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Speaker 1: All right, So I found this video like ten years ago.

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Speaker 1: It's almost ten years old, and I fell in love

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Speaker 1: with it completely forgot it existed, which is amazing considering

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Speaker 1: how much we've talked about the nineties and the Kushlin's commercial.

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Speaker 1: Have you guys ever seen every nineties commercial ever made?

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Speaker 2: No?

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Speaker 1: No, okay, So it starts off like every nineties commercial.

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Speaker 1: Every kids sitting around all like boared. Actually they're playing

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Speaker 1: D and D. I think it's like they're stucking board

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Speaker 1: games and life sucks and they're all wearing backwards hats

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Speaker 1: and there's noises like and then the one kid is like, guys,

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Speaker 1: guess what I just found out with his cordless phone,

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Speaker 1: and he's like Downtown Darius Jackson is playing football, and

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Speaker 1: they're all like, yeah, let's go play football. Then they

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Speaker 1: run and you hear like their little feet running, and

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Speaker 1: then their mom stops them down.

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Speaker 2: You're not going anywhere with the music.

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Speaker 1: Kid slam and she pulls out basically a rip off

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Speaker 1: Caprice Son. Then the kids are all like, yeah, mom,

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Speaker 1: they quid slam. They all put put their straws in

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Speaker 1: and they drink it and then turn into liquid metal.

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Speaker 1: From two in the worst nineties special effects ever. They

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Speaker 1: melt into these puddles and then they fly through the

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Speaker 1: neighborhood as these giant metal puddles. They arrive and there's

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Speaker 1: Downtown Darius Jackson, this fake NFL player. It's fake, he's

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Speaker 1: not a real NFL player.

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Speaker 2: What you know that?

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Speaker 1: Yeah, yeah, And and so they're like the puddle appears,

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Speaker 1: and all the other kids playing football are like, yeah,

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Speaker 1: now we have a full team. But then when the

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Speaker 1: puddle reforms, the kids have merged together into a horrific

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Speaker 1: beast monster straight out of the Thing or Cronenberg film.

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Speaker 2: It's also like burnt and melted.

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Speaker 1: It's like the transportation didn't work. And then it attacks

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Speaker 1: one of the kids. It starts vomiting acid on him.

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Speaker 1: It burns his face. You can see the uncensored version.

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Speaker 1: They actually have his face like melting. It's so and

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Speaker 1: so the whole the whole commercial just becomes them freaking out.

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Speaker 1: And then Darius Downtown Darius Jackson pulls out a flamethrower

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Speaker 1: and then it cuts to them like after aftermath. One

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Speaker 1: of the kids is dead. The just empty chair with

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Speaker 1: a baseball bat or baseball hat sitting on there. The

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Speaker 1: Donner chair, and then the mom shows up and it's like,

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Speaker 1: but when now we can have pig skin play time

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Speaker 1: or whatever the news and then they're all like yeah, mom,

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Speaker 1: and then they're eating that, and then the creature reappears,

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Speaker 1: having put its hand through the mom's chest and they're

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Speaker 1: all like screaming again. It is so it's basically a

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Speaker 1: nineties commercial into a straight up eighties horror film like

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Speaker 1: creature feature, and it is so absurd, and the tonal

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Speaker 1: shifts just kill me.

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Speaker 3: It's like everything I love.

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Speaker 4: Everything reminds me you you do love this because you

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Speaker 4: also sent us an snl skit recently that.

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Speaker 1: I actually said that who sent that out? Somebody else

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Speaker 1: sent that?

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Speaker 3: You sent that to me? Which which? Wait? Which society?

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Speaker 1: My favorite thing when something is like fully investing in

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Speaker 1: one tone and then just flips on a dime. And

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Speaker 1: it's also it's the mastery of like the control of

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Speaker 1: this director to be able to do this, like you know,

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Speaker 1: the sound.

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Speaker 3: Design and the shifts.

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Speaker 4: It sounds great because it really makes you realize how

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Speaker 4: much sound changes everything, like you just it literally dictates

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Speaker 4: exactly how you feel at all times. I know for

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Speaker 4: sure when I'm watching something and I go I would

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Speaker 4: not be crying right now if it weren't for this music.

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Speaker 4: Every now and then I can feel it where I'm like,

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Speaker 4: I'm not that emotionally invested.

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Speaker 2: It's the music.

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Speaker 3: Corey into Panga Montage music always gets me.

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Speaker 1: But also just sound designed like weird sounds like you've

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Speaker 1: watched The Shining so many times You're like, I don't

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Speaker 1: know why I'm so unnerved right now, And it's because

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Speaker 1: Cooper Chris this weird like sound into the background of

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Speaker 1: scenes where nothing else as bad as happening, but you

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Speaker 1: just feel this dread.

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Speaker 3: You're like, what, yeah, well done it, done it from jobs.

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Speaker 3: That's all you need, those two notes, And you're like, oh, yeah,

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Speaker 3: this is why commercials and stuff like these parodies like

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Speaker 3: this or whatever just don't work on me, or work

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Speaker 3: in a very strange way. Do you remember Super Size

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Speaker 3: Me where the guy just eats McDonald's and it essentially

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Speaker 3: kills him over a month the film ended and I

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Speaker 3: drove to McDonald's. Oh that's all I wanted liquids. I

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Speaker 3: just want a Caprice Son, That's all I want.

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Speaker 5: Now.

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Speaker 3: That's all that commercial did is make me go like, man,

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Speaker 3: I'd love a Caprice Son right now.

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Speaker 4: I told you guys that with all the news about

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Speaker 4: how bad skittles were for you, I was like, it's

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Speaker 4: been years since I've had skittles.

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Speaker 3: I'm gonna go.

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Speaker 2: Buy some and now I and I had not eaten

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Speaker 2: a skittle in years. Yeah, seeing it in the news

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Speaker 2: about how bad it.

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Speaker 3: What for you?

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Speaker 1: Up the same thing, up voting for certain people because they're.

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Speaker 2: Right there, because you've seen the lawn sign.

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Speaker 1: Just absorb, Yes, you just absorb whatever's around you. Supercise,

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Speaker 1: more sophisticated than we actually are.

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Speaker 3: He ate a double quarter pounder and threw up, and

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Speaker 3: I was like, I can eat two of those, not

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Speaker 3: a problem.

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Speaker 2: You were like, I'm better than you and straight supercise. Yeah,

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Speaker 2: you think the wrong guy.

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Speaker 3: This is not the person. So caris later.

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Speaker 2: Yeah, I can't wait. I'm there, pizza pockets. Yes, welcome

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Speaker 2: to Pod meets World.

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Speaker 4: I'm Daniel Fishl, I'm rather strong, and I'm Will Fordell.

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Speaker 4: So welcome to this episode recap. We are doing season four,

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Speaker 4: episode nineteen quiz Show. It originally aired March twenty first,

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Speaker 4: nineteen ninety seven, and this episode is titled after a

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Speaker 4: movie produced by Michael Jacobs and Jeff McCracken, and it

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Speaker 4: was released in September of nineteen ninety four. The movie

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Speaker 4: is about a real life scandal where a popular televised

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Speaker 4: quiz show cheated in order for a more telegenic contestant

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Speaker 4: to become their new champion.

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Speaker 3: And you have not saen this movie. Take an evening

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Speaker 3: and watch it.

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Speaker 1: Yeah, no, it's.

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Speaker 3: Absolutely, absolutely one of the best movies ever ever made.

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Speaker 3: It's amazing.

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Speaker 4: Yeah, I love it. I saw it in theaters. It

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Speaker 4: was directed by Jeff McCracken. It was written by Steve

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Speaker 4: and Hibbert. That's our show show, not in the movie.

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Speaker 4: The show We're doing was directed by Jeff McCracken and

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Speaker 4: written by Stephen Hibbert. And before I jump into guest stars,

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Speaker 4: do you guys want to say your overall thoughts?

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Speaker 2: Did you remember any of this? Barely?

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Speaker 1: This is one of those that people have come to

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Speaker 1: our shows in costume and had to be told, like,

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Speaker 1: I'm dressed as Brandiac fourteen. I'm like, I don't know

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Speaker 1: what that is. Yeah, this this I had no It

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Speaker 1: was kind of came back while we were watching it.

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Speaker 1: But yes, strangely, this week I remember going by very

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Speaker 1: fast and just being overwhelmed again because a lot of extras,

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Speaker 1: a lot of people that were not main cast taking

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Speaker 1: over like a lot of the screen time. So we

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Speaker 1: actually had small parts in a weird way, like we

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Speaker 1: were just sort of one component sitting one you know.

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Speaker 1: So I think it just required less mental energy and

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Speaker 1: commitment from us as actors. So I had less memories

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Speaker 1: of this than almost any other episode.

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Speaker 2: Yeah, I had.

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Speaker 4: Practically none, although I would like to officially declare this

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Speaker 4: was the phil Leads Broccoli episode. I don't know if

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Speaker 4: you guys remembered when I brought it up, but I

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Speaker 4: was like, I feel like it was the honeymoon episode.

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Speaker 2: And the reason I remembered Hawaiian.

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Speaker 4: I was like, I remember being in like a Hawaiian

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Speaker 4: there were lays, I remember Phil Leads being in La

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Speaker 4: And I was like, so, what was that?

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Speaker 2: That to have been the honeymoon?

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Speaker 4: I forgot entirely about this storyline, So will what about

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Speaker 4: you thoughts about the episode?

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Speaker 3: It was an episode?

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Speaker 2: Oh man, you like it?

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Speaker 3: I didn't. It was not it was it was And

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Speaker 3: I know people are gonna be like, it's because you

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Speaker 3: weren't in it. I like episodes that I'm not in.

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Speaker 3: I found this to be really weird. I mean just

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Speaker 3: the yeah, just just very it was very strange. It

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Speaker 3: was just maybe it's just kind of an off putting

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Speaker 3: episode because the whole thing essentially takes place on a

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Speaker 3: game show. Like Rider was saying, the thing with the

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Speaker 3: Samoans was bizarre. I'm using the word bizarre correctly. There. Ye,

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Speaker 3: I don't feel like the characters learn anything. They just

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Speaker 3: all of a sudden decided it was bad. You know,

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Speaker 3: it was Topanga at least I thought. At first. I

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Speaker 3: was like, please tell me she's at least kind of

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Speaker 3: a problem with this, and then she did, which is good,

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Speaker 3: So I was like, okay, good, they're they're addressing the

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Speaker 3: fact that Tapanga really doesn't feel comfortable with almost from

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Speaker 3: the start, which is great, so I thought. But yeah,

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Speaker 3: it was I found it very off putting the episode.

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Speaker 3: And again it wasn't it was. That's why I say

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Speaker 3: it was an episode. It seemed just kind of a

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Speaker 3: filler episode. It was just kind of there. It didn't

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Speaker 3: do anything to push anybody's storylines forward. It was like

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Speaker 3: an MTV video.

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Speaker 2: So in that case, I really liked it.

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Speaker 1: Yeah, and then it's okay, the argument I would give

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Speaker 1: for this episode because I agree.

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Speaker 3: I mean it's wacky. It's like a one off, wacky,

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Speaker 3: you know, rom to standalone.

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Speaker 1: But I feel like a lot of a lot of

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Speaker 1: the the energy in the episode and the strength comes

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Speaker 1: from Phoenie's speech. Well, I think I feel like almost

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Speaker 1: everything was written around that scene. You know, like he

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Speaker 1: gets to really tell us off in like a really

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Speaker 1: kind of harsh way. Yeah, that is profound and it

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Speaker 1: was a great speech and it's kind of true, you know,

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Speaker 1: like the things he's saying or I totally believe. Yeah,

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Speaker 1: and it was absolutely so I feel like, yeah, the

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Speaker 1: balance is a little off, but that is a great

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Speaker 1: speech and then just wrap it in this wacky episode.

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Speaker 1: To me, it's more just the fact that that it's

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Speaker 1: not our main cast, like we have all these producers

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Speaker 1: and hosts and like people getting most of the springtime.

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Speaker 1: So weirdly the episode went by super fast for me. Yeah,

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Speaker 1: I I need to oh wait, wait, it's over. It's like,

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Speaker 1: did we actually do twenty two minutes? Which maybe is

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Speaker 1: just because it was entertaining, so it's something, but it

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Speaker 1: also just felt like we didn't spend that much time

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Speaker 1: with any of us or any of the issues besides

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Speaker 1: the Phoene speech.

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Speaker 3: I was always it was just like, oh, oh it's over.

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Speaker 3: Oh that's yeah. Maybe that's what it was. Maybe it's

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Speaker 3: the speed again. I like a good ROMP one off episode.

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Speaker 3: I'm a huge fan of that. Throw in Bill Daniels

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Speaker 3: acting with that monologue could have been great to Yeah,

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Speaker 3: I get maybe it was because it was the only storyline.

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Speaker 3: There was no break from it, so it was just

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Speaker 3: kind of that's what you get is these duck angles

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Speaker 3: and shots and super super close ups of everybody all

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Speaker 3: the time.

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Speaker 1: Yeah, right, righties, handheld camera session that everybody was going through.

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Speaker 3: I guess maybe I needed a B story or a

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Speaker 3: break of something of something, which would they kind of

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Speaker 3: tried to do. But even even the B story is

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Speaker 3: just the A story in the classroom, so it is

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Speaker 3: it's there's no there's no reprieve, but doesn't make kind.

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Speaker 1: Of feel of a piece with the rest of season four,

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Speaker 1: considering the singled out episode. Considering I mean like.

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Speaker 3: Yeah, but I felt that same thing with the single

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Speaker 3: out episode, as like, Wow, a lot of this is

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Speaker 3: taking place at the singled out episode, and it's strange.

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Speaker 1: I think they were just reacting to having done Long

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Speaker 1: Walk to Pittsburgh two episodes of that. You know, it

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Speaker 1: was like time to like, let's lighten it up, lighten

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Speaker 1: it up.

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Speaker 3: But then they did. They wanted to show they want

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Speaker 3: they wanted to They didn't want to lighten it up

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Speaker 3: though they wanted it to be still a feenie kind

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Speaker 3: of vehicle of why it's bad that this has happened.

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Speaker 3: We're at the end of the day. In my head

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Speaker 3: the entire time, I was just thinking to myself, Okay, well,

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Speaker 3: why couldn't they just make a different show, make a

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Speaker 3: show with John Adams, make it a pop culture show.

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Speaker 3: It's not you know, they're not bastardizing the It is

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Speaker 3: kind of what happens right, right, But huh, that's cool, right,

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Speaker 3: But then that's to me, that's not a bad thing.

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Speaker 3: It's like you get to like when they brought in

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Speaker 3: the second group of kids from the Hawaiian Our Malibu

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Speaker 3: show high School, Yeah, whatever, it was, just make it that.

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Speaker 3: And then it's like, well, no, we kept we have

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Speaker 3: the high school quiz show, which wasn't getting good ratings.

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Speaker 3: That's still on, but we also have pop culture show.

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Speaker 3: So it didn't seem like that big idea. The point

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Speaker 3: is that they will.

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Speaker 1: It's just that Sean and Cory to Pega aren't going

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Speaker 1: to play along because they have.

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Speaker 3: Other why But they're great at pop culture. So if

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Speaker 3: you're going on a show that that's the point is

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Speaker 3: I know pop culture? They what's wrong with being the

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Speaker 3: champion of pop culture? Show?

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Speaker 4: I think the point was that, uh, the sponsors, the

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Speaker 4: reason and the ability, the reason you're even able to

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Speaker 4: keep a show on the air is when it makes money.

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Speaker 4: And so the idea is this show isn't making money,

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Speaker 4: and so the sponsors are seeing ooh, but this is

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Speaker 4: starting to make it exciting. I'm going to put all

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Speaker 4: my money here. So now quiz Show's really going to

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Speaker 4: get no ratings money because why do that when we

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Speaker 4: can do it here? And I actually really I really

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Speaker 4: enjoyed the episode. I agree obviously we have very small parts,

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Speaker 4: and normally that does kind of throw me when the

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Speaker 4: entire episode is given to a different group of people.

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Speaker 4: But I really liked the commentary. Unlike writer who felt

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Speaker 4: that Bill's mister Feenie speech was the whole kind of

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Speaker 4: crux of the episode, it was that too. But for me,

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Speaker 4: what I loved and what really resonated with me is

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Speaker 4: when somebody and I don't remember who it is, and

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Speaker 4: I'm going to paraphrase because I don't remember the exact quote,

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Speaker 4: but it's in my notes. Makes the point, if we

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Speaker 4: have this big of an audience, don't we have an

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Speaker 4: obligation to put something intelligent in there? If you know,

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Speaker 4: shouldn't it be a shouldn't it also be educational? And

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Speaker 4: what I loved is that it felt like this was

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Speaker 4: an absolute direct answer to why is Boy Meets World

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Speaker 4: the way Boy Meets World is? And the answer is

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Speaker 4: that we have an obligation if kids are watching, we

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Speaker 4: have an obligation to put something intelligent into it and

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Speaker 4: make you learn something. Now, we also have an obligation

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Speaker 4: to make it fun and to make it, you know,

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Speaker 4: make you want to watch it. But you cannot just

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Speaker 4: do episode after episode after after episode of fluff when

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Speaker 4: you have an audience paying attention.

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Speaker 2: And I loved that message.

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Speaker 3: Message, But that message is great, I overall disagree with

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Speaker 3: that message. Is the thing is I think you can

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Speaker 3: just do a fluff television show for kids. I think

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Speaker 3: I don't think there's anything wrong with kids can shut

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Speaker 3: off their brains for twenty and I'm not saying that's

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Speaker 3: what Boy Me to World is. Obviously we are not

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Speaker 3: that even close. But I don't I don't see a

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Speaker 3: problem with a wipeout show for kids where they are

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Speaker 3: running through an obstacle course, they're learning nothing. It's just

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Speaker 3: fun like it. It doesn't seem like you you're not just.

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Speaker 4: Learning nothing in an obstacle, you're not just doing you.

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Speaker 4: I don't think you're just not learning anything. I think

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Speaker 4: watching other people do something athletic and seeing.

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Speaker 3: How athletic is still doing. But yeah, there's plenty of

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Speaker 3: flip shows for kids that aren't.

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Speaker 4: Bad TikTok, because TikTok is nothing but dances and and

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Speaker 4: mindless brain rotten.

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Speaker 3: One of the reasons I hate TikTok, one of the

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Speaker 3: many reasons I hate it is.

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Speaker 4: It's the when we've argued about, you know, why TikTok

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Speaker 4: should go away, and you always argue about TikTok and

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Speaker 4: other countries being educational, and you're like, that's smart.

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Speaker 3: But that's because that's the biggest platform that kids are

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Speaker 3: watching and the only thing they are looking at nowadays.

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Speaker 3: If you've got forty Saturday morning cartoon shows or Saturday

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Speaker 3: morning shows at nineties in the nineties, it's okay for

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Speaker 3: one or two of those to not use that time

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Speaker 3: to be educational, to just be fluff and fun.

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Speaker 1: I think, I think, you know, I think the point

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Speaker 1: that that that this episode makes that I do agree

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Speaker 1: with Danielle is really great, is that.

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Speaker 3: It's the seduction.

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Speaker 1: It's that it's that this show was an intelligent, uh,

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Speaker 1: you know, knowledge based trivia show that then got seduced

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Speaker 1: by agree you can get these none hundred percents get

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Speaker 1: this much money. And I do think that there's a

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Speaker 1: danger no matter what creative project you're doing to chase popularity, right,

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Speaker 1: like you know, and so yes, and I think it's

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Speaker 1: a it's clearly our writing, our writers, our productions speaking

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Speaker 1: directly to the critics that would have it like just

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Speaker 1: have fun, just be a silly kids show. And boy

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Speaker 1: Meet's World always resisted that degree, and I think to

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Speaker 1: its credit, there are there are plenty of other kids

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Speaker 1: shows that were being made that never had pretensions of

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Speaker 1: being more right, and that's what I'm fine. But you know,

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Speaker 1: what are the shows that people are talking about now?

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Speaker 1: To me, it's the ones that kind of lodged into

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Speaker 1: your brain something a little bigger, a little more. And

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Speaker 1: so I do think that that it shows that our

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Speaker 1: our writers were so aware of what their values were,

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Speaker 1: and they were intentionally you know, fighting popularity at times.

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Speaker 1: You know, it would be easy to just you know,

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Speaker 1: you talk about this episode, but there's an episode of

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Speaker 1: Dinosaurs that Michael Jacobs wrote that is legendary in the

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Speaker 1: same way, where the dad becomes the head of a

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Speaker 1: network and they just end up showing pretty colors and

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Speaker 1: box of puppies on television and the IQ of the

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Speaker 1: nation drops and it's it's the same storyline. And I

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Speaker 1: just think that that value system is actually pretty great,

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Speaker 1: you know, and this is a fun way to sort

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Speaker 1: of display that in stories. I don't disagree with any

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Speaker 1: of that, really, I really don't, I know, but I

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Speaker 1: agree that that that there should be just fun shows. Yeah,

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Speaker 1: That's all I'm saying is that it's okay to also

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Speaker 1: and you could easily have And I get why they.

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Speaker 3: Didn't do it. I totally understand why they didn't do it,

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Speaker 3: but you could easily have feene have said something along

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Speaker 3: the lines of, I get there's a place for this

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Speaker 3: for fun pop culture. That's not what this was, and

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Speaker 3: so you're taking that space that was one of the

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Speaker 3: small spaces set aside just for intelligence and air addition

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Speaker 3: and a show like that, and now you're bastardizing that

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Speaker 3: why can't you keep this how it was and still

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Speaker 3: do the show you want to do with the dancers,

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Speaker 3: I guess is what.

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Speaker 1: The hardest part is that the choice, like the choice

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Speaker 1: comes down to Corey into Panga and Sean right, like

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Speaker 1: they have to take a stance because because they're not

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Speaker 1: the producers of the show, right right, So it's this

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Speaker 1: weird sort of slide of hand that.

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Speaker 3: You have to do as a as a script to

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Speaker 3: like put it in our court.

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Speaker 1: And I'm yeah, I'm still a little confused as to

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Speaker 1: like what exactly, Sean that's the choice isn't really set

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Speaker 1: up exactly like what To.

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Speaker 2: Me, it was all very clear. I loved it.

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Speaker 4: The idea was you're going to win, and if you win,

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Speaker 4: you get to keep continuing to have the fame and

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Speaker 4: the money, no money, You have to choose even though

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Speaker 4: you know the answer, and and winning would feel good

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Speaker 4: and is the seductive thing, and you get to prove

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Speaker 4: what you've been trying to prove to the producers, which

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Speaker 4: is we're more than just personalities, we have some brains.

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Speaker 4: You have to instead choose to let all that go

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Speaker 4: because you recognize that not only are you dumbing down society,

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Speaker 4: but you are also becoming done for participating in it.

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Speaker 2: And so I loved it, and even.

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Speaker 4: The idea that all that it was all focused on

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Speaker 4: the producers, I truthfully loved the an episode being about

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Speaker 4: behind the scenes. This is the mentality that goes into

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Speaker 4: creating the stuff that's out there. It is a conversation

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Speaker 4: of listen, I like the way this is going. I've

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Speaker 4: got money if it goes that way. And you know,

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Speaker 4: in any industry that's going to be eventually. If you

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Speaker 4: want to stay on the air, if you want to

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Speaker 4: keep your job, if you want to make you have

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Speaker 4: to cater to that to a certain extent.

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Speaker 3: But I'm sorry just because you mentioned it. That's one

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Speaker 3: of the things that bumped me at the end was

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Speaker 3: that Sean. One of the things that threw me was

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Speaker 3: Sean should not have thrown an actual question. The question

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Speaker 3: they gave him was one that required intelligence and education.

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Speaker 3: They should have given him a pop culture question that

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Speaker 3: he knew the answer to to that where something was

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Speaker 3: along the lines of X Men or something like that,

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Speaker 3: where he'd been talking about it the whole episode because

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Speaker 3: he threw it on a on a question that was

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Speaker 3: the questions they were hoping to be asked. Topanga the

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Speaker 3: whole time was going, why can't you ask us some

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Speaker 3: intelligent questions? And so they finally did and he threw it,

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Speaker 3: Whereas I feel like they should have put in another

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Speaker 3: one of those hey we got because that was the

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Speaker 3: this is all parody of quiz Show, and quiz Show

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Speaker 3: sets it up to where he knows the answer. He

416
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Speaker 3: knows the answer. He knows the answer, which they did hear,

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Speaker 3: but they should have made it. He knows the answer

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Speaker 3: because it's his pop culture favorite thing.

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Speaker 2: But Sean wants to you.

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Speaker 3: They finally gave Sean the question.

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Speaker 4: Sean hell been told you're a good looking person with personality,

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Speaker 4: you don't need to have intelligence, and he said don't.

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Speaker 4: Isn't that how you feel? And he said, I'm gonna

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Speaker 4: have to think on that.

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Speaker 2: So we wanted.

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Speaker 4: The reason they gave him a question that required it

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Speaker 4: is because we wanted to see he does know it

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Speaker 4: and his answer is I'm not okay with it because

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Speaker 4: if he was okay with it.

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Speaker 3: He would have kept it going. He's making up. Oh, exactly,

431
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Speaker 3: get that, but I think that's why you They give

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Speaker 3: him the easy softball question to me to again rewriting

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Speaker 3: in the time machine.

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Speaker 1: Are they more powerful them?

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Speaker 3: A hard question to s's not that too until she

436
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Speaker 3: says he says who's going to win? Or she says

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Speaker 3: who's gonna win? And he says, I don't care, So

438
00:21:17,440 --> 00:21:19,960
Speaker 3: it wasn't they didn't care which team won at that point.

439
00:21:20,160 --> 00:21:22,000
Speaker 4: She was trying to tank it though, because she she

440
00:21:22,040 --> 00:21:24,000
Speaker 4: didn't think we were going to participate in it, so

441
00:21:24,080 --> 00:21:25,040
Speaker 4: she was they were trying.

442
00:21:25,119 --> 00:21:26,920
Speaker 2: They were absolutely trying to.

443
00:21:27,240 --> 00:21:30,639
Speaker 1: Question Cautines to be the stars at the show, and

444
00:21:31,160 --> 00:21:31,680
Speaker 1: I could.

445
00:21:31,520 --> 00:21:33,399
Speaker 3: Have worked either. Again, it was it was just that

446
00:21:33,440 --> 00:21:36,240
Speaker 3: bump me. I would have loved a X Men question,

447
00:21:36,359 --> 00:21:39,639
Speaker 3: to where Sean then turns and says something like the

448
00:21:39,680 --> 00:21:42,359
Speaker 3: printing press was invented by Gutenberg, and everyone's right, what

449
00:21:42,400 --> 00:21:44,320
Speaker 3: the hell are you talking about? And then they get

450
00:21:44,320 --> 00:21:46,040
Speaker 3: off the show like it just was. Would have been

451
00:21:46,080 --> 00:21:48,560
Speaker 3: more powerful to me than that is just my again

452
00:21:48,640 --> 00:21:49,360
Speaker 3: humble opinion.

453
00:21:50,240 --> 00:21:53,360
Speaker 4: Well, guest starring buckle up, we got a list. Steven

454
00:21:53,520 --> 00:21:58,160
Speaker 4: Gilbourne as Arthur Candibb, PhD. He was a busy character

455
00:21:58,280 --> 00:22:01,840
Speaker 4: actor seen in TV shows like The Wonder Years, Perfect Strangers,

456
00:22:01,960 --> 00:22:04,200
Speaker 4: La Law, and Living Single, and films like The Brady

457
00:22:04,240 --> 00:22:07,560
Speaker 4: Bunch Movie, Private Parts and Evolution. He passed away in

458
00:22:07,600 --> 00:22:11,480
Speaker 4: two thousand and nine at age seventy two. And then

459
00:22:11,520 --> 00:22:16,080
Speaker 4: we have Nancy Lenahan as Susan Callibac, another wildly busy

460
00:22:16,119 --> 00:22:21,399
Speaker 4: actor who has been in everything. TV shows include Family Ties, Alf, Felicity,

461
00:22:21,520 --> 00:22:24,199
Speaker 4: and Veep, and movies like Catch Me If You Can,

462
00:22:24,359 --> 00:22:27,480
Speaker 4: The Great Outdoors, Pleasantville, and Human Nature. And she is

463
00:22:27,520 --> 00:22:31,680
Speaker 4: still working, appearing in the recently released horror movie Night Swim.

464
00:22:31,840 --> 00:22:32,600
Speaker 2: And then, as I.

465
00:22:32,640 --> 00:22:37,800
Speaker 4: Mentioned, Broccoli King, Phil Leads returns Now as Milton. This

466
00:22:37,880 --> 00:22:40,000
Speaker 4: is his second of three Boy Meets World episodes that

467
00:22:40,040 --> 00:22:42,439
Speaker 4: he appears in. And then we have Mark DeCarlo as

468
00:22:42,480 --> 00:22:45,840
Speaker 4: Brett McInerney. Mark is a Chicago legend who nineties obsessed

469
00:22:45,880 --> 00:22:49,160
Speaker 4: listeners will recognize as the host of the dating show Studs,

470
00:22:49,560 --> 00:22:52,800
Speaker 4: a game show best remembered for having on Ronald Goldman

471
00:22:53,040 --> 00:22:55,639
Speaker 4: two years before he was murdered by someone most people

472
00:22:55,680 --> 00:22:56,760
Speaker 4: believe to be O. J.

473
00:22:57,000 --> 00:22:57,359
Speaker 2: Simpson.

474
00:23:00,000 --> 00:23:02,080
Speaker 1: I remembered that we'd worked with the host of Studs

475
00:23:02,080 --> 00:23:04,359
Speaker 1: because I actually watched US. I remember we talking about

476
00:23:04,359 --> 00:23:05,639
Speaker 1: this and I thought it was like, I was like,

477
00:23:05,760 --> 00:23:09,480
Speaker 1: was it Mitch who was our audience? I thought maybe

478
00:23:09,480 --> 00:23:11,159
Speaker 1: it was him because they kind of look alike. And

479
00:23:11,200 --> 00:23:13,119
Speaker 1: I was like, no, but Mitch didn't host Studs. But

480
00:23:13,160 --> 00:23:13,800
Speaker 1: now I know why.

481
00:23:14,280 --> 00:23:18,800
Speaker 3: Yeah, this also another Seinfeld crossover. All that loves the

482
00:23:18,800 --> 00:23:22,000
Speaker 3: Seinfeld of the guest stars.

483
00:23:20,920 --> 00:23:22,719
Speaker 1: Si comm actors Man there was a stable.

484
00:23:23,040 --> 00:23:23,920
Speaker 3: Yeah.

485
00:23:23,960 --> 00:23:26,919
Speaker 4: He's also the voice of Jimmy Neutron's dad and played

486
00:23:26,960 --> 00:23:29,720
Speaker 4: Alec Berg in the Seinfeld episode The Face Painter.

487
00:23:31,000 --> 00:23:33,320
Speaker 2: And then we have Gina Marie as Kiki.

488
00:23:33,680 --> 00:23:36,399
Speaker 4: She's got Nash Bridges Night at the Roxbury and just

489
00:23:36,400 --> 00:23:39,119
Speaker 4: shoot me on her resume. But most impressively, she is

490
00:23:39,160 --> 00:23:44,600
Speaker 4: credited as a stunt performer in Transformers, Ocean's thirteen Dysturbia

491
00:23:44,920 --> 00:23:47,359
Speaker 4: and two thousand and six Poseidon.

492
00:23:47,119 --> 00:23:49,800
Speaker 3: Tons of Stuff. I was looking at her filmography. I

493
00:23:49,800 --> 00:23:53,240
Speaker 3: mean she has been a stunt person for years, cod

494
00:23:53,520 --> 00:23:56,159
Speaker 3: in huge movies. Yeah, really cool.

495
00:23:56,320 --> 00:24:00,879
Speaker 4: She's now credited as Gina Marie Jensen. So she married

496
00:24:00,920 --> 00:24:03,000
Speaker 4: someone with the last name Jensen.

497
00:24:03,440 --> 00:24:05,399
Speaker 3: If Jensen had gotten in there, he could be Jensen

498
00:24:05,440 --> 00:24:06,640
Speaker 3: Jensen Jensen Jensen.

499
00:24:06,840 --> 00:24:09,399
Speaker 4: Couldn't that be great if Jensen had married the person who.

500
00:24:09,240 --> 00:24:10,160
Speaker 2: Had the last name Jenny.

501
00:24:10,320 --> 00:24:13,080
Speaker 3: You have to mary the person with name, and then he.

502
00:24:13,000 --> 00:24:14,840
Speaker 4: Could take and take his last name.

503
00:24:15,359 --> 00:24:18,000
Speaker 2: It's a great idea. Jensen Jensen, Jensen Jensen.

504
00:24:18,160 --> 00:24:20,160
Speaker 3: I went to schob a kid named Soren Sorenson. Does

505
00:24:20,160 --> 00:24:20,639
Speaker 3: that count?

506
00:24:20,800 --> 00:24:22,000
Speaker 2: Wow? That is cool?

507
00:24:22,040 --> 00:24:24,200
Speaker 3: Shout out to sworn.

508
00:24:23,800 --> 00:24:27,440
Speaker 4: And then Marcus Toji as Einstein Kidd best known as

509
00:24:27,440 --> 00:24:29,960
Speaker 4: Marcus and the movie Little Giants, but he also showed

510
00:24:30,040 --> 00:24:33,000
Speaker 4: up on thunder Alley, Family Matters and The West Wing.

511
00:24:33,480 --> 00:24:35,800
Speaker 4: He is still acting as an adult. You may have

512
00:24:35,880 --> 00:24:39,200
Speaker 4: seen him on It's Always Sunny, the Goldbergs or Workaholics,

513
00:24:39,600 --> 00:24:42,240
Speaker 4: or you've heard him as Andy on this year's Moon

514
00:24:42,280 --> 00:24:44,119
Speaker 4: Girl and Devil Dinosaur.

515
00:24:44,800 --> 00:24:45,080
Speaker 3: Sure.

516
00:24:45,880 --> 00:24:49,320
Speaker 4: So, to jump into our recap high school quiz show,

517
00:24:49,680 --> 00:24:54,040
Speaker 4: New Settler Yeah Foeneus panicked and talking to a show producer.

518
00:24:54,080 --> 00:24:56,479
Speaker 4: Refusing to forfeit, she rolls her eyes and tells him

519
00:24:56,480 --> 00:24:58,359
Speaker 4: that after thirty six years of being on air, the

520
00:24:58,440 --> 00:25:01,199
Speaker 4: quiz show always has three plays per team and they

521
00:25:01,240 --> 00:25:04,160
Speaker 4: will not be changing that rule for him. We see

522
00:25:04,160 --> 00:25:06,720
Speaker 4: Tapanga at the John Adams High School Players bench, but

523
00:25:06,880 --> 00:25:11,439
Speaker 4: her teammates Robin Royce and Robert Owen are missing. Phoene

524
00:25:11,440 --> 00:25:13,720
Speaker 4: tries to explain the bus broke down, and the woman

525
00:25:13,760 --> 00:25:16,560
Speaker 4: asks how did Tapanga arrive without the bus? Then Phoene

526
00:25:16,640 --> 00:25:19,520
Speaker 4: explains she was driven over by and then he turns

527
00:25:19,560 --> 00:25:21,919
Speaker 4: to see Corey and Sean have joined the two empty

528
00:25:21,960 --> 00:25:23,760
Speaker 4: seats on stage next to Topanga.

529
00:25:24,000 --> 00:25:27,560
Speaker 3: Okay, so, Robin Royce obviously worked on our show? But

530
00:25:27,600 --> 00:25:30,080
Speaker 3: who was Robin Owen? Was that somebody out? Robin Royce

531
00:25:30,160 --> 00:25:31,879
Speaker 3: was one of our Was our one of our set guys?

532
00:25:32,320 --> 00:25:32,639
Speaker 1: Really?

533
00:25:32,720 --> 00:25:32,880
Speaker 2: Oh?

534
00:25:32,960 --> 00:25:35,560
Speaker 3: Yeah, I was, But I know Robin Owen I don't remember.

535
00:25:35,560 --> 00:25:38,080
Speaker 3: But Robin Royce, I'll never forget that name. Super nice guy.

536
00:25:38,320 --> 00:25:41,880
Speaker 3: Was was one of our Maybe was the headset designer.

537
00:25:42,440 --> 00:25:42,800
Speaker 2: Huh.

538
00:25:42,840 --> 00:25:44,840
Speaker 3: I can't remember what Robin did, but he was. He

539
00:25:44,960 --> 00:25:46,520
Speaker 3: was on the show for it might have been all

540
00:25:46,560 --> 00:25:49,919
Speaker 3: seven years. Oh cool, So I think all the names

541
00:25:50,040 --> 00:25:52,600
Speaker 3: we used were people involved with the show.

542
00:25:52,920 --> 00:25:53,720
Speaker 2: That would make sense.

543
00:25:53,920 --> 00:25:58,000
Speaker 4: Yeah, so, Phoene quickly retracts his previous statement. They are

544
00:25:58,320 --> 00:26:00,800
Speaker 4: willing to forfeit. She walked right up to the boys

545
00:26:00,800 --> 00:26:03,280
Speaker 4: and asks where they go to school. Sean begins to answer,

546
00:26:03,480 --> 00:26:06,560
Speaker 4: but he can't remember. Corey tries to help the head

547
00:26:06,560 --> 00:26:09,680
Speaker 4: in the hallway that's John Adams's head. Sean confidently tells

548
00:26:09,680 --> 00:26:12,000
Speaker 4: her we go to John adams Head High School.

549
00:26:12,520 --> 00:26:13,000
Speaker 3: Good joke.

550
00:26:13,480 --> 00:26:16,479
Speaker 4: Phoeney explains this is why they forfeit. She tells her

551
00:26:16,480 --> 00:26:18,400
Speaker 4: crew to get the boys into makeup. Sean and Corey

552
00:26:18,440 --> 00:26:21,160
Speaker 4: are repeatedly pressing their buzzers with excitement, and feoene begs

553
00:26:21,200 --> 00:26:25,720
Speaker 4: aloud for the love of God, no, and then High

554
00:26:25,760 --> 00:26:30,720
Speaker 4: School Quiz Show continues. The announcer Phil Leads unenthusiastically announces

555
00:26:30,800 --> 00:26:33,960
Speaker 4: High School Quiz Show is back with the host Arthur Candbb.

556
00:26:34,440 --> 00:26:36,600
Speaker 4: Arthur stands in front of a scoreboard that reads twenty

557
00:26:36,640 --> 00:26:38,600
Speaker 4: to zero. With John Adams already losing.

558
00:26:39,040 --> 00:26:39,600
Speaker 2: He reads the.

559
00:26:39,520 --> 00:26:42,520
Speaker 4: Next question, the region known as the fertile Crescent lies

560
00:26:42,560 --> 00:26:45,560
Speaker 4: between which two rivers to Panga buzzes first, and Sean

561
00:26:45,640 --> 00:26:49,600
Speaker 4: starts cracking up because Arthur said fertile to Panga answers correctly,

562
00:26:49,600 --> 00:26:52,440
Speaker 4: and Corey and Shawn jump up with enthusiasm. Sean yells

563
00:26:52,440 --> 00:26:53,320
Speaker 4: at the other team.

564
00:26:53,160 --> 00:26:54,200
Speaker 2: You suck.

565
00:26:55,480 --> 00:26:57,280
Speaker 3: And we can. Finally, so is this the first or

566
00:26:57,320 --> 00:27:00,560
Speaker 3: second time we've said because remember in the episode when

567
00:27:00,560 --> 00:27:03,560
Speaker 3: we were with I think we specifically had to change it.

568
00:27:03,600 --> 00:27:06,600
Speaker 3: So we've obviously hit an age where you suck is acceptable?

569
00:27:06,800 --> 00:27:09,080
Speaker 2: Or are we still on at nine thirty at the song?

570
00:27:09,160 --> 00:27:12,160
Speaker 5: Oh, I don't know, are we We're already back?

571
00:27:12,320 --> 00:27:12,960
Speaker 2: Okay, I don't know.

572
00:27:13,119 --> 00:27:16,439
Speaker 1: Did we said time? I think it's just culturally like

573
00:27:16,520 --> 00:27:17,800
Speaker 1: by ninety seven.

574
00:27:18,720 --> 00:27:20,800
Speaker 3: You don't think it was just you know, I think

575
00:27:20,840 --> 00:27:21,320
Speaker 3: it's just no.

576
00:27:21,480 --> 00:27:25,000
Speaker 1: I think we were well, maybe that we're older, you mean, yeah,

577
00:27:25,040 --> 00:27:25,639
Speaker 1: that we're older.

578
00:27:25,680 --> 00:27:28,600
Speaker 3: Older characters can say you suck. Yeah, yeah, I don't know,

579
00:27:28,640 --> 00:27:30,200
Speaker 3: but it was so interesting to hear because I remember

580
00:27:30,240 --> 00:27:32,040
Speaker 3: the conversation of you're not allowed to say.

581
00:27:31,840 --> 00:27:32,919
Speaker 2: That, you can't say that.

582
00:27:34,040 --> 00:27:38,719
Speaker 4: The audience, including our most famous background actor, Cal Penn

583
00:27:39,000 --> 00:27:42,800
Speaker 4: right there, who is sitting a front row center, gives

584
00:27:42,800 --> 00:27:45,800
Speaker 4: them a huge round of applause. Arthur announces the new

585
00:27:45,840 --> 00:27:49,280
Speaker 4: score twenty to one. Sean yells to the audience, we

586
00:27:49,320 --> 00:27:52,720
Speaker 4: will not be denied, and the crowd goes crazy, erupting

587
00:27:52,760 --> 00:27:53,679
Speaker 4: with more applause.

588
00:27:54,000 --> 00:27:57,639
Speaker 1: And so this was our actual audience, bleachers, this is

589
00:27:57,680 --> 00:28:01,320
Speaker 1: where our audience was, right, yeah, in real but of

590
00:28:01,320 --> 00:28:03,480
Speaker 1: course our audience was actually bigger than this. So they

591
00:28:03,520 --> 00:28:08,040
Speaker 1: took like just one small section. Yeah, I really I

592
00:28:08,119 --> 00:28:12,920
Speaker 1: just wanted a connecting shot between the set and the audience,

593
00:28:12,960 --> 00:28:16,840
Speaker 1: because you never got that yconnected. It was just always

594
00:28:16,840 --> 00:28:19,600
Speaker 1: cutting to the audience isolated, and I just wanted to

595
00:28:19,640 --> 00:28:22,719
Speaker 1: like know where we were in like physical space. So

596
00:28:23,359 --> 00:28:26,640
Speaker 1: not seeing that connecting shot was frustrating to me. I mean,

597
00:28:26,720 --> 00:28:29,399
Speaker 1: I know what it looks like because we were always there,

598
00:28:29,440 --> 00:28:31,000
Speaker 1: but like I don't know, I don't know if that

599
00:28:31,080 --> 00:28:33,000
Speaker 1: bothers anybody else, but it was like, yeah, I want

600
00:28:33,040 --> 00:28:35,800
Speaker 1: to see where the cameras are in relation to the audience,

601
00:28:35,840 --> 00:28:36,520
Speaker 1: in relation to.

602
00:28:36,480 --> 00:28:41,560
Speaker 4: The because the way we are looking this direction to

603
00:28:41,640 --> 00:28:43,920
Speaker 4: the audience, the way we're waving, lets me know the

604
00:28:43,960 --> 00:28:46,440
Speaker 4: audience is basically directly in front of the front right.

605
00:28:47,080 --> 00:28:49,000
Speaker 3: So I love the progression of the set too, where

606
00:28:49,000 --> 00:28:52,160
Speaker 3: it's like really drab when you first was like thrown

607
00:28:52,200 --> 00:28:55,440
Speaker 3: together drab kind of This is a lame show that

608
00:28:55,600 --> 00:28:58,440
Speaker 3: is probably on PBS, you know, some kind of local

609
00:28:58,520 --> 00:29:01,640
Speaker 3: public station. The host two like what is he something?

610
00:29:01,760 --> 00:29:08,560
Speaker 3: K next time he says, And the other progression was

611
00:29:08,640 --> 00:29:09,160
Speaker 3: very funny.

612
00:29:10,560 --> 00:29:11,760
Speaker 2: The producer is in awe.

613
00:29:11,800 --> 00:29:14,320
Speaker 4: She's never seen a crowd like this, She says, teams

614
00:29:14,320 --> 00:29:17,800
Speaker 4: are usually composed of bookish academic types, but Phoene's team

615
00:29:18,240 --> 00:29:22,520
Speaker 4: they have a certain and Poene finishes educational deficiency. She

616
00:29:22,680 --> 00:29:24,920
Speaker 4: was gonna say they're cute and fun to watch. And

617
00:29:24,960 --> 00:29:26,760
Speaker 4: then a man walks in between Foenie and the woman,

618
00:29:26,800 --> 00:29:30,600
Speaker 4: introducing himself as a representative for Oahu Beach. Face savers.

619
00:29:30,960 --> 00:29:32,920
Speaker 4: He sees the energy of the teenagers in the crowd

620
00:29:32,920 --> 00:29:35,080
Speaker 4: and suggests that his company would be willing to spend

621
00:29:35,120 --> 00:29:37,600
Speaker 4: some advertising money if the show continues on this path.

622
00:29:38,160 --> 00:29:40,800
Speaker 4: Tapanga tells the boys she's worked very hard to be

623
00:29:40,880 --> 00:29:43,120
Speaker 4: on this team, so she'd appreciate it if they'd stop

624
00:29:43,200 --> 00:29:46,320
Speaker 4: pressing the buzzer just because they like the sound. Corey

625
00:29:46,320 --> 00:29:48,440
Speaker 4: and Shawn agree, but then Corey smacks the buzzer one

626
00:29:48,440 --> 00:29:48,920
Speaker 4: more time.

627
00:29:49,120 --> 00:29:50,160
Speaker 2: Sorry, fast time.

628
00:29:50,880 --> 00:29:53,080
Speaker 4: Just then the producer runs on stage and hands Arthur

629
00:29:53,240 --> 00:29:56,440
Speaker 4: new questions and answers for the upcoming round. The Broccoli

630
00:29:56,520 --> 00:29:58,720
Speaker 4: King says three two one, and the.

631
00:29:58,600 --> 00:30:01,760
Speaker 2: Show is a MA three two one three two.

632
00:30:04,080 --> 00:30:07,000
Speaker 4: And it's time for the Lightning round, where questions are

633
00:30:07,000 --> 00:30:08,840
Speaker 4: now worth two.

634
00:30:08,640 --> 00:30:13,240
Speaker 3: Points, so funny two points.

635
00:30:14,680 --> 00:30:17,880
Speaker 4: I love the idea that like lightning, what is it?

636
00:30:18,000 --> 00:30:20,160
Speaker 4: And it's just it's just from one to two. But

637
00:30:20,240 --> 00:30:23,360
Speaker 4: also like I don't know why the number of points

638
00:30:23,440 --> 00:30:24,720
Speaker 4: makes a difference, but it does.

639
00:30:25,040 --> 00:30:27,880
Speaker 1: They can't talk about how much fun our writers were having.

640
00:30:28,760 --> 00:30:30,160
Speaker 1: What's the least entertaining show?

641
00:30:30,200 --> 00:30:30,840
Speaker 3: We can come up with.

642
00:30:32,680 --> 00:30:35,480
Speaker 1: As anti entertaining as possible, and they just got to

643
00:30:35,480 --> 00:30:36,640
Speaker 1: come up with all this stuff.

644
00:30:36,800 --> 00:30:40,520
Speaker 4: And also Phil Leads is so good in this.

645
00:30:41,240 --> 00:30:44,080
Speaker 1: Anti entertainment, Like let's get an announcer who's the most

646
00:30:44,320 --> 00:30:49,520
Speaker 1: miserable board person who's into the chair and then put

647
00:30:49,520 --> 00:30:50,160
Speaker 1: away on him.

648
00:30:50,200 --> 00:30:54,600
Speaker 2: I mean, it is hilarious.

649
00:30:54,800 --> 00:30:56,320
Speaker 3: I guess when you do just watch it as it

650
00:30:56,360 --> 00:30:58,400
Speaker 3: went off, it is just funny to maybe I was

651
00:30:58,440 --> 00:31:01,200
Speaker 3: just in a bad mood. Yeah, because the because the

652
00:31:01,280 --> 00:31:04,840
Speaker 3: actual set pieces of the little bits of comedy are

653
00:31:05,000 --> 00:31:09,640
Speaker 3: very funny layers. They really are funny, and the progression

654
00:31:09,720 --> 00:31:11,120
Speaker 3: is great too. Maybe it was just a bad mood.

655
00:31:11,120 --> 00:31:13,560
Speaker 3: Off to watch again, it just.

656
00:31:13,480 --> 00:31:14,640
Speaker 1: Didn't feel like our show.

657
00:31:14,800 --> 00:31:15,920
Speaker 3: You know. It's just kind of jarring.

658
00:31:15,920 --> 00:31:18,240
Speaker 1: It's just kind of like what do we watch It's yeah.

659
00:31:18,280 --> 00:31:19,600
Speaker 3: It's weird.

660
00:31:19,680 --> 00:31:20,120
Speaker 2: I don't know.

661
00:31:20,240 --> 00:31:22,000
Speaker 4: I maybe I just don't like us that much. And

662
00:31:22,000 --> 00:31:23,240
Speaker 4: I think I thought this was great.

663
00:31:23,480 --> 00:31:24,080
Speaker 2: I loved it.

664
00:31:24,120 --> 00:31:24,480
Speaker 1: I was like.

665
00:31:26,840 --> 00:31:27,280
Speaker 2: Please.

666
00:31:27,760 --> 00:31:30,040
Speaker 1: I also think to Penga's given a lot to do

667
00:31:30,080 --> 00:31:30,240
Speaker 1: in this.

668
00:31:30,440 --> 00:31:34,760
Speaker 3: It's a fun episode. You're right, it's a very good

669
00:31:34,840 --> 00:31:35,680
Speaker 3: character episode.

670
00:31:36,000 --> 00:31:40,040
Speaker 4: Also we're in peak Danielle, so it's just but.

671
00:31:40,080 --> 00:31:43,960
Speaker 1: Also something we were in it together, like you, you

672
00:31:44,040 --> 00:31:48,920
Speaker 1: are also complicit with the like you are, like you're

673
00:31:49,120 --> 00:31:51,400
Speaker 1: you know you're you're true to your character in the beginning,

674
00:31:51,400 --> 00:31:53,480
Speaker 1: but then when you start turning, you know, it's good

675
00:31:53,480 --> 00:31:55,040
Speaker 1: to be the queen. I'm like, yeah, that's great.

676
00:31:55,120 --> 00:31:57,200
Speaker 2: She got seduced to exactly.

677
00:31:56,880 --> 00:31:59,680
Speaker 4: And I love that message that even when you're even

678
00:31:59,720 --> 00:32:03,200
Speaker 4: when you have very strong convictions and it goes against

679
00:32:03,240 --> 00:32:07,080
Speaker 4: everything you think you are as a person, everyone's capable

680
00:32:07,320 --> 00:32:08,720
Speaker 4: of being seduced.

681
00:32:08,840 --> 00:32:11,600
Speaker 3: So you can also be the moral center without always

682
00:32:11,640 --> 00:32:13,720
Speaker 3: being the stick in the mud. I think, exactly, you

683
00:32:13,720 --> 00:32:15,720
Speaker 3: don't have to be the naggy all the time. Why

684
00:32:15,720 --> 00:32:17,880
Speaker 3: are you doing this? Why? It's like they wrote it

685
00:32:17,920 --> 00:32:21,120
Speaker 3: in such a way where Panga actually has a great character.

686
00:32:21,280 --> 00:32:25,400
Speaker 5: It's like, oh, she's thinking things instead of judging them.

687
00:32:25,760 --> 00:32:28,600
Speaker 4: She's saying, we could, we could be better than this,

688
00:32:28,840 --> 00:32:30,800
Speaker 4: and don't you want to be and it's really putting

689
00:32:30,840 --> 00:32:33,640
Speaker 4: it on them. You decide. I know, I do, but

690
00:32:33,680 --> 00:32:35,000
Speaker 4: you decide for you.

691
00:32:35,000 --> 00:32:36,600
Speaker 3: You're also part of the crew. You're part of the crew.

692
00:32:36,680 --> 00:32:39,160
Speaker 4: Final I like it great, great, So Arthur reads. The

693
00:32:39,200 --> 00:32:43,560
Speaker 4: first category was up. The first question is what does

694
00:32:43,600 --> 00:32:47,040
Speaker 4: the X and X men stand for? As anticipated, this

695
00:32:47,120 --> 00:32:49,200
Speaker 4: is a question both Corey and Seawn actually know the

696
00:32:49,240 --> 00:32:50,440
Speaker 4: answer to what you don't think?

697
00:32:50,480 --> 00:32:50,720
Speaker 2: You think?

698
00:32:50,720 --> 00:32:51,200
Speaker 3: I don't know why X.

699
00:32:54,840 --> 00:32:57,920
Speaker 4: They both give very detailed and well worded answers to

700
00:32:57,960 --> 00:32:58,440
Speaker 4: my question.

701
00:32:59,280 --> 00:33:02,600
Speaker 3: Suddenly articulate a thing.

702
00:33:03,800 --> 00:33:06,640
Speaker 2: Yeah, is that it wasn't just you giving the answer.

703
00:33:06,680 --> 00:33:10,200
Speaker 4: It stands for the ex You actually answered it like

704
00:33:11,000 --> 00:33:15,040
Speaker 4: a genius, right, And it just goes to It kind

705
00:33:15,040 --> 00:33:16,480
Speaker 4: of goes in line with what we talked about a

706
00:33:16,480 --> 00:33:19,920
Speaker 4: million times about the different levels and different types of

707
00:33:20,000 --> 00:33:21,640
Speaker 4: intelligence that you know.

708
00:33:22,600 --> 00:33:24,800
Speaker 3: So I'm sorry. It also shows a little bit about

709
00:33:24,800 --> 00:33:28,120
Speaker 3: how education can work, where some people just gravitate towards

710
00:33:28,200 --> 00:33:31,280
Speaker 3: some topics and can be very intelligent.

711
00:33:30,840 --> 00:33:33,560
Speaker 1: Which is why mister Turner brought that excellent.

712
00:33:36,640 --> 00:33:40,480
Speaker 2: The ar ring teacher was something Shakespeare.

713
00:33:40,480 --> 00:33:44,320
Speaker 3: Everybody boy was up? Was this also the scene? Did

714
00:33:44,360 --> 00:33:46,080
Speaker 3: anybody else know? At one point there's a foot and

715
00:33:46,120 --> 00:33:48,200
Speaker 3: a half a boom mic in the scene Wow, I

716
00:33:48,240 --> 00:33:50,800
Speaker 3: didn't know. I thought it was okay because it's like

717
00:33:53,040 --> 00:33:56,080
Speaker 3: it was so obvious, so obvious, I thought the same thing.

718
00:33:56,160 --> 00:33:57,600
Speaker 2: Yeah, that's so funny.

719
00:33:58,280 --> 00:34:01,400
Speaker 4: So they get the answer correct and the crowd goes crazy.

720
00:34:01,520 --> 00:34:04,520
Speaker 4: It is now twenty one to three, and then we're

721
00:34:04,520 --> 00:34:07,160
Speaker 4: in the Matthew's kitchen. Corey bursts through the back door.

722
00:34:07,520 --> 00:34:09,799
Speaker 4: They are now looking at the new champion of high

723
00:34:09,800 --> 00:34:13,200
Speaker 4: School Quiz. His parents are confused, but Corey brags, finally

724
00:34:13,280 --> 00:34:16,680
Speaker 4: someone understands my particular genius. Alan is in shock. He

725
00:34:16,680 --> 00:34:19,319
Speaker 4: doesn't understand. What do you mean you're champion? Don't they

726
00:34:19,360 --> 00:34:23,600
Speaker 4: ask really tough questions? Corey laughs, maybe for you, and

727
00:34:23,640 --> 00:34:25,040
Speaker 4: then he runs up the stairs.

728
00:34:24,760 --> 00:34:27,080
Speaker 3: Grilled cheese and tomato soup. By the way, what they're reading,

729
00:34:28,640 --> 00:34:30,680
Speaker 3: yeah delicious.

730
00:34:30,719 --> 00:34:31,760
Speaker 2: Back at the high school.

731
00:34:31,600 --> 00:34:33,560
Speaker 4: Quiz show, Eric, Alan and Amy are now in the

732
00:34:33,600 --> 00:34:36,440
Speaker 4: crowd waiting for the show to start. Amy recalls watching

733
00:34:36,440 --> 00:34:38,719
Speaker 4: the show as a kid, but back then the contestants

734
00:34:38,719 --> 00:34:41,839
Speaker 4: were really smart. Alan assumes she's asking how Corey got

735
00:34:41,880 --> 00:34:44,800
Speaker 4: on the show, to which he directs the question to Feenie.

736
00:34:45,200 --> 00:34:47,680
Speaker 4: He sighs and tells them we live in a random

737
00:34:47,719 --> 00:34:51,160
Speaker 4: and chaotic universe. And I think maybe what could have

738
00:34:51,239 --> 00:34:54,800
Speaker 4: softened that question is asking what are Corey and.

739
00:34:54,760 --> 00:34:57,000
Speaker 2: Sean doing on this show?

740
00:34:57,480 --> 00:35:00,840
Speaker 3: Like them just just.

741
00:35:00,560 --> 00:35:03,919
Speaker 4: Just Corey, like the idea that Corey and Sean are

742
00:35:05,040 --> 00:35:06,680
Speaker 4: a team, And you.

743
00:35:06,560 --> 00:35:07,480
Speaker 2: Know, I don't know.

744
00:35:07,640 --> 00:35:10,080
Speaker 4: It feels a little bad for the parents to be like,

745
00:35:10,200 --> 00:35:13,240
Speaker 4: why is my son on the Snoot Kids Show?

746
00:35:14,440 --> 00:35:14,839
Speaker 2: I don't know.

747
00:35:15,239 --> 00:35:17,120
Speaker 4: But then we see the stage of quiz Show, which

748
00:35:17,160 --> 00:35:20,320
Speaker 4: is now colorful and trendy with an o Wahu beach

749
00:35:20,400 --> 00:35:23,600
Speaker 4: face saver pad's logo front and center.

750
00:35:24,360 --> 00:35:27,240
Speaker 3: There are per product by the way, a Wahu beach

751
00:35:27,400 --> 00:35:29,200
Speaker 3: face saver pads.

752
00:35:28,520 --> 00:35:39,000
Speaker 5: It's medication, as I know, even sing about it in

753
00:35:39,040 --> 00:35:40,439
Speaker 5: the song It's like yeah.

754
00:35:40,440 --> 00:35:43,480
Speaker 4: There are three fla girls dancing on stage, referred to

755
00:35:43,600 --> 00:35:49,360
Speaker 4: as the Knowledge Fever Brain Cell Dancers, and the elderly

756
00:35:49,560 --> 00:35:53,319
Speaker 4: monotone broccoli lover announcer is now sporting a pink lay

757
00:35:53,640 --> 00:35:58,000
Speaker 4: and is surprisingly upbeat as he introduces the host, Sweet Arty.

758
00:35:57,920 --> 00:36:04,680
Speaker 3: K Arthur Killed or whatever.

759
00:36:05,000 --> 00:36:07,680
Speaker 2: Yeah is now SWEETYK.

760
00:36:08,960 --> 00:36:11,120
Speaker 3: And then it's just gone next week.

761
00:36:11,000 --> 00:36:17,239
Speaker 4: Guys, Sweet Arty K dances out onto the stageckets boom.

762
00:36:17,480 --> 00:36:19,000
Speaker 2: What else would a cool guy wear?

763
00:36:19,239 --> 00:36:21,000
Speaker 3: He's a fast guy, know he's a fast boy.

764
00:36:21,440 --> 00:36:22,640
Speaker 2: He welcomes us.

765
00:36:22,520 --> 00:36:25,880
Speaker 4: To knowledge Fever that makes learning hip hot and happening.

766
00:36:26,280 --> 00:36:29,040
Speaker 4: He introduces the three returning champions from John Adams High

767
00:36:29,040 --> 00:36:31,480
Speaker 4: and presents the other teams three smart kids from some

768
00:36:31,560 --> 00:36:35,120
Speaker 4: other school. Arty k announces the first category is the

769
00:36:35,160 --> 00:36:38,280
Speaker 4: lifeguards of Baywatch, and Sean immediately buzzes in and answers

770
00:36:38,320 --> 00:36:40,319
Speaker 4: the question correctly before even hearing it.

771
00:36:40,680 --> 00:36:41,680
Speaker 2: John Adams High.

772
00:36:41,520 --> 00:36:47,759
Speaker 4: Receives one million points, already pauses the show for a

773
00:36:47,800 --> 00:36:50,279
Speaker 4: few words from their sponsor, because that's the way the

774
00:36:50,280 --> 00:36:53,480
Speaker 4: world works. The Knowledge Fever Brain Cell Dancers make their

775
00:36:53,520 --> 00:36:55,440
Speaker 4: way back onto the stage and start dancing to a

776
00:36:55,520 --> 00:37:00,480
Speaker 4: rap about zits. The crowd is loving it, and so

777
00:37:00,520 --> 00:37:03,640
Speaker 4: are Corey and Sean. Tapanga points out the obvious they're

778
00:37:03,680 --> 00:37:06,520
Speaker 4: just answering questions about TV and comic book trivia. Does

779
00:37:06,560 --> 00:37:09,399
Speaker 4: that truly make them feel intelligent? Sean slams his hand

780
00:37:09,440 --> 00:37:12,680
Speaker 4: on Corey's buzzer, reminding her it's why they're returning champions.

781
00:37:13,160 --> 00:37:15,280
Speaker 4: Then the break is over and we're back with round two.

782
00:37:15,400 --> 00:37:18,360
Speaker 4: The ad rep asks the woman in charge between me

783
00:37:18,400 --> 00:37:21,560
Speaker 4: and you, these John Adams kids, they're never gonna lose.

784
00:37:21,640 --> 00:37:22,680
Speaker 2: Right on cue.

785
00:37:22,680 --> 00:37:24,960
Speaker 4: Sean answers the next question about what type of animal

786
00:37:25,000 --> 00:37:27,840
Speaker 4: Ren and Stimpy are, and Corey gives the bonus answer,

787
00:37:28,080 --> 00:37:29,759
Speaker 4: which awards them a total of.

788
00:37:29,840 --> 00:37:32,319
Speaker 2: Three million points one.

789
00:37:32,400 --> 00:37:37,320
Speaker 4: Again, the crowd goes wild, and Alan turns to Amy,

790
00:37:37,560 --> 00:37:39,720
Speaker 4: I don't know who they're trying to impress with this show.

791
00:37:40,239 --> 00:37:44,759
Speaker 2: Eric excitedly tells him rocos a Wallaby the stuff I

792
00:37:44,960 --> 00:37:49,240
Speaker 2: don't know, Alan says, now he gets it. It's funny,

793
00:37:49,880 --> 00:37:50,600
Speaker 2: that's funny.

794
00:37:51,680 --> 00:37:53,600
Speaker 4: The producer runs up to Corey, asking him to add

795
00:37:53,600 --> 00:37:57,880
Speaker 4: a little dramatization to his express expressions before answering a question.

796
00:37:58,200 --> 00:38:02,600
Speaker 4: Corey nods and gives her a perfect demonstration.

797
00:38:02,440 --> 00:38:08,600
Speaker 3: Of cake cake face Adam Sandler thing right like he looked?

798
00:38:08,920 --> 00:38:10,759
Speaker 3: Is he trying to look like Adam Sandler? Because it's

799
00:38:11,239 --> 00:38:12,799
Speaker 3: he was such an Adam Sandler fan.

800
00:38:13,120 --> 00:38:13,640
Speaker 2: He was a bit.

801
00:38:13,760 --> 00:38:16,640
Speaker 3: I think it's like the same kind of like Adam Sandler.

802
00:38:17,040 --> 00:38:20,040
Speaker 4: Right, he did that face for god, I forgot what

803
00:38:20,120 --> 00:38:21,480
Speaker 4: it was, but he did.

804
00:38:21,520 --> 00:38:24,359
Speaker 3: He had a little yeah it was it was it

805
00:38:24,680 --> 00:38:28,719
Speaker 3: not happy Gilmore. But is it Billy Madison or but

806
00:38:28,800 --> 00:38:32,359
Speaker 3: he was? I mean, Ben was such an Adam Sandler fan.

807
00:38:32,920 --> 00:38:35,840
Speaker 2: You remember to his CDs oh.

808
00:38:35,840 --> 00:38:38,480
Speaker 3: Yeah, going to his movies. I remember going. We were

809
00:38:38,560 --> 00:38:41,239
Speaker 3: there opening night of Happy Gilmore. It was I mean,

810
00:38:41,280 --> 00:38:43,399
Speaker 3: he was a huge Adam Sandler fan. I think this

811
00:38:43,440 --> 00:38:46,920
Speaker 3: is his homash Adam Sandler. But it's such a great face. Well,

812
00:38:47,600 --> 00:38:50,239
Speaker 3: at this point, it's in the script, and.

813
00:38:50,280 --> 00:38:54,360
Speaker 4: If everybody has been confused about what cake faces, this

814
00:38:54,520 --> 00:38:56,759
Speaker 4: is a perfect close up of it. This is your

815
00:38:56,800 --> 00:38:58,160
Speaker 4: prime example of cake face.

816
00:38:58,160 --> 00:38:58,640
Speaker 2: Cake face.

817
00:38:59,000 --> 00:39:02,320
Speaker 4: And then she asks Sean to flash some of those thoughtful, poudy,

818
00:39:02,400 --> 00:39:05,680
Speaker 4: sexy lips. Sean understands exactly what she's saying and gives

819
00:39:05,680 --> 00:39:09,680
Speaker 4: them all a demonstration of basically duck lips. Lastly, the

820
00:39:09,719 --> 00:39:12,400
Speaker 4: woman asks Tapanga to tousle her hair and flirt with

821
00:39:12,440 --> 00:39:14,960
Speaker 4: the camera a little. Topega isn't comfortable with any of this.

822
00:39:15,280 --> 00:39:18,439
Speaker 4: Before they had questions that required real knowledge. She thought

823
00:39:18,440 --> 00:39:20,240
Speaker 4: that was the whole point of the show. The woman

824
00:39:20,280 --> 00:39:22,200
Speaker 4: corrects her, The point of the show is to attract

825
00:39:22,200 --> 00:39:24,800
Speaker 4: an audience. I suggest you take a look at your audience.

826
00:39:25,080 --> 00:39:27,279
Speaker 4: Tapega turns to face the crowd. In a row of

827
00:39:27,320 --> 00:39:30,200
Speaker 4: posters fly up that read Topanga is our queen.

828
00:39:30,960 --> 00:39:33,920
Speaker 2: She smiles and admits it's good to be queen.

829
00:39:34,760 --> 00:39:38,680
Speaker 3: Okay song. Yeah, the whole moral conversation we're having at

830
00:39:38,680 --> 00:39:41,239
Speaker 3: the beginning is a conversation that they have in Quiz Show.

831
00:39:41,960 --> 00:39:45,040
Speaker 3: So it goes to show that there is the question

832
00:39:45,120 --> 00:39:52,520
Speaker 3: of entertainment value versus educational value, because Hanka's Areas is

833
00:39:52,560 --> 00:39:55,440
Speaker 3: sitting in front of the Congressional Committee at the end

834
00:39:55,800 --> 00:39:59,960
Speaker 3: and he says, the advertisers make money, the audience is

835
00:40:00,080 --> 00:40:03,400
Speaker 3: thrilled to be there, the contestants make more money than

836
00:40:03,400 --> 00:40:06,239
Speaker 3: they're ever going to see. Everybody knows that it's a

837
00:40:06,719 --> 00:40:08,600
Speaker 3: you know, it's a television show, so who gets hurt?

838
00:40:09,320 --> 00:40:11,920
Speaker 3: And it's that same kind of moral question that we

839
00:40:11,920 --> 00:40:13,359
Speaker 3: were talking about at the beginning where it's like, well,

840
00:40:13,360 --> 00:40:15,520
Speaker 3: can it just be an entertainment show? Well, no, it

841
00:40:15,560 --> 00:40:17,680
Speaker 3: was supposed to be an educational show. Well if they

842
00:40:17,680 --> 00:40:21,080
Speaker 3: fake the education part, but they do that for for entertainment,

843
00:40:21,080 --> 00:40:23,879
Speaker 3: per Again, they going back to what you were both

844
00:40:23,920 --> 00:40:26,480
Speaker 3: saying about, maybe I read too much into this episode.

845
00:40:26,560 --> 00:40:31,240
Speaker 3: There really is an underlying morality question that they write

846
00:40:31,280 --> 00:40:34,000
Speaker 3: to in Quiz Show, which is that same question of

847
00:40:34,040 --> 00:40:37,319
Speaker 3: what is entertainment versus education? And is it okay if

848
00:40:37,320 --> 00:40:40,360
Speaker 3: everybody's entertained and everybody's benefiting from it to fake it,

849
00:40:40,680 --> 00:40:43,160
Speaker 3: and you think, so, no, I don't. There's times I

850
00:40:43,239 --> 00:40:45,720
Speaker 3: do and times I don't. Where again I get Hank

851
00:40:45,719 --> 00:40:48,239
Speaker 3: is Aria's point of view where he says, everybody knows

852
00:40:48,280 --> 00:40:51,839
Speaker 3: that when we do a movie that it's not really

853
00:40:51,920 --> 00:40:54,959
Speaker 3: soldiers parachuting behind the enemy lines we're shooting that it's fake.

854
00:40:55,480 --> 00:40:57,200
Speaker 3: Like everybody gets that going in and you turn on

855
00:40:57,239 --> 00:40:59,120
Speaker 3: your television, you know that you're at least back in

856
00:40:59,120 --> 00:41:00,520
Speaker 3: the day in the nineties, and you turn on a

857
00:41:00,520 --> 00:41:03,600
Speaker 3: television show, you knew that you're essentially turning on a

858
00:41:03,640 --> 00:41:07,319
Speaker 3: show for entertainment. So that is there's that question of

859
00:41:07,360 --> 00:41:09,759
Speaker 3: that morality line which quiz show And actually, in a

860
00:41:09,760 --> 00:41:13,880
Speaker 3: way this episode kind of rides pretty interestingly, which is,

861
00:41:13,920 --> 00:41:14,840
Speaker 3: you know, what's okay?

862
00:41:15,040 --> 00:41:18,120
Speaker 1: Remember how boring news used to be. Like the idea

863
00:41:18,280 --> 00:41:21,440
Speaker 1: like a person behind a desk delivering information with no

864
00:41:21,600 --> 00:41:26,880
Speaker 1: graphics and no was basic. It was very uh, straightforward.

865
00:41:26,960 --> 00:41:30,480
Speaker 1: And now there's not a single news show that doesn't

866
00:41:30,520 --> 00:41:35,200
Speaker 1: have amazing clips and graphics and sound and the bottom

867
00:41:35,239 --> 00:41:38,919
Speaker 1: and right. It's it's a you know, we're infotainment era,

868
00:41:39,080 --> 00:41:42,239
Speaker 1: Like it's the progression is has gone on since the

869
00:41:42,320 --> 00:41:42,879
Speaker 1: nineties for.

870
00:41:42,840 --> 00:41:45,240
Speaker 4: Sure, but there are some things like you can't release

871
00:41:45,440 --> 00:41:50,000
Speaker 4: a documentary and not follow the rules sure of a documentary,

872
00:41:50,360 --> 00:41:51,920
Speaker 4: like you you know.

873
00:41:52,200 --> 00:41:55,439
Speaker 1: I feel like it's the line has gotten cross even

874
00:41:55,480 --> 00:41:58,600
Speaker 1: that's gotten it's gotten so blurry, you know. You look

875
00:41:58,600 --> 00:42:02,560
Speaker 1: at something like The Jinks or yeah, these these documentaries.

876
00:42:01,920 --> 00:42:05,000
Speaker 3: Where you're like, is that ethical, Like that's a you know,

877
00:42:05,000 --> 00:42:05,600
Speaker 3: a fine line.

878
00:42:05,640 --> 00:42:08,319
Speaker 1: And then also re enactments that are not labeled as

879
00:42:08,400 --> 00:42:11,319
Speaker 1: such within documentaries like that, And I mean I get

880
00:42:11,320 --> 00:42:14,720
Speaker 1: it in a postmodern sense, you know, the line between

881
00:42:14,760 --> 00:42:18,560
Speaker 1: fiction and nonfiction is blurry and interesting. But yeah, I

882
00:42:18,600 --> 00:42:22,360
Speaker 1: think holding true to the values that this episode espouses

883
00:42:22,600 --> 00:42:26,160
Speaker 1: is really great and should be done more, should be

884
00:42:26,239 --> 00:42:27,040
Speaker 1: emphasized more.

885
00:42:27,560 --> 00:42:33,319
Speaker 4: Couldn't agree more so most of the time. So then

886
00:42:33,320 --> 00:42:36,799
Speaker 4: Tapanga willingly tousles her hair, Corey shows off cake face,

887
00:42:37,000 --> 00:42:40,040
Speaker 4: and Sean gives the crowd his poudy lip. The entire

888
00:42:40,080 --> 00:42:42,960
Speaker 4: audience is going crazy, except for Alan Amy and Feoene,

889
00:42:42,960 --> 00:42:45,880
Speaker 4: who bury their heads in their hands, and then we

890
00:42:45,920 --> 00:42:50,680
Speaker 4: get some wild bongo drums into John Adams High. Phoene

891
00:42:50,719 --> 00:42:52,880
Speaker 4: is teaching a lesson on the creation of the printing press,

892
00:42:52,920 --> 00:42:56,800
Speaker 4: which made information accessible to everyone. But while he's lecturing, Corey,

893
00:42:56,840 --> 00:43:00,279
Speaker 4: Sean and Tapanga are a little busy. They're autographing are

894
00:43:00,320 --> 00:43:01,520
Speaker 4: real headshots?

895
00:43:02,080 --> 00:43:03,400
Speaker 2: Were fellow classmates?

896
00:43:03,480 --> 00:43:03,600
Speaker 1: Right?

897
00:43:04,239 --> 00:43:06,240
Speaker 2: But only that was your actual headshot?

898
00:43:06,280 --> 00:43:06,919
Speaker 3: I was to remember.

899
00:43:06,960 --> 00:43:08,759
Speaker 1: I was like, I know this photo, but I was like,

900
00:43:08,800 --> 00:43:10,560
Speaker 1: did they take this for this or is it just

901
00:43:10,680 --> 00:43:12,440
Speaker 1: actually what? I was just your hat.

902
00:43:12,239 --> 00:43:14,360
Speaker 4: Shot and I don't I didn't get to see mine.

903
00:43:14,400 --> 00:43:16,720
Speaker 4: I wanted to see which one. I didn't see anybody else's,

904
00:43:16,719 --> 00:43:18,319
Speaker 4: but yours was very visible, and I was like, that's

905
00:43:18,360 --> 00:43:19,360
Speaker 4: writer's real headshot.

906
00:43:19,480 --> 00:43:21,840
Speaker 1: It was it? I mean, it looked like I was younger.

907
00:43:21,880 --> 00:43:23,400
Speaker 1: I must it must have been my headshot when I

908
00:43:23,400 --> 00:43:26,080
Speaker 1: was like fifteen or sixteen. At this point, I think,

909
00:43:26,360 --> 00:43:28,800
Speaker 1: my yeah, I don't know.

910
00:43:28,880 --> 00:43:31,040
Speaker 3: Do we want to mention a little bit about the

911
00:43:31,120 --> 00:43:34,920
Speaker 3: historical inaccuracy of this because Gutenberg is widely credited with

912
00:43:35,080 --> 00:43:38,120
Speaker 3: creating movable type and everything when it was actually done

913
00:43:38,120 --> 00:43:40,960
Speaker 3: in Korea three hundred years earlier. Wow, So I don't

914
00:43:40,960 --> 00:43:42,879
Speaker 3: know if that was If that's something that we should

915
00:43:42,920 --> 00:43:45,120
Speaker 3: bring up this It was such a crux of the show,

916
00:43:46,120 --> 00:43:50,239
Speaker 3: but it was actually it was the first book to

917
00:43:50,280 --> 00:43:52,719
Speaker 3: be printed with metal type. Was Producer on twelve thirty four,

918
00:43:53,360 --> 00:43:55,839
Speaker 3: and I believe it was. It was a copy of Confusion,

919
00:43:57,480 --> 00:43:59,120
Speaker 3: And I think it's just important to point out that

920
00:43:59,160 --> 00:44:01,080
Speaker 3: it's so it's just West are in bias that gives

921
00:44:01,840 --> 00:44:04,640
Speaker 3: necessarily because I think I think both are technically correct,

922
00:44:04,680 --> 00:44:07,239
Speaker 3: because I think Gutenberg was obviously able to print in

923
00:44:07,440 --> 00:44:11,319
Speaker 3: mass quantities or at least quote unquote mass quantities for

924
00:44:11,400 --> 00:44:16,160
Speaker 3: the time. But the Koreans were had movable type two

925
00:44:16,239 --> 00:44:18,560
Speaker 3: hundred years before Gutenberg ever did so.

926
00:44:18,600 --> 00:44:22,480
Speaker 1: In terms of actual technological progress, they were well ahead.

927
00:44:22,840 --> 00:44:26,720
Speaker 1: But in terms of social like the spreading of this tech.

928
00:44:26,680 --> 00:44:30,080
Speaker 3: Right, yeah, right, So I guess both are technically correct,

929
00:44:30,120 --> 00:44:31,680
Speaker 3: but I think you do need to shout out that

930
00:44:31,760 --> 00:44:34,320
Speaker 3: it was done in Korea two hundred years before Gutenberg.

931
00:44:34,480 --> 00:44:37,440
Speaker 4: I just can't believe Steve Gutenberg was such a double threat.

932
00:44:37,480 --> 00:44:40,640
Speaker 3: Right, I mean amazing he was doing his books and

933
00:44:41,239 --> 00:44:43,520
Speaker 3: Three Men in a Baby at the same circuit and

934
00:44:43,560 --> 00:44:46,120
Speaker 3: short circuit, I mean short circuit and doing the Bible

935
00:44:46,840 --> 00:44:50,839
Speaker 3: robots pretty Johnny five and John the back King James.

936
00:44:50,840 --> 00:44:51,719
Speaker 3: That's pretty impressive.

937
00:44:51,880 --> 00:44:55,240
Speaker 4: Yesh, It's really I'm just glad we were just shining

938
00:44:55,280 --> 00:44:57,439
Speaker 4: a light on how amazing he is so amazing Steve

939
00:44:57,480 --> 00:45:11,480
Speaker 4: Gutenberg is. Phoene tries to interrupt their press junket because

940
00:45:11,480 --> 00:45:13,920
Speaker 4: there's some learning going on in Sean's scoffs. Maybe you

941
00:45:13,960 --> 00:45:16,520
Speaker 4: think it's important to learn that Gutenberg invented the printing press.

942
00:45:16,520 --> 00:45:18,799
Speaker 4: But pop culture and these Poudy lips have made me

943
00:45:18,840 --> 00:45:22,399
Speaker 4: a star. Phoene pushes back, I'm gonna try and put

944
00:45:22,400 --> 00:45:25,120
Speaker 4: this as kindly as possible. The show has turned into

945
00:45:25,160 --> 00:45:27,840
Speaker 4: a circus, and you three are driving the tiny car.

946
00:45:28,200 --> 00:45:30,600
Speaker 4: Corey defends their circus. I'm proud that I knew that

947
00:45:30,680 --> 00:45:33,800
Speaker 4: Krusty the clown was the son of a rabbi. Topanga

948
00:45:33,840 --> 00:45:36,960
Speaker 4: speaks up, I answered a real question about the Tigris

949
00:45:37,000 --> 00:45:39,719
Speaker 4: and the Euphrates. Phoene would never deny to Panga her

950
00:45:39,760 --> 00:45:41,959
Speaker 4: moment in the sun, but knowledge Fever does not deal

951
00:45:42,000 --> 00:45:44,640
Speaker 4: with the knowledge he'd like her to absorb. Corey says,

952
00:45:44,640 --> 00:45:47,200
Speaker 4: the show's proving they're absorbing the right kind of knowledge.

953
00:45:47,200 --> 00:45:50,760
Speaker 4: That's why they're the champions. Class erupts into applause. Phoene

954
00:45:50,800 --> 00:45:54,520
Speaker 4: sternly asks champions of what of a generation whose verbal

955
00:45:54,520 --> 00:45:57,160
Speaker 4: and mathematical skills have sunk so low? When you have

956
00:45:57,239 --> 00:46:01,000
Speaker 4: the highest level of technology at your fingertips. Gutenberg's generation

957
00:46:01,080 --> 00:46:03,880
Speaker 4: thirsted for a new book every six months. Your generation

958
00:46:03,960 --> 00:46:06,920
Speaker 4: gets a new web page every six seconds. He shames

959
00:46:06,960 --> 00:46:10,120
Speaker 4: this generation for using technology to beat King Koopa and

960
00:46:10,200 --> 00:46:11,120
Speaker 4: rescue the princess.

961
00:46:11,320 --> 00:46:13,759
Speaker 2: Ay know, super Mario, because he's got it.

962
00:46:13,800 --> 00:46:15,440
Speaker 3: I thought that same thing. He's got to stay up

963
00:46:15,480 --> 00:46:18,480
Speaker 3: on all the pop culture stuff too, because he's got

964
00:46:19,080 --> 00:46:22,480
Speaker 3: You gotta knows it's very brilliant. It's brilliant.

965
00:46:22,600 --> 00:46:24,640
Speaker 1: I knew every word of it. I don't know why,

966
00:46:24,680 --> 00:46:26,279
Speaker 1: but like the second it started going, I was like,

967
00:46:26,280 --> 00:46:28,120
Speaker 1: oh yeah, maybe it's just because it's the clip that's

968
00:46:28,160 --> 00:46:31,720
Speaker 1: out there, but it's it's beautiful because it's so true.

969
00:46:31,800 --> 00:46:36,200
Speaker 1: It's even today now you get a website every half

970
00:46:36,200 --> 00:46:38,719
Speaker 1: a second, in your phone, in your pocket, and what.

971
00:46:38,680 --> 00:46:39,359
Speaker 2: Do we do with it?

972
00:46:39,760 --> 00:46:40,960
Speaker 3: And it's true we all.

973
00:46:40,760 --> 00:46:43,399
Speaker 1: Feel it like we're not sitting around with our free

974
00:46:43,400 --> 00:46:46,759
Speaker 1: time reading you know, amazing literature. Most of us are

975
00:46:46,840 --> 00:46:47,480
Speaker 1: sitting around.

976
00:46:47,880 --> 00:46:52,040
Speaker 4: That's also casually mentioned. It's probably one of it's probably

977
00:46:52,040 --> 00:46:55,960
Speaker 4: the main reason why our anxiety and stress levels are

978
00:46:56,000 --> 00:46:58,560
Speaker 4: at an all time high too. Of course, because the

979
00:46:58,640 --> 00:47:01,520
Speaker 4: reason it's in our you know, it's in our pockets

980
00:47:01,520 --> 00:47:08,120
Speaker 4: and we're getting literally bombarded with information, too much information.

981
00:47:08,280 --> 00:47:09,960
Speaker 1: Do you remember, like in the late nineties, there were

982
00:47:10,200 --> 00:47:12,680
Speaker 1: all this emphasis on like, oh, once we get the internet,

983
00:47:12,680 --> 00:47:15,040
Speaker 1: once we have access to all the books ever written,

984
00:47:15,160 --> 00:47:17,360
Speaker 1: we'll all be smarter and it'll all be great. And

985
00:47:17,440 --> 00:47:20,120
Speaker 1: the truth is you end up just being paralyzed by

986
00:47:20,120 --> 00:47:23,520
Speaker 1: this the sea of information. Too much information is not good.

987
00:47:23,640 --> 00:47:26,719
Speaker 1: It's actually better to have very focused a book every

988
00:47:26,800 --> 00:47:27,480
Speaker 1: six months.

989
00:47:27,520 --> 00:47:29,319
Speaker 2: You know, Yes, I know.

990
00:47:29,640 --> 00:47:32,040
Speaker 4: He ends his tirade with you deserve what you get.

991
00:47:32,520 --> 00:47:34,919
Speaker 4: The bell rings, but Foene demands his class to sit down.

992
00:47:35,040 --> 00:47:37,200
Speaker 4: He packs up his things and tells them for the

993
00:47:37,239 --> 00:47:39,879
Speaker 4: first time, I choose to walk out on you.

994
00:47:40,200 --> 00:47:41,960
Speaker 3: And this is the only thing I remembered from shooting

995
00:47:41,960 --> 00:47:44,120
Speaker 3: this episode was this run through the first time he

996
00:47:44,200 --> 00:47:46,520
Speaker 3: did that. It was you could hear a pin drop

997
00:47:46,640 --> 00:47:49,279
Speaker 3: because it was that we talked about how Bill was

998
00:47:49,480 --> 00:47:54,759
Speaker 3: that this from the table read first Yeah, first run

999
00:47:54,800 --> 00:47:56,839
Speaker 3: through is the first time you got to hear him

1000
00:47:56,840 --> 00:47:58,239
Speaker 3: say this in front of a classroom, and it was

1001
00:47:58,239 --> 00:48:00,000
Speaker 3: just the three of you. There's no extras, there's anything

1002
00:48:00,400 --> 00:48:03,719
Speaker 3: but just seeing that yeah moment for the first time ever.

1003
00:48:04,400 --> 00:48:06,879
Speaker 3: Nobody spoke. It was just I think because then that

1004
00:48:07,000 --> 00:48:09,400
Speaker 3: ends the scene and we would always you would then

1005
00:48:09,480 --> 00:48:12,040
Speaker 3: get up and they'd move the chairs and everybody walk

1006
00:48:12,120 --> 00:48:14,520
Speaker 3: to the next scene, and there'd be chatter between the two.

1007
00:48:14,840 --> 00:48:17,400
Speaker 3: There was nothing, it was. It was silent as we

1008
00:48:17,440 --> 00:48:19,720
Speaker 3: walked from that scene to the next scene. It was amazing, pointed.

1009
00:48:19,760 --> 00:48:22,719
Speaker 1: I mean, him saying shame on you is intense, you know,

1010
00:48:22,840 --> 00:48:26,600
Speaker 1: like that's Phoene pulling out the big guns totally. We

1011
00:48:26,640 --> 00:48:29,799
Speaker 1: haven't seen Phoene angry and disappointed to this degree ever,

1012
00:48:29,840 --> 00:48:30,839
Speaker 1: And yeah, no, I don't think.

1013
00:48:30,960 --> 00:48:33,680
Speaker 3: No, this guy, he's disgusted by this point, and you

1014
00:48:33,760 --> 00:48:35,920
Speaker 3: never you never see that. No, it was amazing.

1015
00:48:36,080 --> 00:48:37,880
Speaker 4: So then we're back on the set of Knowledge Fever.

1016
00:48:38,000 --> 00:48:40,440
Speaker 4: The set is now covered in Louau decor with dancers

1017
00:48:40,440 --> 00:48:43,640
Speaker 4: and grass skirts and lays on stage a Wahoo beach

1018
00:48:43,719 --> 00:48:47,480
Speaker 4: face safer pads now present. Huh, that's cool, and Milton

1019
00:48:47,640 --> 00:48:50,000
Speaker 4: is still introducing the show, but the host for this

1020
00:48:50,080 --> 00:48:53,920
Speaker 4: spin off is now a younger, attractive woman named Kiki Love.

1021
00:48:53,960 --> 00:48:55,799
Speaker 3: Milton's still there. Milton kept this job.

1022
00:48:56,120 --> 00:48:58,319
Speaker 2: Yeah, Milton, the.

1023
00:48:58,360 --> 00:49:00,439
Speaker 3: Larder jacket was gone. Cool.

1024
00:49:03,760 --> 00:49:08,279
Speaker 4: While doing her best, Jenny McCarthy impression. She enthusiastically introduces

1025
00:49:08,280 --> 00:49:11,160
Speaker 4: the challengers from Einstein Academy. The crowd gives them a

1026
00:49:11,239 --> 00:49:12,399
Speaker 4: lengthy boo.

1027
00:49:12,800 --> 00:49:18,120
Speaker 3: Then we're into full handheld cameras and people faces Dutch angles.

1028
00:49:18,520 --> 00:49:22,359
Speaker 3: This was like Dutch touch angles. That's all anybody talks

1029
00:49:22,360 --> 00:49:23,000
Speaker 3: about back then.

1030
00:49:23,160 --> 00:49:26,880
Speaker 1: Was like the access to nonlinear editing just changed everything,

1031
00:49:26,920 --> 00:49:28,720
Speaker 1: so then you could just run around with a camera

1032
00:49:29,080 --> 00:49:30,960
Speaker 1: and be able to do these kinds of shots and

1033
00:49:30,960 --> 00:49:33,239
Speaker 1: cut it all together real quick. And that was it

1034
00:49:33,280 --> 00:49:36,080
Speaker 1: was called like MTV style And I could tell that,

1035
00:49:36,200 --> 00:49:38,440
Speaker 1: like Jeff McCracken and all our crew were just.

1036
00:49:38,560 --> 00:49:40,000
Speaker 3: Loving being able to do this.

1037
00:49:40,320 --> 00:49:42,759
Speaker 1: And it's oh, it's so dated. I love it.

1038
00:49:42,920 --> 00:49:44,880
Speaker 4: I know it is so dated, but it's so fun.

1039
00:49:45,360 --> 00:49:49,360
Speaker 4: Then Kekey introduces the champions, Lips Hair and Brainiac fourteen.

1040
00:49:49,880 --> 00:49:52,399
Speaker 4: The crowd goes wild and Corey, who's wearing a light

1041
00:49:52,480 --> 00:49:55,440
Speaker 4: up brain shaped hat, gives his confused look as he

1042
00:49:55,480 --> 00:49:58,479
Speaker 4: waves to the audience. Keiki kicks off the first round

1043
00:49:58,480 --> 00:50:00,960
Speaker 4: by asking John Adams High where the moon is. The

1044
00:50:01,000 --> 00:50:03,279
Speaker 4: three get into a huddle to discuss their answer. They

1045
00:50:03,320 --> 00:50:06,480
Speaker 4: break apart and just point to the sky. Kiki awards

1046
00:50:06,480 --> 00:50:10,200
Speaker 4: them eight hundred million points for the correct answer. She

1047
00:50:10,280 --> 00:50:13,239
Speaker 4: turns to Einstein Academy to ask the second question, what

1048
00:50:13,320 --> 00:50:16,600
Speaker 4: does the moon weigh? Then they provide their answer, eighty

1049
00:50:16,640 --> 00:50:21,000
Speaker 4: one quintillion tons. Kiki stares blankly at the camera. I'm

1050
00:50:21,040 --> 00:50:23,759
Speaker 4: sure it is. However, that's not the answer we're looking for.

1051
00:50:24,320 --> 00:50:26,640
Speaker 4: She turns it over to John Adams and Seawan answers

1052
00:50:26,760 --> 00:50:29,200
Speaker 4: it doesn't weigh anything, because if it did, it fall

1053
00:50:29,239 --> 00:50:34,600
Speaker 4: on us. Keiki announces that is correct because Einstein Academy

1054
00:50:34,640 --> 00:50:37,319
Speaker 4: got the question wrong. The audience yells to bring out

1055
00:50:37,320 --> 00:50:41,359
Speaker 4: the Samoans to poke sharp rods at the losers part.

1056
00:50:41,400 --> 00:50:42,200
Speaker 3: I didn't quite get.

1057
00:50:42,440 --> 00:50:42,879
Speaker 2: I don't either.

1058
00:50:42,920 --> 00:50:45,480
Speaker 1: I was waiting for them to be like slimed, which right,

1059
00:50:45,600 --> 00:50:48,160
Speaker 1: I think this is a direct reference to but they

1060
00:50:48,360 --> 00:50:51,239
Speaker 1: have some moans with spears, like what's happening to you?

1061
00:50:51,440 --> 00:50:54,680
Speaker 4: Well, I think the idea is, right, I think the

1062
00:50:54,800 --> 00:50:57,240
Speaker 4: idea is and so what do we do in this situation?

1063
00:50:57,400 --> 00:50:58,400
Speaker 2: We kill them?

1064
00:50:59,040 --> 00:51:02,600
Speaker 1: And so the idea is I'm sure there was so

1065
00:51:02,680 --> 00:51:05,759
Speaker 1: much discussion about yep, sliming them, putting water on that,

1066
00:51:05,840 --> 00:51:08,440
Speaker 1: but it's so hard to do like I was imagined.

1067
00:51:08,480 --> 00:51:10,719
Speaker 3: Could we have like a cage fall on them, you know.

1068
00:51:10,880 --> 00:51:12,799
Speaker 1: But instead they were just like, let's just have some

1069
00:51:12,800 --> 00:51:14,560
Speaker 1: some guys run out with spears and it'll do the

1070
00:51:14,600 --> 00:51:17,279
Speaker 1: same thing story wise. But I kind of wish we

1071
00:51:17,320 --> 00:51:19,439
Speaker 1: had gone the extra mile because if we had had

1072
00:51:19,480 --> 00:51:21,840
Speaker 1: people them getting like doused in something, it would have

1073
00:51:21,880 --> 00:51:25,799
Speaker 1: been closer to what Nickelodeon shows did. What all those

1074
00:51:26,080 --> 00:51:28,040
Speaker 1: kinds of you know, doubled there like that. That's what

1075
00:51:28,080 --> 00:51:29,800
Speaker 1: they're vibing on, right.

1076
00:51:30,360 --> 00:51:33,440
Speaker 4: Well, Jeff McCracken does not want to hear you say that.

1077
00:51:33,520 --> 00:51:37,320
Speaker 1: Jeff McCracken, he was probably sitting back going he wanted

1078
00:51:37,360 --> 00:51:40,480
Speaker 1: it to but it maybe but time and time it's

1079
00:51:40,480 --> 00:51:41,040
Speaker 1: such a fan.

1080
00:51:42,800 --> 00:51:43,600
Speaker 3: It would have killed us.

1081
00:51:43,640 --> 00:51:45,160
Speaker 4: It would have killed us, That's what I'm saying. Jeff

1082
00:51:45,200 --> 00:51:47,480
Speaker 4: McCracken at the time would have loved, loved to shoot it.

1083
00:51:47,920 --> 00:51:50,160
Speaker 1: They all that, you know, they all were arguing for

1084
00:51:50,280 --> 00:51:51,160
Speaker 1: everyone couldn't do it.

1085
00:51:51,760 --> 00:51:53,359
Speaker 3: I know you both said that you don't really remember

1086
00:51:53,480 --> 00:51:55,319
Speaker 3: much about doing this episode. Do you remember if any

1087
00:51:55,320 --> 00:51:57,279
Speaker 3: of this was done in front of an audience? I don't.

1088
00:51:58,080 --> 00:52:00,000
Speaker 3: It wasn't. So you think the whole week was pre taped?

1089
00:52:00,400 --> 00:52:01,759
Speaker 2: Yeah, yeah, I think it, which is.

1090
00:52:01,680 --> 00:52:03,479
Speaker 3: Part of the reason why we don't remember it because

1091
00:52:03,520 --> 00:52:04,960
Speaker 3: it was gotcha. Gotcha.

1092
00:52:05,320 --> 00:52:07,200
Speaker 4: Yeah, they had to block and shoot all of this

1093
00:52:07,239 --> 00:52:10,000
Speaker 4: because it's just so time consuming. I mean, think about

1094
00:52:10,480 --> 00:52:14,959
Speaker 4: with the Samoans, the hosts, the other teams. Think about

1095
00:52:15,000 --> 00:52:17,520
Speaker 4: what a massive like every this is a full production.

1096
00:52:17,680 --> 00:52:20,840
Speaker 4: It's basically dance numbers for all of these scenes, and

1097
00:52:20,840 --> 00:52:22,480
Speaker 4: everybody has to hit their marks in the case. It's

1098
00:52:22,560 --> 00:52:24,720
Speaker 4: just and getting all that coverage of everything.

1099
00:52:24,800 --> 00:52:25,640
Speaker 2: It had to have been.

1100
00:52:25,520 --> 00:52:28,200
Speaker 4: Block and shoot days for sure, I'm sure. So the

1101
00:52:28,239 --> 00:52:30,279
Speaker 4: show ends and Brett, the sponsor for the show, is

1102
00:52:30,280 --> 00:52:32,920
Speaker 4: introduced to Corey, Sean and Topanga. He explains that thanks

1103
00:52:32,920 --> 00:52:35,680
Speaker 4: to them, the show now reaches four times as many

1104
00:52:35,760 --> 00:52:38,520
Speaker 4: kids as it used to. The producer explains that huh,

1105
00:52:38,520 --> 00:52:41,600
Speaker 4: that's cool. Will now need an even bigger commitment from them.

1106
00:52:42,040 --> 00:52:44,759
Speaker 4: Tapega asks what they'll need, and they casually mentioned that

1107
00:52:44,800 --> 00:52:46,080
Speaker 4: the three of them will have to miss a few

1108
00:52:46,160 --> 00:52:48,440
Speaker 4: days of school. Sean and Corey nod they have no

1109
00:52:48,480 --> 00:52:51,120
Speaker 4: issue with this. Topeka asks how many days, and it's

1110
00:52:51,760 --> 00:52:55,840
Speaker 4: six weeks. The show runner excitedly reveals they're going to

1111
00:52:55,840 --> 00:53:00,239
Speaker 4: shoot on location in a Wahoo. Sean asks Columbus, this.

1112
00:53:00,239 --> 00:53:02,120
Speaker 3: A wah who good joke.

1113
00:53:03,600 --> 00:53:06,239
Speaker 4: Topanga interjects, I don't think I can go. We have

1114
00:53:06,320 --> 00:53:08,359
Speaker 4: finals coming up, and my grades have been suffering as

1115
00:53:08,360 --> 00:53:11,279
Speaker 4: it is. And I mean, we know that this John

1116
00:53:11,280 --> 00:53:13,799
Speaker 4: Adams has midterms and finals like with only in a

1117
00:53:13,800 --> 00:53:14,759
Speaker 4: couple of weeks of each other.

1118
00:53:14,960 --> 00:53:15,600
Speaker 2: So this is.

1119
00:53:17,400 --> 00:53:20,400
Speaker 3: Broken up pep rallies and blood drives and it's got

1120
00:53:20,480 --> 00:53:23,759
Speaker 3: to be Halloween, so much exit class and Halloween, not

1121
00:53:23,920 --> 00:53:26,480
Speaker 3: to mention, Turner's funeral is what like three months now?

1122
00:53:26,640 --> 00:53:28,719
Speaker 2: Very soon? Yeah, Crazy.

1123
00:53:30,120 --> 00:53:32,759
Speaker 4: Corey agrees, telling miss Kelly Backer they're having fun, but

1124
00:53:32,760 --> 00:53:35,120
Speaker 4: they need to think about this. She nervously tells them

1125
00:53:35,160 --> 00:53:37,879
Speaker 4: they should definitely think about it, but she also thinks.

1126
00:53:38,080 --> 00:53:41,120
Speaker 1: You know what's interesting, there's just hearing you talk about

1127
00:53:41,120 --> 00:53:45,200
Speaker 1: this because it's come up, you know in my life recently,

1128
00:53:45,239 --> 00:53:49,720
Speaker 1: like thinking about, uh, if Indy got like a job

1129
00:53:50,120 --> 00:53:52,799
Speaker 1: and had to leave school right for like an acting job,

1130
00:53:53,719 --> 00:53:55,960
Speaker 1: Like that's a kind of a big deal. But when

1131
00:53:55,960 --> 00:53:57,480
Speaker 1: I was a kid, it didn't seem like a big deal.

1132
00:53:57,880 --> 00:53:59,640
Speaker 1: When I first started happening, I was like, well, this

1133
00:53:59,680 --> 00:54:02,440
Speaker 1: is great, and my parents were pretty supportive of it.

1134
00:54:02,480 --> 00:54:04,359
Speaker 1: They were like, right, we'll figure out how to work

1135
00:54:04,440 --> 00:54:07,319
Speaker 1: school around it. But like, one of the things that

1136
00:54:07,520 --> 00:54:09,240
Speaker 1: doesn't come up is are we getting paid?

1137
00:54:09,960 --> 00:54:11,880
Speaker 4: I know I think about that throughout this episode the

1138
00:54:11,880 --> 00:54:12,279
Speaker 4: whole time.

1139
00:54:12,280 --> 00:54:14,680
Speaker 2: What's happened? What are we in this for other than

1140
00:54:14,960 --> 00:54:15,760
Speaker 2: fame popularity?

1141
00:54:15,760 --> 00:54:17,600
Speaker 1: Which I think was smart because if they had made

1142
00:54:17,600 --> 00:54:20,440
Speaker 1: it about money, it would have been probably a good argument.

1143
00:54:20,480 --> 00:54:25,000
Speaker 1: Take six weeks, go to Hawaii, put you can go

1144
00:54:25,000 --> 00:54:27,080
Speaker 1: to a private school that'll adjust to this and we'll

1145
00:54:27,080 --> 00:54:29,960
Speaker 1: figure out your education. But when you take away the money,

1146
00:54:30,320 --> 00:54:34,400
Speaker 1: something like just about the populard just the popularity, which.

1147
00:54:34,160 --> 00:54:36,799
Speaker 3: Again they actually did it, did it in small ways,

1148
00:54:36,800 --> 00:54:39,680
Speaker 3: which is interesting, like even signing autographs in the classroom.

1149
00:54:39,680 --> 00:54:42,600
Speaker 3: It's like it's just showing school. It's just that it's

1150
00:54:42,800 --> 00:54:45,040
Speaker 3: just the popularity and fame, which is you're right, it's

1151
00:54:45,040 --> 00:54:47,560
Speaker 3: a doctor incompletely change my mind. By the way, this

1152
00:54:47,640 --> 00:54:54,200
Speaker 3: is my favorite episode. I think it's I think maybe

1153
00:54:54,200 --> 00:54:55,840
Speaker 3: I was just in a bad mood. I was, you know,

1154
00:54:56,160 --> 00:54:58,520
Speaker 3: I just one of those things. Because it's as we're

1155
00:54:58,560 --> 00:54:59,960
Speaker 3: talking about it, I'm like, yeah, it does it hit.

1156
00:55:00,000 --> 00:55:02,719
Speaker 3: It's a bunch of levels. The performances are great, So

1157
00:55:03,080 --> 00:55:05,759
Speaker 3: I like that Tapanga actually had I mean it wrote

1158
00:55:05,800 --> 00:55:08,560
Speaker 3: down in my notes and like, oh, Tipanga's got character

1159
00:55:10,200 --> 00:55:12,440
Speaker 3: has a character, So yeah, you're right, best show we've

1160
00:55:12,440 --> 00:55:13,680
Speaker 3: ever done.

1161
00:55:13,840 --> 00:55:16,400
Speaker 4: She nervously tells them that they should definitely think about it,

1162
00:55:16,440 --> 00:55:19,440
Speaker 4: but they also should think about how they've become scholastic

1163
00:55:19,520 --> 00:55:22,480
Speaker 4: role models for millions of kids. And this is where

1164
00:55:22,520 --> 00:55:27,279
Speaker 4: again I loved that that it hits them are but

1165
00:55:27,440 --> 00:55:30,840
Speaker 4: what kind of role models are we? You're right, we've

1166
00:55:30,920 --> 00:55:31,560
Speaker 4: become the.

1167
00:55:31,600 --> 00:55:34,520
Speaker 3: Face now we have responsibility.

1168
00:55:33,920 --> 00:55:36,600
Speaker 4: Right, and it puts it on us like, oh, she

1169
00:55:36,719 --> 00:55:38,520
Speaker 4: thought she was doing something that was going to make

1170
00:55:38,600 --> 00:55:40,279
Speaker 4: us want to keep doing it, but instead it put

1171
00:55:40,280 --> 00:55:42,080
Speaker 4: the bug in our head that like, oh wait, we

1172
00:55:42,560 --> 00:55:45,480
Speaker 4: are so Brett, the sponsor guy adds, so let's get

1173
00:55:45,520 --> 00:55:47,960
Speaker 4: in the bathing suits and let's get ready for round two.

1174
00:55:48,480 --> 00:55:51,000
Speaker 4: The kids oblige and walk away, leaving the two adults

1175
00:55:51,000 --> 00:55:53,879
Speaker 4: to wait and worry for their answers. And then we're

1176
00:55:53,920 --> 00:55:57,239
Speaker 4: in the Matthew's backyard. Corey's holding his blinking brainiac hat

1177
00:55:57,280 --> 00:55:59,880
Speaker 4: and he runs into Feenie outside. Feenie addresses him, so,

1178
00:56:00,400 --> 00:56:02,360
Speaker 4: I suppose it's too much to hope that you've prepared

1179
00:56:02,360 --> 00:56:05,120
Speaker 4: for tomorrow's class. Corey responds back to him by reciting

1180
00:56:05,160 --> 00:56:08,319
Speaker 4: information from his class. Phoene surprised and Corey notes, please

1181
00:56:08,320 --> 00:56:10,200
Speaker 4: don't tell anyone. I know that I am a little

1182
00:56:10,200 --> 00:56:13,400
Speaker 4: confused about why is Corey home right now? Like I

1183
00:56:13,640 --> 00:56:16,120
Speaker 4: couldn't figure out timing wise where we were in this

1184
00:56:16,320 --> 00:56:18,640
Speaker 4: is this in between episodes.

1185
00:56:18,080 --> 00:56:20,360
Speaker 3: Of That's it's a Saturday?

1186
00:56:20,920 --> 00:56:22,560
Speaker 4: Oh okay, so he's going back.

1187
00:56:22,719 --> 00:56:27,240
Speaker 3: Why Phoene's home too, Sunday Sunday? Because monday's tomorrow's class.

1188
00:56:27,239 --> 00:56:30,839
Speaker 3: So he's like, you're ready for class tomorrow? They don't shoot? Huh,

1189
00:56:30,840 --> 00:56:34,279
Speaker 3: that's cool on Sundays. Everybody knows that everybody knows Phoene's home.

1190
00:56:34,480 --> 00:56:35,759
Speaker 4: Well we do know that actually because they have to

1191
00:56:35,800 --> 00:56:36,720
Speaker 4: miss school for it.

1192
00:56:36,719 --> 00:56:38,720
Speaker 3: Right, so that say only shoot during the weeks.

1193
00:56:38,880 --> 00:56:41,920
Speaker 1: I think the bigger question for me is like this

1194
00:56:41,920 --> 00:56:44,799
Speaker 1: this handoff, Like why does Sean end up having the

1195
00:56:44,880 --> 00:56:48,360
Speaker 1: moment and Corey's having the arc here? Like Corey is

1196
00:56:48,360 --> 00:56:51,680
Speaker 1: the one that's having the encounter with phoene parents. It's

1197
00:56:51,719 --> 00:56:54,279
Speaker 1: really weird to me. I mean, as much as you know,

1198
00:56:54,480 --> 00:56:56,759
Speaker 1: I think Sean is a great character, Like why he

1199
00:56:56,880 --> 00:57:00,360
Speaker 1: becomes the one that makes the choice in the moment, Well.

1200
00:57:00,200 --> 00:57:02,840
Speaker 3: Because he's the one that would be the most easily

1201
00:57:03,080 --> 00:57:05,880
Speaker 3: persuaded to be okay with this lifestyle.

1202
00:57:06,280 --> 00:57:08,600
Speaker 1: But does Corey end up influencing Sean at all in

1203
00:57:08,640 --> 00:57:11,560
Speaker 1: the next scene. I'm trying to like, it would be great.

1204
00:57:11,600 --> 00:57:15,240
Speaker 1: I don't know the transference from to Panga to Corey

1205
00:57:15,360 --> 00:57:18,040
Speaker 1: to Sean. It's just it's it's a little muddy for me.

1206
00:57:18,320 --> 00:57:21,680
Speaker 4: Here's here's what kind of I felt actually kind of

1207
00:57:21,720 --> 00:57:26,720
Speaker 4: sad about, is that they make Corey the brainy one,

1208
00:57:27,480 --> 00:57:31,280
Speaker 4: right because they're implying there's nothing about him that would

1209
00:57:31,280 --> 00:57:38,160
Speaker 4: be personality or looks driven. So on our team, Corey

1210
00:57:38,280 --> 00:57:42,720
Speaker 4: is the smart one, but your sexy, pouty lips and

1211
00:57:42,760 --> 00:57:48,280
Speaker 4: I care And so it's like, it's like, the reason

1212
00:57:48,320 --> 00:57:49,440
Speaker 4: it has to be you.

1213
00:57:49,960 --> 00:57:52,040
Speaker 3: Is because I'm the most superficial.

1214
00:57:52,280 --> 00:57:54,280
Speaker 4: You are the most super You're the You're the one

1215
00:57:54,280 --> 00:57:57,439
Speaker 4: who has the most to gain from this. You are

1216
00:57:57,520 --> 00:58:00,560
Speaker 4: on the fence about whether or not being.

1217
00:58:00,440 --> 00:58:02,640
Speaker 2: Smart important to you. Are you smart?

1218
00:58:03,080 --> 00:58:05,440
Speaker 4: Well, we know you're good looking, So you have to

1219
00:58:05,480 --> 00:58:08,800
Speaker 4: be the one to make this kind of final declaration

1220
00:58:09,400 --> 00:58:11,760
Speaker 4: that which side of the road am I gonna choose.

1221
00:58:12,520 --> 00:58:14,360
Speaker 4: I'm gonna yes, I'm gonna be more than.

1222
00:58:14,280 --> 00:58:16,840
Speaker 1: That, because like even in this moment, Corey's like is

1223
00:58:16,960 --> 00:58:20,200
Speaker 1: knowledgeable about Schuttenberg, then denies it as if you want

1224
00:58:20,240 --> 00:58:20,720
Speaker 1: I don't.

1225
00:58:20,520 --> 00:58:23,840
Speaker 3: Know this again, but yeah, it was a little strange

1226
00:58:23,840 --> 00:58:31,520
Speaker 3: for me, but best episode we've ever done.

1227
00:58:36,800 --> 00:58:38,320
Speaker 2: So then we're back at huh, that's cool.

1228
00:58:38,360 --> 00:58:41,160
Speaker 4: The three champions are dressed in Hawaiian shirts and swimsuits

1229
00:58:41,200 --> 00:58:44,160
Speaker 4: as they tell miss Kelly Backer what they've discussed. They'd

1230
00:58:44,240 --> 00:58:46,800
Speaker 4: like to be asked some intelligent questions on the show.

1231
00:58:47,000 --> 00:58:50,000
Speaker 4: She laughs and asks why they'd want that to Penga clarifies,

1232
00:58:50,160 --> 00:58:52,720
Speaker 4: so there could be some educational value on the show.

1233
00:58:53,040 --> 00:58:55,280
Speaker 4: Miss Kelly Backer explains no one watched the show when

1234
00:58:55,280 --> 00:58:58,200
Speaker 4: they asked intelligent questions, and now they watch the show,

1235
00:58:58,280 --> 00:59:00,760
Speaker 4: so she thinks they're doing the right thing. Corey wonders,

1236
00:59:00,920 --> 00:59:02,800
Speaker 4: don't you think we should do a smart show? If

1237
00:59:02,800 --> 00:59:06,400
Speaker 4: this many kids watch? Miss Kelly Backer thinks that's an

1238
00:59:06,400 --> 00:59:09,640
Speaker 4: outrageous demand. Is this what she gets from making them famous?

1239
00:59:09,920 --> 00:59:13,560
Speaker 4: Corey admits nobody recognizes him without the brainhead. Miss Kelly

1240
00:59:13,560 --> 00:59:16,200
Speaker 4: Backer asks if this new format is something they all want,

1241
00:59:16,280 --> 00:59:19,840
Speaker 4: and Sean looks apprehensive, so maybe that's what it is.

1242
00:59:19,880 --> 00:59:22,760
Speaker 4: The three of this is the three of us have

1243
00:59:22,920 --> 00:59:24,240
Speaker 4: talked off off camera.

1244
00:59:24,960 --> 00:59:26,560
Speaker 1: I wanted to see, I want to see, you want

1245
00:59:26,560 --> 00:59:30,360
Speaker 1: to that This moment with Backyard, Feenie and Corey should

1246
00:59:30,360 --> 00:59:31,640
Speaker 1: have been the three of us. It should have been

1247
00:59:31,640 --> 00:59:34,080
Speaker 1: the three of us having doubts and going is this good?

1248
00:59:34,160 --> 00:59:35,960
Speaker 1: I don't know, but I kind of like it. Maybe

1249
00:59:36,000 --> 00:59:36,560
Speaker 1: we should talk.

1250
00:59:36,480 --> 00:59:38,400
Speaker 3: To the producer and then we cut to the producer.

1251
00:59:38,760 --> 00:59:40,920
Speaker 4: Yes, because also I love the idea that what the

1252
00:59:40,960 --> 00:59:43,280
Speaker 4: three of us have obviously come to is there really

1253
00:59:43,400 --> 00:59:46,760
Speaker 4: isn't anything wrong with having a fun show, but let's

1254
00:59:46,760 --> 00:59:49,880
Speaker 4: find the balance. Let's also do this, which is exactly

1255
00:59:49,880 --> 00:59:53,280
Speaker 4: what Boy Meets World is a balance of fun romp

1256
00:59:53,440 --> 00:59:56,520
Speaker 4: with some real education thrown in there. Not just of

1257
00:59:56,640 --> 01:00:01,360
Speaker 4: education book smart wise, but emotional intelligence, learn relationships, people,

1258
01:00:01,560 --> 01:00:03,800
Speaker 4: family friends. So I would have loved to have seen

1259
01:00:03,840 --> 01:00:05,320
Speaker 4: that too, you're right, writer, That would have been.

1260
01:00:05,320 --> 01:00:08,400
Speaker 1: Seen in Chubby's where we get recognized and Sean is

1261
01:00:08,440 --> 01:00:11,120
Speaker 1: treated like a dumb dumb right, you know, even though

1262
01:00:11,160 --> 01:00:13,920
Speaker 1: it's good for whatever, some girl only likes her because

1263
01:00:13,960 --> 01:00:16,280
Speaker 1: and he's like, would I don't I kind of want

1264
01:00:16,320 --> 01:00:18,800
Speaker 1: to heard it more than from my thoughts.

1265
01:00:18,840 --> 01:00:22,640
Speaker 4: Whatever, Right, So she grabs his arm trying to persuade

1266
01:00:22,680 --> 01:00:25,200
Speaker 4: him to go against his friends. Sean tells her he's

1267
01:00:25,240 --> 01:00:26,840
Speaker 4: going to have to think about it, but Miss Kelly

1268
01:00:26,840 --> 01:00:30,040
Speaker 4: Backer is unsatisfied. She says they were prepared for something

1269
01:00:30,080 --> 01:00:32,000
Speaker 4: like this to happen. The three of them wonder what

1270
01:00:32,040 --> 01:00:33,680
Speaker 4: she meant by that, but we immediately go to the

1271
01:00:33,720 --> 01:00:36,840
Speaker 4: taping of Huh That's Cool. Keky introduces hair Lips and

1272
01:00:36,880 --> 01:00:39,960
Speaker 4: Brainiac fourteen, as she normally does, and the camera shows

1273
01:00:40,000 --> 01:00:42,680
Speaker 4: the audience, some of whom are wearing brain hats just

1274
01:00:42,800 --> 01:00:45,680
Speaker 4: like Corey's. Brett and Miss Kelly Backer are watching from

1275
01:00:45,680 --> 01:00:47,400
Speaker 4: the side, and Brett asks if the kids are going

1276
01:00:47,480 --> 01:00:50,080
Speaker 4: to be trouble. She says she's already taken care of it.

1277
01:00:50,400 --> 01:00:53,040
Speaker 4: Kekey announces the challengers, who have traveled all the way

1278
01:00:53,080 --> 01:00:57,840
Speaker 4: from Malibu, California. She introduces the three contenders, Viper Jones,

1279
01:00:58,040 --> 01:01:03,320
Speaker 4: Surfer Girl, and Moondug Dog. They run out and dance

1280
01:01:03,400 --> 01:01:06,880
Speaker 4: on stage, all dressed just like their John Adams counterparts.

1281
01:01:07,400 --> 01:01:09,920
Speaker 4: The crowd first gives them a blank stare, but after

1282
01:01:09,960 --> 01:01:11,920
Speaker 4: a second or two, they jump out of their seats

1283
01:01:11,920 --> 01:01:14,880
Speaker 4: and start to cheer for the new challengers. Surfer Girl

1284
01:01:14,920 --> 01:01:17,800
Speaker 4: tousles her hair as Viper and Moondoggie play air guitar

1285
01:01:17,880 --> 01:01:20,280
Speaker 4: and flip their hair back and forth. Corey, Tebenga, and

1286
01:01:20,320 --> 01:01:23,200
Speaker 4: Sean stare at them with their jaws dropped. Some time

1287
01:01:23,200 --> 01:01:25,440
Speaker 4: has passed and Keiki is telling the audience that this

1288
01:01:25,640 --> 01:01:29,120
Speaker 4: is two two dramatic. There's only one question left and

1289
01:01:29,160 --> 01:01:33,400
Speaker 4: the score is tied one million trillion points each. The

1290
01:01:33,440 --> 01:01:37,840
Speaker 4: final question goes to Lips. Sean nervously smiles as the

1291
01:01:37,840 --> 01:01:41,200
Speaker 4: crowd loudly cheers for him. Miss Kelly Backer asks Brett

1292
01:01:41,200 --> 01:01:43,439
Speaker 4: if he cares who wins, and Brett scoffs good looking

1293
01:01:43,520 --> 01:01:44,760
Speaker 4: kids versus good looking kids.

1294
01:01:45,040 --> 01:01:45,800
Speaker 2: This is good TV.

1295
01:01:46,600 --> 01:01:49,439
Speaker 4: Keiki asks Sean the final question for the win, who

1296
01:01:49,680 --> 01:01:52,920
Speaker 4: invented the printing press and made the written word available

1297
01:01:52,920 --> 01:01:56,320
Speaker 4: to the masses for the first time in history. Sean smiles,

1298
01:01:56,480 --> 01:01:59,520
Speaker 4: he knows this, but he's conflicted. It's the clock ticks

1299
01:02:00,200 --> 01:02:02,560
Speaker 4: times up and Sean still hasn't answered the question. He

1300
01:02:02,640 --> 01:02:06,240
Speaker 4: tells Kiki, I don't know. I don't really know anything.

1301
01:02:06,880 --> 01:02:09,520
Speaker 4: I'm just cute and fun to watch to. Panga and

1302
01:02:09,600 --> 01:02:12,800
Speaker 4: Corey are pleased by his answer, and then we're back

1303
01:02:12,800 --> 01:02:16,000
Speaker 4: in Phoenie's classroom. Phoene walks in to find Topanga, Corey,

1304
01:02:16,000 --> 01:02:18,240
Speaker 4: and Sean all sitting at their desks waiting for him.

1305
01:02:18,480 --> 01:02:20,960
Speaker 4: He asks why they're early for class, and Sean answers

1306
01:02:21,320 --> 01:02:25,000
Speaker 4: Johann Gutenberg. Gutenberg invented the printing press in fourteen fifty.

1307
01:02:25,200 --> 01:02:28,680
Speaker 4: Phoenie nods he believes he taught Sean that. Corey raises

1308
01:02:28,720 --> 01:02:31,320
Speaker 4: his hand next, can you teach us something else? He

1309
01:02:31,360 --> 01:02:33,000
Speaker 4: smiles at him, and they all give him a warm

1310
01:02:33,040 --> 01:02:36,720
Speaker 4: smile back. Then the other kids walk into class like losers.

1311
01:02:37,760 --> 01:02:41,000
Speaker 3: Do you remember in quiz show can for a little

1312
01:02:41,040 --> 01:02:45,040
Speaker 3: trivia question? Do you remember the question that he threw? No?

1313
01:02:46,160 --> 01:02:49,840
Speaker 3: King Beaudoin was the answer, But he says Leopold, knowing

1314
01:02:49,920 --> 01:02:53,000
Speaker 3: full well he was wrong. There's your quiz show.

1315
01:02:52,840 --> 01:02:54,720
Speaker 2: Trivia for there's our trivia for the day.

1316
01:02:54,920 --> 01:02:56,600
Speaker 3: Right now. Jensen's going, yep, that's right.

1317
01:02:56,520 --> 01:02:58,760
Speaker 2: That's yeah, Dogly, Jensen's the only person.

1318
01:02:58,560 --> 01:03:00,280
Speaker 3: Who also knew that also got that.

1319
01:03:00,360 --> 01:03:05,840
Speaker 2: Yep, your memory for movies is really remarkable. Crazy.

1320
01:03:06,120 --> 01:03:07,920
Speaker 4: And then we're in the tag. We're in the Matthews

1321
01:03:07,920 --> 01:03:10,560
Speaker 4: living room. The Matthews family along with the Penggun Shawn

1322
01:03:10,600 --> 01:03:11,960
Speaker 4: are all gathered around the rim.

1323
01:03:12,560 --> 01:03:15,080
Speaker 3: Did you see it starts with you. We were obviously

1324
01:03:15,160 --> 01:03:18,960
Speaker 3: something was happening because it starts with you almost losing it.

1325
01:03:19,200 --> 01:03:22,400
Speaker 3: Oh well, I mean seconds away from losing it, Like

1326
01:03:22,440 --> 01:03:24,680
Speaker 3: you barely got through the first line. So we were

1327
01:03:24,680 --> 01:03:28,040
Speaker 3: obviously joking with each other or something right when they

1328
01:03:28,200 --> 01:03:31,560
Speaker 3: just said action, because you were right about to lose

1329
01:03:31,600 --> 01:03:33,120
Speaker 3: it right at the beginning. I didn't notice.

1330
01:03:33,080 --> 01:03:34,280
Speaker 2: It was so funny.

1331
01:03:34,320 --> 01:03:35,760
Speaker 4: I feel like this would have been a thing we

1332
01:03:35,840 --> 01:03:38,720
Speaker 4: had very little time to shoot, Like they would have

1333
01:03:38,760 --> 01:03:40,160
Speaker 4: saved it for the end, and they would have been like,

1334
01:03:40,160 --> 01:03:41,000
Speaker 4: you've got six men.

1335
01:03:41,040 --> 01:03:44,120
Speaker 1: We've only got the Somemans. Here for the Ramons, here

1336
01:03:44,160 --> 01:03:47,600
Speaker 1: for another twenty minutes getting here, the entire cast, we're

1337
01:03:47,600 --> 01:03:50,760
Speaker 1: messing around. They're like kids, can't get it together.

1338
01:03:51,760 --> 01:03:53,720
Speaker 4: So the Matthews family, along with the Pegun Shawn are

1339
01:03:53,760 --> 01:03:54,760
Speaker 4: all gathered around the room.

1340
01:03:54,840 --> 01:03:57,000
Speaker 2: Corey admits it's too bad we lost.

1341
01:03:57,120 --> 01:03:59,480
Speaker 4: Sean consoles him, at least we got this home version

1342
01:03:59,520 --> 01:04:02,360
Speaker 4: of the show. Referencing the Huh That's cool board game

1343
01:04:02,400 --> 01:04:06,400
Speaker 4: they're playing, Eric wines where are the dancers? Amy sarcastically

1344
01:04:06,440 --> 01:04:09,400
Speaker 4: explains they couldn't fit in the box to Panga volunteers

1345
01:04:09,400 --> 01:04:12,200
Speaker 4: to be Kiki standing up to mimic the enthusiastic hosts.

1346
01:04:12,560 --> 01:04:15,800
Speaker 4: She asks Amy the first question, milk, where does it

1347
01:04:15,840 --> 01:04:19,880
Speaker 4: come from? Amy and Alan guests cows and although that's correct,

1348
01:04:20,080 --> 01:04:22,440
Speaker 4: it's not the answer they're looking for. The boys give

1349
01:04:22,480 --> 01:04:25,160
Speaker 4: their answer a carton, and Tapega tells them to be

1350
01:04:25,200 --> 01:04:28,920
Speaker 4: more specific. They shoot back a milk carton and they're correct.

1351
01:04:29,360 --> 01:04:32,320
Speaker 4: The parents lost and you know what that means. Sim Owens,

1352
01:04:32,880 --> 01:04:34,760
Speaker 4: Amy and Allen think it's a joke. But then the

1353
01:04:34,800 --> 01:04:37,080
Speaker 4: game show, some Owens pop up all around the house

1354
01:04:37,480 --> 01:04:45,360
Speaker 4: and they poke, yes, we have our own theme song.

1355
01:04:45,960 --> 01:04:46,200
Speaker 1: Shit.

1356
01:04:46,360 --> 01:04:46,640
Speaker 2: Yes.

1357
01:04:47,000 --> 01:04:51,160
Speaker 1: I shout out to Ray colcord Our, amazing composer piece.

1358
01:04:51,520 --> 01:04:53,680
Speaker 1: You had so much fun this episode. He got to

1359
01:04:53,680 --> 01:04:56,280
Speaker 1: write the rape, he got to write, you know, all

1360
01:04:56,280 --> 01:04:58,120
Speaker 1: the theme music for the and then this.

1361
01:04:58,480 --> 01:05:03,160
Speaker 4: I just love it boy, so good, so good.

1362
01:05:03,440 --> 01:05:07,000
Speaker 3: You changed my mind. Yeah, I have no problem admitting

1363
01:05:07,000 --> 01:05:08,680
Speaker 3: that you completely changed my mind. I think I was

1364
01:05:08,720 --> 01:05:10,640
Speaker 3: too harsh at the beginning, and listening to the both

1365
01:05:10,680 --> 01:05:11,880
Speaker 3: of you speak about it, I look at it a

1366
01:05:11,880 --> 01:05:13,240
Speaker 3: different way. I'm going to go look at it again.

1367
01:05:13,320 --> 01:05:17,240
Speaker 1: I think it's totally changed. This podcast has done that

1368
01:05:17,240 --> 01:05:19,160
Speaker 1: a few times. First, yeah, yeah, I know where it's like.

1369
01:05:19,200 --> 01:05:21,800
Speaker 1: I started off kind of negative and end up more positive.

1370
01:05:22,400 --> 01:05:24,000
Speaker 3: It's a better episode than I gave it credit for.

1371
01:05:24,040 --> 01:05:25,520
Speaker 3: I got to go. I gotta go look at it again.

1372
01:05:26,360 --> 01:05:28,440
Speaker 4: Well, thank you all for joining us for this episode

1373
01:05:28,440 --> 01:05:30,439
Speaker 4: of Podmeets World. You can join us for our next

1374
01:05:30,480 --> 01:05:34,080
Speaker 4: episode recap, which will be season four episode twenty Security

1375
01:05:34,120 --> 01:05:38,840
Speaker 4: Guy that originally aired April fourth, nineteen ninety seven. As always,

1376
01:05:38,840 --> 01:05:40,919
Speaker 4: you can follow us on Instagram pod Meets World Show.

1377
01:05:41,080 --> 01:05:43,200
Speaker 4: You can send us your emails podmeets World Show at

1378
01:05:43,240 --> 01:05:45,960
Speaker 4: gmail dot com and we have merch.

1379
01:05:46,200 --> 01:05:49,040
Speaker 3: Bye, some merch bye, some merch bye, some merch.

1380
01:05:49,840 --> 01:05:52,760
Speaker 4: Podmeets Worldshow dot com will send us out.

1381
01:05:53,120 --> 01:05:57,120
Speaker 3: We love you all. Pod dismissed. Podmeats World is not

1382
01:05:57,120 --> 01:06:00,520
Speaker 3: iHeart podcast produced and hosted by Danielle Fischel, Will and

1383
01:06:00,640 --> 01:06:04,800
Speaker 3: Ryder Strong. Executive producers Jensen Carp and Amy Sugarman. Executive

1384
01:06:04,800 --> 01:06:08,160
Speaker 3: in charge of production, Danielle Romo, producer and editor, Tara

1385
01:06:08,240 --> 01:06:11,960
Speaker 3: sudbachsch producer, Maddy Moore, engineer and Boy Meets World super

1386
01:06:12,000 --> 01:06:14,640
Speaker 3: fan Easton Allen. Our theme song is by Kyle Morton

1387
01:06:14,680 --> 01:06:16,840
Speaker 3: of Typhoon, and you can follow us on Instagram at

1388
01:06:16,840 --> 01:06:19,919
Speaker 3: Podmeets World Show, or email us at Podmets Worldshow at

1389
01:06:19,920 --> 01:06:22,680
Speaker 3: gmail dot com.