WEBVTT - Breakups, Babies, and Brotherly Love

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<v Speaker 1>It's nine o one.

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<v Speaker 2>With Jenny Garth and Tory Spelling. It's another episode and

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<v Speaker 2>until on. OMG, I don't know if you heard.

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<v Speaker 3>We're already fighting.

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<v Speaker 2>I had to interrupt because you guys were squabbling about

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<v Speaker 2>the episode. Anybody liked it, somebody didn't, and I thought

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<v Speaker 2>we should just get right on the air and you know,

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<v Speaker 2>tell the people.

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<v Speaker 3>It's just beyond me that you guys don't love every

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<v Speaker 3>single thing, but that you especially don't love right now.

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<v Speaker 1>Okay, I'm not gonna lie you guys. I had a

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<v Speaker 1>little PTSD moment. Oh I knew this was coming. Oh

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<v Speaker 1>you did.

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<v Speaker 2>Yeah, I was worried. Here's what happened.

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<v Speaker 3>She's here.

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<v Speaker 1>Wasn't a here Ariels here? Oh? Of course, a little mermaid?

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<v Speaker 2>But like, yeah, you're right, another arial, the other arial.

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<v Speaker 3>I'm sorry. I actually didn't think that through.

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<v Speaker 1>It's so weird, Like I knew it was coming, like

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<v Speaker 1>we've lived through it, like and it's not real, it's TV.

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<v Speaker 1>As soon as I saw her, my heart dropped.

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<v Speaker 3>It was the weirdestly I.

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<v Speaker 2>Get that coming. Okay, I we are talking you guys already.

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<v Speaker 2>We can't hold it back. About Season four, Pisode thirty

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<v Speaker 2>It was called Vital Signs and it aired in May

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<v Speaker 2>on May eleventh, nineteen ninety four.

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<v Speaker 1>Synopsis Andrea's nightmares become a reality. Brendan Dellen get too

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<v Speaker 1>close for comfort, Brandon is afraid he blew his big chance,

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<v Speaker 1>David wants to join a band of bad boys, and

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<v Speaker 1>and Helly can't take it anymore.

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<v Speaker 2>Directed by Daniel Addie, has written by Larry Mullen.

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<v Speaker 1>Wow, I'm hearing us.

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<v Speaker 3>We're getting to it, and you can tell this is

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<v Speaker 3>like obviously we're gearing up for the finale. It's big

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<v Speaker 3>sweeps time, like it's a big old episode it is.

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<v Speaker 2>Does anybody else feel like Andrea has been pregnant forever?

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<v Speaker 3>Yes?

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<v Speaker 1>Okay, wait Jen, so at this point I'm not saying Jenna,

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<v Speaker 1>not Amy, but like I just want to please So

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<v Speaker 1>that is the real belly correct? At this point?

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<v Speaker 2>You know, I found myself asking the same question fair Well.

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<v Speaker 3>When was her kid born? Lorraine? Can you look up

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<v Speaker 3>when Gabrielle's first child was born? It looked real, but

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<v Speaker 3>it's dramatic.

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<v Speaker 1>It's massive.

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<v Speaker 2>She's as big with the baby, she is tall, like

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<v Speaker 2>it goes, it's like this way and this way, yes, equally.

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<v Speaker 3>She's a tiny girl, right like she's she's not.

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<v Speaker 2>Yes, she's a teet little petunia.

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<v Speaker 1>She is Is that five feet or you think not?

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<v Speaker 2>It's maybe five one?

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<v Speaker 1>She is not vio one? Really think you know?

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<v Speaker 3>What I do think is cute?

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<v Speaker 2>Ran how tod.

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<v Speaker 1>Andre Ever, it says on IMDb subtracted by two.

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<v Speaker 3>Andrea and Jesse not to change the subject from her

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<v Speaker 3>height are cute. They are cute. I don't think.

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<v Speaker 2>I think they're so cute. And they were so good

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<v Speaker 2>in this episode. Their acting was so good. Yeah, and honestly,

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<v Speaker 2>like I was riveted for the first time.

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<v Speaker 1>Whoa that says a lot.

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<v Speaker 2>I know the music when they were in the doctor's

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<v Speaker 2>office getting the bad news and Gabbs acting in that scene,

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<v Speaker 2>oh so good.

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<v Speaker 3>And he's so sweet and playing the husband very well.

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<v Speaker 3>And then he opens up to Brandon like I'm actually terrified.

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<v Speaker 2>Oh I really love Jesse, but you guys told me

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<v Speaker 2>something bad's gonna happen, So I really don't.

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<v Speaker 1>I forgot. I was thinking that today. I was like,

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<v Speaker 1>I forgot, and then I remember, But it must be

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<v Speaker 1>crazy playing being pregnant at the same time.

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<v Speaker 3>Do you see what she just said? So Gabrielle's first

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<v Speaker 3>child was we think born the day this episode aired

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<v Speaker 3>May eleventh, so, and which makes sense because you all

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<v Speaker 3>were taping this, filming this six months, a couple of

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<v Speaker 3>months before, just a couple of months.

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<v Speaker 2>Three, maybe a couple three. Yeah, that would be the

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<v Speaker 2>real baby. Then.

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<v Speaker 1>Yeah, in that there Belly thinking about playing a traumatic

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<v Speaker 1>pregnancy storyline while actually pregnant.

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<v Speaker 3>Brutal.

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<v Speaker 1>I mean, great for acting emotions because it's all real,

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<v Speaker 1>that fear in that, but whoa, yeah that you were

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<v Speaker 1>pregnant in real life, in real life on the show.

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<v Speaker 1>We hit it, so it wasn't like simultaneous.

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<v Speaker 3>You know, I can't wait. I can't wait for the

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<v Speaker 3>the awkward life. How are you guys with the journal

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<v Speaker 3>in front of you and the ground?

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<v Speaker 1>I can't wait.

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<v Speaker 3>I got these hours.

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<v Speaker 2>Like yeah, she just looked real big and real uncomfortable

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<v Speaker 2>and I'm terrified everything's gonna be okay. And the dreams

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<v Speaker 2>were so real, like poor thing, three weeks of bed

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<v Speaker 2>rest and pills every four hours.

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<v Speaker 3>And Jesse's up at three am building the cradle.

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<v Speaker 1>But the Rosemary baby esque dreams, like it is not

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<v Speaker 1>the vibe you got her now? Oh my god, neither

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<v Speaker 1>of you. You're not into horror, neither Rosemary. You just

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<v Speaker 1>looked at me, would blank looks.

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<v Speaker 4>No.

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<v Speaker 3>I feel like I got what you were putting down.

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<v Speaker 3>Rosemary's baby.

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<v Speaker 1>Yeah, so like like I don't know, just the collared

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<v Speaker 1>like kind of like nightgown and white and I don't know,

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<v Speaker 1>it gave me vibes of.

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<v Speaker 3>Like I'm sure that was the vibes.

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<v Speaker 2>You're probably right, Okay, I know, but those dreams, but

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<v Speaker 2>I really appreciated the like the special effects though for

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<v Speaker 2>the final dream when she holds the tiny baby in

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<v Speaker 2>her hands.

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<v Speaker 3>That the dreams bugged me. I'm not gonna lie.

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<v Speaker 2>The budget was spent on all of that super fancy

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<v Speaker 2>special effects.

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<v Speaker 3>I'm not a fan of like nine two one O

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<v Speaker 3>loves to do those. It reminds me of the fake

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<v Speaker 3>Howard Stern and I'm just like, I hate that crap,

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<v Speaker 3>but whatever you do. Wait, you know what I noticed

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<v Speaker 3>about this episode, and I'm wondering if you guys noticed. So,

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<v Speaker 3>first of all, the credits, I'm ready for the season

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<v Speaker 3>five credits because y'all look way too young now. In

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<v Speaker 3>the opening credits, but after the weird dream, we cut

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<v Speaker 3>to the shots of Beverly Hills. The smog, you guys,

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<v Speaker 3>those shots it is so smoggy, really were because it

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<v Speaker 3>was the nineties and there was so much smog. Somehow

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<v Speaker 3>we got it together and they got rid of a

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<v Speaker 3>lot of that smog. But when you look at the

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<v Speaker 3>Beverly Hills shots, watch it again, there's it's.

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<v Speaker 2>So sin Notice I didn't notice that film. I remember

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<v Speaker 2>those days though, when the entire city had that cloud

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<v Speaker 2>of just just disgust over it.

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<v Speaker 3>When you drove down the four h five from like

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<v Speaker 3>say you're coming from Brentwood and you came up the

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<v Speaker 3>four h five and you're going down into the valley

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<v Speaker 3>and you could see yourself going down into the brown dunk.

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<v Speaker 1>Depths of I love in La So I just thought

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<v Speaker 1>that's what it seemsed to be. I didn't get out much.

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<v Speaker 2>But it's not like that now.

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<v Speaker 1>No.

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<v Speaker 3>Somehow I think it's the I'm not an expert on this,

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<v Speaker 3>but something with the car the way they when they

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<v Speaker 3>changed car emissions.

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<v Speaker 2>Yeah, you have to get your smog check now.

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<v Speaker 3>Yeah, And it really cleaned it out. And remember like

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<v Speaker 3>in the beginning of COVID, the air when no one

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<v Speaker 3>was driving anywhere, and then the air was like even better.

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<v Speaker 3>But I did notice that, and I'm ready for new credits.

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<v Speaker 2>I know we're going to give you new credits for real,

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<v Speaker 2>real soon.

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<v Speaker 1>Thank you, thank you.

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<v Speaker 2>But I was curious, what was that uh crib that

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<v Speaker 2>Jesse snaking? Is he like a hobbit? Does he live

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<v Speaker 2>in a tree? Is he does he sell cookies out

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<v Speaker 2>of a Keebler tree?

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<v Speaker 3>Like?

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<v Speaker 2>What is that? They're gonna put their baby in that thing?

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<v Speaker 3>That was?

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<v Speaker 2>Yeah, it had like eight olvies painted on the outside of.

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<v Speaker 3>It with the it did look kind of old.

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<v Speaker 1>True why that choice that was?

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<v Speaker 2>Maybe it's like a family heir loom for way cheaper.

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<v Speaker 3>They could have got a pack and play or a

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<v Speaker 3>bass in.

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<v Speaker 2>That that was like and he wouldn't have at three

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<v Speaker 2>am sand in that.

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<v Speaker 1>Oh god wow.

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<v Speaker 2>But anyway, she's having a baby any minute. And I

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<v Speaker 2>just love everything.

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<v Speaker 3>Oh did you love Dottie?

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<v Speaker 1>Dotty Dotty?

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<v Speaker 2>I want Dottie to be my mama.

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<v Speaker 3>Dottie was amazing.

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<v Speaker 1>She was so cute.

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<v Speaker 3>Tory. I know we'll get to it, but your hair

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<v Speaker 3>was amazing in this episode, in every scene except for

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<v Speaker 3>that updu.

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<v Speaker 2>No, you had a fancy, like a fancy. I'm going

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<v Speaker 2>to the theater. You know, I hate those who did that?

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<v Speaker 3>Who did that?

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<v Speaker 1>Who did that to me?

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<v Speaker 2>Who did that to you?

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<v Speaker 1>You know, it's probably like because he wasn't like my

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<v Speaker 1>key person, so I'm sure like someone couldn't be there,

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<v Speaker 1>and Walt had to step in, and I was probably

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<v Speaker 1>too nervous to say anything.

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<v Speaker 3>Were those your.

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<v Speaker 2>Waves or were those barrel curls?

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<v Speaker 1>Ah?

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<v Speaker 3>But your fashion was insane. You're wearing in one scene

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<v Speaker 3>this cropped preppy sweater yellow with the pink right here.

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<v Speaker 3>I was like, I want that now.

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<v Speaker 1>Like, my hair is just getting shorter and shorter and shorter.

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<v Speaker 2>It's not done yet, I don't think I think it's even.

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<v Speaker 1>It gets shorter, it gets shorter by mistake.

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<v Speaker 3>And then we had to like write that in so

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<v Speaker 3>wait do I pronounce her name? Is Carrie Were carry

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<v Speaker 3>harri Were?

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<v Speaker 1>Oh jeez, she's Oh my god, there's the tone in

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<v Speaker 1>my voice, Carriy Like.

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<v Speaker 2>Just close your ears for one second, just don't listen. Okay,

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<v Speaker 2>she's real.

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<v Speaker 3>Good, real cute, real cute.

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<v Speaker 1>She was in Anaconda. Don't want none unless.

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<v Speaker 2>You got fun ton.

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<v Speaker 1>Yeah, she's legit, she's legit, and she was also she's

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<v Speaker 1>been in a lot. I kind of love her, like

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<v Speaker 1>I didn't love her at the time because I was like,

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<v Speaker 1>get away from my man, but like a big fan

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<v Speaker 1>of hers and.

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<v Speaker 3>Her character is like a little bit like I'm a

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<v Speaker 3>junior executive and then she's like, okay, but let's get

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<v Speaker 3>your spots.

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<v Speaker 2>Like I don't think it really like a tinge of

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<v Speaker 2>Lucinda E coming through and I don't like it. Yeah,

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<v Speaker 2>and really good at acting. I think she has a future.

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<v Speaker 2>Wait have you have you run into areas in real life?

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<v Speaker 2>Ever since?

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<v Speaker 1>I feel like you must sorry before like since then, Cary,

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<v Speaker 1>Sorry I called her Ariel because you know, no, that's

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<v Speaker 1>that's that's real than she. I have not seen her

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<v Speaker 1>in a long time. Can we get her on the show?

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<v Speaker 3>We asked, We're hoping yes.

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<v Speaker 2>I was wondering what for you, Like you did run

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<v Speaker 2>into her? I r L would you be.

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<v Speaker 1>Oh, now, you'd be okay, all right? I think so

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<v Speaker 1>it's just the former version of her, like the like

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<v Speaker 1>regression seeing it then hang out like her Now I

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<v Speaker 1>would be like, oh, you're so cool. I've seen all

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<v Speaker 1>your movies you've been in since and like she love you.

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<v Speaker 1>But if I think of her.

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<v Speaker 3>Like, yeah, in that she was an eight legged freaks.

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<v Speaker 3>Remember that she's but David Arquette another nine O two one,

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<v Speaker 3>a star, the Star.

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<v Speaker 2>I just feel I feel like every episode Donna and

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<v Speaker 2>David are squabbling all y'all? Do is are you kind

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<v Speaker 2>of similar to Dylan and Kelly but different?

0:12:18.760 --> 0:12:19.400
<v Speaker 1>Your's just like.

0:12:21.640 --> 0:12:23.280
<v Speaker 2>Married couple squabbling Like.

0:12:26.360 --> 0:12:29.520
<v Speaker 3>I'm sort of proud of David for calling out, like, hey,

0:12:29.559 --> 0:12:32.120
<v Speaker 3>these guys are like druggies and I'm gonna go right

0:12:32.160 --> 0:12:33.199
<v Speaker 3>back down.

0:12:33.040 --> 0:12:34.440
<v Speaker 1>That path, right.

0:12:35.600 --> 0:12:39.360
<v Speaker 3>I sort of wasn't mad at that. Those guys seems

0:12:39.400 --> 0:12:40.080
<v Speaker 3>like tools.

0:12:42.000 --> 0:12:46.199
<v Speaker 1>Yes, think what's the current word for tools?

0:12:46.800 --> 0:12:50.280
<v Speaker 3>What would you say tool? I think tool is still around.

0:12:50.880 --> 0:12:55.040
<v Speaker 3>They seem like the yeah people say that, or what's

0:12:55.040 --> 0:13:11.880
<v Speaker 3>a word for like losers like to say losers? Can

0:13:11.920 --> 0:13:14.480
<v Speaker 3>we go back to mister Walsh making pancakes with missus

0:13:14.480 --> 0:13:17.320
<v Speaker 3>Walsh in her green power suit and that gym's going

0:13:17.400 --> 0:13:18.160
<v Speaker 3>to be out of town?

0:13:18.400 --> 0:13:23.040
<v Speaker 1>I'm so bummed at it. Your mom's so gorgeous and

0:13:23.080 --> 0:13:24.440
<v Speaker 1>it's just getting worse and worse.

0:13:24.880 --> 0:13:27.719
<v Speaker 2>Well, she's a mom, she has to back then. If

0:13:27.760 --> 0:13:29.440
<v Speaker 2>you were a mom, you had to look like a mom.

0:13:30.840 --> 0:13:31.840
<v Speaker 2>And I look like a mom.

0:13:32.440 --> 0:13:34.720
<v Speaker 3>Can I call out the most awkward thing in that

0:13:34.760 --> 0:13:35.240
<v Speaker 3>whole scene?

0:13:35.240 --> 0:13:38.439
<v Speaker 2>Though? Oh wait, wait wait in the in the kitchen.

0:13:38.200 --> 0:13:40.880
<v Speaker 3>Scene, Jenny, I know, you know, I know, you know.

0:13:42.040 --> 0:13:45.280
<v Speaker 2>Was it the way Brandon and Brenda were with one another?

0:13:47.559 --> 0:13:49.040
<v Speaker 2>Was that it because I have more?

0:13:50.040 --> 0:13:52.920
<v Speaker 1>But they were on good terms this week. He just

0:13:53.040 --> 0:13:54.240
<v Speaker 1>framed her waist.

0:13:54.040 --> 0:13:56.400
<v Speaker 2>In a little two comfy kind of.

0:13:56.360 --> 0:13:58.959
<v Speaker 3>Way, mister on the cheek, in a way that I

0:13:59.080 --> 0:13:59.960
<v Speaker 3>kiss my boyfriend.

0:14:00.640 --> 0:14:08.040
<v Speaker 2>Their lovers siblings, Yeah, they're they're getting along during that scene.

0:14:08.600 --> 0:14:10.360
<v Speaker 2>But I was wondering if it was either that or

0:14:10.400 --> 0:14:15.720
<v Speaker 2>were you just upset that that Jim was cooking that

0:14:15.840 --> 0:14:19.200
<v Speaker 2>close to the skillet without apron or anything on. He's

0:14:19.240 --> 0:14:21.320
<v Speaker 2>definitely in a ruin those pleated oxfords.

0:14:22.960 --> 0:14:25.840
<v Speaker 3>That didn't disturb me nearly as much as like how

0:14:25.880 --> 0:14:30.240
<v Speaker 3>completely awkward it was. Like, as the director, I think

0:14:30.280 --> 0:14:32.320
<v Speaker 3>I would have been like, no, you guys, that is

0:14:32.360 --> 0:14:35.360
<v Speaker 3>not how siblings interact. It's just.

0:14:37.440 --> 0:14:43.400
<v Speaker 1>Anyone could say anything to them about Like remember, imagine

0:14:43.400 --> 0:14:47.640
<v Speaker 1>a director being like, by the way, like they be terrified.

0:14:48.280 --> 0:14:51.080
<v Speaker 1>They must have noticed it, right, I'm sure everyone noticed it.

0:14:51.320 --> 0:14:54.080
<v Speaker 2>They were like okay.

0:14:54.560 --> 0:14:57.720
<v Speaker 5>Yeah, don't be late, Like tell me I'm wrong, Like

0:14:58.240 --> 0:15:03.240
<v Speaker 5>she didn't Brenda Shannon whatever, didn't didn't seem two famills

0:15:04.120 --> 0:15:05.480
<v Speaker 5>with Jason slash Brandon.

0:15:05.880 --> 0:15:10.400
<v Speaker 2>But he was just real friendly with her.

0:15:10.920 --> 0:15:17.160
<v Speaker 1>But yeah, like he's like that with everyone though, like

0:15:17.200 --> 0:15:20.040
<v Speaker 1>and it always seems a little familiar. You're too familiar.

0:15:20.040 --> 0:15:20.960
<v Speaker 1>But it's just his thing.

0:15:21.120 --> 0:15:23.240
<v Speaker 3>I would love it if it was one of you.

0:15:24.120 --> 0:15:25.680
<v Speaker 3>I'd love it if it was one of you guys.

0:15:25.840 --> 0:15:29.000
<v Speaker 3>But if you're playing siblings, weird to watch.

0:15:29.120 --> 0:15:31.920
<v Speaker 1>It's like, Okay, does he do it with Cindy Walsh?

0:15:31.960 --> 0:15:35.400
<v Speaker 3>Though, oh, his mother, that's gonna be even more.

0:15:35.600 --> 0:15:37.360
<v Speaker 1>I would just like to know to see if he

0:15:37.520 --> 0:15:39.400
<v Speaker 1>just like it. That's the one thing he kind of

0:15:39.440 --> 0:15:41.400
<v Speaker 1>doesn't think about. He's just who he is when he's

0:15:41.720 --> 0:15:42.520
<v Speaker 1>it crosses over.

0:15:42.800 --> 0:15:45.640
<v Speaker 2>I don't think he does it with mommy.

0:15:45.680 --> 0:15:50.440
<v Speaker 1>Well we'll have to go back another time. Yeah, look backward.

0:15:50.480 --> 0:15:54.800
<v Speaker 2>I don't have to look for that. Well, I don't know.

0:15:54.960 --> 0:15:58.000
<v Speaker 2>I just feel like I'm proud of David. But his

0:15:58.160 --> 0:16:00.680
<v Speaker 2>song was real bad.

0:16:01.000 --> 0:16:02.160
<v Speaker 3>That what.

0:16:03.680 --> 0:16:06.680
<v Speaker 2>That is not music that a hip band would play.

0:16:06.760 --> 0:16:09.760
<v Speaker 2>That's like eighty year old elevator music. But he claimed

0:16:09.760 --> 0:16:14.200
<v Speaker 2>it was jamming. Seriously, lamest music I've ever heard in

0:16:14.280 --> 0:16:18.160
<v Speaker 2>my life. No, he said it was jumping, jumping. I'm

0:16:18.160 --> 0:16:18.720
<v Speaker 2>just jumping.

0:16:21.080 --> 0:16:23.320
<v Speaker 3>Oh god, I love everything about It's so bad.

0:16:24.560 --> 0:16:27.240
<v Speaker 2>Well, apparently something. I think something bad's gonna happen. Because

0:16:27.520 --> 0:16:30.840
<v Speaker 2>Ariel's there, we know what happened.

0:16:31.120 --> 0:16:34.680
<v Speaker 3>She had already said, first of all, why would you

0:16:34.800 --> 0:16:37.440
<v Speaker 3>offer somebody a gig? Like you're like, hey, I talked

0:16:37.440 --> 0:16:40.400
<v Speaker 3>to you for point three seconds over a cone of water,

0:16:40.640 --> 0:16:43.520
<v Speaker 3>which also has to come out cone.

0:16:44.840 --> 0:16:46.440
<v Speaker 2>Do they still have those cones?

0:16:47.000 --> 0:16:48.440
<v Speaker 3>Seems so dentist officcy.

0:16:48.800 --> 0:16:52.080
<v Speaker 2>Yeah, it always tasted better out of those cones.

0:16:53.400 --> 0:16:59.120
<v Speaker 3>But she's such a bad junior record executive because she's

0:16:59.120 --> 0:17:03.600
<v Speaker 3>literally like offering deals to people she nothing before. She

0:17:03.640 --> 0:17:06.320
<v Speaker 3>doesn't know if he's good. He said, I'm a.

0:17:06.400 --> 0:17:09.399
<v Speaker 1>Music to him, right, I mean that's the subtext. It

0:17:09.440 --> 0:17:11.320
<v Speaker 1>doesn't play out, but like we should assume that.

0:17:12.520 --> 0:17:12.680
<v Speaker 3>Well.

0:17:12.720 --> 0:17:14.920
<v Speaker 2>I kind of was how could she be attracted him

0:17:14.960 --> 0:17:17.760
<v Speaker 2>so quickly from and she didn't even look at him basically,

0:17:18.240 --> 0:17:20.479
<v Speaker 2>But then there was that lucindy part of her that

0:17:20.640 --> 0:17:23.520
<v Speaker 2>was like, oh, how can I capitalize on this? What

0:17:23.600 --> 0:17:26.200
<v Speaker 2>can I get out of this? Yeah, Like I felt

0:17:26.240 --> 0:17:28.760
<v Speaker 2>like she was going to use him somehow. I don't

0:17:28.800 --> 0:17:31.760
<v Speaker 2>know if that's going to happen, but maybe just.

0:17:31.760 --> 0:17:37.520
<v Speaker 1>His body's into his hair right now. It's like really

0:17:37.560 --> 0:17:38.280
<v Speaker 1>bumming me out.

0:17:38.880 --> 0:17:43.720
<v Speaker 2>What the high and tight the super tight side shaved thing.

0:17:44.640 --> 0:17:48.040
<v Speaker 3>And I'm just jealous, Yeah, jelly, I'm impressed at the

0:17:48.040 --> 0:17:52.399
<v Speaker 3>Inner Greek Council nominated Donna to be the entertainment chair, Like,

0:17:52.480 --> 0:17:53.040
<v Speaker 3>I love that.

0:17:53.280 --> 0:17:55.160
<v Speaker 1>They followed, Yeah.

0:17:54.640 --> 0:17:58.560
<v Speaker 3>And she's gonna get baby face. That's like, what's it?

0:17:59.080 --> 0:18:04.720
<v Speaker 2>I know that is she is, but then she counteracts

0:18:04.760 --> 0:18:09.280
<v Speaker 2>it by getting an etch and sketch for Andrea.

0:18:09.960 --> 0:18:13.119
<v Speaker 1>Oh my, but I mean that was before there was

0:18:13.160 --> 0:18:18.720
<v Speaker 1>cell phones, the color therapy. That was actually very and

0:18:18.960 --> 0:18:21.919
<v Speaker 1>I when I had my tonsils out, which was true,

0:18:22.160 --> 0:18:24.359
<v Speaker 1>that's fact. That was the only time at that point

0:18:24.400 --> 0:18:25.879
<v Speaker 1>I had been in the hospital is I had my

0:18:25.960 --> 0:18:30.160
<v Speaker 1>tonsils out and I had a noseb but I did

0:18:30.200 --> 0:18:31.160
<v Speaker 1>have my tonsils out.

0:18:31.480 --> 0:18:32.560
<v Speaker 3>That was very progressive.

0:18:32.840 --> 0:18:37.040
<v Speaker 1>It was like back then, Chakra.

0:18:37.880 --> 0:18:39.240
<v Speaker 3>Yeah, that was that.

0:18:39.240 --> 0:18:40.960
<v Speaker 2>That was one of the wo things in this episode.

0:18:41.000 --> 0:18:42.960
<v Speaker 2>There was another wu wu thing in the in the

0:18:43.000 --> 0:18:46.320
<v Speaker 2>beginning of this episode. Oh, I think it was when

0:18:46.400 --> 0:18:51.560
<v Speaker 2>Kelly was talking to Brandon about basically manifesting.

0:18:51.880 --> 0:18:52.600
<v Speaker 1>What does she call.

0:18:52.520 --> 0:18:57.480
<v Speaker 2>It something else I don't remember, but yeah, there was

0:18:57.520 --> 0:19:00.919
<v Speaker 2>a couple of like interesting little woo moments in the show.

0:19:02.800 --> 0:19:05.919
<v Speaker 3>So okay, the only storyline that, look, I don't hate it,

0:19:05.960 --> 0:19:11.160
<v Speaker 3>obviously it was appealing. Sorry, sorry, I the only one

0:19:11.160 --> 0:19:13.359
<v Speaker 3>that felt a little like filler because I love the

0:19:13.400 --> 0:19:15.800
<v Speaker 3>whole thing. The only one that felt like filler is

0:19:15.840 --> 0:19:18.440
<v Speaker 3>the whole brand and trying to chase down the Chancellor,

0:19:18.520 --> 0:19:20.240
<v Speaker 3>I'm like, bro, is this three's company?

0:19:20.320 --> 0:19:23.720
<v Speaker 2>Like that was very stally like get to it.

0:19:24.560 --> 0:19:29.560
<v Speaker 3>Right, and I mean it's a little bit comedic because

0:19:29.600 --> 0:19:32.960
<v Speaker 3>he's like I just thought just because I didn't hit

0:19:33.000 --> 0:19:35.600
<v Speaker 3>on your wild child daughter blah. And then like the

0:19:35.680 --> 0:19:37.560
<v Speaker 3>Chanceller was like, I think it's just an oversight, like

0:19:37.600 --> 0:19:40.440
<v Speaker 3>your tickets are coming, And then the whole thing was like, oh,

0:19:40.600 --> 0:19:41.960
<v Speaker 3>it's just a misunderstand.

0:19:42.040 --> 0:19:43.960
<v Speaker 2>It was the point of that whole thing.

0:19:44.280 --> 0:19:45.280
<v Speaker 3>They needed filler.

0:19:45.920 --> 0:19:48.720
<v Speaker 2>But did you like it when Chancellor Arnold went to

0:19:48.720 --> 0:19:54.439
<v Speaker 2>see the play with his very official looking friends, like

0:19:54.600 --> 0:19:57.720
<v Speaker 2>his dignitaries, dignitarian countries.

0:19:57.440 --> 0:19:59.919
<v Speaker 3>And he had no time for Brandon. No time Brandon,

0:20:00.640 --> 0:20:02.280
<v Speaker 3>what did you think of the bowels of cat on

0:20:02.280 --> 0:20:03.800
<v Speaker 3>a haunting roof? Like all we got to see is

0:20:03.840 --> 0:20:04.480
<v Speaker 3>a curtain call.

0:20:05.119 --> 0:20:07.680
<v Speaker 2>I'm tired of it now. I've watched two episodes about

0:20:07.680 --> 0:20:10.680
<v Speaker 2>this play and I don't want to see it anymore,

0:20:10.760 --> 0:20:13.639
<v Speaker 2>especially there was no actually got great reviews, but I

0:20:13.680 --> 0:20:15.800
<v Speaker 2>wanted to either see the play we didn't see it,

0:20:16.000 --> 0:20:16.840
<v Speaker 2>or not see the play.

0:20:17.160 --> 0:20:20.960
<v Speaker 1>No, I just saw about me moments Lash show girls Like.

0:20:21.000 --> 0:20:23.240
<v Speaker 1>I'm over it. She's been like discarded up.

0:20:24.119 --> 0:20:27.840
<v Speaker 2>Well, but this is going to catapult Brenda into her career,

0:20:28.040 --> 0:20:29.200
<v Speaker 2>her future.

0:20:29.200 --> 0:20:32.080
<v Speaker 3>Correct, correct, correct, and.

0:20:32.040 --> 0:20:32.680
<v Speaker 1>I buy it.

0:20:32.760 --> 0:20:36.119
<v Speaker 2>I believe that Brenda could act yep, I believe that

0:20:36.119 --> 0:20:39.919
<v Speaker 2>Brenda could have a future someday if she gets some

0:20:40.440 --> 0:20:43.879
<v Speaker 2>real training on that.

0:20:44.160 --> 0:20:46.520
<v Speaker 1>On that note, not to put you on.

0:20:46.480 --> 0:20:49.119
<v Speaker 2>The spot, but please, what do.

0:20:49.960 --> 0:20:53.400
<v Speaker 1>You think Brenda went on to do acting? Wise? We've

0:20:53.400 --> 0:20:56.480
<v Speaker 1>never even discussed that, because clearly she became an actress. Right.

0:20:56.600 --> 0:20:59.600
<v Speaker 1>We assume after London.

0:20:59.720 --> 0:21:01.760
<v Speaker 2>She moved to let So I'm gonna assume she went

0:21:01.800 --> 0:21:05.919
<v Speaker 2>to RADA. Okay, maybe she had got some technical training

0:21:05.920 --> 0:21:06.879
<v Speaker 2>and then never worked again.

0:21:07.000 --> 0:21:08.040
<v Speaker 3>Should I know what RADA is?

0:21:08.080 --> 0:21:08.240
<v Speaker 5>No?

0:21:09.280 --> 0:21:13.080
<v Speaker 1>Wait, see, we've never talked about this. Let's keep going.

0:21:13.320 --> 0:21:17.240
<v Speaker 2>What's RADA Royal Academy for Dramatical Arts?

0:21:17.280 --> 0:21:18.480
<v Speaker 3>Oh fancy.

0:21:19.640 --> 0:21:22.040
<v Speaker 1>But I don't know. I'm not pretended. I knew you

0:21:22.080 --> 0:21:25.119
<v Speaker 1>actually asked the I was like, well.

0:21:24.960 --> 0:21:26.720
<v Speaker 3>You're an actor. I get to ask the question.

0:21:28.040 --> 0:21:30.520
<v Speaker 1>Wait, see, like what do you mean? I mean once

0:21:30.600 --> 0:21:32.719
<v Speaker 1>an actor and actress. So let's say she gets all

0:21:32.720 --> 0:21:35.040
<v Speaker 1>this training and she and she leaves and goes out

0:21:35.040 --> 0:21:38.840
<v Speaker 1>into the real world, doesn't get cast into anything, like

0:21:38.880 --> 0:21:39.800
<v Speaker 1>you don't think like does she?

0:21:40.080 --> 0:21:43.280
<v Speaker 3>Well, maybe she's on that fancy British version of Broadway.

0:21:43.359 --> 0:21:45.680
<v Speaker 3>What's that thing called the West End?

0:21:47.480 --> 0:21:52.440
<v Speaker 1>Really no, Jen just said she like like they went

0:21:52.480 --> 0:21:55.760
<v Speaker 1>into porn, like what happens, like OnlyFans like what happened?

0:21:56.560 --> 0:21:57.440
<v Speaker 2>They didn't have that?

0:21:57.520 --> 0:22:01.680
<v Speaker 1>Then No, eventually I think she's not legit. I think

0:22:01.720 --> 0:22:03.640
<v Speaker 1>she's now she'd she's on.

0:22:03.560 --> 0:22:06.280
<v Speaker 3>The she's on Broadway. I think she's on the West End.

0:22:07.160 --> 0:22:08.480
<v Speaker 1>Oh I like that.

0:22:09.520 --> 0:22:10.560
<v Speaker 2>I think that could work.

0:22:10.600 --> 0:22:11.399
<v Speaker 3>She's not going to fail.

0:22:12.440 --> 0:22:16.600
<v Speaker 2>No, it's not going to not fail.

0:22:16.840 --> 0:22:20.040
<v Speaker 1>Do you think eventually, like in theory, we all like

0:22:20.160 --> 0:22:22.280
<v Speaker 1>went to London and saw her in the West End

0:22:22.359 --> 0:22:24.760
<v Speaker 1>and like we're like, oh, it's been years, Like we're

0:22:24.800 --> 0:22:26.119
<v Speaker 1>catching up. We support you.

0:22:27.440 --> 0:22:29.920
<v Speaker 2>Well, probably we would have had to, because the way

0:22:30.000 --> 0:22:33.720
<v Speaker 2>she made Steve feel for not going to see the play.

0:22:34.480 --> 0:22:37.000
<v Speaker 2>She probably really railed us for not going to see

0:22:37.040 --> 0:22:37.840
<v Speaker 2>her in the West End.

0:22:38.320 --> 0:22:40.920
<v Speaker 3>What did you think of their whole Yeah, their storyline

0:22:40.960 --> 0:22:42.520
<v Speaker 3>in this episode.

0:22:44.680 --> 0:22:47.000
<v Speaker 2>There was nothing there, but then when they made up,

0:22:47.040 --> 0:22:47.760
<v Speaker 2>it was cute.

0:22:47.920 --> 0:22:48.680
<v Speaker 3>It was cute.

0:22:49.520 --> 0:22:53.600
<v Speaker 2>I could see their real life relationship to.

0:22:53.520 --> 0:22:58.480
<v Speaker 3>Me, after the dramatic like suicide attempt, that it wouldn't

0:22:58.480 --> 0:23:00.560
<v Speaker 3>have taken this to make up, Like they would have

0:23:00.600 --> 0:23:04.120
<v Speaker 3>been made up five minutes after that to me, Yeah,

0:23:04.400 --> 0:23:10.160
<v Speaker 3>like that seemed like going through that together. And then

0:23:10.280 --> 0:23:13.359
<v Speaker 3>we do get a little intel into what became of

0:23:13.480 --> 0:23:16.720
<v Speaker 3>Laura because he's packing up her stuff.

0:23:16.960 --> 0:23:21.840
<v Speaker 1>We have to pack up the red dress. Why does

0:23:21.880 --> 0:23:22.680
<v Speaker 1>he have to do it?

0:23:22.720 --> 0:23:24.520
<v Speaker 2>Like isn't there like a red dress?

0:23:25.480 --> 0:23:28.840
<v Speaker 3>You know, you think the family would have come from

0:23:28.840 --> 0:23:31.639
<v Speaker 3>president It's like three hour drive, like they could have

0:23:31.680 --> 0:23:32.200
<v Speaker 3>done it.

0:23:32.440 --> 0:23:35.639
<v Speaker 1>So weird. I felt bad for the guy because they

0:23:35.720 --> 0:23:37.879
<v Speaker 1>had to like fill in what happened to her if

0:23:37.880 --> 0:23:40.320
<v Speaker 1>the family was there and not a like series regular,

0:23:40.400 --> 0:23:42.280
<v Speaker 1>like it wouldn't have We got the gym.

0:23:42.520 --> 0:23:44.240
<v Speaker 3>I feel like I got the gist of what happened

0:23:44.240 --> 0:23:46.160
<v Speaker 3>to her when she got taken away by the meta.

0:23:46.280 --> 0:23:50.040
<v Speaker 3>The vibe was like I think she's gonna come on though.

0:23:50.160 --> 0:23:56.360
<v Speaker 1>I'm very excited, come on shop. I love her.

0:23:59.040 --> 0:24:04.159
<v Speaker 3>So okay. Other than Cedar SINAI got some major shout

0:24:04.160 --> 0:24:07.840
<v Speaker 3>outs in this episode. Should we start talking about Heaven?

0:24:08.240 --> 0:24:10.400
<v Speaker 2>I went, did you have your babies at Cedars?

0:24:11.240 --> 0:24:11.680
<v Speaker 1>Me too?

0:24:12.240 --> 0:24:14.800
<v Speaker 2>I feel like I wanted to go back and have more?

0:24:16.160 --> 0:24:16.520
<v Speaker 1>Same.

0:24:17.200 --> 0:24:22.320
<v Speaker 2>Yeah, they have a great What is it called delivery

0:24:22.480 --> 0:24:23.200
<v Speaker 2>and labor?

0:24:23.320 --> 0:24:25.720
<v Speaker 1>What do you call it? Labor and delivery? There? It's

0:24:25.760 --> 0:24:26.680
<v Speaker 1>Cedar Siee.

0:24:27.119 --> 0:24:29.240
<v Speaker 3>Could either of you imagine having a baby right now?

0:24:29.640 --> 0:24:29.760
<v Speaker 2>Uh?

0:24:29.800 --> 0:24:31.280
<v Speaker 1>Huh?

0:24:31.440 --> 0:24:39.919
<v Speaker 2>Do you quick? Could? I? No, I'm being honest.

0:24:40.760 --> 0:24:43.760
<v Speaker 1>Oh you know how you are when you smell the

0:24:43.800 --> 0:24:48.040
<v Speaker 1>head and the little tiny feet she gets baby stinky feet?

0:24:48.280 --> 0:24:49.520
<v Speaker 2>Yeah, I mean who does?

0:24:49.800 --> 0:24:50.000
<v Speaker 1>Yeah?

0:24:50.119 --> 0:24:54.800
<v Speaker 2>But I don't know. I just love to sleep now

0:24:55.200 --> 0:25:01.160
<v Speaker 2>and I can't imagine it being interrupted. Yeah, I can't

0:25:01.160 --> 0:25:01.760
<v Speaker 2>wait for Greta.

0:25:04.000 --> 0:25:06.040
<v Speaker 3>You could have another one? Me?

0:25:06.760 --> 0:25:07.000
<v Speaker 1>Yeah?

0:25:07.240 --> 0:25:10.840
<v Speaker 3>You could hate wow? Whoa?

0:25:11.040 --> 0:25:13.440
<v Speaker 2>No, she cannot have another one. I couldn't imagine having

0:25:13.640 --> 0:25:15.840
<v Speaker 2>I'm sorry, I'm gonna intervene right now.

0:25:16.640 --> 0:25:17.359
<v Speaker 3>I always do.

0:25:17.560 --> 0:25:19.680
<v Speaker 1>Right in the summa, you said, this is the point

0:25:19.680 --> 0:25:22.479
<v Speaker 1>in the program. She said no before bo and then,

0:25:22.520 --> 0:25:23.760
<v Speaker 1>can you imagine life.

0:25:23.520 --> 0:25:25.960
<v Speaker 2>Without bo okay, but let's stop thing.

0:25:26.240 --> 0:25:28.560
<v Speaker 1>You love him, I do, but.

0:25:30.359 --> 0:25:34.520
<v Speaker 2>You can't have another baby. That'd be the end of

0:25:34.560 --> 0:25:38.040
<v Speaker 2>it all for you. Your poor little body.

0:25:38.359 --> 0:25:43.920
<v Speaker 1>What's left in my body would just literally fall out. Wait.

0:25:43.960 --> 0:25:47.119
<v Speaker 2>Wait, speaking of falling out and bodies, what about the

0:25:47.240 --> 0:25:51.680
<v Speaker 2>very end scene when the doctor rushes in and puts

0:25:51.680 --> 0:25:55.280
<v Speaker 2>the glove on and puts his hand up. Oh, I know,

0:25:55.960 --> 0:25:58.240
<v Speaker 2>but she's like, I think my water brokes. He comes in,

0:25:58.440 --> 0:26:02.600
<v Speaker 2>puts the glove on, like right from Brandon, and everybody.

0:26:02.200 --> 0:26:05.760
<v Speaker 3>Just goes up in there the arm. Oh, how bad

0:26:05.880 --> 0:26:06.960
<v Speaker 3>is twenty seven weeks?

0:26:07.000 --> 0:26:07.080
<v Speaker 2>Like?

0:26:07.119 --> 0:26:09.280
<v Speaker 3>How how dangerous is twenty seven weeks?

0:26:09.400 --> 0:26:10.320
<v Speaker 2>She's a thirty seven?

0:26:10.359 --> 0:26:12.000
<v Speaker 3>Didn't she twenty seven?

0:26:12.200 --> 0:26:12.840
<v Speaker 2>Twenty seven?

0:26:13.080 --> 0:26:15.560
<v Speaker 1>She cannot, No, thirty It has to be thirty seven,

0:26:15.600 --> 0:26:18.320
<v Speaker 1>because a belly out to there at twenty seven. Doesn't know, but.

0:26:18.320 --> 0:26:20.000
<v Speaker 3>She's twenty seven weeks.

0:26:20.040 --> 0:26:20.959
<v Speaker 1>She's twenty seven.

0:26:21.080 --> 0:26:22.360
<v Speaker 3>That's why it's premature.

0:26:23.560 --> 0:26:27.680
<v Speaker 1>Okay, So this happened to me with Finn in Cedars,

0:26:27.880 --> 0:26:31.960
<v Speaker 1>and the baby is viable at twenty four weeks, but

0:26:32.160 --> 0:26:36.080
<v Speaker 1>the chance of it's like under five percent, I would say,

0:26:36.080 --> 0:26:39.399
<v Speaker 1>at twenty seven weeks, So that baby's going to be

0:26:39.440 --> 0:26:42.480
<v Speaker 1>a miracle, little longsn.

0:26:42.040 --> 0:26:45.440
<v Speaker 3>Defellas, Yeah, that's why this is very dramatic.

0:26:45.680 --> 0:26:46.879
<v Speaker 1>It's very dramatic.

0:26:50.119 --> 0:26:53.000
<v Speaker 3>So okay, is it time in the program to talk

0:26:53.040 --> 0:27:00.160
<v Speaker 3>about Erica, Suzamne, Kevin ultimately then Dylan and the big

0:27:00.560 --> 0:27:05.200
<v Speaker 3>breakup essentially between Kelly and Dylan, And do are we

0:27:05.600 --> 0:27:09.199
<v Speaker 3>devastating or are we kind of ready for it?

0:27:09.680 --> 0:27:12.639
<v Speaker 1>I'm ready for it, She's ready. Okay, if she's ready

0:27:12.640 --> 0:27:15.199
<v Speaker 1>for it, I can admit it. I mean, he's just

0:27:15.200 --> 0:27:16.040
<v Speaker 1>not nice to her.

0:27:16.240 --> 0:27:17.359
<v Speaker 2>He's not nice to her.

0:27:17.720 --> 0:27:20.240
<v Speaker 3>She's not not nice to him. She's got a lot

0:27:20.280 --> 0:27:22.119
<v Speaker 3>of eye rolls going at him and a lot of

0:27:22.640 --> 0:27:24.600
<v Speaker 3>like bitch face at him.

0:27:24.840 --> 0:27:26.560
<v Speaker 2>That's a that's called resentment.

0:27:26.800 --> 0:27:30.760
<v Speaker 1>I was gonna say, it's a hard one to fix

0:27:31.560 --> 0:27:32.200
<v Speaker 1>at that point.

0:27:32.760 --> 0:27:33.560
<v Speaker 3>And how do you feel?

0:27:34.080 --> 0:27:36.919
<v Speaker 2>She's very cranky in the morning, So I'll say, but

0:27:37.040 --> 0:27:40.000
<v Speaker 2>who the hell just storms into somebody's house because they

0:27:40.000 --> 0:27:42.879
<v Speaker 2>need advice on which sneakers to buy. They just stop

0:27:42.960 --> 0:27:44.760
<v Speaker 2>into his house.

0:27:45.920 --> 0:27:49.640
<v Speaker 3>No doorbell, no knock, and she comes into the bedroom.

0:27:49.920 --> 0:27:51.840
<v Speaker 2>I thought, but wait, do they live there? No, they

0:27:51.840 --> 0:27:52.400
<v Speaker 2>don't live there.

0:27:52.840 --> 0:27:53.199
<v Speaker 1>No.

0:27:53.320 --> 0:27:55.359
<v Speaker 3>It was very uncomps And then when you said we

0:27:55.359 --> 0:27:57.760
<v Speaker 3>could have been making love. I got a little gaggy.

0:27:57.840 --> 0:27:58.720
<v Speaker 3>But also like.

0:28:00.119 --> 0:28:01.800
<v Speaker 1>When people say that even.

0:28:01.600 --> 0:28:04.480
<v Speaker 2>Now, we could have been making love.

0:28:05.960 --> 0:28:09.280
<v Speaker 1>Having what did they call it on the dating game?

0:28:09.359 --> 0:28:18.359
<v Speaker 2>No, whoopee, we could have been having whoopee. No, yeah,

0:28:18.520 --> 0:28:19.440
<v Speaker 2>that was very weird.

0:28:19.480 --> 0:28:22.800
<v Speaker 3>And they don't even say like, sorry, we busted in.

0:28:23.200 --> 0:28:23.720
<v Speaker 1>Don't care.

0:28:24.359 --> 0:28:26.040
<v Speaker 3>They just don't like they own the place.

0:28:26.720 --> 0:28:29.760
<v Speaker 2>I'd be pissed too. I think Kelly's got a leg

0:28:29.840 --> 0:28:30.960
<v Speaker 2>to stand on there, Like.

0:28:31.400 --> 0:28:35.440
<v Speaker 1>I think like red flags all around.

0:28:35.240 --> 0:28:37.480
<v Speaker 2>Right, what are you? First of all, what is what

0:28:37.560 --> 0:28:42.160
<v Speaker 2>are Dylan's priorities? And second of all, these people have

0:28:42.200 --> 0:28:42.920
<v Speaker 2>no boundaries?

0:28:44.720 --> 0:28:49.000
<v Speaker 3>Very strange. And what do we think of Kevin's sketchy

0:28:49.040 --> 0:28:51.560
<v Speaker 3>company that Dylan's gonna invest in?

0:28:51.680 --> 0:28:53.680
<v Speaker 1>I still can't look past the mustache. I have no

0:28:53.760 --> 0:28:55.120
<v Speaker 1>idea he's.

0:28:54.960 --> 0:28:57.800
<v Speaker 3>Been wearing that same green shirt to me for every

0:28:57.840 --> 0:28:58.600
<v Speaker 3>scene he's been in.

0:28:59.200 --> 0:29:01.080
<v Speaker 2>Plus is little heart.

0:29:02.560 --> 0:29:02.880
<v Speaker 1>Kevin?

0:29:03.520 --> 0:29:07.440
<v Speaker 2>Yeah no, he sucks. Just wait, ohka, back to the

0:29:07.440 --> 0:29:10.480
<v Speaker 2>Brenda and Dylan thing. So he sends her a little

0:29:11.240 --> 0:29:12.040
<v Speaker 2>a little gift.

0:29:12.520 --> 0:29:14.360
<v Speaker 1>Her nails buged me in that That's all I was

0:29:14.440 --> 0:29:14.880
<v Speaker 1>looking at.

0:29:15.000 --> 0:29:18.480
<v Speaker 2>Really, I didn't even know there was kind of lovely Okay,

0:29:19.160 --> 0:29:20.200
<v Speaker 2>I didn't notice them.

0:29:20.400 --> 0:29:22.840
<v Speaker 1>No natural and long. I don't know. I don't know

0:29:22.880 --> 0:29:26.560
<v Speaker 1>why it bothered me. I don't even know why. And Dylan,

0:29:26.680 --> 0:29:29.320
<v Speaker 1>like did he write that card? Because it was nearly

0:29:29.480 --> 0:29:31.760
<v Speaker 1>a female like cursive?

0:29:33.400 --> 0:29:37.400
<v Speaker 2>Yeah, and how do he get it into her makeup bag?

0:29:38.720 --> 0:29:40.840
<v Speaker 3>And but only a guy would wrap it and write

0:29:40.880 --> 0:29:42.880
<v Speaker 3>on the wrapping paper? Do you know what I mean?

0:29:43.400 --> 0:29:44.680
<v Speaker 3>Like a girl would probably have done it.

0:29:44.720 --> 0:29:46.600
<v Speaker 1>What do you mean the card? I thought when she

0:29:46.760 --> 0:29:48.080
<v Speaker 1>opened it said Dylan.

0:29:48.280 --> 0:29:49.920
<v Speaker 3>But he wrote on the outside.

0:29:50.960 --> 0:29:52.480
<v Speaker 1>Okay, okay, I thought it was a card.

0:29:53.280 --> 0:29:55.520
<v Speaker 3>Then there was a card that said Dylan or something.

0:29:55.520 --> 0:29:57.080
<v Speaker 1>Oh oh, maybe it.

0:29:57.040 --> 0:29:59.160
<v Speaker 3>Was a taped on card. It looked like it was

0:29:59.200 --> 0:30:00.000
<v Speaker 3>on the wrapping paper.

0:30:00.600 --> 0:30:04.560
<v Speaker 2>Well, whatever it was. I want them to kiss because

0:30:04.720 --> 0:30:06.240
<v Speaker 2>I think that they should be together.

0:30:07.960 --> 0:30:09.600
<v Speaker 1>Well why are you doing this?

0:30:10.040 --> 0:30:10.560
<v Speaker 3>I don't know.

0:30:10.760 --> 0:30:13.360
<v Speaker 2>That's how I feel. I want I'm watching the show,

0:30:14.040 --> 0:30:15.720
<v Speaker 2>I get to have my opinions.

0:30:16.120 --> 0:30:20.280
<v Speaker 3>I want, I mean, ran the same, do it? That's

0:30:20.480 --> 0:30:21.880
<v Speaker 3>really important.

0:30:21.920 --> 0:30:23.240
<v Speaker 1>I thought it was going to be from him.

0:30:24.040 --> 0:30:26.440
<v Speaker 2>I know he acted like it was from him. He

0:30:26.520 --> 0:30:27.480
<v Speaker 2>knew all about it.

0:30:27.800 --> 0:30:29.280
<v Speaker 1>He played it the way he's just good. He was

0:30:29.320 --> 0:30:31.800
<v Speaker 1>like super creepy and like I was like, oh god,

0:30:31.880 --> 0:30:34.920
<v Speaker 1>here we go and then nope.

0:30:35.360 --> 0:30:37.440
<v Speaker 3>Well what about the kitchen scene with the two of them?

0:30:37.480 --> 0:30:39.560
<v Speaker 3>How did you feel about that? The kitchen scene. He's like,

0:30:40.000 --> 0:30:41.640
<v Speaker 3>first of all, he's like in one room with Jim,

0:30:41.680 --> 0:30:43.600
<v Speaker 3>and then all of a sudden, it's like the sexy

0:30:43.680 --> 0:30:44.720
<v Speaker 3>scene with Brenda.

0:30:44.840 --> 0:30:46.960
<v Speaker 2>But that's the scene. That's the scene where I would

0:30:47.000 --> 0:30:50.800
<v Speaker 2>like them to Yeah, there was a whispers to get

0:30:50.920 --> 0:30:51.520
<v Speaker 2>back together.

0:30:52.640 --> 0:30:54.600
<v Speaker 1>I don't know. I feel like I hold onto the

0:30:54.680 --> 0:30:59.160
<v Speaker 1>past or something, because I don't know, I can't get

0:30:59.200 --> 0:31:01.720
<v Speaker 1>past I know I'm going to like when Kelly and

0:31:01.760 --> 0:31:05.840
<v Speaker 1>Brandon get together, because I did like that relationship. But

0:31:05.920 --> 0:31:07.840
<v Speaker 1>I still, even though I don't like how Dylan's being

0:31:07.880 --> 0:31:11.600
<v Speaker 1>to Kelly, I still can't forget moments of passion early

0:31:11.640 --> 0:31:14.520
<v Speaker 1>in their relationship, like in the pool and like there's

0:31:14.560 --> 0:31:16.959
<v Speaker 1>no no one kisses better than Dylan and Kelly, and like,

0:31:17.320 --> 0:31:17.880
<v Speaker 1>I don't know.

0:31:18.520 --> 0:31:20.360
<v Speaker 2>Yeah, I mean I know, because like even in the

0:31:20.400 --> 0:31:23.600
<v Speaker 2>car scene when they when they pull up and she's like,

0:31:23.640 --> 0:31:27.120
<v Speaker 2>what's going on with us? And he says something and

0:31:27.160 --> 0:31:31.400
<v Speaker 2>then something or who says let's just forget that this

0:31:31.440 --> 0:31:34.440
<v Speaker 2>has ever happened, and then they make out and then

0:31:34.440 --> 0:31:36.320
<v Speaker 2>they're like okay, and.

0:31:36.280 --> 0:31:41.120
<v Speaker 3>Then it was such a quick till I mean, we

0:31:41.160 --> 0:31:45.360
<v Speaker 3>haven't gotten enough good Dylan and Kelly like.

0:31:45.360 --> 0:31:47.240
<v Speaker 1>I want it more. It ended too soon.

0:31:47.800 --> 0:31:51.120
<v Speaker 3>The good, the good for me and my memory they

0:31:51.240 --> 0:31:55.600
<v Speaker 3>lasted longer and were better more during it.

0:31:55.680 --> 0:31:58.440
<v Speaker 1>And yeah, so how come I remember it that way?

0:31:58.600 --> 0:32:03.360
<v Speaker 1>And I was literally like I don't know, I just always.

0:32:03.120 --> 0:32:05.280
<v Speaker 2>So it doesn't feel like a proper breakup. Is that

0:32:05.400 --> 0:32:09.720
<v Speaker 2>it is that their breakup? No, but is gonna be saying.

0:32:09.480 --> 0:32:11.920
<v Speaker 1>In that moment in time, like it'll never be what

0:32:12.000 --> 0:32:15.520
<v Speaker 1>they were like it was so yeah.

0:32:15.600 --> 0:32:19.640
<v Speaker 3>I'm sad that it didn't. It seems like it had

0:32:19.680 --> 0:32:24.160
<v Speaker 3>such potential, but there was so much sort of like hi,

0:32:24.280 --> 0:32:31.200
<v Speaker 3>you guys being so annoying, just stop it happening, kind

0:32:31.200 --> 0:32:36.080
<v Speaker 3>of extraneous forces, whether it's Suzanne, whether it's Heaven, whether

0:32:36.120 --> 0:32:40.560
<v Speaker 3>it's Lucinda, whether it's everything's always like causing like.

0:32:41.200 --> 0:32:47.240
<v Speaker 2>Extreme, yeah, extraneous. I know what really bothered me though

0:32:47.280 --> 0:32:50.360
<v Speaker 2>in that car scene. What I don't know if anybody

0:32:50.400 --> 0:32:53.520
<v Speaker 2>else noticed it though, it was like all they had

0:32:53.560 --> 0:32:57.640
<v Speaker 2>to do was kiss and then almost forgotten, like that's

0:32:57.680 --> 0:33:01.680
<v Speaker 2>them of their relationship, like mmm mm hmm fight and

0:33:01.720 --> 0:33:06.840
<v Speaker 2>then they do it and everything's fine again. But as

0:33:06.840 --> 0:33:09.880
<v Speaker 2>soon as they kissed and then everything was fine, and

0:33:09.960 --> 0:33:15.320
<v Speaker 2>he switched that switch to where he basically gaslighted her.

0:33:15.640 --> 0:33:18.920
<v Speaker 2>I'm sorry to use such a stuper stupid popular term,

0:33:18.960 --> 0:33:24.200
<v Speaker 2>but he was like, it's all in your head. You

0:33:24.320 --> 0:33:28.160
<v Speaker 2>do this because you're jealous of anybody who's taking my

0:33:28.240 --> 0:33:29.120
<v Speaker 2>focus off of you.

0:33:29.640 --> 0:33:30.239
<v Speaker 3>Yeah, you're right.

0:33:30.320 --> 0:33:33.680
<v Speaker 2>I could have a dollar for every time a guy

0:33:33.720 --> 0:33:38.480
<v Speaker 2>said that to a girl. I I'm very wealthy, because

0:33:38.520 --> 0:33:39.560
<v Speaker 2>it's not that's not it.

0:33:39.800 --> 0:33:45.360
<v Speaker 1>I don't know why he goes there so manipulative.

0:33:46.200 --> 0:33:49.120
<v Speaker 3>I don't know why she Okay, so the only part

0:33:49.200 --> 0:33:52.160
<v Speaker 3>I I agree with you there, but Kelly, so all

0:33:52.280 --> 0:33:54.680
<v Speaker 3>was right in the world. And then I think he

0:33:54.800 --> 0:33:57.600
<v Speaker 3>says something kind of positive and then she does the

0:33:57.640 --> 0:34:00.840
<v Speaker 3>face of sort of this disdain for like, well, you

0:34:00.920 --> 0:34:02.520
<v Speaker 3>see your money, do you want with that like kind

0:34:02.520 --> 0:34:05.440
<v Speaker 3>of attitude e and then he pulls sort of the

0:34:05.520 --> 0:34:10.640
<v Speaker 3>gas lighting. So it's like, oh, they're both like they're

0:34:10.640 --> 0:34:14.040
<v Speaker 3>not loving and supportive of each other. They're so poky

0:34:14.280 --> 0:34:17.200
<v Speaker 3>at each other. I'll poke you, I'll poke you, I'll

0:34:17.200 --> 0:34:20.960
<v Speaker 3>poke you harder. M dude, toxic.

0:34:21.080 --> 0:34:26.880
<v Speaker 2>Now that's how relationships get though, when there's an unresolved.

0:34:28.040 --> 0:34:29.240
<v Speaker 1>You know stuff.

0:34:29.760 --> 0:34:34.440
<v Speaker 3>Yeah, yeah, I was not crying over the breakup.

0:34:34.760 --> 0:34:39.080
<v Speaker 2>No, but I don't think I'm just maybe not like

0:34:39.160 --> 0:34:43.040
<v Speaker 2>him even more, and I don't want to not like Dylan. No.

0:34:43.280 --> 0:34:46.160
<v Speaker 3>I love Dylan and the very David Caruso. He puts

0:34:46.200 --> 0:34:48.880
<v Speaker 3>on those tiny glasses and drives.

0:34:48.520 --> 0:34:53.200
<v Speaker 2>Away like it was just so like, have you no feelings?

0:34:55.000 --> 0:34:55.360
<v Speaker 1>Nope?

0:34:56.000 --> 0:34:57.880
<v Speaker 2>None, because he's an ass clown.

0:34:59.520 --> 0:35:01.439
<v Speaker 1>Yeah, it's still even though you guys said it doesn't

0:35:01.480 --> 0:35:04.759
<v Speaker 1>mean anything bad that, it's like that. I can't take that.

0:35:05.760 --> 0:35:06.799
<v Speaker 3>You can't take that.

0:35:07.560 --> 0:35:24.719
<v Speaker 4>Yeah, I don't buy it.

0:35:24.719 --> 0:35:30.480
<v Speaker 3>It's interesting that the breakup did not get its due either.

0:35:30.560 --> 0:35:33.120
<v Speaker 3>In my opinion, it was sort of a secondary to

0:35:33.200 --> 0:35:37.920
<v Speaker 3>the dramatic We've gone into labor. Whereas as a fan,

0:35:39.239 --> 0:35:41.279
<v Speaker 3>of course I care about this baby, but I do

0:35:41.320 --> 0:35:43.680
<v Speaker 3>think I would have switched that if I was like

0:35:44.280 --> 0:35:48.600
<v Speaker 3>the writer and done the I've gone into labor and

0:35:48.760 --> 0:35:52.920
<v Speaker 3>then had sort of the breakup be the culmination of

0:35:52.960 --> 0:35:55.960
<v Speaker 3>this episode and the dramatic cliffhanger. I'm a little like,

0:35:56.480 --> 0:36:00.759
<v Speaker 3>wait a minute, like that's my first priority. Why so

0:36:01.000 --> 0:36:03.719
<v Speaker 3>I don't know not to you know, not to downplay

0:36:03.760 --> 0:36:07.320
<v Speaker 3>the the birth or the drama of that birth.

0:36:07.400 --> 0:36:09.759
<v Speaker 1>But yeah, but you can't not have that.

0:36:11.320 --> 0:36:13.480
<v Speaker 3>Yeah, it's a little bit like, why is this a

0:36:13.520 --> 0:36:14.680
<v Speaker 3>secondary story?

0:36:14.840 --> 0:36:17.960
<v Speaker 1>You can't flip it though, But or then save the

0:36:17.960 --> 0:36:19.600
<v Speaker 1>breakup for the next episode.

0:36:20.360 --> 0:36:21.799
<v Speaker 3>I could have flipped it. I could have had her

0:36:21.800 --> 0:36:25.839
<v Speaker 3>going to labor at fifteen minutes before the episode's over,

0:36:26.000 --> 0:36:29.839
<v Speaker 3>have a little something something, and then labor because she's

0:36:29.920 --> 0:36:30.919
<v Speaker 3>going season ago.

0:36:31.040 --> 0:36:36.880
<v Speaker 2>But true, I like you.

0:36:37.640 --> 0:36:40.640
<v Speaker 3>It was very like it didn't get it, even though

0:36:40.680 --> 0:36:43.799
<v Speaker 3>it's a terrible breakup. It didn't get its deserved, all right,

0:36:44.160 --> 0:36:44.760
<v Speaker 3>make that.

0:36:44.920 --> 0:36:50.319
<v Speaker 2>Didn't get It's just dessert Yeah, unlike that. What does

0:36:50.600 --> 0:36:51.799
<v Speaker 2>just desserts even mean?

0:36:53.280 --> 0:36:54.799
<v Speaker 3>It's just desserts?

0:36:55.000 --> 0:36:55.400
<v Speaker 2>What?

0:36:55.400 --> 0:36:55.720
<v Speaker 3>What?

0:36:55.719 --> 0:36:57.160
<v Speaker 2>What? What does that expression mean?

0:36:57.200 --> 0:36:59.959
<v Speaker 3>I just that's the place where you order Brownie's from.

0:37:00.160 --> 0:37:01.799
<v Speaker 1>Allow me to look this up, car.

0:37:02.239 --> 0:37:05.600
<v Speaker 2>Isn't there an expression like you didn't get your you

0:37:05.600 --> 0:37:06.560
<v Speaker 2>didn't get your justice?

0:37:06.640 --> 0:37:08.400
<v Speaker 1>Yeah, you're right, yeah, but what is it?

0:37:08.480 --> 0:37:10.200
<v Speaker 3>I wonder it's not deserved?

0:37:11.440 --> 0:37:16.240
<v Speaker 1>Didn't get your just deserved? No, you've been served. Nope,

0:37:16.719 --> 0:37:18.000
<v Speaker 1>it's just desserts.

0:37:19.960 --> 0:37:21.520
<v Speaker 2>It sounds delightful.

0:37:22.160 --> 0:37:24.720
<v Speaker 1>Way you order.

0:37:25.000 --> 0:37:26.400
<v Speaker 3>Cakes from that place.

0:37:27.040 --> 0:37:29.640
<v Speaker 2>That's that's that's just bunts.

0:37:31.360 --> 0:37:33.000
<v Speaker 3>Buns, Cake Buns.

0:37:33.640 --> 0:37:37.640
<v Speaker 1>I love that place, Oh my god, because the red

0:37:37.880 --> 0:37:40.320
<v Speaker 1>like you get like a whole your own cake.

0:37:40.480 --> 0:37:46.000
<v Speaker 3>It's so much. I'm going to just throw a flag

0:37:46.040 --> 0:37:49.120
<v Speaker 3>on the I don't think you didn't get your just deserts?

0:37:50.040 --> 0:37:52.480
<v Speaker 1>What do you so? Jen and I both just happened

0:37:52.480 --> 0:37:53.440
<v Speaker 1>to think that Google.

0:37:53.680 --> 0:37:56.440
<v Speaker 2>You google anything that comes out of my mouth. You're

0:37:56.480 --> 0:37:59.680
<v Speaker 2>not googling that. Somebody I'm trying.

0:38:01.480 --> 0:38:03.920
<v Speaker 1>You're going to get you. I just got I think

0:38:03.920 --> 0:38:07.719
<v Speaker 1>it's you're getting your just desert do there's no what

0:38:07.840 --> 0:38:09.800
<v Speaker 1>is yours.

0:38:08.880 --> 0:38:14.200
<v Speaker 3>Saying of just dessert? I'm sending you each dessert butt cake.

0:38:15.080 --> 0:38:17.160
<v Speaker 3>I'm gonna send you nothing, bunt cake.

0:38:18.920 --> 0:38:20.000
<v Speaker 1>Send me a lot of that.

0:38:20.320 --> 0:38:20.600
<v Speaker 5>Guys.

0:38:20.640 --> 0:38:23.840
<v Speaker 2>Oh my god, I'm pretty sure I'm not. I'm pretty

0:38:23.840 --> 0:38:25.920
<v Speaker 2>good with the old time saying she.

0:38:26.000 --> 0:38:28.000
<v Speaker 1>Is no, it's right, it's right.

0:38:28.080 --> 0:38:31.040
<v Speaker 3>I'm telling you while she's doing that. I do think

0:38:31.080 --> 0:38:33.400
<v Speaker 3>it was weird. We have this breakup that's like a

0:38:33.520 --> 0:38:35.800
<v Speaker 3>major thing. And then we went back to the curtain

0:38:35.840 --> 0:38:38.000
<v Speaker 3>call for the third time, and I have to deal

0:38:38.000 --> 0:38:41.480
<v Speaker 3>with like Eddie the stage manager and Steve. It's like

0:38:41.520 --> 0:38:45.000
<v Speaker 3>the reunited Steve and Brenda was in the better position

0:38:45.160 --> 0:38:47.080
<v Speaker 3>than the breakup. I wasn't pleased with it.

0:38:47.160 --> 0:38:48.480
<v Speaker 1>I was a little disjointed.

0:38:48.560 --> 0:38:49.400
<v Speaker 2>Is that what you're saying?

0:38:49.920 --> 0:38:52.000
<v Speaker 3>I'm still giving it like a very high marks.

0:38:52.400 --> 0:38:53.200
<v Speaker 2>But what like?

0:38:53.280 --> 0:38:53.440
<v Speaker 1>What?

0:38:53.640 --> 0:38:53.759
<v Speaker 2>Like?

0:38:53.760 --> 0:38:56.960
<v Speaker 3>What this is a nine for this episode's a nine?

0:38:57.080 --> 0:38:58.400
<v Speaker 3>What I found?

0:38:58.400 --> 0:39:03.400
<v Speaker 1>Hey, we're not there yet, sorry, Jet Timeline Please, okay,

0:39:03.400 --> 0:39:07.240
<v Speaker 1>I got it? You guys use it is typically found

0:39:07.239 --> 0:39:10.640
<v Speaker 1>in the plural, and just desserts almost always is a

0:39:10.680 --> 0:39:16.960
<v Speaker 1>reference to a deserved punishment. What rather than a reward,

0:39:17.160 --> 0:39:19.920
<v Speaker 1>which you think of desserts you didn't get?

0:39:20.040 --> 0:39:22.239
<v Speaker 3>How did you use it in a sentence? Sorry? Is

0:39:22.239 --> 0:39:23.600
<v Speaker 3>there a sentence example?

0:39:25.360 --> 0:39:26.959
<v Speaker 1>You're gonna make me type this in now again?

0:39:28.320 --> 0:39:29.080
<v Speaker 3>You off?

0:39:29.280 --> 0:39:33.040
<v Speaker 1>What is what is? Come on? Wait? Okay? It doesn't

0:39:33.200 --> 0:39:34.640
<v Speaker 1>use it in this like.

0:39:34.560 --> 0:39:37.640
<v Speaker 3>Would you say you you didn't get your No, you

0:39:37.760 --> 0:39:41.520
<v Speaker 3>got that guy didn't go to jail for murder.

0:39:41.640 --> 0:39:44.759
<v Speaker 2>He didn't get his just dessert like that.

0:39:45.239 --> 0:39:49.879
<v Speaker 1>No, No, that's wrong, it's okay. He didn't.

0:39:51.239 --> 0:39:55.240
<v Speaker 2>Punishment for one's actions. Who caused great torment to others

0:39:55.320 --> 0:39:57.279
<v Speaker 2>rarely got their just desserts.

0:39:57.560 --> 0:40:02.920
<v Speaker 1>Oh so Dylan want like? Dylan maybe want like? I

0:40:02.920 --> 0:40:06.120
<v Speaker 1>don't know, So it's the opposite. So Brandon wanted his

0:40:06.200 --> 0:40:09.279
<v Speaker 1>sister Brenda, but too bad he didn't get his dress. Desserts,

0:40:10.280 --> 0:40:12.120
<v Speaker 1>It's gonna be good, good, right.

0:40:12.239 --> 0:40:14.719
<v Speaker 3>Yeah, it's the opposite of how I think you guys

0:40:14.719 --> 0:40:17.719
<v Speaker 3>still deserve desserts. But it's the opposite of how we

0:40:17.719 --> 0:40:18.879
<v Speaker 3>were trying to use it.

0:40:19.320 --> 0:40:22.960
<v Speaker 2>Okay, But the point is it's a saying it is, yeah,

0:40:23.239 --> 0:40:24.640
<v Speaker 2>and you called it nailed it.

0:40:27.560 --> 0:40:27.920
<v Speaker 3>Take her.

0:40:28.120 --> 0:40:29.040
<v Speaker 2>I really don't want to put it.

0:40:29.120 --> 0:40:33.040
<v Speaker 3>So, how do you guys feel about this episode? Not? Great?

0:40:33.840 --> 0:40:39.520
<v Speaker 2>Six? Six until the baby is Let me give it

0:40:39.520 --> 0:40:40.240
<v Speaker 2>a five?

0:40:40.880 --> 0:40:46.120
<v Speaker 1>Whoa, whoa, it's six. I give it a six. Don't

0:40:46.120 --> 0:40:49.440
<v Speaker 1>make me second guess myself. I did that all to myself.

0:40:49.800 --> 0:40:52.680
<v Speaker 3>Definitely a nine. It's just all out of order for me.

0:40:53.160 --> 0:40:57.920
<v Speaker 1>Nine five, it's not a five. I just I don't know.

0:40:58.680 --> 0:41:00.640
<v Speaker 3>It's setting up so much.

0:41:00.719 --> 0:41:01.680
<v Speaker 1>I hate when you say that.

0:41:01.800 --> 0:41:02.520
<v Speaker 3>So sorry.

0:41:03.920 --> 0:41:06.000
<v Speaker 1>Where you're like, yeah's setting up, it's getting there. It's like,

0:41:06.040 --> 0:41:08.600
<v Speaker 1>I just like I wasn't like I love these people,

0:41:08.719 --> 0:41:11.759
<v Speaker 1>these characters. I want to see these I want to

0:41:12.600 --> 0:41:14.160
<v Speaker 1>I want to see the good, juicy stuff.

0:41:14.440 --> 0:41:17.160
<v Speaker 3>What about Kelly's new red backpack, because she's really carrying

0:41:17.239 --> 0:41:18.880
<v Speaker 3>that in a lot of scenes in this episode I

0:41:18.880 --> 0:41:23.880
<v Speaker 3>don't care for it. Oh God, when the red Beamer

0:41:24.000 --> 0:41:27.040
<v Speaker 3>come pulls up to the Mustang and he's sitting on

0:41:27.080 --> 0:41:31.280
<v Speaker 3>the seat, I like that scene. I like that was cute.

0:41:31.600 --> 0:41:33.120
<v Speaker 2>Between Kelly and Brandon.

0:41:33.400 --> 0:41:35.160
<v Speaker 3>Those they got it, they got chemistry.

0:41:35.440 --> 0:41:38.080
<v Speaker 2>Because when I see Kelly and Dylan, I'm like, when

0:41:38.080 --> 0:41:40.239
<v Speaker 2>are they going to start fighting? What? What's going to

0:41:40.320 --> 0:41:43.279
<v Speaker 2>be the dilemma? And then when I see Brandon and

0:41:43.360 --> 0:41:46.160
<v Speaker 2>Kelly together, I'm like, oh, look how they make each

0:41:46.160 --> 0:41:46.919
<v Speaker 2>other feel good?

0:41:47.239 --> 0:41:50.400
<v Speaker 3>Yeah, playful and fun and kind and loving, and yeah.

0:41:50.560 --> 0:41:54.399
<v Speaker 1>That's my point. I feel like it's permanently ruined the

0:41:54.440 --> 0:41:57.759
<v Speaker 1>feelings we get and get all like love it, the

0:41:57.880 --> 0:42:01.080
<v Speaker 1>passion with Kelly and Dylan like they were and like, oh,

0:42:01.120 --> 0:42:02.799
<v Speaker 1>I just kind of like but you know, I meant

0:42:02.920 --> 0:42:03.680
<v Speaker 1>like they had fire.

0:42:03.760 --> 0:42:08.920
<v Speaker 3>But psychologically we could argue, if you begin a relationship

0:42:09.040 --> 0:42:14.320
<v Speaker 3>under sort of bad circumstances, you're never gonna dig yourself

0:42:14.320 --> 0:42:14.759
<v Speaker 3>out of that.

0:42:15.239 --> 0:42:17.439
<v Speaker 1>Okay, I'm gonna drop the mic right now and see

0:42:17.440 --> 0:42:18.040
<v Speaker 1>you guys later.

0:42:19.840 --> 0:42:21.840
<v Speaker 2>What have I been saying for years?

0:42:28.080 --> 0:42:30.240
<v Speaker 1>My eyes just kidding?

0:42:30.640 --> 0:42:31.120
<v Speaker 3>Good time.

0:42:31.520 --> 0:42:33.160
<v Speaker 2>You didn't get your just desserts.

0:42:33.320 --> 0:42:35.520
<v Speaker 3>You didn't get your just desserts. We need to work

0:42:35.560 --> 0:42:35.920
<v Speaker 3>that into it.

0:42:36.120 --> 0:42:38.440
<v Speaker 1>I'd like to get some bunk cake though, so.

0:42:39.120 --> 0:42:42.279
<v Speaker 3>Before we go great performance by Cassette Tapes though. I

0:42:42.320 --> 0:42:44.760
<v Speaker 3>was happy to see Cassette Ta make a return.

0:42:45.000 --> 0:42:47.279
<v Speaker 1>Oh my god, after all of this, that's how we're

0:42:47.280 --> 0:42:49.200
<v Speaker 1>gonna go. We're gonna go high and then go to

0:42:49.320 --> 0:42:51.000
<v Speaker 1>that level. Out to that.

0:42:52.800 --> 0:42:57.880
<v Speaker 3>And I think out there we made it. Kinko's the

0:42:56.400 --> 0:42:59.960
<v Speaker 3>h the task Force hand Taskforce hampers.

0:43:00.239 --> 0:43:03.640
<v Speaker 2>That would be just like an attachment in an email.

0:43:03.719 --> 0:43:07.080
<v Speaker 3>Now, totally, you'd never get that. You'd never have to

0:43:07.080 --> 0:43:08.520
<v Speaker 3>worry about the printing.

0:43:08.480 --> 0:43:11.520
<v Speaker 2>The spiral bound handbook to go to go on a

0:43:11.560 --> 0:43:12.640
<v Speaker 2>trip with your idea.

0:43:12.840 --> 0:43:15.239
<v Speaker 3>Totally is spiral I know, is spiral bound. I wanted

0:43:15.280 --> 0:43:18.440
<v Speaker 3>to say that too. I thought that too. I also like,

0:43:18.960 --> 0:43:23.000
<v Speaker 3>she's really her elevator didn't reach the Punthouse, which I

0:43:23.000 --> 0:43:25.160
<v Speaker 3>think might be the second time we've used that, or

0:43:25.160 --> 0:43:27.400
<v Speaker 3>it's just a different incarnation of the same line.

0:43:27.440 --> 0:43:31.279
<v Speaker 1>But yeah, I was underwhelmed.

0:43:31.480 --> 0:43:34.440
<v Speaker 3>So we've decided, Okay, so just for this, we're gonna

0:43:34.480 --> 0:43:38.239
<v Speaker 3>do two parts, and we're not going to watch it

0:43:38.280 --> 0:43:40.880
<v Speaker 3>as one. We're gonna do mister Walsh goes to Washington

0:43:40.920 --> 0:43:44.440
<v Speaker 3>Part one, Mister Walsh Goes to Washington Part two. No, look,

0:43:44.480 --> 0:43:46.840
<v Speaker 3>I think they're ninety minutes, so it's gonna be a

0:43:46.880 --> 0:43:49.400
<v Speaker 3>little shorter. But yeah, I think that's how we do it.

0:43:49.480 --> 0:43:51.800
<v Speaker 3>Let's let's do it that way.

0:43:51.840 --> 0:43:56.360
<v Speaker 2>Exciting. I'm so excited. So part one next week, everybody

0:43:56.400 --> 0:44:01.719
<v Speaker 2>watch it. It's called Mister Walsh Go to Washington Part one.

0:44:02.120 --> 0:44:05.759
<v Speaker 2>I wonder if Brandon's going to go to Washington or

0:44:05.920 --> 0:44:07.359
<v Speaker 2>is it Jim.

0:44:07.520 --> 0:44:08.480
<v Speaker 3>It's Rand