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Speaker 1: It's the Best Bits of the Week with Morgan Number two.

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Speaker 1: Welcome y'all. It's the Best Bits of the Week, and

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Speaker 1: I am Morgan. If you guys haven't listened to this

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Speaker 1: podcast before. Typically what I do is I break down

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Speaker 1: the best segments from the show this week and let

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Speaker 1: you guys know what you missed or what you need

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Speaker 1: to rewatch or re listen to, you know, all the

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Speaker 1: good things. But my favorite personal part is I bring

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Speaker 1: somebody on with me from the show and we just

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Speaker 1: kind of dive into life love. Sometimes who knows what

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Speaker 1: we talk about. But this week I am bringing on

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Speaker 1: Abby because we got a lot to talk about, don't

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Speaker 1: we have? Yeah, we do. Yeah, You've had a pretty

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Speaker 1: big week, so we definitely have to dive into something.

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Speaker 1: So we're just not even gonna tease you, guys, We're

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Speaker 1: just gonna get going. Sound good, sounds good? All right,

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Speaker 1: here we go. Amy shared on the show this week

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Speaker 1: a kind of embarrassing moment she had when Ashley McBride

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Speaker 1: came in studio they were recording the Women of Our

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Speaker 1: Heart Country show. Amy embarrassed herself, or so she thought,

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Speaker 1: And so I thought it'd be fun if we should

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Speaker 1: are just some fun stories that we may have with

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Speaker 1: country stars that are just like behind the scenes things

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Speaker 1: our fans can kind of connect with. I guess, yeah, yeah,

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Speaker 1: you gotta get stories. I have a few. Okay. So

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Speaker 1: one was I was just in at work, you know,

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Speaker 1: it was everybody pretty much gone, and I'm just sitting

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Speaker 1: there and I look over and Martinez there, Martina McBride,

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Speaker 1: And I love her, like I grew up singing her songs,

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Speaker 1: you know, like karaoke and stuff, and she was in

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Speaker 1: for something to do a different show, and I got

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Speaker 1: to talk to her briefly, but I just like couldn't

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Speaker 1: believe it, you know, like that's the kind of cool

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Speaker 1: stuff that happens. You're just sitting there and you don't

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Speaker 1: expect that to happen at all. Yeah, you know, definitely. Okay,

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Speaker 1: Martina McBride, We've got one. And then I have another one.

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Speaker 1: So I love Keith Urban. I just think he's such

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Speaker 1: a great guy. You know, you hear he's a good

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Speaker 1: guy and he's always doing awesome things. And but I've

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Speaker 1: never actually met him. And I was actually at Bobby's

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Speaker 1: like million dollars show, you know, the Raging Okay, So yes,

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Speaker 1: they do every year at the at them. Yeah, and

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Speaker 1: so I was actually working it when I was in

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Speaker 1: promotions in radio and sore you were working for the show. Yeah,

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Speaker 1: So it was like before the show, they just asked me,

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Speaker 1: and I just kind of helped do stuff behind the

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Speaker 1: scenes and make sure artists got to where they needed

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Speaker 1: to go, like from the dressing room to the stage.

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Speaker 1: And I was back there and he was standing right

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Speaker 1: next to me, and it was Darius Trucker, so it

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Speaker 1: was like them too. They were talking and I was

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Speaker 1: standing there to Keith Urban and Darius Trucker while they're

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Speaker 1: just having a chill like they aren't big celebrity conversation. Yes,

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Speaker 1: And I was where I was supposed to be, Like

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Speaker 1: I was supposed to kind of stand right there, so

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Speaker 1: it's not like I was just like creeping and trying

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Speaker 1: to be in their conversation. And they actually brought me

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Speaker 1: in and they were like, hey, what's your name? So

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Speaker 1: I was like in their little triangle of talking. It

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Speaker 1: was just so wild. So what did y'all talk about?

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Speaker 1: I mean, I kind of just let them because they

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Speaker 1: were catching up. They hadn't seen him in a long time,

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Speaker 1: and I was like, they don't care about what I

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Speaker 1: have to say right now. You know, they didn't even

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Speaker 1: know who I am. Should have totally owned that moment.

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Speaker 1: I should have So you just like said high and

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Speaker 1: then just kind of went back to working kind of,

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Speaker 1: I mean, because they were talking about like what they'd

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Speaker 1: been up to, where they've been, and I was just

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Speaker 1: like yeah. Then I was like, now I just kind

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Speaker 1: of feel weird. You guys are awesome, but I just

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Speaker 1: kind of you know, I brought myself out of it,

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Speaker 1: but I'm so disappointed at me. They brought you in

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Speaker 1: for a reason, right, I just feel like when I'm working,

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Speaker 1: I need to just kind of do stay professional and

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Speaker 1: not like get in the way. So that's kind of

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Speaker 1: what I was thinking. But I'm like, why didn't Yeah,

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Speaker 1: they introduced themselves, so why didn't I just you sho

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Speaker 1: have I know there was there was one time, so

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Speaker 1: back when I worked for which Stole so one or

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Speaker 1: two on the bowl back and which stop. Um, they

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Speaker 1: did these like bowl nights out at Club Rodeo, and

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Speaker 1: they'd bring artists in most of the time that we're

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Speaker 1: like newer at the time, and this was like you know,

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Speaker 1: five years ago, five six years ago, right, and so

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Speaker 1: Old Dominion came in one night for one of their shows.

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Speaker 1: This was kind of the beginning part of their career,

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Speaker 1: like middle part, I'd say, beginning middle. They came in.

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Speaker 1: I've loved Old Dominion since the beginning and there they've

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Speaker 1: been a band that I've loved in country music, and

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Speaker 1: so they come in and do this. I'm doing all

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Speaker 1: the ingred's, the videography everything, so I am around them,

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Speaker 1: I'm working with them, right. Yeah. So at the end

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Speaker 1: of the night, we'd we'd had enough interactions that by

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Speaker 1: the time they got done performing, They're like, we're gonna

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Speaker 1: go hang out on our bus for a little bit

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Speaker 1: before we like piece out of town. You want to

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Speaker 1: come and hang out with us? And I did. I

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Speaker 1: went and hung out on the Old Dominion bus with

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Speaker 1: the guys for like gosh an hour before they like

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Speaker 1: pieced out of town out like twelve thirty and we're

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Speaker 1: on their way to their next place. But I sat

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Speaker 1: there and had these like great conversations with every guy

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Speaker 1: an Old Dominion. It was so awesome. Are they like

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Speaker 1: just as cool as Oh yeah, I think they are

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Speaker 1: like just as awesome as they are on the show.

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Speaker 1: They are in person even more so though, because they're

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Speaker 1: like sitting there just having a drink, having a good

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Speaker 1: time talking to their friends. It's even more like chill

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Speaker 1: cool moment than they already are as celebrities on stage

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Speaker 1: right on the bus. Huh wait, so they all have

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Speaker 1: they were in one bus, but they were on one bus.

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Speaker 1: I don't know if they're still the case, and I

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Speaker 1: feel like they still travel on by may you know

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Speaker 1: I'm spread out a little. That's a lot of guys, yea,

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Speaker 1: but say also on the same like club rodeo circuit.

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Speaker 1: I still to this day like Low Cash and I

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Speaker 1: are good friends from that. They came in and they like,

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Speaker 1: we had a deep conversation about Remy because one of

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Speaker 1: the guys daughters, I believe it's a daughter one of

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Speaker 1: their kids named Remy, and so we connected about the

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Speaker 1: name Remy and he has it tattooed on him. And

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Speaker 1: I know I should know more details about this, but

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Speaker 1: it's been like six years now, but still to this day,

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Speaker 1: every time I see them, they're like, we've loved watching

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Speaker 1: you like just kind of grow up and come to

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Speaker 1: be this person in radio or whatever. And so Low

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Speaker 1: Cash has always been like one that's close to the

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Speaker 1: heart for me, that they've remembered me from Wichita to

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Speaker 1: Nashville and we still have fun like conversations about it too.

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Speaker 1: That's what I love about to say, we're catching up

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Speaker 1: about Remy's I know. That's what I love about these artists.

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Speaker 1: They're so down to earth and they remember things about you,

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Speaker 1: like they'll bring up and you know how they're going

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Speaker 1: back to the witch Tall days, like, yeah, it's awesome.

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Speaker 1: So many of them, like in country music too, they're

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Speaker 1: just very down to earth and I don't think a

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Speaker 1: lot of people get lucky with that and a lot

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Speaker 1: of music genres, but with the country artists, they just

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Speaker 1: they remember things and they know where they come from

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Speaker 1: and they don't forget what happened in the beginning kind

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Speaker 1: of thing. Yeah, So I just think it's so cool.

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Speaker 1: That's why I wanted to share some of these stories. So,

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Speaker 1: do you have any any more fun ones? I do

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Speaker 1: have one. So you know the Dirk Spentley, well, the

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Speaker 1: Hot Country Nights, Yes, that band, like it's like the

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Speaker 1: how do you even describe it? They all dress it

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Speaker 1: Dirk Spentley, But yes, right, so I had nineties counted

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Speaker 1: out the country band and they have mullets and they

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Speaker 1: dressed like the nineties. Yes. Well, I was at Whiskey

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Speaker 1: Jam and they were playing it and I was kind

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Speaker 1: of in the back alley. For anybody who's listening doesn't

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Speaker 1: know Whiskey Jam. Whiskey Jam is like a big show

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Speaker 1: every Monday night in Nashville. Pretty much every Monday night

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Speaker 1: happens at Winners Losers. It's kind of a whole thing

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Speaker 1: with those bars. Usually it's inside, but like during the

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Speaker 1: summer they do outdoor ones and they're huge in the

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Speaker 1: parking lot of Loss Like it's really cool. Yes, so yeah,

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Speaker 1: it's like every Monday, but sometimes they bring like huge

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Speaker 1: artiss out and they were there and I was like

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Speaker 1: in the back alley kind of by their bus and

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Speaker 1: I was like, oh my gosh, I'd to the bathroom

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Speaker 1: so bad, but there were there's no bathrooms and I

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Speaker 1: couldn't get in the line was too long. And the

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Speaker 1: bus driver was like, why don't you just go on

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Speaker 1: on the bus on their bus, And I actually didn't

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Speaker 1: because I was like because the main the lead singer

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Speaker 1: was on the bus, he said, and I was like,

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Speaker 1: I'm not just gonna go on there, and use his

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Speaker 1: bus or the bathroom, like he's just chilling. The lead

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Speaker 1: singer would be Dirk Spell. Yes, he's like, oh, Dirk's

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Speaker 1: is on there, but it's fine, he won't care. And

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Speaker 1: I'm like, I'm not what, I just walk on there.

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Speaker 1: Oh no, my may I'm just connute to bathroom. I

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Speaker 1: was like, I don't think that'd be so I didn't

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Speaker 1: do it. That's hilarious. But those of shows and I'll

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Speaker 1: just chill, they are because clearly like Dirks wouldn't care,

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Speaker 1: or his brush driver wouldn't think that that's an option. Yes,

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Speaker 1: I like how he trusted me. Yeah, he's like, hey,

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Speaker 1: you can just go to the the bathroom real quick. Oh no,

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Speaker 1: you're fine, You're nothing about you's crazy, right, I mean

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Speaker 1: I was talking to him for a while and probably

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Speaker 1: like told him I worked for radio, so he probably

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Speaker 1: knew that, you know. I wasn't like, I was like, okay, Flags,

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Speaker 1: but that's the whiskey jam. Like if if people ever

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Speaker 1: come to Nashville, that is absolutely event people should go to.

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Speaker 1: Um that's where I met the lead singer of Lone Star,

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Speaker 1: is it? That's where that whole Like yeah, so there

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Speaker 1: was a moment so Lone Star played Whiskey Jam, and

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Speaker 1: I gosh, I've not been to Whiskey Jam since I

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Speaker 1: basically moved to Nashville. You go to so many concerts

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Speaker 1: that at this point you were just going to the

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Speaker 1: ones that like you really want to go to. And

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Speaker 1: it's hard. On a Monday night, it starts late, it

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Speaker 1: gets over at like eleven, so yeah, that's a school night, right.

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Speaker 1: I don't know still an adults could school night. Um.

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Speaker 1: But yeah, Lone Star was performing, so I was like,

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Speaker 1: I have to go to this concert. I ended up

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Speaker 1: being like side stage and got to meet the lead

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Speaker 1: singer of Lone Star. I need to figure out his name.

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Speaker 1: I have such a bad memory, y'all. Like this is

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Speaker 1: why I suck at Easy Tree and stuff, because I

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Speaker 1: can't retain information. It's only like front of mine. Um,

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Speaker 1: so I'm with you, I hear you. What is his name?

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Speaker 1: Oh my gosh, this is gonna hold on. I'm looking

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Speaker 1: it up. Where is it? Why? Oh my gosh, there's

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Speaker 1: so many none of these are right. I'm looking up

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Speaker 1: Oh Richie McDonald, Richie, Okay. I was like I knew

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Speaker 1: i'd see it. Yeah, met Ritchie and he was so awesome.

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Speaker 1: He said his wife like listened to the show and

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Speaker 1: we had this whole great conversation. So that was a

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Speaker 1: really cool moment that also happened at Whiskey Jam. Oh yeah, Yeah,

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Speaker 1: there's a lot of cool things that happened there. I mean,

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Speaker 1: And who's in the audience I've seen. I mean, I'm

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Speaker 1: trying to think who I've seen. And I have like

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Speaker 1: a lot of artists going out to support other artists

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Speaker 1: at Whiskey Jam. And Nashville is so local that you know,

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Speaker 1: they're like, Okay, well we're not going to get bombarded here.

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Speaker 1: So if you do go, like, keep your chill. If

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Speaker 1: you do meet someone and you ask for a picture,

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Speaker 1: just keep you chill. I gotta say I did see

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Speaker 1: kit More there when I first moved here. He's beautiful obviously,

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Speaker 1: and I was stupid and I did and he took one,

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Speaker 1: but I could tell he didn't like it, and I

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Speaker 1: was like, oh, I should not have done that, you know,

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Speaker 1: because it's like you don't want to do that. Yeah,

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Speaker 1: I mean you can't know, Yeah, you can't. He's not eating,

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Speaker 1: he's not with you know, kids or anything, so like

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Speaker 1: you're in the clear. Maybe he didn't mind, Like he

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Speaker 1: didn't say anything, but he wasn't like real excited to

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Speaker 1: be like, yeah, I think I think he's a little

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Speaker 1: bit more chill, but people think like he's very like

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Speaker 1: low key too. Um. But yeah, you would see like

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Speaker 1: country artists like in the crowd supporting other artists, which

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Speaker 1: it's also really cool about that event. Like, yeah, not

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Speaker 1: mentioned a lot on like all of the Nashville websites,

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Speaker 1: which is interesting to me. Um, but it's hit or miss.

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Speaker 1: So there's like a whole Instagram account you can follow

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Speaker 1: for Whiskey Jam and like go and see all these

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Speaker 1: crazy artists. Yeah, wild, and it is really cool. Any

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Speaker 1: others that you have fun stories? I mean this is fun,

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Speaker 1: Like I'm recounting so many different ones, know because like

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Speaker 1: we're we're not thinking about the show that we work on,

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Speaker 1: and we get to see country artists performance to you

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Speaker 1: all the time like that at this point is just

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Speaker 1: my job, right, So I'm thinking of like things that

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Speaker 1: are outside of my job, rom because otherwise we'd have

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Speaker 1: stories for days. Yeah, like just more like organic things

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Speaker 1: that happened, Yeah, that have like transpired. I saw m

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Speaker 1: Keith Urban and Nicole Kidman shopping in Green Hills. Really wait.

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Speaker 1: I saw her at the salad bar and she was

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Speaker 1: in all white and I was like, she's an angel,

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Speaker 1: She's an actual angel, literal angel. I didn't bother them.

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Speaker 1: I was like they were kids. They were out like

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Speaker 1: having a family day, and you know that's when you're

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Speaker 1: not supposed to bother them, and I'm not going to.

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Speaker 1: But it was just so funny to see them like

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Speaker 1: out in the wild shopping at a place that I

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Speaker 1: shop at two and I was like, what is happening?

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Speaker 1: I know, it's so cool because you're just like, oh, wait,

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Speaker 1: is that really them? You do like a double tech

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Speaker 1: and you're like, oh, it is. I'm just not gonna

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Speaker 1: bother them because they're they're normal people. But the point

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Speaker 1: of living in Nashville, too, is that you just get

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Speaker 1: so used to seeing them that you can't bother them.

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Speaker 1: If you do, then you're gonna be bothering people all

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Speaker 1: the time, right, Like you just get used to living

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Speaker 1: in Nashville and that just being the way of life.

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Speaker 1: Unless very massive pop star, you just kind of leave

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Speaker 1: them alone, which was the case with Keith Urban and

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Speaker 1: Nicole Kimman. Right, that's a freaking iconic couple. I mean

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Speaker 1: all of fame and fortune, right, Yeah, but you just

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Speaker 1: kind of have to like be like, Okay, that's a

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Speaker 1: memory I get to keep for the rest of my life,

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Speaker 1: but never gonna interrupt them in their daily lives, right exactly?

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Speaker 1: That makes sense? Yeah, for sure? I know him. Miss

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Speaker 1: was asked that people get so annoyed when they when

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Speaker 1: they asked, does that make sense? But sometimes I go

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Speaker 1: on like rants and I have to be sure that

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Speaker 1: I hadn't even got to my point that was a

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Speaker 1: thing that. Does that make sense? Yeah? No, I definitely

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Speaker 1: get it. Is there any other great celebrity stories you

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Speaker 1: want to share before we wrap it up and hear

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Speaker 1: Amy's embarrassing moment? Well, there was that one I mentioned

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Speaker 1: on the air, but there are only celebrities really. In Wichita,

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Speaker 1: they were called the Prairie Rose Wranglers, and they just

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Speaker 1: asked a group of my school to go and we

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Speaker 1: went to We performed on Carnegie Hall in New York,

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Speaker 1: and then we went to China and sang on the

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Speaker 1: Great Wall, and I felt like a celebrity. I mean

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Speaker 1: like like, yes, super were cool with these people, but

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Speaker 1: like you went to the Great Wall of China when

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Speaker 1: you were a child. Yeah, like in middle school and

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Speaker 1: I'm wearing like cowboy hat, cowboy boots, wranglers like button

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Speaker 1: up and people were wanting their picture with me. That

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Speaker 1: had never happened before. Isn't that so crazy? Like you

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Speaker 1: go to another country in life's completely different. Huh. I

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Speaker 1: was insane. So that's like my biggest like a celeb moment.

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Speaker 1: But I was man called the Prairie Rose Wranglers. They're

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Speaker 1: no longer anymore, but um, I mean they break up.

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Speaker 1: Yeah something something happened, Hobby, What did you do anything?

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Speaker 1: But yeah, that was just funny. Like I mean, do

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Speaker 1: you be walking and do you have like photos videos

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Speaker 1: of this memory? Oh? Yeah, I have all kinds of pictures.

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Speaker 1: And it was funny because my mom she loves taking pictures.

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Speaker 1: And she went to a lot of the parents went

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Speaker 1: and she was like recording on the Great Wall and

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Speaker 1: there were it's like it's kind of bumpy because it's

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Speaker 1: like all brick and you know, like rock or whatever,

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Speaker 1: and she tripped and fell and her camera just like exploded,

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Speaker 1: and I just remember watching batteries just fly. So yeah,

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Speaker 1: she got a lot of pictures before that. I can't

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Speaker 1: remember if it just like completely broke it. But yeah,

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Speaker 1: I have pictures. Look the poor Great Wall of China

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Speaker 1: just doing good and bad for your family. Friend. I

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Speaker 1: call it like the Great Fall and the Great Wall

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Speaker 1: because it was really funny. That's amazing. One more I'll

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Speaker 1: mentioned before we go. You made me think of this,

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Speaker 1: so I did as a kid. My mom reminded me

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Speaker 1: after you brought up that story on air, She was like,

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Speaker 1: you knew you also sang with Amy Grant and a

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Speaker 1: Christmas patchant when you were younger, Like that is so crazy. Well,

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Speaker 1: I think it's a thing she does because I remember

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Speaker 1: that Eddie said, I think his kids got the opportunity

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Speaker 1: to do it. I think it's something she's done throughout

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Speaker 1: her whole career. So she when she came into town

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Speaker 1: for a tour, we got like to sing as and

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Speaker 1: I remember dressing up as an angel. That's like we

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Speaker 1: were background the Little Angels, yea thing, and we sang

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Speaker 1: like her harmonies or whatever. But yeah, there's some like

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Speaker 1: really old VHS film of me doing this somewhere deep

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Speaker 1: in the archives. Yeah, can you find this? I want

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Speaker 1: to say that, Yes, so there's that moment. But then also,

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Speaker 1: um international Hartrester Craig Morgan filmed that music video in Wichita.

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Speaker 1: Wait I you went and I was there too? Yep

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Speaker 1: by the Orphan, Oh my gosh, I never forgot. So

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Speaker 1: many of those scenes and the music video are from Wichita, Kansas. Yes,

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Speaker 1: I never like made it, but I was in the

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Speaker 1: crowd right, me too, I was there. I completely forgot

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Speaker 1: about that. I love that you and I were both there.

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Speaker 1: Me too. Now I want to go watch it. I know,

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Speaker 1: I want to go watch that. Now. Did you ever

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Speaker 1: see yourself pop up anywhere? I don't think I did.

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Speaker 1: There were so many people there that showed up. There

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Speaker 1: were Yeah, it was like the thing. I mean, it

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Speaker 1: was like the news story like like fifteen years ago, right,

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Speaker 1: and everybody's like, oh, a music video, country music video.

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Speaker 1: Everybody else remember that? Yeah, invited anybody and everyone. My

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Speaker 1: parents dropped me off and they're like, okay, go on

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Speaker 1: call us when you're doing myself just wandering the streets.

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Speaker 1: I mean I was like twelve, so it's not like

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Speaker 1: I was a big deal. I was probably a little

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Speaker 1: bit molder than that. But yeah, that's so wild. You

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Speaker 1: it's crazy. No, speaking of music video, I'm actually an

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Speaker 1: old dominions music video which one no says sing as

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Speaker 1: a broken heart. Okay, so what are you doing? My

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Speaker 1: friend was like the assistant director. She was working on it,

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Speaker 1: and she was like, hey, you want to come be

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Speaker 1: like an extra, and I have to be one of

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Speaker 1: the crazy fans in the alley, like you'll see me.

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Speaker 1: They come out after doing a show and they open

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Speaker 1: the side door and they run out to get in

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Speaker 1: their car and there's crazy fans running after them, and

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Speaker 1: I was one of them. So you can see yourself

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Speaker 1: in that video of you pose it. It's very quick.

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Speaker 1: If you blink you'll miss it. But yes, too, in

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Speaker 1: those old videos you were in. We gotta go check

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Speaker 1: this out. Oh yeah, so go check out those music videos.

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Speaker 1: See if you spot Abby and I and Craig Morgan's

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Speaker 1: or Abby and old dominions. So I love that you

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Speaker 1: remember that the Craig Morgan. I love that we were

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Speaker 1: both there and we like that was like another fate

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Speaker 1: moment that was like setting us up for years down

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Speaker 1: the road, exactly like we maybe we even did talk

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Speaker 1: that day, but we probably didn't have phones where we

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Speaker 1: could be like what's your number? Yeah, you know, just kids, yeah,

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Speaker 1: crazy old Okay, So we're gonna wrap this up because

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Speaker 1: we could be here all day. Maybe we'll have a

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Speaker 1: part too, some kind of when Abbey comes back home,

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Speaker 1: because this was fun to like relive so many moments.

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Speaker 1: But right now, you guys can hear Amy embarrass herself

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Speaker 1: in front of country star Ashley McBride. Number seven. What's

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Speaker 1: a max that you'll drive your speed? You'll drive your

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Speaker 1: car out on the interstate? Oh eighty something probably. I

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Speaker 1: mean I've probably accidentally been at ninety e and I'm like, oh,

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Speaker 1: let stop that, but never ninety on purpose? No, no,

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Speaker 1: And why because you're a fred to getting pulled over?

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Speaker 1: Because you're a fred to go on that fast? I'm

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Speaker 1: both Yeah, I don't like going fast either. I hate it.

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Speaker 1: We're all kind of old people like that stresses me out,

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Speaker 1: me too, And sometimes people don't don't, don't, don't in

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Speaker 1: and out. I was just reading this story about this

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Speaker 1: guy doing one hundred and forty seven. Get out of here.

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Speaker 1: They have confiscated a high performance luxury car after the

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Speaker 1: owner was caught speeding as he drove it. The man

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Speaker 1: was not identified, but he was driving his Lamborghini Hurricane.

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Speaker 1: I don't even not tell you say that, but one

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Speaker 1: hundred and forty seven miles per hour. I don't even

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Speaker 1: think my car goes that fast. No chance. Also, they

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Speaker 1: take the car. That's why they take your car. I

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Speaker 1: mean in that why you buy a car like that

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Speaker 1: to go fast? Like why else would you buy a Lamb?

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Speaker 1: But I'm sure it looks great and looks cool the

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Speaker 1: collector's idem. But it also can go like two hundred

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Speaker 1: miles per hour. And I would think if you're going

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Speaker 1: to do that, you have to go somewhere that allows that.

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Speaker 1: Right it's a race car track, yes, in somewhere not

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Speaker 1: the highway. I would just be scared going one hundred

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Speaker 1: and forty seven miles an hour. Look at lose control

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Speaker 1: and didn't Scott Walker Paul and he went and that's

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Speaker 1: what happened, went too fast, right, lost control the car.

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Speaker 1: With the irony of that because he wasn't fast and furious.

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Speaker 1: I'm looking at this car, and I don't know if

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Speaker 1: it's the ugliest car I've ever seen or the most

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Speaker 1: awesome car I've ever seen. We'll pick one. I don't Okay, awesome, yes,

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Speaker 1: I bet it's pretty cool. It's so odd looking that

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Speaker 1: I go awesome, But you could convince me it was

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Speaker 1: really ugly. It's over the three hundred thousand dollars car,

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Speaker 1: three hundred and ten thousand dollars. How he had just

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Speaker 1: bought the car hours Oh no, and then he got

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Speaker 1: it taken away for going on und forty seven. That's terrible.

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Speaker 1: I understand the earth. Do you want to go fast?

423
00:19:07,560 --> 00:19:08,960
Speaker 1: You just got a fast carbage? You can't do it

424
00:19:09,040 --> 00:19:12,560
Speaker 1: right there? What a bonehead? Speaking of bonehead type moves,

425
00:19:12,560 --> 00:19:14,639
Speaker 1: I didn't want to mention this because Ashley McBride was

426
00:19:14,720 --> 00:19:16,879
Speaker 1: up here with Amy. Yeah, and you were. You were

427
00:19:16,920 --> 00:19:20,280
Speaker 1: interviewing her for the Country Women of Buy Her Country yea.

428
00:19:20,920 --> 00:19:23,640
Speaker 1: And she was sitting up in the stool with her

429
00:19:23,640 --> 00:19:25,720
Speaker 1: guitar and all the things. But she needed some water,

430
00:19:25,920 --> 00:19:28,400
Speaker 1: so she was trying to put her water bottle down,

431
00:19:28,800 --> 00:19:32,679
Speaker 1: and I'm sitting behind my microphone doing the interview. But

432
00:19:32,760 --> 00:19:34,720
Speaker 1: I'm like, oh, I need to help her with the water.

433
00:19:35,560 --> 00:19:37,919
Speaker 1: So I get up to go over and do that,

434
00:19:37,960 --> 00:19:41,320
Speaker 1: but I don't take my headphones out, and they get

435
00:19:41,359 --> 00:19:43,320
Speaker 1: caught in my ears and jerk me back and then

436
00:19:43,320 --> 00:19:45,560
Speaker 1: they rip out and it was very painful, and the

437
00:19:45,560 --> 00:19:50,280
Speaker 1: whole thing it just looked very ammature. And it's like, hey, welcome,

438
00:19:50,320 --> 00:19:52,199
Speaker 1: so the women buy her country, I'm your host, and

439
00:19:52,280 --> 00:19:58,119
Speaker 1: I did. It felt like a three stooges, a moment

440
00:19:58,160 --> 00:20:01,800
Speaker 1: where I just was so embarrassed with my lack of

441
00:20:01,800 --> 00:20:03,879
Speaker 1: ability to remember I had headphones in my ears. What

442
00:20:03,880 --> 00:20:06,119
Speaker 1: did you say to her? I just acted like it

443
00:20:06,160 --> 00:20:08,920
Speaker 1: didn't have it when I sat down and did she happen? Yeah, nope.

444
00:20:08,960 --> 00:20:10,800
Speaker 1: Well we just totally ignored it. And when I in

445
00:20:10,800 --> 00:20:13,399
Speaker 1: the interview and acted like I was a normal professional,

446
00:20:14,720 --> 00:20:18,480
Speaker 1: it's the best bits of the week with Morgan. Number two,

447
00:20:19,320 --> 00:20:21,560
Speaker 1: Ryan Heard stopped by the show to talk about his

448
00:20:21,760 --> 00:20:25,560
Speaker 1: new album, Pelago that's out this weekend. He also performed

449
00:20:25,600 --> 00:20:27,280
Speaker 1: one of the brand new songs from it and was

450
00:20:27,359 --> 00:20:31,040
Speaker 1: so good. Now, before we get into this real quick, Abby,

451
00:20:31,119 --> 00:20:32,920
Speaker 1: we've been on the show. You've been on the show

452
00:20:32,920 --> 00:20:35,720
Speaker 1: for how long now? Two years? A little over two years,

453
00:20:35,760 --> 00:20:37,560
Speaker 1: and I've been on the show for about four years.

454
00:20:37,680 --> 00:20:41,879
Speaker 1: Who's been your favorite performance you've got to experience so

455
00:20:41,960 --> 00:20:45,760
Speaker 1: far on the show. Oh my gosh. I loved Caitlin

456
00:20:45,880 --> 00:20:51,440
Speaker 1: Smith when she did the cold play ye for Cover. Yes,

457
00:20:51,760 --> 00:20:53,800
Speaker 1: Oh my gosh, Like she played the piano and everything

458
00:20:53,840 --> 00:20:55,679
Speaker 1: like that just sticks out to me so much. That

459
00:20:55,760 --> 00:20:57,960
Speaker 1: was amazing. Well, yeah, that's like the one thing that

460
00:20:58,040 --> 00:21:00,280
Speaker 1: you you were like, oh my gosh, this moment. And

461
00:21:00,280 --> 00:21:03,560
Speaker 1: it was probably one of the first artists that had

462
00:21:03,600 --> 00:21:05,840
Speaker 1: even been in since I'd been here, I think like

463
00:21:05,840 --> 00:21:08,680
Speaker 1: it was at the beginning probably, And I still think

464
00:21:08,680 --> 00:21:11,359
Speaker 1: of that to this day, you know, yeah, so pretty

465
00:21:11,440 --> 00:21:13,600
Speaker 1: and I'm just remembering it now. I love that. I

466
00:21:13,680 --> 00:21:16,280
Speaker 1: love that they're so very different because mine was. When

467
00:21:16,720 --> 00:21:19,280
Speaker 1: Jody Messina came on the show. Oh my gosh, I

468
00:21:19,280 --> 00:21:21,399
Speaker 1: want to hear for that. Okay, so it must have

469
00:21:21,440 --> 00:21:24,160
Speaker 1: been like three years ago, Okay, which gosh, that seems

470
00:21:24,200 --> 00:21:27,520
Speaker 1: like it just happens. That's wild to me. But she

471
00:21:27,560 --> 00:21:29,320
Speaker 1: came in and she performed her big hits, and she

472
00:21:29,400 --> 00:21:32,280
Speaker 1: sounds just as good man as she did when she

473
00:21:32,320 --> 00:21:36,000
Speaker 1: first started, really so good. After she got done, I

474
00:21:36,040 --> 00:21:38,880
Speaker 1: was like, how has it been what twenty years since

475
00:21:38,880 --> 00:21:41,040
Speaker 1: she put out these songs? Because it did not sound

476
00:21:41,080 --> 00:21:44,400
Speaker 1: like it and that doesn't happen very often, right, people

477
00:21:44,480 --> 00:21:47,160
Speaker 1: change your voice changes over time of her life. Jody

478
00:21:47,200 --> 00:21:50,560
Speaker 1: Massina not at all. She is still pure perfection. I

479
00:21:50,640 --> 00:21:53,000
Speaker 1: bet that was so. She did like all of her hits,

480
00:21:53,400 --> 00:21:55,160
Speaker 1: like all just like a Medley she did. I believe

481
00:21:55,240 --> 00:21:58,280
Speaker 1: she did Bye Bye, and I think she did Heads

482
00:21:58,320 --> 00:22:01,359
Speaker 1: Carolina Tales California. Yeah, I think I believe those were

483
00:22:01,400 --> 00:22:02,879
Speaker 1: the two that Oh my gosh, I would love to

484
00:22:02,920 --> 00:22:05,480
Speaker 1: see her wow. But you can see both of these

485
00:22:05,480 --> 00:22:08,280
Speaker 1: performances at Bobbybones dot com or you can go to

486
00:22:08,320 --> 00:22:11,399
Speaker 1: YouTube slash Bobby Bones Show. We put all our performances

487
00:22:11,400 --> 00:22:14,320
Speaker 1: of everything up and I promise you can find deep

488
00:22:14,320 --> 00:22:16,840
Speaker 1: in the archives from years ago, all of our performances.

489
00:22:16,880 --> 00:22:19,760
Speaker 1: They're still there. So check out Abby's favorite, which is

490
00:22:19,800 --> 00:22:23,800
Speaker 1: Caitlin Smith covering Coldplay and Jody Messina performing her epic

491
00:22:23,840 --> 00:22:26,080
Speaker 1: songs from the nineties that you know we all love.

492
00:22:26,200 --> 00:22:29,400
Speaker 1: So yeah, go watch those. Any other honorable mentions? Oh man,

493
00:22:29,560 --> 00:22:32,840
Speaker 1: I mean there's been so many. Do you have any

494
00:22:32,880 --> 00:22:37,160
Speaker 1: I'm trying to think, oh man, there have been so many.

495
00:22:37,680 --> 00:22:41,200
Speaker 1: I did, I did really enjoy? Gosh, who was that?

496
00:22:41,200 --> 00:22:43,119
Speaker 1: They can't I'm saying, like, I did really enjoy, And

497
00:22:43,119 --> 00:22:46,400
Speaker 1: then I'm like, who was that? Well, there's so many

498
00:22:46,920 --> 00:22:50,080
Speaker 1: we did in nineties week, and Jody Messina might have

499
00:22:50,160 --> 00:22:51,560
Speaker 1: been part of that. She might have came in on

500
00:22:51,560 --> 00:22:53,439
Speaker 1: it own. I don't remember, but we did a nineties

501
00:22:53,480 --> 00:22:56,680
Speaker 1: week where or at least in nineties months, so every

502
00:22:56,680 --> 00:22:58,840
Speaker 1: like throwback Thursday, we brought a nineties artist in and

503
00:22:58,960 --> 00:23:02,600
Speaker 1: not month was like the best ever because you were

504
00:23:02,600 --> 00:23:06,159
Speaker 1: reliving every great song that you grew up on. And

505
00:23:06,200 --> 00:23:08,280
Speaker 1: so that sticks out to me. And I'm trying to

506
00:23:08,320 --> 00:23:10,040
Speaker 1: remember who all we brought in, and I believe that

507
00:23:10,119 --> 00:23:12,399
Speaker 1: was also when we brought Joe Diffian before he passed.

508
00:23:12,480 --> 00:23:16,320
Speaker 1: Oh man. So really cool moments as far as that goes. Yeah,

509
00:23:16,320 --> 00:23:20,240
Speaker 1: I thought of one, Josh Turner and Randy Travis. Yes,

510
00:23:20,320 --> 00:23:23,120
Speaker 1: when Randy Travis came in, oh yes, because he had

511
00:23:23,119 --> 00:23:25,680
Speaker 1: had a stroke, so he's in a wheelchair. Um, and

512
00:23:25,800 --> 00:23:28,199
Speaker 1: he but they brought the mic down for him and

513
00:23:28,200 --> 00:23:30,520
Speaker 1: he did the last line and I was in the studient,

514
00:23:30,560 --> 00:23:32,479
Speaker 1: like I don't cry at work, but I was just

515
00:23:32,600 --> 00:23:34,000
Speaker 1: I could not keep it in. I was like, oh

516
00:23:34,040 --> 00:23:36,359
Speaker 1: my gosh, what is happening. It was just such an emotional,

517
00:23:36,440 --> 00:23:39,120
Speaker 1: awesome moment. Yes, that he could he could do that,

518
00:23:39,240 --> 00:23:42,280
Speaker 1: you know, Oh my gosh, that was so good. And

519
00:23:42,280 --> 00:23:44,879
Speaker 1: there's photos of that which were really cool. Josh Turner

520
00:23:45,040 --> 00:23:47,560
Speaker 1: was like just like looking at his idol and you're

521
00:23:47,560 --> 00:23:49,600
Speaker 1: just sitting there and you're feeling all of those emotions

522
00:23:49,640 --> 00:23:52,280
Speaker 1: from both of them. Huh oh, you're right, like I'm

523
00:23:52,320 --> 00:23:54,280
Speaker 1: getting your thus now I think it was so good.

524
00:23:54,480 --> 00:23:57,320
Speaker 1: Oh wow. Okay, well go check out all of these

525
00:23:57,359 --> 00:24:00,320
Speaker 1: on Bobby Bones dot com or YouTube slash Bobby Show.

526
00:24:00,359 --> 00:24:02,760
Speaker 1: They're all up there. But right now you can hear

527
00:24:02,920 --> 00:24:05,960
Speaker 1: Ryan Hurt's interview talking about his new album and then

528
00:24:06,200 --> 00:24:09,879
Speaker 1: his performance of tab with My Name on It number six,

529
00:24:10,680 --> 00:24:14,000
Speaker 1: the Friday Morning conversation with Ryan Heard. It's the big

530
00:24:14,080 --> 00:24:17,000
Speaker 1: day to day Polago comes out from my friend Ryan Heard,

531
00:24:17,400 --> 00:24:19,640
Speaker 1: and Ryan is here with us. And you got a big,

532
00:24:19,640 --> 00:24:21,520
Speaker 1: old fat hit on your hands too. By the way,

533
00:24:22,040 --> 00:24:26,040
Speaker 1: Thank you. It's been a very cool year. And I

534
00:24:26,080 --> 00:24:30,240
Speaker 1: guess I mean, this is my fourth single country radio

535
00:24:30,480 --> 00:24:33,120
Speaker 1: and I don't know. I think it's just a testament

536
00:24:33,200 --> 00:24:35,960
Speaker 1: to sticking with it. And really, I don't know. I

537
00:24:36,280 --> 00:24:38,240
Speaker 1: love what I get to do every day, and it's

538
00:24:38,280 --> 00:24:40,520
Speaker 1: fun to have this song with Maren and then to

539
00:24:40,560 --> 00:24:42,920
Speaker 1: have it lead to an album is a dream come true.

540
00:24:42,960 --> 00:24:45,080
Speaker 1: Let's play a little clip of Chasing after You with

541
00:24:45,160 --> 00:24:58,479
Speaker 1: Marion Morris. What's Polago about? What's that mean? So? I

542
00:24:58,520 --> 00:25:00,520
Speaker 1: wrote a song called Coast which is track two on

543
00:25:00,520 --> 00:25:02,800
Speaker 1: this album, and I needed a word that rhymed with Chicago,

544
00:25:03,840 --> 00:25:06,200
Speaker 1: and I thought I made it up, and it turns

545
00:25:06,200 --> 00:25:09,200
Speaker 1: out it's a word in another language. It's Italian or Latin,

546
00:25:09,240 --> 00:25:12,200
Speaker 1: and it means open sea and it also means overwhelming passion.

547
00:25:12,200 --> 00:25:14,360
Speaker 1: And I thought, like that was such a cool umbrella

548
00:25:14,400 --> 00:25:17,040
Speaker 1: for all these songs. I was looking at the cover, which,

549
00:25:17,080 --> 00:25:20,600
Speaker 1: by the way, it's a great cover. Thank you quite

550
00:25:20,600 --> 00:25:23,560
Speaker 1: a photo, Jenna Guy. Thanks very esthetically pleasing. We try

551
00:25:23,640 --> 00:25:25,680
Speaker 1: not to put the bad photos out. Well, I don't know,

552
00:25:26,040 --> 00:25:27,800
Speaker 1: listen it maybe not only want to listen to the music,

553
00:25:27,800 --> 00:25:29,679
Speaker 1: but also like buy the clothes. It was basically an

554
00:25:29,680 --> 00:25:34,080
Speaker 1: instagram what he was wearing too. So I'm gonna ask this,

555
00:25:34,240 --> 00:25:35,760
Speaker 1: and I hope you don't think it's creepy. But have

556
00:25:35,800 --> 00:25:39,880
Speaker 1: you ever modeled? Not really No. I mean we'd take

557
00:25:40,000 --> 00:25:42,400
Speaker 1: enough photos that just to do this job, so taking

558
00:25:42,480 --> 00:25:46,000
Speaker 1: more would be probably a lot, But no, no modeling really,

559
00:25:46,400 --> 00:25:50,040
Speaker 1: So I think, thank you for asking. That's very kind

560
00:25:50,040 --> 00:25:52,440
Speaker 1: of Yeah, yes, I think he is it creepy? Is

561
00:25:52,480 --> 00:25:54,040
Speaker 1: that creepy that I'm asking if he should be a model?

562
00:25:54,240 --> 00:25:56,639
Speaker 1: I mean, I guess a way to say it listens

563
00:25:56,640 --> 00:25:58,359
Speaker 1: like have you ever been approached or is a company

564
00:25:58,400 --> 00:25:59,920
Speaker 1: ever asked you like, hey, we'd love to use you

565
00:26:00,160 --> 00:26:02,119
Speaker 1: to model our clothes. Oh, we did have that once.

566
00:26:02,400 --> 00:26:05,880
Speaker 1: We did. We had like a we worked with UM,

567
00:26:06,440 --> 00:26:08,280
Speaker 1: like a modeling agency in New York, the two of

568
00:26:08,359 --> 00:26:10,360
Speaker 1: us at one point, and it was it was fun.

569
00:26:10,440 --> 00:26:12,240
Speaker 1: We got to do like some fashion show stuff. And

570
00:26:12,280 --> 00:26:14,120
Speaker 1: then you sort of figured out, like I like music

571
00:26:14,119 --> 00:26:16,080
Speaker 1: a little bit more than this. Yeah, it's just a

572
00:26:16,119 --> 00:26:19,760
Speaker 1: little more interesting, and uh, it's just it's sort of

573
00:26:19,800 --> 00:26:21,639
Speaker 1: like a world where we found out you have to

574
00:26:21,720 --> 00:26:23,960
Speaker 1: kind of dive in one hundred percent and be in

575
00:26:24,040 --> 00:26:26,640
Speaker 1: like one of those cities that does that, and Nashville

576
00:26:26,720 --> 00:26:29,280
Speaker 1: is not really one of them. Pulago is out today.

577
00:26:29,400 --> 00:26:31,119
Speaker 1: Ryan Hurd is here. I do have a lot more

578
00:26:31,119 --> 00:26:32,560
Speaker 1: to talk to you about, but can you play us

579
00:26:32,560 --> 00:26:35,000
Speaker 1: a little? I have a favorite song on the record,

580
00:26:35,160 --> 00:26:37,240
Speaker 1: if you don't mind me at requesting a little song there?

581
00:26:37,600 --> 00:26:39,640
Speaker 1: Do you care? I would love that? How about tab

582
00:26:39,680 --> 00:26:41,560
Speaker 1: of my name on it? Like that's the one that

583
00:26:41,680 --> 00:26:46,159
Speaker 1: was drawn to immediately. Thank you, I thanks, thanks for

584
00:26:46,200 --> 00:26:48,560
Speaker 1: liking that and thanks for listening. UM tell me about

585
00:26:48,600 --> 00:26:50,879
Speaker 1: the song. I wrote it a while ago with um

586
00:26:51,040 --> 00:26:53,800
Speaker 1: my friend Aaron s Hys who made this album with me,

587
00:26:53,880 --> 00:26:56,399
Speaker 1: and then Joey Hyde who also wrote Made for You

588
00:26:56,480 --> 00:27:00,000
Speaker 1: for Jake Owen, and we've we came up together right

589
00:27:00,200 --> 00:27:02,000
Speaker 1: songs and all kind of got our foot in the

590
00:27:02,040 --> 00:27:04,240
Speaker 1: door at the same time and have stayed friends and

591
00:27:04,280 --> 00:27:06,720
Speaker 1: partners throughout the whole thing. And it's an older song

592
00:27:07,119 --> 00:27:09,680
Speaker 1: and I haven't actually played it live ever, so this

593
00:27:09,760 --> 00:27:11,760
Speaker 1: is gonna be the first time. So that's cool. But

594
00:27:12,280 --> 00:27:15,200
Speaker 1: we got to do like thanks for asking. We got

595
00:27:15,240 --> 00:27:18,399
Speaker 1: to do a like a full like eight piece I

596
00:27:18,600 --> 00:27:21,119
Speaker 1: not full, but an eight piece orchestra for tab with

597
00:27:21,160 --> 00:27:23,119
Speaker 1: my name on it, and the next song what are

598
00:27:23,119 --> 00:27:26,120
Speaker 1: You Drinking? And it was like one of the coolest

599
00:27:26,359 --> 00:27:29,080
Speaker 1: creative moments that I've ever had. And so I'm glad

600
00:27:29,119 --> 00:27:30,639
Speaker 1: you like it. Thank you. Here it is for the

601
00:27:30,640 --> 00:27:33,600
Speaker 1: first time ever Ryan heard doing tab with my name

602
00:27:33,640 --> 00:27:54,000
Speaker 1: on it. Time to kill no Web. So I walked

603
00:27:54,000 --> 00:28:03,240
Speaker 1: to you the bar down the stream, just wand drinking.

604
00:28:03,440 --> 00:28:09,720
Speaker 1: I don't feel nothing, bartender ress if I need something.

605
00:28:10,560 --> 00:28:14,199
Speaker 1: We get to talking and I don't mean to, but

606
00:28:14,440 --> 00:28:19,399
Speaker 1: I'm onto another random talking about you. There's a ten

607
00:28:20,440 --> 00:28:24,440
Speaker 1: with my name on it and now I'll be sitting

608
00:28:24,680 --> 00:28:32,200
Speaker 1: here all night TV with the Game on it and

609
00:28:32,400 --> 00:28:36,840
Speaker 1: J Box playing songs that are like but around drink three.

610
00:28:37,960 --> 00:28:42,800
Speaker 1: That's when it hits me. It all I have without

611
00:28:42,920 --> 00:28:57,720
Speaker 1: You with me ten with my name on it. That's

612
00:28:57,800 --> 00:29:01,000
Speaker 1: good stuff right there, that's good stuff. Write that performance, right,

613
00:29:01,240 --> 00:29:05,840
Speaker 1: the first time you've ever done ten out of ten? Obvious? Yeah, yeah, yeah,

614
00:29:05,880 --> 00:29:08,080
Speaker 1: thank you. That's the first time if they practice, Holy crap,

615
00:29:08,120 --> 00:29:11,280
Speaker 1: let's get real good. Honestly, we did writing there, so

616
00:29:11,360 --> 00:29:14,400
Speaker 1: teach me the chords. Man. This is my guitar player, Teddy,

617
00:29:14,400 --> 00:29:16,880
Speaker 1: and he actually produced Chasing After You with Aaron and

618
00:29:16,920 --> 00:29:20,200
Speaker 1: so it's his actually first big single as a producer.

619
00:29:20,240 --> 00:29:22,640
Speaker 1: So it's been fun to I don't know, celebrate all

620
00:29:22,680 --> 00:29:25,280
Speaker 1: that stuff. And I'm just so proud to have an album. Man.

621
00:29:25,560 --> 00:29:27,400
Speaker 1: That's why I signed a record deal was to like

622
00:29:27,440 --> 00:29:30,640
Speaker 1: get to put out albums. And it's just such an

623
00:29:30,640 --> 00:29:33,360
Speaker 1: amazing feeling to have it out and to be really

624
00:29:33,360 --> 00:29:36,560
Speaker 1: proud of it. And you know, we debuted Chasing right here,

625
00:29:37,240 --> 00:29:39,280
Speaker 1: and so to get to come back to celebrate the

626
00:29:39,280 --> 00:29:41,920
Speaker 1: album coming out, it's really special. Today. Pulago is out

627
00:29:41,920 --> 00:29:44,520
Speaker 1: from Ryan Hurd. I got a couple of questions, because

628
00:29:44,680 --> 00:29:48,760
Speaker 1: you are at least you were a big songwriter before

629
00:29:48,760 --> 00:29:51,400
Speaker 1: you were an artist. And he's got many number ones

630
00:29:51,520 --> 00:29:53,800
Speaker 1: that he just wrote that he did not perform. He's

631
00:29:53,800 --> 00:29:55,720
Speaker 1: got him from Luke and Lady A and Blake Shelton,

632
00:29:56,400 --> 00:29:59,520
Speaker 1: and so being a songwriter that you are a ten

633
00:29:59,600 --> 00:30:02,880
Speaker 1: of the eleven tracks you wrote on the record. Keith

634
00:30:02,960 --> 00:30:05,080
Speaker 1: Urban was talking to us and he said, I think

635
00:30:05,080 --> 00:30:07,840
Speaker 1: his bass player wrote Chasing after You. Yes, And so

636
00:30:07,920 --> 00:30:10,920
Speaker 1: when you get that, was it written as a duet

637
00:30:11,600 --> 00:30:13,360
Speaker 1: or was it a song that you thought we should

638
00:30:13,360 --> 00:30:14,920
Speaker 1: do this together because it sounds like it could be

639
00:30:14,920 --> 00:30:18,400
Speaker 1: a duet. I think it originally was not a duet,

640
00:30:18,480 --> 00:30:22,160
Speaker 1: and we sort of put it together as one. And

641
00:30:22,280 --> 00:30:24,080
Speaker 1: there's a version of it where there's a bridge that

642
00:30:24,920 --> 00:30:28,000
Speaker 1: was written that was like a like for that purpose,

643
00:30:28,040 --> 00:30:29,760
Speaker 1: and Marion sang the bridge, and then we kind of

644
00:30:29,800 --> 00:30:32,080
Speaker 1: scrapped it and went back to her or just decided

645
00:30:32,120 --> 00:30:34,880
Speaker 1: she would sing the second verse. But it's just a

646
00:30:35,000 --> 00:30:38,760
Speaker 1: it's a really incredible story about like this the way

647
00:30:38,760 --> 00:30:41,920
Speaker 1: that songs work in Nashville, and just like even an

648
00:30:41,920 --> 00:30:44,400
Speaker 1: old song, if it's great, still has an opportunity to

649
00:30:44,480 --> 00:30:46,640
Speaker 1: like I mean, it's not that old, but it is

650
00:30:46,640 --> 00:30:49,360
Speaker 1: a few years old, and it stuck around and we

651
00:30:49,360 --> 00:30:52,080
Speaker 1: were always really we knew it was really special, and

652
00:30:52,160 --> 00:30:54,200
Speaker 1: just that timing was never right to have us both

653
00:30:54,280 --> 00:30:58,080
Speaker 1: really promote it together. And so but yeah, Jerry Flowers

654
00:30:58,080 --> 00:31:00,840
Speaker 1: and Brinley Addington are the songwriters. And actually there's another

655
00:31:00,880 --> 00:31:03,280
Speaker 1: song I didn't write on this album, UM called what

656
00:31:03,320 --> 00:31:06,960
Speaker 1: Are You Drinking? And it's track eight and I'm I'm credited,

657
00:31:07,000 --> 00:31:09,480
Speaker 1: but I was sent the song and added some stuff

658
00:31:09,480 --> 00:31:12,280
Speaker 1: to it. But it um another one. They're just like

659
00:31:12,440 --> 00:31:16,000
Speaker 1: it I don't have I can't do that. I like,

660
00:31:16,040 --> 00:31:18,200
Speaker 1: I listen to the song and I think I can't

661
00:31:18,240 --> 00:31:20,560
Speaker 1: do that any better than that. So I think that's

662
00:31:20,600 --> 00:31:23,280
Speaker 1: when people really gravitate towards something that they don't have

663
00:31:23,360 --> 00:31:25,720
Speaker 1: like a vested interest in. It's like, that's just a

664
00:31:25,760 --> 00:31:28,440
Speaker 1: great song and I need it. Teddy by anything new lately?

665
00:31:28,480 --> 00:31:30,080
Speaker 1: You got a song? Got? I mean, you make the

666
00:31:30,120 --> 00:31:32,360
Speaker 1: money yourself you have. They're quiet saying nothing, but I

667
00:31:32,760 --> 00:31:36,720
Speaker 1: ching ching, ching, ching ching ching, I just smiling, wave, yeah,

668
00:31:36,920 --> 00:31:39,080
Speaker 1: smile wave, And you know we look at your bank

669
00:31:39,120 --> 00:31:41,160
Speaker 1: account when you get home. Congratulations to you two, and

670
00:31:41,400 --> 00:31:43,680
Speaker 1: I appreciate it. He's done a lot for me. You

671
00:31:43,680 --> 00:31:45,760
Speaker 1: are you a quiet guy by nature? Yes? I like

672
00:31:45,800 --> 00:31:51,520
Speaker 1: to chill out. Yeah, chill out, catch your money. It's awesome. Congratulations, dude,

673
00:31:51,560 --> 00:31:53,840
Speaker 1: thank you so much. All Right, you guys, Plago is out.

674
00:31:53,960 --> 00:31:55,760
Speaker 1: It is out today. You guys know I love Ryan.

675
00:31:55,800 --> 00:31:58,840
Speaker 1: There is there is no confusion on my affinity for Ryan.

676
00:31:58,920 --> 00:32:01,800
Speaker 1: Heard allow him at Ryan heard you guys check out

677
00:32:01,800 --> 00:32:04,400
Speaker 1: Polago And you know I'll say this as we leave,

678
00:32:04,440 --> 00:32:06,320
Speaker 1: and we're gonna play chasing after you. Hey, ch chinked

679
00:32:06,320 --> 00:32:10,640
Speaker 1: any more for you? Coming out? Sound good? You want?

680
00:32:10,680 --> 00:32:13,320
Speaker 1: You're only not credited on one song, which we talked about,

681
00:32:13,400 --> 00:32:15,360
Speaker 1: but you just said, hey, I'm credited on it, but

682
00:32:15,400 --> 00:32:17,640
Speaker 1: I don't really consider myself right. That's pretty honest and

683
00:32:17,680 --> 00:32:20,200
Speaker 1: noble of you'd even say that, Ryan, you know, because

684
00:32:20,280 --> 00:32:21,520
Speaker 1: you could have just been like, hey, this is my

685
00:32:21,720 --> 00:32:26,040
Speaker 1: I wrote this song too, well? Yeah, I mean I

686
00:32:26,120 --> 00:32:28,440
Speaker 1: didn't though, So I got to help with the bridge

687
00:32:28,440 --> 00:32:30,600
Speaker 1: because I just felt like I needed to add it,

688
00:32:30,720 --> 00:32:33,080
Speaker 1: just needed a little more for like, I had a

689
00:32:33,080 --> 00:32:35,360
Speaker 1: little bit of a vision on it. But the Troy

690
00:32:35,440 --> 00:32:38,160
Speaker 1: Cartwright and Andy Albert and Aaron s Ice wrote what

691
00:32:38,200 --> 00:32:40,880
Speaker 1: are You Drinking? And they let me tweak a little bit,

692
00:32:40,920 --> 00:32:43,960
Speaker 1: but it really is like it's a special thing when

693
00:32:43,960 --> 00:32:46,240
Speaker 1: somebody trusts you with their piece of music, and it's

694
00:32:46,320 --> 00:32:49,440
Speaker 1: I've been really blessed to have other people put my

695
00:32:49,520 --> 00:32:53,520
Speaker 1: song on the radio. So I guess just like getting

696
00:32:53,520 --> 00:32:56,400
Speaker 1: an opportunity to like have that same experience as the

697
00:32:56,480 --> 00:32:58,600
Speaker 1: artist with a writer, I don't know. I take it

698
00:32:58,640 --> 00:33:01,200
Speaker 1: really seriously and it's something that I just was really

699
00:33:01,200 --> 00:33:04,640
Speaker 1: grateful for just them letting me have it. So um yeah,

700
00:33:04,680 --> 00:33:06,800
Speaker 1: I mean, it's a it's a huge day to celebrate

701
00:33:06,840 --> 00:33:08,479
Speaker 1: for us and everyone on our team, and it's been

702
00:33:08,520 --> 00:33:11,200
Speaker 1: a long time coming, and it's just it feels so

703
00:33:11,200 --> 00:33:13,400
Speaker 1: so good to finally have it out. The point is,

704
00:33:13,520 --> 00:33:15,320
Speaker 1: and I hope everybody understands this point, you are not

705
00:33:16,240 --> 00:33:21,120
Speaker 1: a pizza crap. Yeah right, all right. Do you think

706
00:33:21,160 --> 00:33:23,719
Speaker 1: because you were a writer for so long first like

707
00:33:23,760 --> 00:33:26,440
Speaker 1: you have a certain level of respect for how that works,

708
00:33:26,560 --> 00:33:30,120
Speaker 1: then maybe someone else that wasn't. I mean, I think

709
00:33:30,120 --> 00:33:33,160
Speaker 1: everyone in Nashville has a massive amount of respect for

710
00:33:34,080 --> 00:33:36,600
Speaker 1: songwriters and songwriting in general. I think that's why you

711
00:33:36,640 --> 00:33:38,920
Speaker 1: see so many songs on the radio that the artist

712
00:33:39,000 --> 00:33:42,360
Speaker 1: didn't write, and that's very unique to our town. And um,

713
00:33:42,560 --> 00:33:44,000
Speaker 1: let's just say I've written a lot and I wanted

714
00:33:44,040 --> 00:33:46,960
Speaker 1: them being care and no respect for me. They nobody

715
00:33:46,960 --> 00:33:49,400
Speaker 1: cut Hobby Lobby, Bobby than us. We had to cut it.

716
00:33:49,480 --> 00:33:53,000
Speaker 1: You did though, Polago from Ryan Herd the records out today.

717
00:33:53,520 --> 00:33:55,920
Speaker 1: Love seeing you here. Appreciate you, Teddy. This has been

718
00:33:55,920 --> 00:33:58,040
Speaker 1: about you though too. Absolutely I'll let the sex go

719
00:33:58,080 --> 00:34:00,680
Speaker 1: to your head next time you're coming here. All yeah,

720
00:34:00,720 --> 00:34:02,400
Speaker 1: we don't want to see you rolling up in a Bentley.

721
00:34:02,520 --> 00:34:05,920
Speaker 1: You're getting demand in your parking spot. At one time

722
00:34:06,000 --> 00:34:08,480
Speaker 1: Ryan was you and he came in with somebody and

723
00:34:08,520 --> 00:34:10,319
Speaker 1: it's all started there. And now look at him. Guys

724
00:34:10,320 --> 00:34:14,680
Speaker 1: got flowers on his shoes. All right, Ryan hurt everybody?

725
00:34:14,680 --> 00:34:18,360
Speaker 1: You guys, go check out Pulago. It's the best bits

726
00:34:18,360 --> 00:34:22,560
Speaker 1: of the week with Morgan number two. So we've had

727
00:34:22,600 --> 00:34:26,280
Speaker 1: this hundred sided dice in the studio. Bobby's loved playing

728
00:34:26,360 --> 00:34:29,280
Speaker 1: games with it, and now something like kind of actually

729
00:34:29,320 --> 00:34:32,680
Speaker 1: transpired from it. Eddie made a deal that if it

730
00:34:32,760 --> 00:34:36,080
Speaker 1: ever landed on number on the dice that he called,

731
00:34:36,560 --> 00:34:39,279
Speaker 1: he would shave off both of his eyebrows. So I

732
00:34:39,360 --> 00:34:41,719
Speaker 1: got put to the desk this week and Eddie had

733
00:34:41,760 --> 00:34:45,440
Speaker 1: to do ten different numbers. Did one of them land on?

734
00:34:45,520 --> 00:34:47,719
Speaker 1: Did he have to shave his eyebrows? I don't know.

735
00:34:47,800 --> 00:34:49,879
Speaker 1: You're just gonna have to listen right now to find

736
00:34:49,880 --> 00:34:52,919
Speaker 1: out in case you missed it, number five. Eddie ready

737
00:34:52,920 --> 00:34:55,000
Speaker 1: for this. I'm ready made some light lottery sound or something,

738
00:34:55,040 --> 00:34:58,920
Speaker 1: because what's about to happen here as Eddie's wagering his eyebrows.

739
00:35:00,560 --> 00:35:03,520
Speaker 1: We have a one hundred sided dice. So you have

740
00:35:03,520 --> 00:35:06,319
Speaker 1: a one hundred to one odd you're gonna win every time,

741
00:35:06,440 --> 00:35:11,000
Speaker 1: really good odds. Well you have a ninety Yes, I

742
00:35:11,000 --> 00:35:12,720
Speaker 1: mean that's what you say, but there is a chance

743
00:35:12,880 --> 00:35:15,840
Speaker 1: I could lose. So I'm gonna roll the dice and

744
00:35:15,880 --> 00:35:18,239
Speaker 1: it's gonna land on a number, and you're gonna pick

745
00:35:18,239 --> 00:35:19,840
Speaker 1: the number, and if it matches the number it is,

746
00:35:19,840 --> 00:35:21,560
Speaker 1: you lose, and we're gonna say it at the same time.

747
00:35:22,560 --> 00:35:24,239
Speaker 1: It's even gonna write it down before we say it.

748
00:35:24,320 --> 00:35:27,800
Speaker 1: Love it. So every time it's not you get two bucks. Yes,

749
00:35:28,160 --> 00:35:31,239
Speaker 1: every time it is, you lose your eyebrows. Come on,

750
00:35:31,520 --> 00:35:33,720
Speaker 1: if we match, you lose your eyebrows. Am I explaining

751
00:35:33,719 --> 00:35:37,439
Speaker 1: to this right? Yes? Okay, So we have to pick

752
00:35:37,480 --> 00:35:40,279
Speaker 1: two different numbers, everyone knows. Yeah, so I can win.

753
00:35:40,560 --> 00:35:43,920
Speaker 1: I'm not picking a number. Whatever you say, it's got

754
00:35:43,920 --> 00:35:46,040
Speaker 1: to be different than mine. Yes, you said he's rolling.

755
00:35:46,200 --> 00:35:49,879
Speaker 1: If the numbers match, you lose, Mike. Do you see

756
00:35:49,920 --> 00:35:53,120
Speaker 1: that number right there? You already rolled it? Yep, for

757
00:35:53,200 --> 00:36:01,319
Speaker 1: two dollars, two dollars one, two, three, forty seven? Okay,

758
00:36:01,440 --> 00:36:06,120
Speaker 1: there's yeah, you're two dollars rich, well, at least getting

759
00:36:06,120 --> 00:36:11,440
Speaker 1: four more roles? Okay, mm hmmm. I mean there are

760
00:36:11,440 --> 00:36:17,360
Speaker 1: just so many numbers in my head right now. Ready,

761
00:36:17,440 --> 00:36:20,560
Speaker 1: one hundreds in there? Right? Um? Or? Is it just

762
00:36:20,680 --> 00:36:25,319
Speaker 1: ninety nine hundreds on there? I love it? I love it?

763
00:36:25,360 --> 00:36:30,440
Speaker 1: Are you ready? Yeah? One? Two three? Okay? Okay, but

764
00:36:30,560 --> 00:36:32,360
Speaker 1: he saw you have to look for the hundred. That

765
00:36:32,440 --> 00:36:35,600
Speaker 1: was cheam, He was cheating dollars. Are we sure there's

766
00:36:35,600 --> 00:36:41,759
Speaker 1: one hundred on here? Okay? All right, you've now got one.

767
00:36:41,840 --> 00:36:43,279
Speaker 1: Now Eddy's gonna be like, is there a fifty on?

768
00:36:43,560 --> 00:36:45,720
Speaker 1: What was the last number of all? The last number

769
00:36:45,719 --> 00:36:53,200
Speaker 1: was two too? Love it all right? The next number one? Two? Oh? Sorry, okay,

770
00:36:53,239 --> 00:37:08,560
Speaker 1: go go go ready? One two three? I not like that?

771
00:37:11,040 --> 00:37:13,880
Speaker 1: What was that forty one? You said? Oh my goodness,

772
00:37:13,960 --> 00:37:17,879
Speaker 1: that's three rolls. I don't like this music. By the way,

773
00:37:17,960 --> 00:37:23,240
Speaker 1: if we match, you lose your eyebrows. Rolling the hundred

774
00:37:23,280 --> 00:37:33,839
Speaker 1: sided dice one two okay, so how much money does

775
00:37:33,840 --> 00:37:37,200
Speaker 1: he have? Eight dollars? But he's od's already's gonna win

776
00:37:37,200 --> 00:37:38,719
Speaker 1: every time. I know, I know, but it's not even

777
00:37:38,760 --> 00:37:42,120
Speaker 1: that much money. Like for my eyebrows. It is. Come on,

778
00:37:42,480 --> 00:37:44,600
Speaker 1: because what we got one more? Two more? I We'll

779
00:37:44,640 --> 00:37:46,279
Speaker 1: do one more for now, We'll do some more later.

780
00:37:46,760 --> 00:38:05,600
Speaker 1: M one two three. I don't like this so close. No,

781
00:38:07,480 --> 00:38:11,799
Speaker 1: whoa dude, I'm telling you. I'm telling you being my luck.

782
00:38:12,080 --> 00:38:14,479
Speaker 1: I've rolled that thing hundreds of time, never hit a number.

783
00:38:14,560 --> 00:38:17,040
Speaker 1: This is my it's my luck. So far you've won

784
00:38:17,120 --> 00:38:20,560
Speaker 1: ten dollars. Wow, okay, and two times you've got so

785
00:38:20,680 --> 00:38:22,480
Speaker 1: let's roll one more time, one more time or two

786
00:38:22,480 --> 00:38:30,800
Speaker 1: more rolls? Okay, now roll in the dive. I'll see you.

787
00:38:30,840 --> 00:38:33,439
Speaker 1: Let's got a hundred sides on it. Oh my gosh,

788
00:38:33,480 --> 00:38:38,200
Speaker 1: there's so many numbers in my head. One two, three,

789
00:38:38,360 --> 00:38:42,400
Speaker 1: seventeen dude, I thought we said the same number. I

790
00:38:42,440 --> 00:38:48,680
Speaker 1: thought we said the same number, seventeen seventy. Love it. Okay, Hey,

791
00:38:48,840 --> 00:38:50,920
Speaker 1: wasn't even close no, it wasn't, but it sounded close.

792
00:38:51,800 --> 00:38:58,440
Speaker 1: One more, come on, one more? Zero in there? No,

793
00:38:58,600 --> 00:39:05,120
Speaker 1: just one? Do you want to look? Oh my gosh,

794
00:39:05,160 --> 00:39:08,560
Speaker 1: Oh my gosh, you're thinking high or low. I'm not

795
00:39:08,600 --> 00:39:17,120
Speaker 1: even thinking one, two, three? Okay, okay, as of right now, guys,

796
00:39:17,120 --> 00:39:18,920
Speaker 1: I know it's just my eyebrows. But every time I

797
00:39:18,960 --> 00:39:21,480
Speaker 1: say a number, I get really scared. As of right now,

798
00:39:21,520 --> 00:39:24,360
Speaker 1: you want fourteen dollars. I love it. Just your eyebrows.

799
00:39:24,400 --> 00:39:27,960
Speaker 1: It's important. And don't forget whatever you win Scooba Steve's matching.

800
00:39:28,000 --> 00:39:30,160
Speaker 1: It's into I know. That's what makes me really you

801
00:39:30,239 --> 00:39:32,120
Speaker 1: want twenty eight bucks and by doing nothing and my

802
00:39:32,200 --> 00:39:34,200
Speaker 1: gambling nature right now, just like that's a roll another one.

803
00:39:34,320 --> 00:39:36,879
Speaker 1: Let's go because every time I tell you're gonna win,

804
00:39:37,080 --> 00:39:39,719
Speaker 1: I know. But we're getting pretty close, Eddie. This is

805
00:39:39,719 --> 00:39:41,160
Speaker 1: the only shot I'm gonna give you today to make

806
00:39:41,160 --> 00:39:44,520
Speaker 1: some more money, okay, because we're just so packed today.

807
00:39:44,680 --> 00:39:47,640
Speaker 1: Roll the dice this early. Yeah, So here's the situation

808
00:39:47,680 --> 00:39:51,160
Speaker 1: to all of our listeners. We have this one hundred

809
00:39:51,280 --> 00:39:54,360
Speaker 1: sided dice, and if I roll it, it lands on

810
00:39:54,360 --> 00:39:57,040
Speaker 1: a number. That number was ninety three. It's got one

811
00:39:57,040 --> 00:40:01,319
Speaker 1: through one hundreds, not wasting rolls. We told Eddie for

812
00:40:01,400 --> 00:40:05,239
Speaker 1: every role, if he guesses the number and it doesn't match,

813
00:40:05,280 --> 00:40:07,560
Speaker 1: he wins two dollars. So if he'd guess the number

814
00:40:07,560 --> 00:40:12,920
Speaker 1: seven and it lands on thirteen, that time, stop wasting roles.

815
00:40:12,960 --> 00:40:15,480
Speaker 1: He didn't want two more dollars. Yesterday we did this,

816
00:40:16,200 --> 00:40:20,520
Speaker 1: he made thirty bucks every just like that. It's like that,

817
00:40:20,520 --> 00:40:23,359
Speaker 1: it's pretty cool. So let's do five rolls. Five rolls

818
00:40:23,719 --> 00:40:27,359
Speaker 1: right now, technically sixty because he's gonna match it. Yes,

819
00:40:28,080 --> 00:40:30,400
Speaker 1: so we'll do five rolls. If you match it, you

820
00:40:30,400 --> 00:40:33,440
Speaker 1: have to shave your eyebrows. Yes. Did you tell your

821
00:40:33,480 --> 00:40:37,480
Speaker 1: wife you want thirty times two? Yesterday sixty bucks? She

822
00:40:37,480 --> 00:40:39,560
Speaker 1: didn't need to know yet. He's gonna not tell her this.

823
00:40:39,560 --> 00:40:41,840
Speaker 1: This is gonna be his play money. Yeah, if you

824
00:40:42,400 --> 00:40:44,160
Speaker 1: get to gamble, it's not that, it's just that if

825
00:40:44,160 --> 00:40:46,600
Speaker 1: I have to go home without eyebrows like she doesn't

826
00:40:46,640 --> 00:40:49,200
Speaker 1: like knowing that before it happens. After the fact, she'll

827
00:40:49,239 --> 00:40:50,680
Speaker 1: be like, what did you do? I'll explain to her.

828
00:40:50,719 --> 00:40:52,200
Speaker 1: Then she'd be like, okay, fine, whatever. But if you

829
00:40:52,200 --> 00:40:53,920
Speaker 1: were to say I'm doing this, she'd be like, what

830
00:40:53,960 --> 00:40:55,480
Speaker 1: are you doing? Stop right now? And I don't want

831
00:40:55,520 --> 00:40:57,440
Speaker 1: her to influence that. All right, you haven't you want

832
00:40:57,480 --> 00:41:00,839
Speaker 1: five rolls? Five rolls? Let go number? You just roll.

833
00:41:02,480 --> 00:41:06,240
Speaker 1: I don't know. There's a hundred numbers on this dice.

834
00:41:07,120 --> 00:41:13,960
Speaker 1: You just pick one number. Are you ready? Ready? I

835
00:41:14,000 --> 00:41:19,879
Speaker 1: have the number? Ready? One? Two? Let's start, let's start.

836
00:41:20,200 --> 00:41:33,839
Speaker 1: There's one rolling the dice. Got it, got it? Mike

837
00:41:34,000 --> 00:41:37,319
Speaker 1: is keeping score behind me? Ready? Yes? One, two, three?

838
00:41:39,120 --> 00:41:42,279
Speaker 1: You just had nine. That's scared me. Okay, three more

839
00:41:43,040 --> 00:41:48,359
Speaker 1: if it matches, you lose your eyebrows. Yesterday, eddie guy

840
00:41:48,400 --> 00:41:51,799
Speaker 1: close a couple of really by two? Yeah, by two

841
00:41:51,920 --> 00:41:59,200
Speaker 1: numbers one two, Okay, I like this. This is a

842
00:41:59,400 --> 00:42:02,560
Speaker 1: that's a good gap. Two more roles and we call

843
00:42:02,600 --> 00:42:04,360
Speaker 1: it a day. Hold on, let me get a number.

844
00:42:06,120 --> 00:42:23,400
Speaker 1: Oh yeah, one, two, three, okay, one more role? What

845
00:42:23,440 --> 00:42:27,520
Speaker 1: if you choose that number every time? No? Are you ready? Oh? No,

846
00:42:27,520 --> 00:42:30,000
Speaker 1: not yet? Oh this is a fancy spin spending it

847
00:42:30,040 --> 00:42:32,319
Speaker 1: like crazy? Right now? All right, I'm ready, got your number?

848
00:42:32,360 --> 00:42:38,840
Speaker 1: No, no no, got it? And stop your number o or

849
00:42:38,840 --> 00:42:41,640
Speaker 1: even shut it? Just read the number. No, don't do that,

850
00:42:41,920 --> 00:42:49,160
Speaker 1: don't do that, shut it. Okay, there you go Aheadie.

851
00:42:49,760 --> 00:42:52,920
Speaker 1: I felt thanks, orry. I like that yes, pay me,

852
00:42:53,040 --> 00:42:56,000
Speaker 1: my friend that so far you made forty bucks times

853
00:42:56,040 --> 00:43:00,319
Speaker 1: two matches, do not even close to losing. Here's what

854
00:43:00,320 --> 00:43:02,560
Speaker 1: we can do. Yeah, you can either collect your winnings,

855
00:43:03,160 --> 00:43:05,040
Speaker 1: which is forty bucks from me, forty bucks from scoobs

856
00:43:05,280 --> 00:43:06,879
Speaker 1: love it, or we can roll it on the next week.

857
00:43:07,960 --> 00:43:10,359
Speaker 1: It's the easiest money you've ever had a chance to win. Yeah,

858
00:43:10,400 --> 00:43:12,040
Speaker 1: but I mean every time we roll it, it's still

859
00:43:12,080 --> 00:43:14,879
Speaker 1: really scary, and I mean I may be losing days

860
00:43:14,880 --> 00:43:17,399
Speaker 1: in my life every time you roll it. So yeah,

861
00:43:17,440 --> 00:43:20,239
Speaker 1: but just by stressing out, I say we keep going.

862
00:43:20,520 --> 00:43:22,200
Speaker 1: Are you sure? Yeah? I say we keep going. If

863
00:43:22,200 --> 00:43:24,640
Speaker 1: I commit to next week, how many roles do you

864
00:43:24,719 --> 00:43:28,280
Speaker 1: have to commit to? Like five, ten, twenty? The mactual

865
00:43:28,280 --> 00:43:30,319
Speaker 1: you can do it's fifty, it's thirty. More So, if

866
00:43:30,360 --> 00:43:32,239
Speaker 1: you're gonna commit to next week, you go ten more roles.

867
00:43:32,239 --> 00:43:34,160
Speaker 1: You got it. I'll go in for ten more roles, okay,

868
00:43:34,200 --> 00:43:36,840
Speaker 1: next week. But I may feel it and want to

869
00:43:36,840 --> 00:43:38,800
Speaker 1: go more, so I may I may do all fifty.

870
00:43:38,800 --> 00:43:41,640
Speaker 1: Who knows minimal ten? You can stop there if you want,

871
00:43:41,719 --> 00:43:46,279
Speaker 1: you got it Monday chef. Yeah, Amy, Well, well right now,

872
00:43:46,280 --> 00:43:48,680
Speaker 1: if you want I'm just saying, like the idea of

873
00:43:48,680 --> 00:43:52,600
Speaker 1: money feels good. It's the best bits of the week

874
00:43:53,360 --> 00:43:57,319
Speaker 1: with Morgan. Number two. The drafts are back. I know

875
00:43:57,400 --> 00:44:00,760
Speaker 1: everybody is so excited about this one, and including myself

876
00:44:00,800 --> 00:44:04,319
Speaker 1: because I am the reigning draft champion. You are, How

877
00:44:04,360 --> 00:44:06,600
Speaker 1: do you do that? What is your secret? Like? You

878
00:44:06,640 --> 00:44:08,960
Speaker 1: know what is gonna work? I don't. I just feel,

879
00:44:09,000 --> 00:44:11,240
Speaker 1: you know, I feel like I connect with not people,

880
00:44:11,320 --> 00:44:13,400
Speaker 1: and I just feel like I have a good, you know,

881
00:44:13,920 --> 00:44:16,920
Speaker 1: pulse on what people like. But it's also what I like.

882
00:44:17,000 --> 00:44:19,520
Speaker 1: So that's why it's not hard to connect the two, right,

883
00:44:19,680 --> 00:44:22,160
Speaker 1: that's true. Yeah, that's not That's not always like sometimes

884
00:44:22,200 --> 00:44:24,480
Speaker 1: I will miss. Obviously, other people have wins, so it's

885
00:44:24,520 --> 00:44:27,239
Speaker 1: not like I'm undefeated over here, but I am the

886
00:44:27,320 --> 00:44:30,200
Speaker 1: reigning draft champion in that championship. Bell has been sitting

887
00:44:30,200 --> 00:44:34,280
Speaker 1: in front of me for months. Yeah, and now Lunchbox

888
00:44:34,280 --> 00:44:35,840
Speaker 1: and I are tied at nine and nine, so I

889
00:44:36,000 --> 00:44:39,720
Speaker 1: may get it again. We'll see. Wait, so do you

890
00:44:39,719 --> 00:44:41,680
Speaker 1: you do pick with? What you go with? What you

891
00:44:41,680 --> 00:44:44,080
Speaker 1: like the most or what you think others are gonna Well,

892
00:44:44,360 --> 00:44:46,319
Speaker 1: it's like the ones that I like the most, and

893
00:44:46,480 --> 00:44:48,799
Speaker 1: it is a combination. I'm like, if I like it

894
00:44:48,880 --> 00:44:51,480
Speaker 1: the most. I feel like I am very similar to

895
00:44:51,560 --> 00:44:54,359
Speaker 1: just a lot of people in the fact that like

896
00:44:54,880 --> 00:44:56,839
Speaker 1: I don't know, like I just feel like people and

897
00:44:56,840 --> 00:44:59,319
Speaker 1: I are on the same level. Even know what people

898
00:44:59,320 --> 00:45:01,239
Speaker 1: I'm talking about, but me and people are on the

899
00:45:01,280 --> 00:45:03,239
Speaker 1: same level. Right, ones that are vote, yeah, the ones

900
00:45:03,239 --> 00:45:05,520
Speaker 1: that are voting and you're winning is yeah, Well, and

901
00:45:05,520 --> 00:45:07,040
Speaker 1: it's things that I like. So that's why I can

902
00:45:07,080 --> 00:45:10,000
Speaker 1: be like so excited about I've never once chosen one

903
00:45:10,719 --> 00:45:13,040
Speaker 1: if I didn't like it, if that makes sense, Like,

904
00:45:13,040 --> 00:45:16,319
Speaker 1: these are all things and people and things I like, right,

905
00:45:16,320 --> 00:45:18,080
Speaker 1: because if it was like a best actor and you

906
00:45:18,120 --> 00:45:19,880
Speaker 1: went with someone that you know like but you know

907
00:45:19,920 --> 00:45:22,359
Speaker 1: that they're super popular and you don't understand why, but

908
00:45:22,400 --> 00:45:24,080
Speaker 1: you choot like you wouldn't do that, you know, Like

909
00:45:24,080 --> 00:45:27,000
Speaker 1: if we ever do like an like an older version one, right, Like,

910
00:45:27,040 --> 00:45:28,880
Speaker 1: I'm not gonna I'm gonna end up sitting there and

911
00:45:28,920 --> 00:45:30,600
Speaker 1: be like, y'all, I don't know any of these and

912
00:45:30,640 --> 00:45:32,520
Speaker 1: I'm not gonna say I like them. Yeah, I'm just

913
00:45:32,560 --> 00:45:36,920
Speaker 1: not good at lying and I'm not gonna being dishonest, right, Yeah,

914
00:45:36,960 --> 00:45:40,160
Speaker 1: it's easier to just yes. But we did the nineties

915
00:45:40,160 --> 00:45:44,880
Speaker 1: country artist Draft which spoiler alert, I won. But Abby,

916
00:45:44,960 --> 00:45:47,920
Speaker 1: I want to know who would you draft for nineties

917
00:45:47,960 --> 00:45:50,880
Speaker 1: country artists if you were playing in the draft with us? Okay,

918
00:45:50,960 --> 00:45:55,200
Speaker 1: I would have done Shania. Okay, this is a perfect world, right,

919
00:45:55,239 --> 00:45:58,600
Speaker 1: because like you have to rotate with people and Eddie

920
00:45:58,800 --> 00:46:02,439
Speaker 1: Shania of me right. Yeah. See that's the hard part

921
00:46:02,800 --> 00:46:04,799
Speaker 1: because you know you have the perfect team. But then

922
00:46:04,960 --> 00:46:06,600
Speaker 1: right before you say it, the one right in front

923
00:46:06,600 --> 00:46:08,920
Speaker 1: of you says it, now like, okay, little snake drafts no,

924
00:46:09,080 --> 00:46:12,200
Speaker 1: but yes, go perfect world. Who would you have drafted? Yah,

925
00:46:12,200 --> 00:46:16,520
Speaker 1: Shania and then Martina? Okay? But I'm like then I'm

926
00:46:16,560 --> 00:46:18,560
Speaker 1: second guessing. I'm like, wait, but is that for everybody

927
00:46:18,560 --> 00:46:20,640
Speaker 1: else too? Or is that just me personally? This is

928
00:46:20,640 --> 00:46:22,239
Speaker 1: where you have to just go with your heart, just

929
00:46:22,320 --> 00:46:26,840
Speaker 1: choose for you and know that likely your opinion is

930
00:46:26,840 --> 00:46:30,120
Speaker 1: is going with the people. Yes, And then final one

931
00:46:30,239 --> 00:46:33,560
Speaker 1: Garth Okay, I'll be solid team though, yes, I mean

932
00:46:33,719 --> 00:46:36,160
Speaker 1: like really solid team. You have to look at him

933
00:46:36,200 --> 00:46:38,480
Speaker 1: as like if you have to go buy a ticket

934
00:46:38,560 --> 00:46:40,920
Speaker 1: to meet these people or go to this restaurant and

935
00:46:41,000 --> 00:46:44,000
Speaker 1: you get these three things, would you be happy with it? Right?

936
00:46:44,320 --> 00:46:46,640
Speaker 1: And you'd be happy to go to Shani, Martina McBride

937
00:46:46,640 --> 00:46:49,800
Speaker 1: and Garth Brooks concert whatever, what's like the perfect concert

938
00:46:49,840 --> 00:46:54,400
Speaker 1: from the nineties. If we could like pick a I mean, honestly,

939
00:46:54,960 --> 00:46:57,840
Speaker 1: like best concert from the ninties, we do five. We

940
00:46:57,880 --> 00:47:00,360
Speaker 1: have to do five together, Okay, okay, we have to

941
00:47:00,400 --> 00:47:03,200
Speaker 1: put Shania Oh yes, and we have to put Garth Brooks.

942
00:47:03,960 --> 00:47:06,440
Speaker 1: But we got three others from the night. I think

943
00:47:06,440 --> 00:47:08,640
Speaker 1: a groove shouldn't a group getting were we need to

944
00:47:08,719 --> 00:47:11,640
Speaker 1: put Dolly or Rebo Oh, I know, one of the two.

945
00:47:12,760 --> 00:47:16,359
Speaker 1: I would personally say Reba. Okay, but but I love

946
00:47:17,160 --> 00:47:20,399
Speaker 1: I know, I'm going with you Reba. And on that note,

947
00:47:20,440 --> 00:47:22,480
Speaker 1: I think we need to add Brooks and Done Oh

948
00:47:22,640 --> 00:47:25,359
Speaker 1: Brooks and Done Shoe. I would add that to mine too.

949
00:47:25,560 --> 00:47:27,560
Speaker 1: I love them, I know. Okay, so we have four,

950
00:47:27,600 --> 00:47:31,160
Speaker 1: we got one more. So far we have Shania, Reba

951
00:47:31,320 --> 00:47:33,960
Speaker 1: Brooks and Done Garth Brooks. We need one more. I mean,

952
00:47:33,960 --> 00:47:35,839
Speaker 1: you can do Dolly. You can't go wrong with Dolly,

953
00:47:35,960 --> 00:47:37,600
Speaker 1: I know, but I think you have to choose it,

954
00:47:37,640 --> 00:47:41,000
Speaker 1: like hitting the different angles. I know, part of part

955
00:47:41,040 --> 00:47:42,640
Speaker 1: of me says it's a it's another guy, and it's

956
00:47:42,640 --> 00:47:45,080
Speaker 1: either Alan Jackson or Tim mc graw. I would go Tim,

957
00:47:45,280 --> 00:47:49,400
Speaker 1: I love it, but George straight shoo. Yeah, but we

958
00:47:49,440 --> 00:47:52,080
Speaker 1: already have Garth. Like see, I'm looking at the like,

959
00:47:52,440 --> 00:47:55,160
Speaker 1: either choose Garth or George or Reboat or do do

960
00:47:55,200 --> 00:47:56,680
Speaker 1: you know what I mean? Like we're picking one of

961
00:47:56,719 --> 00:47:58,920
Speaker 1: them to make this like perfect five, and then the

962
00:47:58,960 --> 00:48:01,440
Speaker 1: other perfect five is all the ones that are on

963
00:48:01,480 --> 00:48:04,560
Speaker 1: the other side, right, yeah, because then you have Dolly

964
00:48:04,680 --> 00:48:07,440
Speaker 1: and George Strait all the others that we flipped. Yes,

965
00:48:07,520 --> 00:48:09,680
Speaker 1: you see what I mean. And there's like groups too,

966
00:48:09,960 --> 00:48:13,120
Speaker 1: like old I mean, uh, we've been talking about, Yeah,

967
00:48:13,160 --> 00:48:15,799
Speaker 1: I love them Diamond Rio and in groups like that,

968
00:48:16,000 --> 00:48:18,359
Speaker 1: we could add it. We could add a group, add

969
00:48:18,360 --> 00:48:21,200
Speaker 1: Diamond Rio to this list, Diamond Rio, Alan Jackson and

970
00:48:21,239 --> 00:48:26,800
Speaker 1: timocraw Al do Allen through Alan He's got so Mary

971
00:48:26,840 --> 00:48:31,600
Speaker 1: Alan Jackson. So our perfect nineties country concert is Garth Brooks,

972
00:48:31,680 --> 00:48:35,960
Speaker 1: Shania Twain, Reba McIntyre, Brooks and Done Alan Jackson. I

973
00:48:36,000 --> 00:48:38,800
Speaker 1: can't even imagine. Can we have this now? It'll be iconic?

974
00:48:39,160 --> 00:48:41,160
Speaker 1: Can they do that? It's kind of like our award shows,

975
00:48:41,160 --> 00:48:42,719
Speaker 1: But like if you can just mash it to create

976
00:48:42,760 --> 00:48:46,359
Speaker 1: a concert, that would be awesome. I'm game continue to happen. Yeah,

977
00:48:46,440 --> 00:48:48,400
Speaker 1: I didn't see that Willie Nelson and George Trade are

978
00:48:48,400 --> 00:48:51,239
Speaker 1: gonna be performing together in Texas. They are, which will

979
00:48:51,239 --> 00:48:54,440
Speaker 1: be wild. I just love when legends come together to

980
00:48:54,480 --> 00:48:57,680
Speaker 1: do things. I know it so like gives me like,

981
00:48:58,080 --> 00:49:01,440
Speaker 1: it gives me a nostalgia, I think, and like just excitement,

982
00:49:01,440 --> 00:49:02,680
Speaker 1: and I want to be a part of it. I

983
00:49:02,760 --> 00:49:05,160
Speaker 1: do too. I bet it's already sold out, all right.

984
00:49:05,160 --> 00:49:06,839
Speaker 1: I don't know if the tickets are even on sale yet,

985
00:49:06,920 --> 00:49:08,839
Speaker 1: but well, if you're in Texas, go for us. Yeah,

986
00:49:08,920 --> 00:49:10,880
Speaker 1: go for us, send us your visit. That was the epic.

987
00:49:11,800 --> 00:49:13,640
Speaker 1: Oh man, Okay, well, you guys gonna listen right now.

988
00:49:13,680 --> 00:49:17,440
Speaker 1: Here's the Nineties Country Artists Draft, and coming up, we

989
00:49:17,480 --> 00:49:19,640
Speaker 1: will be drafting some more things because you guys have

990
00:49:19,719 --> 00:49:24,640
Speaker 1: requested it. What's something we should draft? Oh, we've drafted

991
00:49:24,800 --> 00:49:27,920
Speaker 1: so many things. We've done many chain restaurants, we've done

992
00:49:28,200 --> 00:49:31,359
Speaker 1: best actors, we've done blonde actors. We've done the best

993
00:49:31,400 --> 00:49:35,520
Speaker 1: country nineties country songs, very specific things. I know, I

994
00:49:35,640 --> 00:49:40,360
Speaker 1: like food related ones like We're fun. Gas Station Snacks

995
00:49:40,440 --> 00:49:42,640
Speaker 1: is a first time one of our first few drafts.

996
00:49:43,080 --> 00:49:46,080
Speaker 1: And we've done chain restaurants, we've done desserts. We could

997
00:49:46,080 --> 00:49:50,480
Speaker 1: do appetizers, like appetizers, pastas. I don't know that there's

998
00:49:50,520 --> 00:49:53,920
Speaker 1: a lot of pastas, though I know the conversations we

999
00:49:53,960 --> 00:49:55,480
Speaker 1: have to have behind the things to be like, is

1000
00:49:55,480 --> 00:49:58,080
Speaker 1: there really something we can draft? Because there has to

1001
00:49:58,120 --> 00:50:00,400
Speaker 1: be at least like ten good ones for us even

1002
00:50:00,480 --> 00:50:06,560
Speaker 1: fight over things you know, no people like I know, animals,

1003
00:50:06,680 --> 00:50:10,920
Speaker 1: maybe animals. Oh yes, I know that's hard because I

1004
00:50:10,920 --> 00:50:12,960
Speaker 1: feel like you guys have done a lot of them. Oh,

1005
00:50:13,000 --> 00:50:14,719
Speaker 1: there's so many. If you do want to see all

1006
00:50:14,719 --> 00:50:17,240
Speaker 1: the drafts, they are also all up online. I promise

1007
00:50:17,360 --> 00:50:19,359
Speaker 1: I don't take anything down, So if you've seen them,

1008
00:50:19,719 --> 00:50:22,120
Speaker 1: hurt them before, it's all up at Bobby bones dot com.

1009
00:50:22,120 --> 00:50:25,080
Speaker 1: If you want to relive anything from now until five

1010
00:50:25,160 --> 00:50:27,719
Speaker 1: years from now. I can't say anything before I was here,

1011
00:50:27,719 --> 00:50:29,600
Speaker 1: but I know everything that I have done since I've

1012
00:50:29,600 --> 00:50:33,040
Speaker 1: been on here is still on the website. Oh man, okay,

1013
00:50:33,080 --> 00:50:34,600
Speaker 1: well yeah, here it is right now in case you

1014
00:50:34,640 --> 00:50:36,680
Speaker 1: missed it earlier this week. You obviously can't vote, the

1015
00:50:36,719 --> 00:50:38,839
Speaker 1: voting has been closed, but you can listen to us

1016
00:50:38,960 --> 00:50:43,200
Speaker 1: Draft nineties Country Artists number four. Let's bring back to

1017
00:50:43,200 --> 00:50:49,040
Speaker 1: the draft. We will be drafting today our favorite nineties

1018
00:50:49,080 --> 00:50:52,239
Speaker 1: country artists, and you guys can go vote at Bobbybones

1019
00:50:52,280 --> 00:50:54,759
Speaker 1: dot com on the full team that you like. Because

1020
00:50:54,800 --> 00:50:56,799
Speaker 1: what's happened is the first round pick. The first person

1021
00:50:56,880 --> 00:50:58,560
Speaker 1: always gets the best person. But who's who makes the

1022
00:50:58,600 --> 00:51:03,440
Speaker 1: best overall team? Raymundo, you have the first pick nineties

1023
00:51:03,520 --> 00:51:06,440
Speaker 1: country artists. Who do you go with? Pick number one?

1024
00:51:06,719 --> 00:51:12,040
Speaker 1: Pretty obvious, the one and only Garth Brooks Solid. Yep,

1025
00:51:13,040 --> 00:51:15,400
Speaker 1: it's tough. Guards Gud's tough. I mean it's for me

1026
00:51:15,480 --> 00:51:20,040
Speaker 1: because to me there are there's a Tier one and

1027
00:51:20,200 --> 00:51:22,439
Speaker 1: Garth is there. But George Straight is my first pick.

1028
00:51:22,600 --> 00:51:25,600
Speaker 1: Oh my gosh, what do you think George Stray was

1029
00:51:25,600 --> 00:51:28,080
Speaker 1: gonna make it to you? I thought you'd be like,

1030
00:51:28,120 --> 00:51:30,279
Speaker 1: you know what, I should let Amy have George. That's

1031
00:51:30,280 --> 00:51:34,439
Speaker 1: her boy, because it Gartha's my boy, and Ray took him.

1032
00:51:34,680 --> 00:51:37,719
Speaker 1: So Ray's got Garth, Amy's got George Straight. I have

1033
00:51:37,719 --> 00:51:42,560
Speaker 1: George Straight Amy, Tim mcgrawl. Interesting, that's interesting. I feel

1034
00:51:42,600 --> 00:51:45,839
Speaker 1: like it would have been a second round or maybe third. Yeah,

1035
00:51:46,360 --> 00:51:49,080
Speaker 1: oh well you took George out. But I feel like

1036
00:51:49,160 --> 00:51:50,960
Speaker 1: somebody's gonna say one in a minute, and you're gonna go,

1037
00:51:51,000 --> 00:51:54,640
Speaker 1: how did I not think of that person, Eddie Amy.

1038
00:51:54,719 --> 00:51:57,239
Speaker 1: This game is all about just upsetting the next person.

1039
00:51:57,320 --> 00:51:58,600
Speaker 1: So I'm just gonna go ahead and do it. Give

1040
00:51:58,600 --> 00:52:02,320
Speaker 1: me Shanya Rude, Tier one, those three or Tier one,

1041
00:52:02,600 --> 00:52:04,520
Speaker 1: Garth George. That's what fantasy's all about. How it is

1042
00:52:04,520 --> 00:52:07,239
Speaker 1: Tim McGraw nut tier one. He's just not because he's

1043
00:52:07,280 --> 00:52:11,800
Speaker 1: not Garth, Shanaia or George Strait okay, or some others

1044
00:52:11,800 --> 00:52:15,440
Speaker 1: that are really awesome still out there. I mean, Tim

1045
00:52:15,480 --> 00:52:19,320
Speaker 1: McGraw's massive, but I would say tiered right underneath that tier.

1046
00:52:19,520 --> 00:52:22,800
Speaker 1: Oh wow, See, I just don't I put him up there. Morgan.

1047
00:52:23,239 --> 00:52:25,400
Speaker 1: I'm so mad at you because you almost made it

1048
00:52:25,440 --> 00:52:29,359
Speaker 1: three Um Brooks and Done. You're hoping to get him

1049
00:52:29,360 --> 00:52:31,759
Speaker 1: in the second round. That's a great one. Oh that's

1050
00:52:31,760 --> 00:52:35,680
Speaker 1: a good one. Oh man. Okay, hey guys, there's still

1051
00:52:35,680 --> 00:52:37,600
Speaker 1: some big ones out there. Yeah yeah, yeah, yeah, yeah

1052
00:52:37,760 --> 00:52:40,960
Speaker 1: yeah yah. Okay, So we've all made our first round picks.

1053
00:52:41,080 --> 00:52:44,200
Speaker 1: Now we go backward for the second round. Snake draft. Morgan,

1054
00:52:44,239 --> 00:52:45,640
Speaker 1: you got Brooks and Doneho are you taking in the

1055
00:52:45,640 --> 00:52:47,759
Speaker 1: second round. I just saw him this weekend and I

1056
00:52:47,840 --> 00:52:51,640
Speaker 1: was reminded how good he was in the nineties. Alan Jackson. Yeah,

1057
00:52:51,640 --> 00:53:01,040
Speaker 1: that's solid, solid Eddie. Should I go with? Oh, I

1058
00:53:01,120 --> 00:53:03,360
Speaker 1: got it? You just had it on the Bobby cast Reba,

1059
00:53:03,840 --> 00:53:07,200
Speaker 1: give me Reba and the Big Red Hair. Let's go. Yeah,

1060
00:53:08,200 --> 00:53:10,120
Speaker 1: dang that. Oh my gosh, I got two women. I know,

1061
00:53:11,000 --> 00:53:18,240
Speaker 1: Strong Amy the Chicks Dixie Chicks, but in the nineties

1062
00:53:18,239 --> 00:53:20,399
Speaker 1: that was their name right now, I know, I know,

1063
00:53:20,880 --> 00:53:23,480
Speaker 1: but still I mean in the nineties they had two

1064
00:53:23,520 --> 00:53:30,000
Speaker 1: albums that I had on repeat. Well, let's see, I

1065
00:53:30,080 --> 00:53:33,279
Speaker 1: had him on my list, reb on my list. The

1066
00:53:33,360 --> 00:53:37,080
Speaker 1: problem with for me with picking someone like a Kenny

1067
00:53:37,120 --> 00:53:39,600
Speaker 1: Chesney is he's still relevant. I think people because that's

1068
00:53:39,640 --> 00:53:41,359
Speaker 1: what is that what's wrong with the McGraw is it

1069
00:53:41,360 --> 00:53:43,359
Speaker 1: could be mcgrawl still relevant. I think people will look

1070
00:53:43,360 --> 00:53:44,320
Speaker 1: at it and be like, well, I don't need to

1071
00:53:44,320 --> 00:53:51,319
Speaker 1: pick McGraw as nineties he's awesome. Now, well, I mean,

1072
00:53:51,360 --> 00:53:54,879
Speaker 1: George Strait just played acl m Well Garth plays all time.

1073
00:53:55,640 --> 00:54:00,000
Speaker 1: I'm going to go with, even though it's blocked me

1074
00:54:00,000 --> 00:54:06,000
Speaker 1: on Twitter, Travis Trip. Oh, that's awesome. Oh Travis Trip

1075
00:54:06,280 --> 00:54:12,040
Speaker 1: is my number two. Okay, So Raymundo, you get the

1076
00:54:12,040 --> 00:54:15,399
Speaker 1: final pick of the first round. Wait a second round,

1077
00:54:15,440 --> 00:54:17,239
Speaker 1: So are you thinking of the day. I'm hoping this

1078
00:54:17,280 --> 00:54:21,520
Speaker 1: is a good pick. Give me diamond Rio. Interesting. That

1079
00:54:21,680 --> 00:54:25,879
Speaker 1: is good? All right, one more pick to go. Ray

1080
00:54:25,960 --> 00:54:28,640
Speaker 1: has Garth Brooks and Diamond Rio. Question. You think Ray

1081
00:54:28,680 --> 00:54:30,920
Speaker 1: could name one of their songs without looking at the board?

1082
00:54:31,719 --> 00:54:33,359
Speaker 1: Can you? Well? I have it up here. It's meet

1083
00:54:33,360 --> 00:54:39,399
Speaker 1: in the middle up there. He's being honest. Boy. Go ahead, Ray,

1084
00:54:39,560 --> 00:54:42,080
Speaker 1: get your final pick. I need a chick, so I'm

1085
00:54:42,080 --> 00:54:46,320
Speaker 1: gonna go with Leanne Rhymes. It's a good one, is it, though? Yeah?

1086
00:54:46,320 --> 00:54:52,120
Speaker 1: I can't absolutely, Ok, she was huge in the nineties

1087
00:54:53,040 --> 00:54:55,839
Speaker 1: to speaking of relevant, I don't know how I ended

1088
00:54:55,880 --> 00:54:57,319
Speaker 1: up on her Instagram the other day. But she's still

1089
00:54:57,360 --> 00:54:59,800
Speaker 1: on tour. She's doing festivals, so people are still performing.

1090
00:55:00,120 --> 00:55:02,399
Speaker 1: I thought I putting in new music. I'm just trying

1091
00:55:02,400 --> 00:55:04,560
Speaker 1: to figure out why Tim mcgrawl wasn't a good pick.

1092
00:55:04,760 --> 00:55:06,560
Speaker 1: It wasn't a great pick. It's not a number one.

1093
00:55:06,640 --> 00:55:09,759
Speaker 1: I would think he's still made. I mean he had

1094
00:55:09,800 --> 00:55:12,200
Speaker 1: a hit a number one recently. Amy, you gotta think

1095
00:55:12,320 --> 00:55:15,120
Speaker 1: will he be available later? And I think he would be.

1096
00:55:16,880 --> 00:55:22,560
Speaker 1: My final pick is going to be the nineties country

1097
00:55:22,640 --> 00:55:31,400
Speaker 1: artist draft. I'm torn, but I'm gonna go with the

1098
00:55:31,480 --> 00:55:35,960
Speaker 1: Judds good. I had Winona. I'm gonna go with the

1099
00:55:36,040 --> 00:55:41,640
Speaker 1: Judds straight up, the Judds. Amy. I was going between

1100
00:55:41,680 --> 00:55:43,640
Speaker 1: those two. I was going between those two. Amy. Now

1101
00:55:43,680 --> 00:55:47,520
Speaker 1: that's good. That's going with him Eddie. So I can

1102
00:55:47,560 --> 00:55:50,600
Speaker 1: still do Winonah, right, because she's She's Judds is different.

1103
00:55:51,880 --> 00:55:59,719
Speaker 1: Yetta do it? You know what, Well, let's just go

1104
00:55:59,719 --> 00:56:02,799
Speaker 1: with him man, the man with the mullet, Joe Joe,

1105
00:56:03,080 --> 00:56:06,920
Speaker 1: Joe Diffy. I had him solid Morgan final pick of

1106
00:56:06,960 --> 00:56:09,520
Speaker 1: the draft. There's still a few good ones left on

1107
00:56:09,560 --> 00:56:13,200
Speaker 1: the table, and I'm debating between three women. You've got

1108
00:56:13,280 --> 00:56:18,239
Speaker 1: Jody Messina, Martina McBride, Faith Hill. Yep, Faith is a

1109
00:56:18,280 --> 00:56:20,200
Speaker 1: strong one for me. I was thinking about Faith. I know,

1110
00:56:21,120 --> 00:56:23,520
Speaker 1: still kind of relevant though, Right, it's up to you.

1111
00:56:24,360 --> 00:56:35,040
Speaker 1: Oh last thing, Jody Messina. Okay, there you have it.

1112
00:56:35,120 --> 00:56:38,320
Speaker 1: Those are our nineties country music draft picks. Now, I

1113
00:56:38,320 --> 00:56:40,680
Speaker 1: remember you're looking at the full team. Basically, what concert

1114
00:56:40,680 --> 00:56:43,840
Speaker 1: would you want to go to to see all three acts? Right? Raymond?

1115
00:56:43,880 --> 00:56:50,440
Speaker 1: Who has Garth Diamond rio in Leanne Rhymes. I mean

1116
00:56:50,480 --> 00:56:52,120
Speaker 1: that was a great first pick and then it just

1117
00:56:52,120 --> 00:56:59,680
Speaker 1: went downhill and I love Diamond together. I have George Straight,

1118
00:56:59,719 --> 00:57:03,800
Speaker 1: Trap is trit and the Judge. Yeah. Amy has McGraw,

1119
00:57:03,920 --> 00:57:06,680
Speaker 1: the Chicks and Tricia Yearwood. That's still good, Amy, thank you.

1120
00:57:06,760 --> 00:57:11,520
Speaker 1: Good draft. Eddie has Shania Strong, Reba Strong and Joe Diffy.

1121
00:57:11,600 --> 00:57:14,200
Speaker 1: I feel great. And Morgan has Brooks and Done, Alan

1122
00:57:14,280 --> 00:57:17,240
Speaker 1: Jackson and Jody Messina feel real good. It's good. That's

1123
00:57:17,280 --> 00:57:21,200
Speaker 1: a good, good draft. Except for Raise. I guess I

1124
00:57:21,280 --> 00:57:24,960
Speaker 1: think she might save me. Yeah, for sure, the first pick. Could.

1125
00:57:25,120 --> 00:57:28,200
Speaker 1: That's the good thing about having the first pick. It's

1126
00:57:28,240 --> 00:57:31,760
Speaker 1: the best bits of the week with Morgan. Number two.

1127
00:57:32,960 --> 00:57:35,480
Speaker 1: A little fangirl moment for me this week because we

1128
00:57:35,600 --> 00:57:38,200
Speaker 1: had Kelly Clarkson on. I wish she was in the studio,

1129
00:57:38,240 --> 00:57:40,960
Speaker 1: but it was virtual. Still an epic interview. She talked

1130
00:57:40,960 --> 00:57:43,680
Speaker 1: to us about her talk show, her new Christmas album,

1131
00:57:43,960 --> 00:57:46,840
Speaker 1: how her collab with Chris Stapleton came about, and even

1132
00:57:46,960 --> 00:57:50,280
Speaker 1: that very iconic movie moment you know in forty year

1133
00:57:50,280 --> 00:57:53,000
Speaker 1: Old Virgin where Steve Carrell yells her name when he's

1134
00:57:53,000 --> 00:57:55,280
Speaker 1: getting waxed. Yeah, we asked about that if she knew

1135
00:57:55,320 --> 00:57:58,200
Speaker 1: that was going down. So definitely listened to this interview,

1136
00:57:58,600 --> 00:58:03,240
Speaker 1: so so good. Verse three The Friday Morning conversation with

1137
00:58:03,560 --> 00:58:06,400
Speaker 1: Kelly Clerkson. Kelly, how are you? I'm so good man.

1138
00:58:06,440 --> 00:58:08,800
Speaker 1: How you doing? You know, pretty good working? What is

1139
00:58:08,840 --> 00:58:11,640
Speaker 1: your like normal work day, like between being a mom

1140
00:58:11,680 --> 00:58:14,040
Speaker 1: and you know, you're hosting the show and doing the voice,

1141
00:58:14,040 --> 00:58:15,280
Speaker 1: Like what is it When do you wake up? When

1142
00:58:15,280 --> 00:58:17,560
Speaker 1: do you go to bed? Wake up or anywhere from

1143
00:58:17,960 --> 00:58:20,400
Speaker 1: six to six thirty and then I get off work

1144
00:58:20,400 --> 00:58:23,600
Speaker 1: a like get finished usually run four. How taxing is

1145
00:58:23,640 --> 00:58:26,640
Speaker 1: doing a daily talk show? I really love it? Um.

1146
00:58:27,360 --> 00:58:30,000
Speaker 1: I think mostly because I love everyone that I work

1147
00:58:30,040 --> 00:58:33,160
Speaker 1: with there, and everyone's so kick ass at their job

1148
00:58:33,280 --> 00:58:35,200
Speaker 1: that I don't have to worry about anything, you know,

1149
00:58:35,320 --> 00:58:37,840
Speaker 1: So um and I love talking. I mean, you get it.

1150
00:58:37,840 --> 00:58:40,960
Speaker 1: It's easy to talk to people, so um and my

1151
00:58:41,040 --> 00:58:43,760
Speaker 1: hours aren't these hours so I got to be on

1152
00:58:43,960 --> 00:58:48,080
Speaker 1: so so that's way easier. So um No, and I

1153
00:58:48,080 --> 00:58:49,960
Speaker 1: get to do music my bands there. It's just a

1154
00:58:50,200 --> 00:58:52,480
Speaker 1: it's a different kind of talk show. So it's it's

1155
00:58:52,520 --> 00:58:55,920
Speaker 1: a it's a really like fun, like awesome gig. I

1156
00:58:55,960 --> 00:58:58,600
Speaker 1: think the hardest part of it is I'm such an

1157
00:58:58,600 --> 00:59:01,720
Speaker 1: emotional person, Like I cry like every day because we

1158
00:59:01,760 --> 00:59:04,200
Speaker 1: have all these really cool people on the show and

1159
00:59:04,480 --> 00:59:07,480
Speaker 1: just doing some amazing things, and I'm you know, the

1160
00:59:07,520 --> 00:59:09,680
Speaker 1: news is hard sometimes, so it's like cool to like

1161
00:59:09,720 --> 00:59:12,120
Speaker 1: be surrounded by these really rad people that come on

1162
00:59:12,160 --> 00:59:14,840
Speaker 1: the show that are like really trying to make humanity better.

1163
00:59:15,240 --> 00:59:17,880
Speaker 1: So it's that that's the hard part because I'm just like, oh,

1164
00:59:17,880 --> 00:59:21,120
Speaker 1: I'm drained, but um, but it's in a good way.

1165
00:59:21,440 --> 00:59:23,800
Speaker 1: Before I get to the Christmas record, I want to

1166
00:59:23,800 --> 00:59:26,080
Speaker 1: talk about you singing at the beginning of your show.

1167
00:59:26,160 --> 00:59:27,600
Speaker 1: Are there some days where you're like, I just don't

1168
00:59:27,600 --> 00:59:31,480
Speaker 1: want to sing? Oh my god, yes what yeah? And

1169
00:59:31,600 --> 00:59:35,280
Speaker 1: those days, um, I just you know, you put your

1170
00:59:35,720 --> 00:59:38,680
Speaker 1: you just put your best foot forward, and it's more

1171
00:59:38,760 --> 00:59:41,160
Speaker 1: it's mostly like I'll be honest with you. Um. It

1172
00:59:41,200 --> 00:59:43,960
Speaker 1: was last week. I've never seen a last More set

1173
00:59:43,960 --> 00:59:47,240
Speaker 1: in concert, and she came to the Bowl and me

1174
00:59:47,240 --> 00:59:48,920
Speaker 1: and my friends were like, oh my god, like live

1175
00:59:48,960 --> 00:59:51,600
Speaker 1: shows are back, like we messed it up. We went,

1176
00:59:51,720 --> 00:59:53,520
Speaker 1: we had such a good time, and we had this

1177
00:59:53,560 --> 00:59:56,200
Speaker 1: little box kind of to ourself too, so that was cool.

1178
00:59:56,240 --> 01:00:00,800
Speaker 1: But I sang harmony at the top of my lungs,

1179
01:00:00,840 --> 01:00:03,120
Speaker 1: like my thirteen year old self was living her best

1180
01:00:03,160 --> 01:00:05,400
Speaker 1: life and out in the cold air. And then the

1181
01:00:05,440 --> 01:00:08,600
Speaker 1: next day I was like, oh, like and I had

1182
01:00:08,640 --> 01:00:10,280
Speaker 1: to come back to work and sing, and I was like,

1183
01:00:10,560 --> 01:00:13,080
Speaker 1: so we're going to do everything in Tony Braxton's Keys

1184
01:00:13,720 --> 01:00:16,960
Speaker 1: was like one voice is shot and we kind of

1185
01:00:17,000 --> 01:00:20,240
Speaker 1: It's really awesome because they learn that. We get a

1186
01:00:20,280 --> 01:00:23,200
Speaker 1: ton of keilaoke sent in, like can request from people,

1187
01:00:23,360 --> 01:00:26,240
Speaker 1: so I can at last minute sometimes have a switch

1188
01:00:26,280 --> 01:00:28,120
Speaker 1: and go, oh my god, can we do something where

1189
01:00:28,120 --> 01:00:30,080
Speaker 1: I can sound kind of wrecked and worn and it

1190
01:00:30,120 --> 01:00:32,800
Speaker 1: sounds fine? And then we kind of have to maneuver

1191
01:00:33,400 --> 01:00:35,600
Speaker 1: a little bit. But that happens every now and then.

1192
01:00:35,640 --> 01:00:37,320
Speaker 1: I mean, good gosh. I mean, do you always want

1193
01:00:37,320 --> 01:00:40,840
Speaker 1: to talk to people every day? No? Sometimes I don't

1194
01:00:40,840 --> 01:00:42,640
Speaker 1: want to. I don't want to talk at all. Yeah, yeah, yeah,

1195
01:00:42,680 --> 01:00:45,880
Speaker 1: I know. I know. It's like silence the Christmas albums

1196
01:00:45,880 --> 01:00:49,080
Speaker 1: out today. When Christmas comes around? When did you record

1197
01:00:49,160 --> 01:00:50,240
Speaker 1: this and did you have to do one of those

1198
01:00:50,240 --> 01:00:53,120
Speaker 1: setups where you make it look like Christmas in March? Well,

1199
01:00:53,120 --> 01:00:57,520
Speaker 1: it was actually very sweet. I recorded most are like

1200
01:00:57,560 --> 01:01:00,720
Speaker 1: half of it, I guess at my Tea studio because

1201
01:01:00,720 --> 01:01:03,200
Speaker 1: that's where my musical director, he has a whole studio setup,

1202
01:01:03,240 --> 01:01:06,160
Speaker 1: so and he produced half the album, which he's produced

1203
01:01:06,200 --> 01:01:07,520
Speaker 1: a ton of stuff for me before, and then I

1204
01:01:07,560 --> 01:01:10,920
Speaker 1: also Jesse Shatkins House. I don't think he decorated at all,

1205
01:01:10,960 --> 01:01:13,280
Speaker 1: but I don't really have to, Like, I like such

1206
01:01:13,320 --> 01:01:15,440
Speaker 1: a child at heart. When it comes up, I closed

1207
01:01:15,440 --> 01:01:17,640
Speaker 1: my eyes and I'm in wonderland, so I don't really

1208
01:01:17,640 --> 01:01:20,040
Speaker 1: have to think too hard at that. I think the

1209
01:01:20,040 --> 01:01:22,160
Speaker 1: thing that was hard for me with making this Christmas

1210
01:01:22,200 --> 01:01:26,960
Speaker 1: album was, man, I hope people aren't wanting Wrapped in

1211
01:01:27,000 --> 01:01:29,800
Speaker 1: Red because I was in a different place when I

1212
01:01:29,840 --> 01:01:32,760
Speaker 1: put that album out, and so this album really does

1213
01:01:32,880 --> 01:01:36,440
Speaker 1: have it. There's an emotional kind of journey on it.

1214
01:01:36,520 --> 01:01:39,280
Speaker 1: So you know, there's some some like hard to listen

1215
01:01:39,320 --> 01:01:42,160
Speaker 1: to songs that are some real raw messages, and then

1216
01:01:42,160 --> 01:01:44,680
Speaker 1: there's some classics that are like fun and of lifting

1217
01:01:44,720 --> 01:01:48,480
Speaker 1: and it's excuse me, and it's also there's some sarcasm

1218
01:01:48,560 --> 01:01:50,680
Speaker 1: and it's just kind of I told my label, I

1219
01:01:50,720 --> 01:01:52,240
Speaker 1: was like, look, I was like, you want me to

1220
01:01:52,280 --> 01:01:55,600
Speaker 1: make a Christmas album not particularly feeling jolly. So I

1221
01:01:55,760 --> 01:01:59,320
Speaker 1: was like, so you know, it's a very honest album

1222
01:01:59,360 --> 01:02:01,400
Speaker 1: even though it's a Ristmas one. And that's why I

1223
01:02:01,400 --> 01:02:04,560
Speaker 1: called it when Christmas comes around, because when it does

1224
01:02:04,600 --> 01:02:06,720
Speaker 1: come around. We can be in very different places and

1225
01:02:06,760 --> 01:02:10,080
Speaker 1: all those places are valid and okay, Um, you know,

1226
01:02:10,280 --> 01:02:13,560
Speaker 1: obviously I hope people relate to more happier tones, but

1227
01:02:14,640 --> 01:02:16,960
Speaker 1: sometimes they don't. I want to play a little bit

1228
01:02:16,960 --> 01:02:19,680
Speaker 1: of Glow, which as our buddy Chris Stapleton on it,

1229
01:02:19,720 --> 01:02:21,360
Speaker 1: and then I want to ask about this specifically. So

1230
01:02:21,440 --> 01:02:39,360
Speaker 1: here's someone glows upon. So when you go to the

1231
01:02:39,440 --> 01:02:41,600
Speaker 1: duet with Chris Stapleton, I just wanted to remind you,

1232
01:02:41,640 --> 01:02:43,600
Speaker 1: that's what I was gonna say. Like, you know, I

1233
01:02:43,640 --> 01:02:45,720
Speaker 1: know you have a song Leave Done with Brett and

1234
01:02:45,720 --> 01:02:47,320
Speaker 1: you have a song with Oriana when you're you know,

1235
01:02:47,320 --> 01:02:49,440
Speaker 1: talking about duets. But for me, when I see the

1236
01:02:49,480 --> 01:02:52,000
Speaker 1: Stapleton duet, I'm like, man, that's super cool. Were you

1237
01:02:52,040 --> 01:02:54,160
Speaker 1: extremely pumped to get a yes from that? I have

1238
01:02:54,200 --> 01:02:56,560
Speaker 1: the funniest story that I actually I haven't told anyone yet,

1239
01:02:57,880 --> 01:03:03,400
Speaker 1: but I was so excited, um and so excited. He

1240
01:03:03,400 --> 01:03:05,360
Speaker 1: turned around so fast too after I asked him, and

1241
01:03:05,640 --> 01:03:07,840
Speaker 1: I honestly wasn't expecting him to say yes. I mean,

1242
01:03:07,840 --> 01:03:10,280
Speaker 1: I feel like everybody asked him to sing, and I

1243
01:03:10,280 --> 01:03:12,640
Speaker 1: I get, you know, really nervous about asking because I've

1244
01:03:12,640 --> 01:03:14,960
Speaker 1: ben't turned down a lot. Honestly, it was singing with people,

1245
01:03:15,000 --> 01:03:18,280
Speaker 1: so so I got really nervous, and um, I was

1246
01:03:18,320 --> 01:03:20,280
Speaker 1: so excited. He said yes, and he, like I said,

1247
01:03:20,320 --> 01:03:22,240
Speaker 1: he turned the music around so quickly and his voice

1248
01:03:22,320 --> 01:03:26,040
Speaker 1: is just magical. Oh but but I made this whole

1249
01:03:26,120 --> 01:03:29,960
Speaker 1: video like outside my Jesse shack in studio because I

1250
01:03:30,000 --> 01:03:33,000
Speaker 1: was listening to I got it and I like literally

1251
01:03:33,080 --> 01:03:35,440
Speaker 1: sounded like a child on a roller coaster. And I

1252
01:03:35,480 --> 01:03:38,360
Speaker 1: made this video and I sent it to Chriss and

1253
01:03:38,440 --> 01:03:41,640
Speaker 1: I was like just so happy. It just sounded so

1254
01:03:41,680 --> 01:03:45,400
Speaker 1: amazing and I we texted back like you know, none something,

1255
01:03:45,440 --> 01:03:47,640
Speaker 1: and then I didn't hear after the video, I was like,

1256
01:03:47,640 --> 01:03:51,880
Speaker 1: oh my god, it's like Stage five cleaner. But I

1257
01:03:52,000 --> 01:03:55,280
Speaker 1: but I I literally was so happy. I think, you know,

1258
01:03:55,400 --> 01:03:59,240
Speaker 1: there are few artists, Um, I love a lot of artists,

1259
01:03:59,240 --> 01:04:01,600
Speaker 1: but I mean there are few artists that really moved me,

1260
01:04:01,760 --> 01:04:03,960
Speaker 1: that that make me like want to be a better

1261
01:04:04,000 --> 01:04:07,120
Speaker 1: singer and make me want to like do better and

1262
01:04:07,560 --> 01:04:10,680
Speaker 1: inspire me creatively. And he's one of them and has

1263
01:04:10,720 --> 01:04:14,280
Speaker 1: been since before everyone knew him. And we were both

1264
01:04:14,280 --> 01:04:17,920
Speaker 1: at some event and I think he was playing with

1265
01:04:17,960 --> 01:04:22,000
Speaker 1: the uh the steel steel drivers yeah, yes, yeah, he

1266
01:04:22,040 --> 01:04:24,680
Speaker 1: was playing with the steel drivers and I was like,

1267
01:04:24,800 --> 01:04:27,280
Speaker 1: who the hell is this? And we were both at

1268
01:04:27,280 --> 01:04:30,120
Speaker 1: some event and I've just since that moment. I remember

1269
01:04:30,160 --> 01:04:33,919
Speaker 1: sitting at the Grinnell Upper End in that seat, going, oh,

1270
01:04:33,960 --> 01:04:36,160
Speaker 1: my god, is like one of the most talented singers

1271
01:04:36,160 --> 01:04:39,280
Speaker 1: I've ever heard. And I'm just so excited, like one,

1272
01:04:39,320 --> 01:04:41,920
Speaker 1: that he's had such an amazing career and still is,

1273
01:04:42,240 --> 01:04:45,560
Speaker 1: and then also that his amazing freaking voice is harmonizing

1274
01:04:45,560 --> 01:04:49,560
Speaker 1: with mine. The album When Christmas Comes Around is out today.

1275
01:04:50,120 --> 01:04:52,680
Speaker 1: It's fifteen tracks, It's all Christmas. But when is it

1276
01:04:52,680 --> 01:04:54,560
Speaker 1: okay to listen to Christmas music in your house? When

1277
01:04:54,560 --> 01:04:59,439
Speaker 1: do you start? I'm different? So I like Christmas in June. Man,

1278
01:04:59,520 --> 01:05:02,040
Speaker 1: So I I don't listen to it like NonStop or anything,

1279
01:05:02,040 --> 01:05:04,280
Speaker 1: but I will, like all of a sudden, be like this,

1280
01:05:04,440 --> 01:05:06,760
Speaker 1: I need to feel good. I'm gonna turn this mood

1281
01:05:06,800 --> 01:05:09,640
Speaker 1: around and I will put on some being Crosby or

1282
01:05:09,720 --> 01:05:12,360
Speaker 1: some you know Atlantis or not Atlantis, Eliah. Sorry, I

1283
01:05:12,400 --> 01:05:15,480
Speaker 1: just went to a concert to Mariah Carey's Christmas, which

1284
01:05:15,520 --> 01:05:18,520
Speaker 1: is an amazing album, So like, I just I'll do

1285
01:05:18,560 --> 01:05:20,160
Speaker 1: it just to like kind of turn my mood around.

1286
01:05:20,200 --> 01:05:22,400
Speaker 1: So I love Christmas music, but I mean, if we're

1287
01:05:22,440 --> 01:05:25,480
Speaker 1: being honest, it's October, so we should probably get through

1288
01:05:25,480 --> 01:05:29,760
Speaker 1: Halloween and like Thanksgiving. But it's like, I guess I

1289
01:05:29,840 --> 01:05:32,120
Speaker 1: get it. They're they're releasing music a little earlier because

1290
01:05:32,280 --> 01:05:33,840
Speaker 1: by the time it comes out, you only have so

1291
01:05:33,880 --> 01:05:36,800
Speaker 1: long to maybe listen. So I don't know. Maybe they're

1292
01:05:36,800 --> 01:05:39,360
Speaker 1: wanting people to pregame before the season starts. I don't know.

1293
01:05:40,240 --> 01:05:42,240
Speaker 1: Kelly Clarkson's on with us. I've got a few questions

1294
01:05:42,280 --> 01:05:45,000
Speaker 1: I've just always wanted to ask, So if you can

1295
01:05:45,080 --> 01:05:46,640
Speaker 1: bear with me for a second, because some of these

1296
01:05:46,640 --> 01:05:49,640
Speaker 1: are really old questions. Did you know before the Forty

1297
01:05:49,680 --> 01:05:52,120
Speaker 1: year Old Virgin came out that Steve Carell was gonna

1298
01:05:52,200 --> 01:05:54,760
Speaker 1: yell your name at the chest waxing scene. No, I

1299
01:05:54,880 --> 01:05:56,840
Speaker 1: found out, and I was actually going to see a

1300
01:05:56,920 --> 01:05:59,800
Speaker 1: movie at the movie theater and that was a preview,

1301
01:06:00,000 --> 01:06:01,920
Speaker 1: and I wasn't paying attention to what was happening on

1302
01:06:01,960 --> 01:06:04,800
Speaker 1: the screen yet. And then when we were leaving, there

1303
01:06:04,800 --> 01:06:06,480
Speaker 1: are people stopping me and they're like, did you hear

1304
01:06:06,520 --> 01:06:08,240
Speaker 1: that was your name? He yelled your name? And I

1305
01:06:08,320 --> 01:06:11,160
Speaker 1: was like what, And I didn't understand what's happening, And

1306
01:06:11,560 --> 01:06:13,720
Speaker 1: no matter what I'd do in my career, I could

1307
01:06:13,960 --> 01:06:17,400
Speaker 1: find the cure to cancer. Okay, and no one will

1308
01:06:17,600 --> 01:06:21,240
Speaker 1: remember anything as much as they'll remember my name. He

1309
01:06:21,360 --> 01:06:24,600
Speaker 1: yells while getting waxed. It's like it's the one thing.

1310
01:06:24,600 --> 01:06:26,560
Speaker 1: When I met Steve, I was like, you have set

1311
01:06:26,560 --> 01:06:28,760
Speaker 1: me up for failure, man, I could do nothing to

1312
01:06:28,760 --> 01:06:33,240
Speaker 1: top this. Kelly Clarksons on with us when you're in

1313
01:06:33,240 --> 01:06:34,919
Speaker 1: the shower, do you feel like you're a better singer

1314
01:06:34,920 --> 01:06:38,400
Speaker 1: in the shower? Much like we do? Like, Yeah, it's

1315
01:06:38,560 --> 01:06:41,960
Speaker 1: all that steam. It's amazing. I'm always seeing Aretha on

1316
01:06:42,000 --> 01:06:45,560
Speaker 1: the shower is sound amazing singing, but also funny enough.

1317
01:06:45,680 --> 01:06:47,960
Speaker 1: I wrote um a few of the songs on this

1318
01:06:48,000 --> 01:06:49,440
Speaker 1: record in the shower. I write a lot of my

1319
01:06:49,440 --> 01:06:51,240
Speaker 1: songs in the shower. I don't know why it's inspiring

1320
01:06:51,240 --> 01:06:58,120
Speaker 1: place do with that what you will? I will? I will,

1321
01:06:57,280 --> 01:07:00,320
Speaker 1: but I will I will pivot from that. I know

1322
01:07:00,480 --> 01:07:03,840
Speaker 1: there is you know, no segue a couple more? How

1323
01:07:03,920 --> 01:07:06,400
Speaker 1: soon or has it already happened? Where people are sliding

1324
01:07:06,400 --> 01:07:08,760
Speaker 1: in your dms? Now, Okay, here's the thing to know

1325
01:07:08,800 --> 01:07:11,960
Speaker 1: about me. The people in this room's laugh because like

1326
01:07:12,040 --> 01:07:14,240
Speaker 1: I didn't even know what a DM was For the

1327
01:07:14,240 --> 01:07:16,240
Speaker 1: longest time, I didn't even know. I didn't even know

1328
01:07:16,360 --> 01:07:18,000
Speaker 1: that was possibility. And then people would be like I

1329
01:07:18,080 --> 01:07:20,120
Speaker 1: totally like sent you a message and I was like

1330
01:07:20,200 --> 01:07:22,640
Speaker 1: where like the DM? I was like, where the hell's that?

1331
01:07:23,160 --> 01:07:26,680
Speaker 1: Like I had all these dms I never saw because

1332
01:07:26,880 --> 01:07:30,280
Speaker 1: I had never checked it, And then I saw social dilemma.

1333
01:07:30,360 --> 01:07:32,000
Speaker 1: I don't know if you saw that. It freaked me

1334
01:07:32,040 --> 01:07:33,640
Speaker 1: out and I didn't want to be that guy in

1335
01:07:33,680 --> 01:07:37,240
Speaker 1: the film The Puppet. So I actually deleted my apps

1336
01:07:37,240 --> 01:07:39,240
Speaker 1: and like what I do now is like I'll have

1337
01:07:39,760 --> 01:07:42,280
Speaker 1: it makes the process harder for my team, but whatever,

1338
01:07:42,520 --> 01:07:44,000
Speaker 1: It's something I had to do for my life because

1339
01:07:44,000 --> 01:07:45,320
Speaker 1: I didn't want to be on my phone all the time.

1340
01:07:46,480 --> 01:07:48,680
Speaker 1: I do it all at emails. If I'm in a concert,

1341
01:07:48,680 --> 01:07:50,760
Speaker 1: I like text wise who's sitting right beside me? And

1342
01:07:50,840 --> 01:07:52,480
Speaker 1: I'll be like, hey, can you post this for me?

1343
01:07:52,600 --> 01:07:54,400
Speaker 1: Or like and then they'll send me like a bunch

1344
01:07:54,400 --> 01:07:56,080
Speaker 1: of things to like respond to that fans are sitting

1345
01:07:56,080 --> 01:07:57,840
Speaker 1: in or whatever. But I just that's like in an

1346
01:07:57,840 --> 01:07:59,560
Speaker 1: email that I can all get it done. I feel

1347
01:07:59,560 --> 01:08:02,360
Speaker 1: like I don't want to be that checked in all

1348
01:08:02,400 --> 01:08:05,640
Speaker 1: the time, So I know that sucks because I'm supposed

1349
01:08:05,640 --> 01:08:07,439
Speaker 1: to do that kind of stuff. But to all my team,

1350
01:08:07,440 --> 01:08:09,720
Speaker 1: I'm sorry again, but it was just one of those

1351
01:08:09,800 --> 01:08:11,720
Speaker 1: choices I had to make. So I'm not really I

1352
01:08:11,720 --> 01:08:14,880
Speaker 1: don't see it. Kelly Clarkson on with us. Her new

1353
01:08:15,000 --> 01:08:18,080
Speaker 1: Christmas album is out today. It's called When Christmas Comes Around.

1354
01:08:18,479 --> 01:08:21,680
Speaker 1: It's got some classics, it's got some songs that she

1355
01:08:21,880 --> 01:08:24,960
Speaker 1: has written. It's got Ariana and Stapleton Brett on there.

1356
01:08:25,200 --> 01:08:26,639
Speaker 1: So I hope you guys check it out and start

1357
01:08:26,680 --> 01:08:29,280
Speaker 1: playing it today. You have permission as soon as Halloween

1358
01:08:29,320 --> 01:08:31,400
Speaker 1: hits to start playing it, all right, Kelly, Hey, good

1359
01:08:31,400 --> 01:08:33,360
Speaker 1: to talk to you. Thank you, and I hope you're

1360
01:08:33,360 --> 01:08:35,320
Speaker 1: doing well. Hey you too, man. And if this happened

1361
01:08:35,320 --> 01:08:36,880
Speaker 1: to be one of the days you didn't want to talk,

1362
01:08:37,040 --> 01:08:43,640
Speaker 1: my bad by Kelly. Bye. It's the best bits of

1363
01:08:43,640 --> 01:08:48,639
Speaker 1: the week with Morgan number two coming in hot at

1364
01:08:48,720 --> 01:08:51,280
Speaker 1: number two, Abby, are you ready to talk about this?

1365
01:08:51,400 --> 01:08:55,519
Speaker 1: Oh my, I guess we had too big Abby. I

1366
01:08:55,640 --> 01:08:59,680
Speaker 1: call it the Abby dating dilemma updates right, and it

1367
01:09:00,000 --> 01:09:05,160
Speaker 1: involves a random firefighter Texter. We had two big updates,

1368
01:09:05,160 --> 01:09:07,719
Speaker 1: which you know we're not going to reveal because honestly,

1369
01:09:07,720 --> 01:09:09,479
Speaker 1: you need to listen back to these because everything that

1370
01:09:09,560 --> 01:09:12,439
Speaker 1: transpired was just so much that went down. But I

1371
01:09:12,520 --> 01:09:15,000
Speaker 1: want to see you like right now after If people

1372
01:09:15,040 --> 01:09:17,920
Speaker 1: listen to these segments right and they're updated on everything,

1373
01:09:18,320 --> 01:09:23,479
Speaker 1: how are you feeling right now? I am actually still unsure.

1374
01:09:23,720 --> 01:09:26,679
Speaker 1: There's kind of something in the works, that's all I'll say,

1375
01:09:27,800 --> 01:09:30,479
Speaker 1: like like a final thing to okay, so you're trying

1376
01:09:30,520 --> 01:09:33,360
Speaker 1: to get the final confirmation because I don't. I know.

1377
01:09:33,400 --> 01:09:34,760
Speaker 1: People are like, oh my gosh, why do you keep

1378
01:09:34,840 --> 01:09:37,080
Speaker 1: like stringing this on or you know, if you already

1379
01:09:37,080 --> 01:09:39,240
Speaker 1: know it's sketchy, why And I'm like, well, for one thing,

1380
01:09:39,280 --> 01:09:43,120
Speaker 1: that's my personality, Like I just have to know, you know, yeah,

1381
01:09:43,120 --> 01:09:45,760
Speaker 1: if you want answers, yeah, you want closure, you want answer, yes,

1382
01:09:46,080 --> 01:09:48,160
Speaker 1: Like I couldn't just be like, Okay, well, nice meeting,

1383
01:09:48,160 --> 01:09:52,040
Speaker 1: you buy or continue talking without knowing well. And I

1384
01:09:52,120 --> 01:09:55,160
Speaker 1: kind of defend you too, because some people are online

1385
01:09:55,160 --> 01:09:57,080
Speaker 1: are like, well, you know, if she really likes him,

1386
01:09:57,120 --> 01:09:59,320
Speaker 1: she shouldn't bring it up, y'all. If you have not

1387
01:09:59,400 --> 01:10:01,519
Speaker 1: been in the day dating world in the last five years,

1388
01:10:02,600 --> 01:10:05,439
Speaker 1: squash that even down last three two and a half years.

1389
01:10:06,200 --> 01:10:09,439
Speaker 1: The dating world now is so different than what it

1390
01:10:09,560 --> 01:10:12,200
Speaker 1: used to be. Okay, and if you are not dating

1391
01:10:12,240 --> 01:10:14,479
Speaker 1: and you do not know what dating is like right now,

1392
01:10:14,560 --> 01:10:17,800
Speaker 1: then truly, please don't try to tell anybody that is

1393
01:10:17,920 --> 01:10:22,280
Speaker 1: dating right now what that's like, because dating in this society,

1394
01:10:22,280 --> 01:10:25,559
Speaker 1: in this world and this moment with technology is so

1395
01:10:25,680 --> 01:10:29,320
Speaker 1: different and so difficult. It is so hard to confirm

1396
01:10:29,400 --> 01:10:32,599
Speaker 1: that somebody is legit. It is so hard unless like

1397
01:10:32,640 --> 01:10:35,320
Speaker 1: they have already verified things on their end and they're serious.

1398
01:10:35,360 --> 01:10:38,559
Speaker 1: But you know, newsflash, most people that are online are

1399
01:10:38,640 --> 01:10:42,200
Speaker 1: not serious. Most people online are playing games. They really are.

1400
01:10:42,760 --> 01:10:45,360
Speaker 1: They're not on there to seriously date. Like I've been

1401
01:10:45,360 --> 01:10:47,960
Speaker 1: on dating apps. I tried, I went through that first

1402
01:10:47,960 --> 01:10:50,200
Speaker 1: three years. I never met a serious soul on there

1403
01:10:50,360 --> 01:10:54,160
Speaker 1: to save my life, and I actively date right, So,

1404
01:10:54,240 --> 01:10:56,280
Speaker 1: like I want to defend you, right, thank you and

1405
01:10:56,479 --> 01:11:00,479
Speaker 1: saying that like you are doing everything you should be

1406
01:11:00,479 --> 01:11:03,559
Speaker 1: to verify Like if and if I told you this

1407
01:11:03,640 --> 01:11:05,680
Speaker 1: outside of the podcast, I've told you this outside of

1408
01:11:05,720 --> 01:11:08,360
Speaker 1: the show. If this man is a good person, at

1409
01:11:08,400 --> 01:11:10,840
Speaker 1: the end of the day, he is not going to

1410
01:11:10,920 --> 01:11:13,160
Speaker 1: care how many hoops you try to jump him through

1411
01:11:14,000 --> 01:11:18,559
Speaker 1: to confirm who he is right because at the end

1412
01:11:18,560 --> 01:11:20,400
Speaker 1: of the day, he's a good person and he knows

1413
01:11:20,439 --> 01:11:23,840
Speaker 1: his truth. Right. Yeah, And if at any point in

1414
01:11:23,920 --> 01:11:26,439
Speaker 1: time he's mad at those hoops and jumping through, he's

1415
01:11:27,160 --> 01:11:30,000
Speaker 1: showing you a red flag. He's not serious and he's

1416
01:11:30,080 --> 01:11:34,040
Speaker 1: likely lying, right, because I know that if a man

1417
01:11:34,280 --> 01:11:37,680
Speaker 1: who's trying to confirm who I am is jumping through

1418
01:11:37,680 --> 01:11:39,320
Speaker 1: hoops to do that, I'm not going to be mad

1419
01:11:39,600 --> 01:11:44,400
Speaker 1: because I know that it's me right exactly. So you

1420
01:11:44,439 --> 01:11:49,240
Speaker 1: are doing what you should be doing, especially because things

1421
01:11:49,360 --> 01:11:51,400
Speaker 1: just don't seem to be adding up and I'm trying

1422
01:11:51,400 --> 01:11:53,360
Speaker 1: to go with my gut and I'm like, Okay, this

1423
01:11:53,479 --> 01:11:58,160
Speaker 1: doesn't seem right, but it's it's all too happenstance that

1424
01:11:58,200 --> 01:12:01,240
Speaker 1: you would just get like this random text out of nowhere,

1425
01:12:01,720 --> 01:12:03,320
Speaker 1: and it's like, where do I go with it? Because

1426
01:12:03,320 --> 01:12:05,960
Speaker 1: a conversation's great. So I'm like, even like he could

1427
01:12:05,960 --> 01:12:08,120
Speaker 1: be a friend, you know, like anything like that, but

1428
01:12:08,160 --> 01:12:10,479
Speaker 1: you still want even a friendship to be based off

1429
01:12:10,520 --> 01:12:14,040
Speaker 1: of truth. Yeah, you should always look It's like I

1430
01:12:14,040 --> 01:12:16,040
Speaker 1: said in the very beginning of this, when you pushed

1431
01:12:16,080 --> 01:12:20,240
Speaker 1: it forward, it was like, hey, even if it was

1432
01:12:20,320 --> 01:12:24,840
Speaker 1: his clever idea of getting your attention. Cool, but that

1433
01:12:24,840 --> 01:12:26,840
Speaker 1: should have lasted about five minutes and then he should

1434
01:12:26,840 --> 01:12:30,280
Speaker 1: have been like, I know who you are, but instead,

1435
01:12:30,520 --> 01:12:33,400
Speaker 1: what are we? This is like two three weeks. I

1436
01:12:33,439 --> 01:12:35,080
Speaker 1: think it's been a full week. I think it because

1437
01:12:35,120 --> 01:12:40,360
Speaker 1: it was last Friday when it's only been a one week. Yeah,

1438
01:12:40,360 --> 01:12:41,920
Speaker 1: it's only been a week. It feels like it's been

1439
01:12:41,960 --> 01:12:44,320
Speaker 1: going home. Oh my god. That's why I'm like, oh

1440
01:12:44,320 --> 01:12:46,479
Speaker 1: my gosh, I do probably should calm down because it's

1441
01:12:46,520 --> 01:12:48,840
Speaker 1: really only been it was like Thursday and Friday of

1442
01:12:48,920 --> 01:12:51,679
Speaker 1: last week. No, you don't need to calm down because

1443
01:12:51,680 --> 01:12:53,360
Speaker 1: you're not doing anything. You're not sister. I'd be like,

1444
01:12:53,400 --> 01:12:55,040
Speaker 1: I want to marry this man. I need to confirm

1445
01:12:55,080 --> 01:12:57,360
Speaker 1: who he is. I know you're literally just saying, Hey,

1446
01:12:57,400 --> 01:13:00,559
Speaker 1: if I am going to pursue anything, I need to

1447
01:13:00,600 --> 01:13:02,679
Speaker 1: know that this is legit. Yeah, Like at this point,

1448
01:13:02,760 --> 01:13:05,479
Speaker 1: I mean, fest Ufford don't. Yeah, And it feels like

1449
01:13:05,840 --> 01:13:08,080
Speaker 1: dramaticized because we're talking about it on air and everybody's

1450
01:13:08,080 --> 01:13:10,599
Speaker 1: freaking out. Yeah, but like the reality is like, it's

1451
01:13:10,600 --> 01:13:14,120
Speaker 1: not that dramatic in real life. You're just trying to

1452
01:13:14,120 --> 01:13:15,760
Speaker 1: figure out what's going on. You're trying to get to

1453
01:13:15,760 --> 01:13:18,280
Speaker 1: the bottom of a situation that is literally in your life.

1454
01:13:19,080 --> 01:13:20,920
Speaker 1: It really is, And I just think it's funny because

1455
01:13:20,920 --> 01:13:23,280
Speaker 1: I'm like, you would think this is actually made up.

1456
01:13:23,439 --> 01:13:25,760
Speaker 1: You would just think with everything going on, but it's not.

1457
01:13:26,200 --> 01:13:28,559
Speaker 1: Everybody saw it in real time, the FaceTime and everything,

1458
01:13:28,560 --> 01:13:31,360
Speaker 1: so it's like it's real and it's just crazy. I'm like,

1459
01:13:31,479 --> 01:13:33,439
Speaker 1: I feel like the stuff happens all the time to me.

1460
01:13:33,760 --> 01:13:37,320
Speaker 1: Do you feel like now that the theory of mine,

1461
01:13:37,320 --> 01:13:39,240
Speaker 1: of which he likely knows who you are and found

1462
01:13:39,240 --> 01:13:42,400
Speaker 1: your phone number on the internet, is a very real

1463
01:13:42,439 --> 01:13:45,559
Speaker 1: reality or do you think he may know you from

1464
01:13:45,600 --> 01:13:50,160
Speaker 1: something else? Oh my god, I I don't know because well,

1465
01:13:50,479 --> 01:13:52,400
Speaker 1: I don't want to say too much because yeah, we'll

1466
01:13:52,400 --> 01:13:54,240
Speaker 1: have to reveal it on the big show like later.

1467
01:13:54,680 --> 01:13:57,759
Speaker 1: I did have a conversation and it didn't go so great.

1468
01:13:57,880 --> 01:14:02,479
Speaker 1: So but we're still because I'm gonna find out for sure.

1469
01:14:03,200 --> 01:14:06,280
Speaker 1: We already have plans. So you got at least a

1470
01:14:06,360 --> 01:14:08,600
Speaker 1: fifty percent thing that is leaning you in a not

1471
01:14:08,720 --> 01:14:11,919
Speaker 1: good direction. He's a good way of putting the us. Yeah,

1472
01:14:12,160 --> 01:14:15,640
Speaker 1: it just I have one more pass at this and

1473
01:14:15,680 --> 01:14:18,760
Speaker 1: then I'm like, okay, then you're yeah, I just don't

1474
01:14:18,760 --> 01:14:20,960
Speaker 1: want to say too much because there's a lot to it.

1475
01:14:21,000 --> 01:14:23,080
Speaker 1: There's a lot. There's a lot of different angles to

1476
01:14:23,200 --> 01:14:26,280
Speaker 1: address too, between how you got my number in the

1477
01:14:26,320 --> 01:14:30,400
Speaker 1: first place? Um, is that really? So can you can

1478
01:14:30,400 --> 01:14:34,000
Speaker 1: confirm if you are getting answers? Finally? No, I'm not,

1479
01:14:34,760 --> 01:14:40,920
Speaker 1: I'm not okay, so yeah, yeah, yeah, yeah, okay, okay, okay,

1480
01:14:42,920 --> 01:14:45,599
Speaker 1: text bumps right now, and I'm ready for these dates

1481
01:14:45,840 --> 01:14:50,240
Speaker 1: not even Monday, No, it's yeah, I'm going in circles. Okay.

1482
01:14:50,240 --> 01:14:55,040
Speaker 1: So outside of this man, this random TEXTR Firefighter, random TEXTR.

1483
01:14:55,520 --> 01:14:58,280
Speaker 1: Do you have any other dating enough states? Are you

1484
01:14:58,320 --> 01:15:00,800
Speaker 1: on dating naps or you have you've gone on dates

1485
01:15:00,800 --> 01:15:02,960
Speaker 1: and anything like that? I have gone a day on

1486
01:15:03,080 --> 01:15:05,719
Speaker 1: a date. Yeah, okay, like this new one? Yeah okay,

1487
01:15:05,920 --> 01:15:09,120
Speaker 1: how not too serious? Um? He actually is a KU fan?

1488
01:15:09,560 --> 01:15:12,439
Speaker 1: Well so yeah, so it's a huge Ku fan, which

1489
01:15:12,600 --> 01:15:15,080
Speaker 1: that's my heart. It's fun. I know, it's fine. She's

1490
01:15:15,120 --> 01:15:19,240
Speaker 1: a case day wildcat. Um. But yeah, so that's what

1491
01:15:19,320 --> 01:15:20,960
Speaker 1: we had in common. I was like, sure, I will

1492
01:15:21,000 --> 01:15:23,280
Speaker 1: and we had a great time. Where'd you guys? God, Like,

1493
01:15:23,280 --> 01:15:24,960
Speaker 1: you don't have to say specifically, did you go dinner

1494
01:15:25,040 --> 01:15:27,559
Speaker 1: or just drinks? Okay? Yeah, and then we're actually going

1495
01:15:27,600 --> 01:15:30,880
Speaker 1: to dinner soon. So double date, no, not double second

1496
01:15:30,920 --> 01:15:36,280
Speaker 1: day yes, So to date. I'm just so mussed up

1497
01:15:36,320 --> 01:15:39,160
Speaker 1: right now, Like my whole body is freaking out, I know.

1498
01:15:39,439 --> 01:15:41,560
Speaker 1: But it's just been hard because I don't want to

1499
01:15:41,560 --> 01:15:44,000
Speaker 1: be distracted. Like, you know, I'm someone that I want

1500
01:15:44,040 --> 01:15:47,439
Speaker 1: to put everything into whatever I do, and I just

1501
01:15:47,439 --> 01:15:50,519
Speaker 1: feel a little distracted by this situation. So I feel

1502
01:15:50,520 --> 01:15:53,760
Speaker 1: like once this gets ironed out, then I'll be able

1503
01:15:53,800 --> 01:15:55,960
Speaker 1: to really focus on other things. But yeah, so it's

1504
01:15:55,960 --> 01:15:57,720
Speaker 1: just kind of her fun. But like, you know, do

1505
01:15:57,760 --> 01:16:00,160
Speaker 1: you have a second date with a different man from

1506
01:16:00,160 --> 01:16:04,400
Speaker 1: a dating map? No? Um, just like he did kind

1507
01:16:04,400 --> 01:16:08,200
Speaker 1: of slide into my dams. But he has has been yeah,

1508
01:16:08,240 --> 01:16:09,760
Speaker 1: like we've been talking on there for a long time.

1509
01:16:09,840 --> 01:16:12,720
Speaker 1: He lives in Nashville, huh okay, yeah, but he's you know,

1510
01:16:12,880 --> 01:16:16,360
Speaker 1: like from the Kansas areas. Is not a bad thing,

1511
01:16:16,479 --> 01:16:19,360
Speaker 1: I know. The only thing I worry about is if

1512
01:16:19,400 --> 01:16:22,360
Speaker 1: they're you know, a big fan of the show, um

1513
01:16:22,360 --> 01:16:26,000
Speaker 1: and just kind of just follow everybody and will respond

1514
01:16:26,120 --> 01:16:28,880
Speaker 1: or reply to everybody and see who answers, you know,

1515
01:16:29,280 --> 01:16:31,680
Speaker 1: like if he's also messaging you too and Hillary and

1516
01:16:31,760 --> 01:16:33,200
Speaker 1: just trying to get a response. I need to look

1517
01:16:33,240 --> 01:16:38,439
Speaker 1: at us. I'll always look at ready. I will protect

1518
01:16:38,520 --> 01:16:40,760
Speaker 1: you with everything I had. I know, maybe we'll do that.

1519
01:16:40,840 --> 01:16:42,519
Speaker 1: But I said that to him too. I was like,

1520
01:16:42,600 --> 01:16:45,760
Speaker 1: just so you know, like that is kind of a

1521
01:16:45,800 --> 01:16:47,800
Speaker 1: red flag for me, you know, And that's a fair

1522
01:16:47,880 --> 01:16:51,280
Speaker 1: red flag. Listen, Like when when I was dating before

1523
01:16:51,560 --> 01:16:54,719
Speaker 1: my boyfriend, I never told anybody what I did, maybe

1524
01:16:54,800 --> 01:16:58,439
Speaker 1: until the second third date. Like, I'm very like lightly,

1525
01:16:58,720 --> 01:17:00,920
Speaker 1: and it's not even that day. Somebody who's a fan

1526
01:17:00,960 --> 01:17:03,479
Speaker 1: of the show is bad. It's dating somebody who is

1527
01:17:03,520 --> 01:17:06,559
Speaker 1: a massive fan of the show and already knows everything

1528
01:17:06,560 --> 01:17:08,760
Speaker 1: about you, right, And you're sitting there on a first

1529
01:17:08,840 --> 01:17:11,280
Speaker 1: date knowing nothing about this other person and they know

1530
01:17:11,360 --> 01:17:14,120
Speaker 1: everything about you. Huh. Right, So it's very hard for

1531
01:17:14,160 --> 01:17:17,280
Speaker 1: somebody to get to know you. Yeah, and so I

1532
01:17:17,360 --> 01:17:21,280
Speaker 1: understand one hundred percent that concern. That makes sense. Yeah,

1533
01:17:21,280 --> 01:17:23,600
Speaker 1: it is very strange when you're like, well, I don't know,

1534
01:17:23,960 --> 01:17:25,679
Speaker 1: just you talk the whole time because you know everything

1535
01:17:25,680 --> 01:17:27,840
Speaker 1: about me. You know on your dating app? Do you

1536
01:17:27,920 --> 01:17:29,920
Speaker 1: have that you work for the show? Huh? And I'm

1537
01:17:29,960 --> 01:17:32,400
Speaker 1: like you, I don't bring it up ever the first date,

1538
01:17:32,479 --> 01:17:34,639
Speaker 1: like I just say, and I keep it very vague,

1539
01:17:34,680 --> 01:17:37,360
Speaker 1: like radio and podcasting, you know, I answer the phones

1540
01:17:37,479 --> 01:17:40,639
Speaker 1: and I helped find news stories so like, and that's

1541
01:17:40,680 --> 01:17:43,960
Speaker 1: what I did with the Firefighter too, And he never asked.

1542
01:17:44,439 --> 01:17:46,080
Speaker 1: I didn't push it. I'm not going to be like, oh,

1543
01:17:46,160 --> 01:17:48,559
Speaker 1: have you heard this show? You know, I thought he

1544
01:17:48,560 --> 01:17:50,400
Speaker 1: would because I've brought it up several times when he

1545
01:17:50,439 --> 01:17:52,120
Speaker 1: asked me. He would think he would want details on

1546
01:17:52,160 --> 01:17:54,120
Speaker 1: the person that he's talking to. Yeah, like where can

1547
01:17:54,200 --> 01:17:56,719
Speaker 1: I listen? And yeah, and all that kinds of stuff,

1548
01:17:56,760 --> 01:17:59,040
Speaker 1: And that would be okay. Like if they don't know anything,

1549
01:17:59,080 --> 01:18:00,280
Speaker 1: they're like, hey, I want to listen, I want to

1550
01:18:00,360 --> 01:18:03,599
Speaker 1: check it out. Cool, that's not a red flag. It's

1551
01:18:03,680 --> 01:18:06,040
Speaker 1: only a red flag when they know everything about you,

1552
01:18:06,040 --> 01:18:07,720
Speaker 1: when you're sitting there and you don't know that they

1553
01:18:07,760 --> 01:18:11,240
Speaker 1: know everything about you, M right right, yeah, yeah, yeah.

1554
01:18:11,840 --> 01:18:14,800
Speaker 1: And sometimes I'm like, are they just trying to get

1555
01:18:14,840 --> 01:18:17,599
Speaker 1: to know me so they can get to to meet

1556
01:18:18,000 --> 01:18:20,200
Speaker 1: somebody on the show or something? You know, like I

1557
01:18:20,240 --> 01:18:24,160
Speaker 1: don't know. You just never you question people's authenticity of

1558
01:18:24,200 --> 01:18:26,519
Speaker 1: that person or the genuine I don't think there's an

1559
01:18:26,560 --> 01:18:34,519
Speaker 1: adjective for genuine genuinity. No, I don't know, but yes,

1560
01:18:34,920 --> 01:18:37,880
Speaker 1: and that's you, one hundred percent should be. And to

1561
01:18:37,880 --> 01:18:40,600
Speaker 1: anybody who's telling you to not be like this, I

1562
01:18:40,720 --> 01:18:45,360
Speaker 1: tell them to politely buzz off genuinely, because you should

1563
01:18:45,360 --> 01:18:47,280
Speaker 1: always be protective of your heart and you should always

1564
01:18:47,320 --> 01:18:50,000
Speaker 1: be protective of yourself because nobody else is going to

1565
01:18:50,080 --> 01:18:52,000
Speaker 1: do that for you. And at the end of the day,

1566
01:18:52,040 --> 01:18:55,719
Speaker 1: the right person I can testify to this my boyfriend,

1567
01:18:55,760 --> 01:18:59,040
Speaker 1: the right person who I protected myself to the very end,

1568
01:19:00,120 --> 01:19:02,800
Speaker 1: continue to find a way to fight through those walls

1569
01:19:02,840 --> 01:19:04,439
Speaker 1: because he wanted to be with me. Oh my gosh.

1570
01:19:04,439 --> 01:19:06,200
Speaker 1: See I love that. Yeah, and that is how it

1571
01:19:06,200 --> 01:19:08,680
Speaker 1: should be for both ways. I did the same thing

1572
01:19:08,680 --> 01:19:12,360
Speaker 1: with him, So that's out there and that's possible. So

1573
01:19:12,560 --> 01:19:14,559
Speaker 1: do not stop fighting for yourself and do not stop

1574
01:19:14,600 --> 01:19:17,559
Speaker 1: protecting yourself. You always should, I know. And that's like

1575
01:19:17,800 --> 01:19:21,720
Speaker 1: what I wanted to say, Like you just you don't know,

1576
01:19:21,800 --> 01:19:23,479
Speaker 1: like what is true, because you've been hurt in the

1577
01:19:23,479 --> 01:19:26,880
Speaker 1: past by other people that have lied to you or

1578
01:19:26,920 --> 01:19:29,280
Speaker 1: have done something like this and say one thing and

1579
01:19:29,560 --> 01:19:31,559
Speaker 1: it's not true. So that's why I'm just like I

1580
01:19:31,600 --> 01:19:33,320
Speaker 1: have to be cautious. I'm not saying I'm trying to

1581
01:19:33,360 --> 01:19:36,280
Speaker 1: generalize that that everybody does that. But you also have

1582
01:19:36,360 --> 01:19:39,120
Speaker 1: to be cautious. Yes, you have to be cautious no

1583
01:19:39,160 --> 01:19:41,840
Speaker 1: matter what. Yes, it doesn't matter if the one person

1584
01:19:42,000 --> 01:19:44,320
Speaker 1: is not like that, right because that one person is

1585
01:19:44,360 --> 01:19:46,160
Speaker 1: not going to care that you're cautious and protective of

1586
01:19:46,160 --> 01:19:50,000
Speaker 1: your heart. Ever it shouldn't be. That's a red flag,

1587
01:19:50,240 --> 01:19:52,280
Speaker 1: I know, I know. If you talk about red flags

1588
01:19:52,320 --> 01:19:55,360
Speaker 1: all over social media right now, that's a yeah. I

1589
01:19:55,360 --> 01:19:58,839
Speaker 1: saw that on Twitter, like every trending Dolly parton Georgia

1590
01:19:58,960 --> 01:20:02,360
Speaker 1: during the red flags, and I was like, oh yeah,

1591
01:20:02,360 --> 01:20:06,360
Speaker 1: my whole life right now, red flax. Oh my gosh.

1592
01:20:06,400 --> 01:20:09,639
Speaker 1: So here here, right now, this is Abby's dating updates.

1593
01:20:09,640 --> 01:20:12,320
Speaker 1: There was two big ones and you heard it from

1594
01:20:12,560 --> 01:20:14,800
Speaker 1: Abby right now here. First, there is definitely going to

1595
01:20:14,840 --> 01:20:16,559
Speaker 1: be an update next week. We are going to figure

1596
01:20:16,600 --> 01:20:19,040
Speaker 1: out what's happening. Oh yeah, hopefully get to the bottom

1597
01:20:19,080 --> 01:20:21,080
Speaker 1: of it, right, Yes, hopefully, I hope for your sake,

1598
01:20:21,240 --> 01:20:25,439
Speaker 1: because I'm not coming up last until I have an update.

1599
01:20:26,000 --> 01:20:28,800
Speaker 1: I'm just kidding. Oh thank you. Oh yeah, you're there too, No,

1600
01:20:29,000 --> 01:20:30,960
Speaker 1: you you do, and we are going to keep protecting

1601
01:20:31,000 --> 01:20:32,759
Speaker 1: you until the very end. And I will go after

1602
01:20:32,800 --> 01:20:36,280
Speaker 1: people online. Have you come at her? Right? Yeah? I'm serious?

1603
01:20:36,920 --> 01:20:39,280
Speaker 1: I mean that all right, y'all here right now, This

1604
01:20:39,360 --> 01:20:43,040
Speaker 1: is Abby talking about her dating updates with the random

1605
01:20:43,080 --> 01:20:45,800
Speaker 1: text or firefighter man, whatever you want to call it.

1606
01:20:46,320 --> 01:20:49,040
Speaker 1: Number two our phone screen or Abbey is in the studio.

1607
01:20:49,760 --> 01:20:52,000
Speaker 1: Just a quick recap. A few days ago, she hits

1608
01:20:52,040 --> 01:20:53,360
Speaker 1: me up and she goes, hey, this guy text me

1609
01:20:53,439 --> 01:20:55,920
Speaker 1: randomly and he sent me a picture of him in

1610
01:20:55,960 --> 01:20:59,320
Speaker 1: front of a fire truck and he's really cute. So

1611
01:20:59,360 --> 01:21:00,600
Speaker 1: I text him back. He was like, no, it was

1612
01:21:00,600 --> 01:21:02,479
Speaker 1: an accident. I mean to send you that. And I

1613
01:21:02,600 --> 01:21:06,599
Speaker 1: was like, oh, sleep with one eye open. And so

1614
01:21:07,040 --> 01:21:10,160
Speaker 1: they started texting and he said it was a complete

1615
01:21:10,200 --> 01:21:12,599
Speaker 1: accident that he sent you this picture. He was trying

1616
01:21:12,600 --> 01:21:15,439
Speaker 1: to send it to his police chief. Fire chief. Yeah,

1617
01:21:15,479 --> 01:21:18,560
Speaker 1: oh yeah, fire chief. Yeah. So we have this conversation

1618
01:21:19,080 --> 01:21:21,240
Speaker 1: one whole day on Thursday, we're just debating if it's

1619
01:21:21,280 --> 01:21:24,679
Speaker 1: real or not. On Friday said have you have his number,

1620
01:21:24,720 --> 01:21:28,240
Speaker 1: let's FaceTime and she does it. She stands in the

1621
01:21:28,240 --> 01:21:31,000
Speaker 1: corner and he answers and you see his face, so

1622
01:21:31,080 --> 01:21:33,040
Speaker 1: you know he's a real person. I do. He's that

1623
01:21:33,120 --> 01:21:36,240
Speaker 1: real person. He wasn't a catfish, that was him. It

1624
01:21:36,280 --> 01:21:39,519
Speaker 1: was him. Now, did you guys continue texting after you

1625
01:21:39,560 --> 01:21:42,479
Speaker 1: got off the show that day? We did? Yeah, so

1626
01:21:42,520 --> 01:21:44,080
Speaker 1: I can't do I mean, like, because this was the

1627
01:21:44,160 --> 01:21:46,200
Speaker 1: last text that you sent him, but you sent from

1628
01:21:46,200 --> 01:21:50,160
Speaker 1: my phone. Yeah, so you were like, let's talk later.

1629
01:21:50,200 --> 01:21:51,840
Speaker 1: I knew you were being honest about it being a

1630
01:21:51,920 --> 01:21:54,320
Speaker 1: random text. Did you ever tell the fire chief about it?

1631
01:21:55,160 --> 01:21:56,800
Speaker 1: Have a good day at work? And then he was

1632
01:21:56,840 --> 01:21:58,920
Speaker 1: like no, he never responded back, thanks, hope you have

1633
01:21:58,920 --> 01:22:01,240
Speaker 1: a good day too. Um. And so then we just

1634
01:22:01,280 --> 01:22:04,280
Speaker 1: started talking randomly about like Friday night plans. So you

1635
01:22:04,360 --> 01:22:08,559
Speaker 1: did talk more. Yeah, all throughout the weekend. Oh yeah

1636
01:22:08,760 --> 01:22:10,400
Speaker 1: about the weekend. But in the middle of the weekend

1637
01:22:10,520 --> 01:22:19,439
Speaker 1: is when he okay, okay, but he's married with kids. Well,

1638
01:22:19,880 --> 01:22:23,040
Speaker 1: I don't know how much that you're willing to share

1639
01:22:23,120 --> 01:22:25,800
Speaker 1: about that part of it, but feel free to know.

1640
01:22:26,760 --> 01:22:30,160
Speaker 1: Oh no, oh no, no, no, no no, Well, I

1641
01:22:30,160 --> 01:22:33,439
Speaker 1: don't know. I mean or that he's like he's known,

1642
01:22:33,600 --> 01:22:36,439
Speaker 1: he's been watching her for a year. So let's put

1643
01:22:36,479 --> 01:22:41,679
Speaker 1: to rest some theories, okay, Abby, Yeah, Morgan's theory which

1644
01:22:41,720 --> 01:22:44,719
Speaker 1: I was a co signer on, that he found your number,

1645
01:22:44,720 --> 01:22:46,400
Speaker 1: and then this was just a way for him to

1646
01:22:46,439 --> 01:22:48,680
Speaker 1: get to you. Yeah, mc, he already knew Abby from

1647
01:22:48,720 --> 01:22:50,479
Speaker 1: the show and he googled her. Do you think that's

1648
01:22:50,520 --> 01:22:55,439
Speaker 1: the case. It was not the case. Yeah, it's my theory.

1649
01:22:55,600 --> 01:22:58,479
Speaker 1: What my theory initially was, this is just a catfish,

1650
01:22:58,520 --> 01:23:00,920
Speaker 1: straight up, because I would get them two back in

1651
01:23:00,920 --> 01:23:02,559
Speaker 1: the day and it'd be like, I'm just a hot,

1652
01:23:02,560 --> 01:23:04,680
Speaker 1: lonely nurse. Here's a picture of me you want to

1653
01:23:05,280 --> 01:23:08,000
Speaker 1: And so I thought maybe that was because he's a

1654
01:23:08,000 --> 01:23:09,920
Speaker 1: little too good looking to be sending a random text,

1655
01:23:10,560 --> 01:23:12,880
Speaker 1: you know, and you happen to be single and he

1656
01:23:12,920 --> 01:23:15,000
Speaker 1: happens to be single. Yes, it just didn't add up.

1657
01:23:15,520 --> 01:23:18,599
Speaker 1: But it being a catfish, is that true or false?

1658
01:23:18,600 --> 01:23:22,960
Speaker 1: That's a false one two right. What I don't mean.

1659
01:23:24,439 --> 01:23:27,320
Speaker 1: My theory was that this that it is what it is.

1660
01:23:27,720 --> 01:23:33,080
Speaker 1: He accidentally messaged her, and this is fate and there

1661
01:23:33,120 --> 01:23:36,320
Speaker 1: we're going to see where this goes. So he ended

1662
01:23:36,400 --> 01:23:39,080
Speaker 1: up sending you a picture that was very valuable. Yes,

1663
01:23:40,600 --> 01:23:45,080
Speaker 1: hold on, I'm expiable, I'm explaining it. I've neverous what

1664
01:23:45,120 --> 01:23:50,240
Speaker 1: he sent. So let's say Abbey's phone number is because

1665
01:23:50,280 --> 01:23:52,280
Speaker 1: you have a three one six area code, which is which.

1666
01:23:53,280 --> 01:23:56,000
Speaker 1: Let's say Abbey's number is three one six one one

1667
01:23:56,080 --> 01:24:01,599
Speaker 1: one one, okay, pizza hut, No, it's not. I'm just

1668
01:24:01,720 --> 01:24:05,879
Speaker 1: saying if that's her number, okay. He then sends Abby

1669
01:24:06,040 --> 01:24:10,960
Speaker 1: a screenshot of what his fire chief's phone number is. Okay,

1670
01:24:11,320 --> 01:24:16,080
Speaker 1: who also has a Wichita area code? Yes, and it's

1671
01:24:17,400 --> 01:24:22,800
Speaker 1: it's three one six one one one one one one.

1672
01:24:23,120 --> 01:24:27,320
Speaker 1: It literally is one number different. Yes, the last two

1673
01:24:27,360 --> 01:24:33,960
Speaker 1: digits are just flipped clipped. Is the proof we needed? Wait?

1674
01:24:34,000 --> 01:24:35,960
Speaker 1: Wait wait, wait wait wait guys, now could he have

1675
01:24:36,040 --> 01:24:39,320
Speaker 1: made that? That's that's like I said, but he sent

1676
01:24:39,400 --> 01:24:41,639
Speaker 1: a whole list of people's phone numbers. Really? Oh wow

1677
01:24:41,760 --> 01:24:47,040
Speaker 1: that it looks like a legit directory like the fire department.

1678
01:24:47,120 --> 01:24:49,000
Speaker 1: Oh okay, So now we have everyone in the fire

1679
01:24:49,000 --> 01:24:51,759
Speaker 1: department's number if we need it's okay, let's call everybody

1680
01:24:51,760 --> 01:24:54,599
Speaker 1: and confirm. Just pick one random person there and be like, hey,

1681
01:24:54,640 --> 01:24:56,640
Speaker 1: I need chief's number, and just make sure that the

1682
01:24:56,760 --> 01:25:00,320
Speaker 1: chiefs number hasn't been Quickly, I got a whole broken.

1683
01:25:00,320 --> 01:25:02,800
Speaker 1: I don't even know what to say. Hey, the Dalmatian's

1684
01:25:02,840 --> 01:25:07,240
Speaker 1: missing and the hose is broken, pole is broken. We

1685
01:25:07,240 --> 01:25:10,000
Speaker 1: can't we can't go down it you can photoshop a

1686
01:25:10,040 --> 01:25:13,719
Speaker 1: phone number. I agree, Abby, Do you think this is legit?

1687
01:25:14,080 --> 01:25:16,200
Speaker 1: I think it looks legit because it's on the website,

1688
01:25:16,200 --> 01:25:18,280
Speaker 1: it's on like the back end. I would play him.

1689
01:25:18,479 --> 01:25:20,719
Speaker 1: He could take a picture of that, and then doctor

1690
01:25:20,760 --> 01:25:24,280
Speaker 1: the phone number I've doctored. You're the one that was

1691
01:25:24,320 --> 01:25:26,240
Speaker 1: fighting for this. And now all of a sudden, wait, wait,

1692
01:25:26,320 --> 01:25:28,800
Speaker 1: she's about to admit she's doctored some stuff. I never

1693
01:25:29,120 --> 01:25:32,960
Speaker 1: I never used it. I never, I didn't. It was

1694
01:25:33,080 --> 01:25:36,240
Speaker 1: desperate times during COVID and they were going to not

1695
01:25:36,320 --> 01:25:38,000
Speaker 1: let my daughter go to school. I don't know this

1696
01:25:38,040 --> 01:25:42,160
Speaker 1: whole thing, so I know the story so free, but

1697
01:25:42,200 --> 01:25:44,280
Speaker 1: I never did it. I never did it. It just

1698
01:25:44,520 --> 01:25:47,240
Speaker 1: how legit it looked was kind of scary. Leg What

1699
01:25:47,280 --> 01:25:52,320
Speaker 1: looked the doctor, the doctor saying she could go like

1700
01:25:52,360 --> 01:25:54,880
Speaker 1: the negative test or I don't remember the whole thing.

1701
01:25:55,400 --> 01:25:57,680
Speaker 1: I just remember that I couldn't go through with it.

1702
01:25:57,960 --> 01:26:00,240
Speaker 1: One of my friends doctor is like a Joe because

1703
01:26:00,439 --> 01:26:02,200
Speaker 1: he knew I was like crying and I was like

1704
01:26:02,240 --> 01:26:05,479
Speaker 1: emotional about it. So he fixed it and or you know,

1705
01:26:05,640 --> 01:26:08,599
Speaker 1: created it and he's like, here, just use this, it'll

1706
01:26:08,640 --> 01:26:11,360
Speaker 1: help you out. And then it looks so real, But

1707
01:26:11,400 --> 01:26:13,880
Speaker 1: then I couldn't bring myself to deceive them that way.

1708
01:26:14,000 --> 01:26:17,240
Speaker 1: So anyway, I know that it's possible, and I'm just

1709
01:26:17,479 --> 01:26:20,920
Speaker 1: looking out for that potential scenario. But I do believe

1710
01:26:20,960 --> 01:26:23,040
Speaker 1: that it's serendipitous and it's meant to be and y'all

1711
01:26:23,040 --> 01:26:25,680
Speaker 1: are gonna get married. Well, it's a website. It's the

1712
01:26:25,720 --> 01:26:27,519
Speaker 1: back end of the website. Yeah, what do you think, Mike,

1713
01:26:27,560 --> 01:26:29,439
Speaker 1: You've seen it and you what do you do? I mean,

1714
01:26:29,479 --> 01:26:32,400
Speaker 1: it looks legit. There's a URRL with like an internal thing. Okay,

1715
01:26:32,560 --> 01:26:35,920
Speaker 1: looks legit. Here we go. So he sent that to you,

1716
01:26:35,960 --> 01:26:38,000
Speaker 1: proving that he was. Yeah, He's like, I just wanted

1717
01:26:38,000 --> 01:26:39,439
Speaker 1: you to know I'm not messing with you. Like it

1718
01:26:39,479 --> 01:26:42,160
Speaker 1: really was an accident. Okay. I was like what. I

1719
01:26:42,200 --> 01:26:43,800
Speaker 1: was like, this is too crazy. He's like, I know,

1720
01:26:43,840 --> 01:26:46,160
Speaker 1: it was total accident. Okay, But at this point, since

1721
01:26:46,200 --> 01:26:48,080
Speaker 1: you facetimed in from the show and I'm sure he

1722
01:26:48,080 --> 01:26:50,519
Speaker 1: could hear us like laughing in the background or dying

1723
01:26:50,640 --> 01:26:53,280
Speaker 1: laughing in the background, has he said like, what was

1724
01:26:53,360 --> 01:26:56,439
Speaker 1: that about? Why did you facetimey? No, he really hasn't,

1725
01:26:56,439 --> 01:26:58,160
Speaker 1: And that's what's kind of weird. He hasn't brought up

1726
01:26:58,160 --> 01:27:00,519
Speaker 1: anything like that, but he was like, can you send

1727
01:27:00,520 --> 01:27:02,080
Speaker 1: me an actual picture? Because I only got to see

1728
01:27:02,080 --> 01:27:04,760
Speaker 1: your face for like three point two seconds on FaceTime?

1729
01:27:04,920 --> 01:27:07,640
Speaker 1: And so did you? I did, Okay, I didn't have

1730
01:27:07,640 --> 01:27:11,400
Speaker 1: a mask on, and oh I mean and he replied,

1731
01:27:11,560 --> 01:27:13,519
Speaker 1: yeah he did. And then you guys kept talking. He's like,

1732
01:27:13,560 --> 01:27:18,360
Speaker 1: you look much better without a mask on. Okay. Yeah,

1733
01:27:18,360 --> 01:27:22,640
Speaker 1: we've been talking and he asked, I mean, I've asked.

1734
01:27:22,720 --> 01:27:26,280
Speaker 1: I know, I'm scared of that. See you guys kept talking. Yeah.

1735
01:27:26,320 --> 01:27:27,920
Speaker 1: I mean, I've learned a lot of things and he's

1736
01:27:27,920 --> 01:27:30,960
Speaker 1: asked me a lot of things too, liket like what

1737
01:27:31,200 --> 01:27:33,640
Speaker 1: well for one, I mean, he was asking what I

1738
01:27:33,720 --> 01:27:35,799
Speaker 1: do for my job, like what are you doing? Radio

1739
01:27:35,840 --> 01:27:38,439
Speaker 1: and podcasting? And then he's like are you married? Do

1740
01:27:38,479 --> 01:27:41,000
Speaker 1: you have kids? You have a boyfriend? Okay, but have

1741
01:27:41,080 --> 01:27:44,479
Speaker 1: you said the Bobby Bone Show? No, okay, that has

1742
01:27:44,520 --> 01:27:46,719
Speaker 1: not come up. Does he know that you're on social

1743
01:27:46,760 --> 01:27:49,599
Speaker 1: media and he can see you and see everything? Oh?

1744
01:27:49,880 --> 01:27:51,920
Speaker 1: Speaking up? Yeah, I looked him up because I found

1745
01:27:52,000 --> 01:27:54,880
Speaker 1: him and he doesn't follow me, but he's private, so

1746
01:27:54,880 --> 01:27:56,479
Speaker 1: I don't know if he follows anybody else to like

1747
01:27:56,479 --> 01:27:59,760
Speaker 1: Bobby Bones show. So, but he hasn't asked for your

1748
01:27:59,800 --> 01:28:05,280
Speaker 1: Instagram Mandel. Hmmmm, maybe he's not that if private, Yeah,

1749
01:28:05,320 --> 01:28:07,160
Speaker 1: I mean if my husband, if this were him, he

1750
01:28:07,200 --> 01:28:09,320
Speaker 1: doesn't have She's not into social media at all. Like,

1751
01:28:09,360 --> 01:28:10,880
Speaker 1: I don't think he would think to do that more

1752
01:28:10,920 --> 01:28:13,240
Speaker 1: than I see it theorizing it looks like what do Yeah,

1753
01:28:13,280 --> 01:28:15,519
Speaker 1: I mean maybe it's just like all innocent. It's a

1754
01:28:15,640 --> 01:28:18,080
Speaker 1: random text and like he's just like, oh, I'm making

1755
01:28:18,080 --> 01:28:20,960
Speaker 1: a cool friend in Nashville. Maybe that's what's happening here.

1756
01:28:21,200 --> 01:28:24,439
Speaker 1: So do you feel I don't know, as a dude,

1757
01:28:24,479 --> 01:28:27,880
Speaker 1: you're not sending multiple text messages a day to a weekend. Yeah. Yeah,

1758
01:28:27,960 --> 01:28:31,240
Speaker 1: like he this is true, he's interested. Have you confirmed

1759
01:28:31,280 --> 01:28:34,559
Speaker 1: if he's like single, married anything like that. He's not married?

1760
01:28:35,280 --> 01:28:38,599
Speaker 1: Does he have kids? He does have kids? He? Oh, well, okay,

1761
01:28:38,600 --> 01:28:41,800
Speaker 1: I don't know how old is too much? I feel

1762
01:28:41,840 --> 01:28:44,240
Speaker 1: like I'm saying everything about him and don't should I

1763
01:28:44,280 --> 01:28:46,160
Speaker 1: not do that? You can't, You don't have to, but

1764
01:28:46,560 --> 01:28:48,760
Speaker 1: then don't. What's the age difference between you and him?

1765
01:28:48,760 --> 01:28:50,400
Speaker 1: You don't have just say his age, but just about

1766
01:28:50,520 --> 01:28:54,759
Speaker 1: is it like ten years? Oh less than ten years? Okay? Hmm, yeah,

1767
01:28:55,160 --> 01:29:01,160
Speaker 1: did you guys text good morning? Does that happen? No? Okay,

1768
01:29:01,120 --> 01:29:03,519
Speaker 1: yeah he does, he does. Yeah, he is always on

1769
01:29:03,560 --> 01:29:06,480
Speaker 1: his phone. I mean when I he's like the red immediately.

1770
01:29:07,320 --> 01:29:09,639
Speaker 1: Have you asked him like, wow, you have the red

1771
01:29:09,680 --> 01:29:15,200
Speaker 1: receipts on? Why so he texts good morning? Okay, a

1772
01:29:15,240 --> 01:29:17,360
Speaker 1: buddy doesn't do that. Somebody that's just looking at hang

1773
01:29:17,400 --> 01:29:21,479
Speaker 1: out and slap backs. Nope, Like, hey pal, that's not so.

1774
01:29:21,520 --> 01:29:23,679
Speaker 1: What's the plan? I don't know what the deal is here?

1775
01:29:23,680 --> 01:29:25,920
Speaker 1: And he asked what the dating? What dating is like

1776
01:29:25,960 --> 01:29:29,320
Speaker 1: in Tennessee too? And I said also, like it's it's

1777
01:29:29,479 --> 01:29:31,439
Speaker 1: not good And then he said it's the same there too.

1778
01:29:31,600 --> 01:29:35,280
Speaker 1: So you do you like him? Like? Do you like

1779
01:29:35,400 --> 01:29:38,360
Speaker 1: the conversations you got? You're so fun? What I'm like,

1780
01:29:38,520 --> 01:29:40,360
Speaker 1: how is this so easy that we can just carry

1781
01:29:40,360 --> 01:29:42,639
Speaker 1: a conversation on I can't with anyone in Nashville. It's

1782
01:29:42,680 --> 01:29:45,839
Speaker 1: on text. Like there's been no phone call? Right, Oh,

1783
01:29:45,840 --> 01:29:49,360
Speaker 1: I think that's that's level up time? Yeah call him now?

1784
01:29:50,840 --> 01:29:54,200
Speaker 1: I think. Okay, Well, let's give our advice. Morgan, you

1785
01:29:54,240 --> 01:29:57,320
Speaker 1: go first. I feel like you should have a FaceTime date,

1786
01:29:57,360 --> 01:29:59,680
Speaker 1: like if this is gonna go anywhere, and you might

1787
01:29:59,720 --> 01:30:01,439
Speaker 1: want to pursue it. You have to take it to

1788
01:30:01,479 --> 01:30:03,800
Speaker 1: that next step, and a FaceTime date is the first step.

1789
01:30:04,320 --> 01:30:06,400
Speaker 1: That was going to be my advice too. I don't

1790
01:30:06,439 --> 01:30:09,439
Speaker 1: know that. I would, you know, try to shove a

1791
01:30:09,520 --> 01:30:11,200
Speaker 1: quarter at the top of the ad bill bottle, because

1792
01:30:11,200 --> 01:30:13,080
Speaker 1: that's tough. You can get it, you can get it

1793
01:30:13,080 --> 01:30:16,240
Speaker 1: through there, but it's hard. But I would let it

1794
01:30:16,280 --> 01:30:19,240
Speaker 1: happen organically and be like, hey, we should FaceTime sometime,

1795
01:30:19,680 --> 01:30:22,439
Speaker 1: not let's set a FaceTime date. But I'm with Morgan, Okay,

1796
01:30:22,520 --> 01:30:24,519
Speaker 1: like you need to level up a little bit. Does

1797
01:30:24,560 --> 01:30:27,080
Speaker 1: it do you jump from phone call to FaceTime or

1798
01:30:27,160 --> 01:30:29,479
Speaker 1: is that just could do phone calls? Well, that's what

1799
01:30:29,520 --> 01:30:32,200
Speaker 1: I'm saying. Is it that not a thing? Okay? I

1800
01:30:32,360 --> 01:30:35,400
Speaker 1: like calling. I don't like talking on the phone. I'd

1801
01:30:35,479 --> 01:30:37,920
Speaker 1: rather have I'd rather talking, you know, but that's an

1802
01:30:37,920 --> 01:30:41,120
Speaker 1: ice breaker before you get to the FaceTime. I've already FaceTime.

1803
01:30:41,640 --> 01:30:43,400
Speaker 1: Well that was like for two. I would set up

1804
01:30:43,400 --> 01:30:46,519
Speaker 1: a FaceTime date if you can. Okay, do I admit

1805
01:30:46,680 --> 01:30:48,599
Speaker 1: that we've kind of been talking about this, you know

1806
01:30:49,520 --> 01:30:53,040
Speaker 1: for everybody everybody knows. Do you not admitting the true story?

1807
01:30:53,040 --> 01:30:55,840
Speaker 1: Why would you? He is admitting the true story. Feel

1808
01:30:55,840 --> 01:30:58,080
Speaker 1: this whole website. So who cares this whole phone number

1809
01:30:58,080 --> 01:30:59,600
Speaker 1: a thing? Do you think he did? I'm going to

1810
01:30:59,600 --> 01:31:01,479
Speaker 1: get that out of him. I know, I don't. I

1811
01:31:01,479 --> 01:31:04,439
Speaker 1: think he's telling the truth. I do. You can always

1812
01:31:04,439 --> 01:31:07,519
Speaker 1: call it the fire chief. You have his numbers. It's

1813
01:31:07,560 --> 01:31:10,840
Speaker 1: handling a deeper voice, he answers, it's the fire too.

1814
01:31:12,160 --> 01:31:14,160
Speaker 1: So this is where we're gonna leave this for to day.

1815
01:31:15,240 --> 01:31:20,120
Speaker 1: Continue to text with him, you can flip itly text

1816
01:31:20,160 --> 01:31:22,000
Speaker 1: out there. Hey, at some point we should just get

1817
01:31:22,000 --> 01:31:25,840
Speaker 1: on FaceTime together. Not hey, we need a FaceTime date now,

1818
01:31:26,920 --> 01:31:28,600
Speaker 1: but hey, we should get on FaceTime together at some

1819
01:31:28,640 --> 01:31:31,360
Speaker 1: point and then see how he reacts. Okay, but I

1820
01:31:31,360 --> 01:31:33,120
Speaker 1: wouldn't do it during the show, or he's gonna go

1821
01:31:33,280 --> 01:31:39,200
Speaker 1: she gets awfully crazy around in the morning. I know. Okay, yep,

1822
01:31:39,439 --> 01:31:41,680
Speaker 1: you feel good, though, I just still can't believe that.

1823
01:31:42,080 --> 01:31:48,040
Speaker 1: I cannot, can you? Yes? Good? Yes, flipped two numbers.

1824
01:31:48,439 --> 01:31:50,040
Speaker 1: What we're going to do is we're gonna have Mike

1825
01:31:50,080 --> 01:31:53,720
Speaker 1: to investigate a little further on this website. Okay, he's

1826
01:31:54,160 --> 01:31:56,719
Speaker 1: get in. I thought it was a back. Like a back,

1827
01:31:56,840 --> 01:31:58,680
Speaker 1: it is a gift of a log in. Maybe Mike

1828
01:31:58,720 --> 01:32:01,400
Speaker 1: can do anything. But let's say you don't need to

1829
01:32:01,400 --> 01:32:03,000
Speaker 1: log it. I don't think, do you or can you

1830
01:32:03,040 --> 01:32:05,160
Speaker 1: just well, you can just go and it looks like

1831
01:32:05,160 --> 01:32:07,360
Speaker 1: it's like an internal sight, like you could be on

1832
01:32:07,400 --> 01:32:09,920
Speaker 1: their Herbert to get on it. We'll do it old school.

1833
01:32:09,960 --> 01:32:14,680
Speaker 1: Just call the numbers investigative reporting. I kind of if

1834
01:32:14,720 --> 01:32:16,880
Speaker 1: I did call one of them, now, one of them

1835
01:32:16,880 --> 01:32:19,599
Speaker 1: called the fire chief. The fire chief. Yeah, okay, it's

1836
01:32:19,640 --> 01:32:21,160
Speaker 1: one number off and he'll probably think it's a spam

1837
01:32:21,160 --> 01:32:23,880
Speaker 1: caucus soup close to his number. I actually don't want

1838
01:32:23,880 --> 01:32:26,320
Speaker 1: to do this. You do it, don't I do? I

1839
01:32:26,360 --> 01:32:27,880
Speaker 1: don't know. I feel like she should stay out of

1840
01:32:27,880 --> 01:32:29,920
Speaker 1: it because it might ruin her chances with him, though,

1841
01:32:30,040 --> 01:32:32,559
Speaker 1: like we should do it. Well, I don't because it's

1842
01:32:32,600 --> 01:32:35,479
Speaker 1: already him and you found out that she was like

1843
01:32:35,560 --> 01:32:38,640
Speaker 1: doing this whole thing behind like about you. But if

1844
01:32:38,640 --> 01:32:41,000
Speaker 1: it was so random like this, I would understand because

1845
01:32:41,000 --> 01:32:42,879
Speaker 1: I would also feel like it was a spam situation.

1846
01:32:42,920 --> 01:32:45,439
Speaker 1: You got to double check everything so random, I guess

1847
01:32:45,439 --> 01:32:49,839
Speaker 1: can't be too careful. Okay, next step is continue the texting,

1848
01:32:51,160 --> 01:32:53,559
Speaker 1: toss it out there, chum it up. Hey, what should

1849
01:32:53,560 --> 01:32:57,559
Speaker 1: get on FaceTime? Sometime. See what he says. Okay, good

1850
01:32:57,680 --> 01:32:59,599
Speaker 1: sounds good. Are you getting butterflies when he texts you?

1851
01:33:00,080 --> 01:33:01,920
Speaker 1: I don't know about that because it's I think it's

1852
01:33:02,000 --> 01:33:04,560
Speaker 1: different because you haven't met, don't you. I feel like

1853
01:33:04,600 --> 01:33:07,640
Speaker 1: you don't really get butterflies if you met somebody, I

1854
01:33:07,680 --> 01:33:10,280
Speaker 1: think you could still be nervous about or like, are

1855
01:33:10,280 --> 01:33:12,040
Speaker 1: you excited when you text you? When you do see it,

1856
01:33:12,880 --> 01:33:17,559
Speaker 1: I'm like, what's it gonna say? I don't know. We'll see.

1857
01:33:17,640 --> 01:33:20,080
Speaker 1: I don't know. Okay, what's the weird. We'll check in

1858
01:33:20,120 --> 01:33:22,479
Speaker 1: with you tomorrow. Let us know if anything happens. Okay,

1859
01:33:22,840 --> 01:33:26,840
Speaker 1: there she is, that's good. His phone number was one

1860
01:33:27,360 --> 01:33:29,519
Speaker 1: last two numbers were flip flop to her phone number,

1861
01:33:29,560 --> 01:33:31,080
Speaker 1: and he says he has fat fingers, so that's why

1862
01:33:31,080 --> 01:33:33,200
Speaker 1: he hit the wrong one. So take a picture of

1863
01:33:33,200 --> 01:33:36,439
Speaker 1: his finger, honey. He just stuff at these fingers on

1864
01:33:37,320 --> 01:33:40,599
Speaker 1: all right. This started with a call from d in Washington, DC,

1865
01:33:41,280 --> 01:33:44,960
Speaker 1: who listens on w MCQ. Hey do you still there?

1866
01:33:46,320 --> 01:33:49,400
Speaker 1: I'm still here, and you had asked a question on

1867
01:33:49,439 --> 01:33:53,639
Speaker 1: what's the update between Abby and the firefighter? Correct, because

1868
01:33:54,120 --> 01:33:56,320
Speaker 1: my part of my question was how do you know

1869
01:33:56,439 --> 01:33:59,639
Speaker 1: he's not listening when you were doing that FaceTime call. Right,

1870
01:34:00,040 --> 01:34:01,680
Speaker 1: So we have a lot of questions and we thought

1871
01:34:01,720 --> 01:34:04,080
Speaker 1: they were all put to rest because last I had

1872
01:34:04,120 --> 01:34:05,880
Speaker 1: heard from Abbey, which what I thought she was going

1873
01:34:05,920 --> 01:34:07,479
Speaker 1: to say was, Hey, we're just going to take it slow.

1874
01:34:07,760 --> 01:34:09,280
Speaker 1: We've just been talking a little bit. It's been flirting

1875
01:34:09,280 --> 01:34:13,480
Speaker 1: a little bit online, right, like yeah, it's like NonStop talking.

1876
01:34:13,520 --> 01:34:17,120
Speaker 1: And the last but he had showed us, had shown

1877
01:34:17,280 --> 01:34:23,519
Speaker 1: us this directory and his fire chief's number was basically Abbey's.

1878
01:34:23,640 --> 01:34:26,160
Speaker 1: Last two numbers flip flopped, and we were like, oh,

1879
01:34:26,200 --> 01:34:28,920
Speaker 1: maybe it was an accident. He wanted to prove to her. Yes,

1880
01:34:29,080 --> 01:34:32,960
Speaker 1: So but what have you found out since? So I

1881
01:34:32,960 --> 01:34:35,840
Speaker 1: looked up the guy, the chief, his name, I looked him,

1882
01:34:36,160 --> 01:34:39,080
Speaker 1: actually might help me, thanks Mica, Oh yeah, Michael, find anybody?

1883
01:34:39,120 --> 01:34:40,840
Speaker 1: But no, yeah, and he sent it to me and

1884
01:34:40,880 --> 01:34:44,000
Speaker 1: it's a completely a different number, like that person's in Wichita.

1885
01:34:44,439 --> 01:34:48,200
Speaker 1: And so then I got on this site where you

1886
01:34:48,200 --> 01:34:50,640
Speaker 1: can hear their voicemail, and I typed in the one

1887
01:34:50,680 --> 01:34:54,280
Speaker 1: that's like mine, and it's a different guy. He did say, Hi,

1888
01:34:54,400 --> 01:34:57,760
Speaker 1: this is Bumber and it's not the chief, not his name.

1889
01:34:58,200 --> 01:35:00,240
Speaker 1: Oh what if this is not we uncover or the

1890
01:35:00,280 --> 01:35:07,320
Speaker 1: chief is living a double life. Let's let's go to

1891
01:35:07,360 --> 01:35:09,800
Speaker 1: a couple of people here. First of all, Abby, what

1892
01:35:09,840 --> 01:35:14,080
Speaker 1: do you think is now happening? Great question, that's what

1893
01:35:14,200 --> 01:35:16,439
Speaker 1: I now. I'm like, and I just had a caller

1894
01:35:16,479 --> 01:35:18,200
Speaker 1: and he's like, why do you keep questioning everything? Just

1895
01:35:18,280 --> 01:35:20,040
Speaker 1: let it go? Like, you know, why do you keep

1896
01:35:20,080 --> 01:35:22,160
Speaker 1: second guessing everything and seeing what's wrong? And I'm like,

1897
01:35:22,360 --> 01:35:25,679
Speaker 1: because I it's not adding up, you know, I guess

1898
01:35:25,680 --> 01:35:28,599
Speaker 1: you kind of just need to call that number yourself. Oh,

1899
01:35:28,640 --> 01:35:31,040
Speaker 1: I was gonna talk with my guy. I was gonna

1900
01:35:31,040 --> 01:35:33,559
Speaker 1: like FaceTime him and be like, Okay, well you know

1901
01:35:33,640 --> 01:35:35,200
Speaker 1: you know what I mean, Yeah, do that too. Not

1902
01:35:35,280 --> 01:35:38,160
Speaker 1: my guy, but you know what I mean, the firefighter,

1903
01:35:38,240 --> 01:35:41,720
Speaker 1: Do you feel comfortable doing that? I guess so at

1904
01:35:41,720 --> 01:35:46,280
Speaker 1: this point, I don't know do you have to eventually? Okay?

1905
01:35:46,320 --> 01:35:48,120
Speaker 1: I know, but I mean I worry about if this

1906
01:35:48,160 --> 01:35:51,439
Speaker 1: guy's crazy enough to do this. It worries me. Mike,

1907
01:35:51,479 --> 01:35:54,320
Speaker 1: what do you think's happening? Mikedy, I mean, I think

1908
01:35:54,320 --> 01:35:57,960
Speaker 1: if he forged that website, he went to a very

1909
01:35:58,040 --> 01:36:01,599
Speaker 1: extreme thing to make the number improve that you think

1910
01:36:01,600 --> 01:36:03,759
Speaker 1: he could affords website? There was like thirty phone numbers

1911
01:36:03,760 --> 01:36:06,160
Speaker 1: on that thing with thirty different people. It's very suspicious.

1912
01:36:06,400 --> 01:36:09,720
Speaker 1: But if the numbers doesn't match with that guy, it

1913
01:36:09,760 --> 01:36:12,880
Speaker 1: has to be like faked. So everybody in that directory

1914
01:36:13,240 --> 01:36:15,479
Speaker 1: the screenshot we saw is with the fire department. I

1915
01:36:15,560 --> 01:36:17,479
Speaker 1: just want to call every number on there and be like, hey,

1916
01:36:17,520 --> 01:36:20,799
Speaker 1: Dada da da. Could have easily, though, played the whole

1917
01:36:20,920 --> 01:36:23,439
Speaker 1: list of real numbers and just changed one, just changed

1918
01:36:23,840 --> 01:36:25,760
Speaker 1: the fire chiefs, to which he sent Abby a picture

1919
01:36:25,800 --> 01:36:27,920
Speaker 1: of and pointed to Morgan, what do you think is

1920
01:36:27,960 --> 01:36:30,800
Speaker 1: happening here? I think we're back to my theory. I

1921
01:36:30,840 --> 01:36:34,240
Speaker 1: think he knows Abby, and I think that he heard

1922
01:36:34,240 --> 01:36:36,719
Speaker 1: her on the show, found her number online, and he's

1923
01:36:36,760 --> 01:36:39,839
Speaker 1: doing some sketchy things. I just I in my heart

1924
01:36:39,920 --> 01:36:42,439
Speaker 1: he's been too sketchy for me, And maybe I got

1925
01:36:42,439 --> 01:36:44,080
Speaker 1: a little too lax too, because I was like, I'm

1926
01:36:44,080 --> 01:36:46,880
Speaker 1: starting to believe it's real. I also thought sketch. I

1927
01:36:46,880 --> 01:36:50,599
Speaker 1: thought it was love fate. What do we do? We've

1928
01:36:50,600 --> 01:36:52,760
Speaker 1: never talked about the show. Let's never come out. He's

1929
01:36:52,800 --> 01:36:55,960
Speaker 1: never asked everything about it. Yeah, Like he's never been like,

1930
01:36:55,960 --> 01:36:57,600
Speaker 1: what's the show? I want to look it up? And

1931
01:36:57,640 --> 01:36:59,960
Speaker 1: I said, normally when you say I work in radio.

1932
01:37:00,240 --> 01:37:02,479
Speaker 1: People say oh, what what do you do? And then

1933
01:37:02,520 --> 01:37:06,000
Speaker 1: you say, oh, I'm oh what show is it? I

1934
01:37:06,000 --> 01:37:08,920
Speaker 1: mean not this guy bones because he knows everything about her? Yeah,

1935
01:37:08,920 --> 01:37:10,519
Speaker 1: I mean that part of Kim. Can we talk about

1936
01:37:10,560 --> 01:37:12,559
Speaker 1: the thing I really we want to talk about? Can

1937
01:37:12,560 --> 01:37:14,880
Speaker 1: we talk about it? Sure? Okay, No if you don't

1938
01:37:14,880 --> 01:37:17,960
Speaker 1: feel comfortable, No, it's fine. No. This, yes, this is

1939
01:37:18,000 --> 01:37:21,280
Speaker 1: what is making me lean more towards Morgan Number two's theory,

1940
01:37:21,360 --> 01:37:23,880
Speaker 1: which I was firmly against, Like, I still want to

1941
01:37:23,920 --> 01:37:26,759
Speaker 1: believe that this is legit and he's not lying. But

1942
01:37:27,920 --> 01:37:33,160
Speaker 1: he is on Instagram and he we can all access

1943
01:37:33,240 --> 01:37:35,920
Speaker 1: his page. He's he's private, but we can see his

1944
01:37:36,000 --> 01:37:41,160
Speaker 1: photo and everything at me. Morgan just yes, his main photo,

1945
01:37:41,200 --> 01:37:43,439
Speaker 1: but it says you have to follow him to see more. Well,

1946
01:37:43,479 --> 01:37:46,839
Speaker 1: if if Abby types it in from her Instagram account,

1947
01:37:46,960 --> 01:37:50,280
Speaker 1: she sees nothing, like he's blocked her. He's not there anymore.

1948
01:37:50,400 --> 01:37:53,519
Speaker 1: Remember I told you guys that I found him ball well,

1949
01:37:53,800 --> 01:37:56,800
Speaker 1: and she's never given him. I said, how does he

1950
01:37:56,880 --> 01:37:58,559
Speaker 1: know your Instagram? Have you ever given it to him?

1951
01:37:58,560 --> 01:38:01,679
Speaker 1: And she's like no, which leads me to like, why

1952
01:38:01,840 --> 01:38:04,559
Speaker 1: hasn't If you're talking this much. Why haven't you been

1953
01:38:04,560 --> 01:38:07,320
Speaker 1: like hey, what which I mean? I've known people for

1954
01:38:07,600 --> 01:38:10,280
Speaker 1: way less than this. That's like, hey, what's your Instagram?

1955
01:38:10,400 --> 01:38:15,439
Speaker 1: I want to you know. So it's just very suspicious

1956
01:38:15,560 --> 01:38:17,960
Speaker 1: that she's the only one that can't access, which would

1957
01:38:18,000 --> 01:38:21,000
Speaker 1: mean he blocked her. So somehow he knows her Instagram

1958
01:38:21,000 --> 01:38:22,720
Speaker 1: and she's never given it to en. I'm glad gen

1959
01:38:22,800 --> 01:38:26,240
Speaker 1: z Eddie hopped in to go sus sound cooler? Yeah,

1960
01:38:26,240 --> 01:38:28,920
Speaker 1: thanks Eddie. Hey, so that's weird than he could have

1961
01:38:28,920 --> 01:38:31,479
Speaker 1: blocked you. Y Is he still texting with you as

1962
01:38:31,479 --> 01:38:39,240
Speaker 1: he blocked you? Oh? Yeah. Also his Instagram handle slus no.

1963
01:38:39,360 --> 01:38:41,519
Speaker 1: But I mean it's got a picture of him and

1964
01:38:41,600 --> 01:38:45,800
Speaker 1: he's got children. We know that. Yeah, and uh, you

1965
01:38:45,840 --> 01:38:48,760
Speaker 1: know that's fine. It's the handle. It's like, hey, d

1966
01:38:49,040 --> 01:38:51,559
Speaker 1: what do you think's happening here? You called us, let's

1967
01:38:51,560 --> 01:38:55,439
Speaker 1: go to you. You're an outside perspective. Well. I also

1968
01:38:55,479 --> 01:38:58,240
Speaker 1: had another question for her, which is he has a

1969
01:38:58,280 --> 01:39:01,080
Speaker 1: two out two area code. I work. I run a

1970
01:39:01,120 --> 01:39:05,400
Speaker 1: medical practice in DC area and I get area coats

1971
01:39:05,479 --> 01:39:08,000
Speaker 1: from all over the country. So how do you know

1972
01:39:08,120 --> 01:39:11,519
Speaker 1: he's really in DC? Well, I don't know that we

1973
01:39:11,720 --> 01:39:14,439
Speaker 1: have him go outside of the Lincoln Memorial next time, FaceTime,

1974
01:39:15,479 --> 01:39:20,559
Speaker 1: let's go. Yeah, I guess I was just assuming because

1975
01:39:20,560 --> 01:39:22,479
Speaker 1: of it based on the picture recent we need to

1976
01:39:22,520 --> 01:39:26,240
Speaker 1: pick with him and Lincoln stat Okay, I'll ask that.

1977
01:39:26,400 --> 01:39:27,960
Speaker 1: If it ain't you in Pelosi, we don't want to

1978
01:39:27,960 --> 01:39:31,599
Speaker 1: know you have Mitch McConnell and having dinner or nothing

1979
01:39:31,720 --> 01:39:35,400
Speaker 1: with today's paper. Um, yeah, this has gotten weird, Like,

1980
01:39:35,920 --> 01:39:39,240
Speaker 1: m see, let's see from your instagram we can you're

1981
01:39:39,320 --> 01:39:41,400
Speaker 1: you're if you're. I don't know his name though, yeah,

1982
01:39:41,400 --> 01:39:42,960
Speaker 1: well let me tell you because you're gonna be like,

1983
01:39:43,000 --> 01:39:45,400
Speaker 1: ok oh yeah, I want to see bones reaction. Okay,

1984
01:39:45,600 --> 01:39:48,400
Speaker 1: what is it again? I vote? Yeah, don't say it

1985
01:39:48,400 --> 01:39:52,400
Speaker 1: on the on the Let let's keep it down. You

1986
01:39:52,400 --> 01:39:56,760
Speaker 1: haven't been concerned. No, yeah, where are you going? I'm

1987
01:39:56,800 --> 01:39:58,720
Speaker 1: getting the rest of it. Make sure I spell it right.

1988
01:39:59,520 --> 01:40:03,840
Speaker 1: Oh yeah, this part's so funny. I mean, the last

1989
01:40:03,880 --> 01:40:05,920
Speaker 1: part's his name, but what's in front of his name?

1990
01:40:06,200 --> 01:40:10,639
Speaker 1: So okay, let me get on like I just don't

1991
01:40:10,640 --> 01:40:15,880
Speaker 1: even know. Uh, I don't think that's so bad. It's

1992
01:40:15,920 --> 01:40:20,599
Speaker 1: just alliteration. Oh if he finds him, is that? Oh?

1993
01:40:20,680 --> 01:40:22,200
Speaker 1: You know why it is though, because he's hiss name

1994
01:40:22,200 --> 01:40:26,720
Speaker 1: after a wrestler. Oh yeah, that's why, guys. Oh I

1995
01:40:26,720 --> 01:40:29,320
Speaker 1: didn't know that. Yeah, it's his Name's fine, guys, he's

1996
01:40:29,360 --> 01:40:34,040
Speaker 1: just doing a pun on her. Okay, you're right, I'm

1997
01:40:34,080 --> 01:40:36,760
Speaker 1: the only one and says you can know that. But

1998
01:40:36,800 --> 01:40:38,720
Speaker 1: you can take a screenshot of that and zoom in

1999
01:40:38,760 --> 01:40:40,599
Speaker 1: on his face. Yeah, but here's what I'm just gonna

2000
01:40:40,680 --> 01:40:43,240
Speaker 1: let everybody know. His name is not sus Okay, Well,

2001
01:40:43,240 --> 01:40:45,200
Speaker 1: I had no idea it was that was a wrestler.

2002
01:40:45,439 --> 01:40:47,680
Speaker 1: But if I was a girl of maybe going on

2003
01:40:47,720 --> 01:40:48,960
Speaker 1: a date with a guy and he told me that

2004
01:40:49,000 --> 01:40:51,160
Speaker 1: was his Instagram and I didn't know it's a wrestler reference,

2005
01:40:51,200 --> 01:40:52,920
Speaker 1: I would be like, well, this is weird. Yeah, name

2006
01:40:52,960 --> 01:40:55,760
Speaker 1: not us at all. Okay, Okay, Abby, I don't know

2007
01:40:55,760 --> 01:40:58,479
Speaker 1: what to tell you it. Well, is he the wrestler,

2008
01:40:59,200 --> 01:41:05,280
Speaker 1: he's a that wrestler's dead. Oh okay, I'll just you'll

2009
01:41:05,320 --> 01:41:08,360
Speaker 1: just what. I'm afraid that you're gonna continue to weigh

2010
01:41:08,400 --> 01:41:10,840
Speaker 1: deeper into this and actually fall in love with someone

2011
01:41:10,880 --> 01:41:14,400
Speaker 1: who's scamming you. That's what I'm I'm thinking. I think

2012
01:41:14,400 --> 01:41:17,679
Speaker 1: I'll FaceTime into the bottom of this, like, yeah, I'm

2013
01:41:17,680 --> 01:41:20,400
Speaker 1: gonna do that. This week. I really am. I'm just

2014
01:41:20,439 --> 01:41:22,360
Speaker 1: gonna be like, Okay, you gotta be straight up with me.

2015
01:41:22,560 --> 01:41:24,800
Speaker 1: I think. Also, if this gets back to him and

2016
01:41:24,840 --> 01:41:26,559
Speaker 1: he does hear the show, he's not gonna respond anything

2017
01:41:26,560 --> 01:41:29,760
Speaker 1: you say anymore. Hello. Are you sure he blocked you

2018
01:41:29,800 --> 01:41:32,200
Speaker 1: on Instagram? Yeah? Yeah, because they helped me. Look too

2019
01:41:32,200 --> 01:41:34,080
Speaker 1: that she types in what you typed in and nothing.

2020
01:41:34,439 --> 01:41:37,040
Speaker 1: Idiot should have blocked all of us then and all

2021
01:41:37,080 --> 01:41:39,760
Speaker 1: the B team, but he may what have later? We

2022
01:41:39,800 --> 01:41:41,880
Speaker 1: were all blocked? Have you heard it? Who do you

2023
01:41:41,880 --> 01:41:48,440
Speaker 1: think he is? Travis Tritt? I don't know. It's so weird. Yeah, okay,

2024
01:41:48,520 --> 01:41:51,320
Speaker 1: well we're gonna We're gonna end it here. But that's weird.

2025
01:41:51,640 --> 01:41:56,200
Speaker 1: And I'm now back on the side of you're being scammed.

2026
01:41:57,160 --> 01:42:00,800
Speaker 1: That's sad. I was. I was hopeful, but so just say,

2027
01:42:00,920 --> 01:42:02,360
Speaker 1: fly up to see him once and if it doesn't

2028
01:42:02,360 --> 01:42:06,040
Speaker 1: work out, it sounds great. Yeah, I do. Is anybody

2029
01:42:06,040 --> 01:42:09,600
Speaker 1: else worried about the mental state of someone that's going

2030
01:42:09,680 --> 01:42:11,720
Speaker 1: to go through this link to trick Addy? And if

2031
01:42:11,720 --> 01:42:15,400
Speaker 1: we should be concerned, because I anybody or just mean,

2032
01:42:17,280 --> 01:42:24,880
Speaker 1: having dealt with stalkers before, I would definitely put it's somewhere.

2033
01:42:25,040 --> 01:42:27,280
Speaker 1: No I would go no, because I just want to

2034
01:42:27,280 --> 01:42:29,720
Speaker 1: don't hasn't made anything, and he hasn't reached out to you,

2035
01:42:29,800 --> 01:42:32,599
Speaker 1: doesn't know where you live. It gets a little different then. Yeah,

2036
01:42:32,640 --> 01:42:36,160
Speaker 1: but I know yikes. And I say this fresh off

2037
01:42:36,160 --> 01:42:38,200
Speaker 1: of dealing with it myself. Okay, I just yeah, I

2038
01:42:38,240 --> 01:42:40,200
Speaker 1: don't want to do anything that for her to make

2039
01:42:40,240 --> 01:42:42,640
Speaker 1: any moves that trigger him in a weird way. I

2040
01:42:42,640 --> 01:42:45,040
Speaker 1: would What I would do is just give that information

2041
01:42:45,120 --> 01:42:48,760
Speaker 1: to Tim, our security guy here. Oh okay, Oh, just

2042
01:42:48,800 --> 01:42:51,719
Speaker 1: give it time, just so he knows, gotcha. Yeah, Tim's great.

2043
01:42:51,800 --> 01:42:54,439
Speaker 1: He'll meet you in a random parking lot if you

2044
01:42:54,479 --> 01:42:56,639
Speaker 1: think you have a bomb, it's He's great. So guys,

2045
01:42:56,680 --> 01:42:58,400
Speaker 1: if he's listening and he says, all right, I'm just

2046
01:42:58,439 --> 01:43:03,240
Speaker 1: gonna come clean. Well, now, if you hear this, no

2047
01:43:03,400 --> 01:43:06,080
Speaker 1: to call the show. I got a few words. I

2048
01:43:06,600 --> 01:43:08,200
Speaker 1: need to get to the bottom of this because Abbey's

2049
01:43:08,240 --> 01:43:10,519
Speaker 1: too nice. But if he does come clean and says

2050
01:43:10,560 --> 01:43:11,840
Speaker 1: it was me, I was just trying to come up

2051
01:43:11,880 --> 01:43:14,320
Speaker 1: with a clever way to get to Abby. Hey, right,

2052
01:43:14,400 --> 01:43:19,200
Speaker 1: but is it okay? Still like TBD? But I need

2053
01:43:19,200 --> 01:43:23,599
Speaker 1: to hear I need to hear a story. Okay, Okay, tbd. Okay, Abby,

2054
01:43:23,680 --> 01:43:27,800
Speaker 1: thank you, okay, thank you, good luck. Did not know

2055
01:43:27,840 --> 01:43:29,720
Speaker 1: it was going to go that direction. Yeah, I know.

2056
01:43:31,800 --> 01:43:33,880
Speaker 1: At first I thought maybe her Instagram was broken, but

2057
01:43:34,200 --> 01:43:37,360
Speaker 1: did it like her? Yeah, but still text with her.

2058
01:43:39,479 --> 01:43:43,080
Speaker 1: He didn't even create a fake beard to talk with her. Yeah,

2059
01:43:43,400 --> 01:43:45,760
Speaker 1: very strange. All right, Well, I think that's it for

2060
01:43:45,800 --> 01:43:52,240
Speaker 1: this segment. Everybody good, Yeah, yeah, great, it's the best

2061
01:43:52,360 --> 01:43:57,040
Speaker 1: bits of the week with Morgan. Number two arguably one

2062
01:43:57,040 --> 01:43:59,439
Speaker 1: of the best segments we've done on the show this year.

2063
01:44:00,160 --> 01:44:02,840
Speaker 1: Josh Woods, the TikTok or that Bobby saw online singing

2064
01:44:02,840 --> 01:44:05,000
Speaker 1: at a car wash, came in performed on the show,

2065
01:44:05,040 --> 01:44:08,439
Speaker 1: and he was surprised by none other than Clay Walker.

2066
01:44:08,479 --> 01:44:11,280
Speaker 1: I'm not gonna spill any more information. All I'm saying

2067
01:44:11,360 --> 01:44:12,920
Speaker 1: is you gotta listen to this, and you've gotta go

2068
01:44:12,960 --> 01:44:15,720
Speaker 1: watch the interview and the performance online. Because I got

2069
01:44:15,760 --> 01:44:18,160
Speaker 1: so many chill bumps and I cried a little. I'll

2070
01:44:18,200 --> 01:44:22,439
Speaker 1: admit it. Number one on the Bobby Bones Show now,

2071
01:44:22,760 --> 01:44:25,880
Speaker 1: Josh Woods, Josh, it's good to see you, buddy. Yes, sir,

2072
01:44:26,240 --> 01:44:29,280
Speaker 1: this is crazy. Just let me explain to our listeners

2073
01:44:29,320 --> 01:44:33,360
Speaker 1: what's happened here. One night I was on TikTok. Well,

2074
01:44:33,400 --> 01:44:35,439
Speaker 1: every night I'm on TikTok, but I was on TikTok

2075
01:44:35,439 --> 01:44:36,920
Speaker 1: and I was flipping through and I come across your

2076
01:44:37,000 --> 01:44:39,960
Speaker 1: video and it's you singing Neon Moon from Brooks and

2077
01:44:40,000 --> 01:44:42,360
Speaker 1: done in the car wash, which is where you work.

2078
01:44:42,400 --> 01:44:44,639
Speaker 1: You work at Tommy's Express car Wash. And so I'm

2079
01:44:44,640 --> 01:44:48,720
Speaker 1: gonna play this clip. If you lose you one and only,

2080
01:44:49,600 --> 01:44:56,160
Speaker 1: there's always roomy for the lonely. Watch your broken dreams

2081
01:44:56,320 --> 01:45:00,920
Speaker 1: dancing out of the beam of a knee on Moon.

2082
01:45:01,280 --> 01:45:02,960
Speaker 1: And I thought, dang, that's good, so I posted it

2083
01:45:02,960 --> 01:45:05,799
Speaker 1: on my TikTok account. Heck, it's so good on my account,

2084
01:45:05,840 --> 01:45:08,400
Speaker 1: it's got three million views. So what does it like

2085
01:45:08,479 --> 01:45:10,559
Speaker 1: to fill a video start to blow up and go viral.

2086
01:45:10,840 --> 01:45:16,040
Speaker 1: It's an undescribable feeling, you know, just thinking about like

2087
01:45:16,080 --> 01:45:20,639
Speaker 1: how some of these artists go from nobody's to somebody's

2088
01:45:20,680 --> 01:45:23,599
Speaker 1: like Luke Combs, for perfect example. You know that he

2089
01:45:23,640 --> 01:45:27,360
Speaker 1: was on vines and vines blew him up. And I figured,

2090
01:45:27,760 --> 01:45:30,439
Speaker 1: you know, I'm thirty two years old. I don't know

2091
01:45:30,479 --> 01:45:32,000
Speaker 1: if I still have a shot, but you know, we'll

2092
01:45:32,040 --> 01:45:35,000
Speaker 1: see if TikTok works. And here you are it's got

2093
01:45:35,040 --> 01:45:38,160
Speaker 1: me here? So you sing in an empty car wash?

2094
01:45:38,240 --> 01:45:41,080
Speaker 1: Is that after everybody's gone. Normally I do it before

2095
01:45:41,120 --> 01:45:44,960
Speaker 1: I open, but sometimes when we're slow, I like to

2096
01:45:45,000 --> 01:45:46,800
Speaker 1: just go out there and see what I can do.

2097
01:45:46,920 --> 01:45:49,559
Speaker 1: And so you do it because it sounds good, like

2098
01:45:49,600 --> 01:45:51,880
Speaker 1: the acoustics about car wash. Yeah, you can't beat it.

2099
01:45:51,880 --> 01:45:53,360
Speaker 1: It's kind of like the shower. You know. People think

2100
01:45:53,360 --> 01:45:54,760
Speaker 1: they hear they sound good in the shower and it's

2101
01:45:54,800 --> 01:45:56,880
Speaker 1: like oo, they get that little echo feeling to it.

2102
01:45:58,360 --> 01:45:59,960
Speaker 1: You have millions and millions of views on this thing.

2103
01:46:00,000 --> 01:46:02,080
Speaker 1: I want to play another one from Clay Walker. Here's

2104
01:46:02,160 --> 01:46:05,920
Speaker 1: him singing, she won't be lonely long if she's lonely now,

2105
01:46:06,400 --> 01:46:11,360
Speaker 1: she won't be lonely long. If I saw clay actually

2106
01:46:11,360 --> 01:46:14,280
Speaker 1: in your comments, I believe, yes, that's gotta be cool.

2107
01:46:14,360 --> 01:46:17,320
Speaker 1: Oh man, it was crazy when you look at it

2108
01:46:17,320 --> 01:46:19,120
Speaker 1: and you see Clay Walker with a blue check mark,

2109
01:46:19,280 --> 01:46:20,760
Speaker 1: make a little message there and be like, hey man,

2110
01:46:20,800 --> 01:46:22,439
Speaker 1: this is great. Like do you go show your friends

2111
01:46:22,479 --> 01:46:24,439
Speaker 1: with like Clay Walker commented on my TikTok Oh yeah,

2112
01:46:24,520 --> 01:46:28,120
Speaker 1: oh yeah, I was showing everybody, you know, showing the wife,

2113
01:46:28,240 --> 01:46:30,880
Speaker 1: my mom my, kids are starting to get a little

2114
01:46:30,920 --> 01:46:33,040
Speaker 1: annoyed about it now. But what do your kids think

2115
01:46:33,040 --> 01:46:35,639
Speaker 1: about you blowing up on TikTok? Oh? They're like, man,

2116
01:46:36,240 --> 01:46:38,519
Speaker 1: I go to school and all these parents are coming

2117
01:46:38,560 --> 01:46:41,920
Speaker 1: at me. I'd love to meet your dad. Do you

2118
01:46:41,920 --> 01:46:43,560
Speaker 1: feel like a little bit you're getting like famous in

2119
01:46:43,600 --> 01:46:46,000
Speaker 1: your hometown? I do, I do, I do, And I

2120
01:46:46,080 --> 01:46:48,599
Speaker 1: love it. That's pretty cool. So when did you post

2121
01:46:48,640 --> 01:46:50,800
Speaker 1: your first video? And was it always going to be

2122
01:46:50,800 --> 01:46:54,200
Speaker 1: about that account, to be about you singing? Yes? So

2123
01:46:54,320 --> 01:46:57,280
Speaker 1: it was roughly about a year ago my first video,

2124
01:46:57,600 --> 01:47:00,479
Speaker 1: and I knew what I was gonna do with this

2125
01:47:00,560 --> 01:47:05,439
Speaker 1: TikTok just make pretty much singing videos. And then once

2126
01:47:05,479 --> 01:47:07,519
Speaker 1: I started singing in the car wash, I started getting

2127
01:47:07,520 --> 01:47:10,360
Speaker 1: more and more followers and views and okay, so people

2128
01:47:10,400 --> 01:47:13,439
Speaker 1: like this. It's something different versus sitting in a stairwell

2129
01:47:13,560 --> 01:47:15,880
Speaker 1: or a shower or the bathroom. What are you doing

2130
01:47:15,880 --> 01:47:17,559
Speaker 1: at the car wash though? Every day? Are you actually

2131
01:47:17,640 --> 01:47:19,759
Speaker 1: are you actually watching cars? Are you bossing people around

2132
01:47:19,760 --> 01:47:22,160
Speaker 1: to wash cars? No? So I boss people nice? Yeah yeah,

2133
01:47:22,200 --> 01:47:25,559
Speaker 1: so we don't actually me too. Yeah, we don't touch

2134
01:47:25,640 --> 01:47:28,080
Speaker 1: the cars. We let the machines do the world. So,

2135
01:47:28,200 --> 01:47:30,600
Speaker 1: I mean, my job is pretty easy. I just maintained

2136
01:47:30,720 --> 01:47:34,120
Speaker 1: the equipment and my crew. How long have you been

2137
01:47:34,160 --> 01:47:37,280
Speaker 1: at Tommy's Express Car Wash? So I've been with Tommy's

2138
01:47:37,320 --> 01:47:39,960
Speaker 1: for about a year and a half, but I've been

2139
01:47:40,000 --> 01:47:42,800
Speaker 1: car washing with Tommy's equipment for five years? What does

2140
01:47:42,800 --> 01:47:46,679
Speaker 1: that mean? So we branched out. Tommy's is their own

2141
01:47:46,680 --> 01:47:49,719
Speaker 1: place up in Michigan, and then they started franchising, so

2142
01:47:50,280 --> 01:47:54,280
Speaker 1: we ended up coming down to Oklahoma and opening up

2143
01:47:54,280 --> 01:47:57,519
Speaker 1: washes here, but we were under different names. So are

2144
01:47:57,520 --> 01:48:01,439
Speaker 1: you from Oklahoma? Yes? Where'd you grow up? Palpa? Well,

2145
01:48:01,600 --> 01:48:03,080
Speaker 1: this this is your big shot. We want to give

2146
01:48:03,120 --> 01:48:06,320
Speaker 1: this a run. So Eddie's gonna play guitar for you.

2147
01:48:06,840 --> 01:48:10,559
Speaker 1: The best guitarist in Nashville obviously. Yeah, we really. We

2148
01:48:10,600 --> 01:48:14,040
Speaker 1: only bring you want to set him up right, So

2149
01:48:14,120 --> 01:48:17,680
Speaker 1: let's try. Let's see what we got here. Let's play

2150
01:48:17,680 --> 01:48:26,000
Speaker 1: a little bit. It sounds good, sound good? Yeah, just

2151
01:48:26,120 --> 01:48:32,520
Speaker 1: to make people are hold on, we'll play again. Let sorry, Josh,

2152
01:48:32,960 --> 01:48:39,080
Speaker 1: let's do it again. Something bad? Yeah, there's something wrong?

2153
01:48:39,200 --> 01:48:41,760
Speaker 1: Is that? It's me? It's me, isn't it? Okay? Hold

2154
01:48:41,800 --> 01:48:43,680
Speaker 1: on a second, let's take a break. We gotta take

2155
01:48:43,680 --> 01:48:46,200
Speaker 1: a break. We will come back. That was my big shot, Eddie,

2156
01:48:46,800 --> 01:48:49,360
Speaker 1: you step down. I don't even know what that means.

2157
01:48:49,400 --> 01:48:51,800
Speaker 1: So yeah, I guess we'll come back. Do you mean

2158
01:48:51,880 --> 01:48:53,880
Speaker 1: do you need me to play playing? I could play.

2159
01:48:54,000 --> 01:48:56,320
Speaker 1: I thought I nailed it, but Josh, you're really sorry. Okay,

2160
01:48:56,479 --> 01:48:59,400
Speaker 1: here's what we're gonna do. We're gonna come back with Josh.

2161
01:48:59,600 --> 01:49:03,800
Speaker 1: He already sound good. Hey, look at those three works

2162
01:49:03,960 --> 01:49:05,920
Speaker 1: and you're not even in a car wash. Yeah right,

2163
01:49:07,040 --> 01:49:09,720
Speaker 1: we'll come back with Josh his big performance with a

2164
01:49:09,720 --> 01:49:12,920
Speaker 1: better guitar player. No offense, all right, not taking next.

2165
01:49:13,160 --> 01:49:14,760
Speaker 1: So we tried to play with Eddie a minute ago.

2166
01:49:14,760 --> 01:49:16,680
Speaker 1: It didn't quite work out. It's not we do have

2167
01:49:16,720 --> 01:49:21,599
Speaker 1: another guitar player. Um, go on in our next new

2168
01:49:21,640 --> 01:49:24,679
Speaker 1: guitar player. Is somebody out there can play for sure?

2169
01:49:25,040 --> 01:49:32,680
Speaker 1: Oh look it's Clay Walker. Yeah. Look at this what

2170
01:49:33,000 --> 01:49:42,639
Speaker 1: Clay Josh meet Clay Clay me shirt we're on right now.

2171
01:49:42,640 --> 01:49:44,400
Speaker 1: So you guys get on those mics right there. Hey,

2172
01:49:44,560 --> 01:49:48,800
Speaker 1: literally they have on matching boots, matching hats. Yeah, Clay

2173
01:49:48,800 --> 01:49:50,960
Speaker 1: have seen over there, seeing talking the microphone. So Josh

2174
01:49:51,000 --> 01:49:53,760
Speaker 1: had no idea. Josh stood up. We were totally messed

2175
01:49:53,880 --> 01:49:55,800
Speaker 1: with the Josh with the Eddie and the guitar thing. Man,

2176
01:49:57,400 --> 01:50:00,720
Speaker 1: y'all is crazy. So how does it feel to be

2177
01:50:00,760 --> 01:50:04,160
Speaker 1: sitting next to Clay Walker? Josh? Uh, you can't even

2178
01:50:04,200 --> 01:50:07,560
Speaker 1: describe it. I mean, man, you you're You're an off,

2179
01:50:07,560 --> 01:50:10,760
Speaker 1: You're in legend. Man. I just I can't even spend

2180
01:50:10,800 --> 01:50:15,000
Speaker 1: out my words. Gosh, you're a great singer. Thank you, sir.

2181
01:50:15,240 --> 01:50:19,160
Speaker 1: I love your TikTok and been following you for a while.

2182
01:50:19,320 --> 01:50:22,320
Speaker 1: Just great singing, great songs. You know. I wish you

2183
01:50:22,400 --> 01:50:27,160
Speaker 1: did more of ours. I will do that now. So

2184
01:50:27,360 --> 01:50:30,719
Speaker 1: this is what we thought we would do. So, Josh,

2185
01:50:30,800 --> 01:50:34,439
Speaker 1: Clay's actually gonna play guitar for you as you sing

2186
01:50:34,520 --> 01:50:37,000
Speaker 1: his song. And then do you want Clay to sing

2187
01:50:37,000 --> 01:50:39,160
Speaker 1: the chorus with you? Of course? Clay? Are you okay

2188
01:50:39,160 --> 01:50:41,519
Speaker 1: with that? Man? I'm good with that. I'm good. I

2189
01:50:41,520 --> 01:50:43,320
Speaker 1: gotta tell you just one thing. You know, I watched

2190
01:50:43,320 --> 01:50:46,759
Speaker 1: the car Wash vocals and I used to work a

2191
01:50:46,800 --> 01:50:51,680
Speaker 1: good Year Rubber plant making tires in Beaumont, Texas, and

2192
01:50:51,960 --> 01:50:55,240
Speaker 1: I love the bathrooms and that's where I actually learned

2193
01:50:55,320 --> 01:50:58,360
Speaker 1: how to develop my vocal and do varbrado. So I've

2194
01:50:58,439 --> 01:51:00,920
Speaker 1: kind of watched you going. Man, he reminds me of me.

2195
01:51:01,040 --> 01:51:18,439
Speaker 1: So that's awesome. It's studio Josh was with Claywalker. It's

2196
01:51:18,520 --> 01:51:26,200
Speaker 1: something about the way she's wearing her dress so little tighter.

2197
01:51:26,920 --> 01:51:33,519
Speaker 1: Something about the way she's staring, she's looking to start

2198
01:51:33,720 --> 01:51:39,400
Speaker 1: to fight her, something about the way she's Oh, he's

2199
01:51:39,400 --> 01:51:46,240
Speaker 1: never to keep going strong. If she's lonely now, she

2200
01:51:46,479 --> 01:51:52,280
Speaker 1: won't be lonely long. Heaven helped the food. You did

2201
01:51:52,360 --> 01:51:57,400
Speaker 1: her wrong. It's too late, too bad, she's too far gone.

2202
01:51:58,240 --> 01:52:02,160
Speaker 1: He should have thought of that before we lift her

2203
01:52:02,280 --> 01:52:11,040
Speaker 1: all along. If she's lonely now, Lord, if she's lonely now,

2204
01:52:13,000 --> 01:52:29,320
Speaker 1: if she's lonely now, she won't be lonely long. Come on, Yeah,

2205
01:52:29,720 --> 01:52:34,200
Speaker 1: thank Josh with Clay Walker. My job's on the hot seat.

2206
01:52:34,360 --> 01:52:36,880
Speaker 1: Holy Holy Clay. First of all, good to see you, buddy.

2207
01:52:36,920 --> 01:52:38,920
Speaker 1: Get to see you too. Man. I just can't believe

2208
01:52:38,960 --> 01:52:42,120
Speaker 1: your razorbacks smoked my aggies like that. It's okay, Yeah,

2209
01:52:42,160 --> 01:52:44,640
Speaker 1: it is okay. Hey, that's what we got. Let me

2210
01:52:44,720 --> 01:52:46,559
Speaker 1: let me sell a couple of things here. First of all, Josh,

2211
01:52:46,560 --> 01:52:50,559
Speaker 1: great John like, we shocked you. Yeah, I mean we

2212
01:52:50,600 --> 01:52:53,400
Speaker 1: shot what made me forget liryous. We shocked you by

2213
01:52:53,439 --> 01:52:55,160
Speaker 1: bringing one of your heroes in to sing with you.

2214
01:52:55,520 --> 01:52:57,960
Speaker 1: But you nailed it. You nailed it, dude. You were

2215
01:52:58,000 --> 01:53:00,080
Speaker 1: great man. And I gotta tell you know you you

2216
01:53:00,680 --> 01:53:03,160
Speaker 1: hat shape everything you got the whole look, just got

2217
01:53:03,160 --> 01:53:05,960
Speaker 1: it going on. I was proud that bought me in

2218
01:53:06,000 --> 01:53:09,439
Speaker 1: the gang here. Picked you because I've been knowing about

2219
01:53:09,479 --> 01:53:11,920
Speaker 1: you for a while now and just great, great content

2220
01:53:12,040 --> 01:53:14,600
Speaker 1: and Bobby, what can I say? You always not to

2221
01:53:14,640 --> 01:53:17,680
Speaker 1: pick winners. Well, Clay, that's why I picked to you, buddy,

2222
01:53:18,320 --> 01:53:20,360
Speaker 1: look at that. That's what I was hitting at. Hey,

2223
01:53:21,000 --> 01:53:23,360
Speaker 1: But you have almost a million followers on TikTok yourself,

2224
01:53:23,840 --> 01:53:26,240
Speaker 1: Like that's a big I mean, what is it that

2225
01:53:26,280 --> 01:53:29,639
Speaker 1: you're doing on TikTok that people are coming for real? Yeah?

2226
01:53:29,760 --> 01:53:31,000
Speaker 1: What do you mean? What? Like? What do you like?

2227
01:53:31,040 --> 01:53:33,120
Speaker 1: I see you on TikTok obviously, but when you go

2228
01:53:33,200 --> 01:53:35,479
Speaker 1: to make a TikTok video, like what what do you

2229
01:53:35,640 --> 01:53:37,320
Speaker 1: think that you're gonna do? The people are like yep,

2230
01:53:37,400 --> 01:53:39,880
Speaker 1: like that just let him know who I really am.

2231
01:53:40,000 --> 01:53:44,599
Speaker 1: You know. In yesterday, you know, we filmed up in

2232
01:53:44,640 --> 01:53:46,280
Speaker 1: the woods. I was up there, had a big tree

2233
01:53:46,320 --> 01:53:48,720
Speaker 1: that fell over one of our roads that I like

2234
01:53:48,760 --> 01:53:51,040
Speaker 1: to travel on, the side by side and so it

2235
01:53:51,120 --> 01:53:53,200
Speaker 1: just happened perfectly. We got in there and moved the

2236
01:53:53,200 --> 01:53:55,240
Speaker 1: tree out of the way. And even though it might

2237
01:53:55,280 --> 01:53:56,800
Speaker 1: not seem like a big deal, I mean, there's a

2238
01:53:56,840 --> 01:53:58,160
Speaker 1: lot of people that love to ride in their side

2239
01:53:58,160 --> 01:54:00,720
Speaker 1: by side are on the woods, you know, and we

2240
01:54:00,840 --> 01:54:03,080
Speaker 1: just let people see who I really am. And I

2241
01:54:03,400 --> 01:54:05,840
Speaker 1: think they're predicting it. You know, I've got a new

2242
01:54:05,920 --> 01:54:09,520
Speaker 1: single coming to radio in December? Is that right, Clay

2243
01:54:10,160 --> 01:54:12,559
Speaker 1: is it? Can we say that whatever you want to play? Well?

2244
01:54:12,560 --> 01:54:15,000
Speaker 1: I mean, I'm telling you this is what it says.

2245
01:54:15,040 --> 01:54:16,639
Speaker 1: Catching up with an old memory a new clay Walker

2246
01:54:16,720 --> 01:54:18,400
Speaker 1: sing We'll going to radio in December? Is that true

2247
01:54:18,439 --> 01:54:21,960
Speaker 1: or false? That's true? Okay, it's true. Are you learning

2248
01:54:21,960 --> 01:54:24,920
Speaker 1: about that as I'm telling you? I actually am? I

2249
01:54:25,000 --> 01:54:27,880
Speaker 1: really am going wow. You know. I was talking to

2250
01:54:27,960 --> 01:54:29,360
Speaker 1: t K on the way here. He was coming back

2251
01:54:29,400 --> 01:54:30,720
Speaker 1: from the left scene time, like, what are we going

2252
01:54:30,760 --> 01:54:32,960
Speaker 1: with a new single? He goes, not sure yet. Teddy's

2253
01:54:33,000 --> 01:54:38,480
Speaker 1: working on the plan right now. December clay Walker is here.

2254
01:54:38,520 --> 01:54:42,320
Speaker 1: You guys can follow at official clay Walker on TikTok

2255
01:54:42,880 --> 01:54:46,640
Speaker 1: with Josh Josh Underscore Woods four. That's been a pretty

2256
01:54:46,640 --> 01:54:49,040
Speaker 1: cool day for you. Josh, You've made it the best

2257
01:54:49,080 --> 01:54:51,000
Speaker 1: day of my life besides when I married my wife.

2258
01:54:51,720 --> 01:54:54,040
Speaker 1: Got to say that. And Josh, when I come, when

2259
01:54:54,040 --> 01:54:55,600
Speaker 1: we come back, we'll do what's it to you? Actually

2260
01:54:55,680 --> 01:54:57,720
Speaker 1: learn how to play the chords on it? Yeah, I

2261
01:54:57,800 --> 01:55:00,200
Speaker 1: love that song. What was it to you? Yeah? I

2262
01:55:00,320 --> 01:55:05,960
Speaker 1: know what love is. I know the song too. Hearts

2263
01:55:06,040 --> 01:55:12,600
Speaker 1: beating powder. Yeah, get Eddie in true cool for me, Okay,

2264
01:55:12,800 --> 01:55:15,040
Speaker 1: I mean I want you to do. I watching radio legends,

2265
01:55:15,040 --> 01:55:18,520
Speaker 1: You're sing me my song. Josh, here's the thing I know.

2266
01:55:18,560 --> 01:55:21,240
Speaker 1: Today has been cool for you. Let me so we're

2267
01:55:21,320 --> 01:55:24,080
Speaker 1: doing later this month, and your job has been pretty

2268
01:55:24,120 --> 01:55:26,560
Speaker 1: cool with you coming here. All kinds of stuff. Right

2269
01:55:26,880 --> 01:55:30,080
Speaker 1: on October thirtieth, we have something called the I Heart

2270
01:55:30,080 --> 01:55:33,520
Speaker 1: Country Festival, which is an Austin, Texas massive It's Toby Keith,

2271
01:55:33,600 --> 01:55:36,360
Speaker 1: Jaco and but Eddie and I our band is playing.

2272
01:55:36,360 --> 01:55:39,240
Speaker 1: It's the Raging Idiots, and it's twenty thousand people. We

2273
01:55:39,280 --> 01:55:41,520
Speaker 1: are inviting you to come down and perform with us

2274
01:55:41,760 --> 01:55:44,720
Speaker 1: to twenty thousand people in the mont Josh in the arena, play,

2275
01:55:44,760 --> 01:55:48,040
Speaker 1: I'll play guitar for hr, I'll pick I'll pick hip.

2276
01:55:48,120 --> 01:55:52,440
Speaker 1: On the tour bus only, he says, So you can

2277
01:55:52,440 --> 01:55:55,440
Speaker 1: pick whatever song you you know, we can do neon Moon,

2278
01:55:55,560 --> 01:55:57,680
Speaker 1: we can do she Won't be Lonely. We can do that,

2279
01:55:57,680 --> 01:55:59,680
Speaker 1: ain't my truck. Whatever. You don't have to commit to

2280
01:55:59,680 --> 01:56:02,360
Speaker 1: it now, but we have, you know, like a fifteen

2281
01:56:02,400 --> 01:56:04,880
Speaker 1: minute set, as does everybody that night. And if you'd

2282
01:56:04,880 --> 01:56:06,640
Speaker 1: like to come and perform twenty thousand people, we'd love

2283
01:56:06,680 --> 01:56:08,080
Speaker 1: to have you come hop on stage with us. I'm

2284
01:56:08,120 --> 01:56:13,760
Speaker 1: committing now, all right, Josh Woods, thank you, thank you.

2285
01:56:14,080 --> 01:56:15,800
Speaker 1: It's been awesome. Yea. And the way you see she

2286
01:56:15,800 --> 01:56:17,640
Speaker 1: won't with Lonely Longest, I'm no brainer you should do

2287
01:56:17,680 --> 01:56:20,680
Speaker 1: that one definitely. Well, you can't change your mind now,

2288
01:56:20,760 --> 01:56:24,920
Speaker 1: I mean I just told you. Okay, So this is

2289
01:56:24,960 --> 01:56:28,880
Speaker 1: where we are now. I got a couple things to say, Josh, congratulations.

2290
01:56:28,920 --> 01:56:31,800
Speaker 1: Thanks you killed it today. You're killing them on TikTok

2291
01:56:32,080 --> 01:56:35,760
Speaker 1: in October thirtieth. We're gonna listen, if airplanes work, we'll

2292
01:56:35,800 --> 01:56:37,360
Speaker 1: fly you down there. If not, you may have to try,

2293
01:56:37,400 --> 01:56:39,080
Speaker 1: but we'll fly. You'll put you in a hotel, we'll

2294
01:56:39,120 --> 01:56:40,600
Speaker 1: do the whole, take care of the whole Austin trip

2295
01:56:40,680 --> 01:56:42,840
Speaker 1: for you. Okay. Then you're gonna come out and you're

2296
01:56:42,840 --> 01:56:45,400
Speaker 1: gonna sing in front of twenty thousand people. Oh my gosh,

2297
01:56:45,480 --> 01:56:51,000
Speaker 1: what is your life going to think? Uh that exact word. Uh,

2298
01:56:51,120 --> 01:56:54,080
Speaker 1: it's I don't know, I don't this is this is insane.

2299
01:56:54,520 --> 01:56:57,240
Speaker 1: I mean I've I've done gigs and you know, at

2300
01:56:57,360 --> 01:56:59,560
Speaker 1: state fairs and stuff like that, and I've opened up

2301
01:56:59,560 --> 01:57:02,640
Speaker 1: for Keith Anderson before, but nothing like this. This is

2302
01:57:02,680 --> 01:57:05,080
Speaker 1: what happens when you had talent and a great talent

2303
01:57:05,120 --> 01:57:09,320
Speaker 1: recognize it's your talent. I appreciate everything you guys are

2304
01:57:09,320 --> 01:57:12,360
Speaker 1: doing for me. I mean I literally could cry right now.

2305
01:57:12,800 --> 01:57:16,360
Speaker 1: We'll wait ahead, Yeah, we love don't cry. We'll send

2306
01:57:16,360 --> 01:57:19,839
Speaker 1: in Trey Jakins if you do that. And Clay Walker.

2307
01:57:20,200 --> 01:57:23,440
Speaker 1: As always, you are whatever we ask you come and do.

2308
01:57:23,520 --> 01:57:25,720
Speaker 1: And we're just so we're all fans. We're all just

2309
01:57:25,800 --> 01:57:27,840
Speaker 1: grateful that you'll come and help us out with a

2310
01:57:27,840 --> 01:57:29,640
Speaker 1: guy like Josh. What I would like to ask of

2311
01:57:29,720 --> 01:57:33,800
Speaker 1: you is we do our Saint jewde Radio Thon in December.

2312
01:57:34,000 --> 01:57:35,440
Speaker 1: I know we talked about your new song coming out

2313
01:57:35,440 --> 01:57:37,240
Speaker 1: in December two, but would you come back and play

2314
01:57:37,280 --> 01:57:40,280
Speaker 1: for the Saint Jewed Radio Thon in December? Absolutely? What

2315
01:57:40,440 --> 01:57:42,120
Speaker 1: and Bobby By the way, I'm a huge fan of

2316
01:57:42,160 --> 01:57:44,440
Speaker 1: yours and of course you cut your teeth in Austin

2317
01:57:44,520 --> 01:57:46,520
Speaker 1: and it's good to see you going back there and

2318
01:57:46,560 --> 01:57:49,840
Speaker 1: giving back to that community. Just you're great, great talent

2319
01:57:49,920 --> 01:57:53,920
Speaker 1: and men. You keep everybody smiling and loving country music.

2320
01:57:54,560 --> 01:57:56,280
Speaker 1: I can't say enough good things about you. Oh we

2321
01:57:56,280 --> 01:57:59,080
Speaker 1: appreciate that. All right. Here they are Josh Woods and

2322
01:57:59,200 --> 01:58:04,480
Speaker 1: Clay Walker. Thank you guys. Great job, guys. It's the

2323
01:58:04,520 --> 01:58:09,920
Speaker 1: best bits of the week with Morgan number two. All right, y'all,

2324
01:58:09,920 --> 01:58:12,160
Speaker 1: that's it for this weekend. Abby, thank you so much

2325
01:58:12,200 --> 01:58:15,800
Speaker 1: bringing out with me. Thank you. It's got more juicy details,

2326
01:58:15,800 --> 01:58:18,480
Speaker 1: but also like life right, talked about life. I know.

2327
01:58:19,480 --> 01:58:22,600
Speaker 1: But you're doing okay, really, uh huh, yeah, we despite

2328
01:58:22,600 --> 01:58:25,960
Speaker 1: everything that's going on, you're okay. It's just a will

2329
01:58:26,000 --> 01:58:28,320
Speaker 1: health check right now. I know. It's just a lot

2330
01:58:28,400 --> 01:58:30,560
Speaker 1: because I'm like, it's just there's so much going on

2331
01:58:30,600 --> 01:58:32,960
Speaker 1: in a lot of different opinions that come at you

2332
01:58:33,000 --> 01:58:35,080
Speaker 1: and you have to like realize what's best for you

2333
01:58:35,120 --> 01:58:37,320
Speaker 1: in your life and just go with your gut. So

2334
01:58:37,440 --> 01:58:39,680
Speaker 1: that's what I'm doing. But yeah, everything's good. I'm so

2335
01:58:39,720 --> 01:58:41,760
Speaker 1: proud of you and you will get to the bottom

2336
01:58:41,800 --> 01:58:44,440
Speaker 1: of this and you will be okay. Whether you pursue

2337
01:58:44,440 --> 01:58:46,520
Speaker 1: it or whether you don't. I know, it'll all be good.

2338
01:58:47,360 --> 01:58:49,080
Speaker 1: It'll work out. Tell them where they can find you

2339
01:58:49,160 --> 01:58:52,720
Speaker 1: on social media. On Instagram, I'm Abby dot Anderson one

2340
01:58:52,880 --> 01:58:56,800
Speaker 1: underscore the worst I on it every time. Let's come

2341
01:58:56,840 --> 01:58:58,280
Speaker 1: up with a better We'll figure that one out and

2342
01:58:58,320 --> 01:59:00,680
Speaker 1: then um Twitter, I never change. You should sing an

2343
01:59:00,680 --> 01:59:03,160
Speaker 1: Abby alright. You can find her there. You can find

2344
01:59:03,160 --> 01:59:05,800
Speaker 1: me at web girl Morgan all the things I'm tiktoking

2345
01:59:05,840 --> 01:59:09,160
Speaker 1: aways to definitely follow me on there. And the show

2346
01:59:09,280 --> 01:59:13,160
Speaker 1: is at Bobby Bones Show, Twitter, Facebook, Instagram, YouTube, our

2347
01:59:13,200 --> 01:59:15,640
Speaker 1: website Bobby Bones dot com. Go watch all of these things.

2348
01:59:15,640 --> 01:59:19,080
Speaker 1: The videos are twice as better. I'm telling you seriously,

2349
01:59:19,120 --> 01:59:21,200
Speaker 1: it's good content right there. All right, y'all, have a

2350
01:59:21,200 --> 01:59:25,800
Speaker 1: fabulous weekend. I love you, Bye, Bobby Bone, Bobby Bone

2351
01:59:25,880 --> 01:59:26,160
Speaker 1: Show