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Speaker 1: I listen to The Black Guy Who Tips because Rod

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Speaker 1: and Karen are so hot.

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Speaker 2: Hey, welcome to another episode of The Black Guy Who

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Speaker 2: Tells podcast. I'm your host, Rod, joined us always by

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Speaker 2: my co host, and we are live on a Wednesday,

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Speaker 2: a Walking Dead Wednesday. It's the day of the week

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Speaker 2: that we recap The Walking Dead from a year ago

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Speaker 2: that already ended. But it is what it is. You

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Speaker 2: guys like it. We see the comments, we see the feedback,

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Speaker 2: the all that stuff, and we made a mission, a

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Speaker 2: pledge to finish this out.

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Speaker 1: So that's what we're gonna do, sir. Today is no exception.

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Speaker 1: Let's see.

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Speaker 2: The official weapon of the show is the photo champ,

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Speaker 2: an unofficial sport, a bulletball extreme. Today's episode is out

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Speaker 2: Post twenty two.

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Speaker 1: That's the name of it. You know what.

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Speaker 2: Let's play the theme song and then we'll get into

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Speaker 2: our recap. That's right, it's recap time. Out Post twenty two.

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Speaker 2: That is episode one four overall, Episode twenty one of

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Speaker 2: this season. Uh directed by Tanya Tania McKiernan, written by

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Speaker 2: James barn Barnes Karen.

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Speaker 1: Now we always start, what do you think about this episode?

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Speaker 1: In general? I thought this episode was good.

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Speaker 3: It moved did along and push the storyline along and

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Speaker 3: filled in some blanks you know about you know, because

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Speaker 3: they got separated, but happened to some of the other

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Speaker 3: people and stuff like that. So I'm really interested to

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Speaker 3: see what they're gonna do. And I'm you know, we

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Speaker 3: get to uh talk about what we looking forward to.

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Speaker 3: I'm looking forward to the Trial of the Century, the Eugene.

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Speaker 2: Let's give it to the end. Yes, but uh, I

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Speaker 2: enjoyed this episode as well. I thought, you know, it

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Speaker 2: was a cool twist from between this version of the

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Speaker 2: Commonwealth and the comics.

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Speaker 1: Yes, and it definitely.

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Speaker 2: Made the Commonwealth feel more sinister in a way that

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Speaker 2: I think in the comics is the Commonwealth never feels

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Speaker 2: sinister to me. It just feels like fucked up, like

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Speaker 2: with the classism and and the fact that you know

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Speaker 2: that that people, you know, it's design of your apocalypse.

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Speaker 2: You think we just kind of moved shift away into

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Speaker 2: like almost some uh you know, some some some future

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Speaker 2: version of the world because we don't have banks anymore.

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Speaker 1: What's the point of all this capitalism?

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Speaker 3: And they like, we wanted how it used to be,

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Speaker 3: And that makes sense for a lot of particularly people

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Speaker 3: at a certain age, they're gonna be like, hey, I

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Speaker 3: like it when the world used to function how it

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Speaker 3: used to run some for a normalcy.

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Speaker 2: Yeah, but to me it always felt a little like

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Speaker 2: silly and far fashion with the fact that I know

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Speaker 2: the point they're trying to drive home. But in the

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Speaker 2: comic books, it felt like, with everything our people have

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Speaker 2: been through, you could have seen them get into the

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Speaker 2: Commonwealth and being like, leave well enough alone.

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Speaker 1: Fuck it.

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Speaker 2: They just do shit weird over there, and who gives

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Speaker 2: a fuck. It doesn't really seem to be hurting anybody.

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Speaker 2: People are free to move the fuck out of there

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Speaker 2: and go live in a different community if they want.

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Speaker 1: Blah blah blah.

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Speaker 2: With this one, you starting from last season with the

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Speaker 2: whole immigration thing where they you know, and then the

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Speaker 2: classism and stuff, and then just the particulars in this episode.

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Speaker 2: This made it feel to me for the first time

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Speaker 2: like this is a place that.

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Speaker 1: Needs to be they need to be taken.

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Speaker 3: Down, and that makes sense. It does add the show

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Speaker 3: as a depth that the book didn't have any agree.

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Speaker 2: Yeah, because just the idea of like, oh, some people

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Speaker 2: grew up where lawyers made a lot of money and

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Speaker 2: they just kind of want to keep that thing.

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Speaker 1: Blah blah blah.

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Speaker 4: Nah.

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Speaker 1: This this made it worse. So let's get into it.

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Speaker 2: I broke it into three sections, but the sections kind

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Speaker 2: of all blend together. Yes, the one I'll do first,

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Speaker 2: that is kind of an outlier, and we can get

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Speaker 2: to it pretty fast.

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Speaker 1: But it's a section that I like to call slavery.

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Speaker 3: Okay, that's the same.

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Speaker 1: That's the name of this segment.

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Speaker 2: They they was over there.

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Speaker 1: Yeah, let's take it back to the old school.

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Speaker 2: So, uh, we last left off where we saw Ezekiel

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Speaker 2: and the others on a bus. And on that bus

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Speaker 2: they were basically getting you know, just getting bussed with

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Speaker 2: hoods on their heads, so they didn't know they were going.

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Speaker 2: They were hostages essentially, and they were being taken to

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Speaker 2: a location that we didn't even know where the location was.

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Speaker 2: So we wake up exactly at the like I guess,

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Speaker 2: our few hours after the moment we left where we

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Speaker 2: saw Ezekiel get drugged. Uh, he wakes up in the

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Speaker 2: back on the back of that bus. He wakes up

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Speaker 2: in that bus and takes his hood covering off. There's

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Speaker 2: no guards in there with them, and there.

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Speaker 3: They probably assume they' about still sleeping.

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Speaker 2: He's trying to get his bearings. Everyone else in the

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Speaker 2: bus still has their hoods on. Some banging noises start

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Speaker 2: outside the bus that kind of brings everyone else up.

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Speaker 2: Everyone's groggy and waking up from being drugged. And then.

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Speaker 1: He, you know, he's looking around at people.

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Speaker 2: And Kelly asked how long have they been like out

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Speaker 2: and Zeke said he doesn't know, but he says his

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Speaker 2: neck is still sore from whatever they injected. It was,

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Speaker 2: meaning like they can't have traveled but so far because

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Speaker 2: you know, like the stick in my neck still hurts

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Speaker 2: from the prick of the needle.

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Speaker 3: Yeah, and he was one of the last people to

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Speaker 3: get stuck.

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Speaker 2: Yeah. Annie Nigan's wife, Nigan's black wife. She notices that

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Speaker 2: the truck that had Gabriel, Maggie and Rosita in it

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Speaker 2: are missing because they were part of a caravan and

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Speaker 2: one truck is missing, and she thinks, man, maybe there

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Speaker 2: was a crash. I was in and out of my

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Speaker 2: drug state, but I remember us stopping right.

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Speaker 3: Because it's one of those things where they drugged him.

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Speaker 3: And yeah, I could see people kind of fading in

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Speaker 3: and out, trying to wake up, but not completely waking

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Speaker 3: up because you kind of drugged and you know, people

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Speaker 3: probably feeling hot and things like that.

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Speaker 2: So Nighan says, they either like Maggie, Gabe and Rosie,

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Speaker 2: either escaped or they basically dead.

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Speaker 3: Right, we don't know one of the two is happening.

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Speaker 2: And no one can see the kids from the bus,

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Speaker 2: so wherever they're at, they still don't know where the

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Speaker 2: children were taken, you know, Judith and all this on

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Speaker 2: a steparate bus, right assume you know, assuming that wherever

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Speaker 2: they're at, and then a man comes on the bus

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Speaker 2: and tells them they're about to be at a hard

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Speaker 2: labor camp. Your children are safe. If you do play

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Speaker 2: by the rules, you can see your kids again. Nobody

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Speaker 2: has any names, including me. Don't call me a name,

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Speaker 2: y'all don't have names. Don't refer to each other by

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Speaker 2: your names. Now, this is interesting because these people know

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Speaker 2: each other's names, right, so you know, essentially they're trying

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Speaker 2: some psychological manipulation to keep everyone isolated from each other,

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Speaker 2: to dehumanized people.

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Speaker 3: So there won't be no unity or note quote unquote

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Speaker 3: uprising because if everybody's going to feel separated and alone.

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Speaker 2: Yeah, Now it also adds some impracticality to things. But

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Speaker 2: I guess maybe we'll see how long this storyline lasts

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Speaker 2: and how detailed these rules are, because you know, it's

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Speaker 2: just we have names for a reason. You know, they

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Speaker 2: didn't even give them like inmate numbers or something which

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Speaker 2: gels do They dehumanize you with a number, but the

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Speaker 2: number is still an individual thing for you. Correct at

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Speaker 2: any rate, they're just like, no names, don't say anybody

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Speaker 2: else's name, Get off the rear of the bus if

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Speaker 2: I pointed you. He points at a bunch of people,

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Speaker 2: splitting these people up from the group.

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Speaker 3: Yeah, and it would not be surprising if he looked

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Speaker 3: down and basically could tell from the body language or

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Speaker 3: just the way people said these people know each other,

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Speaker 3: these people don't. And the people that he figured out

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Speaker 3: know each other, he immediately split them up.

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Speaker 2: I couldn't tell, honestly, I will because at first I

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Speaker 2: was looking for patterns, like is it when women and

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Speaker 2: you're sitting in the women places? Is it people that

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Speaker 2: you think can't do as much work? So you're looking

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Speaker 2: at people like, oh, this person's older, they're weaker or something.

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Speaker 3: I wasn't even thinking about that.

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Speaker 2: I was just thinking about a relationship, because it was

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Speaker 2: like he didn't want to switch means he want, but

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Speaker 2: we know the people on the bus that do know

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Speaker 2: each other, correct, and like he did, like he didn't

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Speaker 2: flit Kelly up from from Ezekiel. They're sitting right next

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Speaker 2: to each other.

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Speaker 3: They wasn't sitting next to each other. Ezekiel was sitting

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Speaker 3: beside an Asian woman and she she was like a

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Speaker 3: row or two behind him.

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Speaker 2: Okay, well, all right, I mean, but if they had

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Speaker 2: some inside I think if they had some inside thing

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Speaker 2: on who knows who, it would have been more specific.

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Speaker 2: It felt random and like I mean, I'm not saying

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Speaker 2: you're wrong, I'm saying I didn't see what it is

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Speaker 2: that made me go, Oh, it's definitely because the people

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Speaker 2: know each other.

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Speaker 3: Oh no, no, no, no no. And when I say

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Speaker 3: know each other, I don't mean this person didn't know

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Speaker 3: if they know each other. He may have been reading

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Speaker 3: like subtle signs like body language, and you know how

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Speaker 3: close were they are together.

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Speaker 2: I hear what you're saying. I know exactly what you mean.

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Speaker 2: I'm just saying nothing. They didn't show that. Oh he

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Speaker 2: never confirms that. He doesn't turn to somebody and goes

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Speaker 2: we don't want people knowing each other, no, one says

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Speaker 2: later on as one of the other rules of the like, yeah,

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Speaker 2: they don't like it when people, you know, they know

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Speaker 2: each other or whatever. And like I said, and it

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Speaker 2: didn't feel like he had any inside information because obviously

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Speaker 2: he ended up with four of the people knew each other,

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Speaker 2: you know, needing it out, and only one of them

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Speaker 2: got kicked off.

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Speaker 1: It seemed like you would kind of go to and

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Speaker 1: two there or something.

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Speaker 2: But but like I said, I have I don't really

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Speaker 2: that it could be what you're saying. I also think

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Speaker 2: just looking for patterns, it could be people he thought

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Speaker 2: couldn't do as much work. True, like this woman is pregnant,

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Speaker 2: this man is, Oh, this person is too free.

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Speaker 3: Okay, right, Like he like he may have wanted one

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Speaker 3: group to actually do more physical labor and maybe.

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Speaker 2: Yeah, like he tells everybody that those people are going

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Speaker 2: to a different camp, but he also kind of intimates

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Speaker 2: that maybe they will be seeing them later, like y'all

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Speaker 2: will be going to the same camp, but not but

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Speaker 2: after a hard days of labor, Like y'all aren't gonna

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Speaker 2: get to go straight there, you're gonna meet up because

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Speaker 2: he didn't say like, we're splitting y'all up and you'll

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Speaker 2: never see him again the way we are your children,

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Speaker 2: So you know, I mean, I'm sure the show wants

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Speaker 2: us thinking about that, and we'll get the answer the

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Speaker 2: next episode to some of these questions. But it was

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Speaker 2: a very interesting tactic. Niga tells Annie he's gonna get

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Speaker 2: them out of there, all three of them. The man says,

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Speaker 2: the rest of y'all gonna work until the tracks are clear,

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Speaker 2: and the others are being taken to a different site,

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Speaker 2: and then he tells them this is hard work and

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Speaker 2: but but this is gonna help rebuild society, and it's

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Speaker 2: better to be here with us instead of out there

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Speaker 2: in the way wasteland. And when he said wasteland, it

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Speaker 2: made me think, is it wasteland is in like fear

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Speaker 2: of the walking dead and that like nuclear stuff they're

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Speaker 2: dealing with, where like maybe that happened at the same

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Speaker 2: because we got to the timelines have to be matching

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Speaker 2: up around now, And it made me think, like.

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Speaker 1: Is wasteland literally a wasteland.

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Speaker 2: Or is that just what they call the places outside

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Speaker 2: of the outposts that they've established.

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Speaker 3: I'm assuming that I'm assuming that somebody in there has

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Speaker 3: considered everything outside of that area wasteland, and their whole

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Speaker 3: thing is to go to these communities and you know,

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Speaker 3: kind of bring them in and if they're not in

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Speaker 3: there quote unquote consitite a wasteland or just dealing with

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Speaker 3: zombies is a wasteland.

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Speaker 1: Yeah, it made me wonder.

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Speaker 2: I mean, yeah, it could be either to me, but

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Speaker 2: it made me think about it because I was like,

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Speaker 2: saying that these people have it better than being in

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Speaker 2: the wasteland is kind of not true for at least

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Speaker 2: a lot of the people that survived outside of the Commonwealth.

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Speaker 2: You know, these like the Alexandrians can make a living

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Speaker 2: out there in the quote unquote wasteland. If all you're

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Speaker 2: saying is the wasteland is places outside of Alexandria, I

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Speaker 2: mean outside of the Commonwealth, I guarantee you that our

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Speaker 2: people would rather be out there.

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Speaker 1: Than be in a slave labor camp.

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Speaker 3: True, all of them would, but also possibility you're talking

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Speaker 3: about people who may have been a part of the

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Speaker 3: community and now they're kicked out. Yeah, a lot of

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Speaker 3: their fear is to be outside of outside of their realm.

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Speaker 3: And like you said, this person sounds like they have

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Speaker 3: no knowledge of who these who these people are who's

256
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Speaker 3: being shipped him, So he might tell this statement to everybody,

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Speaker 3: But I'm like you, it's like, oh, yeah, you're talking

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Speaker 3: to a group that actually would survived better out there

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Speaker 3: than they would doing this bullshit.

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Speaker 2: So the reason I'm pointing out this out is because

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Speaker 2: I'm thinking about how sloppy this is. These people don't

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Speaker 2: seem to have any reconnaissance on the people that they're

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Speaker 2: bringing into the labor camp, like they don't seem to know,

264
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Speaker 2: and they act like it doesn't matter. But people's stories

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Speaker 2: and where they came from and what they did to

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Speaker 2: survive matter the most right now, because that tells you

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Speaker 2: the potential of what they can do. And so it's

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Speaker 2: one thing to think, oh, we're kicking out soft Commonwealth

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Speaker 2: citizens and putting them into a situation where we know

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Speaker 2: they can't survive without us anyway, so fuck them, We're

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Speaker 2: gonna make them work themselves to death, right. It's another

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Speaker 2: thing to try to do that to the Alexandrians, to

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Speaker 2: fucking mean to you know, Hilltop, because all those people

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Speaker 2: seen some shit and you don't even know how dangerous

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Speaker 2: these people are.

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Speaker 3: That bulls back to Pamela Pamela did she don't really

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Speaker 3: understand how dangerous they are. She quote unquote understands as

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Speaker 3: far as they fucked up in commonwealth, but she really

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Speaker 3: don't understand. So to her, she just told them, ay, y'all,

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Speaker 3: there's a bunch of people were kicking out, and here

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Speaker 3: they go, like she didn't even really consider giving them

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Speaker 3: the full one one informing them, letting them know quote unquote,

283
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Speaker 3: how actually dangerous they are, because, like you say, when

284
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Speaker 3: people come in, they don't actually go against your history.

285
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Speaker 3: What do you do for a living? What do you like?

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Speaker 3: They really truly don't know these people.

287
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Speaker 2: They right, they don't seem to have done any research.

288
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Speaker 2: They don't even seem to know why people got kicked out.

289
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Speaker 2: You know, that would be vital information, you know. So, yeah,

290
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Speaker 2: a lot of this for me is just very like

291
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Speaker 2: showing me that these this is a sloppy organization, is

292
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Speaker 2: sloppily run, and our people it really won't take them

293
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Speaker 2: much to take this shit down. We don't even need

294
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Speaker 2: like a full group of our people, just a handful

295
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Speaker 2: of them can figure out how to take these motherfuckers

296
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Speaker 2: out because they're still sleeping on them, right, everyone goes

297
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Speaker 2: to work picking up debris and so they're picking up

298
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Speaker 2: debris from the track. Now, this was kind of funny

299
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Speaker 2: because the god kept stressing.

300
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Speaker 1: About how hard this work was.

301
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Speaker 2: But I think, you know, obviously, because it's just you

302
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Speaker 2: probably have to illustrate that with actors on TV, and

303
00:16:04,200 --> 00:16:06,920
Speaker 2: you want to give the actors a way to like,

304
00:16:07,280 --> 00:16:10,040
Speaker 2: you know, talk and do stuff. But they essentially had

305
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Speaker 2: them just like picking up sticks off of the track

306
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Speaker 2: and that's not that hard a labor. Like they were

307
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Speaker 2: making it sound like they were gonna be like, you know,

308
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Speaker 2: uh breaking, you know, that's the sound of a man

309
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Speaker 2: working on the chance, like they would be cracking rocks

310
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Speaker 2: and shit. Yeah, like they really made it sound like

311
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Speaker 2: this arduous labor. And then it was just like I

312
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Speaker 2: don't know, pick up that branch and then bring it

313
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Speaker 2: to men and I'll put it in a bend and uh,

314
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Speaker 2: you know, like.

315
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Speaker 1: They weren't laying railroad tracks or nothing like. It was

316
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Speaker 1: just kind of a weird thing.

317
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Speaker 3: Well, I don't know if it was something they had

318
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Speaker 3: to clear up and then turn around and late like

319
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Speaker 3: redo it.

320
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Speaker 2: It didn't seem like it because the tracks were laid.

321
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Speaker 2: Maybe they'll show us some harder labor later. But the

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Speaker 2: way he made it sound like y'all motherfuckers ain't gonna

323
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Speaker 2: y'all gonna be working on y'all selves to death, it

324
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Speaker 2: was like, uh.

325
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Speaker 1: What I don't want? Here's three sticks. So then there's

326
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Speaker 1: some leaves.

327
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Speaker 2: Kelly looks around and she's like looking at Ezekiel, and

328
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Speaker 2: she's like, yo, we should make a run for it.

329
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Speaker 2: There's only three guards. And Zeke tells us shut up.

330
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Speaker 2: You're like, shut up, you don't know what you're talking about.

331
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Speaker 3: And Meagan, because Ezekiel is smart, He's like, I've kind

332
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Speaker 3: of looked around, like you say, underestimating the group. I've

333
00:17:26,600 --> 00:17:30,240
Speaker 3: kind of looked around and yeah, it might be three

334
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Speaker 3: of them, but it's gonna be a problem if you

335
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Speaker 3: try to run.

336
00:17:33,359 --> 00:17:36,399
Speaker 2: Yeah, you have to do a little recongnissance, you know.

337
00:17:36,640 --> 00:17:39,639
Speaker 2: And I think she's very Kelly is very impatient. Yeah,

338
00:17:39,800 --> 00:17:43,320
Speaker 2: And this feels like a little bit to me, like

339
00:17:43,440 --> 00:17:46,520
Speaker 2: we need to give the actor that plays Kelly something

340
00:17:46,520 --> 00:17:49,800
Speaker 2: to do, because you know Kelly as a character. It's

341
00:17:49,800 --> 00:17:52,359
Speaker 2: been a while since they've had a story sitting around

342
00:17:52,640 --> 00:17:57,080
Speaker 2: Kelly and so, and we know Connie and Kelly are

343
00:17:57,400 --> 00:17:59,919
Speaker 2: you know, like family, and we know that there's like

344
00:18:00,920 --> 00:18:01,920
Speaker 2: a bond there.

345
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Speaker 1: But I feel like.

346
00:18:02,840 --> 00:18:06,240
Speaker 2: We spent so much time worried about Connie missing now

347
00:18:06,240 --> 00:18:09,159
Speaker 2: that she was on the other foot, where Kelly's the

348
00:18:09,200 --> 00:18:12,399
Speaker 2: one that's been taken away and we haven't seen Connie

349
00:18:12,400 --> 00:18:15,160
Speaker 2: with her yet, and it's like, is Kelly gonna lose

350
00:18:15,200 --> 00:18:15,719
Speaker 2: her stuff?

351
00:18:15,760 --> 00:18:17,879
Speaker 1: This is very stressful, you know.

352
00:18:18,040 --> 00:18:21,280
Speaker 2: So I think they wanted to give, you know, Kelly

353
00:18:21,320 --> 00:18:23,520
Speaker 2: as a character or something, and so Kelly's art was

354
00:18:23,600 --> 00:18:26,080
Speaker 2: kind of being the one that was like panicking and

355
00:18:26,160 --> 00:18:31,119
Speaker 2: kind of afraid. Yes, so Zeke's like, shut the fuck up,

356
00:18:31,520 --> 00:18:32,879
Speaker 2: We'll calm down.

357
00:18:33,600 --> 00:18:34,879
Speaker 1: We don't know shit yet.

358
00:18:35,480 --> 00:18:38,360
Speaker 2: Let's just let's just they got the routine right, right,

359
00:18:38,359 --> 00:18:39,800
Speaker 2: But Kelly's like, the Woods is.

360
00:18:39,840 --> 00:18:41,560
Speaker 1: Right there, nigga, we can make it.

361
00:18:42,200 --> 00:18:45,640
Speaker 2: And so Meagan goes to ask a guard about his wife, like, hey,

362
00:18:45,720 --> 00:18:48,720
Speaker 2: I just want to know if you know he approaches

363
00:18:48,800 --> 00:18:50,399
Speaker 2: with that really calm confidence.

364
00:18:50,440 --> 00:18:51,280
Speaker 1: It's not a threat.

365
00:18:51,800 --> 00:18:55,200
Speaker 2: He's talking to him like you know, if you went

366
00:18:55,240 --> 00:18:57,359
Speaker 2: to the post office and you had a package that

367
00:18:57,480 --> 00:18:59,240
Speaker 2: told you it was delivered, but you didn't see it

368
00:18:59,280 --> 00:19:01,960
Speaker 2: in your box. He's talking to him that way, like, hey,

369
00:19:02,240 --> 00:19:05,280
Speaker 2: I know you're working hard, but I just I got

370
00:19:05,280 --> 00:19:07,399
Speaker 2: this thing the package told me is they say the

371
00:19:07,400 --> 00:19:10,400
Speaker 2: package is here, but you know, I think it might

372
00:19:10,440 --> 00:19:11,200
Speaker 2: be in the back.

373
00:19:11,440 --> 00:19:13,440
Speaker 3: I kind of note, I mean they tracking.

374
00:19:13,320 --> 00:19:14,720
Speaker 1: Yeah, can you look for me?

375
00:19:15,240 --> 00:19:17,840
Speaker 2: Except people saying that about his wife, like, hey, my

376
00:19:17,920 --> 00:19:21,000
Speaker 2: wife is pregnant. She got taken to a different camp.

377
00:19:21,040 --> 00:19:24,240
Speaker 2: And the guy just hits him upside the head.

378
00:19:26,880 --> 00:19:29,760
Speaker 3: Just just just call him a nigga, Just call him niggas.

379
00:19:29,800 --> 00:19:33,520
Speaker 3: He was like, boop, just hit him for no reason.

380
00:19:34,080 --> 00:19:35,960
Speaker 3: He was like, even get back to work.

381
00:19:36,480 --> 00:19:41,639
Speaker 2: And so the the guard goes, you stop to eat,

382
00:19:42,040 --> 00:19:45,800
Speaker 2: you stop to sleep? Understood, Like basically, you don't stop

383
00:19:45,840 --> 00:19:50,719
Speaker 2: working unless you're eating or sleeping. Nigga just says understood

384
00:19:50,960 --> 00:19:54,600
Speaker 2: and turns around and goes back to work. And of

385
00:19:54,600 --> 00:19:59,240
Speaker 2: course I'm thinking to myself like, okay, so this is

386
00:19:59,280 --> 00:20:00,600
Speaker 2: that hardcore or slavery.

387
00:20:00,640 --> 00:20:02,480
Speaker 1: Slavery, no customer service?

388
00:20:03,520 --> 00:20:04,679
Speaker 3: What's the customer service?

389
00:20:04,960 --> 00:20:05,240
Speaker 1: Right?

390
00:20:05,840 --> 00:20:11,439
Speaker 2: And so in the background, three randos who we don't know,

391
00:20:12,760 --> 00:20:16,640
Speaker 2: they execute playing Kelly and say.

392
00:20:17,240 --> 00:20:20,159
Speaker 1: Let's run into the woods. No one's ever thought of

393
00:20:20,200 --> 00:20:21,080
Speaker 1: this before.

394
00:20:21,359 --> 00:20:24,439
Speaker 3: Right, right. And it was one of those things where

395
00:20:25,000 --> 00:20:27,600
Speaker 3: I was trying to figure out didn't Egan do that

396
00:20:27,640 --> 00:20:30,159
Speaker 3: on purpose, like to actually give them a form of

397
00:20:30,160 --> 00:20:33,440
Speaker 3: a distraction or something like that, or did he really

398
00:20:33,640 --> 00:20:36,320
Speaker 3: was concerned, because the way he looked like was like,

399
00:20:36,359 --> 00:20:39,320
Speaker 3: all right, I got your number. So it may have

400
00:20:39,440 --> 00:20:42,000
Speaker 3: been something where they was like, if you know, we'll

401
00:20:42,080 --> 00:20:44,040
Speaker 3: run and he was like, okay, cool, I'm not gonna

402
00:20:44,040 --> 00:20:45,159
Speaker 3: with you, but okay.

403
00:20:45,440 --> 00:20:47,760
Speaker 2: So I don't think it was a plan at all,

404
00:20:47,880 --> 00:20:50,440
Speaker 2: because I think the show would have had to give

405
00:20:50,520 --> 00:20:53,560
Speaker 2: us at least a nudge went to that, some sort

406
00:20:53,560 --> 00:20:57,520
Speaker 2: of like face exchange between him and other people, a conversation.

407
00:20:58,240 --> 00:21:01,560
Speaker 2: I really think these people just were like, the second

408
00:21:01,640 --> 00:21:03,840
Speaker 2: we get they get distracted, We're running.

409
00:21:04,119 --> 00:21:07,120
Speaker 3: The second so I turned their back, we out.

410
00:21:07,320 --> 00:21:09,320
Speaker 2: And it was the fact that we didn't know them

411
00:21:09,400 --> 00:21:13,520
Speaker 2: and they never show we don't even know, they.

412
00:21:12,400 --> 00:21:14,800
Speaker 3: Didn't show them interacting, that makes it. Yeah, because I

413
00:21:14,800 --> 00:21:18,359
Speaker 3: forgot you got Jessica Kane doing it now, Yeah, she'd

414
00:21:18,359 --> 00:21:20,920
Speaker 3: have did something to kind of inform you of a

415
00:21:21,160 --> 00:21:22,080
Speaker 3: this is what's happening.

416
00:21:22,280 --> 00:21:24,199
Speaker 2: I think the main thing they wanted to show is

417
00:21:24,200 --> 00:21:27,159
Speaker 2: that Kelly's playing was stupid. Yes, if she would have

418
00:21:27,200 --> 00:21:30,119
Speaker 2: done that and and and Zeke would have listened they

419
00:21:30,119 --> 00:21:32,760
Speaker 2: both would have been dead, you know. So of course

420
00:21:32,960 --> 00:21:36,119
Speaker 2: these motherfuckers run off these randos, they immediately get shot

421
00:21:36,200 --> 00:21:38,280
Speaker 2: down by some guards.

422
00:21:38,359 --> 00:21:41,280
Speaker 3: Because the trees are sparse. So I mean, it ain't

423
00:21:41,359 --> 00:21:44,520
Speaker 3: like you gonna be running and running into some thickets.

424
00:21:44,680 --> 00:21:47,560
Speaker 2: And they wasn't running Ziggs agt Nope, they run the

425
00:21:47,560 --> 00:21:50,080
Speaker 2: straight line and then Zeke, you know, he looked at

426
00:21:50,160 --> 00:21:52,560
Speaker 2: He looked at Kelly like, and you down.

427
00:21:52,440 --> 00:21:57,120
Speaker 3: In both tomore having big fun? Weren't you gonna isn't

428
00:21:57,119 --> 00:21:58,639
Speaker 3: that where you were? Didn't you go down there to

429
00:21:58,680 --> 00:22:01,600
Speaker 3: Baltimore and have big fun? To tell me? Didn't you

430
00:22:01,640 --> 00:22:02,600
Speaker 3: go for a big fun?

431
00:22:03,240 --> 00:22:05,680
Speaker 2: He was looking like that could have been us, right,

432
00:22:05,760 --> 00:22:09,600
Speaker 2: you playing around this dumb ass playing we would have

433
00:22:09,640 --> 00:22:14,760
Speaker 2: been dead. But Kelly looks shook like Kelly's face was

434
00:22:15,080 --> 00:22:16,800
Speaker 2: completely like, oh my god.

435
00:22:17,160 --> 00:22:21,119
Speaker 3: They shooting like they ain't got them guns for no reason.

436
00:22:21,359 --> 00:22:24,760
Speaker 1: Yeah, this is not a prank. No, you know, it

437
00:22:24,880 --> 00:22:25,760
Speaker 1: was like, I mean, I.

438
00:22:25,720 --> 00:22:29,119
Speaker 3: Mean, didn't you see the slavery sign we got down here?

439
00:22:29,280 --> 00:22:30,080
Speaker 1: Was wrong with you?

440
00:22:30,160 --> 00:22:30,400
Speaker 4: Right?

441
00:22:30,520 --> 00:22:32,760
Speaker 1: So she she really was.

442
00:22:33,359 --> 00:22:39,879
Speaker 2: It got real for her. And so they go back to,

443
00:22:40,160 --> 00:22:44,320
Speaker 2: you know, doing their work or whatever. Although I do

444
00:22:44,440 --> 00:22:46,560
Speaker 2: have to point out at this point. Love what they've

445
00:22:46,600 --> 00:22:49,920
Speaker 2: done with Kelly's hair. Kelly's natural hair looks. I mean

446
00:22:49,920 --> 00:22:52,280
Speaker 2: it always looked good, but I know it was shorter

447
00:22:52,480 --> 00:22:53,879
Speaker 2: kind of in the past.

448
00:22:53,920 --> 00:22:56,040
Speaker 1: But like, love this look.

449
00:22:57,200 --> 00:22:59,959
Speaker 2: I feel like, you know, her hostagehood must have had

450
00:23:00,040 --> 00:23:03,120
Speaker 2: had some silk on the inside. Yes, they can after

451
00:23:03,280 --> 00:23:04,880
Speaker 2: there was like not the edge, it's not too much

452
00:23:04,920 --> 00:23:10,000
Speaker 2: on the edges, y'all. So then Zeke later on there

453
00:23:10,040 --> 00:23:14,320
Speaker 2: at lunch, he gets two bowls a gray girl and

454
00:23:14,440 --> 00:23:17,960
Speaker 2: he gives one to Kelly, who sits by herself and

455
00:23:18,080 --> 00:23:21,480
Speaker 2: eats it, and he kind of sees she's out of it,

456
00:23:21,560 --> 00:23:24,719
Speaker 2: so he goes and sits by himself. Also, since they

457
00:23:24,760 --> 00:23:27,040
Speaker 2: told them not to like know each other's names and stuff,

458
00:23:27,080 --> 00:23:30,080
Speaker 2: feels like they probably not supposed to be just like chit.

459
00:23:30,040 --> 00:23:32,840
Speaker 3: Chatting, right, because if you chitchat, guess what you're gonna

460
00:23:32,880 --> 00:23:35,880
Speaker 3: start asking for names and who are you and like that.

461
00:23:36,000 --> 00:23:39,359
Speaker 1: So he sits and then by himself at a table.

462
00:23:39,440 --> 00:23:42,600
Speaker 2: Then Hegan sits at the angle to the table with

463
00:23:42,640 --> 00:23:45,200
Speaker 2: his back turn to him like they don't know each other,

464
00:23:45,240 --> 00:23:48,080
Speaker 2: like they're not talking, but he's talking to him saying

465
00:23:48,119 --> 00:23:48,720
Speaker 2: like don't.

466
00:23:48,480 --> 00:23:53,160
Speaker 1: Turn around and Zeke is like, what the fuck you want?

467
00:23:53,400 --> 00:23:56,600
Speaker 2: I don't like you. I don't fuck with you. I

468
00:23:56,680 --> 00:23:58,640
Speaker 2: go out of my way to not talk to you.

469
00:23:59,040 --> 00:24:00,520
Speaker 2: Have been doing this for years.

470
00:24:01,240 --> 00:24:01,439
Speaker 4: Use it.

471
00:24:01,520 --> 00:24:03,360
Speaker 1: Fuck you for always to.

472
00:24:03,359 --> 00:24:06,359
Speaker 3: Me, right, because you rarely see them in the scene together.

473
00:24:06,760 --> 00:24:09,639
Speaker 2: Yeah, and it's very He's like, I'm keeping that same energy.

474
00:24:09,760 --> 00:24:11,840
Speaker 2: I don't know what the fuck these niggas talking about

475
00:24:12,119 --> 00:24:16,120
Speaker 2: letting you in the community, but fuck you. And Nigga's like, listen, man,

476
00:24:16,119 --> 00:24:18,000
Speaker 2: you're gonna have to put that ship on the shelf

477
00:24:18,080 --> 00:24:21,040
Speaker 2: so we could work together. And he's like, shit, you

478
00:24:21,080 --> 00:24:26,080
Speaker 2: mean like face melting, like coerced marriage, killing my people.

479
00:24:26,280 --> 00:24:28,040
Speaker 2: Fuck you, Nigga, I don't want to work with you.

480
00:24:29,280 --> 00:24:35,320
Speaker 3: It was like Pepper Prymes, remember right right, never forgets right.

481
00:24:36,080 --> 00:24:38,120
Speaker 1: Like y'all gonna calm down.

482
00:24:41,359 --> 00:24:44,200
Speaker 2: So he says, you know, I'm keeping that same energy,

483
00:24:44,440 --> 00:24:47,560
Speaker 2: leave me alone. But Nigga's like, listen, everything I did,

484
00:24:47,640 --> 00:24:50,720
Speaker 2: I probably deserve to be in jail in this place

485
00:24:50,840 --> 00:24:53,840
Speaker 2: like this, But the rest of y'all, y'all don't deserve

486
00:24:53,880 --> 00:24:55,679
Speaker 2: to be in here, yeah, he my wife and my

487
00:24:55,960 --> 00:24:57,600
Speaker 2: unborn child don't deserve to be in here.

488
00:24:57,640 --> 00:24:59,480
Speaker 3: Yeah. He like, look look, I know I fucked up,

489
00:24:59,560 --> 00:25:03,040
Speaker 3: like me being here cool cool, cool cool, And I

490
00:25:03,080 --> 00:25:06,280
Speaker 3: think Nigan is even content with like, hey, if y'all

491
00:25:06,320 --> 00:25:08,720
Speaker 3: even leave without me with her, I am cool with that,

492
00:25:08,960 --> 00:25:11,359
Speaker 3: Like I'm fine with that, but it's not fair for

493
00:25:11,440 --> 00:25:14,600
Speaker 3: y'all to be suffering for some shit because y'all ain't

494
00:25:14,600 --> 00:25:17,000
Speaker 3: the type of people that actually deserve this type of punishment.

495
00:25:17,040 --> 00:25:19,800
Speaker 2: So by mentioning his black wife, he gets Zeke to

496
00:25:19,880 --> 00:25:23,600
Speaker 2: calm down, and you know, suddenly Zeke is like, well,

497
00:25:23,600 --> 00:25:26,199
Speaker 2: where did they take Annie? And Nigga says, I don't know,

498
00:25:26,240 --> 00:25:29,280
Speaker 2: but I'm gonna find them, and Nigan emphasizes, we need

499
00:25:29,280 --> 00:25:34,480
Speaker 2: to work together for everybody's sake. And I know because

500
00:25:34,880 --> 00:25:37,880
Speaker 2: I know how this warden's playbook is running. They use

501
00:25:38,040 --> 00:25:40,160
Speaker 2: fear to keep the rest of us in line. That's

502
00:25:40,200 --> 00:25:44,040
Speaker 2: what I used to do, and he said. And then

503
00:25:44,040 --> 00:25:47,199
Speaker 2: so Zeke goes, you're gonna scare everybody into revolting, and

504
00:25:47,240 --> 00:25:50,000
Speaker 2: he's like, no, it won't work. The only way I

505
00:25:50,000 --> 00:25:53,800
Speaker 2: can get everybody to do that we need to use hope.

506
00:25:53,840 --> 00:25:57,399
Speaker 1: That's what you do, and he's right. Zeke led with hope.

507
00:25:57,680 --> 00:25:59,280
Speaker 1: The Kingdom was all about hope.

508
00:26:00,160 --> 00:26:03,359
Speaker 2: He was compromising and selling shit to neaging in them

509
00:26:03,400 --> 00:26:05,320
Speaker 2: to keep them from messing up to the thing. He

510
00:26:05,440 --> 00:26:08,479
Speaker 2: ran everything like it was a fucking larpen, like like

511
00:26:08,560 --> 00:26:10,720
Speaker 2: he he was like King Hope.

512
00:26:11,359 --> 00:26:15,879
Speaker 3: Yes he was. And I think that's one trait that

513
00:26:16,080 --> 00:26:20,440
Speaker 3: Jerry picked up. And Jerry is like, hey, I believe

514
00:26:20,640 --> 00:26:22,800
Speaker 3: like I am a hopeful person. Like this world is

515
00:26:22,840 --> 00:26:27,280
Speaker 3: so fucked up. It's very, very hard to survive if

516
00:26:27,280 --> 00:26:30,520
Speaker 3: you don't have some form of glimmer of an ounce

517
00:26:30,560 --> 00:26:31,240
Speaker 3: of hope in.

518
00:26:31,160 --> 00:26:35,800
Speaker 1: It, right, And we know that Zekiel can rally people

519
00:26:35,800 --> 00:26:37,240
Speaker 1: around hope. We've seen it before.

520
00:26:38,680 --> 00:26:42,479
Speaker 2: He even was planning on staying in the Commonwealth as

521
00:26:42,560 --> 00:26:44,760
Speaker 2: everyone was leaving, kind of because it seemed like he

522
00:26:45,040 --> 00:26:49,280
Speaker 2: was mister Hope, like like, these people need to rally

523
00:26:49,320 --> 00:26:53,480
Speaker 2: around something. I want to help this community. And also

524
00:26:53,520 --> 00:26:57,320
Speaker 2: I think to an extent as a character, Zeke probably

525
00:26:57,400 --> 00:27:00,840
Speaker 2: resents that letting the kingdom all and the way he

526
00:27:00,920 --> 00:27:04,639
Speaker 2: acquiesced the Megan and I think he would love like

527
00:27:04,720 --> 00:27:12,200
Speaker 2: he's been striving for redemption the whole time. Yes, so then, uh,

528
00:27:12,720 --> 00:27:17,080
Speaker 2: Megan says, basically, if you need well, I'm sorry. Zeke says,

529
00:27:17,200 --> 00:27:19,439
Speaker 2: I can do Hope, but we need a spark to

530
00:27:19,480 --> 00:27:22,679
Speaker 2: spark the hope. You can't just have hope out of nowhere, right,

531
00:27:22,840 --> 00:27:27,119
Speaker 2: And so Zeke uh says, look what they're doing that

532
00:27:27,280 --> 00:27:31,520
Speaker 2: isolating us is already working. Kelly sitting by herself over

533
00:27:31,560 --> 00:27:36,800
Speaker 2: here mode and that's when the guards are like get

534
00:27:36,840 --> 00:27:41,160
Speaker 2: back to work and all this stuff. And Megan tells him, listen,

535
00:27:41,320 --> 00:27:45,000
Speaker 2: I can give you hope. I can give you the spark,

536
00:27:45,840 --> 00:27:48,760
Speaker 2: but I might not make it out of his camp

537
00:27:48,880 --> 00:27:49,439
Speaker 2: with y'all.

538
00:27:50,520 --> 00:27:51,720
Speaker 1: Can't are you with me?

539
00:27:52,320 --> 00:27:57,600
Speaker 2: And Zeke says yeah, but that yeah, So like you said,

540
00:27:57,880 --> 00:28:00,639
Speaker 2: he has this vibe of like maybe whatever I have

541
00:28:00,760 --> 00:28:04,840
Speaker 2: to do, it might be the thing that gives us hope.

542
00:28:04,840 --> 00:28:06,639
Speaker 1: But I might have to martyr myself or something.

543
00:28:06,720 --> 00:28:16,320
Speaker 3: Yeah, And he's willing to do it because similar to Ezekiel,

544
00:28:16,880 --> 00:28:20,080
Speaker 3: he wants redemption too, Like his whole thing is resumption.

545
00:28:20,359 --> 00:28:23,159
Speaker 3: Like he's like, I have a wife, I have a child,

546
00:28:23,280 --> 00:28:25,480
Speaker 3: Like I have done a lot of fucked up shit.

547
00:28:25,720 --> 00:28:31,560
Speaker 3: So me doing some ounce of good on behalf of

548
00:28:31,640 --> 00:28:35,480
Speaker 3: something outside of myself is a form of redemption for

549
00:28:35,640 --> 00:28:39,240
Speaker 3: like me as a character, you know. And one thing

550
00:28:39,320 --> 00:28:43,680
Speaker 3: I like about him is that Nigan is like, hey,

551
00:28:44,080 --> 00:28:47,760
Speaker 3: I understand you. You not liking me. I get it.

552
00:28:47,800 --> 00:28:49,640
Speaker 3: You hate me forever, like I get it. I'm not

553
00:28:49,760 --> 00:28:54,360
Speaker 3: asking for your forgiveness. All I'm doing is my action

554
00:28:54,560 --> 00:28:57,720
Speaker 3: moving forward would show I'm a change person. How you

555
00:28:57,760 --> 00:29:00,360
Speaker 3: perceive it, how you interpret it, if you believe it

556
00:29:00,480 --> 00:29:04,440
Speaker 3: or not, that's on you. And one thing I appreciate

557
00:29:04,520 --> 00:29:08,160
Speaker 3: about this is, even though this is fictional, this is

558
00:29:08,200 --> 00:29:11,240
Speaker 3: how people should live their real life, because nobody's perfect.

559
00:29:11,920 --> 00:29:14,120
Speaker 3: But you know, people get caught up in their own

560
00:29:15,400 --> 00:29:18,040
Speaker 3: minds and they on cycles and their own judgment and

561
00:29:18,080 --> 00:29:21,400
Speaker 3: the judgments of others that they're consistently being waged down

562
00:29:22,760 --> 00:29:25,000
Speaker 3: with all the things that are happening. And he say, nah, na,

563
00:29:25,080 --> 00:29:28,040
Speaker 3: nah nah, it's fucked up. I know I fucked up. Yeah, okay,

564
00:29:28,400 --> 00:29:31,720
Speaker 3: I I'm still I'm still on what I said was

565
00:29:31,760 --> 00:29:34,760
Speaker 3: true and it will forever be true that I am

566
00:29:34,800 --> 00:29:37,840
Speaker 3: a changed person. I am trying my best. Will I

567
00:29:37,920 --> 00:29:41,640
Speaker 3: redeem for everything now, but I will, I will try

568
00:29:41,680 --> 00:29:42,520
Speaker 3: my best well.

569
00:29:42,520 --> 00:29:46,440
Speaker 2: I also the circumstances just don't allow for the best choices.

570
00:29:46,520 --> 00:29:49,440
Speaker 2: It's you know, we gotta work together. We're gonna end

571
00:29:49,520 --> 00:29:52,160
Speaker 2: up dying in slaves in this camp. I'm willing to

572
00:29:52,240 --> 00:29:56,000
Speaker 2: like do something to help us, you know, survive and

573
00:29:56,080 --> 00:29:59,600
Speaker 2: get out of here? Are you down? And the ass

574
00:29:59,640 --> 00:30:03,600
Speaker 2: ask to be yes or y'all stuck? You know, but

575
00:30:03,760 --> 00:30:07,920
Speaker 2: together they could be hope and change, you know, seek

576
00:30:08,000 --> 00:30:10,600
Speaker 2: is hope and Unagan has changed.

577
00:30:10,680 --> 00:30:13,400
Speaker 3: Yes. And it's also one of the things too, to

578
00:30:13,520 --> 00:30:17,280
Speaker 3: where uh Ezekiel always thinking about the people, because that

579
00:30:17,400 --> 00:30:19,440
Speaker 3: was his choice for staying was he was thinking about

580
00:30:19,480 --> 00:30:22,640
Speaker 3: the people. So yeah, I could see him going, this

581
00:30:22,720 --> 00:30:24,800
Speaker 3: is bigger than me. I'm thinking about the people.

582
00:30:25,160 --> 00:30:29,000
Speaker 1: Yep. So from there, we only have a little bit

583
00:30:29,080 --> 00:30:29,960
Speaker 1: left in this segment.

584
00:30:30,640 --> 00:30:35,800
Speaker 2: Uh, everyone finishes working for the day. It's late at night,

585
00:30:36,360 --> 00:30:38,680
Speaker 2: and the three people who ran off into the woods

586
00:30:38,720 --> 00:30:43,160
Speaker 2: and got shot they've now zombie five, right, and they

587
00:30:43,560 --> 00:30:47,160
Speaker 2: all get shot by a trooper and it's all like

588
00:30:47,240 --> 00:30:48,600
Speaker 2: three clean head shots too.

589
00:30:48,480 --> 00:30:52,560
Speaker 1: With a sault rifle and from from like a good distance.

590
00:30:53,560 --> 00:30:56,600
Speaker 2: And Kelly is shook at just the idea of like

591
00:30:57,360 --> 00:31:00,160
Speaker 2: there might not be no escape it. She like like,

592
00:31:00,600 --> 00:31:03,680
Speaker 2: we haven't seen Kelly down bad like this before and

593
00:31:03,720 --> 00:31:05,680
Speaker 2: it's just you know, super sad.

594
00:31:06,360 --> 00:31:06,560
Speaker 1: Yeah.

595
00:31:06,640 --> 00:31:09,360
Speaker 3: I think it's shook her because it basically was like,

596
00:31:09,400 --> 00:31:12,160
Speaker 3: well damn not only would I have been dead. I

597
00:31:12,200 --> 00:31:15,680
Speaker 3: basically would have basically quote unquote died twice because I'd

598
00:31:15,680 --> 00:31:17,960
Speaker 3: have came back as a zombie. They have shot me again.

599
00:31:18,280 --> 00:31:18,560
Speaker 4: Yep.

600
00:31:18,920 --> 00:31:20,760
Speaker 1: Uh, So we can go to the next segment.

601
00:31:20,800 --> 00:31:23,040
Speaker 2: But I gotta put some music in here so I

602
00:31:23,080 --> 00:31:36,560
Speaker 2: know where to put commercials.

603
00:31:36,640 --> 00:31:37,280
Speaker 1: It's gonna get.

604
00:31:37,160 --> 00:31:56,360
Speaker 4: True, all right.

605
00:31:56,960 --> 00:32:01,720
Speaker 2: The next segment I like to call uh well, I

606
00:32:01,760 --> 00:32:04,440
Speaker 2: actually just named it after the characters, and they all

607
00:32:04,480 --> 00:32:07,360
Speaker 2: add up until the next one and then it like concludes.

608
00:32:07,440 --> 00:32:10,800
Speaker 1: So Maggie, Gabe, and Rosita.

609
00:32:10,920 --> 00:32:14,480
Speaker 2: So we start with another montage, this time is Maggie centric,

610
00:32:14,600 --> 00:32:17,800
Speaker 2: and the closed caption actually said this time that the

611
00:32:17,880 --> 00:32:20,640
Speaker 2: voice that we've been hearing during the voiceovers is Judith.

612
00:32:21,360 --> 00:32:24,640
Speaker 3: Oh okay, So it sounds like okay because no one

613
00:32:24,720 --> 00:32:26,040
Speaker 3: we don't have a close caption.

614
00:32:25,840 --> 00:32:27,880
Speaker 2: On okay, And it sounds like a Judith to meet

615
00:32:27,920 --> 00:32:30,400
Speaker 2: that's been aged up, like, it doesn't sound like our

616
00:32:30,440 --> 00:32:33,240
Speaker 2: current Judith, which makes me wonder if the season or

617
00:32:33,240 --> 00:32:37,320
Speaker 2: the series will end with Judith that is put when

618
00:32:37,360 --> 00:32:39,680
Speaker 2: we find out, like, oh, the person that was saying

619
00:32:39,680 --> 00:32:41,800
Speaker 2: all this is Judith, it'll be an older Judith.

620
00:32:41,880 --> 00:32:42,600
Speaker 3: I agree.

621
00:32:43,640 --> 00:32:46,960
Speaker 2: Maggie wakes up and shakes her hood off. She's in

622
00:32:47,000 --> 00:32:50,640
Speaker 2: the back of a transport. She is part of this

623
00:32:50,840 --> 00:32:54,360
Speaker 2: caravan of cars that is taking the other group with

624
00:32:55,040 --> 00:32:58,640
Speaker 2: that are the slaves. She's part of that caravan, but

625
00:32:58,760 --> 00:33:00,959
Speaker 2: not in the same bud. This is them in a

626
00:33:01,040 --> 00:33:03,000
Speaker 2: different vehicle at the back of the car.

627
00:33:03,200 --> 00:33:05,160
Speaker 3: I wonder where they to Oh, flow, that's okay, bus full,

628
00:33:05,240 --> 00:33:07,000
Speaker 3: We're just thrown on the back of the ease. Yeah,

629
00:33:07,080 --> 00:33:07,360
Speaker 3: I think.

630
00:33:07,400 --> 00:33:09,480
Speaker 1: Also possibly it's where they caught you.

631
00:33:09,800 --> 00:33:13,600
Speaker 3: Maybe, yeah, okay, right right, because they was catching people

632
00:33:13,640 --> 00:33:15,520
Speaker 3: from all over the place, and the other group may

633
00:33:15,560 --> 00:33:17,320
Speaker 3: have been the group they just rounded up quicker and

634
00:33:17,320 --> 00:33:19,640
Speaker 3: they was like, okay, y'all was just some we caught

635
00:33:19,720 --> 00:33:22,000
Speaker 3: y'all kind of last or later. So we're gonna put

636
00:33:22,080 --> 00:33:24,040
Speaker 3: y'all in with with kind of at the back at

637
00:33:24,040 --> 00:33:24,440
Speaker 3: the back.

638
00:33:25,080 --> 00:33:28,960
Speaker 2: So Maggie shakes her hood off, shakes her hands out

639
00:33:28,960 --> 00:33:32,560
Speaker 2: of her like the things holding her. We get a

640
00:33:32,640 --> 00:33:36,520
Speaker 2: quick flashback of her being taken in the flashback, so

641
00:33:36,560 --> 00:33:39,200
Speaker 2: we know, okay, they I mean, as if we didn't

642
00:33:39,200 --> 00:33:40,920
Speaker 2: know already, but but they got her.

643
00:33:41,840 --> 00:33:42,080
Speaker 1: Uh.

644
00:33:42,120 --> 00:33:46,440
Speaker 2: She wakes up Gabe, who's who's groggy, probably from being

645
00:33:46,520 --> 00:33:50,320
Speaker 2: drug but he's becoming more alergenc he's awake. She frees him,

646
00:33:51,000 --> 00:33:55,000
Speaker 2: he freezes Rosita, and then Rosita and Gabe jump out

647
00:33:55,000 --> 00:33:59,000
Speaker 2: the back of the truck. Maggie goes to jump out

648
00:33:59,040 --> 00:34:02,760
Speaker 2: the back of the truck. I imagine just it the

649
00:34:02,840 --> 00:34:04,280
Speaker 2: truck hit a bump or something.

650
00:34:04,400 --> 00:34:07,720
Speaker 3: Yeah, because the camera was shaky, so I guess that,

651
00:34:07,800 --> 00:34:09,920
Speaker 3: you know, it was showing like, hey, this is rough

652
00:34:10,360 --> 00:34:11,839
Speaker 3: and I don't know if they hit a rock, a

653
00:34:11,880 --> 00:34:14,160
Speaker 3: ditch or something, but whatever it was, it threw her back.

654
00:34:14,320 --> 00:34:17,879
Speaker 2: Yeah, so some kind of way whether but she fell

655
00:34:17,920 --> 00:34:21,040
Speaker 2: back almost like someone hit the brakes. But anyway, her

656
00:34:21,080 --> 00:34:24,520
Speaker 2: falling back awakens the guard that was supposed to be

657
00:34:24,520 --> 00:34:24,960
Speaker 2: watching them.

658
00:34:24,960 --> 00:34:25,560
Speaker 1: That's right, y'all.

659
00:34:25,560 --> 00:34:28,320
Speaker 2: This whole time they were escaping, it was a guarden

660
00:34:28,360 --> 00:34:30,080
Speaker 2: there clocking some z Yes.

661
00:34:29,920 --> 00:34:32,440
Speaker 3: He was, because he was like, well shit, they they

662
00:34:32,760 --> 00:34:35,200
Speaker 3: they drugged up, they tied. What is what the worst

663
00:34:35,200 --> 00:34:36,640
Speaker 3: that could happen? He had a long day of.

664
00:34:36,719 --> 00:34:38,879
Speaker 1: Kidnapping, Yes, he did, needed a nap.

665
00:34:39,480 --> 00:34:44,360
Speaker 2: So him and Maggie fight, His gun goes off, shoots

666
00:34:44,440 --> 00:34:50,319
Speaker 2: the driver in the head, yes, killing him instantly. And

667
00:34:50,400 --> 00:34:55,040
Speaker 2: then we cut away and come back and there's the

668
00:34:55,120 --> 00:34:58,680
Speaker 2: cars that it's crashed yet not only.

669
00:34:58,520 --> 00:35:02,120
Speaker 3: Is it crash before it crashes, I think this may

670
00:35:02,160 --> 00:35:04,880
Speaker 3: have been before the break. She's fighting the dude and

671
00:35:05,800 --> 00:35:07,880
Speaker 3: somehow she ends up pushing the dude out. He like

672
00:35:08,000 --> 00:35:09,600
Speaker 3: flies out of the truck.

673
00:35:10,080 --> 00:35:14,160
Speaker 2: Yes, he does, because she she ends up shooting the

674
00:35:14,239 --> 00:35:17,719
Speaker 2: driver and then that guy falls out the back of

675
00:35:17,760 --> 00:35:21,240
Speaker 2: the truck. And then when she gets out of the truck,

676
00:35:22,239 --> 00:35:23,160
Speaker 2: she survives the crash.

677
00:35:23,160 --> 00:35:25,399
Speaker 1: When she gets out, she realizes no one else did.

678
00:35:25,800 --> 00:35:29,399
Speaker 2: The other guard flew in, Uh, the one of them,

679
00:35:29,480 --> 00:35:31,680
Speaker 2: of course, his face was blown open from a gun.

680
00:35:32,000 --> 00:35:34,400
Speaker 2: The other one didn't have a seatbelt on it flies

681
00:35:34,400 --> 00:35:37,799
Speaker 2: out the front. He got it ejected. He flies out

682
00:35:37,800 --> 00:35:41,320
Speaker 2: the front of the vehicle a way seatbelt kids. He

683
00:35:42,200 --> 00:35:44,320
Speaker 2: flies out the front of the vehicle, and he's actually

684
00:35:44,400 --> 00:35:47,120
Speaker 2: like stuck to a tree because the branches went through

685
00:35:47,120 --> 00:35:51,880
Speaker 2: his body. It's very gruesome, cool special effects like practical

686
00:35:52,280 --> 00:35:56,040
Speaker 2: you know effects or whatever. And especially considering we don't

687
00:35:56,040 --> 00:35:58,000
Speaker 2: see the crash, which I imagine is a budget thing

688
00:35:58,080 --> 00:36:01,840
Speaker 2: at that point it's at night, but seeing the aftermath

689
00:36:01,840 --> 00:36:03,520
Speaker 2: of the crash, you immediately.

690
00:36:03,080 --> 00:36:04,880
Speaker 1: Know it was a very horrific crash.

691
00:36:05,000 --> 00:36:05,200
Speaker 3: Right.

692
00:36:06,400 --> 00:36:08,680
Speaker 2: Maggie tries to get a gun off of the dead

693
00:36:08,800 --> 00:36:13,640
Speaker 2: driver in the front, but the other cars are starting

694
00:36:13,640 --> 00:36:14,799
Speaker 2: to come drive by.

695
00:36:15,000 --> 00:36:16,120
Speaker 3: That's the sound of the police.

696
00:36:16,120 --> 00:36:17,680
Speaker 2: She was like, I got to go, and so she

697
00:36:17,800 --> 00:36:20,680
Speaker 2: runs off into the woods and the opening theme music plays.

698
00:36:21,840 --> 00:36:24,600
Speaker 2: Rosita and Gave wake up in the what it looks

699
00:36:24,600 --> 00:36:27,319
Speaker 2: like in the morning because it's more light outside, and

700
00:36:27,400 --> 00:36:32,359
Speaker 2: they grabbed a gun off of the I'm sorry. They

701
00:36:33,160 --> 00:36:37,280
Speaker 2: wake up a zombie fire guard walker our stars approaching

702
00:36:37,320 --> 00:36:39,840
Speaker 2: them as they're waking up from being laying in the

703
00:36:39,880 --> 00:36:41,719
Speaker 2: dirt road and shit, and.

704
00:36:43,160 --> 00:36:45,480
Speaker 1: You have to imagine it's the.

705
00:36:45,360 --> 00:36:47,560
Speaker 2: Walker that fell out of the back of the truck

706
00:36:48,160 --> 00:36:51,640
Speaker 2: somehow lost an arm but still, you know, became a

707
00:36:51,719 --> 00:37:00,400
Speaker 2: zombie and Gabe and Rosita basically killed the walker about

708
00:37:00,400 --> 00:37:02,239
Speaker 2: taking this knife off of it. Then they take the

709
00:37:02,280 --> 00:37:04,920
Speaker 2: gun off of it, and as they take the walkie

710
00:37:04,920 --> 00:37:07,080
Speaker 2: talkie off of it, the walkie talkie comes to life

711
00:37:07,440 --> 00:37:10,279
Speaker 2: and you hear someone go Trooper two O seven from

712
00:37:10,280 --> 00:37:12,920
Speaker 2: Outpost forty one checking in no sign of five to

713
00:37:13,120 --> 00:37:16,960
Speaker 2: five or it's escapees over. So we have to imagine

714
00:37:17,160 --> 00:37:19,400
Speaker 2: five to five is probably the vehicle they were in,

715
00:37:21,800 --> 00:37:27,280
Speaker 2: and we now know that they were going being taken

716
00:37:27,320 --> 00:37:33,520
Speaker 2: to some outposts, possibly uh, there's an interconnected walkie talkie

717
00:37:33,520 --> 00:37:37,280
Speaker 2: world between all this stuff and Trooper two O seven

718
00:37:37,680 --> 00:37:41,520
Speaker 2: from Outpost forty one. Mean that means there's a sophisticated

719
00:37:41,520 --> 00:37:45,640
Speaker 2: system of checking on transports, checking on like they're looking

720
00:37:45,640 --> 00:37:47,120
Speaker 2: for escapees all that stuff.

721
00:37:47,400 --> 00:37:50,440
Speaker 3: And also what they heard too over the walkie talkie.

722
00:37:50,520 --> 00:37:53,480
Speaker 3: They somebody was basically was like, we see two footprints,

723
00:37:53,480 --> 00:37:55,040
Speaker 3: you know, two sets of footprints. And they was like,

724
00:37:55,040 --> 00:37:57,040
Speaker 3: oh shit, they're well.

725
00:37:56,920 --> 00:37:57,839
Speaker 1: We haven't gotten there yet.

726
00:37:57,880 --> 00:37:58,399
Speaker 4: Oh my bad.

727
00:37:59,080 --> 00:38:03,839
Speaker 2: But so but my point being like it's sophisticated, yes,

728
00:38:03,920 --> 00:38:09,240
Speaker 2: and they've given people numbers, transports numbers. Our posts have numbers,

729
00:38:09,280 --> 00:38:12,560
Speaker 2: which we don't know if that's like that the actual

730
00:38:12,640 --> 00:38:15,920
Speaker 2: number corresponds with like we have forty one outpost or whatever.

731
00:38:16,840 --> 00:38:17,200
Speaker 4: True.

732
00:38:17,480 --> 00:38:20,440
Speaker 2: But yeah, so they say copy that two O seven

733
00:38:20,560 --> 00:38:22,839
Speaker 2: On the walkie talking you hear someone say copy that

734
00:38:22,840 --> 00:38:25,160
Speaker 2: two O seven is one forty one. We got to

735
00:38:25,200 --> 00:38:28,880
Speaker 2: set up boot tracks could be five to two fives,

736
00:38:28,920 --> 00:38:36,120
Speaker 2: meaning there they are tracking the peak like either Gabe

737
00:38:36,160 --> 00:38:40,360
Speaker 2: and Rosita or Maggie, right, but they do have that

738
00:38:40,520 --> 00:38:44,759
Speaker 2: someone somewhere is tracking their bootprints looking for them, and

739
00:38:44,840 --> 00:38:47,279
Speaker 2: so they look at each other and go, we gotta

740
00:38:47,280 --> 00:38:47,880
Speaker 2: get the fuck.

741
00:38:47,680 --> 00:38:49,200
Speaker 3: Out of here, and it's like, oh shit, time to go.

742
00:38:49,760 --> 00:38:54,120
Speaker 2: Yeah, and either they're getting out of there to get

743
00:38:54,160 --> 00:38:57,120
Speaker 2: further away from whoever's tracking them, or it seemed to

744
00:38:57,160 --> 00:39:00,000
Speaker 2: me like maybe they were getting out there thinking Maggie's

745
00:39:00,040 --> 00:39:01,080
Speaker 2: the one being tracked.

746
00:39:01,840 --> 00:39:03,839
Speaker 1: We need to find we need to get to her

747
00:39:03,880 --> 00:39:04,480
Speaker 1: before they do.

748
00:39:04,719 --> 00:39:05,120
Speaker 3: Correct.

749
00:39:06,239 --> 00:39:08,160
Speaker 1: So then we get we cut the Maggie.

750
00:39:09,080 --> 00:39:12,480
Speaker 2: Maggie sees a little boy zombie that's like right around

751
00:39:12,480 --> 00:39:15,640
Speaker 2: Herschel's age, a little bit older obviously. Then she has

752
00:39:15,680 --> 00:39:19,080
Speaker 2: a flashback to that same like when she got abducted moment,

753
00:39:19,400 --> 00:39:22,680
Speaker 2: and we see Herschel got abducted too, and she wasn't

754
00:39:22,719 --> 00:39:25,680
Speaker 2: able to save them, right, So I think this is

755
00:39:25,680 --> 00:39:29,200
Speaker 2: supposed to be like an emotional thing because she refuses

756
00:39:29,239 --> 00:39:31,600
Speaker 2: to kill this little boy zombie. She picks up a rock,

757
00:39:31,680 --> 00:39:34,360
Speaker 2: thinks about it, puts the rock down, and just walks

758
00:39:34,360 --> 00:39:37,040
Speaker 2: off instead. And of course, because she didn't kill it,

759
00:39:37,040 --> 00:39:40,520
Speaker 2: the zombie starts following her. Yes, and it does look

760
00:39:40,560 --> 00:39:44,000
Speaker 2: like a little you know, a little adorable baby like boy.

761
00:39:44,000 --> 00:39:47,000
Speaker 1: It's just you know, it's just sad, you know, it's sad.

762
00:39:48,680 --> 00:39:54,080
Speaker 2: And so then Gabe and Rosita they argue about what

763
00:39:54,120 --> 00:39:56,320
Speaker 2: the plan is, and this is one of those scenes

764
00:39:56,360 --> 00:40:00,040
Speaker 2: where you know, whatever this lover's quarrel thing is. It

765
00:40:00,200 --> 00:40:02,960
Speaker 2: feels like a little bit of just we need to

766
00:40:03,000 --> 00:40:06,439
Speaker 2: get from one scene to the next, and we want

767
00:40:06,440 --> 00:40:08,640
Speaker 2: to make sure the actors are human and have some

768
00:40:08,719 --> 00:40:11,160
Speaker 2: moments to act with their characters. But it didn't really

769
00:40:11,200 --> 00:40:13,680
Speaker 2: add anything, and it felt like a pointless argument that

770
00:40:13,760 --> 00:40:16,000
Speaker 2: we've seen too many people have over the course of

771
00:40:16,160 --> 00:40:18,720
Speaker 2: how many seasons. But it was basically one of those

772
00:40:18,800 --> 00:40:21,480
Speaker 2: like Rosita's like, we gotta go.

773
00:40:21,480 --> 00:40:23,040
Speaker 1: And he's like, well, what's the plan.

774
00:40:23,200 --> 00:40:26,120
Speaker 2: She's like, We're gonna follow the convoy to We're gonna

775
00:40:26,160 --> 00:40:26,919
Speaker 2: find where they went.

776
00:40:27,360 --> 00:40:30,239
Speaker 1: And he's like, calm down, just slow down. You just

777
00:40:30,320 --> 00:40:31,000
Speaker 1: running around.

778
00:40:31,120 --> 00:40:32,359
Speaker 3: He was like, it just don't make sense.

779
00:40:32,520 --> 00:40:34,120
Speaker 1: She's like, I gotta go. We gotta go right now.

780
00:40:34,160 --> 00:40:35,960
Speaker 1: We don't got time for this plan bullshit.

781
00:40:36,560 --> 00:40:39,759
Speaker 2: And then a couple of walkers attack them and he

782
00:40:39,840 --> 00:40:42,799
Speaker 2: takes his out easily. Rosita struggles with hers, falls to

783
00:40:42,840 --> 00:40:48,440
Speaker 2: the ground, grabs her arm, and he kills her the

784
00:40:48,480 --> 00:40:51,480
Speaker 2: walker that was acting her, but we realized now her

785
00:40:51,680 --> 00:40:55,680
Speaker 2: arm is dislocated from that fall, right, and she's it's

786
00:40:55,680 --> 00:40:59,239
Speaker 2: probably been dislocated the whole time, and she's been trying

787
00:40:59,239 --> 00:41:01,520
Speaker 2: to act like she can fit out and shit, and

788
00:41:01,560 --> 00:41:02,120
Speaker 2: it might.

789
00:41:01,960 --> 00:41:04,240
Speaker 1: Be, you know, just part of her whatever.

790
00:41:04,280 --> 00:41:07,360
Speaker 2: And then he goes into like, look, you stop blaming

791
00:41:07,360 --> 00:41:11,440
Speaker 2: yourself for this ship. You know, because they kidnapped obviously, Coco, stop,

792
00:41:11,480 --> 00:41:12,480
Speaker 2: it's not your fault.

793
00:41:12,719 --> 00:41:13,839
Speaker 1: Like, we're not.

794
00:41:13,840 --> 00:41:16,200
Speaker 2: Gonna get her back by just rushing in there with

795
00:41:16,360 --> 00:41:19,759
Speaker 2: no plan. And what do you tell me when I

796
00:41:19,800 --> 00:41:24,880
Speaker 2: get upset? You say, quit bitching and move forward. And

797
00:41:24,920 --> 00:41:27,440
Speaker 2: then before they came finish the discussion, they hear a

798
00:41:27,480 --> 00:41:29,960
Speaker 2: train horn in the background and they're like a train

799
00:41:30,680 --> 00:41:31,680
Speaker 2: they got a train.

800
00:41:31,840 --> 00:41:35,880
Speaker 3: Right, because it's surprising to them, Oh you said that

801
00:41:35,920 --> 00:41:40,040
Speaker 3: he reset Yeah, he resets her arm. My bad, I

802
00:41:40,040 --> 00:41:42,480
Speaker 3: forgot to put say that, but yes, he does reset

803
00:41:42,480 --> 00:41:43,680
Speaker 3: her arm into her shoulder.

804
00:41:43,719 --> 00:41:47,239
Speaker 1: But you know, if you everybody knows you normally need

805
00:41:47,280 --> 00:41:47,840
Speaker 1: like a brace.

806
00:41:47,920 --> 00:41:49,719
Speaker 2: If it was you know, real life, you've probably be

807
00:41:49,760 --> 00:41:51,520
Speaker 2: in the hospital for a little bit or something. Right,

808
00:41:51,840 --> 00:41:54,000
Speaker 2: had to restrict movement, but they ain't got time for

809
00:41:54,040 --> 00:41:54,520
Speaker 2: all that ship.

810
00:41:54,600 --> 00:41:56,520
Speaker 1: Roseia' is a badass blah blah blah.

811
00:41:56,560 --> 00:41:59,880
Speaker 2: But in general, it was very much like a uh

812
00:42:00,120 --> 00:42:02,560
Speaker 2: to me, the scene just felt more like a we

813
00:42:02,600 --> 00:42:07,120
Speaker 2: want to show that they're frustrated and how they're gonna

814
00:42:07,200 --> 00:42:09,879
Speaker 2: end up, you know, trying what the plan they're gonna

815
00:42:09,880 --> 00:42:10,920
Speaker 2: try to execute.

816
00:42:10,800 --> 00:42:12,960
Speaker 3: Right, And guess what if I was in their shoes,

817
00:42:12,960 --> 00:42:15,319
Speaker 3: I'd be like, a goddamn train. The fuck is a train?

818
00:42:15,440 --> 00:42:18,440
Speaker 3: Do you know? Because you've been in this world forever

819
00:42:18,640 --> 00:42:21,160
Speaker 3: and shit like that has stopped running and stopped moving,

820
00:42:21,480 --> 00:42:24,680
Speaker 3: like any trains that you passed, and you know they're

821
00:42:24,719 --> 00:42:26,160
Speaker 3: sitting on her track somewhere rusting.

822
00:42:26,239 --> 00:42:30,399
Speaker 1: Yeah, they're bringing back trains basically, so she.

823
00:42:32,120 --> 00:42:35,600
Speaker 2: I'm sorry. So then we cut the Maggie. Maggie's walking

824
00:42:35,600 --> 00:42:41,719
Speaker 2: by some train tracks. She sees like a little side

825
00:42:41,760 --> 00:42:43,560
Speaker 2: of the road place where she can hide, and she

826
00:42:43,640 --> 00:42:46,880
Speaker 2: hears a motorcycle approaching. She knows it's probably one of

827
00:42:46,920 --> 00:42:50,080
Speaker 2: the guard's, probably the ones that was tracking her footprints.

828
00:42:49,440 --> 00:42:50,760
Speaker 3: So she go down there and hide.

829
00:42:50,800 --> 00:42:51,600
Speaker 4: So she hides.

830
00:42:51,719 --> 00:42:54,160
Speaker 2: The guard gets to the place, he don't see her.

831
00:42:54,719 --> 00:42:57,120
Speaker 2: He's like, we can see what she's hiding, but he can,

832
00:42:57,280 --> 00:43:00,360
Speaker 2: and then he radios in. He's a lazy guard like me.

833
00:43:00,400 --> 00:43:02,399
Speaker 2: He's like, I don't see nobody. Moving to the next

834
00:43:02,440 --> 00:43:05,360
Speaker 2: spot and they were like, well they out there, just

835
00:43:05,440 --> 00:43:08,080
Speaker 2: double check real quick, and it's like, oh shit, if

836
00:43:08,080 --> 00:43:10,799
Speaker 2: he double checks, he might see Maggie. We don't know,

837
00:43:10,880 --> 00:43:13,080
Speaker 2: because the reason he didn't see is because he really

838
00:43:13,080 --> 00:43:19,160
Speaker 2: didn't look that hard. And so the zombie boy that

839
00:43:19,320 --> 00:43:22,960
Speaker 2: was following Maggie, he's still following her, of course, and

840
00:43:23,000 --> 00:43:26,759
Speaker 2: he starts walking towards the guard, and the guard pulls

841
00:43:26,800 --> 00:43:29,399
Speaker 2: out his gun to kill the zombie boy, and that's

842
00:43:29,440 --> 00:43:32,680
Speaker 2: when Maggie ambushes him, stabs him with a railroad spike

843
00:43:32,760 --> 00:43:34,440
Speaker 2: that she found on the side of the road. Pretty

844
00:43:34,440 --> 00:43:38,480
Speaker 2: gruesome weapon, and she stabs him like through the side

845
00:43:38,480 --> 00:43:42,360
Speaker 2: of his chest, like like just a like just probably

846
00:43:42,360 --> 00:43:44,840
Speaker 2: fucked his lung up, just just a bad place to

847
00:43:44,840 --> 00:43:47,920
Speaker 2: be stabbed, like through the ribs. They struggle over his gun.

848
00:43:48,640 --> 00:43:51,799
Speaker 2: She knocks him out with his gun, takes it. The

849
00:43:51,840 --> 00:43:55,000
Speaker 2: little zombie boy, of course, is still there. He attacks

850
00:43:55,040 --> 00:43:58,560
Speaker 2: him forward, and then she grabs him, you know, almost

851
00:43:58,640 --> 00:44:00,840
Speaker 2: like you know, you would hold a child out for

852
00:44:00,920 --> 00:44:03,120
Speaker 2: them to take a nap or something or when they're sick.

853
00:44:03,520 --> 00:44:07,239
Speaker 2: So she grabs him from behind and doesn't killing he's

854
00:44:07,239 --> 00:44:09,000
Speaker 2: trying to bite her, and then of course she's having

855
00:44:09,080 --> 00:44:12,520
Speaker 2: flashbacks of her own child, which you know, I mean,

856
00:44:12,560 --> 00:44:15,040
Speaker 2: I assume at the z pocket at this point, everyone's

857
00:44:15,120 --> 00:44:18,360
Speaker 2: killed the baby zombie. You know, at this point, it

858
00:44:18,560 --> 00:44:21,920
Speaker 2: just is what it is. But here she is struggling

859
00:44:21,960 --> 00:44:24,040
Speaker 2: with it because she's missing her child.

860
00:44:24,000 --> 00:44:26,440
Speaker 3: Right, And I could still understand it being hard.

861
00:44:27,800 --> 00:44:30,839
Speaker 2: I'm just saying, I feel like the Maggie that was,

862
00:44:31,239 --> 00:44:33,759
Speaker 2: you know, tearing nobody shut the fuck up and fuck

863
00:44:33,840 --> 00:44:35,319
Speaker 2: Megan to do what the fuck I told you how

864
00:44:35,320 --> 00:44:36,160
Speaker 2: to do, bitch.

865
00:44:36,080 --> 00:44:36,799
Speaker 3: She wouldn't have thought.

866
00:44:36,880 --> 00:44:38,840
Speaker 1: I feel like that Maggie from like a season or

867
00:44:38,840 --> 00:44:39,440
Speaker 1: two ago.

868
00:44:39,680 --> 00:44:41,920
Speaker 3: That that they hung Gregg when they thought twice.

869
00:44:42,320 --> 00:44:45,280
Speaker 2: But this Maggie was struggling because her child's missing, right,

870
00:44:46,200 --> 00:44:49,400
Speaker 2: And so she does kill the zombie. But as she

871
00:44:49,719 --> 00:44:52,080
Speaker 2: kills it while it's cradling in her arms with the

872
00:44:52,120 --> 00:44:56,239
Speaker 2: spike through the back of the head, and she did

873
00:44:56,280 --> 00:45:00,120
Speaker 2: everything but singing that damn singing a lullaby.

874
00:45:01,080 --> 00:45:03,360
Speaker 3: Only thing was missing was looking at the flowers.

875
00:45:03,600 --> 00:45:06,840
Speaker 2: Yeah, she was holding that little zombie like, hush, little baby,

876
00:45:07,280 --> 00:45:08,520
Speaker 2: don't sell all right.

877
00:45:09,040 --> 00:45:13,680
Speaker 1: I was like, just fucking kill it. Anyway, Darryl and Carroll.

878
00:45:13,480 --> 00:45:16,640
Speaker 2: Roll up on Maggie and you know, to chat the

879
00:45:16,680 --> 00:45:18,880
Speaker 2: dead child zombie and of course the guy that.

880
00:45:18,920 --> 00:45:20,839
Speaker 1: She like beat up and knocked out.

881
00:45:22,239 --> 00:45:25,240
Speaker 2: Uh, we're gonna rewind a little bit to talk about

882
00:45:25,320 --> 00:45:27,640
Speaker 2: Darryl and Carroll, which is this will take us to

883
00:45:27,680 --> 00:45:31,080
Speaker 2: the end of the episode. So Darryl and Carroll earlier

884
00:45:31,080 --> 00:45:34,560
Speaker 2: in the episode, we're looking through by binoculars at the

885
00:45:34,640 --> 00:45:38,319
Speaker 2: train and at the guards because they know about the

886
00:45:38,360 --> 00:45:43,879
Speaker 2: train from hornsby yes, and they also, you know, are

887
00:45:44,160 --> 00:45:46,600
Speaker 2: Daryl and Carroll, so they're doing reconnaissance. They're not like,

888
00:45:47,200 --> 00:45:51,400
Speaker 2: you know, these other motherfuckers. They're not like Rosine and Kelly,

889
00:45:51,400 --> 00:45:54,520
Speaker 2: but they just roll up on people. Daryl was like,

890
00:45:54,560 --> 00:45:56,959
Speaker 2: I tracked for a living. This is what I do.

891
00:45:57,239 --> 00:46:02,200
Speaker 2: So Darryl's like six guards, you know, He's like, no knowing,

892
00:46:02,280 --> 00:46:06,799
Speaker 2: you know, one of them had cornflex this morning. But

893
00:46:07,320 --> 00:46:10,200
Speaker 2: while he's they're looking, Darryl sees that they actually have

894
00:46:10,520 --> 00:46:14,240
Speaker 2: Connie in custody, and Carol turns on the wakie talkie

895
00:46:14,239 --> 00:46:15,759
Speaker 2: so they can hear what the guards and saying on

896
00:46:15,800 --> 00:46:19,840
Speaker 2: the wakie talkie, and they hear the guard saying Connie

897
00:46:20,280 --> 00:46:25,399
Speaker 2: is h exile and she is being designated. She's designation two.

898
00:46:27,360 --> 00:46:30,880
Speaker 2: That means she won't be a worker. She's gonna be

899
00:46:30,920 --> 00:46:33,839
Speaker 2: taking to some other location. And it seems like a

900
00:46:33,880 --> 00:46:37,520
Speaker 2: really bad thing because the guard even seems stunned and

901
00:46:37,560 --> 00:46:40,000
Speaker 2: he's like, wait, did you say designation two.

902
00:46:40,040 --> 00:46:42,120
Speaker 1: It's like yeah, he's like, oh shit, and.

903
00:46:42,040 --> 00:46:45,320
Speaker 2: The other guard responds, yeah, exactly, so get her there safe.

904
00:46:45,960 --> 00:46:48,880
Speaker 2: So I don't know what designation two is. It just

905
00:46:48,920 --> 00:46:49,520
Speaker 2: seemed bad.

906
00:46:50,000 --> 00:46:53,319
Speaker 3: Yeah, I don't know if designation two is it's hard

907
00:46:53,360 --> 00:46:57,280
Speaker 3: to get there or it's just so far away, or

908
00:46:57,840 --> 00:47:00,239
Speaker 3: is it even.

909
00:47:00,719 --> 00:47:06,160
Speaker 2: Well, it's not destination to, it's designation to, meaning like

910
00:47:07,040 --> 00:47:10,640
Speaker 2: if I'm a one, ninety nine percent of people are

911
00:47:10,719 --> 00:47:13,640
Speaker 2: designation one and they go to the labor camp or

912
00:47:13,640 --> 00:47:17,560
Speaker 2: they go to this other location. Designation two apparently is

913
00:47:17,560 --> 00:47:19,799
Speaker 2: some shit where you don't even go where those people.

914
00:47:19,520 --> 00:47:22,400
Speaker 1: Go, you go to some other place.

915
00:47:22,640 --> 00:47:25,520
Speaker 2: And they both said it like like I said, the

916
00:47:25,560 --> 00:47:30,080
Speaker 2: two things were one, get her there safe, which feels weird, right,

917
00:47:30,160 --> 00:47:32,640
Speaker 2: get her there safe, like it's very important these people

918
00:47:32,920 --> 00:47:36,360
Speaker 2: arrive safe to to wherever this location is. But two,

919
00:47:36,520 --> 00:47:40,680
Speaker 2: it was like not common to have a designation to

920
00:47:41,000 --> 00:47:46,120
Speaker 2: person and it seemed worse than the labor camp shit

921
00:47:46,200 --> 00:47:47,160
Speaker 2: that we saw earlier.

922
00:47:47,760 --> 00:47:50,880
Speaker 3: True, true, true. You know, it's one of those things

923
00:47:50,880 --> 00:47:56,440
Speaker 3: where I wonder if it's like, hey, you really can't

924
00:47:56,440 --> 00:47:59,440
Speaker 3: do any labor, and you know, we don't really know

925
00:47:59,480 --> 00:48:01,120
Speaker 3: what to do with you quote unquote, but.

926
00:48:01,080 --> 00:48:04,440
Speaker 2: We know she's hearing impaired and like she does assl

927
00:48:04,520 --> 00:48:04,920
Speaker 2: and stuff.

928
00:48:04,960 --> 00:48:07,839
Speaker 1: But yeah, I mean, we'll hopefully we'll find out.

929
00:48:07,840 --> 00:48:10,160
Speaker 2: But it just it was the way he said, like,

930
00:48:10,239 --> 00:48:13,080
Speaker 2: oh shit, and then the other dude's like, yeah, exactly,

931
00:48:13,600 --> 00:48:16,520
Speaker 2: so get it as safe, you know. And the reason

932
00:48:16,520 --> 00:48:18,200
Speaker 2: they had to ask this is because she was being

933
00:48:18,280 --> 00:48:19,920
Speaker 2: taken on a transport for cargo.

934
00:48:21,080 --> 00:48:23,560
Speaker 1: That's what this train was. It wasn't for people, it's

935
00:48:23,640 --> 00:48:24,160
Speaker 1: for cargo.

936
00:48:24,440 --> 00:48:27,040
Speaker 2: And since they were allowing it, it was like, because we

937
00:48:27,120 --> 00:48:29,359
Speaker 2: just need to get her to wherever the location she's

938
00:48:29,400 --> 00:48:30,960
Speaker 2: supposed to go is, so you got to put it

939
00:48:31,000 --> 00:48:35,319
Speaker 2: on the cargo thing. It's Governor's orders. And you know

940
00:48:35,920 --> 00:48:38,759
Speaker 2: that's pretty important because you know, Governor Pamela Milton has

941
00:48:38,800 --> 00:48:42,040
Speaker 2: it out for her, probably just as bad as anyone else,

942
00:48:42,120 --> 00:48:45,120
Speaker 2: just as bad as Eugene, just as bad as Max,

943
00:48:45,160 --> 00:48:48,520
Speaker 2: because Connie was the one that did the journalism that

944
00:48:48,680 --> 00:48:50,080
Speaker 2: exposed the missing people.

945
00:48:50,280 --> 00:48:53,160
Speaker 1: YadA YadA, YadA all the way to her son getting killed.

946
00:48:53,280 --> 00:48:55,600
Speaker 3: But you know what, and I don't know if this

947
00:48:55,719 --> 00:48:58,799
Speaker 3: is writing, but it's she specifically pointed her out, If

948
00:48:58,840 --> 00:49:01,880
Speaker 3: that makes sense, you know, now nobody she didn't consider

949
00:49:01,960 --> 00:49:04,600
Speaker 3: none to nobody else dangerous though, But that when she

950
00:49:04,680 --> 00:49:05,400
Speaker 3: was like, oh, yeah.

951
00:49:05,280 --> 00:49:08,480
Speaker 2: You mean, think about what. I don't know if it's

952
00:49:08,600 --> 00:49:10,680
Speaker 2: a danger thing that she could be putting there there

953
00:49:10,760 --> 00:49:13,160
Speaker 2: to make her get hurt, like or like there's a

954
00:49:13,200 --> 00:49:16,960
Speaker 2: special punishment awaiting her designation as a designation to person.

955
00:49:17,040 --> 00:49:19,040
Speaker 3: Right, That's why I'm said, she specifically pointed her out

956
00:49:19,040 --> 00:49:21,000
Speaker 3: and put her the worst location for a reason. But

957
00:49:21,080 --> 00:49:23,000
Speaker 3: yet you didn't care about nobody else from the group.

958
00:49:23,360 --> 00:49:24,280
Speaker 1: Yeah, that's what I'm saying.

959
00:49:24,320 --> 00:49:29,840
Speaker 2: You saying danger danger Right, I'm saying, like Megan's dangerous, Maggie's.

960
00:49:29,480 --> 00:49:31,320
Speaker 1: Dangerous, Carolyn Darryl are dangerous.

961
00:49:32,440 --> 00:49:35,360
Speaker 2: They did, they don't seem to have been designated designation

962
00:49:35,480 --> 00:49:39,879
Speaker 2: number two. So I'm thinking, like it's not beyond even

963
00:49:40,000 --> 00:49:43,440
Speaker 2: just danger. It's like fuck that bit, like it's personal

964
00:49:43,520 --> 00:49:46,360
Speaker 2: or something. Yes, that's what I'm That's what I'm wondering.

965
00:49:46,560 --> 00:49:49,279
Speaker 3: Right, And and the reason why I say I do,

966
00:49:49,360 --> 00:49:52,040
Speaker 3: I think it's personal too. And the personal thing is

967
00:49:52,120 --> 00:49:53,840
Speaker 3: I'm purposely putting you in danger.

968
00:49:54,600 --> 00:49:57,359
Speaker 2: Yeah, of course, yeah, yeah, okay, all right, I thought

969
00:49:57,400 --> 00:50:00,160
Speaker 2: you were trying to say. Carol was singling Kanyete, it's

970
00:50:00,239 --> 00:50:03,480
Speaker 2: more dangerous than the other people. So therefore she was

971
00:50:03,560 --> 00:50:07,799
Speaker 2: designating her designation too, because these other people she considers

972
00:50:07,840 --> 00:50:08,400
Speaker 2: like safer.

973
00:50:09,080 --> 00:50:10,960
Speaker 3: Oh no, no, no, no, no, no, she didn't even

974
00:50:11,000 --> 00:50:13,120
Speaker 3: consider him, you know, in my mind, she was like

975
00:50:13,200 --> 00:50:14,759
Speaker 3: the rest of the group, I'm not worried about I'm

976
00:50:14,760 --> 00:50:16,840
Speaker 3: worried about you because you the person to crack that

977
00:50:16,960 --> 00:50:19,080
Speaker 3: article that started all this bullshit in the first place.

978
00:50:19,160 --> 00:50:22,520
Speaker 2: Yeah, exactly. And so maybe if the danger is on

979
00:50:22,600 --> 00:50:26,960
Speaker 2: a like danger to the status quo by you know,

980
00:50:27,680 --> 00:50:31,000
Speaker 2: putting my putting me on front street, maybe, but it

981
00:50:31,120 --> 00:50:33,520
Speaker 2: felt more like a I want to hurt you the

982
00:50:33,600 --> 00:50:36,399
Speaker 2: worst type thing because of how she singled her out

983
00:50:36,440 --> 00:50:39,319
Speaker 2: to yumich oh and all that stuff, and she she

984
00:50:39,440 --> 00:50:43,200
Speaker 2: hinted that she knew that Connie was behind it, and

985
00:50:43,239 --> 00:50:45,319
Speaker 2: also they was in the streets at the protests and shit,

986
00:50:45,560 --> 00:50:49,879
Speaker 2: being out front, you know, getting getting labeled black extremity,

987
00:50:50,680 --> 00:50:57,360
Speaker 2: black identity extremists and shit. So anyway, Carol asked what

988
00:50:57,480 --> 00:51:01,000
Speaker 2: is Designation to Daryl just realizes his heart is breaking

989
00:51:01,040 --> 00:51:04,480
Speaker 2: because you know, Connie is his bay and it's we

990
00:51:04,560 --> 00:51:07,799
Speaker 2: went through everything with the cave and her being abducted, and.

991
00:51:07,960 --> 00:51:08,880
Speaker 3: Like, I'm not going through that.

992
00:51:08,960 --> 00:51:09,719
Speaker 1: I'm not gonna lie.

993
00:51:09,800 --> 00:51:11,680
Speaker 2: Even I rolled my eyes and got a little bit

994
00:51:11,719 --> 00:51:13,319
Speaker 2: mad at the scene because I said, are we really

995
00:51:13,320 --> 00:51:17,000
Speaker 2: about to do this again? Connie's getting frished, like we

996
00:51:17,160 --> 00:51:19,040
Speaker 2: just she's getting taken somewhere.

997
00:51:19,120 --> 00:51:20,960
Speaker 1: I was like, God, don't let this episode to go

998
00:51:21,000 --> 00:51:21,680
Speaker 1: down that path.

999
00:51:22,160 --> 00:51:25,640
Speaker 2: So Darryl realizes they can't go out to Kanye because

1000
00:51:25,640 --> 00:51:28,839
Speaker 2: she's being taken to a different place. So if they

1001
00:51:28,960 --> 00:51:31,719
Speaker 2: go out to Kannie knowing that she's not going to

1002
00:51:31,760 --> 00:51:34,440
Speaker 2: the place their friends or their kids are, and it

1003
00:51:34,520 --> 00:51:38,160
Speaker 2: one gives up the element of surprise when they discover like,

1004
00:51:38,360 --> 00:51:42,680
Speaker 2: uh oh, these motherfucker's done, you know whatever. Yeah, they

1005
00:51:42,760 --> 00:51:44,800
Speaker 2: jack the train, we know to be on alert for

1006
00:51:44,920 --> 00:51:49,560
Speaker 2: them trying to free everybody else. But that also means

1007
00:51:49,560 --> 00:51:52,000
Speaker 2: that if he doesn't pursue Connie, she goes off to

1008
00:51:52,600 --> 00:51:57,200
Speaker 2: wherever designation to play people go and don'ts far too.

1009
00:51:57,320 --> 00:51:58,359
Speaker 1: Yeah, but.

1010
00:52:00,239 --> 00:52:06,279
Speaker 2: Carol says, you know, don't worry, don't worry. We don't

1011
00:52:06,400 --> 00:52:08,080
Speaker 2: have to rush down there. We can hang back.

1012
00:52:08,120 --> 00:52:08,880
Speaker 1: We got the jeep.

1013
00:52:09,480 --> 00:52:15,600
Speaker 2: Let's just follow the train to wherever it goes, and

1014
00:52:15,640 --> 00:52:19,400
Speaker 2: then we'll we'll at that destination, we'll go get Connie

1015
00:52:19,480 --> 00:52:22,759
Speaker 2: and save her. Then we'll find out where the kids are.

1016
00:52:23,760 --> 00:52:26,920
Speaker 2: And that way Daryl doesn't have to let her Connie

1017
00:52:27,040 --> 00:52:30,560
Speaker 2: be in danger again. Right, they get on the jeep,

1018
00:52:31,120 --> 00:52:33,080
Speaker 2: get in the jeep to follow the train. They are

1019
00:52:33,160 --> 00:52:36,080
Speaker 2: fucking zooming, ain't they zooming? They are zooming.

1020
00:52:36,400 --> 00:52:37,800
Speaker 3: Shout unlimited gas.

1021
00:52:38,320 --> 00:52:42,440
Speaker 2: And they're still having a hard time like following it.

1022
00:52:42,520 --> 00:52:44,960
Speaker 2: And it's a little bit harrowing to follow the train

1023
00:52:45,000 --> 00:52:47,480
Speaker 2: because what if you get spotted, you know, from the

1024
00:52:47,560 --> 00:52:48,000
Speaker 2: train and.

1025
00:52:48,000 --> 00:52:50,799
Speaker 3: They're driving on the road versus the train has got

1026
00:52:50,800 --> 00:52:52,200
Speaker 3: a straightway path.

1027
00:52:52,200 --> 00:52:54,919
Speaker 2: Right, And so what they realize is you can drive

1028
00:52:54,960 --> 00:52:56,640
Speaker 2: the car to get ahead of the train, just follow

1029
00:52:56,680 --> 00:52:57,160
Speaker 2: the tracks.

1030
00:52:57,560 --> 00:53:00,000
Speaker 1: And so they just floor it get ahead of the train.

1031
00:53:01,520 --> 00:53:05,839
Speaker 2: And they get to a train junction, which you know,

1032
00:53:06,120 --> 00:53:07,920
Speaker 2: which where they have that switch where you can kind

1033
00:53:07,920 --> 00:53:11,400
Speaker 2: of like change which part of which direction of the

1034
00:53:11,400 --> 00:53:15,080
Speaker 2: track the train takes. And they discussed like you know,

1035
00:53:15,440 --> 00:53:18,560
Speaker 2: like Carol's basically like we can just stake out the junction.

1036
00:53:19,160 --> 00:53:21,960
Speaker 2: The train has to stop here to hit the switch

1037
00:53:22,040 --> 00:53:25,800
Speaker 2: or whatever, and then we can like ambush them and

1038
00:53:25,840 --> 00:53:29,919
Speaker 2: get Connie and all this stuff. And Daryl's like, I

1039
00:53:30,200 --> 00:53:32,400
Speaker 2: you stay here, I'll go. I got I gotta go

1040
00:53:32,480 --> 00:53:35,040
Speaker 2: back to the train and do it myself, and she's

1041
00:53:35,239 --> 00:53:36,239
Speaker 2: and she talks him down.

1042
00:53:36,280 --> 00:53:39,040
Speaker 1: Basically, she has a heart to heart with Darryl and Connie.

1043
00:53:39,080 --> 00:53:42,360
Speaker 2: Carol had an interesting episode because she had to be

1044
00:53:42,440 --> 00:53:45,239
Speaker 2: a lot of different Carols this week, and so she

1045
00:53:45,400 --> 00:53:49,480
Speaker 2: kind of does that motherly, you know thing to you know,

1046
00:53:49,560 --> 00:53:55,600
Speaker 2: she turns into Aunt Carol and she's like, listen, we

1047
00:53:55,600 --> 00:53:57,880
Speaker 2: we are going to save Connie.

1048
00:53:58,200 --> 00:53:59,720
Speaker 1: And I know what you think about.

1049
00:54:00,000 --> 00:54:02,120
Speaker 2: Think about the cave and how she was stuck that

1050
00:54:02,200 --> 00:54:04,799
Speaker 2: that whole time, and we thought she was dead and

1051
00:54:04,880 --> 00:54:07,880
Speaker 2: nobody ever went and it was you know, everyone was

1052
00:54:08,000 --> 00:54:10,600
Speaker 2: relieved she was alive, but also like a huge amount

1053
00:54:10,640 --> 00:54:13,959
Speaker 2: of guilt of we just never went back to check

1054
00:54:14,000 --> 00:54:14,239
Speaker 2: on you.

1055
00:54:14,600 --> 00:54:17,400
Speaker 3: Yeah, And on top of that, Carol was like, I

1056
00:54:17,680 --> 00:54:19,520
Speaker 3: fucked up because I was telling me to do this

1057
00:54:19,520 --> 00:54:22,120
Speaker 3: shit by myself. You cannot do this shit by yourself.

1058
00:54:22,680 --> 00:54:25,000
Speaker 3: That's the reason why we even had the whole cave shit,

1059
00:54:25,040 --> 00:54:27,520
Speaker 3: because I was just so fucking gun ho and you

1060
00:54:27,600 --> 00:54:29,000
Speaker 3: just can't do it alone.

1061
00:54:29,200 --> 00:54:32,360
Speaker 2: So she reminds him that they can't save Connie like

1062
00:54:32,440 --> 00:54:34,440
Speaker 2: something that Kelly told him a long time ago, which is,

1063
00:54:34,680 --> 00:54:36,239
Speaker 2: we can't save Connie if.

1064
00:54:36,120 --> 00:54:37,160
Speaker 3: We dead right.

1065
00:54:37,600 --> 00:54:40,000
Speaker 2: So he agrees, you right, we got better chances and

1066
00:54:40,080 --> 00:54:44,120
Speaker 2: number we'll stick together, we'll do the ambush. After that,

1067
00:54:44,680 --> 00:54:47,600
Speaker 2: Darryl and Carroll roll up on Maggie and the child zombie,

1068
00:54:49,080 --> 00:54:53,560
Speaker 2: and Maggie struggles talking to Carrol. She's struggling with the

1069
00:54:53,560 --> 00:54:56,759
Speaker 2: guilt of how she couldn't protect her show and she

1070
00:54:56,800 --> 00:54:59,680
Speaker 2: watched carry Herschel get abducted. Carol tells her that's not

1071
00:54:59,719 --> 00:55:02,080
Speaker 2: on you, just one person. She's like, it is on.

1072
00:55:02,160 --> 00:55:06,840
Speaker 1: Me anyway, even if everything you're saying is true.

1073
00:55:07,440 --> 00:55:10,600
Speaker 2: And then Carol talks about how the Commonwealth was actually

1074
00:55:10,680 --> 00:55:12,880
Speaker 2: kind of bad for them they were in the Commonwealth.

1075
00:55:12,880 --> 00:55:14,520
Speaker 2: She's like, when I was in there, I stopped talking

1076
00:55:14,600 --> 00:55:17,040
Speaker 2: to Darryl. I would you know, I see them every day,

1077
00:55:17,239 --> 00:55:19,399
Speaker 2: check on them. But once we were back in there

1078
00:55:19,440 --> 00:55:22,600
Speaker 2: living our own lives, everybody got their own routines, and

1079
00:55:22,640 --> 00:55:25,120
Speaker 2: they kind of split us up without trying to split us.

1080
00:55:25,120 --> 00:55:28,560
Speaker 3: Up, right right, because they give use certain assignments. Everybody

1081
00:55:28,640 --> 00:55:31,239
Speaker 3: has his high, everybody's a little bit of everything, and

1082
00:55:31,280 --> 00:55:34,520
Speaker 3: it's kind of like normal. Everybody just goes about their

1083
00:55:34,560 --> 00:55:38,399
Speaker 3: lives and nobody actually takes the time to reach out

1084
00:55:38,600 --> 00:55:41,040
Speaker 3: and keep the contact that they had before.

1085
00:55:41,400 --> 00:55:44,520
Speaker 2: Yeah, and she brings up how the thing the zombie

1086
00:55:44,520 --> 00:55:48,920
Speaker 2: apocalypse and the fallow civilization really gave them was family. Yes,

1087
00:55:48,960 --> 00:55:51,719
Speaker 2: because Daryl to her is now her family. Maggie is

1088
00:55:51,760 --> 00:55:54,279
Speaker 2: her family, she said, And that's a good thing. And

1089
00:55:54,320 --> 00:55:57,799
Speaker 2: because we were actually out there and that shit being

1090
00:55:57,840 --> 00:56:01,279
Speaker 2: a family surviving together. We gonna survive this, and we're

1091
00:56:01,280 --> 00:56:03,359
Speaker 2: gonna get our kids back, and we're gonna make it right.

1092
00:56:04,120 --> 00:56:06,960
Speaker 2: And Maggie, you know, gets that battery pack putting her

1093
00:56:07,000 --> 00:56:08,719
Speaker 2: back like you're right, you know, And it was like

1094
00:56:08,760 --> 00:56:11,319
Speaker 2: a teary eyed conversation. But you know, two of the

1095
00:56:11,360 --> 00:56:15,759
Speaker 2: baddest characters on this motherfucking show, you know, all these

1096
00:56:15,840 --> 00:56:20,279
Speaker 2: killers basically like you know, getting they focus back because

1097
00:56:20,280 --> 00:56:20,719
Speaker 2: they down.

1098
00:56:21,200 --> 00:56:22,919
Speaker 1: They're down bad right now. They're down.

1099
00:56:23,480 --> 00:56:27,239
Speaker 2: Not not in the loser mean way, but they're down.

1100
00:56:27,280 --> 00:56:31,319
Speaker 2: With our protagonists started losing. It's the third quarter. We

1101
00:56:31,360 --> 00:56:33,759
Speaker 2: need to make a rally, we need to and so

1102
00:56:34,640 --> 00:56:37,960
Speaker 2: Gab and Rosita walk up on them. So then they

1103
00:56:38,000 --> 00:56:40,560
Speaker 2: have a reunion, you know, and everybody's getting back together.

1104
00:56:40,600 --> 00:56:43,640
Speaker 2: They're like, where's Darryl And they're like, he inside? What

1105
00:56:43,800 --> 00:56:44,760
Speaker 2: was he inside doing?

1106
00:56:45,080 --> 00:56:48,320
Speaker 1: Interrogating that dude that she stuck the railroad.

1107
00:56:47,840 --> 00:56:50,680
Speaker 2: Spike through as he survived, because he survived, but he's

1108
00:56:50,719 --> 00:56:51,800
Speaker 2: in a bad way.

1109
00:56:52,200 --> 00:56:54,359
Speaker 1: Okay, he is dying.

1110
00:56:54,200 --> 00:56:57,120
Speaker 3: Yeah, And Daryl's like, I won't answers. We could do

1111
00:56:57,160 --> 00:56:59,520
Speaker 3: this easy way at the hard way. You decide.

1112
00:56:59,640 --> 00:57:04,880
Speaker 2: It's all messy, bloody death that he's dying, and Daryl's like, listen.

1113
00:57:05,640 --> 00:57:07,040
Speaker 1: He tries several techniques.

1114
00:57:07,360 --> 00:57:12,440
Speaker 2: First of all, first he tries the hey man, where'd

1115
00:57:12,440 --> 00:57:13,160
Speaker 2: you take Connie?

1116
00:57:13,640 --> 00:57:15,239
Speaker 1: And the man just don't want to talk.

1117
00:57:15,880 --> 00:57:18,400
Speaker 2: And then he's like, look, man, I used to be

1118
00:57:18,560 --> 00:57:22,160
Speaker 2: like you, I joined up with in the armed forces

1119
00:57:22,240 --> 00:57:25,800
Speaker 2: or something because my family needed mad man money. I

1120
00:57:25,800 --> 00:57:29,040
Speaker 2: imagine you the same, and the man don't respond to that.

1121
00:57:29,760 --> 00:57:32,720
Speaker 2: And then Daryl's like, look, they took my kids from me.

1122
00:57:32,800 --> 00:57:38,080
Speaker 2: I said my kids, Hello, Darryl, Daddy, come on, stepdaddy, h.

1123
00:57:39,760 --> 00:57:40,880
Speaker 3: Come on Daddy to stay.

1124
00:57:41,320 --> 00:57:41,520
Speaker 4: Look.

1125
00:57:41,800 --> 00:57:45,520
Speaker 1: Yeah, He's like, Shack's shack, stepdad.

1126
00:57:46,480 --> 00:57:47,480
Speaker 3: My kids.

1127
00:57:47,880 --> 00:57:48,560
Speaker 4: So then.

1128
00:57:49,920 --> 00:57:52,200
Speaker 2: He said, they took my kids from me and I

1129
00:57:52,240 --> 00:57:55,920
Speaker 2: want them back, and the man doesn't really respond to that.

1130
00:57:56,240 --> 00:58:00,240
Speaker 2: Daryl kicks him right in a stab on and then

1131
00:58:00,480 --> 00:58:03,640
Speaker 2: Carol comes in and says, hey, we don't got much

1132
00:58:03,680 --> 00:58:06,480
Speaker 2: time to train, gonna be here soon. And Daryl says

1133
00:58:06,520 --> 00:58:09,400
Speaker 2: to the man, do you want to die fast or screaming?

1134
00:58:10,520 --> 00:58:11,320
Speaker 3: You decide?

1135
00:58:11,960 --> 00:58:14,200
Speaker 1: And luckily that's when Gabe came over.

1136
00:58:14,560 --> 00:58:17,760
Speaker 3: Just in time, because Darryl was like, I am tired of.

1137
00:58:17,720 --> 00:58:21,200
Speaker 2: The Gabe turns on this preacher stuff and he's a

1138
00:58:21,240 --> 00:58:24,440
Speaker 2: Catholic preacher. So it was it wasn't you know, some

1139
00:58:24,480 --> 00:58:26,760
Speaker 2: good old black Baptist team shit. It was it was

1140
00:58:26,880 --> 00:58:30,560
Speaker 2: very like, son, we must talk, you know that kind

1141
00:58:30,560 --> 00:58:31,720
Speaker 2: of shit, because.

1142
00:58:31,600 --> 00:58:34,240
Speaker 3: He gave was like a remember you you sending it back?

1143
00:58:34,760 --> 00:58:35,120
Speaker 1: Yeah?

1144
00:58:35,720 --> 00:58:38,440
Speaker 2: Uh So he says, you sat by the door, you

1145
00:58:38,480 --> 00:58:40,320
Speaker 2: come to church late and leave early.

1146
00:58:41,000 --> 00:58:43,400
Speaker 1: You seem like a man that wanted to talk about something.

1147
00:58:44,040 --> 00:58:47,320
Speaker 2: And this man's faith allows him to be manipulated because

1148
00:58:47,400 --> 00:58:49,520
Speaker 2: he's like, does God.

1149
00:58:49,400 --> 00:58:52,040
Speaker 1: Forgive people like me? And Gabe was like, I don't know,

1150
00:58:52,280 --> 00:58:53,120
Speaker 1: I wish I did.

1151
00:58:53,280 --> 00:58:59,720
Speaker 2: And he's right because he also, you know, did horrible

1152
00:58:59,720 --> 00:59:02,280
Speaker 2: things and he doesn't know where his soul is gonna

1153
00:59:02,280 --> 00:59:05,160
Speaker 2: lie at the end of everything. The guy says, I'm

1154
00:59:05,160 --> 00:59:08,360
Speaker 2: torn apart from the guilt and shame, and Gabe says

1155
00:59:08,440 --> 00:59:09,600
Speaker 2: he reads him so straight up.

1156
00:59:09,680 --> 00:59:13,840
Speaker 1: He's like, because you're a coward. M h, it's okay,

1157
00:59:13,920 --> 00:59:14,440
Speaker 1: it's okay.

1158
00:59:14,600 --> 00:59:17,520
Speaker 2: Like God looked offended by the way, like he was like,

1159
00:59:17,560 --> 00:59:19,400
Speaker 2: it's like, cut you a coward, Like cut you a

1160
00:59:19,400 --> 00:59:20,680
Speaker 2: soft baby back bitch.

1161
00:59:22,320 --> 00:59:25,120
Speaker 3: Yeah, ye're talking with somebody else who used to be one.

1162
00:59:25,120 --> 00:59:27,520
Speaker 1: Right, But he doesn't say he never says that he

1163
00:59:27,920 --> 00:59:28,280
Speaker 1: needs to be.

1164
00:59:29,120 --> 00:59:31,280
Speaker 2: So it's from a place of judgment as far as

1165
00:59:31,280 --> 00:59:34,520
Speaker 2: this man concerned, Like he didn't say, brother, we the same.

1166
00:59:34,560 --> 00:59:36,920
Speaker 1: He was like, cause you a whole bitch.

1167
00:59:37,000 --> 00:59:39,320
Speaker 3: But but you don't have to be a whole ass one.

1168
00:59:39,640 --> 00:59:42,000
Speaker 2: He says, it's okay, you're trying not to be. Fear

1169
00:59:42,040 --> 00:59:44,680
Speaker 2: can make us do things that bring shame, and it

1170
00:59:44,720 --> 00:59:46,200
Speaker 2: can also push us into the light.

1171
00:59:47,160 --> 00:59:50,440
Speaker 1: He sees that. Okay, God, I see it too. We

1172
00:59:50,560 --> 00:59:53,320
Speaker 1: all do, pointing around at the whole room. And so

1173
00:59:53,400 --> 00:59:56,600
Speaker 1: the man spits up blood and he's because he's dying.

1174
00:59:56,680 --> 00:59:57,400
Speaker 3: Gave that.

1175
00:59:57,600 --> 00:59:59,760
Speaker 1: Darrel looks at Gay like heard his ship.

1176
00:59:59,680 --> 01:00:03,400
Speaker 2: Up Okay, I got't waste time like this motherfucker is

1177
01:00:03,400 --> 01:00:05,680
Speaker 2: on his way out. We don't have time for the

1178
01:00:05,760 --> 01:00:09,120
Speaker 2: redeem and soul. But Gabe sits closer to him, and

1179
01:00:09,360 --> 01:00:13,080
Speaker 2: because he's getting further than Darryl Ever did, and he says, people,

1180
01:00:13,160 --> 01:00:14,400
Speaker 2: remember the last thing you do.

1181
01:00:14,960 --> 01:00:17,080
Speaker 1: The end of each story is very important. How do

1182
01:00:17,080 --> 01:00:18,040
Speaker 1: you want yours to end?

1183
01:00:18,440 --> 01:00:21,560
Speaker 2: And the man breaks and tells him, look, your friends

1184
01:00:21,560 --> 01:00:26,040
Speaker 2: got sent to a labor camp. They're gonna be doing

1185
01:00:26,080 --> 01:00:31,720
Speaker 2: hard labor. I don't know where they take the designation

1186
01:00:31,880 --> 01:00:34,360
Speaker 2: to people who's which is Connie.

1187
01:00:34,720 --> 01:00:36,520
Speaker 3: So this would be like a special area.

1188
01:00:36,800 --> 01:00:39,080
Speaker 1: He says, I just know that you never see them

1189
01:00:39,080 --> 01:00:39,680
Speaker 1: people again.

1190
01:00:40,560 --> 01:00:43,959
Speaker 3: He just know whenever somebody gets sent there, you don't

1191
01:00:44,000 --> 01:00:47,400
Speaker 3: see them no more. So whatever they plan on senning her,

1192
01:00:47,560 --> 01:00:49,760
Speaker 3: that's like almost like a death sentence.

1193
01:00:49,880 --> 01:00:52,640
Speaker 2: Since the it was hints the old shit when he

1194
01:00:52,680 --> 01:00:56,480
Speaker 2: brought up she's designation too. Then he asked, Gabe, will

1195
01:00:56,480 --> 01:01:00,960
Speaker 2: you pray with me until I die and tells everybody

1196
01:01:01,000 --> 01:01:03,280
Speaker 2: go ahead, I'll talk to him, and he pulls out

1197
01:01:03,320 --> 01:01:07,560
Speaker 2: his Bible and they cut away real quick and gave

1198
01:01:07,680 --> 01:01:10,800
Speaker 2: us basically walking back to the crew and he's got

1199
01:01:11,240 --> 01:01:13,800
Speaker 2: a knife in his hand, meaning he killed the guy,

1200
01:01:13,840 --> 01:01:18,720
Speaker 2: made sure he didn't turn to a zombie. And outside,

1201
01:01:18,920 --> 01:01:22,440
Speaker 2: everybody's Kannie. Everybody's coming up with a plan. The plan is,

1202
01:01:22,440 --> 01:01:25,880
Speaker 2: we're gonna ambush the train. Okay, we're gonna we're gonna

1203
01:01:25,880 --> 01:01:28,000
Speaker 2: make when the train stops at that junction.

1204
01:01:28,320 --> 01:01:30,160
Speaker 1: You know, we're gonna sabotage that junction.

1205
01:01:30,920 --> 01:01:34,600
Speaker 2: Uh, We're gonna basically board the I'm sorry, Connie's not

1206
01:01:34,680 --> 01:01:37,000
Speaker 2: there yet. We're gonna we're gonna board the train to

1207
01:01:37,160 --> 01:01:41,680
Speaker 2: get Kannie. And then we're gonna and then and then

1208
01:01:41,720 --> 01:01:43,000
Speaker 2: they don't tell you the rest of the plane at

1209
01:01:43,000 --> 01:01:46,160
Speaker 2: that moment, but they're like, you know, we're gonna stop

1210
01:01:46,160 --> 01:01:46,439
Speaker 2: the train.

1211
01:01:46,520 --> 01:01:49,560
Speaker 1: That's gonna be the plan. So they do. The train

1212
01:01:49,600 --> 01:01:52,320
Speaker 1: stops at the junction switch, which is stuck.

1213
01:01:52,680 --> 01:01:54,760
Speaker 2: There's a guard that gets off, who you know, just

1214
01:01:54,840 --> 01:01:57,880
Speaker 2: basically these stormtroopers. Like it's so funny how all the

1215
01:01:57,960 --> 01:02:00,720
Speaker 2: guards and the troopers look like this troopers this year

1216
01:02:00,720 --> 01:02:02,040
Speaker 2: because they didn't killed like them.

1217
01:02:02,200 --> 01:02:02,880
Speaker 3: Yes they are.

1218
01:02:03,280 --> 01:02:06,120
Speaker 2: So he gets off and he's like, the train is stuck.

1219
01:02:06,200 --> 01:02:07,720
Speaker 2: I don't know what to do. And then the other

1220
01:02:07,760 --> 01:02:10,000
Speaker 2: guy's like, how hard can it be? Just flip the switch,

1221
01:02:10,480 --> 01:02:13,959
Speaker 2: and then uh, they realize the radio isn't working because

1222
01:02:14,000 --> 01:02:17,440
Speaker 2: a conductor who is not a guard or in a uniform,

1223
01:02:17,600 --> 01:02:20,200
Speaker 2: and it's a regular. It's like a regular like he

1224
01:02:20,280 --> 01:02:21,360
Speaker 2: knows how to work trains.

1225
01:02:21,440 --> 01:02:21,800
Speaker 1: Person.

1226
01:02:22,000 --> 01:02:24,680
Speaker 3: Yeah, look like I worked trains before the world ended.

1227
01:02:24,920 --> 01:02:26,920
Speaker 2: And so he goes on the radio to try to

1228
01:02:26,960 --> 01:02:31,160
Speaker 2: tell this outpost that uh, our post twenty two that

1229
01:02:31,200 --> 01:02:33,600
Speaker 2: they're stopped at the junction is trying. They're trying to

1230
01:02:33,600 --> 01:02:38,360
Speaker 2: fix the junction, but he's not getting the answer. Realizing, oh,

1231
01:02:38,400 --> 01:02:41,280
Speaker 2: the radio's not working. Before you can say anything, Maggie

1232
01:02:41,280 --> 01:02:43,560
Speaker 2: puts a gun in his head and basically says, have

1233
01:02:43,600 --> 01:02:47,000
Speaker 2: a seat over there, Yes, sir, who you think you

1234
01:02:47,040 --> 01:02:49,560
Speaker 2: call it off? That bound Another trooper who seems to

1235
01:02:49,600 --> 01:02:52,440
Speaker 2: be in charge of everybody starts giving out destructions like

1236
01:02:52,720 --> 01:02:54,760
Speaker 2: how hard can hitting the switch be? And the guy's like,

1237
01:02:54,760 --> 01:02:56,600
Speaker 2: why don't you fucking do it? Then? And he's like,

1238
01:02:57,000 --> 01:02:59,600
Speaker 2: all right, well, you other troops you go check the woods.

1239
01:02:59,640 --> 01:03:01,480
Speaker 2: You the other troop, you go check the flank.

1240
01:03:02,000 --> 01:03:04,200
Speaker 3: And because we out here and open, so you know,

1241
01:03:04,440 --> 01:03:06,120
Speaker 3: stuff's gonna be drawn to us.

1242
01:03:06,800 --> 01:03:09,240
Speaker 1: Yeah, or it could be an ambush. Maybe he was expecting something.

1243
01:03:09,280 --> 01:03:12,520
Speaker 2: I don't know. It basically just military orders of like

1244
01:03:12,720 --> 01:03:14,080
Speaker 2: you know, yah, just in case it is.

1245
01:03:14,240 --> 01:03:14,439
Speaker 3: Right.

1246
01:03:15,240 --> 01:03:19,480
Speaker 2: So then Daryl and Carroll get their solid snake on

1247
01:03:19,640 --> 01:03:22,600
Speaker 2: from metal gear solid, and they're just doing a whole

1248
01:03:22,600 --> 01:03:25,919
Speaker 2: bunch of like you know, crawling and stealth.

1249
01:03:25,640 --> 01:03:28,880
Speaker 3: Moves, getting getting all they kill points up.

1250
01:03:29,560 --> 01:03:34,000
Speaker 2: Well, just before they even kill anybody, they're assassin points up.

1251
01:03:34,040 --> 01:03:36,720
Speaker 2: They just start moving around like the stealth rating is

1252
01:03:36,720 --> 01:03:41,280
Speaker 2: on is at the highest, Yes it is. Maggie kidnaps

1253
01:03:41,320 --> 01:03:43,680
Speaker 2: to conductor Gave and Rosie to get the drop on

1254
01:03:43,720 --> 01:03:46,320
Speaker 2: the guard that went to go secure the woods. Right

1255
01:03:46,360 --> 01:03:50,280
Speaker 2: after she says like you know the woods are you

1256
01:03:50,320 --> 01:03:51,920
Speaker 2: know the woods are clear or whatever, and then they

1257
01:03:51,960 --> 01:03:53,640
Speaker 2: kid they get to drop on her.

1258
01:03:53,720 --> 01:03:54,840
Speaker 3: That's a word of cliff.

1259
01:03:54,920 --> 01:03:56,840
Speaker 2: Yeah, they don't show them kill or anything, but they

1260
01:03:56,880 --> 01:03:59,760
Speaker 2: show they pull their guns on her and take her

1261
01:03:59,800 --> 01:04:02,520
Speaker 2: gun from her. The guards they are trying to fix

1262
01:04:02,560 --> 01:04:08,720
Speaker 2: the junction switch realize oh oh, it's deliberty. It's deliberately sabotaged, right,

1263
01:04:08,880 --> 01:04:11,560
Speaker 2: Like it's not just broke. Somebody like fucked this up.

1264
01:04:12,040 --> 01:04:14,280
Speaker 2: And the one that's in command it's like, oh shit, everybody,

1265
01:04:14,280 --> 01:04:16,720
Speaker 2: get back to the to the train, but it's too late.

1266
01:04:16,920 --> 01:04:19,160
Speaker 2: Daryl shoots the guard at the flank, So now we

1267
01:04:19,280 --> 01:04:21,000
Speaker 2: know the one in the woods and the one of

1268
01:04:21,040 --> 01:04:25,760
Speaker 2: the flank are definitely, you know, probably dead, and then

1269
01:04:26,080 --> 01:04:29,440
Speaker 2: Darryl and Carroll just have a tag team shootout. Eventually

1270
01:04:29,920 --> 01:04:33,520
Speaker 2: Maggie takes out one of the troopers from behind. I

1271
01:04:33,520 --> 01:04:36,040
Speaker 2: don't remember if Carol or Daryl shot another one, but

1272
01:04:36,160 --> 01:04:37,440
Speaker 2: the final troop.

1273
01:04:38,680 --> 01:04:40,200
Speaker 1: Takes Connie hostage.

1274
01:04:40,640 --> 01:04:44,080
Speaker 2: It says, hey, drop your weapons, and so Darryl drops

1275
01:04:44,120 --> 01:04:47,080
Speaker 2: his gun, drops his like in the boat too, Sir

1276
01:04:47,360 --> 01:04:51,520
Speaker 2: drops his crossbow, and then he asked, Darryl, did you

1277
01:04:51,760 --> 01:04:53,840
Speaker 2: cut the wire to the radio or did you just

1278
01:04:53,880 --> 01:04:57,000
Speaker 2: shut the radio? Intend to off because he probably wants

1279
01:04:57,040 --> 01:05:00,160
Speaker 2: to know if he can like radio for help, and

1280
01:05:00,640 --> 01:05:04,960
Speaker 2: Connie breaks free of his grip. The guard slaps her

1281
01:05:05,640 --> 01:05:08,280
Speaker 2: and then runs off. Darryl stops to check on her

1282
01:05:08,320 --> 01:05:11,440
Speaker 2: for a second. Once she's made sure she's okay, he

1283
01:05:11,480 --> 01:05:13,800
Speaker 2: goes after the guard, but at that time that he

1284
01:05:13,880 --> 01:05:16,840
Speaker 2: stopped allowed the guard to get on the motorcycle and

1285
01:05:16,920 --> 01:05:17,720
Speaker 2: drive off.

1286
01:05:17,640 --> 01:05:19,800
Speaker 1: Right, but he don't know that.

1287
01:05:19,880 --> 01:05:22,280
Speaker 2: Darryl is played by Norman Riders, who has a whole

1288
01:05:22,600 --> 01:05:26,160
Speaker 2: motorcycle riding TV show, come on reality show. So he

1289
01:05:26,240 --> 01:05:28,840
Speaker 2: wanted to show everybody he can actually really ride these bikes.

1290
01:05:29,000 --> 01:05:31,360
Speaker 2: So he hop on the bike. Dukes has a style,

1291
01:05:31,760 --> 01:05:34,240
Speaker 2: Dusa has a style, and they start recording it with

1292
01:05:34,320 --> 01:05:36,560
Speaker 2: like go pros or some shit. He they had to

1293
01:05:36,600 --> 01:05:39,040
Speaker 2: go pro zoe like the footage was shaky and stuff

1294
01:05:39,040 --> 01:05:40,520
Speaker 2: like you was on the motorcycle with him.

1295
01:05:40,440 --> 01:05:42,040
Speaker 3: And shit, I was like, am I riding?

1296
01:05:42,320 --> 01:05:46,080
Speaker 2: And then the guard like once again another of these

1297
01:05:46,160 --> 01:05:47,200
Speaker 2: offscreen crashes.

1298
01:05:47,720 --> 01:05:50,080
Speaker 1: I swear. It's just like, we gotta save money on

1299
01:05:50,120 --> 01:05:50,760
Speaker 1: special effects.

1300
01:05:50,760 --> 01:05:53,720
Speaker 2: Guys, we long got time for a stunts and we just.

1301
01:05:53,720 --> 01:05:54,520
Speaker 3: Got too much money.

1302
01:05:54,640 --> 01:05:56,720
Speaker 1: Lay the bike on the side and throw a tie

1303
01:05:56,760 --> 01:05:57,160
Speaker 1: over there.

1304
01:05:57,280 --> 01:06:00,760
Speaker 3: So all right, just show them running and they know

1305
01:06:00,800 --> 01:06:01,640
Speaker 3: they crash.

1306
01:06:01,440 --> 01:06:04,480
Speaker 2: So we so somehow the guy ate it, but he's

1307
01:06:04,520 --> 01:06:07,800
Speaker 2: still on foot running. He doesn't look like hurt or anything,

1308
01:06:07,880 --> 01:06:09,840
Speaker 2: but he's running trying to get away from Daryl.

1309
01:06:10,160 --> 01:06:12,320
Speaker 3: I know they gotta be tied in that plastic storing

1310
01:06:12,400 --> 01:06:13,000
Speaker 3: trooper suit.

1311
01:06:13,400 --> 01:06:16,400
Speaker 2: There's a tree that fell in the middle of the

1312
01:06:16,440 --> 01:06:17,440
Speaker 2: pike or the path.

1313
01:06:17,480 --> 01:06:18,120
Speaker 1: They are on the.

1314
01:06:18,160 --> 01:06:21,080
Speaker 2: Road, and so they do a cool stunt where Norman

1315
01:06:21,160 --> 01:06:24,440
Speaker 2: ret is or his stunt double whatever takes the bike

1316
01:06:24,880 --> 01:06:28,160
Speaker 2: slides it on purpose so that it trips the guard

1317
01:06:28,200 --> 01:06:31,520
Speaker 2: who's running, and then he stands over the guard and

1318
01:06:31,560 --> 01:06:33,040
Speaker 2: stabs him through the chest, killing him.

1319
01:06:33,280 --> 01:06:36,280
Speaker 3: Yeah, he was like, oh, we ain't playing no games, nop.

1320
01:06:36,480 --> 01:06:37,080
Speaker 3: Right to the head.

1321
01:06:37,280 --> 01:06:41,080
Speaker 2: I will say, like, maybe you leave a couple of

1322
01:06:41,080 --> 01:06:44,160
Speaker 2: people alive to torture for more information. But you know, Dyll,

1323
01:06:44,400 --> 01:06:46,600
Speaker 2: I feel you. The spirit got in them. That man

1324
01:06:46,640 --> 01:06:48,520
Speaker 2: put his hands on your woman. I'll see what you're

1325
01:06:48,560 --> 01:06:49,000
Speaker 2: doing now.

1326
01:06:49,000 --> 01:06:51,200
Speaker 3: All of that, he was like, nop, I don't want

1327
01:06:51,280 --> 01:06:53,120
Speaker 3: you to try to escape again, none of the nope

1328
01:06:53,160 --> 01:06:53,600
Speaker 3: you got to do.

1329
01:06:53,680 --> 01:06:57,520
Speaker 2: I just think, like, knowing what they don't know, you

1330
01:06:57,560 --> 01:07:00,600
Speaker 2: would need some people alive. You want to many chances

1331
01:07:00,600 --> 01:07:03,840
Speaker 2: as possible to find your loved ones. I agreed, And

1332
01:07:04,280 --> 01:07:06,919
Speaker 2: he just killed this man straight out cold blood. So

1333
01:07:06,960 --> 01:07:10,760
Speaker 2: the plan now hinges on the conductor. The conductor to

1334
01:07:10,800 --> 01:07:14,720
Speaker 2: the train has been left alive, and he's just a civilian,

1335
01:07:14,800 --> 01:07:17,720
Speaker 2: he's not a soldier, so I think there's an expectation.

1336
01:07:18,000 --> 01:07:19,920
Speaker 1: Well, he'll tell us what we need to know. We

1337
01:07:19,960 --> 01:07:21,120
Speaker 1: can go save our families.

1338
01:07:21,320 --> 01:07:21,440
Speaker 4: Right.

1339
01:07:22,080 --> 01:07:22,880
Speaker 1: The conductor of.

1340
01:07:22,840 --> 01:07:25,680
Speaker 2: The train tells Maggie and Carol that they got my family,

1341
01:07:26,680 --> 01:07:29,040
Speaker 2: and the one finds out I helped y'all, he gonna

1342
01:07:29,120 --> 01:07:32,960
Speaker 2: kill me and my family gonna end up just like

1343
01:07:33,040 --> 01:07:37,240
Speaker 2: y'all friends in hard label whatever the fuck, Like I'm good.

1344
01:07:37,600 --> 01:07:41,720
Speaker 2: And then Rosita's like, you know that dude's laying next

1345
01:07:41,720 --> 01:07:44,920
Speaker 2: to you, that corpse. It's the guy that gave, prayed

1346
01:07:44,920 --> 01:07:47,800
Speaker 2: for and killed. He probably had a family too, and

1347
01:07:47,880 --> 01:07:49,240
Speaker 2: we ain't give a fuck, So.

1348
01:07:51,000 --> 01:07:53,800
Speaker 1: What you pick? Tell us what the fuck we need

1349
01:07:53,800 --> 01:07:54,040
Speaker 1: to know.

1350
01:07:54,560 --> 01:07:58,120
Speaker 2: It's a subtle threat, but he says, Okay, there's a

1351
01:07:58,200 --> 01:07:59,760
Speaker 2: map in the.

1352
01:08:00,440 --> 01:08:03,200
Speaker 1: I can show y'all or whatever in the engine or something.

1353
01:08:04,040 --> 01:08:06,640
Speaker 1: And so they take them.

1354
01:08:06,720 --> 01:08:10,400
Speaker 2: And as they're going, we see Darryl and Connie share

1355
01:08:10,520 --> 01:08:14,000
Speaker 2: like some asl flirting, you know, some some of.

1356
01:08:13,920 --> 01:08:17,559
Speaker 1: That good old good energy. We love. A swirl ship

1357
01:08:17,600 --> 01:08:19,360
Speaker 1: on the sholf, come on, all the swirls.

1358
01:08:20,120 --> 01:08:23,880
Speaker 2: But that's interrupted because we hear the conductor yelling about

1359
01:08:23,880 --> 01:08:26,320
Speaker 2: how he gonna kill himself, and.

1360
01:08:26,600 --> 01:08:28,960
Speaker 3: He has he like he looking at them like I

1361
01:08:28,960 --> 01:08:30,439
Speaker 3: don't already told y'all too much.

1362
01:08:30,920 --> 01:08:34,080
Speaker 1: He has a like of ways to kill yourself. This

1363
01:08:34,200 --> 01:08:36,480
Speaker 1: had to be one of the worst options.

1364
01:08:36,760 --> 01:08:39,599
Speaker 2: He has, like a screwdriver, big ass screwdriver to his

1365
01:08:39,640 --> 01:08:42,320
Speaker 2: own neck, and he's like, I can't.

1366
01:08:42,000 --> 01:08:44,400
Speaker 3: Do it my family. Was it one of the ones

1367
01:08:44,400 --> 01:08:46,160
Speaker 3: that go into the ground for the train? Sure?

1368
01:08:46,200 --> 01:08:48,559
Speaker 1: Why not? I don't know, Okay, I looked at it.

1369
01:08:48,640 --> 01:08:49,200
Speaker 1: I couldn't tell.

1370
01:08:49,240 --> 01:08:53,080
Speaker 2: It looked like a screwdriver, not a railroad spike, like

1371
01:08:53,320 --> 01:08:57,400
Speaker 2: like Maggie killed that do with but whatever. He had

1372
01:08:57,400 --> 01:08:59,800
Speaker 2: a long sharp thing to his own neck, and he

1373
01:08:59,920 --> 01:09:02,519
Speaker 2: was like, I'm sorry, y'all. They gonna they gonna kill

1374
01:09:02,560 --> 01:09:06,480
Speaker 2: my family if I help you. And Carol tries a compromise.

1375
01:09:06,479 --> 01:09:08,880
Speaker 2: She's like, no, no, no, we could beat you up.

1376
01:09:09,880 --> 01:09:13,000
Speaker 2: We'll beat you up. It'll look like he made you right.

1377
01:09:13,800 --> 01:09:14,240
Speaker 1: Help us.

1378
01:09:14,320 --> 01:09:16,920
Speaker 3: You can survive. It won't be as bad as you

1379
01:09:16,960 --> 01:09:17,519
Speaker 3: think it is.

1380
01:09:17,640 --> 01:09:19,720
Speaker 2: He's like, no, I'm a horrible lot. They're gonna touch

1381
01:09:19,760 --> 01:09:22,840
Speaker 2: the me in then they gonna know that. I was like,

1382
01:09:22,920 --> 01:09:25,120
Speaker 2: what the fuck is wrong? You don't want to live.

1383
01:09:25,200 --> 01:09:27,599
Speaker 2: But I guess he was a family man because he

1384
01:09:27,720 --> 01:09:30,280
Speaker 2: actually does take himself out with that screwdriver, and it's

1385
01:09:30,320 --> 01:09:31,000
Speaker 2: pretty brutal.

1386
01:09:31,360 --> 01:09:33,720
Speaker 3: Yeah, because now that he staffed himself in the neck,

1387
01:09:34,400 --> 01:09:36,120
Speaker 3: then he fell on it.

1388
01:09:36,080 --> 01:09:40,120
Speaker 1: Which actually went through his through his heart, yes, and.

1389
01:09:39,720 --> 01:09:42,000
Speaker 3: Made it even worse, and it was one of those

1390
01:09:42,040 --> 01:09:48,800
Speaker 3: things where, uh, however they function, he already knew that

1391
01:09:49,000 --> 01:09:51,960
Speaker 3: once he started talking, it was gonna be a problem.

1392
01:09:52,320 --> 01:09:56,040
Speaker 3: Like he was like, once they figured this shit out,

1393
01:09:56,520 --> 01:10:00,400
Speaker 3: my family's dead. We're kind of regardless, So who knows

1394
01:10:00,400 --> 01:10:04,240
Speaker 3: what kind of torture you know, like this this setup

1395
01:10:04,439 --> 01:10:07,240
Speaker 3: is once you kind of get outside of the commonwealthings.

1396
01:10:07,280 --> 01:10:09,160
Speaker 3: But it had him fucking freaking out.

1397
01:10:10,280 --> 01:10:14,639
Speaker 2: Yeah, right, so it tells you they go extra hard

1398
01:10:14,640 --> 01:10:18,200
Speaker 2: on people. Either that he's just the softest nigga ever,

1399
01:10:18,320 --> 01:10:22,960
Speaker 2: but uh, basically he was supposed to be there, you know.

1400
01:10:23,360 --> 01:10:26,160
Speaker 2: Their answer to that was supposed to be the guy

1401
01:10:26,160 --> 01:10:28,080
Speaker 2: that tells him where the kids and the families are,

1402
01:10:28,240 --> 01:10:30,280
Speaker 2: and now they have no way to know.

1403
01:10:30,800 --> 01:10:32,920
Speaker 3: So then so I'm like, you, it makes would have

1404
01:10:32,960 --> 01:10:35,639
Speaker 3: made sense to at least keep one of them soldiers alive,

1405
01:10:36,400 --> 01:10:38,519
Speaker 3: you know, so that you kind of would have had

1406
01:10:38,560 --> 01:10:40,800
Speaker 3: a backup plan. But to an extent, they was like, hey,

1407
01:10:40,880 --> 01:10:43,760
Speaker 3: we tried the soldiers. They kind of hard show we

1408
01:10:44,200 --> 01:10:45,320
Speaker 3: ain't gonna go that route.

1409
01:10:45,120 --> 01:10:45,840
Speaker 1: Again, I guess.

1410
01:10:45,840 --> 01:10:47,639
Speaker 2: So so then the crew tries to figure out where

1411
01:10:47,640 --> 01:10:50,800
Speaker 2: the location is and they decide to go get because

1412
01:10:50,840 --> 01:10:52,840
Speaker 2: you know it's a fork in the road literally at

1413
01:10:52,880 --> 01:10:56,599
Speaker 2: that junction. So they decide they're not gonna split up.

1414
01:10:56,680 --> 01:11:00,080
Speaker 2: They decide to go back to the train where the

1415
01:11:00,200 --> 01:11:04,120
Speaker 2: radio they they sabotage, they can just fix it. And

1416
01:11:04,200 --> 01:11:09,639
Speaker 2: so they hop back on the radio and it's Rosita

1417
01:11:09,760 --> 01:11:13,400
Speaker 2: pretending to be that woman guard who they ambushed in

1418
01:11:13,439 --> 01:11:17,320
Speaker 2: the woods. And she's like, hey, this is whatever number

1419
01:11:17,320 --> 01:11:21,800
Speaker 2: that woman like one thirty one. The train got ambushed.

1420
01:11:21,880 --> 01:11:24,600
Speaker 2: I'm the last one alive. I'm lost. I need directions

1421
01:11:24,640 --> 01:11:27,599
Speaker 2: back and the operators like, don't worry, I got your girl.

1422
01:11:27,680 --> 01:11:31,720
Speaker 1: Okay, use a compass, go do north. And then uh.

1423
01:11:31,960 --> 01:11:36,280
Speaker 2: While they're showing this, while they're playing this audio of

1424
01:11:36,880 --> 01:11:41,000
Speaker 2: the UH communication between the operator and Rosita, they show

1425
01:11:41,160 --> 01:11:45,000
Speaker 2: us a video of the people that are in the

1426
01:11:45,080 --> 01:11:50,360
Speaker 2: slavery camp, Zekiel and Niaghan in them getting they like

1427
01:11:50,400 --> 01:11:52,320
Speaker 2: their job is done. It's the middle of the night.

1428
01:11:53,280 --> 01:11:57,080
Speaker 2: They're back on the bus. Kelly is sleeping on Zeke's shoulder.

1429
01:11:57,720 --> 01:12:00,240
Speaker 2: I don't think this is necessarily a relationship type. I

1430
01:12:00,320 --> 01:12:03,479
Speaker 2: think it's just like almost like fatherly daughterly to me.

1431
01:12:03,600 --> 01:12:09,240
Speaker 2: I agree, then, and then Niaghan and Zeke are we

1432
01:12:09,360 --> 01:12:12,320
Speaker 2: can we can't see what they're seeing. We're hearing this

1433
01:12:12,360 --> 01:12:14,680
Speaker 2: audio I'm about to tell you all about but we

1434
01:12:14,720 --> 01:12:18,799
Speaker 2: see them exchange very knowing looks like wait a minute,

1435
01:12:19,240 --> 01:12:20,599
Speaker 2: we where the fuck are?

1436
01:12:20,640 --> 01:12:21,559
Speaker 1: We know where we're going.

1437
01:12:22,200 --> 01:12:24,960
Speaker 2: And then on the audio part of it, as we're

1438
01:12:24,960 --> 01:12:28,200
Speaker 2: seeing that, we hear the woman give directions the outpost

1439
01:12:28,280 --> 01:12:31,000
Speaker 2: twenty two, which revealed that the outpost twenty two is

1440
01:12:31,080 --> 01:12:37,160
Speaker 2: actually Alexandria What the fuck, which means the whole time

1441
01:12:37,200 --> 01:12:40,040
Speaker 2: they've been gone, she basically went to their communities and

1442
01:12:40,080 --> 01:12:43,120
Speaker 2: took over the communities. She said, somebody there, m h

1443
01:12:43,560 --> 01:12:45,519
Speaker 2: you know, because Milton seems to have been there the

1444
01:12:45,560 --> 01:12:48,800
Speaker 2: whole time. But it seems like that thing we saw

1445
01:12:48,880 --> 01:12:50,920
Speaker 2: like hornsby you remembery she was he was trying to

1446
01:12:50,960 --> 01:12:53,960
Speaker 2: help Nigan's people or whatever the fuck. It seems like

1447
01:12:54,880 --> 01:12:59,080
Speaker 2: they go to other people's communities and basically just fucking

1448
01:12:59,400 --> 01:13:04,839
Speaker 2: like absorb them, make those people slaves, essentially make them

1449
01:13:05,400 --> 01:13:08,200
Speaker 2: like it felt like some lockdown type shit, and that

1450
01:13:08,360 --> 01:13:11,720
Speaker 2: she was describing it. The woman was like, you know,

1451
01:13:13,000 --> 01:13:15,880
Speaker 2: keep her out for hostiles on the road and shoot

1452
01:13:15,960 --> 01:13:19,559
Speaker 2: to kill, meaning like you know, this is not the

1453
01:13:19,680 --> 01:13:22,720
Speaker 2: altruistic side of the Commonwealth.

1454
01:13:22,720 --> 01:13:25,720
Speaker 1: This isn't there. We're bringing democracy to everybody.

1455
01:13:25,760 --> 01:13:29,920
Speaker 2: Shit, this is we're absorbing your community's resources, the filter

1456
01:13:30,000 --> 01:13:30,519
Speaker 2: in the ours.

1457
01:13:30,560 --> 01:13:32,559
Speaker 3: I mean once people are gonna be mad and y'all

1458
01:13:32,560 --> 01:13:34,920
Speaker 3: not gonna get everybody, and they're gonna be like, fuck y'all.

1459
01:13:34,960 --> 01:13:38,120
Speaker 3: So you're gonna have some sometimes swarms of resistance.

1460
01:13:38,479 --> 01:13:41,800
Speaker 2: And once again, just this whole season, this whole out

1461
01:13:42,040 --> 01:13:45,120
Speaker 2: thing with the commonwealths being about just a huge read

1462
01:13:45,240 --> 01:13:49,160
Speaker 2: on colonialism and capitalism. It's really like I said, I

1463
01:13:49,200 --> 01:13:51,360
Speaker 2: know people probably don't like it or whatever, but I

1464
01:13:51,680 --> 01:13:52,760
Speaker 2: do like this kind of shit.

1465
01:13:52,800 --> 01:13:56,080
Speaker 1: It's very message, but it's working on me, and.

1466
01:13:56,000 --> 01:14:00,240
Speaker 3: It's gonna be really really interesting because you have have

1467
01:14:00,560 --> 01:14:04,479
Speaker 3: a small part of the crew just actually kind of

1468
01:14:04,520 --> 01:14:06,679
Speaker 3: own their way back to these areas.

1469
01:14:06,920 --> 01:14:09,559
Speaker 2: I'm wondering what's up with airon in them because they

1470
01:14:09,600 --> 01:14:13,360
Speaker 2: got sidetracked, but they were headed to what they did

1471
01:14:13,479 --> 01:14:14,320
Speaker 2: make it sound like.

1472
01:14:15,000 --> 01:14:16,840
Speaker 1: I can't remember if they Yeah, I think they said they.

1473
01:14:16,760 --> 01:14:20,200
Speaker 2: Were headed to Alexandria first because it actually was doing

1474
01:14:20,240 --> 01:14:22,360
Speaker 2: the best, and then they were gonna do Hilltop and

1475
01:14:22,520 --> 01:14:25,960
Speaker 2: Ocetra side. So I don't know if they are already there,

1476
01:14:26,479 --> 01:14:29,679
Speaker 2: if they're gonna meet them on the way. Yeah, if

1477
01:14:29,720 --> 01:14:32,120
Speaker 2: they you know, if they're if they're like if they

1478
01:14:32,160 --> 01:14:34,240
Speaker 2: already got to Alexandria and they were shocked at what

1479
01:14:34,280 --> 01:14:35,160
Speaker 2: the fuck was happening.

1480
01:14:35,200 --> 01:14:37,479
Speaker 1: I don't know what's gonna happen.

1481
01:14:37,560 --> 01:14:39,400
Speaker 2: And I feel like there must have been people that

1482
01:14:39,439 --> 01:14:43,000
Speaker 2: stayed behind in Alexandria that maybe I'm just not thinking

1483
01:14:43,000 --> 01:14:45,400
Speaker 2: of off top of my head, but like, did they

1484
01:14:45,400 --> 01:14:48,479
Speaker 2: get like captured, are they enslaved? Are they thinking that,

1485
01:14:48,640 --> 01:14:51,920
Speaker 2: oh no, it's all good. This apparently our leaders agreed

1486
01:14:52,000 --> 01:14:54,720
Speaker 2: to the commonwealths demands and they're doing I don't know

1487
01:14:54,800 --> 01:14:55,800
Speaker 2: what's happening.

1488
01:14:55,479 --> 01:14:58,880
Speaker 3: And it's gonna be really interesting to see. And that

1489
01:14:58,920 --> 01:15:01,240
Speaker 3: he said it's one of those things where you're quote

1490
01:15:01,280 --> 01:15:03,640
Speaker 3: unquote coming into coming with which means a lot of

1491
01:15:03,680 --> 01:15:05,800
Speaker 3: times you come in too common with you, a lot

1492
01:15:05,840 --> 01:15:08,760
Speaker 3: of times don't really care about the other areas. And

1493
01:15:09,400 --> 01:15:11,559
Speaker 3: it would not be surprising that this is one reason

1494
01:15:11,560 --> 01:15:13,519
Speaker 3: why she didn't want them to go back, because she goes, hey,

1495
01:15:13,600 --> 01:15:15,400
Speaker 3: y'all go back, y'all gonna realize I know, took over

1496
01:15:15,439 --> 01:15:16,600
Speaker 3: y'all shit, and then I don't have to deal with

1497
01:15:16,680 --> 01:15:20,160
Speaker 3: y'all coming up here and possibly fucking everything up going.

1498
01:15:20,320 --> 01:15:23,160
Speaker 3: Y'all took up our community, So.

1499
01:15:24,800 --> 01:15:29,720
Speaker 2: Maggie, everybody once they realized that it's Alexandria and it's

1500
01:15:29,720 --> 01:15:32,680
Speaker 2: been taken over as a part of the Commonwealth.

1501
01:15:32,240 --> 01:15:33,320
Speaker 3: And it was like, what the fuck we need a

1502
01:15:33,360 --> 01:15:33,840
Speaker 3: mat folks.

1503
01:15:34,640 --> 01:15:39,640
Speaker 2: Well, Maggie is pissed and she's like, Milton has underestimated

1504
01:15:39,720 --> 01:15:43,479
Speaker 2: us from day one. Yes, we gonna get our kids,

1505
01:15:43,840 --> 01:15:46,439
Speaker 2: We're gonna take back our home, and we're gonna make

1506
01:15:46,479 --> 01:15:50,360
Speaker 2: it right. And Pamela's never going to see it coming.

1507
01:15:51,080 --> 01:15:54,240
Speaker 2: And this is all I was saying last week. I

1508
01:15:54,320 --> 01:15:56,320
Speaker 2: know it's you know, it's a it's an episode that

1509
01:15:56,439 --> 01:15:58,639
Speaker 2: kind of just shows us how much more deep Dodo

1510
01:15:58,640 --> 01:16:00,720
Speaker 2: they can be in. But it's also the a a

1511
01:16:00,720 --> 01:16:03,439
Speaker 2: show that shows you how elite our team is.

1512
01:16:03,880 --> 01:16:10,200
Speaker 1: No losses. I think the only injury we suffered was Rosita's.

1513
01:16:09,640 --> 01:16:10,480
Speaker 3: On the shoulder.

1514
01:16:11,120 --> 01:16:15,800
Speaker 2: But like these motherfuckers have escaped, No one's dead. They

1515
01:16:15,840 --> 01:16:17,880
Speaker 2: were smart enough not to run into the woods.

1516
01:16:17,560 --> 01:16:18,160
Speaker 3: And get shot.

1517
01:16:18,280 --> 01:16:20,559
Speaker 1: Like she don't know who she fucking with.

1518
01:16:20,600 --> 01:16:23,479
Speaker 2: The fucking baby's gonna probably be already free when they

1519
01:16:23,479 --> 01:16:24,600
Speaker 2: meet them in Alexandria.

1520
01:16:24,800 --> 01:16:27,000
Speaker 3: Chash, she gonna look up, there's gonna be a one

1521
01:16:27,040 --> 01:16:29,080
Speaker 3: man Judith team fucking everybody up.

1522
01:16:29,080 --> 01:16:32,559
Speaker 2: Right, Like so I just man, I it was a

1523
01:16:32,560 --> 01:16:35,320
Speaker 2: great ending. It was like such a like full circle

1524
01:16:35,400 --> 01:16:39,320
Speaker 2: moment and honestly better than the comics to me in

1525
01:16:39,439 --> 01:16:43,880
Speaker 2: making the Commonwealth feel like a community that needed to

1526
01:16:43,920 --> 01:16:48,000
Speaker 2: be taken down and taking apart, as opposed to just say,

1527
01:16:48,479 --> 01:16:52,240
Speaker 2: this is an inconvenient but the zombie apocalypse is so

1528
01:16:52,280 --> 01:16:56,320
Speaker 2: fucked up people probably wouldn't complain about an inconvenient safe

1529
01:16:56,400 --> 01:17:00,559
Speaker 2: place to live. This is a literal like fucked up

1530
01:17:00,560 --> 01:17:03,120
Speaker 2: place to live. And it seems like the people inside

1531
01:17:03,120 --> 01:17:06,439
Speaker 2: the Commonwealth don't even really fucking know what their leaders

1532
01:17:06,439 --> 01:17:06,800
Speaker 2: are doing.

1533
01:17:06,880 --> 01:17:08,320
Speaker 1: Like no, we never had.

1534
01:17:08,160 --> 01:17:11,480
Speaker 2: A hint or clue about this whole, like essentially slavery

1535
01:17:12,080 --> 01:17:15,120
Speaker 2: to get this train built. We like, there's I don't

1536
01:17:15,120 --> 01:17:18,400
Speaker 2: remember very much about this that led to any of

1537
01:17:18,439 --> 01:17:18,880
Speaker 2: this stuff.

1538
01:17:18,920 --> 01:17:22,200
Speaker 1: So I'm enjoying knowing that how sinister this ship is.

1539
01:17:23,040 --> 01:17:28,760
Speaker 3: Yes, and uh yes, it's gonna be interesting to see

1540
01:17:28,760 --> 01:17:29,880
Speaker 3: what they do for.

1541
01:17:29,680 --> 01:17:34,920
Speaker 2: Moving forward, just because they don't have, you know, the

1542
01:17:35,320 --> 01:17:39,120
Speaker 2: just blatant slaves in front of you, the idea that

1543
01:17:39,120 --> 01:17:44,680
Speaker 2: that system could run without you know, any sinister you know,

1544
01:17:44,880 --> 01:17:47,200
Speaker 2: accumulation of wealth and money and shit.

1545
01:17:47,439 --> 01:17:48,360
Speaker 1: It was impossible.

1546
01:17:48,439 --> 01:17:52,360
Speaker 2: So yeah, I oh my god, but I enjoyed this

1547
01:17:52,439 --> 01:17:53,080
Speaker 2: episode a lot.

1548
01:17:53,120 --> 01:17:53,679
Speaker 3: It was fun.

1549
01:17:54,360 --> 01:17:57,400
Speaker 2: We'll be back next week with another recap. Thanks for

1550
01:17:57,479 --> 01:18:00,320
Speaker 2: listening to everybody. Appreciate you in your comments.

1551
01:18:01,680 --> 01:18:03,760
Speaker 1: Next week. Oh yeah, what am I? I'm sorry, you're right?

1552
01:18:03,840 --> 01:18:07,320
Speaker 1: Care what am I looking forward to the trial of Eugene.

1553
01:18:07,040 --> 01:18:08,920
Speaker 3: And the trial of the centric Eugene.

1554
01:18:09,160 --> 01:18:11,519
Speaker 1: I need to see Eugene on trial, you know.

1555
01:18:11,720 --> 01:18:13,919
Speaker 3: Yes, and Uma Code defending him.

1556
01:18:13,840 --> 01:18:16,120
Speaker 2: Seems like a dude that will rock a bolo tie

1557
01:18:16,240 --> 01:18:19,479
Speaker 2: and uh in the courtroom. But we'll see what he

1558
01:18:19,520 --> 01:18:22,639
Speaker 2: decides to wear. But yeah, mostly, yeah, that's a great thing.

1559
01:18:23,160 --> 01:18:26,600
Speaker 2: And of course, you know, our people getting the Alexandria

1560
01:18:26,800 --> 01:18:28,880
Speaker 2: folks together and shit, because I feel like we just

1561
01:18:30,160 --> 01:18:31,720
Speaker 2: we got to roll up on the common Wealth at

1562
01:18:31,760 --> 01:18:32,160
Speaker 2: some point.

1563
01:18:32,200 --> 01:18:35,720
Speaker 1: And they don't even with their stormtrooper armor. They've been

1564
01:18:35,720 --> 01:18:37,599
Speaker 1: taking l's all season. They don't want to smook.

1565
01:18:37,880 --> 01:18:40,080
Speaker 3: They don't want to smoke. And it's gonna be really

1566
01:18:40,439 --> 01:18:42,880
Speaker 3: I don't know, we got a few episodes left. It's

1567
01:18:42,920 --> 01:18:47,759
Speaker 3: gonna be really interesting to see what they do. And

1568
01:18:47,800 --> 01:18:50,040
Speaker 3: maybe this is my educated kids, it's all gonna fall

1569
01:18:50,080 --> 01:18:54,880
Speaker 3: on Mercer. I think that he is literally somebody that

1570
01:18:54,920 --> 01:19:00,120
Speaker 3: can ride in the stormtroopers that call and handle business.

1571
01:19:00,320 --> 01:19:03,280
Speaker 2: Yeah, Mercy gives the vibe of a guy who you

1572
01:19:03,360 --> 01:19:06,240
Speaker 2: know comes true in the end, So I feel like

1573
01:19:06,760 --> 01:19:10,040
Speaker 2: something that will involved turning him. They've done too much

1574
01:19:10,080 --> 01:19:12,400
Speaker 2: work of making him seem like a good person that

1575
01:19:12,680 --> 01:19:15,280
Speaker 2: just needs to be encouraged to.

1576
01:19:15,200 --> 01:19:18,439
Speaker 1: Do the right thing. So I'm hoping maybe he doesn't

1577
01:19:18,439 --> 01:19:19,360
Speaker 1: have to die and.

1578
01:19:19,360 --> 01:19:21,679
Speaker 3: Quit and quit fucking around and get with your princess.

1579
01:19:22,000 --> 01:19:25,640
Speaker 2: Princess, all right, y'all, I said, until next time, I

1580
01:19:25,680 --> 01:19:27,080
Speaker 2: love you, Lie