaker 2: pedestals in my in my career and in my life

1039
00:48:14,239 --> 00:48:16,680
Speaker 2: as far as influence goes, and I have both of

1040
00:48:16,719 --> 00:48:19,200
Speaker 2: them somehow involved in President in my show for my

1041
00:48:19,239 --> 00:48:22,880
Speaker 2: thirtieth birthday, which is less about far less about money

1042
00:48:22,960 --> 00:48:26,400
Speaker 2: or praise, but more about just the fact that I

1043
00:48:26,480 --> 00:48:29,760
Speaker 2: get to say for my thirtieth birthday, I was able

1044
00:48:29,800 --> 00:48:32,200
Speaker 2: to have like the two people that has influenced me

1045
00:48:32,320 --> 00:48:35,359
Speaker 2: so heavily involved in my show. That's sweet and it's

1046
00:48:35,360 --> 00:48:37,160
Speaker 2: so cool because you know, I just want to make

1047
00:48:37,200 --> 00:48:39,320
Speaker 2: them proud, like I just want to stand on their shoulders.

1048
00:48:39,320 --> 00:48:42,840
Speaker 1: And so is it you you're painting with some Shepherd

1049
00:48:43,000 --> 00:48:43,880
Speaker 1: like flavor.

1050
00:48:44,280 --> 00:48:44,880
Speaker 2: You want to see it?

1051
00:48:45,000 --> 00:48:46,680
Speaker 1: Yes, I want to see I definitely want to see it.

1052
00:48:46,800 --> 00:48:49,719
Speaker 2: Yeah, it's you have to show it on camera, but

1053
00:48:49,880 --> 00:48:50,640
Speaker 2: it's it's sick.

1054
00:48:51,600 --> 00:48:52,800
Speaker 3: Oh that's fire.

1055
00:48:53,040 --> 00:48:56,800
Speaker 2: Yeah, yeah, yeah, So this is what we're doing. Super limited,

1056
00:48:56,920 --> 00:49:00,399
Speaker 2: you know, available at the show. So if you don't,

1057
00:49:00,480 --> 00:49:02,719
Speaker 2: if you don't get in line early, you're asked out.

1058
00:49:02,840 --> 00:49:07,080
Speaker 2: And plus I got ship you know, some collection tucked

1059
00:49:07,080 --> 00:49:08,719
Speaker 2: away from me and West that I've been sitting on

1060
00:49:08,760 --> 00:49:09,879
Speaker 2: that's going to be available there.

1061
00:49:09,920 --> 00:49:10,560
Speaker 1: No, that's hard.

1062
00:49:10,680 --> 00:49:16,319
Speaker 2: So and it's new merch hats, books, prints, custom tote

1063
00:49:16,360 --> 00:49:18,600
Speaker 2: bags like you know, just ship for for the kids,

1064
00:49:19,120 --> 00:49:20,319
Speaker 2: for people to be able to buy.

1065
00:49:20,440 --> 00:49:22,000
Speaker 3: You know, you got to do a bear brick.

1066
00:49:22,960 --> 00:49:26,040
Speaker 2: That's crazy you say that because I have an all

1067
00:49:26,080 --> 00:49:28,040
Speaker 2: white bear brick at the house that I'm going to

1068
00:49:28,080 --> 00:49:29,000
Speaker 2: paint on for the show.

1069
00:49:29,640 --> 00:49:31,680
Speaker 1: You got it because I hit them up, But no,

1070
00:49:31,760 --> 00:49:34,000
Speaker 1: I got I got the homies. There's a store name

1071
00:49:34,400 --> 00:49:39,680
Speaker 1: called three D Retro Familiar and they do a designer con. Yeah,

1072
00:49:39,719 --> 00:49:43,799
Speaker 1: and they they've done They've helped a few artists get

1073
00:49:43,800 --> 00:49:44,400
Speaker 1: bear bricks.

1074
00:49:44,880 --> 00:49:46,719
Speaker 2: You know I was supposed to get.

1075
00:49:46,800 --> 00:49:49,000
Speaker 1: I feel like the bear brick with the smiley face

1076
00:49:49,040 --> 00:49:50,200
Speaker 1: will go crazy.

1077
00:49:50,320 --> 00:49:52,319
Speaker 2: Well that's why I'm going to paint one myself. I

1078
00:49:52,360 --> 00:49:53,920
Speaker 2: have one at the house. So I'm going to do

1079
00:49:53,960 --> 00:49:55,720
Speaker 2: it for the show's crazy. You said that. It's literally

1080
00:49:55,760 --> 00:49:57,080
Speaker 2: in my studio just waiting, So.

1081
00:49:57,120 --> 00:49:59,120
Speaker 1: You got, I got. I'll tell the guys from Designer Con.

1082
00:49:59,160 --> 00:50:01,560
Speaker 1: They gotta make it happen with the with the what

1083
00:50:01,640 --> 00:50:03,719
Speaker 1: the fuck is the name of the Bearberg company, I

1084
00:50:03,719 --> 00:50:04,719
Speaker 1: forget the name, but I.

1085
00:50:04,719 --> 00:50:06,200
Speaker 2: Was medic medic medicon.

1086
00:50:06,320 --> 00:50:06,720
Speaker 1: Yeah.

1087
00:50:06,760 --> 00:50:09,480
Speaker 2: So it's funny because you know J C. Lopez, that's

1088
00:50:09,520 --> 00:50:13,160
Speaker 2: my boy, and uh, he was trying to put together

1089
00:50:13,239 --> 00:50:15,400
Speaker 2: a thing with me an astro boy to do like

1090
00:50:15,400 --> 00:50:19,359
Speaker 2: an astro boy by Uh that hasn't happened yet.

1091
00:50:19,360 --> 00:50:21,080
Speaker 1: But dude, I think the bear Brick shits it.

1092
00:50:21,200 --> 00:50:22,120
Speaker 3: No no brainer.

1093
00:50:22,280 --> 00:50:24,520
Speaker 2: Yeah, I mean that ship would go crazy too, Like

1094
00:50:24,600 --> 00:50:26,120
Speaker 2: for sure, I would love to do one of those.

1095
00:50:26,160 --> 00:50:27,840
Speaker 2: And I'm trying to get more into three D stuff,

1096
00:50:27,840 --> 00:50:29,200
Speaker 2: more toys, more collectibles.

1097
00:50:29,520 --> 00:50:31,239
Speaker 3: No dude, I think I think the bear Brick with

1098
00:50:31,280 --> 00:50:32,000
Speaker 3: a smile face.

1099
00:50:32,000 --> 00:50:34,279
Speaker 2: I'm surprised you don't have some like bar bricks or.

1100
00:50:37,080 --> 00:50:38,960
Speaker 3: I'm not a crazy I have his stuffed animal.

1101
00:50:39,719 --> 00:50:42,960
Speaker 2: Yeah, these are the plushy guys. Yeah, I know the

1102
00:50:43,000 --> 00:50:44,319
Speaker 2: guys that did this, they hit me up.

1103
00:50:44,560 --> 00:50:45,080
Speaker 3: What's crazy?

1104
00:50:45,160 --> 00:50:47,160
Speaker 1: Is all his clothes can be removed, hence why his

1105
00:50:47,200 --> 00:50:48,200
Speaker 1: pants are falling down.

1106
00:50:48,680 --> 00:50:52,680
Speaker 2: He paused, it's wild. Yeah, it's crazy to the machine bitch.

1107
00:50:52,960 --> 00:50:54,799
Speaker 2: Hell yeah, No, I was talking to these guys. They

1108
00:50:54,880 --> 00:50:55,080
Speaker 2: hit me.

1109
00:50:55,239 --> 00:50:56,880
Speaker 1: They got a dope store in Buffalo. They sent that

1110
00:50:56,960 --> 00:50:58,399
Speaker 1: to me, and they sent some I forget what else

1111
00:50:58,400 --> 00:50:59,439
Speaker 1: they said I had.

1112
00:51:01,840 --> 00:51:03,040
Speaker 3: It's pretty crazy, dude.

1113
00:51:03,080 --> 00:51:05,400
Speaker 2: This is so lit. This is tight. Yeah, this is

1114
00:51:05,400 --> 00:51:07,160
Speaker 2: fucking dope. I gotta get I gotta get me all

1115
00:51:07,200 --> 00:51:08,440
Speaker 2: three of them. I gotta get Benny.

1116
00:51:08,600 --> 00:51:10,440
Speaker 3: Did they make make one for everyone?

1117
00:51:10,640 --> 00:51:13,480
Speaker 2: I don't know, but if they did, I gotta get some.

1118
00:51:13,719 --> 00:51:14,520
Speaker 2: Just on some cool.

1119
00:51:14,360 --> 00:51:15,080
Speaker 1: Collec my cousin.

1120
00:51:15,160 --> 00:51:16,400
Speaker 3: Vintage is the name of the place.

1121
00:51:16,440 --> 00:51:22,400
Speaker 1: Shout to them. Yeah sick anyway, Yeah, Saturday six.

1122
00:51:22,320 --> 00:51:25,880
Speaker 2: Saturday the six. Uh. You know my Instagram isaa Plyle.

1123
00:51:26,040 --> 00:51:29,359
Speaker 2: The RSP link is in my bio. Be the first

1124
00:51:29,400 --> 00:51:31,680
Speaker 2: to get in line. It's gonna be lit. You're gonna

1125
00:51:31,680 --> 00:51:32,640
Speaker 2: be there, dude.

1126
00:51:32,840 --> 00:51:33,360
Speaker 3: I am.

1127
00:51:33,760 --> 00:51:35,480
Speaker 1: I have to be at sea World on the sixth.

1128
00:51:36,000 --> 00:51:38,080
Speaker 1: I have a station event that I am. I'm I

1129
00:51:38,120 --> 00:51:39,480
Speaker 1: am intro I have to host.

1130
00:51:40,000 --> 00:51:42,200
Speaker 2: You're gonna tell me you're going to miss my thirtieth birthday.

1131
00:51:41,880 --> 00:51:43,680
Speaker 1: Listen, I have to host. I'm on the radio in

1132
00:51:43,719 --> 00:51:46,400
Speaker 1: San Diego jam in ninety five to seven and the

1133
00:51:46,440 --> 00:51:49,560
Speaker 1: big station concert series is it SeaWorld.

1134
00:51:50,160 --> 00:51:51,400
Speaker 3: Believe it or not, I'm hosting.

1135
00:51:51,480 --> 00:51:54,560
Speaker 1: Yeah, that's fucking I'm hosting the Ying Yang Twins concert

1136
00:51:54,560 --> 00:51:55,080
Speaker 1: at sea World.

1137
00:51:55,160 --> 00:51:56,640
Speaker 2: At SeaWorld, damn you.

1138
00:51:56,800 --> 00:51:59,840
Speaker 1: They did it last summer. So this whole entire summer

1139
00:52:00,239 --> 00:52:02,200
Speaker 1: they have like one day is E forty, one day

1140
00:52:02,280 --> 00:52:05,600
Speaker 1: is Paul Wall and then another day is Soldier Boy

1141
00:52:05,640 --> 00:52:07,800
Speaker 1: and then they're kicking it off with it's the first

1142
00:52:07,880 --> 00:52:08,920
Speaker 1: of the concert series.

1143
00:52:10,040 --> 00:52:11,879
Speaker 3: Ying Yang Twins did it last year and it went

1144
00:52:12,080 --> 00:52:12,880
Speaker 3: hell a viral.

1145
00:52:13,040 --> 00:52:14,920
Speaker 2: Not y'all turning up with fucking shambo.

1146
00:52:14,960 --> 00:52:19,520
Speaker 1: I have to introduce the Ying Yang Twins on stage

1147
00:52:19,560 --> 00:52:20,239
Speaker 1: at SeaWorld.

1148
00:52:20,480 --> 00:52:21,839
Speaker 2: That is hilarious.

1149
00:52:21,920 --> 00:52:22,280
Speaker 1: Yeah.

1150
00:52:22,520 --> 00:52:23,960
Speaker 2: Wait, SeaWorld's where San Diego.

1151
00:52:24,080 --> 00:52:27,440
Speaker 1: Uh huh, it's gonna be a uh, I don't know,

1152
00:52:28,440 --> 00:52:29,280
Speaker 1: taking the kids.

1153
00:52:29,520 --> 00:52:31,440
Speaker 2: The show is going to be up for at least

1154
00:52:31,480 --> 00:52:31,880
Speaker 2: a month.

1155
00:52:32,040 --> 00:52:33,400
Speaker 1: Oh it so it'll be available.

1156
00:52:33,400 --> 00:52:34,920
Speaker 2: It'll be available to go. So if you're back in

1157
00:52:35,000 --> 00:52:36,600
Speaker 2: town and you want to check out, I'll take you

1158
00:52:36,640 --> 00:52:38,279
Speaker 2: by and we'll you know, check out some work.

1159
00:52:38,600 --> 00:52:40,480
Speaker 1: Dog. Yeah. Man, appreciate you pulling up man, I thank

1160
00:52:40,520 --> 00:52:44,239
Speaker 1: you for having your family. My guy, Isaac makes you

1161
00:52:44,280 --> 00:52:47,320
Speaker 1: follow him online. He hit his online shop get some

1162
00:52:47,400 --> 00:52:49,920
Speaker 1: prints man boom by Smart.

1163
00:52:50,000 --> 00:52:51,960
Speaker 3: What up? Y'all were here at Ease you already know.

1164
00:52:51,960 --> 00:52:54,319
Speaker 1: If you're in La Southern cal Man, tap in, go

1165
00:52:54,360 --> 00:52:57,719
Speaker 1: to the website right now, use that promo code bootlegger

1166
00:52:57,719 --> 00:53:02,560
Speaker 1: and to get thirty percent off concentrates. Whatever you're into,

1167
00:53:02,960 --> 00:53:06,120
Speaker 1: they got it thirty percent off. Go to ease dot

1168
00:53:06,160 --> 00:53:08,919
Speaker 1: com right now. It'll get delivered right to your door.

1169
00:53:09,480 --> 00:53:11,719
Speaker 3: Or if you're in LA, pull up because we're here

1170
00:53:11,800 --> 00:53:12,120
Speaker 3: right now.

1171
00:53:12,160 --> 00:53:13,319
Speaker 1: Come on, mes, shout out to Ease