WEBVTT - Ish is Crazy: Kendrick Lamar Makes History 

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<v Speaker 1>Gee.

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<v Speaker 2>I'm a homegrowl that knows a little bit about everything

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<v Speaker 2>and everybody. You know, if you don't lie about that, right,

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<v Speaker 2>Lauren came, y'all we start with a clap, Bring Pat,

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<v Speaker 2>bring it the dope with me up?

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<v Speaker 1>Yes, the interview.

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<v Speaker 2>All right, y'all, welcome back to another episode of the

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<v Speaker 2>Latest with Lauren Rosa. I'm your host, Lauren Rosa, and

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<v Speaker 2>you know that this is your daily dig into all

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<v Speaker 2>things pop culture, exclusive news and the conversations that shake

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<v Speaker 2>the room. I'm the homegrowld and knows a bit about

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<v Speaker 2>everything and everybody. But joining me today, Brandon's here as

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<v Speaker 2>I am back. We got lost has been on the

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<v Speaker 2>podcast Call Those Poke is back Carlos Pop. That's his

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<v Speaker 2>podcast name, Carlos Poke. But we have a special guest

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<v Speaker 2>in the room. West Coast is in the building. DJ

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<v Speaker 2>Head is here round of a park.

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<v Speaker 1>Greetings and salutation, appreciate.

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<v Speaker 3>It's my first time meeting DJ Hend. We have some

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<v Speaker 3>wild conversations and I said, oh yeah, my first time

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<v Speaker 3>yeah interacting verbally, yes, so wow, ecy to see where

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<v Speaker 3>this podcast goes to.

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<v Speaker 2>All right, Well, the way that we kick off the

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<v Speaker 2>podcast Head your first time here is we do a

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<v Speaker 2>behind the grind, behind the scenes of the grind checking okay,

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<v Speaker 2>because you know, people, we be moving, we've been grooving.

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<v Speaker 2>You literally are here for like twenty four hours if

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<v Speaker 2>even that, literally exactly, and were working all day long

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<v Speaker 2>and people don't ask you how are you doing it?

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<v Speaker 2>If they do, they don't really mean it.

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<v Speaker 3>But here, never ask people how they do it because

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<v Speaker 3>I don't be genuinely giving the fuck. So I just

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<v Speaker 3>so people be like, hey, how you doing? Like, hey,

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<v Speaker 3>I don't like ask it back. Yeah, because it's a rhetorical.

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<v Speaker 2>Question, that's exactly. So normally, this is exactly why we

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<v Speaker 2>do it this way the way that we do it here,

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<v Speaker 2>because it is not rhetorical here. So I'm going to

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<v Speaker 2>ask you how are you doing? I honestly want to know.

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<v Speaker 2>It can be one word, it could be one sentence.

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<v Speaker 2>We keep it concise and then we dig a little

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<v Speaker 2>bit more. But it's real cute, but it's a real

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<v Speaker 2>check in. Okay, So how you doing that?

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<v Speaker 1>I'm blessed.

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<v Speaker 2>Oh blessed is a good know where you was gonna

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<v Speaker 2>go science?

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<v Speaker 3>Now I'm blessed. You know, I'm not sleeping, but I'm blessed.

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<v Speaker 2>Okay, why are you feeling blessed? Like is there something

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<v Speaker 2>specific that happened recently?

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<v Speaker 1>No, it's not that.

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<v Speaker 3>I mean, I'm definitely blessed with opportunities and stuff. But

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<v Speaker 3>I think that like anytime I just wake I think

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<v Speaker 3>life is really cool.

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<v Speaker 2>Yeah.

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<v Speaker 1>I wake up every.

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<v Speaker 3>Day and like I'll be in my house and I

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<v Speaker 3>see birds outside and may be chirping and ship.

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<v Speaker 1>I'm like, this is some cool ship.

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<v Speaker 3>Like life in general, like everything is like symbiotic and

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<v Speaker 3>working together, and so I'm just grateful for life and animation.

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<v Speaker 2>But that's a good way to think about things, that

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<v Speaker 2>life is really really cool. I feel blessed in the

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<v Speaker 2>moment as well. To Brandon, how you feeling.

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<v Speaker 3>I'm feeling good too, I'm feeling good as well. I

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<v Speaker 3>want to ask to what you said earlier about like this,

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<v Speaker 3>how are you questioned? My people I know overseas say

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<v Speaker 3>that's like an American thing where we'll say how are you.

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<v Speaker 1>And just walk right past, like we don't really know

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<v Speaker 1>what they do.

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<v Speaker 2>Overseas, they'd be like, hi, how are you.

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<v Speaker 3>Stop and be like, hey, I'm doingcast Americas be like

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<v Speaker 3>how are you? Just keep it moving, don't even care

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<v Speaker 3>how you do it.

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<v Speaker 2>Yeah, when I asked, y'all, hear how y'all doing? I

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<v Speaker 2>really care how you're doing. Oh, so use that I'm

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<v Speaker 2>stopping here, we're having conversations about you.

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<v Speaker 3>Was asking so we could just contemplate with ourselves.

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<v Speaker 2>No, I didn't want to know because it'd be a

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<v Speaker 2>lot going on. I feel like people who are career

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<v Speaker 2>busy and very like career and and like you know,

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<v Speaker 2>pushing through the grind, be compartmentalized very easily. And that

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<v Speaker 2>is a good thing, but it can also be a

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<v Speaker 2>bad thing because eventually, like those compartments get full and

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<v Speaker 2>I mean, had I know you don't like to be

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<v Speaker 2>vulnerable and stuff, but it's.

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<v Speaker 3>Not that I don't like to be vulnerable. I just

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<v Speaker 3>I just expressed myself differently than most people.

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<v Speaker 2>Okay, I'll take that.

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<v Speaker 1>But I'm emotionally divergent, divergent.

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<v Speaker 2>Please explain that, because that could have been how you

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<v Speaker 2>doing today, just like.

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<v Speaker 3>You know how people are neuro divergent, which I also

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<v Speaker 3>subscribe to. I think I'm emotionally divergent, meaning you're just

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<v Speaker 3>outside of the north.

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<v Speaker 2>Yeah, gotcha, Well, I mean inside or outside of the

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<v Speaker 2>The reason why I do it is just because I

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<v Speaker 2>feel like in my own personal life, I'm one to

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<v Speaker 2>be like, No, I'm cool, I'm cool, I'm cool, I'm cool.

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<v Speaker 2>And then it gets to a point where it starts

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<v Speaker 2>to show and work that I'm not cool, And then

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<v Speaker 2>I got to take a step back.

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<v Speaker 3>I think we're scared of the bad answers though, I'm

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<v Speaker 3>just that, like, God, damn, I got to really console

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<v Speaker 3>you and for you, and now I'm not mad that

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<v Speaker 3>your mom died anything. But it's a lot to take

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<v Speaker 3>it when somebody just throws why even indulge.

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<v Speaker 1>To be nice? To be nice, but.

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<v Speaker 3>It's not nice if it's disingenuous, if it's being if

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<v Speaker 3>you're being disingenuous, how is it nice.

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<v Speaker 1>Yeah, I'm it's just a courtesy.

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<v Speaker 3>I don't think you got to be I think they'll

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<v Speaker 3>still take it as a as a gesture.

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<v Speaker 1>I don't think you necessarily have to.

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<v Speaker 3>I feel like, genuine like genuinely know how somebody is doing.

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<v Speaker 3>That's a little nosy, Like it's really dull. It's a

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<v Speaker 3>little nosy to ask how you're doing and expect a

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<v Speaker 3>deep dive answer.

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<v Speaker 1>Yeah.

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<v Speaker 2>Well I think it's a setting as well too, So

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<v Speaker 2>like here, like if I went like my friends and

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<v Speaker 2>wear a like. It depends on who I'm talking to them,

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<v Speaker 2>where we are. Sometimes I do just say out of courtesy,

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<v Speaker 2>because it's like when you walk into a room you speak,

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<v Speaker 2>you have to speak like that type of thing. But

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<v Speaker 2>in other settings, if I ask, I really like, you know,

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<v Speaker 2>likew you doing, like how are you?

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<v Speaker 1>We just deep dive into the hell, let's get at

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<v Speaker 1>the topic. I just want to chime in.

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<v Speaker 4>There is this guy, a monk, Buddhist monk that he escaping,

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<v Speaker 4>moved in New York, you know. Yeah, his name is

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<v Speaker 4>Don Dapani, and he would say, he would say, don't

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<v Speaker 4>ask people how you doing, because you're asking to take

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<v Speaker 4>on that energy. Just send out good energy, like I

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<v Speaker 4>hope that well. So a lot of times you might

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<v Speaker 4>hear me say I hope all as well, or I'll

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<v Speaker 4>start an email off I hope all as well. If

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<v Speaker 4>it ain't, then ship I hope. But I ain't ask

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<v Speaker 4>you if it wasn't. I'm just correct.

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<v Speaker 2>I start my email stuff like that because I was

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<v Speaker 2>just trained at work that that's how you do.

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<v Speaker 4>Yeah, but when somebody give you that energy, you asking

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<v Speaker 4>for a lot because you ain't even start your day

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<v Speaker 4>sometimes like, ah.

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<v Speaker 2>Man, but you're feeling okay.

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<v Speaker 1>Yeah, I'm feeling great. I do.

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<v Speaker 4>I am beginning to think I may need to get

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<v Speaker 4>like evaluated. I think I might be on the spectrum

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<v Speaker 4>a little bit. I think I said something. I'm just

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<v Speaker 4>starting to think that way.

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<v Speaker 1>I might be.

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<v Speaker 2>Put it out there, but like.

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<v Speaker 1>It is because some people be sensitive.

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<v Speaker 4>So if I say I feel like I might be autistic,

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<v Speaker 4>then they might take that as like a like a

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<v Speaker 4>or if you know.

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<v Speaker 3>I'm with you, bro, Yeah, I feel like I'm a

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<v Speaker 3>little spectomy for sure.

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<v Speaker 2>What made y'all feel that way?

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<v Speaker 3>Because we're so different just because I'm neuro divergence is

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<v Speaker 3>not being the norm. I just think that I'm just

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<v Speaker 3>completely out the box. Most of time I come off

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<v Speaker 3>as insane, especially to women.

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<v Speaker 1>But Jesus, so it's so crazy.

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<v Speaker 2>Though, because I feel like you're like super comforting and

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<v Speaker 2>like like as a friend, you're like a really good friend.

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<v Speaker 1>Yeah, can I can? I can? I say an interesting?

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<v Speaker 4>It's kind of okay for us to talk like this

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<v Speaker 4>too in the beginning because we are the latest, Like

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<v Speaker 4>we are the latest, We're the next latest people gonna

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<v Speaker 4>be talking about us, So it's good people talk about

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<v Speaker 4>him all the time.

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<v Speaker 2>Yeah, we're sitting here with big money right now.

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<v Speaker 1>Yeah, we big on your show in our heart building.

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<v Speaker 1>Yeah yeah, Like what's not yet? Not yet?

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<v Speaker 2>People don't be like, I ain't got it. He just

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<v Speaker 2>said no, all right, Well, speaking of the latest, we

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<v Speaker 2>are going to get into the latest. And because we

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<v Speaker 2>have had here, y'all know, we're gonna get into some

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<v Speaker 2>k I the Kendrick Lamar is the first rapper in

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<v Speaker 2>history to gross over nine million dollars in a single concert.

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<v Speaker 2>Now it is being reported that the co headlining tour

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<v Speaker 2>between Kendrick Lamar and Sisa breaks Eminem's twenty nineteen record

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<v Speaker 2>in Melbourne, grossing that nine hundred million dollars, which is

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<v Speaker 2>a huge, huge deal, especially because in the beginning of

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<v Speaker 2>all this, when the GNX to announcement dropped, people were

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<v Speaker 2>saying people weren't gonna go out to seek people. People

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<v Speaker 2>literally said they people did not want to see it.

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<v Speaker 2>Kendrick Lamar set, yeah, I.

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<v Speaker 1>Don't think that's true, and they would.

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<v Speaker 4>It's like the first thing they need to do is

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<v Speaker 4>make a comparison between Kendrick and Drake his shows and

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<v Speaker 4>Kendrick shows and then say his shit ain't gonna sell out.

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<v Speaker 1>I don't know it was. I was there.

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<v Speaker 3>I was at the Atlanta show in the Mercedes Benz

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<v Speaker 3>Stadium not not Doom because it's not to be confused,

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<v Speaker 3>and mercedeses Been Stadium, and it.

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<v Speaker 1>Looked crazy to me.

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<v Speaker 3>I didn't see Hella open seats and all that kind

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<v Speaker 3>of shit.

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<v Speaker 1>It was packed.

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<v Speaker 2>Now, this is a thirty nine stop stadium tour.

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<v Speaker 1>That's insane.

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<v Speaker 3>I was nine stops, but that's not even including the

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<v Speaker 3>multiple days.

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<v Speaker 2>Yeah, oh, multiple days in different styles.

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<v Speaker 1>Yeah.

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<v Speaker 3>So he's doing three yet so far and at home

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<v Speaker 3>and at met Life. Yeah, two out here, three at home,

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<v Speaker 3>two in Toronto that I know about, so three at

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<v Speaker 3>home and so far. That's where the super Bowl was,

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<v Speaker 3>Like Taylor Swift, I think it's only the person that

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<v Speaker 3>did three days.

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<v Speaker 1>As so far.

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<v Speaker 2>Wow. Wow.

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<v Speaker 3>Yeah, I really think all that situation with Drake sent

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<v Speaker 3>them to another stratusphere. Obviously he was selling out before that,

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<v Speaker 3>but it really I don't think anybody could deny that

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<v Speaker 3>he wasn't going to Anybody could say he wasn't going

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<v Speaker 3>to do well after everything phenomenal Kendrick, after that phenomenal

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<v Speaker 3>year he had like away.

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<v Speaker 2>He wasn't doing that, So you feel like without not

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<v Speaker 2>like us, he couldn't do this.

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<v Speaker 3>No, No, I think it would have been it would

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<v Speaker 3>have been a little smaller. But I think he was

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<v Speaker 3>always selling out, sellout artists though well, because.

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<v Speaker 2>I asked you that, because Dad has been the conversation.

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<v Speaker 1>The numbers are astronomical.

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<v Speaker 2>But when this news broke, the conversation was he needed

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<v Speaker 2>Drake to do this. And people always throw that out

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<v Speaker 2>there about Kendrick and the conversation right now. But in

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<v Speaker 2>twenty twenty three, the Big Steppers Tour became the highest

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<v Speaker 2>grossing raptor of all time. It was eclipsed the following

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<v Speaker 2>year by Drake. It's all a blurred tour, but it

0:09:30.960 --> 0:09:33.440
<v Speaker 2>did happen first. So I think that I don't know

0:09:33.440 --> 0:09:35.000
<v Speaker 2>why it is with Kendrick and him. I don't know.

0:09:35.040 --> 0:09:38.040
<v Speaker 2>Maybe you a little closer to the source. People like that,

0:09:38.160 --> 0:09:40.640
<v Speaker 2>like Kendrick like this all just happened overnight for.

0:09:40.640 --> 0:09:45.520
<v Speaker 1>Him because people it's two things.

0:09:45.679 --> 0:09:49.520
<v Speaker 3>The first thing is people are super fans of Drake,

0:09:49.720 --> 0:09:52.240
<v Speaker 3>like Drake raised them. So it's like it's like telling

0:09:52.240 --> 0:09:53.520
<v Speaker 3>them that Santa Claus ain't real.

0:09:54.080 --> 0:09:55.280
<v Speaker 2>You can't tell me that you know.

0:09:55.240 --> 0:09:57.679
<v Speaker 3>What I'm saying, Like it's certain shit that you can't

0:09:57.720 --> 0:10:01.080
<v Speaker 3>say about certain people, for instance, even when even when

0:10:01.160 --> 0:10:04.480
<v Speaker 3>certain people are probably flawed just like everybody else, Like

0:10:04.559 --> 0:10:06.560
<v Speaker 3>you know what I mean, Like we have moguls that

0:10:06.600 --> 0:10:10.240
<v Speaker 3>are probably no longer heralded as what as what they

0:10:10.280 --> 0:10:12.800
<v Speaker 3>once were because you're around to find out that they're

0:10:12.880 --> 0:10:14.559
<v Speaker 3>just a human being like everybody else, you know what

0:10:14.559 --> 0:10:15.000
<v Speaker 3>I'm saying.

0:10:15.320 --> 0:10:17.800
<v Speaker 1>And so, my, that's the first thing.

0:10:17.840 --> 0:10:22.360
<v Speaker 3>The second thing is he's always been discounted the whole

0:10:22.400 --> 0:10:26.360
<v Speaker 3>the whole time. But he's been discounted for lack of

0:10:26.440 --> 0:10:28.560
<v Speaker 3>a better way, just saying, oh, he's not a star

0:10:28.960 --> 0:10:31.480
<v Speaker 3>just because he doesn't indulge in the fruits of being

0:10:31.520 --> 0:10:34.800
<v Speaker 3>a star. Right, So, and I said this before on

0:10:34.840 --> 0:10:36.520
<v Speaker 3>the air, but I think like he has the same

0:10:36.559 --> 0:10:40.000
<v Speaker 3>problem that like Yo kich has, you know on the

0:10:40.000 --> 0:10:42.960
<v Speaker 3>Denver Nuggets, Like he just win a championship and don't

0:10:42.960 --> 0:10:43.600
<v Speaker 3>even give a fuck.

0:10:44.280 --> 0:10:47.640
<v Speaker 1>He don't care, He just don't.

0:10:47.880 --> 0:10:51.439
<v Speaker 3>So you have somebody who's completely indulgent in being a superstar,

0:10:52.000 --> 0:10:54.280
<v Speaker 3>and you have somebody who don't even give a fuck about.

0:10:54.080 --> 0:10:57.560
<v Speaker 1>Being a superstar. Do you do you think Drake being

0:10:57.559 --> 0:11:00.400
<v Speaker 1>a Superstar Drake.

0:11:02.800 --> 0:11:07.199
<v Speaker 3>Drake cares about startlem is that a bad thing? Though

0:11:07.640 --> 0:11:09.439
<v Speaker 3>I don't would say it's a bad thing. Nothing is

0:11:09.480 --> 0:11:11.600
<v Speaker 3>bad and it's not necessarily a bad thing. It's how

0:11:11.640 --> 0:11:12.360
<v Speaker 3>you go about it.

0:11:12.480 --> 0:11:15.359
<v Speaker 2>Yeah, And you don't respect the way d goes about it.

0:11:16.080 --> 0:11:19.679
<v Speaker 3>Why, It just depends on it depends on what facet like.

0:11:20.160 --> 0:11:24.160
<v Speaker 3>For instance, the way that the way that he uses

0:11:24.240 --> 0:11:26.760
<v Speaker 3>culture to manipulate I don't.

0:11:26.800 --> 0:11:29.679
<v Speaker 1>I don't. I disagree with that because the AI stuff

0:11:29.679 --> 0:11:31.160
<v Speaker 1>with like snooping.

0:11:30.760 --> 0:11:32.840
<v Speaker 3>It wouldn't even be the AI stuff I'm talking about.

0:11:33.440 --> 0:11:36.200
<v Speaker 3>For instance, when you like, I'm not saying that there

0:11:36.240 --> 0:11:40.760
<v Speaker 3>aren't rough areas where He's from, but where where I'm from,

0:11:41.080 --> 0:11:43.439
<v Speaker 3>where God is from, you can't we call it false flagging.

0:11:43.520 --> 0:11:45.840
<v Speaker 3>You can't false flag. Like I don't never claim to

0:11:45.840 --> 0:11:47.559
<v Speaker 3>be a gamer. I'm not a gamer, but I'm considered

0:11:47.559 --> 0:11:49.440
<v Speaker 3>a non affiliate. So if I get on here and

0:11:49.440 --> 0:11:52.320
<v Speaker 3>start cousin and blood and stuff, I would get quote

0:11:52.400 --> 0:11:55.600
<v Speaker 3>unquote g checked when I get back home. But what

0:11:55.679 --> 0:11:59.079
<v Speaker 3>happens is when you don't get checked, you go without

0:11:59.240 --> 0:12:02.200
<v Speaker 3>checks and balance. Then you arrive at a place where

0:12:02.240 --> 0:12:04.760
<v Speaker 3>now you're the dictator of those checks and balances and

0:12:04.880 --> 0:12:05.160
<v Speaker 3>I E.

0:12:05.360 --> 0:12:07.240
<v Speaker 1>Kanye West, you know what I'm saying.

0:12:07.400 --> 0:12:10.199
<v Speaker 3>So now it's like you're allowed to just be whoever

0:12:10.200 --> 0:12:13.320
<v Speaker 3>you want to be without any without any repercussions. And

0:12:13.360 --> 0:12:15.719
<v Speaker 3>I think that's kind of like what's going on.

0:12:16.320 --> 0:12:19.559
<v Speaker 2>Well, recently, Young Thugs sat down with GQ magazine and

0:12:19.600 --> 0:12:21.560
<v Speaker 2>they asked him about the whole Kendrick Lamar Drake thing.

0:12:21.679 --> 0:12:23.360
<v Speaker 2>He's like, I don't know where this came from because

0:12:23.520 --> 0:12:26.520
<v Speaker 2>I'm like, I'm a Drake fan, Like, I don't understand

0:12:26.520 --> 0:12:28.840
<v Speaker 2>why Kendrick Lamar brought me into it. Yeah, I mean,

0:12:28.880 --> 0:12:30.640
<v Speaker 2>I get what you're saying as far as culture, but

0:12:30.720 --> 0:12:33.439
<v Speaker 2>like when you got people like Young Thugs saying like, yeah, nah,

0:12:33.440 --> 0:12:35.640
<v Speaker 2>but I don't subscribe to that, doesn't that that doesn't

0:12:35.679 --> 0:12:37.280
<v Speaker 2>help what you're saying, because no.

0:12:37.559 --> 0:12:40.199
<v Speaker 3>But everybody has their own experience. Just like some people

0:12:40.200 --> 0:12:44.000
<v Speaker 3>would say, you know, they're probably individual. There might be

0:12:44.040 --> 0:12:47.599
<v Speaker 3>individuals that say Weinstein was a good man. You know

0:12:47.600 --> 0:12:51.199
<v Speaker 3>what I'm saying. I'm saying, Epstein got you. You know

0:12:51.200 --> 0:12:52.960
<v Speaker 3>what I'm saying. I think Kendrick's point was that he

0:12:53.040 --> 0:12:55.600
<v Speaker 3>was keeping these people around him for credibility exactly.

0:12:55.640 --> 0:12:57.960
<v Speaker 2>But I'm saying if Kendrick's point is you keeping all

0:12:57.960 --> 0:13:00.199
<v Speaker 2>these people around you for credibility and to be able

0:13:00.240 --> 0:13:02.240
<v Speaker 2>to like, you know what I mean, falsely throw this flag.

0:13:02.520 --> 0:13:05.079
<v Speaker 2>But the people who are around you are like, I mean,

0:13:05.160 --> 0:13:08.120
<v Speaker 2>but that's my booy, that's my homie. It doesn't there's

0:13:08.200 --> 0:13:10.559
<v Speaker 2>no like, there's no checking, there's no big homies that

0:13:10.600 --> 0:13:12.439
<v Speaker 2>are like, no, this is not okay. Correct, Like if

0:13:12.440 --> 0:13:15.160
<v Speaker 2>young Thug I said, I'm a Drake Finn, but like

0:13:15.200 --> 0:13:16.959
<v Speaker 2>I get with Kendrick is saying, because like, nah, this

0:13:17.000 --> 0:13:18.560
<v Speaker 2>is our shit, that would have been different.

0:13:18.640 --> 0:13:21.360
<v Speaker 3>He wouldn't say that because that's his homie though. But

0:13:21.440 --> 0:13:23.960
<v Speaker 3>also see that's what I'm saying, Like, where we're at

0:13:23.960 --> 0:13:26.360
<v Speaker 3>in the culture is the two things are conflated. You

0:13:26.440 --> 0:13:29.280
<v Speaker 3>have street, you have we called glasses called street.

0:13:29.120 --> 0:13:30.280
<v Speaker 1>Urban culture, and you have rap.

0:13:30.679 --> 0:13:33.280
<v Speaker 3>Those two separate things that get conflated because hip hop

0:13:33.559 --> 0:13:37.000
<v Speaker 3>is looked at as this one umbrella. So where we're from,

0:13:37.280 --> 0:13:40.040
<v Speaker 3>it doesn't matter if you've done something. For instance, you

0:13:40.040 --> 0:13:42.000
<v Speaker 3>could take Lil Wayne. For instance, Little Wayne is from

0:13:42.040 --> 0:13:45.679
<v Speaker 3>New Orleans, Louisiana, right, but he's also quote unquote from

0:13:45.679 --> 0:13:49.719
<v Speaker 3>the mob Mob Poude. That's in quote unquote Encompton. Right,

0:13:50.080 --> 0:13:52.640
<v Speaker 3>so if one of my o G hommies, I ain't

0:13:52.640 --> 0:13:54.880
<v Speaker 3>gonna say no names one of the hommies. And he's

0:13:54.920 --> 0:13:57.480
<v Speaker 3>like a reptable from that section, and he says, this

0:13:57.520 --> 0:14:00.559
<v Speaker 3>is my little homie Wayne. He from the section. That's

0:14:00.640 --> 0:14:04.480
<v Speaker 3>law meaning there's no questioning. You don't get to you don't.

0:14:04.720 --> 0:14:06.600
<v Speaker 3>That's just what it is. It's my homie from and

0:14:06.600 --> 0:14:07.439
<v Speaker 3>now he from the section.

0:14:07.800 --> 0:14:09.960
<v Speaker 1>You get what I'm saying. So I'm not saying that

0:14:09.960 --> 0:14:10.280
<v Speaker 1>that's what.

0:14:10.280 --> 0:14:13.000
<v Speaker 3>Thug is doing, but it's just different things that are

0:14:13.120 --> 0:14:14.160
<v Speaker 3>not the same thing.

0:14:14.320 --> 0:14:15.360
<v Speaker 1>One to one in hip hop.

0:14:15.880 --> 0:14:18.840
<v Speaker 2>Got you well, I mean, it's coming on a year

0:14:19.040 --> 0:14:21.600
<v Speaker 2>this week that everything happened. I remember I was in

0:14:22.880 --> 0:14:24.680
<v Speaker 2>y'all remember where y'all were were not like us draw

0:14:24.840 --> 0:14:26.760
<v Speaker 2>It's crazy, but for real, I was in a party

0:14:26.760 --> 0:14:28.960
<v Speaker 2>for Single Day Mayo. It was Single Day Mayo, right.

0:14:29.440 --> 0:14:31.840
<v Speaker 2>I was in party. I was drunk, I remember, and

0:14:31.880 --> 0:14:33.720
<v Speaker 2>then somebody came to me. I was in Delaware and

0:14:33.760 --> 0:14:36.080
<v Speaker 2>it was like Kendrid finally dropped because he was waiting

0:14:36.080 --> 0:14:39.120
<v Speaker 2>on it. Yeah, and then they played then like us.

0:14:39.400 --> 0:14:41.360
<v Speaker 4>I felt like Kendrick was trying to say, like when

0:14:41.360 --> 0:14:43.000
<v Speaker 4>he did the party the party died.

0:14:43.760 --> 0:14:44.600
<v Speaker 1>Watch the party die.

0:14:44.520 --> 0:14:47.280
<v Speaker 4>Watch the party die. It was like his music did

0:14:47.320 --> 0:14:49.960
<v Speaker 4>that without saying it right. It was like, I'm gonna

0:14:49.960 --> 0:14:52.000
<v Speaker 4>show y'all how to party differently. I'm gonna show you

0:14:52.040 --> 0:14:53.880
<v Speaker 4>how to embrace who you are as a black person.

0:14:53.920 --> 0:14:57.240
<v Speaker 4>I feel like Drake's music, while it's good and it's

0:14:57.240 --> 0:14:58.440
<v Speaker 4>fancy and you can dance to.

0:14:58.400 --> 0:15:02.400
<v Speaker 1>It, I do feel like he he like he didn't.

0:15:02.520 --> 0:15:03.360
<v Speaker 1>He didn't grow.

0:15:03.280 --> 0:15:05.960
<v Speaker 4>Up the way that we or it doesn't feel like

0:15:06.280 --> 0:15:08.080
<v Speaker 4>he grew up the way that we did. But he

0:15:08.160 --> 0:15:10.480
<v Speaker 4>knew how to speak to it. And because he knew

0:15:10.480 --> 0:15:11.960
<v Speaker 4>how to speak to it, then he can make music

0:15:11.960 --> 0:15:12.320
<v Speaker 4>around it.

0:15:12.360 --> 0:15:13.160
<v Speaker 1>And you get what I'm saying.

0:15:13.880 --> 0:15:16.760
<v Speaker 2>How y'all feel about? When Kendrick brought out play with Cardi,

0:15:16.800 --> 0:15:18.640
<v Speaker 2>people were upset about it. They said that like he

0:15:18.760 --> 0:15:22.120
<v Speaker 2>was basically exploiting artists for like the same thing that

0:15:22.160 --> 0:15:23.800
<v Speaker 2>he accuses Drake of doing. How ya feel about that?

0:15:23.800 --> 0:15:25.560
<v Speaker 3>It's a bunch of people who aren't part of the

0:15:25.640 --> 0:15:29.400
<v Speaker 3>music game, commenting on the music game. Like he was

0:15:29.400 --> 0:15:32.120
<v Speaker 3>in Atlanta, he brought out Playboy Cardi, who's from Atlanta,

0:15:32.840 --> 0:15:35.760
<v Speaker 3>and they have three songs. DoD gave him three features

0:15:35.800 --> 0:15:37.480
<v Speaker 3>on the album. Yeah, and they performed one of the

0:15:37.480 --> 0:15:40.960
<v Speaker 3>biggest records right now. So I don't understand people are

0:15:41.000 --> 0:15:41.440
<v Speaker 3>just silly.

0:15:42.320 --> 0:15:44.840
<v Speaker 2>So do y'all feel like people are ever going to

0:15:44.840 --> 0:15:46.480
<v Speaker 2>get to a point where like this because you're not

0:15:46.520 --> 0:15:48.600
<v Speaker 2>like people beef and then we just like on the

0:15:48.640 --> 0:15:50.400
<v Speaker 2>won't even really talk about it. We're talking about this

0:15:50.440 --> 0:15:52.240
<v Speaker 2>as if like like I mean, it is history, but

0:15:52.520 --> 0:15:54.240
<v Speaker 2>you know what I mean, like we just remembered where

0:15:54.280 --> 0:15:57.040
<v Speaker 2>we were when songs dropped. You think that that feeling

0:15:57.040 --> 0:16:00.200
<v Speaker 2>will last like generational or like eventually, like.

0:16:00.280 --> 0:16:02.320
<v Speaker 1>Yo, what feeling of this specific?

0:16:02.520 --> 0:16:04.440
<v Speaker 2>Like, yo, you remember where you were when not like

0:16:04.480 --> 0:16:05.840
<v Speaker 2>a dropped when the beef started.

0:16:05.960 --> 0:16:07.960
<v Speaker 3>I think it was definitely a moment in time hip

0:16:07.960 --> 0:16:10.120
<v Speaker 3>hop especially I definitely always.

0:16:09.800 --> 0:16:11.480
<v Speaker 1>Remember numbers why super Bowl?

0:16:11.920 --> 0:16:14.760
<v Speaker 4>But then the only comparison that I can have that

0:16:14.920 --> 0:16:17.600
<v Speaker 4>I remember and I was young was jay Z and

0:16:17.720 --> 0:16:20.640
<v Speaker 4>Nas and I felt like that for a long time,

0:16:20.800 --> 0:16:26.440
<v Speaker 4>and they became friends on top of that, like damn Drake,

0:16:26.720 --> 0:16:29.040
<v Speaker 4>and then after they became friends, look how long it

0:16:29.080 --> 0:16:31.960
<v Speaker 4>took for people to actually like, all right, like okay,

0:16:31.960 --> 0:16:32.880
<v Speaker 4>they're friends, Like.

0:16:32.800 --> 0:16:33.440
<v Speaker 1>It's not a game.

0:16:33.480 --> 0:16:35.360
<v Speaker 2>I don't think Drake and Kendrick ever becoming friends.

0:16:35.960 --> 0:16:38.200
<v Speaker 1>And I think in the moment of that is.

0:16:38.200 --> 0:16:40.280
<v Speaker 2>That I mean, am I crazy for I don't see

0:16:40.320 --> 0:16:42.240
<v Speaker 2>your happiness? Yeah, I don't see that happening.

0:16:42.400 --> 0:16:43.160
<v Speaker 1>Weren't before.

0:16:43.640 --> 0:16:47.440
<v Speaker 3>But also you got to understand, like he one person

0:16:47.520 --> 0:16:50.600
<v Speaker 3>crossed the line before the other person. So I think

0:16:50.640 --> 0:16:53.120
<v Speaker 3>that's the nuance. It gets lost in translation. It's just

0:16:53.200 --> 0:16:57.640
<v Speaker 3>like you know, it's like if he said it in

0:16:57.680 --> 0:16:59.360
<v Speaker 3>the record. But when you get offer, when you offer

0:16:59.400 --> 0:17:03.400
<v Speaker 3>somebody a friend, that's amongst the homies, like if we homies,

0:17:03.440 --> 0:17:04.800
<v Speaker 3>I'll offer you a friendly fade.

0:17:05.480 --> 0:17:08.160
<v Speaker 1>That's like that. Again. That's where I.

0:17:08.119 --> 0:17:11.879
<v Speaker 3>Think the disconnected is happening in these conversations street urban culture,

0:17:12.640 --> 0:17:15.879
<v Speaker 3>rap music and rap music. He can't say that about

0:17:15.880 --> 0:17:20.720
<v Speaker 3>you street urban culture. There is no rules rap world.

0:17:21.000 --> 0:17:25.960
<v Speaker 3>Is you cross the line street urban culture. I gave

0:17:26.000 --> 0:17:27.680
<v Speaker 3>you a line, you crossed it. Now it's now, it

0:17:27.720 --> 0:17:30.760
<v Speaker 3>doesn't matter now no lines exist. That's the difference.

0:17:30.840 --> 0:17:32.720
<v Speaker 1>Yeah, And that's what happened.

0:17:33.800 --> 0:17:36.560
<v Speaker 3>So it was a specific line cross that's your a

0:17:36.560 --> 0:17:38.960
<v Speaker 3>fan to I mean, I think he said, we ain't

0:17:38.960 --> 0:17:40.760
<v Speaker 3>got to keep we ain't gotta make it personal. I

0:17:40.760 --> 0:17:43.080
<v Speaker 3>think Drake made it personal first and then after that

0:17:43.880 --> 0:17:45.920
<v Speaker 3>all see the thing is once.

0:17:46.280 --> 0:17:48.080
<v Speaker 1>Where where where I'm where we're from?

0:17:48.560 --> 0:17:50.399
<v Speaker 3>If I give you a line and I say, hey, bro,

0:17:50.520 --> 0:17:54.040
<v Speaker 3>let's let's have a fight because we just having a disagreement, right,

0:17:54.520 --> 0:17:57.280
<v Speaker 3>and you tell me where I'm from, you tell me

0:17:57.359 --> 0:18:00.320
<v Speaker 3>all right, look that we could fight. But you know,

0:18:00.440 --> 0:18:02.800
<v Speaker 3>like I got shot and I got I got a

0:18:02.880 --> 0:18:05.320
<v Speaker 3>bad rib. Don't hit me in my rib. Just keep

0:18:05.359 --> 0:18:07.400
<v Speaker 3>you and I just keep I hit you in the rib.

0:18:07.800 --> 0:18:08.760
<v Speaker 3>You like, bro, what the fuck?

0:18:09.800 --> 0:18:10.159
<v Speaker 1>Now?

0:18:11.000 --> 0:18:13.400
<v Speaker 3>There are no rules because you gave me the line

0:18:13.440 --> 0:18:14.399
<v Speaker 3>and I stepped over it.

0:18:14.480 --> 0:18:16.800
<v Speaker 2>Okay, behind the scenes, because there were there were things

0:18:16.800 --> 0:18:19.360
<v Speaker 2>that claims of like people being removed from like songs

0:18:19.440 --> 0:18:21.040
<v Speaker 2>or like something like that because they were associated with

0:18:21.080 --> 0:18:23.119
<v Speaker 2>Kendrick and then the lawsuit came and like like that

0:18:23.160 --> 0:18:25.120
<v Speaker 2>type of stuff. Or was it like Drake was really

0:18:25.160 --> 0:18:26.920
<v Speaker 2>trying to be outside in the streets.

0:18:27.000 --> 0:18:28.439
<v Speaker 1>No, it ain't none of that.

0:18:28.480 --> 0:18:31.639
<v Speaker 3>It's just if I have a conversation with you about

0:18:31.680 --> 0:18:32.560
<v Speaker 3>what the line is.

0:18:32.720 --> 0:18:34.439
<v Speaker 2>So they had a conversation about what the I'm.

0:18:34.280 --> 0:18:35.320
<v Speaker 1>Not saying that I'm saying.

0:18:35.359 --> 0:18:38.000
<v Speaker 3>If I do have a conversation with you and you

0:18:38.040 --> 0:18:40.040
<v Speaker 3>step over that line, that we that I that I

0:18:40.240 --> 0:18:41.000
<v Speaker 3>presented to you.

0:18:41.400 --> 0:18:42.159
<v Speaker 1>Now it's up.

0:18:43.560 --> 0:18:45.800
<v Speaker 4>I thought, like low key put it into music though,

0:18:45.880 --> 0:18:48.800
<v Speaker 4>like yo, well, once you talked about his family and

0:18:48.840 --> 0:18:51.600
<v Speaker 4>his children and who they messing with, stuff like that,

0:18:51.600 --> 0:18:52.280
<v Speaker 4>that's the line.

0:18:52.320 --> 0:18:55.359
<v Speaker 3>If I tell you my line and you intentionally cross it,

0:18:55.880 --> 0:18:57.920
<v Speaker 3>there is no such thing as I went too far.

0:18:59.320 --> 0:19:01.159
<v Speaker 2>Well, I mean, we don't even have time to get

0:19:01.200 --> 0:19:03.359
<v Speaker 2>to other topics because you had such a great comments.

0:19:03.359 --> 0:19:04.879
<v Speaker 2>So no, but I've enjoyed the hanging out with the

0:19:04.920 --> 0:19:09.040
<v Speaker 2>guys on the podcast today. We do so what we

0:19:09.040 --> 0:19:11.800
<v Speaker 2>do after we get through our latest our topic rundown

0:19:11.920 --> 0:19:13.800
<v Speaker 2>is we take it outside to the streets and the tweets,

0:19:13.800 --> 0:19:16.440
<v Speaker 2>which is anything that's happened in conversation on the internet

0:19:16.680 --> 0:19:20.080
<v Speaker 2>for the teet be outside, were outside, we outside.

0:19:19.600 --> 0:19:22.440
<v Speaker 1>Okad tweets every other page.

0:19:22.720 --> 0:19:26.880
<v Speaker 2>So I actually went to your twitter head and oh

0:19:26.960 --> 0:19:27.720
<v Speaker 2>my god.

0:19:27.760 --> 0:19:29.720
<v Speaker 3>You're such I feel like people never earn the list.

0:19:29.960 --> 0:19:31.480
<v Speaker 3>People will never remember what they tweeted.

0:19:31.960 --> 0:19:34.600
<v Speaker 4>Oh I know everything you tweeted in twenty thirteen.

0:19:35.160 --> 0:19:36.360
<v Speaker 1>I stand on my tweets.

0:19:36.720 --> 0:19:38.560
<v Speaker 3>I don't have a tweets before twenty fourteen because I

0:19:38.560 --> 0:19:41.240
<v Speaker 3>got rid of them. But anything after twenty oh yeah,

0:19:41.480 --> 0:19:43.960
<v Speaker 3>I gotta put you off. You got no, you don't.

0:19:44.160 --> 0:19:47.000
<v Speaker 3>I don't know, but yeah, I'm a nerd, so I'll

0:19:47.040 --> 0:19:49.760
<v Speaker 3>figure it out. But yeah, so any tweet that just

0:19:49.840 --> 0:19:51.000
<v Speaker 3>out there, I stayed on my shit.

0:19:51.600 --> 0:19:53.840
<v Speaker 2>Well, I mean it wasn't a crazy one. But now

0:19:53.840 --> 0:19:55.200
<v Speaker 2>you've got me going down your time not trying to

0:19:55.200 --> 0:19:55.919
<v Speaker 2>find her crazy one.

0:19:55.920 --> 0:19:57.919
<v Speaker 1>The way you reacted, it's not gonna be anything crazy.

0:19:57.920 --> 0:19:59.600
<v Speaker 2>No, I don't see nothing crazy, but you you had

0:19:59.640 --> 0:20:02.480
<v Speaker 2>tweeted videos out from the Kendrick Lamar concert and you

0:20:02.800 --> 0:20:05.600
<v Speaker 2>captioned it. You can't fake influence. Correct A great way

0:20:05.640 --> 0:20:07.720
<v Speaker 2>to end the show, because I think right now you

0:20:07.760 --> 0:20:09.720
<v Speaker 2>also have a pen tweet that says I'm not a journalist.

0:20:09.720 --> 0:20:12.240
<v Speaker 1>I'm a DJ because I respect journalists.

0:20:12.320 --> 0:20:13.960
<v Speaker 2>And I remember during the time of all the back

0:20:14.000 --> 0:20:16.040
<v Speaker 2>and forth, when you know people were looking you were

0:20:16.080 --> 0:20:18.560
<v Speaker 2>the one of the Kendrick sources and academics was on

0:20:18.560 --> 0:20:20.840
<v Speaker 2>the other side with Drake. I don't know if people

0:20:20.920 --> 0:20:23.040
<v Speaker 2>knew how to title you because the information was coming

0:20:23.080 --> 0:20:24.479
<v Speaker 2>from you a lot. Sometimes.

0:20:24.680 --> 0:20:27.240
<v Speaker 3>Well, I know that that person claims to be the best,

0:20:27.240 --> 0:20:29.239
<v Speaker 3>the number one journalists in the game, and I just

0:20:29.280 --> 0:20:31.680
<v Speaker 3>have I have too much respect for I think journalism

0:20:31.800 --> 0:20:35.280
<v Speaker 3>is a craft, just like being a doctor or a lawyer. Yeah,

0:20:35.320 --> 0:20:37.960
<v Speaker 3>and so I respect journalists too much to just pop

0:20:38.000 --> 0:20:39.240
<v Speaker 3>out of me like I'm a journalist.

0:20:39.440 --> 0:20:42.760
<v Speaker 2>Yeah. I don't think that academics is a journalist at all.

0:20:43.119 --> 0:20:44.600
<v Speaker 2>I think the machine.

0:20:44.280 --> 0:20:45.879
<v Speaker 1>Get a drunk rent, that is fine.

0:20:46.000 --> 0:20:49.000
<v Speaker 2>I think whatever, the machine of what he's built, I say,

0:20:49.040 --> 0:20:51.040
<v Speaker 2>I always I respect the machine of what he's built,

0:20:51.119 --> 0:20:52.959
<v Speaker 2>But he is not a journalist. I think we as

0:20:53.040 --> 0:20:56.640
<v Speaker 2>journalists we vet things a lot differently, we have conversations

0:20:56.680 --> 0:20:58.240
<v Speaker 2>a lot differently. I'm not mad at what he's doing,

0:20:58.320 --> 0:21:00.199
<v Speaker 2>but I think that there does always need to be

0:21:00.320 --> 0:21:04.000
<v Speaker 2>a defining point of anybody who does something at a

0:21:04.480 --> 0:21:07.400
<v Speaker 2>he's a professional. But like it's different.

0:21:07.880 --> 0:21:10.640
<v Speaker 3>Like I know you on the radio and you come

0:21:10.720 --> 0:21:13.199
<v Speaker 3>from a background of journalism, which you know, there's two

0:21:13.280 --> 0:21:17.440
<v Speaker 3>things that exist within the confines of broadcasts and door journalism,

0:21:17.480 --> 0:21:21.000
<v Speaker 3>whether it's print or any kind of signal, right, and

0:21:21.080 --> 0:21:25.040
<v Speaker 3>the two things are one is journalistic kenteckrity and the

0:21:25.080 --> 0:21:26.879
<v Speaker 3>second one thing is something called libel.

0:21:26.920 --> 0:21:28.720
<v Speaker 1>Go look up Libel, kids.

0:21:28.840 --> 0:21:32.400
<v Speaker 3>And so I think, what, because you don't learn these

0:21:32.400 --> 0:21:34.840
<v Speaker 3>things when you just turn on your stream or whatever.

0:21:35.359 --> 0:21:37.440
<v Speaker 3>You just you could say whatever you want to say,

0:21:37.480 --> 0:21:39.720
<v Speaker 3>and then you end up like Tasha k And so

0:21:39.840 --> 0:21:40.919
<v Speaker 3>I think, like, oh.

0:21:40.840 --> 0:21:43.159
<v Speaker 2>The menopause, Mattie, she talks about us too.

0:21:43.280 --> 0:21:45.880
<v Speaker 3>And so I think, and so I think what happens

0:21:46.000 --> 0:21:49.520
<v Speaker 3>is people just start podcasts, get cameras, get mics, and

0:21:49.600 --> 0:21:51.880
<v Speaker 3>start saying what they think and then be like, oh,

0:21:52.000 --> 0:21:55.119
<v Speaker 3>DJ heads, he's being cryptic, He's not being real. It's like, no,

0:21:55.160 --> 0:21:57.240
<v Speaker 3>there's such a thing called libel. Say that I take

0:21:57.280 --> 0:21:59.320
<v Speaker 3>serious because I'm a professional fucking broadcaster.

0:22:00.040 --> 0:22:01.080
<v Speaker 1>I'm saying what I'm saying, and.

0:22:01.040 --> 0:22:04.360
<v Speaker 3>So if you look up liable, you'll understand where these

0:22:04.400 --> 0:22:06.840
<v Speaker 3>things and why these safeguards are in place.

0:22:06.920 --> 0:22:09.879
<v Speaker 2>Yeah, well, I want to read some of the responses

0:22:10.200 --> 0:22:13.600
<v Speaker 2>to your tweet. The tweet was can't fake the influence,

0:22:13.720 --> 0:22:17.560
<v Speaker 2>and somebody said Junior shoots a mind of Junior is

0:22:17.600 --> 0:22:21.200
<v Speaker 2>his ad said just left the show it was rocking Reo.

0:22:21.400 --> 0:22:23.280
<v Speaker 2>I think this is a bot page though, because Yeah,

0:22:23.840 --> 0:22:26.080
<v Speaker 2>I've noticed every time Kendrick sees a rise of popularity,

0:22:26.119 --> 0:22:29.920
<v Speaker 2>Drake is somehow involved. Take Care Future Slash Tour, fin

0:22:30.000 --> 0:22:34.840
<v Speaker 2>Problems feature KJMC slash Poetic Justice, promo control Verse controversy.

0:22:34.960 --> 0:22:37.840
<v Speaker 2>Then the beef. We talked about that a bit. Somebody

0:22:37.880 --> 0:22:40.760
<v Speaker 2>said pronolo fourteen. So unfortunately I won't be able to

0:22:40.800 --> 0:22:43.480
<v Speaker 2>attend these shows. So I've been living through the videos,

0:22:43.520 --> 0:22:45.880
<v Speaker 2>y'all post no cap. This show is based just based

0:22:45.880 --> 0:22:48.560
<v Speaker 2>on video scene, like the crowd was efing lit up.

0:22:49.160 --> 0:22:50.960
<v Speaker 2>They tried to play with Kendrick at the super Bowl

0:22:51.040 --> 0:22:54.639
<v Speaker 2>with the videos behind the scenes. Does he have anything

0:22:54.680 --> 0:22:56.080
<v Speaker 2>to prove at this point? Because of that?

0:22:56.160 --> 0:22:57.120
<v Speaker 1>He don't even care?

0:22:57.880 --> 0:23:00.119
<v Speaker 2>He really don't care at all? Is he always he's

0:23:00.119 --> 0:23:01.840
<v Speaker 2>some bother? Has he gotten to a place with this

0:23:01.880 --> 0:23:03.800
<v Speaker 2>where he's in a good place? So he's unbothered.

0:23:03.840 --> 0:23:05.360
<v Speaker 1>Now if you.

0:23:05.320 --> 0:23:07.680
<v Speaker 3>Watch the squabble up video and you look at it

0:23:07.840 --> 0:23:10.159
<v Speaker 3>and you look at his face, that's how he is.

0:23:11.000 --> 0:23:13.480
<v Speaker 3>The day not like us came out and I called

0:23:13.560 --> 0:23:15.719
<v Speaker 3>him like, hey, bro, you I'm going crazy.

0:23:15.800 --> 0:23:18.560
<v Speaker 1>This is crazy? You want? He said? Man, he didn't

0:23:18.560 --> 0:23:19.800
<v Speaker 1>even give He don't even give.

0:23:19.680 --> 0:23:21.960
<v Speaker 3>A Does he have those feelings going into the Toronto

0:23:21.960 --> 0:23:23.360
<v Speaker 3>shows like it's this is nothing?

0:23:23.400 --> 0:23:25.800
<v Speaker 1>It's nothing, It's nothing, bro. I'll give you an example.

0:23:25.960 --> 0:23:28.480
<v Speaker 3>Last the last show, I went and seen him backstage

0:23:29.320 --> 0:23:31.960
<v Speaker 3>and we had a moment because when he got the

0:23:32.040 --> 0:23:33.159
<v Speaker 3>key to the city and Compton.

0:23:33.640 --> 0:23:34.200
<v Speaker 1>I was there.

0:23:34.720 --> 0:23:38.000
<v Speaker 3>I'm sitting on the mayor's desk in her office. No bullshit,

0:23:38.040 --> 0:23:40.240
<v Speaker 3>I'm sitting at her desk and I'm holding this key

0:23:40.280 --> 0:23:42.119
<v Speaker 3>to the city. I'm looking at this nigga and I'm like,

0:23:42.600 --> 0:23:44.840
<v Speaker 3>this shit crazy. He was like, Bro, this shit crazy.

0:23:45.320 --> 0:23:45.720
<v Speaker 1>So that's it.

0:23:45.840 --> 0:23:48.160
<v Speaker 3>And then we was backstage at one of the shows

0:23:48.280 --> 0:23:50.440
<v Speaker 3>and I was like, Bro, I'm looking I'm like this

0:23:50.520 --> 0:23:52.720
<v Speaker 3>shit crazy. He's like, Bro, this shit crazy to me too.

0:23:53.600 --> 0:23:54.840
<v Speaker 3>That's just that's the reaction.

0:23:54.960 --> 0:23:57.639
<v Speaker 2>It's like he's still like kind of not coming to

0:23:57.720 --> 0:24:01.159
<v Speaker 2>terms with it, but it's like man like, he's so

0:24:01.240 --> 0:24:02.639
<v Speaker 2>much in front of him, he's not looking at all

0:24:02.680 --> 0:24:04.320
<v Speaker 2>the other stuff he said.

0:24:04.480 --> 0:24:06.520
<v Speaker 3>He says, it's the work and it's just you put

0:24:06.560 --> 0:24:08.200
<v Speaker 3>in the way you gotta put that.

0:24:08.200 --> 0:24:10.880
<v Speaker 2>That just made my heart feel so warm, because that's

0:24:10.880 --> 0:24:11.840
<v Speaker 2>how I feel about life.

0:24:11.880 --> 0:24:13.120
<v Speaker 1>It's the work and when you.

0:24:13.119 --> 0:24:15.600
<v Speaker 2>Head down and doing the work. A lot of that stuff,

0:24:15.640 --> 0:24:17.000
<v Speaker 2>like when I say, even if you do feel like

0:24:17.000 --> 0:24:18.600
<v Speaker 2>stop playing with me, it just doesn't matter.

0:24:18.720 --> 0:24:21.760
<v Speaker 1>It's so small none, none of this shit matters in

0:24:21.840 --> 0:24:22.280
<v Speaker 1>real life.

0:24:23.040 --> 0:24:23.440
<v Speaker 2>Wow.

0:24:23.560 --> 0:24:26.480
<v Speaker 4>And he seems like, but the actuality just remember that

0:24:26.520 --> 0:24:29.679
<v Speaker 4>in hindsight. All this shit is something, and that's what

0:24:29.720 --> 0:24:33.280
<v Speaker 4>I think that people don't look at like your life

0:24:33.520 --> 0:24:35.280
<v Speaker 4>is a story for somebody else.

0:24:35.560 --> 0:24:36.560
<v Speaker 1>That's how I look at my life.

0:24:36.800 --> 0:24:39.560
<v Speaker 4>So it's important to like, yeah, you got your head down,

0:24:39.600 --> 0:24:43.119
<v Speaker 4>you're working, but also know that take a second to

0:24:43.200 --> 0:24:46.160
<v Speaker 4>take it in and say, Yo, this shit crazy.

0:24:46.520 --> 0:24:47.040
<v Speaker 1>You know what I mean.

0:24:47.119 --> 0:24:48.600
<v Speaker 2>That's how I feels sitting here with y'all. Right now,

0:24:48.640 --> 0:24:50.920
<v Speaker 2>coming from TV is so different to radio and being

0:24:50.920 --> 0:24:53.640
<v Speaker 2>a journalist coming on the radio where they especially Breakfast Club,

0:24:53.680 --> 0:24:55.600
<v Speaker 2>they say and do what they want. They get crazy.

0:24:56.280 --> 0:24:58.280
<v Speaker 2>I was freaking out a lot of times, and you

0:24:58.400 --> 0:25:02.280
<v Speaker 2>always just tell me shut up. Yeah, literally like literally,

0:25:02.359 --> 0:25:04.200
<v Speaker 2>Like that's how he and he thinks it's so funny.

0:25:04.320 --> 0:25:06.040
<v Speaker 2>Like one time I call him crashing out, he just

0:25:06.119 --> 0:25:09.760
<v Speaker 2>laughs like no, But I I just had has helped

0:25:09.800 --> 0:25:12.879
<v Speaker 2>me through like some really crazy times in radio, figuring

0:25:12.880 --> 0:25:15.600
<v Speaker 2>out this whole navigation because he comes from radio so

0:25:15.840 --> 0:25:17.640
<v Speaker 2>and then now we're here on the podcast because he's

0:25:17.680 --> 0:25:19.600
<v Speaker 2>here in New York, so this is like a man,

0:25:19.640 --> 0:25:21.399
<v Speaker 2>this is crazy moment for me too. So thank you

0:25:21.400 --> 0:25:23.160
<v Speaker 2>for joining us, Los, Thank you for joining us.

0:25:23.160 --> 0:25:25.199
<v Speaker 1>For sure, thank you, thank you for having us.

0:25:25.480 --> 0:25:27.920
<v Speaker 2>Yeah, y'all, So where have we learned from today's episode

0:25:27.920 --> 0:25:28.800
<v Speaker 2>besides shut that.

0:25:28.920 --> 0:25:30.919
<v Speaker 1>Up only takeaway?

0:25:33.080 --> 0:25:36.080
<v Speaker 2>We learned that grateful Yeah, I was gonna say.

0:25:35.880 --> 0:25:37.959
<v Speaker 3>Put that work in and don't be don't be too

0:25:38.080 --> 0:25:39.959
<v Speaker 3>high up to look there and just say, oh, this

0:25:40.040 --> 0:25:40.560
<v Speaker 3>is crazy.

0:25:40.800 --> 0:25:41.840
<v Speaker 1>Yeah, there we go.

0:25:42.359 --> 0:25:46.240
<v Speaker 2>Yeah, it's crazy. All right, y'all. I'm Lauren the Rose

0:25:46.240 --> 0:25:48.000
<v Speaker 2>that this has been the latest with Lauren the Rose.

0:25:48.040 --> 0:25:49.879
<v Speaker 2>I had the guys join me today, so this has

0:25:49.920 --> 0:25:52.480
<v Speaker 2>an amazing episode. I tell you, guys each and every

0:25:52.520 --> 0:25:55.000
<v Speaker 2>episode because I mean it. At the end of the day,

0:25:55.040 --> 0:25:56.680
<v Speaker 2>there's always a lot to talk about.

0:25:56.800 --> 0:25:56.960
<v Speaker 4>Y'all.

0:25:57.000 --> 0:25:58.840
<v Speaker 2>Could be anywhere doing it with anybody, would you choose

0:25:58.880 --> 0:26:01.560
<v Speaker 2>to be right here? And I I appreciate you fotat.

0:26:02.040 --> 0:26:04.720
<v Speaker 2>We are a lot of thousands of people download strong,

0:26:04.800 --> 0:26:08.320
<v Speaker 2>so I really really appreciate you guys tuning in downloaded

0:26:08.359 --> 0:26:09.920
<v Speaker 2>and telling a friend to tell the friend that Lauren

0:26:09.920 --> 0:26:12.000
<v Speaker 2>got the latest. I will catch you guys in my

0:26:12.080 --> 0:26:13.040
<v Speaker 2>next episode.