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Speaker 1: So sun's going down.

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Speaker 2: I'm out in the parking lot of the Tasty Freeze

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Speaker 2: with Bond, Joby and Magic Mike and we're just bummed

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Speaker 2: out in our do nothing in town. We're throwing rocks

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Speaker 2: into coffee cans or whatever game we made up that night.

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Speaker 2: And Bond turns me. He says, you guys think we're

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Speaker 2: ever gonna be anything? Do anything? That's basketball for you?

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Speaker 1: For you guys, oh yeah, in that town, in that town,

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Speaker 1: that is basketball.

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Speaker 2: Closest thing you're gonna find you. A hoop is an

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Speaker 2: old coffee can. There's crystals, yeah, hashtag flavor one's Merry Christmas.

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Speaker 2: So and I throw one, I sink it, and and

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Speaker 2: and Bond has said, do you think you'll ever become anything?

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Speaker 2: And I say, what from this? And do nothing town?

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Speaker 2: No way?

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Speaker 1: And Magic Mike swomps me one. He hears me say that,

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Speaker 1: and he fucking slaps me.

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Speaker 2: Heed.

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Speaker 1: He slaps me in the face.

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Speaker 2: Now, because of my training, I almost immediately have him

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Speaker 2: in an armbar.

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Speaker 1: But I stop, and I go, he's sitting I'm sorry,

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Speaker 1: you're facing the same direction. Yeah, And does he which

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Speaker 1: side of you is he sitting on? He is directly

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Speaker 1: in front of me.

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Speaker 2: Okay, but you're facing we're sitting in like a train,

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Speaker 2: so he's he's got his butt backed all the way

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Speaker 2: up kind of into my cras I'm sitting with my

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Speaker 2: knees up with my legs out initially, and then he's

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Speaker 2: tucked in real tight to me and bonds into him,

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Speaker 2: and we're sort of a chew choo. Okay, and we're

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Speaker 2: all throwing, you know, direct because we all want to

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Speaker 2: be directly in front of the can. We didn't want

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Speaker 2: one person's from the left and from the.

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Speaker 1: Roof, so he can't turn around. He just has to

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Speaker 1: reach backward. He wrings his arm all the way back.

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Speaker 1: Oh okay, and man, he want me once.

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Speaker 2: So because my training, I almost immediately have him an armbar.

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Speaker 2: And due to my training, yeah, I could snap him

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Speaker 2: in two. But I stop and I think, why is

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Speaker 2: he doing this? Why would he want me for saying

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Speaker 2: I'm never going to amount to nothing? Maybe because he cares.

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Speaker 1: You didn't talk Did you ever talk about it?

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Speaker 2: Huh?

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Speaker 1: Did this ever? Like did you ever ask him or

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Speaker 1: was there ever a conversation?

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Speaker 2: Nah?

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Speaker 1: We didn't talk about stuff like that. But anyway, it

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Speaker 1: was fine.

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Speaker 2: Hey, Hollywood, Handbook and Insider's Guide to kicking button dropping

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Speaker 2: names in the red carpet lineback hallways of this industry

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Speaker 2: we call showbiz.

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Speaker 1: And we do have a guest. We got a guest,

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Speaker 1: and the guy's are freaking the corker that we have.

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Speaker 1: This is a big guest.

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Speaker 2: Occasionally we get a big guest, and I try to

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Speaker 2: approach every show exactly the same, whether we have a

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Speaker 2: big guest or not.

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Speaker 1: I always try to bring my a game.

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Speaker 2: But quite frankly, the adrenaline I'm feeling from having a

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Speaker 2: real big guest, there's no lying this is gonna be

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Speaker 2: a good show. And I do want to say, is

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Speaker 2: Kevin here, chef Kevin? Oh, get Brett.

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Speaker 1: I just let me tell you this experience that I

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Speaker 1: just had. I looked into. Don't give him heavy he

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Speaker 1: doesn't have to hear. Don't give him headphones. I don't

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Speaker 1: have to hear. I look in the window and I

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Speaker 1: see my own reflection, but then Brett's faced kind of

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Speaker 1: on my head. You transformed into Brett.

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Speaker 2: Yeah. There should be an app that does that, huh,

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Speaker 2: Like a Brett app where you can take any photo

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Speaker 2: of yourself and you can become engineer Brett.

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Speaker 1: Yeah, I will say people are really excited. We haven't

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Speaker 1: talked about this. People are excited about this partition in

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Speaker 1: the new studio. People are raving about this partition that's

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Speaker 1: keeping Chef Kevin out of the room.

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Speaker 2: Adam, have you heard about the newest member of our show,

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Speaker 2: the partition that keeps Chef Kevin from being in the

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Speaker 2: room with the guys.

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Speaker 3: I haven't heard it. I mean, this is my first

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Speaker 3: year at the time hearing about.

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Speaker 1: Oh, there's a lot of buzz. The partition is bringing

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Speaker 1: it every single week. Oh yeah, incredible, is it? I mean,

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Speaker 1: i'd call it more of a wall, like a partition.

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Speaker 1: I would think it is where like it's Aames right right.

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Speaker 2: Well, I guess because it's glass, people don't think of

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Speaker 2: it as a wall. There could be a glass wall.

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Speaker 2: I guess you could call it a window as well.

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Speaker 3: Here, Yeah, hear that.

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Speaker 2: Partition, partition, the unmistakable echo of the partition ringing through

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Speaker 2: the room. So what did you want to say about it?

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Speaker 2: Chef Kevin? Is he is here or not? He is? Okay?

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Speaker 1: Where I'm not hearing him this entire time. I've been

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Speaker 1: asking where he is.

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Speaker 4: Hey, guys, Chef Kevin here on back?

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Speaker 1: Baby, So what this is all I want? I hear

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Speaker 1: that Adam did who charted right before this show? Yeah,

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Speaker 1: that we can't. I cannot have. There's like a and

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Speaker 1: it's not your fault, it's not your fault.

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Speaker 3: I didn't realize I was closing a problem.

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Speaker 1: But people come in here after who charted? Was Brett there? Yeah,

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Speaker 1: of course, completely spent. You know, they're just a wet

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Speaker 1: rag who.

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Speaker 2: Uses you up and spits you out. Man, they take

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Speaker 2: it all. I can't have who charted sloppy seconds anymore?

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Speaker 3: I got. Yeah, I gotta admit I'm a little I'm

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Speaker 3: a little wiped from from talking.

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Speaker 2: To Art and what was on the charts.

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Speaker 3: Yeah, let's see, we talked about post malone.

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Speaker 1: Okay, I believe I talked about post malone when I

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Speaker 1: was on the show seven months ago.

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Speaker 2: And I'm still recovering. Yeah, I know, Hey, Hey has

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Speaker 2: finally become himself again. We had a nice little breakover

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Speaker 2: Turkey Day, so you guess. But and he looks he's

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Speaker 2: no longer deflated. But you come in here, and I'm

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Speaker 2: a fan, you look like ship. Oh you honestly look

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Speaker 2: like fucking ship. Man.

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Speaker 1: I don't know what who Charted did to you. I

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Speaker 1: don't want to know, Yeah, because I don't like to

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Speaker 1: think about it.

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Speaker 3: I feel okay, I think I can handle the amused you.

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Speaker 2: Yeah, dude, you don't even understand what we wrung you out.

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Speaker 1: Yeah, and they kind of puff you up while they're

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Speaker 1: doing that.

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Speaker 2: You're doing so good, But what you don't realize is

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Speaker 2: they are sucking the life out of you. Man, it's

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Speaker 2: going to be a month before you realize what who charged.

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Speaker 3: I mean, I guess now that you put it that way, Yeah,

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Speaker 3: I guess it was a bad booking.

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Speaker 1: Physically.

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Speaker 2: Yeah, they destroy you.

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Speaker 1: We give, we get we people leave here with more

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Speaker 1: energy we.

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Speaker 2: Charge you with.

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Speaker 1: Yeah, nothing's on the show will be on the show.

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Speaker 3: Yeah.

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Speaker 1: Yeah, we're a MOI to think about it.

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Speaker 3: A Mophi.

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Speaker 1: We're a Mophi charger that brand, Yeah, the mophy brand charger.

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Speaker 2: Yeah. Yeah, you can put it in your pocket.

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Speaker 3: Yeah, I'll tell you the phone bigger. You guys make

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Speaker 3: the phone bigger.

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Speaker 1: Chargers make the phone bigger. You're talking about the case charger.

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Speaker 3: Yeah, the case charge the physically around it. Now okay,

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Speaker 3: but now that's okay, this.

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Speaker 1: Is normally your job, and I hate ruining anything. Please, hey,

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Speaker 1: but that we said we wouldn't. But that is not

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Speaker 1: part of the phone. That does not make the phone.

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Speaker 1: Actually the phone's case as a separate component. The phone

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Speaker 1: is the same. And now he's like, I knew that. No,

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Speaker 1: that's not quite what let's let's let's let's talk about this.

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Speaker 1: So you are just ruining everything in town.

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Speaker 3: Yeah, yes, yes, I'm ruining everything.

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Speaker 2: How was that? What's up?

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Speaker 3: Yeah, I mean it's a lot of work. We shoot,

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Speaker 3: we shoot, uh, twelve fourteen hour days, like you know,

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Speaker 3: all all the all over LA. It's like long hours,

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Speaker 3: you know, but it's nice. People like people like the show.

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Speaker 3: People are watching the show. We're in our fourth year now,

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Speaker 3: all over season, all over LA. Anywhere in the t

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Speaker 3: in the TMZ, you know, the TMC, the thirty to thirty.

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Speaker 2: Mile zone, Santa Clarida.

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Speaker 3: I believe we've been around to Santa Claria. I think

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Speaker 3: we were there.

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Speaker 1: Yeah, to see those frigging funny zombies up there.

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Speaker 3: No, you never saw funny zombies.

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Speaker 1: Yeah, yeah, you're the show diet they.

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Speaker 3: Have from the show, from the show.

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Speaker 2: Yeah, they have a pretty unique diet up there in

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Speaker 2: Santa clarita.

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Speaker 3: Yeah, they eat, they have a they've got like a

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Speaker 3: human heart and a cooler or something. Yeah, in a blender,

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Speaker 3: yeah yeah, with arm Yeah yep, yeah, yeah, you want

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Speaker 3: to shake. I'm not so sure actually, now that I've

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Speaker 3: seen what's in your blender.

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Speaker 1: No, but they bring meaning to the term juice cleanse.

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Speaker 1: I'm not you know, I'm not sure how. Yeah. Yeah,

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Speaker 1: really redefine the word smoothie.

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Speaker 2: And I don't know how, but by must it's gonna

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Speaker 2: be related, doesn't it. Yes, So I'll say this Adam.

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Speaker 2: People might hear, Oh, Adam's on here, he's ruins in everything.

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Speaker 2: Why don't we uh just turn this off because it's

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Speaker 2: going to be too negative And we're actually pretty positive

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Speaker 2: with our fans, and we like to kind of celebrate

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Speaker 2: life and what's cool and what's good in media and entertainment,

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Speaker 2: and that is the purpose of the show.

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Speaker 1: And what people might not.

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Speaker 2: Know is look off the show. You're just a guy

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Speaker 2: and there's actually stuff you like. So we thought it

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Speaker 2: could be fun to talk about maybe some things that

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Speaker 2: we're not going to ruins that are just nice.

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Speaker 1: So what's some of your favorite stuff?

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Speaker 3: I play a lot of video games, Okay, what games

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Speaker 3: I'm playing right now? I'm playing a lot of the

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Speaker 3: Tetris effects. It's a nasty.

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Speaker 1: You know, Nick, dude.

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Speaker 3: Uh huh, you don't sound like you know.

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Speaker 2: Huh No, you don't.

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Speaker 3: You don't see I mean.

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Speaker 2: He just said that.

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Speaker 3: He's yes, nasty, bro, It's just not how It's actually

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Speaker 3: a very pretty game. It's not a game that people

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Speaker 3: would describe as nasty per se.

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Speaker 2: Yeah, but he video games that sex with my video game.

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Speaker 2: That's not what I do. That's not what I do. Yeah,

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Speaker 2: fair enough enough, it's fine, he's not. It's not bad.

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Speaker 2: I don't give a ship privacy her own home or actually,

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Speaker 2: honestly even in the open in public. Yeah, I mean

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Speaker 2: that's what there's an outlook.

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Speaker 3: That's what a lot of people want out the games now,

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Speaker 3: is they want to kind of a sexually sexual game. Yeah,

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Speaker 3: but it's not do that.

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Speaker 2: Well what else with that game? Oh?

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Speaker 5: Yeah?

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Speaker 2: Heard smash here? Yeah? What any movies?

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Speaker 3: Uh? The I watched the first part of the Coen

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Speaker 3: Brothers thing on Netflix. I didn't finish it though. Busker scrubs,

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Speaker 3: Busker scrubs. Yeah, I watched. The first part was about

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Speaker 3: the titular Busker Scrubs, and then I and then I

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Speaker 3: took a break, and then my girlfriend watched the rest

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Speaker 3: without me. So I'm never going to finish it.

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Speaker 2: Zachary Braffrian Busker Scrubs because I remember him from the

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Speaker 2: original Scrubs.

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Speaker 3: It's a good No, I think it's a different I

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Speaker 3: think it's a different Scrubs.

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Speaker 1: I think it's a different Well, you just said that

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Speaker 1: you didn't watch the whole thing.

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Speaker 3: Yeah, he could be in it. Zach Braff could be

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Speaker 3: in the Cohen Brothers movie Buster Scrubs.

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Speaker 1: And it could be him and Donald's fashion having friendship goals. Okay, yes,

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Speaker 1: a guy who might be checking this out the guy okay.

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Speaker 2: So and that's and I'll tell you. And that was

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Speaker 2: a bit of a writer's wink that they would do that.

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Speaker 2: They had these fantasy sequences they could go into, so

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Speaker 2: really nothing was off limits. It's a live action show,

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Speaker 2: but it could almost do these cartoon effects in right ways.

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Speaker 2: And that was a bit of a wink. So, Adam,

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Speaker 2: I mean good.

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Speaker 3: Good meals?

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Speaker 1: Uh, just be positive positive, yeah, Adam, being positive everything? Yeah?

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Speaker 2: Uh, let's does it feel weird to be so positive?

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Speaker 3: I had a good it does he does pretty negative.

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Speaker 3: I'm pretty negative on my show.

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Speaker 1: But you got to carve out some space to do this.

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Speaker 3: You lose your to just be positive. Okay, you got it.

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Speaker 3: I went to went to Gusses fried chicken and bourbon.

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Speaker 1: Oh my, he must know that.

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Speaker 2: I famously have also been to Gusses for the hot chicken.

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Speaker 3: The hot chicken is burning your hands. It was very

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Speaker 3: hot chicken to it, really good. It's got it's a

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Speaker 3: you know, it's a chain. But all the other locations

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Speaker 3: there I had the Pie of Chocolate Chick.

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Speaker 2: Not all the other locations, because there's one on Crunshaw.

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Speaker 3: Okay, that's true, that's true. But then if you look

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Speaker 3: at down the count it's like, we got one in Memphis,

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Speaker 3: we got one in you know, it's it's legit.

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Speaker 1: Yeah, you just said you went burbanking.

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Speaker 3: And then he said all the locations okay, all right,

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Speaker 3: well fine, there's no one in l A. Yeah, okay,

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Speaker 3: you got me.

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Speaker 2: That's all I came here to do.

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Speaker 3: That's not what ruined. That's not what ruined. I guess

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Speaker 3: I don't just it's not just pedantry to me.

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Speaker 2: To me, the listeners hear that, they'd be like wow,

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Speaker 2: if he doesn't talk about this, that's pretty actually offensive

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Speaker 2: to my intelligence.

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Speaker 3: If you if you didn't correct me on the locations

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Speaker 3: of Gus's fried chicken.

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Speaker 2: If I let that one slide, I actually do a

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Speaker 2: disservice to the fans.

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Speaker 3: Yeah, no, that's that's fair. I mean you gotta you

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Speaker 3: have a I have a compact with my fans. You

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Speaker 3: got compact with your fans and understand how that is.

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Speaker 1: So was the chicken so hot?

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Speaker 2: It was? It was?

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Speaker 3: It wasn't too hot.

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Speaker 2: It was like, uh, what are you getting the bones

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Speaker 2: or the bones? Yeah?

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Speaker 1: You got the bones chicken or the chicken.

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Speaker 3: I got chicken with bones in it. Yes, I don't

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Speaker 3: just order bones gets good chicken.

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Speaker 2: Yeah you have to. You have to gusses Oh please, Yeah,

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Speaker 2: what are you getting in combo?

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Speaker 3: Combo beans, coleslaw, straight up combo?

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Speaker 2: Three piece dark meat, having some chocolate chest pie.

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Speaker 3: Chocolate chest pie is what I had? Really good?

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Speaker 2: Yeah? Okay, those guy's really been there.

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Speaker 3: All right, this guy, I acquiz you about Tetris effect.

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Speaker 3: I just believed that you had played it.

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Speaker 2: In fact, you said that you thought I had.

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Speaker 1: Had not played it, even though he's you asked played

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Speaker 1: it and he said, yeah.

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Speaker 2: All right, Adam thinks that I can't remember what happened

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Speaker 2: on my own show of you, and that's what we're learning.

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Speaker 3: I'm gonna take a reset, and I don't want to

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Speaker 3: be this way.

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Speaker 2: Mm hm yeah, something that you can do in Tetris

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Speaker 2: take a reset. Yeah, you should do.

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Speaker 1: It's one of the main moves you should drive if

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Speaker 1: you actually want to win.

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Speaker 3: I mean, you can start over the game, but then

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Speaker 3: say that.

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Speaker 2: Okay, let me search my freaking mind palace. I found

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Speaker 2: one here.

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Speaker 1: It is in a dusty old shelf. Yeah, take a reset.

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Speaker 1: And I remember somebody saying that they don't do pedantry

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Speaker 1: that he just said that doing a reset is not

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Speaker 1: the same as unplugging the system and plugging it back.

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Speaker 3: Is I'm gone a web, I'm caught. I'm you know,

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Speaker 3: I'm just going to be a straight shooter for the rest,

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Speaker 3: for the rest of the interview.

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Speaker 1: Okay, you know what us us to us too. I

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Speaker 1: think we should too.

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Speaker 2: I think it is time. I think he's ready, Adam.

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Speaker 1: But please, we have to surprise you with a bad surprise.

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Speaker 3: Oh, oh, bad surprise.

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Speaker 1: We are here, two ruins everything that you love.

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Speaker 2: Yes, unfortunately, it's time to finally eat your own medicine

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Speaker 2: as you have done for us, for us and so

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Speaker 2: many of our family. What's some of the stuff. Oh please,

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Speaker 2: the diamond industry.

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Speaker 3: Yeah, that's that's when we did. You have seen the show.

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Speaker 1: Walk turns down the street with my diamonds, and I

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Speaker 1: get instead of cheers and applause, I get sometimes a

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Speaker 1: boo hiss. You will be hissed that how are.

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Speaker 3: You holding How are you holding these diamonds?

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Speaker 2: I am are you?

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Speaker 3: Are you garlanded with them?

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Speaker 2: How am I holding them?

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Speaker 3: You said you walked on the street with your diamonds

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Speaker 3: in what in what form they're attached to me? You're

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Speaker 3: wearing them on rings and jewelry?

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Speaker 2: Yeah?

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Speaker 3: Are you're carrying a shoe box of them.

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Speaker 2: He has epaulets that are actually really nice diamonds that

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Speaker 2: have been ruins now thanks to you. And he has

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Speaker 2: also a pretty nice, pretty masculine tiara that has a

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Speaker 2: lot of great diamonds. And but it used to be

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Speaker 2: he'd walk out of the house and people would cheer,

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Speaker 2: here comes mighty Haze, you know, in his beautiful diamonds.

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Speaker 2: And now you were saying a hiss and a boot

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Speaker 2: a boo hiss.

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Speaker 3: Yes, because they saw our episode.

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Speaker 1: I can tell it's these Adam guys, Adam's army.

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Speaker 2: I don't want to talk about this stuff on the show,

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Speaker 2: but I have to say, how am I supposed to

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Speaker 2: feel every time I'm going to use a restroom and

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Speaker 2: I got to look at my circumcised wang. Oh well,

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Speaker 2: Adam ruins it for me, ruins my own dick.

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Speaker 1: And I've tried not looking at it because I am

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Speaker 1: in the same boat. And but if I'm not looking

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Speaker 1: at it, it's getting all over the place my own.

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Speaker 3: For I say, we say, we say in this segment,

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Speaker 3: it's okay, it's not that big a difference. You don't

355
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Speaker 3: have to do it. There's no reason to do it.

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Speaker 3: And I think there's a minor benefit and not do it.

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Speaker 3: But it's fine to have a circumcised penis.

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Speaker 1: We never say I want I want mine to have

359
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Speaker 1: a good reason for being like it is.

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Speaker 2: I don't want any of this.

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Speaker 1: I had trouble making sense of the thing.

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Speaker 2: Already, didn't you know, didn't really have a lot of

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Speaker 2: logic attached to it.

364
00:18:02,440 --> 00:18:04,480
Speaker 1: And now I got this in my head, so now

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Speaker 1: I can barely look at it.

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Speaker 2: I can barely look at it, and I can barely stop.

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00:18:08,880 --> 00:18:11,800
Speaker 2: So a little pickle. Huh, yeah, you're caught. It's a

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00:18:11,840 --> 00:18:16,359
Speaker 2: catch twenty two. Yeah, that's right. So now we have

369
00:18:16,440 --> 00:18:20,399
Speaker 2: to go reference. He tries it out smart everyone. So

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00:18:20,720 --> 00:18:22,800
Speaker 2: it's a book, yeah it is.

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Speaker 3: It is a movie too.

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Speaker 1: Oh yeah, yes, like Nicholson. Yeah, nasty, nasty movie.

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Speaker 3: Okay.

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Speaker 1: Uh so it's time to go back through everything that

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Speaker 1: you said that you love.

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Speaker 2: Okay, do you get ruins?

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Speaker 3: Yes, this is the way you guys use the word

378
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Speaker 3: is I really like?

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Speaker 2: Well it's the same way you do it.

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Speaker 3: Well, I say I ruined.

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Speaker 2: It's on the billboards.

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00:18:49,119 --> 00:18:51,400
Speaker 3: Yeah, and ruins.

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00:18:51,119 --> 00:18:54,160
Speaker 2: And ruins is everything you're adding an ass.

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Speaker 3: There's okay, it's fine, it's fine, it's fine. Let's go,

385
00:18:57,200 --> 00:18:59,840
Speaker 3: let's go. I'm just I want to tell me about

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00:18:59,840 --> 00:19:02,440
Speaker 3: those billboard I like it. I like the show. Thank

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00:19:02,480 --> 00:19:09,959
Speaker 3: you the billboards, say Adam, ruins? Is everything close? Try

388
00:19:10,080 --> 00:19:16,400
Speaker 3: more funny? Oh that's that was the rude of that.

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00:19:16,400 --> 00:19:19,040
Speaker 2: That is rude to put that to give a note of.

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00:19:19,040 --> 00:19:24,639
Speaker 1: The show email or something to your sad?

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00:19:25,000 --> 00:19:29,240
Speaker 3: Was the that was the four your consideration? Uha?

392
00:19:29,560 --> 00:19:29,879
Speaker 2: Exactly?

393
00:19:29,920 --> 00:19:35,320
Speaker 1: What for your consideration? Adam, try being more funny on

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Speaker 1: your show.

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Speaker 3: Do you think that's what that means?

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Speaker 2: Because they have to buy a billboard? I thought it

397
00:19:39,880 --> 00:19:40,239
Speaker 2: was No.

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00:19:40,320 --> 00:19:42,000
Speaker 3: I thought it was to the viewer and to the

399
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Speaker 3: Emmy voter that they should sample a funnier network the picture.

400
00:19:46,280 --> 00:19:49,720
Speaker 3: But maybe you so, you're right, it's directed at me.

401
00:19:49,880 --> 00:19:53,320
Speaker 2: It's not a picture of me up there. Pretty vicious message.

402
00:19:53,600 --> 00:19:56,640
Speaker 3: So so it adds the messages to the person who's

403
00:19:56,680 --> 00:19:57,359
Speaker 3: on the bill When.

404
00:19:57,280 --> 00:19:58,720
Speaker 1: You're talking to them, do they go and do you

405
00:19:58,760 --> 00:19:59,600
Speaker 1: see the billboard?

406
00:20:00,920 --> 00:20:01,080
Speaker 2: Hey?

407
00:20:01,240 --> 00:20:02,719
Speaker 3: Just did you check out the board at all?

408
00:20:02,840 --> 00:20:04,600
Speaker 2: That's because maybe they're wondering.

409
00:20:04,680 --> 00:20:07,200
Speaker 3: Maybe that's how they were because we didn't get network

410
00:20:07,240 --> 00:20:09,239
Speaker 3: notes this year, and maybe that's just how they delivered them.

411
00:20:09,280 --> 00:20:12,040
Speaker 1: Yeah, there's one right in your neighborhood. Huh Yeah, you

412
00:20:12,040 --> 00:20:13,280
Speaker 1: can see it out your wind up.

413
00:20:13,840 --> 00:20:15,720
Speaker 3: Uh no, no, not.

414
00:20:15,640 --> 00:20:18,240
Speaker 1: Really okay, but pretty close to your house, pretty close. Yeah,

415
00:20:18,240 --> 00:20:20,040
Speaker 1: it seems like they're trying to send a message.

416
00:20:20,200 --> 00:20:21,680
Speaker 3: Yeah, there's one of my bus stop.

417
00:20:21,800 --> 00:20:23,320
Speaker 2: Hey, of course knows where you live.

418
00:20:24,640 --> 00:20:28,280
Speaker 1: So a little interesting thing about that. Talking about these

419
00:20:28,359 --> 00:20:36,080
Speaker 1: things that you love for Ruins sing, yeah you baseball fan, Adam, Yeah,

420
00:20:36,240 --> 00:20:39,320
Speaker 1: like baseball maybe such a big fan that you like

421
00:20:39,400 --> 00:20:41,040
Speaker 1: to go to the World Series.

422
00:20:41,240 --> 00:20:42,440
Speaker 3: Yeah, I went to a World Series game.

423
00:20:42,480 --> 00:20:43,560
Speaker 2: Yeah I saw you there.

424
00:20:43,720 --> 00:20:48,800
Speaker 3: Wow, I was you saw me at the World Series?

425
00:20:48,960 --> 00:20:49,120
Speaker 2: Yeah?

426
00:20:49,160 --> 00:20:50,600
Speaker 1: I saw it at the World Series?

427
00:20:50,880 --> 00:20:55,560
Speaker 2: Wow? Were you looking at you? You were the whole game?

428
00:20:56,080 --> 00:20:58,080
Speaker 3: What you're watching me?

429
00:20:58,359 --> 00:20:59,520
Speaker 2: And you were loving it?

430
00:21:00,320 --> 00:21:02,520
Speaker 1: And I texted Sean because I've been because I said,

431
00:21:02,520 --> 00:21:05,680
Speaker 1: I'm going to follow this guy route and I'm going

432
00:21:05,720 --> 00:21:09,239
Speaker 1: to find stuff that he loves. And I see him

433
00:21:09,240 --> 00:21:12,600
Speaker 1: watching the baseball game and just having the time of

434
00:21:12,640 --> 00:21:14,560
Speaker 1: his life. And I text Shan, I say, I found

435
00:21:14,960 --> 00:21:19,560
Speaker 1: the something the biggest ruins for him, ruins of all

436
00:21:21,080 --> 00:21:23,960
Speaker 1: and so we do have to ruins baseball for you. Okay,

437
00:21:24,400 --> 00:21:25,000
Speaker 1: it's fake.

438
00:21:25,840 --> 00:21:26,960
Speaker 3: What it's fake?

439
00:21:27,240 --> 00:21:28,280
Speaker 2: Completely fake.

440
00:21:28,400 --> 00:21:29,840
Speaker 3: It's the game is fake.

441
00:21:29,960 --> 00:21:33,159
Speaker 1: Yes, do you think anyone could actually do that?

442
00:21:34,960 --> 00:21:35,280
Speaker 2: Sick?

443
00:21:35,720 --> 00:21:38,400
Speaker 1: The thing is going so fast.

444
00:21:39,440 --> 00:21:41,880
Speaker 3: Practice. I thought they practiced, and they.

445
00:21:41,960 --> 00:21:43,760
Speaker 2: They practice your soul?

446
00:21:45,720 --> 00:21:47,320
Speaker 3: Do you think it's like is it like wrestling? Is

447
00:21:47,359 --> 00:21:48,960
Speaker 3: a WWE? Is it scripted?

448
00:21:49,119 --> 00:21:50,119
Speaker 2: Yeah? It's all fake.

449
00:21:50,680 --> 00:21:55,600
Speaker 3: Wow, fake, it's reasonably sure. That's not true. But if

450
00:21:55,600 --> 00:21:56,320
Speaker 3: you're saying it.

451
00:21:56,200 --> 00:21:57,320
Speaker 2: What do you eat at the game. I have a

452
00:21:57,359 --> 00:21:59,840
Speaker 2: Dodger dog I did have a Dodger made out of

453
00:22:00,440 --> 00:22:01,600
Speaker 2: what freaking butts?

454
00:22:01,840 --> 00:22:07,320
Speaker 1: Oh god, no, yeah, out of the leftover butts.

455
00:22:07,080 --> 00:22:08,800
Speaker 3: Of what what kind of butts.

456
00:22:08,600 --> 00:22:14,919
Speaker 2: From the donkeys and stuffy grinding them up? Donkey, but

457
00:22:15,160 --> 00:22:16,800
Speaker 2: I got a big hunk of butt left over.

458
00:22:17,280 --> 00:22:22,199
Speaker 1: Put it in the Dodgers, freaking donkey, shrek, that's what

459
00:22:22,240 --> 00:22:26,360
Speaker 1: you're putting just a little machine that I bought one

460
00:22:26,359 --> 00:22:26,880
Speaker 1: of those out.

461
00:22:26,960 --> 00:22:28,399
Speaker 3: I bought one of those from my dad.

462
00:22:28,960 --> 00:22:32,160
Speaker 2: I know, I loved that part.

463
00:22:33,000 --> 00:22:33,800
Speaker 1: I couldn't wait.

464
00:22:34,280 --> 00:22:38,040
Speaker 3: You were looking at my dad too the game with me.

465
00:22:38,440 --> 00:22:40,840
Speaker 2: Yes, no, I know, out of respect, we're not going

466
00:22:40,880 --> 00:22:42,240
Speaker 2: to ruin your dad yet.

467
00:22:44,320 --> 00:22:45,360
Speaker 3: Okay, please don't.

468
00:22:45,520 --> 00:22:48,000
Speaker 2: Yes, you'd like that, probably you'd probably love it. You

469
00:22:48,119 --> 00:22:48,800
Speaker 2: sick fuck.

470
00:22:49,880 --> 00:22:52,600
Speaker 3: I mean, I do like when things are ruins for me.

471
00:22:53,800 --> 00:22:57,919
Speaker 1: No, you don't, Yeah, I do. You put in the show.

472
00:22:58,760 --> 00:23:00,720
Speaker 3: It happens many times, people and things for me, and

473
00:23:00,760 --> 00:23:02,960
Speaker 3: then I say, oh, thank you, I learned something new.

474
00:23:03,000 --> 00:23:06,280
Speaker 3: It's happened. We've done many episodes that way. Flip the

475
00:23:06,320 --> 00:23:07,919
Speaker 3: script the script.

476
00:23:08,119 --> 00:23:10,520
Speaker 1: But you only like it when you make money off it,

477
00:23:10,520 --> 00:23:13,320
Speaker 1: and now I am taking money.

478
00:23:13,440 --> 00:23:16,040
Speaker 2: I just thank god this guy never ruined Hollywood Awards

479
00:23:16,040 --> 00:23:16,720
Speaker 2: shows for me.

480
00:23:17,400 --> 00:23:20,960
Speaker 3: Oh no, we did an episode. No did you?

481
00:23:21,920 --> 00:23:28,800
Speaker 2: Did you help Kevin? I tried to keep that one from.

482
00:23:28,680 --> 00:23:31,439
Speaker 3: Him, Okay, you did? You have promised me you have

483
00:23:31,520 --> 00:23:32,520
Speaker 3: not seen that episode.

484
00:23:32,680 --> 00:23:36,480
Speaker 1: I exact a knife to out of the TV guide

485
00:23:37,000 --> 00:23:38,040
Speaker 1: so he wouldn't see it.

486
00:23:38,240 --> 00:23:40,800
Speaker 2: I was curious why they were showing mod Squad again

487
00:23:40,840 --> 00:23:41,480
Speaker 2: that I put in.

488
00:23:41,600 --> 00:23:44,480
Speaker 1: Yeah, I put in the mod Squad and the boring news.

489
00:23:45,600 --> 00:23:48,520
Speaker 2: Yeah, so I didn't turn on the TV. I already

490
00:23:48,560 --> 00:23:51,560
Speaker 2: seen the mod Squad and the boring news sucks.

491
00:23:51,880 --> 00:23:52,960
Speaker 3: What's the boring news?

492
00:23:53,480 --> 00:23:58,680
Speaker 2: It's like math today in maths, so big news about math.

493
00:23:58,840 --> 00:24:02,680
Speaker 2: This it sounds I am at that big. No, yeah,

494
00:24:02,720 --> 00:24:05,119
Speaker 2: you love this part of it. Yeah you probably would.

495
00:24:05,520 --> 00:24:05,760
Speaker 3: Man.

496
00:24:06,280 --> 00:24:07,840
Speaker 1: So speaking of Busker.

497
00:24:07,520 --> 00:24:13,720
Speaker 2: Scrubs, fake fake fake fake, they made it up.

498
00:24:13,880 --> 00:24:15,840
Speaker 1: Yeah, it's a movie that they're supposed to be a

499
00:24:15,880 --> 00:24:19,280
Speaker 1: baseball level fake. Oh yeah, how so even more so,

500
00:24:19,520 --> 00:24:21,560
Speaker 1: that's not really him first of all.

501
00:24:21,520 --> 00:24:24,479
Speaker 2: Yeah, Buster Scrub, it's not really him. And even it was,

502
00:24:24,480 --> 00:24:25,040
Speaker 2: he didn't do.

503
00:24:25,040 --> 00:24:27,440
Speaker 3: That, but it's an actor playing the part.

504
00:24:28,400 --> 00:24:29,520
Speaker 2: Yeah. I just said that.

505
00:24:30,240 --> 00:24:32,879
Speaker 3: Okay, gotta got got it, got god, I gotta got it.

506
00:24:32,920 --> 00:24:36,040
Speaker 3: I actually I have him Shelton. I'm sorry, I actually did. Yes,

507
00:24:36,119 --> 00:24:38,200
Speaker 3: Tim Blake Shelton is his name. No, I I actually

508
00:24:38,400 --> 00:24:40,919
Speaker 3: and I enjoy you know, we talk about this on

509
00:24:40,960 --> 00:24:42,359
Speaker 3: the show that when you find out the truth bus,

510
00:24:42,600 --> 00:24:44,760
Speaker 3: you can enjoy the artifice behind it. So I enjoy

511
00:24:44,840 --> 00:24:48,280
Speaker 3: knowing the names of the actors and knowing one.

512
00:24:48,520 --> 00:24:51,000
Speaker 1: No, you'd only like it when it's on your show

513
00:24:51,320 --> 00:24:57,120
Speaker 1: and you can see your direct deposit going up as

514
00:24:57,160 --> 00:25:00,480
Speaker 1: you record the episode, whereas I you see the little

515
00:25:00,520 --> 00:25:03,520
Speaker 1: monitor that we have there where the little dollar amount

516
00:25:03,600 --> 00:25:06,280
Speaker 1: that's ticking up through the episode. That's only for me

517
00:25:06,359 --> 00:25:07,720
Speaker 1: and Sean hmm.

518
00:25:08,480 --> 00:25:09,760
Speaker 3: I wondered why you guys had that.

519
00:25:10,200 --> 00:25:13,919
Speaker 1: Oh yeah, and it is moving.

520
00:25:14,320 --> 00:25:15,520
Speaker 2: The numbers are changing.

521
00:25:15,600 --> 00:25:19,040
Speaker 1: It seems like it's moving so slowly that it seems

522
00:25:19,080 --> 00:25:20,840
Speaker 1: like it might not be moving at all.

523
00:25:21,280 --> 00:25:22,879
Speaker 3: And there's a lot of and there's a lot of

524
00:25:22,960 --> 00:25:24,280
Speaker 3: zeros after the decimal place.

525
00:25:24,840 --> 00:25:27,600
Speaker 1: Yes, yeah, leaving room.

526
00:25:29,119 --> 00:25:30,119
Speaker 3: It doesn't add it.

527
00:25:30,320 --> 00:25:32,720
Speaker 1: We're gonna need that, we're gonna need that.

528
00:25:32,760 --> 00:25:36,200
Speaker 2: We really need that room.

529
00:25:36,320 --> 00:25:38,600
Speaker 1: And so if you look away from it, if you like,

530
00:25:38,840 --> 00:25:40,439
Speaker 1: stop thinking about it for a little while, and then

531
00:25:40,480 --> 00:25:42,480
Speaker 1: you look back, you'll be like, oh, that number has

532
00:25:42,800 --> 00:25:44,560
Speaker 1: moved a tiny bit that's gone right.

533
00:25:44,640 --> 00:25:46,520
Speaker 3: Right, and that represents the money that you that.

534
00:25:46,520 --> 00:25:52,240
Speaker 1: You receive, yes, in real time yep, so speaking in

535
00:25:52,280 --> 00:25:53,240
Speaker 1: a Tetris effect.

536
00:25:54,200 --> 00:25:56,080
Speaker 2: Yeah, yes, for babies.

537
00:25:57,520 --> 00:25:58,680
Speaker 3: It's for babies.

538
00:25:59,280 --> 00:26:03,760
Speaker 2: Yeah, it's actually designed for and buy babies. Well m

539
00:26:03,880 --> 00:26:06,879
Speaker 2: hm yeah, and you just sounded like one year what

540
00:26:06,920 --> 00:26:09,040
Speaker 2: he said? He's way Okay.

541
00:26:09,480 --> 00:26:12,040
Speaker 3: You know, you have to admit I do have a

542
00:26:12,119 --> 00:26:14,359
Speaker 3: childlike demeanor, but I think people like that about me.

543
00:26:15,080 --> 00:26:15,440
Speaker 2: You do.

544
00:26:15,800 --> 00:26:18,120
Speaker 3: Yeah, I have a little bit of a child like demeanor,

545
00:26:18,920 --> 00:26:21,399
Speaker 3: you know, but you think people like it. I do. Well,

546
00:26:21,800 --> 00:26:23,560
Speaker 3: children come up to me and they say they like it.

547
00:26:24,000 --> 00:26:24,480
Speaker 2: They do.

548
00:26:24,680 --> 00:26:26,960
Speaker 3: Yeah, They're like you seem like a They're like, oh

549
00:26:27,040 --> 00:26:29,880
Speaker 3: you're a Yeah, they like I don't know. Yeah, kids

550
00:26:29,920 --> 00:26:31,159
Speaker 3: like my show, and I think it's because I'm a

551
00:26:31,200 --> 00:26:34,080
Speaker 3: little bit childlike. Yeah, kids like the show. Small children

552
00:26:34,119 --> 00:26:35,800
Speaker 3: like the show. Sometimes at my stand up shows, I'll

553
00:26:35,800 --> 00:26:38,120
Speaker 3: have like, they'll be like nine year olds there, and

554
00:26:38,320 --> 00:26:40,280
Speaker 3: I have to be careful about the jokes that I

555
00:26:40,359 --> 00:26:42,080
Speaker 3: make because I don't want to.

556
00:26:42,080 --> 00:26:44,000
Speaker 1: Be too blue anti nine year old jokes.

557
00:26:44,080 --> 00:26:46,040
Speaker 3: Well, it's gonna be too blue, you know, too many

558
00:26:46,080 --> 00:26:46,720
Speaker 3: sex jokes.

559
00:26:46,880 --> 00:26:48,840
Speaker 2: Okay, yeah, yeah, all right.

560
00:26:48,760 --> 00:26:53,280
Speaker 3: Yeah, uh, reasonably sure. Tetras effect wasn't designed by babies,

561
00:26:53,280 --> 00:26:55,240
Speaker 3: I mean the designers. This guy, Misagucci is sort of

562
00:26:55,240 --> 00:26:57,480
Speaker 3: a famous video game designer. He's Japanese man.

563
00:26:57,760 --> 00:26:58,960
Speaker 2: No I actually play.

564
00:26:59,040 --> 00:27:02,239
Speaker 1: The game of the game is Russian, and all the

565
00:27:02,240 --> 00:27:06,240
Speaker 1: money goes right into Vladimir Putin's pocket. He's pooting it

566
00:27:06,280 --> 00:27:07,840
Speaker 1: in his pocket for later.

567
00:27:08,600 --> 00:27:11,840
Speaker 3: Well, the original designer he was Alexey pav I believe

568
00:27:11,840 --> 00:27:15,560
Speaker 3: that's his name. He's a Russian guy. But he does honks.

569
00:27:15,280 --> 00:27:19,560
Speaker 2: Shoe honkshoe honks. You. I'm asleep. Wow.

570
00:27:21,720 --> 00:27:25,520
Speaker 1: Oh sorry, sorry, I'm really so sorry.

571
00:27:25,560 --> 00:27:28,639
Speaker 2: I'm really never do that. I'm really really sorry about that.

572
00:27:28,720 --> 00:27:33,040
Speaker 2: I did. I honestly just did fall asleep. Yeah, he

573
00:27:33,080 --> 00:27:35,840
Speaker 2: fell asleep. That is so embarrassing. I'm so sorry.

574
00:27:35,960 --> 00:27:36,719
Speaker 3: Oh my gosh.

575
00:27:36,840 --> 00:27:40,240
Speaker 1: I really I couldn't control it. I mean, you know

576
00:27:40,359 --> 00:27:42,480
Speaker 1: that's out of his system. Maybe please go on.

577
00:27:42,840 --> 00:27:49,040
Speaker 3: You were saying, no, it's fine, I don't.

578
00:27:48,640 --> 00:27:52,720
Speaker 2: I mean, it's tell me you got tell me I did.

579
00:27:52,800 --> 00:27:53,160
Speaker 2: You did?

580
00:27:53,200 --> 00:27:57,040
Speaker 1: Just for one second you did, but nobody noticed. You

581
00:27:57,080 --> 00:28:02,280
Speaker 1: were the ones who brought up No, we weren't. It's

582
00:28:02,320 --> 00:28:03,640
Speaker 1: called Adam gaslights.

583
00:28:03,680 --> 00:28:07,080
Speaker 3: Everyone know you brought you asked me what I like

584
00:28:07,160 --> 00:28:09,000
Speaker 3: to do, and I said, Then you brought it up

585
00:28:09,000 --> 00:28:10,760
Speaker 3: again later in the in the segment.

586
00:28:11,320 --> 00:28:12,959
Speaker 2: But that doesn't make me the one who brought it up.

587
00:28:13,640 --> 00:28:15,480
Speaker 2: And you know me the one who reminded you.

588
00:28:15,680 --> 00:28:16,480
Speaker 3: I've gotten myself.

589
00:28:16,520 --> 00:28:19,080
Speaker 1: But I said, gaslights in every one of all I've

590
00:28:19,080 --> 00:28:20,720
Speaker 1: got Damir Putin's.

591
00:28:20,480 --> 00:28:23,520
Speaker 3: Uh huh, I've gotten myself in the quagmire again here.

592
00:28:23,560 --> 00:28:29,360
Speaker 3: I feel it's a funny, funny g character.

593
00:28:29,640 --> 00:28:33,439
Speaker 2: Yeah, really funny. That's something we can all agree on.

594
00:28:33,520 --> 00:28:35,720
Speaker 1: Nobody's gonna ruins crack. Let's call it truce.

595
00:28:35,720 --> 00:28:37,760
Speaker 2: We're not gonna rub well.

596
00:28:37,800 --> 00:28:39,040
Speaker 3: He's a sexual assaulter.

597
00:28:39,360 --> 00:28:42,160
Speaker 1: Yay, he's reckoned with that many times on the show.

598
00:28:43,000 --> 00:28:45,760
Speaker 3: Oh yeah, I don't know me. He's still on the show.

599
00:28:45,800 --> 00:28:48,360
Speaker 1: And he's a pretty talented chef. If you watched the

600
00:28:48,440 --> 00:28:52,240
Speaker 1: episode from season thirteen that is a parody of the

601
00:28:52,280 --> 00:28:56,920
Speaker 1: show Iron Chef and came out in twenty fourteen, you

602
00:28:57,000 --> 00:29:00,200
Speaker 1: might want to check it out. Okay, check the and

603
00:29:00,200 --> 00:29:03,400
Speaker 1: by the crack writing stuff that worked on that one.

604
00:29:03,560 --> 00:29:06,320
Speaker 2: Oh man, that was when it was like Hall of

605
00:29:06,440 --> 00:29:07,160
Speaker 2: Fame level.

606
00:29:07,480 --> 00:29:12,320
Speaker 1: Pretty good chef. Oh yeah, yeah, yeah, what was the

607
00:29:12,400 --> 00:29:13,560
Speaker 1: name of that episode.

608
00:29:13,240 --> 00:29:14,240
Speaker 2: Pilling them Softly.

609
00:29:14,400 --> 00:29:18,280
Speaker 1: That was a b story which was about Stewie and

610
00:29:18,400 --> 00:29:24,040
Speaker 1: Brian doing adderall pills. And there's Game of Thrones elements

611
00:29:24,080 --> 00:29:27,440
Speaker 1: in there as well, which, if you remember in twenty fourteen,

612
00:29:27,480 --> 00:29:31,760
Speaker 1: twenty fifteen was like kind of people were just starting

613
00:29:31,800 --> 00:29:34,080
Speaker 1: to talk about games. I didn't really know about it yet.

614
00:29:34,120 --> 00:29:35,640
Speaker 2: This was very new stuff.

615
00:29:35,920 --> 00:29:38,000
Speaker 3: Yeah, yeah, it sounds sounds like a cutting edge.

616
00:29:38,040 --> 00:29:40,959
Speaker 2: They're always out in front, always out in front, that

617
00:29:41,000 --> 00:29:44,320
Speaker 2: seth MacFarland, always just seeing the next thing, whether it's

618
00:29:44,480 --> 00:29:45,560
Speaker 2: Star Trek.

619
00:29:46,160 --> 00:29:50,960
Speaker 3: Or musical standards. Right, just always right. People don't people,

620
00:29:51,040 --> 00:29:53,320
Speaker 3: people don't know about it yet. But he's like gonna

621
00:29:53,320 --> 00:29:56,000
Speaker 3: point the way and say, you're gonna like this. You're

622
00:29:56,000 --> 00:29:58,240
Speaker 3: gonna you didn't think you'd like Star Trek making.

623
00:29:58,200 --> 00:30:01,280
Speaker 2: Well, like the scene back to the Future. You guys

624
00:30:01,360 --> 00:30:03,600
Speaker 2: might not be ready for that, but your grandkids will

625
00:30:03,640 --> 00:30:04,440
Speaker 2: love it, I promise.

626
00:30:04,720 --> 00:30:11,240
Speaker 3: Oh yeah, yeah, veenis line.

627
00:30:09,840 --> 00:30:11,520
Speaker 4: Right, m hm.

628
00:30:14,920 --> 00:30:20,440
Speaker 3: Right he speaking of that chicken chicken. Oh yeah, yeah,

629
00:30:20,440 --> 00:30:22,480
Speaker 3: the fried chicken. The fried chicken ruins it for me.

630
00:30:22,520 --> 00:30:26,440
Speaker 1: It's bust the chickens inside of its butt.

631
00:30:28,360 --> 00:30:30,080
Speaker 2: Why do you think they fry have so much stuff

632
00:30:30,080 --> 00:30:34,400
Speaker 2: around it, uh be able to look at it and

633
00:30:34,520 --> 00:30:38,120
Speaker 2: that the outside is oils.

634
00:30:39,040 --> 00:30:41,000
Speaker 3: Yeah, I knew that you ate that.

635
00:30:41,760 --> 00:30:43,360
Speaker 2: Yeah you eat oil?

636
00:30:43,960 --> 00:30:44,520
Speaker 3: Yeah?

637
00:30:44,800 --> 00:30:46,000
Speaker 2: What were your sides again?

638
00:30:48,040 --> 00:30:50,240
Speaker 3: Oh no, I don't even know if I want to

639
00:30:50,240 --> 00:30:52,760
Speaker 3: say beans, ands.

640
00:30:53,480 --> 00:30:55,680
Speaker 2: And buttsla what? Sorry?

641
00:30:55,800 --> 00:30:59,560
Speaker 3: Those are vegetarian? I thought, yeah, there's a vegetables. But

642
00:31:00,080 --> 00:31:02,400
Speaker 3: what kind of butt is in a coleslaw broccoli?

643
00:31:02,640 --> 00:31:03,400
Speaker 2: Broccoli? Butts?

644
00:31:06,840 --> 00:31:08,920
Speaker 3: Where BROCCOLI's broccoli? Ship?

645
00:31:10,240 --> 00:31:14,960
Speaker 2: What Jesus Man? Nine year olds listen to this show?

646
00:31:15,840 --> 00:31:17,320
Speaker 2: Don't ruins my podcast?

647
00:31:18,160 --> 00:31:21,520
Speaker 3: Okay, I'm just like they got butts say my ship?

648
00:31:22,400 --> 00:31:23,760
Speaker 2: Hey, can you do me a favor?

649
00:31:23,880 --> 00:31:24,080
Speaker 3: Yeah?

650
00:31:24,120 --> 00:31:26,480
Speaker 2: Anything he ruins your wolf for me while you're here.

651
00:31:26,720 --> 00:31:30,600
Speaker 1: That would be great. Oh no, that would be Spare

652
00:31:30,600 --> 00:31:31,360
Speaker 1: Engineer Jordan.

653
00:31:31,520 --> 00:31:32,040
Speaker 2: She's new.

654
00:31:32,360 --> 00:31:33,800
Speaker 1: We wanted to just be able to land on your

655
00:31:33,840 --> 00:31:35,080
Speaker 1: feet wherever she goes.

656
00:31:35,160 --> 00:31:38,000
Speaker 2: You know what, Edgar Jordan? Yeah, what, you might want

657
00:31:38,000 --> 00:31:39,040
Speaker 2: to leave the building.

658
00:31:39,640 --> 00:31:42,360
Speaker 5: I physically can't leave. I am recording you.

659
00:31:42,880 --> 00:31:45,960
Speaker 1: Oh I thought it was because of like the there

660
00:31:46,120 --> 00:31:48,320
Speaker 1: was like an accessibility issue or something.

661
00:31:50,840 --> 00:31:52,040
Speaker 3: Not eighty eight compliant.

662
00:31:52,960 --> 00:31:54,920
Speaker 1: Okay, yeah, so spare.

663
00:31:57,360 --> 00:31:59,000
Speaker 3: American Digital Association complaints.

664
00:31:59,160 --> 00:32:04,120
Speaker 5: I'm a c p A and I'm in dentistry and she.

665
00:32:04,120 --> 00:32:08,840
Speaker 2: Has a BA and local performance. You brought it up.

666
00:32:09,120 --> 00:32:10,560
Speaker 1: You literally just mentioned it.

667
00:32:13,600 --> 00:32:14,040
Speaker 4: Basically.

668
00:32:14,080 --> 00:32:16,240
Speaker 2: You bring it up every time you use that voice,

669
00:32:16,320 --> 00:32:20,560
Speaker 2: that sweet honey pot of a voice. Now, go ahead

670
00:32:20,600 --> 00:32:22,840
Speaker 2: and show at some of what you got and try

671
00:32:22,840 --> 00:32:28,440
Speaker 2: to ruin this. Okay, I can't kid, that's wonderful, No kidding,

672
00:32:28,480 --> 00:32:28,880
Speaker 2: you can't.

673
00:32:28,920 --> 00:32:30,000
Speaker 3: No, No, I wouldn't even try it.

674
00:32:30,080 --> 00:32:31,760
Speaker 1: I guess he doesn't ruins everything.

675
00:32:32,720 --> 00:32:35,600
Speaker 3: Well, yeah, I mean it's a little bit hyperbole for

676
00:32:35,680 --> 00:32:37,280
Speaker 3: the purpose of the show and ruins everything.

677
00:32:37,360 --> 00:32:39,960
Speaker 2: Yeah, yeah, for the purpose of the show exactly.

678
00:32:40,360 --> 00:32:41,560
Speaker 3: Eventually. What does that mean?

679
00:32:41,920 --> 00:32:42,440
Speaker 2: I don't know.

680
00:32:43,120 --> 00:32:46,280
Speaker 3: Okay, I don't know. Okay, there's a deeper meaning.

681
00:32:46,320 --> 00:32:47,240
Speaker 2: What chicken butt?

682
00:32:47,880 --> 00:32:50,040
Speaker 1: Oh what you ate?

683
00:32:50,320 --> 00:32:50,880
Speaker 2: Oh?

684
00:32:50,960 --> 00:32:55,240
Speaker 1: Man? So Jordan, yes, it might make sense for you

685
00:32:55,320 --> 00:33:00,640
Speaker 1: to evacuate. Is there like a ruinsing alarm system set

686
00:33:00,680 --> 00:33:02,600
Speaker 1: up for this office?

687
00:33:02,840 --> 00:33:06,720
Speaker 5: It goes.

688
00:33:08,080 --> 00:33:10,440
Speaker 1: So you went, So you went through the train. A

689
00:33:10,440 --> 00:33:13,400
Speaker 1: lot of offices, I hear are going through training in

690
00:33:13,440 --> 00:33:14,920
Speaker 1: case you ruins there.

691
00:33:15,320 --> 00:33:15,520
Speaker 2: There.

692
00:33:16,000 --> 00:33:18,480
Speaker 3: I show up and I ruined the workplace.

693
00:33:18,800 --> 00:33:20,320
Speaker 5: Yeah, yeah, it went off when you.

694
00:33:20,320 --> 00:33:20,960
Speaker 4: Entered the building.

695
00:33:21,200 --> 00:33:22,120
Speaker 3: Oh my gosh.

696
00:33:22,560 --> 00:33:25,680
Speaker 2: The newest thing in the recent in recent years is

697
00:33:25,840 --> 00:33:28,920
Speaker 2: a lot of public places go through active shooter drills,

698
00:33:29,000 --> 00:33:31,720
Speaker 2: and then they also have to go through ruins and drills.

699
00:33:32,320 --> 00:33:37,400
Speaker 2: So it's in case act in case they're actively getting ruins.

700
00:33:37,560 --> 00:33:40,400
Speaker 2: Everyone in the building has to be trained for what

701
00:33:40,520 --> 00:33:45,920
Speaker 2: the safest way to behave is. And I think it's smart,

702
00:33:46,200 --> 00:33:48,800
Speaker 2: and I'm happy to hear there's an alarm. And I

703
00:33:48,840 --> 00:33:50,880
Speaker 2: do know for a fact for that alarm, they just

704
00:33:50,920 --> 00:33:53,680
Speaker 2: took the announcer at the Bruins game and just chopped

705
00:33:53,720 --> 00:33:57,800
Speaker 2: off the b the beginning. He does say that at

706
00:33:57,840 --> 00:33:58,800
Speaker 2: the beginning.

707
00:34:01,040 --> 00:34:04,720
Speaker 1: Ruins, So they are skimping and save it.

708
00:34:07,560 --> 00:34:09,000
Speaker 3: Yeah, that's I mean, that's a way to do it.

709
00:34:09,000 --> 00:34:10,880
Speaker 3: You don't have to bring the actor back in and

710
00:34:10,920 --> 00:34:14,200
Speaker 3: pay another SAG script.

711
00:34:13,520 --> 00:34:17,960
Speaker 2: Script on it. And you can't scrimp something like that.

712
00:34:18,280 --> 00:34:19,720
Speaker 2: You can't not scrimp.

713
00:34:20,200 --> 00:34:22,080
Speaker 1: Yeah, the pistols too important.

714
00:34:22,680 --> 00:34:27,120
Speaker 2: It's too important pistol scrimp and they're going to pay

715
00:34:27,120 --> 00:34:29,840
Speaker 2: the price because we're about to unleash on them on

716
00:34:30,120 --> 00:34:31,040
Speaker 2: ELF itself.

717
00:34:32,200 --> 00:34:32,920
Speaker 3: We agree that.

718
00:34:32,880 --> 00:34:37,520
Speaker 2: We're even now, of course, ruins. Dick I ruined Tetris

719
00:34:37,680 --> 00:34:38,479
Speaker 2: and now we're even.

720
00:34:38,680 --> 00:34:41,680
Speaker 3: I'm not prepared to ruin I don't I don't know.

721
00:34:41,800 --> 00:34:43,640
Speaker 3: I haven't done my research. We have all staff of

722
00:34:43,719 --> 00:34:46,239
Speaker 3: researchers on the show. Who helps me. You know, they

723
00:34:46,280 --> 00:34:49,640
Speaker 3: helped me research the topics comedy bank bank, I'm not

724
00:34:49,640 --> 00:34:50,480
Speaker 3: done comedy bank bank.

725
00:34:50,560 --> 00:34:54,120
Speaker 2: No, I want to ruin it. Do you ever do

726
00:34:54,239 --> 00:34:55,160
Speaker 2: Vladimir Putin?

727
00:34:56,320 --> 00:34:59,760
Speaker 1: Have I ruined Vladimir ruins him?

728
00:34:59,760 --> 00:35:01,719
Speaker 2: Not specifically?

729
00:35:01,880 --> 00:35:05,680
Speaker 3: Oh wow? Okay, what okay, hold on a seconds.

730
00:35:06,080 --> 00:35:09,879
Speaker 1: You're implying, like everything else in the entire world, we don't.

731
00:35:09,960 --> 00:35:13,880
Speaker 2: We'll get to him eventually. Yeah, start with what's import Well,

732
00:35:13,920 --> 00:35:17,799
Speaker 2: Vladimir Putin don't really need to ruins him, ruins shaunce Dick.

733
00:35:18,080 --> 00:35:24,360
Speaker 3: But you get specifically, that's a bigger.

734
00:35:26,960 --> 00:35:28,920
Speaker 1: That's a bigger threat to our democracy.

735
00:35:29,360 --> 00:35:33,240
Speaker 2: Well, let me we do Callywood Awards shows and then Putin.

736
00:35:33,400 --> 00:35:36,319
Speaker 3: We do common misconceptions. It's things that people think are good.

737
00:35:36,360 --> 00:35:39,239
Speaker 3: People already think Putin's bad. So you know, we say

738
00:35:39,239 --> 00:35:42,080
Speaker 3: they think he's bad. Yeah, people are already know.

739
00:35:42,160 --> 00:35:45,200
Speaker 1: But actually, okay, I know you said think.

740
00:35:45,120 --> 00:35:48,240
Speaker 3: No, yeah, but no, he's bad. All right. I feel

741
00:35:48,280 --> 00:35:50,719
Speaker 3: like I'm being I feel like I'm being set up

742
00:35:50,719 --> 00:35:54,320
Speaker 3: here to seem as though. I feel like I feel

743
00:35:54,320 --> 00:35:57,800
Speaker 3: as though you are trying to portray me as being

744
00:35:57,880 --> 00:35:59,240
Speaker 3: in Putin's pocket.

745
00:36:00,280 --> 00:36:01,680
Speaker 1: You did you ruin guns?

746
00:36:02,120 --> 00:36:05,320
Speaker 3: Well that is our season premiere this year, when.

747
00:36:05,600 --> 00:36:08,640
Speaker 1: Well have anything to defend ourselves against Vladimir Putin?

748
00:36:09,120 --> 00:36:11,640
Speaker 3: Well, no, we talk about gun rights and we talk

749
00:36:11,640 --> 00:36:13,799
Speaker 3: about gun control, and we don't we don't say we

750
00:36:13,840 --> 00:36:15,840
Speaker 3: don't like say guns should all be taken away or

751
00:36:15,880 --> 00:36:19,320
Speaker 3: anything like that. So you're saying you love them, No,

752
00:36:19,440 --> 00:36:21,560
Speaker 3: I don't love guy. No, there's no we talk. We

753
00:36:21,680 --> 00:36:24,680
Speaker 3: have more nuance on the issue than that, then then

754
00:36:24,800 --> 00:36:30,440
Speaker 3: we love the more we hate them nuance new nuance,

755
00:36:31,800 --> 00:36:33,239
Speaker 3: n u A n CE.

756
00:36:34,400 --> 00:36:36,400
Speaker 2: We got more nuance on the issue.

757
00:36:37,239 --> 00:36:43,800
Speaker 1: Yeah, yeah, okay, just to do a quick you know,

758
00:36:44,239 --> 00:36:46,640
Speaker 1: a quick ruins ear wolf and okay, what are we

759
00:36:46,760 --> 00:36:47,319
Speaker 1: doing for time?

760
00:36:47,400 --> 00:36:49,640
Speaker 2: Do we have time to ruin your wolf? Yeah? We

761
00:36:49,719 --> 00:36:50,080
Speaker 2: have time.

762
00:36:50,320 --> 00:36:54,120
Speaker 3: I mean, it's it seems as though, you know, podcast

763
00:36:54,360 --> 00:36:57,560
Speaker 3: advertising reve is based on my own anecdotal understanding, but

764
00:36:58,080 --> 00:37:00,840
Speaker 3: it seems to be cratering advertising revs new for podcasts.

765
00:37:01,000 --> 00:37:02,120
Speaker 2: Yeah, we're seeing that.

766
00:37:02,800 --> 00:37:04,840
Speaker 3: It seems as though seems as those sponsors are not

767
00:37:04,920 --> 00:37:07,800
Speaker 3: really interesting. You know that the serial bump, like you know,

768
00:37:07,960 --> 00:37:10,480
Speaker 3: we has can't come and gone and yeah, uh and

769
00:37:10,600 --> 00:37:13,080
Speaker 3: now it's all about you know, podcasts were the last

770
00:37:13,080 --> 00:37:15,160
Speaker 3: sort of vestors of the independent web. But now with

771
00:37:15,239 --> 00:37:17,439
Speaker 3: the rise of you Go analytics on Apple and things

772
00:37:17,560 --> 00:37:20,680
Speaker 3: like that, it's all becoming centralized again. And and so

773
00:37:21,200 --> 00:37:23,360
Speaker 3: you know, I think maybe the podcast golden age that

774
00:37:23,400 --> 00:37:26,360
Speaker 3: we've been enjoying for the last five years or so

775
00:37:26,520 --> 00:37:27,759
Speaker 3: maybe swiftly coming to an end.

776
00:37:27,880 --> 00:37:30,359
Speaker 1: It is absolutely true for every other show.

777
00:37:30,600 --> 00:37:34,000
Speaker 2: Yeah, oh yeah, Unfortunately the other shows are going to

778
00:37:34,120 --> 00:37:37,279
Speaker 2: go through uh some lean years coming up.

779
00:37:37,360 --> 00:37:39,920
Speaker 1: So not this show Winter is Coming, Game of Thrones.

780
00:37:40,440 --> 00:37:41,839
Speaker 3: Yeah that is from Game of Thrones.

781
00:37:41,920 --> 00:37:45,239
Speaker 1: Yeah, family guy taught me that. So yeah, this show,

782
00:37:46,480 --> 00:37:49,120
Speaker 1: the ads are the grasshopper and the ads in the

783
00:37:49,160 --> 00:37:51,400
Speaker 1: best part of the show, and everyone listens to them

784
00:37:51,480 --> 00:37:53,400
Speaker 1: all the way through. And you can see that on

785
00:37:53,560 --> 00:37:59,920
Speaker 1: the Apple analytics you can see people listening. They met

786
00:38:00,040 --> 00:38:03,000
Speaker 1: sure how your eyebrows move while you are listening to

787
00:38:03,080 --> 00:38:03,399
Speaker 1: the show?

788
00:38:03,520 --> 00:38:06,040
Speaker 3: Yes, yeah, see that sounds bad to me. I don't

789
00:38:06,120 --> 00:38:09,480
Speaker 3: think I want the intrusion of a company observing my eyebrows.

790
00:38:09,680 --> 00:38:11,920
Speaker 1: Okay, well then you are. Then you'll be stuck with

791
00:38:12,000 --> 00:38:16,200
Speaker 1: a lot of podcasts where your eyebrows are either at

792
00:38:16,239 --> 00:38:17,440
Speaker 1: all or furrow no.

793
00:38:17,440 --> 00:38:18,320
Speaker 2: No, no, no, no, yeah no.

794
00:38:18,400 --> 00:38:20,120
Speaker 3: I want my eyebrows to move their own free will,

795
00:38:20,120 --> 00:38:21,560
Speaker 3: and I don't want anyone to watch my eyebrows.

796
00:38:21,800 --> 00:38:25,000
Speaker 1: No one's controlling the way your eyebrows move. Your case

797
00:38:25,040 --> 00:38:26,080
Speaker 1: except your case will.

798
00:38:26,280 --> 00:38:30,040
Speaker 2: Put Yeah, wait where how did we I've just caught

799
00:38:30,120 --> 00:38:31,160
Speaker 2: it like I see it, pal.

800
00:38:32,480 --> 00:38:36,960
Speaker 1: But wow, for the analytics, they see people listen to

801
00:38:37,000 --> 00:38:38,880
Speaker 1: our show, and especially when they get to the ads,

802
00:38:39,239 --> 00:38:40,160
Speaker 1: their eyebrows are like.

803
00:38:40,760 --> 00:38:42,399
Speaker 2: On the back of their heads. Yeah.

804
00:38:42,840 --> 00:38:46,960
Speaker 3: Wow, they go all the way around wow, Like like

805
00:38:47,239 --> 00:38:49,279
Speaker 3: underneath they're like on the napes of their necks.

806
00:38:49,440 --> 00:38:51,359
Speaker 1: Sometimes it will even get back that far.

807
00:38:51,760 --> 00:38:53,879
Speaker 2: Wow, come up under their jaw.

808
00:38:54,400 --> 00:38:56,440
Speaker 3: So you guys are how much how much it? I

809
00:38:56,480 --> 00:38:58,480
Speaker 3: mean how much you guys getting for a sponsorship for

810
00:38:58,560 --> 00:39:01,680
Speaker 3: like a thirty second you know, say on Blue Apron.

811
00:39:01,440 --> 00:39:02,800
Speaker 2: And we don't know, we don't know.

812
00:39:03,160 --> 00:39:08,040
Speaker 1: Hi, I will say, I have heard reports. Please that

813
00:39:08,280 --> 00:39:14,680
Speaker 1: is high two digits. Oh wow, that's great, very high.

814
00:39:15,120 --> 00:39:16,040
Speaker 3: Very high. Two digits.

815
00:39:16,520 --> 00:39:17,760
Speaker 2: The max amount of high.

816
00:39:18,360 --> 00:39:19,399
Speaker 3: Maximum of ninety nine.

817
00:39:20,320 --> 00:39:22,319
Speaker 1: Well, not that if you can imagine, not that high,

818
00:39:22,360 --> 00:39:25,520
Speaker 1: but yeah, very high if you can't imagine for a

819
00:39:25,640 --> 00:39:32,080
Speaker 1: thirty second spot making three dollars every second, every second.

820
00:39:32,800 --> 00:39:35,120
Speaker 2: Dollars Second's pretty fast, is brother.

821
00:39:36,160 --> 00:39:37,960
Speaker 3: That's a good point. A lot of people make just

822
00:39:38,000 --> 00:39:38,719
Speaker 3: seven bucks an.

823
00:39:38,640 --> 00:39:41,319
Speaker 1: Hour and it ruins time. Yet linear time.

824
00:39:42,160 --> 00:39:44,160
Speaker 3: I don't want to bring up se but we talked

825
00:39:44,200 --> 00:39:48,200
Speaker 3: about we talked about doing its times. There's daylight savings,

826
00:39:48,840 --> 00:39:51,359
Speaker 3: there's the idea that I mean, it's very interesting idea.

827
00:39:51,440 --> 00:39:53,440
Speaker 3: But you know, there wasn't even such a thing as

828
00:39:53,480 --> 00:39:56,680
Speaker 3: a single clock that everyone was on until the advance

829
00:39:56,719 --> 00:39:59,440
Speaker 3: of railroad time. And you know when the railroads came through,

830
00:39:59,480 --> 00:40:01,680
Speaker 3: which I was I was very very interesting. You know,

831
00:40:01,800 --> 00:40:04,160
Speaker 3: time was a much more fluid notion before then, So

832
00:40:04,239 --> 00:40:05,880
Speaker 3: that could be something that we could you say.

833
00:40:05,760 --> 00:40:09,359
Speaker 2: A lot of people are making uh seven dollars an hour.

834
00:40:10,560 --> 00:40:10,799
Speaker 3: Yeah.

835
00:40:11,680 --> 00:40:15,239
Speaker 1: I also heard that radio lamb, what's the minimum wage

836
00:40:15,280 --> 00:40:16,480
Speaker 1: in the United States?

837
00:40:17,719 --> 00:40:22,520
Speaker 2: Oh? God, seven twenty five an hour?

838
00:40:22,760 --> 00:40:28,160
Speaker 3: Yeah, all right, that's wrong. Well I was rounding.

839
00:40:28,400 --> 00:40:29,680
Speaker 2: Are you pissed about time?

840
00:40:30,200 --> 00:40:31,759
Speaker 3: Am I pissed? No, I'm not pissed about That's why

841
00:40:31,760 --> 00:40:34,520
Speaker 3: I brought it up, like you used to be a

842
00:40:34,600 --> 00:40:37,359
Speaker 3: way more you brought you said, have you ever ruined time?

843
00:40:37,719 --> 00:40:37,919
Speaker 2: Yeah?

844
00:40:38,000 --> 00:40:39,680
Speaker 1: But then you're like, well, we thought about doing it

845
00:40:39,719 --> 00:40:40,879
Speaker 1: because it used to be way more.

846
00:40:41,040 --> 00:40:42,880
Speaker 3: Uh, what did you call fluid?

847
00:40:43,000 --> 00:40:43,600
Speaker 2: Fluid? Yeah?

848
00:40:43,680 --> 00:40:45,880
Speaker 3: Yeah, yeah, I'm not pissed about that, which is interesting.

849
00:40:46,680 --> 00:40:48,400
Speaker 2: Yeah, I ain't listened to that Radio lap too.

850
00:40:48,520 --> 00:40:50,200
Speaker 3: It was well, I heard of over an episode of

851
00:40:50,200 --> 00:40:51,280
Speaker 3: the Backstory podcast.

852
00:40:51,400 --> 00:40:52,000
Speaker 2: I believe it was.

853
00:40:52,040 --> 00:40:52,560
Speaker 3: I don't think it was.

854
00:40:53,320 --> 00:40:54,600
Speaker 2: No, actually a podcast.

855
00:40:54,719 --> 00:40:55,680
Speaker 1: It's a detective show.

856
00:40:55,680 --> 00:40:56,480
Speaker 2: He's a total dick.

857
00:40:57,320 --> 00:41:00,759
Speaker 3: His backstory, backstories podcast, Go back Story. It's a really

858
00:41:00,800 --> 00:41:03,680
Speaker 3: good history podcast hosted by a bunch of history professors

859
00:41:03,719 --> 00:41:04,240
Speaker 3: in Virginia.

860
00:41:05,200 --> 00:41:07,719
Speaker 2: All right, and that's before Radio Lamb.

861
00:41:08,440 --> 00:41:10,640
Speaker 3: I believe I heard that. I believe that's where I

862
00:41:10,680 --> 00:41:12,160
Speaker 3: heard it before Radio LABYA.

863
00:41:12,320 --> 00:41:13,719
Speaker 2: Yeah, what time is it in the show?

864
00:41:15,719 --> 00:41:18,560
Speaker 5: We're at like thirty eight minutes?

865
00:41:18,840 --> 00:41:19,480
Speaker 2: Oh my god.

866
00:41:19,560 --> 00:41:21,320
Speaker 1: And Kevin is acting like he's been in there the

867
00:41:21,360 --> 00:41:23,959
Speaker 1: whole time. Can't you just see how Kevin I've seen

868
00:41:24,000 --> 00:41:26,040
Speaker 1: I've been looking in there, and you've just been coming

869
00:41:26,120 --> 00:41:30,400
Speaker 1: and going as he pleases. Hey, guys, bathroom breaks.

870
00:41:30,640 --> 00:41:33,560
Speaker 4: Chef Kevin here, what'd you do? I took pictures and

871
00:41:33,560 --> 00:41:34,359
Speaker 4: then I came back.

872
00:41:35,760 --> 00:41:37,279
Speaker 2: So when you were in there, you were in here?

873
00:41:37,520 --> 00:41:39,200
Speaker 3: Yeah, you noticed he was in here taking pictures.

874
00:41:40,760 --> 00:41:43,880
Speaker 2: What's the partition even for Yeah, why do we have it,

875
00:41:44,400 --> 00:41:50,279
Speaker 2: Chef Kevin? Were you ruined something or do something? You're

876
00:41:50,280 --> 00:41:51,000
Speaker 2: doing nothing?

877
00:41:51,200 --> 00:41:54,520
Speaker 4: Sure, But first I'd like to start with a joke. Hey, Adam,

878
00:41:54,600 --> 00:41:58,000
Speaker 4: do you know how you said nuance? Yeah, well, when

879
00:41:58,080 --> 00:42:00,399
Speaker 4: my grandma got pregnant, I also had had a couple

880
00:42:00,440 --> 00:42:09,439
Speaker 4: of nuance. Okay, now for my pitch, that's a good joke.

881
00:42:10,480 --> 00:42:11,560
Speaker 3: That's a really good joke.

882
00:42:11,600 --> 00:42:15,880
Speaker 1: So she had twins? Yeah, okay, just for the purpose

883
00:42:15,960 --> 00:42:16,719
Speaker 1: of the joke.

884
00:42:18,920 --> 00:42:20,560
Speaker 4: You have a couple of nets.

885
00:42:21,360 --> 00:42:21,840
Speaker 2: Do you know this?

886
00:42:25,880 --> 00:42:27,560
Speaker 3: Okay, it's really funny.

887
00:42:27,600 --> 00:42:29,560
Speaker 2: And I did think of that too, And I was

888
00:42:29,640 --> 00:42:32,359
Speaker 2: thinking about it too, I was working on old ones.

889
00:42:32,520 --> 00:42:34,239
Speaker 3: You guys didn't say it though he said it.

890
00:42:35,480 --> 00:42:37,560
Speaker 2: I was busy. I had a lot going on.

891
00:42:38,320 --> 00:42:40,360
Speaker 4: Do you know the show American Horror Story?

892
00:42:40,520 --> 00:42:44,239
Speaker 1: I had joke too, where I know that?

893
00:42:44,440 --> 00:42:45,359
Speaker 3: I know that show? Yeah?

894
00:42:46,000 --> 00:42:49,560
Speaker 2: Wait, wait, I had a joke. Okay, where does the

895
00:42:49,640 --> 00:42:50,640
Speaker 2: can keep his armies?

896
00:42:52,360 --> 00:42:54,720
Speaker 3: Where's the king keep his armies?

897
00:42:54,719 --> 00:42:55,840
Speaker 2: Where in his sleepes?

898
00:42:57,120 --> 00:42:58,560
Speaker 3: In his in his sleepy?

899
00:42:58,719 --> 00:43:00,879
Speaker 2: Wait? Where's can keep his army?

900
00:43:03,920 --> 00:43:05,640
Speaker 3: It took me, I had to I had to hear

901
00:43:05,680 --> 00:43:07,560
Speaker 3: it twice. But yeah, it was no, that's.

902
00:43:07,440 --> 00:43:10,360
Speaker 2: Good and we all got jokes. Yeah, now it's just

903
00:43:10,440 --> 00:43:12,960
Speaker 2: shown that we all have jokes. Now, go ahead, and the.

904
00:43:13,080 --> 00:43:17,920
Speaker 1: Santa Clara guys keep their armies in their smoothies. Oh no,

905
00:43:19,920 --> 00:43:23,080
Speaker 1: some of these billboards my favorite joke. This is my

906
00:43:23,160 --> 00:43:31,080
Speaker 1: favorite joke. Please, no, come on, did you see that capitalism?

907
00:43:31,920 --> 00:43:34,799
Speaker 3: I know I don't love It's okay, I don't want

908
00:43:34,800 --> 00:43:35,239
Speaker 3: to do my joke.

909
00:43:35,320 --> 00:43:37,239
Speaker 1: Now hit me with the fucking joke.

910
00:43:37,320 --> 00:43:37,560
Speaker 3: Okay.

911
00:43:37,680 --> 00:43:38,480
Speaker 4: It was about.

912
00:43:39,719 --> 00:43:42,200
Speaker 3: Oh it's a uh did you see this new story

913
00:43:42,239 --> 00:43:45,440
Speaker 3: about the It actually just happened that this actress killed herself.

914
00:43:45,480 --> 00:43:47,479
Speaker 3: She stabbed herself. I'm blanking on her name.

915
00:43:47,840 --> 00:43:48,800
Speaker 2: But this was a joke.

916
00:43:48,920 --> 00:43:49,240
Speaker 3: Gris.

917
00:43:49,440 --> 00:43:51,520
Speaker 1: Uh wait, are you going to tell the joke or

918
00:43:52,239 --> 00:43:57,120
Speaker 1: are you going to a conversations? You're talking about the news?

919
00:43:57,520 --> 00:44:00,839
Speaker 3: Yeah, yeah, well it's this up for the joke.

920
00:44:01,360 --> 00:44:02,920
Speaker 1: Do you want me to guess her last name is?

921
00:44:03,000 --> 00:44:05,200
Speaker 3: Yeah? Yeah, it's like I can't remember her last name, redon,

922
00:44:05,360 --> 00:44:07,880
Speaker 3: I say Witherspoon, Yeah, I say with no. With her knife,

923
00:44:09,600 --> 00:44:12,360
Speaker 3: I know, I think it's with a knife. With her knife,

924
00:44:12,600 --> 00:44:15,080
Speaker 3: she stabbed herself with her own knife, Yes to their

925
00:44:15,120 --> 00:44:19,520
Speaker 3: own knife. This this joke, This is honestly I've told

926
00:44:19,520 --> 00:44:21,920
Speaker 3: this joke hundreds of times. It's never gone.

927
00:44:21,719 --> 00:44:25,359
Speaker 1: Worse because we figured it out.

928
00:44:25,480 --> 00:44:27,200
Speaker 2: Yeah, we actually managed to crack it.

929
00:44:27,400 --> 00:44:30,960
Speaker 3: Yeah, I mean it's uh, yeah, I guess I guess.

930
00:44:31,000 --> 00:44:32,560
Speaker 3: You know, normally I'm a better actor with it, but

931
00:44:32,640 --> 00:44:33,320
Speaker 3: in this case.

932
00:44:33,239 --> 00:44:35,480
Speaker 1: And I think you surround yourself with people dumber than you.

933
00:44:36,280 --> 00:44:39,040
Speaker 2: Wow, don't you think that's probably true? Uh?

934
00:44:40,280 --> 00:44:43,480
Speaker 3: I try to keep myself challenged, you know, by my state,

935
00:44:43,560 --> 00:44:46,040
Speaker 3: the staff on my show, they're all people smarter than me.

936
00:44:46,120 --> 00:44:47,799
Speaker 1: And Adam saw that movie The Yes Man.

937
00:44:47,840 --> 00:44:49,720
Speaker 2: He thought it was a documentary.

938
00:44:52,320 --> 00:44:52,800
Speaker 3: And it was.

939
00:44:53,280 --> 00:44:56,720
Speaker 1: There was a documentary called The Yes Men right around

940
00:44:56,760 --> 00:44:57,440
Speaker 1: that same shor.

941
00:44:57,680 --> 00:44:59,840
Speaker 3: Yeah, but that's not what I'm talking about. But that mo,

942
00:45:00,120 --> 00:45:02,680
Speaker 3: He's not about a guy who's around stuff with yes man.

943
00:45:02,719 --> 00:45:05,799
Speaker 3: That's a guy who can only say yes to everything, right.

944
00:45:06,000 --> 00:45:08,080
Speaker 1: Yeah, I have a question. I saw the movie Liar,

945
00:45:08,480 --> 00:45:08,840
Speaker 1: Go Ahead.

946
00:45:09,600 --> 00:45:12,040
Speaker 5: Would you say that you ruins jokes too?

947
00:45:12,600 --> 00:45:14,440
Speaker 3: Yeah? I guess so, I guess I do ruin jokes

948
00:45:14,480 --> 00:45:16,480
Speaker 3: because that one was really I mean, I felt like

949
00:45:16,560 --> 00:45:20,440
Speaker 3: it was a little bit of a bumpy, you know, uh,

950
00:45:20,840 --> 00:45:23,400
Speaker 3: performance situation. But yeah, I mean I definitely could have

951
00:45:23,440 --> 00:45:24,120
Speaker 3: delivered it better.

952
00:45:24,239 --> 00:45:27,080
Speaker 1: And I will say that is by far the most

953
00:45:27,239 --> 00:45:30,000
Speaker 1: unhinged Jordan's.

954
00:45:32,040 --> 00:45:32,560
Speaker 2: On the show.

955
00:45:33,520 --> 00:45:37,800
Speaker 3: She's going buck wild right now, she has got completely

956
00:45:37,920 --> 00:45:38,520
Speaker 3: buck wild.

957
00:45:39,160 --> 00:45:40,440
Speaker 5: I have a joke, but I don't want to tell

958
00:45:40,480 --> 00:45:41,439
Speaker 5: it because I think it's bad.

959
00:45:41,560 --> 00:45:45,120
Speaker 1: Oh, come on, come on, I got it here, Engineer Jordan.

960
00:45:45,480 --> 00:45:47,920
Speaker 5: I'll sometimes do open mics, and I open with a

961
00:45:48,040 --> 00:45:50,920
Speaker 5: DYSLEXA guy walked into a bram.

962
00:45:51,600 --> 00:45:55,879
Speaker 4: Okay, see, it doesn't get better, it does, It's over.

963
00:45:56,080 --> 00:45:56,440
Speaker 4: It's over.

964
00:45:58,280 --> 00:45:59,600
Speaker 5: No one laughs, they just look at me.

965
00:45:59,640 --> 00:46:05,640
Speaker 2: And Well, as someone who is LD learning disabled, I

966
00:46:05,719 --> 00:46:09,120
Speaker 2: can say that i'mfortable laughing at myself. Hey, you know,

967
00:46:10,640 --> 00:46:14,040
Speaker 2: I remember feeling apart from my peers growing up, getting

968
00:46:14,080 --> 00:46:15,800
Speaker 2: pulled out of class and having to work with like

969
00:46:15,880 --> 00:46:18,040
Speaker 2: a special instructor, and I'm trying to identify why I

970
00:46:18,120 --> 00:46:20,319
Speaker 2: was so far behind. Uh.

971
00:46:21,480 --> 00:46:23,960
Speaker 1: But also it can be super funny, you know that

972
00:46:25,840 --> 00:46:28,839
Speaker 1: that people mix up, that their brain just doesn't work

973
00:46:28,920 --> 00:46:31,040
Speaker 1: the way. And the fact that I mean, the fact

974
00:46:31,040 --> 00:46:34,320
Speaker 1: that Adam called his staff challenged.

975
00:46:35,280 --> 00:46:37,279
Speaker 3: Well, that's not what I said. I said I wanted

976
00:46:37,320 --> 00:46:40,960
Speaker 3: to challenge me. I want to be challenged. I want

977
00:46:41,000 --> 00:46:43,080
Speaker 3: to be challenged by that. Okay, so he wants to

978
00:46:43,160 --> 00:46:48,719
Speaker 3: be challenged. No no, no no no no no no

979
00:46:48,880 --> 00:46:50,960
Speaker 3: no no no no different sense of the word.

980
00:46:51,040 --> 00:46:56,560
Speaker 1: Completely because I could never imagine. But future you should say,

981
00:46:56,560 --> 00:46:58,320
Speaker 1: in the future is I want to be differently abled.

982
00:46:59,080 --> 00:47:03,320
Speaker 3: That's I meant alleged instance, have inspired in the sense of,

983
00:47:03,719 --> 00:47:08,399
Speaker 3: you know, driven to succeed, but not in a bad

984
00:47:08,480 --> 00:47:12,200
Speaker 3: way that I am. Oh my gosh, this is this

985
00:47:12,400 --> 00:47:15,960
Speaker 3: is uh. I feel I feel as though I'm I'm

986
00:47:16,040 --> 00:47:19,480
Speaker 3: being fenced in in you know that that as I'm

987
00:47:19,960 --> 00:47:21,839
Speaker 3: I'm trying to get out of amaze and walls keep

988
00:47:21,880 --> 00:47:22,520
Speaker 3: coming down around.

989
00:47:22,600 --> 00:47:28,200
Speaker 1: Denzel directed that movie Hear That Straw. Yeah, it's almost

990
00:47:28,320 --> 00:47:29,759
Speaker 1: the most expensive version of it.

991
00:47:30,280 --> 00:47:32,160
Speaker 2: It's half as it's half the price of the one

992
00:47:32,200 --> 00:47:34,560
Speaker 2: that I initially saw. What I got to say is

993
00:47:34,800 --> 00:47:38,040
Speaker 2: there's like a rubbery lining to it. Uh huh.

994
00:47:38,280 --> 00:47:41,400
Speaker 1: Does not help the taste of the drink. Okay, people

995
00:47:41,480 --> 00:47:43,360
Speaker 1: have only people that don't listen to the proversion. I

996
00:47:43,400 --> 00:47:45,080
Speaker 1: don't think know about your special straw.

997
00:47:45,840 --> 00:47:52,120
Speaker 2: I have a special straw. Essentially, there's a war on

998
00:47:52,239 --> 00:47:56,080
Speaker 2: straws in the United States. Yeah, that's true, and people

999
00:47:56,239 --> 00:47:59,399
Speaker 2: are very upset. They found a turtle with a straw

1000
00:47:59,440 --> 00:48:03,319
Speaker 2: in its noose, and we got to stop this. It's

1001
00:48:03,400 --> 00:48:05,560
Speaker 2: a wasteful thing. And so you go, Okay, don't use

1002
00:48:05,560 --> 00:48:08,960
Speaker 2: straws anymore. Somebodys they use paper straws. Okay, but that's

1003
00:48:08,960 --> 00:48:11,560
Speaker 2: a lot of production as well. Don't use straws anymore.

1004
00:48:11,600 --> 00:48:14,080
Speaker 2: Some people say, I say, I have extremely thin enamel

1005
00:48:14,160 --> 00:48:15,719
Speaker 2: on my teeth. I know, we've talked a lot about

1006
00:48:15,719 --> 00:48:21,520
Speaker 2: my learning disability today visual motor disorder. But also I

1007
00:48:21,680 --> 00:48:24,799
Speaker 2: have thin enamel on my teeth that came in pretty

1008
00:48:24,840 --> 00:48:27,440
Speaker 2: weak and very sensitive to hot and cold. When it's

1009
00:48:27,440 --> 00:48:28,880
Speaker 2: a cold drink with ice cubes and I have to

1010
00:48:28,960 --> 00:48:32,319
Speaker 2: drink it without a straw, let's face it, it hurts AM.

1011
00:48:32,360 --> 00:48:35,200
Speaker 2: I a tough guy. Yeah, I'm a tough guy at him,

1012
00:48:35,320 --> 00:48:38,440
Speaker 2: but uh, it doesn't mean I need to invite discomfort

1013
00:48:38,480 --> 00:48:40,319
Speaker 2: into my life. So I want to use a straw.

1014
00:48:40,400 --> 00:48:42,439
Speaker 2: So I saw it Shark Tank. There was a reusable straw.

1015
00:48:42,480 --> 00:48:46,280
Speaker 2: It was metal and collapsible. It was called Final Straw.

1016
00:48:47,520 --> 00:48:48,359
Speaker 3: Then I have a good name.

1017
00:48:48,520 --> 00:48:50,759
Speaker 2: There were twenty five dollars to buy that one.

1018
00:48:51,080 --> 00:48:51,319
Speaker 3: Wow.

1019
00:48:52,120 --> 00:48:55,360
Speaker 2: This one was only twelve dollars. Wow. I bought the

1020
00:48:55,520 --> 00:48:57,160
Speaker 2: cheaper one, but the.

1021
00:48:57,200 --> 00:48:59,560
Speaker 3: One on Star tank. Was it available for you to

1022
00:48:59,600 --> 00:49:01,200
Speaker 3: buy for two five dollars or was that just what

1023
00:49:01,320 --> 00:49:02,720
Speaker 3: the price was that they said in a shark.

1024
00:49:02,560 --> 00:49:05,640
Speaker 2: Tank it was available. Who was in Laurie.

1025
00:49:05,719 --> 00:49:08,640
Speaker 3: I'm gonna guess. Uh No, I'm gonna guess cban.

1026
00:49:09,680 --> 00:49:13,279
Speaker 2: I don't think they even got a deal. What's idea

1027
00:49:13,360 --> 00:49:16,040
Speaker 2: they had fantastic margins. I don't think they got a deal.

1028
00:49:16,280 --> 00:49:18,360
Speaker 1: Bizarre, and I can see him getting the data to

1029
00:49:18,520 --> 00:49:22,560
Speaker 1: ruins straws. No, he's got I washed it.

1030
00:49:22,760 --> 00:49:23,279
Speaker 2: I saw that.

1031
00:49:23,360 --> 00:49:27,560
Speaker 1: I saw the light bulb going say this, there's already

1032
00:49:27,560 --> 00:49:31,120
Speaker 1: a straw in that turtle's nose. But yeah, like it's

1033
00:49:31,200 --> 00:49:34,240
Speaker 1: already in there, so you have to ban all the otherwise,

1034
00:49:34,680 --> 00:49:37,160
Speaker 1: so like more aren't in there, there's already one in there.

1035
00:49:37,520 --> 00:49:39,080
Speaker 3: That's the idea I want to turtle.

1036
00:49:39,360 --> 00:49:41,560
Speaker 2: I now have to ask for a straw off And

1037
00:49:41,640 --> 00:49:43,040
Speaker 2: if I go to Russian they say you have to

1038
00:49:43,120 --> 00:49:44,680
Speaker 2: request if you want a straw. I don't want to

1039
00:49:44,760 --> 00:49:47,200
Speaker 2: do that. I don't want the shame. So I bring this.

1040
00:49:48,440 --> 00:49:49,719
Speaker 2: I can fold it up and put it on a

1041
00:49:49,800 --> 00:49:52,839
Speaker 2: keychain and it's nice. But there I am noticing now

1042
00:49:52,920 --> 00:49:54,920
Speaker 2: that there is a rubber lining and that it doesn't

1043
00:49:55,000 --> 00:49:56,040
Speaker 2: make things taste better.

1044
00:49:56,640 --> 00:49:58,520
Speaker 1: And I say something good that people don't like to

1045
00:49:58,560 --> 00:50:04,320
Speaker 1: talk about this. I have heard that that turtle was

1046
00:50:04,400 --> 00:50:07,719
Speaker 1: about to shwack of fat rail.

1047
00:50:07,800 --> 00:50:08,480
Speaker 2: He was shwacking.

1048
00:50:08,640 --> 00:50:11,520
Speaker 1: Yeah, whats gonna He's gonna shwack one.

1049
00:50:12,360 --> 00:50:17,480
Speaker 2: Yeah, that's right. He had chopped up a big fannasty

1050
00:50:17,600 --> 00:50:19,919
Speaker 2: rail and he was gonna shwack it straight to the dome.

1051
00:50:20,560 --> 00:50:21,600
Speaker 2: And then he gets.

1052
00:50:22,840 --> 00:50:27,839
Speaker 1: But his mom and he's like, oh, I got put

1053
00:50:27,920 --> 00:50:28,840
Speaker 1: pollution on me.

1054
00:50:29,680 --> 00:50:32,520
Speaker 2: Yeah, yeah, yeah, yeah, he was gonna when actually he's

1055
00:50:32,520 --> 00:50:33,800
Speaker 2: a hophead, he's a juicer.

1056
00:50:34,560 --> 00:50:35,880
Speaker 3: Wow, I had no idea.

1057
00:50:36,120 --> 00:50:39,160
Speaker 2: Yeah, it's sad. It's sad, but it happens to a

1058
00:50:39,239 --> 00:50:43,680
Speaker 2: lot of turtles now it does. So anyway, I'm helping him.

1059
00:50:43,719 --> 00:50:45,359
Speaker 2: I got this straw, and I wonder if the more

1060
00:50:45,400 --> 00:50:49,480
Speaker 2: expensive one has a better tasting lining. Hmmm, something to

1061
00:50:49,560 --> 00:50:50,000
Speaker 2: think about.

1062
00:50:50,520 --> 00:50:52,319
Speaker 3: The tastes bad. The line tastes bad.

1063
00:50:52,560 --> 00:50:56,719
Speaker 2: It can you can taste that there's rubber and it. Uh,

1064
00:50:57,080 --> 00:50:59,719
Speaker 2: it makes things a little bit worse. And maybe there's

1065
00:50:59,719 --> 00:51:01,680
Speaker 2: a way that I could clean it or treat it.

1066
00:51:01,800 --> 00:51:02,919
Speaker 1: Or something that will be better.

1067
00:51:03,280 --> 00:51:05,760
Speaker 3: Anyway, you find a way to drink that avoids your teeth,

1068
00:51:05,880 --> 00:51:09,640
Speaker 3: Like without the straw, can you just like purse your lips? Yeah,

1069
00:51:09,680 --> 00:51:11,840
Speaker 3: but you look so stupid when you like suck it

1070
00:51:11,920 --> 00:51:13,279
Speaker 3: in fast past your teeth.

1071
00:51:16,040 --> 00:51:18,320
Speaker 2: It's harder to avoid the teeth than you'd think. And

1072
00:51:18,920 --> 00:51:21,680
Speaker 2: I've tried doing that that method that you said. I

1073
00:51:22,440 --> 00:51:24,000
Speaker 2: know now what I look like when I did it,

1074
00:51:24,080 --> 00:51:28,320
Speaker 2: and I'm glad I abandoned it. But anyway, yeah, I

1075
00:51:28,400 --> 00:51:32,399
Speaker 2: have some some work to do. I got some work

1076
00:51:32,440 --> 00:51:35,800
Speaker 2: to do. I can admit that I'll ruins myself. You know,

1077
00:51:35,960 --> 00:51:36,880
Speaker 2: no one ruins me.

1078
00:51:37,000 --> 00:51:37,600
Speaker 1: Harder than me.

1079
00:51:38,360 --> 00:51:40,319
Speaker 3: Yeah, that's that's for damn sure.

1080
00:51:40,480 --> 00:51:43,320
Speaker 2: Yeah, no one ruins just me as viciously as I

1081
00:51:43,440 --> 00:51:47,400
Speaker 2: ruined myself. I think that's so important to self improvement

1082
00:51:47,520 --> 00:51:49,800
Speaker 2: and to being honest. Don't you have a podcast?

1083
00:51:50,000 --> 00:51:50,200
Speaker 3: Yeah?

1084
00:51:50,239 --> 00:51:50,759
Speaker 2: What do you doing?

1085
00:51:51,000 --> 00:51:55,399
Speaker 3: I did a podcast for many years, Adam Ruins Everything

1086
00:51:55,400 --> 00:51:58,000
Speaker 3: podcast run hiatus right now because we are finding a

1087
00:51:58,040 --> 00:52:00,160
Speaker 3: new home for it. We might do it here in

1088
00:52:00,160 --> 00:52:00,760
Speaker 3: this first studio.

1089
00:52:01,160 --> 00:52:04,160
Speaker 1: Okay, so you're ruined? Would bring the price down a

1090
00:52:04,200 --> 00:52:04,600
Speaker 1: little bit?

1091
00:52:04,760 --> 00:52:05,759
Speaker 3: Yeah, say again?

1092
00:52:06,440 --> 00:52:08,920
Speaker 1: Ruins and earwolf so that they make them desperate for

1093
00:52:09,080 --> 00:52:12,440
Speaker 1: like contract you ever you asked me leverage, you asked me.

1094
00:52:13,320 --> 00:52:14,840
Speaker 2: All about the bottom line.

1095
00:52:15,120 --> 00:52:17,680
Speaker 1: So anytime you try to ruin the industry, you go

1096
00:52:17,760 --> 00:52:19,320
Speaker 1: to them first and be like, oh, they should be

1097
00:52:19,360 --> 00:52:23,840
Speaker 1: a shame of your industry of cars, got ruins. M

1098
00:52:25,880 --> 00:52:28,640
Speaker 1: that's not really how I not really how I do it.

1099
00:52:28,840 --> 00:52:31,759
Speaker 1: But okay, so it's just a coincidence that they pay

1100
00:52:31,800 --> 00:52:35,840
Speaker 1: you big bucks. Yeah, who pays me big bucks?

1101
00:52:36,760 --> 00:52:38,560
Speaker 2: Cars? Cars?

1102
00:52:39,000 --> 00:52:40,480
Speaker 3: I'm not paid by cars?

1103
00:52:40,880 --> 00:52:46,640
Speaker 2: Sure, okay, but don't episode.

1104
00:52:46,800 --> 00:52:49,239
Speaker 1: Yeah we'll say that you didn't. Yeah, they didn't pay

1105
00:52:49,280 --> 00:52:51,239
Speaker 1: you enough. Oh so you do admit they didn't pay

1106
00:52:51,239 --> 00:52:51,560
Speaker 1: you enough.

1107
00:52:51,600 --> 00:52:58,000
Speaker 2: So your ruinsdom anything you haven't ruins must be paying protection.

1108
00:52:59,680 --> 00:53:03,359
Speaker 2: It's little like in Venom, that one convenience store lady

1109
00:53:03,440 --> 00:53:08,520
Speaker 2: who has to pay the gang bangers. You didn't see Venom.

1110
00:53:08,640 --> 00:53:09,440
Speaker 3: Didn't see Venom?

1111
00:53:10,160 --> 00:53:15,279
Speaker 2: Jesus Christ atam what it wasn't It didn't look that good?

1112
00:53:17,040 --> 00:53:18,560
Speaker 1: Grow the fuck up?

1113
00:53:18,960 --> 00:53:21,320
Speaker 3: And it seemed like a child.

1114
00:53:22,880 --> 00:53:27,160
Speaker 2: Yeah, remember this is that childish.

1115
00:53:28,480 --> 00:53:28,960
Speaker 3: Coming out?

1116
00:53:29,120 --> 00:53:30,440
Speaker 2: Yeah, not seeing Venom?

1117
00:53:30,680 --> 00:53:34,120
Speaker 3: Okay, well, and I think it's time toys away.

1118
00:53:36,000 --> 00:53:40,440
Speaker 1: And it's time to become an adult and see Venom.

1119
00:53:42,480 --> 00:53:47,479
Speaker 3: Then Venom you feel as a mature film. Yeah, yeah,

1120
00:53:47,640 --> 00:53:49,200
Speaker 3: it looked a little immature. To me, it looked a

1121
00:53:49,239 --> 00:53:54,000
Speaker 3: little Oh really, what's immature about it? The teeth, the

1122
00:53:54,600 --> 00:53:59,239
Speaker 3: the sort of sexual tongue, the whoa you look to it.

1123
00:54:00,239 --> 00:54:00,839
Speaker 2: I can see why.

1124
00:54:00,920 --> 00:54:06,280
Speaker 3: Then everyone agrees that Venom is a very sexual character.

1125
00:54:06,400 --> 00:54:09,479
Speaker 3: Everyone knows that. It's very well known among comic book

1126
00:54:09,480 --> 00:54:12,720
Speaker 3: officionados and venoms that that Venom is a sexual character.

1127
00:54:12,880 --> 00:54:14,160
Speaker 2: He's chomping everybody.

1128
00:54:14,520 --> 00:54:18,879
Speaker 3: He's got that, he's got that big tongue. You people. Also,

1129
00:54:18,960 --> 00:54:20,960
Speaker 3: the sense of your body being possessed, you know, and

1130
00:54:21,160 --> 00:54:23,840
Speaker 3: being not yours? Is there something sort of deeply, you know,

1131
00:54:24,760 --> 00:54:28,040
Speaker 3: deeply energizing about that.

1132
00:54:28,120 --> 00:54:28,480
Speaker 2: I don't know.

1133
00:54:28,760 --> 00:54:31,919
Speaker 3: Keep going, Well, it's like, you know, there's a there's

1134
00:54:31,960 --> 00:54:33,799
Speaker 3: like speak on that.

1135
00:54:35,560 --> 00:54:36,120
Speaker 2: Speak on that.

1136
00:54:36,320 --> 00:54:39,279
Speaker 3: It's like there's like an alien there's an alien entity

1137
00:54:39,360 --> 00:54:41,480
Speaker 3: that's sort of bonding with you. But you know, like

1138
00:54:41,560 --> 00:54:43,760
Speaker 3: your body becomes not your own. So now he's calling

1139
00:54:43,800 --> 00:54:46,160
Speaker 3: body changes like entity.

1140
00:54:46,640 --> 00:54:50,160
Speaker 1: Well, yeah, he says this all this time, that he

1141
00:54:50,320 --> 00:54:53,000
Speaker 1: thinks it is totally normal for it to look like that,

1142
00:54:55,000 --> 00:54:56,320
Speaker 1: and now he's calling.

1143
00:54:58,520 --> 00:55:05,640
Speaker 2: About which by thirty five years, I didn't know.

1144
00:55:05,800 --> 00:55:08,920
Speaker 1: I didn't know twelve minute segment.

1145
00:55:09,719 --> 00:55:11,840
Speaker 3: I didn't know that every time I spoke I was

1146
00:55:11,960 --> 00:55:14,440
Speaker 3: giving you an arrow in your quiver that you were

1147
00:55:14,640 --> 00:55:15,480
Speaker 3: later used to.

1148
00:55:15,600 --> 00:55:23,400
Speaker 2: Doesn't quiver that much, get't used to anyway.

1149
00:55:26,840 --> 00:55:28,880
Speaker 3: I'm really I'm really sorry that you took that segment

1150
00:55:28,920 --> 00:55:29,239
Speaker 3: so long.

1151
00:55:29,360 --> 00:55:33,200
Speaker 2: He said, bye bye. Are we done?