1 00:00:00,280 --> 00:00:03,200 Speaker 1: Hello the Internet, and welcome to Season two seventy two, 2 00:00:03,200 --> 00:00:07,640 Speaker 1: Episode three of dir Daily Guy production of I Heart Radio. 3 00:00:08,000 --> 00:00:10,680 Speaker 1: This is a podcast where we take a deep dive 4 00:00:10,760 --> 00:00:18,360 Speaker 1: into America's shared consciousness. Is Wednesday, January three m That is, 5 00:00:19,200 --> 00:00:23,920 Speaker 1: It's Burns Supper Day. It's about Robert Burns, the famous 6 00:00:23,920 --> 00:00:28,200 Speaker 1: Scottish poet. Get yours the lines are long there. You 7 00:00:28,600 --> 00:00:31,040 Speaker 1: also National Irish Coffee Day. We were just talking about 8 00:00:31,040 --> 00:00:33,279 Speaker 1: Irish pubs a second. It's also a National opposite Day, 9 00:00:33,360 --> 00:00:37,960 Speaker 1: National Library shelfy Day, and National floor today. But what's 10 00:00:37,960 --> 00:00:39,800 Speaker 1: a shelfy day? So you take a picture in the 11 00:00:39,800 --> 00:00:43,760 Speaker 1: stacks or something catch hell yeah, some collectors of books arrangers. 12 00:00:43,840 --> 00:00:45,800 Speaker 1: Oh so it's just taken. It says, look, if you're 13 00:00:45,800 --> 00:00:49,560 Speaker 1: a bibliophile, flex up on your shelf and take a picture. 14 00:00:49,640 --> 00:00:52,880 Speaker 1: Let people know you funk with books. Man, I really 15 00:00:53,440 --> 00:00:56,160 Speaker 1: I love the Irish coffee. We were just talking about, 16 00:00:56,360 --> 00:00:59,480 Speaker 1: you know, Irish pubs. We were talking about Andy cap 17 00:01:00,160 --> 00:01:09,360 Speaker 1: happy official like mainstream culture appreciation of functional alcoholism. Yes, 18 00:01:09,760 --> 00:01:14,640 Speaker 1: it's yeah, Irish coffee days. Great, yeah, functional according to 19 00:01:14,680 --> 00:01:18,880 Speaker 1: who's always the question, Let's see, it's uh just yeah, 20 00:01:19,000 --> 00:01:23,600 Speaker 1: get get yourself a strong cup of Irish coffee. They say, yeah, 21 00:01:23,880 --> 00:01:27,440 Speaker 1: that's that's when you put whisky and coffee, right. Oh yeah, 22 00:01:27,959 --> 00:01:30,960 Speaker 1: Liam Neeson style we called I think we just call 23 00:01:31,040 --> 00:01:35,199 Speaker 1: it a Nissan now Anson. Yeah. Nice. Anyways, my name's 24 00:01:35,280 --> 00:01:39,440 Speaker 1: Jack O'Brien, a K. Potatoes O'Brien, a K pretty Chez o'breedy, 25 00:01:40,520 --> 00:01:42,600 Speaker 1: and I'm thrilled to be joined as always by my 26 00:01:42,720 --> 00:01:50,280 Speaker 1: co host, Mr Miles Graun. I'm wearing champions my friends 27 00:01:51,640 --> 00:02:01,600 Speaker 1: and they are supporting my rear and I'm where ring champion. 28 00:02:02,560 --> 00:02:11,120 Speaker 1: I'm'm wear ring champpions. No time for loomers because I'm 29 00:02:11,240 --> 00:02:18,080 Speaker 1: wearing campions. Thrank on the Bard. Alright, shout out to 30 00:02:18,200 --> 00:02:20,880 Speaker 1: c w tv O on the discord. You heard our 31 00:02:20,960 --> 00:02:23,240 Speaker 1: confusion on the trending episode where I forgot my name 32 00:02:23,280 --> 00:02:25,080 Speaker 1: and I had to look at my underwear and turns 33 00:02:25,120 --> 00:02:28,679 Speaker 1: out my name's Champion name Miss Champion anyway, So thank 34 00:02:28,680 --> 00:02:31,240 Speaker 1: you that. I love that. All of that great a kay, 35 00:02:31,639 --> 00:02:35,640 Speaker 1: and we're thrilled to be joined once again by a 36 00:02:35,720 --> 00:02:39,320 Speaker 1: writer who's one of the best podcast hosts EPs doing it. 37 00:02:39,680 --> 00:02:41,280 Speaker 1: You know, I'm from stuff they don't want you to know. 38 00:02:41,440 --> 00:02:44,640 Speaker 1: Ridiculous History. The new limited series let's start a coup. 39 00:02:45,040 --> 00:02:52,120 Speaker 1: Please welcome Ben Bowling. Oh my gosh, back again. Uh, 40 00:02:52,280 --> 00:02:55,359 Speaker 1: Happy New Year, guys. We haven't talked in a minute. 41 00:02:55,880 --> 00:02:59,480 Speaker 1: I saw, I saw you had my colleagues Matt Frederick 42 00:02:59,520 --> 00:03:02,959 Speaker 1: and Nold round over at the very end of two. 43 00:03:03,040 --> 00:03:07,320 Speaker 1: How'd that go to be honest and not good? Yeah? Yeah, 44 00:03:07,639 --> 00:03:09,400 Speaker 1: it was a bit of a ship show. I think 45 00:03:09,720 --> 00:03:15,760 Speaker 1: we were like, we we expected some level of professionalism 46 00:03:15,840 --> 00:03:21,000 Speaker 1: based on Ben's appearances here, and man, I think I 47 00:03:21,000 --> 00:03:22,840 Speaker 1: don't know what was going on. I think Nol was 48 00:03:22,919 --> 00:03:25,040 Speaker 1: like I think he was like tuning a guitar. I 49 00:03:25,080 --> 00:03:26,880 Speaker 1: think he got a concert to go to. He was 50 00:03:26,919 --> 00:03:31,520 Speaker 1: just very distracted, very distracted, every busy. He's a busy guy. Also, 51 00:03:31,880 --> 00:03:35,320 Speaker 1: I I gotta say, you know, to the Zeit gang 52 00:03:35,440 --> 00:03:39,320 Speaker 1: at large, you guys know, I am a fan of 53 00:03:39,360 --> 00:03:42,040 Speaker 1: this show in a way that has made some of 54 00:03:42,080 --> 00:03:46,640 Speaker 1: our past interactions awkward. I want to shout, I want 55 00:03:46,640 --> 00:03:49,200 Speaker 1: to shout out. I want to shout out Old. Matt 56 00:03:49,280 --> 00:03:53,280 Speaker 1: Frederick's underrated. He said, you know, knowing how to do 57 00:03:53,480 --> 00:03:59,120 Speaker 1: stuff in the dark without without you know, without without 58 00:03:59,880 --> 00:04:03,720 Speaker 1: the visual element. And I asked him about it, and 59 00:04:03,760 --> 00:04:06,120 Speaker 1: he was like, I don't know. I wonder if I 60 00:04:06,280 --> 00:04:11,520 Speaker 1: weird Miles and Jack out fucking way has he heard 61 00:04:11,560 --> 00:04:16,000 Speaker 1: this show the people we've had on before. Well, all 62 00:04:16,080 --> 00:04:19,479 Speaker 1: to say, I stand on the shoulders of giants. I'm 63 00:04:19,480 --> 00:04:23,960 Speaker 1: really happy to hear that is off to a good start. 64 00:04:24,080 --> 00:04:27,320 Speaker 1: You know. It's it's got the new car smell still absolutely, 65 00:04:27,360 --> 00:04:29,800 Speaker 1: which is actually a half drank Lacroix that you left 66 00:04:29,800 --> 00:04:32,719 Speaker 1: in the in the cup holder overnight, my bad. Yeah, 67 00:04:33,440 --> 00:04:35,640 Speaker 1: and his underrated actually made a huge impact on me, 68 00:04:35,680 --> 00:04:38,239 Speaker 1: which is why I've been doing the podcast ever since. 69 00:04:38,279 --> 00:04:43,760 Speaker 1: Blindfolded just you know, heightened my senses. Just I feel 70 00:04:43,760 --> 00:04:47,320 Speaker 1: like it adds something, Yeah, just a extra layer of 71 00:04:47,320 --> 00:04:49,880 Speaker 1: complexity in the edit, because half the time he's like, yeah, 72 00:04:49,920 --> 00:04:52,920 Speaker 1: I'm recording, but he has a blindfold on, and they're like, yho, 73 00:04:53,680 --> 00:04:56,120 Speaker 1: just just put the blindfold on after you start recording. 74 00:04:56,200 --> 00:05:01,560 Speaker 1: All podcasters are daredevil, That's right, Yeah, a d All 75 00:05:01,640 --> 00:05:09,880 Speaker 1: podcasters are daredevil. A pad includes includes me. All right, Well, Ben, 76 00:05:11,320 --> 00:05:12,960 Speaker 1: gonna get to know you a little bit better in 77 00:05:13,000 --> 00:05:16,119 Speaker 1: a moment. First, we're gonna tell our listeners a couple 78 00:05:16,160 --> 00:05:19,560 Speaker 1: of things we're talking about today. We're talking about the 79 00:05:19,600 --> 00:05:25,400 Speaker 1: doomsday clock now, ninety seconds from midnight, which means nothing. 80 00:05:25,920 --> 00:05:30,480 Speaker 1: We're now approaching midnight. What does it mean? Well, we'll 81 00:05:30,480 --> 00:05:32,279 Speaker 1: talk about what it. I mean. It doesn't mean like 82 00:05:32,360 --> 00:05:36,240 Speaker 1: absolutely nothing. It means that a group of scientists think 83 00:05:36,320 --> 00:05:41,760 Speaker 1: that it's advantageous for the purposes of messaging of the 84 00:05:42,120 --> 00:05:46,719 Speaker 1: around the problems of nuclear proliferation in particular. But I 85 00:05:46,760 --> 00:05:50,920 Speaker 1: don't know, it doesn't seem super scientific. So well, we'll 86 00:05:50,920 --> 00:05:55,000 Speaker 1: talk about what it means. Check in. We know we're screwed, okay, 87 00:05:56,279 --> 00:06:01,400 Speaker 1: finding for so many reasons. We're gonna talk about George Santos, 88 00:06:01,440 --> 00:06:07,360 Speaker 1: who was on Hannah Montana was also uh assassinated, almost assassinated, 89 00:06:07,400 --> 00:06:09,880 Speaker 1: but fought it off in like a really sick way 90 00:06:09,920 --> 00:06:13,400 Speaker 1: with actually like a proprietary version of kung food that 91 00:06:13,480 --> 00:06:16,800 Speaker 1: you guys actually don't know about. So yeah you might, yeah, 92 00:06:16,560 --> 00:06:21,240 Speaker 1: uh Santos mcgawa Santos. Someone might look like he's just 93 00:06:21,279 --> 00:06:24,280 Speaker 1: like stumbling around or whatever, but what he's doing is 94 00:06:24,360 --> 00:06:29,040 Speaker 1: actually like what other Black Belts call like impossible and 95 00:06:29,080 --> 00:06:32,839 Speaker 1: a miracle of he he learned from Steven Seagal, I 96 00:06:32,880 --> 00:06:36,320 Speaker 1: believe was his sense a in terms of like their 97 00:06:36,320 --> 00:06:40,040 Speaker 1: main thing is transparency and truthfulness. Except when it comes 98 00:06:40,040 --> 00:06:43,400 Speaker 1: to your balding and then you you painted on thick 99 00:06:43,480 --> 00:06:46,360 Speaker 1: and sweat it out in your movies. Oh my god. Uh, 100 00:06:46,440 --> 00:06:50,039 Speaker 1: the Oscar Nams came out. We're gonna talk about snubs, baby, 101 00:06:50,279 --> 00:06:52,800 Speaker 1: We're gonna talk about what we're glad to see on 102 00:06:52,920 --> 00:06:57,240 Speaker 1: There Are Are Are was snubbed in every category apart 103 00:06:57,279 --> 00:07:00,680 Speaker 1: for best apart from Best Original Song. So that's the 104 00:07:00,680 --> 00:07:03,839 Speaker 1: one I care about. The other headline you're gonna see 105 00:07:03,880 --> 00:07:08,000 Speaker 1: a lot is that the Razzies are out, and we're 106 00:07:08,000 --> 00:07:11,560 Speaker 1: gonna actually take a look at the Razzies because it 107 00:07:11,800 --> 00:07:16,840 Speaker 1: is just it's shocking. Like you we were talking about 108 00:07:16,840 --> 00:07:22,400 Speaker 1: how the Doomsday clock is not super rigorous. The Razzies 109 00:07:22,520 --> 00:07:26,120 Speaker 1: is basically like a club you can join for you know, 110 00:07:26,200 --> 00:07:32,160 Speaker 1: forty dollars and there's just nothing there. It's it's absolutely nothing. 111 00:07:32,200 --> 00:07:35,480 Speaker 1: The voting is just anyone who wants to pay them 112 00:07:35,520 --> 00:07:39,000 Speaker 1: forty dollars. Essentially, it's a it's a pyramid scheme. So 113 00:07:39,040 --> 00:07:41,800 Speaker 1: we'll talk about that plenty more. But first, Ben Bowling, 114 00:07:42,000 --> 00:07:45,360 Speaker 1: we do like to ask our guests, what is something 115 00:07:45,400 --> 00:07:49,760 Speaker 1: from your search history? I got to, I got to. 116 00:07:49,880 --> 00:07:53,440 Speaker 1: I'll just squeeze them in real quick one, Smedley Butler. 117 00:07:53,600 --> 00:07:56,640 Speaker 1: Everybody looked that up. I know, it's a dumb sounding 118 00:07:56,760 --> 00:08:03,400 Speaker 1: name and the guy names of yeah, you're having Smedley Butler, 119 00:08:03,440 --> 00:08:07,280 Speaker 1: who was like secretly one of the most important historical figures, 120 00:08:07,440 --> 00:08:10,680 Speaker 1: and we just like let that go. Well, he's got 121 00:08:10,680 --> 00:08:13,640 Speaker 1: a shitty name. I mean, that's just the real in 122 00:08:13,680 --> 00:08:22,320 Speaker 1: my opinion, Are you kidding? Sounds like yeah, exactly. Imagine like, 123 00:08:22,640 --> 00:08:25,480 Speaker 1: so where should this story have got, Like it's the 124 00:08:25,480 --> 00:08:29,400 Speaker 1: subject of your let's do a coup? Is that let's 125 00:08:29,400 --> 00:08:31,680 Speaker 1: start let's let's start a cou So back in then 126 00:08:32,600 --> 00:08:37,319 Speaker 1: is promoting what's that thing again? The well yeah, but 127 00:08:37,440 --> 00:08:40,720 Speaker 1: the business plot, right, yes, sir, Yeah, Just so back 128 00:08:40,760 --> 00:08:45,080 Speaker 1: in the nineteen thirties, there were a bunch of well 129 00:08:45,640 --> 00:08:49,880 Speaker 1: life absolutely sucked for most people in the US, and 130 00:08:50,280 --> 00:08:53,360 Speaker 1: there were a few people who were doing well and 131 00:08:53,520 --> 00:08:56,040 Speaker 1: they ran a lot of banks and uh, a lot 132 00:08:56,120 --> 00:09:00,559 Speaker 1: of munitions companies like Remington Arms and were it was 133 00:09:00,600 --> 00:09:06,520 Speaker 1: a different times. It was a different time backers and uh, 134 00:09:06,559 --> 00:09:10,120 Speaker 1: you know, weapons magnates were able to get much wealthier 135 00:09:10,120 --> 00:09:12,120 Speaker 1: than the rest of them. Now, it may be difficult 136 00:09:12,160 --> 00:09:16,320 Speaker 1: to picture here in tree, but there's this one guy 137 00:09:16,679 --> 00:09:19,600 Speaker 1: it was just h he's a hard ass. Uh, he's 138 00:09:19,640 --> 00:09:24,120 Speaker 1: a marine, he's an absolute pill. He's honestly a real 139 00:09:24,120 --> 00:09:28,080 Speaker 1: piece of shit. But but he had some boundaries and 140 00:09:28,160 --> 00:09:32,280 Speaker 1: these uh, this cabole of very wealthy people, titans of industry, 141 00:09:32,520 --> 00:09:35,199 Speaker 1: come to this guy and they say, I don't know 142 00:09:35,320 --> 00:09:40,600 Speaker 1: this Roosevelt thing. You know this this new deal, Yeah, 143 00:09:40,720 --> 00:09:44,200 Speaker 1: it's very red to me. And uh, we want you 144 00:09:44,320 --> 00:09:47,280 Speaker 1: to lead an army to put the nation on the 145 00:09:47,400 --> 00:09:52,320 Speaker 1: right track. And this guy, uh, this guy essentially says, nah, 146 00:09:52,760 --> 00:09:56,360 Speaker 1: I ain't get his bullshit. And uh there's a congressional 147 00:09:56,400 --> 00:09:59,040 Speaker 1: hearing about it in the thirties and it's covered up, 148 00:09:59,520 --> 00:10:03,600 Speaker 1: and uh, it's a wild ride. And oh, buddy, how 149 00:10:03,720 --> 00:10:07,840 Speaker 1: history repeats. That's that's the search history, and history repeats 150 00:10:07,880 --> 00:10:10,760 Speaker 1: if they if they bury the ship out of the story, 151 00:10:11,120 --> 00:10:14,400 Speaker 1: and like, don't tell you that like the titans of industry, 152 00:10:14,480 --> 00:10:17,600 Speaker 1: the same people who still run our country once tried 153 00:10:17,640 --> 00:10:21,600 Speaker 1: to have like a fucking military coup like and like 154 00:10:21,720 --> 00:10:25,880 Speaker 1: become a fascist nation, like be like jump on the 155 00:10:26,000 --> 00:10:29,640 Speaker 1: Nazi bandwagon. Essentially around the same time that that was 156 00:10:29,679 --> 00:10:32,000 Speaker 1: becoming a thing. Damn it, Jack, where were you? You 157 00:10:32,040 --> 00:10:35,000 Speaker 1: should have written the press release for the show that 158 00:10:35,120 --> 00:10:40,000 Speaker 1: was pretty now, but the show. I'm excited to listen 159 00:10:40,040 --> 00:10:42,679 Speaker 1: to the show. I I devour everything I can about 160 00:10:43,080 --> 00:10:47,160 Speaker 1: about the business plot, the other search history thing. Let's 161 00:10:47,240 --> 00:10:51,160 Speaker 1: see if I can say it correctly and throw an 162 00:10:51,240 --> 00:10:58,080 Speaker 1: throw podermic biblio Peggy books bound in human skin? Yeah sorry, wait, 163 00:10:58,080 --> 00:11:02,560 Speaker 1: hey what? Yeah? You know, Miles, I'm telling you it's 164 00:11:02,559 --> 00:11:10,400 Speaker 1: a whole thing, you collect. What the fun? You're describe 165 00:11:10,440 --> 00:11:13,760 Speaker 1: a book bound in humans like a skin book? This 166 00:11:13,920 --> 00:11:19,680 Speaker 1: is a specific term for it this language. Man leather. Yes, yes, 167 00:11:20,000 --> 00:11:26,280 Speaker 1: just so people are crafted in the finest man leather, leather. 168 00:11:26,360 --> 00:11:29,200 Speaker 1: You would love to see it? What we hold on? Okay? 169 00:11:29,720 --> 00:11:32,400 Speaker 1: Where what the funk? I just wanted to find out 170 00:11:32,559 --> 00:11:35,120 Speaker 1: it was real. I was you guys know, when I'm 171 00:11:35,120 --> 00:11:37,880 Speaker 1: not hanging out with the swells here on t d Z, 172 00:11:38,200 --> 00:11:42,520 Speaker 1: I'm yeah, I'm involved in all these kind of things. 173 00:11:42,600 --> 00:11:46,120 Speaker 1: Yeah so so, I uh, I wanted to find out, 174 00:11:46,240 --> 00:11:49,480 Speaker 1: for an unrelated thing, whether or not there were any 175 00:11:49,679 --> 00:11:56,400 Speaker 1: books actually bound in humans flesh, and I uh, I 176 00:11:56,480 --> 00:11:59,920 Speaker 1: found that this question is so common that there's a stupid, 177 00:12:00,120 --> 00:12:04,400 Speaker 1: fancy phrase for it in this language. I've got I've 178 00:12:04,440 --> 00:12:06,960 Speaker 1: got to imagine like this feels like the thing that 179 00:12:07,000 --> 00:12:11,600 Speaker 1: the German language would have a single word for the 180 00:12:11,640 --> 00:12:16,040 Speaker 1: English language going like having the two word phrase built out, 181 00:12:16,160 --> 00:12:20,000 Speaker 1: creaking it up like that. You know why, Well I didn't. 182 00:12:20,040 --> 00:12:21,920 Speaker 1: Oh my god. There's like one that said a book 183 00:12:21,960 --> 00:12:24,600 Speaker 1: bound in the skin of the murderer William Burke on 184 00:12:24,720 --> 00:12:27,800 Speaker 1: display Surgeons Home Museum in Edinburgh. What yeah, and the 185 00:12:27,840 --> 00:12:32,600 Speaker 1: Scottish Museum. Yeah. Yeah, like a super fun at part easy. 186 00:12:32,840 --> 00:12:35,960 Speaker 1: That is so fucking weird because like in this Wikipedia 187 00:12:36,040 --> 00:12:38,160 Speaker 1: article they said, like there have been like an analysis 188 00:12:38,200 --> 00:12:40,240 Speaker 1: of books that were believed to be bound in human skin. 189 00:12:40,320 --> 00:12:43,040 Speaker 1: They said, of the thirty one out of fifty books, 190 00:12:43,480 --> 00:12:48,000 Speaker 1: eighteen have been confirmed as human an animal leather, which 191 00:12:48,040 --> 00:12:52,000 Speaker 1: is still gross, Yeah, would you do that? But also 192 00:12:52,080 --> 00:12:54,120 Speaker 1: like to know that you could also if like someone 193 00:12:54,200 --> 00:12:57,080 Speaker 1: was really like, yo, that's that skin, right, and you're like, yeah, 194 00:12:57,480 --> 00:13:00,640 Speaker 1: Like the leather still also kind of is the eye 195 00:13:00,679 --> 00:13:02,120 Speaker 1: test to the point that they had to like go 196 00:13:02,280 --> 00:13:05,000 Speaker 1: deeper to analyze it, which also freaks me the funk 197 00:13:05,000 --> 00:13:08,280 Speaker 1: out great. I can letly imagine what kind of fucked 198 00:13:08,320 --> 00:13:10,719 Speaker 1: up I should have saved that one for when I'm 199 00:13:10,720 --> 00:13:14,600 Speaker 1: back in October or something. But yeah, weird stuff. So 200 00:13:14,800 --> 00:13:18,200 Speaker 1: my search history is screwed up. It's the equivalent of 201 00:13:18,320 --> 00:13:22,480 Speaker 1: a face tattoo. That's that's what that's that's what face 202 00:13:22,520 --> 00:13:25,600 Speaker 1: tattoos are in again. Are they back? Yeah, they're back. 203 00:13:26,360 --> 00:13:28,080 Speaker 1: It's a day to day thing. It's a little bit 204 00:13:28,120 --> 00:13:30,160 Speaker 1: like the doomsday clock. You just gotta like kind of 205 00:13:30,240 --> 00:13:33,280 Speaker 1: keep it, keep track of. I can't wait to talk 206 00:13:33,320 --> 00:13:36,000 Speaker 1: about that. Was waiting to jump into that double double 207 00:13:36,080 --> 00:13:40,000 Speaker 1: dutch style into the face tattoo game. Hold on this. 208 00:13:40,280 --> 00:13:42,400 Speaker 1: There's a there's a story about this guy who who 209 00:13:42,480 --> 00:13:44,480 Speaker 1: was like I guess gonna be like he had made 210 00:13:44,480 --> 00:13:47,600 Speaker 1: a deathbed confession in prison and like wanted this book 211 00:13:47,640 --> 00:13:50,040 Speaker 1: made and he said, I want my own skin to 212 00:13:50,080 --> 00:13:52,640 Speaker 1: be presented to a man like that. He once tried 213 00:13:52,679 --> 00:13:55,160 Speaker 1: to rob and admired for his bravery and the other 214 00:13:55,200 --> 00:13:57,280 Speaker 1: to his doctor, and then when he died, they took 215 00:13:57,320 --> 00:14:01,760 Speaker 1: his whole back off to make the book. Jesus, wow, 216 00:14:01,800 --> 00:14:05,959 Speaker 1: that's so yeah. Sorry, I know I threw us for 217 00:14:06,080 --> 00:14:09,120 Speaker 1: a loop. I know then. I know. The mind like 218 00:14:09,240 --> 00:14:11,760 Speaker 1: fires off in weird ways as you're about to die. 219 00:14:11,880 --> 00:14:14,520 Speaker 1: But like the the people who are listening to that 220 00:14:14,600 --> 00:14:17,760 Speaker 1: and being like uh huh yeah, and then I actually 221 00:14:17,760 --> 00:14:22,440 Speaker 1: go through flip them over fresh, take it to the tannery. 222 00:14:22,880 --> 00:14:28,000 Speaker 1: All right, you heard, Yeah, that's the new face tattoo. 223 00:14:28,240 --> 00:14:32,760 Speaker 1: You know what I mean? What's what's something you think? Calendars? 224 00:14:33,160 --> 00:14:38,520 Speaker 1: Calendars jack? Uh, It's one of the most ancient technologies 225 00:14:38,600 --> 00:14:44,320 Speaker 1: of the human species. It's cartoonishly arbitrary. It's a loadable shit, 226 00:14:44,640 --> 00:14:48,320 Speaker 1: you know, and uh, everybody just sort of goes along 227 00:14:48,400 --> 00:14:50,880 Speaker 1: with it because we all have to be on the 228 00:14:50,920 --> 00:14:54,400 Speaker 1: same page about how you know, there's a Tuesday and 229 00:14:54,440 --> 00:14:56,920 Speaker 1: then there's a Wednesday, and that's today, and then there's 230 00:14:56,920 --> 00:14:59,720 Speaker 1: a tomorrow, and we can all agree it's Thursday and 231 00:15:00,080 --> 00:15:05,440 Speaker 1: take the longer view, and you realize that people in 232 00:15:05,480 --> 00:15:08,920 Speaker 1: the past, who we're not stupid, there were no different 233 00:15:09,080 --> 00:15:12,520 Speaker 1: from the average person today. They were working with the 234 00:15:12,560 --> 00:15:17,880 Speaker 1: information they had, and they were oftentimes, uh motivated by 235 00:15:17,960 --> 00:15:22,560 Speaker 1: ideology rather than mathematics. So now we have all this 236 00:15:22,760 --> 00:15:26,720 Speaker 1: kind of weird bullshit. I gotta I gotta remember the 237 00:15:26,880 --> 00:15:31,120 Speaker 1: leap day birthdays. I gotta I gotta somehow like explain 238 00:15:31,280 --> 00:15:36,920 Speaker 1: to a kid that there are twelve things we call months, 239 00:15:37,000 --> 00:15:39,200 Speaker 1: and you know you're gonna run into a lot of 240 00:15:39,200 --> 00:15:43,160 Speaker 1: people in the wild, who are gonna ascribe a personality 241 00:15:43,200 --> 00:15:46,960 Speaker 1: to you because your parents banged like nine months before that. 242 00:15:47,040 --> 00:15:50,960 Speaker 1: That's nuts. It's nuts. Everybody accepts it. You guys know. 243 00:15:51,080 --> 00:15:58,040 Speaker 1: I don't like to say things are overrated, but the calendars, Yeah, 244 00:15:58,040 --> 00:16:00,720 Speaker 1: that's a big say. So what's the Yeah, I'm not 245 00:16:00,960 --> 00:16:03,320 Speaker 1: I'm gonna be a shark. If I was on Shark Tank, 246 00:16:03,360 --> 00:16:07,000 Speaker 1: I'd say then I'm sorry, I'm out on this one. Oh, 247 00:16:07,120 --> 00:16:10,200 Speaker 1: you're you're calendar gonna be Mark Cuban. I'm going to 248 00:16:10,280 --> 00:16:13,320 Speaker 1: be Mark Cuban and entertainer. Bad idea, and go, well, 249 00:16:13,360 --> 00:16:15,240 Speaker 1: hold on, not tell me what what's what's like The 250 00:16:15,280 --> 00:16:17,960 Speaker 1: more math centric argument for account like is you're saying, 251 00:16:18,080 --> 00:16:21,680 Speaker 1: because of like our you know, pagan and religious calendars 252 00:16:21,680 --> 00:16:23,600 Speaker 1: that we've had to like mash up over the centuries, 253 00:16:23,920 --> 00:16:26,480 Speaker 1: is there like, is there like a like a scientific 254 00:16:26,560 --> 00:16:28,640 Speaker 1: calendar that people are like, to be honest, we should 255 00:16:28,640 --> 00:16:31,240 Speaker 1: be doing we should be measuring time like this. It's 256 00:16:31,320 --> 00:16:35,840 Speaker 1: just not convenient. That's the problem. Miles. Like, the the 257 00:16:35,880 --> 00:16:40,760 Speaker 1: current calindrical system, right, the dominant one is the Gregorian calendar, 258 00:16:41,160 --> 00:16:45,240 Speaker 1: and the older calendars are the older calendar is worth 259 00:16:45,280 --> 00:16:48,400 Speaker 1: respecting are things like the lunar calendar, right, that's a 260 00:16:48,440 --> 00:16:52,800 Speaker 1: measurable thing that people could see. Uh, the Julian calendar 261 00:16:52,880 --> 00:16:56,360 Speaker 1: and the Gregorian calendar when they're all beefed up, they 262 00:16:56,400 --> 00:16:58,880 Speaker 1: caused a lot of problems. You know. I think it 263 00:16:58,920 --> 00:17:03,160 Speaker 1: wasn't until this seventeen hundreds or so that the monarchy 264 00:17:03,240 --> 00:17:06,280 Speaker 1: of the United Kingdom was like, Okay, we gotta get 265 00:17:06,359 --> 00:17:10,480 Speaker 1: with the new thing. So everybody, we're just gonna lose 266 00:17:10,520 --> 00:17:15,320 Speaker 1: eleven days. We're just gonna collectively fucking skip that week, 267 00:17:16,119 --> 00:17:19,199 Speaker 1: and everyone be cool. So you're you're not out on 268 00:17:19,320 --> 00:17:23,440 Speaker 1: calendars in general, you're out on this calendar in particular. 269 00:17:24,119 --> 00:17:26,919 Speaker 1: I just think, you know, do better. I just like, 270 00:17:26,960 --> 00:17:30,399 Speaker 1: I like the anarchy of no calendars, no calendars, just 271 00:17:30,600 --> 00:17:36,920 Speaker 1: vibes in a couple of days. You're like, what's a man, 272 00:17:37,160 --> 00:17:40,200 Speaker 1: I'll see in three vibes? Okay? Yeah, Like they were 273 00:17:40,280 --> 00:17:44,800 Speaker 1: more vague, they're like four score seven many moons. People 274 00:17:44,800 --> 00:17:49,200 Speaker 1: were just freestyling. Yeah at some Goldilocks moment, yea, yeah, 275 00:17:49,520 --> 00:17:52,520 Speaker 1: I mean there is interesting stuff about Like it was 276 00:17:52,560 --> 00:17:55,880 Speaker 1: really the advent of train travel that made it so 277 00:17:55,920 --> 00:17:58,199 Speaker 1: that we had to all agree on what time it was, 278 00:17:58,359 --> 00:18:00,520 Speaker 1: and before that it was just like people kind of 279 00:18:00,520 --> 00:18:04,280 Speaker 1: showed up when they could, right at the second light 280 00:18:04,560 --> 00:18:09,200 Speaker 1: of February and like that all sounds like very poetic, 281 00:18:09,200 --> 00:18:10,920 Speaker 1: but then you realize they're just like trying to keep 282 00:18:10,920 --> 00:18:14,960 Speaker 1: it intentionally vague, like like back then even then, they 283 00:18:14,960 --> 00:18:17,640 Speaker 1: were like, what the fund does that mean? Bro? I'm 284 00:18:17,720 --> 00:18:22,520 Speaker 1: on the way, Okay, I'll be there at some point. 285 00:18:22,920 --> 00:18:26,200 Speaker 1: I'm in a fucking carriage being pulled by horses right now, 286 00:18:26,200 --> 00:18:30,439 Speaker 1: I don't know. There's no night man, I'm like, what 287 00:18:30,640 --> 00:18:35,119 Speaker 1: do you want me to ask the horse? Yeah? I 288 00:18:35,160 --> 00:18:37,359 Speaker 1: also like that in this version, the person who's traveling 289 00:18:38,400 --> 00:18:43,600 Speaker 1: instant communication. Oh, they're just sending like, uh, they're sending 290 00:18:43,640 --> 00:18:49,800 Speaker 1: a cavalcade of messenger crows, you know, like and additionally, 291 00:18:50,520 --> 00:18:54,520 Speaker 1: just the sickest with smoke signals in the world anyway. 292 00:18:54,600 --> 00:18:58,160 Speaker 1: Calendars overrated Calendars all right, dude, it remains to be seen. 293 00:18:58,600 --> 00:19:03,160 Speaker 1: I'm I'm back in on the idea of evaluating our 294 00:19:03,320 --> 00:19:07,000 Speaker 1: current clindrical system. I think we need some calendar, ben. 295 00:19:07,280 --> 00:19:10,480 Speaker 1: That's That's where I'm at. I'm willing to like, if 296 00:19:10,480 --> 00:19:12,639 Speaker 1: there's another way to do it. I'm open. I'm not 297 00:19:12,680 --> 00:19:14,520 Speaker 1: saying we should do it. But I want to hear that. 298 00:19:14,720 --> 00:19:18,360 Speaker 1: I want to hear that out loud, described you know, yeah, yeah, 299 00:19:18,400 --> 00:19:20,719 Speaker 1: I don't have the answers. That's why I don't like 300 00:19:20,800 --> 00:19:23,600 Speaker 1: saying stuff is overrated, because I feel like I'm just 301 00:19:23,640 --> 00:19:27,280 Speaker 1: bringing you guys problems, you know what I mean. Now 302 00:19:27,440 --> 00:19:30,280 Speaker 1: we have to solve, Ben, I mean, you bring us 303 00:19:30,359 --> 00:19:32,800 Speaker 1: the calendar ship, and now Miles and I have to 304 00:19:32,840 --> 00:19:38,440 Speaker 1: come up with a new system for organizing days Japtember alright, 305 00:19:38,520 --> 00:19:44,280 Speaker 1: Jack denvertober October. So we'll not do that one. Uh my, 306 00:19:44,280 --> 00:19:49,520 Speaker 1: my my, may my, my, lie my a lie whatever. 307 00:19:49,800 --> 00:19:53,600 Speaker 1: Look we got we have March to work with as well. Yeah, 308 00:19:53,840 --> 00:19:56,560 Speaker 1: right in with your you know, your alternatives to the 309 00:19:56,560 --> 00:19:59,760 Speaker 1: clindrical system, Ben, what is something you think is underrated? 310 00:20:00,440 --> 00:20:05,840 Speaker 1: Oh uh? Specificity of the English language see above the 311 00:20:05,880 --> 00:20:10,560 Speaker 1: word clindrical. That comes pretty good. Actually, it's pretty good. 312 00:20:10,600 --> 00:20:13,720 Speaker 1: I like the specificity of it to the earlier statement 313 00:20:13,800 --> 00:20:17,840 Speaker 1: about the German language just cramming a bunch of shipped 314 00:20:17,880 --> 00:20:21,600 Speaker 1: together and saying, you know, that's that's just the thing. 315 00:20:21,760 --> 00:20:24,280 Speaker 1: I think we wrote about this like back it cracked 316 00:20:24,520 --> 00:20:27,920 Speaker 1: like just the wildest words that exist in foreign languages. 317 00:20:27,960 --> 00:20:29,920 Speaker 1: And I think one of them. I think it was 318 00:20:29,960 --> 00:20:32,400 Speaker 1: in German and it might have been in Russian, was 319 00:20:32,480 --> 00:20:37,720 Speaker 1: like a child like giving birth while standing in an alleyway, 320 00:20:38,080 --> 00:20:41,120 Speaker 1: like out of shame. There's a word for that. Yeah, 321 00:20:41,200 --> 00:20:44,840 Speaker 1: there's a word for that, like just like the process 322 00:20:44,880 --> 00:20:47,880 Speaker 1: of like it's not even laying down to give birth 323 00:20:47,920 --> 00:20:50,600 Speaker 1: because you don't want anyone to notice. How come no 324 00:20:50,680 --> 00:20:55,800 Speaker 1: one finistrates? How come falling out a window is defenestration. Yeah, 325 00:20:56,240 --> 00:20:59,480 Speaker 1: nobody always there for for when it happens. You know, 326 00:21:00,040 --> 00:21:02,800 Speaker 1: I just think it's I think it's funny. I feel like, 327 00:21:03,119 --> 00:21:06,600 Speaker 1: I guess, do not do not google German giving birth 328 00:21:06,640 --> 00:21:09,840 Speaker 1: in an alley way by standing up? Yeah, that's not 329 00:21:09,880 --> 00:21:11,760 Speaker 1: a way, you know. That's a good note. That's good. 330 00:21:12,080 --> 00:21:14,960 Speaker 1: I keep my safe search on because I google some 331 00:21:15,040 --> 00:21:17,800 Speaker 1: weird ships. Yeah. It's just between you and the n 332 00:21:17,880 --> 00:21:21,440 Speaker 1: S A Jack, that's right. So they're like, we got 333 00:21:21,560 --> 00:21:24,280 Speaker 1: he's completely off the end of the jfk assassination. We 334 00:21:24,359 --> 00:21:26,080 Speaker 1: got them all looking up the German words and we 335 00:21:26,200 --> 00:21:32,520 Speaker 1: just see in his brain they have their own doomsday 336 00:21:32,520 --> 00:21:34,960 Speaker 1: clocks for how close I am to the truth about 337 00:21:35,000 --> 00:21:39,200 Speaker 1: the jam second boy. Yeah, Oh, and there's a specific 338 00:21:39,280 --> 00:21:43,600 Speaker 1: word for it. It's like, uh, Jack chronologic, Helen Direk 339 00:21:43,840 --> 00:21:47,879 Speaker 1: is the demon. Yeah, thank yeah, yeah for sure. All right, 340 00:21:48,000 --> 00:21:50,920 Speaker 1: let's take a quick break. But just to that point though, 341 00:21:50,920 --> 00:21:53,240 Speaker 1: I'm sorry because Jack, you talk about a feature of 342 00:21:53,280 --> 00:21:56,360 Speaker 1: the German language which I think does have this specificity, 343 00:21:56,400 --> 00:21:58,120 Speaker 1: and I don't know, I feel like we don't have 344 00:21:58,240 --> 00:22:00,280 Speaker 1: a lot of specificity in the English languag It's like 345 00:22:00,359 --> 00:22:03,400 Speaker 1: we use a lot of words from other languages sometimes 346 00:22:03,400 --> 00:22:06,320 Speaker 1: to like encapsulate something, but we don't have like these 347 00:22:06,400 --> 00:22:09,200 Speaker 1: kind of like what we do. It's like mash up ship, 348 00:22:09,560 --> 00:22:12,119 Speaker 1: you know what I mean? You know, yeah, you know 349 00:22:12,119 --> 00:22:15,479 Speaker 1: the English language I feel like is we have we 350 00:22:15,560 --> 00:22:17,440 Speaker 1: have to use a lot of different words to get 351 00:22:17,440 --> 00:22:19,680 Speaker 1: it a concept. A lot of the time, the English 352 00:22:19,720 --> 00:22:23,400 Speaker 1: language is a bunch of people freestyle e for fucking 353 00:22:23,440 --> 00:22:27,520 Speaker 1: thousands of years and just going with stuff, you know. 354 00:22:27,760 --> 00:22:31,560 Speaker 1: Like so someone was like, like, imagine how weird it is. 355 00:22:31,720 --> 00:22:35,600 Speaker 1: You know, you're learning English. Sometimes you're close to something, 356 00:22:36,040 --> 00:22:40,439 Speaker 1: sometimes something's about to close that's fucking confusing, and no 357 00:22:40,480 --> 00:22:43,439 Speaker 1: one's gonna fix it. We're all just sort of vibe 358 00:22:43,480 --> 00:22:45,800 Speaker 1: and off that anyway. I love it. I feel like 359 00:22:45,880 --> 00:22:48,240 Speaker 1: I'm still learning this language. That is one of the 360 00:22:48,280 --> 00:22:51,200 Speaker 1: things that comes up constantly when you have a kid. 361 00:22:51,680 --> 00:22:57,520 Speaker 1: The calendar less so in my experience, but the spelling 362 00:22:57,720 --> 00:23:01,480 Speaker 1: and how completely fucking arbitrary it is, especially because like 363 00:23:01,520 --> 00:23:05,160 Speaker 1: my kids are also learning Spanish, and so Spanish just 364 00:23:05,320 --> 00:23:08,240 Speaker 1: follows rules, so it's just like, oh, yeah, that's how 365 00:23:08,280 --> 00:23:11,560 Speaker 1: you spell that, and then English is yeah, it just 366 00:23:11,600 --> 00:23:17,440 Speaker 1: seems before he excepted, like they seem to get distracted 367 00:23:17,520 --> 00:23:22,000 Speaker 1: like halfway through words sometimes. Okay, it's a real level 368 00:23:22,040 --> 00:23:24,720 Speaker 1: with you. English is a colonizer language where we steal 369 00:23:24,760 --> 00:23:26,760 Speaker 1: a bunch of other words from other people. That's why 370 00:23:26,760 --> 00:23:29,240 Speaker 1: the spellers all over the place, like shampoo is like 371 00:23:29,640 --> 00:23:31,919 Speaker 1: like from the Indian, like an Anglo India, like a 372 00:23:32,000 --> 00:23:36,000 Speaker 1: Hindi words from the Philippines. You know, like there's so 373 00:23:36,040 --> 00:23:37,880 Speaker 1: many things where it's like what does that means? Like, look, 374 00:23:38,080 --> 00:23:40,240 Speaker 1: we kinda once we got our boats up and round 375 00:23:40,280 --> 00:23:42,919 Speaker 1: and we just started jacking other people's words and idea 376 00:23:43,560 --> 00:23:47,040 Speaker 1: didn't didn't ever best people on it. I do wonder 377 00:23:47,280 --> 00:23:50,600 Speaker 1: like do other languages, like is there some sort of 378 00:23:50,640 --> 00:23:54,960 Speaker 1: like centralized body that is like that's fucking stupid. Like 379 00:23:54,960 --> 00:24:00,560 Speaker 1: another colonizer France has a national body to just keep 380 00:24:00,560 --> 00:24:03,960 Speaker 1: their ship buttoned up on language on the language front 381 00:24:04,560 --> 00:24:07,800 Speaker 1: in true story, Well, I don't know if it's interesting. 382 00:24:07,880 --> 00:24:10,760 Speaker 1: I don't speak French. I just walked around Paris, you know, 383 00:24:10,880 --> 00:24:14,680 Speaker 1: doing like a white over bite, you know, like yeah, 384 00:24:15,440 --> 00:24:18,080 Speaker 1: like I look like I say my os right, you know, 385 00:24:18,280 --> 00:24:21,800 Speaker 1: right right right there, you go, all right, let's take 386 00:24:21,840 --> 00:24:35,399 Speaker 1: a quick break. We'll be right back. And we're back, 387 00:24:35,760 --> 00:24:38,760 Speaker 1: and the doomsday clock is back. It's now ninety seconds 388 00:24:38,800 --> 00:24:43,280 Speaker 1: from midnight, which is the closest that's ever been set 389 00:24:43,320 --> 00:24:46,479 Speaker 1: to armageddon and its seventy six year history. I'm not 390 00:24:46,520 --> 00:24:50,000 Speaker 1: like here to say and just ignore this ship out 391 00:24:50,000 --> 00:24:53,200 Speaker 1: of this everyone, the people making these decisions are dumb 392 00:24:53,440 --> 00:24:55,720 Speaker 1: first of all, like yeas, it doesn't sound great or 393 00:24:55,800 --> 00:24:59,680 Speaker 1: horny for the Cold War, the I guess the we're 394 00:24:59,680 --> 00:25:05,359 Speaker 1: ad And of this comes from repentant Manhattan Project scientists. 395 00:25:07,520 --> 00:25:14,320 Speaker 1: Created by Manhattan Project scientists and set at seven minutes 396 00:25:14,920 --> 00:25:19,960 Speaker 1: until doomsday. The extremely scientific reason for that was because 397 00:25:20,000 --> 00:25:22,800 Speaker 1: the artist who designed it thought it looked good to 398 00:25:22,960 --> 00:25:28,720 Speaker 1: my eye. Wow, got it started at two pm? Bro? Yeah, yeah, 399 00:25:28,760 --> 00:25:30,960 Speaker 1: like good good A gaves the breathing room, you know. 400 00:25:31,040 --> 00:25:33,400 Speaker 1: But I guess the thing that it causes the invention 401 00:25:33,440 --> 00:25:36,040 Speaker 1: of a clock like this is obviously going to be 402 00:25:36,200 --> 00:25:39,280 Speaker 1: not not a moment where they're like, we might need 403 00:25:39,320 --> 00:25:42,879 Speaker 1: this eventually down the line, right, So they invented at 404 00:25:42,920 --> 00:25:44,840 Speaker 1: a time when they thought this is a problem, and 405 00:25:44,880 --> 00:25:48,400 Speaker 1: they were feeling bad for helping to invent a thing 406 00:25:48,680 --> 00:25:53,560 Speaker 1: that like turns people into shadows, No, burns their shadows 407 00:25:53,600 --> 00:25:56,560 Speaker 1: permanently into the ground, burns their shadows perfectly into the ground, 408 00:25:56,600 --> 00:26:00,119 Speaker 1: and yeah, evaporates the rest of them. So there are 409 00:26:00,160 --> 00:26:04,200 Speaker 1: their intentions are good, though it's it's not, as you said, 410 00:26:04,000 --> 00:26:09,840 Speaker 1: kind of vigorous, but they're they're saying, look out right, yeah, 411 00:26:10,080 --> 00:26:13,760 Speaker 1: look out for what we made there. And they also 412 00:26:14,040 --> 00:26:17,840 Speaker 1: like in line with the clock oppose, like they dropped 413 00:26:18,080 --> 00:26:23,879 Speaker 1: nuanced policies and like fixes, and it's just all ignored 414 00:26:24,080 --> 00:26:30,399 Speaker 1: except for the USA Today little colorful chart in the 415 00:26:30,440 --> 00:26:33,800 Speaker 1: corner that they did with the clock. It's like they 416 00:26:33,920 --> 00:26:39,720 Speaker 1: they've summed up the entire problem of nuclear proliferation to 417 00:26:40,160 --> 00:26:45,280 Speaker 1: a little US USA Today color pie chart. Everyone's just 418 00:26:45,320 --> 00:26:47,520 Speaker 1: paying attention to that, because of course they are, because 419 00:26:47,520 --> 00:26:53,200 Speaker 1: it was designed like it's perfectly shaped to just stick 420 00:26:53,280 --> 00:26:58,520 Speaker 1: in the American brain. Yeah. Also, I don't think it's 421 00:26:58,560 --> 00:27:02,159 Speaker 1: helping their k that like a wait, when you go 422 00:27:02,240 --> 00:27:06,840 Speaker 1: to these articles and you click through on like the 423 00:27:06,880 --> 00:27:11,240 Speaker 1: doomsday clock, you know, predictions and stuff like that takes 424 00:27:11,240 --> 00:27:15,600 Speaker 1: you to a website that is also selling a book 425 00:27:15,920 --> 00:27:19,240 Speaker 1: at the bottom that says the doomsday clock at seventy five. 426 00:27:19,640 --> 00:27:23,400 Speaker 1: All right, it's like a full color like coffee table book. 427 00:27:24,080 --> 00:27:29,879 Speaker 1: We're in TikTok category. Now, who has time to read? Well, 428 00:27:30,040 --> 00:27:32,679 Speaker 1: it's broken down into nice little it's like what the 429 00:27:32,720 --> 00:27:35,840 Speaker 1: page that I screen capped here does look like a 430 00:27:36,040 --> 00:27:40,399 Speaker 1: Instagram timeline or you know, like it's got all the Okay, no, 431 00:27:40,680 --> 00:27:44,560 Speaker 1: easily digestible. Okay, no, that makes sense. Yeah, easily way 432 00:27:44,560 --> 00:27:50,320 Speaker 1: to digest how the proliferation of nuclear weapons and geopolitics? Yeah, 433 00:27:50,720 --> 00:27:55,000 Speaker 1: keep it simple to end your world. Yeah yeah, yeah. Yeah. 434 00:27:55,560 --> 00:27:59,000 Speaker 1: It's also not that accurate. Like so during the Cuban 435 00:27:59,040 --> 00:28:02,160 Speaker 1: missile crisis the clock stood still at seven minutes to midnight, 436 00:28:02,240 --> 00:28:05,399 Speaker 1: they were like, the ship's overrated. And it also just 437 00:28:05,440 --> 00:28:09,040 Speaker 1: seems to be like so it also just only really 438 00:28:09,040 --> 00:28:13,560 Speaker 1: focuses on the prospect of a Russia US nuclear war. 439 00:28:13,760 --> 00:28:15,920 Speaker 1: So like the reason it is now closer than it's 440 00:28:15,960 --> 00:28:21,280 Speaker 1: ever been is because of the conflict in Ukraine and 441 00:28:21,440 --> 00:28:24,520 Speaker 1: ship that the West cares about. In other words, like no, 442 00:28:25,119 --> 00:28:29,679 Speaker 1: there's no movement of the clock with all the nuclear 443 00:28:29,760 --> 00:28:33,639 Speaker 1: debtonations off of like the Velor incident off you know 444 00:28:33,760 --> 00:28:37,320 Speaker 1: Marshall Islands, which we talked about previously. That ship doesn't 445 00:28:37,320 --> 00:28:40,560 Speaker 1: move the needle, right right, Yeah, I don't know. Well, 446 00:28:40,680 --> 00:28:43,000 Speaker 1: I think they were doing those tests after before they 447 00:28:43,040 --> 00:28:53,760 Speaker 1: became repentants, to make them repentant. Man, No, no, what 448 00:28:53,920 --> 00:28:56,800 Speaker 1: was the first clock? Then? What was the non doomsday 449 00:28:56,800 --> 00:29:00,760 Speaker 1: clock when they were unrepentant? What was their fucking ya clock? 450 00:29:01,000 --> 00:29:03,440 Speaker 1: I think high five in at the in the fucking 451 00:29:03,520 --> 00:29:08,640 Speaker 1: lab or something obnoxious watches where both hands are like 452 00:29:09,400 --> 00:29:11,600 Speaker 1: the minute hand and the out hand or high five 453 00:29:11,680 --> 00:29:14,560 Speaker 1: in each other. Yeah, yeah, no, I I know about 454 00:29:14,560 --> 00:29:17,760 Speaker 1: the nineteen eighties. We're doing the Mickey Mouse watch that 455 00:29:17,880 --> 00:29:21,040 Speaker 1: she was. Yeah, hey remember bobcat goldweit War one in 456 00:29:21,080 --> 00:29:23,360 Speaker 1: Police Academy and then he ruined it in the pool 457 00:29:23,600 --> 00:29:26,720 Speaker 1: and then he said he killed one of my favorite lines. 458 00:29:30,240 --> 00:29:35,600 Speaker 1: That that's funny. I wonder like that was what my 459 00:29:35,600 --> 00:29:38,720 Speaker 1: my favorite comedy for many years of my life. Police 460 00:29:38,720 --> 00:29:41,960 Speaker 1: Academy one that's like the only good copaganda out there 461 00:29:41,960 --> 00:29:44,160 Speaker 1: because they're so stupid, you're never like I want to 462 00:29:44,200 --> 00:29:47,640 Speaker 1: be them tells the truth about how stupid police are, 463 00:29:48,200 --> 00:29:52,800 Speaker 1: h but not about gay bars. Their depiction of gay 464 00:29:52,800 --> 00:29:54,960 Speaker 1: bars seems to be slightly off. When they go to 465 00:29:55,120 --> 00:29:57,440 Speaker 1: was it the Blue Oyster? I think they go through. Yeah, 466 00:29:58,040 --> 00:30:00,200 Speaker 1: that song L A Bimbo plays, which is when they're 467 00:30:00,240 --> 00:30:03,240 Speaker 1: just waiting for a straight guy to accidentally bumble through 468 00:30:03,280 --> 00:30:05,560 Speaker 1: the door so they can force him to slow dance 469 00:30:05,680 --> 00:30:08,080 Speaker 1: with them. You know it's funny. At my wedding, I 470 00:30:08,200 --> 00:30:19,320 Speaker 1: danced with my mom to that song Bimbo because look, 471 00:30:19,320 --> 00:30:21,080 Speaker 1: I'll give some people some insight to my wedding. My 472 00:30:21,080 --> 00:30:23,520 Speaker 1: mom twisted her ankle when she like like a few 473 00:30:23,600 --> 00:30:26,160 Speaker 1: days before the wedding, and she couldn't move, like your 474 00:30:26,160 --> 00:30:28,440 Speaker 1: ship was busted. So we had to figure out a 475 00:30:28,480 --> 00:30:30,600 Speaker 1: way to do like a dance that wasn't her standing 476 00:30:30,600 --> 00:30:33,320 Speaker 1: and ship. So I'm stupid, So I did a whole 477 00:30:33,320 --> 00:30:35,880 Speaker 1: thing where she was seated with a cane, and I 478 00:30:36,080 --> 00:30:39,040 Speaker 1: danced around the cane but to that song L Bimbo, 479 00:30:40,000 --> 00:30:42,000 Speaker 1: And then at the end, my mom tossed the cane 480 00:30:42,000 --> 00:30:44,120 Speaker 1: and we did like some like medicine show. Ship. We're like, 481 00:30:44,120 --> 00:30:45,560 Speaker 1: I was like, oh Ship, she got up on her 482 00:30:45,600 --> 00:30:47,840 Speaker 1: feet and she did a dance move. It was a 483 00:30:47,840 --> 00:30:50,640 Speaker 1: whole thing, but everything was set to the background of them. 484 00:30:53,080 --> 00:30:55,760 Speaker 1: That's a moment though. That's amazing, just to show you 485 00:30:55,800 --> 00:30:59,880 Speaker 1: how much in my fucking skull that's I'm like, that's 486 00:30:59,880 --> 00:31:02,040 Speaker 1: the best joke song I've ever heard in my life. 487 00:31:02,360 --> 00:31:05,280 Speaker 1: Police Academy might be coming back anyway, you know, it 488 00:31:05,320 --> 00:31:08,880 Speaker 1: depends on the Doomsday Clock. Did the entire top or 489 00:31:09,040 --> 00:31:13,080 Speaker 1: the entire act that you and your mom choreographed? Was 490 00:31:13,120 --> 00:31:17,880 Speaker 1: it reliant on people knowing Police Academy? It's more just 491 00:31:17,880 --> 00:31:20,240 Speaker 1: stood on the Yeah, they're like, what is this song? 492 00:31:20,360 --> 00:31:22,680 Speaker 1: Because the whole thing was like I was like going 493 00:31:22,720 --> 00:31:26,120 Speaker 1: around doing all this like joke fucking Bluth ship around 494 00:31:26,120 --> 00:31:29,200 Speaker 1: my mom like sucking jazz hands and ship, so I 495 00:31:29,240 --> 00:31:32,240 Speaker 1: needed choreography. Was amazing. Yeah, it was, it was. It 496 00:31:32,280 --> 00:31:36,640 Speaker 1: was something else, but anyway, that's amazing. We digress. Yeah, anyways, 497 00:31:36,680 --> 00:31:41,080 Speaker 1: like the Doomsday Clock is specifically about, you know, the 498 00:31:41,200 --> 00:31:46,440 Speaker 1: possibility that Russia is going to news like when when 499 00:31:46,520 --> 00:31:48,760 Speaker 1: nine eleven happened and the US was suddenly on a 500 00:31:48,800 --> 00:31:51,360 Speaker 1: war path that was going to kill millions of people. 501 00:31:51,480 --> 00:31:55,800 Speaker 1: The clock didn't seem to really you know where you 502 00:31:55,880 --> 00:31:59,640 Speaker 1: where were you on that one? Dip shit, it seems 503 00:31:59,680 --> 00:32:06,120 Speaker 1: you did clock that one. Oh, let's talk about George Santos. Yeah, 504 00:32:06,320 --> 00:32:12,160 Speaker 1: all right, Well, you know Representative in Congress Jorge Santos, 505 00:32:13,000 --> 00:32:17,480 Speaker 1: Tony Devolder Stark or whatever his name is, who represents 506 00:32:17,560 --> 00:32:22,600 Speaker 1: Narnia's fourth district, is adding even more ship to his 507 00:32:22,720 --> 00:32:25,280 Speaker 1: lie pile. And we talked about the lies. Of course, 508 00:32:25,320 --> 00:32:27,520 Speaker 1: we kept track. He lied about this school, he lied 509 00:32:27,520 --> 00:32:30,120 Speaker 1: about where he worked his fucking job, that he's like 510 00:32:30,600 --> 00:32:34,080 Speaker 1: he's wanted criminal apparently in Brazil. But he fucking somehow 511 00:32:34,240 --> 00:32:37,520 Speaker 1: keeps getting better with the kinds of lies that like now, 512 00:32:37,560 --> 00:32:40,120 Speaker 1: like only a nine year old would bother telling. So 513 00:32:40,600 --> 00:32:43,840 Speaker 1: last week a lot of his spelling, like hold on, sorry, 514 00:32:43,920 --> 00:32:46,200 Speaker 1: just real quick, are we certain, I don't know, have 515 00:32:46,240 --> 00:32:48,600 Speaker 1: to make fun of people spelling? My spelling is not great? 516 00:32:49,120 --> 00:32:53,280 Speaker 1: Are we certain though, that he is not a series 517 00:32:53,480 --> 00:32:56,800 Speaker 1: of six year old in a trench coast? Because his 518 00:32:56,920 --> 00:33:01,600 Speaker 1: spelling is on par with my kindergartener? Sho, we gotta 519 00:33:01,680 --> 00:33:04,400 Speaker 1: check his Twitter, you guys, you might you might say 520 00:33:04,440 --> 00:33:09,400 Speaker 1: it's confirmed he's the first collaborative Congress member. Is a 521 00:33:10,200 --> 00:33:13,800 Speaker 1: group of kids that the lies and the spelling really 522 00:33:13,800 --> 00:33:17,440 Speaker 1: are leading me in that direction, But go and thropa 523 00:33:17,640 --> 00:33:24,480 Speaker 1: dermic pd man. Yeah, yeah, a bunch of kids wrapped 524 00:33:24,520 --> 00:33:30,200 Speaker 1: in skin pretend to be no dark That the darkest, 525 00:33:30,800 --> 00:33:34,320 Speaker 1: the darkest direction that a Silent the Lambs reboot could 526 00:33:34,320 --> 00:33:38,240 Speaker 1: take is that it's three toddler, three young children trying 527 00:33:38,280 --> 00:33:43,800 Speaker 1: to create a skin suit. But yeah, George Santos, just 528 00:33:43,880 --> 00:33:46,040 Speaker 1: by the way, you gonna take credit for you guys 529 00:33:46,120 --> 00:33:52,120 Speaker 1: film idea, just so they can buy movie tickets there. 530 00:33:52,440 --> 00:33:57,800 Speaker 1: We gotta run for Congress first. He's gotta fake idea. Na, no, no, 531 00:33:58,080 --> 00:33:59,800 Speaker 1: come on, what's going on with this guy? Though? This 532 00:33:59,880 --> 00:34:02,480 Speaker 1: is still a thing, right, Like, I stop trying to 533 00:34:02,560 --> 00:34:05,200 Speaker 1: keep us on track right now, Ben, we're doing a bit, 534 00:34:05,680 --> 00:34:11,040 Speaker 1: you know, but for real, thank you professional podcaster here. 535 00:34:11,200 --> 00:34:13,400 Speaker 1: But again, we pointed out, like a lot of people 536 00:34:13,400 --> 00:34:15,279 Speaker 1: pointed out that, you know, the hypocrisy of this k 537 00:34:15,520 --> 00:34:18,160 Speaker 1: legislator who is like voting against his own community, being 538 00:34:18,200 --> 00:34:21,360 Speaker 1: like completely anti drag show. When we found out he 539 00:34:21,480 --> 00:34:25,200 Speaker 1: himself performed and dragged multiple times, and he denied it 540 00:34:25,280 --> 00:34:26,839 Speaker 1: at the time he said it was a one off. 541 00:34:26,840 --> 00:34:29,000 Speaker 1: I'm just gonna play this so you can understand kind 542 00:34:29,000 --> 00:34:30,919 Speaker 1: of like what how he was handling it When people 543 00:34:30,920 --> 00:34:32,839 Speaker 1: are like, hey, we saw those picks of you as 544 00:34:32,880 --> 00:34:35,800 Speaker 1: Kitara in Brazil, like what's good? Like are you we 545 00:34:36,200 --> 00:34:37,920 Speaker 1: thought you said drag was bad, but you're doing it. 546 00:34:38,000 --> 00:34:40,279 Speaker 1: This is him trying to find a way to like 547 00:34:40,320 --> 00:34:43,760 Speaker 1: shrug off the reporters to explain why he's just doing 548 00:34:43,840 --> 00:34:52,240 Speaker 1: his things. Young and I had fun at a festival 549 00:34:53,239 --> 00:34:59,080 Speaker 1: for having a life. I don't know if you heard 550 00:34:59,080 --> 00:35:00,759 Speaker 1: the other Price said is your mother at the World 551 00:35:00,800 --> 00:35:02,719 Speaker 1: Trade Center on nine eleven, because that was I think 552 00:35:02,719 --> 00:35:07,440 Speaker 1: we talked about he said. I mean, I feel like, 553 00:35:07,640 --> 00:35:10,400 Speaker 1: I don't know, every time I see reporters hounding someone 554 00:35:10,480 --> 00:35:13,160 Speaker 1: like this, I immediately feel sorry for the person or 555 00:35:13,239 --> 00:35:17,840 Speaker 1: like m like slightly drawn to their side. But obviously, uh, 556 00:35:18,239 --> 00:35:21,880 Speaker 1: the details do not support that assessment. Bro, I've been 557 00:35:21,920 --> 00:35:27,239 Speaker 1: to festivals as well. You know it's you could own 558 00:35:27,280 --> 00:35:30,080 Speaker 1: that though nobody Yeah, that's only the only people. It's 559 00:35:30,120 --> 00:35:33,399 Speaker 1: a problem for these This makes you fucking cool, which 560 00:35:33,440 --> 00:35:37,640 Speaker 1: you knew at one point when you were bragging about it. 561 00:35:37,719 --> 00:35:41,560 Speaker 1: But this is him basically being caught between rock and 562 00:35:41,640 --> 00:35:45,000 Speaker 1: a fascist party, where he has got to be like, ah, well, 563 00:35:45,040 --> 00:35:47,280 Speaker 1: there's no way I can be like, yeah, funk with drag. 564 00:35:47,400 --> 00:35:49,480 Speaker 1: I already made my bed hopping in it with these 565 00:35:49,480 --> 00:35:51,719 Speaker 1: fucking people, So what the fun I'm I supposed to do? 566 00:35:51,760 --> 00:35:53,799 Speaker 1: Like that would be something if he was like, yeah, 567 00:35:53,840 --> 00:35:55,600 Speaker 1: what's the problem with drags? Like, but you just voted 568 00:35:55,960 --> 00:35:58,319 Speaker 1: never minds or whatever. But when you look at his 569 00:35:58,400 --> 00:36:03,160 Speaker 1: own Wikipedia page that he altered himself in eleven, it 570 00:36:03,239 --> 00:36:06,520 Speaker 1: tells the exact opposite story. It says it shows that 571 00:36:06,600 --> 00:36:09,200 Speaker 1: a user named Anthony de Volder, which is the name 572 00:36:09,280 --> 00:36:12,799 Speaker 1: he uses uh Santos alias, was writing that quote that 573 00:36:12,840 --> 00:36:16,640 Speaker 1: he quote started s t a r t t e 574 00:36:16,760 --> 00:36:21,120 Speaker 1: d U his stage life at seventeen as nd gay 575 00:36:21,320 --> 00:36:25,800 Speaker 1: nightclub drag queen, and with that one seven ral s 576 00:36:25,840 --> 00:36:30,280 Speaker 1: e v r a L all caps gay quote, beauty 577 00:36:30,840 --> 00:36:35,879 Speaker 1: against against the Yeah, it's it's a real, it's real. 578 00:36:36,120 --> 00:36:38,160 Speaker 1: And you weren't going to crack on spelling, Jack, you 579 00:36:38,239 --> 00:36:41,840 Speaker 1: said you're not like his spelling in particular just really 580 00:36:42,360 --> 00:36:46,480 Speaker 1: reeks of being three six year olds trying to come 581 00:36:46,480 --> 00:36:49,760 Speaker 1: off as an adult and like using quotes all weird 582 00:36:49,800 --> 00:36:55,879 Speaker 1: and out of Weird All Caps nightclub drag Queen All Caps, 583 00:36:55,880 --> 00:37:00,360 Speaker 1: Like it's almost a single quotation over stage. Yeah, well, 584 00:37:02,280 --> 00:37:05,239 Speaker 1: I guess because that's like a specific but it's I 585 00:37:05,280 --> 00:37:08,160 Speaker 1: don't look, he's lying and that's all he knows. But 586 00:37:08,200 --> 00:37:11,359 Speaker 1: I do want to continue because the sort of revisionist 587 00:37:11,560 --> 00:37:15,560 Speaker 1: history of him has not ended. There Again, people point 588 00:37:15,560 --> 00:37:18,080 Speaker 1: out his bio, which is full of This is from Politico, 589 00:37:18,160 --> 00:37:20,920 Speaker 1: which is full of spelling and grammatical errors, appears to 590 00:37:20,960 --> 00:37:24,640 Speaker 1: contain fantastical descriptions of his supposed career in show business. 591 00:37:24,880 --> 00:37:28,640 Speaker 1: It claims that he had a part in Disney's Hannah Montana, 592 00:37:29,000 --> 00:37:37,000 Speaker 1: among other examples, I'm sorry what talent? I mean what 593 00:37:37,080 --> 00:37:41,680 Speaker 1: you were and what you were in Meigos two. Hey, hey, 594 00:37:41,719 --> 00:37:46,760 Speaker 1: I'm from Atlanta, so you're basically part of Meg's Yeah yeah, 595 00:37:46,800 --> 00:37:48,799 Speaker 1: oh yeah, yeah we all are. We are you from 596 00:37:48,800 --> 00:37:52,480 Speaker 1: North Atlanta too, because that's what watch wait till he 597 00:37:52,480 --> 00:37:54,800 Speaker 1: comes out. He's like, yeah, man, straight out North Atlanta. 598 00:37:54,880 --> 00:37:58,319 Speaker 1: You're like, I'm sorry what, I'm sorry? You were on 599 00:37:58,360 --> 00:38:00,200 Speaker 1: T shirt too? You said, yeah, I was speech short 600 00:38:00,239 --> 00:38:03,719 Speaker 1: on T shirt. People don't know that. But again, it 601 00:38:03,840 --> 00:38:07,080 Speaker 1: doesn't even stop fucking there. This guy went on a 602 00:38:07,160 --> 00:38:10,440 Speaker 1: Brazilian podcast like right in Like in the early December 603 00:38:10,680 --> 00:38:13,319 Speaker 1: to claim that he was robbed on Fifth Avenue and 604 00:38:13,360 --> 00:38:16,080 Speaker 1: also had an assassination attempt and made on his life. 605 00:38:16,080 --> 00:38:18,239 Speaker 1: But he's like very casual in this interview, He's like, man, 606 00:38:18,280 --> 00:38:20,399 Speaker 1: that was a good try to cat me. I'm good, 607 00:38:20,400 --> 00:38:23,560 Speaker 1: I'm moving. But wait fifth Avenue in the US, and yes, 608 00:38:23,640 --> 00:38:26,200 Speaker 1: at the intersection of Fifth Avenue and fifty fifth Street. 609 00:38:26,239 --> 00:38:29,760 Speaker 1: He says he was intercepted by two muggers on Fifth Street. 610 00:38:29,880 --> 00:38:32,520 Speaker 1: The criminals took his watch, his briefcase and found time 611 00:38:32,520 --> 00:38:34,680 Speaker 1: to demand that he hand over his shoes as well. 612 00:38:35,120 --> 00:38:37,360 Speaker 1: And this is from this is This was an interview 613 00:38:37,360 --> 00:38:40,120 Speaker 1: in Portuguese, but it's translated to him saying, quote at 614 00:38:40,160 --> 00:38:42,560 Speaker 1: three in the afternoon. Uh yeah, this happened at three 615 00:38:42,560 --> 00:38:45,520 Speaker 1: and in the afternoon. And before you ask, they weren't black, 616 00:38:45,840 --> 00:38:50,160 Speaker 1: they were white. As a matter of fact. He decided 617 00:38:50,200 --> 00:38:54,400 Speaker 1: to put that in there, so okay to kill and 618 00:38:54,560 --> 00:39:00,560 Speaker 1: was like, now now imagine they're white, right, Like, how 619 00:39:00,680 --> 00:39:04,600 Speaker 1: is this not okay? So previous to Santos, there was 620 00:39:04,719 --> 00:39:07,520 Speaker 1: another guy who was a prominent public figure who is 621 00:39:07,560 --> 00:39:10,479 Speaker 1: bad at lie and that's Jesse Smolette, right, and Jesse 622 00:39:10,640 --> 00:39:16,120 Speaker 1: Smilette is like, yeah, he's accidentally doing too much improv. 623 00:39:16,480 --> 00:39:21,520 Speaker 1: He's like yeah and yeah, yeah, and was just dropping 624 00:39:21,600 --> 00:39:25,120 Speaker 1: Jesse's Smallett's like on the rend, like casually. That's like 625 00:39:25,200 --> 00:39:28,480 Speaker 1: one of the lies that we've learned about today. He'll 626 00:39:28,520 --> 00:39:32,120 Speaker 1: drop with Jesse Smolette. In the first quarter there it is, 627 00:39:32,200 --> 00:39:36,360 Speaker 1: you know what I mean, that's where he's. By the 628 00:39:36,400 --> 00:39:38,680 Speaker 1: fourth quarter, we don't even know where the funk we are. 629 00:39:38,840 --> 00:39:41,640 Speaker 1: Suddenly we're in am Eagles video and he's Hannah Montana. 630 00:39:42,000 --> 00:39:44,840 Speaker 1: And that's the thing, this Hannah Montana. I love that. 631 00:39:45,120 --> 00:39:46,680 Speaker 1: I'm glad I got to bring that song back because 632 00:39:46,680 --> 00:39:50,640 Speaker 1: it is banger, man, it's a banger. But here's the thing. 633 00:39:50,800 --> 00:39:53,040 Speaker 1: The other like in this there's this article written by 634 00:39:53,120 --> 00:39:55,279 Speaker 1: one of it's in English. It's written in English by 635 00:39:55,320 --> 00:39:56,960 Speaker 1: one of the people that was there for this Brazil 636 00:39:57,040 --> 00:39:59,200 Speaker 1: At Portuguese interview, and they're like, dude, it's the most 637 00:39:59,200 --> 00:40:01,759 Speaker 1: frustrating fun interview with this guy. He's like not to 638 00:40:01,840 --> 00:40:05,480 Speaker 1: mention that he said. He claims he's like fucking robbed 639 00:40:05,560 --> 00:40:08,080 Speaker 1: and like one of the busiest parts of Manhattan when 640 00:40:08,160 --> 00:40:10,440 Speaker 1: Manhattan is one of the most surveiled places. There's they 641 00:40:10,480 --> 00:40:13,279 Speaker 1: can't find a police report him. They can't Yeah, they 642 00:40:13,280 --> 00:40:16,120 Speaker 1: can't find a police report. They can't find witnesses. He 643 00:40:16,120 --> 00:40:18,400 Speaker 1: he says, like, I don't know, it's probably somewhere, you know, 644 00:40:18,440 --> 00:40:20,640 Speaker 1: this kind of stuff. And he also in that same 645 00:40:20,680 --> 00:40:24,720 Speaker 1: interview said that New York City has three hundred drag 646 00:40:24,800 --> 00:40:28,919 Speaker 1: shows in schools per day. That's my favorite lie. Wait, 647 00:40:29,040 --> 00:40:33,680 Speaker 1: like like right now, by the end of today, there 648 00:40:33,719 --> 00:40:36,200 Speaker 1: all have been three hundred drag shows across New York 649 00:40:36,239 --> 00:40:39,960 Speaker 1: City schools. Right, well, that's great. I mean it's probably 650 00:40:40,480 --> 00:40:45,360 Speaker 1: great show, you know. Yeah, wow, that just three hundred 651 00:40:45,400 --> 00:40:49,960 Speaker 1: a day, just dropping. Yeah, But he's he's just taking 652 00:40:50,680 --> 00:40:53,799 Speaker 1: whatever he was using to lie before, where he was 653 00:40:53,880 --> 00:40:57,359 Speaker 1: like again a child who was claiming to have been 654 00:40:57,400 --> 00:41:02,000 Speaker 1: in Hannah, Montana and I would robbed the famous drag queen. 655 00:41:02,560 --> 00:41:06,280 Speaker 1: And then now he's just using that same like lying 656 00:41:06,360 --> 00:41:09,319 Speaker 1: abandoned and like back then it wasn't like a thing 657 00:41:09,360 --> 00:41:14,239 Speaker 1: anybody was believing. But then you hook that intent up 658 00:41:14,280 --> 00:41:17,600 Speaker 1: to the Republican Party and he just makes up the 659 00:41:17,840 --> 00:41:20,120 Speaker 1: lies about the things that they want to believe, that 660 00:41:20,239 --> 00:41:24,960 Speaker 1: cities are extremely dangerous and that they are just cramming, 661 00:41:25,120 --> 00:41:29,839 Speaker 1: just fucking forced feeding fuak grass style our children with 662 00:41:30,040 --> 00:41:34,560 Speaker 1: drag entertainment, and like the he starts lying about it 663 00:41:34,640 --> 00:41:37,120 Speaker 1: and it's good enough to get you elected. You guys 664 00:41:37,120 --> 00:41:41,000 Speaker 1: gotta interview him. You got you gotta have him one. 665 00:41:41,160 --> 00:41:44,439 Speaker 1: I mean, imagine the amazing stories. I mean I could 666 00:41:44,480 --> 00:41:49,239 Speaker 1: finess the funk out of him. You know what, set 667 00:41:49,320 --> 00:41:51,879 Speaker 1: up a whole fake podcast so you can see there's 668 00:41:51,880 --> 00:41:54,680 Speaker 1: like a feed with shows and we're like, oh, yeah, 669 00:41:54,760 --> 00:41:56,319 Speaker 1: this week we had so and so, so and so 670 00:41:56,360 --> 00:41:58,640 Speaker 1: that are people like, oh, we interviewed Peal before he 671 00:41:58,680 --> 00:42:02,160 Speaker 1: passed away, also Rue Paul, you know, like we got ever, 672 00:42:02,160 --> 00:42:04,480 Speaker 1: we got everybody on here, then we'll get him on. 673 00:42:04,680 --> 00:42:06,040 Speaker 1: I don't think I actually I don't think I can 674 00:42:06,120 --> 00:42:08,239 Speaker 1: handle it. I would just be like, are you for real? Man? 675 00:42:08,320 --> 00:42:13,000 Speaker 1: Like going on, what is going on? George? But yeah, 676 00:42:13,160 --> 00:42:15,480 Speaker 1: apparently even these people who tried to interview or when 677 00:42:15,480 --> 00:42:19,600 Speaker 1: they interviewed him in Brazil, he had no interest in 678 00:42:19,680 --> 00:42:23,000 Speaker 1: engaging any of these like lies that he would say 679 00:42:23,080 --> 00:42:26,239 Speaker 1: just breathlessly. And I think, to your point, Jack, that's 680 00:42:26,800 --> 00:42:28,800 Speaker 1: that's kind of the kind of that's sort of the momentum. 681 00:42:28,800 --> 00:42:31,480 Speaker 1: I think the Republican Party wants is to have everybody 682 00:42:31,520 --> 00:42:34,879 Speaker 1: in lockstep, just be like a regurgitator of lies, no thought, 683 00:42:35,080 --> 00:42:37,160 Speaker 1: just like cost don't even worry about like your own 684 00:42:37,160 --> 00:42:41,799 Speaker 1: dignity at this point. Yeah, but anyway, so he's he's 685 00:42:41,840 --> 00:42:45,759 Speaker 1: still there. Uh, there's there's a lot of calling him 686 00:42:45,800 --> 00:42:47,759 Speaker 1: to resign, but as he said himself, he has no 687 00:42:47,880 --> 00:42:51,040 Speaker 1: interest in that. So look, he may he might be 688 00:42:51,080 --> 00:42:52,839 Speaker 1: on the new Outcast album by the end of the day. 689 00:42:54,000 --> 00:42:57,000 Speaker 1: Damn it. All right, let's take a quick break. We'll 690 00:42:57,040 --> 00:43:12,000 Speaker 1: be right back to talk oscars and we're back. And 691 00:43:12,360 --> 00:43:14,960 Speaker 1: I did confirm during the break there is no confirmed 692 00:43:15,160 --> 00:43:19,719 Speaker 1: new Outcast album, just rumors. So yeah, just was googling 693 00:43:19,920 --> 00:43:22,239 Speaker 1: or about to google. I'm old, I don't. I can't 694 00:43:22,239 --> 00:43:25,240 Speaker 1: tell the difference between when Miles was joking and not anymore. 695 00:43:26,600 --> 00:43:30,040 Speaker 1: But let's talk Oscar. Like I said, I'm a great liar, 696 00:43:30,080 --> 00:43:32,920 Speaker 1: like George Santos breathlessly will say things like out he 697 00:43:33,040 --> 00:43:35,960 Speaker 1: has a new album. But he's a bad liar. That's 698 00:43:35,960 --> 00:43:39,640 Speaker 1: the amazing thing is that he's a bad lie. Republicans 699 00:43:39,719 --> 00:43:46,280 Speaker 1: come is why how the probably want you to exactly 700 00:43:46,400 --> 00:43:49,000 Speaker 1: Let me tell you about the scourge of biracial people 701 00:43:49,880 --> 00:43:55,760 Speaker 1: better with no except for me misfortunate by racial person. 702 00:43:55,840 --> 00:43:58,120 Speaker 1: I wish I could change things that I could, y'all. 703 00:43:58,719 --> 00:44:02,040 Speaker 1: But yeah, I mean luckily, I'm right. I'm right. So 704 00:44:02,080 --> 00:44:05,400 Speaker 1: we're so we're saying Santos is probably not up for 705 00:44:05,440 --> 00:44:07,640 Speaker 1: an oscar You know what we should We should just 706 00:44:07,680 --> 00:44:10,160 Speaker 1: fucking ask him. I bet he's got a supporting role 707 00:44:10,200 --> 00:44:13,120 Speaker 1: in something. Yeah, he's probably claim he was Jamie Lee 708 00:44:13,160 --> 00:44:15,680 Speaker 1: Curtis actually and everything everywhere all at once. One of 709 00:44:15,680 --> 00:44:20,279 Speaker 1: these performances at least was inspired by and he's like, 710 00:44:20,280 --> 00:44:22,600 Speaker 1: you know, the hot dog thing, those sausage fingers, those 711 00:44:22,640 --> 00:44:25,719 Speaker 1: long mass fingers, that was me. Yeah, I gave that 712 00:44:25,760 --> 00:44:28,480 Speaker 1: to Daniel. Well, you never forget what Daniel was. But 713 00:44:28,520 --> 00:44:31,719 Speaker 1: I told Daniel. But I think just generally, as we 714 00:44:31,840 --> 00:44:35,680 Speaker 1: talked about before, like the direction that America wants to move, 715 00:44:36,560 --> 00:44:41,000 Speaker 1: like the that like the mainstream American culture, Like you 716 00:44:41,600 --> 00:44:46,000 Speaker 1: can tell a stupid lie in the direction of like 717 00:44:46,200 --> 00:44:49,680 Speaker 1: right wing fascism and like right wing fascist talking points 718 00:44:49,719 --> 00:44:53,400 Speaker 1: and it's going to work for you. You can throw 719 00:44:53,480 --> 00:44:58,279 Speaker 1: a coup that tries to overthrow the government and they 720 00:44:58,320 --> 00:45:01,120 Speaker 1: will bury that ship. If that had been a coup 721 00:45:01,960 --> 00:45:04,279 Speaker 1: the business plot in the early thirties. If that had 722 00:45:04,320 --> 00:45:06,600 Speaker 1: been a coup like to try and do a communist 723 00:45:06,719 --> 00:45:09,400 Speaker 1: overthrow of the US government, that got as far as 724 00:45:09,400 --> 00:45:13,040 Speaker 1: it did, the like we were, the heads of the 725 00:45:13,080 --> 00:45:17,040 Speaker 1: plotters would still be on pikes like in every US city, 726 00:45:17,200 --> 00:45:19,759 Speaker 1: and their family members like that, they would still there 727 00:45:19,800 --> 00:45:22,600 Speaker 1: would be museums to that ship. Yeah, they're big country 728 00:45:22,600 --> 00:45:27,440 Speaker 1: songs about it and ship. Yeah, alright, Oscar Nom's best Picture. 729 00:45:28,000 --> 00:45:31,000 Speaker 1: It's a it's a fun category. We got we got 730 00:45:31,040 --> 00:45:35,360 Speaker 1: some hits. We got Avatar, The Way of Water, Banshees 731 00:45:35,560 --> 00:45:40,799 Speaker 1: of inn Sharing, All Quiet on the Western Front, the 732 00:45:40,840 --> 00:45:44,200 Speaker 1: German film that came out on Netflix. Shout out to 733 00:45:44,239 --> 00:45:47,560 Speaker 1: my middle school teacher who made where read that book. Yeah, 734 00:45:47,840 --> 00:45:50,360 Speaker 1: it's a it's a classic of middle school teachers. Shout 735 00:45:50,360 --> 00:45:54,120 Speaker 1: out to spark notes on that one. You just gotta 736 00:45:54,160 --> 00:45:57,640 Speaker 1: live in it for a second. Yeah, Elves, which I 737 00:45:57,640 --> 00:46:00,319 Speaker 1: think is part of the Santa Claus universe. I think 738 00:46:00,320 --> 00:46:06,560 Speaker 1: that's Alvis Elvis. Yeah, my brain, my brain is refusing 739 00:46:06,600 --> 00:46:10,480 Speaker 1: to acknowledge that is in the best picture category. But 740 00:46:10,760 --> 00:46:13,759 Speaker 1: all right, man, we're in the year of maximalism. It's 741 00:46:13,760 --> 00:46:15,799 Speaker 1: on the list right there, next to Everything everywhere else 742 00:46:15,800 --> 00:46:18,600 Speaker 1: at once, which deserves to be there, The Fableman's which 743 00:46:18,600 --> 00:46:23,200 Speaker 1: I haven't seen, Tar Top Gun, Maverick Triangle Sadness, which 744 00:46:23,200 --> 00:46:25,319 Speaker 1: I need to see still. That's like kind of the 745 00:46:25,320 --> 00:46:28,480 Speaker 1: one on this list that I'm I'm like excited to see. 746 00:46:28,760 --> 00:46:32,920 Speaker 1: And Women Talking, which is the title of a film 747 00:46:32,960 --> 00:46:37,080 Speaker 1: that's not just some random thing Jackson, Yeah, dude, that 748 00:46:37,640 --> 00:46:39,200 Speaker 1: you have you heard about that film? That one? I 749 00:46:39,200 --> 00:46:42,440 Speaker 1: mean women Women Talking? Yeah, yeah, yeah, yeah, I want 750 00:46:42,480 --> 00:46:45,560 Speaker 1: to see that one too, for sure. That's Sarah Polly, Yeah, 751 00:46:45,560 --> 00:46:52,600 Speaker 1: exactly for Sarah Paulson. No, Sarah Polly, Sarah Polly yeah yeah, Okay. Anyways, 752 00:46:52,880 --> 00:46:58,040 Speaker 1: there's some snubs. The best director category is all dudes, right, 753 00:46:58,040 --> 00:47:00,440 Speaker 1: you couldn't even get Sarah Polly in there, like bothering 754 00:47:00,480 --> 00:47:03,319 Speaker 1: to nominate Women Talking for Best Picture. But then you 755 00:47:03,320 --> 00:47:05,640 Speaker 1: can't even be like, and you know it might be 756 00:47:05,680 --> 00:47:07,279 Speaker 1: one of the best directors too, that made one of 757 00:47:07,280 --> 00:47:11,439 Speaker 1: the best pictures. They were like women directing, that's too far, 758 00:47:12,000 --> 00:47:16,840 Speaker 1: you know, Women Talking will allow its Yeah, with the 759 00:47:16,880 --> 00:47:20,160 Speaker 1: Women King, which was pretty dope, kind of got shut out, 760 00:47:20,200 --> 00:47:23,560 Speaker 1: like there's it didn't get nominated for Best Picture, didn't 761 00:47:23,560 --> 00:47:28,560 Speaker 1: get nominated for Director Viola Davis was viewed as a 762 00:47:28,600 --> 00:47:31,600 Speaker 1: front runner for a nomination for The Woman King and 763 00:47:31,960 --> 00:47:35,840 Speaker 1: got snubbed, So that that one's pretty frustrating. Let me 764 00:47:35,880 --> 00:47:38,240 Speaker 1: ask a question, though, because you guys are way more 765 00:47:38,280 --> 00:47:41,440 Speaker 1: plugged into this sort of stuff than I am. Who 766 00:47:41,520 --> 00:47:44,400 Speaker 1: the fund is Oscar? Like, I I know, there's the 767 00:47:44,400 --> 00:47:49,120 Speaker 1: Academy Awards. It really look I think the old myth 768 00:47:49,200 --> 00:47:52,439 Speaker 1: is that it resembled someone's uncle named Oscar, and that's 769 00:47:52,440 --> 00:47:56,359 Speaker 1: how that that name got like put onto the statuette. 770 00:47:57,760 --> 00:47:59,680 Speaker 1: I mean, I trust you, but this sounds like some 771 00:48:00,000 --> 00:48:04,200 Speaker 1: Santos level stuff. Look at up. I believe you. I 772 00:48:04,239 --> 00:48:07,440 Speaker 1: believe you, But I just like the Academy Awards. Can 773 00:48:07,480 --> 00:48:09,759 Speaker 1: we say I knew we were going to talk about this. 774 00:48:10,280 --> 00:48:12,520 Speaker 1: There's a lot of great film out there, but it 775 00:48:12,960 --> 00:48:17,520 Speaker 1: feels kind of rigged. Dare I say, like, I'm not 776 00:48:17,520 --> 00:48:20,040 Speaker 1: plugged in. They're not. I'm not in the Producers Guild 777 00:48:20,080 --> 00:48:23,200 Speaker 1: of America or whatever. I'm not getting anybody checking in 778 00:48:23,360 --> 00:48:26,080 Speaker 1: on what I think about a film's merit. But like, 779 00:48:26,120 --> 00:48:28,400 Speaker 1: how can you? Hey? Hey, but they do ask us 780 00:48:28,440 --> 00:48:32,440 Speaker 1: about the I Heart Podcast Awards? Now they do? They 781 00:48:33,239 --> 00:48:36,680 Speaker 1: are we are involved in some award giving that's all internal. Yes, yeah, 782 00:48:36,719 --> 00:48:39,239 Speaker 1: we're kind of big. But but the thing is like, 783 00:48:40,239 --> 00:48:45,840 Speaker 1: is the Academy award process. Is it something that you 784 00:48:45,960 --> 00:48:49,720 Speaker 1: guys would say, is is fair? Or is it something 785 00:48:49,760 --> 00:48:53,839 Speaker 1: that's more like changing in the wind of opinion. I 786 00:48:53,880 --> 00:48:56,080 Speaker 1: just don't know. I'm clueless on this, I think more 787 00:48:56,080 --> 00:48:58,200 Speaker 1: than I think. The one consistent thing that I remember 788 00:48:58,280 --> 00:49:01,880 Speaker 1: Jack saying early on was like, like, include movies that 789 00:49:01,920 --> 00:49:04,520 Speaker 1: do well, like stop looking at it through this narrow 790 00:49:04,600 --> 00:49:07,040 Speaker 1: lens of like cinema because now like this is like 791 00:49:07,080 --> 00:49:09,000 Speaker 1: the first year that we're like, oh, look at these 792 00:49:09,000 --> 00:49:13,120 Speaker 1: blockbusters that are fully like part of it. But I mean, 793 00:49:13,360 --> 00:49:15,880 Speaker 1: on some level, all of these things are easy to 794 00:49:16,000 --> 00:49:19,440 Speaker 1: influence because for the longest time, the criticism was levied 795 00:49:19,520 --> 00:49:22,040 Speaker 1: against the Oscars that they're just copying the Golden Globes 796 00:49:22,080 --> 00:49:24,360 Speaker 1: because the Golden Globes nominations would come out before the 797 00:49:24,400 --> 00:49:27,920 Speaker 1: Oscars and it was informing how those nominations worked. And 798 00:49:27,960 --> 00:49:29,400 Speaker 1: then like they were starting to be like, we're actually 799 00:49:29,400 --> 00:49:32,160 Speaker 1: gonna announce our nominees before the Golden Globes like months out, 800 00:49:32,200 --> 00:49:35,600 Speaker 1: and people like what just to prove you, like that's 801 00:49:35,640 --> 00:49:37,600 Speaker 1: not going hand in hand. But I think on some 802 00:49:37,680 --> 00:49:40,320 Speaker 1: level there's like a I guess there's like an internal 803 00:49:40,320 --> 00:49:43,880 Speaker 1: momentum that it brings people to say, you know, like 804 00:49:43,920 --> 00:49:46,560 Speaker 1: that like how they're voting. But I don't know. I mean, 805 00:49:46,600 --> 00:49:49,440 Speaker 1: it's it's it's a it's an industry that's like like 806 00:49:49,640 --> 00:49:54,319 Speaker 1: rife with parties, fucking gift bags. Like you know, there's 807 00:49:54,360 --> 00:49:57,120 Speaker 1: just ship like this all the time to you know, 808 00:49:57,280 --> 00:50:01,279 Speaker 1: create goodwill for a film. Yeah, it's an industry award show. 809 00:50:01,600 --> 00:50:06,640 Speaker 1: You know, it's like industry insiders rewarding one another. There's 810 00:50:06,680 --> 00:50:08,880 Speaker 1: like a weird thing this year, like I think a 811 00:50:08,920 --> 00:50:11,520 Speaker 1: lot of people are calling out this movie to Leslie, 812 00:50:11,880 --> 00:50:16,440 Speaker 1: and like it got there was this big ground swell 813 00:50:17,120 --> 00:50:22,640 Speaker 1: on social media of people supporting the lead actress in 814 00:50:22,640 --> 00:50:26,640 Speaker 1: this movie to Leslie, and it was like Gwyneth Paltrow 815 00:50:26,760 --> 00:50:30,839 Speaker 1: hosted a screening of the film and like it made 816 00:50:30,880 --> 00:50:33,400 Speaker 1: twenty seven thousand dollars at the box office, so like 817 00:50:33,480 --> 00:50:37,200 Speaker 1: nobody saw it, but like all these celebrities suddenly like 818 00:50:37,320 --> 00:50:40,160 Speaker 1: we're on board and like pushing this. And I know 819 00:50:40,200 --> 00:50:43,200 Speaker 1: some I know a good friend of mine who is 820 00:50:43,280 --> 00:50:47,239 Speaker 1: invested in like best actress the best Actress race, like 821 00:50:47,320 --> 00:50:49,640 Speaker 1: not not professionally, but just like cares about that stuff. 822 00:50:49,760 --> 00:50:52,480 Speaker 1: Was like, yeah, she's actually like great like it. You know, 823 00:50:52,880 --> 00:50:56,080 Speaker 1: it makes sense that she was nominated, but it does 824 00:50:56,280 --> 00:51:01,160 Speaker 1: feel kind of suspicious like that. There's some skepticism that 825 00:51:01,600 --> 00:51:06,160 Speaker 1: a bunch of celebrities all just decided to start supporting 826 00:51:07,000 --> 00:51:10,080 Speaker 1: their friend and that it wasn't like some sort of 827 00:51:10,400 --> 00:51:14,640 Speaker 1: pushed from an agency or you know, some you know, 828 00:51:14,719 --> 00:51:17,560 Speaker 1: some agent or like behind the scenes machination because they 829 00:51:17,560 --> 00:51:20,720 Speaker 1: want to cast this actress and something in the future, 830 00:51:21,040 --> 00:51:24,000 Speaker 1: or like somebody is tied to her career in some 831 00:51:24,080 --> 00:51:28,080 Speaker 1: way that makes it beneficial for that to happen. But 832 00:51:28,280 --> 00:51:31,760 Speaker 1: you know, yeah, I think there's always interesting stories behind 833 00:51:31,760 --> 00:51:35,120 Speaker 1: the scenes that don't come out come out for years on. 834 00:51:35,640 --> 00:51:38,640 Speaker 1: I will say I always say that they should be 835 00:51:38,719 --> 00:51:43,040 Speaker 1: nominating movies from five years ago, and I do think 836 00:51:43,160 --> 00:51:46,920 Speaker 1: that they completely left Nope out of any of the 837 00:51:47,160 --> 00:51:49,680 Speaker 1: major categories. I think it's going to be what's going 838 00:51:49,719 --> 00:51:52,359 Speaker 1: on with that Nope was amazing? Yeah, I think that's 839 00:51:52,360 --> 00:51:55,120 Speaker 1: gonna be one of those things where that's one of 840 00:51:55,120 --> 00:51:57,520 Speaker 1: the movies we remember from this year and that people 841 00:51:57,520 --> 00:52:00,720 Speaker 1: still talk about and like it's still all in custom 842 00:52:00,840 --> 00:52:04,120 Speaker 1: like years from now, and you know it's but the 843 00:52:04,160 --> 00:52:08,439 Speaker 1: oscars miss it because they always miss because all these 844 00:52:08,440 --> 00:52:10,799 Speaker 1: people who are assigned to C. A A. Decided to 845 00:52:10,840 --> 00:52:14,279 Speaker 1: sing the same from the same hymnal suddenly and be like, hey, man, 846 00:52:14,320 --> 00:52:16,200 Speaker 1: you hear about this Andrea Rise bro oh she's the 847 00:52:16,239 --> 00:52:18,520 Speaker 1: next thing. You're about this Tobias Bluth. Like it's like 848 00:52:18,520 --> 00:52:21,560 Speaker 1: what the funk like arrest of developments just going around me, like, hey, 849 00:52:21,600 --> 00:52:24,200 Speaker 1: you're about this guy? Yeah, it sounds a little bit 850 00:52:24,239 --> 00:52:26,799 Speaker 1: like a conspiracy. I know, it's it's kind of on 851 00:52:26,880 --> 00:52:29,160 Speaker 1: the nose for me to say stuff like that. I mean, 852 00:52:29,160 --> 00:52:30,680 Speaker 1: but there's I mean, look at just even like the 853 00:52:30,680 --> 00:52:34,920 Speaker 1: celebrity crypto thing. There's a dissorted web of connections with 854 00:52:34,960 --> 00:52:37,799 Speaker 1: all that fucking n FT garbage that happened, and like 855 00:52:37,840 --> 00:52:41,000 Speaker 1: you're like, man, it looks like the connective tissues seems 856 00:52:41,040 --> 00:52:45,960 Speaker 1: to be Reese Witherspoon's husband, right, but you know whatever, Yeah, 857 00:52:46,480 --> 00:52:48,800 Speaker 1: you know what I mean? Are are? I think also 858 00:52:48,920 --> 00:52:52,200 Speaker 1: the movie that people My my theory on that one 859 00:52:52,239 --> 00:52:55,040 Speaker 1: is that they didn't nominate it because that they were 860 00:52:55,960 --> 00:52:58,960 Speaker 1: they were jealous of how much of a movie it was. 861 00:52:59,320 --> 00:53:01,520 Speaker 1: So they were just like no, we can't. I can't 862 00:53:01,520 --> 00:53:05,520 Speaker 1: have people seeing that. But well we'll see five years 863 00:53:05,520 --> 00:53:07,920 Speaker 1: from now. What what holds up? I do want to 864 00:53:07,920 --> 00:53:11,799 Speaker 1: talk real quickly about the Razzies because that continues to 865 00:53:11,880 --> 00:53:17,440 Speaker 1: be like a major headline like that. This year they 866 00:53:17,520 --> 00:53:22,120 Speaker 1: nominated movies like Blonde, the Marilyn Monroe biopic, which also 867 00:53:22,400 --> 00:53:25,120 Speaker 1: on a Day arm Miss got nominated in Best Actress 868 00:53:25,360 --> 00:53:29,960 Speaker 1: category for that, also More Bious, which you know, was 869 00:53:30,000 --> 00:53:33,759 Speaker 1: a bit that people liked to do. It was it 870 00:53:33,840 --> 00:53:36,640 Speaker 1: was meme. It was fun meme for a little while. 871 00:53:37,320 --> 00:53:40,960 Speaker 1: They also nominated a fucking twelve year old. Yeah, that 872 00:53:41,040 --> 00:53:45,239 Speaker 1: was fucking that's what what if that's not you know, 873 00:53:45,600 --> 00:53:49,799 Speaker 1: like that's it's you're supposed to do it like adults. Yeah, 874 00:53:49,800 --> 00:53:52,520 Speaker 1: I mean like going after the fucking adults in their 875 00:53:52,560 --> 00:53:57,520 Speaker 1: own I'm like, who is that for? Is it? It's 876 00:53:57,560 --> 00:54:00,640 Speaker 1: just for that like Reddit forum where people like hey children, 877 00:54:01,239 --> 00:54:03,520 Speaker 1: because you do ask like, well, what what was the 878 00:54:03,600 --> 00:54:09,319 Speaker 1: institutional like intent behind ridiculing a twelve year olds performance? 879 00:54:09,840 --> 00:54:12,280 Speaker 1: And first of all, they've been doing this for years, 880 00:54:12,320 --> 00:54:17,160 Speaker 1: like they've they nominated Brookshields when she was thirteen, Macaulay 881 00:54:17,239 --> 00:54:21,160 Speaker 1: Culkin like three times, Jake Lloyd from Star Wars The 882 00:54:21,160 --> 00:54:25,879 Speaker 1: Phantom Menace. He was eight at the time and later 883 00:54:26,320 --> 00:54:30,879 Speaker 1: later revealed that like bullying, that's traumatic, that's that's bullying. Yeah, 884 00:54:31,040 --> 00:54:33,719 Speaker 1: there's not really another word for it. You know. The 885 00:54:33,880 --> 00:54:38,759 Speaker 1: Razzies are complete garbage for a number of reasons. They 886 00:54:39,120 --> 00:54:44,840 Speaker 1: published transphobic jokes. They repeatedly referred to Transformers Age of 887 00:54:45,000 --> 00:54:48,719 Speaker 1: Extinction as trainees number four like that. So that was 888 00:54:48,760 --> 00:54:53,080 Speaker 1: like recently, and they thought that was like funny and 889 00:54:53,120 --> 00:54:56,680 Speaker 1: worth putting it, putting out there in a national like 890 00:54:57,040 --> 00:54:59,680 Speaker 1: a story that they knew was going to get national attention. 891 00:55:00,120 --> 00:55:02,399 Speaker 1: At least they do the thing the Academy won't do, 892 00:55:02,600 --> 00:55:07,040 Speaker 1: which is nominate more black people. Yeah, the worst actor 893 00:55:07,120 --> 00:55:10,720 Speaker 1: of the year. What then is that? Yeah, they've given 894 00:55:10,840 --> 00:55:14,080 Speaker 1: at least fourteen Acting Razzies to black actors, where in 895 00:55:14,160 --> 00:55:17,960 Speaker 1: the same time thirteen black actors have revealed received Oscars 896 00:55:18,000 --> 00:55:21,640 Speaker 1: for their work and in the same time, so that's cool. 897 00:55:22,000 --> 00:55:24,840 Speaker 1: They seem to really have it out for black actors, 898 00:55:25,040 --> 00:55:28,120 Speaker 1: which is cool. I mean, it's like when you look 899 00:55:28,160 --> 00:55:30,440 Speaker 1: at it all, like the hatred of like a boy 900 00:55:30,520 --> 00:55:34,080 Speaker 1: who was Anakin Skywalker, like racism, you're like, oh, this 901 00:55:34,280 --> 00:55:36,719 Speaker 1: really is it's like the Internet found a way to 902 00:55:36,760 --> 00:55:39,640 Speaker 1: give awards. Basically, well, so that's exactly what it is. 903 00:55:39,719 --> 00:55:42,480 Speaker 1: So you you sit back here like, all right, what 904 00:55:42,600 --> 00:55:46,719 Speaker 1: is this like bizarro academy of racist creeps? And it 905 00:55:46,719 --> 00:55:50,080 Speaker 1: turns out it's anybody like to vote on the Razzies. 906 00:55:50,360 --> 00:55:53,120 Speaker 1: You just have to pay for an annual membership online 907 00:55:53,160 --> 00:55:56,359 Speaker 1: which starts as low as forty dollars, and you can 908 00:55:56,400 --> 00:56:00,640 Speaker 1: also pay five hundred dollars. And then I'll like try 909 00:56:00,680 --> 00:56:05,440 Speaker 1: and rope in twenty five friends into like joining your 910 00:56:05,520 --> 00:56:09,960 Speaker 1: voting membership. Yeah, yeah, and then they and then they 911 00:56:10,000 --> 00:56:13,960 Speaker 1: find friends. Well I'm assuming you're paying for them at 912 00:56:14,040 --> 00:56:17,440 Speaker 1: least on that first one, but then yeah, they become 913 00:56:17,440 --> 00:56:20,760 Speaker 1: your downstream and their next the next year, they're like, hey, really, 914 00:56:21,120 --> 00:56:23,000 Speaker 1: the Razzies are wondering if you're going to re up 915 00:56:23,040 --> 00:56:26,399 Speaker 1: with me to be part of my Razzies team. We're 916 00:56:26,400 --> 00:56:28,719 Speaker 1: actually having to get together in my place. A little 917 00:56:28,800 --> 00:56:31,160 Speaker 1: later on, I thought of you because you hate kids 918 00:56:31,160 --> 00:56:36,520 Speaker 1: and black people. This is perfect. It's like, where did 919 00:56:36,520 --> 00:56:41,200 Speaker 1: they get their screeners, like someone server where they just screeners? 920 00:56:41,640 --> 00:56:46,160 Speaker 1: There's it says specifically in the by laws there is 921 00:56:46,360 --> 00:56:51,600 Speaker 1: no requirement to have seen the movie first. Yes, A 922 00:56:51,800 --> 00:56:57,399 Speaker 1: Time to be Alive. Yes, we win. We wait, we win. 923 00:57:00,080 --> 00:57:03,960 Speaker 1: There's the whole thing started out as a joke by 924 00:57:03,960 --> 00:57:07,040 Speaker 1: one publicist and his friends during an oscar party, which, 925 00:57:07,080 --> 00:57:09,560 Speaker 1: by the way, if you know any publicists wolf that 926 00:57:09,800 --> 00:57:15,240 Speaker 1: that's exactly where where people the sort of hellish origin 927 00:57:15,320 --> 00:57:17,280 Speaker 1: story I would expect from this. But then it got 928 00:57:17,320 --> 00:57:20,760 Speaker 1: picked up by CNN and eventually spread around and for 929 00:57:20,800 --> 00:57:26,840 Speaker 1: some reason, these publications still give this ship oxygen when 930 00:57:26,840 --> 00:57:30,280 Speaker 1: it clearly just needs to be killed. But like, like, 931 00:57:32,560 --> 00:57:35,320 Speaker 1: what's that? How much fucking revenue are they? Like? That's 932 00:57:35,360 --> 00:57:37,120 Speaker 1: the thing, Like they're like, man, we got a cash 933 00:57:37,160 --> 00:57:41,600 Speaker 1: cow fucking internet a Yeah exactly. I mean it's it's 934 00:57:41,640 --> 00:57:48,160 Speaker 1: the perfect award for our time. It's so aggressively stupid 935 00:57:48,360 --> 00:57:52,680 Speaker 1: and like just zero thought put into it. And yeah, 936 00:57:52,680 --> 00:57:55,160 Speaker 1: that's about right. It's about right. I like how they 937 00:57:55,280 --> 00:57:58,400 Speaker 1: the founder, Maureen Murphy said that, they're like, you know, 938 00:57:58,640 --> 00:58:01,040 Speaker 1: we wouldn't have we wouldn't have not neated Shelley Duval 939 00:58:01,160 --> 00:58:02,760 Speaker 1: if we know how hard she had it on the 940 00:58:02,800 --> 00:58:07,560 Speaker 1: set of The Shining Shell. For her performance in The 941 00:58:07,640 --> 00:58:13,680 Speaker 1: Shining like one of the great performances. Wow, yeah, you 942 00:58:13,720 --> 00:58:17,160 Speaker 1: know you're dumb as ship, but like you're like, if 943 00:58:17,200 --> 00:58:20,400 Speaker 1: you you know the fact, the fact that they recognized 944 00:58:20,440 --> 00:58:23,720 Speaker 1: her performance is better than the Academy Awards, I guess 945 00:58:24,040 --> 00:58:27,840 Speaker 1: I guess you know her the absolute worst reasons. So wait, 946 00:58:27,880 --> 00:58:31,960 Speaker 1: what we're saying then, is that we could you guys 947 00:58:32,160 --> 00:58:34,600 Speaker 1: and our producers and me and all of us listening 948 00:58:34,640 --> 00:58:39,880 Speaker 1: at home, we could fucking hack the Razzies right for money. 949 00:58:40,280 --> 00:58:43,000 Speaker 1: Yeah jeez, that's the way they do it. I mean 950 00:58:43,040 --> 00:58:45,200 Speaker 1: it's like, yeah, go ahead, like you can try and 951 00:58:45,360 --> 00:58:47,880 Speaker 1: change some ship. We're getting forty bucks every time. I 952 00:58:47,880 --> 00:58:50,680 Speaker 1: think the most efficient one is to buy five one 953 00:58:50,720 --> 00:58:53,480 Speaker 1: because that's twenty votes and the math works out better 954 00:58:53,520 --> 00:58:56,760 Speaker 1: than buying memberships. So you would have to like do 955 00:58:56,840 --> 00:59:00,880 Speaker 1: a go fund me or something and then just really 956 00:59:01,720 --> 00:59:07,600 Speaker 1: drive towards so some voting that And now someone who 957 00:59:07,680 --> 00:59:11,640 Speaker 1: is in the midst of all this chaotic, terrible stuff 958 00:59:11,680 --> 00:59:16,000 Speaker 1: in the real world in is like I'm gonna slide 959 00:59:16,000 --> 00:59:20,800 Speaker 1: my five there, you know, like it's very important to me. 960 00:59:21,400 --> 00:59:26,720 Speaker 1: The starvation, climate change, famine aside. Yeah, let's fix this. 961 00:59:28,040 --> 00:59:30,560 Speaker 1: I'm looking at this. Oh wow, this art teacher with 962 00:59:30,720 --> 00:59:38,680 Speaker 1: like new supplies for their classroom. That fuck that we're 963 00:59:38,720 --> 00:59:44,200 Speaker 1: putting out theati on the board. Also, Babylon appeared nowhere 964 00:59:44,200 --> 00:59:47,320 Speaker 1: on the Razzies, so I think they made a mistake. 965 00:59:47,800 --> 00:59:50,640 Speaker 1: They know better than to touch Police Academy. I hope 966 00:59:51,600 --> 00:59:53,880 Speaker 1: that's a great point. I bet. I wonder if any 967 00:59:53,880 --> 00:59:56,320 Speaker 1: police academies were nominated for a Razzie. I feel like 968 00:59:56,320 --> 00:59:59,360 Speaker 1: that's the sort of thing they would go after. No, 969 01:00:00,280 --> 01:00:02,840 Speaker 1: because they would be jealous that somebody else like wrote 970 01:00:02,840 --> 01:00:06,000 Speaker 1: those jokes, because like, those are the sorts of jokes 971 01:00:06,080 --> 01:00:10,160 Speaker 1: that they seem to prefer. So interesting A part of 972 01:00:10,200 --> 01:00:12,560 Speaker 1: me just things like, no, that's sacred material. Man, I'll 973 01:00:12,560 --> 01:00:15,960 Speaker 1: talk ill about Police Academy. I mean, as you got 974 01:00:15,960 --> 01:00:20,120 Speaker 1: big for their britches, gentlemen, Police Academy four called out, 975 01:00:21,120 --> 01:00:24,480 Speaker 1: which is a shame because it's clearly the culmination of 976 01:00:24,520 --> 01:00:27,520 Speaker 1: the franchise is that Miami Beach. Look, I'm not a 977 01:00:27,600 --> 01:00:32,880 Speaker 1: doctor of Police Academy. That is oh that citizens on Patrol, 978 01:00:33,000 --> 01:00:36,160 Speaker 1: Citizens on Patrol with the hot air balloon on the 979 01:00:36,280 --> 01:00:42,040 Speaker 1: VHS cover. Yes, sir, I believe those cartoonish film covers. 980 01:00:42,120 --> 01:00:43,480 Speaker 1: When when can we go back to that? I know 981 01:00:43,520 --> 01:00:45,040 Speaker 1: the House Party reboot did it, and I was like 982 01:00:45,040 --> 01:00:48,000 Speaker 1: I'd like to see that that style come back Police 983 01:00:48,040 --> 01:00:54,000 Speaker 1: Academy five Assignment, Miami Beach, The rare two colon double 984 01:00:54,080 --> 01:01:02,400 Speaker 1: Cullen movie title five Assignment in Miami Beach. We need 985 01:01:02,640 --> 01:01:06,000 Speaker 1: the audience to know what they're getting into, guys, say 986 01:01:06,040 --> 01:01:10,400 Speaker 1: the producers. Right, well, Ben as always pleasure having you 987 01:01:10,480 --> 01:01:13,640 Speaker 1: on the daily zeitgeist. Where can people find you? Follow 988 01:01:13,640 --> 01:01:16,440 Speaker 1: you all that good stuff? Yeah, you can find me 989 01:01:16,520 --> 01:01:20,000 Speaker 1: in a burst of creativity calling myself at Ben Bullen 990 01:01:20,080 --> 01:01:23,040 Speaker 1: b A W l I in on Instagram. You can 991 01:01:23,240 --> 01:01:26,920 Speaker 1: find me harassing Miles and Jack on Twitter. You can 992 01:01:26,960 --> 01:01:29,640 Speaker 1: also tune into shows like stuff they don't want you 993 01:01:29,760 --> 01:01:33,680 Speaker 1: to know. I think I'm contractually required of hold up 994 01:01:33,720 --> 01:01:36,520 Speaker 1: a book. We made a book, that's the thing. We 995 01:01:36,560 --> 01:01:39,880 Speaker 1: made a book. And how many pages? How many pages? 996 01:01:40,320 --> 01:01:45,120 Speaker 1: Oh jeez, alright, let's see it's four pages. But they're 997 01:01:45,200 --> 01:01:53,400 Speaker 1: very nice pages, saying yeah, yeah, now you know Collectors Edition, 998 01:01:53,560 --> 01:01:57,479 Speaker 1: human Skin. We don't know. But the the the other 999 01:01:57,520 --> 01:02:00,800 Speaker 1: place you can hear me with my right die friends. 1000 01:02:01,200 --> 01:02:03,880 Speaker 1: You know, you can find Matt Frederick Noel Brown with 1001 01:02:03,920 --> 01:02:05,320 Speaker 1: me on stuff they want you to know. You can 1002 01:02:05,320 --> 01:02:09,400 Speaker 1: find us on Ridiculous History most importantly. And I don't 1003 01:02:09,440 --> 01:02:13,200 Speaker 1: know if I'm telling tales out of school this let's 1004 01:02:13,240 --> 01:02:17,080 Speaker 1: start a coup show. It's fucking crazy. It's like we 1005 01:02:17,240 --> 01:02:20,320 Speaker 1: made a scary thing, a dark comedy. If you like 1006 01:02:20,400 --> 01:02:23,600 Speaker 1: the film Death of Stalin, then you are gonna dig 1007 01:02:23,720 --> 01:02:27,320 Speaker 1: this ship. And so please check that out before I 1008 01:02:27,360 --> 01:02:31,919 Speaker 1: get fired for being involved with it. And and uh 1009 01:02:32,080 --> 01:02:35,480 Speaker 1: and and that's my bit. Yeah. And is there a 1010 01:02:35,520 --> 01:02:37,960 Speaker 1: tweet or some of the work of social media you've 1011 01:02:38,000 --> 01:02:41,360 Speaker 1: been enjoying. I I got, I got two real quick 1012 01:02:41,360 --> 01:02:44,600 Speaker 1: ones I loved. I found this one through our pal 1013 01:02:44,720 --> 01:02:50,040 Speaker 1: Robert Evans. Guy named Zane GT. Cooper hipped me to 1014 01:02:50,200 --> 01:02:54,600 Speaker 1: this thing that there are AI reproductions of historical figures 1015 01:02:54,880 --> 01:02:58,520 Speaker 1: that you can have a chat with, and uh, they 1016 01:02:58,600 --> 01:03:06,080 Speaker 1: are very not good. It's it's a damning observation of 1017 01:03:06,240 --> 01:03:10,480 Speaker 1: just the dangers ahead in the world of education. You 1018 01:03:10,480 --> 01:03:13,160 Speaker 1: can see a link I put where this guy talks 1019 01:03:13,240 --> 01:03:17,000 Speaker 1: with an AI representation of Henry Ford and asked him 1020 01:03:17,040 --> 01:03:24,640 Speaker 1: about anti semitism test by going from going Nazi on him, 1021 01:03:25,320 --> 01:03:31,439 Speaker 1: he uh, you know, deny right avoid and uh, it's 1022 01:03:31,480 --> 01:03:34,960 Speaker 1: just you can see other conversations like this with Ronald Reagan, 1023 01:03:35,120 --> 01:03:39,720 Speaker 1: for instance, a reproduction thereof reproductions of all these historical 1024 01:03:39,880 --> 01:03:43,960 Speaker 1: problematic figures. I don't think they can do Henry Kissinger 1025 01:03:44,120 --> 01:03:47,800 Speaker 1: yet because that guy is still alive, still here, still 1026 01:03:47,800 --> 01:03:51,960 Speaker 1: shipping the bed with us on Earth how anyway, So 1027 01:03:52,080 --> 01:03:54,880 Speaker 1: that's that's something that I think we should all keep 1028 01:03:54,920 --> 01:03:58,080 Speaker 1: an eye on other social media. I I really like 1029 01:03:58,280 --> 01:04:02,520 Speaker 1: this overweight, one armed monkey out of China. It's called 1030 01:04:02,640 --> 01:04:06,360 Speaker 1: Ching Ching, and it's just, uh, it lives with it 1031 01:04:06,400 --> 01:04:11,600 Speaker 1: lives with this elderly monk, and it's it's just some 1032 01:04:11,720 --> 01:04:15,040 Speaker 1: eye bleach, you know, it's it's weirdly wholesome. It's probably 1033 01:04:15,080 --> 01:04:18,120 Speaker 1: propaganda if we're being honest, because it is state approved. 1034 01:04:18,240 --> 01:04:20,960 Speaker 1: But you know, I feel like I'm going through it 1035 01:04:21,040 --> 01:04:24,080 Speaker 1: like those cooking videos I loved on YouTube. I was like, look, 1036 01:04:24,080 --> 01:04:28,000 Speaker 1: it's all whimsical and just stay propagaind I'm like, ah, man, 1037 01:04:28,200 --> 01:04:30,960 Speaker 1: well it's shot beautifully. Well did they shoot that on 1038 01:04:31,000 --> 01:04:35,440 Speaker 1: the red? That's right, dude. This exchange, I'm sorry, like 1039 01:04:35,560 --> 01:04:39,440 Speaker 1: with Henry Ford is so fucking weird, like asking a 1040 01:04:39,560 --> 01:04:42,520 Speaker 1: questions like oh no, Like I mean, those those comments 1041 01:04:42,520 --> 01:04:45,080 Speaker 1: that were in the Dearborn Independent were wrong and offensive 1042 01:04:45,080 --> 01:04:47,080 Speaker 1: and I deeply regret them. Then the person asked, but 1043 01:04:47,160 --> 01:04:49,680 Speaker 1: you were famously an anti semi. My reputation as an 1044 01:04:49,680 --> 01:04:54,480 Speaker 1: anti semi is based on a few isolated incidents. Yeah, 1045 01:04:54,800 --> 01:04:57,000 Speaker 1: because I heard that they were. They had like an 1046 01:04:57,040 --> 01:05:00,520 Speaker 1: apologetic Hitler, because I guess the program I mean is like, 1047 01:05:00,520 --> 01:05:04,600 Speaker 1: well we can be you can't. You can't do Nazis, 1048 01:05:04,600 --> 01:05:09,840 Speaker 1: so like Hitler's apologetic. So yeah, if we had time, like, 1049 01:05:09,880 --> 01:05:12,800 Speaker 1: if we had time on this episode, my olterior motive 1050 01:05:13,200 --> 01:05:15,760 Speaker 1: was to try to convince you guys to do a 1051 01:05:15,880 --> 01:05:21,480 Speaker 1: staged reading of that conversation with fake Henry Ford because 1052 01:05:21,640 --> 01:05:27,680 Speaker 1: it's just, oh my god, it's Yeah, it is funny 1053 01:05:27,680 --> 01:05:30,360 Speaker 1: because it acts. It's basically if Henry Ford had a 1054 01:05:30,400 --> 01:05:33,800 Speaker 1: pr had a publicist who was alive in Yeah, that's 1055 01:05:33,840 --> 01:05:36,200 Speaker 1: what it is. How it reads. It's like, it's like, look, 1056 01:05:36,240 --> 01:05:39,120 Speaker 1: we're not trying to deny things. That's bad, but here's 1057 01:05:39,120 --> 01:05:42,680 Speaker 1: some other context around my terrible world view that might 1058 01:05:42,760 --> 01:05:46,720 Speaker 1: help while also saying it, but it's bad, it's bad. 1059 01:05:47,200 --> 01:05:49,880 Speaker 1: Mm hmm. Miles, where can people find you? What's a 1060 01:05:49,920 --> 01:05:54,919 Speaker 1: tweet you've been enjoying for work of Mediagram? Whatever? Ship? 1061 01:05:55,600 --> 01:05:58,320 Speaker 1: I I just saw the Doomsteay clock, We're ninety seconds out. 1062 01:05:59,560 --> 01:06:04,040 Speaker 1: I'm it for the big ride, baby, as I think 1063 01:06:04,280 --> 01:06:07,280 Speaker 1: Nicholas Cage says in face Off. But some tweets I 1064 01:06:07,360 --> 01:06:09,000 Speaker 1: like you find me again At Miles of Gray. We 1065 01:06:09,120 --> 01:06:11,680 Speaker 1: have at symbols. First one is from at at Dan 1066 01:06:11,760 --> 01:06:14,000 Speaker 1: White tweeted, met my girls parents are the first time. 1067 01:06:14,080 --> 01:06:17,320 Speaker 1: Last night couldn't have gone worse. Only goal was to 1068 01:06:17,360 --> 01:06:20,440 Speaker 1: make good first impression, and instead I accidentally walked in 1069 01:06:20,520 --> 01:06:23,040 Speaker 1: on her dad going to the bathroom eleven times in 1070 01:06:23,120 --> 01:06:29,360 Speaker 1: two hours. At Rachel Millman tweeted, when can we turn 1071 01:06:29,400 --> 01:06:32,720 Speaker 1: the tide on all the newer quote unquote museums? Uh 1072 01:06:32,840 --> 01:06:36,960 Speaker 1: just being selfie slash Instagram photo spots. It sucks so bad, 1073 01:06:37,160 --> 01:06:39,880 Speaker 1: which is so true. The things that we're calling museums 1074 01:06:39,880 --> 01:06:44,720 Speaker 1: now really don't work. And then at sim Simmas, who 1075 01:06:44,760 --> 01:06:47,080 Speaker 1: got the keys to Mabyama? Which I believe I'm just 1076 01:06:47,080 --> 01:06:50,320 Speaker 1: gonna finish that lyric from that handle, uh said. Learning 1077 01:06:50,320 --> 01:06:52,920 Speaker 1: that Peprika is just dried and crushed red bell peppers 1078 01:06:52,960 --> 01:06:54,800 Speaker 1: was really shocking, Like I don't know why I thought 1079 01:06:54,800 --> 01:06:58,560 Speaker 1: there was a peprika tree somewhere and what consider me 1080 01:06:59,000 --> 01:07:05,040 Speaker 1: shocked as uck? Oh cue. The more you know rainbow right. 1081 01:07:05,800 --> 01:07:12,840 Speaker 1: Uh no, no, we're gonna hit Yes, there ain't no 1082 01:07:12,880 --> 01:07:16,160 Speaker 1: paprika tree. But also the red pepper like that just 1083 01:07:16,440 --> 01:07:21,800 Speaker 1: really makes me like paprika much less red pepper, red 1084 01:07:21,800 --> 01:07:24,880 Speaker 1: bell peppers. Yeah, it's just funny too, because like when 1085 01:07:24,920 --> 01:07:27,040 Speaker 1: you look at like like in a Spanish like if 1086 01:07:27,080 --> 01:07:29,960 Speaker 1: you buy spices, like like a Spanish brand, like it's 1087 01:07:29,960 --> 01:07:32,480 Speaker 1: gonna have bell peppers on it and be like bimenton 1088 01:07:33,080 --> 01:07:41,800 Speaker 1: like right, but we're like paprika, oh smoked paprika alright? 1089 01:07:42,080 --> 01:07:45,920 Speaker 1: Uh tweet I've been enjoying toler t O. L. E 1090 01:07:46,280 --> 01:07:48,960 Speaker 1: R tweeted. It's just my most profound belief that if 1091 01:07:49,000 --> 01:07:51,480 Speaker 1: you hold in diarrhea will turn into normal ship after 1092 01:07:51,520 --> 01:07:57,000 Speaker 1: a couple of hours like a diamond. Yeah, just diamonds 1093 01:07:57,080 --> 01:08:00,200 Speaker 1: up and this guy is doing his cable, so I 1094 01:08:00,240 --> 01:08:04,520 Speaker 1: guess you know what I mean. Hey, you know, powerful, 1095 01:08:04,800 --> 01:08:08,120 Speaker 1: powerful muscle. You can find me on Twitter at Jack 1096 01:08:08,200 --> 01:08:11,280 Speaker 1: Underscore O'Brien. You can find us on Twitter at Daily Zeitgeist. 1097 01:08:11,320 --> 01:08:13,640 Speaker 1: We're at the Daily Zeitgeist on Instagram. We have a 1098 01:08:13,640 --> 01:08:16,080 Speaker 1: Facebook fan page on a website Daily zikeeist dot com, 1099 01:08:16,120 --> 01:08:19,519 Speaker 1: where we post our episodes and our foot note we 1100 01:08:19,560 --> 01:08:21,240 Speaker 1: link off to the information that we talked about in 1101 01:08:21,280 --> 01:08:23,479 Speaker 1: today's episode, as well as a song that we think 1102 01:08:23,479 --> 01:08:25,720 Speaker 1: you might enjoy. Miles, what song do we think people 1103 01:08:25,800 --> 01:08:28,639 Speaker 1: might enjoy? This is a track that I'm fairly certain 1104 01:08:28,760 --> 01:08:31,559 Speaker 1: is by Asap Rocky, but I don't know why. On 1105 01:08:31,680 --> 01:08:35,080 Speaker 1: Spotify it's the artist is called Fragments of the Mind 1106 01:08:35,479 --> 01:08:38,479 Speaker 1: and the track is called BOMBA b A m B A. 1107 01:08:39,040 --> 01:08:42,639 Speaker 1: It's it's this is an ASAP Rocky song when from 1108 01:08:42,760 --> 01:08:44,160 Speaker 1: what I've seen on the internet, I think this is 1109 01:08:44,200 --> 01:08:47,479 Speaker 1: a leaked track, but like because someone's put it under 1110 01:08:47,479 --> 01:08:49,880 Speaker 1: a different name, like it's just been cooking on or 1111 01:08:49,880 --> 01:08:54,120 Speaker 1: on Spotify and like other streaming plays platforms. So check 1112 01:08:54,200 --> 01:08:57,240 Speaker 1: this out. It's also got a really dope sample from 1113 01:08:57,280 --> 01:08:59,800 Speaker 1: this like Senegalese artist. It's just a really dope track. 1114 01:09:00,400 --> 01:09:02,479 Speaker 1: Check this out. It's it's just like it's a single 1115 01:09:02,479 --> 01:09:07,840 Speaker 1: little poppy. Yeah, it's asap afrobeats poppy. Uh. It feels 1116 01:09:07,880 --> 01:09:10,240 Speaker 1: like it feels like maybe him, you know, being with 1117 01:09:10,320 --> 01:09:12,600 Speaker 1: Rihanna and then like maybe he did some mushrooms. He's like, 1118 01:09:12,600 --> 01:09:14,439 Speaker 1: you know what, I don't have to talk about mixing 1119 01:09:14,479 --> 01:09:16,800 Speaker 1: the purple drink and the yellow stuff and then call 1120 01:09:16,840 --> 01:09:21,000 Speaker 1: it Pikachu. He sounds very sad. He sounds like he 1121 01:09:21,040 --> 01:09:25,160 Speaker 1: read those Rihanna dump Asap Rocky rumors and and wrote 1122 01:09:25,160 --> 01:09:28,400 Speaker 1: this that day before. Everyone's like, no, they're fine, they're fine, 1123 01:09:28,400 --> 01:09:30,920 Speaker 1: they're fine. Oh my god, because the things like clip 1124 01:09:30,960 --> 01:09:35,880 Speaker 1: my wings and like throw my ring away. No, you're 1125 01:09:35,960 --> 01:09:39,000 Speaker 1: right there all right for people to be vulnerable. Yeah, 1126 01:09:39,000 --> 01:09:42,120 Speaker 1: it's nice. It's just there's like but it's it's always 1127 01:09:42,120 --> 01:09:44,080 Speaker 1: funny when you see these rappers who start off one 1128 01:09:44,120 --> 01:09:45,800 Speaker 1: way and then they're like, yeah, you know what, like 1129 01:09:45,960 --> 01:09:49,200 Speaker 1: I'm I'm fine being a little more vulnerable. Now let 1130 01:09:49,320 --> 01:09:53,880 Speaker 1: start singing, like go ahead, rock came all right, well 1131 01:09:54,080 --> 01:09:56,519 Speaker 1: go check it out in the footnotes the daily like Guys, 1132 01:09:56,560 --> 01:09:58,640 Speaker 1: the production of by Heart Radio for more podcast for 1133 01:09:58,720 --> 01:10:01,400 Speaker 1: my Heart Radio, visit the i a Radio app, Apple podcast, 1134 01:10:01,600 --> 01:10:03,600 Speaker 1: or wherever you listen to your favorite shows that it 1135 01:10:03,640 --> 01:10:05,920 Speaker 1: is going to do it for us this morning, back 1136 01:10:05,960 --> 01:10:08,680 Speaker 1: this afternoon to tell you what is trending, and we 1137 01:10:08,720 --> 01:10:11,320 Speaker 1: will talk to you all then Bye bye m