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Speaker 1: The Nikki Glaser Podcast. Glaser, here's Nikki. Hello here, I

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Speaker 1: am welcome to the show. It's a thank you guys

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Speaker 1: to podcast. New week of podon starting right now, joining me,

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Speaker 1: Brian and Noah. No one's in studio with me. No wait,

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Speaker 1: Noah's not. No one's in the studio with me. Noah

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Speaker 1: is on Zoom with me or whatever program we use.

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Speaker 2: How's it going, guys?

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Speaker 3: Good.

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Speaker 4: I've been walking around town going can you believe that

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Speaker 4: Nikki won two Emmys? It's incredible that you won those

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Speaker 4: and that speech was amazing and it's just amazing.

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Speaker 1: It's a really good speech song two Like you mean,

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Speaker 1: we we won for editing and for.

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Speaker 3: Yeah, you won for editing. Yeah, yeah, I hope let's

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Speaker 3: just say this. I don't mean to we're nominated.

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Speaker 2: We got we also were nominated.

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Speaker 1: Not only did we win for the Best Special pre Recorded,

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Speaker 1: but we won for editing as well, where we were

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Speaker 1: nominated and won for editing.

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Speaker 3: Yeah, that's right. The editing was good. Is Guy Harding

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Speaker 3: the editor?

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Speaker 1: Mm hmmm, Wow, he's amazing. I love him so much.

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Speaker 1: He edited Ara's tour.

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Speaker 3: WHOA, that's pretty cool.

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Speaker 1: I know it was awesome.

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Speaker 3: I mean that lineup was stacked.

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Speaker 4: You had the Oscars lighting that, you had the director

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Speaker 4: of the Super Bowl, and you had the the.

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Speaker 2: Guy that lit.

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Speaker 1: We were watching the documentary We Are the World, like

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Speaker 1: how that.

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Speaker 2: Got made that song?

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Speaker 3: You know? Yeah, And.

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Speaker 1: Bob Richardson, who did my lighting for my special Someday

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Speaker 1: You'll Die, was.

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Speaker 2: In that documentary lit that We Are the World.

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Speaker 1: Like music video.

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Speaker 3: Wow. He was the one that was like.

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Speaker 1: Setting up the lights when Michael Jackson was like practicing

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Speaker 1: alone before everyone got there, and he's like in the

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Speaker 1: documentary we were watching it, we go, oh my god,

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Speaker 1: that's Bob, Like it's incredible. And Bob told me I

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Speaker 1: had really good skin that day. That really made me

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Speaker 1: feel good. And he was like, you have really good

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Speaker 1: He was like, I'm not just saying that you have

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Speaker 1: great skin, And I was like, no one's ever you know,

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Speaker 1: and like you just don't get a type of compliment

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Speaker 1: that you hear other people get. Like I've said before

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Speaker 1: in the show that no one's ever told me I

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Speaker 1: smell good and that stands to be true. And people

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Speaker 1: have said it since just to like say it because

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Speaker 1: they know I've never heard it, but I've never sincerely

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Speaker 1: gotten it my mom, I think said it last week,

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Speaker 1: but she goes, that's your shampoo, right, like she like,

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Speaker 1: it's never just like what my body smells like. But

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Speaker 1: no one's ever been like, you have great skin. It's

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Speaker 1: never been like something that someone has said to me

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Speaker 1: apropos of nothing. It's always been like, you have good

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Speaker 1: skin too. After I've complimented there, you know what I mean?

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Speaker 3: Oh god, what do you think about that?

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Speaker 4: So sometimes I'll compliment somebody, or someone will compliment me,

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Speaker 4: and then I feel compelled to say something nice back

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Speaker 4: to them. And then this new thing's happening, I think

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Speaker 4: post Internet, where people go, don't just compliment me back,

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Speaker 4: just take my out, just like accept my compliment.

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Speaker 1: So it's like if people getting mad at you when

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Speaker 1: they compliment you and you say that's so nice, and

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Speaker 1: they go, it's not nice. It's true. They get like

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Speaker 1: mad at eve.

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Speaker 2: They go, I'm not being nice. It's just like, well,

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Speaker 2: now you're not.

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Speaker 1: God, sorry, I don't know what to say. What you

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Speaker 1: If you reject a compliment, you are in the wrong

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Speaker 1: because you can't accept things. And if you say thank you,

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Speaker 1: they go, no, I'm serious, and you go, I don't

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Speaker 1: know how to make you shut up.

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Speaker 2: I'm uncomfortable with this. I'm accepting it.

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Speaker 1: And then if you go, that's so nice to go,

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Speaker 1: I'm not being nice and it's like you but it is.

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Speaker 1: But I've said this before. It's nice to say it.

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Speaker 1: You didn't have to say it, and that is nice. Yeah,

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Speaker 1: I know you're not lying. I'm not accusing you of lying.

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Speaker 3: They want to extra prove that what they said was

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Speaker 3: to me.

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Speaker 1: I get it. I've done it to be four two.

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Speaker 1: You know, how do you do it? How do you

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Speaker 1: accept a compliment?

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Speaker 2: You just say thank you? That means so much to me.

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Speaker 3: Yeah, I don't know.

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Speaker 1: That's what I've been trying. Like, well, you.

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Speaker 4: Know my famous U nine had to talk to anyone

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Speaker 4: ninety two Big Secrets for Little Secrets for big success.

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Speaker 3: They did you write this or did you now?

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Speaker 4: This is that book that I read that taught me

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Speaker 4: how to accept the compliment? Oh yeah, okay, And the

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Speaker 4: answer was you compliment Uh, you compliment them for complimenting you,

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Speaker 4: which really works, right, But I did a.

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Speaker 3: New thing so that the compliment that from a while ago.

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Speaker 4: Yes, if you say, oh, that's such a nice shirt, Brian,

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Speaker 4: and then I would say well, thank you, this is

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Speaker 4: my favorite shirt.

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Speaker 3: Then them feel so smart.

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Speaker 1: Oh, yes, that's a good one. I usually say, Like

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Speaker 1: the other day, Christina Hutchinson, who's a comedian, posted about

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Speaker 1: my special on her story and I wrote to her like,

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Speaker 1: thank you, my god, this is so nice, and she

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Speaker 1: was like, she wrote this whole really nice thing about

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Speaker 1: it that really like hit me, you know, like it

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Speaker 1: was just like she had watched it and like really

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Speaker 1: you could tell it it it affected her, and and

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Speaker 1: I just knew the time of compliments she was giving

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Speaker 1: me is the kind that I give when I really

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Speaker 1: mean it. And I was just like, I wanted her

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Speaker 1: to feel as good as it made me feel. So

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Speaker 1: I was just like, and it did make me feel

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Speaker 1: good because I think she's really funny and really smart

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Speaker 1: and savvy, and I just respect her opinion. And I

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Speaker 1: gotta say sometimes I respect some compliments mean more from

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Speaker 1: some people. Huntinson, She's cool to me, so her compliment

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Speaker 1: meant more.

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Speaker 2: And I just said, this.

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Speaker 1: Means so much from you. You made my day. I

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Speaker 1: often say you made my day, you made my week,

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Speaker 1: you made my month, based on how much it means.

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Speaker 1: But yeah, like if it's a it's a really good

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Speaker 1: Oh my god, do you want to hear something crazy?

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Speaker 1: This might have made my like six months wow. Okay.

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Speaker 1: This is up there with like being being cultural, like

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Speaker 1: moments where I'm like, oh my god, I'm I'm culturally

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Speaker 1: relevant in a way I didn't know, up there with

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Speaker 1: being a New York Times clue crossword clue, like. This

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Speaker 1: is up there with that moment for me. Okay, which

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Speaker 1: happened May twenty first, twenty twenty three. But this happened yesterday.

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Speaker 1: Seth Herzog, who works on The Tonight Show doing warm up,

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Speaker 1: he texted me and said, Catherine O'Hara just name checked.

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Speaker 2: You in her interview.

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Speaker 1: WHOA And first of all, Katherine O'Hara, if you don't

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Speaker 1: know best in show, Shit's Creek Mom and home alone,

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Speaker 1: one of the best comedic actresses of our time, of

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Speaker 1: all time. Yes, I don't know this woman at all,

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Speaker 1: never met her, never DMed with her. I've never even

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Speaker 1: like done a shout out, and she's liked it, you

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Speaker 1: know what I mean? Like, there's been no crossover between

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Speaker 1: us and I'm like, and he thinks there has. Seth

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Speaker 1: is just like, oh, you guys must be friends because

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Speaker 1: apparently what did he say? It's airing on Wednesday, So

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Speaker 1: it's airing tonight, you guys, if you're listening to this

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Speaker 1: on Wednesday. But he said that. Jimmy The Tonight Show

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Speaker 1: with Jimmy Fallen, Jimmy tells this whole story about getting

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Speaker 1: his sweater attached to Taylor before a show of hers. Oh,

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Speaker 1: like he accidentally like, I don't know that. I guess

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Speaker 1: there's his sweater got snaggled on her, and Catherine O'Hara says,

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Speaker 1: that's Nicki Glazer's dream. Have just seen like a TikTok

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Speaker 1: or an Instagram or something. Yeah, But that to me

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Speaker 1: was because Seth goes, you guys are friends, and I go,

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Speaker 1: I don't. I've never even That's how you prove that

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Speaker 1: you don't know someone. I go, we never even DMed

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Speaker 1: like not only are we not friends, because that's where

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Speaker 1: you can be like kind of like we're friends, but

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Speaker 1: DM friends or whatever. That made me feel so good.

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Speaker 1: And I'm sure Jimmy doesn't even know that I'm obsessed

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Speaker 1: with Taylor Swift in that way. He was probably like

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Speaker 1: what I'm talking about, But that was really cool to

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Speaker 1: me and made me feel like, oh, Catherine O'Hara on

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Speaker 1: her own referenced me in an interview with Jimmy Fallon

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Speaker 1: again apropos of nothing.

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Speaker 2: I just thought that was that thing.

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Speaker 4: Now you're you're a concept, you are a figure in society.

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Speaker 1: Yes, I guess so you're referenceable. That's crazy, At least

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Speaker 1: for this year, I am referenceable. Will it will you know?

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Speaker 1: Let it in?

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Speaker 3: Make you like like Bill Clinton.

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Speaker 2: Letting it in?

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Speaker 3: Yeah?

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Speaker 1: Yeah, well it can come and go because they're the

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Speaker 1: Huktua girl is not going to be We might know

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Speaker 1: her name now, do you think it is.

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Speaker 3: Kaylee Haylee Welch, Haylee Welch.

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Speaker 1: Will you know her name? Will she have name recognition?

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Speaker 1: You might know her name now, all of you might,

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Speaker 1: but will she have name recognition? In a year?

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Speaker 2: You might forget that name?

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Speaker 1: Like it's I think we think once we know a name,

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Speaker 1: will always remember it, And that's just not the case.

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Speaker 1: Like I knew, you know, Devin Sawah isn't rolling off

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Speaker 1: the tongue for me anymore like it was in nineteen

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Speaker 1: ninety four.

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Speaker 3: Katie Anthony, on the other hand, Yeah.

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Speaker 1: Well, Lacy Peterson, Scott Peterson, Yeah, gonna get into that

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Speaker 1: watch that documentary on Netflix, which I really recommend.

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Speaker 2: But yeah, I'm part of the zeitgeist and uh, you know,

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Speaker 2: and I'm.

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Speaker 1: Saying that, but it probably made my six months because

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Speaker 1: that's like a really funny, interesting I don't know it

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Speaker 1: just it's a little thing, but it was just so

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Speaker 1: funny to me.

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Speaker 4: And then if someone complimented you and you were like,

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Speaker 4: that made my minute, yeah, a low level yeah.

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Speaker 2: And sometimes they do some like you know what makes

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Speaker 2: my minute?

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Speaker 1: When people say your dog is cute? That doesn't even

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Speaker 1: thinke my minute? That makes that Maybe that actually took

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Speaker 1: away from my life. Honestly, I know she's cute. Here's

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Speaker 1: my new Okay, I'm gonna sound like a real bitch.

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Speaker 1: Get ready to not like me.

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Speaker 2: Everyone.

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Speaker 1: If a girl has her headphones in, don't tell her

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Speaker 1: her dog is cute. She doesn't care. She already knows.

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Speaker 1: That's why she has it. Even if it wasn't cute,

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Speaker 1: she would love it and think it's cute because everyone

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Speaker 1: thinks their own dog is cute. So you validating that

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Speaker 1: I already think my dog is cute is not what

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Speaker 1: I need to hear. And if I have my headphones in,

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Speaker 1: I probably can't hear you, especially if their airpod's because

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Speaker 1: they block out all the noise. I can't hear fucking shit.

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Speaker 1: I can't hear a fire engine. I can't hear the

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Speaker 1: look my car alarm going off right outside the Starbucks

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Speaker 1: that I left my dog and because my dog moved

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Speaker 1: a little bit, and so the car is honking for

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Speaker 1: about three minutes while I wait for my Starbucks. I'm

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Speaker 1: inside the Starbucks. Everyone in the Starbucks is like, whire

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Speaker 1: is this alarm? When is it gonna go off? I

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Speaker 1: can't even hear it because my headphones are in. That's

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Speaker 1: how much I cannot hear you. So when you talk

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Speaker 1: to me, it's going to see like I'm rude. Anyone

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Speaker 1: from my apartment building who is listening to this and

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Speaker 1: thinks that I am rude to them. I have never

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Speaker 1: ignored you. I've always just had my AirPods in and

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Speaker 1: I didn't hear you unless I kind of see your

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Speaker 1: mouth mood or your jaw moved out of the corner

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Speaker 1: of my eye.

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Speaker 2: Then I take it out and.

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Speaker 1: Go huh, and then you go I didn't say anything,

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Speaker 1: but most of the time you're saying my dog is cute,

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Speaker 1: And I know she's cute.

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Speaker 4: Yes, stop talking to w with airs? Is that the

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Speaker 4: song you're listening to when you're walking your dog?

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Speaker 1: It's I got to get it auto tuned.

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Speaker 2: But yeah, that.

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Speaker 1: Would be a hint. It's like a musical. I want

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Speaker 1: to see them stand people talking to you when you

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Speaker 1: have AirPods in yeah, and I know you're like, well

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Speaker 1: I can't see, yes, you can.

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Speaker 2: They're little white things.

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Speaker 1: When I have when I stuffed toilet paper in my ear,

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Speaker 1: like inside my ear, people can see it and they're like,

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Speaker 1: what do you have that in your ear? Because I'm like,

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Speaker 1: it's too loud in this restaurant, so I know you

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Speaker 1: can see my big ass AirPods hanging out. Don't talk

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Speaker 1: to me, and especially stop trying to flirt with me,

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Speaker 1: like I've been getting flirted with. And I know I've

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Speaker 1: complained before that I never get flirted with, but I

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Speaker 1: don't like it.

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Speaker 2: It started, and I don't know why.

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Speaker 1: I left the house yesterday to go get or two

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Speaker 1: days ago on Sunday to get Starbucks.

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Speaker 2: It took for fucking ever.

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Speaker 1: I was waiting in line, it's not in line, but

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Speaker 1: like waiting for my mobile order, and I was very

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Speaker 1: patiently waiting, and this guy came up to me and

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Speaker 1: started talking to me about how my dog was cute. Yeah,

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Speaker 1: And he literally asked me do I come here often?

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Speaker 1: I almost laughed at me said that. And we were

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Speaker 1: talking about what he does for a living, and he

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Speaker 1: asked what I do for a living. I said, I'm

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Speaker 1: a comedian. He said, do you perform around here? I

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Speaker 1: said no? He goes, do you perform when you lived

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Speaker 1: in La? Because we were talking about La? And I

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Speaker 1: said yes, And I just cut to the chase and

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Speaker 1: I go, I'm famous. I was just do you know?

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Speaker 2: That sounds crazy?

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Speaker 1: But do you know what the conversation is like if

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Speaker 1: I don't just cut to the chase? If I say

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Speaker 1: I'm a comedian? They go, do you perform around here?

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Speaker 5: Well?

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Speaker 1: No, not really, because I live here, I usually perform.

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Speaker 1: I travel on the weekends to perform. Oh, have you

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Speaker 1: ever performed at the comedy store? Yep? Have you ever?

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Speaker 1: I think there's a one down in uh, you know

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Speaker 1: in San Diego? Yep? I perform there too. Now, Well,

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Speaker 1: who do you h? Do you ever think about maybe

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Speaker 1: being on TV?

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Speaker 5: Yeah?

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Speaker 2: I think I've been on TV before.

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Speaker 1: Really, what have you done? And it's just like I'm famous.

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Speaker 1: Just it just I swear to god, it's more like

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Speaker 1: me being like, you're gonna find that on your own,

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Speaker 1: and it's like me kind of being like I'm a

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Speaker 1: little teaser and I can't wait to find out. It's

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Speaker 1: it's more annoying and revolting to like string people along

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Speaker 1: than to just be like I'm famous. And and I

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Speaker 1: really I didn't say it loudly. I didn't say it braggadociously.

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Speaker 1: It was just like I don't want to tell you

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Speaker 1: all the venues I've performed at, sir, And so he goes,

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Speaker 1: oh really, and I go, yeah, yeah, I'm on Netflix.

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Speaker 4: And you know, Max, does he not know, especially being

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Speaker 4: in Saint Louis.

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Speaker 5: Business a foreign man' why yeah?

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Speaker 1: You know? He was like it wasn't like he just

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00:13:18,000 --> 00:13:21,200
Speaker 1: probably doesn't go isn't really aware of American comedy at

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Speaker 1: this point. But he did ask me if he was

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Speaker 1: like we should keep in touch, and I didn't know

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Speaker 1: what to say.

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Speaker 2: I just go I have a boyfriend.

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Speaker 1: And he immediately was like got it and was like

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Speaker 1: okay cool, And I'm like that is so weird that, Okay,

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Speaker 1: this guy starts talking to me right, and then I

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Speaker 1: say I have a boyfriend, and it's completely the conversation's over,

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Speaker 1: which I wanted it to be, by the way, like

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Speaker 1: it was clear that's what he wanted to get at.

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Speaker 1: It's so weird that that man the only reason he

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Speaker 1: chatted me up was to put his penis inside me,

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Speaker 1: like that was the end game, Like why are this

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Speaker 1: is why sex is so fascinating to me? Is like

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Speaker 1: all this bullshit that comes between us and like slobbing

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00:14:01,600 --> 00:14:03,719
Speaker 1: his knob like that is what he wanted as we're

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Speaker 1: standing there, and because I said I had a boyfriend,

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00:14:06,320 --> 00:14:10,040
Speaker 1: that completely called out exactly what it was. I'm already

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00:14:10,080 --> 00:14:13,360
Speaker 1: slabbing this man's knob. I can't slap yours because we

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Speaker 1: could still hang out. I'm allowed to. He said, let's

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Speaker 1: just keep in touch. I'm allowed to keep in touch

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Speaker 1: with men that I have a boyfriend. But because I

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Speaker 1: said I have a boyfriend, we both knew we can

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Speaker 1: never have sex. You can't have sex with me, And

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00:14:25,520 --> 00:14:28,760
Speaker 1: that is so weird to me that that is constantly

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00:14:28,880 --> 00:14:31,360
Speaker 1: like it's we.

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Speaker 4: Were basically like, oh, well, I was trying to fuck

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Speaker 4: you this all time. Yeah, I guess I should leave

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Speaker 4: because I don't want anything else from you.

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Speaker 1: I don't want to talk about what coffeedy girl has

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Speaker 1: to do. When she says I have a boyfriend, That's

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Speaker 1: what she's saying is that you can't put your penis

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Speaker 1: in me.

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Speaker 2: And it's so interesting.

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Speaker 1: If we could just cut to that, if a guy

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00:14:47,840 --> 00:14:49,280
Speaker 1: would just go up and say, hey, can I put

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00:14:49,280 --> 00:14:50,360
Speaker 1: my penis in you? And you go no, I have

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Speaker 1: a boyfriend, then we wouldn't have any of this other stuff,

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00:14:53,000 --> 00:14:55,080
Speaker 1: because all of that stuff was just to get to

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Speaker 1: the penis in me.

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Speaker 3: A little song and dance.

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00:14:59,320 --> 00:15:01,200
Speaker 1: Do He was agree, like, are people trying to talk

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Speaker 1: to you when you have headphones in? Because I know

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00:15:02,960 --> 00:15:05,280
Speaker 1: it is anti social to have headphones on, and it

345
00:15:05,360 --> 00:15:08,480
Speaker 1: is by design. I don't want to socialize.

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Speaker 3: I'm not someone who likes to.

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00:15:10,520 --> 00:15:12,760
Speaker 1: Talk to people about my dog being cute or their

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Speaker 1: dog being cute.

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Speaker 2: We both got dogs.

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Speaker 1: Let's let them sit each other and we don't need

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Speaker 1: to talk about it.

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00:15:16,920 --> 00:15:21,040
Speaker 4: I have an interesting situation that is not headphones related,

353
00:15:21,040 --> 00:15:22,080
Speaker 4: but it is dog related.

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Speaker 3: And this is from the male standpoint.

355
00:15:24,240 --> 00:15:28,280
Speaker 4: I have a neighbor who's probably like h in her

356
00:15:28,440 --> 00:15:31,960
Speaker 4: late twenties or something like that. A girl, and she

357
00:15:32,120 --> 00:15:34,520
Speaker 4: has a dog and I have a dog, and so

358
00:15:34,880 --> 00:15:38,600
Speaker 4: very often we are outside at the same time, and

359
00:15:38,640 --> 00:15:42,920
Speaker 4: I make a point to not like interact with this

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Speaker 4: person because I don't want her to think that I'm

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Speaker 4: one of these guys that's like.

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Speaker 1: Ooh, let's let our dogs meet.

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Speaker 3: Yeah, and then oh, listen, this is cute that we

364
00:15:50,760 --> 00:15:53,840
Speaker 3: are dogs. Hey do you like comedy? Have you performed

365
00:15:53,840 --> 00:15:54,560
Speaker 3: the comedy store?

366
00:15:54,960 --> 00:16:00,400
Speaker 4: And the problem is my dog, Jack is upset test

367
00:16:00,640 --> 00:16:04,080
Speaker 4: with this dog. This dog is a mile away. He

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00:16:04,160 --> 00:16:07,240
Speaker 4: will start yipping like I've never heard these noises come out,

369
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Speaker 4: like they come out of like the center of his soul.

370
00:16:10,160 --> 00:16:11,840
Speaker 4: And I'm like, and I just want to go up

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00:16:11,840 --> 00:16:13,360
Speaker 4: to the girl and say, listen, I don't want to

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Speaker 4: have sex with you.

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Speaker 3: Can you just let my dog hang out with your dog?

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00:16:17,400 --> 00:16:17,680
Speaker 3: Do it?

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00:16:17,720 --> 00:16:18,120
Speaker 1: To be like?

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00:16:18,360 --> 00:16:20,160
Speaker 2: I wish we could be that honest with each other

377
00:16:20,200 --> 00:16:21,080
Speaker 2: of like, I'm not.

378
00:16:22,720 --> 00:16:25,600
Speaker 1: Like we but we can't say that either, even though

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00:16:25,600 --> 00:16:28,160
Speaker 1: it's the opposite of what everyone's scared of. It is

380
00:16:28,200 --> 00:16:31,000
Speaker 1: literally the thing that would like make everyone feel not

381
00:16:31,080 --> 00:16:32,960
Speaker 1: just not that any guy saying I don't want to

382
00:16:33,000 --> 00:16:36,080
Speaker 1: fuck you does means he actually doesn't, but it would

383
00:16:36,880 --> 00:16:40,440
Speaker 1: make life a little bit easier to navigate if you

384
00:16:40,560 --> 00:16:43,560
Speaker 1: just knew it was a thing or not. Like the

385
00:16:43,600 --> 00:16:46,600
Speaker 1: second I drop boyfriend, things can change in a conversation

386
00:16:46,720 --> 00:16:50,760
Speaker 1: with a guy or the second they drop yeah starts raining.

387
00:16:51,160 --> 00:16:53,640
Speaker 1: But I know what you mean. There's sometimes my dog

388
00:16:53,720 --> 00:16:58,080
Speaker 1: wants to socialize and and I just don't. I don't

389
00:16:58,080 --> 00:17:00,600
Speaker 1: want to, but I you know, I really like people

390
00:17:00,640 --> 00:17:03,920
Speaker 1: that just let your dog sniff their dog and we

391
00:17:04,000 --> 00:17:06,520
Speaker 1: don't talk. Our dogs just talk and we just kind

392
00:17:06,520 --> 00:17:08,560
Speaker 1: of go okay, and then we talk through our dogs.

393
00:17:08,680 --> 00:17:10,680
Speaker 1: Oh he likes see you, you know, like.

394
00:17:12,160 --> 00:17:15,440
Speaker 4: Go I like the silence. I like like, oh hi,

395
00:17:15,600 --> 00:17:17,240
Speaker 4: and then just let the dogs talk and then go

396
00:17:17,359 --> 00:17:19,480
Speaker 4: see that's the dream.

397
00:17:20,000 --> 00:17:22,280
Speaker 1: Yeah. And I want to be clear, I'm not like

398
00:17:22,280 --> 00:17:27,040
Speaker 1: completely anti social. I do like saying hi and nodding

399
00:17:27,040 --> 00:17:30,280
Speaker 1: at people, and like I'll say, like anyone who's like

400
00:17:30,359 --> 00:17:32,639
Speaker 1: working in my building, I will take out my headphones

401
00:17:32,680 --> 00:17:34,960
Speaker 1: and if they want to talk to me, yes, But

402
00:17:35,280 --> 00:17:36,000
Speaker 1: other people who live.

403
00:17:35,960 --> 00:17:39,320
Speaker 6: In question about the guy, No, what if the conversation

404
00:17:39,520 --> 00:17:42,159
Speaker 6: ended like him, you know, you said you're famous, and

405
00:17:42,200 --> 00:17:44,040
Speaker 6: he goes, oh, that's so great. I'm gonna check out

406
00:17:44,040 --> 00:17:46,280
Speaker 6: your work and then he goes have a nice day.

407
00:17:46,800 --> 00:17:49,400
Speaker 6: Would any of your ego like hurt a little bit

408
00:17:50,280 --> 00:17:52,399
Speaker 6: or something if he didn't appear to be hitting on you.

409
00:17:52,440 --> 00:17:53,760
Speaker 2: No, that would have been great.

410
00:17:54,280 --> 00:17:57,200
Speaker 1: That would have been great. I wouldn't mind that at all,

411
00:17:57,240 --> 00:17:59,119
Speaker 1: Like if someone's just like chatty, because I was just

412
00:17:59,160 --> 00:18:01,640
Speaker 1: sitting there and like I didn't mind chatting with him.

413
00:18:01,680 --> 00:18:04,800
Speaker 1: He was talking about La and about how Saint Louis,

414
00:18:04,880 --> 00:18:07,119
Speaker 1: like it was good during COVID because New York was

415
00:18:07,160 --> 00:18:08,720
Speaker 1: so oh no, he lived in New York, he said

416
00:18:08,960 --> 00:18:09,639
Speaker 1: during COVID.

417
00:18:09,680 --> 00:18:10,280
Speaker 2: Saint Louis.

418
00:18:10,359 --> 00:18:12,120
Speaker 1: He moved here during COVID and it was like great

419
00:18:12,160 --> 00:18:14,560
Speaker 1: because we didn't care about masks and everyone was running

420
00:18:14,560 --> 00:18:17,160
Speaker 1: around and it was like he was escaping New York,

421
00:18:17,280 --> 00:18:20,439
Speaker 1: which felt like really lonely. But now that COVID has lifted,

422
00:18:20,560 --> 00:18:23,919
Speaker 1: New York is like he misses. Now Saint Louis feels

423
00:18:23,920 --> 00:18:26,400
Speaker 1: really lonely because compared to New York it is and

424
00:18:26,640 --> 00:18:28,840
Speaker 1: there's like one block that I live on that is

425
00:18:28,880 --> 00:18:31,040
Speaker 1: similar to Manhattan. He's like, but this is the only

426
00:18:31,080 --> 00:18:32,960
Speaker 1: played part of Saint Louis I've found that makes me

427
00:18:33,000 --> 00:18:34,640
Speaker 1: feel even similar to Manhattan.

428
00:18:34,640 --> 00:18:37,920
Speaker 2: One block and so that was an interesting.

429
00:18:37,600 --> 00:18:41,880
Speaker 1: Conversation, which I fed happy to have, But I yeah,

430
00:18:41,920 --> 00:18:46,160
Speaker 1: I just like, how no, yeah, not to.

431
00:18:46,119 --> 00:18:49,840
Speaker 3: Me, not to at least a hot guy.

432
00:18:50,840 --> 00:18:55,040
Speaker 1: Yeah, I mean no, I mean I used to take

433
00:18:55,040 --> 00:18:57,280
Speaker 1: offence when guys that weren't hot would hit on me

434
00:18:57,359 --> 00:19:04,280
Speaker 1: and be like, God is this he ye be offensive,

435
00:19:05,200 --> 00:19:07,480
Speaker 1: especially when hot guys aren't hitting on you. But then

436
00:19:07,520 --> 00:19:13,119
Speaker 1: it's just like, you know, yeah, it's still offensive when

437
00:19:13,160 --> 00:19:15,520
Speaker 1: I kind of run it through, It's still like, shouldn't

438
00:19:15,520 --> 00:19:16,360
Speaker 1: you think I'm out of your leg?

439
00:19:16,400 --> 00:19:18,480
Speaker 2: But I'm not, Like, I know the way I dressed.

440
00:19:18,520 --> 00:19:20,200
Speaker 1: I came back home and to see Chris and I

441
00:19:20,240 --> 00:19:22,679
Speaker 1: go it, just do do I look provocative? Because I

442
00:19:22,720 --> 00:19:24,960
Speaker 1: just got hit on twice? And he was like, yeah,

443
00:19:25,200 --> 00:19:29,159
Speaker 1: you kind of look sporty and fun, and so I

444
00:19:29,400 --> 00:19:31,199
Speaker 1: guess he was kind of like yeah, And I'm like,

445
00:19:32,359 --> 00:19:34,760
Speaker 1: you do you even want to stick your dick to me?

446
00:19:38,200 --> 00:19:38,479
Speaker 5: All Right?

447
00:19:38,520 --> 00:19:40,159
Speaker 1: We gotta go to break. We'll be right back up

448
00:19:40,200 --> 00:19:46,639
Speaker 1: to this. We're back, can you sorry?

449
00:19:46,640 --> 00:19:48,600
Speaker 4: I was going to ask you about this New York

450
00:19:48,640 --> 00:19:53,479
Speaker 4: Times piece? Was it New York Times, La Times? La Times?

451
00:19:53,640 --> 00:19:57,240
Speaker 4: They did a profile on you. Yeah, that's pretty cool.

452
00:19:57,840 --> 00:20:01,000
Speaker 1: I didn't read it because I don't anything that is

453
00:20:01,040 --> 00:20:05,480
Speaker 1: written about me. Whether I read the title and that

454
00:20:05,560 --> 00:20:09,720
Speaker 1: was nice. Why Nikki Glazer is the something the.

455
00:20:09,680 --> 00:20:11,879
Speaker 3: Biggest comedian right now or something like that.

456
00:20:11,960 --> 00:20:14,400
Speaker 4: Yeah, if they say why, I didn't, I didn't see

457
00:20:14,600 --> 00:20:15,520
Speaker 4: did they answer the question?

458
00:20:15,600 --> 00:20:16,239
Speaker 3: I don't know.

459
00:20:17,480 --> 00:20:19,560
Speaker 1: I have the same question, I go, why what is

460
00:20:19,560 --> 00:20:24,159
Speaker 1: happening right now? I yeah, it was really nice. I

461
00:20:24,160 --> 00:20:29,120
Speaker 1: didn't even I do so many interviews that I don't

462
00:20:29,160 --> 00:20:31,359
Speaker 1: remember which are which some I remember that one I

463
00:20:31,359 --> 00:20:34,760
Speaker 1: do remember because it was a really good conversation. But yeah,

464
00:20:34,800 --> 00:20:36,239
Speaker 1: it was Uh. I didn't know that that was going

465
00:20:36,320 --> 00:20:40,399
Speaker 1: to be the headline. And of course my PR people

466
00:20:40,560 --> 00:20:42,600
Speaker 1: sent an email being like, look at this headline. We

467
00:20:42,680 --> 00:20:44,400
Speaker 1: got like they're not pushing forward, Like you just don't

468
00:20:44,400 --> 00:20:46,280
Speaker 1: really know what's going to happen. That's why there's so

469
00:20:46,320 --> 00:20:49,760
Speaker 1: many times interviews go wrong because they come out and

470
00:20:49,800 --> 00:20:52,200
Speaker 1: it's like a hit piece, and you had the person

471
00:20:52,240 --> 00:20:54,360
Speaker 1: would never agree to a hit piece. It just comes

472
00:20:54,400 --> 00:20:57,679
Speaker 1: out like they don't look good. So, yeah, it was

473
00:20:57,720 --> 00:21:02,160
Speaker 1: really nice, and you know, it's just it'll it's when

474
00:21:02,440 --> 00:21:05,640
Speaker 1: whenever you're the girl, it's not gonna last long. Look

475
00:21:05,640 --> 00:21:08,480
Speaker 1: at miss Blake Lively, like you're gonna get taken down

476
00:21:08,520 --> 00:21:10,400
Speaker 1: at some point, Like people are gonna come for your

477
00:21:10,440 --> 00:21:13,040
Speaker 1: throat and you're gonna get people are gonna start going

478
00:21:13,480 --> 00:21:16,520
Speaker 1: truly why But right now I'm on the rise. It

479
00:21:16,560 --> 00:21:20,040
Speaker 1: feels good. I'm gonna accept it. I'm gonna enjoy the ride.

480
00:21:20,280 --> 00:21:22,639
Speaker 1: But the rollercoaster is going to go down again, and

481
00:21:22,680 --> 00:21:25,000
Speaker 1: it's gonna go up again. And like even Blake Lively,

482
00:21:25,080 --> 00:21:26,919
Speaker 1: like for a second, I don't know if you've been

483
00:21:26,920 --> 00:21:28,479
Speaker 1: following all the stuff that's been going on with her,

484
00:21:28,480 --> 00:21:30,160
Speaker 1: but there's like a backlash for her. I'm not gonna

485
00:21:30,160 --> 00:21:31,439
Speaker 1: get into it because I don't want to give my

486
00:21:31,480 --> 00:21:34,600
Speaker 1: opinion on it, except for the fact that you know

487
00:21:34,800 --> 00:21:37,040
Speaker 1: whether no matter how you feel about it, whether your

488
00:21:37,040 --> 00:21:41,159
Speaker 1: team Blake or your anti Blake, don't worry about miss Blake, okay,

489
00:21:41,680 --> 00:21:45,000
Speaker 1: Because whenever a celebrity as big as she is and

490
00:21:45,040 --> 00:21:46,960
Speaker 1: who's been her long around for as long as she is,

491
00:21:47,200 --> 00:21:49,640
Speaker 1: it's it's time they decided it was time to take

492
00:21:49,680 --> 00:21:52,640
Speaker 1: her down. So she's getting taken down. Everyone's gonna turn

493
00:21:52,680 --> 00:21:56,520
Speaker 1: on her, and then guess what's gonna happen. What always

494
00:21:56,640 --> 00:21:59,560
Speaker 1: happens when someone has a backlash that does not involve

495
00:21:59,600 --> 00:22:03,119
Speaker 1: sexual assault, that does not involve and even when a

496
00:22:03,160 --> 00:22:05,480
Speaker 1: divose sexual assault, let me just say, there's a little

497
00:22:05,520 --> 00:22:07,600
Speaker 1: bit of a comeback that you can you can enjoy.

498
00:22:08,119 --> 00:22:10,520
Speaker 2: I think even Kevin Spacey had like a comeback.

499
00:22:10,840 --> 00:22:13,120
Speaker 1: But there will be, there is a there a backlash

500
00:22:13,160 --> 00:22:16,000
Speaker 1: to the backlash is coming. Blake will be just fine.

501
00:22:16,160 --> 00:22:18,240
Speaker 1: She might have to go away for a year, so

502
00:22:18,359 --> 00:22:21,400
Speaker 1: be it. That's fine, a year, maybe two. But then

503
00:22:21,480 --> 00:22:23,760
Speaker 1: what are we gonna see. We're gonna see her on

504
00:22:23,760 --> 00:22:26,560
Speaker 1: the cover of something with her arm like this kind

505
00:22:26,560 --> 00:22:29,720
Speaker 1: of hidden behind her arm, and she's gonna look stunning,

506
00:22:29,960 --> 00:22:33,119
Speaker 1: and it's gonna be like she's ready to emerge or

507
00:22:33,280 --> 00:22:37,240
Speaker 1: like like, and it'll say the sub headlines, she went,

508
00:22:37,440 --> 00:22:40,720
Speaker 1: she went away for two years, but now is she

509
00:22:40,800 --> 00:22:42,920
Speaker 1: ready to come? Are we ready for her to come back?

510
00:22:43,000 --> 00:22:46,160
Speaker 1: And the answer will be yes, because we love redemption.

511
00:22:46,400 --> 00:22:49,200
Speaker 1: So I was starting to feel bad for Blake Lively

512
00:22:49,240 --> 00:22:52,000
Speaker 1: because I know that everyone's like, she should feel bad

513
00:22:52,080 --> 00:22:54,640
Speaker 1: she did this, and that she doesn't.

514
00:22:55,119 --> 00:22:58,240
Speaker 2: You know, she did not do those things.

515
00:22:58,280 --> 00:23:00,760
Speaker 1: Knowing that this she she loves her career and now

516
00:23:00,840 --> 00:23:04,440
Speaker 1: everyone is piling on her. It's gotta feel awful that

517
00:23:04,560 --> 00:23:07,720
Speaker 1: everyone's turning on her and she can't kind of catch

518
00:23:07,760 --> 00:23:10,600
Speaker 1: any break from any angle. No matter what side you're on,

519
00:23:10,640 --> 00:23:12,760
Speaker 1: you got to admit that she didn't really she didn't

520
00:23:12,840 --> 00:23:15,879
Speaker 1: hurt she didn't kill anyone. Guys, she didn't really hurt anyone.

521
00:23:16,160 --> 00:23:18,159
Speaker 1: I think the biggest indictment against her is that she

522
00:23:18,240 --> 00:23:21,360
Speaker 1: might be a mean girl, like unless she's like bullied

523
00:23:21,400 --> 00:23:24,480
Speaker 1: someone to death, like it's not really punishable, but like

524
00:23:24,520 --> 00:23:28,240
Speaker 1: we shouldn't take she shouldn't lose everything. Am I annoyed

525
00:23:28,280 --> 00:23:30,560
Speaker 1: at people wanting to be billionaires? You know? I am?

526
00:23:30,840 --> 00:23:32,760
Speaker 1: Do I want people to just back off and stick

527
00:23:32,760 --> 00:23:35,240
Speaker 1: to what they do? Surely I do? Do I not

528
00:23:35,400 --> 00:23:37,480
Speaker 1: like girls who seem kind of mean? Yeah, I don't

529
00:23:37,520 --> 00:23:39,399
Speaker 1: like it either. Have I seen kind of mean before?

530
00:23:39,440 --> 00:23:41,720
Speaker 1: I'm sure in different context. I don't know what's going

531
00:23:41,760 --> 00:23:44,040
Speaker 1: on with her. What I do know she's gonna be

532
00:23:44,560 --> 00:23:45,080
Speaker 1: just fine.

533
00:23:45,800 --> 00:23:46,879
Speaker 2: She's gonna be fine.

534
00:23:46,960 --> 00:23:49,480
Speaker 1: We're all gonna play this video.

535
00:23:49,560 --> 00:23:50,800
Speaker 2: Let's clip this right now.

536
00:23:51,080 --> 00:23:55,960
Speaker 1: For two years from now, I'm talking November twenty twenty six,

537
00:23:57,000 --> 00:23:59,560
Speaker 1: Blake Lively will be on the cover of things and

538
00:23:59,560 --> 00:24:02,280
Speaker 1: there will be like a She'll be kind of hidden

539
00:24:02,359 --> 00:24:05,080
Speaker 1: behind it, emerging from her arms, wrapped up in her arms,

540
00:24:05,200 --> 00:24:08,240
Speaker 1: kind of Tortured Poets style, the cover of Tortured Poets,

541
00:24:08,359 --> 00:24:11,080
Speaker 1: and her eye will be peeking out from her elbow

542
00:24:11,520 --> 00:24:13,760
Speaker 1: and it'll be like an eye that's kind of sorry,

543
00:24:14,240 --> 00:24:18,280
Speaker 1: but like I'm ready, and everyone will fucking jerk themselves

544
00:24:18,280 --> 00:24:21,480
Speaker 1: off over it, because we love to welcome someone back

545
00:24:21,560 --> 00:24:24,600
Speaker 1: in and to forgive someone, and I think that's a

546
00:24:24,640 --> 00:24:29,439
Speaker 1: beautiful thing. But I think she'll be okay. But I

547
00:24:29,520 --> 00:24:30,520
Speaker 1: do have empathy for.

548
00:24:30,480 --> 00:24:34,359
Speaker 4: Her rings as it does to destroy someone on top.

549
00:24:35,040 --> 00:24:38,480
Speaker 1: I almost like in the same way that I can't

550
00:24:38,600 --> 00:24:41,080
Speaker 1: enjoy being on the top because I just know it's

551
00:24:41,080 --> 00:24:45,240
Speaker 1: gonna I'm gonna feel down again. Uh, I don't even

552
00:24:45,720 --> 00:24:48,160
Speaker 1: I used to enjoy wind stars would get taken down,

553
00:24:48,359 --> 00:24:50,480
Speaker 1: Like yeah, she's so pretty.

554
00:24:50,119 --> 00:24:51,520
Speaker 2: And perfect, fuck her.

555
00:24:51,760 --> 00:24:54,119
Speaker 1: I can't wait for her to get dismantled, like the

556
00:24:54,160 --> 00:24:55,800
Speaker 1: way I felt about you know, I used to feel

557
00:24:55,800 --> 00:24:58,520
Speaker 1: about j Loo, Like yeah, the tides are turning j Low.

558
00:24:58,880 --> 00:25:02,280
Speaker 1: No one likes you anymore, Blake Lively. Sorry, You've been

559
00:25:02,320 --> 00:25:04,840
Speaker 1: a perfect gossip girl your whole life. Now you're a

560
00:25:04,880 --> 00:25:08,240
Speaker 1: mean girl. We all know it. I don't even I

561
00:25:08,240 --> 00:25:10,159
Speaker 1: can't even bask in the enjoyment of it because I

562
00:25:10,160 --> 00:25:12,159
Speaker 1: see two years from now when we're all when I'm

563
00:25:12,240 --> 00:25:15,119
Speaker 1: jealous of her again because she's the girl like, don't

564
00:25:15,119 --> 00:25:18,679
Speaker 1: worry guys, everyone, it all comes around. It's cyclical.

565
00:25:18,880 --> 00:25:21,480
Speaker 4: Well you know who's been piles on and it seems

566
00:25:21,520 --> 00:25:22,479
Speaker 4: like it's never let up.

567
00:25:22,560 --> 00:25:26,520
Speaker 3: Is Ellen? I feel like, is Ellen comeback?

568
00:25:27,359 --> 00:25:30,480
Speaker 1: Her new her new specials coming out this month and

569
00:25:30,520 --> 00:25:34,960
Speaker 1: the press, Yeah, and she addresses not being.

570
00:25:34,840 --> 00:25:36,680
Speaker 3: Nice cosby never made a comeback?

571
00:25:36,920 --> 00:25:41,000
Speaker 1: Did you hear Neil Brennan's thing about Uh, that's why

572
00:25:41,040 --> 00:25:42,600
Speaker 1: I said sexual assault, right, Okay, okay, I.

573
00:25:42,560 --> 00:25:45,320
Speaker 4: Gotta think of an example of a non sexual assault

574
00:25:45,400 --> 00:25:47,520
Speaker 4: person who never made a comeback.

575
00:25:48,160 --> 00:25:51,520
Speaker 1: That's who has It has seems coming into my five

576
00:25:51,600 --> 00:25:54,600
Speaker 1: years out because it takes about five sometimes five years

577
00:25:54,640 --> 00:25:56,160
Speaker 1: for someone to happen to come back.

578
00:25:56,280 --> 00:25:58,440
Speaker 4: There's a lot of names going in my head right now,

579
00:25:58,480 --> 00:26:00,720
Speaker 4: and I'm like, oh wait, that was a sexual assault section.

580
00:26:01,240 --> 00:26:03,440
Speaker 1: Yes, yeah, But what I wanted to say about Ellen

581
00:26:03,680 --> 00:26:06,480
Speaker 1: Neil Brennan had a joke and a special and he goes,

582
00:26:06,640 --> 00:26:09,439
Speaker 1: you know, you know, you know, people like hold comedians

583
00:26:09,480 --> 00:26:12,199
Speaker 1: to these standards. He's like people are like. He was

584
00:26:12,200 --> 00:26:15,879
Speaker 1: talking about his contractor came over. He hired this guy

585
00:26:15,920 --> 00:26:17,840
Speaker 1: off Craigslist to do some work around his house. And

586
00:26:17,880 --> 00:26:20,320
Speaker 1: the guy was like saw that he was famous or

587
00:26:20,320 --> 00:26:23,480
Speaker 1: whatever because Neil told him And and I'm making a

588
00:26:23,560 --> 00:26:25,840
Speaker 1: joke referencing what I just said. I guess this clip

589
00:26:25,920 --> 00:26:29,359
Speaker 1: is pulled out of context. And Neil probably let him

590
00:26:29,400 --> 00:26:32,520
Speaker 1: know anyway, because he's got Emmy's line around his doorstops.

591
00:26:32,560 --> 00:26:36,280
Speaker 1: But he uh. The contractor was like, hey, is uh

592
00:26:36,400 --> 00:26:37,440
Speaker 1: is is Kevin Hart?

593
00:26:37,520 --> 00:26:39,760
Speaker 2: You friends with Kevin Hart? And he goes, yeah, I

594
00:26:39,800 --> 00:26:41,800
Speaker 2: know Kav And he goes, is he humble?

595
00:26:41,960 --> 00:26:46,280
Speaker 1: And he was like, he goes, Jeremy, you're not humble

596
00:26:46,359 --> 00:26:49,480
Speaker 1: and you're a fucking handyman on Craigslist.

597
00:26:49,840 --> 00:26:51,240
Speaker 2: He's like, why would Kevin.

598
00:26:51,040 --> 00:26:54,040
Speaker 1: Hart, who's five to one in a billionaire be humble? Yeah,

599
00:26:54,080 --> 00:26:57,680
Speaker 1: he's He's as humble as other short like Tom Cruise.

600
00:26:57,680 --> 00:26:59,720
Speaker 1: And he lists all these other guys and then he goes.

601
00:27:00,240 --> 00:27:03,000
Speaker 1: He goes people are like, you know, we like Ellen,

602
00:27:03,160 --> 00:27:06,159
Speaker 1: but is she nice? And he's like, who gives a

603
00:27:06,240 --> 00:27:10,080
Speaker 1: shit if she's nice? She you know, she's a trailblazer

604
00:27:10,119 --> 00:27:12,920
Speaker 1: for gay rights. She was a gay woman who got

605
00:27:12,920 --> 00:27:15,760
Speaker 1: canceled for being gay. Her show Like was off the

606
00:27:15,800 --> 00:27:17,680
Speaker 1: air soon as she admits she was gay. She went away.

607
00:27:17,760 --> 00:27:19,320
Speaker 1: She came back five years later and had that hit

608
00:27:19,480 --> 00:27:22,880
Speaker 1: TV show. He goes, is she nice? Have you ever

609
00:27:22,920 --> 00:27:28,040
Speaker 1: met a nice lesbian? Like they're fine, but they're not nice,

610
00:27:28,280 --> 00:27:31,720
Speaker 1: they're pleasant. I guess he makes just a good point

611
00:27:31,760 --> 00:27:34,119
Speaker 1: that like why do we need our celebrities to be

612
00:27:34,200 --> 00:27:36,879
Speaker 1: all of these things? And I think that is the

613
00:27:37,200 --> 00:27:39,879
Speaker 1: articles I was reading about the Blake Lively thing. I

614
00:27:40,000 --> 00:27:42,000
Speaker 1: was telling Noah and the other girls on Girls Chet

615
00:27:42,000 --> 00:27:44,880
Speaker 1: because we were talking about it, Like I like that

616
00:27:44,920 --> 00:27:48,120
Speaker 1: there's this backlash too, inauthenticity, which I think is what

617
00:27:48,359 --> 00:27:51,480
Speaker 1: is the pylon about Blake is like movie stars don't

618
00:27:51,480 --> 00:27:54,240
Speaker 1: get to be like I'm not gonna discuss that anymore,

619
00:27:54,280 --> 00:27:59,440
Speaker 1: and like I'm you know this this perfection. Even Anne Hathaway,

620
00:27:59,440 --> 00:28:01,560
Speaker 1: I think, has been kind of mom about some stuff

621
00:28:01,600 --> 00:28:04,640
Speaker 1: that's not even that inquisitive like of questions and she's

622
00:28:04,720 --> 00:28:06,160
Speaker 1: just like no comment.

623
00:28:06,240 --> 00:28:07,440
Speaker 2: And like stars used.

624
00:28:07,320 --> 00:28:10,760
Speaker 1: To be able to have this like wall up where

625
00:28:10,800 --> 00:28:13,800
Speaker 1: they're like I'm perfect and I'm not gonna show you

626
00:28:13,800 --> 00:28:16,399
Speaker 1: my real self, which is fine, But now people because

627
00:28:16,400 --> 00:28:19,720
Speaker 1: of TikTok. And because of social media, people want their

628
00:28:19,760 --> 00:28:24,600
Speaker 1: stars to be normal and relatable and authentic. Yeah, and

629
00:28:25,240 --> 00:28:28,800
Speaker 1: and and that's and when they're not, there's there's a

630
00:28:28,840 --> 00:28:31,480
Speaker 1: backlash coming. And all these stars that grew came up

631
00:28:31,520 --> 00:28:34,000
Speaker 1: in the early two thousands and made their mark and

632
00:28:34,119 --> 00:28:36,480
Speaker 1: don't know how to live in this kind of world

633
00:28:36,520 --> 00:28:39,800
Speaker 1: where they're expected to be. They can't be authentic because

634
00:28:39,800 --> 00:28:41,800
Speaker 1: they're not. And I'm not speaking of Blake Lively. I'm

635
00:28:41,800 --> 00:28:44,520
Speaker 1: just speaking like they are celebrities that are so detached

636
00:28:44,520 --> 00:28:47,360
Speaker 1: they cannot be authentic, Whereas people like Chapel.

637
00:28:47,080 --> 00:28:50,760
Speaker 4: Roone actors are like you fall in love with the

638
00:28:50,880 --> 00:28:53,200
Speaker 4: character they're playing, and then you expect like.

639
00:28:53,360 --> 00:28:54,000
Speaker 1: Oh it's insane.

640
00:28:54,040 --> 00:28:57,960
Speaker 5: Why why aren't you acting like Captain America? I don't understand.

641
00:28:59,040 --> 00:29:02,240
Speaker 1: Expect nothing of them, folks. Please said it best. Did

642
00:29:02,240 --> 00:29:04,120
Speaker 1: you hear what she said? Do you know who Chapelrone is?

643
00:29:04,120 --> 00:29:06,320
Speaker 3: Brian Uh? Yes, I am aware.

644
00:29:06,280 --> 00:29:09,239
Speaker 2: She's the best, But she just said it said. This

645
00:29:09,320 --> 00:29:10,120
Speaker 2: is the headline.

646
00:29:10,160 --> 00:29:13,040
Speaker 1: Chapel Rone is turning down movie offers because quote, actors

647
00:29:13,040 --> 00:29:15,800
Speaker 1: are fucking crazy and Hollywood is so scary.

648
00:29:15,880 --> 00:29:17,760
Speaker 2: I'd rather get arrested than be an actor.

649
00:29:20,040 --> 00:29:24,640
Speaker 1: It's actors and weird, dude they are. It's like I'm

650
00:29:24,680 --> 00:29:28,360
Speaker 1: friends with actors, but am my close friends. No, I'm

651
00:29:28,360 --> 00:29:32,160
Speaker 1: mainly friends with comedians who have acted, but like actors

652
00:29:32,240 --> 00:29:36,600
Speaker 1: that don't do something else, Like it's not I remember

653
00:29:36,680 --> 00:29:39,160
Speaker 1: when I wanted to be an actress so badly because

654
00:29:39,200 --> 00:29:40,840
Speaker 1: I thought it was just your ticket to being on

655
00:29:40,920 --> 00:29:43,280
Speaker 1: TV and being on a TV show. I didn't realize

656
00:29:43,280 --> 00:29:44,920
Speaker 1: like what it took to be an actor. It's like

657
00:29:44,960 --> 00:29:46,760
Speaker 1: a lot of hard, intense work, and you have to

658
00:29:46,760 --> 00:29:48,320
Speaker 1: be delusional or you have to be kind of like

659
00:29:48,680 --> 00:29:52,040
Speaker 1: a crazy person in a different way than I am crazy.

660
00:29:52,640 --> 00:29:55,560
Speaker 1: But I remember I went and auditioned for theater school

661
00:29:55,880 --> 00:29:59,600
Speaker 1: at uh for an NYU auditioned. It wasn't like I

662
00:30:00,080 --> 00:30:01,840
Speaker 1: sign up and you get an audition. It wasn't special.

663
00:30:01,840 --> 00:30:03,680
Speaker 1: I had literally no talent. I'd been in like three

664
00:30:03,680 --> 00:30:06,000
Speaker 1: plays in high school. So I flew to Chicago to

665
00:30:06,040 --> 00:30:11,200
Speaker 1: audition and I was, remember, you know, is this probably

666
00:30:11,640 --> 00:30:14,400
Speaker 1: fall of my senior year. And I'm in the hallway

667
00:30:14,720 --> 00:30:17,480
Speaker 1: in this hotel in Chicago, and I see all of

668
00:30:17,520 --> 00:30:20,600
Speaker 1: these theater kids practicing their monologues in the hallway and

669
00:30:20,640 --> 00:30:23,160
Speaker 1: like not talking to me, but like being loud and

670
00:30:23,240 --> 00:30:27,400
Speaker 1: like I'm important and I'm screaming in the corner and

671
00:30:27,520 --> 00:30:31,360
Speaker 1: like just but also anti social. And I remember just

672
00:30:31,400 --> 00:30:35,000
Speaker 1: thinking this, this isn't what, This isn't it for me,

673
00:30:35,280 --> 00:30:37,840
Speaker 1: even though I did still want it. I remember thinking, like,

674
00:30:37,960 --> 00:30:39,720
Speaker 1: I don't know how I'm gonna find friends in this

675
00:30:39,800 --> 00:30:42,760
Speaker 1: kind of I the plays I did in high school

676
00:30:42,760 --> 00:30:44,880
Speaker 1: weren't They were all like football players that got talked

677
00:30:44,920 --> 00:30:47,080
Speaker 1: into doing plays, or they were like there were some

678
00:30:47,280 --> 00:30:49,400
Speaker 1: actory kids, but they weren't. It was in the bulk,

679
00:30:49,560 --> 00:30:52,840
Speaker 1: whereas when you go to theater school, it's that. And

680
00:30:53,560 --> 00:30:55,640
Speaker 1: comedians are weird too. If you're an actor and you're

681
00:30:55,640 --> 00:30:58,680
Speaker 1: taking offense to this, you should. I'm saying you're weird,

682
00:30:58,720 --> 00:31:00,880
Speaker 1: but you're weird in a way that is fantastic because

683
00:31:00,920 --> 00:31:03,840
Speaker 1: you can portray other people so well in almost a

684
00:31:03,880 --> 00:31:04,440
Speaker 1: creepy way.

685
00:31:05,400 --> 00:31:07,520
Speaker 2: But they are different. And I love Chapel.

686
00:31:07,280 --> 00:31:10,680
Speaker 1: Roone for saying, like, I'm not going to fucking do anything.

687
00:31:10,720 --> 00:31:13,320
Speaker 1: I'm getting all these endorsements, I'm not gonna like get

688
00:31:13,360 --> 00:31:15,800
Speaker 1: paid hundreds of thousands of dollars to use to like

689
00:31:15,840 --> 00:31:18,280
Speaker 1: pretend I use a product I don't like. I love

690
00:31:19,000 --> 00:31:21,680
Speaker 1: I love her character. I just love her. She's so real,

691
00:31:22,400 --> 00:31:25,880
Speaker 1: and that's what people want. That's like, that's the epitome

692
00:31:26,000 --> 00:31:27,400
Speaker 1: of what people want from anything.

693
00:31:27,480 --> 00:31:28,000
Speaker 3: Is real now.

694
00:31:28,120 --> 00:31:32,520
Speaker 4: Parasocial relationships now because the industry has severed the ties

695
00:31:32,600 --> 00:31:38,920
Speaker 4: between the Hollywood industrial complex and fame, there's no more stars.

696
00:31:39,000 --> 00:31:42,000
Speaker 4: It's all about developing relationships with your fans, and they

697
00:31:42,040 --> 00:31:42,600
Speaker 4: bolster you.

698
00:31:43,480 --> 00:31:47,120
Speaker 1: Yeah. I mean, I think that I get interviewed about

699
00:31:47,120 --> 00:31:49,200
Speaker 1: Taylor Swift a lot, and I always kind of gloss

700
00:31:49,240 --> 00:31:53,680
Speaker 1: over the fact that, like, I've learned to manage my

701
00:31:53,840 --> 00:31:56,680
Speaker 1: career in whatever way I manage it. I really I

702
00:31:56,720 --> 00:31:59,960
Speaker 1: wish I was a little bit more focused and intentional

703
00:32:00,240 --> 00:32:02,960
Speaker 1: with the things I do. But the way I relate

704
00:32:03,000 --> 00:32:06,920
Speaker 1: to my fans is the way I feel I relate

705
00:32:06,960 --> 00:32:09,240
Speaker 1: to Taylor as a fan. I want my fans to

706
00:32:09,280 --> 00:32:11,880
Speaker 1: feel that close to me and I because I do

707
00:32:11,960 --> 00:32:15,800
Speaker 1: feel like I'm rooting for Taylor. I feel like I

708
00:32:15,880 --> 00:32:17,760
Speaker 1: know her, like I don't need to be friends with

709
00:32:17,760 --> 00:32:19,920
Speaker 1: her because she's told me everything she needs to tell

710
00:32:19,920 --> 00:32:22,320
Speaker 1: me in her music. And the truth is, I say,

711
00:32:22,480 --> 00:32:25,160
Speaker 1: I'm way more honest in my comedy than I am

712
00:32:25,280 --> 00:32:28,000
Speaker 1: almost in one on one relationships. Or at least the same,

713
00:32:28,800 --> 00:32:30,680
Speaker 1: And I think that that is I.

714
00:32:31,160 --> 00:32:33,080
Speaker 4: I feel like you're more honest in your stand up

715
00:32:33,080 --> 00:32:35,200
Speaker 4: than in real life. I feel like so too. Something

716
00:32:35,200 --> 00:32:38,240
Speaker 4: about you stepping on stage gives you carte blanche to'll

717
00:32:38,280 --> 00:32:42,360
Speaker 4: just unload things that you probably wouldn't say in conversation.

718
00:32:43,040 --> 00:32:45,560
Speaker 2: I think so too, because I don't have to defend them.

719
00:32:46,760 --> 00:32:49,680
Speaker 1: I don't have to answer to anyone going well that

720
00:32:49,720 --> 00:32:52,760
Speaker 1: doesn't actually hold up. I think you're right, but I

721
00:32:52,840 --> 00:32:57,560
Speaker 1: just I don't mind a parasocial relationship. I've said it before,

722
00:32:57,560 --> 00:32:58,920
Speaker 1: but if you think you could be friends with me,

723
00:32:59,160 --> 00:33:01,400
Speaker 1: you are right. I mean I don't. I don't have

724
00:33:01,520 --> 00:33:04,480
Speaker 1: room in my life for you, probably just as Taylor

725
00:33:04,520 --> 00:33:06,640
Speaker 1: doesn't have room in her life for me. But you're

726
00:33:06,680 --> 00:33:09,400
Speaker 1: not wrong that if we met in middle school, girl

727
00:33:09,520 --> 00:33:11,400
Speaker 1: or guy listening to this and you were like, man,

728
00:33:11,440 --> 00:33:13,600
Speaker 1: we would really hang out. We would have been besties.

729
00:33:13,720 --> 00:33:17,440
Speaker 1: But it's just the timing and the circumstance didn't allow it.

730
00:33:17,560 --> 00:33:19,680
Speaker 1: So for you and your mind to think you're my friend,

731
00:33:20,160 --> 00:33:22,200
Speaker 1: go for it. Don't get to the point where you

732
00:33:22,280 --> 00:33:24,400
Speaker 1: need to murder me because of it, you know, like

733
00:33:24,560 --> 00:33:25,520
Speaker 1: that's where.

734
00:33:25,320 --> 00:33:26,320
Speaker 2: It becomes a problem.

735
00:33:26,360 --> 00:33:29,560
Speaker 1: But I don't mind you thinking you're my friend and

736
00:33:29,640 --> 00:33:32,720
Speaker 1: telling people my friend Nicki said this, My friend Nicki

737
00:33:32,760 --> 00:33:35,160
Speaker 1: said that, like I don't. I don't think there's anything

738
00:33:35,160 --> 00:33:37,960
Speaker 1: weird about that. And sometimes I have fans saying I

739
00:33:38,040 --> 00:33:40,360
Speaker 1: talk about you like you're like I heard Nicky say

740
00:33:40,360 --> 00:33:43,880
Speaker 1: this day, and my boyfriend's like, Nicki the glazer who

741
00:33:43,920 --> 00:33:45,960
Speaker 1: you don't know, you're just calling her NICKI, like, you

742
00:33:46,000 --> 00:33:48,120
Speaker 1: talk to her today, And I always go, that's fine.

743
00:33:48,320 --> 00:33:54,000
Speaker 1: I've been listening to Last Culturistas, which is on the

744
00:33:54,040 --> 00:33:58,440
Speaker 1: Big Money Players Network with US, and I am starting

745
00:33:58,440 --> 00:34:01,400
Speaker 1: to have that with Bowen and Rogers. I am.

746
00:34:01,800 --> 00:34:04,360
Speaker 2: I can't stop listening to them.

747
00:34:04,480 --> 00:34:08,279
Speaker 1: I feel like it has made me funnier and more

748
00:34:08,320 --> 00:34:12,080
Speaker 1: wise about pop culture. I've learned new words I just think.

749
00:34:12,160 --> 00:34:16,480
Speaker 1: But I also feel like I'm I'm hanging out with them.

750
00:34:16,520 --> 00:34:18,960
Speaker 1: It really gives me the sense that I'm hanging with people.

751
00:34:19,440 --> 00:34:21,239
Speaker 4: God to ask you that a lot like it's such

752
00:34:21,280 --> 00:34:24,279
Speaker 4: like an intimate it's in your ear while you're at Starbucks,

753
00:34:24,320 --> 00:34:27,200
Speaker 4: and it's like an hour conversation. And if you listen

754
00:34:27,200 --> 00:34:30,719
Speaker 4: to people long enough, you're just like they become part

755
00:34:30,719 --> 00:34:33,920
Speaker 4: of your the network and your social brain.

756
00:34:34,080 --> 00:34:36,960
Speaker 1: Especially if you're a person in conversation who doesn't already

757
00:34:37,000 --> 00:34:38,960
Speaker 1: talk that much. Like, say you're someone who hangs out

758
00:34:38,960 --> 00:34:41,160
Speaker 1: with your friends and you're not the most chatty of

759
00:34:41,320 --> 00:34:44,279
Speaker 1: the group, Like it might resemble what it is like

760
00:34:44,360 --> 00:34:47,600
Speaker 1: to be with a group of friends anyway for you. Yeah,

761
00:34:47,640 --> 00:34:50,799
Speaker 1: of just kind of observing and maybe nodding along because

762
00:34:50,800 --> 00:34:51,160
Speaker 1: I'm like.

763
00:34:51,160 --> 00:34:54,200
Speaker 4: Well, that's the most comforting work place to be. I mean,

764
00:34:54,520 --> 00:34:57,240
Speaker 4: just remember when you're at like a sleepover or something

765
00:34:57,280 --> 00:34:58,920
Speaker 4: and you're like the first one to go into the

766
00:34:58,920 --> 00:35:01,480
Speaker 4: sleeping bag, and you still hear your friends chatting.

767
00:35:01,920 --> 00:35:03,880
Speaker 1: Is there about how they're gonna draw on your face?

768
00:35:04,960 --> 00:35:06,960
Speaker 4: Okay, So imagine you're in your room at night and

769
00:35:07,480 --> 00:35:09,680
Speaker 4: I want to hear your parents in the kitchen talking.

770
00:35:09,880 --> 00:35:11,040
Speaker 1: Oh, it's it's the best.

771
00:35:11,200 --> 00:35:14,239
Speaker 3: Yeah.

772
00:35:12,360 --> 00:35:20,879
Speaker 1: I have a new thing. I was watching Taylor tom

773
00:35:20,920 --> 00:35:23,640
Speaker 1: Winson special and she does this thing where she asked

774
00:35:23,640 --> 00:35:25,880
Speaker 1: the audience if they have any she has trouble sleeping,

775
00:35:25,920 --> 00:35:28,600
Speaker 1: And she says, if you have any like weird sleep tips,

776
00:35:29,920 --> 00:35:32,279
Speaker 1: share them with me. I've heard them all, And she

777
00:35:32,360 --> 00:35:35,239
Speaker 1: goes in the audience it's really funny, and she hears

778
00:35:35,760 --> 00:35:38,520
Speaker 1: one that she says helped her. Is like this woman said,

779
00:35:38,560 --> 00:35:41,279
Speaker 1: go lay on your kitchen floor for ten minutes, just

780
00:35:41,320 --> 00:35:42,560
Speaker 1: wide awake, and then go back to bed.

781
00:35:42,600 --> 00:35:45,439
Speaker 2: And she goes, that actually worked. So Taylor said that worked.

782
00:35:45,480 --> 00:35:48,200
Speaker 1: But I would have if I was at a show,

783
00:35:48,200 --> 00:35:49,520
Speaker 1: I would have raised my hand because I came up

784
00:35:49,560 --> 00:35:51,440
Speaker 1: with one. So if anyone out there struggles to sleep,

785
00:35:51,719 --> 00:35:53,640
Speaker 1: this is one that I had been doing since I

786
00:35:53,640 --> 00:35:56,440
Speaker 1: was a young girl, but I didn't put it together

787
00:35:56,560 --> 00:35:59,440
Speaker 1: that it actually works until recently when I couldn't sleep.

788
00:36:01,120 --> 00:36:04,480
Speaker 1: You okay, You go from being like I can't sleep

789
00:36:04,520 --> 00:36:08,200
Speaker 1: to tell yourself you have to stay awake. You don't

790
00:36:08,200 --> 00:36:11,080
Speaker 1: get to go to sleep. You must stay awakes, like

791
00:36:11,400 --> 00:36:15,040
Speaker 1: you cannot fall asleep. And when you stop, when you start,

792
00:36:15,200 --> 00:36:19,640
Speaker 1: instead of fighting staying awake to go to sleep, you

793
00:36:19,680 --> 00:36:23,520
Speaker 1: stop fighting. You start fighting sleeping man, that sucker will

794
00:36:23,520 --> 00:36:26,640
Speaker 1: win over Like do the opposite, go like you can't

795
00:36:26,640 --> 00:36:28,960
Speaker 1: fall asleep, don't you dare fall asleep? You don't get

796
00:36:28,960 --> 00:36:31,400
Speaker 1: to and then suddenly you want to so bad and

797
00:36:31,440 --> 00:36:33,520
Speaker 1: then then let go and lean into it. And I

798
00:36:33,640 --> 00:36:36,359
Speaker 1: promise you it works. Because my sister and I used

799
00:36:36,400 --> 00:36:39,080
Speaker 1: to take turns looking for monsters. One of us would

800
00:36:39,120 --> 00:36:44,120
Speaker 1: have to stay up and keep look out for monsters.

801
00:36:44,440 --> 00:36:50,120
Speaker 1: Yeah in college we were both a little mostly underdeveloped,

802
00:36:50,120 --> 00:36:53,040
Speaker 1: but yeah, it was so cute. So whenever I was

803
00:36:53,040 --> 00:36:56,839
Speaker 1: on monster lookout duty, I would feel so much more

804
00:36:56,920 --> 00:37:00,360
Speaker 1: tired than when I wasn't, And I remember realizing, like,

805
00:37:00,480 --> 00:37:02,160
Speaker 1: why when I have to stay up to look for

806
00:37:02,239 --> 00:37:06,080
Speaker 1: monsters do I just suddenly almost immediately, I'm like, oh,

807
00:37:06,160 --> 00:37:09,479
Speaker 1: I'm so tired, And so I've started using that kind

808
00:37:09,480 --> 00:37:10,239
Speaker 1: of same thing.

809
00:37:11,280 --> 00:37:12,759
Speaker 3: That's interesting. I'm gonna try doing that.

810
00:37:12,920 --> 00:37:15,359
Speaker 4: I just try it because I think what it does,

811
00:37:15,440 --> 00:37:17,799
Speaker 4: what would do for me is the reason why I

812
00:37:17,840 --> 00:37:20,239
Speaker 4: can't fall asleep is because I'm thinking about something else

813
00:37:20,280 --> 00:37:22,319
Speaker 4: that I'm stressing about, something else that I need to

814
00:37:22,320 --> 00:37:24,440
Speaker 4: do the next morning, or sometimes it's like I can't.

815
00:37:24,480 --> 00:37:26,880
Speaker 3: I'm like still I ate a meal too late. But

816
00:37:27,360 --> 00:37:28,279
Speaker 3: if I'm thinking.

817
00:37:28,040 --> 00:37:29,640
Speaker 4: About something and then I start thinking I have to

818
00:37:29,640 --> 00:37:32,360
Speaker 4: stay awake, then I'll be thinking about that instead of

819
00:37:32,400 --> 00:37:34,480
Speaker 4: the thing that's actually keeping me awake.

820
00:37:34,680 --> 00:37:37,400
Speaker 1: Yeah, then you're actually thinking about sleeping. Yeah.

821
00:37:37,480 --> 00:37:38,000
Speaker 3: Interesting.

822
00:37:38,360 --> 00:37:41,080
Speaker 1: Well, I was listening to this meditation of this guy

823
00:37:41,160 --> 00:37:46,080
Speaker 1: named doctor Russ. He's a chiropractor out of Portland, and

824
00:37:46,120 --> 00:37:48,719
Speaker 1: I watch all his videos. He's the most relaxing ASMR

825
00:37:48,840 --> 00:37:51,000
Speaker 1: voice ever. But he does like chiropractic videos. But then

826
00:37:51,000 --> 00:37:54,200
Speaker 1: he does like meditations and he did one about sleeping

827
00:37:54,960 --> 00:37:58,560
Speaker 1: and he was talking about how people when they can't sleep,

828
00:37:58,640 --> 00:38:00,759
Speaker 1: he does like a talk with you about how you

829
00:38:00,800 --> 00:38:03,600
Speaker 1: can't sleep, and it's so soothing and I literally haven't

830
00:38:03,600 --> 00:38:05,279
Speaker 1: got it's like fifteen minutes, so long, and I never

831
00:38:05,320 --> 00:38:08,680
Speaker 1: finish it. Because his name is doctor Russ out of Seattle.

832
00:38:08,840 --> 00:38:13,800
Speaker 1: Just I've been sleeping doctor Russ. And he was saying

833
00:38:13,840 --> 00:38:18,200
Speaker 1: that people feel like they can't sleep because they have

834
00:38:18,239 --> 00:38:21,799
Speaker 1: to solve They need to solve whatever it is they're

835
00:38:21,840 --> 00:38:25,200
Speaker 1: worried about, which is impossible to do, like you're not

836
00:38:25,280 --> 00:38:27,960
Speaker 1: going to solve it. But I don't relate to that.

837
00:38:28,000 --> 00:38:30,520
Speaker 1: I've never felt like there's.

838
00:38:30,360 --> 00:38:33,200
Speaker 6: What's keeping you up, like what's happening in your mind?

839
00:38:33,440 --> 00:38:36,640
Speaker 1: Only just my caffeine. Like I'm just not tired, you know,

840
00:38:36,880 --> 00:38:39,840
Speaker 1: Like yeah, if I'm tired, though, I don't think anything

841
00:38:39,880 --> 00:38:43,400
Speaker 1: can keep me up because I almost feel like sleep

842
00:38:44,120 --> 00:38:47,280
Speaker 1: helps me, Like I'm not going to solve us something

843
00:38:47,320 --> 00:38:50,520
Speaker 1: when I'm tired. I just know that my brain's not

844
00:38:50,600 --> 00:38:53,200
Speaker 1: functioning right, and I'm just like it's almost like I'm drunk.

845
00:38:54,120 --> 00:38:56,120
Speaker 1: There's no part of me that even wants to solve

846
00:38:56,120 --> 00:38:58,480
Speaker 1: it when I'm feeling tired, because.

847
00:38:58,239 --> 00:39:00,799
Speaker 4: I you've acknowledged that sleep is an necessary step in

848
00:39:00,880 --> 00:39:02,160
Speaker 4: order to get you to the solution.

849
00:39:02,680 --> 00:39:04,839
Speaker 1: Yeah, maybe I'm procrastinating a little bit. I'm like, oh,

850
00:39:04,880 --> 00:39:07,520
Speaker 1: maybe if I sleep, I can do it after I sleep. Like,

851
00:39:07,640 --> 00:39:10,600
Speaker 1: there's that, But I'm glad I don't relate to that.

852
00:39:10,640 --> 00:39:12,920
Speaker 1: But I think a lot of people do. They are

853
00:39:12,960 --> 00:39:15,400
Speaker 1: trying to solve things and they're sleep. Do you guys

854
00:39:15,440 --> 00:39:17,680
Speaker 1: both do that? Yeah, I mean that's happened to me.

855
00:39:17,760 --> 00:39:20,839
Speaker 6: I used to have like a period in time where

856
00:39:20,840 --> 00:39:23,799
Speaker 6: I'd wake up at three am, like every night, wake

857
00:39:23,840 --> 00:39:26,000
Speaker 6: up at three am, and just start thinking about like

858
00:39:26,080 --> 00:39:29,480
Speaker 6: the stresses of the next day. And my therapist, I

859
00:39:29,480 --> 00:39:31,399
Speaker 6: mean she kind of told me what doctor Russ said.

860
00:39:31,520 --> 00:39:35,040
Speaker 6: She goes, at three am, you cannot solve your problems.

861
00:39:35,400 --> 00:39:37,640
Speaker 6: No one is up to help you. You can't send

862
00:39:37,640 --> 00:39:40,560
Speaker 6: that email, you can't communicate, so just go back to sleep.

863
00:39:41,239 --> 00:39:41,439
Speaker 5: Yeah.

864
00:39:41,440 --> 00:39:44,680
Speaker 1: I start saying that to myself, there's nothing you will do,

865
00:39:45,360 --> 00:39:47,200
Speaker 1: Like when my dad told me there's nothing. When I

866
00:39:47,200 --> 00:39:49,600
Speaker 1: was scared of nuclear war, in nighth grade, and he

867
00:39:49,680 --> 00:39:54,160
Speaker 1: was like, Nikki, there's nothing you can do about whether

868
00:39:54,239 --> 00:39:57,239
Speaker 1: or not we die in a nuclear explosion. Nothing. And

869
00:39:57,280 --> 00:40:02,800
Speaker 1: that was like, bring it on, Powerless.

870
00:40:03,280 --> 00:40:07,160
Speaker 4: When I feel powerless, I start screaming, literally screaming. Yeah,

871
00:40:07,239 --> 00:40:08,640
Speaker 4: like that's how I feel in the shower. But I

872
00:40:08,680 --> 00:40:11,040
Speaker 4: want to show you something I got that I that

873
00:40:11,120 --> 00:40:13,160
Speaker 4: I sometimes use when I wake up at three o'clock

874
00:40:13,200 --> 00:40:17,360
Speaker 4: in the morning, which is this, Uh ACU show this

875
00:40:17,440 --> 00:40:18,400
Speaker 4: you already.

876
00:40:18,239 --> 00:40:23,760
Speaker 1: No, but I've seen that kind of So it's a pillow, guys,

877
00:40:23,920 --> 00:40:24,880
Speaker 1: spiky things on it.

878
00:40:24,920 --> 00:40:26,279
Speaker 2: So what is it called acupressure?

879
00:40:26,760 --> 00:40:30,600
Speaker 5: It's it's an acupressure, Matt this particular brands man.

880
00:40:30,719 --> 00:40:34,399
Speaker 3: Yeah, so that's it. Yeah, this is actually they made

881
00:40:34,440 --> 00:40:35,800
Speaker 3: it out of Lady Gaga dresses.

882
00:40:35,800 --> 00:40:39,640
Speaker 1: There's only it looks like a skirt I wear to aerostour.

883
00:40:39,960 --> 00:40:44,600
Speaker 5: Yeah, but it's like it's really painful and you lay

884
00:40:44,600 --> 00:40:47,760
Speaker 5: on it and the pain just kind.

885
00:40:47,560 --> 00:40:50,080
Speaker 3: Of distracts you from whatever it.

886
00:40:50,080 --> 00:40:52,520
Speaker 5: Is that you're thinking of, My God, and you go,

887
00:40:52,840 --> 00:40:58,200
Speaker 5: this hurts so badatos, But then eventually the pain subsides

888
00:40:58,600 --> 00:41:01,840
Speaker 5: and you sort of enter into the it's like drifting

889
00:41:01,920 --> 00:41:05,160
Speaker 5: state of nirvana. It's like it's like your body just

890
00:41:05,239 --> 00:41:08,600
Speaker 5: accepts the pain and then sends all these endorphins to

891
00:41:08,719 --> 00:41:09,200
Speaker 5: the area.

892
00:41:09,360 --> 00:41:12,440
Speaker 1: Well, wait, so you really get like tripped out because

893
00:41:12,480 --> 00:41:14,600
Speaker 1: the pain kind of disappears and.

894
00:41:14,680 --> 00:41:18,719
Speaker 3: Because you get relaxed cloud of pain. Yeah, in a way.

895
00:41:18,760 --> 00:41:21,240
Speaker 4: I wouldn't say tripped out like you're taking shrooms or something,

896
00:41:21,280 --> 00:41:25,600
Speaker 4: but you do enter this like state of this good

897
00:41:25,680 --> 00:41:27,520
Speaker 4: vibrational state of calm.

898
00:41:27,800 --> 00:41:30,239
Speaker 3: Oh my god, yeah a lot.

899
00:41:30,239 --> 00:41:33,080
Speaker 1: Wait to tell you guys what I did last week.

900
00:41:33,680 --> 00:41:35,080
Speaker 1: I don't even know if we have time for it.

901
00:41:35,080 --> 00:41:38,280
Speaker 1: It's so fucked up. I'm gonna get into it after break.

902
00:41:38,360 --> 00:41:42,239
Speaker 1: I haven't told anyone about it. Literally, it's you won't

903
00:41:42,239 --> 00:41:44,520
Speaker 1: even believe what happened. Okay, we'll talk about when we

904
00:41:44,520 --> 00:41:50,719
Speaker 1: get back. Okay, I have not told anyone about this

905
00:41:50,800 --> 00:41:53,960
Speaker 1: except Chris. And Chris like didn't even really care to

906
00:41:54,000 --> 00:41:56,560
Speaker 1: hear details about it. And I don't know why, because

907
00:41:56,600 --> 00:41:58,279
Speaker 1: I think he was just ashamed that I even did

908
00:41:58,360 --> 00:42:01,480
Speaker 1: something like this. But I've been having you know, I

909
00:42:01,680 --> 00:42:04,239
Speaker 1: suffer with like vocal tension. I just have too much

910
00:42:04,400 --> 00:42:06,719
Speaker 1: tension in my body that I literally just can't get

911
00:42:06,760 --> 00:42:08,680
Speaker 1: rid of, and especially in my throat. And my neck,

912
00:42:09,280 --> 00:42:12,440
Speaker 1: and I was like, maybe I'll go to a hypnotist.

913
00:42:12,480 --> 00:42:16,880
Speaker 1: So I googled hypnotist right Saint Louis. Found someone who

914
00:42:17,200 --> 00:42:20,279
Speaker 1: has been doing it for almost thirty years. Looked like

915
00:42:20,320 --> 00:42:22,319
Speaker 1: someone like you know that experience. I just went off

916
00:42:22,320 --> 00:42:24,320
Speaker 1: of experience. Chris was like, how did you find this person?

917
00:42:24,360 --> 00:42:26,640
Speaker 1: I'm just like, I don't know. She just said she'd

918
00:42:26,680 --> 00:42:29,799
Speaker 1: been doing it the longest and I just picked Willy Nilly.

919
00:42:29,840 --> 00:42:31,600
Speaker 1: I don't know how to pick a good hypnotist. It's

920
00:42:31,640 --> 00:42:34,719
Speaker 1: all fucking whatever. So and I've heard people like hypnotize

921
00:42:34,760 --> 00:42:41,239
Speaker 1: themselves to you know, release, to stop smoking or to

922
00:42:42,080 --> 00:42:46,600
Speaker 1: I don't know, it's helped people. Yeah, And I saw

923
00:42:46,640 --> 00:42:51,720
Speaker 1: a girl get hypnotized at our like post prom party

924
00:42:51,760 --> 00:42:53,520
Speaker 1: and she peter pants because she thought her share was

925
00:42:53,560 --> 00:42:55,239
Speaker 1: on fire. And I know that it's real because she

926
00:42:55,280 --> 00:42:57,320
Speaker 1: would never have done that. That's so embarrassing to do.

927
00:42:57,680 --> 00:43:00,759
Speaker 5: She's literally giving a lap dance to your ex or

928
00:43:00,800 --> 00:43:02,160
Speaker 5: something exactly.

929
00:43:02,040 --> 00:43:04,799
Speaker 1: Like people like I understand when they do dumb things

930
00:43:04,800 --> 00:43:06,359
Speaker 1: that are like kind of cool looking, like a girl

931
00:43:06,400 --> 00:43:08,200
Speaker 1: is doing a strip teas because she's always wanted to,

932
00:43:08,360 --> 00:43:11,160
Speaker 1: you know, yeah, but pissing your pants in front of

933
00:43:11,200 --> 00:43:14,040
Speaker 1: your senior class, when you're not the most popular girl

934
00:43:14,200 --> 00:43:15,880
Speaker 1: that could maybe get away with that. I don't know

935
00:43:16,239 --> 00:43:19,600
Speaker 1: what kind of girl could. That's when I knew tipnotism

936
00:43:19,719 --> 00:43:22,919
Speaker 1: was real. So I never tried it because I never

937
00:43:23,080 --> 00:43:25,760
Speaker 1: really wanted it, but I just felt kind of desperate.

938
00:43:25,800 --> 00:43:28,120
Speaker 1: So I called this woman and I go in and

939
00:43:28,200 --> 00:43:31,200
Speaker 1: I tell her about my stuff, and she's kooky. I

940
00:43:31,320 --> 00:43:33,360
Speaker 1: was outside of her office for fifteen minutes before she

941
00:43:34,160 --> 00:43:35,960
Speaker 1: picked up her phone because I'm banging on the door

942
00:43:36,160 --> 00:43:38,480
Speaker 1: and I'm like, she's not even here. She had just

943
00:43:38,560 --> 00:43:41,000
Speaker 1: told me to reconfirm, and so I'm there. I drove

944
00:43:41,080 --> 00:43:44,400
Speaker 1: forty minutes to get to where she was. Finally she

945
00:43:44,480 --> 00:43:46,960
Speaker 1: lets me in. There's not really an apology. She's just like, oh,

946
00:43:47,840 --> 00:43:49,799
Speaker 1: I didn't check my phone, and I'm like, okay, but

947
00:43:50,239 --> 00:43:51,799
Speaker 1: it's two o'clock. I was with you here at two.

948
00:43:51,840 --> 00:43:53,640
Speaker 1: I am here at too. Now it's two twenty and

949
00:43:53,640 --> 00:43:55,600
Speaker 1: now you're letting me in, so we go up. I

950
00:43:55,640 --> 00:43:57,239
Speaker 1: was just about to drive off too. I wish I

951
00:43:57,280 --> 00:43:59,880
Speaker 1: would have we go up. We sit down in her

952
00:43:59,880 --> 00:44:02,759
Speaker 1: own office. She keeps apologizing that nothing is where it's

953
00:44:02,760 --> 00:44:05,760
Speaker 1: supposed to be because she just moved in. Not my problem.

954
00:44:06,160 --> 00:44:06,759
Speaker 3: She's a wreck.

955
00:44:06,880 --> 00:44:09,160
Speaker 1: She's totally She keeps checking her phone, putting it back

956
00:44:09,160 --> 00:44:12,160
Speaker 1: in her purse. Her purse is full with things. Yeah,

957
00:44:12,200 --> 00:44:15,120
Speaker 1: I know, her foot phone. She her purse is filled

958
00:44:15,160 --> 00:44:16,880
Speaker 1: to the brim with things. She's kind of like a

959
00:44:17,880 --> 00:44:21,799
Speaker 1: slight bag lady, a little hoardy, you know. But I

960
00:44:21,800 --> 00:44:24,959
Speaker 1: don't judge it because like people that aren't, I don't

961
00:44:24,960 --> 00:44:27,640
Speaker 1: need her to be perfect to be she's a fucking right,

962
00:44:27,760 --> 00:44:31,680
Speaker 1: she's supposed to be out there and kookie. She has

963
00:44:31,680 --> 00:44:35,600
Speaker 1: like a white beret. She has long white hair down

964
00:44:35,640 --> 00:44:36,360
Speaker 1: to her shoulders.

965
00:44:36,400 --> 00:44:37,799
Speaker 3: Well, that's good. That's a good sign.

966
00:44:37,880 --> 00:44:41,560
Speaker 1: She is probably seventy five. Sorry, if you're listening to this,

967
00:44:41,600 --> 00:44:44,080
Speaker 1: I don't think she is. And she's not that all

968
00:44:44,239 --> 00:44:48,719
Speaker 1: like white outfit. Really really nice woman. What I loved

969
00:44:48,719 --> 00:44:50,160
Speaker 1: about her is that when I was talking about was

970
00:44:50,200 --> 00:44:51,839
Speaker 1: going through she kept saying, I'm really sorry you're going

971
00:44:51,840 --> 00:44:53,319
Speaker 1: through that, And I thought that was a really nice thing.

972
00:44:53,360 --> 00:44:54,239
Speaker 2: She was like, that must be.

973
00:44:54,200 --> 00:44:56,080
Speaker 1: Really hard, that's I'm so sorry. I was talking to

974
00:44:56,120 --> 00:44:58,560
Speaker 1: her about imposter syndrome. I was talking to her about

975
00:44:58,800 --> 00:45:00,680
Speaker 1: my throat issues, and she was like, I really want

976
00:45:00,680 --> 00:45:03,520
Speaker 1: to get back to this imposter syndrome thing like why

977
00:45:03,600 --> 00:45:05,440
Speaker 1: you think you don't deserve things or whatever.

978
00:45:06,760 --> 00:45:07,399
Speaker 2: Final thought.

979
00:45:07,520 --> 00:45:12,960
Speaker 1: So she goes, honestly, I think before we do your

980
00:45:12,960 --> 00:45:15,080
Speaker 1: throat stuff, which is why I went to her, like

981
00:45:15,120 --> 00:45:17,320
Speaker 1: I want to release tension to sing better.

982
00:45:17,760 --> 00:45:18,120
Speaker 3: Yeah.

983
00:45:18,200 --> 00:45:20,360
Speaker 1: She was like, I really think you have some past

984
00:45:20,480 --> 00:45:23,600
Speaker 1: life stuff that we have to address about this imposter syndrome.

985
00:45:23,640 --> 00:45:26,440
Speaker 1: And I'm just like, okay, sure, let's do that. She

986
00:45:26,440 --> 00:45:28,200
Speaker 1: wants to get paid first, and I go, that's fine,

987
00:45:28,440 --> 00:45:31,080
Speaker 1: two hundred fifty dollars all. She goes cash would be best.

988
00:45:31,120 --> 00:45:32,480
Speaker 1: I go, I have cash, but I have three hundred.

989
00:45:32,520 --> 00:45:34,560
Speaker 1: I'll just put fifty towards the next session because I'm

990
00:45:34,560 --> 00:45:36,879
Speaker 1: thinking this is going to work. I'm not going back.

991
00:45:36,920 --> 00:45:40,279
Speaker 1: She's keeping that fifty, by the way, So she's like,

992
00:45:40,360 --> 00:45:43,160
Speaker 1: let's get into past life work. I just want to

993
00:45:43,160 --> 00:45:45,440
Speaker 1: tell everyone I had time. If anyone wants to do

994
00:45:45,560 --> 00:45:49,200
Speaker 1: past life stuff with you, run I've done it before.

995
00:45:49,280 --> 00:45:51,040
Speaker 1: I talked about it on the podcast years ago. When

996
00:45:51,040 --> 00:45:53,560
Speaker 1: I did it because a friend of mine recommended this woman.

997
00:45:54,280 --> 00:45:57,160
Speaker 1: If you want to just sit for an hour with

998
00:45:57,200 --> 00:46:00,719
Speaker 1: someone closing your eyes and making up a stra for

999
00:46:00,840 --> 00:46:04,640
Speaker 1: them to help you make up, then do that. If

1000
00:46:04,680 --> 00:46:07,280
Speaker 1: you enjoy tucking your kids in at night and making

1001
00:46:07,360 --> 00:46:09,400
Speaker 1: up a story when they go tell a story, and

1002
00:46:09,440 --> 00:46:12,560
Speaker 1: you just enjoy speaking off the lit off the dome,

1003
00:46:12,960 --> 00:46:16,839
Speaker 1: coming up with characters and settings and a plot line,

1004
00:46:17,440 --> 00:46:19,920
Speaker 1: then this is for you, because this is what it was.

1005
00:46:20,120 --> 00:46:23,400
Speaker 1: It was me staring at a literal wheel that turned,

1006
00:46:23,520 --> 00:46:25,960
Speaker 1: you know, like a black and white wheel, Oh god,

1007
00:46:26,400 --> 00:46:28,399
Speaker 1: that she put across the room. So it was really small,

1008
00:46:28,440 --> 00:46:29,880
Speaker 1: and I go, I think it needs to be closer.

1009
00:46:29,920 --> 00:46:31,320
Speaker 1: So then we moved a bunch of shits so it

1010
00:46:31,360 --> 00:46:34,960
Speaker 1: could be closer. I'm on a love seat. I'm five nine,

1011
00:46:35,040 --> 00:46:37,480
Speaker 1: so I'm like bald up on this love seat, laying down,

1012
00:46:37,520 --> 00:46:38,840
Speaker 1: and she was like, my long.

1013
00:46:38,640 --> 00:46:40,440
Speaker 2: Couch wouldn't fit in the new office. I got.

1014
00:46:40,600 --> 00:46:43,880
Speaker 1: I don't care. So then we're going in my past

1015
00:46:43,880 --> 00:46:46,160
Speaker 1: life and she's like, okay, you're walking down a hall.

1016
00:46:46,400 --> 00:46:48,840
Speaker 1: She goes, your eyes are getting heavy, and my my

1017
00:46:48,960 --> 00:46:52,200
Speaker 1: head is going like, no they're not, your eyes are watering,

1018
00:46:52,719 --> 00:46:55,400
Speaker 1: No they're not. But then they start to because I

1019
00:46:55,480 --> 00:46:58,840
Speaker 1: just want to make it right, right, like I just

1020
00:46:58,880 --> 00:47:01,160
Speaker 1: want to give her what she's telling me. Your eyes

1021
00:47:01,200 --> 00:47:04,200
Speaker 1: are closing, and I literally felt like if I don't

1022
00:47:04,200 --> 00:47:06,480
Speaker 1: close my eyes, then what is this gonna be? Like,

1023
00:47:06,520 --> 00:47:08,560
Speaker 1: I just need to do I need to close my eyes.

1024
00:47:08,600 --> 00:47:10,200
Speaker 1: I need to give her what she wants. And I'm

1025
00:47:10,239 --> 00:47:13,360
Speaker 1: someone that's not like I pride myself on not just

1026
00:47:13,440 --> 00:47:15,200
Speaker 1: doing what people want me to do. But I just

1027
00:47:15,400 --> 00:47:17,360
Speaker 1: wanted to get the fuck out of there, and I go,

1028
00:47:17,520 --> 00:47:20,880
Speaker 1: maybe part of being hypnotized is kind of, you know,

1029
00:47:21,040 --> 00:47:23,239
Speaker 1: controlling it a little bit, like, yeah, closing your eyes

1030
00:47:23,239 --> 00:47:25,719
Speaker 1: because she said to close them, but you know, I

1031
00:47:25,760 --> 00:47:28,680
Speaker 1: don't know. So I at first was like, I'm not

1032
00:47:28,680 --> 00:47:30,319
Speaker 1: gonna close my eyes just because she says close your

1033
00:47:30,320 --> 00:47:31,520
Speaker 1: eyes and your eyes are getting heavy.

1034
00:47:31,560 --> 00:47:33,040
Speaker 2: They're not, and so I kept them open.

1035
00:47:33,120 --> 00:47:35,200
Speaker 1: But then she kept saying they're getting heavy because she

1036
00:47:35,239 --> 00:47:37,560
Speaker 1: was getting frustrated. And then finally I'm like, they're closed.

1037
00:47:38,200 --> 00:47:40,319
Speaker 1: Then I'm walking down a hallway. Then she's like, there's

1038
00:47:40,320 --> 00:47:42,800
Speaker 1: a bunch of doors. Suddenly a door is going to

1039
00:47:42,840 --> 00:47:45,000
Speaker 1: look familiar to you. I think I might have the

1040
00:47:45,040 --> 00:47:48,240
Speaker 1: thing that Halla has where you can't picture things. Because

1041
00:47:48,320 --> 00:47:51,600
Speaker 1: I could not see a hallway, I couldn't see doors nothing.

1042
00:47:52,160 --> 00:47:53,719
Speaker 1: She made it sound like I should be like in

1043
00:47:53,719 --> 00:47:56,040
Speaker 1: this virtual reality world that would be so clear to me,

1044
00:47:56,400 --> 00:47:58,560
Speaker 1: what the floor looked like, what the doors looked like.

1045
00:47:58,600 --> 00:48:00,680
Speaker 1: You're gonna see a door that looks familiar, walk into it.

1046
00:48:00,960 --> 00:48:02,560
Speaker 1: Then that is a past life. So I walk in

1047
00:48:02,600 --> 00:48:05,759
Speaker 1: this door and then she's like, and what's in the room.

1048
00:48:05,800 --> 00:48:08,719
Speaker 1: I'm like, I can't see anything. Well, if you could

1049
00:48:08,719 --> 00:48:11,320
Speaker 1: see something, what would it be. I'm like a bird cage.

1050
00:48:11,560 --> 00:48:14,359
Speaker 1: I mean, I'm just literally making shit up. And then

1051
00:48:14,400 --> 00:48:16,359
Speaker 1: she's like, you find a closet with clothes in it?

1052
00:48:16,480 --> 00:48:18,680
Speaker 1: What do the clothes look like. I'm like, there's no clothes.

1053
00:48:18,800 --> 00:48:23,000
Speaker 1: I don't see a closet. Well, keep looking, Oh, I

1054
00:48:23,040 --> 00:48:26,040
Speaker 1: found the closet. Like, I'm just like getting raped into

1055
00:48:26,360 --> 00:48:30,480
Speaker 1: mini raped into making things appear. So finally I'm in

1056
00:48:30,480 --> 00:48:34,080
Speaker 1: this dress, I'm on a plantation. So I'm making up

1057
00:48:34,080 --> 00:48:38,400
Speaker 1: a story. I'm literally in Bridgerton because and then she

1058
00:48:38,480 --> 00:48:40,879
Speaker 1: goes okay, and then we get bored there because oh,

1059
00:48:40,920 --> 00:48:43,399
Speaker 1: so then I'm a woman in the eighteen hundreds walking

1060
00:48:43,400 --> 00:48:43,879
Speaker 1: around a house.

1061
00:48:43,920 --> 00:48:44,640
Speaker 2: I'm just making this.

1062
00:48:44,719 --> 00:48:48,319
Speaker 1: Up literally, which could she could cause I literally said

1063
00:48:48,320 --> 00:48:50,160
Speaker 1: that to her. I go, I think I'm just making

1064
00:48:50,160 --> 00:48:52,200
Speaker 1: things up to give you a story, because I don't

1065
00:48:52,560 --> 00:48:56,000
Speaker 1: none of this is appearing. I'm actually trying to think

1066
00:48:56,000 --> 00:48:57,560
Speaker 1: of something to tell you. And she goes, well, what's

1067
00:48:57,560 --> 00:48:59,359
Speaker 1: the difference between that and an appearing? And I go, well,

1068
00:48:59,360 --> 00:49:01,440
Speaker 1: that's a good point. Don't really know, so let's just

1069
00:49:01,440 --> 00:49:04,600
Speaker 1: go with it. But I think a lot of this, exactly,

1070
00:49:05,040 --> 00:49:06,640
Speaker 1: I think a lot of what I'm coming up with

1071
00:49:06,800 --> 00:49:08,920
Speaker 1: is stuff that I just saw this week on TV.

1072
00:49:09,600 --> 00:49:12,239
Speaker 1: I said that, I go, She goes, esventually, I end

1073
00:49:12,280 --> 00:49:13,920
Speaker 1: up in this office, and she goes, what does the

1074
00:49:13,920 --> 00:49:16,280
Speaker 1: office look like? And I go, I go, it looks

1075
00:49:16,320 --> 00:49:19,040
Speaker 1: exactly like the office of the man whose office is

1076
00:49:19,040 --> 00:49:21,440
Speaker 1: next to yours, who I walked into right before the session.

1077
00:49:21,600 --> 00:49:23,839
Speaker 2: That's exactly. And it's the same man sitting there.

1078
00:49:24,000 --> 00:49:26,279
Speaker 1: And she goes, well, maybe it is. Maybe it's just

1079
00:49:26,400 --> 00:49:28,640
Speaker 1: maybe it was another past life where you run into him.

1080
00:49:28,640 --> 00:49:29,880
Speaker 2: And I'm like, unlikely.

1081
00:49:31,239 --> 00:49:34,839
Speaker 1: So I made up an entire plot line for this

1082
00:49:34,920 --> 00:49:37,360
Speaker 1: girl who I used to be. Her name was Abigail,

1083
00:49:37,840 --> 00:49:39,879
Speaker 1: She lit, she was She grew up.

1084
00:49:39,760 --> 00:49:40,680
Speaker 2: In an orphanage.

1085
00:49:40,840 --> 00:49:43,200
Speaker 1: She worked at the orphanage she grew up in. The

1086
00:49:43,239 --> 00:49:45,920
Speaker 1: woman kept wanting me, Okay, so because I want to

1087
00:49:45,960 --> 00:49:47,640
Speaker 1: be a singer, she kept wanting me to be a

1088
00:49:47,680 --> 00:49:49,600
Speaker 1: singer in a past life, and she kept being like.

1089
00:49:50,040 --> 00:49:52,359
Speaker 2: So, so what are you do? You sing a little bit?

1090
00:49:52,400 --> 00:49:56,840
Speaker 1: And I go nope, this girl does not sing.

1091
00:49:57,080 --> 00:50:00,560
Speaker 2: Does she go out to like have or anything?

1092
00:50:00,560 --> 00:50:02,760
Speaker 1: And I go, it's the eighteen hundreds. I'm a single woman.

1093
00:50:02,840 --> 00:50:04,960
Speaker 1: I can't go anywhere for fun on my own. I

1094
00:50:05,000 --> 00:50:07,480
Speaker 1: just go walk along the river and she goes, oh,

1095
00:50:07,520 --> 00:50:09,720
Speaker 1: that makes sense. I go, I need a male companion

1096
00:50:09,800 --> 00:50:12,239
Speaker 1: to go anywhere. And I really truly felt that. I

1097
00:50:12,280 --> 00:50:14,280
Speaker 1: don't even know if I came up with that logically.

1098
00:50:14,320 --> 00:50:16,560
Speaker 1: I literally was like, bitch, why do you keep asking

1099
00:50:16,600 --> 00:50:18,960
Speaker 1: me to go places when I don't have a husband

1100
00:50:19,000 --> 00:50:22,040
Speaker 1: so I can't fucking go anywhere. I work in an orphanage.

1101
00:50:22,239 --> 00:50:24,279
Speaker 1: And she goes, that actually would be true. She goes,

1102
00:50:24,320 --> 00:50:26,239
Speaker 1: do you have the friends? And I go no, and

1103
00:50:26,280 --> 00:50:28,759
Speaker 1: she goes, What's how's this girl's life gonna end? I'm like,

1104
00:50:28,800 --> 00:50:31,040
Speaker 1: she wants to throw herself from a fucking bridge and

1105
00:50:31,080 --> 00:50:32,799
Speaker 1: she goes, okay, well does she?

1106
00:50:32,840 --> 00:50:34,200
Speaker 2: And I go I don't think she does. She just

1107
00:50:34,239 --> 00:50:34,960
Speaker 2: thinks about it.

1108
00:50:35,320 --> 00:50:37,360
Speaker 1: And then I made this girl find a friend, and

1109
00:50:37,400 --> 00:50:39,399
Speaker 1: I'm like, oh my god, this is actually turning into

1110
00:50:39,520 --> 00:50:42,239
Speaker 1: like an a lane Ferrante book or whatever. That my

1111
00:50:42,280 --> 00:50:45,239
Speaker 1: brilliant friend book. This is turning into a book. So

1112
00:50:45,280 --> 00:50:47,640
Speaker 1: this girl then meets a friend by the lake. That

1113
00:50:47,680 --> 00:50:50,000
Speaker 1: girl comes from a privileged life, but they have to

1114
00:50:50,040 --> 00:50:52,120
Speaker 1: keep their friendship secret because she's not allowed to like

1115
00:50:52,200 --> 00:50:55,680
Speaker 1: have friends that are dirty and like poor. And then

1116
00:50:55,719 --> 00:50:57,400
Speaker 1: they kind of are gay for each other, but they

1117
00:50:57,440 --> 00:51:00,560
Speaker 1: can ever admit it because she's married. And my character

1118
00:51:00,600 --> 00:51:02,360
Speaker 1: like hates the patriarchy, even though she doesn't have a

1119
00:51:02,360 --> 00:51:04,840
Speaker 1: word for it. She like hates men and hates her status,

1120
00:51:04,920 --> 00:51:07,000
Speaker 1: and she's a right like I came with this whole story.

1121
00:51:07,000 --> 00:51:09,319
Speaker 2: And then she just dies in her sleep. Like my paracter,

1122
00:51:09,360 --> 00:51:10,000
Speaker 2: she wanted.

1123
00:51:09,719 --> 00:51:12,120
Speaker 1: This woman to be she I think she wanted me

1124
00:51:12,239 --> 00:51:14,560
Speaker 1: to be like Judy Garland in the past life or something,

1125
00:51:14,560 --> 00:51:16,640
Speaker 1: because she kept like trying to steer it to that.

1126
00:51:16,719 --> 00:51:19,800
Speaker 1: I'm like, we're not even in that same fucking century, bitch,

1127
00:51:20,400 --> 00:51:23,360
Speaker 1: and but I and then oh, don't even think it

1128
00:51:23,400 --> 00:51:25,560
Speaker 1: was over. So after that woman died, she makes me

1129
00:51:25,640 --> 00:51:29,319
Speaker 1: go to my next life after that, and then I

1130
00:51:29,440 --> 00:51:31,960
Speaker 1: just threw in the cards and in my next life,

1131
00:51:32,760 --> 00:51:33,839
Speaker 1: guess what, I was.

1132
00:51:35,400 --> 00:51:36,040
Speaker 3: A whale.

1133
00:51:37,040 --> 00:51:39,000
Speaker 1: I just became a whale because I was like, I

1134
00:51:39,040 --> 00:51:42,080
Speaker 1: need something simple, though, require a bunch of doors and

1135
00:51:42,160 --> 00:51:46,600
Speaker 1: like dresses and an occupation and friends and different floorboards

1136
00:51:46,600 --> 00:51:48,279
Speaker 1: that I have to describe what the floor looks like

1137
00:51:48,280 --> 00:51:50,840
Speaker 1: and the bedding looks like like it was true, Brian,

1138
00:51:50,880 --> 00:51:53,200
Speaker 1: you know how I get stressed out in improvs games,

1139
00:51:53,239 --> 00:51:55,360
Speaker 1: Like when we played Bag of Fun. I can't.

1140
00:51:55,440 --> 00:51:57,160
Speaker 2: I don't like coming up with things.

1141
00:51:57,280 --> 00:51:59,799
Speaker 1: So for a whale, I was just a whale, a

1142
00:51:59,800 --> 00:52:03,160
Speaker 1: lie in the scene and I didn't even have a pod.

1143
00:52:03,239 --> 00:52:05,359
Speaker 1: I was like, I'm a lone whale who got lost

1144
00:52:05,400 --> 00:52:07,560
Speaker 1: from his pod. That's how done I was. And then

1145
00:52:07,760 --> 00:52:09,640
Speaker 1: this session, which she told me was supposed to last

1146
00:52:09,640 --> 00:52:11,920
Speaker 1: two and a half hours, which, by the way, that's disgusting,

1147
00:52:11,960 --> 00:52:13,680
Speaker 1: and you should tell someone before they get to your

1148
00:52:13,680 --> 00:52:17,200
Speaker 1: office that someone's going to last that long like this, does.

1149
00:52:17,080 --> 00:52:20,960
Speaker 4: That include the twenty minutes that you were waiting outside exactly?

1150
00:52:21,000 --> 00:52:22,080
Speaker 1: I said, I got to be out of here by

1151
00:52:22,080 --> 00:52:23,880
Speaker 1: four forty five and going to see you fucking house.

1152
00:52:24,239 --> 00:52:25,960
Speaker 1: And she was like, well, what we might we might

1153
00:52:26,000 --> 00:52:27,359
Speaker 1: be in one of your lives, and I go, well,

1154
00:52:27,360 --> 00:52:29,200
Speaker 1: then we'll have to leave that life because I have

1155
00:52:29,239 --> 00:52:31,600
Speaker 1: one to get to here. She was just so like, well,

1156
00:52:31,640 --> 00:52:33,040
Speaker 1: we don't know where we'll be and I'm like, well,

1157
00:52:33,040 --> 00:52:34,880
Speaker 1: I need to be out by four forty five. And

1158
00:52:34,960 --> 00:52:37,840
Speaker 1: so but I was out by three twenty five because

1159
00:52:37,920 --> 00:52:39,879
Speaker 1: I was a whale and then I was nothing else

1160
00:52:39,920 --> 00:52:41,680
Speaker 1: and she knew. I was like, I'm out of this

1161
00:52:41,760 --> 00:52:43,440
Speaker 1: cause I was just like, I'm just a whale. And

1162
00:52:43,800 --> 00:52:45,839
Speaker 1: then I go I just started like opening my eyes

1163
00:52:45,840 --> 00:52:46,919
Speaker 1: and I'm like, that's really cool.

1164
00:52:46,920 --> 00:52:49,160
Speaker 2: That makes sense why I love whales, and that makes.

1165
00:52:48,960 --> 00:52:54,080
Speaker 1: Sense why I, you know, feel angry about being a

1166
00:52:54,120 --> 00:52:55,359
Speaker 1: woman sometime, Like I.

1167
00:52:55,360 --> 00:52:57,920
Speaker 4: Was interesting that in both of your past lives you

1168
00:52:57,960 --> 00:53:01,600
Speaker 4: were alone. Yeah, you're a lone wail and a lone

1169
00:53:01,600 --> 00:53:02,839
Speaker 4: girl walking along the river.

1170
00:53:03,000 --> 00:53:05,080
Speaker 1: But it did help me. I was like, I kind

1171
00:53:05,080 --> 00:53:07,200
Speaker 1: of want to write a book about this woman now

1172
00:53:07,239 --> 00:53:10,280
Speaker 1: that I invented. Like I have never ever written fiction

1173
00:53:10,480 --> 00:53:12,760
Speaker 1: because I just don't find it interesting. I don't watch fiction.

1174
00:53:12,840 --> 00:53:14,920
Speaker 1: I don't really read fiction that often. Like I just

1175
00:53:15,000 --> 00:53:18,680
Speaker 1: don't care for fiction unless it's Taylor Swift writing folklore.

1176
00:53:19,080 --> 00:53:22,520
Speaker 1: I just don't care about made up things. But when

1177
00:53:22,560 --> 00:53:24,440
Speaker 1: I was forced to make this thing up, I'm like,

1178
00:53:24,480 --> 00:53:27,520
Speaker 1: oh my god, this person like exists somewhere. I like

1179
00:53:27,960 --> 00:53:30,319
Speaker 1: really feel like this Abigail girl is real. I don't

1180
00:53:30,320 --> 00:53:31,840
Speaker 1: think it was a real past life because it was

1181
00:53:31,880 --> 00:53:34,400
Speaker 1: made up of things I've seen on Netflix, you know.

1182
00:53:34,560 --> 00:53:37,560
Speaker 1: But it was like, oh, I see how people can

1183
00:53:37,600 --> 00:53:40,520
Speaker 1: be like attached to a character. I've never felt that before,

1184
00:53:40,719 --> 00:53:44,000
Speaker 1: so it wasn't all for not. But I wasted an

1185
00:53:44,080 --> 00:53:46,399
Speaker 1: hour and a half of my I would say two

1186
00:53:46,440 --> 00:53:49,160
Speaker 1: hours with the driving of my life making up a

1187
00:53:49,160 --> 00:53:52,120
Speaker 1: story for this woman, and I paid three hundred dollars

1188
00:53:52,200 --> 00:53:54,239
Speaker 1: to do it, and it's so embarrassing. So I just

1189
00:53:54,280 --> 00:53:56,920
Speaker 1: want to tell anyone whoever is involved in any past

1190
00:53:56,960 --> 00:53:58,520
Speaker 1: life stuff, it's.

1191
00:53:58,360 --> 00:54:01,759
Speaker 2: Bullsh I really think it's bullshit. It Do something else

1192
00:54:01,800 --> 00:54:02,279
Speaker 2: with your time.

1193
00:54:02,360 --> 00:54:05,120
Speaker 1: Do not get suckered into this, Like I just it's

1194
00:54:05,120 --> 00:54:07,239
Speaker 1: happened to me twice now where I've had past life

1195
00:54:07,239 --> 00:54:09,920
Speaker 1: people make me make up stories on the fly, and

1196
00:54:09,960 --> 00:54:11,919
Speaker 1: they make you so uncomfortable because they make you feel

1197
00:54:11,960 --> 00:54:14,760
Speaker 1: like when you're resisting and saying this is not real,

1198
00:54:15,400 --> 00:54:17,680
Speaker 1: they make you feel like you're doing it wrong somehow,

1199
00:54:17,719 --> 00:54:20,680
Speaker 1: and like you just can get so tricked by these people.

1200
00:54:20,800 --> 00:54:22,960
Speaker 1: And I'm just it cannot happen again to me, And

1201
00:54:23,000 --> 00:54:24,360
Speaker 1: I just want to ask any besties.

1202
00:54:24,400 --> 00:54:25,360
Speaker 2: If you've had any.

1203
00:54:25,160 --> 00:54:27,080
Speaker 1: Stories of this where you go to like a healer

1204
00:54:27,239 --> 00:54:30,879
Speaker 1: or something and they take advantage of you. I've been

1205
00:54:30,920 --> 00:54:35,120
Speaker 1: like sexually assaulted by a healer before. I've been. Yeah,

1206
00:54:35,120 --> 00:54:37,920
Speaker 1: they're not canceled yet, they're still working. I've been and

1207
00:54:37,920 --> 00:54:39,920
Speaker 1: it wasn't a horrible sexual asault, but he like licked

1208
00:54:39,960 --> 00:54:42,520
Speaker 1: tears off my face so much kind of unpleasant.

1209
00:54:43,560 --> 00:54:45,480
Speaker 2: It's disgusting. It's truely disgusting.

1210
00:54:45,480 --> 00:54:47,000
Speaker 1: And all my friends were in the next room and

1211
00:54:47,040 --> 00:54:49,440
Speaker 1: I talked about it afterwards, and they were like laughing about.

1212
00:54:49,239 --> 00:54:51,880
Speaker 2: It, like, Oh, that's just tim or whatever.

1213
00:54:51,920 --> 00:54:54,360
Speaker 1: It was so weird, and he still works and he

1214
00:54:54,400 --> 00:54:57,440
Speaker 1: works with really famous people and he's disgusting. But and

1215
00:54:57,480 --> 00:54:59,719
Speaker 1: he gave me the worst. He like adjusted my neck

1216
00:54:59,719 --> 00:55:03,120
Speaker 1: and gave me. I was vomiting for hours the next

1217
00:55:03,200 --> 00:55:05,720
Speaker 1: day because of a migraine I had from that, uh,

1218
00:55:05,800 --> 00:55:08,839
Speaker 1: from that adjustment. So I just I want to know

1219
00:55:08,880 --> 00:55:12,160
Speaker 1: if anyone else has been hoodwinked by these people, which

1220
00:55:12,160 --> 00:55:15,239
Speaker 1: I do think this woman believes what she's saying and doing. Sure,

1221
00:55:15,800 --> 00:55:18,680
Speaker 1: I don't think she's a Tyler Henry, which is a no.

1222
00:55:18,840 --> 00:55:21,520
Speaker 1: I do Tyler Henry. I believe it's real. But I

1223
00:55:21,560 --> 00:55:24,000
Speaker 1: believe she feels the same way Tyler does. Like I

1224
00:55:24,000 --> 00:55:26,600
Speaker 1: don't think she's aware that she's tricking people, And I

1225
00:55:26,600 --> 00:55:28,520
Speaker 1: don't think Tyler Henry's tricking people, by the way, But

1226
00:55:28,640 --> 00:55:32,800
Speaker 1: like I I think that I don't think she knows

1227
00:55:32,960 --> 00:55:33,839
Speaker 1: that she's full of shit.

1228
00:55:34,239 --> 00:55:36,600
Speaker 4: Well, she's either got a mental disorder or she truly

1229
00:55:36,719 --> 00:55:39,000
Speaker 4: is no longer tethered to reality, which is why she

1230
00:55:39,040 --> 00:55:42,200
Speaker 4: can't be bothered to like organize her apartment or you know,

1231
00:55:42,360 --> 00:55:45,600
Speaker 4: do things on time. Maybe she's in between worlds right

1232
00:55:45,600 --> 00:55:47,080
Speaker 4: now and she can see the past life.

1233
00:55:47,080 --> 00:55:49,040
Speaker 1: I don't you just hate when you get taken advantage

1234
00:55:49,080 --> 00:55:51,520
Speaker 1: of and you can't You're like, you're paying for something

1235
00:55:51,640 --> 00:55:54,560
Speaker 1: that you don't want and you can't leave. Does that

1236
00:55:54,640 --> 00:55:55,600
Speaker 1: happen to you guys?

1237
00:55:55,600 --> 00:55:55,839
Speaker 5: Ever?

1238
00:55:56,600 --> 00:56:00,399
Speaker 1: I mean this fear, No, not the fear like ever

1239
00:56:00,520 --> 00:56:02,560
Speaker 1: those sphere's the sphere.

1240
00:56:02,520 --> 00:56:05,040
Speaker 3: When you're watching YouTube being like I can't leave.

1241
00:56:05,120 --> 00:56:07,440
Speaker 4: I don't want to point Nikki and Chris, I just

1242
00:56:07,440 --> 00:56:09,719
Speaker 4: want to guess.

1243
00:56:09,040 --> 00:56:13,600
Speaker 1: I felt it to that night. Yeah, and yeah, you're

1244
00:56:13,640 --> 00:56:16,880
Speaker 1: so right. And Bono is on stage rambling like someone

1245
00:56:16,960 --> 00:56:19,240
Speaker 1: who is doing a past life meditation.

1246
00:56:19,800 --> 00:56:21,319
Speaker 3: I am away taking things up.

1247
00:56:21,640 --> 00:56:24,560
Speaker 6: I've had that in like massages or facials where you're

1248
00:56:24,600 --> 00:56:27,200
Speaker 6: just kind of like stuck to the bed and okay,

1249
00:56:27,200 --> 00:56:28,160
Speaker 6: that's a perfect example.

1250
00:56:28,280 --> 00:56:31,960
Speaker 2: No, nail, you know what, you nailed it. Massages.

1251
00:56:32,320 --> 00:56:34,399
Speaker 1: I think everyone can raise their hand right now. They've

1252
00:56:34,400 --> 00:56:36,879
Speaker 1: had a massage that sucks, and you know it as

1253
00:56:36,920 --> 00:56:39,799
Speaker 1: soon as their clammy hand touches you. Yeah, but you

1254
00:56:39,840 --> 00:56:43,440
Speaker 1: have an hour maybe sometimes ninety minutes to get through with.

1255
00:56:43,440 --> 00:56:46,200
Speaker 6: This person, and they talk constantly and you just don't

1256
00:56:46,239 --> 00:56:47,160
Speaker 6: want to hear anything.

1257
00:56:47,680 --> 00:56:49,280
Speaker 2: Oh god when they talk.

1258
00:56:49,880 --> 00:56:50,080
Speaker 6: Yeah.

1259
00:56:50,080 --> 00:56:52,239
Speaker 2: Oh but yeah, just pretend you're a whale and get

1260
00:56:52,239 --> 00:56:53,120
Speaker 2: the fuck out there.

1261
00:56:53,320 --> 00:56:55,640
Speaker 1: That's my life, all right, guys, we got to go.

1262
00:56:55,719 --> 00:56:59,279
Speaker 1: I'm in Michigan this weekend. Really exciting stuff coming up

1263
00:56:59,680 --> 00:57:03,120
Speaker 1: Battle Creek, Michigan, Friday and Saturday and Saturday, and then Sunday,

1264
00:57:03,200 --> 00:57:06,840
Speaker 1: I'm going to see a Taylor Swift show, but not

1265
00:57:06,960 --> 00:57:10,239
Speaker 1: by Taylor Swift. I'm going to see a young boy

1266
00:57:10,360 --> 00:57:11,960
Speaker 1: I found on Instagram.

1267
00:57:11,600 --> 00:57:14,640
Speaker 2: Who's like eight years old perform.

1268
00:57:14,320 --> 00:57:16,720
Speaker 1: Taylor Swift and is back two hours outside of Michigan.

1269
00:57:16,720 --> 00:57:19,200
Speaker 1: So I'll tell you about that next next week. But

1270
00:57:19,440 --> 00:57:22,240
Speaker 1: we have another show tomorrow. We'll get to we'll see

1271
00:57:22,240 --> 00:57:24,600
Speaker 1: you then, thank you for listening to the podcast, doob

1272
00:57:24,600 --> 00:57:28,120
Speaker 1: bey kit, and bye. The Nicki Glazer Podcast is a

1273
00:57:28,160 --> 00:57:31,680
Speaker 1: production by Will Ferrell's Big Money Players and iHeart Podcasts.

1274
00:57:31,760 --> 00:57:34,800
Speaker 1: Created and hosted by me Nicki Glazer, co hosted by

1275
00:57:34,840 --> 00:57:38,440
Speaker 1: Brian Frangie, Executive produced by Will Ferrell, Hans Sonny and

1276
00:57:38,520 --> 00:57:42,520
Speaker 1: Noah Avior edited it engineered by Lean and Loaf, video

1277
00:57:42,560 --> 00:57:45,800
Speaker 1: production Mark Canton and music by Anya Marina.

1278
00:57:46,080 --> 00:57:47,080
Speaker 2: You can now watch full

1279
00:57:47,120 --> 00:57:50,560
Speaker 1: Episodes of the Nicki Glazer Podcast on YouTube, follow at

1280
00:57:50,640 --> 00:57:52,960
Speaker 1: Nicki Glazer Pod and subscribe to our channel