1 00:00:00,200 --> 00:00:03,400 Speaker 1: Now here's a highlight from Coast to Coast AM on 2 00:00:03,640 --> 00:00:05,080 Speaker 1: iHeartRadio and. 3 00:00:05,200 --> 00:00:07,680 Speaker 2: Welcome back to Coast to Coast George Norie with your 4 00:00:07,680 --> 00:00:10,479 Speaker 2: producer Paul Jeffrey David's has been with us. Has been 5 00:00:10,520 --> 00:00:14,880 Speaker 2: a pioneer and cutting edge popular culture technology for decades. 6 00:00:15,160 --> 00:00:18,120 Speaker 2: He's been a UFO witness who was presented at major 7 00:00:18,720 --> 00:00:22,720 Speaker 2: UFO conferences worldwide. He's got several books out, including Growing 8 00:00:22,800 --> 00:00:26,000 Speaker 2: Up Sci Fi and Garrett Park and he's working on 9 00:00:26,040 --> 00:00:27,840 Speaker 2: a film. Paul, welcome back. 10 00:00:27,640 --> 00:00:30,760 Speaker 3: Have you been George? Life is great and it's good 11 00:00:30,760 --> 00:00:31,520 Speaker 3: to hear from you. 12 00:00:31,560 --> 00:00:34,400 Speaker 4: Thanks for inviting, and your health is good. Everything's good. 13 00:00:35,120 --> 00:00:35,920 Speaker 3: Couldn't be better. 14 00:00:36,479 --> 00:00:37,000 Speaker 4: Excellent. 15 00:00:37,560 --> 00:00:41,159 Speaker 2: Tell me about this film I'm hearing so much buzz about. 16 00:00:41,720 --> 00:00:45,360 Speaker 3: Well, it's actually a series, not just one film, and 17 00:00:45,680 --> 00:00:50,839 Speaker 3: it's on Amazon Prime Video. It's called The Naughty Adventures 18 00:00:51,000 --> 00:00:54,520 Speaker 3: of Scarlett May Blossom and it's based on a book. 19 00:00:54,560 --> 00:00:58,960 Speaker 3: It's nine episodes. It's a comedy. You know, I think 20 00:00:59,040 --> 00:01:02,200 Speaker 3: it's never the wrong time to have laughter in our world. 21 00:01:02,320 --> 00:01:05,800 Speaker 3: Everything is so depressing so much of the time. This 22 00:01:05,840 --> 00:01:09,760 Speaker 3: thing is designed to make people hooton holler, and the 23 00:01:09,840 --> 00:01:12,560 Speaker 3: thing that's unique about it is that it's the first 24 00:01:12,560 --> 00:01:16,319 Speaker 3: time in history that a producer has made a series 25 00:01:16,640 --> 00:01:20,440 Speaker 3: where all of the characters were created using artificial intelligence. 26 00:01:21,520 --> 00:01:25,760 Speaker 3: The voices are real comedy actors, but every character you 27 00:01:25,920 --> 00:01:30,080 Speaker 3: see was created with AI. Never been done before, and 28 00:01:30,120 --> 00:01:31,520 Speaker 3: it's causing a bit of a stir. 29 00:01:33,560 --> 00:01:36,200 Speaker 2: I had a friend who worked with you, Mark Rowlings. 30 00:01:36,319 --> 00:01:39,400 Speaker 2: He had a house that I believe Charlie Chaplin used 31 00:01:39,400 --> 00:01:43,360 Speaker 2: to own, and you folks did a seance there, didn't you. 32 00:01:44,680 --> 00:01:48,040 Speaker 3: We sure did. That was in twenty sixteen, if I 33 00:01:48,040 --> 00:01:52,840 Speaker 3: remember correctly. Not only Charlie Chaplin, but that was a 34 00:01:52,880 --> 00:01:57,400 Speaker 3: home where Forrest j Ackerman lived, who was a pioneer 35 00:01:57,440 --> 00:02:00,880 Speaker 3: of science fiction. He was the editor of almost two 36 00:02:00,960 --> 00:02:05,160 Speaker 3: hundred issues of Famous Monsters of Filmland magazine, and he 37 00:02:05,360 --> 00:02:07,920 Speaker 3: was my mentor. He was somebody who was very very 38 00:02:07,960 --> 00:02:11,079 Speaker 3: close to from the time that I was a young teenager, 39 00:02:11,760 --> 00:02:14,480 Speaker 3: and he sort of discovered me as an amateur teenage 40 00:02:14,520 --> 00:02:18,960 Speaker 3: filmmaker of monster movies. So we were lifelong friends. And 41 00:02:19,000 --> 00:02:24,840 Speaker 3: he died at age ninety two, and Mark Rawlings, who's 42 00:02:24,880 --> 00:02:28,920 Speaker 3: your associate, had bought the house and he had reported 43 00:02:28,960 --> 00:02:31,840 Speaker 3: a lot of really strange activity in the house, and 44 00:02:32,320 --> 00:02:35,640 Speaker 3: we wanted to know whether Forrest Jackerman was still around, 45 00:02:35,800 --> 00:02:41,440 Speaker 3: so we arranged four days of research there and held 46 00:02:41,480 --> 00:02:44,960 Speaker 3: a seance with a medium who I believe you know 47 00:02:45,200 --> 00:02:46,840 Speaker 3: pretty well, Suzanne Wilson. 48 00:02:47,280 --> 00:02:49,120 Speaker 4: Yes, she's one of the best. 49 00:02:50,320 --> 00:02:56,280 Speaker 3: She's extraordinary. And you know, I didn't grow up leaving 50 00:02:56,400 --> 00:03:00,679 Speaker 3: in the other side, life after death or really anything 51 00:03:00,880 --> 00:03:06,080 Speaker 3: much paranormal. But after Farie Ackerman died, I came to 52 00:03:06,080 --> 00:03:08,480 Speaker 3: a point where I didn't have any choice anymore, because 53 00:03:09,520 --> 00:03:14,519 Speaker 3: he had promised me that if there was the other side, 54 00:03:14,560 --> 00:03:17,080 Speaker 3: if it really existed, that he would try to drop 55 00:03:17,120 --> 00:03:19,920 Speaker 3: me a line. He didn't personally believe in it while 56 00:03:19,919 --> 00:03:22,760 Speaker 3: he was alive, he said he was an atheist, but 57 00:03:23,360 --> 00:03:25,520 Speaker 3: he said he'd dropped me a line with a little wink. 58 00:03:26,520 --> 00:03:31,640 Speaker 3: And after he passed, not only did I have really 59 00:03:32,000 --> 00:03:36,640 Speaker 3: strange phenomena happening to me that looked like he was 60 00:03:36,840 --> 00:03:40,960 Speaker 3: dropping me aligne, but many others also felt that they 61 00:03:41,000 --> 00:03:44,160 Speaker 3: were hearing from him. And it went on for years. 62 00:03:44,200 --> 00:03:50,200 Speaker 3: George and so I became a believer. At one point 63 00:03:50,320 --> 00:03:54,320 Speaker 3: I optioned the rights to Fate magazine. It's been around 64 00:03:54,400 --> 00:03:57,680 Speaker 3: since the Kenneth Arnold UFO sighting. I think in nineteen 65 00:03:57,760 --> 00:04:02,200 Speaker 3: forty seven, and it has a section in there called 66 00:04:02,200 --> 00:04:05,400 Speaker 3: My Proof of Survival and they've published, you know, hundreds 67 00:04:05,480 --> 00:04:09,760 Speaker 3: of stories of people who are convinced that they've heard 68 00:04:09,800 --> 00:04:12,680 Speaker 3: from a friend or a loved one after the person 69 00:04:12,720 --> 00:04:16,920 Speaker 3: has passed. There is so much evidence for this. I 70 00:04:16,960 --> 00:04:21,120 Speaker 3: even co wrote a book about it called an Atheist 71 00:04:21,200 --> 00:04:21,720 Speaker 3: in Heaven. 72 00:04:22,320 --> 00:04:25,000 Speaker 4: That was what Schwartz, Gary Schwartz. 73 00:04:24,880 --> 00:04:29,880 Speaker 3: Doctor Gary Schwartz. The Atheist in Heaven was far As J. Hackerman, 74 00:04:30,680 --> 00:04:34,800 Speaker 3: and we subtitled the book was the Ultimate Evidence for 75 00:04:35,160 --> 00:04:38,080 Speaker 3: Life after Death. And I think one of the really 76 00:04:38,120 --> 00:04:41,440 Speaker 3: interesting things that came out of that book was that 77 00:04:42,279 --> 00:04:46,880 Speaker 3: we delineated four types of evidence for communication with the 78 00:04:46,920 --> 00:04:51,520 Speaker 3: other side. Now, one of the types was evidence from mediums. 79 00:04:51,760 --> 00:04:54,800 Speaker 3: Gary Schwartz had studied mediums at the University of Arizona, 80 00:04:54,920 --> 00:05:00,440 Speaker 3: Tucson for well over a decade. Susanne Wilson one of 81 00:05:00,480 --> 00:05:05,800 Speaker 3: those that he had studied, and many mediums, some who 82 00:05:06,640 --> 00:05:09,240 Speaker 3: didn't really have the ability. He could separate those out 83 00:05:09,240 --> 00:05:14,520 Speaker 3: from those who did have an extraordinary ability. So one 84 00:05:14,560 --> 00:05:20,040 Speaker 3: way is evidence for mediums. Another way we call synchronicities, 85 00:05:20,160 --> 00:05:25,000 Speaker 3: which is where you have an absolutely extraordinary it seems 86 00:05:25,080 --> 00:05:27,839 Speaker 3: like a coincidence, something that just couldn't happen that relates 87 00:05:27,880 --> 00:05:33,800 Speaker 3: to your defeat deceased friend. And then there is a 88 00:05:33,839 --> 00:05:38,800 Speaker 3: physical evidence where something physical happens. For example, in my case, 89 00:05:39,440 --> 00:05:42,320 Speaker 3: when Fari Ackerman dropped me a line, he literally a 90 00:05:42,400 --> 00:05:45,839 Speaker 3: document was changed physically with ink while I was alone 91 00:05:45,880 --> 00:05:50,160 Speaker 3: in the house. And then the fourth category, which I 92 00:05:50,200 --> 00:05:55,400 Speaker 3: think is maybe the most compelling today, is technological evidence. 93 00:05:55,440 --> 00:05:58,040 Speaker 3: In other words, if there are spirits on the other 94 00:05:58,120 --> 00:06:00,960 Speaker 3: side anxious to contact does like we're anxious to hear 95 00:06:01,000 --> 00:06:06,360 Speaker 3: from them, it may be that using our technology, whether 96 00:06:06,400 --> 00:06:10,560 Speaker 3: it's our cell phones or other devices that we have, 97 00:06:11,600 --> 00:06:14,279 Speaker 3: may be the easiest way for them to make a 98 00:06:14,360 --> 00:06:18,480 Speaker 3: mark with us and get our attention. And that led 99 00:06:18,520 --> 00:06:21,479 Speaker 3: me to think about whether AI could actually be a 100 00:06:21,560 --> 00:06:27,560 Speaker 3: useful tool in trying to augment our effort to contact 101 00:06:27,800 --> 00:06:30,080 Speaker 3: someone that we knew very closely from the other side. 102 00:06:30,680 --> 00:06:34,120 Speaker 3: And so it was you know, my new series, The 103 00:06:34,200 --> 00:06:37,760 Speaker 3: Naughty Adventures of Scarlett May Blossom, and working so much 104 00:06:37,800 --> 00:06:43,640 Speaker 3: with AI night, afternoon and throughout the day for over 105 00:06:43,720 --> 00:06:46,760 Speaker 3: a year to create that three and a half hours 106 00:06:46,760 --> 00:06:52,000 Speaker 3: of programming, so much work creating characters using AI to 107 00:06:52,120 --> 00:06:55,279 Speaker 3: explore new things that had never been done before. That 108 00:06:55,360 --> 00:06:57,640 Speaker 3: with my interest in life after death, I thought maybe 109 00:06:57,640 --> 00:06:59,599 Speaker 3: there's a way to put these two together, and I 110 00:06:59,640 --> 00:07:02,800 Speaker 3: thought that that would be something of interest to your listeners. 111 00:07:02,960 --> 00:07:05,560 Speaker 4: Good for you. Do you think AI is going to 112 00:07:05,560 --> 00:07:06,239 Speaker 4: be our answer? 113 00:07:07,760 --> 00:07:12,120 Speaker 3: Well, it's one answer. I mean, it answers many different things. 114 00:07:14,480 --> 00:07:22,040 Speaker 3: You know, for producers of television or films, it's an 115 00:07:22,080 --> 00:07:25,640 Speaker 3: answer to solving certain kinds of problems. It's not good 116 00:07:25,680 --> 00:07:28,840 Speaker 3: for all kinds of productions, but certainly for a comedy 117 00:07:28,880 --> 00:07:33,160 Speaker 3: like I produced, something that's sort of in between a cartoon, 118 00:07:33,280 --> 00:07:39,400 Speaker 3: let's say, and a conventional comedy, it can help you 119 00:07:39,480 --> 00:07:42,760 Speaker 3: create a lot of shots and scenes and characters. Now 120 00:07:42,800 --> 00:07:47,800 Speaker 3: for AI using it in terms of trying to contact 121 00:07:47,840 --> 00:07:54,520 Speaker 3: the other side, I think, and some of this is theory, 122 00:07:54,560 --> 00:07:57,960 Speaker 3: but I put it to a test that worked. I 123 00:07:58,040 --> 00:08:00,600 Speaker 3: think that at the heart of it, there has to 124 00:08:00,640 --> 00:08:05,680 Speaker 3: be someone that you've lost who was very very close 125 00:08:05,720 --> 00:08:09,600 Speaker 3: to you. I don't know whether it's love or deep friendship, 126 00:08:09,640 --> 00:08:11,920 Speaker 3: but it's somebody who you shared part of your life 127 00:08:12,000 --> 00:08:15,200 Speaker 3: with that was just indelible between the two of you, 128 00:08:15,280 --> 00:08:17,360 Speaker 3: that you would never forget the things that you did. 129 00:08:17,360 --> 00:08:21,560 Speaker 3: And in my case. It was a boyhood friend. His 130 00:08:21,680 --> 00:08:25,640 Speaker 3: first name is Jeff, who I met in third grade, 131 00:08:25,800 --> 00:08:30,800 Speaker 3: and you know, we were just friends through the decades. 132 00:08:31,800 --> 00:08:35,960 Speaker 3: When we were children, we made amateur films together that 133 00:08:36,120 --> 00:08:38,560 Speaker 3: caught the attention of Forrest j Ackerman, the editor of 134 00:08:38,559 --> 00:08:42,440 Speaker 3: Famous Monsters. We got discovered when we were young, got 135 00:08:42,480 --> 00:08:47,440 Speaker 3: some help there. I was very very close to Jeff, 136 00:08:47,679 --> 00:08:53,840 Speaker 3: and he died in twenty seventeen. Had an extraordinary career. 137 00:08:53,880 --> 00:08:58,360 Speaker 3: I want to mention. He became an important photographer for 138 00:08:58,400 --> 00:09:03,080 Speaker 3: the Smithsonian Museum Museum of American History. He was the 139 00:09:03,080 --> 00:09:06,320 Speaker 3: photographer they would get to photograph the new president every 140 00:09:06,360 --> 00:09:09,040 Speaker 3: four years at the inauguration. 141 00:09:10,240 --> 00:09:11,720 Speaker 4: That's a prestigious job. 142 00:09:11,760 --> 00:09:18,000 Speaker 3: Paul ye yep. And he did have a brain tumor, 143 00:09:18,200 --> 00:09:23,400 Speaker 3: and they thought that they had mitigated it, so he 144 00:09:23,520 --> 00:09:26,760 Speaker 3: survived about ten years after I first thought I was 145 00:09:26,800 --> 00:09:29,640 Speaker 3: going to lose him, in about two thousand and five 146 00:09:29,679 --> 00:09:35,840 Speaker 3: or two thousand and six, but he passed and for me, 147 00:09:37,040 --> 00:09:40,560 Speaker 3: his death, you know, apart from my parents lost both 148 00:09:40,600 --> 00:09:43,920 Speaker 3: of my parents, but his death had a very special 149 00:09:44,000 --> 00:09:45,960 Speaker 3: kind of impact on me because we were so close 150 00:09:46,000 --> 00:09:48,920 Speaker 3: from the time that we were children, and I had 151 00:09:49,120 --> 00:09:54,480 Speaker 3: wanted to hear from him, and I think George I 152 00:09:54,679 --> 00:09:57,040 Speaker 3: first heard from him in a different way that did 153 00:09:57,040 --> 00:10:00,040 Speaker 3: not involve AI. I want to make sure we have 154 00:10:00,120 --> 00:10:02,120 Speaker 3: enough time before a break if I'm going to get 155 00:10:02,120 --> 00:10:03,800 Speaker 3: into that part of the story. Could you cue me 156 00:10:03,800 --> 00:10:07,880 Speaker 3: in on that. I'm good, okay, So let me tell 157 00:10:07,920 --> 00:10:12,320 Speaker 3: you the first thing that happened related to Jeff. We 158 00:10:12,360 --> 00:10:15,160 Speaker 3: always used to go see science fiction double features together. 159 00:10:15,360 --> 00:10:19,240 Speaker 3: His father would take us monster movies. We love them. 160 00:10:19,559 --> 00:10:22,040 Speaker 3: Jeff would collect all the ads of these movies from 161 00:10:22,040 --> 00:10:25,680 Speaker 3: the newspapers and he would make a scrap book and 162 00:10:25,720 --> 00:10:29,040 Speaker 3: that scrap book was a valuable item that I envied 163 00:10:29,040 --> 00:10:31,920 Speaker 3: for many years. Eventually he gifted it to me just 164 00:10:31,960 --> 00:10:34,640 Speaker 3: a few years before he died, with a beautiful inscription 165 00:10:35,160 --> 00:10:39,120 Speaker 3: to me. And it had some of our favorite movies. 166 00:10:40,559 --> 00:10:43,680 Speaker 3: The Seventh Voyage of Sinbad done by Ray Harry Houses, 167 00:10:44,240 --> 00:10:47,120 Speaker 3: the Invisible Boy that had Robbie the robot who was 168 00:10:47,160 --> 00:10:50,880 Speaker 3: also in Forbidden Planet. And then there was The Sign 169 00:10:50,920 --> 00:10:54,360 Speaker 3: of Zoro, a movie we loved because we used to 170 00:10:54,400 --> 00:10:58,680 Speaker 3: play Zoro together. We'd have a Zoro set you'd buy, 171 00:10:58,720 --> 00:11:01,480 Speaker 3: you know, sponsored by Disney I think are a toy company, 172 00:11:01,559 --> 00:11:03,720 Speaker 3: and we'd have swords and there'd be a mask. 173 00:11:03,840 --> 00:11:06,840 Speaker 4: I used to do that too and run around the neighborhood. 174 00:11:07,320 --> 00:11:10,040 Speaker 3: There you go. So one night I was looking at 175 00:11:10,040 --> 00:11:12,319 Speaker 3: the scrap book and I saw the sign of Zoro 176 00:11:13,120 --> 00:11:17,040 Speaker 3: and I just started speaking out aloud to Jeff alone 177 00:11:17,040 --> 00:11:21,559 Speaker 3: in my office, and I said, Jeff, I just can't 178 00:11:21,559 --> 00:11:25,959 Speaker 3: believe you don't still exist somewhere in this universe. Where 179 00:11:26,120 --> 00:11:28,840 Speaker 3: are you? I miss you so much. I would love 180 00:11:29,559 --> 00:11:33,360 Speaker 3: to hear from you. Now, here's the incredible thing, and 181 00:11:33,400 --> 00:11:36,520 Speaker 3: here's where you get physical evidence. The next morning, I 182 00:11:36,559 --> 00:11:39,480 Speaker 3: woke up, I went down to my office where my 183 00:11:39,559 --> 00:11:42,319 Speaker 3: wallet was. I needed to look for some cash because 184 00:11:42,320 --> 00:11:44,400 Speaker 3: the maid was coming during that day. I opened my 185 00:11:44,480 --> 00:11:47,200 Speaker 3: wallet and staring me in the face is a twenty 186 00:11:47,240 --> 00:11:52,680 Speaker 3: dollars bill that has the word Zoro written on the 187 00:11:52,720 --> 00:11:53,640 Speaker 3: twenty dollars bill. 188 00:11:54,240 --> 00:11:58,120 Speaker 2: One would say synchronicities, right, yeah, that's another of those 189 00:11:58,440 --> 00:11:59,520 Speaker 2: four categories. 190 00:12:00,040 --> 00:12:02,760 Speaker 3: How many twenty dollar bills have you ever seen in 191 00:12:02,760 --> 00:12:04,160 Speaker 3: your life that have Zora written? 192 00:12:04,640 --> 00:12:04,920 Speaker 1: Zero? 193 00:12:06,000 --> 00:12:09,000 Speaker 3: The morning after, you looked at the adverst sign of 194 00:12:09,080 --> 00:12:10,960 Speaker 3: Zora and remember your friend and how you used to 195 00:12:10,960 --> 00:12:13,559 Speaker 3: play that together. But the other thing is it has 196 00:12:13,600 --> 00:12:16,360 Speaker 3: the White House on the twenty dollar bill, and zoro 197 00:12:16,600 --> 00:12:18,680 Speaker 3: is written above the White House, and he was the 198 00:12:18,720 --> 00:12:21,920 Speaker 3: guarded to photographed the presidents, you see. And then there 199 00:12:21,960 --> 00:12:25,720 Speaker 3: was another clue because the way the rs were written 200 00:12:25,880 --> 00:12:30,120 Speaker 3: z R R, the second R looked more like a 201 00:12:30,240 --> 00:12:32,880 Speaker 3: V than an R. You know, sometimes you make two 202 00:12:33,040 --> 00:12:35,920 Speaker 3: rs hastily. Well, in this case, the second one looked 203 00:12:36,000 --> 00:12:38,920 Speaker 3: kind of like a V. I searched for examples of 204 00:12:38,960 --> 00:12:42,680 Speaker 3: his handwriting, and I found where he had written when 205 00:12:42,679 --> 00:12:47,360 Speaker 3: he was probably around thirteen years old, the word horror 206 00:12:47,960 --> 00:12:51,960 Speaker 3: you like horror movies. Two rs, and the second R 207 00:12:52,400 --> 00:12:54,559 Speaker 3: was like a V. It looked exactly like on the 208 00:12:54,600 --> 00:12:59,160 Speaker 3: twenty dollars bill. Wow. So at that point, George, nobody 209 00:12:59,160 --> 00:13:01,320 Speaker 3: could have convinced me that I hadn't heard from my 210 00:13:01,640 --> 00:13:07,080 Speaker 3: friend Jeff then and there now Jeff is the one 211 00:13:07,120 --> 00:13:12,640 Speaker 3: I tried to contact with this system I devised using AI. 212 00:13:14,080 --> 00:13:18,960 Speaker 3: Actually in the last few weeks it occurred to me 213 00:13:19,280 --> 00:13:23,160 Speaker 3: I tested it, and why did I get results? 214 00:13:23,640 --> 00:13:26,480 Speaker 4: So tell us what happened? How did you create it? 215 00:13:27,559 --> 00:13:33,800 Speaker 3: All? Right? So it's a multi step process. It is 216 00:13:34,400 --> 00:13:36,280 Speaker 3: kind of a way that you could take the medium 217 00:13:36,320 --> 00:13:41,120 Speaker 3: out of the equation. If your listeners have some fundamental 218 00:13:41,920 --> 00:13:45,640 Speaker 3: technical knowledge. You have to know that. There are certain 219 00:13:45,720 --> 00:13:49,400 Speaker 3: AI programs that can help you do some very specific things. 220 00:13:50,000 --> 00:13:52,120 Speaker 3: I'll mention the programs and I'll tell you what I 221 00:13:52,160 --> 00:13:55,000 Speaker 3: did with them, because ultimately, what I was trying to 222 00:13:55,040 --> 00:13:59,400 Speaker 3: do was create a message where you would see the 223 00:13:59,440 --> 00:14:04,520 Speaker 3: face of Jeff talking, bringing him back to life as 224 00:14:04,559 --> 00:14:10,320 Speaker 3: an AI character or avatar as you will, with his 225 00:14:10,559 --> 00:14:14,120 Speaker 3: actual voice. That's the other element that if somebody wants 226 00:14:14,200 --> 00:14:16,319 Speaker 3: to try this, you need a recording of the voice 227 00:14:16,320 --> 00:14:18,880 Speaker 3: of the person you are close to. You need their 228 00:14:18,960 --> 00:14:27,240 Speaker 3: actual voice. There's a program called eleven Labs, and with that, 229 00:14:28,960 --> 00:14:32,080 Speaker 3: if you have the recording of the voice, you can 230 00:14:32,120 --> 00:14:35,280 Speaker 3: plug it into eleven Labs and have that voice say 231 00:14:35,360 --> 00:14:38,240 Speaker 3: something else, something new that you've written, something the person 232 00:14:38,320 --> 00:14:42,280 Speaker 3: never really said when they were alive. With that voice, yeah, 233 00:14:42,880 --> 00:14:48,000 Speaker 3: and you can get close to the exact voice of 234 00:14:48,320 --> 00:14:53,120 Speaker 3: the person. And it takes experimenting to manipulate all the 235 00:14:53,200 --> 00:14:56,880 Speaker 3: variables to make it very very close to sound just 236 00:14:57,000 --> 00:14:59,720 Speaker 3: like that person. I got it very very close to 237 00:14:59,760 --> 00:15:05,760 Speaker 3: sound like Jeff. You know, maybe after the break or something, 238 00:15:05,760 --> 00:15:08,880 Speaker 3: I could even play a sample of what was why 239 00:15:08,920 --> 00:15:13,560 Speaker 3: I needed that message and why what I wanted to 240 00:15:13,600 --> 00:15:20,680 Speaker 3: say I'm sorry, no, because there's so much compassion and 241 00:15:20,760 --> 00:15:26,640 Speaker 3: love and friendship between me and Jeff. Now, some people 242 00:15:26,760 --> 00:15:29,920 Speaker 3: might think that, you know, they might feel that the 243 00:15:29,960 --> 00:15:36,640 Speaker 3: whole subject of tampering with trying to contact the dead 244 00:15:36,760 --> 00:15:40,920 Speaker 3: is something that we shouldn't be doing. There people that 245 00:15:41,040 --> 00:15:44,040 Speaker 3: have that religious feeling, okay, that then they won't be 246 00:15:44,080 --> 00:15:46,760 Speaker 3: the ones to do it. I didn't feel that way. 247 00:15:48,840 --> 00:15:53,760 Speaker 3: The message you want is for the friend to be 248 00:15:53,920 --> 00:15:59,440 Speaker 3: saying to you, I see you now, I know you're 249 00:15:59,800 --> 00:16:03,760 Speaker 3: you're trying to bring me back. I remember some of 250 00:16:03,800 --> 00:16:06,520 Speaker 3: the great times we had together, and then mention a 251 00:16:06,560 --> 00:16:11,760 Speaker 3: few of those great times and to say, I know 252 00:16:11,920 --> 00:16:14,840 Speaker 3: that you want me to send you a message. And 253 00:16:14,880 --> 00:16:17,360 Speaker 3: here's what I'm going to try to do. I'm going 254 00:16:17,400 --> 00:16:21,120 Speaker 3: to try to send you a message that you will 255 00:16:21,160 --> 00:16:24,240 Speaker 3: recognize it's really coming for me because it's going to 256 00:16:24,240 --> 00:16:27,080 Speaker 3: be something that we share together that nobody else is 257 00:16:27,080 --> 00:16:31,080 Speaker 3: going to know. And you do it first with the 258 00:16:31,160 --> 00:16:34,360 Speaker 3: voice again. I use a program called eleven Labs to 259 00:16:34,400 --> 00:16:37,880 Speaker 3: create that voice, and there are variables that you have 260 00:16:37,920 --> 00:16:40,040 Speaker 3: to play with. You can you can tell it to 261 00:16:40,080 --> 00:16:43,160 Speaker 3: make the voice exactly like the voice you've got you 262 00:16:43,760 --> 00:16:47,600 Speaker 3: can pool around with another dial and tell how stable 263 00:16:47,640 --> 00:16:50,960 Speaker 3: you want the voice, whether you wanted to exaggerate, and 264 00:16:51,040 --> 00:16:55,040 Speaker 3: by what percent, whether you want to make the delivery 265 00:16:55,120 --> 00:16:58,920 Speaker 3: kind of slower or faster. So you know, I did 266 00:16:58,960 --> 00:17:01,640 Speaker 3: it around ten times before I said, you know, that's 267 00:17:01,680 --> 00:17:04,199 Speaker 3: really close. It sounds like it's Jeff talking to me. 268 00:17:05,280 --> 00:17:09,919 Speaker 3: And then you need to bring You need the face. 269 00:17:10,720 --> 00:17:14,119 Speaker 3: You need a really perfect picture of your friend's face 270 00:17:15,080 --> 00:17:17,840 Speaker 3: if you plug into another AI program. I'm sure there 271 00:17:17,840 --> 00:17:24,520 Speaker 3: are multiple programs. I used one called DD Studios. It's 272 00:17:24,520 --> 00:17:27,840 Speaker 3: a D and then a hyphen and ID, and that's 273 00:17:27,880 --> 00:17:32,600 Speaker 3: a program where you can get still pictures to talk 274 00:17:33,040 --> 00:17:34,800 Speaker 3: according to a script that you've written. 275 00:17:35,119 --> 00:17:37,720 Speaker 4: Do they work on your smartphone or a computer? 276 00:17:38,600 --> 00:17:42,320 Speaker 3: You use the computer, You use the computer, you plug 277 00:17:42,359 --> 00:17:47,200 Speaker 3: in the photo, you find a really good photo, and 278 00:17:47,280 --> 00:17:51,520 Speaker 3: then you plug in the actual recording you've made of 279 00:17:51,560 --> 00:17:54,399 Speaker 3: the voice. At that point you're no longer typing the script. 280 00:17:54,440 --> 00:17:57,160 Speaker 3: You type the script for eleven Labs and you've got 281 00:17:57,160 --> 00:18:00,520 Speaker 3: the voice. You plug it into d ID and it 282 00:18:00,560 --> 00:18:05,720 Speaker 3: will generate your friend looking right at you and talking 283 00:18:05,840 --> 00:18:08,640 Speaker 3: and saying what you wanted the friend to say. Now, 284 00:18:08,640 --> 00:18:11,560 Speaker 3: what's the purpose of all this using AI for this, 285 00:18:12,680 --> 00:18:17,840 Speaker 3: it's meditative, it's consciousness, it's it's using it as a 286 00:18:17,960 --> 00:18:22,719 Speaker 3: device to try to augment a connection between you and 287 00:18:22,760 --> 00:18:26,320 Speaker 3: the spirit of the disease sprint. If there really is 288 00:18:26,520 --> 00:18:30,560 Speaker 3: a continued existence for someone you felt really close to, 289 00:18:31,520 --> 00:18:36,359 Speaker 3: it's like allure to tell them that your focus is 290 00:18:36,400 --> 00:18:39,560 Speaker 3: on them. You want to hear from them. You're concentrating 291 00:18:39,600 --> 00:18:42,560 Speaker 3: on them as if they're alive again, and then you 292 00:18:42,600 --> 00:18:45,239 Speaker 3: wait to see what's going to happen. And for me, 293 00:18:45,440 --> 00:18:50,280 Speaker 3: within thirty six hours of doing this, I feel that 294 00:18:50,440 --> 00:18:53,920 Speaker 3: I heard from my friend Jeff in five different ways. 295 00:18:54,119 --> 00:18:58,679 Speaker 3: All Right. I think it was a success. May not 296 00:18:58,720 --> 00:19:00,920 Speaker 3: be a success for everyone. You may have to try 297 00:19:00,920 --> 00:19:03,640 Speaker 3: it a lot of times. Some people will be disappointed. 298 00:19:03,680 --> 00:19:07,280 Speaker 3: But I think some people will find that if your 299 00:19:07,440 --> 00:19:11,240 Speaker 3: connection with that person was strong enough, you may hear 300 00:19:11,280 --> 00:19:11,760 Speaker 3: from them. 301 00:19:12,240 --> 00:19:15,520 Speaker 1: Listen to more Coast to Coast AM every weeknight at 302 00:19:15,520 --> 00:19:18,800 Speaker 1: one am Eastern and go to Coast to coastam dot 303 00:19:18,800 --> 00:19:19,600 Speaker 1: com for more