WEBVTT - Bonus: Dani and Nora

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<v Speaker 1>Family Secrets as a production of I Heart Radio High

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<v Speaker 1>Family Secrets Listeners. It's Danny here to share something I

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<v Speaker 1>think is really special. As we're hard at work creating

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<v Speaker 1>amazing new episodes for the seventh season of Family Secrets,

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<v Speaker 1>I am so excited to be able to share with

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<v Speaker 1>you an episode from one of my absolute favorite podcasts

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<v Speaker 1>which tells the story of my own family secret in

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<v Speaker 1>a way no one has done before. And that's because

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<v Speaker 1>Nora McNerney and her hit show Terrible Thanks for Asking,

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<v Speaker 1>is brilliant. She tells stories like no one else in

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<v Speaker 1>a way. Nora is like the godmother of my show.

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<v Speaker 1>When I was first starting out and had no idea

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<v Speaker 1>how to create a podcast, I reached out to her

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<v Speaker 1>and she walked me through the process with so much

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<v Speaker 1>kindness and generosity. We've become friends. I adore her and

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<v Speaker 1>felt completely safe in this far reaching conversation was her.

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<v Speaker 1>So here's Terrible Thanks for Asking. Lacuna manuscripts a missing

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<v Speaker 1>piece of text, Lacuna music an extended silence in a

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<v Speaker 1>piece of music. Lacuna linguistics a lexical gap in a language.

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<v Speaker 1>Lacuna law the lack of law or of a legal

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<v Speaker 1>source addressing a situation Lacuna histology, a small space containing

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<v Speaker 1>an osteo syte. In bone, there's an uneasy sense a

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<v Speaker 1>person gets when something is missing, that gap in the text,

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<v Speaker 1>in music, in language, in law, in bone. We like

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<v Speaker 1>when the pieces fit together, and we like when we

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<v Speaker 1>have them all laid out neatly before us. And I

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<v Speaker 1>know that puzzle is a lazy metaphor to use, but

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<v Speaker 1>I'm going to use it many times in this episode

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<v Speaker 1>because I love puzzles and I am not great at them,

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<v Speaker 1>but I know we like when pieces fit together in music,

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<v Speaker 1>in podcasts, in puzzles, in life. And today's episode is

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<v Speaker 1>about that gap, that chasm, that open and unfilled space,

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<v Speaker 1>and what happens when it finally all comes together. I'm

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<v Speaker 1>Nora McNerney, and this is terrible. Thanks for asking. And

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<v Speaker 1>this is Danny Shapiro. I remember so little about my childhood.

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<v Speaker 1>I think in part because I didn't have any witnesses

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<v Speaker 1>to it, and the two witnesses I did have to

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<v Speaker 1>it were my parents, and I was like a lost

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<v Speaker 1>to myself. UM didn't have a real sense of my

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<v Speaker 1>two feet on the ground like my I can't summon

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<v Speaker 1>what it felt like to be me as a child,

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<v Speaker 1>and that's been always true for me. I can remember

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<v Speaker 1>certain things or have certain flashes of images, but not

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<v Speaker 1>inhabit what it was to be me, you know, growing

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<v Speaker 1>up in this house in New Jersey with my two

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<v Speaker 1>parents and a lot of quiet, and you know, a

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<v Speaker 1>sense that there were secrets kind of hanging in the air,

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<v Speaker 1>and that there was just so much that I knew,

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<v Speaker 1>I knew, I didn't know, and I but you know

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<v Speaker 1>that feeling Nora, like that feeling of being lost to oneself,

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<v Speaker 1>feeling like other kids had a sense of their families,

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<v Speaker 1>in a sense of belonging in a sense of their

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<v Speaker 1>lives and of fitting in and of just having a

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<v Speaker 1>right to be there. I guess I would say I didn't.

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<v Speaker 1>I didn't have that. I did have a feeling somehow

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<v Speaker 1>of a kind of special nous because I was, in

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<v Speaker 1>one way or another, always being told that I was

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<v Speaker 1>somehow special. But you know, specialness in isolation is a

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<v Speaker 1>very strange and painful place to be. What does it

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<v Speaker 1>even mean? Mhm. That's such a good way to put it,

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<v Speaker 1>because what does it mean to be special? You're only

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<v Speaker 1>special in comparison to something. But if you don't know

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<v Speaker 1>what you're being compared to. What good does it do you? Yeah,

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<v Speaker 1>I mean I felt like a hothouse flower, like I

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<v Speaker 1>would die under the wrong conditions. I was very shivered

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<v Speaker 1>over by both of my parents and by really all

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<v Speaker 1>of the adults around me who were related to me,

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<v Speaker 1>you know, really on my mother's side. But the feeling

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<v Speaker 1>that there was something very fragile about me and that

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<v Speaker 1>I might just kind of vanish, and that contributed to

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<v Speaker 1>that sense of special illness, you know, like like a

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<v Speaker 1>very delicate but perhaps not prepared for the elements in

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<v Speaker 1>some way, kind of little human being. Danny was the

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<v Speaker 1>only child of an Orthodox Jewish couple. She went to

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<v Speaker 1>a yeshiva, a Jewish day school, from kindergarten to seventh grade.

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<v Speaker 1>All around her were kids who dressed and prayed and

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<v Speaker 1>looked alike, and there was Danny. I was very fair,

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<v Speaker 1>sort of pink cheeked and blue eyed and very delicate looking,

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<v Speaker 1>and a lot was made of that all the time,

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<v Speaker 1>both by my family and by other adults around me,

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<v Speaker 1>and by teachers and by other children. It really was

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<v Speaker 1>commented on all the time that I didn't look like

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<v Speaker 1>I was Jewish, and that I didn't look like I belonged,

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<v Speaker 1>and that somehow the the message underneath all that was

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<v Speaker 1>you're not one of us, and you're from someplace else entirely,

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<v Speaker 1>you know, there was just this feeling of like complete

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<v Speaker 1>and utter being kind of alien, like an alien hothouse

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<v Speaker 1>flower creature. I think what made it even more complicated

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<v Speaker 1>is that I knew that it was meant as a compliment,

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<v Speaker 1>but it somehow felt like an insult. Because I adored

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<v Speaker 1>my father, I felt very much like being part of

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<v Speaker 1>his world and being part of his family was a

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<v Speaker 1>tethering kind of rooted thing. UM. I very much wanted

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<v Speaker 1>to feel that way, and I didn't feel that way

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<v Speaker 1>about my mother. I was not connected to her. UM

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<v Speaker 1>such a strange thing for a daughter to feel about

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<v Speaker 1>a mother. But we really were kind of like a

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<v Speaker 1>total mismatch, and I tried. I loved her, she was

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<v Speaker 1>my mother, but I didn't relate to her, and I

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<v Speaker 1>didn't feel that I was like her at all. I

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<v Speaker 1>felt like I was like my dad, and I wanted

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<v Speaker 1>to be part of his family. And so when somebody

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<v Speaker 1>would say to me, you don't look Jewish, or you

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<v Speaker 1>don't you don't look like your cousins, or you don't

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<v Speaker 1>look like you belong in this group of people. It

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<v Speaker 1>would feel insulting to me or hurtful. But I did

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<v Speaker 1>understand that what they were saying is, oh, you're so pretty,

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<v Speaker 1>Oh you're so fair. Um, oh you you know you

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<v Speaker 1>look like you know, I mean in Judaism, and it's

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<v Speaker 1>a really it's tricky territory because there's kind of a

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<v Speaker 1>self hating aspect of that. You know, there's the the

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<v Speaker 1>realm of the the chicksa is the word that is

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<v Speaker 1>always used, and you know, Jewish boy ways are raised

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<v Speaker 1>to kind of stay away from but revere. You know,

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<v Speaker 1>the chicksa goddess. You see all of Woody Allen, you

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<v Speaker 1>see Philip Roth. And that's what I looked like. And

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<v Speaker 1>that was something that I was supposed to be flattered by,

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<v Speaker 1>but instead felt kind of that it was I didn't

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<v Speaker 1>understand it, and and it was hurtful to me in

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<v Speaker 1>some way. It is natural to want to fit in,

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<v Speaker 1>especially when fitting in means fitting into your family and

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<v Speaker 1>into your culture. And people who are lonely who want

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<v Speaker 1>to fit in do not need to be told the

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<v Speaker 1>ways that they don't fit. And when it is pointed out,

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<v Speaker 1>whether it is that your shoes are the wrong brand

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<v Speaker 1>or your hair is the wrong color. It wouldn't be

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<v Speaker 1>surprising if you wanted to throw your shoes in the

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<v Speaker 1>trash or grab a box of hair dye. But when

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<v Speaker 1>the thing that doesn't fit is just you in general,

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<v Speaker 1>and there's no way to chameleon yourself into the right form,

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<v Speaker 1>that feeling can just boomerang back into you. Just what,

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<v Speaker 1>and it's your problem now? And not fitting in is

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<v Speaker 1>Danny's problem. I absolutely internalized it and felt that there

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<v Speaker 1>must be something very wrong with me. And that is

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<v Speaker 1>something that I carried with me through my childhood. And

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<v Speaker 1>you know, I don't know that I wore it on

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<v Speaker 1>the surface. When I've encountered people who I went to

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<v Speaker 1>grade school with or I went to high school with,

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<v Speaker 1>they didn't see me that way, which I find completely fascinating.

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<v Speaker 1>They saw me as somehow confident or somehow you know,

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<v Speaker 1>are surprised by the degree to which I felt like

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<v Speaker 1>I didn't belong. I think I also had a pretty good,

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<v Speaker 1>a pretty solid mask or you know, a veneer um.

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<v Speaker 1>You know, I didn't wear any of this on my sleeve.

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<v Speaker 1>There weren't the external things that sometimes happened with kids.

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<v Speaker 1>You know, I didn't show my anxiety. I didn't have uh,

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<v Speaker 1>you know, ticks. It was all much more subtle than that.

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<v Speaker 1>And I didn't talk to anybody about it. I wasn't

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<v Speaker 1>somebody who spoke a lot about my feelings. I kind

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<v Speaker 1>of buried them, and they just became more and more

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<v Speaker 1>toxic to me. I found this whole box of many,

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<v Speaker 1>many things that my mother saved, and it was like

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<v Speaker 1>the most radioactive box. And there was this one list

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<v Speaker 1>that my mother had clearly had me make and I

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<v Speaker 1>sign it and it's like a confession. It has a title,

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<v Speaker 1>and the title is six reasons of why I should

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<v Speaker 1>be happy. And I can't quote you the whole thing,

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<v Speaker 1>but the first, you know, on the list were things

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<v Speaker 1>like I have a dog, I have a mother who

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<v Speaker 1>drives me everywhere, I have everything I need. And this

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<v Speaker 1>was clearly an assignment that I was given of, you know,

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<v Speaker 1>coming up with reasons why I should be happy. And

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<v Speaker 1>the thing that was so striking about them, and it's

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<v Speaker 1>like in a child's handwriting. It couldn't have been more

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<v Speaker 1>than you know, six years old, seven years old. You know,

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<v Speaker 1>I have piano lessons, and it just felt like I

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<v Speaker 1>was almost being coached, like, here are reasons why you

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<v Speaker 1>should be happy, as opposed to let's understand what's really

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<v Speaker 1>going on. Yeah, let's explore why you could be sad,

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<v Speaker 1>right right, But it was never okay to be sad,

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<v Speaker 1>to be upset, to be angry. And so I think

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<v Speaker 1>I really learned like that, Veneer. I learned that there

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<v Speaker 1>was a kind of composure that I could And this

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<v Speaker 1>wasn't conscious. I mean, let me just be you know,

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<v Speaker 1>really clear. This was not something I sat down and thought,

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<v Speaker 1>how do I appear composed? It was more like composure

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<v Speaker 1>was survival um that if I could find a way

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<v Speaker 1>to sort of moved through the world and moved through

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<v Speaker 1>my family in a kind of composed way and not

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<v Speaker 1>reveal my my sorrow, my guilt, my fear, my anxiety,

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<v Speaker 1>that that was going to be you know, the way

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<v Speaker 1>through for me. It is a way through, but not

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<v Speaker 1>the healthiest way through, because that sorrow, that guilt, that fear,

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<v Speaker 1>that anxiety, they royal beneath her composed surface. Danny does

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<v Speaker 1>all of the right things in the right order, right

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<v Speaker 1>up until she's sent to college, and anyone who knew

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<v Speaker 1>me at Xavier University from two thousand to two thousand

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<v Speaker 1>and five can tell you that this is a period

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<v Speaker 1>in life where many of us, many of us try

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<v Speaker 1>on different versions of ourselves like paper dolls, trying to

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<v Speaker 1>see what fits and what will stick. But that feeling

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<v Speaker 1>that she's different, that she doesn't belong it stays unsaid,

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<v Speaker 1>and it leaks outsideways as Danny flails through her teens

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<v Speaker 1>and twenties. But Danny isn't simply doing keg stands in

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<v Speaker 1>the basement of a former morgue and falling out of

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<v Speaker 1>a stolen grocery card on the way home like some

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<v Speaker 1>people on today's podcast. She's unraveling in a very New

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<v Speaker 1>York City in the eighties kind of way. She has

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<v Speaker 1>an affair with her college roommates married father, she gets

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<v Speaker 1>into acting. Both of her parents die when she's still

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<v Speaker 1>in her early twenties, and then she's not alone like

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<v Speaker 1>she was as a little girl in that big house

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<v Speaker 1>in New Jersey. She's alone, Lauren Gough wrote in the

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<v Speaker 1>novel Fates and Furies, green is for the strong who

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<v Speaker 1>use it as fuel for burning. The death of Danny's

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<v Speaker 1>parents become the fuel that propels her out of that affair,

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<v Speaker 1>out of acting and back into college and then grad

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<v Speaker 1>school and into a career as a novelist, building worlds

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<v Speaker 1>and stories and characters and finding the right place for

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<v Speaker 1>every piece. Danny falls in love and gets married, and

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<v Speaker 1>builds a career and has a son, and together their

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<v Speaker 1>family of three are their own universe, far from that

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<v Speaker 1>world where she grew up, feeling simultaneously pressed between the

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<v Speaker 1>slides of a microscope and gazing through the lens at

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<v Speaker 1>her community. Here in this farmhouse in Connecticut, many decades

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<v Speaker 1>removed from the little girl who was forced to write

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<v Speaker 1>a gratitude list with a list of published books and

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<v Speaker 1>essays and articles a mile long, she is home. I'm

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<v Speaker 1>fifty four years old. I'm a writer of many books,

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<v Speaker 1>a professor of writing. I'm married for twenty plus years.

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<v Speaker 1>I have a seventeen year old son, and have really

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<v Speaker 1>built a life I love. And I am genuinely content

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<v Speaker 1>to the degree that contentment is possible. There's always a

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<v Speaker 1>sense that I have that somehow, not everything clicks into place,

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<v Speaker 1>not everything makes sense. There's some kind of subtle disconnect

0:15:43.480 --> 0:15:45.840
<v Speaker 1>that I've learned how to live with. It's just the

0:15:45.880 --> 0:15:50.280
<v Speaker 1>way it is. But I am the happiest and the

0:15:50.320 --> 0:16:06.040
<v Speaker 1>most fulfilled that I've ever been in my life. I

0:16:06.120 --> 0:16:11.040
<v Speaker 1>live in rural Connecticut in house I love, you know,

0:16:11.080 --> 0:16:15.360
<v Speaker 1>with my husband and my son and a dog, and

0:16:15.440 --> 0:16:19.320
<v Speaker 1>my husband who's also a writer and a journalist and

0:16:19.360 --> 0:16:23.160
<v Speaker 1>a filmmaker. And he's a former foreign correspondent, so he

0:16:23.200 --> 0:16:27.160
<v Speaker 1>really has the journalistic instinct, and and he's also an

0:16:27.160 --> 0:16:31.000
<v Speaker 1>early adopter of technology, always kind of early to the

0:16:31.040 --> 0:16:38.320
<v Speaker 1>party on all things technological. Danny's husband, Michael, is about

0:16:38.360 --> 0:16:40.880
<v Speaker 1>to be an early adopter of at home DNA tests.

0:16:41.160 --> 0:16:43.240
<v Speaker 1>They're ubiquitous now. I'm pretty sure you can get them

0:16:43.240 --> 0:16:47.040
<v Speaker 1>at target. But at this point these tests are just

0:16:47.200 --> 0:16:51.880
<v Speaker 1>gaining steam and all across America. We were thrilled to

0:16:51.960 --> 0:16:53.960
<v Speaker 1>be able to prove that actually you should kiss me

0:16:54.040 --> 0:16:57.720
<v Speaker 1>because I am Irish, or definally know our heritage after

0:16:57.760 --> 0:17:00.440
<v Speaker 1>a private adoption as a child, or to you just

0:17:00.640 --> 0:17:03.760
<v Speaker 1>you know, hand over our personal DNA to a giant

0:17:03.880 --> 0:17:08.480
<v Speaker 1>data company. Whatever. Michael and Danny already know everything there

0:17:08.560 --> 0:17:11.280
<v Speaker 1>is to know about their own heritage, but it could

0:17:11.320 --> 0:17:14.919
<v Speaker 1>be an interesting experiment. So Michael tells Danny, Hey, I

0:17:15.000 --> 0:17:17.240
<v Speaker 1>ordered some of those DNA tests. You want to do one?

0:17:18.600 --> 0:17:22.800
<v Speaker 1>And I could so easily have said no. To this day,

0:17:22.840 --> 0:17:25.840
<v Speaker 1>I'm marvel that I said yes. It was just in

0:17:25.880 --> 0:17:27.960
<v Speaker 1>the spirit of, like, oh, what the hell. You know,

0:17:28.040 --> 0:17:31.399
<v Speaker 1>the testing companies bring their prices down every year, right

0:17:31.400 --> 0:17:34.600
<v Speaker 1>around the holidays, and it was not a big ticket item,

0:17:34.640 --> 0:17:38.720
<v Speaker 1>and I thought, well, you know, okay. So he sent

0:17:38.800 --> 0:17:43.280
<v Speaker 1>away for two of these tests, and they arrived, and

0:17:44.040 --> 0:17:46.240
<v Speaker 1>you know, as many people know, you have to spit

0:17:46.280 --> 0:17:49.440
<v Speaker 1>into a plastic vial. They sat on my kitchen counter

0:17:49.520 --> 0:17:53.360
<v Speaker 1>for weeks actually, because they were that unimportant. And then

0:17:53.359 --> 0:17:56.040
<v Speaker 1>at some point one night after dinner, he you know,

0:17:56.440 --> 0:17:59.639
<v Speaker 1>opened mine and he told me to spit in the

0:17:59.720 --> 0:18:02.359
<v Speaker 1>vial and and I did. And I felt sort of

0:18:02.440 --> 0:18:04.919
<v Speaker 1>vaguely ridiculous and like why am I doing this? And

0:18:04.960 --> 0:18:07.800
<v Speaker 1>how much spit do you need? And but I did it,

0:18:07.920 --> 0:18:10.480
<v Speaker 1>and and he sealed mine up, and he sealed his

0:18:10.600 --> 0:18:14.080
<v Speaker 1>up and sent them back off, you know, to be evaluated.

0:18:15.280 --> 0:18:19.760
<v Speaker 1>And a while later, I don't know, six weeks eight

0:18:19.760 --> 0:18:24.760
<v Speaker 1>weeks later, one night we were watching TV after dinner,

0:18:25.480 --> 0:18:29.080
<v Speaker 1>just sitting there and he had his laptop sitting on

0:18:29.119 --> 0:18:32.159
<v Speaker 1>his lap, as he often does, and and he said, oh,

0:18:32.160 --> 0:18:35.240
<v Speaker 1>your results are in. And I didn't even know what

0:18:35.320 --> 0:18:37.800
<v Speaker 1>he was talking about. It wasn't like there was any

0:18:38.680 --> 0:18:41.679
<v Speaker 1>since I have had at all that I was waiting

0:18:41.720 --> 0:18:46.040
<v Speaker 1>for these results. But he opened my results and started

0:18:46.040 --> 0:18:48.600
<v Speaker 1>looking at them. I wasn't even looking at them. I

0:18:48.720 --> 0:18:53.639
<v Speaker 1>was incurious, and he was like huh. I was like,

0:18:53.720 --> 0:18:56.720
<v Speaker 1>huh what And he said, well, look like it says here.

0:18:57.560 --> 0:19:00.240
<v Speaker 1>Maybe I'm reading this wrong, but it seems to be

0:19:00.320 --> 0:19:06.560
<v Speaker 1>saying here that you are fifty percent Eastern European Ashkenazi.

0:19:06.760 --> 0:19:08.560
<v Speaker 1>And I was like, well, that's ridiculous, that's not right.

0:19:08.600 --> 0:19:15.000
<v Speaker 1>I mean, I'm probably Eastern European Ashkenazi. Both of my

0:19:15.080 --> 0:19:19.359
<v Speaker 1>parents are from that background. And he's like, yeah, it's weird.

0:19:20.320 --> 0:19:24.879
<v Speaker 1>But I just thought like there were no, like even

0:19:25.040 --> 0:19:29.360
<v Speaker 1>faint warning bills. I just thought there must be some mistake.

0:19:30.000 --> 0:19:33.480
<v Speaker 1>Testing company must you know, have mixed up my results

0:19:33.560 --> 0:19:37.359
<v Speaker 1>or gotten it wrong, or maybe all people are a

0:19:37.400 --> 0:19:39.080
<v Speaker 1>little of this and a little of that. We're just

0:19:39.160 --> 0:19:42.639
<v Speaker 1>learning that now. I just had no nothing. But it

0:19:42.680 --> 0:19:45.120
<v Speaker 1>actually did from my husband. I think it's set off

0:19:45.160 --> 0:19:51.640
<v Speaker 1>a little bit of his journalistic kind of m also science.

0:19:51.760 --> 0:19:54.880
<v Speaker 1>I mean he was like, yeah, the science of this

0:19:55.000 --> 0:19:58.480
<v Speaker 1>is pretty clear. Um, they don't make they don't really

0:19:58.520 --> 0:20:01.679
<v Speaker 1>make mistakes. And he didn't say that, but when you

0:20:01.760 --> 0:20:05.040
<v Speaker 1>take one of these tests, you can opt in, and

0:20:05.080 --> 0:20:08.720
<v Speaker 1>most people do to see other people that you share

0:20:08.800 --> 0:20:12.360
<v Speaker 1>DNA with that you're related to genetically, and almost everybody

0:20:12.359 --> 0:20:16.800
<v Speaker 1>opts in. And I did. And a little while later,

0:20:17.119 --> 0:20:21.040
<v Speaker 1>maybe a week later, Michael, my husband, I'm sitting there

0:20:21.040 --> 0:20:23.960
<v Speaker 1>having tea with a friend and he comes in to

0:20:24.000 --> 0:20:27.879
<v Speaker 1>where we're sitting and interrupts and says, you have a

0:20:27.920 --> 0:20:33.560
<v Speaker 1>first cousin on your ancestry dot com page. And I

0:20:33.640 --> 0:20:36.679
<v Speaker 1>was like, yeah, I have lots of first cousins and

0:20:36.720 --> 0:20:39.159
<v Speaker 1>he said, no, no no, no, like you have a first cousin.

0:20:39.200 --> 0:20:43.200
<v Speaker 1>Who isn't for your first cousin? I mean, you don't

0:20:43.280 --> 0:20:46.840
<v Speaker 1>know who's on here? And he points to this icon

0:20:46.920 --> 0:20:50.440
<v Speaker 1>and I'm basically my mood at that moment is irritated.

0:20:50.800 --> 0:20:54.040
<v Speaker 1>He's interrupting my tea date with this, like, what do

0:20:54.080 --> 0:20:56.600
<v Speaker 1>you mean first cousin? I want to just finish having

0:20:56.680 --> 0:21:00.919
<v Speaker 1>my tea with my friend. And he points out this

0:21:00.960 --> 0:21:06.040
<v Speaker 1>little blue icon blue for boys, actually blue for boys

0:21:06.080 --> 0:21:09.680
<v Speaker 1>and pink for girls. The only way we could possibly

0:21:09.680 --> 0:21:12.760
<v Speaker 1>know that's right, that's right. There's no you know, there's

0:21:12.760 --> 0:21:17.840
<v Speaker 1>no yellow or lime green. So there's a little blue

0:21:18.000 --> 0:21:21.439
<v Speaker 1>icon and it only has initials on it. It doesn't

0:21:21.440 --> 0:21:25.240
<v Speaker 1>have a name, it just has initials. And it's not

0:21:25.359 --> 0:21:27.360
<v Speaker 1>somebody that I know that I at that point, I'm

0:21:27.400 --> 0:21:31.479
<v Speaker 1>certain that the testing company has just simply mixed up

0:21:31.520 --> 0:21:34.320
<v Speaker 1>my results with the results of somebody else who is

0:21:34.359 --> 0:21:36.879
<v Speaker 1>wondering what this first cousin isn't appearing on their page

0:21:37.080 --> 0:21:41.240
<v Speaker 1>and there must be a mix up. Still, no no

0:21:41.359 --> 0:21:45.639
<v Speaker 1>alarm bells, no danger, danger feeling at all. But my

0:21:45.720 --> 0:21:50.000
<v Speaker 1>husband starts exploring this a little bit more and he

0:21:50.160 --> 0:21:53.960
<v Speaker 1>sees that there is a name connected to um the

0:21:54.000 --> 0:21:57.679
<v Speaker 1>first cousins initials. There's actually a name, and he starts

0:21:57.760 --> 0:21:59.600
<v Speaker 1>kind of digging into that name, and he's not really

0:21:59.640 --> 0:22:02.919
<v Speaker 1>getting anywhere, and finally he says to me, you know,

0:22:02.960 --> 0:22:04.479
<v Speaker 1>you know, we could really get to the bottom of this.

0:22:08.240 --> 0:22:11.400
<v Speaker 1>Michael's pitch is to reach out to Susie, Danny's much

0:22:11.440 --> 0:22:15.440
<v Speaker 1>older half sister, her father's daughter from an earlier marriage.

0:22:15.840 --> 0:22:17.879
<v Speaker 1>That two of them had not grown up together, but

0:22:17.960 --> 0:22:21.280
<v Speaker 1>Susie was someone that Danny had always admired. She was

0:22:21.320 --> 0:22:25.160
<v Speaker 1>intelligent and sophisticated, part of a world that was wildly

0:22:25.240 --> 0:22:28.679
<v Speaker 1>different from the one that Danny grew up in. I

0:22:28.880 --> 0:22:31.640
<v Speaker 1>kind of revered her in a lot of ways. We

0:22:31.920 --> 0:22:34.480
<v Speaker 1>had not been close for a number of years. Susie

0:22:34.480 --> 0:22:37.639
<v Speaker 1>and my mother hated each other, which was something that

0:22:37.720 --> 0:22:45.240
<v Speaker 1>always left me feeling of very divided loyalty. And after

0:22:45.320 --> 0:22:47.840
<v Speaker 1>my mother died, we hadn't talked in a few years.

0:22:48.720 --> 0:22:50.840
<v Speaker 1>But Michael said to me, why don't you reach out

0:22:50.840 --> 0:22:53.680
<v Speaker 1>to Susie. Do you think she's done a DNA test?

0:22:53.720 --> 0:22:56.560
<v Speaker 1>And I remembered that she had told me years earlier,

0:22:57.119 --> 0:23:00.720
<v Speaker 1>she being an even more of an earlier after adapter

0:23:01.040 --> 0:23:03.920
<v Speaker 1>of technology. Then my husband is that she had done

0:23:03.920 --> 0:23:07.440
<v Speaker 1>one of the early back when it was pretty unusual

0:23:07.920 --> 0:23:12.080
<v Speaker 1>DNA home tests, mostly for health reasons, wanting to know

0:23:12.200 --> 0:23:14.760
<v Speaker 1>if she had, you know, any genetic diseases that she

0:23:14.800 --> 0:23:18.080
<v Speaker 1>could know about. So I sent an email this is

0:23:18.119 --> 0:23:23.879
<v Speaker 1>now happening very very quickly. It's nighttime. We had been

0:23:23.880 --> 0:23:25.720
<v Speaker 1>out to dinner with friends. I had told them the

0:23:25.720 --> 0:23:28.000
<v Speaker 1>whole story about how there was this crazy thing with

0:23:28.040 --> 0:23:30.320
<v Speaker 1>this first cousin, and the friends we were out with

0:23:30.400 --> 0:23:33.159
<v Speaker 1>later told me like they went home and said, Danny

0:23:33.200 --> 0:23:35.879
<v Speaker 1>doesn't know what what's about to happen to her because

0:23:35.960 --> 0:23:38.320
<v Speaker 1>Danny really didn't know what was about to happen to her.

0:23:38.480 --> 0:23:41.359
<v Speaker 1>I still thought, this is just, you know, kind of

0:23:41.480 --> 0:23:44.399
<v Speaker 1>nutty stuff. This is your husband just like chasing a

0:23:44.480 --> 0:23:48.119
<v Speaker 1>rabbit hole. You're like, are you bored? Are you between projects?

0:23:48.160 --> 0:23:54.199
<v Speaker 1>But like that, get a life. Yeah, totally totally just

0:23:54.240 --> 0:23:57.040
<v Speaker 1>a feeling of like, this is this is just too much,

0:23:57.160 --> 0:24:01.960
<v Speaker 1>this is this is like a conspiracy theory almost um.

0:24:02.000 --> 0:24:04.040
<v Speaker 1>But I did reach out to Susie. I sent her

0:24:04.040 --> 0:24:06.959
<v Speaker 1>an email asking if my memory was correct that she

0:24:07.000 --> 0:24:11.000
<v Speaker 1>had in fact done DNA testing and if so, did

0:24:11.040 --> 0:24:15.160
<v Speaker 1>she have any information regarding that? And I heard back

0:24:15.200 --> 0:24:19.680
<v Speaker 1>from her within an hour that yes, she had done

0:24:19.720 --> 0:24:25.119
<v Speaker 1>DNA testing and that she was actually away she was

0:24:25.160 --> 0:24:29.440
<v Speaker 1>at a TED conference in um Canada, but that she

0:24:29.520 --> 0:24:31.520
<v Speaker 1>would look on her computer that she had with her

0:24:31.560 --> 0:24:34.600
<v Speaker 1>to see if she had her results with her, and

0:24:35.440 --> 0:24:40.040
<v Speaker 1>another email saying she indeed did, and there's a site

0:24:40.119 --> 0:24:45.040
<v Speaker 1>that exists that she knew about and that Michael also

0:24:45.080 --> 0:24:48.800
<v Speaker 1>knew about. That's called um jet match, and jet match

0:24:48.840 --> 0:24:53.639
<v Speaker 1>exists entirely for the purpose of comparing DNA results. So

0:24:53.920 --> 0:24:57.720
<v Speaker 1>you can upload a kit number you know your name

0:24:57.760 --> 0:25:00.080
<v Speaker 1>isn't on it or anything like that. Just your your

0:25:00.160 --> 0:25:04.240
<v Speaker 1>kit number of your d n A results and the

0:25:04.320 --> 0:25:07.720
<v Speaker 1>kit number of someone else's DNA results, and see how

0:25:07.760 --> 0:25:13.000
<v Speaker 1>closely you are related. And that's when everything went kind

0:25:13.000 --> 0:25:17.080
<v Speaker 1>of at warp speed. So Susie sent her kit number.

0:25:17.200 --> 0:25:20.600
<v Speaker 1>Michael knew about this technology. We were leaving the next

0:25:20.680 --> 0:25:24.240
<v Speaker 1>day on a trip. I was upstairs packing and putting

0:25:24.280 --> 0:25:27.480
<v Speaker 1>everything in its proper place. All of a sudden, here

0:25:27.680 --> 0:25:33.560
<v Speaker 1>Michael like running up the stairs with his laptop, and

0:25:33.600 --> 0:25:38.000
<v Speaker 1>I think the moment that I saw his face, I

0:25:38.040 --> 0:25:43.400
<v Speaker 1>began to hear warning bills because he looked that kind

0:25:43.440 --> 0:25:46.080
<v Speaker 1>of wide open look I had only seen on his

0:25:46.119 --> 0:25:48.560
<v Speaker 1>face a couple of times. I saw it on his

0:25:48.640 --> 0:25:51.840
<v Speaker 1>face the moment our son was born. I saw it

0:25:52.160 --> 0:25:55.800
<v Speaker 1>on his face. I came home one day and my

0:25:55.880 --> 0:25:58.879
<v Speaker 1>mother had been terminally ill. But I like, he was

0:25:58.880 --> 0:26:01.200
<v Speaker 1>standing on the porch and I looked at his face,

0:26:01.200 --> 0:26:04.639
<v Speaker 1>and I knew my mother had died. I had seen

0:26:04.680 --> 0:26:08.080
<v Speaker 1>it on his face in moments of like huge before

0:26:08.119 --> 0:26:11.399
<v Speaker 1>and after kind of moments good and you know, the

0:26:11.440 --> 0:26:14.960
<v Speaker 1>most beautiful and the most terrible, and and what I

0:26:15.000 --> 0:26:17.840
<v Speaker 1>saw in his face was that. And he sat down

0:26:17.840 --> 0:26:20.679
<v Speaker 1>next to me, and he pointed to this whole series

0:26:20.720 --> 0:26:23.679
<v Speaker 1>of numbers on his computer screen and I was like,

0:26:23.720 --> 0:26:26.240
<v Speaker 1>I don't know what this means. And he pointed to

0:26:26.280 --> 0:26:28.879
<v Speaker 1>a line and he said, right there, and there was

0:26:29.200 --> 0:26:31.280
<v Speaker 1>a series of letters, a series of numbers. And I

0:26:31.280 --> 0:26:33.800
<v Speaker 1>said what is that And he said, that's your most

0:26:33.880 --> 0:26:38.520
<v Speaker 1>recent common ancestor with Susie. And I said what does

0:26:38.560 --> 0:26:40.960
<v Speaker 1>that mean? He said, you're not sisters. You're not related.

0:26:41.680 --> 0:26:44.359
<v Speaker 1>You're not related. And I was like, well, what do

0:26:44.359 --> 0:26:48.320
<v Speaker 1>you mean, like, no kind of sisters? And because you know,

0:26:48.400 --> 0:26:51.240
<v Speaker 1>we had always very studiously referred to each other as

0:26:51.400 --> 0:26:54.720
<v Speaker 1>half sisters, something that I've later discovered that in many

0:26:54.760 --> 0:26:58.200
<v Speaker 1>families happier than our family, people don't feel the need

0:26:58.240 --> 0:27:01.720
<v Speaker 1>to do. You know, you can be step siblings, half

0:27:01.760 --> 0:27:05.200
<v Speaker 1>siblings of a family is kind of healthy and intact

0:27:05.240 --> 0:27:09.320
<v Speaker 1>and feels good about each other. You just are sisters

0:27:09.400 --> 0:27:12.199
<v Speaker 1>or brothers, your siblings. It's not like that, but it

0:27:12.240 --> 0:27:15.200
<v Speaker 1>had always been like that for us. So I said,

0:27:15.240 --> 0:27:18.600
<v Speaker 1>no kind of siblings and he said, no, you're not related,

0:27:19.359 --> 0:27:24.480
<v Speaker 1>And at that moment I knew what that meant. Like

0:27:24.560 --> 0:27:26.560
<v Speaker 1>all of the noise in my head, all of the

0:27:27.160 --> 0:27:30.520
<v Speaker 1>I guess one would have to say denial. All of

0:27:30.560 --> 0:27:37.200
<v Speaker 1>that vanished, and I knew that it meant that if

0:27:37.200 --> 0:27:41.640
<v Speaker 1>we did not share a father, that it meant that

0:27:41.720 --> 0:27:46.360
<v Speaker 1>our father was not my father. I never entertained the thought, oh, well,

0:27:46.400 --> 0:27:50.280
<v Speaker 1>maybe he's my father and not Susie's father. I knew instantly,

0:27:50.960 --> 0:27:57.080
<v Speaker 1>like in this deep way, um, like, ah, we don't.

0:27:57.119 --> 0:28:03.080
<v Speaker 1>My father wasn't my biological father. Danny's father was not

0:28:03.440 --> 0:28:08.919
<v Speaker 1>her biological father. Danny's parents saw fertility doctor when her

0:28:08.960 --> 0:28:12.440
<v Speaker 1>mother was trying to conceive, and as was the custom

0:28:12.680 --> 0:28:15.840
<v Speaker 1>in the fifties and the sixties, the doctor makes donor

0:28:15.920 --> 0:28:19.360
<v Speaker 1>sperm from a young medical student, in this case with

0:28:19.440 --> 0:28:22.760
<v Speaker 1>her father's sperm, a way of preserving a patient's ego

0:28:22.840 --> 0:28:25.800
<v Speaker 1>while also giving them what their hearts so desperately wanted.

0:28:26.400 --> 0:28:29.400
<v Speaker 1>It is not great, not great, not a great practice.

0:28:29.440 --> 0:28:33.960
<v Speaker 1>Definitely wouldn't happen now, but it happened then. I think

0:28:34.000 --> 0:28:38.640
<v Speaker 1>my parents were both kind people. I think they were

0:28:38.680 --> 0:28:40.880
<v Speaker 1>decent people. I think that each of them, in their

0:28:40.880 --> 0:28:42.880
<v Speaker 1>own ways, were doing the best they could with what

0:28:42.920 --> 0:28:47.080
<v Speaker 1>they had been given. But I think, particularly my mother,

0:28:48.520 --> 0:28:50.800
<v Speaker 1>when she looked at me from the time that I

0:28:50.880 --> 0:28:54.160
<v Speaker 1>was born, when she looked at me she looked at

0:28:54.200 --> 0:28:58.840
<v Speaker 1>a secret that she was keeping, or something that she

0:28:59.000 --> 0:29:02.680
<v Speaker 1>was very afraid aid of, something she didn't want to

0:29:02.720 --> 0:29:07.960
<v Speaker 1>think about. She was keeping, I believe, on some level,

0:29:08.400 --> 0:29:12.360
<v Speaker 1>a secret from herself that she buried so deeply. She

0:29:12.640 --> 0:29:18.080
<v Speaker 1>so desperately just wanted me to be, you know, both

0:29:18.120 --> 0:29:20.960
<v Speaker 1>of my parents biological child, and forget that that whole

0:29:21.000 --> 0:29:25.160
<v Speaker 1>thing ever had happened. But of course it had happened,

0:29:25.840 --> 0:29:30.880
<v Speaker 1>and pushing it away doesn't make it go away. And

0:29:31.280 --> 0:29:33.800
<v Speaker 1>you know, I used to wonder why when I would

0:29:33.840 --> 0:29:37.360
<v Speaker 1>look at my mother her eyes all my life as

0:29:37.400 --> 0:29:40.520
<v Speaker 1>a child, I do remember feeling this way. Her eyes

0:29:40.560 --> 0:29:43.920
<v Speaker 1>were always darting. She had very giggle ee eyes. I

0:29:43.920 --> 0:29:46.080
<v Speaker 1>don't know how else to put it. They were always

0:29:46.440 --> 0:29:51.240
<v Speaker 1>moving very very quickly from not like glancing from side

0:29:51.240 --> 0:29:53.560
<v Speaker 1>to side, but literally like there was a little earthquake

0:29:53.640 --> 0:29:58.000
<v Speaker 1>going on in her eyes and like a little seismic quality,

0:29:58.160 --> 0:30:03.400
<v Speaker 1>and it always like kind of disturbed me. And I

0:30:03.440 --> 0:30:07.400
<v Speaker 1>didn't understand it, but I think I do now. I

0:30:07.440 --> 0:30:09.480
<v Speaker 1>think that that's how she looked at me, was that

0:30:09.520 --> 0:30:12.640
<v Speaker 1>I was always kind of creating a little seismic explosion

0:30:13.080 --> 0:30:15.360
<v Speaker 1>inside of her, whether she was aware of it or not.

0:30:17.960 --> 0:30:20.800
<v Speaker 1>This secret was one her parents had assumed would stay

0:30:20.840 --> 0:30:24.160
<v Speaker 1>with them in their graves, not be resurrected by a

0:30:24.200 --> 0:30:28.960
<v Speaker 1>science that was unimaginable at the time. But the secret

0:30:29.040 --> 0:30:35.719
<v Speaker 1>is out, and the secret this whole time was Danny. Danny,

0:30:35.840 --> 0:30:41.040
<v Speaker 1>who thought she was nine percent Eastern European Ashkenazi, is

0:30:41.120 --> 0:30:49.720
<v Speaker 1>actually part English, French, German, Irish and Scandinavian. There's this

0:30:49.760 --> 0:30:54.320
<v Speaker 1>beautiful John Didion line about feeling like she's navigating the

0:30:54.360 --> 0:30:58.480
<v Speaker 1>world on a borrowed passport. Um. I mean, I think

0:30:58.480 --> 0:30:59.920
<v Speaker 1>it's one of the reasons why it's one of my

0:31:00.080 --> 0:31:05.160
<v Speaker 1>favorite of her descriptions or her sentences, is because that

0:31:05.440 --> 0:31:08.800
<v Speaker 1>was the feeling. It's like I don't have a right

0:31:09.040 --> 0:31:13.200
<v Speaker 1>to be here, and one of the things that I've

0:31:13.240 --> 0:31:15.320
<v Speaker 1>thought a great deal about and I probably will think

0:31:15.360 --> 0:31:18.400
<v Speaker 1>about for the rest of my life. And it's something

0:31:18.440 --> 0:31:23.320
<v Speaker 1>that a lot of people who have had experiences not

0:31:23.640 --> 0:31:28.000
<v Speaker 1>unlike my own report feeling, which is, you know, people

0:31:28.000 --> 0:31:29.840
<v Speaker 1>who have had a huge secret that has to do

0:31:29.840 --> 0:31:33.400
<v Speaker 1>with their identity kept from them. Is growing up with

0:31:33.440 --> 0:31:37.040
<v Speaker 1>that feeling of like having a borrowed passport, of being

0:31:37.120 --> 0:31:40.320
<v Speaker 1>an interloper of you know, again, the not belonging, and

0:31:41.320 --> 0:31:45.480
<v Speaker 1>it's something I think that is intuited and that is

0:31:45.520 --> 0:31:48.360
<v Speaker 1>kind of like sort of a deeply buried feeling. But

0:31:48.480 --> 0:31:52.640
<v Speaker 1>I think it also comes from the fact that there

0:31:52.640 --> 0:31:56.880
<v Speaker 1>are parents or a parent in some cases, who have

0:31:57.080 --> 0:32:00.520
<v Speaker 1>kept that kind of magnitude of a secret from child,

0:32:01.280 --> 0:32:08.160
<v Speaker 1>so that in fact, the child becomes the secret. This

0:32:08.280 --> 0:32:12.760
<v Speaker 1>is a stunning, dizzying, absolute wrecking ball of a revelation.

0:32:13.600 --> 0:32:17.000
<v Speaker 1>And Danny does what she has done for decades. She writes,

0:32:17.800 --> 0:32:19.720
<v Speaker 1>She writes about this, She pulls it all apart and

0:32:19.760 --> 0:32:22.080
<v Speaker 1>puts it back together and tries to make sense of it.

0:32:22.800 --> 0:32:25.080
<v Speaker 1>And the full story is detailed in her best selling

0:32:25.120 --> 0:32:28.720
<v Speaker 1>memoir Inheritance, which you probably have read, but if you haven't,

0:32:28.800 --> 0:32:35.200
<v Speaker 1>absolutely should. But I've been reading Danny Shapiro since forever.

0:32:35.600 --> 0:32:37.960
<v Speaker 1>Hers were some of the first memoirs to grab me

0:32:38.040 --> 0:32:40.320
<v Speaker 1>by the throat and pin me to my chair until

0:32:40.360 --> 0:32:43.880
<v Speaker 1>I was finished. I actually can't overstate what reading Slow Motion,

0:32:43.960 --> 0:32:47.080
<v Speaker 1>the memoir of her twenties, did for me in my twenties,

0:32:47.280 --> 0:32:49.560
<v Speaker 1>when I was spinning out and wondering if I would

0:32:49.560 --> 0:32:55.920
<v Speaker 1>ever just stop. Danny has her own podcast, Family Secrets,

0:32:55.920 --> 0:32:58.720
<v Speaker 1>which is You'll Never Guess what it's about. Actually, you'll

0:32:58.800 --> 0:33:02.560
<v Speaker 1>never guess m and she knows that every day there

0:33:02.600 --> 0:33:05.160
<v Speaker 1>are people having their past and their present in their

0:33:05.200 --> 0:33:09.440
<v Speaker 1>future rearranged without their consent, learning truths that turn the

0:33:09.440 --> 0:33:11.800
<v Speaker 1>puzzle pieces of their life into one of the boxes

0:33:11.880 --> 0:33:15.760
<v Speaker 1>that's always in rental cabins, where literally none of the

0:33:15.800 --> 0:33:18.160
<v Speaker 1>pieces are from the same puzzle. But you don't realize

0:33:18.160 --> 0:33:20.720
<v Speaker 1>that until you've spent three hours trying to find edge

0:33:20.720 --> 0:33:24.240
<v Speaker 1>pieces and none of them fit. Lots of people go

0:33:24.360 --> 0:33:31.240
<v Speaker 1>through this, but most people aren't writers. What you have

0:33:31.400 --> 0:33:37.200
<v Speaker 1>that other people don't is this record of your life.

0:33:37.280 --> 0:33:42.160
<v Speaker 1>It might be the Maybe the only good thing about

0:33:42.160 --> 0:33:48.480
<v Speaker 1>being a writer is um is having so much documentation,

0:33:48.920 --> 0:33:51.840
<v Speaker 1>not just of what happened, but of how it felt.

0:33:55.440 --> 0:34:00.720
<v Speaker 1>You know. People always ask me when I knew um

0:34:00.800 --> 0:34:07.880
<v Speaker 1>that I was a writer, and I think I mean,

0:34:07.920 --> 0:34:10.520
<v Speaker 1>I was always a writer. I was always If a

0:34:10.560 --> 0:34:16.719
<v Speaker 1>writer is someone who has the compulsion to write in

0:34:16.920 --> 0:34:20.960
<v Speaker 1>order to figure out what she knows, to figure out

0:34:20.960 --> 0:34:24.960
<v Speaker 1>what's going on inside of her. That was always my

0:34:25.960 --> 0:34:32.560
<v Speaker 1>tool for self examination or self illumination, or understanding anything

0:34:32.560 --> 0:34:35.160
<v Speaker 1>about the world that I lived in. I didn't know

0:34:35.239 --> 0:34:38.560
<v Speaker 1>that I could grow up in and and actually, you know,

0:34:38.640 --> 0:34:41.360
<v Speaker 1>make books, write books, you know, as what I do

0:34:41.480 --> 0:34:43.800
<v Speaker 1>in the world. I had no idea that that was possible.

0:34:44.440 --> 0:34:47.960
<v Speaker 1>But from the time that I did, from the time

0:34:48.000 --> 0:34:53.439
<v Speaker 1>that I first started trying to tell stories that other

0:34:53.520 --> 0:34:59.760
<v Speaker 1>people would read from practically word one, my subject matter,

0:35:01.040 --> 0:35:06.520
<v Speaker 1>my themes really so often had to do with secrets

0:35:06.520 --> 0:35:10.040
<v Speaker 1>and a family. Um and I I didn't know why,

0:35:10.480 --> 0:35:16.360
<v Speaker 1>It's just what I did. I really didn't look too

0:35:16.400 --> 0:35:21.600
<v Speaker 1>carefully at my motivations for why I was writing what

0:35:21.680 --> 0:35:26.359
<v Speaker 1>I was writing, because I was almost superstitious about doing that.

0:35:26.480 --> 0:35:29.160
<v Speaker 1>It's like taking a car apart and then suddenly the

0:35:29.160 --> 0:35:33.680
<v Speaker 1>engine doesn't work anymore. I didn't I was wilfully not

0:35:33.800 --> 0:35:39.400
<v Speaker 1>wanting to know why I was compelled or even obsessed

0:35:39.440 --> 0:35:42.680
<v Speaker 1>to explore what I wanted to explore. And what I

0:35:42.760 --> 0:35:48.000
<v Speaker 1>wanted to explore was almost inevitably secrets within a family,

0:35:48.520 --> 0:35:50.880
<v Speaker 1>the corrosive power of secrets, and what we do to

0:35:50.960 --> 0:35:54.600
<v Speaker 1>each other in the name of keeping secrets or having

0:35:54.680 --> 0:35:58.359
<v Speaker 1>secrets or having secrets kept from us. And you know,

0:36:00.280 --> 0:36:04.640
<v Speaker 1>earlier when I said that there was this subtle disconnect

0:36:04.719 --> 0:36:08.759
<v Speaker 1>that I always felt as a child, I think that

0:36:08.960 --> 0:36:15.160
<v Speaker 1>the subtle disconnect ran directly along the fault lines of

0:36:15.200 --> 0:36:21.080
<v Speaker 1>what was beneath those secrets. And I mean, writers, you know,

0:36:21.120 --> 0:36:23.520
<v Speaker 1>we never want to revisit our earlier work. It's like

0:36:23.640 --> 0:36:28.080
<v Speaker 1>it's it's it's like hearing your own voice or seeing,

0:36:28.160 --> 0:36:30.839
<v Speaker 1>you know, seeing pictures of your it's like, it's kind

0:36:30.840 --> 0:36:34.680
<v Speaker 1>of vaguely embarrassing. It's you know, the self that wrote

0:36:34.800 --> 0:36:38.360
<v Speaker 1>that book has long since been left in the dust,

0:36:38.440 --> 0:36:43.720
<v Speaker 1>and hopefully has been both cellularly and intellectually and philosophically

0:36:43.800 --> 0:36:48.960
<v Speaker 1>and emotionally and psychologically um evolved into the self that

0:36:49.000 --> 0:36:51.879
<v Speaker 1>writes the next one, and then that self gets left

0:36:51.880 --> 0:36:53.560
<v Speaker 1>in the dust for the self who can write the

0:36:53.640 --> 0:36:56.640
<v Speaker 1>next one. I mean, I think it's it's true of writers,

0:36:56.680 --> 0:36:59.520
<v Speaker 1>it's true of all of us, that you know, we

0:36:59.640 --> 0:37:04.480
<v Speaker 1>are hopefully constantly evolving, and that we are we are

0:37:04.600 --> 0:37:09.400
<v Speaker 1>many different versions of ourselves over the course of a lifetime.

0:37:14.560 --> 0:37:18.400
<v Speaker 1>But Danny did go back, and so did I, to

0:37:18.520 --> 0:37:21.600
<v Speaker 1>all her previous works, except for her first novel, which

0:37:21.640 --> 0:37:23.480
<v Speaker 1>she did not have a copy of it, neither did

0:37:23.520 --> 0:37:26.120
<v Speaker 1>I until I had earthed one in the depths of

0:37:26.160 --> 0:37:30.359
<v Speaker 1>the internet. Long after we had this interview. Danny went

0:37:30.400 --> 0:37:50.799
<v Speaker 1>back to see what she knew before she knew. I

0:37:50.800 --> 0:37:54.120
<v Speaker 1>am holding in my hands the most the most mortifying

0:37:54.200 --> 0:38:01.160
<v Speaker 1>paperback of Playing with Fire, my first novel, which was

0:38:01.400 --> 0:38:03.440
<v Speaker 1>first published in hardcover. But I don't think I have

0:38:03.520 --> 0:38:07.480
<v Speaker 1>any so I um, I'm holding the sort of pale

0:38:07.560 --> 0:38:17.160
<v Speaker 1>pink paperback of Playing with Fire. I think of my

0:38:17.239 --> 0:38:20.160
<v Speaker 1>Christmas card displayed across the nation, my six year old

0:38:20.200 --> 0:38:29.000
<v Speaker 1>Scandinavian self, my father receiving phone calls from friends in Boston, Richmond, Phoenix, Minneapolis. Joe,

0:38:29.120 --> 0:38:32.040
<v Speaker 1>do you know that, Lucy Is? They would trail off,

0:38:32.120 --> 0:38:33.840
<v Speaker 1>not knowing what to say, as if it was some

0:38:33.880 --> 0:38:37.320
<v Speaker 1>sort of sin. Daddy would laugh, wishing you a merry Christmas.

0:38:37.800 --> 0:38:40.440
<v Speaker 1>It was a story he loved. Imagine. I can almost

0:38:40.440 --> 0:38:45.000
<v Speaker 1>hear him say, Jacob Gleenberg's granddaughter a regular little ships

0:38:50.640 --> 0:38:52.640
<v Speaker 1>and you didn't know you were a Scandinavian when you

0:38:52.640 --> 0:39:00.239
<v Speaker 1>wrote that. Nope, that's fiction, but the story of that

0:39:00.360 --> 0:39:04.320
<v Speaker 1>Christmas photo is real. Little Jewish Danny was a model

0:39:04.400 --> 0:39:06.880
<v Speaker 1>in a Christmas ad, a little taste of fame that

0:39:06.920 --> 0:39:10.719
<v Speaker 1>her mother was exceptionally proud of. But even in her

0:39:10.719 --> 0:39:14.480
<v Speaker 1>earliest memoir, written after her parents have died, there's that

0:39:14.600 --> 0:39:17.680
<v Speaker 1>sense that she had in her childhood, the sense of

0:39:17.719 --> 0:39:26.200
<v Speaker 1>not quite fitting hints that now look like clues. I

0:39:26.200 --> 0:39:30.120
<v Speaker 1>have so much from slow motion underlined. So I've got

0:39:30.120 --> 0:39:37.880
<v Speaker 1>the paperback from that Danny I bought from a library

0:39:37.920 --> 0:39:43.240
<v Speaker 1>sidewalk sale when I couldn't afford books in New York.

0:39:43.680 --> 0:39:47.840
<v Speaker 1>I was so excited to have this book. Okay, um,

0:39:47.880 --> 0:40:03.279
<v Speaker 1>if you go to page seventy at the bottom, I

0:40:03.360 --> 0:40:06.560
<v Speaker 1>rummaged through her purse for a compact. Rummaging through my

0:40:06.600 --> 0:40:09.360
<v Speaker 1>mother's purse is nothing new to me. As a child.

0:40:09.600 --> 0:40:12.360
<v Speaker 1>My desire to find out the real truth, which I

0:40:12.400 --> 0:40:15.239
<v Speaker 1>also defined as whatever I didn't know, began with my

0:40:15.320 --> 0:40:20.040
<v Speaker 1>mother's handbag, the romance of little slips of paper, contents

0:40:20.040 --> 0:40:30.319
<v Speaker 1>of wallets, to do lists, lipsticks. When I think of

0:40:30.360 --> 0:40:36.520
<v Speaker 1>myself as a child, even though I can't fully put

0:40:36.560 --> 0:40:41.440
<v Speaker 1>myself back there, it was always as this sort of

0:40:42.680 --> 0:40:46.720
<v Speaker 1>you know, like Nancy drew of my own life, constantly

0:40:48.680 --> 0:40:52.600
<v Speaker 1>looking for clues. I mean I rummaged through everything. I

0:40:52.840 --> 0:40:56.040
<v Speaker 1>rumaged through her desk drawers, I rummaged through her papers,

0:40:56.360 --> 0:41:00.440
<v Speaker 1>but there was something in you know. She had beautiful clothes,

0:41:00.560 --> 0:41:05.440
<v Speaker 1>and she had beautiful jewelry and a lot of everything

0:41:05.560 --> 0:41:09.239
<v Speaker 1>like a lot of You know, there wouldn't be a

0:41:09.360 --> 0:41:12.280
<v Speaker 1>perfume bottle like what I might have on my vanity.

0:41:12.480 --> 0:41:16.040
<v Speaker 1>There would be dozens of them. And it was as

0:41:16.080 --> 0:41:21.200
<v Speaker 1>if I could as if I knew that she was

0:41:21.840 --> 0:41:25.920
<v Speaker 1>holding something that like maybe that these objects could clue

0:41:25.920 --> 0:41:29.480
<v Speaker 1>me in or give me a sense of what what

0:41:29.640 --> 0:41:32.279
<v Speaker 1>was missing, what I didn't know. But it was obsessive

0:41:32.280 --> 0:41:35.239
<v Speaker 1>and it was wordless. I wasn't I couldn't have told

0:41:35.239 --> 0:41:37.239
<v Speaker 1>you why I was doing it. It was like I

0:41:37.360 --> 0:41:47.359
<v Speaker 1>was sleepwalking when I would do these things. My side

0:41:47.360 --> 0:41:51.200
<v Speaker 1>of the family heals well. My mother tells me proudly,

0:41:51.800 --> 0:41:55.360
<v Speaker 1>your father's family scars like nothing you've ever seen, but

0:41:55.600 --> 0:41:59.480
<v Speaker 1>we're survivors. We snap right back as if nothing's happened.

0:42:01.120 --> 0:42:03.720
<v Speaker 1>She tells me this as if I were not also

0:42:03.920 --> 0:42:07.759
<v Speaker 1>my father's daughter, when the fact is I have inherited

0:42:07.880 --> 0:42:11.680
<v Speaker 1>that particular trait from him. I am not as physically

0:42:11.680 --> 0:42:14.440
<v Speaker 1>strong as my mother, and I don't bounce back as

0:42:14.480 --> 0:42:17.360
<v Speaker 1>if nothing has happened. If I had been in the

0:42:17.400 --> 0:42:19.799
<v Speaker 1>passenger's seat of the audi that night, I doubt I

0:42:19.800 --> 0:42:26.399
<v Speaker 1>would have lived. The room swims. All my life, I've

0:42:26.480 --> 0:42:29.399
<v Speaker 1>felt as if I've done something wrong when I see

0:42:29.440 --> 0:42:32.320
<v Speaker 1>a police car on the highway, even if I'm not speeding,

0:42:32.960 --> 0:42:35.839
<v Speaker 1>I think I'll be pulled over. And when walking through

0:42:35.920 --> 0:42:39.480
<v Speaker 1>metal detectors and airports, I imagine that the alarmal sound

0:42:39.560 --> 0:42:41.520
<v Speaker 1>and a gun or bomb will be pulled out from

0:42:41.520 --> 0:42:57.200
<v Speaker 1>my luggage. Doesn't everybody feel that way? Are you telling me?

0:42:57.440 --> 0:43:08.520
<v Speaker 1>You're telling me that's that One's just me many years

0:43:08.520 --> 0:43:11.560
<v Speaker 1>from now, when my father is a skeleton in the ground,

0:43:12.080 --> 0:43:14.840
<v Speaker 1>when my mother strides the streets of New York City

0:43:14.920 --> 0:43:18.400
<v Speaker 1>with her arms swinging, when Lenny Kline is reduced to

0:43:18.480 --> 0:43:22.200
<v Speaker 1>a colorful, if painful story. In my mind, there will

0:43:22.200 --> 0:43:25.960
<v Speaker 1>occasionally be a day when I feel the fear. Then

0:43:26.040 --> 0:43:29.960
<v Speaker 1>not inside me will unravel, and suddenly my heart will

0:43:30.000 --> 0:43:34.319
<v Speaker 1>pound uncontrollably, my palms will dampen, and my ears will

0:43:34.360 --> 0:43:38.320
<v Speaker 1>begin to ring. Wherever I am, I will be desperate

0:43:38.360 --> 0:43:41.719
<v Speaker 1>to escape. The urge will be to run as far

0:43:41.800 --> 0:43:44.839
<v Speaker 1>as I can, as fast as I can, away from

0:43:44.840 --> 0:43:48.359
<v Speaker 1>my own body, like a tidal wave. It will come

0:43:48.400 --> 0:43:53.000
<v Speaker 1>out of nowhere, this nameless, faithless terror. I will try

0:43:53.160 --> 0:43:59.480
<v Speaker 1>every so called panacea, every cure, meditation, homeopathy, behavioral therapy,

0:44:00.000 --> 0:44:04.360
<v Speaker 1>and nothing will make it go away. Not really. Sometimes

0:44:04.400 --> 0:44:06.640
<v Speaker 1>I will be lulled into thinking that it's gone for good,

0:44:07.200 --> 0:44:10.440
<v Speaker 1>but then years will pass and suddenly it will be

0:44:10.520 --> 0:44:14.160
<v Speaker 1>there again, haunting me like an old lover. It will

0:44:14.200 --> 0:44:17.280
<v Speaker 1>return to remind me that I am my father's daughter,

0:44:17.719 --> 0:44:21.239
<v Speaker 1>that I inherited his terror along with my mother's will

0:44:21.320 --> 0:44:38.960
<v Speaker 1>to survive. Booh. You know the I feel, in some ways,

0:44:39.640 --> 0:44:45.520
<v Speaker 1>in many ways, like an object lesson in nature versus

0:44:45.600 --> 0:44:56.080
<v Speaker 1>nurture um. And I feel such sadness and compassion for

0:44:57.200 --> 0:45:01.120
<v Speaker 1>the young woman who wrote those words, and the still

0:45:01.239 --> 0:45:05.000
<v Speaker 1>younger woman herself. You know that she was writing about

0:45:05.880 --> 0:45:09.600
<v Speaker 1>because I was always looking for reasons. You know, why

0:45:09.719 --> 0:45:12.920
<v Speaker 1>did I have that terrible anxiety at the point that

0:45:13.000 --> 0:45:16.280
<v Speaker 1>I wrote Slow Motion? I was very much in that place.

0:45:17.000 --> 0:45:23.800
<v Speaker 1>I believed that I came by it genetically. My father

0:45:24.080 --> 0:45:33.120
<v Speaker 1>was an extremely phobic, anxious person who would suddenly, you know,

0:45:33.160 --> 0:45:36.000
<v Speaker 1>in the middle of dinner, at the dinner table, check

0:45:36.080 --> 0:45:39.080
<v Speaker 1>his pulse. I mean, his father dropped dead of a stroke,

0:45:39.160 --> 0:45:41.319
<v Speaker 1>and I think he was always afraid that that was

0:45:41.360 --> 0:45:45.759
<v Speaker 1>going to happen to him, and he monitored himself. He

0:45:45.880 --> 0:45:52.080
<v Speaker 1>was acutely aware, sort of hyper vigilant about his own heartbeat, literally,

0:45:52.719 --> 0:45:59.719
<v Speaker 1>and I was laboring under false information. I mean, did

0:45:59.719 --> 0:46:02.440
<v Speaker 1>I grow up to be anxious at that stage in

0:46:02.520 --> 0:46:07.280
<v Speaker 1>my life because I grew up watching a father who

0:46:07.920 --> 0:46:11.279
<v Speaker 1>took his pulse at the dinner table. Very possibly that

0:46:11.280 --> 0:46:13.600
<v Speaker 1>that was part of it, um, but it was not

0:46:13.719 --> 0:46:17.880
<v Speaker 1>something I inherited genetically from him. And yet that story,

0:46:18.760 --> 0:46:21.680
<v Speaker 1>the story that I did, you know, it became important

0:46:21.719 --> 0:46:26.320
<v Speaker 1>to me. You know, people who are raised in families

0:46:26.320 --> 0:46:30.680
<v Speaker 1>where they're biologically connected to their parents never really have

0:46:30.880 --> 0:46:34.359
<v Speaker 1>cause to unpack any of this or think about it,

0:46:35.000 --> 0:46:37.640
<v Speaker 1>because it's just the way it is. You know, you

0:46:37.719 --> 0:46:40.000
<v Speaker 1>kind of understand, Oh I walk like that, or I

0:46:40.080 --> 0:46:43.080
<v Speaker 1>sound like that, or you know, I share this sensibility

0:46:43.200 --> 0:46:47.400
<v Speaker 1>with or you know, there's like a wider net that

0:46:47.480 --> 0:46:51.680
<v Speaker 1>actually really does have to do with biology and genetics.

0:46:51.719 --> 0:46:54.959
<v Speaker 1>And then people who are raised by families that they're

0:46:55.040 --> 0:47:00.560
<v Speaker 1>not biologically related to but they know that also know, well,

0:47:00.840 --> 0:47:05.359
<v Speaker 1>I don't look like my father or my mother, or

0:47:05.400 --> 0:47:10.480
<v Speaker 1>I I don't have these traits in common with my

0:47:10.600 --> 0:47:13.600
<v Speaker 1>parents who are raising me, my adoptive parents or my

0:47:14.160 --> 0:47:18.799
<v Speaker 1>you know, my social parents. But I know why. I'm

0:47:18.840 --> 0:47:21.040
<v Speaker 1>not saying that that's easy, but I think that that's

0:47:21.040 --> 0:47:23.960
<v Speaker 1>it's true that there's that knowledge, and that knowledge becomes

0:47:24.200 --> 0:47:27.400
<v Speaker 1>woven into identity. But when you don't know, and you

0:47:27.440 --> 0:47:31.279
<v Speaker 1>don't know that you don't know, then, I mean, it's

0:47:31.320 --> 0:47:34.719
<v Speaker 1>become really interesting for me to have to go to

0:47:34.920 --> 0:47:39.160
<v Speaker 1>doctor's appointments now in the last five or six years,

0:47:39.440 --> 0:47:41.200
<v Speaker 1>where I have to actually go, you know, I need

0:47:41.239 --> 0:47:48.520
<v Speaker 1>to revise my medical history, father living, you know, family history,

0:47:50.280 --> 0:47:55.120
<v Speaker 1>you know, pretty pretty darn healthy as opposed to I mean,

0:47:55.200 --> 0:47:57.200
<v Speaker 1>my father died when I was twenty three years old

0:47:57.200 --> 0:48:01.040
<v Speaker 1>in a car accident, but not, according to you a

0:48:01.080 --> 0:48:05.880
<v Speaker 1>physician's interests, you know, a physician's interests is my father

0:48:06.680 --> 0:48:11.200
<v Speaker 1>is living and eighty something years old and in good health.

0:48:12.280 --> 0:48:14.520
<v Speaker 1>So it's a very very you know, I read this

0:48:14.600 --> 0:48:19.160
<v Speaker 1>and I just see the burdens that I was carrying

0:48:19.280 --> 0:48:23.759
<v Speaker 1>and the desire to make narrative, you know, And I think,

0:48:23.920 --> 0:48:27.280
<v Speaker 1>to go back to the subtle disconnect, I was always

0:48:27.640 --> 0:48:33.040
<v Speaker 1>trying to create narratives that would make sense of myself

0:48:33.200 --> 0:48:36.200
<v Speaker 1>and would make sense of where I came from, and

0:48:36.239 --> 0:48:39.680
<v Speaker 1>I was always coming up short, which I think is

0:48:41.080 --> 0:48:44.640
<v Speaker 1>in a way a great gift, because it propelled me

0:48:45.280 --> 0:48:49.360
<v Speaker 1>book after book to try to fill in the pieces

0:48:49.400 --> 0:48:52.000
<v Speaker 1>of the puzzle that I didn't understand all the while,

0:48:52.560 --> 0:48:56.360
<v Speaker 1>not knowing that there was kind of this essential piece,

0:48:56.760 --> 0:48:58.960
<v Speaker 1>you know, that I was sort of whistling in the

0:48:59.040 --> 0:49:03.960
<v Speaker 1>dark in some way, which also is why I feel

0:49:05.080 --> 0:49:11.759
<v Speaker 1>now so um, I mean it's it's I don't remotely

0:49:11.840 --> 0:49:15.919
<v Speaker 1>disavow my earlier books. I kind of love them as

0:49:16.719 --> 0:49:23.280
<v Speaker 1>um like artifacts of my unconscious and I stand by them,

0:49:23.360 --> 0:49:26.319
<v Speaker 1>and you know, and I know people care about them

0:49:26.360 --> 0:49:29.400
<v Speaker 1>as books in their own right. But I feel like

0:49:29.480 --> 0:49:35.240
<v Speaker 1>I've been liberated in the last five years by knowing

0:49:36.840 --> 0:49:41.040
<v Speaker 1>a much fuller truth, so that the kind of digging

0:49:41.120 --> 0:49:44.960
<v Speaker 1>that I was doing, I feel like the world opened

0:49:45.040 --> 0:49:48.520
<v Speaker 1>up to me. And I finished, in a way a

0:49:48.640 --> 0:49:54.440
<v Speaker 1>lifelong project when I wrote Inheritance, because I finally like,

0:49:54.960 --> 0:49:58.239
<v Speaker 1>why the turn from novels to memoir? You know, you

0:49:58.320 --> 0:50:01.319
<v Speaker 1>started reading me with slow emotion. Most people did. But

0:50:01.400 --> 0:50:05.120
<v Speaker 1>there was three novels before slow motion, um, that were

0:50:05.160 --> 0:50:08.040
<v Speaker 1>like my baby novels that were my like learning how

0:50:08.080 --> 0:50:12.120
<v Speaker 1>to write in fact a public way. But they were, um,

0:50:12.160 --> 0:50:13.959
<v Speaker 1>there's a reason why those books are out of print.

0:50:13.960 --> 0:50:18.120
<v Speaker 1>There out of print because I was being led around.

0:50:18.239 --> 0:50:20.160
<v Speaker 1>I was being you know, when you like walk down

0:50:20.160 --> 0:50:22.880
<v Speaker 1>the streets sometimes when you see a dog walking a person.

0:50:24.320 --> 0:50:28.880
<v Speaker 1>But the feeling in a literary sense, in a creative sense,

0:50:28.920 --> 0:50:31.080
<v Speaker 1>that I began to have, and it's why I wrote

0:50:31.120 --> 0:50:36.120
<v Speaker 1>Slow Motion, was the dog was walking me. My unconscious

0:50:36.239 --> 0:50:41.440
<v Speaker 1>material was in charge of me, not me in charge

0:50:41.440 --> 0:50:44.200
<v Speaker 1>of it, which you know, any novelist will tell you

0:50:44.280 --> 0:50:46.480
<v Speaker 1>that's tricky territory. You never want to be in full

0:50:46.560 --> 0:50:49.959
<v Speaker 1>charge of your unconscious material because then you know there's

0:50:49.960 --> 0:50:54.120
<v Speaker 1>no magic. But I was really really not in control,

0:50:54.280 --> 0:50:58.719
<v Speaker 1>and beginning with Slow Motion, I felt like I was

0:50:59.719 --> 0:51:02.239
<v Speaker 1>big inning to be more and more in control, and

0:51:02.280 --> 0:51:06.120
<v Speaker 1>I and I do think that that's true. But I

0:51:06.239 --> 0:51:09.840
<v Speaker 1>really veered into the territory of memoir as a writer,

0:51:10.080 --> 0:51:11.960
<v Speaker 1>and I wrote two more novels that I think are

0:51:12.239 --> 0:51:15.239
<v Speaker 1>good novels and where I definitely felt like I was

0:51:15.719 --> 0:51:17.760
<v Speaker 1>writing in a more mature way and more in control

0:51:17.800 --> 0:51:21.440
<v Speaker 1>of my material. But then I went back to memoir.

0:51:21.680 --> 0:51:24.760
<v Speaker 1>I wrote my memoir Devotion, and then I wrote still Writing,

0:51:25.200 --> 0:51:29.680
<v Speaker 1>and all the while I kept on thinking why I

0:51:29.719 --> 0:51:33.600
<v Speaker 1>didn't set out to be a memoirist. Why did I

0:51:33.680 --> 0:51:36.720
<v Speaker 1>return to the form again and again? And the image

0:51:36.719 --> 0:51:38.880
<v Speaker 1>that I always have when I think of myself during

0:51:38.960 --> 0:51:43.520
<v Speaker 1>all of those years, is like I was literally digging,

0:51:43.560 --> 0:51:46.280
<v Speaker 1>like digging on my knees in the ground with a shovel,

0:51:46.719 --> 0:51:49.040
<v Speaker 1>and I would dig, dig, dig, and I would make

0:51:49.080 --> 0:51:53.000
<v Speaker 1>a nice, you know, some kind of nice big hole

0:51:53.200 --> 0:51:56.160
<v Speaker 1>with like you know, inelegant metaphor, but like a pile

0:51:56.239 --> 0:51:58.400
<v Speaker 1>of dirt. You know, it was kind of pretty big pile.

0:51:58.719 --> 0:52:01.759
<v Speaker 1>But I would not have kind of hit. I would

0:52:01.760 --> 0:52:04.319
<v Speaker 1>not have found the thing that I was digging for.

0:52:04.560 --> 0:52:07.160
<v Speaker 1>I would have approximated finding the thing that I was

0:52:07.200 --> 0:52:11.440
<v Speaker 1>digging for, but I hadn't found it. And then one day,

0:52:11.480 --> 0:52:17.080
<v Speaker 1>because of this random recreational DNA testing, suddenly I'm like there,

0:52:17.120 --> 0:52:19.319
<v Speaker 1>and I'm on my knees and I'm digging, and like

0:52:19.840 --> 0:52:25.680
<v Speaker 1>my shovel hits the fucking black box. My my shovel

0:52:25.840 --> 0:52:31.000
<v Speaker 1>just hits this metal thing, and inside it is like

0:52:31.080 --> 0:52:40.120
<v Speaker 1>the story of literally my existence. Everything that wouldn't fit

0:52:40.280 --> 0:52:44.600
<v Speaker 1>in your mom's purse, everything that wouldn't fit in my

0:52:44.640 --> 0:52:48.040
<v Speaker 1>mom's purse exactly, or in her jewelry box or in

0:52:48.080 --> 0:52:51.880
<v Speaker 1>her closet or in you know the rooms of the

0:52:53.000 --> 0:52:54.759
<v Speaker 1>you know, the home that I grew up in that

0:52:54.880 --> 0:52:58.560
<v Speaker 1>was like a kind of you know, wax museum, where

0:52:58.719 --> 0:53:02.160
<v Speaker 1>I've described it that way in my writing, where you know,

0:53:02.360 --> 0:53:08.960
<v Speaker 1>look too closely and it doesn't add up, or look

0:53:09.000 --> 0:53:15.520
<v Speaker 1>too closely and it's not real. In Danny's second memoir,

0:53:15.800 --> 0:53:19.360
<v Speaker 1>detailing her infant son's diagnosis with a rare seizure disorder,

0:53:19.840 --> 0:53:23.120
<v Speaker 1>you can sense Danny trying to look more closely, not

0:53:23.360 --> 0:53:31.600
<v Speaker 1>quite knowing what she's even looking for. No wonder. I

0:53:31.640 --> 0:53:34.320
<v Speaker 1>had been running as hard and as fast as I could.

0:53:35.040 --> 0:53:38.359
<v Speaker 1>Anxiety was my fuel. When I stopped, it was all

0:53:38.400 --> 0:53:42.880
<v Speaker 1>waiting for me. Fear, anger, grief, despair, and that terrible,

0:53:43.080 --> 0:53:47.600
<v Speaker 1>terrible loneliness. What was it about? I was hardly alone.

0:53:48.000 --> 0:53:52.440
<v Speaker 1>I loved my husband and son. I had great friends, colleagues, students.

0:53:53.200 --> 0:53:56.440
<v Speaker 1>In the quiet in the extra hours, I was forced

0:53:56.480 --> 0:53:59.840
<v Speaker 1>to ask the question and to listen carefully to the answer.

0:54:01.000 --> 0:54:13.040
<v Speaker 1>I was lonely for myself. Now, I'm not saying all

0:54:13.080 --> 0:54:16.480
<v Speaker 1>of your writing you you deserve fear, anger, grief, despair

0:54:16.600 --> 0:54:19.080
<v Speaker 1>over losing your parents and having your child to be

0:54:19.120 --> 0:54:22.560
<v Speaker 1>diagnosed with a very rare seizure disorder that he just

0:54:24.200 --> 0:54:28.399
<v Speaker 1>through through the eye of a needle, like escaped from.

0:54:28.400 --> 0:54:30.920
<v Speaker 1>But does that feel like something else to you when

0:54:30.960 --> 0:54:35.680
<v Speaker 1>you read it. I think, when I'm most struck by

0:54:35.840 --> 0:54:45.759
<v Speaker 1>is is the um the loneliness, because all those other

0:54:45.920 --> 0:54:50.759
<v Speaker 1>feelings I could explain as you just did. You know,

0:54:50.960 --> 0:54:57.000
<v Speaker 1>I had experienced a great deal of maternal terror, and

0:54:57.280 --> 0:55:01.640
<v Speaker 1>you know, a fair amount of of loss and grief

0:55:01.719 --> 0:55:05.359
<v Speaker 1>and trauma in my life at a relatively young age

0:55:05.360 --> 0:55:08.760
<v Speaker 1>and certainly as a young mother. The thing we are all,

0:55:08.960 --> 0:55:12.239
<v Speaker 1>you know, so terrified of is you know, something being

0:55:13.000 --> 0:55:18.680
<v Speaker 1>very very wrong with my baby. But the loneliness that

0:55:19.600 --> 0:55:23.280
<v Speaker 1>I think about now as something that had to do

0:55:24.280 --> 0:55:29.319
<v Speaker 1>was not my connection with other people, but was my

0:55:29.400 --> 0:55:35.799
<v Speaker 1>connection with myself, because you know, I mean, I think

0:55:36.400 --> 0:55:39.840
<v Speaker 1>in writing Devotion, I mean Devotion was such a deep

0:55:40.239 --> 0:55:43.839
<v Speaker 1>dive for me into, Like when I realized that I

0:55:43.920 --> 0:55:46.480
<v Speaker 1>was I felt almost called upon to write this book.

0:55:46.520 --> 0:55:49.120
<v Speaker 1>I saw the word devotion before I started writing the book,

0:55:49.120 --> 0:55:51.400
<v Speaker 1>and I realized what it meant and that I was

0:55:51.400 --> 0:55:53.040
<v Speaker 1>going to write this book that had to do with

0:55:53.160 --> 0:55:57.880
<v Speaker 1>my sort of early midlife spiritual existential crisis, and I

0:55:57.960 --> 0:55:59.839
<v Speaker 1>just thought, oh, ship, like it was the last thing

0:56:00.000 --> 0:56:03.239
<v Speaker 1>the world I wanted to do was delve into. That

0:56:03.360 --> 0:56:06.360
<v Speaker 1>was dive into that was tune out the world and

0:56:06.440 --> 0:56:11.640
<v Speaker 1>get very very quiet and try to tune into um

0:56:11.680 --> 0:56:14.520
<v Speaker 1>my religious upbringing and what it had meant to me,

0:56:14.640 --> 0:56:18.040
<v Speaker 1>and you know, and to just go wherever, like the

0:56:18.080 --> 0:56:22.759
<v Speaker 1>deep questions took me. And one of the places I

0:56:22.800 --> 0:56:29.759
<v Speaker 1>think that I came to understand in writing Devotion, but

0:56:29.840 --> 0:56:33.359
<v Speaker 1>not as deeply as I later understood, was that that

0:56:33.440 --> 0:56:37.400
<v Speaker 1>feeling of loneliness was something that was kind of endemic

0:56:37.600 --> 0:56:40.960
<v Speaker 1>to me. I would have diagnosed it at the time

0:56:41.520 --> 0:56:44.239
<v Speaker 1>as a kind of spiritual malaise, like, oh, what I'm

0:56:44.280 --> 0:56:49.400
<v Speaker 1>missing is a connection to a greater being, a higher

0:56:49.440 --> 0:56:53.120
<v Speaker 1>power God. And and perhaps the reason is because so

0:56:53.200 --> 0:56:54.880
<v Speaker 1>much was made of that when I was a child,

0:56:54.920 --> 0:56:57.160
<v Speaker 1>and it was you know, our way or the highway.

0:56:57.160 --> 0:57:00.319
<v Speaker 1>It was all or nothing. It was believe in, you know,

0:57:00.440 --> 0:57:03.160
<v Speaker 1>in this God in this way and in this very

0:57:03.200 --> 0:57:06.200
<v Speaker 1>strict ritualized religious way, or not at all. You don't

0:57:06.200 --> 0:57:09.920
<v Speaker 1>get to make your own path. So I think I

0:57:09.920 --> 0:57:15.400
<v Speaker 1>attributed that sense of loneliness to that. But when I

0:57:15.440 --> 0:57:20.760
<v Speaker 1>read it now, I and again feel sad for the

0:57:20.840 --> 0:57:25.520
<v Speaker 1>Danny who who felt that and who wrote that, because

0:57:25.600 --> 0:57:33.120
<v Speaker 1>I think it was a deeper feeling um, when the

0:57:33.360 --> 0:57:39.040
<v Speaker 1>very essence of our identity is something that is kept

0:57:39.160 --> 0:57:43.080
<v Speaker 1>secret from us. I mean my identity. The stories that

0:57:43.160 --> 0:57:45.200
<v Speaker 1>I was told from the time that I was a

0:57:45.280 --> 0:57:50.080
<v Speaker 1>very small child about who I was and where I

0:57:50.200 --> 0:57:56.280
<v Speaker 1>came from, We're not true. They were hidden and secret

0:57:56.400 --> 0:58:01.200
<v Speaker 1>and obfuscated and pushed into the remoteist corners in the

0:58:01.240 --> 0:58:07.440
<v Speaker 1>hopes that they would disappear. And I think that created

0:58:07.560 --> 0:58:12.280
<v Speaker 1>in me a kind of void that couldn't be filled.

0:58:20.760 --> 0:58:29.320
<v Speaker 1>Lacuna geology a large gap in the stratigraphic record, Lacuna amnesia, psychology,

0:58:29.680 --> 0:58:38.880
<v Speaker 1>amnesia about a specific event Petrovsky, Lacuna mathematics a region

0:58:39.200 --> 0:59:18.960
<v Speaker 1>where the fundamental solution of a differential equation vanishes. MS

0:59:19.040 --> 0:59:22.840
<v Speaker 1>has been terrible. Thanks for asking. I'm Nora McNerney. Our

0:59:23.040 --> 0:59:28.640
<v Speaker 1>producer is Marcel Malikibu. Our team is me Marcel jacob Aldo,

0:59:28.680 --> 0:59:33.600
<v Speaker 1>Nato Medina, Jordan Turgin, Megan Palmer, um Beth Proman is

0:59:33.600 --> 0:59:38.080
<v Speaker 1>our executive producer. Our executives in charge our Lily Kim,

0:59:38.160 --> 0:59:40.640
<v Speaker 1>Alex Shaffer and Joan Griffith. We are a production of

0:59:40.680 --> 0:59:44.320
<v Speaker 1>a PM Studios at American Public Media. Our theme music

0:59:44.400 --> 0:59:47.720
<v Speaker 1>is by Geoffrey Lamar Wilson. I recorded this in the

0:59:47.760 --> 0:59:53.960
<v Speaker 1>coldest closet in my house. I am so cold. Um. Oh,

0:59:54.040 --> 0:59:57.080
<v Speaker 1>if you guys want to call in, leave comments, questions, concerns,

0:59:57.760 --> 1:00:02.240
<v Speaker 1>um compliments. That's another See can call six four four

1:00:02.400 --> 1:00:06.960
<v Speaker 1>four one or email podcast at Nora Borealist dot com.

1:00:07.000 --> 1:00:10.120
<v Speaker 1>Thank you for listening to you our show. We appreciate

1:00:10.160 --> 1:00:14.240
<v Speaker 1>you a lot. Um. Have you haven't listened to Danny's podcast?

1:00:14.320 --> 1:00:16.320
<v Speaker 1>We link that in the show notes. We also linked

1:00:16.320 --> 1:00:19.600
<v Speaker 1>to her books, including Inheritance, which is brilliant, but all

1:00:19.600 --> 1:00:21.840
<v Speaker 1>of her books are lovely, wonderful, and oh my god,

1:00:21.880 --> 1:00:23.600
<v Speaker 1>her voice. Don't you want to take a nap in it?

1:00:23.920 --> 1:00:25.240
<v Speaker 1>That's what I've always said, I want to take a

1:00:25.320 --> 1:00:28.680
<v Speaker 1>nap in Danny Shapiro's voice. Okay, bye you