1 00:00:01,280 --> 00:00:03,120 Speaker 1: One of the most listening to your top for day 2 00:00:03,160 --> 00:00:06,080 Speaker 1: morning radio shows in the country. Elvis Duran in the 3 00:00:06,120 --> 00:00:10,119 Speaker 1: Morning Show. Very very funny, guys, I've been listening here 4 00:00:10,119 --> 00:00:12,240 Speaker 1: in New York for a long time. Say hello to 5 00:00:12,360 --> 00:00:20,919 Speaker 1: Elvis Duran. Is Elvis Durin in the Morning Show. I'm done, 6 00:00:20,960 --> 00:00:26,000 Speaker 1: I'm done, Froggy. Yes, I'm moved into your house. Come 7 00:00:26,000 --> 00:00:28,240 Speaker 1: on in. You know it's so freaking cold in New 8 00:00:28,320 --> 00:00:30,640 Speaker 1: York right now. I just I can't handle it. Hitty before. 9 00:00:31,160 --> 00:00:33,599 Speaker 1: It's a little chilly here today though, Okay, tell tell 10 00:00:33,680 --> 00:00:36,519 Speaker 1: us what you tell us what your South Florida chili is. 11 00:00:36,920 --> 00:00:43,640 Speaker 1: It's what is it here? Scary? It's like twenty something. 12 00:00:44,080 --> 00:00:46,760 Speaker 1: It is two degrees, but the wind is blowing so 13 00:00:47,280 --> 00:00:49,840 Speaker 1: right in your face. It's not good. I need something 14 00:00:49,840 --> 00:00:52,800 Speaker 1: to warm me up. Good morning, Bethany, your hair is 15 00:00:52,840 --> 00:00:56,200 Speaker 1: beautiful to today. Well I can use your blow dryer 16 00:00:56,280 --> 00:00:59,880 Speaker 1: right now. Good morning, Danielle. Look at your tough chick Jack. 17 00:01:00,040 --> 00:01:02,279 Speaker 1: I love that. You know. We've got a busy day 18 00:01:02,280 --> 00:01:04,560 Speaker 1: to day. It's uh Thursday, We're one day away from 19 00:01:04,560 --> 00:01:10,160 Speaker 1: the weekend. It is Thursday, March twenty three. What a 20 00:01:10,160 --> 00:01:15,200 Speaker 1: great song to start today. There's nothing beneath it. Forgive 21 00:01:15,280 --> 00:01:19,120 Speaker 1: me for starring, Forgive me for breathing. We might not 22 00:01:19,280 --> 00:01:23,480 Speaker 1: know why, we might not know how, But baby, tonight 23 00:01:24,120 --> 00:01:31,640 Speaker 1: we're beautiful now with a beautiful No, no, it's okay 24 00:01:31,640 --> 00:01:39,600 Speaker 1: to not beautiful that two of our good friends together 25 00:01:39,760 --> 00:01:45,240 Speaker 1: z and John Pillion. I love it. Scary lost his 26 00:01:45,280 --> 00:01:47,600 Speaker 1: hair last night. Where's your hair, Scary? I got a cut. 27 00:01:47,680 --> 00:01:49,600 Speaker 1: I got a haircut. I wanted to be clean. You 28 00:01:49,680 --> 00:01:56,880 Speaker 1: look clean. I know your mind is still dirty. Beautiful, 29 00:01:57,920 --> 00:02:02,320 Speaker 1: that's that's a nine. I find it very interesting that 30 00:02:02,440 --> 00:02:06,400 Speaker 1: yesterday my footwear, my white sneakers had the U the 31 00:02:06,520 --> 00:02:13,079 Speaker 1: Union jack on them flying the flag of the mother country. 32 00:02:14,160 --> 00:02:16,720 Speaker 1: And then after what happened yesterday outside of Parliament, a 33 00:02:16,840 --> 00:02:19,040 Speaker 1: very very sad, sad day for our friends in London 34 00:02:19,120 --> 00:02:20,880 Speaker 1: and around the world. You know, when you read the story, 35 00:02:21,760 --> 00:02:23,400 Speaker 1: all of our best go out to you. Our hearts 36 00:02:23,440 --> 00:02:26,919 Speaker 1: are warm, full of love for you. Sad story, beautiful. 37 00:02:27,840 --> 00:02:30,079 Speaker 1: We'll get into that and more news coming up. Let's 38 00:02:30,120 --> 00:02:34,440 Speaker 1: get started with the show. Let's get started, Christina. Good morning, Christina. 39 00:02:36,560 --> 00:02:38,560 Speaker 1: Christina is coming from one of the beautiful, most beautiful 40 00:02:38,600 --> 00:02:41,280 Speaker 1: towns in America, St. Augustine, Florida. Watch the temperature. They're 41 00:02:41,280 --> 00:02:49,880 Speaker 1: a little cooler than South Florida. Thinking it is so 42 00:02:51,720 --> 00:02:54,000 Speaker 1: ready for the weather to come back. Yeah, yeah, yeah, 43 00:02:54,000 --> 00:02:56,040 Speaker 1: we're all ready for the weather to come back. We 44 00:02:56,120 --> 00:02:57,959 Speaker 1: have weather, but we don't like the current weather. So 45 00:02:58,040 --> 00:03:00,760 Speaker 1: you're in St. Augustine, you're producing the Peach j p 46 00:03:00,960 --> 00:03:05,079 Speaker 1: g a tour for golf. But I am the game 47 00:03:05,160 --> 00:03:07,799 Speaker 1: is going to be in Puerto Rico though, isn't it. Yes, 48 00:03:07,919 --> 00:03:10,160 Speaker 1: there's two this week. There's the w GC event and 49 00:03:10,240 --> 00:03:15,560 Speaker 1: then one in Puerto Rico. Lovely beautiful aerials of Puerto 50 00:03:15,639 --> 00:03:20,359 Speaker 1: Rico all day. Good for you. Congratulations there. Yeah, we 51 00:03:20,440 --> 00:03:23,520 Speaker 1: all you know, wherever we are will make the best 52 00:03:23,600 --> 00:03:24,880 Speaker 1: of it. I swear to God we will. We have 53 00:03:24,919 --> 00:03:27,720 Speaker 1: a busy, great show. Our our friend uh leon uh 54 00:03:28,600 --> 00:03:30,919 Speaker 1: elves Is. I'm sorry, I'm out of my mind. I'm 55 00:03:30,960 --> 00:03:33,359 Speaker 1: too cold. Leon els is coming in this This performer 56 00:03:33,480 --> 00:03:35,400 Speaker 1: is going to blow you away. Make sure you're listening 57 00:03:35,440 --> 00:03:38,880 Speaker 1: to him. Okay, I heard him yesterday. He sounds amazing. 58 00:03:39,080 --> 00:03:41,240 Speaker 1: He is. He's an amazing guy. His story he's even 59 00:03:41,360 --> 00:03:43,240 Speaker 1: more amazing than his music. Wait till you hear that. 60 00:03:44,480 --> 00:03:47,440 Speaker 1: But but Christina, you are the first caller of the day. 61 00:03:47,440 --> 00:03:49,760 Speaker 1: I'm gonna send you an Elvis Durand shirt right now. 62 00:03:50,960 --> 00:03:55,360 Speaker 1: Thank you. Guys to choose the best Elvis Durand shirt 63 00:03:55,400 --> 00:03:59,120 Speaker 1: you can find and send it. Send it to Christina. Leave, 64 00:03:59,440 --> 00:04:02,680 Speaker 1: Thank you, thank you. Have a beautiful day. Thanks for listening. 65 00:04:02,800 --> 00:04:04,560 Speaker 1: Around the road. We'll start with you, Bethany, what's on 66 00:04:04,600 --> 00:04:07,600 Speaker 1: your mind today? There are so many people that scramble 67 00:04:07,680 --> 00:04:09,840 Speaker 1: through their whole day and just run, run, run, Especially 68 00:04:09,880 --> 00:04:12,080 Speaker 1: if you're up this early in the morning, you're probably 69 00:04:12,120 --> 00:04:15,200 Speaker 1: one of those people. The biggest mistake you can make 70 00:04:15,600 --> 00:04:19,400 Speaker 1: is to sit down. Because yesterday I was running all day. 71 00:04:19,920 --> 00:04:24,600 Speaker 1: I sat down at seven pm and went, yeah, and 72 00:04:24,680 --> 00:04:28,200 Speaker 1: I was done. Gravity pulls you down. It's just it's over, 73 00:04:28,600 --> 00:04:32,600 Speaker 1: it's over. Well, yesterday I went down and then I 74 00:04:32,680 --> 00:04:37,040 Speaker 1: watched the last two episodes of Feud. Is It fantastic? Fantastic? 75 00:04:38,279 --> 00:04:40,520 Speaker 1: That was awesome, Daniel, what's up with you today? So 76 00:04:40,680 --> 00:04:43,440 Speaker 1: I realized that in certain parts of you know, the 77 00:04:43,560 --> 00:04:47,440 Speaker 1: listening areas, the weather is so unpredictable, and lots of 78 00:04:47,520 --> 00:04:50,359 Speaker 1: people will put away their summer clothes and bring out there. 79 00:04:50,920 --> 00:04:54,720 Speaker 1: You can't do that anymore. You have to have something 80 00:04:54,880 --> 00:04:59,400 Speaker 1: for every type of weather because it's sixty five degrees 81 00:04:59,480 --> 00:05:02,720 Speaker 1: and then the next thing, it's that's why Scary wears 82 00:05:02,760 --> 00:05:05,840 Speaker 1: a T shirt every day. Yes, pretty much. It's ridiculous. Yeah, 83 00:05:05,920 --> 00:05:08,280 Speaker 1: it is. You need more closet space because it's just 84 00:05:08,360 --> 00:05:11,480 Speaker 1: not enough. Mommy nature, she's sure as unpredictable, isn't she 85 00:05:13,920 --> 00:05:17,480 Speaker 1: never talk about. She's more powerful than we'll ever be. 86 00:05:18,279 --> 00:05:21,000 Speaker 1: Good morning, Froggy and beautiful South Florida. You're waking up 87 00:05:21,000 --> 00:05:24,800 Speaker 1: to an incredible ultra Fest weekend. Three days. Actually, today's 88 00:05:24,880 --> 00:05:27,320 Speaker 1: day number two, right, Yeah, Well it started to drink 89 00:05:27,360 --> 00:05:29,839 Speaker 1: and started last night, but the party and starts today exactly. 90 00:05:29,960 --> 00:05:32,040 Speaker 1: I mean, all of our favorite medium artists are in 91 00:05:32,200 --> 00:05:34,080 Speaker 1: town and people are walking around like it's a day 92 00:05:34,120 --> 00:05:37,919 Speaker 1: of the dead, sucking on crazy lollypops that are infused 93 00:05:37,960 --> 00:05:42,679 Speaker 1: with all sorts of men made drugs. Anyway, Ultrafest weekend 94 00:05:42,720 --> 00:05:44,640 Speaker 1: in South Florida, you have a beautiful weekend on the way. 95 00:05:44,680 --> 00:05:47,200 Speaker 1: Tell me what you're all about today. Well, yesterday I 96 00:05:47,279 --> 00:05:49,480 Speaker 1: head to the mailbox and there's a package in the mailbox, 97 00:05:49,600 --> 00:05:51,240 Speaker 1: and so I go to open it up, and I'm like, 98 00:05:51,320 --> 00:05:53,560 Speaker 1: I didn't order anything, Lisa says, I swear I didn't 99 00:05:53,600 --> 00:05:55,320 Speaker 1: order anything. I look at my son. He says, Nope, 100 00:05:55,360 --> 00:05:58,560 Speaker 1: not mine. Open it up. It's a shirt for Danielle's son. 101 00:05:59,560 --> 00:06:01,800 Speaker 1: Why is it at your house? Well, I couldn't quite 102 00:06:01,839 --> 00:06:04,560 Speaker 1: figure that out. So I'm guessing that Lisa daniell buy 103 00:06:04,560 --> 00:06:06,520 Speaker 1: each other so much stuff and send it to themselves 104 00:06:07,000 --> 00:06:09,880 Speaker 1: that our addresses are saved in our Amazon and Etsy account. 105 00:06:10,000 --> 00:06:13,720 Speaker 1: You're getting each other's stuff and we've each other. This 106 00:06:13,839 --> 00:06:18,400 Speaker 1: is the sign of a major problem. Major major. All right, 107 00:06:18,440 --> 00:06:21,640 Speaker 1: let's get into your horoscope. Daniel You're a first period 108 00:06:21,680 --> 00:06:24,040 Speaker 1: of transformation is a fun you don't hold back, go 109 00:06:24,160 --> 00:06:26,320 Speaker 1: with the flow of your days and nine Aquarius, it's 110 00:06:26,360 --> 00:06:28,760 Speaker 1: time to share what you've been keeping inside. The only 111 00:06:28,800 --> 00:06:31,360 Speaker 1: way out of a difficult situation is to go through it. 112 00:06:31,600 --> 00:06:34,320 Speaker 1: Your day isn't eight Pisces. Don't let fading relationships slow 113 00:06:34,360 --> 00:06:36,280 Speaker 1: you down. Keep your head up, find new people who 114 00:06:36,360 --> 00:06:38,919 Speaker 1: support you your days of nine aries. You're having trouble 115 00:06:39,000 --> 00:06:41,559 Speaker 1: keeping your opinions to yourself. While it's okay to speak 116 00:06:41,560 --> 00:06:45,960 Speaker 1: your mind, remember remember remember to be careful of others 117 00:06:46,160 --> 00:06:49,120 Speaker 1: feelings and enunciate your words. Your days of seven towards 118 00:06:49,160 --> 00:06:51,520 Speaker 1: you are attracting new friends who could possibly become very 119 00:06:51,560 --> 00:06:54,360 Speaker 1: close to you except their friendship. Enjoy the new opportunities 120 00:06:54,400 --> 00:06:56,800 Speaker 1: and your day isn't it Gemina. You find it difficult 121 00:06:56,839 --> 00:06:58,960 Speaker 1: to talk about your deeper feelings with others, Know that 122 00:06:59,080 --> 00:07:01,160 Speaker 1: your friends are willing to listen when you're ready. Your 123 00:07:01,240 --> 00:07:03,720 Speaker 1: days and eight cancer are an unexpected encounter will leave 124 00:07:03,720 --> 00:07:06,400 Speaker 1: you feeling excited about starting something new. Jump at the 125 00:07:06,480 --> 00:07:09,240 Speaker 1: next opportunity to shine. Your day is a ten Paleo. 126 00:07:09,440 --> 00:07:11,800 Speaker 1: Increased excitement for a project is leading you in a 127 00:07:11,880 --> 00:07:14,520 Speaker 1: new direction. Ask for feedback in order to work as 128 00:07:14,600 --> 00:07:17,320 Speaker 1: efficiently as possible. Your days of nine Virgo, stop being 129 00:07:17,360 --> 00:07:20,000 Speaker 1: afraid of changing something that isn't working out for you anymore. 130 00:07:20,120 --> 00:07:22,400 Speaker 1: Keep an open mind. Your days of ten Libra, let 131 00:07:22,480 --> 00:07:26,080 Speaker 1: your emotions of love, enthusiasm, and optimism radiate. Indulge in 132 00:07:26,120 --> 00:07:28,480 Speaker 1: your inner child, and allow yourself to have fun your 133 00:07:28,560 --> 00:07:31,520 Speaker 1: days a ten Scopo. Every moment is critical to your success. 134 00:07:31,560 --> 00:07:34,120 Speaker 1: Don't let certain obligations stress you out too much. Your 135 00:07:34,200 --> 00:07:37,040 Speaker 1: days and nine and Satittarius, allow yourself to change in 136 00:07:37,080 --> 00:07:40,440 Speaker 1: a positive way. Stop letting others opinions influence your happiness 137 00:07:40,480 --> 00:07:42,480 Speaker 1: so much. Your days at ten, and those are your 138 00:07:42,520 --> 00:07:44,760 Speaker 1: Thursday morning horoscope. I was having a conversation with so 139 00:07:44,840 --> 00:07:46,440 Speaker 1: many yesterday. He said, well, what are you doing on 140 00:07:46,520 --> 00:07:48,600 Speaker 1: your show that you wish you weren't doing? I said, 141 00:07:48,640 --> 00:07:53,200 Speaker 1: the horoscope. But well that's the problem because I remember 142 00:07:53,240 --> 00:07:55,760 Speaker 1: several times in years past we've tried to eliminate them 143 00:07:55,840 --> 00:08:01,160 Speaker 1: and people scream yell, kick, cry, pick it downstairs. So 144 00:08:01,280 --> 00:08:04,600 Speaker 1: we have to do the horoscope. So they're here begrudgingly. 145 00:08:04,880 --> 00:08:06,600 Speaker 1: Don't get rid of them, because it's really nice for 146 00:08:06,720 --> 00:08:08,360 Speaker 1: us to not have to think too hard. We just 147 00:08:08,440 --> 00:08:10,480 Speaker 1: get to read what's on the paper, all right. Well, 148 00:08:10,560 --> 00:08:14,280 Speaker 1: let's not make you think too hard, bethany uh, which 149 00:08:14,360 --> 00:08:15,880 Speaker 1: is a great thing to say to someone who's about 150 00:08:15,920 --> 00:08:19,000 Speaker 1: to give you your news headlines. You know what, it's 151 00:08:19,040 --> 00:08:21,080 Speaker 1: kind of a weird day in news. What's going on? Okay. 152 00:08:21,160 --> 00:08:24,040 Speaker 1: Britain's Parliament and Scotland Yard have observed a moment of 153 00:08:24,120 --> 00:08:27,760 Speaker 1: silence today after yesterday's terror attack in London. The suspect's 154 00:08:27,800 --> 00:08:30,080 Speaker 1: weapons were a car and a knife. He drove the 155 00:08:30,120 --> 00:08:33,160 Speaker 1: car into pedestrians on Westminster Bridge and was shot and 156 00:08:33,280 --> 00:08:35,439 Speaker 1: killed as he tried to storm the houses of Parliament 157 00:08:35,480 --> 00:08:38,600 Speaker 1: and stabbed a police officer. Seven people have been arrested 158 00:08:38,640 --> 00:08:41,840 Speaker 1: in connection to the attack. Britain senior counter terror police 159 00:08:41,880 --> 00:08:44,959 Speaker 1: officer said he believes the attacker acted alone and was 160 00:08:45,080 --> 00:08:48,560 Speaker 1: quote inspired by international terrorism. One of the three victims 161 00:08:48,640 --> 00:08:51,160 Speaker 1: was a fifteen year veteran of the London Police Force. 162 00:08:52,480 --> 00:08:55,760 Speaker 1: Moving over stateside, Sears is telling its shareholders that it 163 00:08:55,840 --> 00:08:58,840 Speaker 1: has quote substantial doubt that their stores will be able 164 00:08:58,920 --> 00:09:02,040 Speaker 1: to stay open. Sears also owns Kmart, and the same 165 00:09:02,120 --> 00:09:04,440 Speaker 1: bleak outlook applies to that change. Wow, so we could 166 00:09:04,440 --> 00:09:07,319 Speaker 1: be losing Sears and Kmart. Yeah, Sears has lost ten 167 00:09:07,440 --> 00:09:12,480 Speaker 1: point four billion dollars. Since some people don't make that 168 00:09:12,600 --> 00:09:14,840 Speaker 1: in a year that some people don't lose that in air. 169 00:09:15,160 --> 00:09:17,000 Speaker 1: That was My first job was at Sears. I worked 170 00:09:17,000 --> 00:09:19,880 Speaker 1: in the infancy department and I was terrible. Uh. The 171 00:09:19,960 --> 00:09:23,520 Speaker 1: United States is celebrating its first ever World Baseball Classic Championship. 172 00:09:23,600 --> 00:09:25,800 Speaker 1: Team USA shout out Puerto Rico eight to nothing in 173 00:09:25,880 --> 00:09:29,240 Speaker 1: the title game at Dodger Stadium. Here is your hourly 174 00:09:29,320 --> 00:09:32,599 Speaker 1: reminder to take a deep breath. Thank you, and I 175 00:09:32,760 --> 00:09:37,440 Speaker 1: love this story. Target just debut. There's spring swimsuit campaign 176 00:09:37,600 --> 00:09:40,959 Speaker 1: and they're featuring real women with real bodies. Each of 177 00:09:41,000 --> 00:09:43,440 Speaker 1: the four models in the campaign represents a different body 178 00:09:43,520 --> 00:09:47,320 Speaker 1: type and there's no photoshop. The picture pictures are real, 179 00:09:47,480 --> 00:09:50,280 Speaker 1: with bombs, stretch marks and everything. Because if you are 180 00:09:50,320 --> 00:09:52,559 Speaker 1: a woman and you have stretch marks and cellulate, you 181 00:09:52,720 --> 00:09:56,800 Speaker 1: are normal. We all have its excellent good news. Thank 182 00:09:56,840 --> 00:09:58,520 Speaker 1: you so much, Bethany. I think you did very well, 183 00:09:58,600 --> 00:10:01,200 Speaker 1: considering you as you say you have no brain cells. 184 00:10:01,679 --> 00:10:03,760 Speaker 1: A few this morning. We got a great day ahead. 185 00:10:03,800 --> 00:10:11,360 Speaker 1: You guys ready for it. Let's go show upside. The 186 00:10:11,480 --> 00:10:14,360 Speaker 1: smart new way to buy travel is upside dot com. 187 00:10:14,760 --> 00:10:17,160 Speaker 1: You save money, get a free Amazon gift card with 188 00:10:17,280 --> 00:10:20,079 Speaker 1: every trip you buy. Use my name Elvis, and you're 189 00:10:20,080 --> 00:10:22,440 Speaker 1: guaranteed at least a two dollar gift card with your 190 00:10:22,440 --> 00:10:25,880 Speaker 1: first time using upside dot com. Save huge on travel. 191 00:10:26,040 --> 00:10:30,319 Speaker 1: Minimum purchase supplies seaside for details upside dot com. Phone 192 00:10:30,400 --> 00:10:37,240 Speaker 1: tap playing Elvis, Elvis Durant Elvis Durant phone tap. Nicole 193 00:10:37,640 --> 00:10:39,680 Speaker 1: is away at school and she wanted a phone tap 194 00:10:39,720 --> 00:10:42,680 Speaker 1: her dad. Turns out she left her old phone number 195 00:10:42,800 --> 00:10:46,319 Speaker 1: to her dad and still gets friends calling it. So 196 00:10:46,640 --> 00:10:49,640 Speaker 1: this phone tap takes place after I called and left 197 00:10:49,720 --> 00:10:52,559 Speaker 1: him a voicemail that was intended for her. We waited 198 00:10:52,559 --> 00:10:54,760 Speaker 1: a little bit and then called him for his reaction. 199 00:10:55,240 --> 00:10:58,000 Speaker 1: So the dad already had listened to a message or 200 00:10:58,080 --> 00:11:03,679 Speaker 1: left earlier. Here we go, Hello, hey daddy, how you doing? 201 00:11:04,160 --> 00:11:09,360 Speaker 1: How are you? I'm good, I'm good. I'm just I 202 00:11:09,440 --> 00:11:12,800 Speaker 1: got a message from somebody saying they want you back. 203 00:11:14,720 --> 00:11:19,880 Speaker 1: Who's Wheezy? How about that's? Is that his name? Why 204 00:11:19,920 --> 00:11:21,640 Speaker 1: are you asking me this? How do you even know this? 205 00:11:21,800 --> 00:11:23,480 Speaker 1: How long have you been going out with this person? 206 00:11:24,520 --> 00:11:28,199 Speaker 1: For um about a month? How come I don't know 207 00:11:28,280 --> 00:11:33,800 Speaker 1: about him ever? Deadly from the message that he left you, 208 00:11:34,240 --> 00:11:38,319 Speaker 1: he's very serious. Did you see he don't know? He 209 00:11:38,480 --> 00:11:41,000 Speaker 1: left the damn message on the phone. He sounds like 210 00:11:41,080 --> 00:11:43,319 Speaker 1: he's an idiot. Do you want to play any for me? 211 00:11:44,200 --> 00:11:49,000 Speaker 1: Hold on? Is Wheezy? I just wanted to day I'm 212 00:11:49,040 --> 00:11:51,480 Speaker 1: sorry to everything. I didn't mean to let you down. 213 00:11:52,040 --> 00:11:53,880 Speaker 1: So I wrote your a little toe. I hope you 214 00:11:53,920 --> 00:12:02,240 Speaker 1: could give me adecude? Can you never really had lucky? Yeah? Hello? 215 00:12:03,040 --> 00:12:07,640 Speaker 1: Are you hearing this? Yeah? I'm hearing now, trying to 216 00:12:07,760 --> 00:12:14,120 Speaker 1: put it together. Second, Oh my god, you over there. 217 00:12:14,920 --> 00:12:18,840 Speaker 1: It's not just the way you moving. I love you, baby, 218 00:12:18,920 --> 00:12:23,320 Speaker 1: Please take me back. Yeah, yeah, did you hear that? Yeah? Yeah, 219 00:12:23,480 --> 00:12:27,480 Speaker 1: Oh my god? Who busy? Keep going with the Emerson 220 00:12:27,559 --> 00:12:30,959 Speaker 1: with me? We don't know, honey, you're knowing me and 221 00:12:31,120 --> 00:12:33,680 Speaker 1: that they lead a boy like that in the Emerson, 222 00:12:33,800 --> 00:12:36,360 Speaker 1: You're out of your head. He talks like he's got 223 00:12:36,440 --> 00:12:39,120 Speaker 1: to like a fourth grade education level. I mean, for 224 00:12:39,240 --> 00:12:44,160 Speaker 1: God's sake, he's cheating on you. Do you know? Hanging 225 00:12:44,720 --> 00:12:50,280 Speaker 1: and take me back? What kind of is that? I'm 226 00:12:50,400 --> 00:12:53,480 Speaker 1: free right now to do what I want, honey, if 227 00:12:53,559 --> 00:12:55,559 Speaker 1: that's what you want to do, but don't expect anything 228 00:12:55,640 --> 00:12:59,280 Speaker 1: more than cigarette butts and ashes for Christmas? He call 229 00:12:59,440 --> 00:13:04,520 Speaker 1: you in there? What is that going on? Room? It's 230 00:13:04,559 --> 00:13:07,920 Speaker 1: just my roommate. Can I tell you that's not your roommate? 231 00:13:08,120 --> 00:13:14,040 Speaker 1: I just yeah a voice, yeah yeah, yeah, you're speaking 232 00:13:14,040 --> 00:13:16,880 Speaker 1: out right now? Can you can you just one second 233 00:13:17,679 --> 00:13:19,439 Speaker 1: get the hell out of your room. I'm gonna drive 234 00:13:20,080 --> 00:13:24,959 Speaker 1: over there, back with the splitter, slagging down, back on 235 00:13:25,080 --> 00:13:31,160 Speaker 1: my giddy out now just hold on, I'm practicing my rhymes, please, 236 00:13:31,240 --> 00:13:33,520 Speaker 1: just like I will meet you in fifteen minutes. That 237 00:13:33,679 --> 00:13:36,160 Speaker 1: son of a bit out of there. I got that 238 00:13:36,280 --> 00:13:38,719 Speaker 1: drink could be purple, that could be pak put that 239 00:13:38,880 --> 00:13:41,480 Speaker 1: son of a bitch on the phone. He wants to 240 00:13:41,559 --> 00:13:43,559 Speaker 1: talk to me. Get the hell out of my room. 241 00:13:43,640 --> 00:13:47,079 Speaker 1: Out young money, you're a piece of Yeah she want 242 00:13:47,120 --> 00:13:50,280 Speaker 1: a stout you already no no yelling in one's destined 243 00:13:51,280 --> 00:13:58,160 Speaker 1: poo have tuned that via did God? I wish I 244 00:13:58,200 --> 00:14:00,400 Speaker 1: wish I could just kick your ass right out. I 245 00:14:00,480 --> 00:14:04,439 Speaker 1: love your dude, I'm about you don't love The only 246 00:14:04,520 --> 00:14:06,920 Speaker 1: thing you love is acting like an idiot. That was it? 247 00:14:07,040 --> 00:14:10,439 Speaker 1: None the we to really play you disgust me. Can 248 00:14:10,520 --> 00:14:13,480 Speaker 1: I have you doing his hand in marriage? No, you can't. 249 00:14:13,520 --> 00:14:16,840 Speaker 1: You You're not coming anywhere near this piece of property, 250 00:14:17,000 --> 00:14:18,640 Speaker 1: and I'm gonna get her out of that school as 251 00:14:18,679 --> 00:14:21,040 Speaker 1: soon as I can't you. Why are you telling me 252 00:14:21,160 --> 00:14:24,440 Speaker 1: that I'm about to girl and jay Jazz because I 253 00:14:24,520 --> 00:14:28,040 Speaker 1: don't like you? Are you just deaf? Stupid? Is it 254 00:14:28,160 --> 00:14:30,840 Speaker 1: not clear you never met me. I don't have to 255 00:14:31,000 --> 00:14:34,640 Speaker 1: meet you. I can tell by your voice this convert 256 00:14:34,720 --> 00:14:39,440 Speaker 1: tation right now. I don't wantches male Tabu wasn't a 257 00:14:39,480 --> 00:14:41,160 Speaker 1: call back on the line. I don't want to talk 258 00:14:41,200 --> 00:14:43,520 Speaker 1: to you anymore. I don't think we're gonna work at 259 00:14:44,120 --> 00:14:46,840 Speaker 1: Why are you saying that because your dad hates me. 260 00:14:47,440 --> 00:14:49,520 Speaker 1: It doesn't matter what my dad thinks. I love you, 261 00:14:50,600 --> 00:14:53,840 Speaker 1: you know him. You don't know anything about love. What 262 00:14:54,760 --> 00:14:59,760 Speaker 1: you talking about? My bed? Because he sold? So what's 263 00:15:00,280 --> 00:15:03,400 Speaker 1: that's it? I don't want anything else to do with it? Goodbye? 264 00:15:03,600 --> 00:15:06,160 Speaker 1: I got to tell you how No, I don't want 265 00:15:06,200 --> 00:15:14,560 Speaker 1: to talk now that you've been phone tapped. What this is? Scary? 266 00:15:14,640 --> 00:15:18,000 Speaker 1: Jokes from Elvis Durrand on the Morning Show. So yeah, 267 00:15:18,840 --> 00:15:23,520 Speaker 1: what is this? It's the radio joke. I listened to 268 00:15:23,560 --> 00:15:28,280 Speaker 1: the radio all the time and this isn't funny. You 269 00:15:28,480 --> 00:15:34,640 Speaker 1: call entertainment. Why the would anybody listen to it? Have 270 00:15:34,760 --> 00:15:37,880 Speaker 1: an idea for a phone agree with? Click on the 271 00:15:37,960 --> 00:15:39,760 Speaker 1: phone tab, tab tell us what you want to do. 272 00:15:40,360 --> 00:15:43,080 Speaker 1: This phone table was prerecorded with permission granted by all 273 00:15:43,160 --> 00:15:48,320 Speaker 1: parts Elvie Durand phone tab on Elvis Durand in the 274 00:15:48,360 --> 00:15:50,560 Speaker 1: Morning Show. I still can't believe people stay on the 275 00:15:50,560 --> 00:15:52,520 Speaker 1: phone that long and they put up with that stupidity. 276 00:15:54,400 --> 00:16:00,800 Speaker 1: What you like? Click? I just don't, all right? So 277 00:16:00,880 --> 00:16:03,120 Speaker 1: who didn't love throwing a party? You know me? I'm 278 00:16:03,240 --> 00:16:06,480 Speaker 1: the party thrower, you really are. Thank God for these 279 00:16:06,560 --> 00:16:11,120 Speaker 1: new rits, Crisp fins, these rich Crispin things. If you 280 00:16:11,160 --> 00:16:16,000 Speaker 1: had them. Oh yes, serving size one box. Yes, just 281 00:16:16,200 --> 00:16:20,240 Speaker 1: like the name suggests. They're thin, they're crispy, they're oven baked, 282 00:16:20,800 --> 00:16:23,960 Speaker 1: they're not fried. They're amazing. They come in four flavors. 283 00:16:24,080 --> 00:16:27,000 Speaker 1: Let's vote for our favorite flavor. The first flavors sea salt. 284 00:16:27,920 --> 00:16:31,000 Speaker 1: That's amazing. They also have cream, cheese, and onion. Yeah, 285 00:16:31,360 --> 00:16:37,000 Speaker 1: they have bacon flavor and salt and vinegar. Oh, my 286 00:16:37,120 --> 00:16:39,480 Speaker 1: husband like that. I know, you know what. These are fabulous. 287 00:16:39,480 --> 00:16:40,800 Speaker 1: So if you want to add a little something something 288 00:16:40,840 --> 00:16:44,480 Speaker 1: to your next party, add some more flavor. Think about 289 00:16:44,520 --> 00:16:47,800 Speaker 1: the New Rit Crispin thins. They're not potato chips. We're 290 00:16:47,800 --> 00:16:51,280 Speaker 1: done with potato chips. We now serve the New Ritz. 291 00:16:52,200 --> 00:16:56,080 Speaker 1: They normal people. They talk about everyday things. Do you 292 00:16:56,200 --> 00:17:02,520 Speaker 1: get into light bondage of Elvis in the Morning Show? Seriously, 293 00:17:02,640 --> 00:17:06,560 Speaker 1: let's just talk about tampons. You know what I know. 294 00:17:06,640 --> 00:17:12,919 Speaker 1: When Hurricane Katrina rolled through, we had to go out 295 00:17:13,000 --> 00:17:17,840 Speaker 1: and find items for families and trash bags, canned food, 296 00:17:18,840 --> 00:17:23,760 Speaker 1: you know, diapers, you know everything, cleaning supplies. But women also, 297 00:17:23,800 --> 00:17:25,480 Speaker 1: you know, women were out of their homes, they didn't 298 00:17:25,480 --> 00:17:28,119 Speaker 1: have a place to go. They needed feminine protection. They 299 00:17:28,160 --> 00:17:30,159 Speaker 1: need in tampons. They needed pads and stuff like that, 300 00:17:30,720 --> 00:17:33,280 Speaker 1: and no one, no one would the guys on the 301 00:17:33,359 --> 00:17:35,520 Speaker 1: radio wouldn't talk about it. I was like, are you stupid? 302 00:17:35,560 --> 00:17:37,479 Speaker 1: Women need this stuff? You know? It makes a lot 303 00:17:37,520 --> 00:17:40,200 Speaker 1: of guys uncomfortable to talk about it, to think about 304 00:17:40,240 --> 00:17:42,680 Speaker 1: why I don't. I don't know. Some guys won't even 305 00:17:42,680 --> 00:17:45,720 Speaker 1: go to the store to get it for their significant other, Like, 306 00:17:45,800 --> 00:17:47,359 Speaker 1: they won't do it. They just want, I'm not going 307 00:17:47,400 --> 00:17:49,639 Speaker 1: to buy that for you? Are you crazy? Two guys credits. 308 00:17:49,680 --> 00:17:51,359 Speaker 1: There are a lot of guys who are cool with it, 309 00:17:52,359 --> 00:17:55,160 Speaker 1: so but we need them and most of the time 310 00:17:55,280 --> 00:17:57,359 Speaker 1: we forget them and the things shows up when you 311 00:17:57,480 --> 00:18:00,320 Speaker 1: just at least expected. There you go. It rolls in rolls. 312 00:18:01,800 --> 00:18:03,560 Speaker 1: I wish I remember the comic who said this, but 313 00:18:03,640 --> 00:18:05,320 Speaker 1: this was years ago. He said that if he ever 314 00:18:05,480 --> 00:18:08,560 Speaker 1: had something that required supplies once a month, he would 315 00:18:08,600 --> 00:18:11,440 Speaker 1: build a shed in his backyard and stock it with 316 00:18:11,560 --> 00:18:15,119 Speaker 1: those things. Yeah, you have a tampon shed. It's just 317 00:18:15,160 --> 00:18:17,760 Speaker 1: funny to me. Here it is seen and there's still issues. 318 00:18:17,800 --> 00:18:21,920 Speaker 1: There's still things that some some guys are just let's 319 00:18:21,960 --> 00:18:24,359 Speaker 1: not talk about that. Yeah, I'd rather not talk about 320 00:18:24,359 --> 00:18:30,480 Speaker 1: tampons very unsavory. Let's talk about a reptile dysfunction instead. Yeah, 321 00:18:30,920 --> 00:18:32,879 Speaker 1: when I remember when I was a kid, a tampon 322 00:18:32,920 --> 00:18:34,560 Speaker 1: commercial will come on and you know, the whole room 323 00:18:34,600 --> 00:18:37,399 Speaker 1: and look the other way. It's just it's just a 324 00:18:37,480 --> 00:18:39,480 Speaker 1: way of life. What the way it is. If you 325 00:18:39,600 --> 00:18:41,520 Speaker 1: go and buy them and you're embarrassed, you'll put like 326 00:18:41,640 --> 00:18:44,080 Speaker 1: nine other things on the counter, like pack of gum, 327 00:18:44,840 --> 00:18:48,919 Speaker 1: a pair of I don't know, you know, shoes. Even women, 328 00:18:49,200 --> 00:18:52,159 Speaker 1: even women are embarrassed by tampon. So one time I 329 00:18:52,200 --> 00:18:54,119 Speaker 1: had to go in that's all I needed, and I 330 00:18:54,240 --> 00:18:55,960 Speaker 1: knew the guy behind the counter was just going to 331 00:18:56,119 --> 00:18:58,080 Speaker 1: stare at me, like, oh, she's the time of the month. 332 00:18:58,200 --> 00:19:00,359 Speaker 1: So I bought a couple of other things because I 333 00:19:00,400 --> 00:19:02,159 Speaker 1: didn't want him to think that, well, now you're a 334 00:19:02,240 --> 00:19:05,080 Speaker 1: gum chewing woman on her period. I mean, now you're 335 00:19:05,200 --> 00:19:08,440 Speaker 1: a gum chewing woman who's eating kit cats and you're 336 00:19:08,480 --> 00:19:10,520 Speaker 1: on your period. I just say, go and slap them 337 00:19:10,560 --> 00:19:13,000 Speaker 1: down and be like, yep, I'm a woman of childbearing age. 338 00:19:13,200 --> 00:19:16,160 Speaker 1: We don't do that, like this is a thing that happens. 339 00:19:17,160 --> 00:19:20,680 Speaker 1: Don't do that. I mean, just just just buy them. 340 00:19:21,119 --> 00:19:26,359 Speaker 1: You don't way, well whatever, why do we care what 341 00:19:26,480 --> 00:19:29,520 Speaker 1: people think? All right, I'm going to have sex. I'm 342 00:19:29,600 --> 00:19:33,840 Speaker 1: going to put a condom on my Wiener happy. I 343 00:19:33,920 --> 00:19:37,200 Speaker 1: mean what, I don't understand why people get embarrassed by condoms. 344 00:19:37,240 --> 00:19:40,760 Speaker 1: It's proof that you're having sex. It's but it's what 345 00:19:40,960 --> 00:19:44,440 Speaker 1: it is. It's this you don't want them to visualize 346 00:19:45,040 --> 00:19:47,200 Speaker 1: as a guy great to work with me, froggy. You 347 00:19:47,240 --> 00:19:49,639 Speaker 1: don't want someone behind the counter visualizing you opening a 348 00:19:49,760 --> 00:19:53,960 Speaker 1: condom with your teeth and then rolling it on. You know, 349 00:19:54,359 --> 00:19:56,360 Speaker 1: you don't want them thinking of you in that way. 350 00:19:56,480 --> 00:19:58,600 Speaker 1: You just want to sneak in by your stuff, sneak out. 351 00:19:58,920 --> 00:20:00,480 Speaker 1: You don't want to be thought of. It is anything 352 00:20:00,520 --> 00:20:03,400 Speaker 1: other than a guy buying something. Now, as a woman, 353 00:20:03,760 --> 00:20:06,000 Speaker 1: you shouldn't have to go in and declare, I'm a 354 00:20:06,080 --> 00:20:10,199 Speaker 1: woman and I need I need to absorb. I need 355 00:20:10,240 --> 00:20:13,199 Speaker 1: to absorb, so buying typos you know you shouldn't need 356 00:20:13,240 --> 00:20:15,040 Speaker 1: to do that. It's just a way of your life. 357 00:20:15,440 --> 00:20:16,800 Speaker 1: I would just like to say that I think that 358 00:20:16,880 --> 00:20:19,520 Speaker 1: I'm a kind of guy where I'm much more as 359 00:20:19,720 --> 00:20:22,120 Speaker 1: as Bethley was describing, a guy that's much more comfortable 360 00:20:22,359 --> 00:20:24,760 Speaker 1: with some of these issues and things that women needing whatever. 361 00:20:24,960 --> 00:20:27,440 Speaker 1: Being the dad of two little girls and my wife 362 00:20:27,560 --> 00:20:29,520 Speaker 1: kind of like, you know, breaking me into you know 363 00:20:29,680 --> 00:20:31,720 Speaker 1: what I'm in store for in the next couple of years. 364 00:20:31,960 --> 00:20:33,760 Speaker 1: You know, we're open to all this. We have these 365 00:20:33,800 --> 00:20:36,480 Speaker 1: conversations at the house constant. See, you shouldn't even have 366 00:20:36,560 --> 00:20:39,080 Speaker 1: to say what you just said. That's my point. You're right. 367 00:20:39,160 --> 00:20:43,000 Speaker 1: You don't just say, hey, I'm open to tampons. Good 368 00:20:43,040 --> 00:20:50,720 Speaker 1: morning one, How are you one? It's so good that 369 00:20:50,960 --> 00:20:53,520 Speaker 1: we've missed you. So one is calling to say he 370 00:20:53,680 --> 00:20:56,159 Speaker 1: has no problem buying time tampons for his wife, but 371 00:20:56,240 --> 00:20:59,879 Speaker 1: his wife won't buy condoms for him. Those are condoms 372 00:20:59,880 --> 00:21:01,879 Speaker 1: are for her too. If you think about it. Hell no, 373 00:21:02,200 --> 00:21:03,800 Speaker 1: look I just out of there. I tell her, I 374 00:21:03,880 --> 00:21:06,520 Speaker 1: tell her, shouldn't that be double standards? Though? I tell her, Look, Mama, 375 00:21:06,720 --> 00:21:09,440 Speaker 1: go to the store, buy some condoms. See how you feel. 376 00:21:09,920 --> 00:21:12,320 Speaker 1: If if you know, see how you feel, going and 377 00:21:12,400 --> 00:21:15,520 Speaker 1: buy some condoms, that should equal the same as if 378 00:21:15,600 --> 00:21:19,320 Speaker 1: a man goes by his for for his woman. But 379 00:21:19,400 --> 00:21:21,320 Speaker 1: wait a minute, think you thinking about this. If you buy, 380 00:21:21,800 --> 00:21:25,200 Speaker 1: if your wife buys tampons, those are for her. But 381 00:21:25,320 --> 00:21:27,680 Speaker 1: if she buys condoms that is for both of you. 382 00:21:28,119 --> 00:21:31,560 Speaker 1: So she's what do you mean? No, I mean were 383 00:21:31,560 --> 00:21:33,119 Speaker 1: you're putting on a condom. It has nothing to do 384 00:21:33,200 --> 00:21:35,280 Speaker 1: with your wife, No, No, I just want to see 385 00:21:35,280 --> 00:21:39,639 Speaker 1: if she will buy the condom. Sometimes women feel like 386 00:21:39,720 --> 00:21:42,320 Speaker 1: they're looking at you like you're a slut because you're buying. 387 00:21:42,840 --> 00:21:46,080 Speaker 1: Like I'm having too much. I'm having I'm having sex, 388 00:21:46,119 --> 00:21:49,800 Speaker 1: I'm a slut. You're being safe about it. People need 389 00:21:49,880 --> 00:21:52,120 Speaker 1: to get over it. Want It's so great to hear 390 00:21:52,160 --> 00:21:55,040 Speaker 1: from you. You have the most fabulous day ever. Alright, 391 00:21:55,040 --> 00:22:00,959 Speaker 1: god father, there he goes, We love one. Hello, Ali, Hi, 392 00:22:01,640 --> 00:22:04,000 Speaker 1: talk about how great your dad is. My dad is 393 00:22:04,040 --> 00:22:07,200 Speaker 1: so wonderful. He goes out and finds me in my 394 00:22:07,240 --> 00:22:11,280 Speaker 1: tampons all the time. He asked me what kinds I want? Um. 395 00:22:11,359 --> 00:22:13,000 Speaker 1: He's been doing it for years, and he was actually 396 00:22:13,040 --> 00:22:15,280 Speaker 1: really upset when I called my mom, who was on 397 00:22:15,359 --> 00:22:17,640 Speaker 1: vacation when I first got my period, and I didn't 398 00:22:17,680 --> 00:22:20,840 Speaker 1: tell him about it instead. He's such a good man, 399 00:22:21,760 --> 00:22:24,160 Speaker 1: he is. He's so wonderful. We were in the city 400 00:22:24,200 --> 00:22:26,600 Speaker 1: one day and I forgot my first control at home 401 00:22:26,760 --> 00:22:29,920 Speaker 1: and we were supposed to stay there overnight, and I 402 00:22:30,080 --> 00:22:32,280 Speaker 1: told my mom that I forgot it, and my dad 403 00:22:32,400 --> 00:22:36,000 Speaker 1: was like, okay, let's go home. Okay, so you bet 404 00:22:36,040 --> 00:22:39,360 Speaker 1: you draw the line somewhere, Daddy, I forgot my vibrator. 405 00:22:39,400 --> 00:22:43,680 Speaker 1: Can you run over to my house? Can you? Can 406 00:22:43,720 --> 00:22:48,000 Speaker 1: you grab my man o war? Yeah? I have a 407 00:22:48,080 --> 00:22:50,280 Speaker 1: new one. It's a big box. It's called Alien. Can 408 00:22:50,320 --> 00:22:53,280 Speaker 1: you grab that out of the closet? And my rascally rabbit? Yeah, 409 00:22:53,280 --> 00:22:54,960 Speaker 1: you don't want to bring so there is a line 410 00:22:55,000 --> 00:22:56,760 Speaker 1: to draw. But that's really cool. You tell your dad 411 00:22:56,840 --> 00:22:59,440 Speaker 1: that we voted him Dad of the Day. Thank you 412 00:22:59,520 --> 00:23:00,960 Speaker 1: so much. I love you guys so much. You have 413 00:23:01,040 --> 00:23:03,440 Speaker 1: a great guy you too, alle Can I just say 414 00:23:03,520 --> 00:23:06,840 Speaker 1: to like this straight guys listening, that is the kind 415 00:23:06,920 --> 00:23:10,040 Speaker 1: of man we want. Yeah, if you're afraid of like 416 00:23:10,240 --> 00:23:13,040 Speaker 1: tampons or pads or condoms or like talking about it, 417 00:23:13,520 --> 00:23:15,639 Speaker 1: listen to how the women all reacted to hearing that 418 00:23:15,720 --> 00:23:18,360 Speaker 1: story about how that that's the kind of guy we're 419 00:23:18,359 --> 00:23:22,800 Speaker 1: looking for. There you go, Hi, Scotty, I'm doing okay. 420 00:23:22,920 --> 00:23:24,960 Speaker 1: You say this is just a bunch of crap. You 421 00:23:25,200 --> 00:23:28,440 Speaker 1: have no problem purchasing any of this stuff right, not 422 00:23:28,520 --> 00:23:30,520 Speaker 1: at all. It's one century and not only do I 423 00:23:30,640 --> 00:23:33,320 Speaker 1: buy tampons for my wife. I'll do. I mean, come on, 424 00:23:34,440 --> 00:23:37,760 Speaker 1: for I clipped a coupon to save money on tampons, 425 00:23:38,640 --> 00:23:40,840 Speaker 1: to save on tampons. But do you know what I 426 00:23:40,960 --> 00:23:43,440 Speaker 1: just I can't believe we've devoted as much time to it, 427 00:23:43,680 --> 00:23:45,720 Speaker 1: but it is such a big deal for some people. 428 00:23:48,280 --> 00:23:50,479 Speaker 1: I guess we are. This is what our show does. 429 00:23:50,560 --> 00:23:52,960 Speaker 1: We make things into a big deal. Tampons are also 430 00:23:53,040 --> 00:23:55,760 Speaker 1: good for you know, bloody noses. So you guys should 431 00:23:55,760 --> 00:23:57,720 Speaker 1: be you know, walking down the street with a stream 432 00:23:57,720 --> 00:24:02,399 Speaker 1: coming out of your nose. It's just like you do, 433 00:24:04,200 --> 00:24:07,000 Speaker 1: did I do quite often? High Scott and thanks for 434 00:24:07,080 --> 00:24:09,560 Speaker 1: listening to us. Have a good, good one. Okay, thanks 435 00:24:09,560 --> 00:24:12,280 Speaker 1: you two guys. Take care here you go. So let's 436 00:24:12,320 --> 00:24:14,880 Speaker 1: just move forward with this. Let's move forward and stop 437 00:24:14,920 --> 00:24:19,639 Speaker 1: thinking about what tampons or condoms or lou but you 438 00:24:19,680 --> 00:24:23,760 Speaker 1: wanna talk about lubee, well, I don't know, just you know, 439 00:24:24,560 --> 00:24:28,760 Speaker 1: any kind Chris. I have this vision of my brother 440 00:24:28,840 --> 00:24:30,879 Speaker 1: when we were kids and we had like, you know, 441 00:24:31,400 --> 00:24:34,280 Speaker 1: pads instead of tampons, and remember him taking the sticky 442 00:24:34,400 --> 00:24:37,640 Speaker 1: back off of all of them and sticking them all over. 443 00:24:38,359 --> 00:24:40,359 Speaker 1: We used to do that to French cars. In high school, 444 00:24:40,640 --> 00:24:44,119 Speaker 1: we were tampon their cars because it's fun because we 445 00:24:44,160 --> 00:24:47,159 Speaker 1: were out of oreos. I mean, come on, did you 446 00:24:47,200 --> 00:24:51,160 Speaker 1: ever oreo someone's cars? That's a lot of bananad someone's 447 00:24:51,200 --> 00:24:58,320 Speaker 1: cars sish it? I bet you did. We do bologna 448 00:24:58,359 --> 00:25:00,040 Speaker 1: on somebody's car and it would leave circles on a 449 00:25:00,119 --> 00:25:04,000 Speaker 1: car after See, that's not good. Are just so orderly 450 00:25:04,080 --> 00:25:06,399 Speaker 1: and so pretty and you can eat them. Do you 451 00:25:06,400 --> 00:25:10,159 Speaker 1: ever shrink wrap someone's cars? As I have wanted to 452 00:25:10,200 --> 00:25:11,600 Speaker 1: do that for such a long time. I want to 453 00:25:11,640 --> 00:25:13,640 Speaker 1: do that the scars car. I want to shrink wrap, 454 00:25:14,560 --> 00:25:16,840 Speaker 1: So I will. I will pay for the shrink rap. 455 00:25:17,240 --> 00:25:20,399 Speaker 1: Shrink wrap you put san wrap around it? Is that 456 00:25:20,440 --> 00:25:22,800 Speaker 1: what you? Yeah, just shrink wrap the whole thing. It 457 00:25:23,000 --> 00:25:24,480 Speaker 1: takes a lot of work. Do you blow dry it 458 00:25:24,600 --> 00:25:28,640 Speaker 1: then like heat it up to make it stick. I'm 459 00:25:28,640 --> 00:25:32,040 Speaker 1: gonna put your car in a seal of meal? All right, 460 00:25:32,040 --> 00:25:35,119 Speaker 1: we gotta get into the Danielle Report. Danielle, We're so excited. Uh. 461 00:25:35,600 --> 00:25:39,480 Speaker 1: An incredible friend and musician Leon Else is going to 462 00:25:39,560 --> 00:25:41,080 Speaker 1: be here and it's gonna be about an hour away. 463 00:25:41,080 --> 00:25:43,840 Speaker 1: I wish he could come in earlier. His music, his story, 464 00:25:44,359 --> 00:25:47,639 Speaker 1: it's all just incredible. He's a great guy. We love 465 00:25:48,320 --> 00:25:51,240 Speaker 1: love showcasing talent, and this guy has it. Wait till 466 00:25:51,240 --> 00:25:53,040 Speaker 1: you hear him saying I'll give you a little taste 467 00:25:53,600 --> 00:25:55,879 Speaker 1: after the Danielle Report. All right, Danielle, what do you have? Alright? So, 468 00:25:56,080 --> 00:25:58,359 Speaker 1: the new live action version of Beating the Beast is 469 00:25:58,400 --> 00:26:01,879 Speaker 1: almost up to five million dollars in global box office. 470 00:26:01,960 --> 00:26:04,840 Speaker 1: But this is crazy. It already out earned the original 471 00:26:04,920 --> 00:26:08,280 Speaker 1: animated movie in just five days. The original made four 472 00:26:09,200 --> 00:26:14,399 Speaker 1: million in over three releases two thousand two and two 473 00:26:14,480 --> 00:26:18,159 Speaker 1: thousand five. That is crazy. But it's so good. If 474 00:26:18,160 --> 00:26:20,360 Speaker 1: you've never seen it yet. If you haven't seen yet, 475 00:26:20,359 --> 00:26:22,320 Speaker 1: you have to. Um I told you the other day. 476 00:26:22,359 --> 00:26:24,760 Speaker 1: The Big Bang Theory is back for more seasons. The 477 00:26:24,880 --> 00:26:28,320 Speaker 1: biggest stars on the show Kelly Quoko, Johnny Galecky, Jim Parsons. 478 00:26:28,640 --> 00:26:30,920 Speaker 1: They will have made a hundred forty million dollars each 479 00:26:31,040 --> 00:26:33,440 Speaker 1: off the show. And that is on salary alone. That's 480 00:26:33,480 --> 00:26:36,040 Speaker 1: not even like you know, bad pay when they you know, 481 00:26:36,119 --> 00:26:39,640 Speaker 1: the repeats are all over the damn there. Yeah, it's 482 00:26:39,680 --> 00:26:43,560 Speaker 1: just crazy. This year's Lollapalooza lineup includes Arcade, Fire Chance, 483 00:26:43,600 --> 00:26:47,160 Speaker 1: The Rapper, The Killers, Muse, Lord Cage, The Elephant, Whiz, Khalifa, Amigoes, 484 00:26:47,240 --> 00:26:49,680 Speaker 1: so many more. August third to the sixth in Chicago, 485 00:26:49,800 --> 00:26:51,400 Speaker 1: and tickets are going on sales, so you can check 486 00:26:51,400 --> 00:26:54,640 Speaker 1: that out at Elvis, drand dot com. Um what else 487 00:26:54,680 --> 00:26:56,719 Speaker 1: do I have for you? Oh? I love when men 488 00:26:56,880 --> 00:26:59,560 Speaker 1: realize how hard it is for women to walk in heels. 489 00:27:00,080 --> 00:27:03,560 Speaker 1: Zac Efron is in Dragon, the trailer for Baywatch, which 490 00:27:03,640 --> 00:27:08,680 Speaker 1: comes out. He admitted that the clothing, dressing and the 491 00:27:08,720 --> 00:27:11,440 Speaker 1: girl's clothing wasn't the problem. It was the heels. The 492 00:27:11,600 --> 00:27:13,760 Speaker 1: heels were rough. They are a bit. They are a 493 00:27:13,800 --> 00:27:15,720 Speaker 1: bit When I had those kinky boots on the other day, 494 00:27:16,520 --> 00:27:18,920 Speaker 1: it's very hard to walk. After a couple of minutes, 495 00:27:18,920 --> 00:27:20,720 Speaker 1: I got the hang of it. Yeah, and this is 496 00:27:20,760 --> 00:27:22,959 Speaker 1: pretty cool. If you are looking forward to the new 497 00:27:22,960 --> 00:27:26,840 Speaker 1: animated Smurfs movie this Saturday, they're giving you a little 498 00:27:26,920 --> 00:27:28,879 Speaker 1: sneak peek in early release so you can take your 499 00:27:28,920 --> 00:27:32,280 Speaker 1: family catch a sneak preview of Smurfs The Lost Village. Um, 500 00:27:32,480 --> 00:27:34,960 Speaker 1: you gotta check your local listings and special showings for 501 00:27:35,040 --> 00:27:37,200 Speaker 1: this Saturday because it's not actually not coming out yet, 502 00:27:37,560 --> 00:27:39,720 Speaker 1: but they're they're giving you a peek into it so 503 00:27:39,880 --> 00:27:42,000 Speaker 1: you can see the movie on Saturday, but you have 504 00:27:42,080 --> 00:27:44,159 Speaker 1: to check your local listings for that in your in 505 00:27:44,280 --> 00:27:47,160 Speaker 1: your neighborhood. Tonight, of course it is Shaun to Thursday, 506 00:27:47,240 --> 00:27:49,280 Speaker 1: so get ready for that. Baskets is on. The four 507 00:27:49,320 --> 00:27:51,400 Speaker 1: first games of the n C Double A Sweet sixteen 508 00:27:51,440 --> 00:27:55,520 Speaker 1: semifinals start tonight next hour. Do you know how old 509 00:27:55,560 --> 00:27:59,840 Speaker 1: Mark Anthony's new girlfriend is? Does he know? Yeah? Probably 510 00:28:01,680 --> 00:28:04,440 Speaker 1: get web girl Kathleen in here. She has proven something 511 00:28:04,560 --> 00:28:06,879 Speaker 1: that I think is so cool. But first, this is 512 00:28:06,920 --> 00:28:09,560 Speaker 1: the guy that we're talking about. Shouted loud. This is 513 00:28:09,680 --> 00:28:14,080 Speaker 1: Leon else but I can hear word you say, and 514 00:28:14,160 --> 00:28:16,160 Speaker 1: he's singing for us life. He's seeing the song, talking 515 00:28:16,359 --> 00:28:26,480 Speaker 1: it out, not saying you much. I'm criticized, but all 516 00:28:26,680 --> 00:28:33,240 Speaker 1: your bullets well, cautionhame. You should be down, but I 517 00:28:33,400 --> 00:28:39,320 Speaker 1: get up. He sounds like velvet, like velvet fog. I'm bullet, 518 00:28:39,400 --> 00:28:47,440 Speaker 1: proves nothing to lose. Far away, far away, We're cas shame. 519 00:28:48,240 --> 00:28:54,480 Speaker 1: You take your way far away, far away, just show 520 00:28:54,560 --> 00:29:01,720 Speaker 1: me down. But I'm fall I am not saying to 521 00:29:01,840 --> 00:29:10,680 Speaker 1: show me down. Can you feel his breath in your 522 00:29:10,720 --> 00:29:13,960 Speaker 1: ear when he is? That? Is that creepy or is it? 523 00:29:14,160 --> 00:29:18,880 Speaker 1: Is it fabulous? Listen to that anyway? Leon Elson about it? 524 00:29:18,960 --> 00:29:20,880 Speaker 1: One hour He'll be performing for us to make sure 525 00:29:20,880 --> 00:29:23,880 Speaker 1: you're here, So web grow Kathleen, good morning. So the 526 00:29:23,960 --> 00:29:28,000 Speaker 1: other morning, Uh, yeah, you you left the second most 527 00:29:28,040 --> 00:29:30,600 Speaker 1: important thing in your day at home when you came 528 00:29:30,640 --> 00:29:33,000 Speaker 1: to work, Yes, I did. Can you live far from here? Yeah, 529 00:29:33,160 --> 00:29:34,720 Speaker 1: So you couldn't go back and get no, I could. 530 00:29:34,800 --> 00:29:36,400 Speaker 1: There was no option to go back. Of course. The 531 00:29:36,520 --> 00:29:39,800 Speaker 1: most important thing in your life your your mobile phone. Yeah, 532 00:29:40,320 --> 00:29:43,080 Speaker 1: But the second most the second most important thing, the thing, 533 00:29:43,160 --> 00:29:46,720 Speaker 1: the item you left at home was my wallet. So 534 00:29:47,080 --> 00:29:49,840 Speaker 1: I took an Uber to work. So all I needed 535 00:29:49,920 --> 00:29:52,640 Speaker 1: was my phone to order the Uber. And I walked 536 00:29:52,680 --> 00:29:55,520 Speaker 1: at the house and I had no money. All I 537 00:29:55,640 --> 00:29:58,720 Speaker 1: had was my phone, and I realized I can mainly 538 00:29:58,880 --> 00:30:02,320 Speaker 1: live my life without any money ordering things on my phone. 539 00:30:02,800 --> 00:30:05,600 Speaker 1: I got my coffee on my Starbucks app. I got 540 00:30:05,680 --> 00:30:09,720 Speaker 1: my lunch on seamless and anything with Apple Pay I 541 00:30:09,800 --> 00:30:11,960 Speaker 1: can buy, you know, at the drug store across the street. 542 00:30:12,480 --> 00:30:14,480 Speaker 1: The one thing that I couldn't get home with was 543 00:30:14,760 --> 00:30:16,680 Speaker 1: mt A card I needed. I had to borrow money 544 00:30:16,720 --> 00:30:18,400 Speaker 1: from somebody for an mt A card. But once I 545 00:30:18,440 --> 00:30:20,360 Speaker 1: got to the port authority to get back to New Jersey, 546 00:30:20,720 --> 00:30:23,560 Speaker 1: my bus passes on my phone. Is that what you're 547 00:30:23,560 --> 00:30:29,200 Speaker 1: asking everyone for? Four dollars? We were wondering, Yes, you're 548 00:30:29,360 --> 00:30:32,600 Speaker 1: panhandling in your own office. But you know, you know 549 00:30:32,800 --> 00:30:35,720 Speaker 1: this conversation as we're sitting sitting here, going wow, that's right, 550 00:30:35,840 --> 00:30:40,360 Speaker 1: that's amazing. In about a year, this will be just okay, 551 00:30:40,520 --> 00:30:42,480 Speaker 1: big deal. This will be the equivalent of what is 552 00:30:42,560 --> 00:30:45,680 Speaker 1: Internet exactly. So you know those things in your pocket, 553 00:30:45,760 --> 00:30:50,880 Speaker 1: those dollar bills, those fives, those tens, they're just they're 554 00:30:50,880 --> 00:30:53,760 Speaker 1: gonna be obsoletely, just a thing of the past, just 555 00:30:54,120 --> 00:30:56,760 Speaker 1: any minute. Now. It's really crazy how quickly this happens. 556 00:30:56,760 --> 00:30:58,760 Speaker 1: When I first moved to New York four and a 557 00:30:58,880 --> 00:31:01,840 Speaker 1: half five years ago, there were still some cabs that 558 00:31:02,640 --> 00:31:06,840 Speaker 1: only took cash, and now everything is cash and they 559 00:31:06,880 --> 00:31:08,800 Speaker 1: were piste. Remember when they first had to start using 560 00:31:08,880 --> 00:31:12,720 Speaker 1: charge cards, they were not happy that charge cards don't. 561 00:31:12,760 --> 00:31:14,320 Speaker 1: I mean, it's to the point now where I don't 562 00:31:14,360 --> 00:31:17,480 Speaker 1: even whip out my cards anymore. You can just spoop 563 00:31:17,560 --> 00:31:20,280 Speaker 1: and you're you're done, off your phone, but we can. 564 00:31:20,440 --> 00:31:22,960 Speaker 1: You know, here's what we're doing. We're recording this conversation. 565 00:31:23,320 --> 00:31:24,800 Speaker 1: We can play this back in two years and we're 566 00:31:24,800 --> 00:31:27,200 Speaker 1: gonna be laughing at ourselves. Like, listen to us. Remember 567 00:31:27,240 --> 00:31:30,360 Speaker 1: when we played the Today's Show conversation about Internet? What Internet? 568 00:31:31,760 --> 00:31:34,040 Speaker 1: They're they're having a conversation on the Today Show NBC? 569 00:31:34,720 --> 00:31:38,560 Speaker 1: What does Internet? I don't know? What do you mean? 570 00:31:38,640 --> 00:31:42,680 Speaker 1: They send us email in our address? Is the the 571 00:31:42,920 --> 00:31:45,120 Speaker 1: A with the circle around it and then my name 572 00:31:45,640 --> 00:31:50,320 Speaker 1: the at the at sign this is from. Wasn't how 573 00:31:50,400 --> 00:31:55,920 Speaker 1: stupid they sound? It wasn't to translate that as with 574 00:31:56,080 --> 00:31:58,560 Speaker 1: the A and then the ring around it at So 575 00:31:58,760 --> 00:32:02,840 Speaker 1: that's what I said, um case if it was about yeah, 576 00:32:03,800 --> 00:32:08,280 Speaker 1: but I've never heard it around I've never heard of said. 577 00:32:08,440 --> 00:32:10,480 Speaker 1: And then it sounded stupid what I said at violence 578 00:32:10,520 --> 00:32:14,200 Speaker 1: at NBC and heard you around here about an e 579 00:32:15,240 --> 00:32:18,640 Speaker 1: there is violence at NBC. G E. Calm, I mean, 580 00:32:19,800 --> 00:32:22,560 Speaker 1: well Allison should know. What do you say that now? Anyway? 581 00:32:23,760 --> 00:32:27,400 Speaker 1: The Internet is uh that massive computer at work, the 582 00:32:27,520 --> 00:32:33,240 Speaker 1: one that's becoming really big? Now what do you internet? 583 00:32:33,680 --> 00:32:43,320 Speaker 1: So crazy? At? G Calm? What vio g D com? 584 00:32:49,360 --> 00:32:51,760 Speaker 1: So today we're going to sound just like them in 585 00:32:51,840 --> 00:32:55,080 Speaker 1: a few years. Can you imagine? I got to work 586 00:32:55,160 --> 00:33:02,240 Speaker 1: without cash? Are you my phone? Without pulling out my 587 00:33:02,400 --> 00:33:06,000 Speaker 1: checking book, you would never ever be able to use 588 00:33:06,080 --> 00:33:10,160 Speaker 1: your phone is currency? No, I did? I got a 589 00:33:10,240 --> 00:33:17,560 Speaker 1: coffee at Starbucks with my phone. All right, we'll take 590 00:33:17,600 --> 00:33:19,560 Speaker 1: your break. We have another one thousand dollar free money 591 00:33:19,560 --> 00:33:21,520 Speaker 1: phone tap on the way. Congratulations, But do you have 592 00:33:21,720 --> 00:33:26,280 Speaker 1: your wallet today? Okay? The host of the party on 593 00:33:26,440 --> 00:33:30,200 Speaker 1: his national radio show, Elvis, your taste, your talent have 594 00:33:30,360 --> 00:33:33,440 Speaker 1: contributed to popular culture, maybe in a way that no 595 00:33:33,480 --> 00:33:37,560 Speaker 1: one else has. Elvis Durant in the morning show the 596 00:33:37,720 --> 00:33:44,200 Speaker 1: sound Drop from PEPs Hey, what's up come months? Everything 597 00:33:44,240 --> 00:33:46,400 Speaker 1: that I've been working towards is now a part of 598 00:33:46,480 --> 00:33:49,000 Speaker 1: what I do every day. So I feel very blessed. 599 00:33:49,200 --> 00:34:00,960 Speaker 1: Visit the sound drop dot com. So I was reading 600 00:34:01,000 --> 00:34:03,120 Speaker 1: through BuzzFeed this morning and these are actually kind of fun. 601 00:34:04,240 --> 00:34:06,680 Speaker 1: How many of these weird habits do you have? Are 602 00:34:06,720 --> 00:34:11,719 Speaker 1: you ready? Do you ever wonder if other people share 603 00:34:11,800 --> 00:34:13,719 Speaker 1: the same habits as you? And I'm gonna read the 604 00:34:13,760 --> 00:34:15,839 Speaker 1: ones from BuzzFeed, but we'll come up with our own. 605 00:34:15,880 --> 00:34:20,760 Speaker 1: I'm sure when you leave a store without buying anything, 606 00:34:20,880 --> 00:34:23,279 Speaker 1: do you ever get worried that they think you're shoplifting? 607 00:34:23,640 --> 00:34:31,960 Speaker 1: Every time, people said, yes, that's when you write the 608 00:34:32,040 --> 00:34:34,359 Speaker 1: word Wednesday. Do you sound it out in your head 609 00:34:34,480 --> 00:34:44,520 Speaker 1: as Weddness day of us to February is the same, Bry. 610 00:34:45,360 --> 00:34:47,480 Speaker 1: Do you pace around and fidget with stuff when you're 611 00:34:47,520 --> 00:34:50,239 Speaker 1: on the phone. Yes, I can't just sit there and 612 00:34:50,320 --> 00:34:53,840 Speaker 1: have a conversation. How would be doing something? There was 613 00:34:53,880 --> 00:34:57,400 Speaker 1: a full asleep? Do you this is great for especially 614 00:34:57,440 --> 00:34:59,800 Speaker 1: for us. Do you cringe when you hear a recording 615 00:34:59,840 --> 00:35:03,680 Speaker 1: of your own voice? Yea, I do. I hate my voice. 616 00:35:03,760 --> 00:35:06,400 Speaker 1: It's mine is terrible, don't I don't you know? I 617 00:35:06,480 --> 00:35:12,920 Speaker 1: have to agree, not my favorite. You have a great voice, 618 00:35:13,160 --> 00:35:15,440 Speaker 1: well know to you, but it's it's our own. They say, 619 00:35:15,480 --> 00:35:18,319 Speaker 1: there is a science behind this, The scientific whatever behind 620 00:35:18,360 --> 00:35:21,360 Speaker 1: it is you sound different to you than you do 621 00:35:21,560 --> 00:35:24,320 Speaker 1: to other people when you speak. So when you're a 622 00:35:24,400 --> 00:35:28,080 Speaker 1: recording of your voice, you're hearing something that you don't 623 00:35:28,120 --> 00:35:30,440 Speaker 1: hear when you speak, because when you speak, it's about 624 00:35:30,560 --> 00:35:33,040 Speaker 1: how your head is built. Yeah, like reperberates around inside 625 00:35:33,040 --> 00:35:34,960 Speaker 1: your own head, so you're hearing it from within your 626 00:35:34,960 --> 00:35:37,880 Speaker 1: head exactly a little bit. So so if I recorded 627 00:35:37,960 --> 00:35:40,439 Speaker 1: me saying hi, how are you, and I play it back, 628 00:35:40,719 --> 00:35:44,680 Speaker 1: I hear something different than what I said, But they 629 00:35:44,760 --> 00:35:46,800 Speaker 1: say most people hate their own voice because of that, 630 00:35:47,400 --> 00:35:50,799 Speaker 1: I hate mine. Do you ever worry that other people 631 00:35:50,840 --> 00:35:53,359 Speaker 1: are judging you for how fast your windshield wipers are 632 00:35:53,440 --> 00:35:56,920 Speaker 1: on when it's raining? Lightly? Yes, because I'm like, I 633 00:35:57,040 --> 00:36:04,279 Speaker 1: might be only more on that. Yea, how fast is there? 634 00:36:06,480 --> 00:36:10,920 Speaker 1: I always look around? Is people say? Yes? So when 635 00:36:10,920 --> 00:36:14,480 Speaker 1: you're reading a book, you read a whole page, then 636 00:36:14,560 --> 00:36:19,480 Speaker 1: you can't remember any of it. Said yes to that. 637 00:36:21,640 --> 00:36:24,080 Speaker 1: Do you ever close Facebook or Twitter or whatever because 638 00:36:24,080 --> 00:36:26,040 Speaker 1: you're bored with it? Then open it back up one 639 00:36:26,160 --> 00:36:31,160 Speaker 1: second later without thinking yes, said yes. It's the same 640 00:36:31,200 --> 00:36:33,480 Speaker 1: thing with your refrigerator. You open it to see that 641 00:36:33,760 --> 00:36:35,400 Speaker 1: there's nothing to eat. You close it and you're like, 642 00:36:35,760 --> 00:36:38,560 Speaker 1: oh open. It's like you open the refrigerator, there's nothing there. 643 00:36:38,680 --> 00:36:43,000 Speaker 1: You close the refrigerator and go abricaba, and you open 644 00:36:43,040 --> 00:36:45,840 Speaker 1: it thinking that the frigid air ferry showed up to 645 00:36:46,000 --> 00:36:49,160 Speaker 1: bring you some lunch. Do you ever respond to your 646 00:36:49,200 --> 00:36:52,560 Speaker 1: pet by saying I know after they bark or me out, Yes, 647 00:36:56,160 --> 00:37:10,600 Speaker 1: I know it's right, I know I know what scary. 648 00:37:10,920 --> 00:37:12,880 Speaker 1: So I go the extra mile at the store to 649 00:37:12,960 --> 00:37:16,120 Speaker 1: prove I'm not shoplifting. I'll go pull your pockets out. Well, 650 00:37:16,160 --> 00:37:17,759 Speaker 1: I do that, but I'll go out to the to 651 00:37:17,840 --> 00:37:20,399 Speaker 1: the front of the store and I'll ask a supervisor 652 00:37:20,480 --> 00:37:22,160 Speaker 1: for a fake item that I know that they don't have, 653 00:37:22,520 --> 00:37:24,360 Speaker 1: and when they say no, they don't have it, I 654 00:37:24,880 --> 00:37:28,399 Speaker 1: make sure they see me walk out because he's there. 655 00:37:28,640 --> 00:37:32,239 Speaker 1: That's creepy. But I will tell you, like there were 656 00:37:32,320 --> 00:37:35,360 Speaker 1: times when you know my stoner days, I would buy myself. 657 00:37:35,400 --> 00:37:38,080 Speaker 1: I drive through the drive through McDonald's and I'd order 658 00:37:38,200 --> 00:37:40,360 Speaker 1: enough food for two people, but I'd make sure I 659 00:37:40,480 --> 00:37:43,000 Speaker 1: ordered two drinks so they would think I was buying 660 00:37:43,280 --> 00:37:47,839 Speaker 1: a meal for someone else. Yeah, Froggy. No. I when 661 00:37:48,080 --> 00:37:50,560 Speaker 1: our neighbor's dogs bark sometimes outside, and so I'll be 662 00:37:50,640 --> 00:37:53,520 Speaker 1: outside with rock and I'll go loud enough taken hear me. 663 00:37:53,680 --> 00:37:55,759 Speaker 1: I know, Rocky. I wish they'd let their dogs in 664 00:37:55,800 --> 00:37:57,880 Speaker 1: the house too, so they'd stop barking. Yeah, speaking to 665 00:37:58,000 --> 00:38:00,200 Speaker 1: the animals, speaking to your pets. We've talked to about 666 00:38:00,239 --> 00:38:03,520 Speaker 1: that before. I love Alex will look at little Maxie 667 00:38:03,560 --> 00:38:06,200 Speaker 1: and go, hey, little Maxie, I wish Daddy would do 668 00:38:06,280 --> 00:38:12,400 Speaker 1: the dishes. Can you imagine, little Maxie, how great our 669 00:38:12,640 --> 00:38:16,840 Speaker 1: apartment would smell if Daddy just did the dishes, and 670 00:38:16,960 --> 00:38:22,360 Speaker 1: max Is look at him like dirt back to the 671 00:38:22,719 --> 00:38:25,120 Speaker 1: like saying I know to two dogs and cats. I 672 00:38:25,239 --> 00:38:27,040 Speaker 1: used to do that to my nieces when they were babies, 673 00:38:27,080 --> 00:38:29,520 Speaker 1: and they would cry too. It would be sobbing and sobbing. 674 00:38:29,560 --> 00:38:31,120 Speaker 1: Of course didn't speak English yet, and I'd be like, 675 00:38:31,239 --> 00:38:36,800 Speaker 1: I know, I know, I know, it's a baby, and 676 00:38:37,000 --> 00:38:38,880 Speaker 1: look at you like they don't even look at you. 677 00:38:38,920 --> 00:38:43,240 Speaker 1: They don't even see you'azed over. They're little bitty blobs 678 00:38:43,280 --> 00:38:47,680 Speaker 1: of protoplasm. They have no idea you you exist, Hi, Josh, Hey, 679 00:38:47,800 --> 00:38:52,000 Speaker 1: good morning, good morning. So it's sprinkling lightly, raining lightly, 680 00:38:52,080 --> 00:38:54,360 Speaker 1: and you turn on your windsholl wipers. No, no, I 681 00:38:54,400 --> 00:38:55,960 Speaker 1: don't even turn them on. That's the thing. I wait 682 00:38:56,000 --> 00:38:57,560 Speaker 1: until I passed to the cars, and then I'll do 683 00:38:57,680 --> 00:39:01,160 Speaker 1: that one click motion and uh and then I won't 684 00:39:01,160 --> 00:39:02,960 Speaker 1: turn it back on until I really need them. Now 685 00:39:03,040 --> 00:39:05,640 Speaker 1: you're doing that for them or for you? No, just 686 00:39:05,760 --> 00:39:07,440 Speaker 1: for me, man. I don't feel like I feel like 687 00:39:07,560 --> 00:39:11,040 Speaker 1: people judse me for even using the wipers. Isn't that weird? Though? 688 00:39:11,960 --> 00:39:14,000 Speaker 1: I think we're all a little strange. Josh, You're as 689 00:39:14,200 --> 00:39:17,080 Speaker 1: odd as we are. I love that about you. Yeah, 690 00:39:17,160 --> 00:39:19,399 Speaker 1: I had a second thing on so y'all talked about 691 00:39:19,400 --> 00:39:22,799 Speaker 1: the animals. Uh, it's not one of my dog barks 692 00:39:22,840 --> 00:39:25,759 Speaker 1: because she's she's a real quide don't but she's got 693 00:39:25,800 --> 00:39:27,440 Speaker 1: this thing where she likes to huff and puff like 694 00:39:27,560 --> 00:39:33,600 Speaker 1: she's really stressed out. I always tell you that's exactly 695 00:39:33,680 --> 00:39:38,279 Speaker 1: how I feel, exactly, Like all your dog is doing 696 00:39:38,360 --> 00:39:40,600 Speaker 1: is breathing, but you're like reading something into it that 697 00:39:40,680 --> 00:39:43,759 Speaker 1: really isn't there. We we project things on our patch 698 00:39:43,840 --> 00:39:47,000 Speaker 1: that just aren't there. You know, you think you're going down. 699 00:39:47,040 --> 00:39:50,640 Speaker 1: What's your dog's name, Josh, Juju Juju? So you think 700 00:39:50,719 --> 00:39:52,759 Speaker 1: you go down and you kissed Juju right there on 701 00:39:52,840 --> 00:39:54,680 Speaker 1: the lips or on the cheek rather than what you do. 702 00:39:55,000 --> 00:39:56,920 Speaker 1: But what Juju is thinking, oh god, oh god, the 703 00:39:57,000 --> 00:40:00,800 Speaker 1: head's getting closer. Oh god, no, no, gonna be on 704 00:40:02,400 --> 00:40:06,560 Speaker 1: and then goes yeah, and you go, yeah, I feel 705 00:40:06,600 --> 00:40:09,120 Speaker 1: the same way, And so we think there there, we 706 00:40:09,280 --> 00:40:11,600 Speaker 1: think our pets are saying something. They're not saying anything. 707 00:40:12,360 --> 00:40:14,080 Speaker 1: They really are nothing that we think all right, Josh, 708 00:40:14,120 --> 00:40:18,040 Speaker 1: thank you man. We brought up a lot of good points. Yeah, 709 00:40:18,120 --> 00:40:21,320 Speaker 1: and transference, what do you call it's projecting, protecting. But 710 00:40:22,080 --> 00:40:24,640 Speaker 1: but except for with your animal, your animal is actually 711 00:40:24,680 --> 00:40:30,839 Speaker 1: really smart. Yeah. Hi Meredith, Hi, what's your question? Well, 712 00:40:30,880 --> 00:40:35,120 Speaker 1: I actually had a comment about Facebook. We do Facebook, Okay, 713 00:40:35,160 --> 00:40:38,279 Speaker 1: go ahead, But sometimes when I'm on Facebook, I find 714 00:40:38,320 --> 00:40:40,719 Speaker 1: that I have the idea to check Facebook when I'm 715 00:40:40,760 --> 00:40:44,360 Speaker 1: just mindlessly strolling through Facebook. Oh yeah, I've done that 716 00:40:44,440 --> 00:40:46,120 Speaker 1: before where you go back up to like your favorites 717 00:40:46,160 --> 00:40:47,840 Speaker 1: and click on it again and it just starts overy like, 718 00:40:47,880 --> 00:40:50,960 Speaker 1: oh I realized that was already hunted page. Yeah, sid 719 00:40:51,719 --> 00:40:53,719 Speaker 1: Or Like I'll be on Instagram and be like, gosh, 720 00:40:53,760 --> 00:40:56,800 Speaker 1: I wonder what's going on on Instagram. I'm on Instagram. 721 00:40:56,920 --> 00:40:59,279 Speaker 1: I'm on it right now. Yeah. I mean I think 722 00:40:59,360 --> 00:41:05,200 Speaker 1: we it really shows us how mindless social media is. 723 00:41:05,719 --> 00:41:08,920 Speaker 1: I mean, we're just it's it's it's it is mindless, 724 00:41:10,000 --> 00:41:11,839 Speaker 1: which kind of scares me. We are not. If we're 725 00:41:11,840 --> 00:41:15,279 Speaker 1: not using our mind heavily when we're scrolling through through 726 00:41:15,560 --> 00:41:18,560 Speaker 1: social media, then when are we using our minds not 727 00:41:18,719 --> 00:41:21,040 Speaker 1: as much as we used to. I don't know, maybe 728 00:41:21,080 --> 00:41:23,160 Speaker 1: I'm reading way too much into this, all right, Meredith, 729 00:41:23,280 --> 00:41:25,600 Speaker 1: thank you, Thank you for listening to us first and foremost, 730 00:41:26,680 --> 00:41:28,560 Speaker 1: love you more have a great day to day. Let's 731 00:41:28,560 --> 00:41:31,239 Speaker 1: get into your headlines, hid Bethany, Hello, Hello, one more 732 00:41:31,280 --> 00:41:33,359 Speaker 1: thought from Froggy. What's up? Frog? But do you drive 733 00:41:33,400 --> 00:41:34,719 Speaker 1: in the car and when you can't find your way 734 00:41:34,760 --> 00:41:39,680 Speaker 1: you turn the radio down? Absolutely? Why? I have to focus? No, 735 00:41:39,800 --> 00:41:42,960 Speaker 1: it does. I have to focus when I'm driving. If 736 00:41:43,080 --> 00:41:44,960 Speaker 1: if I'm coming to a like, Oh, what do I do? 737 00:41:45,080 --> 00:41:46,719 Speaker 1: I gotta I gotta turn the sound down because I 738 00:41:46,800 --> 00:41:50,600 Speaker 1: have to focus. I get that though sound is distracting. 739 00:41:50,840 --> 00:41:52,560 Speaker 1: You know, they say that, you know what, you can't 740 00:41:52,640 --> 00:41:55,040 Speaker 1: use your phones and talk to people while you're driving. 741 00:41:55,440 --> 00:41:57,680 Speaker 1: They're saying that what we're doing right now is distracting. 742 00:41:57,719 --> 00:41:59,680 Speaker 1: Oh look, you just missed your exit listening to this 743 00:41:59,760 --> 00:42:02,840 Speaker 1: kind of station, didn't you How many times that we 744 00:42:02,920 --> 00:42:04,839 Speaker 1: had people call us I was listening to your show 745 00:42:04,880 --> 00:42:07,239 Speaker 1: and I just missed my exit? All right, we're not helping. 746 00:42:07,280 --> 00:42:10,200 Speaker 1: I think we're causing accidents. But the good news is 747 00:42:10,239 --> 00:42:13,440 Speaker 1: if there's a fender bender on your route, it slows 748 00:42:13,480 --> 00:42:15,640 Speaker 1: down traffic and we get you longer. Therefore ratings go 749 00:42:15,760 --> 00:42:23,440 Speaker 1: up and the company makes more money. Small miracles. All right, 750 00:42:23,480 --> 00:42:25,640 Speaker 1: We've got a one thousand daughter, Brooklyn betting free money. 751 00:42:25,680 --> 00:42:28,600 Speaker 1: Phone Tap on the way, great music from an incredible guy, 752 00:42:28,719 --> 00:42:31,359 Speaker 1: Leon Else in less than one hour. Let's get into 753 00:42:31,400 --> 00:42:34,600 Speaker 1: your headline. What's going on Bethany, Britain's Parliament and Scotland 754 00:42:34,680 --> 00:42:37,560 Speaker 1: Yard have observed a moment of silence today after yesterday's 755 00:42:37,600 --> 00:42:40,480 Speaker 1: terror attack in London. The suspects of weapons were a 756 00:42:40,560 --> 00:42:43,440 Speaker 1: car and a knife. He drove the car into pedestrians 757 00:42:43,480 --> 00:42:45,800 Speaker 1: on Westminster Bridge and was shot and killed as he 758 00:42:45,840 --> 00:42:48,120 Speaker 1: tried to storm the houses of Parliament and stabbed a 759 00:42:48,120 --> 00:42:51,920 Speaker 1: police officer. Seven people have been arrested in connection to 760 00:42:52,120 --> 00:42:55,040 Speaker 1: the attack. British Prime Minister Theresa May says that the 761 00:42:55,080 --> 00:42:58,520 Speaker 1: attacker was British born and had once been investigated by 762 00:42:58,719 --> 00:43:00,640 Speaker 1: m I five. You know, one, if you have any 763 00:43:00,680 --> 00:43:03,000 Speaker 1: friends over there, don't forget to say a little hello. 764 00:43:03,400 --> 00:43:05,440 Speaker 1: They were thinking about you. We're also thinking about our 765 00:43:05,440 --> 00:43:08,239 Speaker 1: friends in Wisconsin today. Four people in northern Wisconsin were 766 00:43:08,280 --> 00:43:10,560 Speaker 1: shot and killed yesterday. One of those people was a 767 00:43:10,640 --> 00:43:13,600 Speaker 1: police officer. It happened in Wasaw, which is about ninety 768 00:43:13,680 --> 00:43:16,040 Speaker 1: minutes outside of Green Bay. Police are saying it was 769 00:43:16,080 --> 00:43:18,880 Speaker 1: a domestic dispute at a bank that escalated into shootings 770 00:43:18,960 --> 00:43:24,120 Speaker 1: at three locations. NFL Commissioner Roger Goodell says that changes 771 00:43:24,160 --> 00:43:27,000 Speaker 1: are coming this year to make NFL games quicker. A 772 00:43:27,080 --> 00:43:29,239 Speaker 1: lot of times you'll see a commercial break kick off 773 00:43:29,400 --> 00:43:32,319 Speaker 1: than another commercial break. Now, the NFL is looking at 774 00:43:32,360 --> 00:43:35,480 Speaker 1: ways to revamp commercial structures as well as changing in 775 00:43:35,640 --> 00:43:39,680 Speaker 1: game timing and replay reviews. This is your hourly reminder 776 00:43:39,800 --> 00:43:43,680 Speaker 1: to take a deep breath. There you go. And if 777 00:43:43,680 --> 00:43:46,239 Speaker 1: you're looking for a new gig, how about getting paid 778 00:43:46,280 --> 00:43:52,600 Speaker 1: to travel the world and stay in super high end homes. No, no, no, okay. Well, 779 00:43:52,840 --> 00:43:56,000 Speaker 1: the luxury vacation home company Third Home announced on their 780 00:43:56,000 --> 00:43:58,560 Speaker 1: Facebook page that they're taking applications for what they call 781 00:43:58,640 --> 00:44:01,520 Speaker 1: the best job on the planet. The position pays ten 782 00:44:01,960 --> 00:44:04,160 Speaker 1: dollars a month. You travel the world and stay in 783 00:44:04,239 --> 00:44:08,400 Speaker 1: multimillion dollar homes. Hold on to do what you have 784 00:44:08,480 --> 00:44:10,560 Speaker 1: to be social media savvy, have away with words. You 785 00:44:10,600 --> 00:44:12,680 Speaker 1: need to be an adult with a valid passport, So 786 00:44:12,840 --> 00:44:15,920 Speaker 1: you're basically traveling to big, huge mansions that are for 787 00:44:16,000 --> 00:44:18,040 Speaker 1: rents so you can give reviews on them. What it 788 00:44:18,120 --> 00:44:20,520 Speaker 1: sounds like, it's only a three month position. That's the 789 00:44:20,560 --> 00:44:24,120 Speaker 1: only drawback piece out. I'm out a nice one. Your 790 00:44:24,160 --> 00:44:30,080 Speaker 1: free money phone tap coming up, thank you is Elvis 791 00:44:30,200 --> 00:44:39,000 Speaker 1: Grant in the Morning Show the sound Drop from Hey, 792 00:44:39,080 --> 00:44:43,200 Speaker 1: what's up months? Everything that I've been working towards is 793 00:44:43,280 --> 00:44:45,239 Speaker 1: now a part of what I do every day. So 794 00:44:45,400 --> 00:44:48,120 Speaker 1: I feel very blessed. Visit the sound drop dot com. 795 00:44:49,840 --> 00:44:52,680 Speaker 1: I have to tell you guys show you make my morning. 796 00:44:52,800 --> 00:45:02,600 Speaker 1: I love you guys feeling in the Remember that day 797 00:45:02,640 --> 00:45:05,480 Speaker 1: great team was feeling it. He was doing my entertainment report. 798 00:45:06,680 --> 00:45:10,799 Speaker 1: That's why we're so happy you're back. We're very happy 799 00:45:10,840 --> 00:45:12,920 Speaker 1: you're here. Hey, We're about to get into the one 800 00:45:12,960 --> 00:45:15,400 Speaker 1: thousand dollar Brooklyn Betting Free Money phone tap. You can 801 00:45:15,440 --> 00:45:17,560 Speaker 1: win a thousand dollar free money gift card. You spend 802 00:45:17,600 --> 00:45:21,800 Speaker 1: it anyway you want. Um and Bethany will tell you 803 00:45:21,880 --> 00:45:24,480 Speaker 1: more about that coming up. Also, Leon Els is coming in. 804 00:45:24,640 --> 00:45:28,239 Speaker 1: Wait till you hear him seeing But on top of that, 805 00:45:28,400 --> 00:45:30,440 Speaker 1: his story is remarkable, and that's what we're all about. 806 00:45:30,440 --> 00:45:32,080 Speaker 1: You know what. There's more to an artist than the 807 00:45:32,160 --> 00:45:34,920 Speaker 1: note to come out of their mouths. There's also the 808 00:45:34,960 --> 00:45:37,640 Speaker 1: passion behind the music and where it comes from. We'll 809 00:45:37,719 --> 00:45:39,560 Speaker 1: learn more about Leon when he comes in. You're gonna 810 00:45:39,600 --> 00:45:41,480 Speaker 1: love him. He's a sweetheart. He has a sweetheart. He's 811 00:45:41,480 --> 00:45:43,440 Speaker 1: got that British accent and that those eyes that are 812 00:45:43,880 --> 00:45:45,680 Speaker 1: you can't really you can hear the eyes on the radio. 813 00:45:45,800 --> 00:45:48,399 Speaker 1: Somebody needs to see them. Google image his eyes they're 814 00:45:48,440 --> 00:45:51,960 Speaker 1: like I've never seen him, like a mint green incredible. 815 00:45:52,080 --> 00:45:55,120 Speaker 1: I don't think they're real. When he's here. Let's hold 816 00:45:55,160 --> 00:45:57,520 Speaker 1: him down. I'm gonna I'm gonna scrape his eyes, his 817 00:45:58,040 --> 00:46:00,839 Speaker 1: contacts out, Yeah, move on, else is on the way. 818 00:46:00,880 --> 00:46:02,440 Speaker 1: You're gonna love him? All right. Let's get into your 819 00:46:02,440 --> 00:46:04,760 Speaker 1: free money phone tap. Elvis Durand in the morning shows 820 00:46:04,880 --> 00:46:08,680 Speaker 1: Free money Phone Tap. I just said that, Yeah, so 821 00:46:08,840 --> 00:46:11,839 Speaker 1: did he. It's the free money phone tap today. Who 822 00:46:11,880 --> 00:46:15,280 Speaker 1: does the phone tap? It belongs to Danielle, Oh, Danielle. 823 00:46:15,440 --> 00:46:17,480 Speaker 1: All right. After Daniel's phone tap, we'll tell you what 824 00:46:17,600 --> 00:46:19,040 Speaker 1: number to call it you be calling one hundred. You 825 00:46:19,040 --> 00:46:21,680 Speaker 1: win a one dollar gift card. You know when you 826 00:46:21,760 --> 00:46:23,920 Speaker 1: go to the mattress store and then you lie awkwardly 827 00:46:23,960 --> 00:46:25,960 Speaker 1: on the mattress in front of strangers and then everyone 828 00:46:26,040 --> 00:46:27,640 Speaker 1: feels really weird about it. Yeah, you don't have to 829 00:46:27,680 --> 00:46:31,040 Speaker 1: do that anymore. Go to Brooklyn Betting dot com, use 830 00:46:31,080 --> 00:46:34,000 Speaker 1: the code radio and you get five off your mattress 831 00:46:34,080 --> 00:46:36,640 Speaker 1: and two free pillows and a set of sheets, and 832 00:46:36,719 --> 00:46:39,200 Speaker 1: they send it straight to your house in a compressed box. 833 00:46:39,360 --> 00:46:42,600 Speaker 1: No awkward lying around with strangers required unless that's your bag. 834 00:46:43,160 --> 00:46:45,359 Speaker 1: So after the phone tap airs, we're going to give 835 00:46:45,400 --> 00:46:47,839 Speaker 1: you the phone number. Be collared one hundred and win 836 00:46:47,920 --> 00:46:52,160 Speaker 1: a thousand dollars. Courtesy of Brooklyn Betting dot com. Elvis 837 00:46:52,200 --> 00:46:55,360 Speaker 1: Elvis Duran, the Elvis Duran phone tap, daniel what's your 838 00:46:55,360 --> 00:46:57,480 Speaker 1: phone tap all about? All right? So, Nicky wanted to 839 00:46:57,560 --> 00:47:00,359 Speaker 1: have a little fun with her husband, Brian. She says 840 00:47:00,400 --> 00:47:02,719 Speaker 1: she knows he's really slammed at work right now, and 841 00:47:02,800 --> 00:47:05,640 Speaker 1: she thought it would be funny if I called, as 842 00:47:05,760 --> 00:47:08,200 Speaker 1: if she called and said, Hey, I have to leave 843 00:47:08,239 --> 00:47:10,560 Speaker 1: the office. You need to come pick me up. I 844 00:47:10,760 --> 00:47:12,960 Speaker 1: lost my keys. The valet lost my keys, so you 845 00:47:13,080 --> 00:47:14,600 Speaker 1: need to come and help me. And he's so busy 846 00:47:14,800 --> 00:47:16,680 Speaker 1: he doesn't have time for this crowd. All right, let's 847 00:47:16,680 --> 00:47:21,160 Speaker 1: see what happens in Danielle's phone Towny. So, and that's 848 00:47:21,239 --> 00:47:26,640 Speaker 1: parking garage and idiots lost my keys. I need you 849 00:47:27,080 --> 00:47:30,839 Speaker 1: over here. Who lost your keys? SE's idiot? Parking garage? People? 850 00:47:31,120 --> 00:47:33,279 Speaker 1: Are you kidding me? Right now? How do they lose 851 00:47:33,320 --> 00:47:40,120 Speaker 1: your teeth? Are you kidding me? That's what you pay 852 00:47:40,160 --> 00:47:41,640 Speaker 1: people for. That's like, that's why I think got like 853 00:47:41,719 --> 00:47:44,160 Speaker 1: twelve dollars an hour. That's over to me. I'm gonna 854 00:47:44,160 --> 00:47:49,319 Speaker 1: talk to these people. Gone, hello, yeah, hello, yeah? Are 855 00:47:49,440 --> 00:47:52,440 Speaker 1: talking to what's your name? Vivian? So? What's going on? 856 00:47:52,560 --> 00:47:54,920 Speaker 1: My wife's car? Right now? I lost the keys? You 857 00:47:55,040 --> 00:47:57,160 Speaker 1: lost the keys? Help? Do you lose somebody's keys? Are 858 00:47:57,160 --> 00:47:59,959 Speaker 1: you kidding me? Right? Whoa? Whoa, whoa? Well, we'll figure 859 00:48:00,080 --> 00:48:02,040 Speaker 1: right out. Somebody will find the key in their car 860 00:48:02,400 --> 00:48:04,399 Speaker 1: and then they'll call me and they'll bring it back. 861 00:48:04,920 --> 00:48:07,080 Speaker 1: Listen to your job. You've got one job, right Your 862 00:48:07,160 --> 00:48:08,759 Speaker 1: job is to get a key, to get it from 863 00:48:08,760 --> 00:48:10,560 Speaker 1: the customer, and then to go get the car. You're 864 00:48:10,560 --> 00:48:12,279 Speaker 1: telling me right now is that my kids gotta stay 865 00:48:12,280 --> 00:48:13,960 Speaker 1: in school and just wait there for forever. Right now, 866 00:48:14,000 --> 00:48:15,279 Speaker 1: my wife's gonna know where to go that I gotta 867 00:48:15,320 --> 00:48:17,080 Speaker 1: leave my office to go figure this out because you 868 00:48:17,080 --> 00:48:18,880 Speaker 1: don't know how to do your job. I didn't do 869 00:48:18,920 --> 00:48:21,000 Speaker 1: it on purpose. What do you think I said, Oh, 870 00:48:21,120 --> 00:48:23,160 Speaker 1: let me lose this person's key so I can keep 871 00:48:23,200 --> 00:48:25,399 Speaker 1: her here. No, why would I do that? You better 872 00:48:25,440 --> 00:48:28,480 Speaker 1: not be getting an attitude with me right now, I'm 873 00:48:28,520 --> 00:48:30,239 Speaker 1: not getting the attitude. You came in here with the 874 00:48:30,280 --> 00:48:33,000 Speaker 1: hostile attitude. I've been nice. You lost the kids from 875 00:48:33,000 --> 00:48:34,600 Speaker 1: my coffer. I know they could be some guy running 876 00:48:34,600 --> 00:48:36,400 Speaker 1: around my key about to steal my car. Later. You 877 00:48:36,560 --> 00:48:38,360 Speaker 1: should advertise it. That's what you should do from now, 878 00:48:38,360 --> 00:48:40,040 Speaker 1: and you should be like, hey, give us your cars 879 00:48:40,040 --> 00:48:41,759 Speaker 1: and we'll lose the keys. This is only like the 880 00:48:41,840 --> 00:48:44,040 Speaker 1: fifth time it's happened. It's only like the fifth time. 881 00:48:44,200 --> 00:48:46,160 Speaker 1: Are you getting as a manager that I can tell 882 00:48:46,520 --> 00:48:48,680 Speaker 1: sixth time? But I don't count that one time? Who's 883 00:48:48,680 --> 00:48:53,680 Speaker 1: your manager? I'm the manager, you're the manager? Yeah? Why 884 00:48:53,800 --> 00:48:56,120 Speaker 1: is that so funny? A lot of these cars look alike, 885 00:48:56,880 --> 00:48:59,560 Speaker 1: silvercar over here, silvercar over here, silvercar over here. They 886 00:48:59,600 --> 00:49:01,440 Speaker 1: all look at like, after a while, you're gonna call 887 00:49:01,480 --> 00:49:03,360 Speaker 1: a taxi, okay, and your company is gonna pay for 888 00:49:03,440 --> 00:49:05,000 Speaker 1: my wife to go pick up the kids for the taxi. 889 00:49:05,239 --> 00:49:06,719 Speaker 1: And then I'm gonna order a new key, and I'm 890 00:49:06,719 --> 00:49:08,480 Speaker 1: gonna send you the invoice and you're gonna pay for that. 891 00:49:08,600 --> 00:49:10,640 Speaker 1: Do you understand me? No, I can't do that, Yes 892 00:49:10,719 --> 00:49:13,359 Speaker 1: you are. No, I'm gonna lose my job. I don't 893 00:49:13,440 --> 00:49:15,000 Speaker 1: care if you lose your job. I care about my 894 00:49:15,040 --> 00:49:16,480 Speaker 1: car right now and what you have done to my 895 00:49:16,560 --> 00:49:18,160 Speaker 1: family right now. So you're gonna go and you're gonna 896 00:49:18,160 --> 00:49:19,839 Speaker 1: figure this out for me. Got a spare key, bring 897 00:49:19,920 --> 00:49:23,160 Speaker 1: it down here? Are you kidding me? Right now? I'm 898 00:49:23,239 --> 00:49:25,440 Speaker 1: just saying, really, your attitude about this whole thing, this 899 00:49:25,600 --> 00:49:27,040 Speaker 1: is all okay with you. You're like, oh, that's it. 900 00:49:27,200 --> 00:49:30,200 Speaker 1: I'm trying to be accommodating. I'm trying, but it ain't working. 901 00:49:30,520 --> 00:49:33,359 Speaker 1: You're very tough. Where does she live from here? Can 902 00:49:33,440 --> 00:49:37,520 Speaker 1: she walk it? You're unbelievable. You're unbelievable. Come and drop 903 00:49:37,560 --> 00:49:39,680 Speaker 1: off the key. Why is that so hard? Because I'm 904 00:49:39,680 --> 00:49:42,000 Speaker 1: at the office right now, I can't just go down there. 905 00:49:42,120 --> 00:49:44,440 Speaker 1: Your wife's now where your wife's not work, you leave 906 00:49:44,480 --> 00:49:46,160 Speaker 1: in the office to come and drop off your key. 907 00:49:46,360 --> 00:49:48,160 Speaker 1: Come on, dude, what kind of a guy are you? 908 00:49:49,120 --> 00:49:50,600 Speaker 1: I'm going down there right now. You better get your 909 00:49:50,600 --> 00:49:52,239 Speaker 1: owner down there. You gotta get your owner because I'm 910 00:49:52,239 --> 00:49:56,200 Speaker 1: not talking. Make you get fired because you're unbelievable. You 911 00:49:56,760 --> 00:50:02,879 Speaker 1: unbelievable whatever you're just so, I'm what are you doing? 912 00:50:03,800 --> 00:50:06,080 Speaker 1: I'm working so that I can pay for your you 913 00:50:06,160 --> 00:50:07,600 Speaker 1: gotta call the school with the sun to hold on 914 00:50:07,680 --> 00:50:09,160 Speaker 1: to the kids and you figure it out. I don't know. 915 00:50:09,200 --> 00:50:11,600 Speaker 1: I mean, we're just wasting time. Now, I gotta go. No, 916 00:50:12,400 --> 00:50:15,600 Speaker 1: I'm in the middle of the meeting. Let's call your brother. Okay, 917 00:50:15,640 --> 00:50:17,840 Speaker 1: maybe he can help you. Okay and say, hey, remember 918 00:50:17,840 --> 00:50:19,840 Speaker 1: those ten thousand favors? That a tip for you? I 919 00:50:19,920 --> 00:50:22,839 Speaker 1: need one? Okay, come help me. He did that work. 920 00:50:23,719 --> 00:50:28,520 Speaker 1: I'm a work. This is daniel Mannaro boils during in 921 00:50:28,560 --> 00:50:33,200 Speaker 1: the morning show. We just phone tapped you. She's not 922 00:50:33,320 --> 00:50:35,480 Speaker 1: in the prize garage. She didn't leave the key. She 923 00:50:35,560 --> 00:50:38,759 Speaker 1: just wanted to mess with you. That's funny. That's real funny. Vic. Thanks, 924 00:50:41,360 --> 00:50:45,719 Speaker 1: that was so funny. And by the way, people asked 925 00:50:45,760 --> 00:50:47,440 Speaker 1: me all the time, would you like to work with Danielle. 926 00:50:47,640 --> 00:50:51,520 Speaker 1: You just heard that. That was That was a real 927 00:50:51,680 --> 00:50:58,160 Speaker 1: Danielle hilarious. Hilarious. Guess what, what, Brody get off the 928 00:50:58,280 --> 00:51:03,080 Speaker 1: throne right now, have a brand new king of all 929 00:51:03,239 --> 00:51:10,080 Speaker 1: phone taps. Congratulations, Thank you so much the Academy. I'd 930 00:51:10,120 --> 00:51:12,520 Speaker 1: like to thank that you got it. Get on the throne. 931 00:51:13,160 --> 00:51:15,200 Speaker 1: Five of us up there on the throne, durand in 932 00:51:15,280 --> 00:51:17,600 Speaker 1: the morning shows, Free money phone to All right, let's go. 933 00:51:17,680 --> 00:51:19,120 Speaker 1: If you're called on one hundred, you win a one 934 00:51:19,120 --> 00:51:21,560 Speaker 1: thousand dollar cash gift card. Yeah. Give us a call 935 00:51:21,760 --> 00:51:25,200 Speaker 1: on eight hundred two four to zero one hundred you'll 936 00:51:25,239 --> 00:51:30,800 Speaker 1: get a thousand dollars courtesy of Brooklyn Betting dot Com. Hello, 937 00:51:33,440 --> 00:51:36,600 Speaker 1: did your a phone ring? Okay, so it wasn't just me, 938 00:51:36,760 --> 00:51:39,560 Speaker 1: No good Elvis Durrand in the Morning Shows, Brooklyn Petting, 939 00:51:39,600 --> 00:51:42,200 Speaker 1: Free money phone tat open just necessary avoid in Montana, 940 00:51:42,239 --> 00:51:44,960 Speaker 1: New Mexico, Washington and were prohibited open I legal residents 941 00:51:45,000 --> 00:51:46,440 Speaker 1: of the U s t C. Eighteen and all their 942 00:51:46,480 --> 00:51:49,920 Speaker 1: art official rules. Visit Elvis Durand dot Com. Elvis Durand 943 00:51:49,960 --> 00:51:54,359 Speaker 1: in the Morning Shows. Free money phone Tap. Yeah, are 944 00:51:54,440 --> 00:52:01,160 Speaker 1: we on high? Let's go talk to Nicole. Hi, Nicole, welcome, 945 00:52:01,480 --> 00:52:04,840 Speaker 1: Welcome to the show. Did you like Danielle's phone tap today? 946 00:52:05,719 --> 00:52:07,719 Speaker 1: I love him. I listened to him every morning and 947 00:52:07,840 --> 00:52:09,880 Speaker 1: Daniell's was extra great. That's why she's the king of 948 00:52:09,920 --> 00:52:14,239 Speaker 1: all phone taps. Go ahead, Uh, sit there, sit down, 949 00:52:14,320 --> 00:52:17,320 Speaker 1: because we have to give you something. Ready, you just 950 00:52:17,440 --> 00:52:20,400 Speaker 1: won a one thousand dollar cash gift card. But the 951 00:52:20,440 --> 00:52:25,640 Speaker 1: free money phone tap, Yeah, Nicole, it's from Brooklyn betting 952 00:52:25,880 --> 00:52:28,479 Speaker 1: dot com. But it's a thousand dollar cash gift cards 953 00:52:28,480 --> 00:52:33,320 Speaker 1: so it spends just like cash anywhere. And congratulations, Thank 954 00:52:33,360 --> 00:52:35,879 Speaker 1: you so much, thanks for listening. Hey, are you gonna 955 00:52:35,880 --> 00:52:39,400 Speaker 1: be around for a while? Yeah? Okay, Leon Else is 956 00:52:39,440 --> 00:52:41,960 Speaker 1: on the way. Wait till you hear him perform. You're 957 00:52:41,960 --> 00:52:44,160 Speaker 1: gonna love it. You're gonna love it. I mean, he's 958 00:52:44,200 --> 00:52:47,719 Speaker 1: got a massive ego already, but he's a very nice guy. 959 00:52:48,239 --> 00:52:49,759 Speaker 1: We're gonna get him on for you in a few minutes. 960 00:52:49,760 --> 00:52:52,719 Speaker 1: You're gonna love him. Hold on one second, all right, 961 00:52:52,760 --> 00:52:55,000 Speaker 1: another free money phone tap tomorrow morning. He's not as 962 00:52:55,040 --> 00:52:57,839 Speaker 1: bad as Darren Chris. That guy is just the world God. 963 00:52:57,840 --> 00:52:59,640 Speaker 1: I don't even give me a starting. So I'm Darren 964 00:52:59,719 --> 00:53:02,120 Speaker 1: Chris and I are going to see Sunset Boulevard on 965 00:53:02,160 --> 00:53:05,759 Speaker 1: Broadway tomorrow. We're gonna have lots of cocktails, you know. 966 00:53:05,840 --> 00:53:09,759 Speaker 1: And Darren me, I don't get recognized in public. Who cares? 967 00:53:09,840 --> 00:53:12,680 Speaker 1: And I'm a radio guy, no one whatever. I'm just 968 00:53:12,760 --> 00:53:14,359 Speaker 1: like the guy who works at the donut shop. I'm 969 00:53:14,360 --> 00:53:16,680 Speaker 1: just I'm here for you every day. Whatever. Darren Chris, 970 00:53:16,760 --> 00:53:18,960 Speaker 1: a lot of people know who he is, so I 971 00:53:19,040 --> 00:53:21,320 Speaker 1: had to get us two tickets for Sunset Boulevard. It 972 00:53:21,400 --> 00:53:23,359 Speaker 1: was my job to get the tickets. So I told 973 00:53:23,440 --> 00:53:26,719 Speaker 1: Andrew my sister, I said, let's get the tickets like 974 00:53:26,800 --> 00:53:29,320 Speaker 1: in the middle of the aisle. So Darren has to 975 00:53:29,400 --> 00:53:32,320 Speaker 1: like rub his famous butt in everyone's face as he 976 00:53:32,400 --> 00:53:38,719 Speaker 1: gets and then people would, oh, dar Darry Chris. I'm 977 00:53:38,719 --> 00:53:41,759 Speaker 1: actually gonna stand up and point this is Darren Chris, 978 00:53:43,200 --> 00:53:47,719 Speaker 1: remember him from Glee. Darren Chris. All right, our date 979 00:53:47,800 --> 00:53:49,440 Speaker 1: is tomorrow night. I'll get back to your Monday. Let 980 00:53:49,440 --> 00:53:54,759 Speaker 1: you know how I went. Alrighty, hey, uh So you know, 981 00:53:55,360 --> 00:53:59,040 Speaker 1: not everyone has it, you know, in their heart or 982 00:53:59,120 --> 00:54:02,600 Speaker 1: mind to have enough courage to fly into outer space. 983 00:54:03,280 --> 00:54:05,120 Speaker 1: You know, in this day and age, you can actually 984 00:54:05,239 --> 00:54:08,320 Speaker 1: sign up and reserve a seat on these flights that 985 00:54:08,600 --> 00:54:12,239 Speaker 1: are scheduled to fly way way up in the sky, 986 00:54:12,600 --> 00:54:15,439 Speaker 1: like these tourist moon flights. Yeah, I mean, and they're 987 00:54:15,480 --> 00:54:21,480 Speaker 1: very expensive. But the question is this, would you take 988 00:54:21,560 --> 00:54:28,759 Speaker 1: a one way trip to Mars? Think it through, you 989 00:54:30,000 --> 00:54:35,800 Speaker 1: can't get back. About five years ago, there's a company 990 00:54:35,880 --> 00:54:41,239 Speaker 1: called Mars One. They announced free trips to Mars. The 991 00:54:41,320 --> 00:54:44,400 Speaker 1: only catch it's a one way ticket. Believe it or not, 992 00:54:44,719 --> 00:54:47,399 Speaker 1: tens of thousands of people have applied for the chance 993 00:54:47,480 --> 00:54:51,320 Speaker 1: to actually die on Mars. I was I was listening 994 00:54:51,360 --> 00:54:54,480 Speaker 1: to actually a news story about this this morning, talking 995 00:54:54,480 --> 00:54:57,120 Speaker 1: about they were saying what kind of a person would 996 00:54:57,200 --> 00:54:59,239 Speaker 1: want to do this? They weren't saying it judgmentally, They 997 00:54:59,280 --> 00:55:02,120 Speaker 1: were like asking. And there are different mentalities that you 998 00:55:02,160 --> 00:55:04,560 Speaker 1: would have to go through as the trip progressed, like 999 00:55:04,640 --> 00:55:07,759 Speaker 1: when you saw Earth leave your view, that would do 1000 00:55:07,920 --> 00:55:11,040 Speaker 1: something to you psychologically knowing you will never see that again. 1001 00:55:11,120 --> 00:55:13,600 Speaker 1: And the first person I thought would be actually really 1002 00:55:13,640 --> 00:55:17,040 Speaker 1: good for this, Nate is Nate Yea because Nate always 1003 00:55:17,200 --> 00:55:20,400 Speaker 1: says he's ready to run away and never come back. Now, 1004 00:55:20,480 --> 00:55:23,399 Speaker 1: so let's talk about it seriously. And I'm not making 1005 00:55:23,440 --> 00:55:26,319 Speaker 1: fun of you or anything. What makes you and your 1006 00:55:26,680 --> 00:55:29,920 Speaker 1: type of personality the kind who would say goodbye to 1007 00:55:30,080 --> 00:55:32,520 Speaker 1: everything and everyone you know because you're done empty, fly 1008 00:55:32,640 --> 00:55:34,000 Speaker 1: to Mars, You're not coming home. I think a lot 1009 00:55:34,000 --> 00:55:36,319 Speaker 1: of people that have traveled a lot or have lived 1010 00:55:36,360 --> 00:55:38,439 Speaker 1: in a lot of different places. You don't feel any 1011 00:55:38,520 --> 00:55:44,359 Speaker 1: connection to any sound going crazy, uh, any You don't 1012 00:55:44,360 --> 00:55:47,520 Speaker 1: really feel any connection to one place, so you in 1013 00:55:47,640 --> 00:55:50,000 Speaker 1: your head say, well, I could go anywhere, then okay, okay, 1014 00:55:50,080 --> 00:55:52,200 Speaker 1: that's one place, but what about people? Do you have 1015 00:55:52,239 --> 00:55:59,920 Speaker 1: any connection to any one person? Once you leave, you're done, 1016 00:56:00,080 --> 00:56:02,279 Speaker 1: You're not coming. I get it. But there's a sense 1017 00:56:02,320 --> 00:56:04,840 Speaker 1: of exploration that some people have, that you want to 1018 00:56:04,920 --> 00:56:07,320 Speaker 1: go places that nobody's been before. And I feel like 1019 00:56:07,400 --> 00:56:11,840 Speaker 1: I have that. Okay, But the thing I must assume 1020 00:56:12,160 --> 00:56:14,319 Speaker 1: that if you want to go away to a place 1021 00:56:14,360 --> 00:56:16,000 Speaker 1: that no one's been before, you do want to come 1022 00:56:16,080 --> 00:56:19,000 Speaker 1: back and tell the story to someone. You can't. There's 1023 00:56:19,200 --> 00:56:21,920 Speaker 1: but there's and there's nothing there. But think of the 1024 00:56:21,960 --> 00:56:24,759 Speaker 1: people that explored five years ago. A lot of them 1025 00:56:24,840 --> 00:56:27,399 Speaker 1: went somewhere, discovered a new place, and they didn't come back. 1026 00:56:27,520 --> 00:56:29,560 Speaker 1: That's a good point, and they were the ones that 1027 00:56:29,719 --> 00:56:34,440 Speaker 1: started it. Why we're here. He'd go down in history absolutely. 1028 00:56:34,680 --> 00:56:36,520 Speaker 1: And the thing I know about Nate hanging out with 1029 00:56:36,600 --> 00:56:40,520 Speaker 1: him outside of work is that Nate Nate's mentality is that, 1030 00:56:40,719 --> 00:56:44,920 Speaker 1: like he is really good at taking taking people with him, 1031 00:56:45,000 --> 00:56:47,560 Speaker 1: like inside of him, if that makes sense, Like he 1032 00:56:47,640 --> 00:56:50,280 Speaker 1: takes memories with him of people, but he doesn't necessarily 1033 00:56:50,440 --> 00:56:52,200 Speaker 1: need to be with people all the time. How many 1034 00:56:52,239 --> 00:56:56,800 Speaker 1: people have you head inside? That was so poorly Sorry, 1035 00:56:57,840 --> 00:56:59,319 Speaker 1: but you know what I'm saying, Like he can take 1036 00:56:59,400 --> 00:57:01,520 Speaker 1: the feeling of like having people around him with him. 1037 00:57:01,600 --> 00:57:03,680 Speaker 1: He doesn't necessarily need to be around people a lot. 1038 00:57:03,960 --> 00:57:07,200 Speaker 1: I just I must assume that it sounds like something 1039 00:57:07,400 --> 00:57:09,719 Speaker 1: you would you would think about doing, but once you 1040 00:57:09,800 --> 00:57:14,080 Speaker 1: did it, there there would be a moment you'd be like, uh, yeah, 1041 00:57:14,680 --> 00:57:18,760 Speaker 1: there's a it's permanent, permanent, I think. I mean to us, 1042 00:57:18,960 --> 00:57:21,600 Speaker 1: you're as good as dead. You know you will it's 1043 00:57:21,600 --> 00:57:24,400 Speaker 1: a one way ticket. If you don't see your family anymore, 1044 00:57:24,440 --> 00:57:27,760 Speaker 1: your mom or you wouldn't, you won't, you can't come back. 1045 00:57:28,040 --> 00:57:30,240 Speaker 1: Your mom would not like that. She wouldn't know there 1046 00:57:30,360 --> 00:57:32,680 Speaker 1: is a problem there. Let's go talk to Kristen. Hi, Kristen, 1047 00:57:32,760 --> 00:57:36,720 Speaker 1: would you like a one way ticket to Mars? Oh? Yeah, definitely. 1048 00:57:36,920 --> 00:57:41,080 Speaker 1: We'll meet your roommate Nate. Let's go. I'm for a 1049 00:57:41,320 --> 00:57:45,040 Speaker 1: what do you for? God? Yeah, I hope they have 1050 00:57:45,240 --> 00:57:49,280 Speaker 1: Tito's vodka on that fine. So, Kristen, I mean, this 1051 00:57:49,480 --> 00:57:51,520 Speaker 1: isn't just a fun thing. I'm serious. Once you leave, 1052 00:57:51,560 --> 00:57:54,680 Speaker 1: you you can't come back. You're done. I know. But 1053 00:57:54,760 --> 00:57:57,920 Speaker 1: that's like it's it's a once. I mean, obviously, it's 1054 00:57:57,920 --> 00:58:01,960 Speaker 1: a once in a lifetime thing. But it's a lifetime thing. Yeah, 1055 00:58:02,280 --> 00:58:06,680 Speaker 1: but it's something you would never you would never go 1056 00:58:06,840 --> 00:58:12,880 Speaker 1: to see your experience otherwise and it's not like that anyways. 1057 00:58:14,920 --> 00:58:17,720 Speaker 1: All right, well that's a whole other topic there. Okay, 1058 00:58:17,880 --> 00:58:22,880 Speaker 1: so okay, but I just I didn't see I think 1059 00:58:23,040 --> 00:58:26,600 Speaker 1: what's great about this conversation is it really points out 1060 00:58:26,760 --> 00:58:31,440 Speaker 1: how different we all view our lives and the world because, 1061 00:58:32,200 --> 00:58:35,080 Speaker 1: for instance, going on vacation, let's let's let's just pull 1062 00:58:35,160 --> 00:58:37,960 Speaker 1: it way back. Uh, there are some people who just 1063 00:58:38,400 --> 00:58:45,600 Speaker 1: cannot go on vacation by themselves, and uh, because they 1064 00:58:45,680 --> 00:58:48,600 Speaker 1: are having such great time. It's a great time at 1065 00:58:48,680 --> 00:58:50,720 Speaker 1: the Eiffel Tower or in London or in you know, 1066 00:58:50,880 --> 00:58:53,680 Speaker 1: on a beach, they have to be sharing it with someone. 1067 00:58:54,840 --> 00:58:57,680 Speaker 1: And so, Mars, you can't bring it back. You can't 1068 00:58:57,760 --> 00:59:00,080 Speaker 1: share it with anyone. It's all about you. Really. But 1069 00:59:00,280 --> 00:59:03,320 Speaker 1: one day someone will, someone will be able to go 1070 00:59:03,400 --> 00:59:05,440 Speaker 1: there and come back. I have no doubt that is 1071 00:59:05,480 --> 00:59:08,400 Speaker 1: going to happen. But it's not going to happen without 1072 00:59:08,440 --> 00:59:11,800 Speaker 1: somebody going there first. Hey, you know what national geographic 1073 00:59:11,880 --> 00:59:13,560 Speaker 1: I don't know if you saw this Christian in Nate 1074 00:59:13,640 --> 00:59:16,760 Speaker 1: and everyone, our friend Ron Howard and UH and others 1075 00:59:16,920 --> 00:59:22,360 Speaker 1: produced this incredible, incredible UH documentary about and actually it's 1076 00:59:22,400 --> 00:59:25,600 Speaker 1: like a doctor drama about people the first people who 1077 00:59:25,680 --> 00:59:29,040 Speaker 1: colonized Mars. And they're saying it's going to happen. The 1078 00:59:29,600 --> 00:59:32,920 Speaker 1: thought is, and this is way way forward thinking. The 1079 00:59:32,960 --> 00:59:36,400 Speaker 1: thought is Earth will cease to exist. We're gonna kill it. 1080 00:59:36,440 --> 00:59:38,080 Speaker 1: It's gonna kill itself. It's just the way it's going 1081 00:59:38,160 --> 00:59:41,200 Speaker 1: to be eventually. Not this week, but you know, in 1082 00:59:41,280 --> 00:59:45,440 Speaker 1: the in the future. So colonized. Colonizing on Mars is 1083 00:59:45,480 --> 00:59:47,880 Speaker 1: the only way to keep the human race alive. They're 1084 00:59:47,920 --> 00:59:52,000 Speaker 1: saying that human race will not survive on the planet Earth. Again, 1085 00:59:52,240 --> 00:59:56,160 Speaker 1: No one get crazy. This is a trillion light years away. 1086 00:59:56,320 --> 00:59:59,000 Speaker 1: Why don't we who we say that? Don't you think 1087 00:59:59,040 --> 01:00:01,120 Speaker 1: this is a good place to say criminals right now? Like, 1088 01:00:01,200 --> 01:00:04,000 Speaker 1: if they're not coming, when them, I wouldn't send criminals 1089 01:00:04,000 --> 01:00:05,440 Speaker 1: there because we may need that. I would need the 1090 01:00:05,480 --> 01:00:07,760 Speaker 1: criminals here and I would go to Mars. I mean 1091 01:00:08,520 --> 01:00:10,520 Speaker 1: one time we sent the criminals to Australia. Now that's 1092 01:00:10,520 --> 01:00:12,160 Speaker 1: turned out to be the most fabulous place on Earth. 1093 01:00:14,000 --> 01:00:15,920 Speaker 1: That's what Australia was about. And where do we put 1094 01:00:15,960 --> 01:00:18,440 Speaker 1: these criminals send them down under where those funny things 1095 01:00:18,480 --> 01:00:22,400 Speaker 1: are bouncing around with pockets on their stomach. You know 1096 01:00:22,480 --> 01:00:24,120 Speaker 1: who doesn't want to be in Sydney for the day 1097 01:00:24,760 --> 01:00:27,120 Speaker 1: or for the week anyway. So you know they're saying 1098 01:00:27,160 --> 01:00:29,680 Speaker 1: that one day we will have to colonize elsewhere otherwise 1099 01:00:29,760 --> 01:00:32,880 Speaker 1: we will all die out. This is my question, and 1100 01:00:32,880 --> 01:00:34,480 Speaker 1: I don't know if you have the answer necessarily, but 1101 01:00:34,560 --> 01:00:36,640 Speaker 1: would you be a group of people who are going 1102 01:00:36,800 --> 01:00:41,760 Speaker 1: there to be hopefully joined by another wave of people? Kristen, 1103 01:00:42,880 --> 01:00:45,600 Speaker 1: Kristen on the phone, Are you so you would know? 1104 01:00:45,720 --> 01:00:48,560 Speaker 1: I'm just like, would you be like or would you 1105 01:00:48,640 --> 01:00:52,479 Speaker 1: be the only people who are there forever? That's my question. 1106 01:00:52,480 --> 01:00:53,919 Speaker 1: I would need to know if there are more people 1107 01:00:54,000 --> 01:00:56,960 Speaker 1: coming or if I'm stuck with these same ten people. So, Kristen, question, 1108 01:00:57,160 --> 01:00:59,080 Speaker 1: would you be one of the first to go to 1109 01:00:59,200 --> 01:01:03,480 Speaker 1: Mars for her and in hopes that you are building 1110 01:01:03,680 --> 01:01:06,760 Speaker 1: a place for others to join you there, like you're 1111 01:01:06,760 --> 01:01:09,320 Speaker 1: building You're building a colony, that's what you're ask Yeah, 1112 01:01:09,320 --> 01:01:11,720 Speaker 1: that's what I'm asking. Yeah, I would do that. So 1113 01:01:11,760 --> 01:01:13,400 Speaker 1: you're not going just to hang out with Nate. You're 1114 01:01:13,440 --> 01:01:16,360 Speaker 1: going there because you're actually building something you're building a 1115 01:01:16,440 --> 01:01:20,520 Speaker 1: place where people can live. Yeah, it's like if there 1116 01:01:20,600 --> 01:01:23,040 Speaker 1: were other people going, which it sounded like there was. 1117 01:01:23,120 --> 01:01:25,760 Speaker 1: If there were other people going, like definitely, I would 1118 01:01:25,760 --> 01:01:28,000 Speaker 1: be down. So the purpose of going there is to 1119 01:01:28,120 --> 01:01:30,760 Speaker 1: set up life on Mars. It's not just to go 1120 01:01:30,920 --> 01:01:32,560 Speaker 1: to get away and prove that you can get there 1121 01:01:32,560 --> 01:01:35,440 Speaker 1: in the first place. Right there is getting there is 1122 01:01:35,720 --> 01:01:38,880 Speaker 1: have to maybe nine tenths of the bat. I see 1123 01:01:38,920 --> 01:01:42,360 Speaker 1: what you're saying. Yeah, well look so if it's your job, Look, 1124 01:01:42,400 --> 01:01:44,640 Speaker 1: there's it's one thing to to say, screw this, I'm leaving, 1125 01:01:44,680 --> 01:01:47,160 Speaker 1: I'm going to Mars. It's another thing to say, you 1126 01:01:47,200 --> 01:01:49,680 Speaker 1: know what, I'm working with other people and building a 1127 01:01:49,840 --> 01:01:55,800 Speaker 1: new world for human beings. Yeah, there's a purpose for it. Yeah, 1128 01:01:55,840 --> 01:01:59,680 Speaker 1: I'm I'm setting up a Starbucks and exactly blowout salons. 1129 01:01:59,800 --> 01:02:04,760 Speaker 1: You're doing it, you know, all right, Kristen, you and 1130 01:02:04,880 --> 01:02:11,600 Speaker 1: Nate have fun on Mars. Thanks for spending time with us. Okay, 1131 01:02:12,680 --> 01:02:15,320 Speaker 1: thank you? What's up? Scary? I know it sounds shallow, Elvis, 1132 01:02:15,400 --> 01:02:17,800 Speaker 1: but I realized I do it. Would I do really 1133 01:02:17,880 --> 01:02:20,160 Speaker 1: think that Mars. Going on a one week trip to 1134 01:02:20,200 --> 01:02:22,720 Speaker 1: Mars appeals to only people that have something to cover 1135 01:02:22,920 --> 01:02:28,200 Speaker 1: up or high like tax evasion or murdering someone. Al Right, well, 1136 01:02:28,240 --> 01:02:31,760 Speaker 1: then give me some famous explorers. Give me some names. 1137 01:02:34,560 --> 01:02:36,560 Speaker 1: They actually literally the only one I know we went 1138 01:02:36,600 --> 01:02:38,760 Speaker 1: back to Spain. But there are many people who actually 1139 01:02:38,960 --> 01:02:40,840 Speaker 1: went from our east coast to our west coast and 1140 01:02:41,360 --> 01:02:45,760 Speaker 1: up into Canada. And people who were explorers didn't know 1141 01:02:45,840 --> 01:02:47,520 Speaker 1: where they were going or if they would ever come back. 1142 01:02:47,520 --> 01:02:49,040 Speaker 1: And some didn't go back, but they didn't do it 1143 01:02:49,080 --> 01:02:50,920 Speaker 1: because they were running from the law. They did it 1144 01:02:51,040 --> 01:02:54,479 Speaker 1: because they wanted to get out there and see what's 1145 01:02:54,720 --> 01:02:57,720 Speaker 1: what's out there? And that's why they that excitement you 1146 01:02:57,880 --> 01:03:01,400 Speaker 1: just had right there what's out But traveling from here 1147 01:03:01,440 --> 01:03:06,080 Speaker 1: to California versus here to Mars, you know, being different, 1148 01:03:06,160 --> 01:03:07,760 Speaker 1: and you you're saying, well, one day we'll be able 1149 01:03:07,760 --> 01:03:10,000 Speaker 1: to get back. It won't be during your lifetime. I 1150 01:03:10,080 --> 01:03:12,640 Speaker 1: don't think so. But if that, if what I do that, 1151 01:03:12,920 --> 01:03:16,440 Speaker 1: I'm doing interesting questions though people are thinking this through. 1152 01:03:16,520 --> 01:03:19,240 Speaker 1: I love Cheryl has thought it through. What's your question? Cheryl? 1153 01:03:20,200 --> 01:03:22,840 Speaker 1: My question would be, when you leave, how would you 1154 01:03:22,880 --> 01:03:25,480 Speaker 1: plan that? Would you have a funeral? Would you just 1155 01:03:25,760 --> 01:03:30,040 Speaker 1: leave and not tell anybody? How would you do that? Now? 1156 01:03:30,120 --> 01:03:32,720 Speaker 1: You'd have to tell your family. I would think, you know, 1157 01:03:32,840 --> 01:03:34,720 Speaker 1: it would be a very sad thing if the status 1158 01:03:34,800 --> 01:03:37,160 Speaker 1: going away party ever, you know what, you would never 1159 01:03:37,240 --> 01:03:39,040 Speaker 1: see them again. So I mean, would you do like 1160 01:03:39,120 --> 01:03:41,520 Speaker 1: a funeral, like a good lie But they're not dead, 1161 01:03:41,600 --> 01:03:44,920 Speaker 1: you know, funeral, they're not really dead. You know, they're alive, 1162 01:03:45,040 --> 01:03:47,120 Speaker 1: and we assume there'll be ways to communicate. We don't know, 1163 01:03:48,080 --> 01:03:50,680 Speaker 1: but um no, I don't know. You know, and you 1164 01:03:50,720 --> 01:03:52,560 Speaker 1: know what, Cheryl, this is funny because this is another 1165 01:03:52,640 --> 01:03:55,720 Speaker 1: conversation we're having that's being recorded and it's going to 1166 01:03:55,800 --> 01:03:58,360 Speaker 1: be played back one day when people are on Mars 1167 01:03:59,120 --> 01:04:01,920 Speaker 1: after Nate leaves. Nate, we're gonna you can take this 1168 01:04:02,040 --> 01:04:03,640 Speaker 1: with you, Cheryl. It would have to be like a 1169 01:04:03,720 --> 01:04:07,080 Speaker 1: big goodbye party. I would think that that sounds better. 1170 01:04:07,160 --> 01:04:10,240 Speaker 1: I think, okay, it's just better than a funeral, right, 1171 01:04:10,760 --> 01:04:16,280 Speaker 1: can you just lie down in act dead? Okay, Cheryl, 1172 01:04:16,320 --> 01:04:18,439 Speaker 1: thank you for giving that to us. I appreciate it. Yeah, 1173 01:04:18,520 --> 01:04:20,760 Speaker 1: thank you, thank you. What's up? Frog? I mean, Nate, 1174 01:04:20,800 --> 01:04:23,440 Speaker 1: what do you put on your like your your voicemail 1175 01:04:23,520 --> 01:04:29,440 Speaker 1: you're out of office email reply the atmosphere exactly? I 1176 01:04:29,560 --> 01:04:31,160 Speaker 1: really don't know what that I'll have to think about 1177 01:04:31,160 --> 01:04:34,400 Speaker 1: that frog. You'll get floated out of town. If you 1178 01:04:34,440 --> 01:04:36,800 Speaker 1: could make a phone called the leg time like call, 1179 01:04:37,040 --> 01:04:39,320 Speaker 1: like talking to a reporter who's in Syria, you have 1180 01:04:39,440 --> 01:04:41,680 Speaker 1: to wait like three seconds for them to hear you. 1181 01:04:41,840 --> 01:04:43,080 Speaker 1: It would be a week or two. It would be 1182 01:04:43,240 --> 01:04:47,040 Speaker 1: like a like a day. Yeah, you would wish the 1183 01:04:47,120 --> 01:04:54,160 Speaker 1: merry Christmas on Halloween. Yeah. Finally we talked to kirston Hi, kirston, Hi. 1184 01:04:54,320 --> 01:04:57,520 Speaker 1: What's going on? Not much? I got a call back 1185 01:04:57,560 --> 01:05:00,040 Speaker 1: about my text It about Mars. Okay, okay, what do 1186 01:05:00,080 --> 01:05:03,160 Speaker 1: you text in about? Why? Why did we call you back? So? 1187 01:05:03,960 --> 01:05:06,520 Speaker 1: I love to travel to explore. I'm like Nate, there's 1188 01:05:06,600 --> 01:05:09,440 Speaker 1: nothing more exon already than just pack him let's move here. 1189 01:05:09,440 --> 01:05:11,720 Speaker 1: I moved to Australia once with maybe like your two 1190 01:05:11,760 --> 01:05:16,280 Speaker 1: months notice, and but I cannot imagine moving somewhere or 1191 01:05:16,400 --> 01:05:19,040 Speaker 1: living somewhere while I would never see green or blue 1192 01:05:19,160 --> 01:05:22,320 Speaker 1: again as it exists out in nature for us, well 1193 01:05:22,400 --> 01:05:24,960 Speaker 1: you think you see, you would have to create the 1194 01:05:25,040 --> 01:05:27,120 Speaker 1: green and blue. You would have to create a whole 1195 01:05:27,240 --> 01:05:30,760 Speaker 1: new world. And uh, you know, at least in Australia, 1196 01:05:30,800 --> 01:05:33,040 Speaker 1: as far away as it is, you have quantas you 1197 01:05:33,120 --> 01:05:37,120 Speaker 1: know they're there, you get upgraded the first class. It's fabulous. 1198 01:05:37,440 --> 01:05:40,080 Speaker 1: But you know, I mean like if it's the movie 1199 01:05:40,160 --> 01:05:43,120 Speaker 1: The Martian, you know, because anything it doesn't grow there, 1200 01:05:43,520 --> 01:05:46,800 Speaker 1: there's you'll never get to walk outside and see the 1201 01:05:46,960 --> 01:05:50,240 Speaker 1: bright blue sky with green trees with fresh leaves, fresh 1202 01:05:50,280 --> 01:05:53,160 Speaker 1: after a rainstorm. Yeah, there is, there is that sacrifice. 1203 01:05:53,280 --> 01:05:55,280 Speaker 1: But there are others who, like Nate, will say, well, 1204 01:05:55,520 --> 01:05:59,000 Speaker 1: you are sacrificing by not going because you're not exploring 1205 01:05:59,120 --> 01:06:03,040 Speaker 1: what's yet to be explored. And this is my whole 1206 01:06:03,080 --> 01:06:05,480 Speaker 1: point of this conversation, learning about how we're all so 1207 01:06:05,640 --> 01:06:08,320 Speaker 1: different with this philosophy. Our friend Fred just tweeted a 1208 01:06:08,400 --> 01:06:09,760 Speaker 1: good point. Do you have to clear up all of 1209 01:06:09,800 --> 01:06:16,480 Speaker 1: your debt before you go to Mars? Credit's going to 1210 01:06:16,600 --> 01:06:19,400 Speaker 1: come after you cars for everybody. This is a good idea. 1211 01:06:19,440 --> 01:06:21,760 Speaker 1: We run up a really crazy bill and then that's 1212 01:06:21,960 --> 01:06:24,240 Speaker 1: you literally run away. You know what, on Mars, you'd 1213 01:06:24,320 --> 01:06:26,120 Speaker 1: have them trapped in it. You'd finally find someone to 1214 01:06:26,160 --> 01:06:29,360 Speaker 1: have sex with you and have another question do you 1215 01:06:29,600 --> 01:06:32,160 Speaker 1: need things up there? Like do I pack my shoes 1216 01:06:32,320 --> 01:06:34,120 Speaker 1: or do I not need them? I think you will 1217 01:06:34,160 --> 01:06:36,240 Speaker 1: figure that out. It's a whole different set of shoes. 1218 01:06:36,320 --> 01:06:38,480 Speaker 1: You can't come back for them, Okay, No, it'll be 1219 01:06:38,560 --> 01:06:43,000 Speaker 1: different types of shoes. Thank you for listening, Kirston, have 1220 01:06:43,080 --> 01:06:44,800 Speaker 1: a great day. Well, but until we figure this out, 1221 01:06:44,800 --> 01:06:46,800 Speaker 1: we'll stay here on earth. Like oh, should have got 1222 01:06:46,840 --> 01:06:51,240 Speaker 1: my wallet? Damn it turnaround for back ten years. I 1223 01:06:51,320 --> 01:06:55,840 Speaker 1: missed my flats. Is it cold or hot? I don't know. 1224 01:06:55,960 --> 01:06:58,400 Speaker 1: Look it up Google. There's lots there for you. All right. 1225 01:06:58,600 --> 01:07:01,200 Speaker 1: We can't do the Daniel report a jacket. It takes, 1226 01:07:01,280 --> 01:07:03,280 Speaker 1: by the way it takes, it takes over a half 1227 01:07:03,320 --> 01:07:05,680 Speaker 1: a year to get there. I don't have that time, 1228 01:07:07,440 --> 01:07:10,520 Speaker 1: all right. It's just it's it's not as simple as 1229 01:07:10,560 --> 01:07:13,320 Speaker 1: you think. Uh, that's only if you do get there. 1230 01:07:13,440 --> 01:07:16,120 Speaker 1: Getting there is at the battle. It takes half a 1231 01:07:16,200 --> 01:07:19,000 Speaker 1: year to get there. Yeah, I thought took longer than that. No, no, no, 1232 01:07:19,480 --> 01:07:22,000 Speaker 1: So you're in. Okay, we gotta take a break. Leon 1233 01:07:22,120 --> 01:07:25,680 Speaker 1: Else unbelievable musician, great guy. Wait till you meet him. 1234 01:07:25,720 --> 01:07:30,480 Speaker 1: He's coming up next. I've been sleeping with my hand 1235 01:07:30,520 --> 01:07:37,760 Speaker 1: down my pants a lot. To Elvis Durant in the 1236 01:07:37,880 --> 01:07:41,400 Speaker 1: Morning Show, Are you single? That's okay? Are you dating 1237 01:07:41,440 --> 01:07:44,200 Speaker 1: on match? If you're single? And not dating on Match, 1238 01:07:44,280 --> 01:07:46,960 Speaker 1: then you're really missing out. Search and connect for free 1239 01:07:47,160 --> 01:07:50,840 Speaker 1: today only at match dot com slash Elvis. That's m 1240 01:07:50,920 --> 01:07:54,960 Speaker 1: A T c h dot com. Slash Elvis. One of 1241 01:07:55,000 --> 01:07:57,240 Speaker 1: the most listening to the top for day morning radio 1242 01:07:57,320 --> 01:08:00,200 Speaker 1: shows in the country, Elvis Durant in the Mornings Show. 1243 01:08:01,240 --> 01:08:03,840 Speaker 1: Very very funny, guys. I've been listening here in New 1244 01:08:03,920 --> 01:08:07,960 Speaker 1: York for a long time. Say hello to Elvis? Is 1245 01:08:08,040 --> 01:08:10,400 Speaker 1: Elvis to Rain in the Morning Show? Oh my gosh, 1246 01:08:10,440 --> 01:08:14,840 Speaker 1: what I miss? Scary turned down the music? I can't hello? Hello? 1247 01:08:15,000 --> 01:08:17,439 Speaker 1: All right, Hi? That just proves to me that you 1248 01:08:17,720 --> 01:08:20,400 Speaker 1: need Scary. Well know, he ran out of the room. 1249 01:08:20,400 --> 01:08:21,760 Speaker 1: I'm like, I don't know what button to push? What 1250 01:08:22,520 --> 01:08:26,479 Speaker 1: how do I turn us on? He was lost? Damn it? 1251 01:08:26,560 --> 01:08:29,479 Speaker 1: To hell? Am I your security blanket? Elvis? Well yeah, 1252 01:08:29,560 --> 01:08:33,559 Speaker 1: but I don't want you to know that I love you, Scary. Hey. 1253 01:08:33,880 --> 01:08:36,719 Speaker 1: Uh So here we are. I've been so excited about 1254 01:08:36,760 --> 01:08:39,240 Speaker 1: this day for quite some time. You know, we bring 1255 01:08:39,280 --> 01:08:42,280 Speaker 1: a lot of artists to you, and we are so 1256 01:08:42,479 --> 01:08:46,600 Speaker 1: excited about what they have to say. What are they 1257 01:08:46,640 --> 01:08:50,400 Speaker 1: all about? It's so easy to say, oh, well, it's 1258 01:08:50,479 --> 01:08:53,000 Speaker 1: you know, great music. It sounds good. But until you 1259 01:08:53,080 --> 01:08:55,120 Speaker 1: get to know the artist behind the music, you really 1260 01:08:55,160 --> 01:08:58,840 Speaker 1: don't understand the passion that fuels it, the spark plug 1261 01:08:59,000 --> 01:09:02,720 Speaker 1: that makes it, makes it, makes it pop. And uh, 1262 01:09:02,800 --> 01:09:05,519 Speaker 1: with leon Else, we have we have first of all 1263 01:09:05,600 --> 01:09:09,280 Speaker 1: made a friend. But secondly we've met an artist who 1264 01:09:09,360 --> 01:09:13,600 Speaker 1: has a fantastic story and you can hear it in 1265 01:09:13,720 --> 01:09:16,479 Speaker 1: his voice and his music. It's as pure and simple 1266 01:09:16,520 --> 01:09:19,760 Speaker 1: as possible. Why why am I complicating things? I'll shut 1267 01:09:19,840 --> 01:09:23,759 Speaker 1: up now, uh. He of course, our good friend Cia 1268 01:09:24,360 --> 01:09:28,360 Speaker 1: heard his cover of Titanium and actually sent a personal 1269 01:09:28,439 --> 01:09:30,880 Speaker 1: message saying, I've never heard anything like this. Of course 1270 01:09:30,960 --> 01:09:32,400 Speaker 1: we heard it. We play it. Every time we play it, 1271 01:09:32,479 --> 01:09:35,240 Speaker 1: people cry and you know whatever. But there's so much 1272 01:09:35,280 --> 01:09:37,240 Speaker 1: more to him. So I tell you what. He's gonna 1273 01:09:37,240 --> 01:09:39,519 Speaker 1: start out with Titanium, and then he's gonna hop into 1274 01:09:39,640 --> 01:09:42,840 Speaker 1: another song, something new, about something else in his life. 1275 01:09:43,040 --> 01:09:45,400 Speaker 1: I want you to hear it. So just listen, don't 1276 01:09:45,439 --> 01:09:47,720 Speaker 1: don't even get out of the car. We need you 1277 01:09:47,800 --> 01:09:52,200 Speaker 1: for the next thirty minutes. Please welcome leon Else. Highly 1278 01:09:52,320 --> 01:09:59,000 Speaker 1: on good mooning. Everyone, Let's do it. We're great. Is 1279 01:09:59,040 --> 01:10:03,960 Speaker 1: your is your throat? It's looping wet as possible, Let's 1280 01:10:04,000 --> 01:10:05,519 Speaker 1: just hope it stays that way throughout the whole s 1281 01:10:05,640 --> 01:10:07,200 Speaker 1: all right, here we go, here's something on us. This 1282 01:10:07,360 --> 01:10:28,400 Speaker 1: is fantastic. You shout it out, but I can't hear 1283 01:10:29,040 --> 01:10:34,880 Speaker 1: what you say. I'm talking loud, not saying I'm alone. 1284 01:10:39,520 --> 01:10:45,559 Speaker 1: I'm great, assize, but all your pole its bruco shame 1285 01:10:47,240 --> 01:10:55,840 Speaker 1: you shoot me down, but I get on. I'm boutiful. 1286 01:10:56,840 --> 01:11:04,720 Speaker 1: Nothing to lose. Five farmway, you're in can shame? You 1287 01:11:04,920 --> 01:11:12,599 Speaker 1: take your way fire cave Fiway, shoot me down? Whod 1288 01:11:12,720 --> 01:11:20,000 Speaker 1: I won't fall? Hi, You'm titan? Shoot me down and 1289 01:11:20,320 --> 01:11:45,759 Speaker 1: I won't fall? How you're tights? You call me down? 1290 01:11:47,160 --> 01:11:53,559 Speaker 1: But it should? Who have further to phone? Goose town? 1291 01:11:54,360 --> 01:12:02,760 Speaker 1: And you want to look? You use your voice, but 1292 01:12:02,960 --> 01:12:08,760 Speaker 1: steaks and stones may break my bones. I'm talking now. 1293 01:12:09,720 --> 01:12:18,439 Speaker 1: Let's stay here more. I'm booting proof, nothing to lose, 1294 01:12:19,560 --> 01:12:26,000 Speaker 1: fire pay far you're at the shore to take your 1295 01:12:26,160 --> 01:12:33,080 Speaker 1: ray fire pay far way to shoot me down. I 1296 01:12:33,240 --> 01:12:40,519 Speaker 1: won't know. Hi am tight? Say shoot me down? Dude? 1297 01:12:40,560 --> 01:13:09,679 Speaker 1: I won't. Hi am tita, I am th Damn. That's amazing? 1298 01:13:10,760 --> 01:13:12,240 Speaker 1: Is that what you do? After every song? You kind 1299 01:13:12,240 --> 01:13:15,840 Speaker 1: of giggle? I could hear after every song you have 1300 01:13:15,960 --> 01:13:20,520 Speaker 1: this little like a nervous laugh. Are you nervous? Are 1301 01:13:20,600 --> 01:13:25,280 Speaker 1: you nervous? Really, I'm like pooping myself. I would just 1302 01:13:25,360 --> 01:13:27,840 Speaker 1: say something else, and I caught myself, Okay, you can 1303 01:13:27,880 --> 01:13:31,439 Speaker 1: put yourself Leon. Leon just pooping everyone, he's pooping. Everyone's 1304 01:13:32,400 --> 01:13:35,559 Speaker 1: all right, Well, unbelievable. Now are you doing city? Are 1305 01:13:35,600 --> 01:13:37,560 Speaker 1: you doing city? Don't care? Next, No, We're gonna do 1306 01:13:37,560 --> 01:13:39,840 Speaker 1: a Beautiful World from Musicians on Call the other night. 1307 01:13:40,000 --> 01:13:43,120 Speaker 1: Oh yeah, talk about that, talk about talking about yeah, 1308 01:13:43,160 --> 01:13:45,360 Speaker 1: Like obviously I wasn't planning on doing it on Musicians 1309 01:13:45,439 --> 01:13:48,800 Speaker 1: on Call, which is amazing charity by the way. Um, 1310 01:13:49,400 --> 01:13:51,000 Speaker 1: it was something that I just felt was quite poignant 1311 01:13:51,040 --> 01:13:53,040 Speaker 1: in the times that we're going through, I think, in 1312 01:13:53,080 --> 01:13:56,080 Speaker 1: the world right now, and it's just about basically saying 1313 01:13:56,160 --> 01:13:58,479 Speaker 1: like it's okay to not always see the world in 1314 01:13:58,520 --> 01:14:01,559 Speaker 1: the beautiful place. You know. For me personally, I've gone 1315 01:14:01,600 --> 01:14:03,800 Speaker 1: through depression and I'm a d H D S. I'm 1316 01:14:03,880 --> 01:14:06,040 Speaker 1: up and down and all over the place, and I 1317 01:14:06,120 --> 01:14:08,040 Speaker 1: look at it like storms and the weather, you know, 1318 01:14:08,200 --> 01:14:10,559 Speaker 1: like you're in a storm at the moment, but as 1319 01:14:10,560 --> 01:14:13,040 Speaker 1: long as you know that there's always the storm will 1320 01:14:13,120 --> 01:14:14,960 Speaker 1: end at some point. And the beautiful world is always 1321 01:14:15,000 --> 01:14:17,000 Speaker 1: waiting for you. Yeah, there's a there's always a beautiful 1322 01:14:17,000 --> 01:14:18,960 Speaker 1: world out there, just sometimes you can't always see it. 1323 01:14:19,000 --> 01:14:20,920 Speaker 1: And that's okay as well as you just try and 1324 01:14:20,960 --> 01:14:23,719 Speaker 1: remind yourself, you know that it is a beautiful world, 1325 01:14:23,720 --> 01:14:25,960 Speaker 1: even though sometimes we go through dark times. You know. 1326 01:14:26,240 --> 01:14:28,640 Speaker 1: All right, let's hear it, Leon Else. If you're just 1327 01:14:28,680 --> 01:14:30,280 Speaker 1: turning us on, make sure you're listening to the replay 1328 01:14:30,360 --> 01:14:33,280 Speaker 1: channel later and hear it over and over again all 1329 01:14:33,360 --> 01:14:36,400 Speaker 1: day long. This is a beautiful world, Leon Else, Thank you. 1330 01:14:44,160 --> 01:14:51,760 Speaker 1: It's a messing things well, I just can't find them 1331 01:15:04,360 --> 01:15:08,760 Speaker 1: very nice. That was excellent, What a great story to get. 1332 01:15:08,800 --> 01:15:12,240 Speaker 1: The words to that song are just so fantastic. Let's 1333 01:15:12,280 --> 01:15:14,240 Speaker 1: get into it. Leon's going to come into the studio 1334 01:15:14,479 --> 01:15:17,800 Speaker 1: talk to us, and you know what it's come on. 1335 01:15:18,520 --> 01:15:21,120 Speaker 1: This is your seat right here. You have a seat, 1336 01:15:21,680 --> 01:15:24,080 Speaker 1: you sit right there. How are you going to wear 1337 01:15:24,120 --> 01:15:27,160 Speaker 1: those headphones? I was curious how you have this worked out. 1338 01:15:27,200 --> 01:15:30,439 Speaker 1: I'm like, round the back, you're wearing a hat. Are 1339 01:15:30,439 --> 01:15:32,080 Speaker 1: you afraid to take off your hat? You're afraid of 1340 01:15:32,880 --> 01:15:34,920 Speaker 1: underneath it? Alright, so early in the morning, you know, 1341 01:15:35,040 --> 01:15:37,240 Speaker 1: rolled out of bed, it's like Badhead. It's like like 1342 01:15:37,280 --> 01:15:41,080 Speaker 1: words will get close to the microphone. Cool. Badhead is cool. 1343 01:15:41,240 --> 01:15:43,840 Speaker 1: We like Badhead. It's all right, that was awesome, Thank 1344 01:15:43,880 --> 01:15:46,640 Speaker 1: you so much? Do you like tighten your butt up 1345 01:15:47,680 --> 01:15:49,439 Speaker 1: at this time of the morning. I ain't got a clue. 1346 01:15:49,640 --> 01:15:51,960 Speaker 1: I just sort of like squeezed tight and hope for 1347 01:15:52,000 --> 01:15:55,839 Speaker 1: the best. And you're like, well, that was pretty awesome. 1348 01:15:56,160 --> 01:15:58,320 Speaker 1: You think it's it's great you sing that song and 1349 01:15:58,360 --> 01:16:00,599 Speaker 1: I know you wrote it. I mean, it's from your heart, 1350 01:16:00,680 --> 01:16:03,560 Speaker 1: it's from your life. And then as soon as this 1351 01:16:03,920 --> 01:16:06,240 Speaker 1: very very touching songs over, you're like, okay, what's next, 1352 01:16:07,560 --> 01:16:10,760 Speaker 1: I mean, mood change? I know, right, something like when 1353 01:16:10,760 --> 01:16:13,320 Speaker 1: you're seeing these sad songs or ballads, they're like, you know, 1354 01:16:13,600 --> 01:16:15,120 Speaker 1: I think you're like this this person is like a 1355 01:16:15,640 --> 01:16:17,680 Speaker 1: doing yeah, you know whatever. It's because, like you know, 1356 01:16:17,720 --> 01:16:20,200 Speaker 1: they're just moments, you know, and I think they reflect 1357 01:16:20,320 --> 01:16:22,360 Speaker 1: moments that I go through which I find what I 1358 01:16:22,439 --> 01:16:24,559 Speaker 1: write from. I think it's pretty safe to assume these 1359 01:16:24,560 --> 01:16:26,880 Speaker 1: are moments we all go through. When I find what's 1360 01:16:26,920 --> 01:16:29,600 Speaker 1: kind of fantastic about that song and the lyrics is 1361 01:16:31,160 --> 01:16:34,000 Speaker 1: as bad and dark as it is, and it seems 1362 01:16:34,360 --> 01:16:38,519 Speaker 1: you do know that it's permanent. No, it's not permanent. 1363 01:16:38,600 --> 01:16:41,160 Speaker 1: It's it's temporary. There's there's a great life waiting for me. 1364 01:16:41,200 --> 01:16:42,720 Speaker 1: I just kind of kind of chip away and find 1365 01:16:42,760 --> 01:16:45,439 Speaker 1: it again, right, and said, I always think me personally, 1366 01:16:45,479 --> 01:16:47,120 Speaker 1: I'm always like, you know, we grew up on Disney 1367 01:16:47,200 --> 01:16:49,640 Speaker 1: and once upon a time and happily ever after, you know, 1368 01:16:49,720 --> 01:16:51,800 Speaker 1: And I think that's great, But I think real life 1369 01:16:51,920 --> 01:16:54,080 Speaker 1: isn't that. You know, real life isn't that. And then 1370 01:16:54,760 --> 01:16:56,639 Speaker 1: I've always found it hard to sort of like I've 1371 01:16:56,640 --> 01:16:58,639 Speaker 1: always thought so much and been like, well, that doesn't 1372 01:16:58,640 --> 01:17:00,600 Speaker 1: make sense, and why is it not easy? Why is 1373 01:17:00,640 --> 01:17:02,880 Speaker 1: it not happy ever after? Why isn't life just simple 1374 01:17:03,240 --> 01:17:05,880 Speaker 1: like we were taught as children? I guess. And that's 1375 01:17:05,920 --> 01:17:07,880 Speaker 1: where I get them questions, and that's where I write from. 1376 01:17:07,960 --> 01:17:10,400 Speaker 1: It's like life ain't Life's tough? And life's tough for 1377 01:17:10,439 --> 01:17:12,800 Speaker 1: a lot of people. And I know everyone goes through 1378 01:17:12,920 --> 01:17:16,000 Speaker 1: things on different levels. But you know, just because someone's 1379 01:17:16,040 --> 01:17:18,400 Speaker 1: got it worse than you doesn't mean that, you know, 1380 01:17:18,720 --> 01:17:20,639 Speaker 1: you can't have a bad day. Because it's like Sam 1381 01:17:20,720 --> 01:17:22,880 Speaker 1: with if someone's happier than you, can't be happy. It's 1382 01:17:22,880 --> 01:17:24,559 Speaker 1: the same thing you know, you're right, And I think 1383 01:17:24,600 --> 01:17:26,240 Speaker 1: that we're all allowed to fill these things on our 1384 01:17:26,280 --> 01:17:28,479 Speaker 1: own level, you know. And I think it's about saying 1385 01:17:28,520 --> 01:17:31,280 Speaker 1: it's okay to feel like rubbish or to have these 1386 01:17:31,320 --> 01:17:33,479 Speaker 1: down days, or to struggle in life, and it's okay 1387 01:17:33,520 --> 01:17:35,559 Speaker 1: to ask for help. And that's kind of my way 1388 01:17:35,760 --> 01:17:37,200 Speaker 1: why I wrote these songs. It's kind of like to 1389 01:17:37,240 --> 01:17:39,360 Speaker 1: let people know they're not alone in what they're feeling, 1390 01:17:39,400 --> 01:17:44,280 Speaker 1: because I'm just as crazy and you know whatever as them. 1391 01:17:45,640 --> 01:17:47,120 Speaker 1: We're getting into that in a by the way, if 1392 01:17:47,120 --> 01:17:49,080 Speaker 1: you're just turning us on, this is leon else his 1393 01:17:49,160 --> 01:17:51,360 Speaker 1: new singles called The City Don't Care, which is a 1394 01:17:51,439 --> 01:17:53,840 Speaker 1: fantastic part of his life as well about moving to 1395 01:17:53,960 --> 01:17:56,120 Speaker 1: Los Angeles to find your dreams, make them happen as 1396 01:17:56,160 --> 01:17:58,760 Speaker 1: a musician for you, and I want to get into 1397 01:17:58,840 --> 01:18:02,080 Speaker 1: that too. Okay, awesome, all right? So you were born 1398 01:18:02,160 --> 01:18:05,360 Speaker 1: and raised in Kent, yeah, mar Marty Margate on the 1399 01:18:05,400 --> 01:18:07,640 Speaker 1: southwest coast, seaside town. What kind of what kind of 1400 01:18:07,680 --> 01:18:09,559 Speaker 1: neighborhood you grow up in? What was it like growing 1401 01:18:09,640 --> 01:18:11,600 Speaker 1: up there? I grew up on a council state. We 1402 01:18:11,680 --> 01:18:12,880 Speaker 1: call that in England and out here, I think you 1403 01:18:12,880 --> 01:18:15,200 Speaker 1: call it like government housing kind of thing. So it 1404 01:18:15,560 --> 01:18:17,840 Speaker 1: was hard. It was hard growing up. Were you beating 1405 01:18:17,880 --> 01:18:20,880 Speaker 1: up as a kid? Yeah? Yeah, Why were you different? 1406 01:18:21,120 --> 01:18:24,439 Speaker 1: I was very different because I was quite artsy, as 1407 01:18:24,520 --> 01:18:26,320 Speaker 1: they would call it back then. I'd always be singing 1408 01:18:26,400 --> 01:18:28,160 Speaker 1: or I'd always want to. It was a bit more, 1409 01:18:28,880 --> 01:18:31,160 Speaker 1: I guess I'm not Maybe flamboyant isn't the right word. 1410 01:18:31,200 --> 01:18:33,120 Speaker 1: How would you dress differently than everyone else in your name? 1411 01:18:33,360 --> 01:18:35,479 Speaker 1: I'd dress the same in that sense, because it's like 1412 01:18:36,200 --> 01:18:39,720 Speaker 1: my mom bought my clothes. I had no choice, as 1413 01:18:39,880 --> 01:18:42,160 Speaker 1: I think everyone can understand that. You know, we look 1414 01:18:42,200 --> 01:18:44,080 Speaker 1: back at these which is like, how do they put 1415 01:18:44,120 --> 01:18:47,680 Speaker 1: me in this? But growing up like it was tough, 1416 01:18:47,760 --> 01:18:49,320 Speaker 1: like because I was always, like I said, always into 1417 01:18:49,360 --> 01:18:51,720 Speaker 1: singing and stuff, and you know, for example, like my 1418 01:18:52,439 --> 01:18:56,439 Speaker 1: stepfather was very anti everything that I've done. So growing 1419 01:18:56,479 --> 01:18:59,479 Speaker 1: up in a small town, which I guess back then 1420 01:18:59,560 --> 01:19:02,879 Speaker 1: it's like it is sometimes a small minded community sometimes 1421 01:19:03,000 --> 01:19:04,680 Speaker 1: you know, and you feel like you're the odd one 1422 01:19:04,720 --> 01:19:06,120 Speaker 1: out and need to get out there. But I was 1423 01:19:06,200 --> 01:19:08,200 Speaker 1: teasing at school. I was teasing. I got home, I 1424 01:19:08,320 --> 01:19:10,040 Speaker 1: was teasing. I woke up, I was teasing. I went 1425 01:19:10,080 --> 01:19:12,040 Speaker 1: to bed. Did you always know that there was a 1426 01:19:12,080 --> 01:19:14,080 Speaker 1: whole world out there that you were dying to go 1427 01:19:14,680 --> 01:19:16,640 Speaker 1: be a partner. Yeah, I did. My Nan took me 1428 01:19:16,720 --> 01:19:20,160 Speaker 1: to see Um Start. I expressed the musical guys, saying 1429 01:19:20,200 --> 01:19:22,639 Speaker 1: that was amazing. It's one of my fates, my first 1430 01:19:22,680 --> 01:19:25,200 Speaker 1: one I ever saw. And I remember sitting in the 1431 01:19:25,320 --> 01:19:27,040 Speaker 1: orders thinking, oh my god, like I need to get 1432 01:19:27,080 --> 01:19:28,840 Speaker 1: the hell out of Margate because I went to My 1433 01:19:28,920 --> 01:19:30,360 Speaker 1: Nan took me to London to sit and I remember 1434 01:19:30,400 --> 01:19:32,760 Speaker 1: thinking like evening else on the bus or stuff, or 1435 01:19:32,760 --> 01:19:34,360 Speaker 1: on the train would be like messing around and I'll 1436 01:19:34,400 --> 01:19:36,920 Speaker 1: just be glaring out the window. I felt like I 1437 01:19:37,000 --> 01:19:39,479 Speaker 1: was in a cage, you know, and I just knew 1438 01:19:39,520 --> 01:19:40,960 Speaker 1: that I had to get to a certain point just 1439 01:19:41,080 --> 01:19:43,200 Speaker 1: to get out. Because I didn't get out, I wasn't 1440 01:19:43,240 --> 01:19:45,680 Speaker 1: sure what was going to happen, you know. So how 1441 01:19:45,720 --> 01:19:48,479 Speaker 1: did you get out and and and where did you go? Well? 1442 01:19:48,600 --> 01:19:51,800 Speaker 1: I started my first job at twelve. Um I was 1443 01:19:51,840 --> 01:19:54,840 Speaker 1: pulling potatoes for the chip shop. So I would go 1444 01:19:54,920 --> 01:19:57,320 Speaker 1: and do that, and I'd worked like twelve hours a day. 1445 01:19:57,360 --> 01:19:59,479 Speaker 1: Sometimes it wasn't legal, but I'd be like, just give 1446 01:19:59,479 --> 01:20:01,000 Speaker 1: me the hours. I saved up my money and I'd 1447 01:20:01,080 --> 01:20:04,160 Speaker 1: go and put myself into the art school dance classes. 1448 01:20:04,720 --> 01:20:06,880 Speaker 1: So you're a dancer. I was a professional dancer, yeah, 1449 01:20:07,120 --> 01:20:08,800 Speaker 1: but I was like Billy Elliott and I started like 1450 01:20:08,880 --> 01:20:10,760 Speaker 1: and I was like fifteen, I started relates. I went 1451 01:20:10,800 --> 01:20:13,679 Speaker 1: to ballet and like you know, if you've seen Billy 1452 01:20:13,680 --> 01:20:16,240 Speaker 1: Elliot the film so he know's that scene where he's 1453 01:20:16,240 --> 01:20:17,880 Speaker 1: like it's really tall, boring his little girls like and 1454 01:20:17,920 --> 01:20:20,760 Speaker 1: he's there trying to learn. That was like me. I'd 1455 01:20:20,800 --> 01:20:22,599 Speaker 1: have to go and learn ballet, these tony little girls 1456 01:20:22,640 --> 01:20:25,639 Speaker 1: and they're all better than me. And I've done like covering, 1457 01:20:25,840 --> 01:20:29,719 Speaker 1: like like find myself like a you know, another situation 1458 01:20:29,800 --> 01:20:31,760 Speaker 1: in your life where you were a sort of odd 1459 01:20:31,800 --> 01:20:34,360 Speaker 1: man out. Odd man. I've always been odd And that's 1460 01:20:34,479 --> 01:20:36,519 Speaker 1: my fa film like Evers Hands, because I'm like that's 1461 01:20:36,560 --> 01:20:38,360 Speaker 1: like the odd man out, help me, you know, But 1462 01:20:38,520 --> 01:20:40,840 Speaker 1: now you know I'm gonna go back again. But now 1463 01:20:40,880 --> 01:20:43,800 Speaker 1: in this day, you probably strive to be odd man 1464 01:20:43,840 --> 01:20:46,080 Speaker 1: out because it seems to have always worked for you. 1465 01:20:46,960 --> 01:20:49,840 Speaker 1: That's why you're wearing like a crazy furry fake fur 1466 01:20:49,960 --> 01:20:54,519 Speaker 1: jacket to its like it's like a bag. It's like 1467 01:20:54,560 --> 01:20:59,559 Speaker 1: a bath man. It's been bed bath and Beyond magazine 1468 01:20:59,560 --> 01:21:04,960 Speaker 1: said you have best dressed man. So Elvis my bath match, 1469 01:21:07,200 --> 01:21:10,680 Speaker 1: I wiped my bathed feet on your bath mat. But 1470 01:21:10,840 --> 01:21:12,800 Speaker 1: you know this is a great example. Look, every time 1471 01:21:12,840 --> 01:21:14,960 Speaker 1: we bring a new friend into the Fall, we love 1472 01:21:15,080 --> 01:21:17,040 Speaker 1: to learn from them and find out how we can 1473 01:21:17,080 --> 01:21:19,120 Speaker 1: apply to our lives. I mean, if anyone is listening 1474 01:21:19,200 --> 01:21:21,559 Speaker 1: right now thinking, oh god, I'm always the outsider, I'm 1475 01:21:21,600 --> 01:21:25,639 Speaker 1: always the weirdo quat be that weird? Be the outside? 1476 01:21:25,800 --> 01:21:28,320 Speaker 1: The normal is boring? You know, I just think that 1477 01:21:28,360 --> 01:21:30,760 Speaker 1: word normal, What the hell is normal? I don't think 1478 01:21:30,960 --> 01:21:33,680 Speaker 1: normal really exists truly, because if I'm going to say 1479 01:21:33,800 --> 01:21:35,800 Speaker 1: you have a normal upbringing, well, where's the book of normal? 1480 01:21:36,120 --> 01:21:38,680 Speaker 1: Where's the book out? You get book? The pops out too. 1481 01:21:38,800 --> 01:21:44,800 Speaker 1: There's nothing normal. It's very painful normal. Let's go talk 1482 01:21:44,840 --> 01:21:47,040 Speaker 1: to Sarah say I say hi, Sarah, Say hi to 1483 01:21:47,160 --> 01:21:51,040 Speaker 1: leon Else, Hi, how are you? Hello? Good morning? How 1484 01:21:51,080 --> 01:21:54,519 Speaker 1: are you Sarah? I'm good. I'm stuck in traffic. Yeah, 1485 01:21:54,560 --> 01:21:56,320 Speaker 1: but that's good. I'm glad you're stuck today because you 1486 01:21:56,360 --> 01:21:58,559 Speaker 1: can hear this. So what did you think? What did 1487 01:21:58,600 --> 01:22:02,400 Speaker 1: you think of Beautiful World as a lion performer? For you? 1488 01:22:03,320 --> 01:22:05,960 Speaker 1: I just thought it was so beautiful. Um, you know, 1489 01:22:06,320 --> 01:22:10,200 Speaker 1: I'm sure that most people can connect in just about 1490 01:22:10,240 --> 01:22:12,840 Speaker 1: any way. But I'm also six months pregnant, so i 1491 01:22:12,880 --> 01:22:16,680 Speaker 1: feel like I'm just gonna start crying about So I'm 1492 01:22:17,000 --> 01:22:21,400 Speaker 1: sorry about that. But for me personally, you know, I've 1493 01:22:21,439 --> 01:22:26,880 Speaker 1: suffered from UM depression and UM post traumatic STRUSS because 1494 01:22:26,960 --> 01:22:29,680 Speaker 1: of my father passing away at a young age. And 1495 01:22:30,640 --> 01:22:34,280 Speaker 1: you know, it's just I can feel the emotion of 1496 01:22:34,400 --> 01:22:39,160 Speaker 1: the song and just you know, um, since then, I've 1497 01:22:39,280 --> 01:22:41,840 Speaker 1: I've gotten back, but you know, it's like talking about 1498 01:22:41,920 --> 01:22:44,680 Speaker 1: it and after hearing that song, it's just, you know, 1499 01:22:45,240 --> 01:22:49,840 Speaker 1: it's not I feel proud to feel that I've overcome that. 1500 01:22:50,439 --> 01:22:52,960 Speaker 1: And you know, even though I'm I'm crying and I'm 1501 01:22:53,000 --> 01:22:56,760 Speaker 1: sad right now, it's it's a good thing. Does that 1502 01:22:56,840 --> 01:23:00,160 Speaker 1: make sense? Yes, Feeling is good, even though what you're 1503 01:23:00,200 --> 01:23:02,679 Speaker 1: feeling is not always pleasant. You need to be able 1504 01:23:02,720 --> 01:23:05,759 Speaker 1: to feel. You can't experience the highs until you experience 1505 01:23:05,800 --> 01:23:08,720 Speaker 1: the loads, right, So what you're going through is kind 1506 01:23:08,720 --> 01:23:11,840 Speaker 1: of fantastic. I hate to say that, but but you 1507 01:23:11,880 --> 01:23:13,880 Speaker 1: know what, And by the way, I've always heard people 1508 01:23:13,880 --> 01:23:17,599 Speaker 1: say that they're suffering from depression. It really is more 1509 01:23:17,640 --> 01:23:20,400 Speaker 1: of a living with depression because you still have to 1510 01:23:20,840 --> 01:23:23,960 Speaker 1: you have to live with it. And so you you uh, 1511 01:23:24,880 --> 01:23:27,040 Speaker 1: are you on medication? Are you? Are you? Are you? 1512 01:23:27,600 --> 01:23:29,560 Speaker 1: Are you? We'll start with Sarah, Sarah, how are you? 1513 01:23:29,800 --> 01:23:32,679 Speaker 1: Are you? Are you on medication? Are you seeing someone? 1514 01:23:32,760 --> 01:23:35,120 Speaker 1: Are you? Are you finding ways to get through this 1515 01:23:35,280 --> 01:23:39,280 Speaker 1: and be cool? No? I actually, UM, I took steps 1516 01:23:39,360 --> 01:23:41,680 Speaker 1: before UM the birth of my first son, and I 1517 01:23:41,840 --> 01:23:45,639 Speaker 1: was able to um get off medication, and I since 1518 01:23:45,720 --> 01:23:48,759 Speaker 1: then have stop seeing my therapist, but I feel great 1519 01:23:49,439 --> 01:23:52,200 Speaker 1: we go back. Therapists are great, they really are. And 1520 01:23:52,280 --> 01:23:54,519 Speaker 1: thank you for listening to so you know people, thank 1521 01:23:54,560 --> 01:23:57,160 Speaker 1: you for calling Sarah. When I said a segon, when 1522 01:23:57,160 --> 01:23:58,760 Speaker 1: I asked the sign, ago, are you on medication? I 1523 01:23:58,760 --> 01:24:01,639 Speaker 1: could feel people wincing, Like that's a very personal secret 1524 01:24:01,680 --> 01:24:05,920 Speaker 1: thing you're asking. Tell everyone medication is fabulous. If I 1525 01:24:05,960 --> 01:24:08,080 Speaker 1: don't care that I take medication, but I'm actually because 1526 01:24:08,080 --> 01:24:10,920 Speaker 1: I may Actually I take my like my medication for that, 1527 01:24:11,680 --> 01:24:14,000 Speaker 1: which is kind of It helps balance you out, which 1528 01:24:14,040 --> 01:24:16,200 Speaker 1: helps levels me out. I don't necessarily take a depression 1529 01:24:16,840 --> 01:24:19,880 Speaker 1: based there's a leveling out thing, and it really helps me. 1530 01:24:20,160 --> 01:24:22,720 Speaker 1: It changes changes your life. But tab what's really good 1531 01:24:22,760 --> 01:24:25,080 Speaker 1: for people, and it's easier said than done, is that 1532 01:24:25,120 --> 01:24:27,160 Speaker 1: what I try and do is not always take medication 1533 01:24:27,200 --> 01:24:29,439 Speaker 1: every day. So I just try and exercise as much 1534 01:24:29,439 --> 01:24:31,960 Speaker 1: as I can, because I'm telling you what, when you're 1535 01:24:32,000 --> 01:24:35,320 Speaker 1: feeling down and you're feeling rubbish about yourself, get your 1536 01:24:35,600 --> 01:24:37,720 Speaker 1: butt to the gym, and as much as you don't 1537 01:24:37,760 --> 01:24:40,519 Speaker 1: want to go, sometimes drag yourself there because I tell 1538 01:24:40,560 --> 01:24:43,479 Speaker 1: you what, give yourself thirty minutes on doing something something 1539 01:24:43,560 --> 01:24:45,200 Speaker 1: in as you just get out and go for a walk. 1540 01:24:45,800 --> 01:24:50,200 Speaker 1: It releases natural and dolphins something as that promotes feeling better. 1541 01:24:50,560 --> 01:24:53,679 Speaker 1: It is scientifically proven, so you don't have to always, 1542 01:24:54,080 --> 01:24:56,639 Speaker 1: you know, take medication for it. Sometimes it's more severe 1543 01:24:56,680 --> 01:24:59,240 Speaker 1: sometimes I I do, But sometimes I try and eat 1544 01:24:59,280 --> 01:25:01,320 Speaker 1: well and I try and get out and be active. 1545 01:25:01,800 --> 01:25:04,040 Speaker 1: Medications great. I mean, if you've got to make your 1546 01:25:04,040 --> 01:25:08,960 Speaker 1: wiener hard, if you gotta get a headache, you know 1547 01:25:09,560 --> 01:25:11,000 Speaker 1: you don't want to get pregnant when you have sex, 1548 01:25:12,160 --> 01:25:15,280 Speaker 1: take a pill. Take old man made what what? Nate 1549 01:25:15,400 --> 01:25:17,400 Speaker 1: what he's yelling at me? You want to take a break, 1550 01:25:17,600 --> 01:25:19,560 Speaker 1: he can take a break. Take a break. We're in 1551 01:25:19,600 --> 01:25:23,320 Speaker 1: a we're in a groove with why Are you being 1552 01:25:23,360 --> 01:25:28,360 Speaker 1: a dick? Alright, I'm just trying to have a conversation 1553 01:25:28,439 --> 01:25:30,800 Speaker 1: and get in. But there's so much I want to 1554 01:25:30,840 --> 01:25:33,160 Speaker 1: talk to you about, so don't be hit all morning 1555 01:25:33,160 --> 01:25:35,960 Speaker 1: into the show. Let's come back tomorrow too, Okay, all right, 1556 01:25:36,120 --> 01:25:37,679 Speaker 1: the next day and the next after that, we're gonna 1557 01:25:37,680 --> 01:25:39,680 Speaker 1: take a break. I want to talk about music. I 1558 01:25:39,760 --> 01:25:43,200 Speaker 1: want to talk about like rushing out of your country 1559 01:25:43,280 --> 01:25:45,479 Speaker 1: to another country to find your dreams. I meant how 1560 01:25:45,560 --> 01:25:49,280 Speaker 1: much that takes guts? Does it take brains? Are you smart? 1561 01:25:50,360 --> 01:25:52,120 Speaker 1: Is he smart? Is he a smart guy? People don't 1562 01:25:52,120 --> 01:25:53,479 Speaker 1: think I'm smart because you don't like you can have 1563 01:25:53,520 --> 01:25:56,680 Speaker 1: a certain accent in England. They're like always sounds like 1564 01:25:56,720 --> 01:25:58,320 Speaker 1: it's from that kind of area. He's a bit done, 1565 01:25:58,360 --> 01:26:00,760 Speaker 1: But I'm not. No. Do you you think you're Do 1566 01:26:00,880 --> 01:26:02,920 Speaker 1: you think you're a smart I think I'm a smart guy. 1567 01:26:03,000 --> 01:26:05,960 Speaker 1: There you go, alright, and now I'm gonna argue with 1568 01:26:06,000 --> 01:26:09,800 Speaker 1: me on that. You'll kick their red all right? Uh 1569 01:26:10,160 --> 01:26:12,200 Speaker 1: more of Leon else coming up. We'll be right back. 1570 01:26:13,360 --> 01:26:21,679 Speaker 1: Call us zero one. Gulvis Duran in the morning show. 1571 01:26:23,280 --> 01:26:26,439 Speaker 1: Oh crap, dude, you might know Elvis from his radio 1572 01:26:26,479 --> 01:26:29,720 Speaker 1: show To Get Here again. We're going to stopt and 1573 01:26:29,760 --> 01:26:33,240 Speaker 1: part in the morning show. So here we go. We're 1574 01:26:33,280 --> 01:26:35,519 Speaker 1: back with Leon else if you missed this performance two 1575 01:26:35,560 --> 01:26:38,360 Speaker 1: songs earlier, they were fantastic. You know what, when you 1576 01:26:38,439 --> 01:26:41,160 Speaker 1: sing live on a rinky dink morning show, you don't. 1577 01:26:41,360 --> 01:26:44,280 Speaker 1: We don't have like like a professional studio here. This 1578 01:26:44,400 --> 01:26:46,360 Speaker 1: is just you know, little microphones we bought on eBay, 1579 01:26:47,640 --> 01:26:49,519 Speaker 1: and so you never know what you're gonna sound like. 1580 01:26:49,560 --> 01:26:51,920 Speaker 1: You sounded awesome, But but you said you were very nervous. 1581 01:26:52,000 --> 01:26:54,280 Speaker 1: Why why why are you nervous about anything? Because it 1582 01:26:54,360 --> 01:26:56,880 Speaker 1: was a five? I am and I was thought, you know, 1583 01:26:57,120 --> 01:26:58,960 Speaker 1: that's some morning like they do say in general, singer 1584 01:26:58,960 --> 01:27:01,920 Speaker 1: shouldn't sink before, right, you have to really warm up, 1585 01:27:02,000 --> 01:27:04,479 Speaker 1: especially things like like Titanium, Like we'll see his voice. 1586 01:27:04,520 --> 01:27:06,800 Speaker 1: Her voice is so epic, isn't it. You know, it's 1587 01:27:06,840 --> 01:27:08,479 Speaker 1: just like you just never know what's going to come out. 1588 01:27:08,760 --> 01:27:11,479 Speaker 1: But you sounded fine. Yeah, speaking of Titanium, did you 1589 01:27:11,520 --> 01:27:17,960 Speaker 1: sing Titanium at Montifire Hospital with musicians like twenty times? 1590 01:27:18,240 --> 01:27:20,000 Speaker 1: You know, musicians on call. We've been talking about them 1591 01:27:20,040 --> 01:27:21,880 Speaker 1: a lot lately, and we had the big musicians on call. 1592 01:27:21,920 --> 01:27:24,559 Speaker 1: Galla the other night hosted by Danielle and Bethany. Yeah, 1593 01:27:25,120 --> 01:27:27,720 Speaker 1: and we we take these incredible musicians likely on to 1594 01:27:27,800 --> 01:27:30,479 Speaker 1: these hospitals and they performed bedside, and we know that 1595 01:27:30,720 --> 01:27:34,639 Speaker 1: music heals. And so I heard you were warming up 1596 01:27:35,040 --> 01:27:38,040 Speaker 1: to go into singing for the kids. But your warm 1597 01:27:38,120 --> 01:27:40,880 Speaker 1: up was frightening the kids. They were scared. You were 1598 01:27:41,560 --> 01:27:47,160 Speaker 1: sick children. Hell told you about this, six six children 1599 01:27:47,880 --> 01:27:53,040 Speaker 1: were frightened. No, this is I'm gonna be honest, Okay. 1600 01:27:53,080 --> 01:27:55,280 Speaker 1: So I go in there obviously like it's again it's early, 1601 01:27:55,880 --> 01:27:58,120 Speaker 1: and um just because naturally I said the singers they 1602 01:27:58,120 --> 01:27:59,800 Speaker 1: should warm up, like and do you have to warm up? 1603 01:27:59,840 --> 01:28:02,280 Speaker 1: It's time you hold in New York compared to anyway whatever. 1604 01:28:02,600 --> 01:28:04,479 Speaker 1: So I get to the hospital also, you know, a 1605 01:28:04,560 --> 01:28:06,880 Speaker 1: bit nervous because I want to do something good. I 1606 01:28:06,920 --> 01:28:08,560 Speaker 1: always want to. I'm always because I was want to 1607 01:28:08,560 --> 01:28:10,599 Speaker 1: put my best foot forward for whoever's listening or whatever. 1608 01:28:11,479 --> 01:28:12,920 Speaker 1: So in this little room, they're like we can warm 1609 01:28:13,000 --> 01:28:14,479 Speaker 1: up in it was like can we definitely? Like yeah, 1610 01:28:14,840 --> 01:28:16,840 Speaker 1: but they have children in there, and I'm like, well, 1611 01:28:16,880 --> 01:28:18,760 Speaker 1: how can I warm up? Because when you warm up, 1612 01:28:19,000 --> 01:28:20,760 Speaker 1: like I said, you don't know what's coming out and 1613 01:28:20,840 --> 01:28:24,360 Speaker 1: it's like it sounds it sounds like a horror film sometimes. 1614 01:28:24,439 --> 01:28:26,519 Speaker 1: What does this sound? So I was like this, So 1615 01:28:26,640 --> 01:28:28,000 Speaker 1: it was like singing and it was in the higher 1616 01:28:28,080 --> 01:28:30,280 Speaker 1: key and I was like, you shoot me down, but 1617 01:28:30,439 --> 01:28:36,120 Speaker 1: I want for iron ted sounds like that. And these 1618 01:28:36,200 --> 01:28:39,000 Speaker 1: kids were like, like covering it is and I was 1619 01:28:39,040 --> 01:28:40,519 Speaker 1: just like just carrying on singing. So I'm like, I 1620 01:28:40,600 --> 01:28:42,320 Speaker 1: just got a warm up. I can't help it. And 1621 01:28:42,400 --> 01:28:43,920 Speaker 1: they were like, yeah, could you remember? Just take it 1622 01:28:43,960 --> 01:28:47,439 Speaker 1: down a few kids. Also, I'm quite loud, and I 1623 01:28:47,479 --> 01:28:49,000 Speaker 1: was like, can just take it down a few keys? 1624 01:28:49,080 --> 01:28:50,479 Speaker 1: Took it and I was like and then I was 1625 01:28:50,520 --> 01:28:54,320 Speaker 1: like I am And then you sounded great? And what 1626 01:28:54,439 --> 01:28:56,680 Speaker 1: else did you sing? Just that? Literally done it like 1627 01:28:56,800 --> 01:28:58,559 Speaker 1: twenty times. We went around to everyone's bed. You didn't 1628 01:28:58,560 --> 01:29:01,000 Speaker 1: do any Somewhere over the Rainbow know, is it the 1629 01:29:01,040 --> 01:29:02,920 Speaker 1: best song ever? Though it was a beautiful song, I 1630 01:29:03,000 --> 01:29:05,479 Speaker 1: just felt like I don't know. I just don't have 1631 01:29:05,640 --> 01:29:07,639 Speaker 1: much time to rehearse and a new Titanum I thought 1632 01:29:07,680 --> 01:29:09,040 Speaker 1: I could do it. Okay, now I could deliver that 1633 01:29:09,080 --> 01:29:11,400 Speaker 1: every time, So come on seeing Somewhere with the Rainbow 1634 01:29:11,439 --> 01:29:14,120 Speaker 1: for me. Um, I haven't got a lyric sheet. You're 1635 01:29:14,160 --> 01:29:16,439 Speaker 1: supposed to say, no, I don't, don't. I don't perform 1636 01:29:16,560 --> 01:29:18,599 Speaker 1: on command. I'm in a holler for a dollar. Don't 1637 01:29:18,640 --> 01:29:23,280 Speaker 1: you worry. I'm there, I sing, I'll sing it with you. 1638 01:29:23,400 --> 01:29:26,760 Speaker 1: You have somewhere on the rainbow? Okay, well what did you? 1639 01:29:27,120 --> 01:29:29,479 Speaker 1: But Okay, before we do that, so after you perform 1640 01:29:29,560 --> 01:29:33,559 Speaker 1: for these kids, some of them okay, some of them not. Okay. Yeah, 1641 01:29:33,680 --> 01:29:36,240 Speaker 1: it was it was definitely an eye open experience. And 1642 01:29:36,320 --> 01:29:39,240 Speaker 1: you could see the expression on their faces. Talk about that. 1643 01:29:39,320 --> 01:29:40,760 Speaker 1: What was it like when you were singing to them? 1644 01:29:41,200 --> 01:29:43,639 Speaker 1: It was actually more amazing than I even thought, because 1645 01:29:43,680 --> 01:29:45,400 Speaker 1: as there's one girl in particularly stood out to me. 1646 01:29:45,560 --> 01:29:47,080 Speaker 1: She was just laying in the bed and she didn't 1647 01:29:47,080 --> 01:29:49,000 Speaker 1: didn't and I could only go to the door, so 1648 01:29:49,040 --> 01:29:50,360 Speaker 1: I could even go into the room. And that must 1649 01:29:50,400 --> 01:29:52,280 Speaker 1: feel quite horrible for a child. I feel like, to 1650 01:29:52,320 --> 01:29:54,680 Speaker 1: feel that you can't touch, you can't go near, have 1651 01:29:54,800 --> 01:29:56,959 Speaker 1: to sound from a distance, they must feel quite separated. 1652 01:29:57,760 --> 01:29:59,639 Speaker 1: And then I started singing, and then as I started 1653 01:29:59,640 --> 01:30:01,679 Speaker 1: getting more into the song, like you could just see 1654 01:30:01,720 --> 01:30:04,599 Speaker 1: her face lighting up, and literally as I stopped, it's 1655 01:30:04,640 --> 01:30:06,519 Speaker 1: like she'd come to life. She was like, oh my God, 1656 01:30:06,560 --> 01:30:08,439 Speaker 1: I want to hug you, and my good that was amazing. 1657 01:30:08,520 --> 01:30:12,320 Speaker 1: Thank you? So like that for me was so gratifying. 1658 01:30:12,920 --> 01:30:15,000 Speaker 1: And to think that you can just make one It 1659 01:30:15,160 --> 01:30:17,320 Speaker 1: was just five minutes off someone's day. Better to break 1660 01:30:17,400 --> 01:30:19,000 Speaker 1: up their day and they're stuck in a place like that, 1661 01:30:19,760 --> 01:30:22,720 Speaker 1: it's everything then to them. So you're saying for how 1662 01:30:22,760 --> 01:30:26,600 Speaker 1: many how many people? Beside about twenty times, so you 1663 01:30:27,080 --> 01:30:29,840 Speaker 1: have twenty different stories you could tell about these people 1664 01:30:29,920 --> 01:30:33,160 Speaker 1: who was totally turned around. So as you were leaving 1665 01:30:33,200 --> 01:30:37,640 Speaker 1: the hospital, where'd you go? What'd you do? We went 1666 01:30:37,800 --> 01:30:40,320 Speaker 1: for lunch before. I mean, as you walked out the door, 1667 01:30:41,360 --> 01:30:44,280 Speaker 1: didn't you didn't it hit you? Oh my god? Like 1668 01:30:44,479 --> 01:30:46,200 Speaker 1: it was. It was like you almost feel a bit 1669 01:30:46,320 --> 01:30:49,400 Speaker 1: choked because it's just like there's me, and you know, 1670 01:30:49,520 --> 01:30:51,439 Speaker 1: I don't know how. You just feel like you learned 1671 01:30:51,439 --> 01:30:53,800 Speaker 1: about you stressed about the little things in life. You know. 1672 01:30:54,160 --> 01:30:56,320 Speaker 1: I was like stressing about this performance, like gotta be perfect, 1673 01:30:56,360 --> 01:30:57,920 Speaker 1: it's gotta be good, it's gotta be great for the kids. 1674 01:30:57,960 --> 01:31:01,760 Speaker 1: You know. Then you think, like Jesus, like these they 1675 01:31:01,880 --> 01:31:04,639 Speaker 1: really go through it, you know, and they really are brave, 1676 01:31:04,760 --> 01:31:07,000 Speaker 1: they really are strong, you know, And I just think 1677 01:31:07,000 --> 01:31:09,800 Speaker 1: it's so nice to be able to do something, you know, 1678 01:31:10,160 --> 01:31:12,519 Speaker 1: and then they are like, brave kids, how do you 1679 01:31:12,640 --> 01:31:17,360 Speaker 1: go through those performances without crying? I actually was worried. Yeah, 1680 01:31:17,640 --> 01:31:20,120 Speaker 1: I really will because I don't why why would you 1681 01:31:20,120 --> 01:31:22,160 Speaker 1: worry about crying? Which one was not worry about it. 1682 01:31:22,240 --> 01:31:23,680 Speaker 1: But like when you're halfway for a song and you 1683 01:31:23,760 --> 01:31:27,680 Speaker 1: start getting emotional. It's not a pretty side, no, but 1684 01:31:27,760 --> 01:31:31,760 Speaker 1: it is. If you're trying to sing and you're like Titan, no, no, 1685 01:31:33,040 --> 01:31:35,439 Speaker 1: it's real. Don't don't get mad at me for saying this, 1686 01:31:35,520 --> 01:31:38,720 Speaker 1: but it's like the money shot. If you can just 1687 01:31:38,800 --> 01:31:40,840 Speaker 1: let a tear go down and you're still singing beautifully. 1688 01:31:41,640 --> 01:31:44,960 Speaker 1: If you're like no, if you stop and you can't 1689 01:31:45,040 --> 01:31:46,559 Speaker 1: in the words won't come out, and you're back off 1690 01:31:46,600 --> 01:31:49,519 Speaker 1: the microphone, they start clapping like, oh, yes, he's a caring, feeling, 1691 01:31:49,560 --> 01:31:52,920 Speaker 1: wonderful audience. But like if you're a child in a hospital, 1692 01:31:53,040 --> 01:31:54,880 Speaker 1: who when someone's there trying to cheer you up, you 1693 01:31:54,920 --> 01:31:58,559 Speaker 1: don't want to see them looking. I'm talking about when 1694 01:31:58,560 --> 01:32:00,920 Speaker 1: he's singing at the Grammys. Singing at the Grammys, I 1695 01:32:00,960 --> 01:32:02,840 Speaker 1: want you to break down. God like that. We have 1696 01:32:02,920 --> 01:32:05,000 Speaker 1: a we have a story like I I sung for 1697 01:32:05,320 --> 01:32:09,280 Speaker 1: um someone show recently, a book of a show, and 1698 01:32:09,640 --> 01:32:12,800 Speaker 1: she asked me about some of the songs and it's 1699 01:32:12,960 --> 01:32:14,800 Speaker 1: very intimate setting night I haven't sung it. I was 1700 01:32:14,840 --> 01:32:17,960 Speaker 1: getting up to sing for her to acoustic song and 1701 01:32:18,160 --> 01:32:19,920 Speaker 1: she goes said, tell me about songs, and I just like, 1702 01:32:20,200 --> 01:32:21,760 Speaker 1: you gotta big lump in your throat, and it just 1703 01:32:21,840 --> 01:32:23,760 Speaker 1: got bigger because these songs are very personal to you. 1704 01:32:24,080 --> 01:32:27,120 Speaker 1: I'm telling you now. It was like Niagara Fools. It 1705 01:32:27,240 --> 01:32:29,000 Speaker 1: was just like come flying out and I just couldn't 1706 01:32:29,000 --> 01:32:31,679 Speaker 1: hold myself together, leave the room. But leon, look little, 1707 01:32:31,720 --> 01:32:33,560 Speaker 1: I've been doing this many many years. I've interviewed so 1708 01:32:33,640 --> 01:32:37,080 Speaker 1: many artists. This is what I've been talking about. The 1709 01:32:37,400 --> 01:32:41,960 Speaker 1: honesty from the artist to the listener, to me the fan. 1710 01:32:42,680 --> 01:32:47,000 Speaker 1: It is so important. It's so important. I mean, I'm 1711 01:32:47,000 --> 01:32:48,400 Speaker 1: not saying you have to break down and have a 1712 01:32:48,479 --> 01:32:51,280 Speaker 1: breakdown on stage when turn every song, but you know 1713 01:32:51,320 --> 01:32:54,439 Speaker 1: what to hear you talk about worthy songs are from 1714 01:32:54,520 --> 01:32:56,240 Speaker 1: and it's not just a bunch of lyrics, just not 1715 01:32:56,320 --> 01:33:01,280 Speaker 1: a bunch of notes coming out. They mean something. Yeah, 1716 01:33:01,680 --> 01:33:04,720 Speaker 1: that's what art is all about. This is where you're 1717 01:33:04,720 --> 01:33:06,720 Speaker 1: great at what you do. Absolutely. I felt even on 1718 01:33:06,800 --> 01:33:08,880 Speaker 1: stage of the night when I sing beautiful World, I 1719 01:33:09,600 --> 01:33:12,840 Speaker 1: still find it quite hard to my eyes water every time. 1720 01:33:12,920 --> 01:33:14,840 Speaker 1: Not they don't always say cry, but my eyes always 1721 01:33:14,880 --> 01:33:16,880 Speaker 1: well up when I sing good world life. Now, what's 1722 01:33:16,880 --> 01:33:18,720 Speaker 1: the other song you're saying about, you know, having sex 1723 01:33:18,800 --> 01:33:21,280 Speaker 1: with random people? And then but my new song that's 1724 01:33:21,320 --> 01:33:24,040 Speaker 1: coming out in a month about I'm kind of making 1725 01:33:24,080 --> 01:33:26,120 Speaker 1: it sound like that's what I'm making it sound trivial, 1726 01:33:26,160 --> 01:33:30,760 Speaker 1: but it's a very deep song. It's actually about It's 1727 01:33:30,760 --> 01:33:35,760 Speaker 1: actually about having having still having kind of love and 1728 01:33:35,840 --> 01:33:37,840 Speaker 1: fun in a certain kind of way, but you know 1729 01:33:38,000 --> 01:33:39,680 Speaker 1: that you want a different kind of love, and you're 1730 01:33:39,680 --> 01:33:45,160 Speaker 1: too embarrassed. Who's scared? Too worried, too terrified, too ashamed 1731 01:33:46,280 --> 01:33:48,360 Speaker 1: to admit that you want that kind of love or 1732 01:33:48,439 --> 01:33:50,599 Speaker 1: to allow yourself to deserve that kind of love. What's 1733 01:33:50,600 --> 01:33:52,360 Speaker 1: the name of the song, What I Won't Do for Love? 1734 01:33:52,560 --> 01:33:55,120 Speaker 1: Here you go. I thought that was great too. Look, 1735 01:33:55,520 --> 01:33:57,639 Speaker 1: leon Els is here. If you're wondering what it's all about, 1736 01:33:57,640 --> 01:33:59,280 Speaker 1: you gotta listen to the replay channel. There's so much 1737 01:33:59,320 --> 01:34:01,280 Speaker 1: going on. We really see over the rainbow. Oh my god, 1738 01:34:01,320 --> 01:34:02,800 Speaker 1: have a go. But these people in the room. Aren't 1739 01:34:02,800 --> 01:34:04,840 Speaker 1: we gonna be? No, I can't go back out now, 1740 01:34:04,920 --> 01:34:09,840 Speaker 1: Elvis follow through? Is this just like instrumental? Yes? Oh 1741 01:34:09,920 --> 01:34:11,400 Speaker 1: my cool? You have to start got and I was 1742 01:34:11,439 --> 01:34:20,040 Speaker 1: getting ready to do um eat Castidy. You're wrong Where 1743 01:34:21,880 --> 01:34:37,439 Speaker 1: the babow way are part dreams that you dreamed, what 1744 01:34:43,439 --> 01:34:56,040 Speaker 1: I would see ours somewhere over the rainbow, blue birds fly, 1745 01:35:00,240 --> 01:35:09,240 Speaker 1: and the dreams that you dreamed of. I totally after up. Okay, 1746 01:35:09,400 --> 01:35:13,160 Speaker 1: someday I wish upon a start cough. Someday I wish 1747 01:35:14,040 --> 01:35:18,400 Speaker 1: upon a star and wake up where the clouds are 1748 01:35:18,600 --> 01:35:27,320 Speaker 1: fun high my turn, where troubles about black Lemon drops 1749 01:35:27,920 --> 01:35:39,960 Speaker 1: high about that she needs up? That's you fun, Oh 1750 01:35:40,080 --> 01:35:50,840 Speaker 1: my god, somewhere the rain blue, but that's love. You're 1751 01:35:50,920 --> 01:35:56,439 Speaker 1: so much better with this dream that you did. This 1752 01:35:56,640 --> 01:35:59,840 Speaker 1: is all wrong. These lyrics are wrong. Turn that off. 1753 01:36:00,200 --> 01:36:03,080 Speaker 1: These lyrics are all wrong. Nothing Ryan's in this big 1754 01:36:03,320 --> 01:36:06,920 Speaker 1: MGM bonds that time is like really like and look 1755 01:36:06,920 --> 01:36:09,640 Speaker 1: at these words they're all whoever who printed this up you? 1756 01:36:10,280 --> 01:36:14,479 Speaker 1: I'm sorry about black let me even sounding like crap. 1757 01:36:14,560 --> 01:36:18,240 Speaker 1: You sound like a Grammy Award winning superstar. Did you 1758 01:36:18,280 --> 01:36:24,599 Speaker 1: hear that? Grammy people nominate me? You sounded like crap. 1759 01:36:24,880 --> 01:36:26,800 Speaker 1: Well you read the words. The words are wrong. If 1760 01:36:26,800 --> 01:36:29,439 Speaker 1: you read them, you'll know what I'm saying. Right. So 1761 01:36:29,800 --> 01:36:33,120 Speaker 1: you moved from the UK to London, I mean to 1762 01:36:33,520 --> 01:36:36,000 Speaker 1: Los Angeles. That's gotta be a little scary. Did you 1763 01:36:36,040 --> 01:36:38,240 Speaker 1: know anyone there? No, no, no one apart from my 1764 01:36:38,280 --> 01:36:40,280 Speaker 1: management team. I didn't know. It's exciting, though, isn't it. 1765 01:36:40,320 --> 01:36:41,960 Speaker 1: It was really exciting. So you're set up with the 1766 01:36:42,000 --> 01:36:44,599 Speaker 1: life in Los Angeles and you're it's okay, goal Leon, 1767 01:36:44,720 --> 01:36:47,200 Speaker 1: You're on on your market set go create a career. 1768 01:36:47,280 --> 01:36:49,840 Speaker 1: Go basically what was that like? It was crazy? Like 1769 01:36:49,920 --> 01:36:52,080 Speaker 1: I was so excited, you know when I went to 1770 01:36:52,120 --> 01:36:53,200 Speaker 1: sign me, so I knew that I was going out 1771 01:36:53,240 --> 01:36:54,559 Speaker 1: there for a purpose. It was also I just going 1772 01:36:54,600 --> 01:36:56,479 Speaker 1: out to, like, you know, try and hustle. I know 1773 01:36:56,880 --> 01:36:58,320 Speaker 1: you have to hustle, but I knew I was going 1774 01:36:58,360 --> 01:37:00,680 Speaker 1: out of a team that was going to help. And 1775 01:37:00,760 --> 01:37:03,479 Speaker 1: I literally Sarah said it who my managers, like, You're 1776 01:37:03,520 --> 01:37:05,400 Speaker 1: going to go to l A. So I was like, off, 1777 01:37:05,439 --> 01:37:07,400 Speaker 1: I went. I didn't think twice. I mean, I moved 1778 01:37:07,439 --> 01:37:08,960 Speaker 1: to London. I was young, got myself to London, so 1779 01:37:09,000 --> 01:37:11,120 Speaker 1: I was ready. I'm like I don't care. I'm later. 1780 01:37:11,200 --> 01:37:13,320 Speaker 1: I'm just like, go go, go go. You get to 1781 01:37:13,600 --> 01:37:16,160 Speaker 1: you get to l A and you know you you 1782 01:37:16,280 --> 01:37:18,439 Speaker 1: get caught up in the moment. It's all fun and games, 1783 01:37:18,479 --> 01:37:20,560 Speaker 1: it's all great, and you're hopping around here and in 1784 01:37:20,680 --> 01:37:23,720 Speaker 1: at this nice place here and boogie boogie boogie, and 1785 01:37:23,800 --> 01:37:27,640 Speaker 1: then you're like it hits you, like, oh, when a 1786 01:37:27,760 --> 01:37:30,920 Speaker 1: dream turns into reality, it's no longer a dream. We 1787 01:37:31,080 --> 01:37:32,840 Speaker 1: dream dreams in our head and they come with all 1788 01:37:32,840 --> 01:37:36,000 Speaker 1: these perfect scenarios. But when a dream turns into reality 1789 01:37:36,120 --> 01:37:37,920 Speaker 1: is a fine line between dreams and nightmares, I think 1790 01:37:37,960 --> 01:37:41,080 Speaker 1: anyway personally, and then you know, the dream comes with 1791 01:37:41,120 --> 01:37:46,000 Speaker 1: real life problems, worries, just insecurities. You don't on your 1792 01:37:46,000 --> 01:37:48,760 Speaker 1: own like I was on my own, and I was 1793 01:37:48,840 --> 01:37:51,439 Speaker 1: so engrossed because I was running from so many things 1794 01:37:51,479 --> 01:37:54,800 Speaker 1: in my life. Um, which I started to go to 1795 01:37:54,840 --> 01:37:59,040 Speaker 1: therapy start this year. Were running from everything. I feel 1796 01:37:59,080 --> 01:38:02,240 Speaker 1: like I was running from who was? Who were? Um? 1797 01:38:04,040 --> 01:38:05,880 Speaker 1: I don't know. I'm still trying to figure that out 1798 01:38:05,880 --> 01:38:08,160 Speaker 1: with I do know. UM, I guess like I was 1799 01:38:08,200 --> 01:38:11,879 Speaker 1: struggling with my sexuality. Are you sexual? I'm very sexual? 1800 01:38:13,080 --> 01:38:16,080 Speaker 1: Well you're gay? Yeah, So you're running from that, and 1801 01:38:16,160 --> 01:38:20,280 Speaker 1: how I was running? So twenty six years old, you were, 1802 01:38:20,360 --> 01:38:22,479 Speaker 1: you're trying to figure that out? Yeah, I was. It 1803 01:38:22,560 --> 01:38:24,680 Speaker 1: was because I was trying to hide from everyone. I 1804 01:38:24,760 --> 01:38:26,599 Speaker 1: was trying to put on this facade because I thought 1805 01:38:26,640 --> 01:38:28,240 Speaker 1: I was trying to be anything that you wanted me 1806 01:38:28,320 --> 01:38:29,840 Speaker 1: to be and what I thought you wanted me to 1807 01:38:29,920 --> 01:38:32,280 Speaker 1: be and everyone, and I was, And I stopped making 1808 01:38:32,360 --> 01:38:34,920 Speaker 1: friends because you couldn't make friends if you can't be honest. 1809 01:38:35,439 --> 01:38:38,400 Speaker 1: So and people would start asking questions, people start going, oh, well, 1810 01:38:38,439 --> 01:38:41,080 Speaker 1: who are you seeing? Or so I was just just 1811 01:38:41,200 --> 01:38:43,800 Speaker 1: go to work, go home, Go to work, go home. 1812 01:38:44,160 --> 01:38:46,240 Speaker 1: It was the same old thing every day. How did 1813 01:38:46,240 --> 01:38:47,760 Speaker 1: you get over that? How did you like move on? 1814 01:38:47,880 --> 01:38:51,599 Speaker 1: Could you seem on the surface anyway you seem really great. 1815 01:38:51,920 --> 01:38:53,840 Speaker 1: I'm very good at doing that. I'm very good at 1816 01:38:54,080 --> 01:38:56,240 Speaker 1: seeming seeming very good. I think a lot of people 1817 01:38:56,280 --> 01:38:57,880 Speaker 1: can relate to that. I think, because that's what you do, 1818 01:38:57,920 --> 01:38:59,519 Speaker 1: you put on a mask. Are you crying on the 1819 01:38:59,560 --> 01:39:01,000 Speaker 1: inside right now? And I'm not saying that to be 1820 01:39:01,040 --> 01:39:04,240 Speaker 1: funny right now? All right? Why where are you all 1821 01:39:04,320 --> 01:39:06,599 Speaker 1: right now? What? What situation are you in that makes 1822 01:39:06,640 --> 01:39:09,160 Speaker 1: you feel like you're all right, I think once she's 1823 01:39:09,200 --> 01:39:13,599 Speaker 1: sort of like, start talking about stuff, and you start 1824 01:39:13,800 --> 01:39:16,360 Speaker 1: releasing some of the weight that you've been carrying all 1825 01:39:16,400 --> 01:39:19,040 Speaker 1: your life, the shame you've been carrying all your life, um, 1826 01:39:19,280 --> 01:39:21,320 Speaker 1: and you start to talk to him like I started 1827 01:39:21,320 --> 01:39:24,080 Speaker 1: to go into therapy, um and actually just starting to 1828 01:39:24,120 --> 01:39:27,120 Speaker 1: talk about it, and you don't, I know, not everyone 1829 01:39:27,120 --> 01:39:29,400 Speaker 1: can afford therapy, and I was very fortunate that was 1830 01:39:29,439 --> 01:39:31,439 Speaker 1: in the situation that could get that help. But even 1831 01:39:31,479 --> 01:39:34,360 Speaker 1: talking to a friend, talking to someone that cares about 1832 01:39:34,520 --> 01:39:36,640 Speaker 1: the moment you start talking about something, they help, it 1833 01:39:36,680 --> 01:39:39,040 Speaker 1: just feels like a problems halved, you know. And I 1834 01:39:39,120 --> 01:39:41,920 Speaker 1: feel like I started talking about it, I started understanding 1835 01:39:41,960 --> 01:39:44,200 Speaker 1: why I actually felt the way I did, started pinpointing 1836 01:39:44,240 --> 01:39:46,600 Speaker 1: back to my childhood and growing up of why it 1837 01:39:46,800 --> 01:39:48,760 Speaker 1: was the way I was. So now you connect it 1838 01:39:48,840 --> 01:39:51,280 Speaker 1: with your music, and it was like it was all 1839 01:39:51,360 --> 01:39:53,920 Speaker 1: of a sudden because I've been writing all this music 1840 01:39:54,360 --> 01:39:57,599 Speaker 1: that no one understood. My label didn't really understand. Management 1841 01:39:57,680 --> 01:40:00,240 Speaker 1: knew there was something going on, but where I wasn't 1842 01:40:00,280 --> 01:40:01,800 Speaker 1: and I was like no one would even ask me 1843 01:40:01,880 --> 01:40:04,000 Speaker 1: about relationships. No one would even because I was so 1844 01:40:04,200 --> 01:40:06,040 Speaker 1: like it was just never saying you brought up to 1845 01:40:06,080 --> 01:40:07,280 Speaker 1: me because I was very good at going into the 1846 01:40:07,400 --> 01:40:09,160 Speaker 1: room and knowing what you can talk to me about 1847 01:40:09,240 --> 01:40:11,960 Speaker 1: what you can't even without me saying it. And it 1848 01:40:12,080 --> 01:40:14,240 Speaker 1: was just like I tell you what, like, January probably 1849 01:40:14,280 --> 01:40:15,920 Speaker 1: was the hardest time in my life. It was like 1850 01:40:16,120 --> 01:40:17,880 Speaker 1: I felt like I think had been ripped raw. I 1851 01:40:17,920 --> 01:40:19,800 Speaker 1: felt like I still there with no skin in my body, 1852 01:40:20,439 --> 01:40:22,160 Speaker 1: and it was just like you feel like your whole 1853 01:40:22,200 --> 01:40:24,240 Speaker 1: world is falling apart when you actually try to start 1854 01:40:24,320 --> 01:40:27,680 Speaker 1: dealing with demons in your life, but actually you try 1855 01:40:27,680 --> 01:40:31,040 Speaker 1: and hold onto that hope that maybe your world has 1856 01:40:31,040 --> 01:40:32,880 Speaker 1: fallen apart so we could fall back together in the 1857 01:40:32,960 --> 01:40:35,640 Speaker 1: right way again. So so Leon, I mean, so what 1858 01:40:35,800 --> 01:40:37,719 Speaker 1: you're saying is if I spoke to you, I wouldn't 1859 01:40:37,800 --> 01:40:40,719 Speaker 1: hear they're real you. But if I heard your music 1860 01:40:40,840 --> 01:40:43,519 Speaker 1: that you wrote, that was the real you know. I 1861 01:40:43,600 --> 01:40:45,439 Speaker 1: feel like you do hear the real me well now, 1862 01:40:45,560 --> 01:40:49,080 Speaker 1: but I just feel like you maybe not your music 1863 01:40:49,200 --> 01:40:51,559 Speaker 1: was more of who you were than what you said 1864 01:40:51,640 --> 01:40:54,880 Speaker 1: to me. Or anyway, what does that say, Nate? What 1865 01:40:55,080 --> 01:40:59,559 Speaker 1: is it? He's gay? I want to marry him back 1866 01:40:59,640 --> 01:41:04,040 Speaker 1: after I'm reading text, he's perfectly happy, well, you know, 1867 01:41:04,640 --> 01:41:08,360 Speaker 1: and another piece of proof that music is is as 1868 01:41:08,479 --> 01:41:09,960 Speaker 1: real as it can get. And when you can find 1869 01:41:10,000 --> 01:41:13,160 Speaker 1: an artist that made me not be able to speak 1870 01:41:13,240 --> 01:41:14,840 Speaker 1: to you about exactly what's in their heart and on 1871 01:41:14,880 --> 01:41:16,960 Speaker 1: their mind, but they can sing it to you, it's better. 1872 01:41:17,360 --> 01:41:19,479 Speaker 1: That's why I felt. I felt like music was my medicine. 1873 01:41:19,640 --> 01:41:22,160 Speaker 1: Music actually was my therapy for so many years. It 1874 01:41:22,320 --> 01:41:24,160 Speaker 1: was my escape. It helped me escape as a child. 1875 01:41:24,240 --> 01:41:26,240 Speaker 1: Listen to music give me the strength to get through 1876 01:41:26,360 --> 01:41:28,760 Speaker 1: so much stuff in my life. And that's why I 1877 01:41:28,800 --> 01:41:30,760 Speaker 1: think musicians on cool is such an amazing thing that 1878 01:41:30,800 --> 01:41:32,840 Speaker 1: I can connect to because, like you said, the other night, 1879 01:41:33,120 --> 01:41:36,080 Speaker 1: music hills, but listening to music is the same. So 1880 01:41:36,240 --> 01:41:38,639 Speaker 1: for us it's it's great too. Sorry, it's not only 1881 01:41:38,720 --> 01:41:43,719 Speaker 1: for you. Bad news you gotta share so leon else. 1882 01:41:44,400 --> 01:41:47,200 Speaker 1: The single is the City Don't Care. It's available now. 1883 01:41:47,840 --> 01:41:50,200 Speaker 1: But this other single, there's an EP coming up, right, 1884 01:41:50,479 --> 01:41:52,040 Speaker 1: there is an EP coming out? Yes? Do we have 1885 01:41:52,120 --> 01:41:56,599 Speaker 1: a date on anyone in two months? There's a long time. 1886 01:41:56,640 --> 01:41:58,560 Speaker 1: So when the song comes out, I want you to 1887 01:41:58,640 --> 01:42:00,040 Speaker 1: come back. Have we come back at the ends the 1888 01:42:00,200 --> 01:42:01,559 Speaker 1: end of the month, I think the first week of May. 1889 01:42:01,640 --> 01:42:02,960 Speaker 1: I mean I was trying to get take us to 1890 01:42:03,040 --> 01:42:05,960 Speaker 1: Mexicovi here, but we'll come to me. That's what I seca. 1891 01:42:06,000 --> 01:42:08,000 Speaker 1: If we couldn't put the pressure on the tequila in 1892 01:42:08,080 --> 01:42:12,840 Speaker 1: Mexico again, you never see me again. We've had to 1893 01:42:12,960 --> 01:42:22,040 Speaker 1: keep it. Oh. Leon was dancing dancing down Sunset Boulevard, 1894 01:42:22,880 --> 01:42:25,599 Speaker 1: down Santa Monica, Bolivart. I nobody was dancing on people's 1895 01:42:25,640 --> 01:42:29,080 Speaker 1: dining tables. I'm that person. I can't help it. When 1896 01:42:29,120 --> 01:42:32,120 Speaker 1: I start to have a drink, I just think, stuff it. 1897 01:42:32,360 --> 01:42:34,240 Speaker 1: Let's just have fun yoo, as Drake says, you know, 1898 01:42:34,600 --> 01:42:36,320 Speaker 1: can I tell you a funny story? So we were 1899 01:42:36,360 --> 01:42:39,800 Speaker 1: at the game bar, not the abbey, but the next 1900 01:42:39,840 --> 01:42:42,680 Speaker 1: door the chapel or whatever the hell it is, and 1901 01:42:42,720 --> 01:42:44,640 Speaker 1: they had these polls up ready for the dancers to 1902 01:42:44,720 --> 01:42:46,680 Speaker 1: come in, and so I said, the other dancers, the 1903 01:42:46,680 --> 01:42:48,120 Speaker 1: guy dancers are gonna be here any minute now. And 1904 01:42:48,160 --> 01:42:50,120 Speaker 1: so Stephen Leen walks over with this guy and I went, 1905 01:42:50,200 --> 01:42:52,360 Speaker 1: all the dancers are here, And I looked at you 1906 01:42:52,479 --> 01:42:55,160 Speaker 1: and I said, so when you when you're gonna start dancing? 1907 01:42:56,160 --> 01:42:58,840 Speaker 1: And it's Steven said, this is Leon. I was telling 1908 01:42:58,880 --> 01:43:01,360 Speaker 1: you that, Leon know it? Oh, you're not you're not 1909 01:43:01,520 --> 01:43:04,719 Speaker 1: the dancer. We thought you're gonna start dancing, I'm gonna 1910 01:43:04,760 --> 01:43:07,960 Speaker 1: check yourself. But an hour later he was dancing on 1911 01:43:08,000 --> 01:43:10,000 Speaker 1: the table when we're putting dollar bills in his pants. 1912 01:43:10,560 --> 01:43:13,280 Speaker 1: He was the dancer. Said I would have a drink. 1913 01:43:14,000 --> 01:43:15,439 Speaker 1: I just want to have fun, and you do. And 1914 01:43:15,479 --> 01:43:17,600 Speaker 1: we did have such a fun, fun night. He's a 1915 01:43:17,640 --> 01:43:19,640 Speaker 1: fun guy and it wasn't we're making out to be 1916 01:43:19,760 --> 01:43:21,320 Speaker 1: much bigger a thing that was. But I definitely did 1917 01:43:21,320 --> 01:43:24,519 Speaker 1: fall to sleep on the pavement. Stop. My head was 1918 01:43:24,560 --> 01:43:27,719 Speaker 1: hanging out the uber car. Don't talk about it. Don't stop. 1919 01:43:28,920 --> 01:43:30,840 Speaker 1: I'm sore. If you're eating your bagel or whatever you're 1920 01:43:30,840 --> 01:43:32,439 Speaker 1: eating New York. But I've just got to say it 1921 01:43:32,560 --> 01:43:33,680 Speaker 1: was a night. I welcome in my bed and I 1922 01:43:33,720 --> 01:43:35,600 Speaker 1: had the iHeart Radio What's next Day? And I was 1923 01:43:35,640 --> 01:43:39,479 Speaker 1: on the carpet and I couldn't get my balance. It's okay, 1924 01:43:39,960 --> 01:43:41,559 Speaker 1: And I was trying to pull myself together so much. 1925 01:43:41,560 --> 01:43:43,920 Speaker 1: You've got to stop now. As you as your friend, 1926 01:43:44,000 --> 01:43:46,720 Speaker 1: I'm going to stop you now. But there's more Part 1927 01:43:46,760 --> 01:43:48,200 Speaker 1: two with Leon I was coming up in a couple 1928 01:43:48,240 --> 01:43:50,960 Speaker 1: of months. Thank you so much for coming. Thank you. 1929 01:43:51,439 --> 01:43:53,080 Speaker 1: We got a great morning. We've got more to learn 1930 01:43:55,400 --> 01:44:02,320 Speaker 1: that Hello, Hello, real name Elvis Beyonce Marshall, Metheris durand 1931 01:44:03,160 --> 01:44:08,400 Speaker 1: is Elvis Durant in the morning show. This is Elvis 1932 01:44:08,479 --> 01:44:12,240 Speaker 1: Durant in the morning Show. Just the other other day 1933 01:44:12,320 --> 01:44:14,439 Speaker 1: during vacation, I was just tooling around on my heart 1934 01:44:14,520 --> 01:44:19,479 Speaker 1: radio app, loving, loving that there's always something new to 1935 01:44:19,600 --> 01:44:21,560 Speaker 1: discover there, and I'm finding new little corners to go 1936 01:44:21,680 --> 01:44:23,679 Speaker 1: into a new, different, different ways to get my music. 1937 01:44:23,720 --> 01:44:26,880 Speaker 1: It's it is always changing, it's always growing in the 1938 01:44:27,040 --> 01:44:29,600 Speaker 1: The I heart Radio app is a living app. It's fantastic. 1939 01:44:30,439 --> 01:44:33,519 Speaker 1: We must stop down and say congratulations to all the 1940 01:44:33,680 --> 01:44:38,040 Speaker 1: hard working men women of my heart Radio. They have 1941 01:44:38,240 --> 01:44:45,040 Speaker 1: now officially signed up one hundred million users. That's one 1942 01:44:45,200 --> 01:44:50,080 Speaker 1: hundred million registered users for I heart Radio, and there's 1943 01:44:50,080 --> 01:44:52,280 Speaker 1: so many different ways to enjoy it. Give me some fanfare. 1944 01:44:53,680 --> 01:45:00,920 Speaker 1: I Heart Radio one million registered users. Oh damn, we 1945 01:45:01,000 --> 01:45:07,200 Speaker 1: just lost one. Oh I heart Radio nine million, nine 1946 01:45:07,280 --> 01:45:13,000 Speaker 1: hundred thousand, nine hundred nine nine users. So we just 1947 01:45:13,040 --> 01:45:23,639 Speaker 1: signed up radio one h mirillion registered users, ninety nine 1948 01:45:24,720 --> 01:45:29,920 Speaker 1: million nine lost to look, it's it's always fluctuating, there's 1949 01:45:29,920 --> 01:45:34,720 Speaker 1: always flow in. Accidentally deleted it scary. Stop deleting it. 1950 01:45:34,800 --> 01:45:39,080 Speaker 1: You're the product. Oh my god, my heart radio just 1951 01:45:39,200 --> 01:45:43,719 Speaker 1: lost two listeners and they were they were us. Seriously, 1952 01:45:43,920 --> 01:45:46,559 Speaker 1: what have we done? We ruined our own I heart Radio. 1953 01:45:46,920 --> 01:45:49,560 Speaker 1: That's cool though, a hundred million registered users, then I 1954 01:45:49,640 --> 01:45:52,000 Speaker 1: get it. But I think of the trillion people who 1955 01:45:52,160 --> 01:45:55,479 Speaker 1: haven't registered, and they're missing out. There's so many ways 1956 01:45:55,520 --> 01:45:57,040 Speaker 1: to enjoy your eye heart Radio. You can use it 1957 01:45:57,120 --> 01:45:59,240 Speaker 1: totally free. You can pay a little bit per month 1958 01:45:59,280 --> 01:46:04,479 Speaker 1: if you want different levels of experience. It's saving music 1959 01:46:04,600 --> 01:46:07,720 Speaker 1: to your to your lists and making playlists. It's just 1960 01:46:08,200 --> 01:46:11,800 Speaker 1: I love it. What a great place to work. You 1961 01:46:11,840 --> 01:46:15,599 Speaker 1: can actually hear Leon Else's interview on the heart Radio app. 1962 01:46:15,760 --> 01:46:20,720 Speaker 1: Listen to our playback channels. Yeah. Hey, speaking of all 1963 01:46:20,760 --> 01:46:23,160 Speaker 1: things digital, we have new emojis in the wings. You're 1964 01:46:23,200 --> 01:46:25,960 Speaker 1: ready for the new emoji news. We have breaking emoji 1965 01:46:26,040 --> 01:46:32,240 Speaker 1: news your news. There is a group that actually regulates 1966 01:46:32,280 --> 01:46:35,600 Speaker 1: the standard set of emojis. They're called the Unicode Consortium 1967 01:46:35,640 --> 01:46:37,840 Speaker 1: if you've heard of them. They're meeting in June to 1968 01:46:37,920 --> 01:46:40,760 Speaker 1: discuss sixty nine new emojis, and the mock ups for 1969 01:46:40,800 --> 01:46:43,120 Speaker 1: all of them just came out. Some of the highlights 1970 01:46:47,040 --> 01:46:51,240 Speaker 1: from NBC News World Headquarters in New York. This is 1971 01:46:51,439 --> 01:46:57,880 Speaker 1: NBC Nightly News with Lester Holds sitting in for Lester 1972 01:46:57,960 --> 01:47:00,960 Speaker 1: hold Elvis Durant. Okay, it's a list of the lots 1973 01:47:01,000 --> 01:47:04,000 Speaker 1: of mythical creatures, by the way, including male and female zombies, 1974 01:47:04,680 --> 01:47:12,080 Speaker 1: nice mermaids, fairies, elves, wizards, vampires, and genies. Some new 1975 01:47:12,160 --> 01:47:14,560 Speaker 1: faces coming to the emoji world, including one with a 1976 01:47:14,720 --> 01:47:19,840 Speaker 1: shocked look and a brain exploding, an angry one with 1977 01:47:19,960 --> 01:47:23,919 Speaker 1: symbols that represent cursing covering the mouth good, a skeptical 1978 01:47:24,200 --> 01:47:27,680 Speaker 1: skeptical emoji, one with an eyebrow raised. And there's even 1979 01:47:27,800 --> 01:47:32,360 Speaker 1: emoji that's vomiting. That'd be the Great T emoji. That's 1980 01:47:32,400 --> 01:47:36,840 Speaker 1: I'm a favorite, that one vomiting almost every of the day. 1981 01:47:38,120 --> 01:47:41,880 Speaker 1: So it'd be great if emojis came with sound. Oh 1982 01:47:41,920 --> 01:47:44,479 Speaker 1: I bet that's next. So if you hit the guy 1983 01:47:44,560 --> 01:47:47,880 Speaker 1: with a raised eyebrow, the sound would be like who right? 1984 01:47:48,120 --> 01:47:50,160 Speaker 1: Or if you hit the emoji the Great T emoji 1985 01:47:50,240 --> 01:47:56,920 Speaker 1: where he's throwing up. Let's see new animals including dinostaurs, 1986 01:47:56,960 --> 01:47:59,639 Speaker 1: a hedgehog, and a cricket. Thank god they have a hedgehog. 1987 01:47:59,720 --> 01:48:02,960 Speaker 1: Final I've needed that one some new foods. I'm shocked 1988 01:48:03,000 --> 01:48:06,400 Speaker 1: they didn't have these. A sandwich, broccoli. I was looking 1989 01:48:06,439 --> 01:48:10,439 Speaker 1: for broccoli the other day, a pretzel, a steak, a coconut, 1990 01:48:10,560 --> 01:48:14,080 Speaker 1: a pie, and a cup with a straw and an 1991 01:48:14,120 --> 01:48:17,280 Speaker 1: orange heart. Because hearts and every single other color were enough, 1992 01:48:17,360 --> 01:48:19,400 Speaker 1: we have the orange heart. It's hard to make a rainbow. 1993 01:48:19,400 --> 01:48:21,640 Speaker 1: I've been trying to make a rainbow. You can't, after all, 1994 01:48:22,000 --> 01:48:25,439 Speaker 1: you can't there without the orange. There is a rainbow. 1995 01:48:25,840 --> 01:48:29,040 Speaker 1: There's a rainbow on there. You can if they're not 1996 01:48:29,120 --> 01:48:31,080 Speaker 1: getting rid of the eggplant, are they? I hope not? 1997 01:48:31,840 --> 01:48:35,200 Speaker 1: Makes you make it bigger. After these emojis are approved, 1998 01:48:35,200 --> 01:48:36,360 Speaker 1: they should be on your phone by the end of 1999 01:48:36,360 --> 01:48:39,200 Speaker 1: the summer. What's scary? So it might be inappropriate, but 2000 01:48:39,400 --> 01:48:42,400 Speaker 1: why aren't we gonna get a middle finger? There's already 2001 01:48:42,400 --> 01:48:45,120 Speaker 1: a middle finger. I'll send it to you right now. 2002 01:48:46,920 --> 01:49:01,000 Speaker 1: There's already a middle figure. Hold fingers up one. It's 2003 01:49:01,000 --> 01:49:04,519 Speaker 1: like some people send okay whatever. I can't stand that 2004 01:49:04,600 --> 01:49:09,200 Speaker 1: one check mark. All right, so let's get into our headlines. 2005 01:49:09,800 --> 01:49:14,360 Speaker 1: Get scary space. Everyone's flipping scary off on alright. Alright, 2006 01:49:15,080 --> 01:49:18,840 Speaker 1: he's got his he's got his little finger emoji. Uh 2007 01:49:18,960 --> 01:49:22,320 Speaker 1: and so deserving thanks. End of the headlines. What's going 2008 01:49:22,320 --> 01:49:25,320 Speaker 1: on that today? Okay, So British Prime Minister Teresa May 2009 01:49:25,479 --> 01:49:28,960 Speaker 1: says the attacker of yesterday's terror attack in London was 2010 01:49:29,080 --> 01:49:32,280 Speaker 1: British born and had once been investigated by m I five. 2011 01:49:32,640 --> 01:49:36,040 Speaker 1: The so called Islamic State is claiming credit for the attack. 2012 01:49:36,479 --> 01:49:38,479 Speaker 1: As you know by now, the suspect's weapons were a 2013 01:49:38,560 --> 01:49:41,080 Speaker 1: car and knife. He drove the car into pedestrians on 2014 01:49:41,120 --> 01:49:43,559 Speaker 1: Westminster Bridge and was shot and killed as he tried 2015 01:49:43,640 --> 01:49:47,120 Speaker 1: to storm the House of Parliament. Four people in northern 2016 01:49:47,160 --> 01:49:49,599 Speaker 1: Wisconsin were shot and killed yesterday. One of those people 2017 01:49:49,720 --> 01:49:52,360 Speaker 1: was a police officer. This happened in Wasaw, which is 2018 01:49:52,360 --> 01:49:55,080 Speaker 1: about ninety minutes outside of Green Bay. Police are saying 2019 01:49:55,120 --> 01:49:57,519 Speaker 1: it was a domestic dispute at a bank that escalated 2020 01:49:57,560 --> 01:50:00,840 Speaker 1: into shootings at three locations. Interesting. Or there's actually a 2021 01:50:00,920 --> 01:50:05,439 Speaker 1: British lawmaker who lost a brother in a terrorist bombing 2022 01:50:06,439 --> 01:50:12,080 Speaker 1: before he did everything he could yesterday to resuscitate a 2023 01:50:12,160 --> 01:50:15,599 Speaker 1: police officer that was fatally attacked outside Parliament. His name 2024 01:50:15,680 --> 01:50:19,280 Speaker 1: is Tobias Ellwood. He's a New York born British military veteran. 2025 01:50:20,080 --> 01:50:24,040 Speaker 1: And you've seen the photographs all over the all over online. 2026 01:50:24,240 --> 01:50:27,160 Speaker 1: He was photographed kneeling near the officer's body attempting to 2027 01:50:27,640 --> 01:50:31,360 Speaker 1: resuscitate him, and of course he did pass away. But 2028 01:50:31,439 --> 01:50:34,000 Speaker 1: they're calling him someone who tried his best to be 2029 01:50:34,080 --> 01:50:37,200 Speaker 1: a hero. So therefore he is. And all of our best, 2030 01:50:37,240 --> 01:50:39,479 Speaker 1: our hearts going out to all of our friends in 2031 01:50:39,600 --> 01:50:41,960 Speaker 1: London and all around the world. What a sad story. 2032 01:50:42,880 --> 01:50:46,240 Speaker 1: The United States is celebrating its first ever World Baseball 2033 01:50:46,320 --> 01:50:50,040 Speaker 1: Classic championship. Team USA shoutout Puerto Rico eight to nothing 2034 01:50:50,120 --> 01:50:53,559 Speaker 1: in the title game at Dodger Stadium. This is your 2035 01:50:53,600 --> 01:50:56,719 Speaker 1: hourly reminder to take a deep breath. Oh thank god, 2036 01:50:57,240 --> 01:51:00,320 Speaker 1: breathe last hour. He did not take it. Other one. 2037 01:51:02,000 --> 01:51:05,160 Speaker 1: There you go. And it turns out as people are 2038 01:51:05,320 --> 01:51:09,719 Speaker 1: getting engaged, diamonds are becoming less and less popular. Younger 2039 01:51:09,800 --> 01:51:12,439 Speaker 1: couples are thinking about saving money before getting married, so 2040 01:51:12,560 --> 01:51:14,840 Speaker 1: that means a traditional diamond ring, which can cost a 2041 01:51:15,000 --> 01:51:17,600 Speaker 1: lot of money, isn't as appealing as it used to be. 2042 01:51:18,040 --> 01:51:20,759 Speaker 1: So people still want really beautiful engagement rings, of course, 2043 01:51:21,120 --> 01:51:23,519 Speaker 1: so people are turning to other precious gems that cost 2044 01:51:23,560 --> 01:51:27,200 Speaker 1: a lot less than diamond like sapphires, rubies, emeralds, opals 2045 01:51:27,439 --> 01:51:31,759 Speaker 1: and amethysts. Stunning, They're beautiful and those are your headlines. 2046 01:51:32,000 --> 01:51:35,960 Speaker 1: Thank you so much, Bethany, your fabulous The phone tap 2047 01:51:36,120 --> 01:51:41,160 Speaker 1: that launched Danielle onto the king of all phone tap throne, 2048 01:51:41,760 --> 01:51:45,360 Speaker 1: dethroning Brody. Sorry, he'll be back. He'll be back. That 2049 01:51:45,520 --> 01:51:53,720 Speaker 1: phone tap for you next Upside. The smart new way 2050 01:51:53,800 --> 01:51:56,960 Speaker 1: to buy travel is upside dot com. You save money, 2051 01:51:57,160 --> 01:51:59,760 Speaker 1: get a free Amazon gift card with every trip you buy. 2052 01:52:00,280 --> 01:52:02,400 Speaker 1: Use my name Elvis, and you're guaranteed at least a 2053 01:52:02,439 --> 01:52:05,320 Speaker 1: two dollar gift card with your first time using upside 2054 01:52:05,400 --> 01:52:08,760 Speaker 1: dot com. Save huge on travel. Minimum purchase supplies Sea 2055 01:52:08,800 --> 01:52:14,519 Speaker 1: side for details upside dot com, Elvis, Elvis Durant, Elvis Durant. 2056 01:52:14,600 --> 01:52:17,200 Speaker 1: Phone tap, Daniel what's your phone tap all about? All right? 2057 01:52:17,240 --> 01:52:19,200 Speaker 1: So Nicky wanted to have a little fun with her 2058 01:52:19,280 --> 01:52:22,559 Speaker 1: husband Brian. She says she knows he's really slammed at 2059 01:52:22,560 --> 01:52:24,400 Speaker 1: work right now, and she thought it would be funny 2060 01:52:24,800 --> 01:52:27,880 Speaker 1: if I called, as if she called and said, Hey, 2061 01:52:28,120 --> 01:52:30,400 Speaker 1: I have to leave the office. You need to come 2062 01:52:30,439 --> 01:52:33,000 Speaker 1: pick me up. I lost my keys. The valet lost 2063 01:52:33,080 --> 01:52:34,439 Speaker 1: my key, so you need to come and help me. 2064 01:52:34,479 --> 01:52:36,719 Speaker 1: And he's so busy. He doesn't have time for this crowd. 2065 01:52:36,760 --> 01:52:39,120 Speaker 1: All right, let's see what happens in Danielle's phone. Tap. 2066 01:52:41,280 --> 01:52:46,960 Speaker 1: So that's parking garage and idiots lost my keys? I 2067 01:52:47,040 --> 01:52:50,360 Speaker 1: need to over here? Who lost your tea? See's idiot? 2068 01:52:50,439 --> 01:52:53,360 Speaker 1: Parking garage people? Are you kidding me right now? How 2069 01:52:53,400 --> 01:53:00,200 Speaker 1: do they lose your teeth? You know? Are you? Maybe 2070 01:53:00,240 --> 01:53:01,720 Speaker 1: that's what you pay people for. That's why. That's why 2071 01:53:01,760 --> 01:53:04,400 Speaker 1: I think uts like twelve dollars an hour? Over to me. 2072 01:53:04,439 --> 01:53:09,280 Speaker 1: I want to talk to these people. Hello, yeah, hello, 2073 01:53:09,680 --> 01:53:12,600 Speaker 1: h are I talking to what's your name? Vivian? So? 2074 01:53:12,680 --> 01:53:14,639 Speaker 1: What's going on my wife's car? Right now? I lost 2075 01:53:14,720 --> 01:53:17,080 Speaker 1: the keys? You lost the keys? Help? Do you lose 2076 01:53:17,120 --> 01:53:19,040 Speaker 1: somebody's keys? Are you kidding me? Right now? Whoa whoa, 2077 01:53:19,120 --> 01:53:21,800 Speaker 1: whoa whoa. We'll we'll figure it out. Somebody will find 2078 01:53:21,880 --> 01:53:23,960 Speaker 1: the key in their car and then they'll call me 2079 01:53:24,120 --> 01:53:26,639 Speaker 1: and they'll bring it back. Listen to your job. You've 2080 01:53:26,640 --> 01:53:28,400 Speaker 1: got one job, right Your job is to get a 2081 01:53:28,479 --> 01:53:30,280 Speaker 1: key to get up from the customer and then to 2082 01:53:30,360 --> 01:53:31,800 Speaker 1: go get their car. You're telling me right now? Is 2083 01:53:31,840 --> 01:53:33,680 Speaker 1: that my kids gotta stay in school and just wait 2084 01:53:33,720 --> 01:53:35,400 Speaker 1: there for forever? Right, now my wife's got nowhere to 2085 01:53:35,400 --> 01:53:37,000 Speaker 1: go that I gotta leave my office to go figure 2086 01:53:37,040 --> 01:53:38,639 Speaker 1: this out because you don't know how to do your job. 2087 01:53:39,080 --> 01:53:41,120 Speaker 1: I didn't do it on purpose. What do you think 2088 01:53:41,160 --> 01:53:43,160 Speaker 1: I said, Oh, let me lose this person's key so 2089 01:53:43,280 --> 01:53:45,040 Speaker 1: I can keep her here. No, why would I do that? 2090 01:53:45,360 --> 01:53:47,360 Speaker 1: Because you better not be getting attitude with me right now. 2091 01:53:48,920 --> 01:53:50,760 Speaker 1: I'm not getting the attitude. You came in here with 2092 01:53:50,800 --> 01:53:53,479 Speaker 1: the hostile attitude. I've been nice. You lost the keys 2093 01:53:53,479 --> 01:53:54,840 Speaker 1: from my coffer. I know there could be some guy 2094 01:53:54,920 --> 01:53:56,720 Speaker 1: running around my key about to steal my car later. 2095 01:53:57,000 --> 01:53:58,880 Speaker 1: You should advertise it. That's what you should do from 2096 01:53:58,880 --> 01:54:00,639 Speaker 1: now and should be like, hey, give us your cards 2097 01:54:00,640 --> 01:54:02,400 Speaker 1: and will lose the case. This is only like the 2098 01:54:02,439 --> 01:54:04,759 Speaker 1: fifth time it's happened. It's only like a fifth comment. 2099 01:54:04,800 --> 01:54:06,760 Speaker 1: Are you getting as the manager? That I can tell? 2100 01:54:06,800 --> 01:54:08,200 Speaker 1: May be a sixth time? But I don't count that 2101 01:54:08,280 --> 01:54:12,479 Speaker 1: one time. Who's your manager? I'm the manager, you're the manager? Yeah? 2102 01:54:14,120 --> 01:54:16,200 Speaker 1: Why is that so funny? A lot of these cars 2103 01:54:16,280 --> 01:54:20,080 Speaker 1: look alike. Silvercar over here, silvercar over here, silvercar over here. 2104 01:54:20,120 --> 01:54:22,040 Speaker 1: They all look alike. After a while, you're gonna call 2105 01:54:22,080 --> 01:54:23,960 Speaker 1: a taxi, okay, and your company is gonna pay for 2106 01:54:24,040 --> 01:54:25,639 Speaker 1: my wife to go pick up the kids for the taxi, 2107 01:54:25,880 --> 01:54:27,320 Speaker 1: and then I'm gonna order a new key, and I'm 2108 01:54:27,320 --> 01:54:29,080 Speaker 1: gonna send you the invoys and you're gonna pay for that. 2109 01:54:29,200 --> 01:54:31,280 Speaker 1: Do you understand me? No, I can't do that. Yes 2110 01:54:31,320 --> 01:54:34,000 Speaker 1: you are. No, I'm gonna lose my job. I don't 2111 01:54:34,040 --> 01:54:35,600 Speaker 1: care if you lose your job. I care about my 2112 01:54:35,640 --> 01:54:37,080 Speaker 1: car right now and what you have done to my 2113 01:54:37,160 --> 01:54:38,760 Speaker 1: family right now. So you're gonna go and you're gonna 2114 01:54:38,760 --> 01:54:40,240 Speaker 1: figure this out for me. You got a spare key, 2115 01:54:40,280 --> 01:54:43,080 Speaker 1: bring it down here? Are you kidding me? Right now? 2116 01:54:43,640 --> 01:54:45,880 Speaker 1: I'm just saying, really, your attitude about this whole thing, 2117 01:54:46,000 --> 01:54:47,640 Speaker 1: this is all okay with you? You're like, oh, that's it. 2118 01:54:47,800 --> 01:54:50,840 Speaker 1: I'm trying to be accommodating. I'm trying, but it ain't working. 2119 01:54:51,160 --> 01:54:53,800 Speaker 1: You're very tough. How far does she live from here? 2120 01:54:53,840 --> 01:54:57,840 Speaker 1: Can she walk it? You're unbelievable. You're unbelievable. Come and 2121 01:54:57,920 --> 01:55:00,160 Speaker 1: drop off the key. Why is that so hard? Cus, 2122 01:55:00,240 --> 01:55:02,080 Speaker 1: I'm aout the office right now. I can't just go 2123 01:55:02,240 --> 01:55:05,120 Speaker 1: down there where your wife's not work you leave in 2124 01:55:05,160 --> 01:55:07,640 Speaker 1: the office to come and drop off your key. Come on, dude, 2125 01:55:07,680 --> 01:55:10,240 Speaker 1: what kind of a guy are you. I'm going down 2126 01:55:10,240 --> 01:55:11,720 Speaker 1: there right now. You better get your owner down there. 2127 01:55:11,720 --> 01:55:13,160 Speaker 1: You gotta get your owner because I'm not talking to 2128 01:55:13,720 --> 01:55:16,760 Speaker 1: make sure that you get fired, because you're as unbelievable, 2129 01:55:17,360 --> 01:55:23,520 Speaker 1: unbelievable whatever. You just rude, right, and what are you doing? 2130 01:55:24,400 --> 01:55:26,680 Speaker 1: I'm working so that I can pay for your You 2131 01:55:26,760 --> 01:55:28,280 Speaker 1: gotta call the school with the sun to hold out 2132 01:55:28,280 --> 01:55:29,760 Speaker 1: to the kids and you figure it out. I don't know. 2133 01:55:29,800 --> 01:55:32,280 Speaker 1: I mean, we're just wasting time. Now. I gotta go. Now. 2134 01:55:33,000 --> 01:55:36,200 Speaker 1: I'm in the middle of a meeting. Let's calling your brother, Okay, 2135 01:55:36,240 --> 01:55:38,440 Speaker 1: maybe he can help you, Okay, and say, hey, remember 2136 01:55:38,440 --> 01:55:40,440 Speaker 1: those ten thousand favors that I take for you. I 2137 01:55:40,520 --> 01:55:43,440 Speaker 1: need one? Okay, come help me. He need that work 2138 01:55:45,080 --> 01:55:49,040 Speaker 1: thinking I'm a bark. This is Daniel mnaro Oils during 2139 01:55:49,160 --> 01:55:53,760 Speaker 1: the morning show. We just phone tapped you work. She's 2140 01:55:53,760 --> 01:55:55,960 Speaker 1: not in the pride garage. She didn't leave the key. 2141 01:55:56,040 --> 01:55:58,120 Speaker 1: She just wanted to mess with you. That's funny. That's 2142 01:55:58,120 --> 01:56:03,520 Speaker 1: real funny. Vic. Thanks have an idea for a phone tab. 2143 01:56:03,600 --> 01:56:06,240 Speaker 1: Go to Elstran dot com, click on the phone ta tab. 2144 01:56:06,360 --> 01:56:08,680 Speaker 1: Tell us what you want to do. This table was 2145 01:56:08,720 --> 01:56:13,000 Speaker 1: prerecorded with permission granted by All Party Space Elvie Sturran 2146 01:56:13,160 --> 01:56:22,480 Speaker 1: Phone tab on Elvie Sturrand in the Morning show. Don't forget. 2147 01:56:22,840 --> 01:56:27,760 Speaker 1: Las Vegas is waiting for you. Ricky Martin incredible in concert. 2148 01:56:28,400 --> 01:56:30,960 Speaker 1: He's doing it. He's really loud to at the Park 2149 01:56:31,080 --> 01:56:35,040 Speaker 1: Theater at the Monte Carlo International Superstar Ricky Martin, our 2150 01:56:35,080 --> 01:56:37,840 Speaker 1: friend is launching his new Las Vegas residency at Park Theater. 2151 01:56:38,080 --> 01:56:40,960 Speaker 1: We want you there. Tickets for performances are available. He's 2152 01:56:41,000 --> 01:56:44,040 Speaker 1: going on from April five through September on sale at 2153 01:56:44,080 --> 01:56:48,480 Speaker 1: ticketmaster dot com. Or who's your daddy, Your daddy, I'm 2154 01:56:48,520 --> 01:56:50,800 Speaker 1: gonna fly you and a friend of Las Vegas. You'll 2155 01:56:50,800 --> 01:56:52,760 Speaker 1: stay for two nights at the Monte Carlo and you'll 2156 01:56:52,800 --> 01:56:55,480 Speaker 1: get tickets to Ricky Martin at the Park Theater round 2157 01:56:55,480 --> 01:56:57,960 Speaker 1: trip airfair of the whole shooting match. Go to Elvis 2158 01:56:58,040 --> 01:57:00,840 Speaker 1: Duran dot com and enter right now. Danielle, what do 2159 01:57:00,920 --> 01:57:04,200 Speaker 1: you have alright? So eBay Australia is featuring this auction. 2160 01:57:04,280 --> 01:57:07,560 Speaker 1: It's a plastic bag filled with air from Adele's March 2161 01:57:07,640 --> 01:57:12,040 Speaker 1: thirteenth concert. They're saying, grab a piece of history for 2162 01:57:12,160 --> 01:57:16,720 Speaker 1: your Adell collection. It's a pizza. I'm gonna have an 2163 01:57:16,720 --> 01:57:18,360 Speaker 1: air from our show today and I'm gonna put it 2164 01:57:18,360 --> 01:57:22,240 Speaker 1: on ebayl so ridiculous. Um TMZ is reporting that the 2165 01:57:22,360 --> 01:57:24,760 Speaker 1: Roggi p Henson and Nia Long were at each other's 2166 01:57:24,840 --> 01:57:29,000 Speaker 1: throats while filming Empire, that Nia actually was the problem, 2167 01:57:29,080 --> 01:57:31,280 Speaker 1: that she piste off the hair crew, the makeup crew, 2168 01:57:31,400 --> 01:57:35,520 Speaker 1: the wardrobe, and um that they're actually looking to to 2169 01:57:35,840 --> 01:57:39,360 Speaker 1: file some lawsuits against things. Yeah, it's kind of get 2170 01:57:39,360 --> 01:57:42,520 Speaker 1: a little crazy. It could happen to one great story. 2171 01:57:42,680 --> 01:57:45,240 Speaker 1: I UM, let's see Beauty and the Beast up to 2172 01:57:45,320 --> 01:57:48,880 Speaker 1: almost five million in global box office revenue, meaning it 2173 01:57:48,960 --> 01:57:51,760 Speaker 1: out earned the original animated movie in just five days. 2174 01:57:52,080 --> 01:57:56,640 Speaker 1: The original movie made four million in over three releases 2175 01:57:56,960 --> 01:57:59,200 Speaker 1: two thousand to two thousand five, and it originally came 2176 01:57:59,200 --> 01:58:01,200 Speaker 1: out in ninety We're in the wrong business. We should 2177 01:58:01,200 --> 01:58:04,160 Speaker 1: be in the movie business. Did we're going to film? Yes? 2178 01:58:04,480 --> 01:58:06,480 Speaker 1: Thank you? Daniel Ran in the Morning Show, Ricky Martin 2179 01:58:06,520 --> 01:58:09,080 Speaker 1: Las Vega. Sweepstakes No purchase necessary avoid in Alaska Hawaii 2180 01:58:09,080 --> 01:58:11,040 Speaker 1: and we're prohibited opet to legal residents of continuous US. 2181 01:58:11,040 --> 01:58:12,640 Speaker 1: SC twenty one are the sweep Stakes and the ninety 2182 01:58:12,680 --> 01:58:14,840 Speaker 1: nine Am he's Trent time Mary seventeen like