WEBVTT - How Light Pollution Works

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<v Speaker 1>Welcome to Stuff you Should Know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh

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<v Speaker 1>and there's Chuck and there's Jerry over there, and I

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<v Speaker 1>just want to say this is stuff you should know,

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<v Speaker 1>the Chuck's Birthday edition. Birthday Chuck, Thank you, thank you. Okay,

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<v Speaker 1>So back to it. Yeah, we got a I got

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<v Speaker 1>approval from Josh to do a special front loaded listener mail.

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<v Speaker 1>I'm a little tense about this. I'm not I'm not

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<v Speaker 1>gonna lie. Really, you were like, it's his birthday, I

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<v Speaker 1>gotta do it. Yeah, I had to give in. Uh

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<v Speaker 1>for those of who don't know the end of the podcast,

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<v Speaker 1>some people just switch it off when you start your

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<v Speaker 1>little uh dobbledygook at the end. But we read mail

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<v Speaker 1>from listeners which can be informative and instructive and fun

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<v Speaker 1>and heartwarming and say ad and they're really good. So

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<v Speaker 1>you've been missing out if you don't listen through to those.

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<v Speaker 1>But I'm gonna do want to hear at the front

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<v Speaker 1>because this just came in as sheer coincidence that it

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<v Speaker 1>happened to dovetail with today's topic. So while Alex lash

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<v Speaker 1>Here of New Zealand did not suggest this uh topics

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<v Speaker 1>such that we took the suggestion we are already doing it.

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<v Speaker 1>You sounded like a mobster trying to stuff So here

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<v Speaker 1>we go from Alex. Hey, guys, following up on the

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<v Speaker 1>National Park app, I like to suggest you complete the

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<v Speaker 1>trifecta and do dark sky reserves and marine reserves. I'm

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<v Speaker 1>from New Zealand. My dad played a part in the

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<v Speaker 1>formation of our own dark Sky reserve in the McKenzie Basin.

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<v Speaker 1>There's a joint effort between the local uh Maori eui.

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<v Speaker 1>I'm probably just mispronouncing everything. Uh Takapo tourism, which is

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<v Speaker 1>the town in the University of Canterbury who ran the

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<v Speaker 1>Mount John of Erbitory in the area. My dad was

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<v Speaker 1>head of physics and astronomy at the university at the time.

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<v Speaker 1>It is a truly life altering experience to look up

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<v Speaker 1>and see a skylit brilliant by the Milky Way with

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<v Speaker 1>no light pollution and into Capo you can do a

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<v Speaker 1>tour uh to look through some of the telescopes for

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<v Speaker 1>a better view. And this from Alex lash And he's

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<v Speaker 1>attached a picture of a of a photo that his

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<v Speaker 1>friend took of the night sky with the observatory in

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<v Speaker 1>the foreground, and he was like, there is no special cameras,

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<v Speaker 1>just mounted on a tripod to lead that exposure open

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<v Speaker 1>for a long time. And brother, it is. You should

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<v Speaker 1>check out this email from Alex. It is unbelievably gorgeous

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<v Speaker 1>and we forget what is up there in the sky

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<v Speaker 1>when you live in in most places in the world. Yeah,

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<v Speaker 1>I mean they say that in the US and Europe,

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<v Speaker 1>nine percent of us live in light polluted skies that

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<v Speaker 1>are so light polluted that we can't see like the

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<v Speaker 1>Milky Way, you just can't see it. It's there, we

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<v Speaker 1>just can't see it because of all the light that

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<v Speaker 1>we put out. And so yeah, so that is an

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<v Speaker 1>amazing photo. So to see something like that in person,

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<v Speaker 1>it really kind of and to realize that it's out there,

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<v Speaker 1>it makes you kind of sad. But at the same time,

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<v Speaker 1>it makes me very determined to go somewhere and see. Unfortunately,

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<v Speaker 1>I've been looking around. There's not a lot of places

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<v Speaker 1>that I want to go anyway, So it's gonna have

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<v Speaker 1>to be a special trip, you know what I'm saying. Yeah,

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<v Speaker 1>And it is. You know, occasionally when I have gotten

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<v Speaker 1>out to the desert or out in the middle of

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<v Speaker 1>the ocean on the one cruise ship I went on,

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<v Speaker 1>and you see those stars, it is a reminders like

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<v Speaker 1>those things are always up there, and so we get

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<v Speaker 1>to see so little of that in the city. Uh.

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<v Speaker 1>I mean, you're lucky if you get a smattering of

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<v Speaker 1>stars if you live near a city on any given night. Yeah. No,

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<v Speaker 1>it's definitely true. And like skyglow in and of itself.

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<v Speaker 1>If you don't stop and think about what it is,

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<v Speaker 1>it can be kind of beautiful in a weird way.

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<v Speaker 1>It makes you feel like you're alive and connected to

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<v Speaker 1>everybody who's alive in that city, right then, weirdly, or

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<v Speaker 1>does for me, I should say. But but when you

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<v Speaker 1>but when you do stop and think about what it is,

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<v Speaker 1>it can make you pretty sad. And then when you

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<v Speaker 1>do see something like you get like it's just a

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<v Speaker 1>taste of what the night sky is supposed to look like,

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<v Speaker 1>like chuck in a truly like dark night, like a

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<v Speaker 1>night sky that isn't polluted with light, Like Venus and

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<v Speaker 1>Jupiter are so bright they can make you cast a shadow,

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<v Speaker 1>that's how bright they get. The Milky Way does too,

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<v Speaker 1>like you can cast a shadow from Venus and Jupiter.

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<v Speaker 1>It's just mind boggling to think of you can't even

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<v Speaker 1>see Jupiter. Maybe you see Venus, like if you're lucky

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<v Speaker 1>around a city, But like you said, smattering of stars

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<v Speaker 1>and some skyglow is basically what you get. So I

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<v Speaker 1>think the thing that really kind of makes me feel like, man,

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<v Speaker 1>we were so close. It was up until even like

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<v Speaker 1>sixties seventy hundred years ago, like you didn't have to

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<v Speaker 1>very far from a place like Atlanta or New York

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<v Speaker 1>or Boston or you know, wherever any city to to

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<v Speaker 1>go find something like this, like maybe just drive out

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<v Speaker 1>beyond the city limits are here or there. Um. But

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<v Speaker 1>today we've been increasing our artificial lighting even faster than

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<v Speaker 1>our pollute. Our population has been growing, and so it's

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<v Speaker 1>gotten to this point now where we've lost a lot.

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<v Speaker 1>And there's some people saying, hey, not only are we

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<v Speaker 1>losing stuff, we're actually gaining all sorts of negativity too

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<v Speaker 1>that we need to start addressing. And that is the

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<v Speaker 1>upshod of light pollution. It really does stand as a

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<v Speaker 1>type of pollution when you dig into it. Yeah, and

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<v Speaker 1>this is one where we're gonna you know, arm you

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<v Speaker 1>with some information, maybe gently remind you about some best

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<v Speaker 1>practices without trying to be to preachy about what you

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<v Speaker 1>do at your own home. But you know, it's not

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<v Speaker 1>just skyscrapers and and big city stuff. It's the individual

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<v Speaker 1>humans home that as far too much light pointing up

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<v Speaker 1>at the sky these days, and it all adds up,

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<v Speaker 1>it does, and um, a significant portion of it is wasted.

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<v Speaker 1>If you start looking at um light pollution. Uh. I

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<v Speaker 1>guess warning people, right, yeah. Uh, you know, if you

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<v Speaker 1>start hanging out with that crowd, you'll find that they

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<v Speaker 1>also very frequently say, hey, you can save a lot

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<v Speaker 1>of fossil fuel emissions and a lot of money on

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<v Speaker 1>electricity if you just use sensible lighting that doesn't pollute. Yeah.

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<v Speaker 1>So let's talk about the history of it a little bit, because,

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<v Speaker 1>like I was saying, it's not a very old problem

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<v Speaker 1>that we faced, but it's really kind of grown by

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<v Speaker 1>leaps and bounds in recent years. Yeah, and big thanks

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<v Speaker 1>to Olivia for help with this one. I think this

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<v Speaker 1>is kind of right up her alley. Uh. She points

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<v Speaker 1>out that, you know, astronomers obviously were some of the

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<v Speaker 1>very first people to say, hey, we've got a problem

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<v Speaker 1>going on, and this was in the late nineteenth century.

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<v Speaker 1>There was an astronomer name Givon, Yeah, who talked about

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<v Speaker 1>cold smoke a problem and of itself and quote the

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<v Speaker 1>abuse of electric lights end quote, that we're basically wrecking

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<v Speaker 1>uh Giovanni's view from uh the observatory in Italy there

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<v Speaker 1>at Brera. I guess in Brera, but the Brera Astronomical

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<v Speaker 1>Observatory it's in Milan actually so. But the problem was

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<v Speaker 1>that Sappiarelli was too cool to take his sunglasses off,

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<v Speaker 1>so he was not exactly like um, a reporter you

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<v Speaker 1>could rely on unreliable narrator in Gucci sunglasses. Yeah, I've noticed,

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<v Speaker 1>like I've I've gotten to this weird point in my life, chuck,

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<v Speaker 1>where rather than use the word I'm looking for, I

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<v Speaker 1>use five different words that are clumsily strung together that

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<v Speaker 1>kind of get across what I'm trying to say. You've

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<v Speaker 1>gotten to this point, Okay, I feel like it's stepped up,

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<v Speaker 1>all right. Yeah, I need a little more perspective on

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<v Speaker 1>myself to be thinking about how I be. No, don't.

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<v Speaker 1>You don't need to think about that anymore than you

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<v Speaker 1>already do. Okay, So, uh astronomers were among the first.

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<v Speaker 1>They were also authors Olivia points out there was a

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<v Speaker 1>naturalist and author named Henry Beston who was a great quote,

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<v Speaker 1>it's kind of sad. Uh, there's a night mind you

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<v Speaker 1>with lights and ever more lights, we drive the holiness

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<v Speaker 1>of night back to the forest in the sea. Today's

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<v Speaker 1>civilization is full of people who have not the slightest

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<v Speaker 1>notion of the character or the poetry of night, who

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<v Speaker 1>have never even seen night. Yeah, we take those people

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<v Speaker 1>out and in the night think what was there? Who's that?

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<v Speaker 1>Who's there? Where's my flashlight? So things really kind of

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<v Speaker 1>got going like like people people were aware, like there's

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<v Speaker 1>there's all sorts of light pollution going on. Um, all

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<v Speaker 1>you have to do is try to get some sleep

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<v Speaker 1>in a in a city where there's tons of lights

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<v Speaker 1>on to under stand light pollution and have it affect you.

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<v Speaker 1>So it's not like people didn't realize there were issues

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<v Speaker 1>with overuse of artificial lights along the way, but it

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<v Speaker 1>wasn't until the fifties that anybody actually started to do

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<v Speaker 1>something about it, which, if you stop and think about it,

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<v Speaker 1>if if really we started to run into this problem

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<v Speaker 1>around the beginning of the twentieth century. Less than half

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<v Speaker 1>a century later, UM, people were already moving to address it.

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<v Speaker 1>And the whole thing started in Arizona thanks to a

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<v Speaker 1>richie rich astronomer Personval Lowell, who had built um an observatory,

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<v Speaker 1>great Lowell Observatory out there, um near was it flag Staff,

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<v Speaker 1>I believe, and the Grand Canyon. Yeah, and um it

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<v Speaker 1>was a great space at the time when he built

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<v Speaker 1>it in four But by the time I think that

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<v Speaker 1>nineteen fifties rolled around, when they were looking to expand

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<v Speaker 1>their like, already, Flagstaff is just too bright for our telescope.

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<v Speaker 1>What are we going to do well? And they said,

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<v Speaker 1>and this is what all observatories. Basically he had to

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<v Speaker 1>do was move out even further. So they moved out

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<v Speaker 1>about twelve miles southeast of the city. But then even

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<v Speaker 1>then they were like, you know, at some point this

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<v Speaker 1>is gonna be a problem as well because of the

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<v Speaker 1>way that humans just expand their footprint with suburbs and

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<v Speaker 1>ex serbs, and so let's actually do something about it.

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<v Speaker 1>And so the Flagstaff City Council is a sort of

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<v Speaker 1>one of the first measures in the United States on

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<v Speaker 1>light pollution banned the searchlights. When you grew up in

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<v Speaker 1>the seventies and eighties, you remember this you don't see

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<v Speaker 1>you don't see him anymore, which I guess this is

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<v Speaker 1>why I've seen it as recently in the last like

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<v Speaker 1>ten or fifteen years. Oh really, I have seen one

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<v Speaker 1>in and I didn't even remember them until this article.

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<v Speaker 1>But uh, when a big business would open up, or

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<v Speaker 1>just any business that could afford dire spotlights, they would

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<v Speaker 1>have these searchlights, spotlights like these bat signals, just kind

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<v Speaker 1>of flowing back and forth in the night sky, and

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<v Speaker 1>I get you know. The idea was you would just say,

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<v Speaker 1>what's that light? Yeah, drive, I need to drive toward it.

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<v Speaker 1>I got nothing else to do. I need to find

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<v Speaker 1>out if there's a new Aaron rent exactly exactly. And

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<v Speaker 1>people do that, I guess because they used them. I mean,

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<v Speaker 1>those search lights weren't cheap to rent, I would imagine,

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<v Speaker 1>so they must have been effective if people use them

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<v Speaker 1>for that long. I remember those all the time when

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<v Speaker 1>I was a kid, and Flagstaff City Council said, at

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<v Speaker 1>the very least, no more of those dumb things. They're like, yeah,

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<v Speaker 1>it's exciting, true, but it's it's wrecking Percival Lull's telescope.

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<v Speaker 1>So they actually, yeah, they were the first city in

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<v Speaker 1>the country and maybe even in the world to pass

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<v Speaker 1>something that protected dark skies, and that kind of set

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<v Speaker 1>like the tone for the Flagstaff and Tucsign area, which

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<v Speaker 1>I can't remember if they're even remotely close to one another. Um,

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<v Speaker 1>super close. Now, our good friend Blair Bunting actually uh,

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<v Speaker 1>I think they live in Flagstaff now, so he's probably

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<v Speaker 1>gonna send us an e disabusing me of any notion

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<v Speaker 1>that flag Staff and Tucson are anywhere near each other.

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<v Speaker 1>But the I guess Tucson copied Flagstaff maybe and started

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<v Speaker 1>to say, hey, we should protect our dark skies too. Yeah.

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<v Speaker 1>I think it was just sort of in the air

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<v Speaker 1>in Arizona. And in the early nineteen seventies Tucson pass

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<v Speaker 1>some laws that said, hey, all these lights that are

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<v Speaker 1>pointing upward, let's just point those down at least. Uh.

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<v Speaker 1>And then over the next few decades they moved like

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<v Speaker 1>two different kinds of lights that were a little softer

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<v Speaker 1>on the visual spectrum, not as bright. One of the

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<v Speaker 1>big problems we'll talk about later is all the blue

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<v Speaker 1>light these days from led s and electronics and things

0:12:43.720 --> 0:12:46.600
<v Speaker 1>like that. But um, do you have the blue light?

0:12:46.800 --> 0:12:49.600
<v Speaker 1>Oh my god, are you? Are you trying to get

0:12:49.640 --> 0:12:51.680
<v Speaker 1>better sleep, and like not looking at your phone before bed.

0:12:52.400 --> 0:12:56.240
<v Speaker 1>I've got that um that night shift thing on where

0:12:56.280 --> 0:13:00.360
<v Speaker 1>like from sunrise to sunset it's um or suns set

0:13:00.400 --> 0:13:04.880
<v Speaker 1>to sunrise, it's like a yellow it's like yellow stuff

0:13:04.880 --> 0:13:07.640
<v Speaker 1>automatically it does that. Yeah, and I don't. I try

0:13:07.640 --> 0:13:09.960
<v Speaker 1>to read books more at night too. I think it's

0:13:10.200 --> 0:13:13.120
<v Speaker 1>but it's more just like the light bulbs, those light fixtures,

0:13:13.120 --> 0:13:15.120
<v Speaker 1>I don't care what time of day it is. They

0:13:15.200 --> 0:13:18.400
<v Speaker 1>just look like you've made the decision to to do

0:13:18.559 --> 0:13:21.480
<v Speaker 1>everything you can to drive yourself insane. So you're you're

0:13:21.880 --> 0:13:27.560
<v Speaker 1>going with the blue light led eds. Well you should

0:13:27.559 --> 0:13:31.880
<v Speaker 1>avoid those, right, I think so, Yeah, I don't have

0:13:31.920 --> 0:13:34.560
<v Speaker 1>them in my house. Good for you, Chuck. I mean,

0:13:34.600 --> 0:13:35.920
<v Speaker 1>that's one of those things like l E d s

0:13:35.920 --> 0:13:38.719
<v Speaker 1>are great because they last a long long time, but

0:13:39.320 --> 0:13:41.360
<v Speaker 1>they make different kinds of l D s now, so

0:13:41.440 --> 0:13:43.319
<v Speaker 1>you don't have to have those blue light ones. So

0:13:43.480 --> 0:13:46.640
<v Speaker 1>there's this group called the International Dark Sky Association. They

0:13:46.679 --> 0:13:49.559
<v Speaker 1>were founded in night by somebody who was part of

0:13:49.640 --> 0:13:52.679
<v Speaker 1>that push and I think Tucson and start protecting the

0:13:52.800 --> 0:13:56.280
<v Speaker 1>dark skies. They are big time into saying like hey guys,

0:13:56.400 --> 0:13:58.959
<v Speaker 1>we need to figure out some something else. But aside

0:13:59.000 --> 0:14:01.960
<v Speaker 1>from these blue A blenk l Eds that are really

0:14:02.080 --> 0:14:05.040
<v Speaker 1>not good, we'll really just stop all over blue light

0:14:05.240 --> 0:14:06.959
<v Speaker 1>l e d S whenever we get a chance later

0:14:07.040 --> 0:14:10.240
<v Speaker 1>in the episode. But the point is is the International

0:14:10.400 --> 0:14:14.160
<v Speaker 1>Dark Sky Association has been introduced now and they are

0:14:14.240 --> 0:14:19.880
<v Speaker 1>responsible for Alex Lash's favorite thing, certifying dark sky places

0:14:20.080 --> 0:14:22.160
<v Speaker 1>around the world. Actually I think there's a hundred and

0:14:22.240 --> 0:14:27.080
<v Speaker 1>seventy of them. Yeah, like dark sky sanctuaries. Basically, UH,

0:14:27.360 --> 0:14:31.360
<v Speaker 1>if you do the right thing. If if this is

0:14:31.400 --> 0:14:34.240
<v Speaker 1>your goal and you do the right thing, some people

0:14:34.320 --> 0:14:36.560
<v Speaker 1>might say it's the wrong thing. Um, you can get

0:14:36.640 --> 0:14:42.200
<v Speaker 1>certified places in I believe, um, Minnesota. I think there's

0:14:42.200 --> 0:14:45.760
<v Speaker 1>a park in Maine the UH caught it in Woods

0:14:46.360 --> 0:14:50.360
<v Speaker 1>and Waters National Monument and Maine. UH Cosmic Campground in

0:14:50.400 --> 0:14:53.680
<v Speaker 1>New Mexico one that is I don't think on the list.

0:14:53.760 --> 0:14:57.120
<v Speaker 1>But I had a dark sky experience at Sapolo Island,

0:14:57.200 --> 0:15:00.600
<v Speaker 1>Georgia a few years ago. Uh. This is when I

0:15:00.720 --> 0:15:03.640
<v Speaker 1>was at the very misguided notion that I was going

0:15:03.680 --> 0:15:06.240
<v Speaker 1>to try and direct a little independent movie. And we

0:15:06.360 --> 0:15:08.400
<v Speaker 1>a couple of friends of mine and I went down

0:15:08.400 --> 0:15:11.040
<v Speaker 1>there to scout Sapollo Island, which is one of the

0:15:11.080 --> 0:15:15.360
<v Speaker 1>Barrier islands of Georgia that is virtually uninhabited that there's

0:15:15.360 --> 0:15:19.960
<v Speaker 1>still some of the original gichi Uh people that lived there,

0:15:20.040 --> 0:15:23.080
<v Speaker 1>but it's like there's no electricity. So the guy that

0:15:23.160 --> 0:15:26.280
<v Speaker 1>showed us to our place was like, take your flashlights

0:15:26.320 --> 0:15:29.160
<v Speaker 1>at night because there are no street lights. There are

0:15:29.360 --> 0:15:32.440
<v Speaker 1>very few people and it is dark. And we got

0:15:32.640 --> 0:15:34.560
<v Speaker 1>this little golf cart to ride out to the lighthouse

0:15:34.640 --> 0:15:39.800
<v Speaker 1>and original golf cart it was pretty original. Um, but

0:15:39.920 --> 0:15:41.560
<v Speaker 1>we got out on the little road, the dirt road

0:15:41.600 --> 0:15:45.680
<v Speaker 1>and turn the lights off, and man, it was unsettlingly dark.

0:15:46.640 --> 0:15:48.480
<v Speaker 1>You could you literally could not see your hand in

0:15:48.520 --> 0:15:50.920
<v Speaker 1>front of your face. Oh really, I was gonna ask

0:15:50.960 --> 0:15:53.080
<v Speaker 1>you if your eyes acclimated to the dark so that

0:15:53.200 --> 0:15:56.200
<v Speaker 1>you could see better than you thought you could eventually,

0:15:56.320 --> 0:15:58.120
<v Speaker 1>but this is like when we first switched them off,

0:15:58.920 --> 0:16:01.280
<v Speaker 1>and you just forget about just street lights and just

0:16:01.520 --> 0:16:04.120
<v Speaker 1>people and all the light that comes in. So it

0:16:04.280 --> 0:16:06.120
<v Speaker 1>was saw the best guy there I've seen in a

0:16:06.160 --> 0:16:10.320
<v Speaker 1>long time. And um, it's just weird when you're in

0:16:10.400 --> 0:16:13.840
<v Speaker 1>a place that's super dark. Yeah, yeah, I can't imagine

0:16:13.840 --> 0:16:15.760
<v Speaker 1>because you're not used to it. You're a city slicker.

0:16:16.120 --> 0:16:20.000
<v Speaker 1>I'm a city slicker. So um, that's pretty much brings

0:16:20.080 --> 0:16:22.720
<v Speaker 1>us up to where we are now in history. As

0:16:22.800 --> 0:16:25.480
<v Speaker 1>far as light pollution goes, it's a big old problem.

0:16:25.720 --> 0:16:28.240
<v Speaker 1>There's some people at the fringes of this starting to

0:16:28.400 --> 0:16:31.440
<v Speaker 1>try to get everybody else on board, and we're gonna

0:16:31.760 --> 0:16:34.680
<v Speaker 1>kind of dive into what actually makes light pollution. After

0:16:34.760 --> 0:17:02.920
<v Speaker 1>a break, let's do it a birthday break. Oh okay,

0:17:02.960 --> 0:17:06.000
<v Speaker 1>and we're back and it's still Chuck's birthday. Happy birthday again,

0:17:06.119 --> 0:17:11.359
<v Speaker 1>Chuck fifty one. It's a weird number. Yeah, but if

0:17:11.359 --> 0:17:13.560
<v Speaker 1>you add them together at equals six and six is

0:17:13.680 --> 0:17:18.680
<v Speaker 1>perfectly fine. All right. So my daughter's age comes full circle.

0:17:20.400 --> 0:17:21.879
<v Speaker 1>By the way, I took her to her first pro

0:17:22.000 --> 0:17:24.480
<v Speaker 1>sporting event last night. Went to a Hawks game. Oh wow,

0:17:24.680 --> 0:17:27.359
<v Speaker 1>what do you think? It was interesting? I mean, I

0:17:27.440 --> 0:17:29.359
<v Speaker 1>knew we would have to leave it like halftime just

0:17:29.400 --> 0:17:32.120
<v Speaker 1>because of bedtime. But she made it through the half,

0:17:32.200 --> 0:17:34.720
<v Speaker 1>got a little squirmy. But you know NBA games, there's

0:17:34.720 --> 0:17:40.480
<v Speaker 1>a lot of extra fun stuff going on. Fire cannons. Yeah,

0:17:40.560 --> 0:17:44.119
<v Speaker 1>they had dogs catching frisbees and T shirt cannons and

0:17:44.200 --> 0:17:50.280
<v Speaker 1>all that. Yeah. On the court, it was great. Uh So, anyway,

0:17:50.400 --> 0:17:53.200
<v Speaker 1>light pollution, I guess we should talk about the four

0:17:53.320 --> 0:17:56.639
<v Speaker 1>main kinds, right, and I have bigger problems with some

0:17:56.720 --> 0:18:00.919
<v Speaker 1>of these than others. Yeah, So the idea, the International

0:18:01.040 --> 0:18:06.280
<v Speaker 1>Dark Skies Association UM has basically identified four types. The

0:18:06.320 --> 0:18:09.040
<v Speaker 1>first one is glare, and that is basically like, if

0:18:09.080 --> 0:18:13.960
<v Speaker 1>you look up at a street light, yeum, the that

0:18:14.200 --> 0:18:16.480
<v Speaker 1>light is going to basically hurt your eyes. You're looking,

0:18:16.640 --> 0:18:19.159
<v Speaker 1>You're you're being hit with glare from the street light.

0:18:19.800 --> 0:18:22.959
<v Speaker 1>That's right, that's a kind of light pollution. It makes sense. Um.

0:18:23.600 --> 0:18:27.520
<v Speaker 1>The the reason that that's light pollution is ideally, you

0:18:27.640 --> 0:18:31.800
<v Speaker 1>should have to be standing directly under that the light

0:18:31.880 --> 0:18:34.680
<v Speaker 1>fixture of the street light and look up for the

0:18:34.920 --> 0:18:36.880
<v Speaker 1>for that glare to happen. That's just not the case.

0:18:36.960 --> 0:18:40.040
<v Speaker 1>You can be half a mile away and look at

0:18:40.119 --> 0:18:43.399
<v Speaker 1>a street light from the side and you're still going

0:18:43.440 --> 0:18:45.760
<v Speaker 1>to get hit with that same glare. That's why it's

0:18:45.760 --> 0:18:49.080
<v Speaker 1>a problem. That's what makes it light pollution. Right. The

0:18:49.160 --> 0:18:51.840
<v Speaker 1>second one is want to have a big problem with

0:18:52.800 --> 0:18:56.720
<v Speaker 1>is a light trespass. And this is when you have

0:18:56.960 --> 0:19:01.439
<v Speaker 1>a neighbor or somebody that has a floodlight like pointed

0:19:01.480 --> 0:19:05.600
<v Speaker 1>in your bedroom window and sometimes they just keep it on.

0:19:05.920 --> 0:19:08.359
<v Speaker 1>Um that's not the case with my current neighbor. Just

0:19:08.440 --> 0:19:11.880
<v Speaker 1>to be clear, I don't think he listens, but he's

0:19:12.040 --> 0:19:15.200
<v Speaker 1>he's pretty good. He like I do, have the motion

0:19:15.280 --> 0:19:18.520
<v Speaker 1>sensor floodlights that only pop on when something is moving.

0:19:19.720 --> 0:19:23.119
<v Speaker 1>But be aware of the light that you cast from

0:19:23.200 --> 0:19:25.800
<v Speaker 1>your home. Is is all I'm that's is preachees I'm

0:19:25.800 --> 0:19:29.920
<v Speaker 1>gonna get. I just realized two days ago that the

0:19:30.160 --> 0:19:32.919
<v Speaker 1>old front security light replaced all the rest of them

0:19:33.000 --> 0:19:35.640
<v Speaker 1>with those motion detector ones. But the one I've left

0:19:35.760 --> 0:19:39.000
<v Speaker 1>so far, um, the it's it's very old, like the

0:19:39.280 --> 0:19:42.119
<v Speaker 1>the on offs which is actually like rusted in place.

0:19:43.240 --> 0:19:46.080
<v Speaker 1>It's been on all day and all night like, and

0:19:46.160 --> 0:19:50.719
<v Speaker 1>it has been shining at my neighbor's house luckily, Luckily,

0:19:51.080 --> 0:19:53.879
<v Speaker 1>I think their bedroom is on the other side and

0:19:53.960 --> 0:19:56.600
<v Speaker 1>they're also there. They're very friendly. Um, they would say

0:19:56.680 --> 0:20:00.520
<v Speaker 1>something if there was an issue. Um in very friendly.

0:20:00.560 --> 0:20:03.879
<v Speaker 1>Man are very friendly people. But I just realized it.

0:20:04.000 --> 0:20:06.639
<v Speaker 1>So now I ordered like a replacement light and had

0:20:06.680 --> 0:20:08.560
<v Speaker 1>to turn all my lights off because that one is

0:20:08.640 --> 0:20:11.560
<v Speaker 1>just sitting there, sitting on It's crazy. And also when

0:20:11.560 --> 0:20:14.480
<v Speaker 1>I think about the electricity, it's wasting during the day.

0:20:14.560 --> 0:20:20.880
<v Speaker 1>It's like, come on, don't be so stupid, you stupid light. Uh.

0:20:21.040 --> 0:20:26.120
<v Speaker 1>There's called clutter, which is um. I mean, it's described

0:20:26.359 --> 0:20:30.320
<v Speaker 1>by Olivia as bright, confusing, or excessive groups of lights. Yeah.

0:20:30.359 --> 0:20:34.600
<v Speaker 1>I looked into that. What does confusing mean confusing is that, UM,

0:20:35.200 --> 0:20:39.000
<v Speaker 1>we have something called contrast illumination that we use for

0:20:39.200 --> 0:20:43.760
<v Speaker 1>night vision. So a light that looks um less bright

0:20:43.840 --> 0:20:46.440
<v Speaker 1>than another light is going to be further away. With

0:20:46.600 --> 0:20:49.760
<v Speaker 1>artificial light, that's not necessarily the case. You could have

0:20:49.960 --> 0:20:52.920
<v Speaker 1>like a porch light that's even brighter than a street

0:20:53.000 --> 0:20:55.399
<v Speaker 1>light that's further away, and it's going to confuse our

0:20:55.440 --> 0:20:58.320
<v Speaker 1>eyes and mess up our night vision. And then also

0:20:58.359 --> 0:21:00.760
<v Speaker 1>I have the impression that just having a big smattering

0:21:00.840 --> 0:21:04.119
<v Speaker 1>of individual lights across the landscape at night is is

0:21:04.240 --> 0:21:06.720
<v Speaker 1>clutter as well. But I think the problem is it

0:21:06.800 --> 0:21:09.440
<v Speaker 1>really messes with your night vision. Yeah, we do have

0:21:09.520 --> 0:21:13.080
<v Speaker 1>a porch light. To be clear, I'm not advocating for

0:21:13.200 --> 0:21:15.560
<v Speaker 1>like total darkness of your home, but we leave the

0:21:15.600 --> 0:21:19.119
<v Speaker 1>porch light on at night. Uh, like Tombodette says to do.

0:21:20.359 --> 0:21:23.280
<v Speaker 1>And that's it. You got a Motel six now at

0:21:23.320 --> 0:21:27.160
<v Speaker 1>your house. I live in the management office. It's quite

0:21:27.359 --> 0:21:32.159
<v Speaker 1>nice and comfortable. It's affordable. Yeah, it's your side hustle.

0:21:33.200 --> 0:21:36.159
<v Speaker 1>Then you've got skyglow, which is I think everyone kind

0:21:36.200 --> 0:21:37.680
<v Speaker 1>of knows what this is. This these are just the

0:21:37.800 --> 0:21:41.760
<v Speaker 1>culmination of city lights. And if you've ever driven into

0:21:41.800 --> 0:21:45.080
<v Speaker 1>Las Vegas from the desert, you see that skyglow from

0:21:45.119 --> 0:21:46.920
<v Speaker 1>a long ways away. It's just sort of a big

0:21:47.480 --> 0:21:50.399
<v Speaker 1>glowing dome in the distance. And that one seems to

0:21:50.480 --> 0:21:53.200
<v Speaker 1>be a problem that's not just from light pollution, but

0:21:53.320 --> 0:21:56.360
<v Speaker 1>also air pollution too, because you can you can see

0:21:56.400 --> 0:21:59.880
<v Speaker 1>skyglow just fine on a cloudless night and it's reflecting

0:22:00.000 --> 0:22:03.359
<v Speaker 1>actually off of all the particles in the atmosphere. And

0:22:03.440 --> 0:22:05.679
<v Speaker 1>then if there are clouds, you can see the clouds

0:22:05.760 --> 0:22:08.280
<v Speaker 1>usually quite clearly. You're not supposed to be able to

0:22:08.400 --> 0:22:11.600
<v Speaker 1>see clouds, but that's part of skyglow as well. And

0:22:11.720 --> 0:22:15.200
<v Speaker 1>as we'll see the villain of this episode, um blue

0:22:15.280 --> 0:22:20.280
<v Speaker 1>wavelength led lights are particularly problematic with skyglow because those

0:22:20.359 --> 0:22:24.360
<v Speaker 1>blue wavelength that blue wavelength light actually travels very far

0:22:24.720 --> 0:22:28.680
<v Speaker 1>and can create skyglow hundreds of miles away from the city.

0:22:28.800 --> 0:22:30.880
<v Speaker 1>When you're when you're way far away from the city,

0:22:31.040 --> 0:22:33.560
<v Speaker 1>you'll still be able to see it just fine. Yeah,

0:22:33.640 --> 0:22:35.440
<v Speaker 1>And Lyddy included this fun you know we're kind of

0:22:35.480 --> 0:22:37.200
<v Speaker 1>talking about he kind of just forget in the city

0:22:37.240 --> 0:22:39.640
<v Speaker 1>and you get used to stuff. She included a fun

0:22:39.720 --> 0:22:45.240
<v Speaker 1>little story from when Los Angeles had a big power

0:22:45.320 --> 0:22:48.800
<v Speaker 1>outage across the city and people are calling in very

0:22:48.840 --> 0:22:51.479
<v Speaker 1>concerned and reporting what ended up being the Milky Way

0:22:51.520 --> 0:22:54.480
<v Speaker 1>galaxy in the sky, right like if they thought it

0:22:54.560 --> 0:22:57.399
<v Speaker 1>was a gas cloud or something. I'm not sure, just

0:22:57.600 --> 0:23:01.080
<v Speaker 1>something concerning. I think, like, hey, there's a weird looking

0:23:01.720 --> 0:23:05.000
<v Speaker 1>glow in the sky, and uh, they went, it's fine,

0:23:05.160 --> 0:23:08.840
<v Speaker 1>it's the Milky Way. So UM, I was saying earlier

0:23:08.960 --> 0:23:12.920
<v Speaker 1>that our our light UM emissions have been increasing faster

0:23:13.040 --> 0:23:16.800
<v Speaker 1>than the human population. I think it's about it increased

0:23:16.800 --> 0:23:21.640
<v Speaker 1>about six percent a year between two thousand. Uh that's

0:23:21.680 --> 0:23:25.760
<v Speaker 1>a lot um and so it's tough to keep up

0:23:25.800 --> 0:23:28.200
<v Speaker 1>with and it's also tough to get people to kind

0:23:28.200 --> 0:23:30.600
<v Speaker 1>of give those up. As we'll see. But one of

0:23:30.640 --> 0:23:33.840
<v Speaker 1>the things that UM that has has kind of become

0:23:34.080 --> 0:23:37.800
<v Speaker 1>a newer problem, like artificial lights like porch lights that

0:23:37.880 --> 0:23:41.080
<v Speaker 1>get left on all night, UM, that kind of thing.

0:23:41.560 --> 0:23:43.359
<v Speaker 1>Those have been a problem for a real long time

0:23:44.000 --> 0:23:47.560
<v Speaker 1>but one of the newer problems, Chuck his satellites. Yeah,

0:23:48.359 --> 0:23:52.159
<v Speaker 1>we talked about how many satellites are up there flying around,

0:23:52.480 --> 0:23:54.919
<v Speaker 1>and that's a problem. I think we talked a lot

0:23:54.920 --> 0:23:58.280
<v Speaker 1>about that in the Space Junk episode. It's a problem

0:23:58.359 --> 0:24:01.560
<v Speaker 1>for that reason. But it's a problem because they're interfering

0:24:01.640 --> 0:24:05.440
<v Speaker 1>with astronomy and uh in our night sky, aren't they? Yeah?

0:24:05.440 --> 0:24:08.600
<v Speaker 1>In particular, so there's satellite streaks. Um. They used to

0:24:08.920 --> 0:24:13.320
<v Speaker 1>show up in about point five cent of satellite images

0:24:13.560 --> 0:24:17.080
<v Speaker 1>or of astronomy images that were taking at twilight, which

0:24:17.119 --> 0:24:20.040
<v Speaker 1>is when you can see satellites most clearly. That's also

0:24:20.119 --> 0:24:22.640
<v Speaker 1>the time you can see things like comets and meteors

0:24:22.720 --> 0:24:26.239
<v Speaker 1>most clearly. So in addition to being an annoyance, UM,

0:24:26.480 --> 0:24:29.119
<v Speaker 1>it also potentially poses a hazard because it makes it

0:24:29.200 --> 0:24:33.040
<v Speaker 1>more difficult to track uh nearer objects that we want

0:24:33.080 --> 0:24:35.840
<v Speaker 1>to keep an eye on that maybe coming toward us.

0:24:36.240 --> 0:24:38.240
<v Speaker 1>Although if you see don't look up. It wouldn't matter

0:24:38.400 --> 0:24:41.400
<v Speaker 1>anyway if we identified something like that in time. Did

0:24:41.440 --> 0:24:44.600
<v Speaker 1>you see that? Yeah? Was it good? Oh? Yeah, you

0:24:44.680 --> 0:24:47.840
<v Speaker 1>haven't seen it yet. No. The reviews were so bad

0:24:48.000 --> 0:24:52.359
<v Speaker 1>that I avoided it, really like abysmally bad. I don't

0:24:52.400 --> 0:24:55.359
<v Speaker 1>get that at all. Uh. That I was just like,

0:24:55.440 --> 0:24:57.680
<v Speaker 1>I'm not gonna waste my time. Uh. And then I

0:24:57.720 --> 0:25:00.119
<v Speaker 1>got nominated for Best Picture, and I was like, well,

0:25:00.160 --> 0:25:03.280
<v Speaker 1>how if it's so bad? Like, I genuinely don't understand

0:25:03.440 --> 0:25:05.840
<v Speaker 1>what the bad reviews were. Not only was it, like,

0:25:06.640 --> 0:25:10.360
<v Speaker 1>you know, engrossing and like well done. And I thought

0:25:10.560 --> 0:25:13.000
<v Speaker 1>Vice was terrible. I thought it was a terrible movie.

0:25:13.320 --> 0:25:16.040
<v Speaker 1>So I'm not like some just Adam McKay fan. I

0:25:16.080 --> 0:25:17.880
<v Speaker 1>also thought The Other Guys is one of the worst

0:25:17.960 --> 0:25:19.720
<v Speaker 1>movies ever made. I think you and I walked out

0:25:19.760 --> 0:25:22.760
<v Speaker 1>of the theater on that one. Okay, So I've established

0:25:22.800 --> 0:25:25.439
<v Speaker 1>my bona fides. I'm not some lackey for Adam McKay.

0:25:25.680 --> 0:25:27.680
<v Speaker 1>But it was a really well done movie and it

0:25:27.840 --> 0:25:30.960
<v Speaker 1>was really entertaining too. Just looks up real quick. He's

0:25:31.000 --> 0:25:34.040
<v Speaker 1>got a fit for what it's worth on Rotten Tomatoes

0:25:34.080 --> 0:25:38.159
<v Speaker 1>and on Metacritic. I don't get it. It is definitely

0:25:38.280 --> 0:25:41.359
<v Speaker 1>nowhere near that bad. All right, it was actually pretty good.

0:25:41.400 --> 0:25:43.639
<v Speaker 1>I think you'd like it. I'd always go to the

0:25:43.760 --> 0:25:45.959
<v Speaker 1>Roger Ebert dot com because I still trust the reviews

0:25:46.040 --> 0:25:51.040
<v Speaker 1>there and give it one point five stars. Man, So seriously, Chuck,

0:25:51.359 --> 0:25:54.920
<v Speaker 1>I would like you to watch this pretty soon. We'll

0:25:54.960 --> 0:25:58.000
<v Speaker 1>come back on another episode and tell everybody. Don't tell

0:25:58.080 --> 0:26:00.320
<v Speaker 1>me first. I really wanted to be raw, and I

0:26:00.400 --> 0:26:02.080
<v Speaker 1>wanted to hurt. If it's gonna hurt, you know what

0:26:02.160 --> 0:26:04.840
<v Speaker 1>I mean, And just tell me what you think. I'm

0:26:04.840 --> 0:26:08.800
<v Speaker 1>watching his Lakers show, which is fun. Oh is it good? Yeah,

0:26:08.840 --> 0:26:13.240
<v Speaker 1>it's fun. I would recommend it. Okay, Well, i'll take

0:26:13.320 --> 0:26:16.040
<v Speaker 1>your recommendation, you take mine. Yeah, I definitely want to

0:26:16.040 --> 0:26:18.960
<v Speaker 1>see what all the stink is about. Uh, but you

0:26:19.040 --> 0:26:21.159
<v Speaker 1>gotta finish your stat though, because he only gave us

0:26:21.200 --> 0:26:23.520
<v Speaker 1>the front half. So yeah, so I think they showed

0:26:23.560 --> 0:26:26.320
<v Speaker 1>up in half of a percent of images before. Now

0:26:26.400 --> 0:26:30.199
<v Speaker 1>they're up to something like um of images taking at

0:26:30.240 --> 0:26:33.440
<v Speaker 1>twilight and it's just gonna two years. Yeah, and it's

0:26:33.440 --> 0:26:36.280
<v Speaker 1>just gonna keep getting worse and worse because um, we're

0:26:36.280 --> 0:26:38.840
<v Speaker 1>adding more and more satellites. And by way, I mean

0:26:38.920 --> 0:26:44.320
<v Speaker 1>Elon Musk with starlink um. Apparently I think he's got

0:26:44.680 --> 0:26:50.240
<v Speaker 1>or applied for permission for fort satellites for Starlink Internet

0:26:50.720 --> 0:26:57.480
<v Speaker 1>Um service satellites. It's gotten weird um challenge put into

0:26:57.520 --> 0:27:02.680
<v Speaker 1>a fight. I know, I know, Yes, that is demonstrably weird,

0:27:03.119 --> 0:27:06.120
<v Speaker 1>not just to a fight, a fight for like all

0:27:06.240 --> 0:27:10.119
<v Speaker 1>the marbles over Ukraine, Like if he beat up Vladimer Putin,

0:27:10.359 --> 0:27:12.520
<v Speaker 1>weird Putin was going to have to leave Ukraine, I

0:27:12.560 --> 0:27:14.720
<v Speaker 1>guess was the thing. It is very weird. I agree.

0:27:14.800 --> 0:27:17.040
<v Speaker 1>Maybe he thinks we're living in a cartoon simulation of

0:27:17.280 --> 0:27:20.560
<v Speaker 1>real world. I'm pretty sure he does. But there are

0:27:20.680 --> 0:27:23.520
<v Speaker 1>So there's gonna be something like a hundred thousand satellites

0:27:23.560 --> 0:27:26.080
<v Speaker 1>in the next few years, they think, because people like

0:27:26.200 --> 0:27:28.840
<v Speaker 1>Elon Musk and others are just launching launching launching, and

0:27:28.880 --> 0:27:31.720
<v Speaker 1>it's going to be more and more problematic, which is

0:27:32.359 --> 0:27:34.800
<v Speaker 1>a problem, like you said, for tracking the Earth objects.

0:27:34.920 --> 0:27:38.520
<v Speaker 1>So that's the kind of thing that people should pay

0:27:38.520 --> 0:27:41.000
<v Speaker 1>attention to. Well. Plus also they pose a problem for

0:27:41.040 --> 0:27:45.280
<v Speaker 1>astronomy and that they use radio signals to transmit, and

0:27:45.359 --> 0:27:48.920
<v Speaker 1>we use radio telescopes to pick up radio transmissions, and

0:27:48.960 --> 0:27:52.159
<v Speaker 1>apparently the satellite people and the telescope people are not

0:27:52.320 --> 0:27:56.400
<v Speaker 1>necessarily coordinating, so they're not making the satellites of invisible

0:27:56.480 --> 0:27:59.840
<v Speaker 1>to the radio telescopes by using specific wavelengths that the

0:28:00.119 --> 0:28:02.880
<v Speaker 1>radio telescopes could then tune out. So I think that's

0:28:02.920 --> 0:28:05.720
<v Speaker 1>a problem in that sense as well. Yeah, here's one

0:28:05.800 --> 0:28:10.640
<v Speaker 1>stat uh, without telescopes, just with your regular vision looking

0:28:10.720 --> 0:28:13.760
<v Speaker 1>up in the sky, satellites will very soon make up

0:28:13.840 --> 0:28:17.440
<v Speaker 1>one intent visible lights in the sky. That's a lot.

0:28:17.960 --> 0:28:20.919
<v Speaker 1>So those aren't stars you're seeing up there, No, it's

0:28:20.960 --> 0:28:24.479
<v Speaker 1>about those will be satellites. Which that's also a problem

0:28:24.520 --> 0:28:26.920
<v Speaker 1>in that sense too. Um, we might as well talk

0:28:27.000 --> 0:28:29.760
<v Speaker 1>about it now. Um. One of the things that that

0:28:30.280 --> 0:28:34.080
<v Speaker 1>I find very satisfying because it keeps coming up whenever

0:28:34.240 --> 0:28:38.640
<v Speaker 1>you look into light pollution and people um advocating about

0:28:38.760 --> 0:28:41.560
<v Speaker 1>doing something about it, is that there are a lot

0:28:41.720 --> 0:28:46.680
<v Speaker 1>of indigenous cultures around the world who, um, whose heritage

0:28:47.040 --> 0:28:50.200
<v Speaker 1>is predicated at least in part on the night sky,

0:28:51.120 --> 0:28:54.480
<v Speaker 1>on celestial stuff and not just like really bright stars

0:28:54.600 --> 0:28:57.200
<v Speaker 1>like you could see it a city, but like really

0:28:57.720 --> 0:29:01.680
<v Speaker 1>subtle stuff too. And it's extensive and has it's like

0:29:01.760 --> 0:29:05.840
<v Speaker 1>a deep catalog of the cosmos that they use as

0:29:05.920 --> 0:29:08.360
<v Speaker 1>part of like their worldview and some of their religious

0:29:08.400 --> 0:29:13.360
<v Speaker 1>and spiritual views. Um. And that is being um infringed

0:29:13.440 --> 0:29:17.520
<v Speaker 1>upon just by satellites and light pollution too. Yeah. I think,

0:29:17.680 --> 0:29:21.640
<v Speaker 1>uh this one, Uh it wouldn't a direct quote, but

0:29:21.720 --> 0:29:24.480
<v Speaker 1>O Livia says that there are some scholars out there

0:29:24.720 --> 0:29:27.400
<v Speaker 1>that are saying this is basically like a cultural genocide

0:29:27.440 --> 0:29:30.120
<v Speaker 1>that we're seeing happening to some of these cultures that

0:29:30.240 --> 0:29:32.960
<v Speaker 1>rely so much on the night sky for you know,

0:29:33.360 --> 0:29:36.960
<v Speaker 1>not just navigation but rituals. And uh, this is happening

0:29:37.000 --> 0:29:40.640
<v Speaker 1>in Australia, and I think Indigenous Hawaiians are kind of

0:29:40.680 --> 0:29:42.920
<v Speaker 1>big on trying to preserve that starlight for their culture

0:29:42.960 --> 0:29:46.560
<v Speaker 1>as well. Yeah, and it's it's being prevented from being

0:29:46.680 --> 0:29:49.880
<v Speaker 1>passed on from generation to generation because the same things

0:29:49.960 --> 0:29:53.640
<v Speaker 1>that were there and could be for like talked about

0:29:54.240 --> 0:29:56.800
<v Speaker 1>and passed on hundred years ago, you just can't see

0:29:56.800 --> 0:29:59.920
<v Speaker 1>anymore in a lot of places. I thought that was

0:30:00.040 --> 0:30:02.200
<v Speaker 1>really interesting. It comes up a lot, and you know,

0:30:02.360 --> 0:30:05.680
<v Speaker 1>some some people, um try to co opt it to

0:30:05.760 --> 0:30:07.920
<v Speaker 1>basically say, like c C. We need to we need

0:30:07.960 --> 0:30:10.480
<v Speaker 1>to get rid of light pollution. But um, it does

0:30:10.520 --> 0:30:15.680
<v Speaker 1>seem to be like genuinely included at the table now. Yeah,

0:30:15.840 --> 0:30:19.360
<v Speaker 1>for people like the International Dark Skies Associations, like they're

0:30:19.400 --> 0:30:21.920
<v Speaker 1>like and this is a legitimate issue too that we

0:30:21.960 --> 0:30:25.960
<v Speaker 1>need to be taking into account. Should we talk about animals? Yeah,

0:30:27.160 --> 0:30:29.960
<v Speaker 1>so it's an annoyance to humans and We're gonna also

0:30:30.040 --> 0:30:32.400
<v Speaker 1>talk about real like health effects on humans in a bit,

0:30:33.120 --> 0:30:36.880
<v Speaker 1>but it's obviously going to interfere with animals. Um And

0:30:37.040 --> 0:30:41.200
<v Speaker 1>there are many many examples, everything from uh, you know,

0:30:41.400 --> 0:30:44.840
<v Speaker 1>city birds thinking it's morning and you know, five and

0:30:44.880 --> 0:30:47.680
<v Speaker 1>six hours before they're supposed to be awake with their

0:30:47.720 --> 0:30:50.160
<v Speaker 1>little friends in the countryside, they're up and chirping and

0:30:50.240 --> 0:30:54.120
<v Speaker 1>singing their bird song. Uh. Two animals that navigate at

0:30:54.200 --> 0:30:58.520
<v Speaker 1>night like literally depend on the night sky for their migrations,

0:30:59.240 --> 0:31:03.120
<v Speaker 1>and it confus using or completely throwing off base their

0:31:03.200 --> 0:31:06.840
<v Speaker 1>migration patterns to where you know, they lose their way,

0:31:06.920 --> 0:31:10.080
<v Speaker 1>to get lost, they could possibly even die. Yeah, and

0:31:10.200 --> 0:31:14.440
<v Speaker 1>it's I mean, I guess just cities having a lot

0:31:14.520 --> 0:31:18.480
<v Speaker 1>of light tends to attract migrating birds in particular, so

0:31:18.680 --> 0:31:22.640
<v Speaker 1>that you see bird strikes um, which usually results in

0:31:22.680 --> 0:31:25.520
<v Speaker 1>the death of a bird, really increase a couple of

0:31:25.600 --> 0:31:27.960
<v Speaker 1>times a year when they're migrating one way and then

0:31:28.040 --> 0:31:30.280
<v Speaker 1>when they're migrating back the other way at a different

0:31:30.320 --> 0:31:32.920
<v Speaker 1>part of the year. Um. And I came up with

0:31:33.120 --> 0:31:36.320
<v Speaker 1>a website, Chuck that I thought was really interesting. It's

0:31:36.360 --> 0:31:39.800
<v Speaker 1>called bird cast dot info. You came up with it,

0:31:39.880 --> 0:31:43.600
<v Speaker 1>meaning you designed it yourself just this very morning. It's

0:31:43.680 --> 0:31:46.960
<v Speaker 1>pretty good considering I don't know what I'm doing and

0:31:47.040 --> 0:31:49.520
<v Speaker 1>I did it in a couple of hours. Hey, thanks

0:31:49.560 --> 0:31:53.080
<v Speaker 1>to squarespace, right, I really shouldn't take credit for somebody

0:31:53.120 --> 0:31:55.680
<v Speaker 1>else's work. No, it's not my website. But they have

0:31:56.120 --> 0:31:59.520
<v Speaker 1>migration forecasts like maps, and you can type in your

0:31:59.600 --> 0:32:01.520
<v Speaker 1>town and it will it will show you like the

0:32:01.600 --> 0:32:04.880
<v Speaker 1>next few days of what what the expected bird migrations

0:32:05.160 --> 0:32:08.360
<v Speaker 1>are going to be like, um, like numbers wise basically,

0:32:09.040 --> 0:32:12.600
<v Speaker 1>and you can actually adjust your outdoor lighting at night

0:32:13.040 --> 0:32:16.760
<v Speaker 1>to help those birds because they are attracted to light.

0:32:17.080 --> 0:32:20.720
<v Speaker 1>They're normally diurnal, meaning that they're active in the daytime.

0:32:20.800 --> 0:32:23.280
<v Speaker 1>Those birds that are migrating, but they choose to migrate

0:32:23.320 --> 0:32:26.760
<v Speaker 1>at night, which means they're not pros at navigating at

0:32:26.840 --> 0:32:30.320
<v Speaker 1>night necessarily. Um So they can be easily thrown off,

0:32:30.360 --> 0:32:32.680
<v Speaker 1>of course, by being attracted to like a city with

0:32:32.760 --> 0:32:34.840
<v Speaker 1>a bunch of bright lights. And then even worse than that,

0:32:35.080 --> 0:32:38.080
<v Speaker 1>they frequently will dive bomb into windows with a lot

0:32:38.120 --> 0:32:42.640
<v Speaker 1>of light for reasons I'm not entirely clear on. Yeah,

0:32:42.800 --> 0:32:45.280
<v Speaker 1>to the tune of you know, and everyone's like, sure

0:32:45.320 --> 0:32:47.640
<v Speaker 1>that happens, right, now and then. There are about a

0:32:47.760 --> 0:32:50.880
<v Speaker 1>billion birds a year that die from running into glass

0:32:51.800 --> 0:32:56.240
<v Speaker 1>in the US alone. Yeah, and we have lost um

0:32:57.280 --> 0:33:01.840
<v Speaker 1>thirty almost thirty we've lost of our birds since the

0:33:01.960 --> 0:33:05.840
<v Speaker 1>nineteen seventies, like a net loss overall, not just from

0:33:06.040 --> 0:33:09.120
<v Speaker 1>from running into buildings. But that's the big chunk of it,

0:33:09.400 --> 0:33:13.280
<v Speaker 1>is bird strikes into buildings. Yeah, so a lot of

0:33:13.320 --> 0:33:16.760
<v Speaker 1>cities are I think Chicago started back in the late nineties,

0:33:17.160 --> 0:33:20.479
<v Speaker 1>started with these lights out programs where you know, they

0:33:20.560 --> 0:33:23.000
<v Speaker 1>basically say, hey, if you live in a or you know,

0:33:23.120 --> 0:33:27.000
<v Speaker 1>have a high rise office building, you turn that stuff

0:33:27.000 --> 0:33:29.680
<v Speaker 1>off at night, or you close the blinds, or do both,

0:33:29.960 --> 0:33:33.200
<v Speaker 1>or move to only task lighting, or at the very

0:33:33.320 --> 0:33:36.640
<v Speaker 1>least turn off decorative lighting at night. And a lot

0:33:36.720 --> 0:33:39.040
<v Speaker 1>of companies and buildings have gotten on board with this

0:33:39.160 --> 0:33:41.880
<v Speaker 1>kind of thing, thankfully. Yeah, the guys who walk around

0:33:41.960 --> 0:33:45.200
<v Speaker 1>with the huge ring of keys getting on board with

0:33:45.320 --> 0:33:47.400
<v Speaker 1>that kind of thing. I thought they like it dark.

0:33:48.000 --> 0:33:50.640
<v Speaker 1>Some Something I didn't realize, chuck, but that I find

0:33:50.720 --> 0:33:52.440
<v Speaker 1>kind of awesome is that there are a lot of

0:33:52.520 --> 0:33:57.239
<v Speaker 1>insects species that that pollinate and visit flowering plants at

0:33:57.360 --> 0:34:00.640
<v Speaker 1>night when you're asleep, Like there you in their thing

0:34:00.960 --> 0:34:04.840
<v Speaker 1>did not realize that same. But it turns out that

0:34:05.080 --> 0:34:10.799
<v Speaker 1>those insects can be greatly impacted by artificial light UM

0:34:11.160 --> 0:34:16.160
<v Speaker 1>and so that apparently in turn has a deep impact

0:34:16.600 --> 0:34:21.240
<v Speaker 1>on the um neuroth object callback has a deep impact

0:34:21.719 --> 0:34:25.160
<v Speaker 1>on the pollination of flowering plants. And they did a

0:34:25.280 --> 0:34:30.719
<v Speaker 1>study in the Bernese prealps beautiful name um and it's

0:34:30.800 --> 0:34:33.520
<v Speaker 1>typically dark there. So what they did was they they

0:34:33.920 --> 0:34:40.280
<v Speaker 1>they surveyed how many insects UM arrived under normal conditions, right, yeah.

0:34:40.440 --> 0:34:43.120
<v Speaker 1>I think they worked with about three hundred species of

0:34:43.200 --> 0:34:48.040
<v Speaker 1>insects that do their business at night, uh and I

0:34:48.080 --> 0:34:51.359
<v Speaker 1>think sixty plants. And they found that when they turned

0:34:51.400 --> 0:34:56.400
<v Speaker 1>on these uh led street lights that near these meadows,

0:34:56.480 --> 0:35:00.560
<v Speaker 1>that the pollinator visits drop sixty two percent. And that

0:35:00.719 --> 0:35:02.680
<v Speaker 1>was a thirteen and people like, oh, you know, but

0:35:02.760 --> 0:35:04.000
<v Speaker 1>what's the big deal, you can just do it during

0:35:04.040 --> 0:35:06.560
<v Speaker 1>the day. It led to an overall thirteen percent drop

0:35:06.640 --> 0:35:10.600
<v Speaker 1>in fruit production. So you know, the trickle down effect

0:35:10.680 --> 0:35:12.520
<v Speaker 1>that this has. We talked about this kind of thing

0:35:12.960 --> 0:35:17.440
<v Speaker 1>all the time in ecosystems. It's no different for nighttime pollinators.

0:35:17.480 --> 0:35:20.200
<v Speaker 1>Like if you like to eat your fruit and have abundant,

0:35:20.360 --> 0:35:23.480
<v Speaker 1>you know, fruits and vegetables. This is one thing that's

0:35:23.480 --> 0:35:27.480
<v Speaker 1>disrupting that. And it can also impact the plants directly

0:35:27.640 --> 0:35:30.279
<v Speaker 1>to like light can trick them into thinking that the

0:35:31.040 --> 0:35:34.120
<v Speaker 1>days are not getting shorter even though they are. So

0:35:34.239 --> 0:35:38.640
<v Speaker 1>they're getting um artificial feedback UM and they're keeping their

0:35:38.680 --> 0:35:41.560
<v Speaker 1>leaves longer. There's some types of cacti and palms I

0:35:41.640 --> 0:35:44.719
<v Speaker 1>think that have been shown to um not flour at

0:35:44.760 --> 0:35:47.600
<v Speaker 1>all when they're exposed to artificial light at night, which

0:35:47.640 --> 0:35:50.040
<v Speaker 1>I don't think we said that that's the that's kind

0:35:50.080 --> 0:35:54.080
<v Speaker 1>of like the the the in group term for light

0:35:54.120 --> 0:35:59.360
<v Speaker 1>pollution artificial light at night or allan, allan or allan. Yeah, sorry,

0:35:59.520 --> 0:36:01.640
<v Speaker 1>all the ones listening. We're not picking on you from

0:36:01.680 --> 0:36:06.719
<v Speaker 1>this point. And Karen's sure it stinks someone's name has

0:36:06.760 --> 0:36:09.760
<v Speaker 1>been co opted. Yeah, for now, I think that's fading.

0:36:10.200 --> 0:36:13.279
<v Speaker 1>You know, it'll pass it. It's already out, I think. Okay, Like,

0:36:13.360 --> 0:36:17.080
<v Speaker 1>if you're still saying that now, it's you maybe a Karen,

0:36:20.160 --> 0:36:23.839
<v Speaker 1>what about those poor little sea turtles. Yeah, so one

0:36:23.880 --> 0:36:26.239
<v Speaker 1>of the things that sea turtles used to get to

0:36:26.960 --> 0:36:30.880
<v Speaker 1>um the safety of the ocean after they hatch on

0:36:31.239 --> 0:36:34.920
<v Speaker 1>the beach is light like, they go towards the brightest

0:36:35.239 --> 0:36:38.480
<v Speaker 1>light that they see, and normally, under normal circumstances that's

0:36:38.880 --> 0:36:42.040
<v Speaker 1>the sun or not the sun, but the moon reflecting

0:36:42.080 --> 0:36:44.200
<v Speaker 1>off of the water kind of guides them. They can

0:36:44.280 --> 0:36:48.000
<v Speaker 1>be very, very bright. And I found out recently it

0:36:48.080 --> 0:36:49.480
<v Speaker 1>had been a while since I guess it's seen the

0:36:49.520 --> 0:36:52.440
<v Speaker 1>moonlight like a full moon over the ocean. Uh. And

0:36:52.560 --> 0:36:54.840
<v Speaker 1>when we went to Amelia Island after Disney World, I

0:36:54.920 --> 0:36:56.880
<v Speaker 1>had a night like that on the beach where it

0:36:57.040 --> 0:37:00.200
<v Speaker 1>was like daylight out there. Yeah. Remember that amazing that

0:37:00.360 --> 0:37:03.160
<v Speaker 1>great shot had to have been Yeah, of course it

0:37:03.280 --> 0:37:05.439
<v Speaker 1>was just made up, but it was a great looking shot.

0:37:05.520 --> 0:37:07.960
<v Speaker 1>And Joe versus a volcano and he's out there in

0:37:08.000 --> 0:37:09.960
<v Speaker 1>the middle of the ocean on that steamer trunk and

0:37:10.440 --> 0:37:13.359
<v Speaker 1>that moon just rises over him. I forgot how big

0:37:13.440 --> 0:37:16.680
<v Speaker 1>it was. What a great movie that was. Yeah, we

0:37:16.760 --> 0:37:19.480
<v Speaker 1>haven't talked about that one in a while. One of

0:37:19.520 --> 0:37:23.200
<v Speaker 1>the best. Um. So, what do they have to do

0:37:23.360 --> 0:37:26.279
<v Speaker 1>with the sea turtles? Yeah, that's why they tell you

0:37:26.360 --> 0:37:28.879
<v Speaker 1>to not use your flashlights on the beach during sea

0:37:28.960 --> 0:37:32.799
<v Speaker 1>turtle season because that light confuses them. Yes, And if

0:37:32.840 --> 0:37:35.000
<v Speaker 1>you have a beach house, typically you're asked to keep

0:37:35.040 --> 0:37:38.359
<v Speaker 1>your outside lights turned off and even inside lights turned

0:37:38.360 --> 0:37:41.879
<v Speaker 1>off so that you don't accidentally attract the hatchlings because

0:37:41.920 --> 0:37:45.759
<v Speaker 1>when they move away from the water where they're relatively safer, um,

0:37:45.920 --> 0:37:50.600
<v Speaker 1>they sometimes walk right into the jaws of wily coyote. Right,

0:37:50.800 --> 0:37:54.640
<v Speaker 1>And I imagine beach house people, uh comply because I

0:37:54.760 --> 0:37:57.160
<v Speaker 1>think they probably love their sea turtles and they try

0:37:57.200 --> 0:38:00.880
<v Speaker 1>to be generally good stewards of their their area. If

0:38:00.920 --> 0:38:03.279
<v Speaker 1>there's anything people who own beach houses are known for

0:38:03.400 --> 0:38:10.399
<v Speaker 1>its compliance. Should we take a break? All right, we'll

0:38:10.440 --> 0:38:38.200
<v Speaker 1>be right back. Okay, So now we've reached the point

0:38:38.360 --> 0:38:41.160
<v Speaker 1>where a lot of the humanists can start to get

0:38:41.200 --> 0:38:44.160
<v Speaker 1>on board to this, because artificial light at night a

0:38:44.280 --> 0:38:49.560
<v Speaker 1>K light pollution has terrible effects on human beings as well. Yeah. So,

0:38:49.840 --> 0:38:52.520
<v Speaker 1>I mean, obviously some of the stuff is just getting

0:38:53.600 --> 0:38:57.239
<v Speaker 1>worse sleep and what that does to your body as

0:38:57.320 --> 0:39:01.200
<v Speaker 1>far as anxiety and stress and you know, headaches and

0:39:01.320 --> 0:39:03.759
<v Speaker 1>migraines and things like that. But I know you dug

0:39:03.840 --> 0:39:07.560
<v Speaker 1>up some interesting stuff on cancer even, right, Yes, so

0:39:08.080 --> 0:39:12.440
<v Speaker 1>it's that blue wavelength LED light has been linked to

0:39:12.520 --> 0:39:17.160
<v Speaker 1>something called global DNA methylation and methylation. Do you remember

0:39:17.320 --> 0:39:23.799
<v Speaker 1>way back in our episode on can your Grandfather's Diet? Like, yeah,

0:39:23.960 --> 0:39:30.239
<v Speaker 1>something well, and it was it was about epigenetics. Well,

0:39:30.360 --> 0:39:34.880
<v Speaker 1>DNA methylation is how epigenetics happens. It's where a methyl

0:39:35.000 --> 0:39:37.560
<v Speaker 1>group is put onto a gene to turn it on

0:39:37.840 --> 0:39:40.640
<v Speaker 1>or off. And what they found is that this is

0:39:40.960 --> 0:39:45.880
<v Speaker 1>a huge trigger for things like diabetes, type two diabetes,

0:39:45.880 --> 0:39:48.920
<v Speaker 1>I should say cancer, specifically breast cancer as far as

0:39:48.960 --> 0:39:52.880
<v Speaker 1>light's concerned, and that this DNA methylation can be triggered

0:39:53.080 --> 0:39:58.080
<v Speaker 1>in turn by exposure to artificial blue wavelength light at night.

0:39:58.200 --> 0:40:00.759
<v Speaker 1>It messes with our circadian rhythm and that's one of

0:40:00.800 --> 0:40:03.880
<v Speaker 1>the ways our bodies respond to it. So it is

0:40:04.040 --> 0:40:08.040
<v Speaker 1>not an exaggeration to say that being exposed to blue

0:40:08.080 --> 0:40:13.160
<v Speaker 1>wavelength light at night can can trigger cancer in your body,

0:40:13.320 --> 0:40:16.320
<v Speaker 1>or potentially type two diabetes or a whole host of

0:40:16.480 --> 0:40:19.759
<v Speaker 1>chronic conditions. Yeah. I mean it's such a problem that

0:40:19.840 --> 0:40:24.960
<v Speaker 1>the A m A. I think in six officially like

0:40:25.160 --> 0:40:29.120
<v Speaker 1>issued guidance on limiting the impact of Elie door led

0:40:29.280 --> 0:40:32.600
<v Speaker 1>outdoor lighting systems. Uh. And you know when the A

0:40:32.760 --> 0:40:34.840
<v Speaker 1>m A is like officially weighing in on something, that

0:40:34.960 --> 0:40:38.080
<v Speaker 1>means it's got sufficient evidence to do so. It's not.

0:40:38.680 --> 0:40:41.680
<v Speaker 1>It's not saying this is sort of annoyance to your neighbors.

0:40:42.080 --> 0:40:45.719
<v Speaker 1>It's saying this is legitimately impacting the health of people. Yeah,

0:40:45.840 --> 0:40:49.240
<v Speaker 1>and it's definitely been linked to breast cancer at least.

0:40:49.640 --> 0:40:53.279
<v Speaker 1>But um, from what I was reading, the fact that

0:40:53.400 --> 0:40:57.760
<v Speaker 1>it's been now shown to trigger DNA methylation um suggests

0:40:57.840 --> 0:41:00.520
<v Speaker 1>that there's a whole bunch of other horrible things that

0:41:00.560 --> 0:41:03.040
<v Speaker 1>could happen as a result. So steer Claire, seriously. If

0:41:03.080 --> 0:41:05.360
<v Speaker 1>you have an iPhone, just go into your settings. I

0:41:05.400 --> 0:41:09.120
<v Speaker 1>think it's um, oh, what's it called, chuck, It's like

0:41:09.320 --> 0:41:13.879
<v Speaker 1>nighttime or something like that. Um, sweet sweepy time. It's

0:41:13.880 --> 0:41:16.520
<v Speaker 1>in your display settings or some where you'll find like

0:41:16.600 --> 0:41:20.040
<v Speaker 1>brightness and all that. And um it's like night night

0:41:20.160 --> 0:41:23.000
<v Speaker 1>shift I think, or something like that, and just turn

0:41:23.080 --> 0:41:26.040
<v Speaker 1>that on. Just do sunset to sunrise and you will

0:41:26.120 --> 0:41:29.200
<v Speaker 1>night shift night shift, thank you, um, and you will,

0:41:29.760 --> 0:41:31.719
<v Speaker 1>you will. You will be much the better for it.

0:41:31.880 --> 0:41:33.839
<v Speaker 1>And I think there's apps also you can add onto

0:41:33.880 --> 0:41:36.120
<v Speaker 1>your Android phone too. You don't have to have an iPhone,

0:41:36.680 --> 0:41:38.600
<v Speaker 1>and you can probably do the same thing to your

0:41:38.600 --> 0:41:41.800
<v Speaker 1>computer as well. Yeah, night shift I head mine on.

0:41:41.880 --> 0:41:46.400
<v Speaker 1>I didn't even realize it. Good for you, Jack, uh so,

0:41:47.280 --> 0:41:50.399
<v Speaker 1>And I love how Livia put this. Uh, the good

0:41:50.480 --> 0:41:53.040
<v Speaker 1>news about fighting light pollution, she says, is there's a

0:41:53.120 --> 0:41:55.800
<v Speaker 1>lot of low hanging fruit. It really is kind of

0:41:55.880 --> 0:41:59.920
<v Speaker 1>that easy. Um, there are so many things that individuals

0:42:00.040 --> 0:42:02.880
<v Speaker 1>can do in their on their own properties. Uh. The

0:42:03.000 --> 0:42:07.080
<v Speaker 1>I d A estimates that thirty of outdoor lighting in

0:42:07.120 --> 0:42:11.040
<v Speaker 1>the US is wasted. So you know, a lot of

0:42:11.080 --> 0:42:13.560
<v Speaker 1>this lighting that people have isn't even doing the thing

0:42:13.640 --> 0:42:17.040
<v Speaker 1>that is supposed to be doing if it is wasted. Uh,

0:42:17.120 --> 0:42:19.600
<v Speaker 1>And it's a financial loss to about three point three

0:42:19.640 --> 0:42:24.319
<v Speaker 1>billion dollars annually and twenty one million tons of CEO

0:42:24.400 --> 0:42:26.880
<v Speaker 1>two emissions. And this is just from wasted light, not

0:42:27.040 --> 0:42:30.080
<v Speaker 1>from just having lights right exactly. So, like I was

0:42:30.120 --> 0:42:32.399
<v Speaker 1>saying before, like it it goes hand in hand talking

0:42:32.400 --> 0:42:35.359
<v Speaker 1>about light pollution and mitigating it goes hand in hand

0:42:35.400 --> 0:42:39.680
<v Speaker 1>with keeping people from wasting electricity too, and some of

0:42:39.719 --> 0:42:42.279
<v Speaker 1>that low hanging fruit, like this is stuff you can

0:42:42.320 --> 0:42:45.080
<v Speaker 1>do on an individual basis. And then if you really

0:42:45.160 --> 0:42:47.839
<v Speaker 1>get into this and you really want to make a difference, Um,

0:42:48.719 --> 0:42:52.120
<v Speaker 1>you can like teach yourself and arm yourself through um,

0:42:52.400 --> 0:42:54.800
<v Speaker 1>through kind of outreach that the i DA has to

0:42:54.880 --> 0:42:57.160
<v Speaker 1>go educate your city and get your city to put

0:42:57.200 --> 0:43:01.279
<v Speaker 1>in different kinds of street lights that UM shield from

0:43:01.400 --> 0:43:03.160
<v Speaker 1>light pollution so that you do have to like go

0:43:03.360 --> 0:43:06.880
<v Speaker 1>stand underneath it to to to get that glare UM

0:43:06.960 --> 0:43:09.399
<v Speaker 1>and so there isn't light trespass and and there's less

0:43:09.440 --> 0:43:11.520
<v Speaker 1>sky glow. UM. There's a lot of things that you

0:43:11.600 --> 0:43:12.920
<v Speaker 1>can do, So a lot of things you can do

0:43:13.000 --> 0:43:15.160
<v Speaker 1>on the local level. UM, but one of the big

0:43:15.239 --> 0:43:17.600
<v Speaker 1>ones is just like stop and think like do I

0:43:17.800 --> 0:43:21.359
<v Speaker 1>really need light in this area? Like does there need

0:43:21.440 --> 0:43:27.680
<v Speaker 1>to be some some blaring like blue led street light

0:43:27.880 --> 0:43:31.040
<v Speaker 1>on my shed that I don't even have anything in

0:43:31.640 --> 0:43:35.279
<v Speaker 1>Is it really like needed? And that raises a big question, Chuck,

0:43:35.400 --> 0:43:37.920
<v Speaker 1>Like a lot of people are saying, like, well, what

0:43:38.000 --> 0:43:40.800
<v Speaker 1>about crime. That's why we light the night is is

0:43:40.920 --> 0:43:45.719
<v Speaker 1>to to prevent crime. And there's plenty of studies that say, yeah,

0:43:45.719 --> 0:43:48.280
<v Speaker 1>if you add some artificial light, it will reduce crime.

0:43:48.560 --> 0:43:52.120
<v Speaker 1>But there's apparently an equal amount of studies that say, actually,

0:43:52.440 --> 0:43:55.399
<v Speaker 1>not only does that not have an impact on lowering crime,

0:43:55.600 --> 0:43:58.640
<v Speaker 1>in some cases that actually increases some kinds of crime.

0:43:58.960 --> 0:44:01.160
<v Speaker 1>Like if you want to make sure that you're the

0:44:01.239 --> 0:44:04.520
<v Speaker 1>side of your school building is um really well lit

0:44:04.719 --> 0:44:07.759
<v Speaker 1>for graffiti artists at night, you should make sure that

0:44:07.840 --> 0:44:10.879
<v Speaker 1>you have all sorts of artificial lighting. Um. You can

0:44:11.239 --> 0:44:14.560
<v Speaker 1>use some studies make the case that, uh, you are

0:44:14.840 --> 0:44:18.200
<v Speaker 1>more it's easier to size up a person for whether

0:44:18.280 --> 0:44:21.360
<v Speaker 1>they're a target um by a criminal when in a

0:44:21.440 --> 0:44:25.200
<v Speaker 1>really well lit place and vice versa. UM in the dark,

0:44:25.280 --> 0:44:28.399
<v Speaker 1>your eyes are more acclimated to seeing things in the dark,

0:44:28.840 --> 0:44:32.839
<v Speaker 1>like a criminal who might be waiting up ahead for you. Yeah,

0:44:32.960 --> 0:44:34.279
<v Speaker 1>Like I mean you think about it. If you're on

0:44:34.320 --> 0:44:40.160
<v Speaker 1>a really well lit pathway, Uh, the the nearby shadows

0:44:40.280 --> 0:44:43.400
<v Speaker 1>are really really dark, and that's where these people could be.

0:44:43.719 --> 0:44:46.800
<v Speaker 1>You know, not to be too you know, fearmongering. But

0:44:47.040 --> 0:44:49.040
<v Speaker 1>but that's where they're laying in wait for you. Right,

0:44:49.800 --> 0:44:52.759
<v Speaker 1>But that's true, Like big light creates big shadow and

0:44:52.880 --> 0:44:56.040
<v Speaker 1>darkness nearby. And you know, when they do studies, they

0:44:56.120 --> 0:44:59.160
<v Speaker 1>do show that is reduction in crime. But when you

0:44:59.200 --> 0:45:03.319
<v Speaker 1>look at like the overall number, like it reduces crime

0:45:03.360 --> 0:45:06.320
<v Speaker 1>at night, but the overall number of crimes is a

0:45:06.560 --> 0:45:10.000
<v Speaker 1>much less percentage. I think reduction at night in a

0:45:10.080 --> 0:45:12.879
<v Speaker 1>place like New York, whereas if you take a whole

0:45:12.960 --> 0:45:16.040
<v Speaker 1>day it's about four percent overall, which means most of

0:45:16.080 --> 0:45:18.160
<v Speaker 1>the crimes are committed during the day. You think of

0:45:18.280 --> 0:45:21.800
<v Speaker 1>nighttime as being more scary, but more crime is committed

0:45:21.880 --> 0:45:24.719
<v Speaker 1>during the day. Right. And also when you're considering whether

0:45:24.800 --> 0:45:27.120
<v Speaker 1>you need a light or not one that I saw,

0:45:27.280 --> 0:45:30.719
<v Speaker 1>Chuck was um uh, like, do you need to leave

0:45:30.800 --> 0:45:34.279
<v Speaker 1>your back porch light on? And normally when you leave

0:45:34.320 --> 0:45:36.440
<v Speaker 1>a light on, it's to do two things. Is to

0:45:36.600 --> 0:45:39.640
<v Speaker 1>deter somebody, but in that case you might actually be

0:45:39.840 --> 0:45:43.520
<v Speaker 1>making it easier for the criminal to see their way

0:45:43.560 --> 0:45:47.480
<v Speaker 1>into breaking into your house, right, um. And then secondly,

0:45:47.520 --> 0:45:49.200
<v Speaker 1>the other reason you would do it is to is

0:45:49.280 --> 0:45:52.360
<v Speaker 1>to expose those people to provide witness as well. Who's

0:45:52.360 --> 0:45:54.839
<v Speaker 1>watching the back of your house at night, Probably no one.

0:45:55.440 --> 0:45:57.600
<v Speaker 1>And in fact, if you don't have that light there,

0:45:57.840 --> 0:46:00.279
<v Speaker 1>you may force the criminal to use a flashlight, which

0:46:00.520 --> 0:46:03.080
<v Speaker 1>is going to be even more suspicious than somebody standing

0:46:03.120 --> 0:46:06.359
<v Speaker 1>at your back door. Or you might use a motion

0:46:06.440 --> 0:46:09.719
<v Speaker 1>detection light, which is from what I've seen, the optimal

0:46:09.880 --> 0:46:12.640
<v Speaker 1>thing to do if you're worried about security but also

0:46:12.880 --> 0:46:16.080
<v Speaker 1>concerned about light pollution. Yeah, because then they walk back

0:46:16.080 --> 0:46:18.520
<v Speaker 1>there in the dark and then boom hit him. With

0:46:18.560 --> 0:46:21.719
<v Speaker 1>the spotlight and if you you know, if you have

0:46:22.400 --> 0:46:25.239
<v Speaker 1>the security cameras at your house, those things worked really

0:46:25.320 --> 0:46:29.360
<v Speaker 1>well in the dark these days. Uh So if security

0:46:29.440 --> 0:46:31.600
<v Speaker 1>is your issue, there are ways to get around that

0:46:31.760 --> 0:46:34.840
<v Speaker 1>that that's not like lighting up your house like a

0:46:34.920 --> 0:46:42.759
<v Speaker 1>prison yard. That's it. I got nothing else. I don't

0:46:42.800 --> 0:46:45.880
<v Speaker 1>think I do either, actually, So that's it for artificial

0:46:46.000 --> 0:46:49.840
<v Speaker 1>light at night, Alan a k A. Light pollution. Hopefully

0:46:49.960 --> 0:46:51.520
<v Speaker 1>this has opened your eyes a little bit to it,

0:46:51.600 --> 0:46:53.520
<v Speaker 1>but not so much that you're blinded by the glare,

0:46:53.560 --> 0:46:57.399
<v Speaker 1>you know, right. Uh And since we front loaded listener mail,

0:46:57.480 --> 0:47:00.359
<v Speaker 1>we'll just use this and to say, read the word

0:47:00.360 --> 0:47:06.279
<v Speaker 1>about stuff you should know here in your uh fourteen Yeah, yeah,

0:47:06.440 --> 0:47:12.080
<v Speaker 1>basically yes, that just basically yes, like next month will

0:47:12.080 --> 0:47:15.320
<v Speaker 1>be in your fourteen And uh. We don't talk a

0:47:15.360 --> 0:47:17.600
<v Speaker 1>lot about trying to grow the show, which we should

0:47:17.600 --> 0:47:20.040
<v Speaker 1>probably do. More so tell a friend, tell a neighbor,

0:47:20.120 --> 0:47:22.720
<v Speaker 1>tell a colleague about stuff you should know, and introduce

0:47:22.840 --> 0:47:25.840
<v Speaker 1>him to the podcast. And it really helps us continue

0:47:25.880 --> 0:47:28.319
<v Speaker 1>to do what we do. Yeah, and not just a podcast, Chuck,

0:47:28.400 --> 0:47:31.200
<v Speaker 1>we have a book, a New York Times bestseller. We do.

0:47:31.320 --> 0:47:34.319
<v Speaker 1>In fact, we have a trivial pursuit game. That's right,

0:47:34.680 --> 0:47:38.040
<v Speaker 1>that will hopefully be on store shelves again soon. Uh yeah,

0:47:38.239 --> 0:47:41.919
<v Speaker 1>And what else? We sell tufts of our hair. Sure,

0:47:42.000 --> 0:47:43.200
<v Speaker 1>I got a lot of hair right now, I can.

0:47:43.640 --> 0:47:45.640
<v Speaker 1>I can send out tough so we can make some money.

0:47:45.680 --> 0:47:49.200
<v Speaker 1>But that you gotta cut me in, Okay, all right, Well,

0:47:49.239 --> 0:47:50.400
<v Speaker 1>if you want to get in touch with us and

0:47:50.480 --> 0:47:53.400
<v Speaker 1>try to purchase some of Chuck's hair, you can email

0:47:53.480 --> 0:48:01.080
<v Speaker 1>me at stuff podcast at iHeart radio dot com. Stuff

0:48:01.120 --> 0:48:03.080
<v Speaker 1>you Should Know is a production of I Heart Radio.

0:48:03.600 --> 0:48:06.080
<v Speaker 1>For more podcasts my heart Radio, visit the i heart

0:48:06.160 --> 0:48:09.080
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:48:09.120 --> 0:48:12.680
<v Speaker 1>favorite shows. H