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Speaker 1: Donald. I'm very excited today.

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Speaker 2: I'm very excited today too. Listen, man, hold on before

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Speaker 2: we get it started and before we get into this.

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Speaker 2: I'm so happy with all of the press that we're

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Speaker 2: getting and all of the people that are listening to

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Speaker 2: us and stuff.

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Speaker 1: Thank you for listenings of tuning in.

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Speaker 2: This is really amazing.

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Speaker 1: We certainly weren't expecting it to We just did press

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Speaker 1: to Australia. We certainly weren't expecting this kind of reaction.

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Speaker 2: Not at all. And I did some press for Emergence

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Speaker 2: today and they wanted to talk about the podcast. Yes,

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Speaker 2: and it was overseas though, was like in the UK

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Speaker 2: and stuff. I guess are we playing in the UK?

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Speaker 2: Is this true?

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Speaker 1: All over the globe? You can listen to this in

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Speaker 1: Stod you can listen.

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Speaker 2: Can you really listen to it?

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Speaker 1: And stod Yes, if you have a computer you can

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Speaker 1: listen to us.

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Speaker 2: Right as long as you have iHeart. Wherever you get

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Speaker 2: your podcasts, you can hear us. We're a sponsor our

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Speaker 2: plug is iHeart so big shout out to iHeart.

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Speaker 1: I don't have it. We don't have a sponsor yet

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Speaker 1: really yet we will, I guess, But I just want

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Speaker 1: to say that, Red Bull. If you want to sponsor us,

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Speaker 1: you should, because I just drank a full one and

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Speaker 1: I am so hyped up right now. I'm so thrilled

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Speaker 1: about our guest.

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Speaker 2: So am I. I'm very excited about who we have

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Speaker 2: on the show now.

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Speaker 1: But first we should sing, Donald, let's get into it.

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Speaker 3: Six seven, eight stories that show we made about a

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Speaker 3: bunch of dogs and nurses.

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Speaker 4: Here's the stories natural, so YadA, YadA, all right.

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Speaker 1: Now. You might know her as America's favorite Canadian. You

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Speaker 1: might know her as second Becky. You might know her

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Speaker 1: as the beautiful blonde that starred on the show Scrubs

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Speaker 1: for many years. Go ahead, Donald, do you do the intro?

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Speaker 2: Ladies and gentlemen, boys and girls, cats, dogs, whatever you

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Speaker 2: may be, Please welcome to the show. The one and

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Speaker 2: only Sarah.

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Speaker 1: Chaw Sarah, Hi, Hi, Sarah. Don't worry. We'll add thunderous applause.

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Speaker 2: It'll sound like you walked into a stadium.

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Speaker 1: Yeah, Dan, can you add thunderous applause? Thank you? All right,

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Speaker 1: here's Sarah Chalk Hi, Sarah.

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Speaker 5: I didn't know whether to talk because I didn't hear

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Speaker 5: the thunder supplies. I thought maybe I was just getting

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Speaker 5: a glitch in these fancy headphones. Can I see you guys? Like,

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Speaker 5: right now, I'm staring at the garage band screen? Can

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Speaker 5: I make it small so I can see you? Guys?

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Speaker 2: All you got to do is click back on zoom.

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Speaker 5: So, so Dan, can I make Can I hit the

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Speaker 5: yellow button and make garage bands small?

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Speaker 2: I'm just gonna put it out there. You ruined our introduction.

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Speaker 1: No, guys, I don't want to edit it out. Dan, listen, no,

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Speaker 1: list I want now that Sarah's ruined the magic, I

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Speaker 1: want the fans to know that we've been on We've

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Speaker 1: been on zoom for a half hour. While Sarah was

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Speaker 1: getting technical support from edit. Sarah literally had a Sarah

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Speaker 1: had a technical intervention with our editor. She was like,

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Speaker 1: how do you start your laptop?

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Speaker 5: And yet I've still I felt I've never felt more

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Speaker 5: proud are you than I do in this moment, Because okay,

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Speaker 5: I just want to successfully Jean Michelle is gonna edit

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Speaker 5: this out. Just give me one second. I'm gonna hit

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Speaker 5: the yellow button in the corner, Dan and minimize garage

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Speaker 5: band so I can see Zach and Donald.

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Speaker 1: I do it. Just do it. You don't even have

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Speaker 1: to ask, I'm worried that Sarah's gonna call Dan for

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Speaker 1: other technical help in her life. She's gonna be like,

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Speaker 1: hey Dan, I'm wi FI signal.

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Speaker 5: I have dan zmail.

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Speaker 1: Special.

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Speaker 2: How are you, Sarah?

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Speaker 5: I'm good, guys. I miss you. I miss you, and

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Speaker 5: now seeing you on this zoom is making me miss

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Speaker 5: you more weird.

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Speaker 1: Where are you quarantining in Canada? I imagine, so I'm quarantining.

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Speaker 5: I'm quarantining Canada. My sister and I have decided to

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Speaker 5: quarantine our families together, so we have communally six children,

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Speaker 5: three dogs, and a cato.

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Speaker 1: Wow.

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Speaker 2: How are you doing school? How's school going?

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Speaker 5: School is interesting? School is basic. We have children between

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Speaker 5: the ages of three and sixteen, so we'd only have

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Speaker 5: so many screens and so much bandwidth to attend different

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Speaker 5: online classes. So we've been kind of doing some of

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Speaker 5: that and then some group classes. My sister is a lawyer,

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Speaker 5: so she's teaching law, so like really right things like,

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Speaker 5: you know, lessons on the Rights of the Child, the

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Speaker 5: United Nations Convention on the Rights of the Child. Next

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Speaker 5: week's the Constitution, and I do equally important things like

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Speaker 5: give them cartoons sides and they audition for cartoons.

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Speaker 2: That's amazing.

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Speaker 1: You could give them a scene from Rick and Morty

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Speaker 1: and you guys could all play parts.

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Speaker 5: We have actually we've done we've done some cartoons. We

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Speaker 5: haven't reached Rick and Morty yet because that's not appropriate

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Speaker 5: for the four year old, right and as it's sort

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Speaker 5: of you know, tight quarters, we haven't gotten there yet.

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Speaker 5: But yeah, it's it's pretty nuts. I mean, we're all

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Speaker 5: quarantined together. I'm the designated grocery shopper, probably because of

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Speaker 5: all my OCD tendencies. So I feel like that's the

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Speaker 5: most harrowing experience in in my life right now, which is, uh,

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Speaker 5: you know, I go to the grocery store. I have

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Speaker 5: my own you know, version of Ppe, which is like

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Speaker 5: rating the drama eight prop spin. So I have like

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Speaker 5: a tuk and sunglasses and I, you know, just put

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Speaker 5: my hoodie up and gloves.

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Speaker 1: On Canadians, is a hat, It's a hat.

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Speaker 2: Yes, I'm gonna say, I'm gonna say, what is Sarah?

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Speaker 1: If you wouldn't mind translating your canadianisms as we go

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Speaker 1: through the podcast. There are some non Canadians.

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Speaker 5: Listening listen, Yes, the main the main ones really are

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Speaker 5: to Garbrator parcade and seawall?

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Speaker 2: What's a garbaret?

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Speaker 1: Oh? The garbage disposal, the.

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Speaker 2: Garbage disposal, got it?

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Speaker 5: Yeah, which happened to be the first thing that broke

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Speaker 5: when I went when I came to Los Angeles and

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Speaker 5: the landlord did not understand me.

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Speaker 1: At a park is a parkade a parking parking structure?

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Speaker 6: Yeah.

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Speaker 5: Your Canadians doing very well. You've been studying.

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Speaker 1: I'm just guessing. I'm playing a game called guests the

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Speaker 1: Canadian expression. Are there any other.

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Speaker 5: Parcade? Seawall?

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Speaker 1: What's a seawall? The obvious? And then you have that

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Speaker 1: thing with the gravy and fries? What's that called? But

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Speaker 1: that's maybe the teine Okay, I know about poutine that.

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Speaker 5: Yeah, it's the gravy and the cheese curds on top

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Speaker 5: of the of the fries.

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Speaker 1: It's just fries, but they take great pride in it

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Speaker 1: in Canada.

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Speaker 5: How is your guys quarantine going?

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Speaker 2: Oh it's amazing.

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Speaker 1: That's sorry.

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Speaker 5: How much time do you spend Donald.

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Speaker 2: I'm gonna be honest with you.

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Speaker 1: Out in that closet, Donald tells his family that he's

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Speaker 1: recording the podcast. Donald's family thinks he records the podcast

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Speaker 1: every day. And he's in the closet. But meanwhile we do.

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Speaker 2: It like the week. Yeah. My wife keeps asking like, Yo,

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Speaker 2: how come when is the next episode coming out? You

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Speaker 2: record so many of them.

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Speaker 5: You're banking soon.

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Speaker 1: Things that Donald records like four podcasts a day in there.

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Speaker 2: Well, I definitely do a lot of press. I'll be like,

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Speaker 2: I'm doing so much press right now. You set up

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Speaker 2: you should.

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Speaker 1: Set up your your your PlayStation in there. Donald.

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Speaker 2: I just don't know how I get the TV in here.

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Speaker 2: That's the problem.

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Speaker 5: Dan dans d Dan danos he knows Dan could hook

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Speaker 5: it up. Down do it Dan really quickly. It says,

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Speaker 5: Zoom would like to record the computer screen. Grant access

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Speaker 5: to this application in security privacy preferences.

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Speaker 2: No, no, no, no, no no, you don't want to record.

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Speaker 1: This, Sarah. Dan is outside, he's not He's not there

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Speaker 1: for your technical needs.

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Speaker 2: Okay, so let's get into it.

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Speaker 1: Let's get in the wait. Before we get into the episode, Sarah,

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Speaker 1: Donald and I have done this a few episodes now,

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Speaker 1: and now that we have you, we wanted to ask

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Speaker 1: you tell us about your casting process because, as I remember,

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Speaker 1: you were coming off of Roseam, you were doing that

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Speaker 1: particularly unique thing where you had replaced the Becky.

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Speaker 2: That was years before.

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Speaker 5: It wasn't, Yeah, it was. I was like seventeen eighteen,

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Speaker 5: nineteen twenty when that happened, so four years before.

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Speaker 2: And uh.

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Speaker 1: And by the way, I was thinking as well as

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Speaker 1: I was preparing for this, because Sarah, I do a

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Speaker 1: lot of research. I get really into this now. By

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Speaker 1: the way, I found for you Scrubs fans out there

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Speaker 1: and for us, I found a website called Scrubs Wiki

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Speaker 1: wiki where it has like everything you ever want to

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Speaker 1: know about Scrubs. Like I'm like, literally, whoever made that?

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Speaker 2: Well, it doesn't have everything. It doesn't have us, No.

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Speaker 1: It doesn't have us, but it has a lot of

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Speaker 1: It has a lot of insightful information.

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Speaker 2: And I feel like I feel like they should not

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Speaker 2: go to wiki Scrubs wiki.

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Speaker 1: Yeah, but it has like it literally has like these

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Speaker 1: are the fantasies in the episode. These are the girls

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Speaker 1: name JD was called. These are It's like all break

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Speaker 1: broken down. Someone put a lot of work into it. Donald,

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Speaker 1: give them a shout out.

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Speaker 2: Shout out to you for putting all that work in.

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Speaker 2: But we got it from here.

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Speaker 1: Oh my god, Donald's jealous, all right, listen, Donald, you guys,

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Speaker 1: before I was thinking about Sarah and I was saying,

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Speaker 1: is there another example other than Roseanne where they just

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Speaker 1: replaced the actress and had them play the same character.

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Speaker 1: And I was bewitched witched? And was he still? Was

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Speaker 1: he just a different Darren?

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Speaker 2: Yeah?

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Speaker 5: I think they just flipped him out, flipped him out.

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Speaker 1: Tell just briefly about that, because I thought it's a

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Speaker 1: very unique thing, and you've told me and Donald, and

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Speaker 1: I just wanted if you could just talk about what

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Speaker 1: that was like really quickly because I think it's so interesting.

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Speaker 5: Yeah. I mean, I was sixteen when I auditioned, and

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Speaker 5: it was Glenn Quinn, the guy who played my husband Mark.

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Speaker 5: The audition was with him, and he just made out

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Speaker 5: with seven girls. We were all dressed exactly the same

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Speaker 5: and matching pink shirts. On the whole scene was this

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Speaker 5: like makeout scene where he's like baby baby cam here,

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Speaker 5: and I'm like, get a job at the gas station,

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Speaker 5: Get a job at the gas station. It's like baby

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Speaker 5: baby cam here. And it was literally like every other

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Speaker 5: actress that was auditioning was like twenty two living in

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Speaker 5: Los Angeles. I flew in, they flew me in for

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Speaker 5: the night to go and read, and I just remember

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Speaker 5: I was sixteen, he was twenty four, and just thinking

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Speaker 5: he is so handsome. How am I going to remember

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Speaker 5: one line? And they said, we'll let you know in

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Speaker 5: a couple of days. And then they called back and

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Speaker 5: they were like, Okay, come back tomorrow and read with Roseanna.

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Speaker 5: Then I did. And then Tom Arnold called me at

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Speaker 5: home a few days later, and he was trying to

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Speaker 5: feel out whether I was going to leave the show

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Speaker 5: to go to college, because I was younger then and

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Speaker 5: still you know, at an age where I would do that.

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Speaker 5: And Sarah Gilbert at the time had left to go

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Speaker 5: to Gail and she was flying back to do episodes,

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Speaker 5: and Lacy had left to go to Vassar, and so

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Speaker 5: I knew right away that that's what he was asked.

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Speaker 5: I could tell that's what he was getting at.

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Speaker 1: So I was like, oh, you were probably not allowed

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Speaker 1: to do that, right, So he was sort of tiptoeing around, right.

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Speaker 5: Was.

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Speaker 2: Baby, why don't you call uch? What happened?

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Speaker 5: Probably yes? So then I said I was like, no, no, college, gross,

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Speaker 5: absolutely not. And I knew I would go to college,

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Speaker 5: but it was the ros Antel was a big opportunity

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Speaker 5: for me, and I knew that I would.

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Speaker 1: You knew you weren't going to lose the job over it,

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Speaker 1: so you were like college.

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Speaker 5: College bombit and I, I just did it on the side,

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Speaker 5: and so, uh so I got the job. But the

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Speaker 5: craziest part of the story that I actually I hadn't

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Speaker 5: remember when we were talking about recently, was they called

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Speaker 5: me and told me I had the job. And I

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Speaker 5: went to a party that night. So I'm to this

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Speaker 5: like little high school in Canada and I get this

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Speaker 5: phone call that I was going to replace Becky, and

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Speaker 5: I told a couple people and it spread around our

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Speaker 5: high school pretty fast. It sounded like a lie. I mean,

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Speaker 5: it doesn't like I'm going to replace Becky on the

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Speaker 5: Roseanne Show. The Roseann Show was the number one show

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Speaker 5: at the time. It sounded fake. And then I get

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Speaker 5: a call the following week and it was The Roseanne

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Speaker 5: Show saying we're getting cold feet about recasting Becky, so

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Speaker 5: we don't know if we're going to do it, so

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Speaker 5: we're going to hold you for four months. We're going

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Speaker 5: to give you ten grand to hold you. So, first

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Speaker 5: of all, I'd never heard of money like ten thousand dollars.

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Speaker 5: I thought to do nothing, like just to sit here

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Speaker 5: for four months while you make a decision. And then

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Speaker 5: the other half of me thought, like, my ass is

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Speaker 5: grass at high school, Like they're going to tell me

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Speaker 5: in four months if we're actually going to do this.

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Speaker 5: So I had to kind of wait.

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Speaker 1: You should have brought that money. So you should have

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Speaker 1: brought that money to school and just fanned it out.

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Speaker 2: You got me on hold live.

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Speaker 1: For those of you who don't know, this is called

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Speaker 1: a holding deal, right, this.

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Speaker 2: Is a holding feat They hold me excuse.

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Speaker 1: Me when I fanned my face with my holding view.

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Speaker 5: Totally and then uh, and then I know, and by

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Speaker 5: the time you converted to Canadian dollars, it was obviously

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Speaker 5: a whole different situation. So so yes, it was a

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Speaker 5: crazy It was a crazy experience. I was a baby,

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Speaker 5: and I had no idea what I was doing, and

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Speaker 5: I just watched like Roseanne and Lori Metcalf and Sandra

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Speaker 5: Bernhardt and Sarah Gilbert and John Goodman and Johnny Gilecki

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Speaker 5: and this like ridiculous list of comedians and it was

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Speaker 5: kind of in awe and a little bit terrified. And

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Speaker 5: then after two seasons, they you know, gave every ready

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Speaker 5: hugs by like I'll see you guys after hiatus, which

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Speaker 5: is the break that you take between seasons for anyone

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Speaker 5: listening to that weird term. And uh, then I get

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Speaker 5: a phone call saying Lisa's coming back to play Becky,

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Speaker 5: and apparently I said I want to talk to Roseanne

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Speaker 5: for closure. I don't remember doing that, but barely what

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Speaker 5: I said, and so I did. And then and then

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Speaker 5: they called me like six episodes into the following season

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Speaker 5: and said come back this week. Darlene's getting married in

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Speaker 5: an episode and can you come down and be Becky?

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Speaker 5: And I was like it went and he said tomorrow.

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Speaker 1: So Lasi had just Liasy had just changed her mind

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Speaker 1: and she left.

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Speaker 5: They didn't tell me, They just said can you come

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Speaker 5: back tomorrow? And I said, well, I'm going to college

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Speaker 5: up here now and I'm doing this movie of the

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Speaker 5: week where John Ritter, interestingly enough, who played obviously your

300
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Speaker 5: dad on Scrubs, I was doing a TV movie with

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Speaker 5: him up here, and I said, so I can come on.

302
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Speaker 5: I can come on Friday night for tape night. So

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Speaker 5: it was the craziest day. I remember. I wrote an

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Speaker 5: ocean offee exam at like six point thirty in the morning,

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Speaker 5: went straight into the scene with this pregnancy belly. I

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Speaker 5: just remember ripping the pregnancy belly off on the way

307
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Speaker 5: to the airport and got to LA and they had

308
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Speaker 5: a car waiting for me with hair and makeup in

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Speaker 5: the car. Oh. I did my hair and makeup on

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Speaker 5: the way to the live taping, and the taping had

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Speaker 5: already started and I hadn't seen anyone since I'd been fired,

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Speaker 5: and they were like, hold these flowers, say this, stand here,

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Speaker 5: do this. You got to you know the point where

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Speaker 5: Roseanna would take questions from the audience and somebody said,

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Speaker 5: why do you keep switching Becky's back and forth? And

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Speaker 5: she was like, well, it's going to be shocky from

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Speaker 5: now on. And that's how I found out I had

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Speaker 5: the job back for the last year and a half

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Speaker 5: of the show.

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Speaker 1: Wow. That's insane. Wow, I really think, Sarah, that is

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Speaker 1: a that is a story that I never heard of

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Speaker 1: another actor having. That is just if you if you're

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Speaker 1: I mean, when do you ever see or hear something

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Speaker 1: like that happening to an actor. That's just insane.

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Speaker 2: Well, we as we all know, Sarah has the craziest

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Speaker 2: luck in the history of like just everything happens to

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Speaker 2: say Sarah.

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Speaker 1: We touched on that a bit in an earlier episode.

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Speaker 1: How you would come in on Monday morning and you

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Speaker 1: would have a story that was like nothing else we

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Speaker 1: had ever heard, and it happened every week.

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Speaker 5: Honestly, I still feel like sometimes I need to call

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Speaker 5: you guys, because I'm like you, you would not believe

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00:14:51,080 --> 00:14:53,280
Speaker 5: what just happened to me. Lately it's mostly at the

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Speaker 5: grocery store. I mostly want to call you after I

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Speaker 5: leave the grocery store and be like, take a deep

337
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Speaker 5: breath and be like Okay, so I get there, the

338
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Speaker 5: box bottomself and all the producce drops in the main

339
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Speaker 5: aisle where everybody's standing. That's a woman behind me costs

340
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Speaker 5: little but in front of me. I mean, that is

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Speaker 5: every day, right.

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Speaker 1: You just couldn't believe that every Monday morning. You would

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Speaker 1: be like, you are not gonna believe what happened to

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Speaker 1: me this weekend? And then and then we'd be like yeah, right,

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Speaker 1: and then it would she would go into a story

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Speaker 1: that was like that's the most insane thing I've ever heard.

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Speaker 1: That's just this weekend, right.

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Speaker 2: And also it would be so crazy that I'd be like,

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Speaker 2: there's no way she can make.

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Speaker 5: This shit up, No way she could make I mean,

351
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Speaker 5: it is incredible how similar I am with Elliott.

352
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Speaker 2: Okay, well, let's talk about the audition process.

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Speaker 1: Yeah, talk about That's a good segue into talk about

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Speaker 1: getting scrubs now, because what was what was the auditioning process?

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Speaker 1: When I read finally came around to getting callbacks? I

356
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Speaker 1: was I was reading with you, so you were were

357
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Speaker 1: you the first person cast?

358
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Speaker 5: Doll and I were cast together? My audition process, I

359
00:15:56,960 --> 00:15:59,400
Speaker 5: had just moved back, like after the Roseansche, I moved

360
00:15:59,400 --> 00:16:02,600
Speaker 5: back to Canada for four years, and then my best

361
00:16:02,640 --> 00:16:05,240
Speaker 5: friend had finished film school and she wanted to produce

362
00:16:05,840 --> 00:16:08,640
Speaker 5: and I wanted to act. And there's you know, there

363
00:16:08,680 --> 00:16:10,600
Speaker 5: was just at the time not as much filming in

364
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Speaker 5: Canada as does now, and I creatively was like, Okay,

365
00:16:14,120 --> 00:16:16,760
Speaker 5: I'll go back and give ella another try. We had

366
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Speaker 5: we got a six month sublet and we moved down.

367
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Speaker 5: We didn't know anyone, and we never had any plans.

368
00:16:22,280 --> 00:16:24,240
Speaker 5: And so this one night we had plans. We were

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Speaker 5: going to a show and I get this. I had

370
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Speaker 5: two auditions and my you know, for the next day,

371
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Speaker 5: and normally I'm so type A. I would have canceled

372
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Speaker 5: my plans and spent every second that existed between getting

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Speaker 5: the sides until going into the audition working on it.

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00:16:38,320 --> 00:16:39,840
Speaker 5: And I was like, you know what, fuck it, I'm

375
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Speaker 5: not canceling. You know, on Gen, We're going to go

376
00:16:41,800 --> 00:16:45,000
Speaker 5: to the show. And I got home and was midnight,

377
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Speaker 5: and my audition was at nine am, and the other

378
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Speaker 5: audition was at noon. My Scrubs audition was at nine am.

379
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Speaker 5: And I opened the script and I started reading it,

380
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Speaker 5: and I swore every page. I was like, fuck, oh shit,

381
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Speaker 5: oh my god, this is so good, and every page

382
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Speaker 5: I was like, oh shit, this is like the thing

383
00:17:00,240 --> 00:17:02,440
Speaker 5: I've ever read. Oh fuck, I want this job so badly.

384
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Speaker 5: I want this part so bad. And so by twelve thirty,

385
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Speaker 5: I'm like sitting there with having read the script and

386
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Speaker 5: with these sides, and I loved the show. I loved

387
00:17:11,600 --> 00:17:14,640
Speaker 5: the writing. I love the part so much. So I thought, Okay,

388
00:17:14,880 --> 00:17:16,800
Speaker 5: I'll skip the other audition. I won't read that one.

389
00:17:16,800 --> 00:17:19,600
Speaker 5: Whatever that is goes in the garbage. And I read

390
00:17:19,640 --> 00:17:22,160
Speaker 5: with Debbie and Brett, the cash In directors, at nine

391
00:17:22,160 --> 00:17:24,960
Speaker 5: o'clock on a Friday morning, and they said, Okay, can

392
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Speaker 5: you come back at three to read with Bill.

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Speaker 1: That's a good sign.

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Speaker 5: And then one of Jen's and my very very good

395
00:17:33,359 --> 00:17:37,640
Speaker 5: friends husbands was in town for work and he had

396
00:17:37,800 --> 00:17:40,760
Speaker 5: come over to visit us, and so him and Jen,

397
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Speaker 5: Aaron Brindle and Jen read the sides with me, and

398
00:17:45,400 --> 00:17:48,399
Speaker 5: so we just kept like running them and then I

399
00:17:48,480 --> 00:17:51,840
Speaker 5: went in and auditioned with Bill at three. Auditions were

400
00:17:52,000 --> 00:17:54,639
Speaker 5: like ten days later because they were still casting other

401
00:17:54,680 --> 00:17:57,040
Speaker 5: people to go to studio and network. So then we

402
00:17:57,080 --> 00:17:59,480
Speaker 5: did studio and then network. So there's four auditions, and

403
00:18:00,080 --> 00:18:01,000
Speaker 5: I were the same thing.

404
00:18:01,000 --> 00:18:06,320
Speaker 2: Every too, see Sarah, because the last two auditions we

405
00:18:06,320 --> 00:18:08,679
Speaker 2: were there together. I remember that, and you wore the

406
00:18:08,680 --> 00:18:12,880
Speaker 2: same jeans with the big ass belt and it had

407
00:18:12,920 --> 00:18:13,919
Speaker 2: a big belt buckle.

408
00:18:14,119 --> 00:18:16,960
Speaker 5: Am I right, Okay, I know the belt you're talking about.

409
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Speaker 2: Yeah.

410
00:18:18,119 --> 00:18:20,800
Speaker 5: I went through a very big belt buckle collecting faith.

411
00:18:21,400 --> 00:18:23,719
Speaker 5: So I had this old vintage leather belt and then

412
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Speaker 5: I would switch out like a like an old Coca

413
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Speaker 5: Cola belt buckle or like. So I did wear not

414
00:18:28,520 --> 00:18:30,159
Speaker 5: a lot, but in my memory, I don't know, we

415
00:18:30,160 --> 00:18:32,600
Speaker 5: could both. I have no idea which one of us

416
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Speaker 5: is right, But in my memory what I wore was

417
00:18:35,280 --> 00:18:38,280
Speaker 5: I wore black boots at the heel, black pants and

418
00:18:38,320 --> 00:18:42,240
Speaker 5: a tight black tank top because when I first moved

419
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Speaker 5: to LA and I would go on these auditions. I

420
00:18:44,600 --> 00:18:46,600
Speaker 5: remember I went out for an Aaron Spelling sharing these

421
00:18:46,640 --> 00:18:48,840
Speaker 5: like plaid funky bell bottoms that I thought all really

422
00:18:48,880 --> 00:18:51,560
Speaker 5: cool in this like vintage T shirt, and I thought

423
00:18:51,760 --> 00:18:53,600
Speaker 5: that I'm like super excited about the South. And I

424
00:18:53,600 --> 00:18:56,439
Speaker 5: walked in and there were ten girls and they were

425
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Speaker 5: all wearing tight black tank tops and tight black pants,

426
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Speaker 5: and I thought, Okay, so that's how you do it here,

427
00:19:02,880 --> 00:19:03,320
Speaker 5: got it.

428
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Speaker 2: I remember the genes being blue. I do remember them

429
00:19:06,000 --> 00:19:08,080
Speaker 2: being I thought they were tight as fuck too. I

430
00:19:08,080 --> 00:19:13,560
Speaker 2: remember being like, yeah, Jesus tight, I was the same gene.

431
00:19:13,640 --> 00:19:15,840
Speaker 1: I was the same way, not with the tight jeans,

432
00:19:15,880 --> 00:19:18,479
Speaker 1: but I the second I started getting callbacks, I was like,

433
00:19:18,520 --> 00:19:22,080
Speaker 1: I'm not washing this. I want my pheromones. I want

434
00:19:22,080 --> 00:19:25,639
Speaker 1: my pheromones on it. I'm not jinxing this thing. And

435
00:19:25,680 --> 00:19:27,760
Speaker 1: I would get like another callback and be like not

436
00:19:27,920 --> 00:19:31,320
Speaker 1: changing not I mean, I was just so towards the end,

437
00:19:31,359 --> 00:19:33,760
Speaker 1: I remember I was like doing the same thing I

438
00:19:33,760 --> 00:19:35,040
Speaker 1: did that when I would get up, I would sit

439
00:19:35,080 --> 00:19:36,720
Speaker 1: in the chair, have a coffee. I would go to

440
00:19:36,760 --> 00:19:39,000
Speaker 1: the treadmill do thirty minute. Like I had a whole regiment.

441
00:19:39,119 --> 00:19:41,639
Speaker 1: I would listen to the same few songs before I

442
00:19:41,680 --> 00:19:43,760
Speaker 1: went to the audition. I like had a ritual. Do

443
00:19:43,800 --> 00:19:44,560
Speaker 1: you remember what they were?

444
00:19:44,920 --> 00:19:47,280
Speaker 5: Ah, definitely Madonna.

445
00:19:47,800 --> 00:19:50,320
Speaker 1: One of mine was changed by Blind Melon.

446
00:19:50,680 --> 00:19:51,400
Speaker 5: Oh I love it?

447
00:19:51,640 --> 00:19:54,320
Speaker 2: Does it? How is a melon? Blind? It doesn't make

448
00:19:54,359 --> 00:19:54,800
Speaker 2: no sense.

449
00:19:55,040 --> 00:19:57,320
Speaker 1: Donald is the name of a very popular band. You

450
00:19:57,400 --> 00:20:00,040
Speaker 1: might like their music. Let's circle back to South Ho

451
00:20:00,160 --> 00:20:01,320
Speaker 1: was audition process.

452
00:20:02,640 --> 00:20:05,760
Speaker 5: I feel like probably I'm guessing that Babies Got Back

453
00:20:05,920 --> 00:20:07,760
Speaker 5: was another one of the songs.

454
00:20:07,760 --> 00:20:09,480
Speaker 1: Oh oh wow, that really got you.

455
00:20:09,720 --> 00:20:11,679
Speaker 2: Do you want to tell them your Baby Got backstory?

456
00:20:12,080 --> 00:20:12,399
Speaker 5: Yes?

457
00:20:12,560 --> 00:20:14,800
Speaker 2: I was very impressed that you knew I didn't know

458
00:20:14,840 --> 00:20:16,400
Speaker 2: that song as well as you knew that song.

459
00:20:16,680 --> 00:20:19,240
Speaker 5: For grad parent event, we had to do a talent

460
00:20:19,320 --> 00:20:20,720
Speaker 5: for the parents. And kids got up and played the

461
00:20:20,800 --> 00:20:22,639
Speaker 5: violin and the piano, and ten of my girlfriends and

462
00:20:22,680 --> 00:20:25,160
Speaker 5: I got up and danced and we had a whole routine.

463
00:20:25,560 --> 00:20:27,359
Speaker 1: The routine you did is a bit It was a

464
00:20:27,359 --> 00:20:29,280
Speaker 1: bit sexual. I think that was kind of odd for

465
00:20:29,320 --> 00:20:30,000
Speaker 1: the talent show.

466
00:20:30,160 --> 00:20:31,199
Speaker 2: Now they were seeing yourself.

467
00:20:31,280 --> 00:20:33,600
Speaker 5: I think all of our parents were probably like i'd

468
00:20:33,600 --> 00:20:35,760
Speaker 5: asked them, I should like, what did you think when

469
00:20:35,800 --> 00:20:37,840
Speaker 5: your child was up there at grad parent event?

470
00:20:37,920 --> 00:20:40,480
Speaker 2: It seems like a very odd How old were you guys?

471
00:20:40,760 --> 00:20:42,760
Speaker 5: We were in grade twelve, which is Canadian.

472
00:20:42,800 --> 00:20:44,640
Speaker 2: Grade, right, so you're about to graduate.

473
00:20:45,040 --> 00:20:47,720
Speaker 1: We were in grade twelve, which is Canadian for twelfth grade.

474
00:20:48,440 --> 00:20:48,640
Speaker 2: Yep.

475
00:20:49,400 --> 00:20:53,360
Speaker 5: So any who sen of my songs the Holden BC

476
00:20:53,560 --> 00:20:56,879
Speaker 5: lot and in the quarantine cleanup, I did find my

477
00:20:57,040 --> 00:21:01,200
Speaker 5: sides from the auditor Little visitors past might save both

478
00:21:01,240 --> 00:21:04,440
Speaker 5: of those. But I remember being in the parking lot

479
00:21:04,600 --> 00:21:07,720
Speaker 5: and just like seat back in the car and lying there,

480
00:21:08,240 --> 00:21:10,320
Speaker 5: and someone told me to do this. I've never told

481
00:21:10,359 --> 00:21:16,159
Speaker 5: anyone this, but to visualize yourself walking into the audition,

482
00:21:16,440 --> 00:21:20,040
Speaker 5: visualize the whole thing playing out, and visualize yourself walking

483
00:21:20,040 --> 00:21:22,960
Speaker 5: out and it going really well. And so I remember

484
00:21:23,040 --> 00:21:25,679
Speaker 5: sitting in my car in the NBC parking lot, closed

485
00:21:25,720 --> 00:21:29,040
Speaker 5: my eyes, visualizing the whole thing. And then and then

486
00:21:29,080 --> 00:21:30,960
Speaker 5: Donald and I were in there together with some other

487
00:21:31,040 --> 00:21:33,240
Speaker 5: Turks and some other Elliots and some other jds, and

488
00:21:33,840 --> 00:21:37,000
Speaker 5: we basically all took turks going in and then they

489
00:21:37,080 --> 00:21:39,080
Speaker 5: came back out. And then you go back in with

490
00:21:39,119 --> 00:21:40,960
Speaker 5: this person and read together and then they peer you

491
00:21:41,040 --> 00:21:44,280
Speaker 5: up and you read together, and it was yeah, pretty

492
00:21:44,280 --> 00:21:44,800
Speaker 5: in nerve racking.

493
00:21:44,880 --> 00:21:47,359
Speaker 2: Let me ask you a question. Did you know any

494
00:21:47,400 --> 00:21:50,560
Speaker 2: of the young ladies that were auditioning for your role?

495
00:21:51,080 --> 00:21:53,560
Speaker 2: I knew both of the guys that were auditioning for Turk.

496
00:21:53,720 --> 00:21:56,159
Speaker 2: I knew And not only did I know them, I

497
00:21:56,240 --> 00:21:59,000
Speaker 2: knew them well too, Like I hung out with one

498
00:21:59,000 --> 00:22:01,480
Speaker 2: of them and we used to play a lot of

499
00:22:01,520 --> 00:22:04,000
Speaker 2: basketball together, and then the other one we did a

500
00:22:04,000 --> 00:22:06,480
Speaker 2: bunch of movies together, or we did a movie together.

501
00:22:06,480 --> 00:22:07,840
Speaker 2: But I would see him out at the club all

502
00:22:07,880 --> 00:22:08,200
Speaker 2: the time.

503
00:22:08,440 --> 00:22:09,080
Speaker 1: Was it Denzel?

504
00:22:09,520 --> 00:22:11,200
Speaker 2: I wish it was Denzel? I wish I could be

505
00:22:11,240 --> 00:22:14,600
Speaker 2: like Denzel. I got it, yo, d.

506
00:22:16,119 --> 00:22:18,160
Speaker 1: Denzel, Denzel, this one's mine.

507
00:22:18,200 --> 00:22:21,280
Speaker 2: I'm sorry, Sorry, buddy, you'll bounce back. Don't worry about it.

508
00:22:21,320 --> 00:22:24,359
Speaker 5: So was that weird to sit there with kind of

509
00:22:24,520 --> 00:22:25,160
Speaker 5: buddies or.

510
00:22:25,480 --> 00:22:27,560
Speaker 2: Yeah, you know, it was very It was very weird,

511
00:22:27,720 --> 00:22:29,880
Speaker 2: and it was It's also one of those things where

512
00:22:29,920 --> 00:22:32,240
Speaker 2: it was like, you know, if one of these guys

513
00:22:32,240 --> 00:22:34,320
Speaker 2: get it, I'm gonna freaking I'm gonna lose my shit,

514
00:22:34,600 --> 00:22:36,560
Speaker 2: you know what I mean. Like, as much as I

515
00:22:36,600 --> 00:22:38,960
Speaker 2: love you, guys, and as much as you know I

516
00:22:39,000 --> 00:22:41,880
Speaker 2: have root for you, guys, I want this so bad.

517
00:22:42,040 --> 00:22:44,760
Speaker 2: I want this so bad I could taste it. Both

518
00:22:44,960 --> 00:22:48,119
Speaker 2: very successful have gone on to do other things. I

519
00:22:48,200 --> 00:22:49,520
Speaker 2: just really wanted Chris Turk bad.

520
00:22:49,840 --> 00:22:51,000
Speaker 1: Yeah, well you got it.

521
00:22:51,200 --> 00:22:53,359
Speaker 5: I mean, so when you're sitting in that for people

522
00:22:53,359 --> 00:22:54,919
Speaker 5: that are listening, when you're sitting in that position and

523
00:22:54,920 --> 00:22:56,640
Speaker 5: you're going to so you're going to network, you don't

524
00:22:56,640 --> 00:22:59,919
Speaker 5: have the part yet, and you sign a six year contract.

525
00:23:00,160 --> 00:23:02,440
Speaker 5: They call it five plus one, and I was like, well,

526
00:23:02,440 --> 00:23:05,960
Speaker 5: but isn't that six years?

527
00:23:05,440 --> 00:23:08,960
Speaker 1: That's a contract lingo for. Don't tell them a six years.

528
00:23:08,960 --> 00:23:10,280
Speaker 1: We're going to call it five plus one.

529
00:23:10,480 --> 00:23:12,520
Speaker 5: Yeah, five plus one. So you signed five plus one,

530
00:23:12,560 --> 00:23:16,080
Speaker 5: and I feel like that's always such a feeling of

531
00:23:16,680 --> 00:23:18,560
Speaker 5: I mean, you're twenty four and you're thinking, wow, until

532
00:23:18,560 --> 00:23:21,000
Speaker 5: I'm thirty, and in any other scenario that would kind

533
00:23:21,000 --> 00:23:22,800
Speaker 5: of take your breath away. In this case, I was

534
00:23:22,880 --> 00:23:25,359
Speaker 5: just like, yes, for the love of God, please a

535
00:23:25,440 --> 00:23:28,600
Speaker 5: hundred years of doing this, Like there was no two

536
00:23:28,680 --> 00:23:32,000
Speaker 5: seconds of thinking about it. Was like, I'm desperate, and wow,

537
00:23:32,040 --> 00:23:35,040
Speaker 5: if it could ever go, I would be grateful for

538
00:23:35,080 --> 00:23:37,000
Speaker 5: as many years as it would go for and that

539
00:23:37,040 --> 00:23:41,720
Speaker 5: feeling of just complete signing that and so hopeful that

540
00:23:41,720 --> 00:23:45,040
Speaker 5: don't happen anyways. Then Bill called me the few hours

541
00:23:45,119 --> 00:23:46,439
Speaker 5: lay that day or it was the next day, it

542
00:23:46,480 --> 00:23:48,320
Speaker 5: was very soon after the audition was either later that

543
00:23:48,400 --> 00:23:51,439
Speaker 5: day or the next day, and I couldn't believe it.

544
00:23:51,440 --> 00:23:53,879
Speaker 5: I think we all probably after reading that script kind

545
00:23:53,920 --> 00:23:57,320
Speaker 5: of felt like it was really something special and had

546
00:23:57,720 --> 00:24:00,679
Speaker 5: the possibility of I mean you obviously you never know,

547
00:24:00,760 --> 00:24:04,200
Speaker 5: but the chance to go for it writing so good.

548
00:24:04,320 --> 00:24:06,360
Speaker 2: As you know, Sarah, I did not read the script

549
00:24:06,400 --> 00:24:08,760
Speaker 2: before we shot the pilot. I didn't read the script

550
00:24:08,840 --> 00:24:10,880
Speaker 2: until the table read and I was like, oh, that's

551
00:24:10,920 --> 00:24:14,840
Speaker 2: what happens. Read dude. I didn't know it was a

552
00:24:14,840 --> 00:24:17,679
Speaker 2: freaking dope pilot until my agent was like, dude, this

553
00:24:17,800 --> 00:24:19,120
Speaker 2: is like a really big pilot.

554
00:24:19,920 --> 00:24:22,080
Speaker 1: But I never I never knew the trivia that you

555
00:24:22,119 --> 00:24:23,880
Speaker 1: didn't read the script till the table read.

556
00:24:24,200 --> 00:24:26,720
Speaker 2: Dude, I did not know that, remember the Titans. I

557
00:24:26,760 --> 00:24:29,000
Speaker 2: didn't know what happened in the script until the table read.

558
00:24:29,359 --> 00:24:33,399
Speaker 2: I remember we did the dude. I just listen. I

559
00:24:33,480 --> 00:24:35,440
Speaker 2: just knew only my stuff. This was I was a kid,

560
00:24:35,480 --> 00:24:36,000
Speaker 2: I was young.

561
00:24:36,280 --> 00:24:38,680
Speaker 1: Listen, There would be times when we'd be shooting scrubs

562
00:24:38,720 --> 00:24:41,360
Speaker 1: where you know, the whole script wasn't out yet, and

563
00:24:41,480 --> 00:24:43,320
Speaker 1: you know, because the writers were behind, so we would

564
00:24:43,560 --> 00:24:45,760
Speaker 1: we'd get scenes, but Bill would sort of explain what

565
00:24:45,840 --> 00:24:47,680
Speaker 1: was going on, and you know, you shoot out of order.

566
00:24:47,760 --> 00:24:50,080
Speaker 1: So we'd be like Monday morning, you know, time to rehearse,

567
00:24:50,119 --> 00:24:52,240
Speaker 1: and Donald and I are like standing on a table,

568
00:24:52,280 --> 00:24:54,760
Speaker 1: and he'd whisper in my amy, like, yo, yo, why

569
00:24:54,760 --> 00:25:01,080
Speaker 1: are we standing on a table? I had no idea

570
00:25:01,160 --> 00:25:02,919
Speaker 1: what was happening in the script. All right, We're going

571
00:25:03,000 --> 00:25:05,280
Speaker 1: to take a quick break. I'll be right back with

572
00:25:05,320 --> 00:25:13,240
Speaker 1: the legendary Sarah Chalker.

573
00:25:13,840 --> 00:25:15,640
Speaker 2: And we're back, and we're back.

574
00:25:16,119 --> 00:25:17,800
Speaker 1: Sarah tell us about.

575
00:25:18,080 --> 00:25:19,880
Speaker 5: Really quickly, really quickly. Before I tell you, I need

576
00:25:19,880 --> 00:25:22,639
Speaker 5: to tell you. My favorite example of Donald not having

577
00:25:22,960 --> 00:25:27,560
Speaker 5: read the scene was during the auditions in the show,

578
00:25:27,600 --> 00:25:30,439
Speaker 5: when you were like, I can't remember what sees, but

579
00:25:30,520 --> 00:25:35,040
Speaker 5: we're supposed to be auditioning and Neil and Sam Lloyd

580
00:25:35,200 --> 00:25:39,240
Speaker 5: are auditioning you and like, I remember you walked in

581
00:25:40,040 --> 00:25:42,080
Speaker 5: and you, you know, were like, oh, yeah, I think

582
00:25:42,080 --> 00:25:44,040
Speaker 5: I could you read the actual script? You're like, I

583
00:25:44,040 --> 00:25:45,760
Speaker 5: think I can, you know, come up with a dance

584
00:25:45,800 --> 00:25:47,040
Speaker 5: for that, and you had to come up with a dance,

585
00:25:47,080 --> 00:25:48,960
Speaker 5: and you just came up with on the spot. And

586
00:25:49,000 --> 00:25:50,919
Speaker 5: you're such a fucking good dancer. You came up with

587
00:25:50,960 --> 00:25:54,760
Speaker 5: this unbelievable dance to poison. And then like, my kids

588
00:25:54,760 --> 00:25:56,800
Speaker 5: are all obsessed with the fact that it's the Fortnite

589
00:25:56,880 --> 00:25:59,359
Speaker 5: dance now and they watch the Fortnite character do it

590
00:25:59,400 --> 00:26:03,120
Speaker 5: besides you, and they've all tried to learn it. We've

591
00:26:03,119 --> 00:26:04,480
Speaker 5: tried to learn it. I can't learn it.

592
00:26:04,960 --> 00:26:06,600
Speaker 2: I don't think I could even do it again.

593
00:26:07,160 --> 00:26:09,199
Speaker 1: Listen. So I just want to say the building off

594
00:26:09,240 --> 00:26:11,600
Speaker 1: what Sarah said, that's a perfect example. Sorry Sarah, that

595
00:26:11,680 --> 00:26:14,280
Speaker 1: is the best example. Donald hadn't read the script and

596
00:26:14,320 --> 00:26:16,399
Speaker 1: everyone loves that dance. People talk about it. It's the

597
00:26:16,440 --> 00:26:19,119
Speaker 1: Fortnite dances everywhere. Donald literally showed up and was like,

598
00:26:19,160 --> 00:26:21,040
Speaker 1: you want me to do what now? And he had

599
00:26:21,040 --> 00:26:24,159
Speaker 1: to and he totally improvised that dance on the spot.

600
00:26:24,359 --> 00:26:26,600
Speaker 2: Well, there was a lot of years of of you know,

601
00:26:26,960 --> 00:26:29,360
Speaker 2: I was a huge New Audition fan, a huge Bell

602
00:26:29,400 --> 00:26:32,560
Speaker 2: Bib Davout fan. I still am a huge New Edition

603
00:26:32,600 --> 00:26:35,840
Speaker 2: in Bell Bib Davou fan, and Bobby Brown and Ralph

604
00:26:35,920 --> 00:26:39,440
Speaker 2: trans van all of them. Anyway, I had been dancing

605
00:26:39,520 --> 00:26:41,840
Speaker 2: like that my whole life, pretty much since I was

606
00:26:41,880 --> 00:26:44,720
Speaker 2: like and since ninety two, I was doing dances like that,

607
00:26:45,119 --> 00:26:46,879
Speaker 2: and so when they were like, we want you to

608
00:26:46,960 --> 00:26:50,120
Speaker 2: dance to poison, in my mind I was like, yeah,

609
00:26:50,119 --> 00:26:51,720
Speaker 2: I know, I know some steps that I could do

610
00:26:51,760 --> 00:26:54,280
Speaker 2: to that to everybody else, because I remember I was

611
00:26:54,359 --> 00:26:57,840
Speaker 2: late that day. Everybody packed the room that day, and

612
00:26:57,920 --> 00:26:59,720
Speaker 2: I know the pressure was on me, but I was like,

613
00:26:59,800 --> 00:27:02,760
Speaker 2: this is this is something that I do all the time. Now.

614
00:27:02,760 --> 00:27:06,639
Speaker 2: There are other times where I didn't prepare when we

615
00:27:06,640 --> 00:27:08,800
Speaker 2: were doing the show, and it cost us like hours

616
00:27:08,800 --> 00:27:09,400
Speaker 2: of filming.

617
00:27:09,480 --> 00:27:11,879
Speaker 1: Oh my god, Donald, I remember I was I was

618
00:27:12,600 --> 00:27:16,080
Speaker 1: directing once and Donald had a paragraph of medical jargon,

619
00:27:16,160 --> 00:27:19,280
Speaker 1: like a really hard a paragraph you would anyone would

620
00:27:19,359 --> 00:27:22,080
Speaker 1: have to practice a lot because it was like fast

621
00:27:22,200 --> 00:27:26,080
Speaker 1: medical jargon and like five sentences and I was directing

622
00:27:26,119 --> 00:27:28,640
Speaker 1: and just Donald could not get it because he hadn't

623
00:27:28,640 --> 00:27:30,159
Speaker 1: even looked at it. It's not something you could do

624
00:27:30,240 --> 00:27:32,120
Speaker 1: on the spot. And I remember, you know, when you're

625
00:27:32,119 --> 00:27:35,160
Speaker 1: directing a scene, you normally start with the widest shots

626
00:27:35,160 --> 00:27:37,960
Speaker 1: and then you start moving into closer and closer angles,

627
00:27:38,480 --> 00:27:40,240
Speaker 1: and I was like, Donald, we gotta move on, dude,

628
00:27:40,400 --> 00:27:42,040
Speaker 1: don't worry, We'll cut it together. We cut it together.

629
00:27:42,119 --> 00:27:44,200
Speaker 1: By the time we got to like an extreme close

630
00:27:44,280 --> 00:27:47,679
Speaker 1: up of Donald's face, like eyebrowed a chin, he finally

631
00:27:47,720 --> 00:27:50,119
Speaker 1: got it. And if you watch that episode, like Donald

632
00:27:50,119 --> 00:27:52,920
Speaker 1: does the whole monologue and a shot that's like this tight,

633
00:27:53,640 --> 00:27:55,760
Speaker 1: because that was finally the only time you ever got it.

634
00:27:55,840 --> 00:27:58,520
Speaker 2: Those days are over, by the way. Just anybody who's

635
00:27:58,760 --> 00:28:01,680
Speaker 2: looking to hire me for any thing, yeah, I am

636
00:28:01,680 --> 00:28:02,600
Speaker 2: not like that anymore.

637
00:28:02,680 --> 00:28:06,280
Speaker 1: I'm sure no no casting directors or directors are listening

638
00:28:06,280 --> 00:28:06,960
Speaker 1: to our podcast.

639
00:28:08,800 --> 00:28:11,240
Speaker 5: But and what Zach was saying about, you know, getting

640
00:28:11,240 --> 00:28:14,480
Speaker 5: the script sometimes, you know, as the season would get

641
00:28:14,520 --> 00:28:17,040
Speaker 5: towards the end, and the writers were so taxed trying

642
00:28:17,040 --> 00:28:21,119
Speaker 5: to crank out these scripts that were so funny. I

643
00:28:21,119 --> 00:28:24,240
Speaker 5: remember one morning we got to work on a Monday morning,

644
00:28:24,280 --> 00:28:27,360
Speaker 5: and it was the week that my character had the voiceover,

645
00:28:27,440 --> 00:28:30,080
Speaker 5: because each of our characters had a voiceover for one time,

646
00:28:30,600 --> 00:28:32,679
Speaker 5: and they didn't have the script out yet, but we

647
00:28:32,720 --> 00:28:36,040
Speaker 5: had to start shooting something, and so they said, We're

648
00:28:36,040 --> 00:28:38,400
Speaker 5: just going to do a long, kind of steady cam

649
00:28:38,480 --> 00:28:41,560
Speaker 5: shot following you through the hallways, and I just want

650
00:28:41,600 --> 00:28:44,120
Speaker 5: you to change your face around to go with different

651
00:28:44,200 --> 00:28:46,600
Speaker 5: emotions and things you're going to write. So just you know,

652
00:28:46,640 --> 00:28:49,320
Speaker 5: you're walking and you're thinking, like a little bit happy

653
00:28:49,480 --> 00:28:51,200
Speaker 5: and you're a little bit sad, and then you're thinking

654
00:28:51,240 --> 00:28:54,520
Speaker 5: about something. We talk for two hours, just me and

655
00:28:54,560 --> 00:28:55,240
Speaker 5: his steady cam.

656
00:28:55,600 --> 00:28:58,200
Speaker 1: I'm like, that's funny that they probably had to eventually

657
00:28:58,280 --> 00:29:00,760
Speaker 1: write to your expressions because they were changing, because then

658
00:29:00,800 --> 00:29:02,480
Speaker 1: they didn't and the camera didn't want to cut away.

659
00:29:02,520 --> 00:29:04,680
Speaker 1: So it's like, okay, wait, she's about it. Got a

660
00:29:04,720 --> 00:29:07,920
Speaker 1: second of seriousness and then a smile, so like we

661
00:29:07,960 --> 00:29:10,360
Speaker 1: need a one second sentence and then it's something to

662
00:29:10,400 --> 00:29:11,040
Speaker 1: smile about.

663
00:29:11,480 --> 00:29:15,400
Speaker 5: Then looking a little nostalgic and all.

664
00:29:15,360 --> 00:29:17,200
Speaker 1: Right, should we go into this episode? This is one

665
00:29:17,200 --> 00:29:19,280
Speaker 1: of my favorite episodes. This is one of my favorite

666
00:29:19,320 --> 00:29:23,600
Speaker 1: episodes of the whole nine years. It really is special,

667
00:29:23,640 --> 00:29:25,000
Speaker 1: and I want you to know I haven't seen it

668
00:29:25,040 --> 00:29:28,880
Speaker 1: in twenty years and I got goosebumps multiple times watching it.

669
00:29:28,920 --> 00:29:30,480
Speaker 1: That's how it really does hold up.

670
00:29:30,680 --> 00:29:34,040
Speaker 2: I was about, there's some really great moments in this show,

671
00:29:34,720 --> 00:29:37,120
Speaker 2: in particular with you, Sarah. This this you know, I

672
00:29:37,520 --> 00:29:39,200
Speaker 2: looked at this show when I first when we first

673
00:29:39,240 --> 00:29:41,200
Speaker 2: did this show, I was like, oh, wow, we all

674
00:29:41,240 --> 00:29:44,040
Speaker 2: get a chance to shine here. But this was a

675
00:29:44,080 --> 00:29:47,120
Speaker 2: moment I feel like for you and for Judy as well,

676
00:29:47,160 --> 00:29:50,280
Speaker 2: where you guys, you guys really crushed this episode. Like

677
00:29:50,320 --> 00:29:54,920
Speaker 2: it's really fucking good, like you two alone, you alone,

678
00:29:54,960 --> 00:29:57,719
Speaker 2: you and Judy alone. Like really, I don't know what

679
00:29:57,760 --> 00:30:00,240
Speaker 2: it is, but you guys start off on a you know,

680
00:30:00,320 --> 00:30:02,600
Speaker 2: as adversaries and by the end of it your friends.

681
00:30:02,960 --> 00:30:04,920
Speaker 2: And that's for a half an hour. To be able

682
00:30:04,960 --> 00:30:08,320
Speaker 2: to tell a story like that's very difficult to start

683
00:30:08,400 --> 00:30:11,560
Speaker 2: two people off as enemies, especially when the narrative so

684
00:30:11,680 --> 00:30:14,520
Speaker 2: far in the show has been you guys not getting along.

685
00:30:14,840 --> 00:30:17,800
Speaker 2: And so, you know, it really is a testament to

686
00:30:17,840 --> 00:30:20,800
Speaker 2: how good you are as an actress that you guys

687
00:30:20,840 --> 00:30:23,640
Speaker 2: were able to not only bring the funny, but bring

688
00:30:23,640 --> 00:30:26,360
Speaker 2: the drama and then also bring the connection so that

689
00:30:26,440 --> 00:30:28,960
Speaker 2: the story tracks all the way through. And I just

690
00:30:28,960 --> 00:30:31,560
Speaker 2: wanted to give you props on that straight up, right out,

691
00:30:31,640 --> 00:30:33,400
Speaker 2: you know the bat. And also it was so early

692
00:30:33,480 --> 00:30:36,120
Speaker 2: on in the show too, it was episode four, and

693
00:30:36,200 --> 00:30:39,120
Speaker 2: so for us to be able to jump in and

694
00:30:39,600 --> 00:30:42,200
Speaker 2: tell such a good story it's really a testament to

695
00:30:42,200 --> 00:30:44,560
Speaker 2: how good First of all, Matt tarsis, Holy shit, what

696
00:30:44,640 --> 00:30:45,240
Speaker 2: a good writer d.

697
00:30:45,320 --> 00:30:47,560
Speaker 1: Matt Tarsus wrote it. And we should also say that

698
00:30:47,600 --> 00:30:50,200
Speaker 1: this was the first episode not directed by Adam Bernstein,

699
00:30:50,320 --> 00:30:53,120
Speaker 1: and it was the first episode directed by Mark Buckland,

700
00:30:53,480 --> 00:30:56,040
Speaker 1: who really added a lot of cool style. You know,

701
00:30:56,080 --> 00:30:59,960
Speaker 1: we've spoken about how Adam Bernstein really developed the language,

702
00:31:00,080 --> 00:31:02,040
Speaker 1: how the camera moves and scrubs and how you could

703
00:31:02,040 --> 00:31:03,640
Speaker 1: do some trick shots, and how there was a lot

704
00:31:03,640 --> 00:31:05,880
Speaker 1: of creativity. The camera was a character in the show,

705
00:31:06,240 --> 00:31:08,640
Speaker 1: and Mark Bucklan, I think, with this episode, really took

706
00:31:08,640 --> 00:31:10,600
Speaker 1: that and ran with it and added a lot of

707
00:31:11,000 --> 00:31:13,640
Speaker 1: a new language to the way the show was shot.

708
00:31:13,840 --> 00:31:16,400
Speaker 5: Adam Bernstein, it should be said, directed the Baby's Got

709
00:31:16,400 --> 00:31:18,520
Speaker 5: Back video in case anyone out there does.

710
00:31:18,400 --> 00:31:21,400
Speaker 1: Not know that, Yes, that's that is that is beautiful

711
00:31:21,440 --> 00:31:23,800
Speaker 1: trivia there for you Scrubs fans. Sarah can do the

712
00:31:23,800 --> 00:31:25,800
Speaker 1: full dance and knows all the lyrics the Babies Got

713
00:31:25,880 --> 00:31:28,640
Speaker 1: Back And coincidentally, was it Sir Mix a Lot? Yes,

714
00:31:28,680 --> 00:31:31,160
Speaker 1: it is Sir Mix a Lot music video was directed

715
00:31:31,160 --> 00:31:32,880
Speaker 1: by Adam Bernstein. There you go, that's not on your

716
00:31:32,920 --> 00:31:33,640
Speaker 1: Scrubs wiki.

717
00:31:33,880 --> 00:31:36,520
Speaker 2: Right. Thank you told you wiki wiki we got it

718
00:31:36,560 --> 00:31:36,920
Speaker 2: from here.

719
00:31:37,440 --> 00:31:39,120
Speaker 5: Well, first of all, Donald, thank you for saying all

720
00:31:39,120 --> 00:31:41,440
Speaker 5: those nice things. I felt the same way about you guys.

721
00:31:41,480 --> 00:31:44,040
Speaker 5: Like I was like going, like, wow, Donald, Zach fucking

722
00:31:44,120 --> 00:31:46,040
Speaker 5: nailing this episode. And it's like we just started, like

723
00:31:46,080 --> 00:31:47,880
Speaker 5: we were a few weeks in. It was that fourth episode,

724
00:31:47,880 --> 00:31:49,840
Speaker 5: but it was the third one that we'd shot in

725
00:31:49,840 --> 00:31:52,360
Speaker 5: that chunk, you know, separated out from the pilot. And

726
00:31:52,440 --> 00:31:55,560
Speaker 5: like I feel like Bill had told us a long

727
00:31:55,640 --> 00:32:00,600
Speaker 5: time ago that he didn't he say to the network,

728
00:32:01,080 --> 00:32:03,000
Speaker 5: We're going to set it up one out of every

729
00:32:03,120 --> 00:32:05,120
Speaker 5: three patients die here and you're kind of waiting the

730
00:32:05,160 --> 00:32:06,600
Speaker 5: whole episode to find out who it's going to be,

731
00:32:06,600 --> 00:32:08,040
Speaker 5: and then they all die. I feel like he said

732
00:32:08,040 --> 00:32:09,280
Speaker 5: that to the network and they said, no, you can

733
00:32:09,320 --> 00:32:11,000
Speaker 5: only have one patient die, and he said, no, it's

734
00:32:11,000 --> 00:32:12,840
Speaker 5: going to be all three. But we have to do that. Yeah,

735
00:32:13,080 --> 00:32:15,120
Speaker 5: we're coming out of the gate right now. We're going

736
00:32:15,200 --> 00:32:17,840
Speaker 5: to show the audience that this is what the show is.

737
00:32:17,920 --> 00:32:21,440
Speaker 5: And all those years on Scrubs, this one, for me

738
00:32:21,600 --> 00:32:23,760
Speaker 5: absolutely is the one that stands out whenever I think

739
00:32:23,760 --> 00:32:28,640
Speaker 5: of the show as being the one that really shows

740
00:32:28,680 --> 00:32:31,680
Speaker 5: the responsibility that's put on these young, young, young doctors.

741
00:32:31,720 --> 00:32:33,840
Speaker 5: I mean, my little sister is in her first year

742
00:32:34,240 --> 00:32:37,479
Speaker 5: right now of being a real doctor. What a crazy

743
00:32:37,520 --> 00:32:41,840
Speaker 5: time in the world to be doing that. And I

744
00:32:41,880 --> 00:32:44,960
Speaker 5: can't believe, for stories, I can't believe what level of

745
00:32:44,960 --> 00:32:47,720
Speaker 5: responsibility that they're given right out of the gate. I mean,

746
00:32:48,160 --> 00:32:50,240
Speaker 5: I'll be at work on set and I'm on lunch,

747
00:32:50,560 --> 00:32:53,640
Speaker 5: and I come back from lunch and she's like, you know,

748
00:32:53,680 --> 00:32:57,040
Speaker 5: she's just been doing CPR on someone for thirty minutes,

749
00:32:57,080 --> 00:32:58,840
Speaker 5: trying to save them. And I'm like, well, I was

750
00:32:58,880 --> 00:33:00,760
Speaker 5: just in here a makeup touch and they took the

751
00:33:00,760 --> 00:33:05,479
Speaker 5: same curl and recurled it again to make it curly,

752
00:33:05,600 --> 00:33:08,880
Speaker 5: you know, like it just it's such a uh it

753
00:33:08,920 --> 00:33:11,719
Speaker 5: takes your breath away. Really, what the decisions young doctors

754
00:33:11,720 --> 00:33:12,160
Speaker 5: have to make?

755
00:33:12,480 --> 00:33:15,360
Speaker 1: Do you think your sister was inspired by you? I

756
00:33:15,400 --> 00:33:17,720
Speaker 1: mean it's interesting. You know a lot of younger sisters

757
00:33:17,760 --> 00:33:20,040
Speaker 1: might be inspired that their older sister was a real doctor.

758
00:33:20,080 --> 00:33:23,040
Speaker 1: But because she grew up with you playing this character,

759
00:33:23,040 --> 00:33:24,880
Speaker 1: does she think that that inspired her at all?

760
00:33:25,160 --> 00:33:25,320
Speaker 6: Oh?

761
00:33:25,320 --> 00:33:27,920
Speaker 5: I tried to get my I remember I'd say to

762
00:33:27,920 --> 00:33:30,080
Speaker 5: my family like, hey, guys, like, did you see. You know,

763
00:33:30,120 --> 00:33:31,840
Speaker 5: I was so excited about the show. I like, you've seen.

764
00:33:31,880 --> 00:33:34,000
Speaker 5: They were like, well, we t vote it because it's

765
00:33:34,000 --> 00:33:35,160
Speaker 5: on the same time as twenty four.

766
00:33:35,160 --> 00:33:35,920
Speaker 2: But that Jack.

767
00:33:35,760 --> 00:33:43,239
Speaker 5: Bauer, what he did? They I feel like, you know,

768
00:33:43,400 --> 00:33:45,880
Speaker 5: she's thirteen years younger than me, and I would like

769
00:33:45,920 --> 00:33:48,240
Speaker 5: to think that I had that kind of an influence,

770
00:33:48,280 --> 00:33:51,920
Speaker 5: but really she came out of the womb a doctor.

771
00:33:51,960 --> 00:33:54,440
Speaker 5: I mean, she the stories are crazy me. Yeah, she

772
00:33:54,760 --> 00:33:58,680
Speaker 5: was just so interested in medicine from such a young

773
00:33:58,680 --> 00:34:02,360
Speaker 5: age and really so calm under pressure, like I remember,

774
00:34:02,920 --> 00:34:05,080
Speaker 5: just just responsible. I mean I remember we went on

775
00:34:05,120 --> 00:34:06,920
Speaker 5: a road trip and she'd had her license for maybe

776
00:34:06,920 --> 00:34:09,879
Speaker 5: two weeks and my dad was like, so she's gonna drive, right,

777
00:34:09,920 --> 00:34:11,440
Speaker 5: And I was like, Dad, I've been I've been driving

778
00:34:11,440 --> 00:34:13,319
Speaker 5: for thirteen and a half years. He's like, yeah, yeah,

779
00:34:13,320 --> 00:34:16,400
Speaker 5: so she's gonna drive right. Like she just is just

780
00:34:16,480 --> 00:34:20,480
Speaker 5: a much more responsible human. But it definitely has been

781
00:34:20,560 --> 00:34:24,960
Speaker 5: interesting just rewatching a couple, like just last night, rewatching

782
00:34:25,000 --> 00:34:28,000
Speaker 5: a couple of the early episodes and thinking them, thinking

783
00:34:28,000 --> 00:34:31,040
Speaker 5: about them just in the context of her and this

784
00:34:31,080 --> 00:34:35,839
Speaker 5: one in particular, because it's pretty it's pretty unbelievable, as

785
00:34:35,840 --> 00:34:38,960
Speaker 5: you know, you see JD and Elliott and Turk and

786
00:34:39,680 --> 00:34:42,080
Speaker 5: the pressure that is on them and just all of it,

787
00:34:42,160 --> 00:34:44,480
Speaker 5: like trying to figure out, you know, what calls they

788
00:34:44,480 --> 00:34:46,399
Speaker 5: can make on their own and when to go for help.

789
00:34:46,840 --> 00:34:50,280
Speaker 2: Here's a little bit more scrubs trivia. Your little sister

790
00:34:50,960 --> 00:34:56,439
Speaker 2: taught my eighteen year old, when he was probably nine

791
00:34:56,440 --> 00:35:00,880
Speaker 2: to ten months at this time, how to walk. It

792
00:35:01,040 --> 00:35:04,400
Speaker 2: happened on the third floor of the hospital, right in

793
00:35:04,520 --> 00:35:09,600
Speaker 2: between our dressing rooms. That's so crazy crazy. And now

794
00:35:09,600 --> 00:35:11,959
Speaker 2: she's an adult and she's taking care of patients. Wow,

795
00:35:12,400 --> 00:35:13,839
Speaker 2: is she on the front line right now?

796
00:35:14,680 --> 00:35:17,800
Speaker 5: She is. I think about her mostly every minute.

797
00:35:18,040 --> 00:35:18,400
Speaker 6: Wow.

798
00:35:18,800 --> 00:35:23,160
Speaker 5: We've been pots and pans every night, all of us.

799
00:35:23,200 --> 00:35:26,240
Speaker 5: And my three year old has broken a couple measuring

800
00:35:26,239 --> 00:35:28,680
Speaker 5: cups because she gets so into it.

801
00:35:29,760 --> 00:35:31,440
Speaker 1: That's very sweet. You do it as like an honor

802
00:35:31,560 --> 00:35:33,319
Speaker 1: to the healthcare workers.

803
00:35:33,760 --> 00:35:37,439
Speaker 5: Yeah, so it's it's really cool. Actually, everybody, everybody goes

804
00:35:37,440 --> 00:35:40,080
Speaker 5: out on Everybody goes outside at like seven o'clock and

805
00:35:40,160 --> 00:35:43,480
Speaker 5: just egs the pots and pans and screams and cheers.

806
00:35:43,880 --> 00:35:45,879
Speaker 1: Oh. I like that. I want my neighborhood. I want

807
00:35:45,880 --> 00:35:48,480
Speaker 1: my neighborhood to do that. We need a primal scream.

808
00:35:48,800 --> 00:35:50,640
Speaker 5: Oh you start it, It's so cool.

809
00:35:50,920 --> 00:35:51,200
Speaker 2: Yeah.

810
00:35:51,520 --> 00:35:53,480
Speaker 1: Just segueing back to the show, I want to just

811
00:35:53,640 --> 00:35:55,959
Speaker 1: say that you'll hear us at a minute and forty

812
00:35:55,960 --> 00:35:58,560
Speaker 1: five seconds, there's this really cool steady cam shot that

813
00:35:58,719 --> 00:36:01,800
Speaker 1: really kind of sets up the tone of the show.

814
00:36:02,239 --> 00:36:04,279
Speaker 1: You'll hear us talk about. The word steady came a

815
00:36:04,360 --> 00:36:06,160
Speaker 1: lot on this and if you don't know what it is,

816
00:36:06,200 --> 00:36:08,000
Speaker 1: it's a it's like it's a way of mounting the

817
00:36:08,040 --> 00:36:11,759
Speaker 1: camera on an operator's body so that the operator can

818
00:36:11,800 --> 00:36:14,720
Speaker 1: move around and the camera just feels like it's floating around,

819
00:36:14,760 --> 00:36:17,879
Speaker 1: and it's something that was used extensively on the Scrubs

820
00:36:17,920 --> 00:36:20,279
Speaker 1: set as we traveled on the hallways. But I pointed out,

821
00:36:20,280 --> 00:36:22,480
Speaker 1: as I was talking about Mark Buckler in the director's style,

822
00:36:22,520 --> 00:36:24,880
Speaker 1: how I like this sort of way he's introducing that

823
00:36:24,880 --> 00:36:26,480
Speaker 1: this episode is going to be about the three of us,

824
00:36:26,480 --> 00:36:29,319
Speaker 1: where the camera starts on me and then it and

825
00:36:29,360 --> 00:36:32,000
Speaker 1: then it goes to Sarah and it never it never cuts,

826
00:36:32,000 --> 00:36:33,840
Speaker 1: and then it goes by the children and then it

827
00:36:33,880 --> 00:36:35,719
Speaker 1: comes up to Donald as he comes into the room.

828
00:36:35,719 --> 00:36:39,320
Speaker 1: And I just thought that was kind of an early

829
00:36:39,360 --> 00:36:41,360
Speaker 1: example of something that we did ended up doing a

830
00:36:41,360 --> 00:36:44,120
Speaker 1: lot of of of sort of moving around the hallways

831
00:36:44,160 --> 00:36:45,120
Speaker 1: without cutting a lot.

832
00:36:45,440 --> 00:36:47,839
Speaker 2: Yeah. Also, if I don't know if you guys noticed,

833
00:36:47,840 --> 00:36:50,480
Speaker 2: but the hospital is really dark in this episode.

834
00:36:50,760 --> 00:36:52,080
Speaker 1: Yeah, it's true.

835
00:36:52,360 --> 00:36:55,000
Speaker 2: The lights aren't on. Really everything's you know, it's very

836
00:36:55,160 --> 00:36:58,359
Speaker 2: very dark in this episode. Not only that, here's another thing.

837
00:36:58,360 --> 00:37:00,920
Speaker 2: It's jumping ahead, but this is one of the first

838
00:37:00,960 --> 00:37:04,280
Speaker 2: times where Kelso isn't the bad guy on the show. Also,

839
00:37:05,200 --> 00:37:08,520
Speaker 2: what I've noticed is that when we're dealing with something

840
00:37:09,200 --> 00:37:13,319
Speaker 2: like that's as powerful or as strong as death, it's

841
00:37:13,480 --> 00:37:15,960
Speaker 2: us versus the hospital. If you've noticed that, you know

842
00:37:16,000 --> 00:37:20,920
Speaker 2: what I mean, it's the cast versus death. And in

843
00:37:20,960 --> 00:37:24,160
Speaker 2: this one, Kelso gives is a mentor in this one.

844
00:37:24,360 --> 00:37:27,600
Speaker 2: He gives really good advice in this one to JD.

845
00:37:28,640 --> 00:37:31,520
Speaker 2: And he's not the obstacle. He's the one that's actually

846
00:37:31,600 --> 00:37:35,759
Speaker 2: trying to help solve the problems in this Now, if

847
00:37:35,800 --> 00:37:39,560
Speaker 2: you watch other episodes, he's never really like that, you

848
00:37:39,640 --> 00:37:42,680
Speaker 2: know what I mean, He's always he's always the bad guy.

849
00:37:42,719 --> 00:37:45,720
Speaker 2: This was the first episode, well obviously the first episode

850
00:37:45,760 --> 00:37:46,920
Speaker 2: in a run, but this is the first episode that

851
00:37:46,920 --> 00:37:48,960
Speaker 2: I can remember where I was like, wow, Kelso was

852
00:37:49,040 --> 00:37:51,440
Speaker 2: on board with us this whole time.

853
00:37:51,680 --> 00:37:53,560
Speaker 1: Mm hmm. I like what you pointed out too about

854
00:37:53,560 --> 00:37:56,480
Speaker 1: the lighting, because traditionally in half hour TV comedy everything's

855
00:37:56,480 --> 00:37:59,239
Speaker 1: always bright. There's like this unwritten rule that for it

856
00:37:59,280 --> 00:38:02,400
Speaker 1: to be funny, it's out of you bright. And again

857
00:38:02,520 --> 00:38:05,560
Speaker 1: just challenging some of the conventions. In this episode, both

858
00:38:05,640 --> 00:38:09,799
Speaker 1: John Inwood, the cinematographer, and Mark Buckland did things like

859
00:38:10,000 --> 00:38:13,040
Speaker 1: have have it be in dark rooms? You know, having

860
00:38:13,080 --> 00:38:17,200
Speaker 1: some of the dramatic moments like in ICU later happened

861
00:38:17,200 --> 00:38:21,120
Speaker 1: in you know, at night or at sundown, which I thought,

862
00:38:21,160 --> 00:38:22,839
Speaker 1: was I agree, that was something I hadn't I had

863
00:38:22,920 --> 00:38:24,560
Speaker 1: noticed that was this is the first time they did that.

864
00:38:24,920 --> 00:38:26,719
Speaker 2: Yeah, it carries on throughout the series too.

865
00:38:27,239 --> 00:38:31,160
Speaker 1: Yeah. At two twenty six we meet Catherine Juston playing

866
00:38:31,280 --> 00:38:34,160
Speaker 1: Missus Tanner. Now, she is such an uzz She has

867
00:38:34,280 --> 00:38:36,880
Speaker 1: since passed away, but was such an extraordinary actress. And

868
00:38:36,920 --> 00:38:40,160
Speaker 1: I remember she had just done a very high profile

869
00:38:40,280 --> 00:38:43,400
Speaker 1: run on the West Wing where that character had passed

870
00:38:43,440 --> 00:38:46,719
Speaker 1: away as well, and I remember thinking, well, is that

871
00:38:46,800 --> 00:38:49,160
Speaker 1: gonna be odd that she's coming onto art. I mean,

872
00:38:49,160 --> 00:38:51,440
Speaker 1: I'm glad she's coming on because she's a wonderful actress,

873
00:38:51,440 --> 00:38:54,920
Speaker 1: but having just played someone else who died. I think

874
00:38:54,920 --> 00:38:56,480
Speaker 1: I just remember that being in my head like she

875
00:38:56,480 --> 00:38:58,680
Speaker 1: had just done such a hope, high profile moment on

876
00:38:59,000 --> 00:39:02,719
Speaker 1: West Wing. But then the second I started working with her,

877
00:39:02,760 --> 00:39:06,680
Speaker 1: I just felt in awe of her, of her talent,

878
00:39:06,760 --> 00:39:08,360
Speaker 1: and that was the furthest thing from my mind.

879
00:39:08,520 --> 00:39:10,520
Speaker 5: It's one of my favorite moments in the episode when

880
00:39:10,520 --> 00:39:12,040
Speaker 5: she says, are you a good doctor? And you say

881
00:39:12,080 --> 00:39:14,279
Speaker 5: it's probably too soon to tell, And I just feel

882
00:39:14,280 --> 00:39:17,560
Speaker 5: like it's such a such an example of how the

883
00:39:17,640 --> 00:39:20,160
Speaker 5: show walked that line of like you're just on the

884
00:39:20,280 --> 00:39:22,480
Speaker 5: edge of your seat and you're crying and then you're laughing,

885
00:39:22,520 --> 00:39:24,280
Speaker 5: and there's a few moments.

886
00:39:24,480 --> 00:39:26,160
Speaker 2: Oh, there's a couple of moments that I laughed in

887
00:39:26,200 --> 00:39:30,239
Speaker 2: my ass. So when JD goes to the park to

888
00:39:30,320 --> 00:39:33,799
Speaker 2: meet up with her, yeah, and he's like, you got

889
00:39:33,800 --> 00:39:36,200
Speaker 2: to get your ass back to the hospital. And then

890
00:39:36,200 --> 00:39:38,200
Speaker 2: he's like, is that some Moores? And then they cut

891
00:39:38,239 --> 00:39:41,160
Speaker 2: away and then they cut back and he's still chastising her,

892
00:39:41,239 --> 00:39:43,080
Speaker 2: but now you've got chocolate all on his lips.

893
00:39:43,160 --> 00:39:46,279
Speaker 1: Yeah, JD was not going to pass up Amores moment.

894
00:39:46,280 --> 00:39:46,920
Speaker 1: Are you kidding me?

895
00:39:47,760 --> 00:39:49,200
Speaker 5: You think he could have gone a big cake.

896
00:39:50,840 --> 00:39:53,280
Speaker 1: JD was not. JD was trying. It was a perfect

897
00:39:53,360 --> 00:39:55,560
Speaker 1: JD thing to be like really trying to be taken

898
00:39:55,600 --> 00:39:58,440
Speaker 1: seriously with s'mores, chuck let over all of his lips.

899
00:40:00,040 --> 00:40:02,120
Speaker 5: They're one of my favorite laugh out low moments is

900
00:40:02,160 --> 00:40:03,880
Speaker 5: when donald is doing.

901
00:40:03,680 --> 00:40:09,560
Speaker 1: The workout video, which is foreshadowing the Bois and dance

902
00:40:09,600 --> 00:40:11,560
Speaker 1: a little bit because you're dancing in the very same

903
00:40:11,640 --> 00:40:13,280
Speaker 1: room and and a little.

904
00:40:13,040 --> 00:40:15,240
Speaker 5: Bit and some and some sweet moves that I guarantee

905
00:40:15,239 --> 00:40:18,319
Speaker 5: you we're not in the eighties workout video. But when

906
00:40:18,360 --> 00:40:20,480
Speaker 5: the like she had such energy and warm dude, the

907
00:40:20,480 --> 00:40:22,960
Speaker 5: Women League of Women Voters called and they want to

908
00:40:22,960 --> 00:40:24,200
Speaker 5: know where to zend your membership.

909
00:40:27,120 --> 00:40:30,680
Speaker 1: Sarah tell us about I'm a tell us about I'm

910
00:40:30,680 --> 00:40:33,239
Speaker 1: a Chunky Monkey from Funky Town because I remember that,

911
00:40:33,280 --> 00:40:34,840
Speaker 1: and I just was like, who wrote that? That is

912
00:40:34,880 --> 00:40:36,160
Speaker 1: the most random thing in the world.

913
00:40:36,440 --> 00:40:39,239
Speaker 5: I guess Matt Tarsus or who knows.

914
00:40:39,440 --> 00:40:41,680
Speaker 1: But was the idea that you were just testing out?

915
00:40:42,000 --> 00:40:45,640
Speaker 1: Elliott was just testing out that she could say anything

916
00:40:45,640 --> 00:40:46,279
Speaker 1: in front of a woman.

917
00:40:46,560 --> 00:40:47,799
Speaker 5: Yes, yes, I think so.

918
00:40:47,960 --> 00:40:48,240
Speaker 2: Yes.

919
00:40:49,680 --> 00:40:52,239
Speaker 5: Obviously to Carla's disclay.

920
00:40:52,280 --> 00:40:54,040
Speaker 2: There's a lot of there's a lot of trivia in

921
00:40:54,080 --> 00:40:59,279
Speaker 2: this episode, because we we introduced characters that from that

922
00:40:59,400 --> 00:41:02,720
Speaker 2: moment on weren't on the show anymore. Like I remember

923
00:41:03,680 --> 00:41:07,319
Speaker 2: Layla Lee, she plays the surgeon in the room with

924
00:41:07,560 --> 00:41:08,560
Speaker 2: doctor Wynn and Turk.

925
00:41:08,800 --> 00:41:10,759
Speaker 1: She was really good. I had the same reaction. I

926
00:41:10,800 --> 00:41:11,480
Speaker 1: was like, what happened to her?

927
00:41:11,520 --> 00:41:13,520
Speaker 2: She was, yeah, so I do know the story. I

928
00:41:13,520 --> 00:41:16,879
Speaker 2: remember we were filming and it was a couple of

929
00:41:17,239 --> 00:41:19,000
Speaker 2: episodes in and she was going to come back as

930
00:41:19,040 --> 00:41:22,840
Speaker 2: my nemesis. And she was saying how she had just

931
00:41:22,880 --> 00:41:25,560
Speaker 2: got this part on a television show that was going

932
00:41:25,640 --> 00:41:28,480
Speaker 2: to take her out of California, or not out of California,

933
00:41:28,520 --> 00:41:30,800
Speaker 2: but out of the Los Angeles area, and she was

934
00:41:30,840 --> 00:41:33,719
Speaker 2: going to go do that instead. Now I remember being like,

935
00:41:33,719 --> 00:41:36,399
Speaker 2: but what about us, what about what we've got going?

936
00:41:36,440 --> 00:41:38,759
Speaker 2: This is so funny, And she was like, you know,

937
00:41:38,880 --> 00:41:41,680
Speaker 2: I'm a guest star on this show, but on the

938
00:41:41,719 --> 00:41:43,680
Speaker 2: other show I would be a lead. And so she

939
00:41:43,719 --> 00:41:45,560
Speaker 2: went and took the other job. To be honest with you,

940
00:41:45,640 --> 00:41:47,160
Speaker 2: And now do you remember what the show was. It

941
00:41:47,200 --> 00:41:50,600
Speaker 2: was Tremors. Oh okay, it was the syndicated version of Tremors,

942
00:41:50,640 --> 00:41:53,440
Speaker 2: And I remember it ran for a while and the

943
00:41:53,520 --> 00:41:56,000
Speaker 2: dad from Family Ties I think is on it. I'm

944
00:41:56,000 --> 00:41:57,200
Speaker 2: not sure. I couldn't.

945
00:41:57,360 --> 00:42:00,160
Speaker 1: I just remember watching that scene, which we'll get to

946
00:42:00,120 --> 00:42:02,480
Speaker 1: you later in the episode, and you guys had such

947
00:42:02,480 --> 00:42:06,440
Speaker 1: a funny banter that that's spoofing of a couple driving together.

948
00:42:06,800 --> 00:42:08,480
Speaker 1: And then I had the same thought. I go, oh

949
00:42:08,520 --> 00:42:10,960
Speaker 1: that that that young woman was so funny. What happened

950
00:42:10,960 --> 00:42:12,399
Speaker 1: to her? And I guess she got her own show

951
00:42:12,400 --> 00:42:12,920
Speaker 1: at the time.

952
00:42:12,800 --> 00:42:14,960
Speaker 2: She got well, yeah, she got a job and went

953
00:42:15,000 --> 00:42:16,920
Speaker 2: on to do other things.

954
00:42:17,200 --> 00:42:19,560
Speaker 5: To other people of Scrubs lore who were introduced in

955
00:42:19,600 --> 00:42:24,000
Speaker 5: this episode seven fifty nine, I very quickly. If you

956
00:42:24,000 --> 00:42:27,880
Speaker 5: watched Danny rose Field assistant and obviously became a producer

957
00:42:27,880 --> 00:42:29,759
Speaker 5: on the show. He walks by in the park and

958
00:42:29,800 --> 00:42:31,040
Speaker 5: he has Tankers.

959
00:42:30,880 --> 00:42:31,520
Speaker 2: On his shoulders.

960
00:42:31,520 --> 00:42:34,239
Speaker 1: Shoulders, yeah, and Tankers was what a big bulldog that

961
00:42:34,320 --> 00:42:38,680
Speaker 1: he Yeah, Tankers And I just we have to talk

962
00:42:38,680 --> 00:42:43,160
Speaker 1: about the legendary Mike Schwartz, who plays his very first appearance,

963
00:42:43,360 --> 00:42:45,239
Speaker 1: very first appearance. A lot of times we're watching these

964
00:42:45,239 --> 00:42:46,640
Speaker 1: episodes that I forget that some of these people were

965
00:42:46,680 --> 00:42:48,560
Speaker 1: introduced so early. So Mike Schwartz was one of the

966
00:42:48,640 --> 00:42:51,279
Speaker 1: writers on the show. Very funny a comedy writer, and

967
00:42:51,320 --> 00:42:54,080
Speaker 1: he plays the delivery guy, the ups guy, if you will.

968
00:42:54,160 --> 00:42:57,120
Speaker 1: That his first they established him giving something to Kelso

969
00:42:57,160 --> 00:42:58,920
Speaker 1: and then later he comes and delivers a ton of

970
00:42:58,920 --> 00:43:01,360
Speaker 1: bricks to me. He is uh he. We had so

971
00:43:01,400 --> 00:43:02,359
Speaker 1: many laughs with that guy.

972
00:43:02,440 --> 00:43:05,919
Speaker 5: Huh oh, constantly doing bits and making us all laugh,

973
00:43:05,960 --> 00:43:07,480
Speaker 5: Like you walk by him in the hallway and he'd

974
00:43:07,480 --> 00:43:09,279
Speaker 5: be like, what's that, Oh, it's Jake Crew.

975
00:43:10,640 --> 00:43:12,400
Speaker 1: He would do this. He would do this bit that

976
00:43:12,480 --> 00:43:14,640
Speaker 1: I don't know why. It was so funny, but he

977
00:43:14,640 --> 00:43:16,960
Speaker 1: would go he would pretend to call off to someone

978
00:43:16,960 --> 00:43:19,440
Speaker 1: that wasn't there, and he would and he would do

979
00:43:19,480 --> 00:43:21,320
Speaker 1: a bit where he was pretending that they were asking

980
00:43:21,440 --> 00:43:24,640
Speaker 1: him who made his shirt, and so he'd be reaching

981
00:43:24,640 --> 00:43:27,200
Speaker 1: for the tag. He'd be what, oh, hold on to me.

982
00:43:27,520 --> 00:43:31,120
Speaker 1: Oh yeah, it's Jay Crew. And it was so stupid,

983
00:43:31,200 --> 00:43:33,120
Speaker 1: but he was talking to no one and you would

984
00:43:33,200 --> 00:43:34,359
Speaker 1: laugh every single time.

985
00:43:34,440 --> 00:43:36,400
Speaker 5: Every time were Lonely's guy in the world where you

986
00:43:36,440 --> 00:43:38,919
Speaker 5: tap him on the shoulder and be like, we ended.

987
00:43:38,880 --> 00:43:40,920
Speaker 1: Up putting that in the show.

988
00:43:42,560 --> 00:43:45,920
Speaker 2: He went on to be the was he the drummer

989
00:43:46,360 --> 00:43:49,400
Speaker 2: for the for the airband That same episode that we

990
00:43:49,400 --> 00:43:50,319
Speaker 2: were talking about ast year.

991
00:43:50,360 --> 00:43:53,080
Speaker 1: Yeah, he liked his character. Like later episodes we learned

992
00:43:53,080 --> 00:43:54,879
Speaker 1: that his character like speed metal.

993
00:43:55,000 --> 00:43:57,239
Speaker 2: Right and and and that his character was a big

994
00:43:57,280 --> 00:43:58,880
Speaker 2: time like drug addict and everything like that.

995
00:43:58,920 --> 00:44:00,960
Speaker 1: And it was always I think suff that and he

996
00:44:01,000 --> 00:44:03,319
Speaker 1: was very lonely. But that that bit about that was

997
00:44:03,360 --> 00:44:06,040
Speaker 1: his bit where you if no one touched him, So

998
00:44:06,040 --> 00:44:08,239
Speaker 1: if you ever did graize his shoulder, he would sort

999
00:44:08,280 --> 00:44:11,560
Speaker 1: of cuddle his own shoulder because he was so low.

1000
00:44:11,840 --> 00:44:13,640
Speaker 1: He was so lonely and lacking.

1001
00:44:13,360 --> 00:44:15,759
Speaker 5: Of touch, the loneliest guy in the world. And then

1002
00:44:15,840 --> 00:44:19,920
Speaker 5: Randall Winston is introduced as Death Yes, yeahs.

1003
00:44:20,480 --> 00:44:23,880
Speaker 1: And Randall Winston was our line producer on the show.

1004
00:44:24,040 --> 00:44:26,160
Speaker 1: And uh, for those who don't know, a line producer

1005
00:44:26,200 --> 00:44:28,000
Speaker 1: is the producer that really is handling the sort of

1006
00:44:28,360 --> 00:44:30,640
Speaker 1: the daily money of things, really like the guy with

1007
00:44:30,680 --> 00:44:32,879
Speaker 1: the spreadsheet being like we can afford that, we can't

1008
00:44:32,920 --> 00:44:35,880
Speaker 1: afford that. And he was a very he was he

1009
00:44:36,040 --> 00:44:38,279
Speaker 1: is a very tall man. How tall would you say,

1010
00:44:38,360 --> 00:44:42,080
Speaker 1: is six seven or six six? Yeah? And so he

1011
00:44:41,440 --> 00:44:48,000
Speaker 1: he was established early on as as Death and run yes,

1012
00:44:48,040 --> 00:44:51,200
Speaker 1: and some of you are too young to know that

1013
00:44:51,239 --> 00:44:54,080
Speaker 1: what this joke is about. Connect four, but Connect four

1014
00:44:54,280 --> 00:44:56,000
Speaker 1: was a was a game from.

1015
00:44:55,800 --> 00:44:57,880
Speaker 2: It still is a game still, but I'm.

1016
00:44:57,760 --> 00:45:00,919
Speaker 1: Saying they didn't have the cheesy ad. She's the ad

1017
00:45:00,960 --> 00:45:03,919
Speaker 1: in the eighties was a brother and sister playing and

1018
00:45:04,000 --> 00:45:09,000
Speaker 1: the sister wins and the brother goes pretty sneaky sis.

1019
00:45:09,800 --> 00:45:12,759
Speaker 1: Remember that, you guys can look it up on YouTube.

1020
00:45:12,840 --> 00:45:15,400
Speaker 1: And so that's why we were spoofing that old eighties

1021
00:45:15,440 --> 00:45:19,080
Speaker 1: ad where I go pretty sneaky death.

1022
00:45:19,280 --> 00:45:20,959
Speaker 2: But you got to do the lead up to it

1023
00:45:21,040 --> 00:45:25,120
Speaker 2: is I win where I don't see it right here

1024
00:45:25,360 --> 00:45:31,239
Speaker 2: diagonally pretty sneaky sis, pretty sneaky Sis.

1025
00:45:31,760 --> 00:45:35,640
Speaker 5: And Randall is his main belief was that it's not

1026
00:45:35,680 --> 00:45:37,319
Speaker 5: a party unless both hands are in the air. So

1027
00:45:37,360 --> 00:45:41,000
Speaker 5: we had the most incredible rap parties.

1028
00:45:40,640 --> 00:45:48,440
Speaker 2: And parties man and Randall and Randall is like some

1029
00:45:48,520 --> 00:45:52,440
Speaker 2: of the highlights of every part, like the some of

1030
00:45:52,480 --> 00:45:58,360
Speaker 2: the best party highlights that I've ever experienced involved Randall.

1031
00:45:58,680 --> 00:46:00,840
Speaker 1: Fortunately for us, the guys ending the money for the

1032
00:46:00,880 --> 00:46:02,320
Speaker 1: party really loved to party.

1033
00:46:03,480 --> 00:46:04,840
Speaker 5: Yeah, we had some good parties.

1034
00:46:05,160 --> 00:46:06,839
Speaker 1: I'm sure there's episodes where they were like, you don't

1035
00:46:06,880 --> 00:46:12,000
Speaker 1: need that set, we're throwing a party.

1036
00:46:12,880 --> 00:46:17,200
Speaker 5: Why Johnny Ce's home space looked very sparse because we

1037
00:46:17,280 --> 00:46:18,239
Speaker 5: needed to go to Voge.

1038
00:46:18,320 --> 00:46:20,839
Speaker 1: Oh god, we were just talking about that. How Johnny ceed.

1039
00:46:20,880 --> 00:46:23,720
Speaker 1: They didn't get around to Johnny cees uh partly building

1040
00:46:23,800 --> 00:46:25,960
Speaker 1: Johnny C's apartment. It was just a hospital set.

1041
00:46:26,120 --> 00:46:28,640
Speaker 5: But I think Randall spearheaded. I'm sure the like we

1042
00:46:28,680 --> 00:46:31,440
Speaker 5: got to we got to go on that crazy, amazing

1043
00:46:31,520 --> 00:46:34,080
Speaker 5: trip everybody to Vegas. We had to do like they

1044
00:46:34,080 --> 00:46:36,840
Speaker 5: were able to kind of combine a press event with

1045
00:46:36,920 --> 00:46:39,799
Speaker 5: the Scrubs wrap party, and so they organized it so

1046
00:46:39,880 --> 00:46:43,280
Speaker 5: like our whole cap went to Vegas all together.

1047
00:46:43,400 --> 00:46:46,880
Speaker 2: Things that will never happen ever in ever again.

1048
00:46:47,200 --> 00:46:49,720
Speaker 1: Right, I doubt any show is taking their whole company

1049
00:46:49,719 --> 00:46:53,280
Speaker 1: to Vegas to throw a bash. Will the old days?

1050
00:46:53,360 --> 00:46:56,000
Speaker 5: Yeah, when we got to shoot a whole season in

1051
00:46:56,000 --> 00:46:59,440
Speaker 5: the Bahamas with the whole crewis company an episode?

1052
00:46:59,480 --> 00:47:01,160
Speaker 1: Sarah Maym stayed and shot a season?

1053
00:47:03,040 --> 00:47:03,880
Speaker 5: What is the season?

1054
00:47:04,600 --> 00:47:07,080
Speaker 1: Donald? I want to know the sports question, and I

1055
00:47:07,120 --> 00:47:09,600
Speaker 1: want you to be honest. Yes, did you know what

1056
00:47:09,640 --> 00:47:13,120
Speaker 1: the quote unquote catch was? Absolutely, it's about it. It's

1057
00:47:13,160 --> 00:47:15,160
Speaker 1: a famous thing that sports people know about.

1058
00:47:15,760 --> 00:47:19,880
Speaker 2: Absolutely. So Joe Montana, Yeah, it looked like he couldn't

1059
00:47:19,880 --> 00:47:23,239
Speaker 2: throw it to anyone in this game. Now, granted I

1060
00:47:23,239 --> 00:47:27,239
Speaker 2: don't know who who they were playing, so when we're

1061
00:47:27,280 --> 00:47:28,680
Speaker 2: talking about it in the show, I didn't know who

1062
00:47:28,719 --> 00:47:31,000
Speaker 2: they were playing. But he found Dwight Clark in the

1063
00:47:31,080 --> 00:47:34,200
Speaker 2: end zone and it was you know, it's one of

1064
00:47:34,200 --> 00:47:36,879
Speaker 2: the biggest catches in history. As a matter of fact,

1065
00:47:36,920 --> 00:47:39,640
Speaker 2: it's a part of a commercial, like a Gatorade commercial

1066
00:47:39,719 --> 00:47:42,520
Speaker 2: or something like that. And that's how I first heard

1067
00:47:42,560 --> 00:47:45,759
Speaker 2: about it because I wasn't a big football fan growing up.

1068
00:47:45,800 --> 00:47:47,680
Speaker 2: I didn't I didn't become a football fan until later

1069
00:47:47,719 --> 00:47:49,960
Speaker 2: on in life. But yes, I didn't know when we

1070
00:47:50,000 --> 00:47:52,439
Speaker 2: did the When when they referenced the catch, I knew

1071
00:47:52,440 --> 00:47:53,239
Speaker 2: exactly what it was.

1072
00:47:53,320 --> 00:47:55,600
Speaker 1: Okay, good because I didn't know because I don't know

1073
00:47:55,640 --> 00:47:58,600
Speaker 1: anything about sports. If like everyone who's into sports knows, oh,

1074
00:47:58,640 --> 00:48:00,680
Speaker 1: the catch, it's called like the catch.

1075
00:48:00,800 --> 00:48:03,200
Speaker 2: Well, I mean at that time it was called the catch.

1076
00:48:03,320 --> 00:48:07,480
Speaker 2: I'm sure. Since then they're like Eli Manning and Mario

1077
00:48:07,640 --> 00:48:11,000
Speaker 2: Manningham they have a you know how he found him

1078
00:48:11,040 --> 00:48:14,279
Speaker 2: on the you know, running down the it's it's I

1079
00:48:14,360 --> 00:48:17,520
Speaker 2: didn't know when or where the catch was, but I

1080
00:48:17,600 --> 00:48:19,279
Speaker 2: had heard of the reference before.

1081
00:48:19,080 --> 00:48:20,800
Speaker 1: Donald tell us about the bowling thing. Because I was

1082
00:48:20,880 --> 00:48:23,600
Speaker 1: laughing at this going, what are those what are those pins?

1083
00:48:23,680 --> 00:48:23,799
Speaker 5: Like?

1084
00:48:23,880 --> 00:48:25,680
Speaker 1: What is that supposed to be in the hospital of

1085
00:48:25,719 --> 00:48:27,080
Speaker 1: those giant blue things.

1086
00:48:27,200 --> 00:48:29,239
Speaker 2: First of all, this this is a testament for how

1087
00:48:29,280 --> 00:48:32,640
Speaker 2: immature Christopher Turk was. So the kid says to him, Hey,

1088
00:48:32,640 --> 00:48:35,080
Speaker 2: it's the Catch. Turk turns around, goes, yeah, I watched

1089
00:48:35,120 --> 00:48:38,080
Speaker 2: The Catch with you, and within fifteen minutes he's bowling

1090
00:48:38,080 --> 00:48:41,200
Speaker 2: a kid down the hospital hall. Like, how did this

1091
00:48:41,280 --> 00:48:44,360
Speaker 2: kid convince Like, that's how weak willed Chris Turk is.

1092
00:48:44,760 --> 00:48:48,920
Speaker 2: How in the hell did this kid convince him to

1093
00:48:48,960 --> 00:48:51,640
Speaker 2: put him in a wheelchair and push him down the

1094
00:48:51,680 --> 00:48:55,200
Speaker 2: hall into a bunch of I guess they were recycling bins?

1095
00:48:55,480 --> 00:48:57,120
Speaker 1: Is that where they were supposed to being? I think so,

1096
00:48:57,320 --> 00:49:00,200
Speaker 1: because to me they look like cardboard tubes that someone.

1097
00:49:00,680 --> 00:49:03,319
Speaker 2: Right, I'm hoping that it was a recycling But like,

1098
00:49:03,320 --> 00:49:05,680
Speaker 2: how did this kid convince him? And the rest of

1099
00:49:05,719 --> 00:49:07,960
Speaker 2: the floor, Like Chris Turk walked out the room and

1100
00:49:08,040 --> 00:49:10,399
Speaker 2: was like, Yo, this is what we're gonna do, all right,

1101
00:49:12,280 --> 00:49:13,520
Speaker 2: I'm gonna put him in a wheelchair.

1102
00:49:13,520 --> 00:49:16,080
Speaker 1: I know, I just started. I know, I just started

1103
00:49:16,120 --> 00:49:19,160
Speaker 1: as a doctor here, but I'm gonna roll a patient

1104
00:49:19,239 --> 00:49:23,400
Speaker 1: in a wheelchair down the Hall. If you're a new doctor,

1105
00:49:23,440 --> 00:49:25,080
Speaker 1: don't try that at work, please.

1106
00:49:25,440 --> 00:49:27,719
Speaker 2: Well, and that was the great thing about the show

1107
00:49:27,719 --> 00:49:30,200
Speaker 2: also is that he was held accountable for it, you

1108
00:49:30,239 --> 00:49:33,840
Speaker 2: know Kelso right away. And this is where Kelso mentors

1109
00:49:34,200 --> 00:49:36,640
Speaker 2: Turk kind of also like, we're not here to make friends,

1110
00:49:36,640 --> 00:49:39,080
Speaker 2: We're here to treat these patients. Dude, be a doctor.

1111
00:49:39,400 --> 00:49:42,880
Speaker 1: Yeah. I wanted to talk about the Park Salary referenced

1112
00:49:42,880 --> 00:49:45,759
Speaker 1: it already, but I remember feeling really bad at nine

1113
00:49:45,800 --> 00:49:48,319
Speaker 1: minutes and thirty seconds slamming that little girl's face into

1114
00:49:48,320 --> 00:49:48,680
Speaker 1: the cake.

1115
00:49:48,920 --> 00:49:50,799
Speaker 2: That was hilarious. I wish I could do that to

1116
00:49:50,840 --> 00:49:51,759
Speaker 2: my kids sometimes.

1117
00:49:52,000 --> 00:49:54,440
Speaker 1: It was funny. I mean it was funny on paper

1118
00:49:54,480 --> 00:49:56,200
Speaker 1: when we got there and she has that cute little

1119
00:49:56,600 --> 00:49:58,440
Speaker 1: face and I was like, so, you guys really want

1120
00:49:58,480 --> 00:50:01,319
Speaker 1: me to jam this girl's face cake? And they're like, yeah,

1121
00:50:01,360 --> 00:50:02,960
Speaker 1: you gotta do it. You can't just like fake it.

1122
00:50:03,000 --> 00:50:04,640
Speaker 1: You got to do it. And I was like, and

1123
00:50:04,680 --> 00:50:06,120
Speaker 1: I talked to her. I was like, sweetie, are you

1124
00:50:06,160 --> 00:50:08,040
Speaker 1: okay with this? And she's like, yeah, sure, it's gonna

1125
00:50:08,080 --> 00:50:09,480
Speaker 1: be funny. And I was like, all right, here we go.

1126
00:50:09,520 --> 00:50:11,160
Speaker 1: And I just jammed her head in and it felt

1127
00:50:11,200 --> 00:50:11,720
Speaker 1: really nice.

1128
00:50:12,200 --> 00:50:16,320
Speaker 2: Yeah, listen, Sarah can attest to this. She has children

1129
00:50:16,440 --> 00:50:17,800
Speaker 2: as much as we love our children.

1130
00:50:17,880 --> 00:50:19,200
Speaker 5: Oh, sometimes you want to just.

1131
00:50:21,120 --> 00:50:23,000
Speaker 2: Their face into a cake.

1132
00:50:24,080 --> 00:50:30,240
Speaker 5: Especially to be quarantining for the near multiple multiple days months.

1133
00:50:30,719 --> 00:50:33,520
Speaker 2: If I had the opportunity, and I knew my wife

1134
00:50:33,560 --> 00:50:36,600
Speaker 2: wouldn't be pissed off at me for doing it, Rocco's

1135
00:50:36,600 --> 00:50:38,759
Speaker 2: face would have been slammed into a couple of its birthday.

1136
00:50:38,480 --> 00:50:40,479
Speaker 1: Cakes, into many a cake.

1137
00:50:40,680 --> 00:50:42,880
Speaker 2: I'm just gonna put that out there right now, and.

1138
00:50:42,960 --> 00:50:44,480
Speaker 5: I need to go bake a couple of cakes.

1139
00:50:44,719 --> 00:50:46,120
Speaker 1: We're gonna go break and we come back. We have

1140
00:50:46,120 --> 00:50:55,160
Speaker 1: a caller, all right. We're getting good at that whole

1141
00:50:55,160 --> 00:50:57,960
Speaker 1: break thing, Joelle. We're very lucky here on this show,

1142
00:50:58,040 --> 00:51:00,200
Speaker 1: Sarah Chalk that we get to take a call or

1143
00:51:00,760 --> 00:51:04,200
Speaker 1: once an episode. And here she is, what's your what's your?

1144
00:51:04,320 --> 00:51:08,600
Speaker 2: Alexis Torres?

1145
00:51:09,080 --> 00:51:14,120
Speaker 1: Donald just gave you an Oprah intro. I was looking

1146
00:51:14,120 --> 00:51:15,759
Speaker 1: for your name, And the good thing about zoom is

1147
00:51:15,760 --> 00:51:18,279
Speaker 1: it just says it right there. Alexis Torres, plumbley right

1148
00:51:18,280 --> 00:51:25,320
Speaker 1: there on the bottom ruin the woman's hearing she's in quarantine.

1149
00:51:26,480 --> 00:51:28,879
Speaker 6: I'm actually in Harrisburg, Pennsylvania right now.

1150
00:51:30,840 --> 00:51:38,080
Speaker 1: My family has a steakhouse nearby called the Glass Lounge.

1151
00:51:38,960 --> 00:51:40,880
Speaker 6: Oh. I haven't gone there yet, but it's awesome.

1152
00:51:41,000 --> 00:51:43,560
Speaker 1: Will you go there? I want you to tell him

1153
00:51:43,560 --> 00:51:45,799
Speaker 1: I sent you. If you're in there, If you're in

1154
00:51:45,800 --> 00:51:46,800
Speaker 1: that area, go.

1155
00:51:46,680 --> 00:51:48,440
Speaker 2: To the gods. It's going to be a buddy. It's

1156
00:51:48,480 --> 00:51:49,359
Speaker 2: going to be a will Oh.

1157
00:51:49,320 --> 00:51:52,000
Speaker 1: Yeah, not now obviously, but you know when when this

1158
00:51:52,160 --> 00:51:55,080
Speaker 1: last nightmare is over, go check out the Glass Lounge.

1159
00:51:55,480 --> 00:51:57,600
Speaker 6: Yeah. I will definitely go for sure.

1160
00:51:57,719 --> 00:51:59,760
Speaker 1: Thank you for coming on. And do you have a question?

1161
00:52:00,600 --> 00:52:03,440
Speaker 1: Doesn't have to be Sarah Chalk focused. It doesn't just

1162
00:52:03,480 --> 00:52:04,799
Speaker 1: because she's yes.

1163
00:52:04,800 --> 00:52:06,480
Speaker 2: You want to we understand.

1164
00:52:08,080 --> 00:52:11,279
Speaker 5: Is a human and she probably knows the best person

1165
00:52:11,280 --> 00:52:12,000
Speaker 5: to talk to it.

1166
00:52:12,200 --> 00:52:17,360
Speaker 7: I mean, we'll see, No, just kidding. I have actually

1167
00:52:17,520 --> 00:52:20,480
Speaker 7: technically question for all of you guys. If you could

1168
00:52:20,520 --> 00:52:24,080
Speaker 7: switch rolls with anyone in the series, any character, Who

1169
00:52:24,120 --> 00:52:26,040
Speaker 7: would it be and how would you play their character?

1170
00:52:26,040 --> 00:52:28,080
Speaker 7: Would it be different than how it was originally played?

1171
00:52:28,280 --> 00:52:31,840
Speaker 1: Or that's a very good question. Sarah go first.

1172
00:52:32,920 --> 00:52:35,480
Speaker 5: I mean, if it meant that I could have Donald's

1173
00:52:35,560 --> 00:52:36,600
Speaker 5: dancing skills?

1174
00:52:37,160 --> 00:52:39,120
Speaker 1: Was the fantasy? Was that fantasy that Sarah and I

1175
00:52:39,160 --> 00:52:41,080
Speaker 1: were making out and I was making out with you

1176
00:52:41,120 --> 00:52:42,799
Speaker 1: because she was you. Oh my god.

1177
00:52:43,160 --> 00:52:44,920
Speaker 2: That it starts off where you guys are making out

1178
00:52:44,960 --> 00:52:47,719
Speaker 2: and then she's like, you fantasized about kissing turk just now,

1179
00:52:47,760 --> 00:52:48,120
Speaker 2: didn't you?

1180
00:52:50,040 --> 00:52:52,040
Speaker 5: And then I made up with Mandy Moore as myself.

1181
00:52:52,080 --> 00:52:55,080
Speaker 1: You were Mandy was dressed up as herself. No, Mandy

1182
00:52:55,120 --> 00:52:56,759
Speaker 1: was just herself and you were dressed up as me.

1183
00:52:56,800 --> 00:52:59,440
Speaker 1: I think, right, I think that was a really beautiful

1184
00:52:59,440 --> 00:53:01,200
Speaker 1: moment and television history right there.

1185
00:53:01,520 --> 00:53:03,160
Speaker 5: I did make out how to make Out with Judy

1186
00:53:03,520 --> 00:53:05,080
Speaker 5: in the pilot? Yeah, that's right.

1187
00:53:05,480 --> 00:53:07,080
Speaker 1: Yeah, we just watched that were you made out with

1188
00:53:07,120 --> 00:53:08,319
Speaker 1: the model girl?

1189
00:53:08,360 --> 00:53:10,400
Speaker 2: Is that the pilot or is that the second episode?

1190
00:53:10,400 --> 00:53:11,240
Speaker 1: That was the second episode?

1191
00:53:11,320 --> 00:53:11,560
Speaker 6: Yeah.

1192
00:53:11,680 --> 00:53:13,319
Speaker 1: But so you'd like to be Donald if you could

1193
00:53:13,320 --> 00:53:14,560
Speaker 1: be anybody else, is what you're saying.

1194
00:53:14,760 --> 00:53:16,799
Speaker 5: Well, if I could, if if I could do that

1195
00:53:16,840 --> 00:53:20,080
Speaker 5: fucking poison dance or rowdy, that would be pretty low.

1196
00:53:20,360 --> 00:53:25,360
Speaker 1: Low brush thatch crush. It's a very good question, I guess.

1197
00:53:26,680 --> 00:53:29,440
Speaker 1: I it's funny because you don't want to pick. You

1198
00:53:29,440 --> 00:53:31,040
Speaker 1: want to have some screen time, right, you want to

1199
00:53:31,080 --> 00:53:32,520
Speaker 1: pick one of the sevens, so you're gonna have some

1200
00:53:32,520 --> 00:53:36,719
Speaker 1: good screen time. I think I would choose Johnny C

1201
00:53:37,080 --> 00:53:40,960
Speaker 1: just because he had such amazing and they just knew

1202
00:53:40,960 --> 00:53:43,759
Speaker 1: how to write for him so amazingly well, and he

1203
00:53:43,760 --> 00:53:47,719
Speaker 1: he was just uh, I don't know. I think that

1204
00:53:47,760 --> 00:53:50,080
Speaker 1: I just love the all the material they gave Johnny,

1205
00:53:50,120 --> 00:53:51,799
Speaker 1: So I think that would be a really challenging fun

1206
00:53:51,800 --> 00:53:56,760
Speaker 1: part to even attempt to Doick.

1207
00:53:55,120 --> 00:53:56,520
Speaker 5: Mash walking around in banana hammock.

1208
00:53:56,760 --> 00:53:58,160
Speaker 2: That's who I was going to pick. If I could

1209
00:53:58,200 --> 00:54:01,920
Speaker 2: pick anybody, I guess it would be mash uh if

1210
00:54:01,920 --> 00:54:04,799
Speaker 2: I could get But like we teased, we used to

1211
00:54:04,800 --> 00:54:07,160
Speaker 2: make fun of Mashow about running line and everything like that.

1212
00:54:07,200 --> 00:54:09,640
Speaker 2: But I had such a hard time learning my lines

1213
00:54:09,680 --> 00:54:11,919
Speaker 2: back then that I probably it probably would have suited

1214
00:54:12,000 --> 00:54:12,640
Speaker 2: me to play Mash.

1215
00:54:13,600 --> 00:54:16,200
Speaker 1: You know, the first thing, the first step to a

1216
00:54:16,320 --> 00:54:20,279
Speaker 1: solving memorizing your lin style is to actually just do it, or.

1217
00:54:20,280 --> 00:54:22,680
Speaker 2: To read the script. Actually that's read the script.

1218
00:54:23,400 --> 00:54:24,920
Speaker 1: I love how you're always like, I just have such

1219
00:54:24,920 --> 00:54:26,719
Speaker 1: a hard time memorizing lives. I'm like, dude, you've been

1220
00:54:26,719 --> 00:54:28,279
Speaker 1: playing PlayStation in your pressing room.

1221
00:54:28,360 --> 00:54:31,600
Speaker 2: That's what you even looked at it? No, yeah, okay, right,

1222
00:54:31,880 --> 00:54:32,759
Speaker 2: do you have another question?

1223
00:54:32,800 --> 00:54:35,160
Speaker 1: Another question We're going to answer a better one.

1224
00:54:36,080 --> 00:54:39,120
Speaker 2: Yeah, your question sucked. That's what I just said.

1225
00:54:39,320 --> 00:54:40,600
Speaker 1: I like you, I.

1226
00:54:40,600 --> 00:54:43,320
Speaker 5: Like creative, it was, it was thoughtful.

1227
00:54:45,000 --> 00:54:47,239
Speaker 1: I think you're spectacular and I love Harrisburg, but I

1228
00:54:47,280 --> 00:54:51,239
Speaker 1: think you got a better question than you.

1229
00:54:51,239 --> 00:54:53,520
Speaker 2: No, I don't know if now you got.

1230
00:54:53,320 --> 00:54:56,480
Speaker 7: To ask what was something that you were super proud

1231
00:54:56,520 --> 00:54:58,400
Speaker 7: of back then that you did. Maybe it was a

1232
00:54:58,440 --> 00:55:01,319
Speaker 7: scene or a specific joke or anything like that. But

1233
00:55:01,360 --> 00:55:03,759
Speaker 7: then now, since you guys are doing the rewatch and

1234
00:55:04,000 --> 00:55:05,160
Speaker 7: you've seen it, now you're kind of like.

1235
00:55:05,200 --> 00:55:07,520
Speaker 6: Oh, that wasn't as good as I remember.

1236
00:55:07,880 --> 00:55:10,600
Speaker 1: That's a good question, Sarah. As guests, you have to

1237
00:55:10,600 --> 00:55:11,080
Speaker 1: go first.

1238
00:55:11,600 --> 00:55:15,560
Speaker 5: Jesus, the pressure. I feel like interestingly enough.

1239
00:55:15,360 --> 00:55:17,600
Speaker 1: Like you're like, I feel like interesting enough. I was

1240
00:55:17,640 --> 00:55:18,600
Speaker 1: just fucking amazing.

1241
00:55:18,719 --> 00:55:20,240
Speaker 6: I mean, I mean, I thought you were amazing.

1242
00:55:20,600 --> 00:55:22,719
Speaker 5: Like I on the early stuff, a little bit hard,

1243
00:55:22,800 --> 00:55:26,399
Speaker 5: harder to watch. I feel like I learned so much

1244
00:55:26,560 --> 00:55:28,080
Speaker 5: on the show. I feel like I learned so much

1245
00:55:28,080 --> 00:55:29,880
Speaker 5: from Baill, I learned so much from the rest of

1246
00:55:29,880 --> 00:55:32,880
Speaker 5: the cast, And I feel like it's so different watching

1247
00:55:32,920 --> 00:55:36,480
Speaker 5: those early episode Thans eight years later. Certainly with Elliott too,

1248
00:55:36,520 --> 00:55:38,799
Speaker 5: the character changed a lot. Like in the pilot, we

1249
00:55:38,840 --> 00:55:41,960
Speaker 5: even did reshoots. She was much harder and much you

1250
00:55:42,000 --> 00:55:44,640
Speaker 5: know there was she was a bit more of a

1251
00:55:44,680 --> 00:55:46,879
Speaker 5: batch in the in the in the beginning, and then

1252
00:55:46,960 --> 00:55:48,480
Speaker 5: and then we actually did a couple of reshoots to

1253
00:55:48,520 --> 00:55:52,960
Speaker 5: soften her. And then I think, you know, the line

1254
00:55:53,000 --> 00:55:56,440
Speaker 5: between me and her started to blur. It's a first

1255
00:55:56,480 --> 00:55:58,279
Speaker 5: part of your question what were you the most proud of?

1256
00:55:58,400 --> 00:56:01,359
Speaker 5: Certainly interestingly enough, it's this is definitely one of those

1257
00:56:01,400 --> 00:56:03,520
Speaker 5: episodes like when I think back on the eight years,

1258
00:56:03,520 --> 00:56:05,520
Speaker 5: this is the first one to pop into my mind

1259
00:56:05,719 --> 00:56:10,000
Speaker 5: about just the kind of show that that Scrubs was.

1260
00:56:10,120 --> 00:56:15,640
Speaker 5: And and then in terms of things to do differently, well,

1261
00:56:15,640 --> 00:56:16,239
Speaker 5: that's just I.

1262
00:56:16,200 --> 00:56:18,560
Speaker 1: Mean, Sarah, I don't think you could have done everything differently.

1263
00:56:18,600 --> 00:56:21,120
Speaker 1: I wish that I could go back and have a chin,

1264
00:56:22,000 --> 00:56:26,520
Speaker 1: because I this episode starts with the least flattering view

1265
00:56:26,800 --> 00:56:31,080
Speaker 1: of my non existent chin, and in later episodes I

1266
00:56:31,360 --> 00:56:33,080
Speaker 1: would I would look at the director and be like, bro,

1267
00:56:33,200 --> 00:56:35,879
Speaker 1: don't shoot me like that. I mean, I'm doing I'm

1268
00:56:35,920 --> 00:56:37,880
Speaker 1: doing the best I can with what I have, but

1269
00:56:37,920 --> 00:56:41,320
Speaker 1: that's not the angle I want for myself and Bill.

1270
00:56:41,440 --> 00:56:43,600
Speaker 5: I don't know how many listeners know this, but Bill

1271
00:56:43,640 --> 00:56:46,640
Speaker 5: would like to add things that were actual, real physical

1272
00:56:46,680 --> 00:56:50,040
Speaker 5: attributes and write them into the show. So characters would

1273
00:56:50,080 --> 00:56:52,600
Speaker 5: be named by their physical attributes. So like the guy

1274
00:56:52,600 --> 00:56:54,400
Speaker 5: with the beard is beard for say, because you know,

1275
00:56:55,760 --> 00:56:58,400
Speaker 5: and so for me, my character, you know, you had

1276
00:56:58,400 --> 00:57:01,640
Speaker 5: to say lines like short gives me pig face, which

1277
00:57:01,680 --> 00:57:06,840
Speaker 5: is not untrue, and or there was one where I

1278
00:57:06,880 --> 00:57:09,800
Speaker 5: had my characters like, oh yeah, chin, hair's back because

1279
00:57:09,800 --> 00:57:13,000
Speaker 5: I have this mole where three hairs grew out of it.

1280
00:57:13,320 --> 00:57:15,839
Speaker 5: And so that was actually written into the show. By

1281
00:57:15,920 --> 00:57:18,080
Speaker 5: the way, my son said to me a few years ago,

1282
00:57:18,120 --> 00:57:21,880
Speaker 5: completely seriously. He's like, Mama, I have terrible news. And

1283
00:57:21,920 --> 00:57:24,600
Speaker 5: I said what, and he goes, you're growing a beard.

1284
00:57:25,080 --> 00:57:25,760
Speaker 1: Oh my gosh.

1285
00:57:26,680 --> 00:57:30,200
Speaker 5: So so there were definitely moments of the show where

1286
00:57:30,280 --> 00:57:32,560
Speaker 5: he just had to go gate all in the name

1287
00:57:32,600 --> 00:57:36,720
Speaker 5: of comedy and so air out my biggest insecurities.

1288
00:57:36,440 --> 00:57:38,120
Speaker 2: Yeah, and you know, in.

1289
00:57:38,160 --> 00:57:40,200
Speaker 5: Terms of how it worked too, like Bill would come

1290
00:57:40,240 --> 00:57:41,520
Speaker 5: up and he would watch us, and this is not

1291
00:57:41,720 --> 00:57:44,280
Speaker 5: common for every you know, creator of a show to

1292
00:57:44,360 --> 00:57:47,160
Speaker 5: come up for every single rehearsal. He would come up

1293
00:57:47,160 --> 00:57:49,240
Speaker 5: from you know, to the to the set from the

1294
00:57:49,240 --> 00:57:51,000
Speaker 5: writer's room, and the writer's room was in another wing

1295
00:57:51,040 --> 00:57:53,640
Speaker 5: of the hospital. He would tweak a lot of stuff.

1296
00:57:53,640 --> 00:57:56,440
Speaker 5: He would say, I actually don't love this blocking. I

1297
00:57:56,480 --> 00:57:58,160
Speaker 5: think how it'd had it in my head was X

1298
00:57:58,240 --> 00:58:01,520
Speaker 5: Y or Z, and and he would he would. He

1299
00:58:01,520 --> 00:58:03,200
Speaker 5: would tweak our performance in our jokes too, to the

1300
00:58:03,200 --> 00:58:04,960
Speaker 5: point where, like a lot of times I think actors

1301
00:58:05,000 --> 00:58:07,520
Speaker 5: like don't like a line read, and I just had

1302
00:58:07,560 --> 00:58:09,400
Speaker 5: so much respect for him. I'd be like, yeah, just

1303
00:58:09,440 --> 00:58:11,600
Speaker 5: if you've got some way in your head, just you know,

1304
00:58:12,560 --> 00:58:14,280
Speaker 5: tell us and we'll do it right.

1305
00:58:14,360 --> 00:58:19,600
Speaker 1: Yeah, all right, Well, thank you for coming on. Lexais plumb.

1306
00:58:19,840 --> 00:58:21,200
Speaker 1: Are you gonna give her? Are you gonna give you

1307
00:58:21,240 --> 00:58:23,520
Speaker 1: the Oprah? Goodbye? Send off as well done.

1308
00:58:24,200 --> 00:58:27,600
Speaker 2: Let's say goodbye to Alexis Torres plumber.

1309
00:58:29,040 --> 00:58:31,080
Speaker 1: You get a car, You get a car, You get.

1310
00:58:30,920 --> 00:58:32,720
Speaker 2: A car, Alexis, We cannot give you a car.

1311
00:58:33,240 --> 00:58:36,280
Speaker 6: I know it's okay. I can't go anywhere anyway.

1312
00:58:36,080 --> 00:58:38,840
Speaker 1: Go anywhere, yes, yes, go get a state. When this

1313
00:58:38,880 --> 00:58:40,880
Speaker 1: is all said and done at the Glass Lounge, all right,

1314
00:58:40,920 --> 00:58:44,680
Speaker 1: thank you so much, Alexis. Alexis writer you guys at

1315
00:58:44,680 --> 00:58:47,200
Speaker 1: eleven forty nine. One of my biggest regrets in the

1316
00:58:47,240 --> 00:58:50,280
Speaker 1: history of Scrubs is that I flinch right before those

1317
00:58:50,320 --> 00:58:53,080
Speaker 1: bricks fall on me. And I remember Bill being so

1318
00:58:53,160 --> 00:58:55,280
Speaker 1: disappointed in me because there were like four takes of

1319
00:58:55,320 --> 00:58:58,240
Speaker 1: it and I flinched every time. But it's pretty tricky

1320
00:58:58,440 --> 00:59:00,880
Speaker 1: to not flinch when you know, bunch, I know that

1321
00:59:00,920 --> 00:59:05,360
Speaker 1: they're not real bricks, but it still was noticeably uncomfortable.

1322
00:59:06,120 --> 00:59:08,320
Speaker 5: I mean, it'd be pretty hard not to, especially, I

1323
00:59:08,320 --> 00:59:10,440
Speaker 5: feel like all that shit, like, even if it was

1324
00:59:10,480 --> 00:59:13,680
Speaker 5: like a major prat fall or something, once you've done

1325
00:59:13,720 --> 00:59:15,760
Speaker 5: it once, I feel like our best chance out of

1326
00:59:15,760 --> 00:59:17,760
Speaker 5: the gate is on your first take, because the second

1327
00:59:17,800 --> 00:59:19,240
Speaker 5: you've done it, once you know what's going to happen.

1328
00:59:19,320 --> 00:59:20,960
Speaker 5: You know the feeling of it. Maybe you like tweak

1329
00:59:21,040 --> 00:59:23,200
Speaker 5: something a little bit in your shoulder and then it's

1330
00:59:23,280 --> 00:59:23,840
Speaker 5: kind of it's around.

1331
00:59:23,880 --> 00:59:25,280
Speaker 1: But this was early on in the show, and I

1332
00:59:25,320 --> 00:59:27,280
Speaker 1: and I and I was I was really loving doing

1333
00:59:27,320 --> 00:59:30,640
Speaker 1: physical comedy, and I always love physical comedy. You referenced

1334
00:59:30,680 --> 00:59:32,800
Speaker 1: John Ridder. I mean when I grew up on Three's Company,

1335
00:59:32,840 --> 00:59:35,440
Speaker 1: and I just thought that John Ridder was the funniest

1336
00:59:35,640 --> 00:59:38,880
Speaker 1: person I'd ever seen, and I wanted to be like him.

1337
00:59:39,120 --> 00:59:41,240
Speaker 1: And Bill was giving me lots of love for my

1338
00:59:41,280 --> 00:59:43,360
Speaker 1: physical comedy, and this was the first moment where he

1339
00:59:43,440 --> 00:59:45,120
Speaker 1: like called me in the editors room. He's like, dude,

1340
00:59:45,480 --> 00:59:47,160
Speaker 1: you flinched on every take and I was.

1341
00:59:47,160 --> 00:59:50,040
Speaker 2: Like, no, you blew it.

1342
00:59:50,600 --> 00:59:53,680
Speaker 1: I was like, I let daddy down, fucking blew it.

1343
00:59:53,720 --> 00:59:55,880
Speaker 5: The first time I was called up by by Bill

1344
00:59:56,200 --> 00:59:59,360
Speaker 5: after he left the editing room was you guys will

1345
00:59:59,400 --> 01:00:03,400
Speaker 5: remember the we had been so lucky to get nominated

1346
01:00:03,480 --> 01:00:05,000
Speaker 5: for an Emmy and we were going and we were

1347
01:00:05,080 --> 01:00:09,560
Speaker 5: excited and I got to borrow this fancy dress and

1348
01:00:09,840 --> 01:00:13,240
Speaker 5: the stylist I never had a stylist before, and she said,

1349
01:00:13,280 --> 01:00:19,440
Speaker 5: so you need to go get it. And I said, no,

1350
01:00:19,480 --> 01:00:20,720
Speaker 5: I'm not going to do that. I'm not going to

1351
01:00:20,760 --> 01:00:22,760
Speaker 5: go get a tan. And she said, okay, go get

1352
01:00:22,760 --> 01:00:25,360
Speaker 5: a spray tan. And so I said, okay. So I

1353
01:00:25,360 --> 01:00:27,400
Speaker 5: think the Emmys were like on the Sunday and so

1354
01:00:27,480 --> 01:00:28,840
Speaker 5: on the friday of work.

1355
01:00:28,920 --> 01:00:30,680
Speaker 2: It might have been well before that. It might have

1356
01:00:30,760 --> 01:00:33,240
Speaker 2: been well before that. It might have been like maybe

1357
01:00:33,280 --> 01:00:37,400
Speaker 2: five days before or something like that, dude, because we

1358
01:00:37,440 --> 01:00:38,160
Speaker 2: did the whole up.

1359
01:00:41,120 --> 01:00:43,600
Speaker 5: Okay, Okay, So I get to uh, I get to

1360
01:00:43,640 --> 01:00:45,880
Speaker 5: the tanning booth and it's like that fucking episode of

1361
01:00:45,920 --> 01:00:48,520
Speaker 5: Friends where Ross becomes a nine instead of for three,

1362
01:00:48,600 --> 01:00:51,360
Speaker 5: because it keeps spraying stuff at him. He doesn't turn around,

1363
01:00:51,400 --> 01:00:54,080
Speaker 5: its sprays again. So I get in there and you

1364
01:00:54,080 --> 01:00:55,840
Speaker 5: watch this little video and you put this cream on

1365
01:00:55,840 --> 01:00:57,240
Speaker 5: your hands and you got to spin around and do

1366
01:00:57,280 --> 01:01:00,000
Speaker 5: these weird poses. And I had like negative five minute

1367
01:01:00,160 --> 01:01:01,920
Speaker 5: to get this done before going to set, and I

1368
01:01:01,960 --> 01:01:04,480
Speaker 5: put a hairnet over my face so that I wouldn't

1369
01:01:04,520 --> 01:01:06,880
Speaker 5: tan my face, and then I rip that off and

1370
01:01:06,880 --> 01:01:10,600
Speaker 5: then then keep spraying, and so I get to set

1371
01:01:10,680 --> 01:01:14,000
Speaker 5: and I'm I'm tanned, and then no.

1372
01:01:14,000 --> 01:01:16,640
Speaker 2: I'm say, hold on, now, you were you were full

1373
01:01:16,720 --> 01:01:19,720
Speaker 2: of No, no, not yet, not yet, because what happens

1374
01:01:19,720 --> 01:01:22,040
Speaker 2: with this spray ten is it develops over time.

1375
01:01:22,480 --> 01:01:24,560
Speaker 5: And so I was in the makeup chair and my

1376
01:01:24,600 --> 01:01:26,760
Speaker 5: makeup and we're doing these scenes and then as the

1377
01:01:26,840 --> 01:01:29,520
Speaker 5: day goes on, I'm just getting like more and more

1378
01:01:29,600 --> 01:01:32,680
Speaker 5: and more tanned, and instead of actually tanned, it was

1379
01:01:32,720 --> 01:01:36,040
Speaker 5: just more and more and more orange. And so Bill

1380
01:01:36,040 --> 01:01:38,720
Speaker 5: comes harder than any special effect we've ever done on

1381
01:01:38,760 --> 01:01:42,160
Speaker 5: a show, order than the zac's head explode in the

1382
01:01:42,200 --> 01:01:45,560
Speaker 5: fantasy sequence, is going to be making you look less

1383
01:01:45,600 --> 01:01:48,800
Speaker 5: like an oop umpa you were, like, we're trying to

1384
01:01:48,800 --> 01:01:51,600
Speaker 5: float filters in front of your face because we can't

1385
01:01:51,640 --> 01:01:53,840
Speaker 5: color time it and just jack out, like we can't

1386
01:01:53,880 --> 01:01:56,400
Speaker 5: just wind the knob and take out some of the

1387
01:01:56,400 --> 01:01:58,320
Speaker 5: color because we keep doing it. You're see with Donald

1388
01:01:58,320 --> 01:01:59,560
Speaker 5: and then make Donald white.

1389
01:02:00,800 --> 01:02:02,760
Speaker 2: Dude, I'm gonna say something right now. I remember, I

1390
01:02:02,800 --> 01:02:04,760
Speaker 2: remember when it happened. I remember you being on set

1391
01:02:04,960 --> 01:02:07,240
Speaker 2: and I remember saying to you, did you change something?

1392
01:02:07,240 --> 01:02:09,040
Speaker 2: Did you do your hair different or something like that,

1393
01:02:09,080 --> 01:02:12,280
Speaker 2: what's so different? And you were like, I remember, ten.

1394
01:02:12,480 --> 01:02:14,680
Speaker 1: I remember, just like kids in a in a family,

1395
01:02:14,760 --> 01:02:16,920
Speaker 1: the three of us, whenever one of us was in trouble,

1396
01:02:17,160 --> 01:02:19,320
Speaker 1: I was always so happy when it wasn't me, and

1397
01:02:19,360 --> 01:02:21,280
Speaker 1: you just be like you just be on set, just

1398
01:02:21,360 --> 01:02:24,400
Speaker 1: kind of bouncing around like shit, somebody's in trouble and

1399
01:02:24,400 --> 01:02:30,680
Speaker 1: it's not me, and Sarah is freaking orange, so embarrassing.

1400
01:02:30,720 --> 01:02:33,000
Speaker 2: It's like we were laughing time I got the braces

1401
01:02:33,040 --> 01:02:34,080
Speaker 2: on the inside of my mouth.

1402
01:02:34,160 --> 01:02:36,360
Speaker 1: They were laughing about that. When Donald showed up with

1403
01:02:36,400 --> 01:02:39,120
Speaker 1: bracest and he would like, so Bill, I got braafift

1404
01:02:39,160 --> 01:02:40,960
Speaker 1: and nobody couldn't even notice.

1405
01:02:43,920 --> 01:02:45,080
Speaker 2: The exact same thing.

1406
01:02:45,480 --> 01:02:48,120
Speaker 5: Oh good, So did you just have to go get

1407
01:02:48,120 --> 01:02:48,640
Speaker 5: and taken out.

1408
01:02:48,760 --> 01:02:50,680
Speaker 2: Yeah right off, Yeah, dude, yeah, he made me getting

1409
01:02:50,760 --> 01:02:51,160
Speaker 2: taken out.

1410
01:02:51,360 --> 01:02:53,480
Speaker 5: I got in visil line in like season two. Everybody

1411
01:02:53,560 --> 01:02:54,960
Speaker 5: made so much fun of me, but I had it.

1412
01:02:55,200 --> 01:02:56,760
Speaker 5: I would like I had to take him out like

1413
01:02:56,880 --> 01:02:58,920
Speaker 5: right before take but you're supposed to war like twenty

1414
01:02:58,920 --> 01:03:01,240
Speaker 5: two to between. Like it was just a disaster.

1415
01:03:01,400 --> 01:03:03,640
Speaker 1: I just remember Donald, it was so funny watching him

1416
01:03:03,640 --> 01:03:06,200
Speaker 1: try to sell the bill that the brace is. Nobody

1417
01:03:06,320 --> 01:03:08,320
Speaker 1: was gonna notice those braces on the inside of his teeth.

1418
01:03:08,360 --> 01:03:10,919
Speaker 2: It's gonna be great. Everybody's gonna love this. Nobody's even

1419
01:03:10,920 --> 01:03:11,480
Speaker 2: gonna notice.

1420
01:03:11,520 --> 01:03:13,080
Speaker 1: And I think it's gonna be great for my It's

1421
01:03:13,080 --> 01:03:14,040
Speaker 1: gonna be great for my teeth.

1422
01:03:16,040 --> 01:03:18,120
Speaker 5: I remember I went I went home that night after

1423
01:03:18,160 --> 01:03:21,360
Speaker 5: the spray tann and I had to scrub every ounce

1424
01:03:21,760 --> 01:03:24,520
Speaker 5: of my body. I just my face and my body.

1425
01:03:24,520 --> 01:03:26,840
Speaker 5: I just was like taking to it. And then I

1426
01:03:26,880 --> 01:03:28,800
Speaker 5: did a movie in Hawaii last year and the person

1427
01:03:28,840 --> 01:03:31,000
Speaker 5: wanted us to do a spray tan so Lauren Lapis

1428
01:03:31,040 --> 01:03:33,320
Speaker 5: who plays the lead in the movie, and I was

1429
01:03:33,320 --> 01:03:35,960
Speaker 5: supposed to have spray tns. I said, I've actually had

1430
01:03:35,960 --> 01:03:38,640
Speaker 5: a couple of really bad experiences with spray tands. I

1431
01:03:38,680 --> 01:03:41,640
Speaker 5: don't recommend it. I think it's just reacts with me

1432
01:03:42,000 --> 01:03:44,760
Speaker 5: the bad Orange way. And they're like, no, no, no, we

1433
01:03:44,800 --> 01:03:46,400
Speaker 5: have like the best people in Hawaii. They're gonna come,

1434
01:03:46,400 --> 01:03:48,680
Speaker 5: They're gonna do it. You're gonna love it. So I

1435
01:03:48,760 --> 01:03:51,280
Speaker 5: come down the next morning, the woman comes to how

1436
01:03:51,280 --> 01:03:53,080
Speaker 5: Telling room, the four sprays you down. I come down

1437
01:03:53,120 --> 01:03:55,840
Speaker 5: to the hair and makeup trailer and they are freaking out.

1438
01:03:55,840 --> 01:03:58,320
Speaker 5: They're like, your legs are orange. And then Lauren Lapis

1439
01:03:58,600 --> 01:04:01,840
Speaker 5: hasn't seen any of this preamble Cheo Rooks, and she's like,

1440
01:04:02,200 --> 01:04:06,280
Speaker 5: who loves the sprint? And they're like, Sarah, quickly go

1441
01:04:06,320 --> 01:04:08,680
Speaker 5: back at Joe tone, take some salt, scrub, scrub it

1442
01:04:08,720 --> 01:04:10,720
Speaker 5: all off, get it all off quick. I'm like, okay,

1443
01:04:10,800 --> 01:04:11,720
Speaker 5: I'll be right back.

1444
01:04:12,080 --> 01:04:14,120
Speaker 1: Oh God, So Sarah, I don't think Spray's hands are

1445
01:04:14,160 --> 01:04:14,840
Speaker 1: for you.

1446
01:04:14,880 --> 01:04:15,080
Speaker 5: No.

1447
01:04:15,760 --> 01:04:17,400
Speaker 2: Do you burn when you get into the sun?

1448
01:04:18,000 --> 01:04:18,440
Speaker 7: Uh?

1449
01:04:18,600 --> 01:04:18,960
Speaker 5: He is?

1450
01:04:19,280 --> 01:04:21,560
Speaker 1: She's very pale. Look at her, like how pale she is.

1451
01:04:22,640 --> 01:04:25,200
Speaker 5: It was the other joke on this movie, the reason Hawaii.

1452
01:04:25,200 --> 01:04:28,080
Speaker 5: I would literally, in between in between scenes, I would

1453
01:04:28,080 --> 01:04:31,880
Speaker 5: be you know, completely covered up to the point where

1454
01:04:31,880 --> 01:04:35,600
Speaker 5: we would go out at night and everyone else would

1455
01:04:35,600 --> 01:04:38,320
Speaker 5: be like uh, chalk, do you have your son screening on?

1456
01:04:38,440 --> 01:04:40,840
Speaker 5: Like I just I mean, oh, I burn.

1457
01:04:41,160 --> 01:04:43,880
Speaker 1: Let's talk about this scene. But the dramatic scene, Sarah,

1458
01:04:43,920 --> 01:04:46,000
Speaker 1: I think your acting is really good here at seventeen

1459
01:04:46,040 --> 01:04:49,280
Speaker 1: oh three, there's this awesome scene where you and Judy,

1460
01:04:49,360 --> 01:04:50,920
Speaker 1: where Judy comes to get you and you're at the

1461
01:04:50,920 --> 01:04:52,919
Speaker 1: soda machine. I think this is a really really good

1462
01:04:52,920 --> 01:04:53,840
Speaker 1: acting on your part.

1463
01:04:54,480 --> 01:04:57,360
Speaker 2: Was this Was this the first big monologue for you

1464
01:04:57,520 --> 01:04:58,040
Speaker 2: on the show?

1465
01:04:58,280 --> 01:04:59,840
Speaker 5: I thought you were gonna say? Was this the first

1466
01:05:00,040 --> 01:05:01,720
Speaker 5: time that you put in your iPod and listen to

1467
01:05:01,800 --> 01:05:02,440
Speaker 5: Josh Raiden?

1468
01:05:02,960 --> 01:05:03,120
Speaker 6: Oh?

1469
01:05:03,160 --> 01:05:04,919
Speaker 1: Is that what you did? Or you're giving Josh Raiden?

1470
01:05:05,040 --> 01:05:07,040
Speaker 2: Was it Josh Raiden? Or was it? Who was it?

1471
01:05:07,280 --> 01:05:12,480
Speaker 1: I will remember, well, don't don't take away her, don't

1472
01:05:12,520 --> 01:05:14,840
Speaker 1: take away her. Josh Raiden plugged Donald.

1473
01:05:15,520 --> 01:05:17,240
Speaker 2: Josh Rayden's gotten enough plugs on this show?

1474
01:05:17,280 --> 01:05:18,720
Speaker 1: Is that? Is that? Is that who you used to

1475
01:05:18,720 --> 01:05:21,600
Speaker 1: get to make your eyes? Uh, to make yourself emotional

1476
01:05:21,600 --> 01:05:22,400
Speaker 1: in eyes tear up?

1477
01:05:22,560 --> 01:05:24,520
Speaker 5: Well? I was still young, I mean at that point.

1478
01:05:24,560 --> 01:05:27,640
Speaker 5: Now you know, as you grow older you have many

1479
01:05:27,680 --> 01:05:29,800
Speaker 5: more experiences draw from. But I used to use an

1480
01:05:29,800 --> 01:05:32,120
Speaker 5: iPod and I would play sad music and kind of

1481
01:05:32,120 --> 01:05:34,280
Speaker 5: get into the mode. I don't know then that scene

1482
01:05:34,880 --> 01:05:37,320
Speaker 5: was kind of it was very early on. It was enough.

1483
01:05:37,360 --> 01:05:39,720
Speaker 5: I mean I remember just shooting it and it was

1484
01:05:39,720 --> 01:05:39,880
Speaker 5: was it.

1485
01:05:39,880 --> 01:05:44,760
Speaker 1: Babies got back. I mean, there's something about the lyrics this.

1486
01:05:45,040 --> 01:05:46,840
Speaker 5: You can see if you look very closely, if you

1487
01:05:46,840 --> 01:05:48,800
Speaker 5: stop freeze the frame, you can see my hips just

1488
01:05:49,400 --> 01:05:53,520
Speaker 5: kind of undulate. My booty's shaken a little bit. Yeah,

1489
01:05:53,760 --> 01:05:57,000
Speaker 5: Josh Raiden, let's give a plug man. He he obviously

1490
01:05:57,120 --> 01:05:59,240
Speaker 5: was a soundtrack to many things. I delivered my children

1491
01:05:59,280 --> 01:05:59,960
Speaker 5: to josh O Raydon.

1492
01:06:00,680 --> 01:06:02,760
Speaker 1: Sorry, you go if you're gonna, If you're gonna deliver

1493
01:06:02,840 --> 01:06:06,120
Speaker 1: your children, and that's coming up, we recommend you use

1494
01:06:06,200 --> 01:06:08,600
Speaker 1: the musical stylings of Joshua Raidon.

1495
01:06:09,000 --> 01:06:13,200
Speaker 2: Josh Raidon sang the song at my wedding. Their first

1496
01:06:13,280 --> 01:06:15,960
Speaker 2: dance was to Josh Raydon and he fucked up the

1497
01:06:16,000 --> 01:06:18,520
Speaker 2: song tremendously, he did. But I love them, Oh my god.

1498
01:06:18,520 --> 01:06:21,200
Speaker 2: He didn't even remember the song. I got the video,

1499
01:06:21,400 --> 01:06:22,280
Speaker 2: which got the video?

1500
01:06:22,320 --> 01:06:23,480
Speaker 1: Which which song of it was?

1501
01:06:23,520 --> 01:06:24,560
Speaker 2: It was?

1502
01:06:25,160 --> 01:06:26,600
Speaker 1: It was which song of his?

1503
01:06:26,800 --> 01:06:31,240
Speaker 2: No, it was moon Pours through the Ceiling Tonight and

1504
01:06:31,360 --> 01:06:35,680
Speaker 2: praises us We lie, And it was perfect for the uh,

1505
01:06:35,880 --> 01:06:38,120
Speaker 2: for the moment, the rest of my life, cake of

1506
01:06:38,560 --> 01:06:44,960
Speaker 2: this night. Whoa yeah, and only the heartaches have given

1507
01:06:45,040 --> 01:06:49,320
Speaker 2: me side they bring me to you, right, bring me

1508
01:06:49,360 --> 01:06:51,960
Speaker 2: to you. Fucked it up the whole He fucked up

1509
01:06:52,000 --> 01:06:52,840
Speaker 2: the whole song.

1510
01:06:52,960 --> 01:06:56,000
Speaker 5: Dude, I wish the opposite of a plug.

1511
01:06:56,320 --> 01:06:59,280
Speaker 2: No, it was fun, dude, he did it. Listen. It's

1512
01:06:59,280 --> 01:07:02,480
Speaker 2: not every day you get somebody like him to one

1513
01:07:02,560 --> 01:07:04,960
Speaker 2: perform at your wedding, also to do it for free.

1514
01:07:05,200 --> 01:07:07,200
Speaker 1: So you know that he also performed at Ellen's wedding.

1515
01:07:08,600 --> 01:07:11,439
Speaker 2: I'm sure they paid him. I didn't have to pay

1516
01:07:11,520 --> 01:07:16,000
Speaker 2: him and for that alone, and we thank you. Josh Raydon,

1517
01:07:16,480 --> 01:07:19,000
Speaker 2: you are one of my heroes.

1518
01:07:19,640 --> 01:07:21,560
Speaker 5: Kelly Donald didn't ask me to sing at his wedding.

1519
01:07:21,800 --> 01:07:24,320
Speaker 1: By the way, has the worst voice in the world. America.

1520
01:07:24,440 --> 01:07:27,200
Speaker 1: Let me tell you something, America and all other nations listening,

1521
01:07:27,200 --> 01:07:28,439
Speaker 1: don't ever let Sarah sing.

1522
01:07:28,520 --> 01:07:30,280
Speaker 5: Windows will break, photogs.

1523
01:07:32,160 --> 01:07:33,640
Speaker 1: These are what's this, what's happening in my house? The

1524
01:07:33,640 --> 01:07:34,280
Speaker 1: windows going.

1525
01:07:36,640 --> 01:07:40,520
Speaker 5: I was conspicuously absent in the musical episode. And also do.

1526
01:07:40,440 --> 01:07:43,760
Speaker 1: You remember when when the when Aryl when Daryl Hannah

1527
01:07:43,760 --> 01:07:48,480
Speaker 1: and splash says her name. That's what happens when Sarah.

1528
01:07:48,600 --> 01:07:50,520
Speaker 5: I guess we haven't covered that yet that you guys

1529
01:07:50,560 --> 01:07:53,160
Speaker 5: didn't ask me to help you record the opening song.

1530
01:07:53,200 --> 01:07:53,840
Speaker 5: Can you imagine?

1531
01:07:53,880 --> 01:07:54,640
Speaker 1: Do you like our song?

1532
01:07:55,000 --> 01:07:55,880
Speaker 5: I love your song?

1533
01:07:56,120 --> 01:07:58,360
Speaker 1: Yeah, Charlie Pooth wrote the music and Donald and I

1534
01:07:58,400 --> 01:08:00,720
Speaker 1: were Donald and I were the lyriss.

1535
01:08:00,880 --> 01:08:02,600
Speaker 2: Well we wrote the melody too and then sent it

1536
01:08:02,600 --> 01:08:04,360
Speaker 2: to him. Well the melody is right.

1537
01:08:04,840 --> 01:08:08,520
Speaker 1: Credit for melody. Melody was us. Charlie Pooth is producer

1538
01:08:08,720 --> 01:08:12,960
Speaker 1: and music writer, right, and you and I are the lyricists.

1539
01:08:13,120 --> 01:08:15,040
Speaker 2: But we can also we also need to give a

1540
01:08:15,120 --> 01:08:18,840
Speaker 2: little shout out to sitcom shows from back in the day,

1541
01:08:18,960 --> 01:08:20,320
Speaker 2: like the Jefferson.

1542
01:08:19,840 --> 01:08:22,439
Speaker 1: Oh yeah, And someone said on Twitter, I thought it

1543
01:08:22,479 --> 01:08:24,280
Speaker 1: was it was right. It said it's a mix between

1544
01:08:24,360 --> 01:08:26,559
Speaker 1: the Brady Bunch theme and the Jeffersons theme.

1545
01:08:26,640 --> 01:08:29,960
Speaker 2: Yeah, yeah, yeah, yeah, yeah, yeah, that's exactly what it is.

1546
01:08:30,280 --> 01:08:33,240
Speaker 1: Yeah, I thought that was really perfect. Sarah, do you

1547
01:08:33,320 --> 01:08:36,120
Speaker 1: find yourself singing our theme song when you're in your

1548
01:08:36,120 --> 01:08:37,240
Speaker 1: house in quarantine?

1549
01:08:37,479 --> 01:08:40,120
Speaker 5: It's it's you know, I I've actually learned it. I've

1550
01:08:40,200 --> 01:08:43,479
Speaker 5: got learning the guitar of the ukulelea actually, and I'll

1551
01:08:43,479 --> 01:08:45,200
Speaker 5: I'll send you guys a clip of me singing and

1552
01:08:45,320 --> 01:08:46,720
Speaker 5: you you know, I'll leave it in your hands if

1553
01:08:46,720 --> 01:08:47,880
Speaker 5: you show.

1554
01:08:48,000 --> 01:08:50,880
Speaker 1: My girlfriend caught me on the treadmill listening to our

1555
01:08:50,880 --> 01:08:53,479
Speaker 1: theme song and laughed at me, not with me, at me.

1556
01:08:56,160 --> 01:08:57,559
Speaker 5: You're proud of it. You're proud of it.

1557
01:08:57,720 --> 01:09:00,639
Speaker 2: Things I noticed about the show, about this show go ahead.

1558
01:09:00,720 --> 01:09:02,920
Speaker 2: I had no idea that I bopped that hard in

1559
01:09:02,960 --> 01:09:05,760
Speaker 2: the hallway. And when I say bop, I mean like

1560
01:09:05,840 --> 01:09:10,200
Speaker 2: I had the straight up. My walk is legendary.

1561
01:09:10,760 --> 01:09:12,000
Speaker 1: Strut is it like a stress?

1562
01:09:12,040 --> 01:09:15,200
Speaker 2: It's like a struck. But it's like so over the top, dude,

1563
01:09:15,280 --> 01:09:16,439
Speaker 2: it's so over the top.

1564
01:09:16,520 --> 01:09:18,360
Speaker 1: It's like George Jefferson when he would this is.

1565
01:09:18,360 --> 01:09:23,360
Speaker 2: Exactly like George jeffersons. It's like so heavy. It's like, yo, dude,

1566
01:09:24,640 --> 01:09:26,439
Speaker 2: why are you going so hard with that?

1567
01:09:26,560 --> 01:09:28,479
Speaker 1: And that was your inspiration? Do you remember who your

1568
01:09:28,479 --> 01:09:29,160
Speaker 1: inspiration was?

1569
01:09:29,200 --> 01:09:32,480
Speaker 2: It's always Sherman Hemsley, Sherman Hemsley always.

1570
01:09:32,840 --> 01:09:36,000
Speaker 1: I wanted to say something about the scene in nineteen

1571
01:09:36,160 --> 01:09:38,680
Speaker 1: oh seven There's the I had this dramatic scene with

1572
01:09:38,800 --> 01:09:41,400
Speaker 1: Catherine Juston and it was the first time I ever

1573
01:09:41,439 --> 01:09:44,160
Speaker 1: had the balls to go to Bill because I thought

1574
01:09:44,200 --> 01:09:45,920
Speaker 1: I did a good job. And then he showed me

1575
01:09:46,000 --> 01:09:48,479
Speaker 1: an edit of it, and he had taken out some

1576
01:09:48,560 --> 01:09:51,760
Speaker 1: of my dramatic pauses. And it was one of the

1577
01:09:51,800 --> 01:09:54,559
Speaker 1: first times in my acting career where I was like,

1578
01:09:54,640 --> 01:09:56,000
Speaker 1: I was like, I gotta go talk to him, because

1579
01:09:56,000 --> 01:09:58,519
Speaker 1: he's making me look like a bad actor. He's he's

1580
01:09:58,560 --> 01:10:00,559
Speaker 1: taking out the pauses, like you know, because you know,

1581
01:10:00,720 --> 01:10:02,360
Speaker 1: the show had to be cut down to twenty two

1582
01:10:02,400 --> 01:10:04,719
Speaker 1: minutes or something, and I remember Bill going like, dude,

1583
01:10:04,760 --> 01:10:06,400
Speaker 1: there's no time. It's twenty two minutes. There's no time

1584
01:10:06,439 --> 01:10:10,040
Speaker 1: for pauses. There's no time for traumatic pauses. And I

1585
01:10:10,040 --> 01:10:12,280
Speaker 1: think in the end he put he put a little

1586
01:10:12,280 --> 01:10:14,280
Speaker 1: bit back, but it was like it was when she goes,

1587
01:10:14,320 --> 01:10:17,200
Speaker 1: are you okay? And then I go, I'm scared. And

1588
01:10:17,960 --> 01:10:19,720
Speaker 1: then when I saw it edited together for the first time,

1589
01:10:19,760 --> 01:10:21,599
Speaker 1: I was like, are you okay? I'm scared? And I

1590
01:10:21,640 --> 01:10:23,840
Speaker 1: was like, oh, that makes me look really bad. And

1591
01:10:23,880 --> 01:10:26,760
Speaker 1: this is the thing that actors, I'm sure I know

1592
01:10:26,920 --> 01:10:29,280
Speaker 1: as a director feel all the time. Sometimes you look

1593
01:10:29,320 --> 01:10:31,240
Speaker 1: and go why did you cut me like that? Like

1594
01:10:31,520 --> 01:10:32,920
Speaker 1: on the day, I thought I was doing a much

1595
01:10:32,960 --> 01:10:35,479
Speaker 1: better job. But if you take out that pause and

1596
01:10:35,560 --> 01:10:38,160
Speaker 1: cut to me like like that I don't look as

1597
01:10:38,200 --> 01:10:39,920
Speaker 1: good as I want to be. You know, I'm sure

1598
01:10:39,920 --> 01:10:41,919
Speaker 1: you guys had that feeling throughout the show sometimes.

1599
01:10:41,960 --> 01:10:44,960
Speaker 2: Well yeah, you know, you we would tell jokes sometimes

1600
01:10:44,960 --> 01:10:47,920
Speaker 2: and jokes wouldn't make the show, and you know, we'd

1601
01:10:47,920 --> 01:10:51,519
Speaker 2: have moments where we thought, you know, we were crushing

1602
01:10:51,600 --> 01:10:55,000
Speaker 2: it and then only to see you know, the editors

1603
01:10:55,000 --> 01:10:58,320
Speaker 2: and Bill decided to use the reaction shot instead of

1604
01:10:58,360 --> 01:11:01,280
Speaker 2: your actual you know, instead of your before gone right

1605
01:11:01,400 --> 01:11:03,240
Speaker 2: or the joke's just completely gone right.

1606
01:11:03,479 --> 01:11:05,599
Speaker 5: Yeah, I love that. I love that scene that you're

1607
01:11:05,600 --> 01:11:07,200
Speaker 5: talking about, Zac. It was one of my favorite ones

1608
01:11:07,200 --> 01:11:10,200
Speaker 5: in the in the episode when you know, she tells

1609
01:11:10,240 --> 01:11:11,680
Speaker 5: you to go and live your life and you're like,

1610
01:11:12,080 --> 01:11:13,640
Speaker 5: you know, uh huh uh, I'm just turning on a

1611
01:11:13,680 --> 01:11:15,280
Speaker 5: few things and you go up to the thing and

1612
01:11:15,280 --> 01:11:16,560
Speaker 5: you're kind of pretending.

1613
01:11:16,360 --> 01:11:18,600
Speaker 1: I don't want to go. And then it's always you know,

1614
01:11:18,640 --> 01:11:23,240
Speaker 1: my father, who passed away recently, always always would reference

1615
01:11:23,280 --> 01:11:25,400
Speaker 1: this moment in Scrubs that he thought it was so

1616
01:11:25,479 --> 01:11:28,599
Speaker 1: incredibly moving, the idea of a of an older woman

1617
01:11:28,760 --> 01:11:33,400
Speaker 1: comforting a young doctor about death, and and he said,

1618
01:11:33,479 --> 01:11:35,840
Speaker 1: I just you know, he was He's like, I never

1619
01:11:35,880 --> 01:11:39,240
Speaker 1: seen anything like that before and and and I just

1620
01:11:39,280 --> 01:11:41,519
Speaker 1: watching it this time, I just remember how much he

1621
01:11:41,560 --> 01:11:44,840
Speaker 1: would always reference that because it was so beautiful, that

1622
01:11:44,840 --> 01:11:47,360
Speaker 1: that sentiment that the JD doesn't know how to deal

1623
01:11:47,400 --> 01:11:49,280
Speaker 1: with death yet, but here's this older woman who's ready

1624
01:11:49,360 --> 01:11:51,479
Speaker 1: to go and she's the one comforting him about it.

1625
01:11:51,560 --> 01:11:53,440
Speaker 1: I just thought that was beautifully written.

1626
01:11:53,400 --> 01:11:55,680
Speaker 5: Somehow managed to also be funny in parts. That was

1627
01:11:55,680 --> 01:11:58,200
Speaker 5: what I couldn't believe, Like when she's just like everybody dies,

1628
01:11:58,240 --> 01:11:58,959
Speaker 5: No they don't.

1629
01:11:59,120 --> 01:12:02,720
Speaker 2: Right, No, they don't right. The Scheiffel to the Miffel Tower.

1630
01:12:03,320 --> 01:12:06,760
Speaker 1: The Mindful Tower, the Miffel Tower, about the Minfele Tower.

1631
01:12:06,840 --> 01:12:10,479
Speaker 2: That being said, the whole list thing, especially with the

1632
01:12:10,479 --> 01:12:13,720
Speaker 2: way things are right now, that whole list thing got

1633
01:12:13,840 --> 01:12:15,240
Speaker 2: me to thinking, you know what I mean, I don't

1634
01:12:15,240 --> 01:12:17,920
Speaker 2: have any regrets in my life or anything like that,

1635
01:12:18,479 --> 01:12:21,680
Speaker 2: but there are certain things that I still want to do,

1636
01:12:21,960 --> 01:12:25,680
Speaker 2: you know what I mean. And uh, you know, we're

1637
01:12:25,720 --> 01:12:28,280
Speaker 2: in quarantine and it doesn't seem like, you know, it

1638
01:12:28,280 --> 01:12:29,720
Speaker 2: doesn't feel like we're going to get out of this

1639
01:12:29,840 --> 01:12:32,080
Speaker 2: anytime soon, you know what I mean. Not to sound

1640
01:12:32,120 --> 01:12:34,920
Speaker 2: more but or dark or anything like that, but when

1641
01:12:35,240 --> 01:12:37,920
Speaker 2: JD brings up the list and she's like, I've done

1642
01:12:37,960 --> 01:12:42,000
Speaker 2: all of those things already. It really made me think, like, well,

1643
01:12:42,120 --> 01:12:45,200
Speaker 2: you know, when this is over, I'm gonna make sure

1644
01:12:45,479 --> 01:12:47,320
Speaker 2: that I get out and I live a lot more

1645
01:12:47,320 --> 01:12:48,920
Speaker 2: than I did before, you know what I mean?

1646
01:12:49,120 --> 01:12:53,400
Speaker 1: And well, that's interesting. I mean, this quarantine thing, I agree.

1647
01:12:53,439 --> 01:12:56,320
Speaker 1: I think it gives you perspective. And I've just been

1648
01:12:56,320 --> 01:12:59,240
Speaker 1: feeling focusing on gratitude a lot because I just think that,

1649
01:12:59,400 --> 01:13:03,400
Speaker 1: like when all this is so insane, and it makes

1650
01:13:03,400 --> 01:13:06,000
Speaker 1: you focus on how lucky we are and what we

1651
01:13:06,000 --> 01:13:08,519
Speaker 1: want to appreciate in life. You know, they just the

1652
01:13:08,800 --> 01:13:11,320
Speaker 1: simple things like being able to go to a restaurant

1653
01:13:11,320 --> 01:13:14,320
Speaker 1: with friends and laugh and have a drink. And I

1654
01:13:14,360 --> 01:13:16,680
Speaker 1: don't know, it's interesting you say that. So have you

1655
01:13:16,720 --> 01:13:18,320
Speaker 1: made a list on or are you making lists of things

1656
01:13:18,360 --> 01:13:18,680
Speaker 1: you want to know?

1657
01:13:19,240 --> 01:13:20,800
Speaker 2: I'm going to start a list. I know. A lot

1658
01:13:20,800 --> 01:13:22,559
Speaker 2: of it has to do with my kids and making

1659
01:13:22,600 --> 01:13:24,400
Speaker 2: sure that they get to experience a lot of the

1660
01:13:24,439 --> 01:13:26,439
Speaker 2: things that I didn't experience when I was a kid,

1661
01:13:26,600 --> 01:13:29,120
Speaker 2: when I was young, you know what I mean. I

1662
01:13:29,160 --> 01:13:31,679
Speaker 2: try to do that now, but I feel like maybe

1663
01:13:32,000 --> 01:13:34,320
Speaker 2: I need to go a little bit overboard and then

1664
01:13:34,439 --> 01:13:36,800
Speaker 2: you know, have my wife tell me we need to

1665
01:13:36,840 --> 01:13:39,599
Speaker 2: dial it back a little bit. We're going too far,

1666
01:13:40,280 --> 01:13:43,280
Speaker 2: you know what I mean? Like, Uh, there's certain things

1667
01:13:43,320 --> 01:13:46,639
Speaker 2: that my kids have never done that and that's because

1668
01:13:46,720 --> 01:13:47,880
Speaker 2: I don't do it, you know what I mean? And

1669
01:13:47,920 --> 01:13:50,760
Speaker 2: I don't want to do that to them. I want

1670
01:13:50,760 --> 01:13:52,679
Speaker 2: them to have that experience in that adventure.

1671
01:13:53,960 --> 01:13:57,479
Speaker 5: I feel like I feel like it's it's also because

1672
01:13:57,520 --> 01:13:59,000
Speaker 5: we don't know when this is over. We don't know

1673
01:13:59,040 --> 01:14:00,760
Speaker 5: how long we're going to be doing for and it

1674
01:14:00,760 --> 01:14:03,840
Speaker 5: doesn't seem to be short. Obviously it sounds like potentill

1675
01:14:03,880 --> 01:14:06,439
Speaker 5: we have a vaccine. Who knows how long this chunk

1676
01:14:06,439 --> 01:14:07,880
Speaker 5: of our lives is and what it looks like and

1677
01:14:07,880 --> 01:14:11,120
Speaker 5: whether it opens back up. I feel like as impossible

1678
01:14:11,160 --> 01:14:13,160
Speaker 5: it is, it is and has trite as it's like

1679
01:14:13,240 --> 01:14:14,719
Speaker 5: trying to you in the moment and trying to figure

1680
01:14:14,760 --> 01:14:17,320
Speaker 5: out what like the rare times with them that I

1681
01:14:17,360 --> 01:14:21,120
Speaker 5: have now that are so hard to get in the

1682
01:14:21,400 --> 01:14:23,360
Speaker 5: like in the every day think about how much time

1683
01:14:23,360 --> 01:14:26,280
Speaker 5: you spend in the car driving them to activities, doing whatever,

1684
01:14:26,320 --> 01:14:29,360
Speaker 5: and when work takes over and that becomes so all consuming,

1685
01:14:29,439 --> 01:14:31,479
Speaker 5: and I feel like as much of it is that

1686
01:14:31,600 --> 01:14:35,880
Speaker 5: we can squeeze out just here, like just sitting with them.

1687
01:14:35,960 --> 01:14:37,960
Speaker 5: Like I was reading something the other day saying, you know,

1688
01:14:38,000 --> 01:14:40,200
Speaker 5: people are worried about their kids getting behind in education.

1689
01:14:40,400 --> 01:14:41,960
Speaker 5: What if they actually came out ahead? And I thought

1690
01:14:41,960 --> 01:14:44,320
Speaker 5: that was such a cool way to look at it, Like, kids,

1691
01:14:44,479 --> 01:14:46,320
Speaker 5: this is going to form who they are and who

1692
01:14:46,360 --> 01:14:49,080
Speaker 5: they become. And what if they actually start to appreciate

1693
01:14:49,320 --> 01:14:51,439
Speaker 5: the small things that we're starting to appreciate right now

1694
01:14:51,640 --> 01:14:55,400
Speaker 5: instead of just the grind of everyday life. And what

1695
01:14:55,439 --> 01:14:58,080
Speaker 5: if they actually learn to do meaningful chores at home

1696
01:14:58,120 --> 01:15:02,000
Speaker 5: and learn the value in that and learn how to

1697
01:15:02,439 --> 01:15:04,840
Speaker 5: you know, actually be I hear.

1698
01:15:05,120 --> 01:15:06,840
Speaker 2: You know. The only thing I worry about with all

1699
01:15:06,880 --> 01:15:09,599
Speaker 2: of that is there's social skills when this is all

1700
01:15:09,640 --> 01:15:12,000
Speaker 2: said and done, you know what I mean, That's the

1701
01:15:12,040 --> 01:15:14,920
Speaker 2: only thing I worry about. But yeah, you know, we

1702
01:15:15,000 --> 01:15:17,880
Speaker 2: got this kid reading, you know, she's on site words

1703
01:15:17,920 --> 01:15:19,719
Speaker 2: and we're trying to get her to read and stuff

1704
01:15:19,760 --> 01:15:21,439
Speaker 2: like that, and we're working with math and all of

1705
01:15:21,479 --> 01:15:24,160
Speaker 2: that stuff. But at the end of the day, it's like,

1706
01:15:24,439 --> 01:15:28,280
Speaker 2: you know, there's something special about being around other children

1707
01:15:28,640 --> 01:15:31,400
Speaker 2: their age to interact with, you know what I mean.

1708
01:15:31,520 --> 01:15:34,160
Speaker 5: It's so true. I know my heartbreaks for only kids.

1709
01:15:34,160 --> 01:15:36,000
Speaker 5: Who are you know, having to go through this right

1710
01:15:36,000 --> 01:15:38,599
Speaker 5: now with no kids to play with. It's really hard.

1711
01:15:39,080 --> 01:15:42,640
Speaker 1: The show ends with Hallelujah by John Cale, which has

1712
01:15:42,680 --> 01:15:45,640
Speaker 1: been covered by lots of folks. I thought this was

1713
01:15:45,680 --> 01:15:49,960
Speaker 1: a particularly beautiful rendition, and again I think it was

1714
01:15:50,000 --> 01:15:53,080
Speaker 1: the first real time I noticed the show ending with

1715
01:15:53,200 --> 01:15:58,000
Speaker 1: a sweet, somber, uplifting song in a beautiful way, cutting

1716
01:15:58,040 --> 01:16:00,559
Speaker 1: to the montage, and I got I wrote down, I

1717
01:16:00,560 --> 01:16:04,160
Speaker 1: got goosebumps at twenty fourteen when we all three whip

1718
01:16:04,200 --> 01:16:08,040
Speaker 1: our heads around, yeah, revealing that we've all it's not

1719
01:16:08,080 --> 01:16:10,519
Speaker 1: one in three in this case. The odds have fallen,

1720
01:16:10,560 --> 01:16:14,400
Speaker 1: so we've lost three of three. I got goosebumps up

1721
01:16:14,400 --> 01:16:15,680
Speaker 1: and down my arms at that moment. I thought that

1722
01:16:15,720 --> 01:16:16,919
Speaker 1: was really beautifully done.

1723
01:16:17,160 --> 01:16:20,479
Speaker 5: Absolutely so shocking when that happens, right Like, as a viewer,

1724
01:16:20,520 --> 01:16:22,280
Speaker 5: I think you're not expecting that. You're kind of waiting

1725
01:16:22,320 --> 01:16:25,040
Speaker 5: for that statistic that they set up at the beginning.

1726
01:16:25,120 --> 01:16:27,519
Speaker 2: And then we end the show, And this is what

1727
01:16:27,560 --> 01:16:30,960
Speaker 2: I was saying a few episodes before, Sarah, you weren't

1728
01:16:30,960 --> 01:16:33,439
Speaker 2: here for this, but it's really important for doctors to

1729
01:16:33,479 --> 01:16:36,559
Speaker 2: be able to pick themselves back up after something like

1730
01:16:36,600 --> 01:16:40,680
Speaker 2: this happens. And you know, it's also very important that

1731
01:16:40,720 --> 01:16:44,200
Speaker 2: this happens to these young doctors at an early time,

1732
01:16:44,280 --> 01:16:46,640
Speaker 2: so they do know how to set up boundaries and

1733
01:16:46,800 --> 01:16:49,439
Speaker 2: do know how to set up balls to help them

1734
01:16:49,479 --> 01:16:52,639
Speaker 2: be professional. It's tragic that it has to be death

1735
01:16:52,680 --> 01:16:55,519
Speaker 2: that does it, but yeah, you know, to lose someone

1736
01:16:55,560 --> 01:16:57,360
Speaker 2: you care about and then show up the next day

1737
01:16:57,800 --> 01:17:01,360
Speaker 2: at that job, it's very difficult. I can't I can't

1738
01:17:01,360 --> 01:17:03,680
Speaker 2: imagine it. I find it difficult to watch and it's

1739
01:17:03,760 --> 01:17:05,840
Speaker 2: very difficult to experience I would imagine.

1740
01:17:06,040 --> 01:17:07,519
Speaker 5: And that was that, and that piece of it so

1741
01:17:07,560 --> 01:17:09,599
Speaker 5: cool that the show kind of owes that right after

1742
01:17:09,640 --> 01:17:12,320
Speaker 5: with all, you know, Turt going back and introducing himself

1743
01:17:12,680 --> 01:17:14,479
Speaker 5: to the patient, Jad taking the time to go be

1744
01:17:14,520 --> 01:17:16,320
Speaker 5: on the grass, Elliot kind of figuring out how to

1745
01:17:16,320 --> 01:17:19,760
Speaker 5: take charge. And that was kind of cool too. Johnny's

1746
01:17:19,840 --> 01:17:23,559
Speaker 5: conversation with Elliott when he says, you made the right call,

1747
01:17:23,640 --> 01:17:26,719
Speaker 5: you did, and she says, I know, and I don't.

1748
01:17:26,840 --> 01:17:29,080
Speaker 5: I didn't remember that. And when I saw that, I

1749
01:17:29,200 --> 01:17:32,240
Speaker 5: you know, just sort of having her take that confident position.

1750
01:17:32,439 --> 01:17:37,040
Speaker 1: Yeah, that was really powerful. I was really powerful I thought, Okay, listen, guys,

1751
01:17:37,040 --> 01:17:39,040
Speaker 1: we did it. We did it. I'm so glad Sarah

1752
01:17:39,040 --> 01:17:40,960
Speaker 1: we had you because we wanted to have you on

1753
01:17:41,000 --> 01:17:42,960
Speaker 1: this one, because we all keep saying, this was a

1754
01:17:43,080 --> 01:17:46,280
Speaker 1: very special episode for all of us, and thank you

1755
01:17:46,320 --> 01:17:49,200
Speaker 1: for for coming on. And I hope you know we're

1756
01:17:49,240 --> 01:17:51,200
Speaker 1: having fun doing this. I hope that Donald and I

1757
01:17:51,200 --> 01:17:53,599
Speaker 1: both hope that you'll come as as as many times

1758
01:17:53,479 --> 01:17:56,559
Speaker 1: as you're willing to and and rewatch the show with us.

1759
01:17:56,800 --> 01:17:58,800
Speaker 5: I loved it. It was so fun, so fun to do.

1760
01:17:59,520 --> 01:18:00,320
Speaker 2: So is that a yes?

1761
01:18:00,600 --> 01:18:02,160
Speaker 1: Was that a yes? That was a very non Commis

1762
01:18:03,040 --> 01:18:03,439
Speaker 1: that is that?

1763
01:18:03,520 --> 01:18:05,000
Speaker 5: Is? I'm in you? Just you can know where I am.

1764
01:18:05,080 --> 01:18:06,200
Speaker 5: Guys not doing anything?

1765
01:18:06,439 --> 01:18:08,880
Speaker 1: How do you say? How do you say goodbye? And Canadians?

1766
01:18:09,240 --> 01:18:16,200
Speaker 2: I think it's goodbye? Wait? Is it something like? That's French?

1767
01:18:16,479 --> 01:18:17,960
Speaker 1: That's well, you know there's a lot of them speak

1768
01:18:18,000 --> 01:18:18,559
Speaker 1: French up there.

1769
01:18:18,600 --> 01:18:21,360
Speaker 5: Donald, that's bilingual country here, guys?

1770
01:18:21,760 --> 01:18:22,080
Speaker 2: Is it?

1771
01:18:22,479 --> 01:18:25,679
Speaker 1: Yes? On that note? Donald, if you'll lead us in song?

1772
01:18:26,360 --> 01:18:26,479
Speaker 2: Uh?

1773
01:18:26,880 --> 01:18:28,720
Speaker 5: Why god? Donald? Why can't I lead us in song?

1774
01:18:28,800 --> 01:18:31,639
Speaker 1: Sorry? You can lead us in song? We will now,

1775
01:18:31,840 --> 01:18:36,439
Speaker 1: Donald Countison, Please one two? I prefer when you count

1776
01:18:36,479 --> 01:18:38,320
Speaker 1: down like DeBie.

1777
01:18:38,439 --> 01:18:39,879
Speaker 2: Okay, you got big dreams.

1778
01:18:40,400 --> 01:18:42,400
Speaker 1: You take the monologue. This time.

1779
01:18:42,640 --> 01:18:48,000
Speaker 2: Fame costs, and right here is where you start paying sweat.

1780
01:18:49,200 --> 01:18:56,200
Speaker 3: Six stories about show we made about a bunch of.

1781
01:19:00,120 --> 01:19:03,120
Speaker 2: Is a stormy next all should know?

1782
01:19:04,680 --> 01:19:09,280
Speaker 4: So gather rad you here, hop gather round you here Hops,

1783
01:19:09,360 --> 01:19:11,360
Speaker 4: but we watch your wiz and