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Speaker 1: It's nine o one.

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Speaker 2: With Jenny Garth and Tory Spelling. It's another episode and

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Speaker 2: until on. OMG, I don't know if you heard.

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Speaker 3: We're already fighting.

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Speaker 2: I had to interrupt because you guys were squabbling about

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Speaker 2: the episode. Anybody liked it, somebody didn't, and I thought

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Speaker 2: we should just get right on the air and you know,

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Speaker 2: tell the people.

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Speaker 3: It's just beyond me that you guys don't love every

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Speaker 3: single thing, but that you especially don't love right now.

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Speaker 1: Okay, I'm not gonna lie you guys. I had a

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Speaker 1: little PTSD moment. Oh I knew this was coming. Oh

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Speaker 1: you did.

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Speaker 2: Yeah, I was worried. Here's what happened.

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Speaker 3: She's here.

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Speaker 1: Wasn't a here Ariels here? Oh? Of course, a little mermaid?

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Speaker 2: But like, yeah, you're right, another arial, the other arial.

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Speaker 3: I'm sorry. I actually didn't think that through.

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Speaker 1: It's so weird, Like I knew it was coming, like

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Speaker 1: we've lived through it, like and it's not real, it's TV.

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Speaker 1: As soon as I saw her, my heart dropped.

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Speaker 3: It was the weirdestly I.

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Speaker 2: Get that coming. Okay, I we are talking you guys already.

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Speaker 2: We can't hold it back. About Season four, Pisode thirty

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Speaker 2: It was called Vital Signs and it aired in May

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Speaker 2: on May eleventh, nineteen ninety four.

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Speaker 1: Synopsis Andrea's nightmares become a reality. Brendan Dellen get too

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Speaker 1: close for comfort, Brandon is afraid he blew his big chance,

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Speaker 1: David wants to join a band of bad boys, and

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Speaker 1: and Helly can't take it anymore.

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Speaker 2: Directed by Daniel Addie, has written by Larry Mullen.

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Speaker 1: Wow, I'm hearing us.

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Speaker 3: We're getting to it, and you can tell this is

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Speaker 3: like obviously we're gearing up for the finale. It's big

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Speaker 3: sweeps time, like it's a big old episode it is.

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Speaker 2: Does anybody else feel like Andrea has been pregnant forever?

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Speaker 3: Yes?

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Speaker 1: Okay, wait Jen, so at this point I'm not saying Jenna,

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Speaker 1: not Amy, but like I just want to please So

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Speaker 1: that is the real belly correct? At this point?

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Speaker 2: You know, I found myself asking the same question fair Well.

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Speaker 3: When was her kid born? Lorraine? Can you look up

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Speaker 3: when Gabrielle's first child was born? It looked real, but

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Speaker 3: it's dramatic.

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Speaker 1: It's massive.

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Speaker 2: She's as big with the baby, she is tall, like

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Speaker 2: it goes, it's like this way and this way, yes, equally.

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Speaker 3: She's a tiny girl, right like she's she's not.

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Speaker 2: Yes, she's a teet little petunia.

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Speaker 1: She is Is that five feet or you think not?

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Speaker 2: It's maybe five one?

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Speaker 1: She is not vio one? Really think you know?

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Speaker 3: What I do think is cute?

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Speaker 2: Ran how tod.

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Speaker 1: Andre Ever, it says on IMDb subtracted by two.

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Speaker 3: Andrea and Jesse not to change the subject from her

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Speaker 3: height are cute. They are cute. I don't think.

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Speaker 2: I think they're so cute. And they were so good

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Speaker 2: in this episode. Their acting was so good. Yeah, and honestly,

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Speaker 2: like I was riveted for the first time.

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Speaker 1: Whoa that says a lot.

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Speaker 2: I know the music when they were in the doctor's

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Speaker 2: office getting the bad news and Gabbs acting in that scene,

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Speaker 2: oh so good.

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Speaker 3: And he's so sweet and playing the husband very well.

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Speaker 3: And then he opens up to Brandon like I'm actually terrified.

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Speaker 2: Oh I really love Jesse, but you guys told me

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Speaker 2: something bad's gonna happen, So I really don't.

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Speaker 1: I forgot. I was thinking that today. I was like,

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Speaker 1: I forgot, and then I remember, But it must be

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Speaker 1: crazy playing being pregnant at the same time.

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Speaker 3: Do you see what she just said? So Gabrielle's first

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Speaker 3: child was we think born the day this episode aired

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Speaker 3: May eleventh, so, and which makes sense because you all

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Speaker 3: were taping this, filming this six months, a couple of

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Speaker 3: months before, just a couple of months.

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Speaker 2: Three, maybe a couple three. Yeah, that would be the

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Speaker 2: real baby. Then.

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Speaker 1: Yeah, in that there Belly thinking about playing a traumatic

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Speaker 1: pregnancy storyline while actually pregnant.

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Speaker 3: Brutal.

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Speaker 1: I mean, great for acting emotions because it's all real,

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Speaker 1: that fear in that, but whoa, yeah that you were

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Speaker 1: pregnant in real life, in real life on the show.

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Speaker 1: We hit it, so it wasn't like simultaneous.

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Speaker 3: You know, I can't wait. I can't wait for the

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Speaker 3: the awkward life. How are you guys with the journal

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Speaker 3: in front of you and the ground?

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Speaker 1: I can't wait.

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Speaker 3: I got these hours.

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Speaker 2: Like yeah, she just looked real big and real uncomfortable

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Speaker 2: and I'm terrified everything's gonna be okay. And the dreams

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Speaker 2: were so real, like poor thing, three weeks of bed

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Speaker 2: rest and pills every four hours.

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Speaker 3: And Jesse's up at three am building the cradle.

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Speaker 1: But the Rosemary baby esque dreams, like it is not

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Speaker 1: the vibe you got her now? Oh my god, neither

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Speaker 1: of you. You're not into horror, neither Rosemary. You just

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Speaker 1: looked at me, would blank looks.

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Speaker 4: No.

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Speaker 3: I feel like I got what you were putting down.

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Speaker 3: Rosemary's baby.

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Speaker 1: Yeah, so like like I don't know, just the collared

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Speaker 1: like kind of like nightgown and white and I don't know,

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Speaker 1: it gave me vibes of.

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Speaker 3: Like I'm sure that was the vibes.

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Speaker 2: You're probably right, Okay, I know, but those dreams, but

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Speaker 2: I really appreciated the like the special effects though for

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Speaker 2: the final dream when she holds the tiny baby in

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Speaker 2: her hands.

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Speaker 3: That the dreams bugged me. I'm not gonna lie.

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Speaker 2: The budget was spent on all of that super fancy

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Speaker 2: special effects.

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Speaker 3: I'm not a fan of like nine two one O

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Speaker 3: loves to do those. It reminds me of the fake

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Speaker 3: Howard Stern and I'm just like, I hate that crap,

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Speaker 3: but whatever you do. Wait, you know what I noticed

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Speaker 3: about this episode, and I'm wondering if you guys noticed. So,

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Speaker 3: first of all, the credits, I'm ready for the season

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Speaker 3: five credits because y'all look way too young now. In

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Speaker 3: the opening credits, but after the weird dream, we cut

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Speaker 3: to the shots of Beverly Hills. The smog, you guys,

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Speaker 3: those shots it is so smoggy, really were because it

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Speaker 3: was the nineties and there was so much smog. Somehow

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Speaker 3: we got it together and they got rid of a

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Speaker 3: lot of that smog. But when you look at the

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Speaker 3: Beverly Hills shots, watch it again, there's it's.

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Speaker 2: So sin Notice I didn't notice that film. I remember

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Speaker 2: those days though, when the entire city had that cloud

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Speaker 2: of just just disgust over it.

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Speaker 3: When you drove down the four h five from like

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Speaker 3: say you're coming from Brentwood and you came up the

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Speaker 3: four h five and you're going down into the valley

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Speaker 3: and you could see yourself going down into the brown dunk.

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Speaker 1: Depths of I love in La So I just thought

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Speaker 1: that's what it seemsed to be. I didn't get out much.

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Speaker 2: But it's not like that now.

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Speaker 1: No.

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Speaker 3: Somehow I think it's the I'm not an expert on this,

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Speaker 3: but something with the car the way they when they

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Speaker 3: changed car emissions.

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Speaker 2: Yeah, you have to get your smog check now.

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Speaker 3: Yeah, And it really cleaned it out. And remember like

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Speaker 3: in the beginning of COVID, the air when no one

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Speaker 3: was driving anywhere, and then the air was like even better.

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Speaker 3: But I did notice that, and I'm ready for new credits.

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Speaker 2: I know we're going to give you new credits for real,

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Speaker 2: real soon.

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Speaker 1: Thank you, thank you.

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Speaker 2: But I was curious, what was that uh crib that

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Speaker 2: Jesse snaking? Is he like a hobbit? Does he live

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Speaker 2: in a tree? Is he does he sell cookies out

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Speaker 2: of a Keebler tree?

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Speaker 3: Like?

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Speaker 2: What is that? They're gonna put their baby in that thing?

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Speaker 3: That was?

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Speaker 2: Yeah, it had like eight olvies painted on the outside of.

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Speaker 3: It with the it did look kind of old.

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Speaker 1: True why that choice that was?

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Speaker 2: Maybe it's like a family heir loom for way cheaper.

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Speaker 3: They could have got a pack and play or a

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Speaker 3: bass in.

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Speaker 2: That that was like and he wouldn't have at three

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Speaker 2: am sand in that.

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Speaker 1: Oh god wow.

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Speaker 2: But anyway, she's having a baby any minute. And I

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Speaker 2: just love everything.

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Speaker 3: Oh did you love Dottie?

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Speaker 1: Dotty Dotty?

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Speaker 2: I want Dottie to be my mama.

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Speaker 3: Dottie was amazing.

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Speaker 1: She was so cute.

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Speaker 3: Tory. I know we'll get to it, but your hair

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Speaker 3: was amazing in this episode, in every scene except for

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Speaker 3: that updu.

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Speaker 2: No, you had a fancy, like a fancy. I'm going

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Speaker 2: to the theater. You know, I hate those who did that?

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Speaker 3: Who did that?

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Speaker 1: Who did that to me?

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Speaker 2: Who did that to you?

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Speaker 1: You know, it's probably like because he wasn't like my

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Speaker 1: key person, so I'm sure like someone couldn't be there,

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Speaker 1: and Walt had to step in, and I was probably

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Speaker 1: too nervous to say anything.

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Speaker 3: Were those your.

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Speaker 2: Waves or were those barrel curls?

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Speaker 1: Ah?

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Speaker 3: But your fashion was insane. You're wearing in one scene

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Speaker 3: this cropped preppy sweater yellow with the pink right here.

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Speaker 3: I was like, I want that now.

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Speaker 1: Like, my hair is just getting shorter and shorter and shorter.

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Speaker 2: It's not done yet, I don't think I think it's even.

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Speaker 1: It gets shorter, it gets shorter by mistake.

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Speaker 3: And then we had to like write that in so

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Speaker 3: wait do I pronounce her name? Is Carrie Were carry

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Speaker 3: harri Were?

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Speaker 1: Oh jeez, she's Oh my god, there's the tone in

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Speaker 1: my voice, Carriy Like.

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Speaker 2: Just close your ears for one second, just don't listen. Okay,

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Speaker 2: she's real.

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Speaker 3: Good, real cute, real cute.

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Speaker 1: She was in Anaconda. Don't want none unless.

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Speaker 2: You got fun ton.

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Speaker 1: Yeah, she's legit, she's legit, and she was also she's

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Speaker 1: been in a lot. I kind of love her, like

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Speaker 1: I didn't love her at the time because I was like,

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Speaker 1: get away from my man, but like a big fan

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Speaker 1: of hers and.

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Speaker 3: Her character is like a little bit like I'm a

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Speaker 3: junior executive and then she's like, okay, but let's get

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Speaker 3: your spots.

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Speaker 2: Like I don't think it really like a tinge of

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Speaker 2: Lucinda E coming through and I don't like it. Yeah,

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Speaker 2: and really good at acting. I think she has a future.

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Speaker 2: Wait have you have you run into areas in real life?

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Speaker 2: Ever since?

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Speaker 1: I feel like you must sorry before like since then, Cary,

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Speaker 1: Sorry I called her Ariel because you know, no, that's

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Speaker 1: that's that's real than she. I have not seen her

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Speaker 1: in a long time. Can we get her on the show?

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Speaker 3: We asked, We're hoping yes.

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Speaker 2: I was wondering what for you, Like you did run

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Speaker 2: into her? I r L would you be.

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Speaker 1: Oh, now, you'd be okay, all right? I think so

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Speaker 1: it's just the former version of her, like the like

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Speaker 1: regression seeing it then hang out like her Now I

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Speaker 1: would be like, oh, you're so cool. I've seen all

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Speaker 1: your movies you've been in since and like she love you.

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Speaker 1: But if I think of her.

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Speaker 3: Like, yeah, in that she was an eight legged freaks.

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Speaker 3: Remember that she's but David Arquette another nine O two one,

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Speaker 3: a star, the Star.

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Speaker 2: I just feel I feel like every episode Donna and

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Speaker 2: David are squabbling all y'all? Do is are you kind

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Speaker 2: of similar to Dylan and Kelly but different?

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Speaker 1: Your's just like.

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Speaker 2: Married couple squabbling Like.

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Speaker 3: I'm sort of proud of David for calling out, like, hey,

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Speaker 3: these guys are like druggies and I'm gonna go right

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Speaker 3: back down.

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Speaker 1: That path, right.

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Speaker 3: I sort of wasn't mad at that. Those guys seems

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Speaker 3: like tools.

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Speaker 1: Yes, think what's the current word for tools?

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Speaker 3: What would you say tool? I think tool is still around.

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Speaker 3: They seem like the yeah people say that, or what's

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Speaker 3: a word for like losers like to say losers? Can

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Speaker 3: we go back to mister Walsh making pancakes with missus

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Speaker 3: Walsh in her green power suit and that gym's going

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Speaker 3: to be out of town?

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Speaker 1: I'm so bummed at it. Your mom's so gorgeous and

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Speaker 1: it's just getting worse and worse.

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Speaker 2: Well, she's a mom, she has to back then. If

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Speaker 2: you were a mom, you had to look like a mom.

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Speaker 2: And I look like a mom.

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Speaker 3: Can I call out the most awkward thing in that

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Speaker 3: whole scene?

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Speaker 2: Though? Oh wait, wait wait in the in the kitchen.

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Speaker 3: Scene, Jenny, I know, you know, I know, you know.

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Speaker 2: Was it the way Brandon and Brenda were with one another?

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Speaker 2: Was that it because I have more?

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Speaker 1: But they were on good terms this week. He just

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Speaker 1: framed her waist.

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Speaker 2: In a little two comfy kind of.

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Speaker 3: Way, mister on the cheek, in a way that I

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Speaker 3: kiss my boyfriend.

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Speaker 2: Their lovers siblings, Yeah, they're they're getting along during that scene.

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Speaker 2: But I was wondering if it was either that or

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Speaker 2: were you just upset that that Jim was cooking that

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Speaker 2: close to the skillet without apron or anything on. He's

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Speaker 2: definitely in a ruin those pleated oxfords.

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Speaker 3: That didn't disturb me nearly as much as like how

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Speaker 3: completely awkward it was. Like, as the director, I think

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Speaker 3: I would have been like, no, you guys, that is

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Speaker 3: not how siblings interact. It's just.

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Speaker 1: Anyone could say anything to them about Like remember, imagine

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Speaker 1: a director being like, by the way, like they be terrified.

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Speaker 1: They must have noticed it, right, I'm sure everyone noticed it.

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Speaker 2: They were like okay.

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Speaker 5: Yeah, don't be late, Like tell me I'm wrong, Like

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Speaker 5: she didn't Brenda Shannon whatever, didn't didn't seem two famills

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Speaker 5: with Jason slash Brandon.

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Speaker 2: But he was just real friendly with her.

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Speaker 1: But yeah, like he's like that with everyone though, like

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Speaker 1: and it always seems a little familiar. You're too familiar.

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Speaker 1: But it's just his thing.

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Speaker 3: I would love it if it was one of you.

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Speaker 3: I'd love it if it was one of you guys.

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Speaker 3: But if you're playing siblings, weird to watch.

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Speaker 1: It's like, Okay, does he do it with Cindy Walsh?

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Speaker 3: Though, oh, his mother, that's gonna be even more.

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Speaker 1: I would just like to know to see if he

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Speaker 1: just like it. That's the one thing he kind of

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Speaker 1: doesn't think about. He's just who he is when he's

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Speaker 1: it crosses over.

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Speaker 2: I don't think he does it with mommy.

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Speaker 1: Well we'll have to go back another time. Yeah, look backward.

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Speaker 2: I don't have to look for that. Well, I don't know.

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Speaker 2: I just feel like I'm proud of David. But his

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Speaker 2: song was real bad.

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Speaker 3: That what.

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Speaker 2: That is not music that a hip band would play.

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00:16:06,760 --> 00:16:09,760
Speaker 2: That's like eighty year old elevator music. But he claimed

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Speaker 2: it was jamming. Seriously, lamest music I've ever heard in

305
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Speaker 2: my life. No, he said it was jumping, jumping. I'm

306
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Speaker 2: just jumping.

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Speaker 3: Oh god, I love everything about It's so bad.

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Speaker 2: Well, apparently something. I think something bad's gonna happen. Because

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Speaker 2: Ariel's there, we know what happened.

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Speaker 3: She had already said, first of all, why would you

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Speaker 3: offer somebody a gig? Like you're like, hey, I talked

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Speaker 3: to you for point three seconds over a cone of water,

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Speaker 3: which also has to come out cone.

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Speaker 2: Do they still have those cones?

315
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Speaker 3: Seems so dentist officcy.

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Speaker 2: Yeah, it always tasted better out of those cones.

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Speaker 3: But she's such a bad junior record executive because she's

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Speaker 3: literally like offering deals to people she nothing before. She

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Speaker 3: doesn't know if he's good. He said, I'm a.

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Speaker 1: Music to him, right, I mean that's the subtext. It

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Speaker 1: doesn't play out, but like we should assume that.

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Speaker 3: Well.

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Speaker 2: I kind of was how could she be attracted him

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Speaker 2: so quickly from and she didn't even look at him basically,

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00:17:18,240 --> 00:17:20,479
Speaker 2: But then there was that lucindy part of her that

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Speaker 2: was like, oh, how can I capitalize on this? What

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Speaker 2: can I get out of this? Yeah, Like I felt

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00:17:26,240 --> 00:17:28,760
Speaker 2: like she was going to use him somehow. I don't

329
00:17:28,800 --> 00:17:31,760
Speaker 2: know if that's going to happen, but maybe just.

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Speaker 1: His body's into his hair right now. It's like really

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Speaker 1: bumming me out.

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Speaker 2: What the high and tight the super tight side shaved thing.

333
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Speaker 3: And I'm just jealous, Yeah, jelly, I'm impressed at the

334
00:17:48,040 --> 00:17:52,399
Speaker 3: Inner Greek Council nominated Donna to be the entertainment chair, Like,

335
00:17:52,480 --> 00:17:53,040
Speaker 3: I love that.

336
00:17:53,280 --> 00:17:55,160
Speaker 1: They followed, Yeah.

337
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Speaker 3: And she's gonna get baby face. That's like, what's it?

338
00:17:59,080 --> 00:18:04,720
Speaker 2: I know that is she is, but then she counteracts

339
00:18:04,760 --> 00:18:09,280
Speaker 2: it by getting an etch and sketch for Andrea.

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Speaker 1: Oh my, but I mean that was before there was

341
00:18:13,160 --> 00:18:18,720
Speaker 1: cell phones, the color therapy. That was actually very and

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Speaker 1: I when I had my tonsils out, which was true,

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00:18:22,160 --> 00:18:24,359
Speaker 1: that's fact. That was the only time at that point

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Speaker 1: I had been in the hospital is I had my

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Speaker 1: tonsils out and I had a noseb but I did

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Speaker 1: have my tonsils out.

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Speaker 3: That was very progressive.

348
00:18:32,840 --> 00:18:37,040
Speaker 1: It was like back then, Chakra.

349
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Speaker 3: Yeah, that was that.

350
00:18:39,240 --> 00:18:40,960
Speaker 2: That was one of the wo things in this episode.

351
00:18:41,000 --> 00:18:42,960
Speaker 2: There was another wu wu thing in the in the

352
00:18:43,000 --> 00:18:46,320
Speaker 2: beginning of this episode. Oh, I think it was when

353
00:18:46,400 --> 00:18:51,560
Speaker 2: Kelly was talking to Brandon about basically manifesting.

354
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Speaker 1: What does she call.

355
00:18:52,520 --> 00:18:57,480
Speaker 2: It something else I don't remember, but yeah, there was

356
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Speaker 2: a couple of like interesting little woo moments in the show.

357
00:19:02,800 --> 00:19:05,919
Speaker 3: So okay, the only storyline that, look, I don't hate it,

358
00:19:05,960 --> 00:19:11,160
Speaker 3: obviously it was appealing. Sorry, sorry, I the only one

359
00:19:11,160 --> 00:19:13,359
Speaker 3: that felt a little like filler because I love the

360
00:19:13,400 --> 00:19:15,800
Speaker 3: whole thing. The only one that felt like filler is

361
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Speaker 3: the whole brand and trying to chase down the Chancellor,

362
00:19:18,520 --> 00:19:20,240
Speaker 3: I'm like, bro, is this three's company?

363
00:19:20,320 --> 00:19:23,720
Speaker 2: Like that was very stally like get to it.

364
00:19:24,560 --> 00:19:29,560
Speaker 3: Right, and I mean it's a little bit comedic because

365
00:19:29,600 --> 00:19:32,960
Speaker 3: he's like I just thought just because I didn't hit

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Speaker 3: on your wild child daughter blah. And then like the

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Speaker 3: Chanceller was like, I think it's just an oversight, like

368
00:19:37,600 --> 00:19:40,440
Speaker 3: your tickets are coming, And then the whole thing was like, oh,

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00:19:40,600 --> 00:19:41,960
Speaker 3: it's just a misunderstand.

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Speaker 2: It was the point of that whole thing.

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Speaker 3: They needed filler.

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Speaker 2: But did you like it when Chancellor Arnold went to

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Speaker 2: see the play with his very official looking friends, like

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Speaker 2: his dignitaries, dignitarian countries.

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Speaker 3: And he had no time for Brandon. No time Brandon,

376
00:20:00,640 --> 00:20:02,280
Speaker 3: what did you think of the bowels of cat on

377
00:20:02,280 --> 00:20:03,800
Speaker 3: a haunting roof? Like all we got to see is

378
00:20:03,840 --> 00:20:04,480
Speaker 3: a curtain call.

379
00:20:05,119 --> 00:20:07,680
Speaker 2: I'm tired of it now. I've watched two episodes about

380
00:20:07,680 --> 00:20:10,680
Speaker 2: this play and I don't want to see it anymore,

381
00:20:10,760 --> 00:20:13,639
Speaker 2: especially there was no actually got great reviews, but I

382
00:20:13,680 --> 00:20:15,800
Speaker 2: wanted to either see the play we didn't see it,

383
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Speaker 2: or not see the play.

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Speaker 1: No, I just saw about me moments Lash show girls Like.

385
00:20:21,000 --> 00:20:23,240
Speaker 1: I'm over it. She's been like discarded up.

386
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Speaker 2: Well, but this is going to catapult Brenda into her career,

387
00:20:28,040 --> 00:20:29,200
Speaker 2: her future.

388
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Speaker 3: Correct, correct, correct, and.

389
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Speaker 1: I buy it.

390
00:20:32,760 --> 00:20:36,119
Speaker 2: I believe that Brenda could act yep, I believe that

391
00:20:36,119 --> 00:20:39,919
Speaker 2: Brenda could have a future someday if she gets some

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Speaker 2: real training on that.

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Speaker 1: On that note, not to put you on.

394
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Speaker 2: The spot, but please, what do.

395
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Speaker 1: You think Brenda went on to do acting? Wise? We've

396
00:20:53,400 --> 00:20:56,480
Speaker 1: never even discussed that, because clearly she became an actress. Right.

397
00:20:56,600 --> 00:20:59,600
Speaker 1: We assume after London.

398
00:20:59,720 --> 00:21:01,760
Speaker 2: She moved to let So I'm gonna assume she went

399
00:21:01,800 --> 00:21:05,919
Speaker 2: to RADA. Okay, maybe she had got some technical training

400
00:21:05,920 --> 00:21:06,879
Speaker 2: and then never worked again.

401
00:21:07,000 --> 00:21:08,040
Speaker 3: Should I know what RADA is?

402
00:21:08,080 --> 00:21:08,240
Speaker 5: No?

403
00:21:09,280 --> 00:21:13,080
Speaker 1: Wait, see, we've never talked about this. Let's keep going.

404
00:21:13,320 --> 00:21:17,240
Speaker 2: What's RADA Royal Academy for Dramatical Arts?

405
00:21:17,280 --> 00:21:18,480
Speaker 3: Oh fancy.

406
00:21:19,640 --> 00:21:22,040
Speaker 1: But I don't know. I'm not pretended. I knew you

407
00:21:22,080 --> 00:21:25,119
Speaker 1: actually asked the I was like, well.

408
00:21:24,960 --> 00:21:26,720
Speaker 3: You're an actor. I get to ask the question.

409
00:21:28,040 --> 00:21:30,520
Speaker 1: Wait, see, like what do you mean? I mean once

410
00:21:30,600 --> 00:21:32,719
Speaker 1: an actor and actress. So let's say she gets all

411
00:21:32,720 --> 00:21:35,040
Speaker 1: this training and she and she leaves and goes out

412
00:21:35,040 --> 00:21:38,840
Speaker 1: into the real world, doesn't get cast into anything, like

413
00:21:38,880 --> 00:21:39,800
Speaker 1: you don't think like does she?

414
00:21:40,080 --> 00:21:43,280
Speaker 3: Well, maybe she's on that fancy British version of Broadway.

415
00:21:43,359 --> 00:21:45,680
Speaker 3: What's that thing called the West End?

416
00:21:47,480 --> 00:21:52,440
Speaker 1: Really no, Jen just said she like like they went

417
00:21:52,480 --> 00:21:55,760
Speaker 1: into porn, like what happens, like OnlyFans like what happened?

418
00:21:56,560 --> 00:21:57,440
Speaker 2: They didn't have that?

419
00:21:57,520 --> 00:22:01,680
Speaker 1: Then No, eventually I think she's not legit. I think

420
00:22:01,720 --> 00:22:03,640
Speaker 1: she's now she'd she's on.

421
00:22:03,560 --> 00:22:06,280
Speaker 3: The she's on Broadway. I think she's on the West End.

422
00:22:07,160 --> 00:22:08,480
Speaker 1: Oh I like that.

423
00:22:09,520 --> 00:22:10,560
Speaker 2: I think that could work.

424
00:22:10,600 --> 00:22:11,399
Speaker 3: She's not going to fail.

425
00:22:12,440 --> 00:22:16,600
Speaker 2: No, it's not going to not fail.

426
00:22:16,840 --> 00:22:20,040
Speaker 1: Do you think eventually, like in theory, we all like

427
00:22:20,160 --> 00:22:22,280
Speaker 1: went to London and saw her in the West End

428
00:22:22,359 --> 00:22:24,760
Speaker 1: and like we're like, oh, it's been years, Like we're

429
00:22:24,800 --> 00:22:26,119
Speaker 1: catching up. We support you.

430
00:22:27,440 --> 00:22:29,920
Speaker 2: Well, probably we would have had to, because the way

431
00:22:30,000 --> 00:22:33,720
Speaker 2: she made Steve feel for not going to see the play.

432
00:22:34,480 --> 00:22:37,000
Speaker 2: She probably really railed us for not going to see

433
00:22:37,040 --> 00:22:37,840
Speaker 2: her in the West End.

434
00:22:38,320 --> 00:22:40,920
Speaker 3: What did you think of their whole Yeah, their storyline

435
00:22:40,960 --> 00:22:42,520
Speaker 3: in this episode.

436
00:22:44,680 --> 00:22:47,000
Speaker 2: There was nothing there, but then when they made up,

437
00:22:47,040 --> 00:22:47,760
Speaker 2: it was cute.

438
00:22:47,920 --> 00:22:48,680
Speaker 3: It was cute.

439
00:22:49,520 --> 00:22:53,600
Speaker 2: I could see their real life relationship to.

440
00:22:53,520 --> 00:22:58,480
Speaker 3: Me, after the dramatic like suicide attempt, that it wouldn't

441
00:22:58,480 --> 00:23:00,560
Speaker 3: have taken this to make up, Like they would have

442
00:23:00,600 --> 00:23:04,120
Speaker 3: been made up five minutes after that to me, Yeah,

443
00:23:04,400 --> 00:23:10,160
Speaker 3: like that seemed like going through that together. And then

444
00:23:10,280 --> 00:23:13,359
Speaker 3: we do get a little intel into what became of

445
00:23:13,480 --> 00:23:16,720
Speaker 3: Laura because he's packing up her stuff.

446
00:23:16,960 --> 00:23:21,840
Speaker 1: We have to pack up the red dress. Why does

447
00:23:21,880 --> 00:23:22,680
Speaker 1: he have to do it?

448
00:23:22,720 --> 00:23:24,520
Speaker 2: Like isn't there like a red dress?

449
00:23:25,480 --> 00:23:28,840
Speaker 3: You know, you think the family would have come from

450
00:23:28,840 --> 00:23:31,639
Speaker 3: president It's like three hour drive, like they could have

451
00:23:31,680 --> 00:23:32,200
Speaker 3: done it.

452
00:23:32,440 --> 00:23:35,639
Speaker 1: So weird. I felt bad for the guy because they

453
00:23:35,720 --> 00:23:37,879
Speaker 1: had to like fill in what happened to her if

454
00:23:37,880 --> 00:23:40,320
Speaker 1: the family was there and not a like series regular,

455
00:23:40,400 --> 00:23:42,280
Speaker 1: like it wouldn't have We got the gym.

456
00:23:42,520 --> 00:23:44,240
Speaker 3: I feel like I got the gist of what happened

457
00:23:44,240 --> 00:23:46,160
Speaker 3: to her when she got taken away by the meta.

458
00:23:46,280 --> 00:23:50,040
Speaker 3: The vibe was like I think she's gonna come on though.

459
00:23:50,160 --> 00:23:56,360
Speaker 1: I'm very excited, come on shop. I love her.

460
00:23:59,040 --> 00:24:04,159
Speaker 3: So okay. Other than Cedar SINAI got some major shout

461
00:24:04,160 --> 00:24:07,840
Speaker 3: outs in this episode. Should we start talking about Heaven?

462
00:24:08,240 --> 00:24:10,400
Speaker 2: I went, did you have your babies at Cedars?

463
00:24:11,240 --> 00:24:11,680
Speaker 1: Me too?

464
00:24:12,240 --> 00:24:14,800
Speaker 2: I feel like I wanted to go back and have more?

465
00:24:16,160 --> 00:24:16,520
Speaker 1: Same.

466
00:24:17,200 --> 00:24:22,320
Speaker 2: Yeah, they have a great What is it called delivery

467
00:24:22,480 --> 00:24:23,200
Speaker 2: and labor?

468
00:24:23,320 --> 00:24:25,720
Speaker 1: What do you call it? Labor and delivery? There? It's

469
00:24:25,760 --> 00:24:26,680
Speaker 1: Cedar Siee.

470
00:24:27,119 --> 00:24:29,240
Speaker 3: Could either of you imagine having a baby right now?

471
00:24:29,640 --> 00:24:29,760
Speaker 2: Uh?

472
00:24:29,800 --> 00:24:31,280
Speaker 1: Huh?

473
00:24:31,440 --> 00:24:39,919
Speaker 2: Do you quick? Could? I? No, I'm being honest.

474
00:24:40,760 --> 00:24:43,760
Speaker 1: Oh you know how you are when you smell the

475
00:24:43,800 --> 00:24:48,040
Speaker 1: head and the little tiny feet she gets baby stinky feet?

476
00:24:48,280 --> 00:24:49,520
Speaker 2: Yeah, I mean who does?

477
00:24:49,800 --> 00:24:50,000
Speaker 1: Yeah?

478
00:24:50,119 --> 00:24:54,800
Speaker 2: But I don't know. I just love to sleep now

479
00:24:55,200 --> 00:25:01,160
Speaker 2: and I can't imagine it being interrupted. Yeah, I can't

480
00:25:01,160 --> 00:25:01,760
Speaker 2: wait for Greta.

481
00:25:04,000 --> 00:25:06,040
Speaker 3: You could have another one? Me?

482
00:25:06,760 --> 00:25:07,000
Speaker 1: Yeah?

483
00:25:07,240 --> 00:25:10,840
Speaker 3: You could hate wow? Whoa?

484
00:25:11,040 --> 00:25:13,440
Speaker 2: No, she cannot have another one. I couldn't imagine having

485
00:25:13,640 --> 00:25:15,840
Speaker 2: I'm sorry, I'm gonna intervene right now.

486
00:25:16,640 --> 00:25:17,359
Speaker 3: I always do.

487
00:25:17,560 --> 00:25:19,680
Speaker 1: Right in the summa, you said, this is the point

488
00:25:19,680 --> 00:25:22,479
Speaker 1: in the program. She said no before bo and then,

489
00:25:22,520 --> 00:25:23,760
Speaker 1: can you imagine life.

490
00:25:23,520 --> 00:25:25,960
Speaker 2: Without bo okay, but let's stop thing.

491
00:25:26,240 --> 00:25:28,560
Speaker 1: You love him, I do, but.

492
00:25:30,359 --> 00:25:34,520
Speaker 2: You can't have another baby. That'd be the end of

493
00:25:34,560 --> 00:25:38,040
Speaker 2: it all for you. Your poor little body.

494
00:25:38,359 --> 00:25:43,920
Speaker 1: What's left in my body would just literally fall out. Wait.

495
00:25:43,960 --> 00:25:47,119
Speaker 2: Wait, speaking of falling out and bodies, what about the

496
00:25:47,240 --> 00:25:51,680
Speaker 2: very end scene when the doctor rushes in and puts

497
00:25:51,680 --> 00:25:55,280
Speaker 2: the glove on and puts his hand up. Oh, I know,

498
00:25:55,960 --> 00:25:58,240
Speaker 2: but she's like, I think my water brokes. He comes in,

499
00:25:58,440 --> 00:26:02,600
Speaker 2: puts the glove on, like right from Brandon, and everybody.

500
00:26:02,200 --> 00:26:05,760
Speaker 3: Just goes up in there the arm. Oh, how bad

501
00:26:05,880 --> 00:26:06,960
Speaker 3: is twenty seven weeks?

502
00:26:07,000 --> 00:26:07,080
Speaker 2: Like?

503
00:26:07,119 --> 00:26:09,280
Speaker 3: How how dangerous is twenty seven weeks?

504
00:26:09,400 --> 00:26:10,320
Speaker 2: She's a thirty seven?

505
00:26:10,359 --> 00:26:12,000
Speaker 3: Didn't she twenty seven?

506
00:26:12,200 --> 00:26:12,840
Speaker 2: Twenty seven?

507
00:26:13,080 --> 00:26:15,560
Speaker 1: She cannot, No, thirty It has to be thirty seven,

508
00:26:15,600 --> 00:26:18,320
Speaker 1: because a belly out to there at twenty seven. Doesn't know, but.

509
00:26:18,320 --> 00:26:20,000
Speaker 3: She's twenty seven weeks.

510
00:26:20,040 --> 00:26:20,959
Speaker 1: She's twenty seven.

511
00:26:21,080 --> 00:26:22,360
Speaker 3: That's why it's premature.

512
00:26:23,560 --> 00:26:27,680
Speaker 1: Okay, So this happened to me with Finn in Cedars,

513
00:26:27,880 --> 00:26:31,960
Speaker 1: and the baby is viable at twenty four weeks, but

514
00:26:32,160 --> 00:26:36,080
Speaker 1: the chance of it's like under five percent, I would say,

515
00:26:36,080 --> 00:26:39,399
Speaker 1: at twenty seven weeks, So that baby's going to be

516
00:26:39,440 --> 00:26:42,480
Speaker 1: a miracle, little longsn.

517
00:26:42,040 --> 00:26:45,440
Speaker 3: Defellas, Yeah, that's why this is very dramatic.

518
00:26:45,680 --> 00:26:46,879
Speaker 1: It's very dramatic.

519
00:26:50,119 --> 00:26:53,000
Speaker 3: So okay, is it time in the program to talk

520
00:26:53,040 --> 00:27:00,160
Speaker 3: about Erica, Suzamne, Kevin ultimately then Dylan and the big

521
00:27:00,560 --> 00:27:05,200
Speaker 3: breakup essentially between Kelly and Dylan, And do are we

522
00:27:05,600 --> 00:27:09,199
Speaker 3: devastating or are we kind of ready for it?

523
00:27:09,680 --> 00:27:12,639
Speaker 1: I'm ready for it, She's ready. Okay, if she's ready

524
00:27:12,640 --> 00:27:15,199
Speaker 1: for it, I can admit it. I mean, he's just

525
00:27:15,200 --> 00:27:16,040
Speaker 1: not nice to her.

526
00:27:16,240 --> 00:27:17,359
Speaker 2: He's not nice to her.

527
00:27:17,720 --> 00:27:20,240
Speaker 3: She's not not nice to him. She's got a lot

528
00:27:20,280 --> 00:27:22,119
Speaker 3: of eye rolls going at him and a lot of

529
00:27:22,640 --> 00:27:24,600
Speaker 3: like bitch face at him.

530
00:27:24,840 --> 00:27:26,560
Speaker 2: That's a that's called resentment.

531
00:27:26,800 --> 00:27:30,760
Speaker 1: I was gonna say, it's a hard one to fix

532
00:27:31,560 --> 00:27:32,200
Speaker 1: at that point.

533
00:27:32,760 --> 00:27:33,560
Speaker 3: And how do you feel?

534
00:27:34,080 --> 00:27:36,919
Speaker 2: She's very cranky in the morning, So I'll say, but

535
00:27:37,040 --> 00:27:40,000
Speaker 2: who the hell just storms into somebody's house because they

536
00:27:40,000 --> 00:27:42,879
Speaker 2: need advice on which sneakers to buy. They just stop

537
00:27:42,960 --> 00:27:44,760
Speaker 2: into his house.

538
00:27:45,920 --> 00:27:49,640
Speaker 3: No doorbell, no knock, and she comes into the bedroom.

539
00:27:49,920 --> 00:27:51,840
Speaker 2: I thought, but wait, do they live there? No, they

540
00:27:51,840 --> 00:27:52,400
Speaker 2: don't live there.

541
00:27:52,840 --> 00:27:53,199
Speaker 1: No.

542
00:27:53,320 --> 00:27:55,359
Speaker 3: It was very uncomps And then when you said we

543
00:27:55,359 --> 00:27:57,760
Speaker 3: could have been making love. I got a little gaggy.

544
00:27:57,840 --> 00:27:58,720
Speaker 3: But also like.

545
00:28:00,119 --> 00:28:01,800
Speaker 1: When people say that even.

546
00:28:01,600 --> 00:28:04,480
Speaker 2: Now, we could have been making love.

547
00:28:05,960 --> 00:28:09,280
Speaker 1: Having what did they call it on the dating game?

548
00:28:09,359 --> 00:28:18,359
Speaker 2: No, whoopee, we could have been having whoopee. No, yeah,

549
00:28:18,520 --> 00:28:19,440
Speaker 2: that was very weird.

550
00:28:19,480 --> 00:28:22,800
Speaker 3: And they don't even say like, sorry, we busted in.

551
00:28:23,200 --> 00:28:23,720
Speaker 1: Don't care.

552
00:28:24,359 --> 00:28:26,040
Speaker 3: They just don't like they own the place.

553
00:28:26,720 --> 00:28:29,760
Speaker 2: I'd be pissed too. I think Kelly's got a leg

554
00:28:29,840 --> 00:28:30,960
Speaker 2: to stand on there, Like.

555
00:28:31,400 --> 00:28:35,440
Speaker 1: I think like red flags all around.

556
00:28:35,240 --> 00:28:37,480
Speaker 2: Right, what are you? First of all, what is what

557
00:28:37,560 --> 00:28:42,160
Speaker 2: are Dylan's priorities? And second of all, these people have

558
00:28:42,200 --> 00:28:42,920
Speaker 2: no boundaries?

559
00:28:44,720 --> 00:28:49,000
Speaker 3: Very strange. And what do we think of Kevin's sketchy

560
00:28:49,040 --> 00:28:51,560
Speaker 3: company that Dylan's gonna invest in?

561
00:28:51,680 --> 00:28:53,680
Speaker 1: I still can't look past the mustache. I have no

562
00:28:53,760 --> 00:28:55,120
Speaker 1: idea he's.

563
00:28:54,960 --> 00:28:57,800
Speaker 3: Been wearing that same green shirt to me for every

564
00:28:57,840 --> 00:28:58,600
Speaker 3: scene he's been in.

565
00:28:59,200 --> 00:29:01,080
Speaker 2: Plus is little heart.

566
00:29:02,560 --> 00:29:02,880
Speaker 1: Kevin?

567
00:29:03,520 --> 00:29:07,440
Speaker 2: Yeah no, he sucks. Just wait, ohka, back to the

568
00:29:07,440 --> 00:29:10,480
Speaker 2: Brenda and Dylan thing. So he sends her a little

569
00:29:11,240 --> 00:29:12,040
Speaker 2: a little gift.

570
00:29:12,520 --> 00:29:14,360
Speaker 1: Her nails buged me in that That's all I was

571
00:29:14,440 --> 00:29:14,880
Speaker 1: looking at.

572
00:29:15,000 --> 00:29:18,480
Speaker 2: Really, I didn't even know there was kind of lovely Okay,

573
00:29:19,160 --> 00:29:20,200
Speaker 2: I didn't notice them.

574
00:29:20,400 --> 00:29:22,840
Speaker 1: No natural and long. I don't know. I don't know

575
00:29:22,880 --> 00:29:26,560
Speaker 1: why it bothered me. I don't even know why. And Dylan,

576
00:29:26,680 --> 00:29:29,320
Speaker 1: like did he write that card? Because it was nearly

577
00:29:29,480 --> 00:29:31,760
Speaker 1: a female like cursive?

578
00:29:33,400 --> 00:29:37,400
Speaker 2: Yeah, and how do he get it into her makeup bag?

579
00:29:38,720 --> 00:29:40,840
Speaker 3: And but only a guy would wrap it and write

580
00:29:40,880 --> 00:29:42,880
Speaker 3: on the wrapping paper? Do you know what I mean?

581
00:29:43,400 --> 00:29:44,680
Speaker 3: Like a girl would probably have done it.

582
00:29:44,720 --> 00:29:46,600
Speaker 1: What do you mean the card? I thought when she

583
00:29:46,760 --> 00:29:48,080
Speaker 1: opened it said Dylan.

584
00:29:48,280 --> 00:29:49,920
Speaker 3: But he wrote on the outside.

585
00:29:50,960 --> 00:29:52,480
Speaker 1: Okay, okay, I thought it was a card.

586
00:29:53,280 --> 00:29:55,520
Speaker 3: Then there was a card that said Dylan or something.

587
00:29:55,520 --> 00:29:57,080
Speaker 1: Oh oh, maybe it.

588
00:29:57,040 --> 00:29:59,160
Speaker 3: Was a taped on card. It looked like it was

589
00:29:59,200 --> 00:30:00,000
Speaker 3: on the wrapping paper.

590
00:30:00,600 --> 00:30:04,560
Speaker 2: Well, whatever it was. I want them to kiss because

591
00:30:04,720 --> 00:30:06,240
Speaker 2: I think that they should be together.

592
00:30:07,960 --> 00:30:09,600
Speaker 1: Well why are you doing this?

593
00:30:10,040 --> 00:30:10,560
Speaker 3: I don't know.

594
00:30:10,760 --> 00:30:13,360
Speaker 2: That's how I feel. I want I'm watching the show,

595
00:30:14,040 --> 00:30:15,720
Speaker 2: I get to have my opinions.

596
00:30:16,120 --> 00:30:20,280
Speaker 3: I want, I mean, ran the same, do it? That's

597
00:30:20,480 --> 00:30:21,880
Speaker 3: really important.

598
00:30:21,920 --> 00:30:23,240
Speaker 1: I thought it was going to be from him.

599
00:30:24,040 --> 00:30:26,440
Speaker 2: I know he acted like it was from him. He

600
00:30:26,520 --> 00:30:27,480
Speaker 2: knew all about it.

601
00:30:27,800 --> 00:30:29,280
Speaker 1: He played it the way he's just good. He was

602
00:30:29,320 --> 00:30:31,800
Speaker 1: like super creepy and like I was like, oh god,

603
00:30:31,880 --> 00:30:34,920
Speaker 1: here we go and then nope.

604
00:30:35,360 --> 00:30:37,440
Speaker 3: Well what about the kitchen scene with the two of them?

605
00:30:37,480 --> 00:30:39,560
Speaker 3: How did you feel about that? The kitchen scene. He's like,

606
00:30:40,000 --> 00:30:41,640
Speaker 3: first of all, he's like in one room with Jim,

607
00:30:41,680 --> 00:30:43,600
Speaker 3: and then all of a sudden, it's like the sexy

608
00:30:43,680 --> 00:30:44,720
Speaker 3: scene with Brenda.

609
00:30:44,840 --> 00:30:46,960
Speaker 2: But that's the scene. That's the scene where I would

610
00:30:47,000 --> 00:30:50,800
Speaker 2: like them to Yeah, there was a whispers to get

611
00:30:50,920 --> 00:30:51,520
Speaker 2: back together.

612
00:30:52,640 --> 00:30:54,600
Speaker 1: I don't know. I feel like I hold onto the

613
00:30:54,680 --> 00:30:59,160
Speaker 1: past or something, because I don't know, I can't get

614
00:30:59,200 --> 00:31:01,720
Speaker 1: past I know I'm going to like when Kelly and

615
00:31:01,760 --> 00:31:05,840
Speaker 1: Brandon get together, because I did like that relationship. But

616
00:31:05,920 --> 00:31:07,840
Speaker 1: I still, even though I don't like how Dylan's being

617
00:31:07,880 --> 00:31:11,600
Speaker 1: to Kelly, I still can't forget moments of passion early

618
00:31:11,640 --> 00:31:14,520
Speaker 1: in their relationship, like in the pool and like there's

619
00:31:14,560 --> 00:31:16,959
Speaker 1: no no one kisses better than Dylan and Kelly, and like,

620
00:31:17,320 --> 00:31:17,880
Speaker 1: I don't know.

621
00:31:18,520 --> 00:31:20,360
Speaker 2: Yeah, I mean I know, because like even in the

622
00:31:20,400 --> 00:31:23,600
Speaker 2: car scene when they when they pull up and she's like,

623
00:31:23,640 --> 00:31:27,120
Speaker 2: what's going on with us? And he says something and

624
00:31:27,160 --> 00:31:31,400
Speaker 2: then something or who says let's just forget that this

625
00:31:31,440 --> 00:31:34,440
Speaker 2: has ever happened, and then they make out and then

626
00:31:34,440 --> 00:31:36,320
Speaker 2: they're like okay, and.

627
00:31:36,280 --> 00:31:41,120
Speaker 3: Then it was such a quick till I mean, we

628
00:31:41,160 --> 00:31:45,360
Speaker 3: haven't gotten enough good Dylan and Kelly like.

629
00:31:45,360 --> 00:31:47,240
Speaker 1: I want it more. It ended too soon.

630
00:31:47,800 --> 00:31:51,120
Speaker 3: The good, the good for me and my memory they

631
00:31:51,240 --> 00:31:55,600
Speaker 3: lasted longer and were better more during it.

632
00:31:55,680 --> 00:31:58,440
Speaker 1: And yeah, so how come I remember it that way?

633
00:31:58,600 --> 00:32:03,360
Speaker 1: And I was literally like I don't know, I just always.

634
00:32:03,120 --> 00:32:05,280
Speaker 2: So it doesn't feel like a proper breakup. Is that

635
00:32:05,400 --> 00:32:09,720
Speaker 2: it is that their breakup? No, but is gonna be saying.

636
00:32:09,480 --> 00:32:11,920
Speaker 1: In that moment in time, like it'll never be what

637
00:32:12,000 --> 00:32:15,520
Speaker 1: they were like it was so yeah.

638
00:32:15,600 --> 00:32:19,640
Speaker 3: I'm sad that it didn't. It seems like it had

639
00:32:19,680 --> 00:32:24,160
Speaker 3: such potential, but there was so much sort of like hi,

640
00:32:24,280 --> 00:32:31,200
Speaker 3: you guys being so annoying, just stop it happening, kind

641
00:32:31,200 --> 00:32:36,080
Speaker 3: of extraneous forces, whether it's Suzanne, whether it's Heaven, whether

642
00:32:36,120 --> 00:32:40,560
Speaker 3: it's Lucinda, whether it's everything's always like causing like.

643
00:32:41,200 --> 00:32:47,240
Speaker 2: Extreme, yeah, extraneous. I know what really bothered me though

644
00:32:47,280 --> 00:32:50,360
Speaker 2: in that car scene. What I don't know if anybody

645
00:32:50,400 --> 00:32:53,520
Speaker 2: else noticed it though, it was like all they had

646
00:32:53,560 --> 00:32:57,640
Speaker 2: to do was kiss and then almost forgotten, like that's

647
00:32:57,680 --> 00:33:01,680
Speaker 2: them of their relationship, like mmm mm hmm fight and

648
00:33:01,720 --> 00:33:06,840
Speaker 2: then they do it and everything's fine again. But as

649
00:33:06,840 --> 00:33:09,880
Speaker 2: soon as they kissed and then everything was fine, and

650
00:33:09,960 --> 00:33:15,320
Speaker 2: he switched that switch to where he basically gaslighted her.

651
00:33:15,640 --> 00:33:18,920
Speaker 2: I'm sorry to use such a stuper stupid popular term,

652
00:33:18,960 --> 00:33:24,200
Speaker 2: but he was like, it's all in your head. You

653
00:33:24,320 --> 00:33:28,160
Speaker 2: do this because you're jealous of anybody who's taking my

654
00:33:28,240 --> 00:33:29,120
Speaker 2: focus off of you.

655
00:33:29,640 --> 00:33:30,239
Speaker 3: Yeah, you're right.

656
00:33:30,320 --> 00:33:33,680
Speaker 2: I could have a dollar for every time a guy

657
00:33:33,720 --> 00:33:38,480
Speaker 2: said that to a girl. I I'm very wealthy, because

658
00:33:38,520 --> 00:33:39,560
Speaker 2: it's not that's not it.

659
00:33:39,800 --> 00:33:45,360
Speaker 1: I don't know why he goes there so manipulative.

660
00:33:46,200 --> 00:33:49,120
Speaker 3: I don't know why she Okay, so the only part

661
00:33:49,200 --> 00:33:52,160
Speaker 3: I I agree with you there, but Kelly, so all

662
00:33:52,280 --> 00:33:54,680
Speaker 3: was right in the world. And then I think he

663
00:33:54,800 --> 00:33:57,600
Speaker 3: says something kind of positive and then she does the

664
00:33:57,640 --> 00:34:00,840
Speaker 3: face of sort of this disdain for like, well, you

665
00:34:00,920 --> 00:34:02,520
Speaker 3: see your money, do you want with that like kind

666
00:34:02,520 --> 00:34:05,440
Speaker 3: of attitude e and then he pulls sort of the

667
00:34:05,520 --> 00:34:10,640
Speaker 3: gas lighting. So it's like, oh, they're both like they're

668
00:34:10,640 --> 00:34:14,040
Speaker 3: not loving and supportive of each other. They're so poky

669
00:34:14,280 --> 00:34:17,200
Speaker 3: at each other. I'll poke you, I'll poke you, I'll

670
00:34:17,200 --> 00:34:20,960
Speaker 3: poke you harder. M dude, toxic.

671
00:34:21,080 --> 00:34:26,880
Speaker 2: Now that's how relationships get though, when there's an unresolved.

672
00:34:28,040 --> 00:34:29,240
Speaker 1: You know stuff.

673
00:34:29,760 --> 00:34:34,440
Speaker 3: Yeah, yeah, I was not crying over the breakup.

674
00:34:34,760 --> 00:34:39,080
Speaker 2: No, but I don't think I'm just maybe not like

675
00:34:39,160 --> 00:34:43,040
Speaker 2: him even more, and I don't want to not like Dylan. No.

676
00:34:43,280 --> 00:34:46,160
Speaker 3: I love Dylan and the very David Caruso. He puts

677
00:34:46,200 --> 00:34:48,880
Speaker 3: on those tiny glasses and drives.

678
00:34:48,520 --> 00:34:53,200
Speaker 2: Away like it was just so like, have you no feelings?

679
00:34:55,000 --> 00:34:55,360
Speaker 1: Nope?

680
00:34:56,000 --> 00:34:57,880
Speaker 2: None, because he's an ass clown.

681
00:34:59,520 --> 00:35:01,439
Speaker 1: Yeah, it's still even though you guys said it doesn't

682
00:35:01,480 --> 00:35:04,759
Speaker 1: mean anything bad that, it's like that. I can't take that.

683
00:35:05,760 --> 00:35:06,799
Speaker 3: You can't take that.

684
00:35:07,560 --> 00:35:24,719
Speaker 4: Yeah, I don't buy it.

685
00:35:24,719 --> 00:35:30,480
Speaker 3: It's interesting that the breakup did not get its due either.

686
00:35:30,560 --> 00:35:33,120
Speaker 3: In my opinion, it was sort of a secondary to

687
00:35:33,200 --> 00:35:37,920
Speaker 3: the dramatic We've gone into labor. Whereas as a fan,

688
00:35:39,239 --> 00:35:41,279
Speaker 3: of course I care about this baby, but I do

689
00:35:41,320 --> 00:35:43,680
Speaker 3: think I would have switched that if I was like

690
00:35:44,280 --> 00:35:48,600
Speaker 3: the writer and done the I've gone into labor and

691
00:35:48,760 --> 00:35:52,920
Speaker 3: then had sort of the breakup be the culmination of

692
00:35:52,960 --> 00:35:55,960
Speaker 3: this episode and the dramatic cliffhanger. I'm a little like,

693
00:35:56,480 --> 00:36:00,759
Speaker 3: wait a minute, like that's my first priority. Why so

694
00:36:01,000 --> 00:36:03,719
Speaker 3: I don't know not to you know, not to downplay

695
00:36:03,760 --> 00:36:07,320
Speaker 3: the the birth or the drama of that birth.

696
00:36:07,400 --> 00:36:09,759
Speaker 1: But yeah, but you can't not have that.

697
00:36:11,320 --> 00:36:13,480
Speaker 3: Yeah, it's a little bit like, why is this a

698
00:36:13,520 --> 00:36:14,680
Speaker 3: secondary story?

699
00:36:14,840 --> 00:36:17,960
Speaker 1: You can't flip it though, But or then save the

700
00:36:17,960 --> 00:36:19,600
Speaker 1: breakup for the next episode.

701
00:36:20,360 --> 00:36:21,799
Speaker 3: I could have flipped it. I could have had her

702
00:36:21,800 --> 00:36:25,839
Speaker 3: going to labor at fifteen minutes before the episode's over,

703
00:36:26,000 --> 00:36:29,839
Speaker 3: have a little something something, and then labor because she's

704
00:36:29,920 --> 00:36:30,919
Speaker 3: going season ago.

705
00:36:31,040 --> 00:36:36,880
Speaker 2: But true, I like you.

706
00:36:37,640 --> 00:36:40,640
Speaker 3: It was very like it didn't get it, even though

707
00:36:40,680 --> 00:36:43,799
Speaker 3: it's a terrible breakup. It didn't get its deserved, all right,

708
00:36:44,160 --> 00:36:44,760
Speaker 3: make that.

709
00:36:44,920 --> 00:36:50,319
Speaker 2: Didn't get It's just dessert Yeah, unlike that. What does

710
00:36:50,600 --> 00:36:51,799
Speaker 2: just desserts even mean?

711
00:36:53,280 --> 00:36:54,799
Speaker 3: It's just desserts?

712
00:36:55,000 --> 00:36:55,400
Speaker 2: What?

713
00:36:55,400 --> 00:36:55,720
Speaker 3: What?

714
00:36:55,719 --> 00:36:57,160
Speaker 2: What? What does that expression mean?

715
00:36:57,200 --> 00:36:59,959
Speaker 3: I just that's the place where you order Brownie's from.

716
00:37:00,160 --> 00:37:01,799
Speaker 1: Allow me to look this up, car.

717
00:37:02,239 --> 00:37:05,600
Speaker 2: Isn't there an expression like you didn't get your you

718
00:37:05,600 --> 00:37:06,560
Speaker 2: didn't get your justice?

719
00:37:06,640 --> 00:37:08,400
Speaker 1: Yeah, you're right, yeah, but what is it?

720
00:37:08,480 --> 00:37:10,200
Speaker 3: I wonder it's not deserved?

721
00:37:11,440 --> 00:37:16,240
Speaker 1: Didn't get your just deserved? No, you've been served. Nope,

722
00:37:16,719 --> 00:37:18,000
Speaker 1: it's just desserts.

723
00:37:19,960 --> 00:37:21,520
Speaker 2: It sounds delightful.

724
00:37:22,160 --> 00:37:24,720
Speaker 1: Way you order.

725
00:37:25,000 --> 00:37:26,400
Speaker 3: Cakes from that place.

726
00:37:27,040 --> 00:37:29,640
Speaker 2: That's that's that's just bunts.

727
00:37:31,360 --> 00:37:33,000
Speaker 3: Buns, Cake Buns.

728
00:37:33,640 --> 00:37:37,640
Speaker 1: I love that place, Oh my god, because the red

729
00:37:37,880 --> 00:37:40,320
Speaker 1: like you get like a whole your own cake.

730
00:37:40,480 --> 00:37:46,000
Speaker 3: It's so much. I'm going to just throw a flag

731
00:37:46,040 --> 00:37:49,120
Speaker 3: on the I don't think you didn't get your just deserts?

732
00:37:50,040 --> 00:37:52,480
Speaker 1: What do you so? Jen and I both just happened

733
00:37:52,480 --> 00:37:53,440
Speaker 1: to think that Google.

734
00:37:53,680 --> 00:37:56,440
Speaker 2: You google anything that comes out of my mouth. You're

735
00:37:56,480 --> 00:37:59,680
Speaker 2: not googling that. Somebody I'm trying.

736
00:38:01,480 --> 00:38:03,920
Speaker 1: You're going to get you. I just got I think

737
00:38:03,920 --> 00:38:07,719
Speaker 1: it's you're getting your just desert do there's no what

738
00:38:07,840 --> 00:38:09,800
Speaker 1: is yours.

739
00:38:08,880 --> 00:38:14,200
Speaker 3: Saying of just dessert? I'm sending you each dessert butt cake.

740
00:38:15,080 --> 00:38:17,160
Speaker 3: I'm gonna send you nothing, bunt cake.

741
00:38:18,920 --> 00:38:20,000
Speaker 1: Send me a lot of that.

742
00:38:20,320 --> 00:38:20,600
Speaker 5: Guys.

743
00:38:20,640 --> 00:38:23,840
Speaker 2: Oh my god, I'm pretty sure I'm not. I'm pretty

744
00:38:23,840 --> 00:38:25,920
Speaker 2: good with the old time saying she.

745
00:38:26,000 --> 00:38:28,000
Speaker 1: Is no, it's right, it's right.

746
00:38:28,080 --> 00:38:31,040
Speaker 3: I'm telling you while she's doing that. I do think

747
00:38:31,080 --> 00:38:33,400
Speaker 3: it was weird. We have this breakup that's like a

748
00:38:33,520 --> 00:38:35,800
Speaker 3: major thing. And then we went back to the curtain

749
00:38:35,840 --> 00:38:38,000
Speaker 3: call for the third time, and I have to deal

750
00:38:38,000 --> 00:38:41,480
Speaker 3: with like Eddie the stage manager and Steve. It's like

751
00:38:41,520 --> 00:38:45,000
Speaker 3: the reunited Steve and Brenda was in the better position

752
00:38:45,160 --> 00:38:47,080
Speaker 3: than the breakup. I wasn't pleased with it.

753
00:38:47,160 --> 00:38:48,480
Speaker 1: I was a little disjointed.

754
00:38:48,560 --> 00:38:49,400
Speaker 2: Is that what you're saying?

755
00:38:49,920 --> 00:38:52,000
Speaker 3: I'm still giving it like a very high marks.

756
00:38:52,400 --> 00:38:53,200
Speaker 2: But what like?

757
00:38:53,280 --> 00:38:53,440
Speaker 1: What?

758
00:38:53,640 --> 00:38:53,759
Speaker 2: Like?

759
00:38:53,760 --> 00:38:56,960
Speaker 3: What this is a nine for this episode's a nine?

760
00:38:57,080 --> 00:38:58,400
Speaker 3: What I found?

761
00:38:58,400 --> 00:39:03,400
Speaker 1: Hey, we're not there yet, sorry, Jet Timeline Please, okay,

762
00:39:03,400 --> 00:39:07,240
Speaker 1: I got it? You guys use it is typically found

763
00:39:07,239 --> 00:39:10,640
Speaker 1: in the plural, and just desserts almost always is a

764
00:39:10,680 --> 00:39:16,960
Speaker 1: reference to a deserved punishment. What rather than a reward,

765
00:39:17,160 --> 00:39:19,920
Speaker 1: which you think of desserts you didn't get?

766
00:39:20,040 --> 00:39:22,239
Speaker 3: How did you use it in a sentence? Sorry? Is

767
00:39:22,239 --> 00:39:23,600
Speaker 3: there a sentence example?

768
00:39:25,360 --> 00:39:26,959
Speaker 1: You're gonna make me type this in now again?

769
00:39:28,320 --> 00:39:29,080
Speaker 3: You off?

770
00:39:29,280 --> 00:39:33,040
Speaker 1: What is what is? Come on? Wait? Okay? It doesn't

771
00:39:33,200 --> 00:39:34,640
Speaker 1: use it in this like.

772
00:39:34,560 --> 00:39:37,640
Speaker 3: Would you say you you didn't get your No, you

773
00:39:37,760 --> 00:39:41,520
Speaker 3: got that guy didn't go to jail for murder.

774
00:39:41,640 --> 00:39:44,759
Speaker 2: He didn't get his just dessert like that.

775
00:39:45,239 --> 00:39:49,879
Speaker 1: No, No, that's wrong, it's okay. He didn't.

776
00:39:51,239 --> 00:39:55,240
Speaker 2: Punishment for one's actions. Who caused great torment to others

777
00:39:55,320 --> 00:39:57,279
Speaker 2: rarely got their just desserts.

778
00:39:57,560 --> 00:40:02,920
Speaker 1: Oh so Dylan want like? Dylan maybe want like? I

779
00:40:02,920 --> 00:40:06,120
Speaker 1: don't know, So it's the opposite. So Brandon wanted his

780
00:40:06,200 --> 00:40:09,279
Speaker 1: sister Brenda, but too bad he didn't get his dress. Desserts,

781
00:40:10,280 --> 00:40:12,120
Speaker 1: It's gonna be good, good, right.

782
00:40:12,239 --> 00:40:14,719
Speaker 3: Yeah, it's the opposite of how I think you guys

783
00:40:14,719 --> 00:40:17,719
Speaker 3: still deserve desserts. But it's the opposite of how we

784
00:40:17,719 --> 00:40:18,879
Speaker 3: were trying to use it.

785
00:40:19,320 --> 00:40:22,960
Speaker 2: Okay, But the point is it's a saying it is, yeah,

786
00:40:23,239 --> 00:40:24,640
Speaker 2: and you called it nailed it.

787
00:40:27,560 --> 00:40:27,920
Speaker 3: Take her.

788
00:40:28,120 --> 00:40:29,040
Speaker 2: I really don't want to put it.

789
00:40:29,120 --> 00:40:33,040
Speaker 3: So, how do you guys feel about this episode? Not? Great?

790
00:40:33,840 --> 00:40:39,520
Speaker 2: Six? Six until the baby is Let me give it

791
00:40:39,520 --> 00:40:40,240
Speaker 2: a five?

792
00:40:40,880 --> 00:40:46,120
Speaker 1: Whoa, whoa, it's six. I give it a six. Don't

793
00:40:46,120 --> 00:40:49,440
Speaker 1: make me second guess myself. I did that all to myself.

794
00:40:49,800 --> 00:40:52,680
Speaker 3: Definitely a nine. It's just all out of order for me.

795
00:40:53,160 --> 00:40:57,920
Speaker 1: Nine five, it's not a five. I just I don't know.

796
00:40:58,680 --> 00:41:00,640
Speaker 3: It's setting up so much.

797
00:41:00,719 --> 00:41:01,680
Speaker 1: I hate when you say that.

798
00:41:01,800 --> 00:41:02,520
Speaker 3: So sorry.

799
00:41:03,920 --> 00:41:06,000
Speaker 1: Where you're like, yeah's setting up, it's getting there. It's like,

800
00:41:06,040 --> 00:41:08,600
Speaker 1: I just like I wasn't like I love these people,

801
00:41:08,719 --> 00:41:11,759
Speaker 1: these characters. I want to see these I want to

802
00:41:12,600 --> 00:41:14,160
Speaker 1: I want to see the good, juicy stuff.

803
00:41:14,440 --> 00:41:17,160
Speaker 3: What about Kelly's new red backpack, because she's really carrying

804
00:41:17,239 --> 00:41:18,880
Speaker 3: that in a lot of scenes in this episode I

805
00:41:18,880 --> 00:41:23,880
Speaker 3: don't care for it. Oh God, when the red Beamer

806
00:41:24,000 --> 00:41:27,040
Speaker 3: come pulls up to the Mustang and he's sitting on

807
00:41:27,080 --> 00:41:31,280
Speaker 3: the seat, I like that scene. I like that was cute.

808
00:41:31,600 --> 00:41:33,120
Speaker 2: Between Kelly and Brandon.

809
00:41:33,400 --> 00:41:35,160
Speaker 3: Those they got it, they got chemistry.

810
00:41:35,440 --> 00:41:38,080
Speaker 2: Because when I see Kelly and Dylan, I'm like, when

811
00:41:38,080 --> 00:41:40,239
Speaker 2: are they going to start fighting? What? What's going to

812
00:41:40,320 --> 00:41:43,279
Speaker 2: be the dilemma? And then when I see Brandon and

813
00:41:43,360 --> 00:41:46,160
Speaker 2: Kelly together, I'm like, oh, look how they make each

814
00:41:46,160 --> 00:41:46,919
Speaker 2: other feel good?

815
00:41:47,239 --> 00:41:50,400
Speaker 3: Yeah, playful and fun and kind and loving, and yeah.

816
00:41:50,560 --> 00:41:54,399
Speaker 1: That's my point. I feel like it's permanently ruined the

817
00:41:54,440 --> 00:41:57,759
Speaker 1: feelings we get and get all like love it, the

818
00:41:57,880 --> 00:42:01,080
Speaker 1: passion with Kelly and Dylan like they were and like, oh,

819
00:42:01,120 --> 00:42:02,799
Speaker 1: I just kind of like but you know, I meant

820
00:42:02,920 --> 00:42:03,680
Speaker 1: like they had fire.

821
00:42:03,760 --> 00:42:08,920
Speaker 3: But psychologically we could argue, if you begin a relationship

822
00:42:09,040 --> 00:42:14,320
Speaker 3: under sort of bad circumstances, you're never gonna dig yourself

823
00:42:14,320 --> 00:42:14,759
Speaker 3: out of that.

824
00:42:15,239 --> 00:42:17,439
Speaker 1: Okay, I'm gonna drop the mic right now and see

825
00:42:17,440 --> 00:42:18,040
Speaker 1: you guys later.

826
00:42:19,840 --> 00:42:21,840
Speaker 2: What have I been saying for years?

827
00:42:28,080 --> 00:42:30,240
Speaker 1: My eyes just kidding?

828
00:42:30,640 --> 00:42:31,120
Speaker 3: Good time.

829
00:42:31,520 --> 00:42:33,160
Speaker 2: You didn't get your just desserts.

830
00:42:33,320 --> 00:42:35,520
Speaker 3: You didn't get your just desserts. We need to work

831
00:42:35,560 --> 00:42:35,920
Speaker 3: that into it.

832
00:42:36,120 --> 00:42:38,440
Speaker 1: I'd like to get some bunk cake though, so.

833
00:42:39,120 --> 00:42:42,279
Speaker 3: Before we go great performance by Cassette Tapes though. I

834
00:42:42,320 --> 00:42:44,760
Speaker 3: was happy to see Cassette Ta make a return.

835
00:42:45,000 --> 00:42:47,279
Speaker 1: Oh my god, after all of this, that's how we're

836
00:42:47,280 --> 00:42:49,200
Speaker 1: gonna go. We're gonna go high and then go to

837
00:42:49,320 --> 00:42:51,000
Speaker 1: that level. Out to that.

838
00:42:52,800 --> 00:42:57,880
Speaker 3: And I think out there we made it. Kinko's the

839
00:42:56,400 --> 00:42:59,960
Speaker 3: h the task Force hand Taskforce hampers.

840
00:43:00,239 --> 00:43:03,640
Speaker 2: That would be just like an attachment in an email.

841
00:43:03,719 --> 00:43:07,080
Speaker 3: Now, totally, you'd never get that. You'd never have to

842
00:43:07,080 --> 00:43:08,520
Speaker 3: worry about the printing.

843
00:43:08,480 --> 00:43:11,520
Speaker 2: The spiral bound handbook to go to go on a

844
00:43:11,560 --> 00:43:12,640
Speaker 2: trip with your idea.

845
00:43:12,840 --> 00:43:15,239
Speaker 3: Totally is spiral I know, is spiral bound. I wanted

846
00:43:15,280 --> 00:43:18,440
Speaker 3: to say that too. I thought that too. I also like,

847
00:43:18,960 --> 00:43:23,000
Speaker 3: she's really her elevator didn't reach the Punthouse, which I

848
00:43:23,000 --> 00:43:25,160
Speaker 3: think might be the second time we've used that, or

849
00:43:25,160 --> 00:43:27,400
Speaker 3: it's just a different incarnation of the same line.

850
00:43:27,440 --> 00:43:31,279
Speaker 1: But yeah, I was underwhelmed.

851
00:43:31,480 --> 00:43:34,440
Speaker 3: So we've decided, Okay, so just for this, we're gonna

852
00:43:34,480 --> 00:43:38,239
Speaker 3: do two parts, and we're not going to watch it

853
00:43:38,280 --> 00:43:40,880
Speaker 3: as one. We're gonna do mister Walsh goes to Washington

854
00:43:40,920 --> 00:43:44,440
Speaker 3: Part one, Mister Walsh Goes to Washington Part two. No, look,

855
00:43:44,480 --> 00:43:46,840
Speaker 3: I think they're ninety minutes, so it's gonna be a

856
00:43:46,880 --> 00:43:49,400
Speaker 3: little shorter. But yeah, I think that's how we do it.

857
00:43:49,480 --> 00:43:51,800
Speaker 3: Let's let's do it that way.

858
00:43:51,840 --> 00:43:56,360
Speaker 2: Exciting. I'm so excited. So part one next week, everybody

859
00:43:56,400 --> 00:44:01,719
Speaker 2: watch it. It's called Mister Walsh Go to Washington Part one.

860
00:44:02,120 --> 00:44:05,759
Speaker 2: I wonder if Brandon's going to go to Washington or

861
00:44:05,920 --> 00:44:07,359
Speaker 2: is it Jim.

862
00:44:07,520 --> 00:44:08,480
Speaker 3: It's Rand