WEBVTT - Episode 16 - Brandon Ray (10-26-16)

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<v Speaker 1>What episode away I might is that paper episode sixteen.

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<v Speaker 1>Welcome to episode sixteen of the Bobby Cast. I'm your host,

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<v Speaker 1>Bobby Cast. That's correct. Here with Brandon Ray on Twitter,

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<v Speaker 1>Brandon Ray Music here ran Now what's going on? Okay? So,

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<v Speaker 1>I think are talking a little different than any of

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<v Speaker 1>the talks that I've had with an artist before, because

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<v Speaker 1>I think with you, you're right in the middle of

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<v Speaker 1>the try like you're right in the middle of trying

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<v Speaker 1>to find your spot wherever it is in this industry

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<v Speaker 1>and in the past, that's what's cool about this. I

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<v Speaker 1>can do whatever I want. In the past, I've had

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<v Speaker 1>people who have made it as great songwriters, people who

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<v Speaker 1>have made it as artists, Like you're just pretty mediocre

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<v Speaker 1>right now, let's me to be honest. That's that's my

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<v Speaker 1>middle name. So listen, Brandon is one I've played him

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<v Speaker 1>on the show before, like he's that good. So, um,

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<v Speaker 1>we'll talk to Brandon right after this message from Blue Apron.

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<v Speaker 1>By the way, you ever had Blue Apron? Blue Apron?

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<v Speaker 1>That's great, Dan, heck of a tingle. Listen, Blue Apron

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<v Speaker 1>is awesome. Without them, we would not be able to

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<v Speaker 1>do this, Bobby Cast. And so let me tell you

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<v Speaker 1>what Blue Apron does. They send food you ever have

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<v Speaker 1>blue Apron, you can say no, it's okay, do you

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<v Speaker 1>have it sit too your house with someone cook for okay?

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<v Speaker 1>So what happened to? They send you the food and

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<v Speaker 1>it comes in a box and it's not made already,

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<v Speaker 1>so you're not ordering. You ordering ingredients, and they send

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<v Speaker 1>you all the ingredients and already prepackaged and they're pre

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<v Speaker 1>like measured, so you don't have to go buy a

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<v Speaker 1>whole jar of something for a pinch. Uh. So you

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<v Speaker 1>take that and you have to give you listen to

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<v Speaker 1>some reason that I can even get away with it

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<v Speaker 1>is that they give you the card and it tells

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<v Speaker 1>you exactly how to make this stuff. And so it's

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<v Speaker 1>all fresh ingredients. And so that's what blue Apron is

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<v Speaker 1>all about. Variety, and it's flexible, it's easy. You can

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<v Speaker 1>slash Bobby Meals. Do you cook for your wife ever,

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<v Speaker 1>and have this sent to you know, your side chick's house.

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<v Speaker 1>Take that and then could not at least she doesn't know.

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<v Speaker 1>Blue Apron dot Com slash Bobby meals you love how

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<v Speaker 1>Blue Apron dot Com slash Bobby meals. That's one word

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<v Speaker 1>I say, meals like. I'm from Arkansas, so it's Bobby

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<v Speaker 1>m E A L s. Bobby meals meal whatever, Blue

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<v Speaker 1>Apron a better way to cook. Thank you Apron for

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<v Speaker 1>sponsoring this. Now. Brandon Ray is here at Brandon Ray

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<v Speaker 1>Music on Twitter and Instagram. All right, so let me

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<v Speaker 1>tell you. I want to start with today and kind

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<v Speaker 1>of work all the way back around because Brandon's an

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<v Speaker 1>interesting story. Brandon is so good. I said, hey, will

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<v Speaker 1>you come out and play a few shows with us

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<v Speaker 1>with the raging idiots? And he has And I really

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<v Speaker 1>don't know how good he was until we got on

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<v Speaker 1>the road, like our news good, and then he's like

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<v Speaker 1>mind blowingly good. Actually stand beside and playing. I don't

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<v Speaker 1>just say that about anybody, um, because I get to

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<v Speaker 1>see everybody, so Bebian said Brandon. I'll play a song

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<v Speaker 1>right now that that Brandon has out. This is called

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<v Speaker 1>American way. Here we go up, sad down too freaking

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<v Speaker 1>weekend him him a seamer. Brandon is also a fantastic

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<v Speaker 1>guitar player. So I play this, this is that could

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<v Speaker 1>be us from brand a right good thing, that could

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<v Speaker 1>be all right, welcome back to the music now. I

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<v Speaker 1>would like to be as honest as possible as of

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<v Speaker 1>right now, you do not have a record deal. Not okay.

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<v Speaker 1>So here you are, You're in talent, you're grinding, you're playing,

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<v Speaker 1>You're like of the rest of Nashville. You're really good,

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<v Speaker 1>and you don't have a record deal right now. So

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<v Speaker 1>what has that process been like? Like have you played

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<v Speaker 1>for people like kay Like, Hey'm gonna talk about every

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<v Speaker 1>time she played Kaylin Smith, she played for Zone people

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<v Speaker 1>and they all say no, no, no, no, no, no, no, no,

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<v Speaker 1>no no no, like whatever it is right now. No,

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<v Speaker 1>have you been through that where you've played They go no,

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<v Speaker 1>not right now. We We've taken We've taken a little

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<v Speaker 1>swing a couple of times. What do that mean? Like

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<v Speaker 1>just you know people like I have a publishing deal

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<v Speaker 1>with Sony a TV, which means you write I write

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<v Speaker 1>songs for a living for you know, artists for TV.

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<v Speaker 1>Film sinks for you know myself that Sony then takes

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<v Speaker 1>those songs pitches them. Uh. And what they have is

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<v Speaker 1>an artist development branch inside the publishing company that kind

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<v Speaker 1>of does like a They help you with recording, they

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<v Speaker 1>help you with touring, Like I just booked a show

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<v Speaker 1>with Jake Owen in Vegas. You know it's gonna cost

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<v Speaker 1>us much. I might lose this much and they make

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<v Speaker 1>up the difference things like that. Okay, so you have

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<v Speaker 1>a publishing deal and that's how you eat plus touring. Yes,

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<v Speaker 1>so that's your job. But you're you want to be

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<v Speaker 1>an artist? I do. I you know, right now for

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<v Speaker 1>me is is building. It's it's the the building phase

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<v Speaker 1>of of touring my my butt off, like every single weekend.

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<v Speaker 1>I think I've been gone Thursday through Sunday every weekend

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<v Speaker 1>since February. And uh, it's so important right now to

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<v Speaker 1>to build that fan base, whether it's it's being out

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<v Speaker 1>with you guys, which I can't thank you enough for

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<v Speaker 1>inviting me out with the raging idiots because it's been

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<v Speaker 1>such a blast, Like the fans show up. I mean

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<v Speaker 1>every single show is sold out. Like I don't think

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<v Speaker 1>people will realize how how big it is and how

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<v Speaker 1>fun it is, and just those chances and believers like

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<v Speaker 1>you that that just say hey, man, come hang and

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<v Speaker 1>and then we get to know each other and and

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<v Speaker 1>you you, you know, promote things for me or you know,

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<v Speaker 1>share a post of mine or share a song on

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<v Speaker 1>your show. It is it means everything to someone like

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<v Speaker 1>me because I don't have a label, I don't have

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<v Speaker 1>the radio support right now and uh, right now, you

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<v Speaker 1>know in this for this for the past six to

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<v Speaker 1>eight months has been just grind and just going town

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<v Speaker 1>to town to town building, uh and making believers out

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<v Speaker 1>of everybody I play for, all of the headliners I

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<v Speaker 1>opened for, and even the club and theater owners that

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<v Speaker 1>I play talk about the headliners the eve before that

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<v Speaker 1>if said, hey, come out on the road because I

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<v Speaker 1>think it pretty good. Who have you played for that

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<v Speaker 1>You're like, dang, this was really cool. Recently, man, there's

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<v Speaker 1>there's been uh, just a lot of really cool people.

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<v Speaker 1>John Party has just kind of overwhelmed me with just

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<v Speaker 1>he's just such a nice guy and uh, his fan

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<v Speaker 1>base is just is growing rapidly. If happened to get

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<v Speaker 1>the number one song and another great song, yeah, man,

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<v Speaker 1>and even before uh, I was playing with him even

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<v Speaker 1>before Uh Boots went number one. I think it was

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<v Speaker 1>in the top twenty. And his fans knew every single

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<v Speaker 1>word to every song, even even like the East sides

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<v Speaker 1>of his album. You know, he'd be like, I wanna

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<v Speaker 1>take it back to you know, one of my first

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<v Speaker 1>releases and No. Nine and he plays it and the

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<v Speaker 1>crowd just takes over, and Uh, so that just taught me.

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<v Speaker 1>He's taught me so much about just kindness and how

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<v Speaker 1>to treat people. And UH guys like John Party, guys

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<v Speaker 1>like keep More. Martin McBride has had me out on

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<v Speaker 1>a few runs, which that was so cool, you know,

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<v Speaker 1>getting to just kind of be a part of a

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<v Speaker 1>show that that she's doing. And um, guys like David Neil.

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<v Speaker 1>I'm going, uh this weekend out in the Midwest doing

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<v Speaker 1>some shows and then next weekend with a Frankie Ballard

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<v Speaker 1>and uh, it's just it's all about to hang, you know.

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<v Speaker 1>I used to play uh guitar for different artists in town,

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<v Speaker 1>one in particular being Brett Elders. I think that's where

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<v Speaker 1>we met the first time. I think I was shooting

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<v Speaker 1>a TV thing with Brett where we lay in the

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<v Speaker 1>bunk together and you were playing guitar for Brett Elders.

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<v Speaker 1>That's right. Yeah. The thing about Brandon is I didn't

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<v Speaker 1>like Brandon the first time I really hung out with Like,

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<v Speaker 1>I thought, what a douche bag for about two hours

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<v Speaker 1>because what happened was, now, this is the true story.

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<v Speaker 1>I didn't I judged him simply on his hair, like

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<v Speaker 1>because no, no, it's actually I like it now, but

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<v Speaker 1>it was spiked, you know, And I almost like, Okay, dude,

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<v Speaker 1>spiked there. Come on. So he gets on with someone

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<v Speaker 1>that I just think is phenomenal, like Lucy Sylvia's went

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<v Speaker 1>out with us on the road and it is quite

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<v Speaker 1>possibly one of my favorite people and artists in Nashville. Bobby, Bobby,

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<v Speaker 1>thank you so much for having me on the road,

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<v Speaker 1>and thank you so much for just being a great friend.

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<v Speaker 1>So Lucy Silva and Brandon plays guitar for her, and

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<v Speaker 1>I was like, hey, just take the bus with us.

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<v Speaker 1>I don't don't don't drive, don't pay for expensive just

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<v Speaker 1>get on the bus and you can sleep on the box.

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<v Speaker 1>And so that man, it was a total douche and

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<v Speaker 1>so and then of the night it was just Brandon

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<v Speaker 1>night and we talked like four hours. It was like

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<v Speaker 1>a brand new couple. You know, how you meet somebody

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<v Speaker 1>and you're like, we just talked all night long. I

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<v Speaker 1>think I'm in love. And that's how it was Brandon.

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<v Speaker 1>And so you know, with us, we either had Nat

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<v Speaker 1>with the raging idiots we think Natalie Stowball or Lindsay

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<v Speaker 1>l Um and then for some reason not for some reason,

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<v Speaker 1>they're both phenomenal. They were doing their own tours and

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<v Speaker 1>I was like, we need another player. Let's get Brandon

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<v Speaker 1>because he was and so now we'll just have Brandy

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<v Speaker 1>come out with them and listen, I don't have lead

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<v Speaker 1>singer disease, which means I don't have to sing all

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<v Speaker 1>the time or half the time. When you have somebody

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<v Speaker 1>like Brandon, it's like, all right, you take it away.

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<v Speaker 1>Here's brand and everyone uh and and Brandon like blows

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<v Speaker 1>your away when he sings. Now let's go back for

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<v Speaker 1>a second because I have some stuff here. Um, this

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<v Speaker 1>is a jingle called Let's Go Cubs. So this is

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<v Speaker 1>you and how and how long ago was? This was?

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<v Speaker 1>Oh seven, so almost ten years ago. Okay, here we go. Yeah, well, okay,

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<v Speaker 1>did you write did you write that good that's terrible songs,

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<v Speaker 1>but you're saying it well, and listen for me. I'm

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<v Speaker 1>a diehard Cubs fan. And it's weird too because I

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<v Speaker 1>also liked the Cardinals a lot, and as you get older,

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<v Speaker 1>you realize that I like as a kid, I was

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<v Speaker 1>not a Cardinals fan because I was a Cubs fan.

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<v Speaker 1>But then I had friends that played for the Cardinals,

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<v Speaker 1>and then I got to know the organization, and so

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<v Speaker 1>you know, I'm a diehard Cubs fan. And I'm talking

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<v Speaker 1>about a minute ago, like right now, you may hear

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<v Speaker 1>this in a month in the World Series, maybe over

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<v Speaker 1>maybe the Cups got swept, maybe they wanted At this point,

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<v Speaker 1>we don't know. It's one zero. I'm a diehard Cups fan.

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<v Speaker 1>And people are like, oh, bandwagoners, we hate him. I

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<v Speaker 1>don't care if they're a bandwagoners. I don't care if

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<v Speaker 1>you called me a bandwagoner, because I only care about

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<v Speaker 1>my heart and right now, I just want my heart

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<v Speaker 1>to be full with Cubs victory. Like I haven't done

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<v Speaker 1>this on this show, and I don't know if I

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<v Speaker 1>will or not, but I'm going to Game four of

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<v Speaker 1>the World Series because my whole life I've been waiting

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<v Speaker 1>for this dam that's such a dream. They haven't won

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<v Speaker 1>in a hundred and eight years and this, this song

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<v Speaker 1>probably kept them from winning other game, because that's terrible.

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<v Speaker 1>If they heard this, they were like, we should suck

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<v Speaker 1>like the song does, like the singer is pretty good,

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<v Speaker 1>but how much they pay to do this? All right?

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<v Speaker 1>I'm gonna be completely honest right now. Um, I sang

0:11:25.120 --> 0:11:28.600
<v Speaker 1>jingles for I was in a rock band through high

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<v Speaker 1>school and college. And I was trying to go to

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<v Speaker 1>college and touring with this rock band, and I worked

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<v Speaker 1>for this company called T M Century that did jingles.

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<v Speaker 1>They did everything from like radio tags like any five

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<v Speaker 1>five you know, all that kind of stuff, and stuff

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<v Speaker 1>like this. You know where you submit, you know, there's

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<v Speaker 1>like hey, um, like they just said, Chicago Cubs, they're

0:11:49.520 --> 0:11:52.319
<v Speaker 1>looking for a cool new theme song to play on

0:11:52.360 --> 0:11:56.760
<v Speaker 1>their w J. We're gonna have you sing this anyway.

0:11:57.000 --> 0:11:59.960
<v Speaker 1>So this guy, this is the one of the riders.

0:12:00.360 --> 0:12:03.440
<v Speaker 1>I say that with quotes um the writer producers like, hey,

0:12:03.960 --> 0:12:07.800
<v Speaker 1>I had just got done singing like Dave and Sandy

0:12:07.800 --> 0:12:11.640
<v Speaker 1>in the morning, you know, some some awful song like that,

0:12:11.840 --> 0:12:15.320
<v Speaker 1>because hey man, uh I got this Chicago Cubs pitch thing.

0:12:15.440 --> 0:12:18.080
<v Speaker 1>You know, they're looking for something. I was like, dude,

0:12:18.080 --> 0:12:20.199
<v Speaker 1>I'm love. I'm such a huge baseball fan. I was

0:12:20.240 --> 0:12:23.720
<v Speaker 1>telling you earlier, huge Texas Rangers fan. You know, watch

0:12:23.800 --> 0:12:25.880
<v Speaker 1>Nolan Ryan as a kid and all that, and I

0:12:25.920 --> 0:12:28.400
<v Speaker 1>was like, dude, let's do it. And so we recorded

0:12:28.440 --> 0:12:32.240
<v Speaker 1>this awful excuse for a song and it got picked up.

0:12:32.280 --> 0:12:36.880
<v Speaker 1>It was the up. I was so surprised and kind

0:12:36.960 --> 0:12:41.160
<v Speaker 1>of um, kind of sick about it because they paid

0:12:41.200 --> 0:12:45.120
<v Speaker 1>me forty dollars and that's it. So okay, So you

0:12:45.200 --> 0:12:48.600
<v Speaker 1>got paid a salary though to sing, no, you're a

0:12:48.640 --> 0:12:53.679
<v Speaker 1>contract and I got paid. They should have like I

0:12:53.679 --> 0:12:56.680
<v Speaker 1>should have paid them. I mean that listen saying listen,

0:12:56.720 --> 0:13:00.040
<v Speaker 1>I don't take any away from the vocal of that,

0:13:00.480 --> 0:13:04.200
<v Speaker 1>but listen when I go, Cubs Go go, Cubs go,

0:13:04.360 --> 0:13:07.319
<v Speaker 1>like that's the one that I that's what when they win,

0:13:07.360 --> 0:13:09.959
<v Speaker 1>that's what they play. I was just doing my job. Man.

0:13:11.000 --> 0:13:12.760
<v Speaker 1>You talk about singing jingles, I think that's a fun

0:13:12.800 --> 0:13:14.440
<v Speaker 1>thing to talk about, because did you sing like a

0:13:14.520 --> 0:13:16.800
<v Speaker 1>frisky is the cat jingle? I did? Yeah, I sing,

0:13:17.360 --> 0:13:21.160
<v Speaker 1>I sing It's awful, you know, just this happy like

0:13:21.720 --> 0:13:25.400
<v Speaker 1>you know, little toy piano thing that and I have

0:13:25.640 --> 0:13:27.880
<v Speaker 1>I have a buddy in New York who runs a

0:13:28.000 --> 0:13:31.600
<v Speaker 1>music house that he does like Toyota Nissan for He's

0:13:31.640 --> 0:13:34.920
<v Speaker 1>done a ton of commercials and sometimes when they need

0:13:35.360 --> 0:13:38.280
<v Speaker 1>non union singers, he'll give me a call. And still

0:13:38.320 --> 0:13:40.120
<v Speaker 1>to this day, like he'll be like, hey man, you

0:13:40.160 --> 0:13:41.679
<v Speaker 1>know this company, they just want to do a one

0:13:41.720 --> 0:13:45.000
<v Speaker 1>time fee. Could you sing this thing? And you know

0:13:45.080 --> 0:13:46.880
<v Speaker 1>it might get picked up, it might not. So I've

0:13:46.960 --> 0:13:50.280
<v Speaker 1>sing so many jingles that haven't gotten picked up, but

0:13:50.559 --> 0:13:52.840
<v Speaker 1>I've sing about you know, six or seven that that

0:13:52.920 --> 0:13:54.880
<v Speaker 1>got picked up. What has it got picked up? Like,

0:13:54.920 --> 0:13:56.800
<v Speaker 1>I'm curious enough if I would recognize any of them?

0:13:57.040 --> 0:14:00.800
<v Speaker 1>Uh so Miller Lite. There was a commercial back in

0:14:01.000 --> 0:14:05.680
<v Speaker 1>I think the twelve World Series where this guy was

0:14:05.880 --> 0:14:09.000
<v Speaker 1>putting a quarter in a jukebox and every time he

0:14:09.040 --> 0:14:10.839
<v Speaker 1>would hit a song he wanted to play, like Rocky

0:14:10.880 --> 0:14:13.760
<v Speaker 1>like a Hurricane by the Scorpions. It would come up

0:14:13.920 --> 0:14:18.599
<v Speaker 1>as is it Eric Carmen who saying, O bay myself,

0:14:18.640 --> 0:14:20.320
<v Speaker 1>that song will play? And I all I had to

0:14:20.320 --> 0:14:24.000
<v Speaker 1>do was just sing it, you know. And I'm sitting

0:14:24.040 --> 0:14:27.760
<v Speaker 1>at a bar in Cool Springs watching the World Series

0:14:27.880 --> 0:14:29.480
<v Speaker 1>and the guy was like, hey man, it's down to

0:14:29.520 --> 0:14:32.160
<v Speaker 1>you in another another guy. I don't know if you'll

0:14:32.200 --> 0:14:34.440
<v Speaker 1>get it, but check it out. And so I watch

0:14:34.480 --> 0:14:37.440
<v Speaker 1>it exactly Eric Carmen. He was up against yeah, Eric

0:14:37.480 --> 0:14:40.720
<v Speaker 1>Carmen himself. He needs the money. No. Uh. And it

0:14:40.800 --> 0:14:43.320
<v Speaker 1>played and I was like, that's not me, Like that

0:14:43.400 --> 0:14:46.960
<v Speaker 1>does not sound like me. And and then he calls me,

0:14:47.000 --> 0:14:48.600
<v Speaker 1>he's like, did you hear it? I was like, yeah,

0:14:48.640 --> 0:14:50.280
<v Speaker 1>it wasn't me. He's like, no, it was you, dude.

0:14:50.280 --> 0:14:52.720
<v Speaker 1>He's like, I had to put this crazy compression thing

0:14:52.760 --> 0:14:54.840
<v Speaker 1>on it, but that's you. I was like, oh my god,

0:14:55.000 --> 0:14:56.760
<v Speaker 1>So did you get paid for that? But since you're

0:14:56.760 --> 0:14:58.880
<v Speaker 1>not in union, you get paid one time? One time?

0:14:59.240 --> 0:15:02.440
<v Speaker 1>And that's what what was that one? You remember it was?

0:15:02.560 --> 0:15:04.640
<v Speaker 1>It was a good amount? Over thousand dollars? Oh yeah,

0:15:05.040 --> 0:15:08.320
<v Speaker 1>over five thousand dollars? Wow? Really does? I have a

0:15:08.320 --> 0:15:11.080
<v Speaker 1>buddy who did a commercial for like four or something

0:15:11.360 --> 0:15:14.160
<v Speaker 1>and he made I did three commercials, made three hundred

0:15:14.200 --> 0:15:17.120
<v Speaker 1>and eighty thousand dollars. It's incredible. Yeah. And so he

0:15:17.200 --> 0:15:21.160
<v Speaker 1>made it and he invested in a band and lost

0:15:21.160 --> 0:15:23.640
<v Speaker 1>all and blew it all. I was like, you know,

0:15:23.680 --> 0:15:25.520
<v Speaker 1>I could have given you about a hundred investment I

0:15:25.520 --> 0:15:31.520
<v Speaker 1>did maybe Apple, I don't know, Walmart, Dunkin Donuts. Maybe

0:15:31.560 --> 0:15:34.520
<v Speaker 1>you picked Yahoo just on bankrupt that's your first instinct.

0:15:34.720 --> 0:15:37.200
<v Speaker 1>Maybe I had to look at your money? Should you should? I?

0:15:37.400 --> 0:15:39.840
<v Speaker 1>I was thinking of Atlantis more set who like invested

0:15:39.840 --> 0:15:42.600
<v Speaker 1>early made like three fifty million dollars. At a point

0:15:42.600 --> 0:15:44.720
<v Speaker 1>in our life, Yah, who was the search engine? It

0:15:44.880 --> 0:15:47.200
<v Speaker 1>was like it wasn't Yahoo it but it was like

0:15:47.200 --> 0:15:49.760
<v Speaker 1>go to Yahoo, you know, so we would go to

0:15:49.840 --> 0:15:53.200
<v Speaker 1>Yahoo dot com. It was before Google, and you searched

0:15:53.240 --> 0:15:55.800
<v Speaker 1>on Yahoo. That's where we found. For a minute, to

0:15:56.080 --> 0:15:59.520
<v Speaker 1>ask Jeeves was the thing. You got to the buttler

0:15:59.560 --> 0:16:03.000
<v Speaker 1>and to be like, Jeeves, where can I find information

0:16:03.040 --> 0:16:05.160
<v Speaker 1>on the Scorpions? Or who sings rock? You'd like her

0:16:06.400 --> 0:16:09.240
<v Speaker 1>this week? Yes? And Jeeves the butler would tell you.

0:16:09.480 --> 0:16:11.560
<v Speaker 1>But then Google took it up. Did you know Google

0:16:12.080 --> 0:16:16.240
<v Speaker 1>was called BackRub before it was called Google. Yah? It

0:16:18.840 --> 0:16:21.480
<v Speaker 1>the thing is and would it be okay we laugh,

0:16:22.000 --> 0:16:25.000
<v Speaker 1>but Google is a ridiculous word. And if you if

0:16:25.160 --> 0:16:27.800
<v Speaker 1>if if I was backrubbing something right now online and

0:16:27.800 --> 0:16:30.400
<v Speaker 1>I was like, hey, they almost called this thing Google

0:16:30.720 --> 0:16:33.480
<v Speaker 1>would be like why would they pick it? The stupid thing?

0:16:33.480 --> 0:16:36.320
<v Speaker 1>When backrob is awesome. Hey just BackRub it. Yeah, that's

0:16:36.320 --> 0:16:39.640
<v Speaker 1>what would be like. Hey, I'm gonna backroub blue Apron

0:16:39.680 --> 0:16:42.080
<v Speaker 1>to see what how you know how much it listen.

0:16:42.560 --> 0:16:44.560
<v Speaker 1>I don't hate BackRub. I know it sounds like you

0:16:44.640 --> 0:16:46.760
<v Speaker 1>hate it. I don't hate BackRub rand. I think you're

0:16:46.760 --> 0:16:51.480
<v Speaker 1>being a little hater backgroub um. So you came you're

0:16:51.520 --> 0:16:54.320
<v Speaker 1>from Texas. So being from Texas and I get tell.

0:16:54.360 --> 0:16:55.920
<v Speaker 1>But I lived a long time in Texas and I

0:16:56.000 --> 0:16:59.920
<v Speaker 1>loved like Austin to me as home to Austin is

0:17:00.000 --> 0:17:05.840
<v Speaker 1>a favorite. It's so good and because people are just chill.

0:17:06.359 --> 0:17:08.520
<v Speaker 1>But when you're in Texas, you have a lot of influences.

0:17:08.520 --> 0:17:10.920
<v Speaker 1>So there's a lot of country music around you. There's

0:17:10.920 --> 0:17:12.720
<v Speaker 1>a lot of Southern rock around you. There's a lot

0:17:12.760 --> 0:17:15.840
<v Speaker 1>of rock around you. So as you're growing up, you

0:17:15.840 --> 0:17:17.960
<v Speaker 1>were deciding kind of where you wanted to go musically.

0:17:18.240 --> 0:17:19.880
<v Speaker 1>Was it because a lot of your friends were rock

0:17:20.359 --> 0:17:22.919
<v Speaker 1>friends that you decide I want to do music, So

0:17:23.000 --> 0:17:24.960
<v Speaker 1>I guess I'm gonna go and try a rock band.

0:17:25.160 --> 0:17:28.040
<v Speaker 1>I didn't have any friends. No, I'm just kidding, um No,

0:17:28.840 --> 0:17:32.280
<v Speaker 1>I I originally wanted to be a professional pitcher. I

0:17:32.280 --> 0:17:36.879
<v Speaker 1>wanted to play baseball professionally. I played football, baseball, basketball, track,

0:17:36.960 --> 0:17:38.919
<v Speaker 1>all that kind of stuff. And um, I had to

0:17:38.960 --> 0:17:41.760
<v Speaker 1>have two surgeries on my foot. I have like two

0:17:41.840 --> 0:17:44.639
<v Speaker 1>screws this long in my foot. And so basically they're like,

0:17:44.680 --> 0:17:46.920
<v Speaker 1>hey man, when you go this long. People that are

0:17:47.280 --> 0:17:49.600
<v Speaker 1>only listening to this, they having no idea how long

0:17:49.640 --> 0:17:52.760
<v Speaker 1>that is? This long? Yes, okay, that long? Okay, now

0:17:53.840 --> 0:17:55.560
<v Speaker 1>they see the second time you go this long and

0:17:55.600 --> 0:17:59.200
<v Speaker 1>don't say yes, go ahead anyway. So it took me

0:17:59.240 --> 0:18:02.040
<v Speaker 1>out of sports comple lately, and so naturally I was

0:18:02.240 --> 0:18:04.560
<v Speaker 1>I had to lay up with my foot up in

0:18:04.560 --> 0:18:07.280
<v Speaker 1>the air. You know. It was such a major surgery.

0:18:07.320 --> 0:18:09.840
<v Speaker 1>I had two surgeries. For six months at the time,

0:18:10.320 --> 0:18:13.119
<v Speaker 1>I couldn't do anything. And so I was like, well,

0:18:13.440 --> 0:18:17.440
<v Speaker 1>you know, my brother plays drums and and and for you.

0:18:17.520 --> 0:18:19.760
<v Speaker 1>Now even to this day, he lives here in Nashville,

0:18:19.760 --> 0:18:21.879
<v Speaker 1>and we we were about to meet up and and

0:18:21.880 --> 0:18:25.639
<v Speaker 1>you can definitely tell Brandon's brother when you see them together,

0:18:24.520 --> 0:18:28.520
<v Speaker 1>like else, go ahead, Yeah, that's right, he's he's like

0:18:28.520 --> 0:18:32.560
<v Speaker 1>a foot shorter though. Um but uh, I bought a guitar,

0:18:32.720 --> 0:18:36.040
<v Speaker 1>a cheap guitar um with with a little Amp and everything.

0:18:36.240 --> 0:18:41.080
<v Speaker 1>And I would seriously watch Steve ravon videos just on repeat,

0:18:41.119 --> 0:18:44.200
<v Speaker 1>and I just watched his Native Texas native He's He's

0:18:44.240 --> 0:18:47.320
<v Speaker 1>the dude. And my dad loves Steve ra Van and um,

0:18:47.400 --> 0:18:50.639
<v Speaker 1>so I started learning that stuff. But I also started

0:18:50.720 --> 0:18:53.520
<v Speaker 1>learning you know, a lot of my influences like, uh,

0:18:53.560 --> 0:18:57.399
<v Speaker 1>you know, John Mellencamp, Metallica, Pantera, Garth Brooks, George Straight,

0:18:57.920 --> 0:19:00.600
<v Speaker 1>Joe Diffy, like my my house was a elsing pot

0:19:00.640 --> 0:19:04.520
<v Speaker 1>of music. And I think our age though, is that's

0:19:05.280 --> 0:19:09.440
<v Speaker 1>like if you're one, how old you okay, if you're

0:19:09.520 --> 0:19:13.040
<v Speaker 1>twenty seven or above, is when you started to have

0:19:13.200 --> 0:19:18.360
<v Speaker 1>Napster affect your life. And it's when that's the minds

0:19:18.520 --> 0:19:21.720
<v Speaker 1>of everyone starting to change about music. We got lots

0:19:21.760 --> 0:19:24.920
<v Speaker 1>of influences more so than anybody else because we started

0:19:24.920 --> 0:19:26.159
<v Speaker 1>to be able to get it all the time anywhere

0:19:26.240 --> 0:19:28.479
<v Speaker 1>that's as we want, and for free, yeah, I mean

0:19:28.520 --> 0:19:31.040
<v Speaker 1>illegally and and listen, back in the day, not the

0:19:31.080 --> 0:19:33.320
<v Speaker 1>interrupted story, but I'm gonna go almost interrupted story. Back

0:19:33.320 --> 0:19:35.080
<v Speaker 1>in the day, I was so mad at Metallica for

0:19:35.160 --> 0:19:37.840
<v Speaker 1>like for going against it. I was like, Metallica sucks,

0:19:38.119 --> 0:19:40.400
<v Speaker 1>they hate Napster, and I get all the music for free,

0:19:40.400 --> 0:19:43.240
<v Speaker 1>and I deserve all the music for free. I was

0:19:43.280 --> 0:19:45.960
<v Speaker 1>such an idiot. I was an idiot, and Metallica was

0:19:45.960 --> 0:19:49.800
<v Speaker 1>absolutely right, and that's right. This is people creating music.

0:19:49.840 --> 0:19:53.440
<v Speaker 1>You should have to pay for this. And I stole,

0:19:53.480 --> 0:19:55.240
<v Speaker 1>like crazy, how I would just log on, hit the

0:19:55.320 --> 0:19:57.359
<v Speaker 1>letter A, and then download every song I started with

0:19:57.440 --> 0:19:59.400
<v Speaker 1>day all formats. I would go to sleep at night

0:19:59.480 --> 0:20:01.600
<v Speaker 1>and wake up with song to start with A, and

0:20:01.680 --> 0:20:03.119
<v Speaker 1>be like, let's see what I like today, Like I

0:20:03.160 --> 0:20:06.480
<v Speaker 1>don't like ABBA, but I'll listen. Yes, And I would yes.

0:20:06.960 --> 0:20:08.919
<v Speaker 1>So you're listening to all these types of music and

0:20:08.960 --> 0:20:11.199
<v Speaker 1>you have a guitar and a broken foot basically, so

0:20:11.280 --> 0:20:14.080
<v Speaker 1>do you just start learning to play guitar? I just

0:20:14.600 --> 0:20:17.760
<v Speaker 1>I don't know what it was. It was just almost

0:20:17.760 --> 0:20:21.320
<v Speaker 1>like it was the only option. You know. I didn't

0:20:21.320 --> 0:20:24.360
<v Speaker 1>have sports anymore. I was horrible in school, and so

0:20:24.840 --> 0:20:27.320
<v Speaker 1>I wanted to start a band with my brothers, and uh,

0:20:27.560 --> 0:20:32.280
<v Speaker 1>there you go, come on your brothers at the time,

0:20:32.440 --> 0:20:34.560
<v Speaker 1>So I have two older brothers, and I think I

0:20:34.600 --> 0:20:37.240
<v Speaker 1>think that's why I had such a such a big

0:20:37.280 --> 0:20:39.399
<v Speaker 1>influence of music. They were they were older than I was,

0:20:39.480 --> 0:20:41.760
<v Speaker 1>and so you let what they like what they like.

0:20:42.440 --> 0:20:46.160
<v Speaker 1>My my brother, oldest brother, Derek would bring home like Aerosmith,

0:20:46.359 --> 0:20:49.439
<v Speaker 1>and uh, you know like the Eagles and Don Henley

0:20:49.440 --> 0:20:52.080
<v Speaker 1>who Don Henley is my favorite songwriter of all time

0:20:52.680 --> 0:20:55.040
<v Speaker 1>and uh, you know boys a summer Heart of Matt

0:20:55.160 --> 0:20:56.879
<v Speaker 1>part of the matter. That's what made me want to

0:20:56.920 --> 0:21:00.600
<v Speaker 1>write songs. And so being here and out, just like

0:21:00.640 --> 0:21:03.240
<v Speaker 1>you said, doing music for a living. I look back,

0:21:03.320 --> 0:21:06.479
<v Speaker 1>I'm like, man, I had Bit Torrent, I had Morpheus, Napster,

0:21:06.560 --> 0:21:10.119
<v Speaker 1>all that stuff. I was stealing lots of virus. It

0:21:10.240 --> 0:21:12.320
<v Speaker 1>was awful. Yeah, I got in trouble a lot, but

0:21:12.480 --> 0:21:20.439
<v Speaker 1>you know, um it's crazy, man. So you decide to

0:21:21.240 --> 0:21:24.200
<v Speaker 1>being a rock band? Rock band? Was a punk band?

0:21:25.080 --> 0:21:27.000
<v Speaker 1>It was? It was kind of both. We started out

0:21:27.040 --> 0:21:29.240
<v Speaker 1>as a rock band and it kind of turned into

0:21:29.480 --> 0:21:32.359
<v Speaker 1>you know, one of those pop punk bands. We uh

0:21:32.600 --> 0:21:34.199
<v Speaker 1>what was the name of the band it was? It

0:21:34.280 --> 0:21:40.640
<v Speaker 1>was called Crimson Soul. That here, Oh man, how did

0:21:40.640 --> 0:21:42.840
<v Speaker 1>you find this is called the Fight from Crimson Soul,

0:21:42.960 --> 0:21:49.280
<v Speaker 1>my favorite favorite punk band. Don't look at the school. No,

0:21:49.359 --> 0:21:58.919
<v Speaker 1>I didn't look. I didn't see it and see it? Right?

0:21:59.080 --> 0:22:01.040
<v Speaker 1>So did you let you guys got on the road.

0:22:01.200 --> 0:22:03.520
<v Speaker 1>We did, man, so in high school it was just

0:22:03.560 --> 0:22:06.560
<v Speaker 1>three of us, and uh, you know, I would be

0:22:06.600 --> 0:22:09.240
<v Speaker 1>in the marching band and you were in the marching man.

0:22:09.960 --> 0:22:11.600
<v Speaker 1>Maybe either I thought was the douche bag for having

0:22:11.600 --> 0:22:14.680
<v Speaker 1>his and being so cool. I thought he looked way

0:22:16.800 --> 0:22:18.480
<v Speaker 1>and saw me and my brother won the drum line.

0:22:18.520 --> 0:22:20.399
<v Speaker 1>We played snare and all that kind of stuff. So

0:22:20.440 --> 0:22:23.160
<v Speaker 1>you were a drummer, I was. Yeah. My brother Ryan

0:22:23.200 --> 0:22:25.080
<v Speaker 1>taught me how to play drums, and so did Derek.

0:22:25.200 --> 0:22:27.679
<v Speaker 1>Derek was a drummer as well, and so we were

0:22:27.720 --> 0:22:30.080
<v Speaker 1>all on the drum line for sin High School. Go

0:22:30.200 --> 0:22:33.760
<v Speaker 1>buffs Um and we would play, we would do the

0:22:33.840 --> 0:22:36.119
<v Speaker 1>halftime show, we'd we'd play all the games and all

0:22:36.119 --> 0:22:39.200
<v Speaker 1>that kind stuff. And it's West Texas like Big Spring

0:22:39.600 --> 0:22:42.320
<v Speaker 1>Pick Spring millin Odessa and there. I mean we were

0:22:42.359 --> 0:22:45.119
<v Speaker 1>two a school, but we seriously had a college side

0:22:45.160 --> 0:22:49.760
<v Speaker 1>stadium because football, man, it's everything. And so we would

0:22:49.800 --> 0:22:53.080
<v Speaker 1>play that and then we would go play a show

0:22:53.680 --> 0:22:57.040
<v Speaker 1>either in our town that night or sixty miles away

0:22:57.080 --> 0:22:59.560
<v Speaker 1>like Midland. We play that, we play a show, and

0:22:59.560 --> 0:23:02.120
<v Speaker 1>we do at least two or three shows a weekend.

0:23:02.240 --> 0:23:05.679
<v Speaker 1>Like my parents, I don't know what they were thinking.

0:23:05.720 --> 0:23:07.840
<v Speaker 1>They were just like oh yeah, like go to school

0:23:07.920 --> 0:23:10.479
<v Speaker 1>and you know, go play Friday, Saturday, Sunday and come

0:23:10.520 --> 0:23:13.240
<v Speaker 1>back you know. Um So that's kind of how I

0:23:13.320 --> 0:23:15.840
<v Speaker 1>kind of cut my teeth in playing music in the

0:23:15.880 --> 0:23:20.320
<v Speaker 1>grind of touring. And then we moved to Denton. Big city.

0:23:20.440 --> 0:23:23.239
<v Speaker 1>Oh yeah, big city right now, the Dallas and my

0:23:23.280 --> 0:23:26.719
<v Speaker 1>brother went to North Texas and I tried to go

0:23:26.800 --> 0:23:30.359
<v Speaker 1>to some like little uh community college and tried to

0:23:30.359 --> 0:23:34.160
<v Speaker 1>get an audio engineering degree. But we ended up leaving

0:23:34.720 --> 0:23:37.639
<v Speaker 1>Dent and we did the whole Texas music scene. But

0:23:37.720 --> 0:23:40.640
<v Speaker 1>we ended up going on the Warp Tour for two

0:23:40.680 --> 0:23:43.480
<v Speaker 1>for three years. Wow, you warped toward it for three years?

0:23:43.480 --> 0:23:46.600
<v Speaker 1>Oh my god, man, it was. It was the coolest,

0:23:46.840 --> 0:23:49.359
<v Speaker 1>most miserable time in my life. Where were you? But

0:23:49.359 --> 0:23:52.040
<v Speaker 1>I'm familiar with the Warp Tour because again my background

0:23:52.119 --> 0:23:55.440
<v Speaker 1>radio has been pop alternative, so I've been to a

0:23:55.480 --> 0:23:57.200
<v Speaker 1>bunch of Warp Tour shows. And how I worked about

0:23:57.200 --> 0:23:59.600
<v Speaker 1>works for everyone is like Shallon started like eleven am

0:23:59.640 --> 0:24:01.920
<v Speaker 1>and it was until the end, and that's when like,

0:24:02.160 --> 0:24:04.040
<v Speaker 1>you know, Blank wanted to play at the very end.

0:24:04.040 --> 0:24:06.000
<v Speaker 1>If they decide it's one of their shows, they fly

0:24:06.119 --> 0:24:08.360
<v Speaker 1>in and yes, yeah, but but really it's a bunch

0:24:08.359 --> 0:24:13.240
<v Speaker 1>of skateboarders and just bands all day long that you've

0:24:13.280 --> 0:24:15.920
<v Speaker 1>never heard of. So if the show started at eleven

0:24:15.960 --> 0:24:18.600
<v Speaker 1>am and ended it midnight, what hour ship did you

0:24:18.600 --> 0:24:25.520
<v Speaker 1>guys at the first the first year we did this, Uh,

0:24:26.560 --> 0:24:30.560
<v Speaker 1>it's awful. We we seriously played like at at eleven

0:24:30.560 --> 0:24:34.160
<v Speaker 1>am with for nobody and so the idea of warped tour.

0:24:34.560 --> 0:24:38.520
<v Speaker 1>You know, uh Haley Haley Williams from Paramore. I think

0:24:38.600 --> 0:24:40.680
<v Speaker 1>she she had like a documentary and she she put

0:24:40.680 --> 0:24:42.919
<v Speaker 1>it all out there. But it's so real. You pass

0:24:42.960 --> 0:24:47.040
<v Speaker 1>out ten thousand flyers a day. You're just trying to

0:24:47.119 --> 0:24:50.840
<v Speaker 1>get two people to come to your stage and watch you, like,

0:24:51.280 --> 0:24:53.120
<v Speaker 1>just come, like, I know you want to go see

0:24:53.240 --> 0:24:55.480
<v Speaker 1>a follow up boy later, but you know we're playing

0:24:55.560 --> 0:24:57.840
<v Speaker 1>right before him. Uh you should just come, like we'll

0:24:57.840 --> 0:24:59.840
<v Speaker 1>give you a T shirt like it was anything, you know.

0:25:00.359 --> 0:25:06.440
<v Speaker 1>So that was like the end of true music promotion,

0:25:06.640 --> 0:25:10.159
<v Speaker 1>like like giving a flyer to somebody and word of

0:25:10.240 --> 0:25:12.920
<v Speaker 1>mouth and now it's it's awesome with social media, but

0:25:13.760 --> 0:25:15.880
<v Speaker 1>that you know that time is no more you don't

0:25:15.880 --> 0:25:21.440
<v Speaker 1>hand out That sucks. It's like, I'm so sad we

0:25:21.480 --> 0:25:24.440
<v Speaker 1>don't have to chart our own milk anymore. Those were

0:25:24.560 --> 0:25:31.160
<v Speaker 1>the days we have grocery manez back when times we're

0:25:31.280 --> 0:25:39.240
<v Speaker 1>simpler and much better. Probably Kinkoes dollars like horrible. But

0:25:39.480 --> 0:25:43.919
<v Speaker 1>it really taught me about promotion and and really making

0:25:44.040 --> 0:25:47.520
<v Speaker 1>fans and really the face to face eye contact that

0:25:47.640 --> 0:25:51.040
<v Speaker 1>you make, and and appreciating those people because they're the

0:25:51.080 --> 0:25:54.920
<v Speaker 1>people who are getting you those better slots on that tour,

0:25:55.840 --> 0:25:57.720
<v Speaker 1>or you know, when you come back into that town,

0:25:57.760 --> 0:26:00.160
<v Speaker 1>they're gonna come see you at that crappy club you're

0:26:00.160 --> 0:26:03.399
<v Speaker 1>playing at. You know, so you do warped toy, you

0:26:03.480 --> 0:26:06.960
<v Speaker 1>with your brothers or in this punk band. So you're like,

0:26:07.000 --> 0:26:09.919
<v Speaker 1>all right, this is not for me. So basically we

0:26:09.960 --> 0:26:11.399
<v Speaker 1>went out to l A. I lived out in l

0:26:11.440 --> 0:26:15.280
<v Speaker 1>A for about six months, and we had a development

0:26:15.400 --> 0:26:19.120
<v Speaker 1>deal with with Sony out over there, and they had

0:26:19.400 --> 0:26:21.199
<v Speaker 1>other bands like I don't know if you remember a

0:26:21.200 --> 0:26:24.639
<v Speaker 1>band called Forever the Sickest Kids, and it was the

0:26:24.680 --> 0:26:27.280
<v Speaker 1>whole MySpace age. She's a big Mike. Mike did a

0:26:27.320 --> 0:26:32.080
<v Speaker 1>punk podcast for years called the Everyday Destruction Podcast. That's

0:26:32.160 --> 0:26:36.200
<v Speaker 1>all they talked about was punk music. It was terrible musically,

0:26:36.200 --> 0:26:38.800
<v Speaker 1>it was terrible, Like I admired Mike for doing it,

0:26:38.840 --> 0:26:40.119
<v Speaker 1>and I listened to it and I'd be like, hey

0:26:40.160 --> 0:26:42.800
<v Speaker 1>didn't and I went but it was like music, and

0:26:43.080 --> 0:26:44.920
<v Speaker 1>I was like this is awful. Like I'll get in

0:26:45.040 --> 0:26:49.000
<v Speaker 1>Mike's car and it's just that mess of music like

0:26:49.040 --> 0:26:51.440
<v Speaker 1>that you were playing right there, like that that horrible,

0:26:51.480 --> 0:26:55.400
<v Speaker 1>awful stuff. Yeah. Yes, so you go to l you're

0:26:55.440 --> 0:26:57.919
<v Speaker 1>doing you have a development deal, so we're you know,

0:26:59.440 --> 0:27:01.520
<v Speaker 1>with my base. That was the whole thing. So any

0:27:01.600 --> 0:27:03.600
<v Speaker 1>label that came to you, they were like, yeah. We

0:27:03.600 --> 0:27:05.400
<v Speaker 1>were told we had to have at least thirty five

0:27:05.440 --> 0:27:10.359
<v Speaker 1>thousand daily plays on our MySpace and we're like done.

0:27:10.520 --> 0:27:13.400
<v Speaker 1>So we were up to like forty spins every single day,

0:27:13.760 --> 0:27:16.199
<v Speaker 1>you know, turning and grinding and getting people to just

0:27:16.240 --> 0:27:19.199
<v Speaker 1>come on board and share our make it, make it

0:27:19.240 --> 0:27:21.840
<v Speaker 1>your profile song or whatever. And you know, we would

0:27:21.840 --> 0:27:24.320
<v Speaker 1>play at the Roxy, we play at at the Whiskey

0:27:24.359 --> 0:27:29.959
<v Speaker 1>and all those places and other people's l A experiences

0:27:29.960 --> 0:27:34.240
<v Speaker 1>are different, um, but mine was miserable and there was

0:27:34.280 --> 0:27:38.080
<v Speaker 1>no community. There was no support or encourage encouragement from anybody.

0:27:38.119 --> 0:27:41.119
<v Speaker 1>So when we went out and and started doing opening

0:27:41.160 --> 0:27:43.639
<v Speaker 1>shows for fall Out Boy and Sugar Colt and people

0:27:43.640 --> 0:27:45.840
<v Speaker 1>like that. Um, it was that same thing, you know,

0:27:45.880 --> 0:27:47.880
<v Speaker 1>Oh you got T two with Fall Boys, Like yeah,

0:27:47.960 --> 0:27:50.720
<v Speaker 1>we played at five thirty in the afternoon when the

0:27:50.760 --> 0:27:53.679
<v Speaker 1>doors open for like a hundred people, passed out our

0:27:53.720 --> 0:27:56.399
<v Speaker 1>flyers and played at the club next door for an

0:27:56.440 --> 0:27:59.760
<v Speaker 1>after party, you know, just to try to just capitalize

0:27:59.760 --> 0:28:05.520
<v Speaker 1>on the opportunity and man for us personally, the it

0:28:05.640 --> 0:28:08.679
<v Speaker 1>was just dying and I knew where I wanted to be,

0:28:09.560 --> 0:28:12.640
<v Speaker 1>and I kept making trips to Nashville and writing, and

0:28:12.920 --> 0:28:15.160
<v Speaker 1>you know, starting to get into the co writing thing.

0:28:15.280 --> 0:28:18.399
<v Speaker 1>And you know, I love country music. I love I

0:28:18.440 --> 0:28:20.320
<v Speaker 1>love writing it, I love singing it, and I love

0:28:20.359 --> 0:28:23.919
<v Speaker 1>the fans because they're die hard fans. With rock music,

0:28:24.040 --> 0:28:27.280
<v Speaker 1>it was like flavor of the week, you know. If

0:28:27.640 --> 0:28:30.000
<v Speaker 1>you know, you'd make all these fans, say in Tulsa, Oklahoma,

0:28:30.280 --> 0:28:32.200
<v Speaker 1>and you'd have a good turnout, and you come back

0:28:32.240 --> 0:28:35.520
<v Speaker 1>two months later and nobody cares, you know, with country,

0:28:35.640 --> 0:28:39.600
<v Speaker 1>and this is what I see all the time. It's

0:28:39.720 --> 0:28:44.280
<v Speaker 1>so much more artists driven pop is song driven rock

0:28:44.520 --> 0:28:47.200
<v Speaker 1>is let's just see what happens this month, like and

0:28:47.240 --> 0:28:50.720
<v Speaker 1>that's that's really the difference. Like this, like and pop,

0:28:50.800 --> 0:28:52.880
<v Speaker 1>it's like how good is your song? And country like

0:28:52.920 --> 0:28:57.120
<v Speaker 1>if once you have fans that like that artist, there,

0:28:57.160 --> 0:29:01.240
<v Speaker 1>the country music listener is a loyal person center Like

0:29:01.320 --> 0:29:04.040
<v Speaker 1>if you're a Luke fan and you've been a Luke fan,

0:29:04.160 --> 0:29:06.120
<v Speaker 1>you will always be a Luke fan the rest of

0:29:06.160 --> 0:29:08.880
<v Speaker 1>your life. If he may go to a polk album,

0:29:09.160 --> 0:29:11.440
<v Speaker 1>but dang it, you're gonna download that Luke record. It's

0:29:11.440 --> 0:29:14.480
<v Speaker 1>gonna be the walmart In in all its fans. But yes,

0:29:14.640 --> 0:29:17.680
<v Speaker 1>country music it is. It is about the artists. You

0:29:17.720 --> 0:29:19.560
<v Speaker 1>need that first song. You have to get those songs

0:29:19.560 --> 0:29:21.560
<v Speaker 1>to get you to get people noticed the artist. But

0:29:21.640 --> 0:29:23.640
<v Speaker 1>once they're in on the artist, and I have that

0:29:23.680 --> 0:29:26.280
<v Speaker 1>in the radio world too. It's like I have the

0:29:26.360 --> 0:29:30.640
<v Speaker 1>greatest listeners and I will do the worst segments, the worst,

0:29:31.200 --> 0:29:34.480
<v Speaker 1>terrible segments, and they'll be right there and the ratings

0:29:34.600 --> 0:29:36.000
<v Speaker 1>come in and I'm like, I don't even want people

0:29:36.040 --> 0:29:37.720
<v Speaker 1>were listening. I have no idea, Like we had a

0:29:38.160 --> 0:29:39.800
<v Speaker 1>I looked the last weeks show. They weren't that good.

0:29:39.840 --> 0:29:42.560
<v Speaker 1>Can't believe the ratings that you know, it's it's just

0:29:42.640 --> 0:29:46.840
<v Speaker 1>a culture of the town, the format, the music, And

0:29:46.880 --> 0:29:49.280
<v Speaker 1>so you moved to town because you realize that's kind

0:29:49.320 --> 0:29:51.320
<v Speaker 1>of the the environment that you want to be in.

0:29:51.840 --> 0:29:54.800
<v Speaker 1>And is that the reason? Yeah, the community, I think

0:29:54.840 --> 0:29:56.360
<v Speaker 1>it was the biggest thing, you know, and in the

0:29:56.480 --> 0:29:59.360
<v Speaker 1>rock world uh in l A. And you know, just

0:29:59.520 --> 0:30:03.720
<v Speaker 1>the the whole culture of it was so just dark

0:30:03.920 --> 0:30:05.760
<v Speaker 1>and it was so lonely. You know, it was like

0:30:05.800 --> 0:30:10.560
<v Speaker 1>every man for himself, so cut throat, and here, you

0:30:10.600 --> 0:30:13.520
<v Speaker 1>know it is it is kind of competition, which listen,

0:30:13.520 --> 0:30:16.920
<v Speaker 1>it's a creative industry. There's always a ton of competition

0:30:16.960 --> 0:30:19.760
<v Speaker 1>because there are two slots and there are seven thousand people,

0:30:20.560 --> 0:30:24.760
<v Speaker 1>so it's always competitive. But it's not just music, any

0:30:24.800 --> 0:30:29.560
<v Speaker 1>sort of creative acting, any creative field. It's seven thousand

0:30:29.600 --> 0:30:34.040
<v Speaker 1>people going for two spots. But you're right, as competitive

0:30:34.080 --> 0:30:38.200
<v Speaker 1>as it is, this town is very warm and working together,

0:30:38.560 --> 0:30:43.720
<v Speaker 1>that's it. It's very encouraging, supportive. And you know, I

0:30:43.720 --> 0:30:46.760
<v Speaker 1>always say anytime I invite a friend of mine from

0:30:46.800 --> 0:30:49.640
<v Speaker 1>Texas or somewhere to come visit, half the time they

0:30:49.720 --> 0:30:52.280
<v Speaker 1>end up moving here because they feel the same way,

0:30:52.280 --> 0:30:54.320
<v Speaker 1>even if it's not music related. They're like, I just

0:30:54.680 --> 0:30:56.600
<v Speaker 1>I just love this town. I love the people, I

0:30:56.720 --> 0:31:00.400
<v Speaker 1>love just you know everything about it. When did you

0:31:00.400 --> 0:31:03.200
<v Speaker 1>move to Nashville two thousand nine. Okay, and so you

0:31:03.240 --> 0:31:05.440
<v Speaker 1>move here and you just started playing guitar for people.

0:31:06.160 --> 0:31:08.840
<v Speaker 1>So I would go to writers writers nights and writers

0:31:08.880 --> 0:31:11.000
<v Speaker 1>rounds where, you know, if you don't know what that is,

0:31:11.040 --> 0:31:13.960
<v Speaker 1>there's four people on stage playing songs they write one

0:31:14.000 --> 0:31:16.240
<v Speaker 1>at a time and telling stories about them. And I

0:31:16.240 --> 0:31:18.920
<v Speaker 1>would just go and and want to learn, you know.

0:31:18.920 --> 0:31:21.880
<v Speaker 1>And so I started making friends, started co writing with

0:31:22.160 --> 0:31:27.160
<v Speaker 1>those friends and singing those demos, and so my friends

0:31:27.160 --> 0:31:30.520
<v Speaker 1>with publishing deals would turn those songs into their publishers

0:31:30.520 --> 0:31:32.560
<v Speaker 1>and they'd be like, oh, who's the singing Who is

0:31:32.600 --> 0:31:34.080
<v Speaker 1>this the guy you wrote it with? And they're like yeah.

0:31:34.400 --> 0:31:36.320
<v Speaker 1>And so that's how I kind of, you know, got

0:31:36.360 --> 0:31:40.080
<v Speaker 1>into that um getting a publishing deal and also playing

0:31:40.080 --> 0:31:43.640
<v Speaker 1>guitar for for different people. I still felt like you're

0:31:43.680 --> 0:31:46.120
<v Speaker 1>a better singer than you are anything else, which is crazy,

0:31:46.360 --> 0:31:49.520
<v Speaker 1>thanks because you're an elite singer and I had no idea.

0:31:49.520 --> 0:31:51.080
<v Speaker 1>I thought you were just a really good guitar player.

0:31:51.320 --> 0:31:53.920
<v Speaker 1>And then he started singing, and you're like, oh, here's

0:31:53.920 --> 0:31:55.360
<v Speaker 1>all I'll do it, raging age. I won't let him

0:31:55.360 --> 0:31:57.160
<v Speaker 1>saying until like after the second half of the show

0:31:57.520 --> 0:31:59.080
<v Speaker 1>because then people will just be like, can he sing

0:31:59.160 --> 0:32:02.200
<v Speaker 1>some more like him? So he played and he kills it,

0:32:02.320 --> 0:32:04.239
<v Speaker 1>and then as we get to the second half, I'm like,

0:32:04.280 --> 0:32:06.680
<v Speaker 1>all right, Brandon Europe and then he just crushes it

0:32:06.800 --> 0:32:09.040
<v Speaker 1>like he was. I was watching your YouTube channel, and

0:32:09.040 --> 0:32:11.960
<v Speaker 1>again I don't blow smoke, but I was watching YouTube

0:32:12.000 --> 0:32:14.080
<v Speaker 1>channel and there's a song from Sean Mindeth called Mercy

0:32:14.440 --> 0:32:21.000
<v Speaker 1>I'm taking baby Please and Mercy you seek it easy on,

0:32:22.160 --> 0:32:24.840
<v Speaker 1>and Brandon is doing a cover of it, and I'm like,

0:32:25.200 --> 0:32:28.240
<v Speaker 1>God knew he could sing, but it's so good. I'm saying,

0:32:28.480 --> 0:32:34.080
<v Speaker 1>baby please, ever, mercy on me, take it easy on

0:32:34.360 --> 0:32:39.280
<v Speaker 1>my heart. Even though you don't mean hurt me, you

0:32:39.520 --> 0:32:46.520
<v Speaker 1>keep telling me up, but would you please Percy Mercy?

0:32:46.960 --> 0:32:56.880
<v Speaker 1>Oh my heart? Please, Mercy Mercy, Oh my Heart's just

0:32:57.000 --> 0:32:58.840
<v Speaker 1>it's weird because you're such a good guitar player and

0:32:58.920 --> 0:33:00.880
<v Speaker 1>you're such a good singer. You're like, what do you

0:33:00.880 --> 0:33:06.200
<v Speaker 1>want to be known as? Everybody pigeonholes? Everybody everybody does? Yeah? Right,

0:33:06.240 --> 0:33:07.960
<v Speaker 1>And as you think about that, I'll give you an example.

0:33:07.960 --> 0:33:10.160
<v Speaker 1>I'm gonna go back to the Luke Bryant thing. Nobody

0:33:10.160 --> 0:33:13.600
<v Speaker 1>knows how good of an art like actual musician Luke

0:33:13.640 --> 0:33:15.920
<v Speaker 1>Brian is the general mass thinks he's a guy with

0:33:15.960 --> 0:33:17.840
<v Speaker 1>some good songs and get double stage and he dances,

0:33:17.880 --> 0:33:19.800
<v Speaker 1>puts on a good show. The guy will take a

0:33:19.840 --> 0:33:23.640
<v Speaker 1>guitar or it's like a piano and just crush it

0:33:23.720 --> 0:33:26.440
<v Speaker 1>and you're like, oh, I get it. Okay, this is

0:33:26.440 --> 0:33:28.520
<v Speaker 1>why he's phenomenal. This is why he gets to do

0:33:28.600 --> 0:33:30.720
<v Speaker 1>what else? This is why he gets to play mckamore

0:33:31.080 --> 0:33:32.680
<v Speaker 1>in the middle of a set because he was so

0:33:32.720 --> 0:33:37.280
<v Speaker 1>good at doing everything at the beginning. So okay, I'm

0:33:37.320 --> 0:33:40.520
<v Speaker 1>pigeonholing you into where Where do you want a pigeon hole? Man?

0:33:41.440 --> 0:33:45.080
<v Speaker 1>That's that's such a crazy question because with everybody, even you,

0:33:45.160 --> 0:33:48.880
<v Speaker 1>there's so many layers to who you are. And the

0:33:48.920 --> 0:33:52.040
<v Speaker 1>more you the more you experience that artists, the more

0:33:52.080 --> 0:33:54.440
<v Speaker 1>you get to know those layers. But you throw seven

0:33:54.480 --> 0:33:56.360
<v Speaker 1>layers and someone a first impression though they don't get

0:33:57.000 --> 0:34:00.680
<v Speaker 1>don't get layers seven at first? What's hilaryery? You won't

0:34:00.720 --> 0:34:02.200
<v Speaker 1>be able to get the first thing. Is it the

0:34:02.200 --> 0:34:05.400
<v Speaker 1>guy that's the fantastic singer or is the guy who's

0:34:05.400 --> 0:34:09.359
<v Speaker 1>the killer guitarist? I would say I would say singer man.

0:34:09.440 --> 0:34:11.840
<v Speaker 1>I mean I was gonna make it be your answer,

0:34:12.120 --> 0:34:14.759
<v Speaker 1>but yeah, like he's holding up a sign right now,

0:34:15.200 --> 0:34:17.279
<v Speaker 1>I'm not, but it's got to be saying gotta be.

0:34:17.400 --> 0:34:21.440
<v Speaker 1>That's your first listening impression. Nobody. I'm sorry, No, nobody

0:34:21.520 --> 0:34:24.560
<v Speaker 1>really knows. Keith Urban plays all those solos, but he

0:34:24.600 --> 0:34:30.280
<v Speaker 1>does about that. Nobody cares. Nobody cares like it's amazing.

0:34:30.320 --> 0:34:33.319
<v Speaker 1>Like me as a guitar player, I listened to you know,

0:34:33.560 --> 0:34:35.959
<v Speaker 1>if if Brad Pays it comes on, or Keith Urban

0:34:36.120 --> 0:34:39.279
<v Speaker 1>or you know any of those people, when that solo comes,

0:34:39.280 --> 0:34:43.359
<v Speaker 1>I'm like, oh my god, it's so good. Nerds like it,

0:34:44.000 --> 0:34:46.359
<v Speaker 1>like it like guys. But most people, they just want

0:34:46.360 --> 0:34:48.640
<v Speaker 1>to hear a good song. They want to hear Keith

0:34:48.719 --> 0:34:50.719
<v Speaker 1>Urban sing. You know what I'm saying. They want to

0:34:50.719 --> 0:34:53.080
<v Speaker 1>hear that song. That's that's what they know, that's what

0:34:53.120 --> 0:34:56.680
<v Speaker 1>they identify with. And you know, if I'm up on

0:34:56.800 --> 0:35:00.880
<v Speaker 1>stage playing and I go into a solo, it's cool.

0:35:01.760 --> 0:35:03.440
<v Speaker 1>But even with guys like Keith Urban, when they go

0:35:03.480 --> 0:35:05.919
<v Speaker 1>into a solo, the people start looking side to side

0:35:06.000 --> 0:35:09.360
<v Speaker 1>or start looking at their phone because the singing aspect

0:35:09.360 --> 0:35:11.719
<v Speaker 1>has to be there. That's the first thing that hits

0:35:11.760 --> 0:35:14.480
<v Speaker 1>their ears and that's all they know. Listen. I'm not

0:35:14.520 --> 0:35:17.239
<v Speaker 1>saying that I've watched, but I've watched everybody solos for

0:35:17.360 --> 0:35:20.560
<v Speaker 1>four hours. It's amazing, like that dude, And I don't know.

0:35:20.640 --> 0:35:22.080
<v Speaker 1>You may hear this after the c m A is

0:35:22.239 --> 0:35:24.120
<v Speaker 1>like he may want entering. I don't know what it's

0:35:24.160 --> 0:35:26.279
<v Speaker 1>gonna but that's one of the most that's it's such

0:35:26.280 --> 0:35:29.600
<v Speaker 1>a fantastic live artist. But that's what you can do too, Like,

0:35:29.719 --> 0:35:31.520
<v Speaker 1>once you get live, you can do all your stuff.

0:35:31.760 --> 0:35:34.279
<v Speaker 1>But people don't. Most people don't get to see people live.

0:35:34.920 --> 0:35:37.719
<v Speaker 1>Like nine percent people don't get to see Keith Urban live.

0:35:38.120 --> 0:35:40.000
<v Speaker 1>They just hear what's on the radio and become a fan.

0:35:40.360 --> 0:35:41.600
<v Speaker 1>I don't get to see a lot of people alive

0:35:41.640 --> 0:35:43.160
<v Speaker 1>because of my job. I get to see him in

0:35:43.160 --> 0:35:46.239
<v Speaker 1>the studio, but I don't. I saw Keith Urban i

0:35:46.320 --> 0:35:49.640
<v Speaker 1>Alradio Music Festival for the first time play a full show.

0:35:49.680 --> 0:35:53.240
<v Speaker 1>It is a year ago blown away and he played

0:35:53.239 --> 0:35:56.560
<v Speaker 1>it in my studio seven times. But also a lot

0:35:56.600 --> 0:35:58.839
<v Speaker 1>of people don't get to experience that side of it too,

0:35:58.920 --> 0:36:00.799
<v Speaker 1>So that's oh no, But you get to experience what

0:36:01.160 --> 0:36:04.279
<v Speaker 1>the studio stuff isn't it's it's ridiculous. Sometimes I have

0:36:04.320 --> 0:36:06.279
<v Speaker 1>to thought myself right in the NATS because I'm like

0:36:06.680 --> 0:36:08.680
<v Speaker 1>taking the moment. Like when Garth Brooks comes in and

0:36:08.719 --> 0:36:12.600
<v Speaker 1>play songs, it's ridiculous and I can touch him and

0:36:12.880 --> 0:36:15.959
<v Speaker 1>he tells me to stop. Yeah yeah, here's like stop

0:36:16.000 --> 0:36:19.879
<v Speaker 1>touch So okay, here's listen to this. Here's uh justin

0:36:19.880 --> 0:36:31.720
<v Speaker 1>timber like cover of Drink You Away tracka Try track,

0:36:36.400 --> 0:36:46.200
<v Speaker 1>all these all the sound me baby, that doesn't make

0:36:46.280 --> 0:36:51.680
<v Speaker 1>a medicine. Now as you're hearing these cover I'm gonna

0:36:51.680 --> 0:36:53.280
<v Speaker 1>remind you that you can go and you can download,

0:36:53.320 --> 0:36:57.440
<v Speaker 1>you can stream whatever. Brandon has two songs that are

0:36:57.520 --> 0:37:02.240
<v Speaker 1>up now. I mean I can wait. He smoked down

0:37:02.480 --> 0:37:14.759
<v Speaker 1>to freaking Weaken come from American Way, lack Boy, come on,

0:37:16.440 --> 0:37:24.640
<v Speaker 1>and that can be us. That can be I like

0:37:24.719 --> 0:37:26.160
<v Speaker 1>to you do the covers though, because you know what,

0:37:26.239 --> 0:37:29.160
<v Speaker 1>that's how you get attention. Some people are so against it,

0:37:29.200 --> 0:37:32.640
<v Speaker 1>and I respect that because that's their thing and everybody

0:37:32.640 --> 0:37:35.120
<v Speaker 1>should have the right to what they want to be

0:37:35.160 --> 0:37:37.279
<v Speaker 1>as an artist. And there are artists who are like,

0:37:37.320 --> 0:37:39.440
<v Speaker 1>you know what, the covers aren't for me, and I'm like, cool,

0:37:39.880 --> 0:37:42.040
<v Speaker 1>it's it's gonna be a little harder road, and I'm

0:37:42.080 --> 0:37:45.040
<v Speaker 1>glad you have that. But what you do is people

0:37:45.440 --> 0:37:49.120
<v Speaker 1>people google as they BackRub, you know, the backup, different

0:37:49.160 --> 0:37:52.680
<v Speaker 1>artists and the backgroup, like covers of songs, and then

0:37:52.800 --> 0:37:55.160
<v Speaker 1>they may watch ten just in term of like they're like,

0:37:55.160 --> 0:37:59.319
<v Speaker 1>holy crap, who's Brandon ray dude? Which leads to your

0:37:59.680 --> 0:38:02.399
<v Speaker 1>music day, that's it man, And and during a live

0:38:02.440 --> 0:38:05.840
<v Speaker 1>show the same thing. Some some artists are like, no,

0:38:05.960 --> 0:38:08.799
<v Speaker 1>if I'm gonna open, I'm gonna do my songs, and

0:38:08.800 --> 0:38:12.839
<v Speaker 1>that's totally cool. But when you're the opening slot in

0:38:12.880 --> 0:38:16.560
<v Speaker 1>front of whoever, in front of John Party, Get More Whoever,

0:38:17.520 --> 0:38:20.120
<v Speaker 1>and those people have no idea who you are, you've

0:38:20.160 --> 0:38:22.560
<v Speaker 1>got to find a way to identify with them to

0:38:22.840 --> 0:38:26.440
<v Speaker 1>to then introduce your own stuff that you're so right on.

0:38:26.719 --> 0:38:29.600
<v Speaker 1>I tell people all the time, never be ashamed to

0:38:29.640 --> 0:38:33.440
<v Speaker 1>cover because put your own spin on it. People just

0:38:33.480 --> 0:38:36.680
<v Speaker 1>want to hear stuff they know and like, and if

0:38:36.719 --> 0:38:39.759
<v Speaker 1>you're playing neither, and most times they don't like new

0:38:39.800 --> 0:38:42.600
<v Speaker 1>music right until because that it needs to be something

0:38:42.719 --> 0:38:45.880
<v Speaker 1>they know or just freaking phenomenal. And it's hard for

0:38:45.880 --> 0:38:47.480
<v Speaker 1>something to be phenomenal that you've never heard before. It

0:38:47.480 --> 0:38:50.919
<v Speaker 1>takes a few times, and so you can nail them

0:38:50.920 --> 0:38:52.799
<v Speaker 1>with a cover and you get a little bit of credit.

0:38:52.840 --> 0:38:54.680
<v Speaker 1>So look at me, are you do something yourself? Only

0:38:54.760 --> 0:38:56.879
<v Speaker 1>a couple of those? All right? Cool? That's a bad

0:38:57.080 --> 0:39:02.040
<v Speaker 1>cool now playing Momo number five, dump um. One of

0:39:02.040 --> 0:39:05.840
<v Speaker 1>my favorite things that Brandon does is Donald Trump oppression

0:39:06.880 --> 0:39:08.880
<v Speaker 1>is one of the best I've ever heard of, like

0:39:08.960 --> 0:39:12.840
<v Speaker 1>in my life, because he'll send me messages and wrong,

0:39:13.160 --> 0:39:16.360
<v Speaker 1>I can't I don't do it. But we were on

0:39:16.440 --> 0:39:19.160
<v Speaker 1>the did you watch the last one, the sketch three

0:39:20.280 --> 0:39:22.440
<v Speaker 1>where he's like, I talked to the Mexican President, Mr

0:39:22.480 --> 0:39:24.680
<v Speaker 1>wacom Day. I didn't even see that. You haven't seen

0:39:24.680 --> 0:39:31.200
<v Speaker 1>that one? Okay, okay, we'll be talking wrong. Give us

0:39:31.360 --> 0:39:33.560
<v Speaker 1>give us all Donald Trump here, so at sound check

0:39:33.840 --> 0:39:36.040
<v Speaker 1>at I believe the Arkansas Show. I don't know if

0:39:36.040 --> 0:39:38.720
<v Speaker 1>you notice, but I was like, my microphone it's broken.

0:39:39.880 --> 0:39:46.920
<v Speaker 1>Obama broke it, Hilary stole it. I win. So, man,

0:39:47.000 --> 0:39:49.560
<v Speaker 1>it's microphone is broken. Can we get him a new one?

0:39:49.800 --> 0:39:53.520
<v Speaker 1>How does this work? Okay? Mr Trump? Test check? It's wrong,

0:39:53.800 --> 0:40:00.520
<v Speaker 1>It's all. I am the best singer on the planet Earth.

0:40:02.480 --> 0:40:04.439
<v Speaker 1>What what would you say to the people that don't

0:40:04.440 --> 0:40:09.440
<v Speaker 1>agree with that, Mr Trump. Listen, I respect microphones more

0:40:09.480 --> 0:40:16.280
<v Speaker 1>than anyone anyone on the earth. I'm bickly supportive of microphones.

0:40:16.360 --> 0:40:21.680
<v Speaker 1>You're big supportively, Okay. I mean we get on the

0:40:21.719 --> 0:40:25.759
<v Speaker 1>bus and we laugh so much like and I think

0:40:25.800 --> 0:40:28.040
<v Speaker 1>a key and it's just gonna sound stupid, but you

0:40:28.040 --> 0:40:30.799
<v Speaker 1>said it earlier, and I tell I was doing a

0:40:30.840 --> 0:40:36.680
<v Speaker 1>show called American Supergroup. Okay. So it's a show where

0:40:36.680 --> 0:40:39.640
<v Speaker 1>they're putting a band together and the hosts are Jennifer

0:40:39.680 --> 0:40:44.480
<v Speaker 1>Nettles not hosted judge Jennifer Nettles Allow Black Um, who

0:40:44.680 --> 0:40:46.759
<v Speaker 1>who have become buds with, but he's the voice on

0:40:47.000 --> 0:40:52.239
<v Speaker 1>Wake Me Up when thing dude is so good. It's

0:40:52.280 --> 0:40:55.960
<v Speaker 1>Allow Black, it's l King. Yeah. You know, she has

0:40:56.080 --> 0:40:57.920
<v Speaker 1>xs and os and she's on different for girls with

0:40:58.040 --> 0:41:01.640
<v Speaker 1>dirks and so they're the the judge. I went into

0:41:01.680 --> 0:41:03.600
<v Speaker 1>mentor the country band and they're like, hey, tell us,

0:41:03.600 --> 0:41:08.120
<v Speaker 1>how to you know do um be a band? And

0:41:08.120 --> 0:41:10.560
<v Speaker 1>and I'm like, listen, you're all good or you wouldn't

0:41:10.560 --> 0:41:12.560
<v Speaker 1>be here, but let me give you a big tip.

0:41:13.360 --> 0:41:18.479
<v Speaker 1>Be a great hang. Those four letters are everything. If

0:41:18.600 --> 0:41:22.279
<v Speaker 1>people want you around, they have you around more. And

0:41:22.280 --> 0:41:26.239
<v Speaker 1>when you're around more, you get shots to do more things.

0:41:26.960 --> 0:41:34.080
<v Speaker 1>And Brandon's a great let hang sorry. And I think

0:41:34.200 --> 0:41:37.560
<v Speaker 1>that's also the environment of you know, of what we

0:41:37.600 --> 0:41:39.479
<v Speaker 1>try to do, the raging, it's only bring people around

0:41:39.480 --> 0:41:44.680
<v Speaker 1>them are great hangs from Nikita Natalie stove All. I mean,

0:41:45.200 --> 0:41:47.759
<v Speaker 1>I just today I got you know, lindsay El's now

0:41:47.800 --> 0:41:53.400
<v Speaker 1>my girlfriend. You are You're now You're now into that

0:41:53.440 --> 0:41:58.000
<v Speaker 1>special friends. But I mean they're just such fun people

0:41:58.080 --> 0:41:59.200
<v Speaker 1>that I was like, let's another show. I'll have a

0:41:59.239 --> 0:42:00.799
<v Speaker 1>back again. There's so m fun to hang around with.

0:42:01.080 --> 0:42:03.200
<v Speaker 1>Do congrats By the way, I have a girlfriend. There's

0:42:03.200 --> 0:42:06.520
<v Speaker 1>no congratulations. You know what shows me how big of

0:42:06.520 --> 0:42:08.680
<v Speaker 1>a loser I am. It's when I'm getting a thousand

0:42:08.760 --> 0:42:12.719
<v Speaker 1>congrats for getting a girlfriend, something most people do all

0:42:12.719 --> 0:42:17.240
<v Speaker 1>the time. Hey dude, congrats, congrats on driving to work today.

0:42:17.520 --> 0:42:20.759
<v Speaker 1>Wait wait, most people drive to work every day. Why

0:42:20.800 --> 0:42:23.759
<v Speaker 1>are you congratulating me on driving to work today? Like

0:42:23.800 --> 0:42:27.279
<v Speaker 1>the accomplishment? Yeah, it was a sweet that was like,

0:42:27.520 --> 0:42:30.160
<v Speaker 1>you know what, Bobby, It showed me that even normal

0:42:30.200 --> 0:42:32.640
<v Speaker 1>guys can get hot girls if normal guys have their

0:42:32.640 --> 0:42:34.399
<v Speaker 1>own radio showed New York Times best seller and You're

0:42:34.440 --> 0:42:37.760
<v Speaker 1>a Band and I was like, that's funny. That's pretty funny.

0:42:37.840 --> 0:42:41.080
<v Speaker 1>That's funny. Pretty great. So okay, so here you are now,

0:42:41.400 --> 0:42:43.960
<v Speaker 1>like what's the goal as you sit right here beside me,

0:42:44.040 --> 0:42:50.200
<v Speaker 1>like like short term and long term? Short term is uh?

0:42:50.239 --> 0:42:52.719
<v Speaker 1>I just got married about a year ago. You just

0:42:52.760 --> 0:42:55.719
<v Speaker 1>had anniversary a few weeks ago, and who knew me

0:42:55.800 --> 0:42:57.239
<v Speaker 1>and who? And I don't know any dates And I

0:42:57.239 --> 0:43:00.239
<v Speaker 1>don't care. I don't don't care about my stuff. Dude,

0:43:00.239 --> 0:43:02.080
<v Speaker 1>when you showed up to my house, I was so nice. Yeah,

0:43:02.120 --> 0:43:05.640
<v Speaker 1>I was in a cupid outfit. It was it was

0:43:06.520 --> 0:43:11.200
<v Speaker 1>he was wearing a toga and nothing else. Year. Yeah,

0:43:11.280 --> 0:43:13.759
<v Speaker 1>and it's it's just been, it's been awesome, and you know,

0:43:13.840 --> 0:43:15.920
<v Speaker 1>being gone, you know, sometimes she gets to go with me.

0:43:15.960 --> 0:43:18.800
<v Speaker 1>She she sings backgrounds uh in the band and everything

0:43:18.880 --> 0:43:24.160
<v Speaker 1>and um, you know. Sometimes people set goals like I

0:43:24.200 --> 0:43:26.200
<v Speaker 1>want to buy, you know, the biggest house I can find.

0:43:26.239 --> 0:43:28.000
<v Speaker 1>I want to buy a car. I want to do

0:43:28.040 --> 0:43:31.040
<v Speaker 1>all this stuff honestly, like I want I want to

0:43:31.080 --> 0:43:33.239
<v Speaker 1>be able to get to a point where my wife

0:43:33.280 --> 0:43:36.719
<v Speaker 1>can quit her job. She she manages and bartens and

0:43:36.880 --> 0:43:41.640
<v Speaker 1>works her butt off. Can I say something, oh, like

0:43:41.680 --> 0:43:44.520
<v Speaker 1>a little bit I wasn't expecting the answer. I was like,

0:43:44.560 --> 0:43:47.759
<v Speaker 1>I'm let a dealt the fact that you said that,

0:43:47.840 --> 0:43:49.719
<v Speaker 1>and it came to you so instinction like that. Your

0:43:49.800 --> 0:43:52.759
<v Speaker 1>visceral reaction was I'd like to get my wife to

0:43:52.840 --> 0:43:55.120
<v Speaker 1>a place where she can quit her job and just, dude,

0:43:55.840 --> 0:43:57.799
<v Speaker 1>you are a good dude Like I was on the

0:43:58.840 --> 0:44:02.840
<v Speaker 1>I was that I was a douce this whole time.

0:44:02.960 --> 0:44:07.160
<v Speaker 1>That's the hair I know. No, man, I whatever capacity

0:44:07.560 --> 0:44:11.279
<v Speaker 1>uh that that my music can reach, I'll always be

0:44:11.320 --> 0:44:13.200
<v Speaker 1>thankful for the fact that it's come this far. The

0:44:13.239 --> 0:44:15.919
<v Speaker 1>fact that I'm sitting here with you is like, it's

0:44:15.920 --> 0:44:18.680
<v Speaker 1>amazing to cool. Yeah, I'm really cool with No, you're like,

0:44:18.800 --> 0:44:21.640
<v Speaker 1>and Mike D's over here looking all cool. You're you're

0:44:21.840 --> 0:44:24.560
<v Speaker 1>right now. Remember this moment. I get to take a

0:44:24.560 --> 0:44:26.200
<v Speaker 1>picture of this and turn the lights on, so he

0:44:26.360 --> 0:44:29.080
<v Speaker 1>remember this. This is probably the peak of his lap

0:44:29.160 --> 0:44:36.880
<v Speaker 1>being on the Bobby Cats actually doing it. Actually, we

0:44:36.880 --> 0:44:39.360
<v Speaker 1>take a picture anyway and put put it online. Do

0:44:39.440 --> 0:44:42.040
<v Speaker 1>we pose or what? No? No, no, we just continue

0:44:42.080 --> 0:44:44.880
<v Speaker 1>doing this and it gets posted. Alright, So are you

0:44:44.880 --> 0:44:47.200
<v Speaker 1>sucking in? I have to suck in. I didn't you

0:44:47.200 --> 0:44:52.000
<v Speaker 1>know a little too many doughnuts this week, no uh whatever,

0:44:52.120 --> 0:44:54.960
<v Speaker 1>Like I said, whatever capacity the music goes to. I'm

0:44:55.000 --> 0:44:59.319
<v Speaker 1>so thankful for um being out with you guys, you

0:44:59.400 --> 0:45:01.760
<v Speaker 1>and Eddie. You and Eddie have taught me a lot

0:45:02.280 --> 0:45:08.120
<v Speaker 1>about that. Don't be yes here being so sincere and

0:45:08.120 --> 0:45:11.719
<v Speaker 1>I incorporate this into my life show now, um that

0:45:12.040 --> 0:45:15.799
<v Speaker 1>you know, my attitude and and the the music that

0:45:15.840 --> 0:45:18.520
<v Speaker 1>I make, I really think caters to the to the

0:45:18.560 --> 0:45:21.680
<v Speaker 1>blue collar, the hard worker. You know, my dad was

0:45:21.840 --> 0:45:23.799
<v Speaker 1>uh he worked thirt or five years for the union

0:45:23.800 --> 0:45:27.640
<v Speaker 1>Pacific Railroad, worked his butt off, putting food on the table.

0:45:27.719 --> 0:45:32.640
<v Speaker 1>My mom worked and you know, just just him being

0:45:32.640 --> 0:45:34.840
<v Speaker 1>gone all the all that time. And you know I

0:45:34.880 --> 0:45:38.080
<v Speaker 1>saw that and we were dirt poor, like we we

0:45:38.160 --> 0:45:44.200
<v Speaker 1>didn't have anything. And so having that example growing up,

0:45:44.239 --> 0:45:46.960
<v Speaker 1>and you know, going and playing for those crowds. You know,

0:45:47.000 --> 0:45:49.879
<v Speaker 1>I'm going to Iowa and Nebraska, Minnesota and all those

0:45:49.920 --> 0:45:53.600
<v Speaker 1>regions where people work sixty hours a week. They just

0:45:53.640 --> 0:45:56.280
<v Speaker 1>want to get off work, go to go to a show,

0:45:56.960 --> 0:45:59.480
<v Speaker 1>grab a beer or whatever with their with their friends

0:45:59.520 --> 0:46:02.320
<v Speaker 1>or their why and just chill and listen to some music.

0:46:02.640 --> 0:46:04.520
<v Speaker 1>And if we can be that escape for those people,

0:46:05.360 --> 0:46:09.680
<v Speaker 1>that's incredible. And what I was saying about you guys,

0:46:10.000 --> 0:46:14.200
<v Speaker 1>is if at this, at this event that I'm playing,

0:46:14.480 --> 0:46:17.080
<v Speaker 1>wherever it is, if one person leaves with a smile

0:46:17.120 --> 0:46:20.440
<v Speaker 1>on their face, then I've done my job and I've

0:46:20.480 --> 0:46:22.880
<v Speaker 1>done what I'm here to do. I just want to

0:46:22.880 --> 0:46:25.520
<v Speaker 1>make people happy. I want them to forget about their

0:46:25.560 --> 0:46:28.520
<v Speaker 1>problems and their worries for forty five minutes. You know,

0:46:28.560 --> 0:46:31.920
<v Speaker 1>whatever has been you know, getting them down during the week, whatever,

0:46:32.400 --> 0:46:35.200
<v Speaker 1>you know, whatever problem they have, if they can just

0:46:35.320 --> 0:46:39.879
<v Speaker 1>escape that for forty five minutes, and that's that. That's

0:46:39.920 --> 0:46:43.359
<v Speaker 1>what we're here for, is to give that entertainment, to

0:46:43.440 --> 0:46:47.759
<v Speaker 1>give that that care and that just attention to those

0:46:47.800 --> 0:46:50.239
<v Speaker 1>people to where they can just have a great time

0:46:50.239 --> 0:46:51.920
<v Speaker 1>for a little bit and you know, they might have

0:46:51.960 --> 0:46:53.640
<v Speaker 1>to go back and do what they do, but at

0:46:53.719 --> 0:46:57.200
<v Speaker 1>least they had that. Do you still take shows and

0:46:57.280 --> 0:47:01.399
<v Speaker 1>lose money? Definitely a lot artists that you wouldn't think.

0:47:01.880 --> 0:47:04.040
<v Speaker 1>Here's the thing too about artists, is that even the

0:47:04.080 --> 0:47:06.279
<v Speaker 1>ones that because people hear a song and they're like, oh,

0:47:06.320 --> 0:47:09.840
<v Speaker 1>for sure, millionaires Like I have artists friends who have

0:47:09.920 --> 0:47:13.200
<v Speaker 1>had one, two, three songs and they're like, dude, I'm

0:47:13.200 --> 0:47:15.920
<v Speaker 1>struggling just because you get a song on the radio

0:47:16.600 --> 0:47:18.759
<v Speaker 1>doesn't mean you're rich. And then I have friends that

0:47:18.800 --> 0:47:20.480
<v Speaker 1>they go in they're like, I need to play this show.

0:47:20.520 --> 0:47:23.000
<v Speaker 1>I needed I needed to look it's I need to

0:47:23.000 --> 0:47:25.600
<v Speaker 1>play well. So I got to hire a band and

0:47:25.640 --> 0:47:28.160
<v Speaker 1>they're paying a thousand bucks. But the band's gonna cost

0:47:28.239 --> 0:47:30.239
<v Speaker 1>me eight hundred bucks and we have to drive. You

0:47:30.280 --> 0:47:34.280
<v Speaker 1>have to fly, so you lose money on shows. But

0:47:34.280 --> 0:47:37.879
<v Speaker 1>but it's an investment. It is it has to be.

0:47:38.239 --> 0:47:41.040
<v Speaker 1>And if and if you're if you're worried about losing money,

0:47:41.360 --> 0:47:44.200
<v Speaker 1>you shouldn't be doing this if that's your only thing.

0:47:44.400 --> 0:47:46.600
<v Speaker 1>If that's your only thing is financial gain, then you

0:47:46.840 --> 0:47:48.759
<v Speaker 1>might want to stop. And that's let me tell you

0:47:48.760 --> 0:47:51.799
<v Speaker 1>a funny story. And that's for any creative industry. Like

0:47:51.920 --> 0:47:54.960
<v Speaker 1>if you're getting into it for money, get out. I

0:47:55.040 --> 0:47:58.520
<v Speaker 1>went to a college and spoke once and I went

0:47:58.600 --> 0:48:00.440
<v Speaker 1>and I said, okay, I know, I just want to

0:48:00.480 --> 0:48:03.880
<v Speaker 1>be honest. The only thing I have his mo authenticity.

0:48:03.920 --> 0:48:06.680
<v Speaker 1>That's it. I'm not super talented in any other way.

0:48:07.040 --> 0:48:08.520
<v Speaker 1>So I said, okay, I'm gonna just be honest with

0:48:08.520 --> 0:48:11.480
<v Speaker 1>you guys. Like if you're here now and you're studying

0:48:11.600 --> 0:48:15.440
<v Speaker 1>radio in college, get out like change your major. I went.

0:48:15.480 --> 0:48:17.759
<v Speaker 1>I was at radio class I was speaking to so

0:48:18.239 --> 0:48:20.400
<v Speaker 1>the college wasn't excited that I was telling all of

0:48:20.400 --> 0:48:24.120
<v Speaker 1>their so they banned me from speaking there. Yeah remember

0:48:24.160 --> 0:48:28.160
<v Speaker 1>that might yeah and so. But the thing I would

0:48:28.160 --> 0:48:31.640
<v Speaker 1>tell them is, you know, listen, you don't you if

0:48:31.680 --> 0:48:33.840
<v Speaker 1>you're gonna be a music engineer, you're learning that. But

0:48:33.880 --> 0:48:36.879
<v Speaker 1>you don't go to college to be uh unless it's

0:48:36.880 --> 0:48:40.000
<v Speaker 1>like Juilliard and you can get in, you know, you know,

0:48:40.520 --> 0:48:44.120
<v Speaker 1>you don't go to you know, the University of North

0:48:44.200 --> 0:48:47.399
<v Speaker 1>Texas to be a rock star. You just get out

0:48:47.440 --> 0:48:50.439
<v Speaker 1>and start rock starring it. And so the same way

0:48:50.480 --> 0:48:53.600
<v Speaker 1>with you know, the radio or acting or you know so.

0:48:54.280 --> 0:48:56.360
<v Speaker 1>And also what I say is if there's any money

0:48:56.360 --> 0:48:59.359
<v Speaker 1>in your mind, don't you can't there's none in it.

0:49:00.080 --> 0:49:03.520
<v Speaker 1>Even in this I've been lucky. Frankly speaking, I'm one

0:49:03.520 --> 0:49:07.080
<v Speaker 1>of the one percent that its just and a lot work, ethic,

0:49:07.280 --> 0:49:11.480
<v Speaker 1>some luck and having great people around me. That's that's

0:49:11.520 --> 0:49:13.799
<v Speaker 1>the big Those three things are the biggest things. Like

0:49:13.840 --> 0:49:17.200
<v Speaker 1>you've got to show up, don't be a douche, and

0:49:17.280 --> 0:49:21.760
<v Speaker 1>surround yourself with got so key people with the same

0:49:22.160 --> 0:49:24.359
<v Speaker 1>goals as you, and that that you work so well

0:49:24.400 --> 0:49:26.360
<v Speaker 1>together with that that shows with you. I mean you

0:49:26.400 --> 0:49:29.080
<v Speaker 1>have the same team as you did in Austin. How

0:49:28.960 --> 0:49:30.839
<v Speaker 1>how many years ago was that? I mean I've had

0:49:30.960 --> 0:49:35.040
<v Speaker 1>Amy for eleven years, Lunchbox for twelve years, Eddie was

0:49:35.040 --> 0:49:38.200
<v Speaker 1>my TV producer for ten. They joined the radio show.

0:49:38.640 --> 0:49:40.840
<v Speaker 1>Mike d was an intern, Ray was an intern. Morgan

0:49:40.920 --> 0:49:43.080
<v Speaker 1>was an intern. Like, I just do things on my

0:49:43.160 --> 0:49:46.160
<v Speaker 1>people because I need good people around me. I need

0:49:46.160 --> 0:49:49.200
<v Speaker 1>people I trust. I didn't do this. I worked. Let's see,

0:49:49.239 --> 0:49:53.200
<v Speaker 1>I started about a seventeen so I worked eight years

0:49:53.440 --> 0:49:58.520
<v Speaker 1>making minimum wage, eight years working minimum wage and loved

0:49:58.560 --> 0:50:02.480
<v Speaker 1>it every freaking minute of it, and would do it

0:50:02.520 --> 0:50:05.520
<v Speaker 1>again and would have kept doing it like I would have.

0:50:05.640 --> 0:50:08.880
<v Speaker 1>I would have just done radio and survived or gotten

0:50:08.880 --> 0:50:11.239
<v Speaker 1>a second job because I loved it so much. And

0:50:11.239 --> 0:50:12.800
<v Speaker 1>that to people like, Okay, I want to radio, I

0:50:12.840 --> 0:50:14.279
<v Speaker 1>want to do music, the first thing I say is

0:50:14.320 --> 0:50:16.000
<v Speaker 1>would you do it for free? Would you do it

0:50:16.120 --> 0:50:18.800
<v Speaker 1>having to have another job? And if answers yes, freaking

0:50:18.800 --> 0:50:20.520
<v Speaker 1>go for it. It's the answers No, it's just not

0:50:20.560 --> 0:50:23.279
<v Speaker 1>for you. Get out because not a watch time White,

0:50:23.280 --> 0:50:27.000
<v Speaker 1>You're alwatche Time. We're always what you're gonna waste whatever

0:50:27.040 --> 0:50:28.520
<v Speaker 1>you can do to get to this other place in

0:50:28.560 --> 0:50:33.920
<v Speaker 1>another lane. That's it. So for me, man, Uh, I

0:50:33.960 --> 0:50:37.880
<v Speaker 1>was out playing for Brett Eldredge. It was incredible that guy. Yeah,

0:50:37.920 --> 0:50:40.359
<v Speaker 1>that guy's are you playing lead? I was playing lead,

0:50:40.800 --> 0:50:46.680
<v Speaker 1>switching off with Greg this guy. No, but you're seeing

0:50:46.719 --> 0:50:50.280
<v Speaker 1>harmonies and stuff to do. Yeah with Brett, which Brett

0:50:50.320 --> 0:50:53.319
<v Speaker 1>is an incredible singer. I mean, spot on every single time.

0:50:53.520 --> 0:50:56.359
<v Speaker 1>And uh, we got to do the Taylor Swift tour,

0:50:56.680 --> 0:50:59.680
<v Speaker 1>which was incredible, you know. And how was it dating Taylor?

0:51:00.320 --> 0:51:02.880
<v Speaker 1>It was It was weird, you know. When I got pregnant,

0:51:02.920 --> 0:51:06.200
<v Speaker 1>it was crazy. Um didn't make the news though, I

0:51:06.239 --> 0:51:11.000
<v Speaker 1>don't know. Yeah, that's weird. But uh, in the middle

0:51:11.040 --> 0:51:14.120
<v Speaker 1>of all that, you know, I was like inside, I

0:51:14.200 --> 0:51:17.719
<v Speaker 1>was like, okay, like this is great. This is really

0:51:17.760 --> 0:51:19.920
<v Speaker 1>cool being able to be out here and play guitar.

0:51:20.000 --> 0:51:23.719
<v Speaker 1>But this is not why I moved here. And a

0:51:23.760 --> 0:51:26.239
<v Speaker 1>good friend of mine, Set England, who runs Big Loloud

0:51:26.280 --> 0:51:30.640
<v Speaker 1>Shirt Publishing. He's also Florida Georgia Lions manager. Um, I

0:51:30.680 --> 0:51:32.520
<v Speaker 1>went and played some songs for him, you know, and

0:51:32.560 --> 0:51:34.279
<v Speaker 1>I was, you know, I just wanted some advice and

0:51:34.320 --> 0:51:36.040
<v Speaker 1>he was like, dude, what are you doing playing for

0:51:36.080 --> 0:51:40.520
<v Speaker 1>other people? You need to quit today. I was like, well, dude,

0:51:40.520 --> 0:51:42.359
<v Speaker 1>we're about to go on the Keith Urban Tour, like

0:51:42.480 --> 0:51:44.839
<v Speaker 1>we were like opening, like it's it's big, you know.

0:51:45.640 --> 0:51:48.920
<v Speaker 1>And so I made the decision to quit. And a

0:51:48.960 --> 0:51:51.040
<v Speaker 1>couple of weeks later I did a show like on

0:51:51.080 --> 0:51:52.440
<v Speaker 1>a second not a couple of weeks later you make

0:51:52.480 --> 0:51:53.680
<v Speaker 1>that decision to quit, do you have to go to

0:51:53.680 --> 0:51:56.000
<v Speaker 1>Brett and say, hey, dude, And how does he react

0:51:56.000 --> 0:51:58.200
<v Speaker 1>to it? Yeah, So I kind of came into the

0:51:58.239 --> 0:52:00.360
<v Speaker 1>whole thing. I let him know, you know, hey, I

0:52:00.400 --> 0:52:04.719
<v Speaker 1>have a publishing deal. Um, I'm doing the artist thing. Uh,

0:52:04.760 --> 0:52:07.680
<v Speaker 1>this is my ultimate goal. I can be here for

0:52:07.760 --> 0:52:10.040
<v Speaker 1>however long you need me to, but I just want

0:52:10.080 --> 0:52:12.279
<v Speaker 1>you to know that I have an exit plan. And

0:52:12.320 --> 0:52:14.080
<v Speaker 1>he's like, of course, man, He's like, I just love

0:52:14.120 --> 0:52:17.440
<v Speaker 1>having you around. You know, we we kill it together.

0:52:17.480 --> 0:52:22.960
<v Speaker 1>So hang, hang hang um, and so they knew and

0:52:23.120 --> 0:52:25.239
<v Speaker 1>and it was it was such a great understanding, you know.

0:52:25.320 --> 0:52:29.400
<v Speaker 1>And then so I I did this show, my solo show,

0:52:29.560 --> 0:52:32.960
<v Speaker 1>and Seth and and the f GL guys came out

0:52:33.000 --> 0:52:35.960
<v Speaker 1>and Um after the show says like, hey, man, let's

0:52:36.040 --> 0:52:37.840
<v Speaker 1>let's talk real quick. I was like, oh, Seth, you

0:52:37.880 --> 0:52:40.680
<v Speaker 1>know he's gonna tell me enjoyed it, you know. And

0:52:40.680 --> 0:52:42.680
<v Speaker 1>he goes, hey, man, you wanta you wanna play guitar

0:52:42.760 --> 0:52:45.200
<v Speaker 1>for f g L. I was like, you just told

0:52:45.239 --> 0:52:49.200
<v Speaker 1>me to quit. I was like, I'm so confused right now, man,

0:52:49.320 --> 0:52:52.799
<v Speaker 1>Like what is happening like? And he goes listen, like

0:52:52.920 --> 0:52:55.279
<v Speaker 1>they saw your performance, they dug it, and they're like

0:52:55.320 --> 0:52:57.640
<v Speaker 1>they need a guitar player. So I'm just passing along

0:52:57.680 --> 0:53:01.040
<v Speaker 1>the word. And so I was like, oh, man, that's

0:53:01.040 --> 0:53:03.759
<v Speaker 1>amazing like that, that's such a great opportunity. Cruiz had

0:53:03.840 --> 0:53:06.560
<v Speaker 1>went number one and all that stuff, and um, I

0:53:06.600 --> 0:53:08.239
<v Speaker 1>really took a lot of time to think about it.

0:53:08.400 --> 0:53:11.399
<v Speaker 1>That's not something you just take lightly. And I came

0:53:11.440 --> 0:53:15.680
<v Speaker 1>back to Seth and I said, man, your original advice

0:53:15.719 --> 0:53:18.520
<v Speaker 1>to me spoke to me so much that that's what

0:53:18.560 --> 0:53:21.320
<v Speaker 1>I'm gonna do. Like I hope you guys find you

0:53:21.360 --> 0:53:23.680
<v Speaker 1>guys are gonna be fine, You'll find a guitar player,

0:53:23.680 --> 0:53:26.520
<v Speaker 1>but this is what I have to do. And um

0:53:26.560 --> 0:53:30.960
<v Speaker 1>that was a defining moment for me. And I still

0:53:31.000 --> 0:53:34.600
<v Speaker 1>have that same drive times ten because it's not like

0:53:34.719 --> 0:53:36.680
<v Speaker 1>I have to make this happen, I have to make

0:53:36.719 --> 0:53:40.000
<v Speaker 1>the money and blah blah blah. No, it's because it's

0:53:40.080 --> 0:53:42.160
<v Speaker 1>running through my veins. It's what I want to do.

0:53:42.239 --> 0:53:44.240
<v Speaker 1>I'm about to get in a van and drive fourteen

0:53:44.280 --> 0:53:47.319
<v Speaker 1>hours to Iowa and play a show tomorrow night, and

0:53:47.600 --> 0:53:51.240
<v Speaker 1>play four more shows this weekend. I will probably break even,

0:53:51.760 --> 0:53:54.880
<v Speaker 1>maybe lose a little bit of money. Um, but the

0:53:54.920 --> 0:53:59.840
<v Speaker 1>opportunity is a great opportunity. Is a lot of money

0:54:00.840 --> 0:54:05.680
<v Speaker 1>talked to about. But I love it, and I don't

0:54:05.840 --> 0:54:09.799
<v Speaker 1>love it as a hobby. I love it because it's

0:54:09.840 --> 0:54:12.360
<v Speaker 1>the only thing that I want to do and the

0:54:12.400 --> 0:54:16.960
<v Speaker 1>only thing that I can do. So, okay, you're out playing,

0:54:17.160 --> 0:54:20.320
<v Speaker 1>Like are you trying to make music? I like the

0:54:20.719 --> 0:54:24.040
<v Speaker 1>process of making music so you can get a record deal?

0:54:24.160 --> 0:54:27.239
<v Speaker 1>Like what what? What is that? Like? How do you

0:54:27.280 --> 0:54:29.040
<v Speaker 1>do it? What do you what do you do? What

0:54:30.160 --> 0:54:33.040
<v Speaker 1>do you do? I don't know. Yeah, it's it's different

0:54:33.080 --> 0:54:37.800
<v Speaker 1>for everybody. Everybody has a different path. Um. Some people

0:54:37.840 --> 0:54:41.080
<v Speaker 1>it's who they know. Some people it's how they're already

0:54:41.120 --> 0:54:44.240
<v Speaker 1>connected or whatever. And I think it is a big

0:54:44.280 --> 0:54:48.000
<v Speaker 1>mixture of everything. But it's listening to those people that

0:54:48.040 --> 0:54:51.720
<v Speaker 1>are closest to you, and that are putting their lives

0:54:51.719 --> 0:54:54.279
<v Speaker 1>out on the line for you and sticking their neck

0:54:54.320 --> 0:54:57.360
<v Speaker 1>out for you, and that advice and that support and

0:54:57.480 --> 0:55:01.239
<v Speaker 1>encouragement is everything in the process. And so when you're

0:55:01.239 --> 0:55:05.040
<v Speaker 1>in the riding room, you've got to think about You've

0:55:05.040 --> 0:55:08.120
<v Speaker 1>got to always be yourself and you know you can't

0:55:08.160 --> 0:55:11.359
<v Speaker 1>fake real. And so whenever I go into the riding room,

0:55:11.400 --> 0:55:15.279
<v Speaker 1>whenever I get on stage, I'm gonna be me. I'll

0:55:15.280 --> 0:55:19.479
<v Speaker 1>be goofy, I'll cry, I'll say some dumb stuff, but

0:55:19.719 --> 0:55:22.640
<v Speaker 1>I'm always gonna be me and be authentic. Like you said,

0:55:22.840 --> 0:55:25.560
<v Speaker 1>do you still put your penis out? Do I do what?

0:55:25.640 --> 0:55:28.120
<v Speaker 1>Put your penis out? On stage? I mean you have

0:55:28.160 --> 0:55:30.560
<v Speaker 1>to do what to do? Like not from Martinez shows,

0:55:30.600 --> 0:55:34.160
<v Speaker 1>but for like hip shows. Yeah, I mean America. Would

0:55:34.160 --> 0:55:36.560
<v Speaker 1>you write American Way with So this is the funny thing.

0:55:36.600 --> 0:55:39.600
<v Speaker 1>I didn't write American Way? What Kip? More so you

0:55:39.680 --> 0:55:48.520
<v Speaker 1>and yours? It's like so I never I write basically

0:55:48.600 --> 0:55:51.600
<v Speaker 1>every day and I love it and it's and it's

0:55:52.320 --> 0:55:55.480
<v Speaker 1>what I do. Um. But Nick Brophy, who I started

0:55:55.520 --> 0:55:58.160
<v Speaker 1>working with production and all that kind of stuff. Nick

0:55:58.960 --> 0:56:01.839
<v Speaker 1>also mixes and was his Kip and he's like dude,

0:56:01.840 --> 0:56:03.480
<v Speaker 1>you gotta check out this song, like Kip didn't put

0:56:03.560 --> 0:56:05.480
<v Speaker 1>on his record. I wrote it with Kip and Brett James,

0:56:05.520 --> 0:56:08.799
<v Speaker 1>who Brett James is a songwriting hero of mine. And

0:56:08.840 --> 0:56:10.759
<v Speaker 1>I heard it. I was like, dude, that's a cool

0:56:10.800 --> 0:56:13.680
<v Speaker 1>song man. And so when I left there, I was

0:56:13.719 --> 0:56:16.799
<v Speaker 1>like whatever. For a week, I was like, no, no,

0:56:17.000 --> 0:56:19.680
<v Speaker 1>day it was lea bo just like you were doing

0:56:21.200 --> 0:56:26.239
<v Speaker 1>was Leo Leo we sleep one more. That's not how

0:56:26.239 --> 0:56:29.719
<v Speaker 1>it goes. That's always seeing it um. But I was

0:56:29.760 --> 0:56:31.480
<v Speaker 1>just I just kept thinking about I was like, listen,

0:56:31.480 --> 0:56:36.040
<v Speaker 1>you know that is this is That is the type

0:56:36.080 --> 0:56:39.560
<v Speaker 1>of song that I that I want to write and

0:56:39.600 --> 0:56:41.520
<v Speaker 1>I want to perform. So I probably tried to write

0:56:41.520 --> 0:56:43.600
<v Speaker 1>that song five or six times and it didn't work.

0:56:43.640 --> 0:56:46.360
<v Speaker 1>It was never the same as that, And so I

0:56:46.400 --> 0:56:48.480
<v Speaker 1>asked Nick. I was like, hey, man, like, would it

0:56:48.480 --> 0:56:49.880
<v Speaker 1>be cool if I just put my vocal on it

0:56:49.920 --> 0:56:52.120
<v Speaker 1>and maybe just start playing it out just see how

0:56:52.880 --> 0:56:55.320
<v Speaker 1>people react to it? Was of course, and Kip was

0:56:55.360 --> 0:56:57.880
<v Speaker 1>cool with it, and so I did that and the

0:56:57.880 --> 0:57:02.120
<v Speaker 1>reaction was incredible, and so I kind of it kind

0:57:02.120 --> 0:57:04.520
<v Speaker 1>of taught me to step away from myself for a second.

0:57:04.960 --> 0:57:07.520
<v Speaker 1>Is that hard to take somebody's song. That song and

0:57:07.560 --> 0:57:10.360
<v Speaker 1>so you I thought you wrote it. And I interview

0:57:10.400 --> 0:57:12.440
<v Speaker 1>some people I'm careful about going, hey, I know you

0:57:12.480 --> 0:57:14.960
<v Speaker 1>wrote this song. I'm always like, hey, this song that

0:57:15.000 --> 0:57:17.360
<v Speaker 1>you sing and ask that song and so you I

0:57:17.360 --> 0:57:18.920
<v Speaker 1>thought you wrote I don't think twice about it. Well,

0:57:18.920 --> 0:57:20.720
<v Speaker 1>thanks man, I mean, and that that was the goal

0:57:20.920 --> 0:57:24.560
<v Speaker 1>because it became so undeniable to me that I was like, man,

0:57:24.680 --> 0:57:27.760
<v Speaker 1>I I have to do something with this song, you know,

0:57:27.880 --> 0:57:31.720
<v Speaker 1>And so I did, and here we are, So what

0:57:31.760 --> 0:57:33.760
<v Speaker 1>about this other one here? That could be us? That

0:57:33.760 --> 0:57:37.920
<v Speaker 1>could be us? Um right, this one? Thank you? I

0:57:37.920 --> 0:57:41.880
<v Speaker 1>wrote it with a gut named Bobby's got a radio show.

0:57:42.440 --> 0:57:44.440
<v Speaker 1>This song is really good. This is that this song

0:57:44.520 --> 0:57:46.560
<v Speaker 1>you're good like? Thanks man. This is like this reminds

0:57:46.560 --> 0:57:48.880
<v Speaker 1>me of like new age country Jack and Day and

0:57:48.880 --> 0:57:51.320
<v Speaker 1>the first one this is this is like a new

0:57:51.480 --> 0:57:54.800
<v Speaker 1>age Jack and Diante. Man. This that could be us.

0:57:55.280 --> 0:57:58.280
<v Speaker 1>This and like this it feels a little bit in

0:57:58.280 --> 0:58:00.240
<v Speaker 1>the current situation now that I have a girlfriend, I'm like,

0:58:01.720 --> 0:58:04.520
<v Speaker 1>it makes you want to go get some flowers, maybe

0:58:04.520 --> 0:58:16.000
<v Speaker 1>watch a rom com. It's great that we have like

0:58:16.000 --> 0:58:18.320
<v Speaker 1>three microphones here, Mr Trump, what kind of music do

0:58:18.360 --> 0:58:21.320
<v Speaker 1>you listen to? You know, I tried to listen to

0:58:22.040 --> 0:58:25.280
<v Speaker 1>what the world loves? Yeah? What what does the world love? Like?

0:58:25.560 --> 0:58:28.640
<v Speaker 1>I mean that's a pretty vague statement, Mr Trump, Like

0:58:28.680 --> 0:58:30.320
<v Speaker 1>you run for president, Like, I'm curious what kind of

0:58:30.400 --> 0:58:34.000
<v Speaker 1>music in your iPhone? Mr? Trump? What do you listen to? Girls?

0:58:34.040 --> 0:58:36.640
<v Speaker 1>A lot of spice girls. Yeah, and your favorite spice

0:58:36.640 --> 0:58:46.320
<v Speaker 1>girl would be which one? Um? Brandon Ray has been

0:58:46.360 --> 0:58:49.400
<v Speaker 1>here with us, do good luck. I think you're at

0:58:49.440 --> 0:58:54.520
<v Speaker 1>that place where it's like you're finding yourself right now.

0:58:55.000 --> 0:58:58.440
<v Speaker 1>You're grinding and you're finding and I just see how

0:58:58.480 --> 0:59:00.400
<v Speaker 1>good you are. And I'm anxious to kind see where

0:59:00.400 --> 0:59:04.200
<v Speaker 1>you land because it's cool because you're really freaking good.

0:59:04.640 --> 0:59:07.320
<v Speaker 1>Appreciate you're really good. And if you ever come out.

0:59:07.760 --> 0:59:09.840
<v Speaker 1>Brandon's playing with us. I'm trying to think. It's hard

0:59:09.840 --> 0:59:11.880
<v Speaker 1>to get Brandon because he's all over the place. I

0:59:11.960 --> 0:59:16.040
<v Speaker 1>know you're doing Albuquerque, Albuquerque, which sold down like three seconds.

0:59:16.080 --> 0:59:19.960
<v Speaker 1>We're gonna like expand the theater. I mean, I'm telling you,

0:59:19.960 --> 0:59:22.760
<v Speaker 1>Albuquerque's nuts. We're gonna have to breakdown some walls or something. Um,

0:59:23.000 --> 0:59:26.360
<v Speaker 1>you just kick up. Let's just turned out to the festival.

0:59:26.440 --> 0:59:28.760
<v Speaker 1>And then we're playing Vegas again. So if you're in

0:59:28.800 --> 0:59:31.680
<v Speaker 1>either one of those places, or go to Brandon Ray

0:59:31.920 --> 0:59:34.200
<v Speaker 1>that's Twitter at Brandon Ray Music and go watch them

0:59:34.200 --> 0:59:37.400
<v Speaker 1>for yourself. But I'm just saying, like, dudes, for real,

0:59:37.720 --> 0:59:44.560
<v Speaker 1>I mean, anybody that things this song, let's go cubs

0:59:44.600 --> 0:59:46.200
<v Speaker 1>like I'm a cut fan and I'm a little insult

0:59:46.560 --> 0:59:49.960
<v Speaker 1>you should be how bad that is? I need it?

0:59:50.000 --> 0:59:53.920
<v Speaker 1>Actually did that bad at Brandon Ray Music at Brandon

0:59:54.000 --> 0:59:57.560
<v Speaker 1>Ray Music. Dude, good luck. I hope it goes great.

0:59:57.560 --> 0:59:59.560
<v Speaker 1>You have a good trip, nice little road trip ahead

0:59:59.560 --> 1:00:04.160
<v Speaker 1>of thanks man. We're taking the bus van van. Did

1:00:04.200 --> 1:00:06.080
<v Speaker 1>you see my text? I'm in the creepy van outside.

1:00:06.880 --> 1:00:08.480
<v Speaker 1>Hey gut her ear Ladies like, I'm so sorry to

1:00:08.480 --> 1:00:10.960
<v Speaker 1>me Early, I'm like, you're here, Early, I have an erection.

1:00:15.160 --> 1:00:20.000
<v Speaker 1>Early say, I don't even need a picture. That's um.

1:00:20.560 --> 1:00:25.040
<v Speaker 1>Thank you and good luck, my friend, good luck, Thank

1:00:25.080 --> 1:00:28.080
<v Speaker 1>you so much? All right, Brandon Ray Music on Twitter

1:00:28.360 --> 1:00:33.080
<v Speaker 1>and Instagram. Also thanks to Mr Trump for stopping by.

1:00:32.320 --> 1:00:38.760
<v Speaker 1>I think you you know, you've exceeded everyone's expectations. And

1:00:39.080 --> 1:00:41.440
<v Speaker 1>when people hear this in a few weeks, maybe your president.

1:00:41.600 --> 1:00:48.840
<v Speaker 1>Oh no, I mean, I mean, okay, that's cool. Alright,

1:00:48.880 --> 1:00:53.040
<v Speaker 1>we're gonna go um. Yeah, you know, speaking here just today,

1:00:53.080 --> 1:00:55.560
<v Speaker 1>I'm not full of crap. I did um. First of all,

1:00:55.560 --> 1:00:57.080
<v Speaker 1>I played Brandon step on the radio, so that just

1:00:57.080 --> 1:00:58.520
<v Speaker 1>tells you already. I think he's good. I don't just

1:00:58.520 --> 1:01:00.800
<v Speaker 1>bring people on here. I don't think it's good. I

1:01:00.840 --> 1:01:03.600
<v Speaker 1>was driving down the I was heading to Georgia with

1:01:03.600 --> 1:01:06.560
<v Speaker 1>my band and it was seven thirty eight in the morning.

1:01:07.080 --> 1:01:09.280
<v Speaker 1>We had it up and we were just like flipping

1:01:09.280 --> 1:01:12.840
<v Speaker 1>out because like the feeling of hearing your song on

1:01:12.880 --> 1:01:16.040
<v Speaker 1>the radio for the first time or anytime is surreal,

1:01:16.200 --> 1:01:17.960
<v Speaker 1>and the fact that you did that, I can't I

1:01:18.000 --> 1:01:20.960
<v Speaker 1>can't thank you enough. Well, even like I've played covers

1:01:21.000 --> 1:01:22.960
<v Speaker 1>of yours on the air, and then I did I think, well,

1:01:23.000 --> 1:01:25.080
<v Speaker 1>I'm like, hey, these are the five artists that you

1:01:25.120 --> 1:01:27.360
<v Speaker 1>don't know yet but you need to know. And it

1:01:27.440 --> 1:01:29.920
<v Speaker 1>was you and Ryan be for a Walker, heyes, and

1:01:30.000 --> 1:01:34.760
<v Speaker 1>Caitlin Smith and Cody Johnson. Oh yeah, Cody Johnson. E's

1:01:34.800 --> 1:01:37.960
<v Speaker 1>from Texas. Ryan is to ryan'son a deer for the

1:01:38.040 --> 1:01:40.720
<v Speaker 1>monent about Ryan Bieber. So where the gym working out? Right?

1:01:40.800 --> 1:01:43.680
<v Speaker 1>Ryan and I both are And so Ryan lived in

1:01:43.680 --> 1:01:46.000
<v Speaker 1>Austin when I did. We moved here at the same time,

1:01:46.640 --> 1:01:49.600
<v Speaker 1>and so we're you know, whenever he goes hey, I'm like, yeah,

1:01:49.600 --> 1:01:53.120
<v Speaker 1>what's up. He goes, are you doing? I'm like, good,

1:01:53.120 --> 1:01:54.840
<v Speaker 1>how are you doing? There's good. I don't put it

1:01:54.880 --> 1:01:56.680
<v Speaker 1>together yet that it's Ryan because he's gonna work out

1:01:56.680 --> 1:01:59.840
<v Speaker 1>closed and I had it and it's like, hey, I

1:02:00.000 --> 1:02:02.320
<v Speaker 1>want I really appreciate you. I still don't know who

1:02:02.360 --> 1:02:03.600
<v Speaker 1>it is. I don't even know that it's an artist.

1:02:03.640 --> 1:02:07.800
<v Speaker 1>I'm like, I appreciate you too, man, you go, buddy,

1:02:07.840 --> 1:02:10.480
<v Speaker 1>I appreciate your spirit of working out as well my

1:02:10.600 --> 1:02:16.400
<v Speaker 1>workout friend Champ. And so his trainer was like this

1:02:16.480 --> 1:02:18.840
<v Speaker 1>Brian Biever, and I was like, dude, I'm such a

1:02:19.600 --> 1:02:22.480
<v Speaker 1>yours and like, we want to get Ryan up here too,

1:02:22.480 --> 1:02:24.600
<v Speaker 1>and he's you know, and if you're listening, check out

1:02:24.720 --> 1:02:28.520
<v Speaker 1>Ryan Bieber that album that you are rated, our Little

1:02:28.520 --> 1:02:32.520
<v Speaker 1>Exit Prescription. It's phenomenal. Every song I was I was

1:02:32.600 --> 1:02:35.680
<v Speaker 1>signed with Ryan at a small publishing company. He just

1:02:35.840 --> 1:02:38.240
<v Speaker 1>left there, but we were on that uh in that

1:02:38.320 --> 1:02:41.640
<v Speaker 1>company for two years and all of those songs he wrote,

1:02:42.240 --> 1:02:44.680
<v Speaker 1>you know to three years ago, and so I would

1:02:44.720 --> 1:02:46.600
<v Speaker 1>hear the work tapes, you know the song if I

1:02:46.640 --> 1:02:48.400
<v Speaker 1>had a Horse and all these kinds I had. I

1:02:48.400 --> 1:02:50.960
<v Speaker 1>have the acoustic work tapes and I play him all

1:02:50.960 --> 1:02:52.960
<v Speaker 1>the time. And the fact that he came out with

1:02:52.960 --> 1:02:56.840
<v Speaker 1>a record like that, that just is incredible. Um He's

1:02:57.000 --> 1:02:59.760
<v Speaker 1>he's you gotta check him out. Check out Ryan, check

1:02:59.800 --> 1:03:02.640
<v Speaker 1>out Brandon Ray. Just to leave you on a little

1:03:02.680 --> 1:03:07.120
<v Speaker 1>song called American Way all week in a slop sag

1:03:07.200 --> 1:03:12.680
<v Speaker 1>Town to freaking weekend, come phoning, eam him and part

1:03:12.680 --> 1:03:22.040
<v Speaker 1>of y'all that bay baby at that the American Way. Now,

1:03:23.440 --> 1:03:26.600
<v Speaker 1>I'm gonna make you bleave. I want to see you

1:03:26.720 --> 1:03:30.440
<v Speaker 1>put your hands off. Just got a black guy from

1:03:30.480 --> 1:03:32.840
<v Speaker 1>a scuffle with Hank. I'm gonna we're gonna go now

1:03:32.880 --> 1:03:34.760
<v Speaker 1>because the cups started playing. Just now right, we gonna

1:03:34.800 --> 1:03:41.440
<v Speaker 1>go on. It's Game two. That's the theme song man,

1:03:41.720 --> 1:03:44.280
<v Speaker 1>and that's the rap. Episode sixteen with Brandon Ray at

1:03:44.320 --> 1:03:47.560
<v Speaker 1>Brandon Rey Music, Thank you ol see episode seven teable

1:03:47.600 --> 1:03:51.200
<v Speaker 1>Safe Care. By the way,