1 00:00:00,200 --> 00:00:02,280 Speaker 1: So, Kevin, before we jump into today, I want to 2 00:00:02,360 --> 00:00:07,119 Speaker 1: talk about an upcoming benefit concert that I am producing, 3 00:00:07,240 --> 00:00:09,880 Speaker 1: that I am involved in and that I roped you 4 00:00:09,920 --> 00:00:13,640 Speaker 1: into as well. So this is Gennamural and Friends a 5 00:00:13,720 --> 00:00:17,160 Speaker 1: Night of Song, and this is benefiting Harvest Home, which 6 00:00:17,239 --> 00:00:22,919 Speaker 1: is an organization in LA that provides support for unhoused 7 00:00:22,960 --> 00:00:27,840 Speaker 1: pregnant women. It's truly an incredible organization. The people running 8 00:00:27,840 --> 00:00:31,159 Speaker 1: in are so amazing and I've met many of the 9 00:00:31,840 --> 00:00:35,199 Speaker 1: women in the house who are there now. We've just 10 00:00:35,240 --> 00:00:38,080 Speaker 1: throw a baby shower for them, and it is truly 11 00:00:38,440 --> 00:00:41,640 Speaker 1: remarkable how amazing these women are. And you know, just 12 00:00:41,720 --> 00:00:44,240 Speaker 1: with a little bit of support and help, like how 13 00:00:44,280 --> 00:00:47,760 Speaker 1: they can thrive. So I'm so thrilled that we are 14 00:00:47,760 --> 00:00:50,360 Speaker 1: doing this event. It's called Genermural and Friends and Night 15 00:00:50,440 --> 00:00:54,040 Speaker 1: a Song. It's going to feature pop and Broadway songs 16 00:00:54,120 --> 00:00:57,760 Speaker 1: performed by all of our wonderful friends who can sing 17 00:00:57,920 --> 00:01:00,000 Speaker 1: their little faces off, including you. 18 00:01:00,120 --> 00:01:01,000 Speaker 2: It's incredible. 19 00:01:01,240 --> 00:01:02,840 Speaker 1: You know, we got some good friends who are willing 20 00:01:02,880 --> 00:01:03,640 Speaker 1: to do good things. 21 00:01:03,920 --> 00:01:05,840 Speaker 2: I feel honored to have been asked in a part 22 00:01:05,840 --> 00:01:08,280 Speaker 2: of this group. You have people like Jesse Tyler, Ferguson, 23 00:01:08,760 --> 00:01:13,280 Speaker 2: Shyanne Jackson, Are you kidding me? Rachel Vaig Jones, myself, 24 00:01:13,480 --> 00:01:17,040 Speaker 2: Austin Mackenzie, Ty Taylor, Tracy Tom's, Carly Thomas Smith, and 25 00:01:17,160 --> 00:01:17,760 Speaker 2: Kim Dawson. 26 00:01:18,080 --> 00:01:21,400 Speaker 1: And it's produced by our dear friend Seth Radetski. He's 27 00:01:21,440 --> 00:01:26,120 Speaker 1: incredible and his partner, James Wesley Jackson, who is producing 28 00:01:26,200 --> 00:01:29,880 Speaker 1: it from New York. He's putting it all together for us. 29 00:01:29,880 --> 00:01:32,280 Speaker 1: He graciously was I asked him and I was like, 30 00:01:32,400 --> 00:01:34,200 Speaker 1: you know, you don't have to say us, and he's 31 00:01:34,240 --> 00:01:38,039 Speaker 1: like yes, So he's flying himself out for this and yeah, 32 00:01:38,800 --> 00:01:40,479 Speaker 1: and you and I are singing a song together lots 33 00:01:40,480 --> 00:01:41,920 Speaker 1: of there's going to be lots of bops. It's going 34 00:01:42,000 --> 00:01:44,280 Speaker 1: to be an awesome night. And it's also going to 35 00:01:44,319 --> 00:01:48,960 Speaker 1: be amazing because we're raising money for the you know, 36 00:01:49,040 --> 00:01:52,240 Speaker 1: Harvest Home, so that's the most important thing. So it's 37 00:01:52,280 --> 00:01:55,120 Speaker 1: April twenty first at the Eli and Edith Road Stage 38 00:01:55,160 --> 00:01:57,480 Speaker 1: in Santa Monica. Tickets are on sales, so go to 39 00:01:57,520 --> 00:02:01,400 Speaker 1: Harvest Home La dot org Slash Benefit Concert to get 40 00:02:01,400 --> 00:02:02,559 Speaker 1: your tickets. Now. 41 00:02:03,080 --> 00:02:06,240 Speaker 2: Come see us on April twenty first in Santa Monica. 42 00:02:06,800 --> 00:02:09,520 Speaker 1: And that's what you really missed with Jenna. 43 00:02:09,520 --> 00:02:12,160 Speaker 2: And Kevin an iHeartRadio Podcast. 44 00:02:14,320 --> 00:02:17,959 Speaker 1: Welcome to and that's what you really missed the tour 45 00:02:18,720 --> 00:02:25,359 Speaker 1: dream List Special Dream Wedding, Dream Wedding Dream Tour. Okay, Kevin, 46 00:02:25,400 --> 00:02:26,320 Speaker 1: this is exciting. 47 00:02:26,760 --> 00:02:29,560 Speaker 2: I'm so excited. I was late today because I was 48 00:02:29,600 --> 00:02:32,760 Speaker 2: still contemplating my set list for this. 49 00:02:33,160 --> 00:02:35,480 Speaker 1: Really put your heart and soul into this one, and. 50 00:02:35,480 --> 00:02:37,440 Speaker 2: I don't think I nailed, but here we're gonna here's 51 00:02:37,440 --> 00:02:38,320 Speaker 2: what we're gonna do today. 52 00:02:38,560 --> 00:02:39,840 Speaker 1: Okay, let's do it. 53 00:02:40,360 --> 00:02:43,919 Speaker 2: You talk about things you want in a set list. 54 00:02:44,000 --> 00:02:45,799 Speaker 2: I'll talk about things that I would like in a 55 00:02:45,840 --> 00:02:48,320 Speaker 2: set list, and then we'll build the dream set list together. 56 00:02:48,560 --> 00:02:49,280 Speaker 1: Okay. I love this. 57 00:02:50,840 --> 00:02:53,120 Speaker 2: The first of really good songs. There's a lot of 58 00:02:53,160 --> 00:02:55,520 Speaker 2: good songs, and I think we learned a lot doing 59 00:02:55,600 --> 00:03:02,720 Speaker 2: two tours. Yes, one Leader, one Arena. Yes, I feel 60 00:03:02,760 --> 00:03:05,320 Speaker 2: like the things that like I take away from those 61 00:03:05,360 --> 00:03:08,919 Speaker 2: performances that like it seemed like the audience enjoyed or 62 00:03:08,960 --> 00:03:15,200 Speaker 2: things we enjoyed would be important to have. Yes, this 63 00:03:15,320 --> 00:03:17,520 Speaker 2: set list, which is like I like when the girls 64 00:03:17,919 --> 00:03:20,600 Speaker 2: do something and then the guys do something. I think 65 00:03:20,639 --> 00:03:24,800 Speaker 2: building out a really fun and surprising encore like we 66 00:03:24,840 --> 00:03:29,040 Speaker 2: did in the second tour it was really fun. I 67 00:03:29,200 --> 00:03:33,840 Speaker 2: like yep, and both tours people got solos and got duets, 68 00:03:34,120 --> 00:03:36,840 Speaker 2: like highlighting different characters their biggest songs. 69 00:03:37,560 --> 00:03:45,200 Speaker 1: Yeah, it was really well balanced. Yes, and it was diversified, 70 00:03:45,320 --> 00:03:49,120 Speaker 1: like it wasn't all top hits, like it was a 71 00:03:49,120 --> 00:03:54,680 Speaker 1: little bit of fan favorites, our favorites. There were some 72 00:03:54,760 --> 00:03:59,640 Speaker 1: really good ballads. There were is audience participation. There was 73 00:03:59,680 --> 00:04:04,360 Speaker 1: the wireroom like segment that we did that felt like cohesive. 74 00:04:06,000 --> 00:04:09,040 Speaker 1: I didn't really go so into depth in terms of 75 00:04:09,080 --> 00:04:11,920 Speaker 1: like the segments and stuff like that for this one. 76 00:04:11,960 --> 00:04:14,320 Speaker 1: I just kind of made my list. But I think 77 00:04:14,320 --> 00:04:18,400 Speaker 1: we can build this out together. I have too many. Okay, 78 00:04:18,440 --> 00:04:20,800 Speaker 1: now let me ask you question. This is season three only? 79 00:04:21,040 --> 00:04:23,840 Speaker 1: Is this is a season three tour only? Not bringing 80 00:04:23,880 --> 00:04:26,039 Speaker 1: in songs from other tours? Correct? 81 00:04:26,160 --> 00:04:27,680 Speaker 2: Oh? No, I brought in other songs? 82 00:04:27,839 --> 00:04:32,839 Speaker 3: Oh, Kevin, I didn't know the rules. Oh my gosh, 83 00:04:33,480 --> 00:04:37,279 Speaker 3: why don't we do that? Like, Okay, it's fine because 84 00:04:37,720 --> 00:04:39,520 Speaker 3: we can bring in songs we've already done on tour. 85 00:04:39,720 --> 00:04:42,080 Speaker 1: Okay, great, I got it. G I can do that. 86 00:04:42,800 --> 00:04:45,000 Speaker 2: Yeah, and there's a couple like like, oh I wish 87 00:04:45,120 --> 00:04:48,600 Speaker 2: I would like to see this on stage. You know, okay, okay, 88 00:04:48,600 --> 00:04:51,320 Speaker 2: because the first two tours, well, the first tour obviously 89 00:04:51,320 --> 00:04:52,760 Speaker 2: we only had the season one, but the second tour 90 00:04:52,839 --> 00:04:56,800 Speaker 2: we pulled from season one and too, right, so this 91 00:04:56,880 --> 00:05:01,600 Speaker 2: could be the culmination. It's mostly season three for me, okay, okay, okay, 92 00:05:01,600 --> 00:05:03,919 Speaker 2: but with some of the greatest hits sprinkled in. 93 00:05:04,320 --> 00:05:06,440 Speaker 1: Got it? All right, that's fine, I can pull some 94 00:05:06,520 --> 00:05:11,640 Speaker 1: of those, okay, all right. Do you want to read 95 00:05:11,720 --> 00:05:15,480 Speaker 1: your list or do you want me to read mine? Sure, 96 00:05:15,600 --> 00:05:19,200 Speaker 1: I'll go Okay, So I thought. 97 00:05:20,520 --> 00:05:23,520 Speaker 2: My list is very long, Oh my god. So I 98 00:05:23,560 --> 00:05:26,960 Speaker 2: thought we could start it off with Somebody to Love 99 00:05:27,760 --> 00:05:35,120 Speaker 2: whoa Okay, I'm just hearing Corey can Yeah, and then people. 100 00:05:35,200 --> 00:05:37,520 Speaker 2: I don't know if that's like doing mid tempo is 101 00:05:37,520 --> 00:05:39,960 Speaker 2: maybe not like a great opener, but I thought it 102 00:05:40,040 --> 00:05:42,640 Speaker 2: might be fun to switch it up. Yeah, I got you, 103 00:05:44,520 --> 00:05:50,800 Speaker 2: and then I have We Found Love okay, and Paradise 104 00:05:50,880 --> 00:05:55,600 Speaker 2: by the dashboard light. Whoa, you are starting out so strong. 105 00:05:56,000 --> 00:05:58,320 Speaker 2: I just want to come in with a bang, okay, 106 00:05:58,480 --> 00:06:01,200 Speaker 2: a bunch of group numbers, you know, yeah, yeah, yeah, 107 00:06:01,320 --> 00:06:04,320 Speaker 2: we got a lot of different vocals. I think it 108 00:06:04,320 --> 00:06:10,680 Speaker 2: would be really interesting. Okay, And so the middle the 109 00:06:10,720 --> 00:06:14,000 Speaker 2: next sections I don't really have in any sort of order. 110 00:06:14,320 --> 00:06:14,640 Speaker 1: Okay. 111 00:06:15,080 --> 00:06:17,560 Speaker 2: What I loved about the second tour was that Heather 112 00:06:17,720 --> 00:06:19,920 Speaker 2: had her Britney moment. I think she should do around 113 00:06:19,960 --> 00:06:27,200 Speaker 2: the World, Okay. I like that Mark had his moment. 114 00:06:27,320 --> 00:06:29,320 Speaker 2: I think, like a I think there's a lot of 115 00:06:29,320 --> 00:06:32,240 Speaker 2: mashups or Medley's we should do because there's so many 116 00:06:32,240 --> 00:06:35,200 Speaker 2: more songs now, right, Okay, So I think doing a 117 00:06:35,200 --> 00:06:38,919 Speaker 2: little mashup of mean by Taylor Swift and I'm the 118 00:06:38,960 --> 00:06:40,520 Speaker 2: only one for Mark would be great. 119 00:06:40,720 --> 00:06:41,000 Speaker 1: Okay. 120 00:06:41,800 --> 00:06:44,240 Speaker 2: I would like Amber to have her moment of try 121 00:06:44,240 --> 00:06:52,320 Speaker 2: a little tenderness yep. I would also like Curt and 122 00:06:52,360 --> 00:06:56,080 Speaker 2: Blaine to have their moment to sing perfect together. I 123 00:06:56,120 --> 00:06:58,800 Speaker 2: think that. I think that could be sweet sweet. So 124 00:06:58,839 --> 00:07:00,920 Speaker 2: I don't know where those go, but imagine do sprinkled 125 00:07:00,920 --> 00:07:04,000 Speaker 2: in for the solos to break those things up. I 126 00:07:04,000 --> 00:07:07,120 Speaker 2: also think it'd be really fun and funny for Vanessa 127 00:07:07,160 --> 00:07:08,920 Speaker 2: to come out and start like if we have a 128 00:07:09,000 --> 00:07:12,400 Speaker 2: choir room segment again, oh, and her to start big 129 00:07:12,440 --> 00:07:18,720 Speaker 2: spender okay, and then she gets cut off and the 130 00:07:18,800 --> 00:07:20,920 Speaker 2: ladies come in. They're like no, no, no, no, no, we'll 131 00:07:20,920 --> 00:07:23,360 Speaker 2: do it like this and it's a trouble turne section. Okay, 132 00:07:23,400 --> 00:07:26,040 Speaker 2: I have that as well, and then it's sort of 133 00:07:26,080 --> 00:07:29,040 Speaker 2: like how the Warblers did in the second tour. 134 00:07:29,280 --> 00:07:32,280 Speaker 1: Yes, I have that same idea. Okay, great, tell me 135 00:07:32,320 --> 00:07:33,320 Speaker 1: about that. Yeah. 136 00:07:33,360 --> 00:07:37,280 Speaker 2: I'm debating one move here, okay, because part of me 137 00:07:38,000 --> 00:07:40,559 Speaker 2: wants it to go black. And you hear the drum 138 00:07:40,640 --> 00:07:41,640 Speaker 2: kick from rumor has It? 139 00:07:43,560 --> 00:07:43,800 Speaker 1: Yeah? 140 00:07:43,840 --> 00:07:48,080 Speaker 2: I like that, and then it stops and everyone goes crazy, 141 00:07:49,160 --> 00:07:59,520 Speaker 2: and then you have the and then just yeah, build 142 00:07:59,520 --> 00:08:03,800 Speaker 2: the tension. Yeah, and then then you go full out 143 00:08:04,200 --> 00:08:09,720 Speaker 2: into rumor has it someone like you? Yeah, And then 144 00:08:09,760 --> 00:08:16,880 Speaker 2: you go into survivor I will survive, okay, and stronger 145 00:08:17,520 --> 00:08:20,080 Speaker 2: what is killing you? Obviously, and that is sort of 146 00:08:20,080 --> 00:08:23,440 Speaker 2: the troubletone set. I have candy Man as well, but 147 00:08:23,560 --> 00:08:25,800 Speaker 2: I feel like it doesn't fit with those other three. 148 00:08:26,400 --> 00:08:31,600 Speaker 2: Here's my other possible audible here is that it's candy 149 00:08:31,640 --> 00:08:34,640 Speaker 2: Man survivor, I will survive and stronger. And then you 150 00:08:34,679 --> 00:08:40,559 Speaker 2: say rumor has it for the encore? Oh that's oh, 151 00:08:40,920 --> 00:08:43,559 Speaker 2: that's a good point, Like maybe that's how you open 152 00:08:43,559 --> 00:08:43,840 Speaker 2: the end. 153 00:08:44,280 --> 00:08:45,480 Speaker 1: Keep that hold on to that thought. 154 00:08:45,600 --> 00:08:52,160 Speaker 2: So I don't know, okay, Okay. Then they have a 155 00:08:52,200 --> 00:08:56,600 Speaker 2: little disco medley, Okay, not too long, make it fun. 156 00:08:57,679 --> 00:08:59,959 Speaker 2: You should be dancing disco inferno more than a woman 157 00:09:00,040 --> 00:09:02,560 Speaker 2: and staying alive mash up. 158 00:09:04,440 --> 00:09:06,960 Speaker 1: Like okay, wow, okay. 159 00:09:06,640 --> 00:09:09,800 Speaker 2: So it's you know, people are moving, it's a big, 160 00:09:09,920 --> 00:09:16,200 Speaker 2: huge group number. It's really fun. Yeah, but it's yeah, 161 00:09:16,240 --> 00:09:17,000 Speaker 2: it's not too long. 162 00:09:17,600 --> 00:09:19,200 Speaker 1: Yeah, Okay. 163 00:09:20,120 --> 00:09:26,080 Speaker 2: Then I was thinking of having a Michael section. Interesting, 164 00:09:26,679 --> 00:09:29,719 Speaker 2: but I don't know, because we've done so many good 165 00:09:29,760 --> 00:09:32,679 Speaker 2: Michael songs, and not just from the Michael episode. Right, 166 00:09:33,720 --> 00:09:37,959 Speaker 2: here's what I think we do. ABC great because it's 167 00:09:37,960 --> 00:09:41,440 Speaker 2: a great group number. It is okay, into the very 168 00:09:41,559 --> 00:09:46,400 Speaker 2: sweet human nature. We get a chord Mercedes Amber duet. 169 00:09:46,640 --> 00:09:50,200 Speaker 2: That's a good one, and then we go into smooth 170 00:09:50,200 --> 00:09:57,120 Speaker 2: criminal yep slash scream Wow. So not full versions of either. 171 00:09:57,960 --> 00:09:59,719 Speaker 2: But then maybe I get to dance a little bit again. 172 00:09:59,800 --> 00:10:01,120 Speaker 1: So should I hear that? I hear that. 173 00:10:01,600 --> 00:10:04,880 Speaker 2: And then you met like Naya on stage with Cello's. 174 00:10:04,880 --> 00:10:08,600 Speaker 1: I know, I know, that's okay, this is part of 175 00:10:08,600 --> 00:10:09,920 Speaker 1: my particent. 176 00:10:09,720 --> 00:10:12,640 Speaker 2: And then you have thriller heads a roll. 177 00:10:14,200 --> 00:10:18,199 Speaker 1: Oh that's good. I didn't even think about that. So 178 00:10:18,280 --> 00:10:24,640 Speaker 1: maybe Michael happens, right, Okay, because logistics here Michael happens, 179 00:10:24,720 --> 00:10:27,320 Speaker 1: and then it goes dark, and then Vanessa comes out 180 00:10:27,320 --> 00:10:29,520 Speaker 1: because she's not in that. Yeah, and then it goes 181 00:10:29,559 --> 00:10:34,640 Speaker 1: into trouble tones, and then you have Chris doing not 182 00:10:34,760 --> 00:10:39,160 Speaker 1: the boy next door, Darren does coughs Europe and somewhere 183 00:10:39,160 --> 00:10:45,560 Speaker 1: only we know, and then we have a little Whitney moment. Yeah, acappella, 184 00:10:45,760 --> 00:10:49,320 Speaker 1: how will I know? Oh that's good too, Okay. 185 00:10:49,440 --> 00:10:52,360 Speaker 2: Into so emotional slash, I want to dance, let's mash 186 00:10:52,360 --> 00:10:54,920 Speaker 2: it up, and then a big group number for my 187 00:10:55,000 --> 00:10:55,720 Speaker 2: love is your Love? 188 00:10:58,840 --> 00:11:01,680 Speaker 1: Shut up the wild this tour. I don't want to 189 00:11:01,679 --> 00:11:03,959 Speaker 1: be a part of this tour because that's too much. 190 00:11:04,240 --> 00:11:05,760 Speaker 2: It's a lot of work. And let me tell you, 191 00:11:06,000 --> 00:11:09,120 Speaker 2: it would be Amber and I are really just running, 192 00:11:09,360 --> 00:11:12,800 Speaker 2: not sitting down. Yeah for a second. Because then we 193 00:11:12,920 --> 00:11:17,880 Speaker 2: also have a little what side story moment? Oh my god, 194 00:11:17,960 --> 00:11:21,840 Speaker 2: you have themes Okay, America cool and one hand, one heart, 195 00:11:22,040 --> 00:11:25,520 Speaker 2: just but we make them all shorter versions. 196 00:11:25,559 --> 00:11:30,560 Speaker 1: We do sort of like truncated versions. Oh yeah, yeah, 197 00:11:30,600 --> 00:11:31,880 Speaker 1: we're not doing full versions. 198 00:11:32,040 --> 00:11:45,599 Speaker 2: Okay, here's something I would like, Okay, Jenna, hey tell me, 199 00:11:46,520 --> 00:11:48,320 Speaker 2: I want the ladies to do cell blocked tango. 200 00:11:49,760 --> 00:11:50,760 Speaker 1: I would almost put that in. 201 00:11:50,880 --> 00:11:53,480 Speaker 2: I think I want the full version too, theatrical okay, 202 00:11:53,600 --> 00:11:57,959 Speaker 2: No that on an arena stage, give it to me, Okay, 203 00:11:58,160 --> 00:11:58,920 Speaker 2: are you kidding me? 204 00:11:59,559 --> 00:12:06,000 Speaker 1: Yeah? Okay, you guys would be living yeah okay, Oh 205 00:12:06,080 --> 00:12:09,280 Speaker 1: it would be so good with all the dancers get 206 00:12:09,360 --> 00:12:12,120 Speaker 1: out of here, all right, all right, all right, okay. 207 00:12:13,640 --> 00:12:18,719 Speaker 2: I think blame it on the alcohol would be really fun, 208 00:12:19,200 --> 00:12:24,520 Speaker 2: you know, living it up a little bit, okay, and 209 00:12:24,559 --> 00:12:29,640 Speaker 2: then you need your moment and you would sing because 210 00:12:29,679 --> 00:12:30,120 Speaker 2: you loved me. 211 00:12:30,640 --> 00:12:32,480 Speaker 1: Oh funny, Okay, it's interesting. 212 00:12:32,559 --> 00:12:34,680 Speaker 2: And then if we're in need of some more fun 213 00:12:34,720 --> 00:12:38,120 Speaker 2: group numbers, what makes you beautiful? 214 00:12:38,840 --> 00:12:39,000 Speaker 1: Right? 215 00:12:39,840 --> 00:12:40,840 Speaker 2: Love you like a love song? 216 00:12:41,679 --> 00:12:41,959 Speaker 1: Right? 217 00:12:42,520 --> 00:12:44,120 Speaker 2: Start me up? Living on a prayer mashup? 218 00:12:44,160 --> 00:12:47,680 Speaker 1: Because yes, oh you bring it back, bringing it back? Yes. 219 00:12:48,480 --> 00:12:50,839 Speaker 2: And then I think we close out the set with 220 00:12:51,040 --> 00:12:53,920 Speaker 2: We Are Young, okay, and then we go into encore. 221 00:12:54,320 --> 00:12:55,840 Speaker 1: Okay. 222 00:12:55,960 --> 00:12:59,880 Speaker 2: If that wasn't enough, right, it wasn't. Clearly the encore 223 00:13:00,040 --> 00:13:03,080 Speaker 2: starts out acappella, shake it out? 224 00:13:03,679 --> 00:13:04,559 Speaker 1: Oh interesting? 225 00:13:04,640 --> 00:13:06,560 Speaker 2: Okay, So I have too many options here. The scenes 226 00:13:06,600 --> 00:13:13,160 Speaker 2: get weeded down. Yeah, Glory Days, I don't know, riverdep 227 00:13:13,200 --> 00:13:13,800 Speaker 2: Mountain High. 228 00:13:14,480 --> 00:13:17,199 Speaker 1: Oh, okay, that's a good one. I didn't put that 229 00:13:17,240 --> 00:13:18,240 Speaker 1: one in, but I shouldn't. 230 00:13:18,360 --> 00:13:20,600 Speaker 2: Maybe, okay, I can get rid of glory days. We 231 00:13:20,640 --> 00:13:23,040 Speaker 2: shake it out into River Deep Mountain High. That's good 232 00:13:23,960 --> 00:13:25,880 Speaker 2: because like you guys are on stools, they kick out 233 00:13:25,920 --> 00:13:30,800 Speaker 2: the stools and they go out to do River Deep 234 00:13:30,800 --> 00:13:36,640 Speaker 2: Mountain High. And then I was thinking, do we do 235 00:13:36,679 --> 00:13:38,440 Speaker 2: a loser like me light up the world moment? 236 00:13:38,840 --> 00:13:39,560 Speaker 1: Oh? Wow? 237 00:13:40,480 --> 00:13:45,280 Speaker 2: Because people like it? Yeah, or hear me out. Here's 238 00:13:45,280 --> 00:13:49,000 Speaker 2: what I'm really going to push for is a full 239 00:13:49,600 --> 00:13:56,199 Speaker 2: competition moment. We are not you are not. We are 240 00:13:56,240 --> 00:14:00,959 Speaker 2: doing faithfully. Oh into any way you want it. Oh, 241 00:14:02,120 --> 00:14:05,040 Speaker 2: mashup with love and touch and squeeze in and then 242 00:14:05,080 --> 00:14:06,840 Speaker 2: we are ending on don't stop. 243 00:14:07,080 --> 00:14:08,959 Speaker 1: Kevin, this is insane. 244 00:14:09,800 --> 00:14:12,680 Speaker 2: Yeah, it needs to be trimmed, but just and maybe 245 00:14:12,720 --> 00:14:14,760 Speaker 2: we don't need to have sections like this. Maybe we 246 00:14:14,880 --> 00:14:17,959 Speaker 2: just sprinkle those in. This is your tour, But I 247 00:14:17,960 --> 00:14:20,280 Speaker 2: don't know if I want sections? Is that fun to watch? 248 00:14:20,440 --> 00:14:24,480 Speaker 1: Okay? Well I did sections okay, but they're not technical sessions. 249 00:14:24,480 --> 00:14:27,840 Speaker 1: They're just I grouped ones together like we could have 250 00:14:28,160 --> 00:14:34,240 Speaker 1: stuffed in between. Okay, are you ready? Yeah, okay, I'm 251 00:14:34,280 --> 00:14:38,760 Speaker 1: opening with Empire state of Mind. Wow. And then We're 252 00:14:38,800 --> 00:14:42,600 Speaker 1: going in to run the world. Yes, and then we're 253 00:14:42,800 --> 00:14:44,400 Speaker 1: finishing this little trio. 254 00:14:44,160 --> 00:14:46,640 Speaker 2: With we are Young, Okay. 255 00:14:47,280 --> 00:14:49,920 Speaker 1: Then we go into and this could be cut. This 256 00:14:50,040 --> 00:14:52,760 Speaker 1: is my least favorite of the numbers, We Got the Beat. 257 00:14:53,040 --> 00:14:55,400 Speaker 1: It's a lot of group numbers, so I'm aware of that. 258 00:14:56,160 --> 00:14:58,840 Speaker 1: Then we run into Candy Man. We open with Candy Man, 259 00:15:00,080 --> 00:15:02,920 Speaker 1: and then we throw in rumor has it someone like you? 260 00:15:03,120 --> 00:15:06,000 Speaker 1: Of course, now I also have Survivor, I will Survive 261 00:15:06,040 --> 00:15:08,400 Speaker 1: and Stronger right after that. So this is a full 262 00:15:08,440 --> 00:15:13,880 Speaker 1: trouble Tones, great grouping. I understand that's a big ask 263 00:15:14,000 --> 00:15:16,800 Speaker 1: of them. So if I had to cut one, I 264 00:15:16,800 --> 00:15:18,680 Speaker 1: would could definitely cut We Got the Beat because that's 265 00:15:18,720 --> 00:15:22,840 Speaker 1: not Troubletones and maybe Candy Man or maybe throw Rumor 266 00:15:22,880 --> 00:15:27,440 Speaker 1: has It into Candy Man into Survivor or Stronger. Yeah. 267 00:15:27,520 --> 00:15:30,360 Speaker 1: My next segment is a little bit of solo and 268 00:15:30,360 --> 00:15:32,960 Speaker 1: a little bit of grouping. So we opened with we 269 00:15:33,040 --> 00:15:37,160 Speaker 1: Found Love, and then we do we go into Constant Craving, 270 00:15:38,040 --> 00:15:42,240 Speaker 1: Oh yeah, and then we go into ABC, another good 271 00:15:42,240 --> 00:15:44,680 Speaker 1: group number, and then we slow it down and we 272 00:15:44,760 --> 00:15:46,760 Speaker 1: cut Justified and we go into Man in the Mirror, 273 00:15:47,880 --> 00:15:52,760 Speaker 1: those my Michael songs, and then this is another segment, 274 00:15:53,200 --> 00:15:55,600 Speaker 1: but technically I guess it could go into each Other 275 00:15:56,000 --> 00:16:01,840 Speaker 1: smooth criminal, Yeah, into a little but of a lighter moment. 276 00:16:01,920 --> 00:16:04,440 Speaker 1: Is that's what makes you beautiful? Get the boys in there, 277 00:16:04,720 --> 00:16:08,040 Speaker 1: give us all a break, and then we go into 278 00:16:08,160 --> 00:16:12,640 Speaker 1: I Will Always Love You, of course, and then we 279 00:16:12,720 --> 00:16:23,680 Speaker 1: all break out into like a prayer, just solos, group numbers, boys, girls, 280 00:16:24,800 --> 00:16:27,160 Speaker 1: and then my next segment is love You Like love 281 00:16:27,240 --> 00:16:33,120 Speaker 1: song and somebody that I used to Know. I added 282 00:16:33,200 --> 00:16:35,440 Speaker 1: in not the boy next door after that because you 283 00:16:35,520 --> 00:16:40,480 Speaker 1: said it and I forgot about it. Yeah. My closing 284 00:16:40,520 --> 00:16:46,320 Speaker 1: segment of the show or the set is mean You 285 00:16:46,360 --> 00:16:48,880 Speaker 1: open up with a nice little mean then we go 286 00:16:48,920 --> 00:16:54,600 Speaker 1: into Edge of Glory. It's not technically a trouble troubletone 287 00:16:54,680 --> 00:16:56,520 Speaker 1: number to me, so like it's okay that it's not 288 00:16:56,560 --> 00:17:00,640 Speaker 1: in the trouble tones into We're slow it down a 289 00:17:00,640 --> 00:17:02,120 Speaker 1: little bit and we go to howl on you know, 290 00:17:02,320 --> 00:17:05,360 Speaker 1: we'll do a little howl and I know, and then 291 00:17:05,440 --> 00:17:11,359 Speaker 1: we get another solo, we do Valerie, and then we 292 00:17:11,440 --> 00:17:13,040 Speaker 1: go in to Get what You Give. That's the end 293 00:17:13,080 --> 00:17:15,680 Speaker 1: of the show. Oh wow, my encore. We open with 294 00:17:15,720 --> 00:17:21,960 Speaker 1: Somebody to Love. Then we go into cough Europe. Then 295 00:17:21,960 --> 00:17:24,560 Speaker 1: we break into Paradise by the dashboard light, bring everything 296 00:17:24,560 --> 00:17:25,160 Speaker 1: back up again. 297 00:17:26,080 --> 00:17:26,359 Speaker 2: Yep. 298 00:17:26,840 --> 00:17:29,160 Speaker 1: We slow it down with the shake it out, give 299 00:17:29,240 --> 00:17:35,880 Speaker 1: everybody a break. We go into Jesse's Girl, m then 300 00:17:35,960 --> 00:17:38,040 Speaker 1: we go into Thriller and don't Stop. 301 00:17:39,600 --> 00:17:40,919 Speaker 2: Wow, that's a long encore. 302 00:17:42,440 --> 00:17:46,840 Speaker 1: Yeah. We had like five songs in our and then 303 00:17:47,000 --> 00:17:49,760 Speaker 1: like we're running and we're doing single Ladies and we're 304 00:17:49,800 --> 00:17:51,320 Speaker 1: doing like Friday. 305 00:17:51,440 --> 00:17:52,040 Speaker 2: It was a lot. 306 00:17:52,200 --> 00:17:55,960 Speaker 1: Yes, it was a big encore. So I thought, you know, 307 00:17:56,200 --> 00:17:57,119 Speaker 1: finish with a punch. 308 00:17:57,560 --> 00:18:01,920 Speaker 2: I couldn't figure out. I wanted more solos for people. 309 00:18:01,960 --> 00:18:04,760 Speaker 2: I couldn't figure out which Leah song and which Corey song. 310 00:18:04,840 --> 00:18:06,000 Speaker 2: I think Jesse's Girl. 311 00:18:06,400 --> 00:18:09,240 Speaker 1: Jesse's Girl is good for Leah. I had a couple. 312 00:18:09,960 --> 00:18:12,320 Speaker 1: I feel like we're missing a lot of Leah in this. Yes, 313 00:18:12,359 --> 00:18:17,200 Speaker 1: I did too, That's what I was worried about. Firework 314 00:18:17,280 --> 00:18:20,080 Speaker 1: was one I was gonna throw back in. That song 315 00:18:20,200 --> 00:18:27,919 Speaker 1: is just so difficult, good on it, but like and 316 00:18:27,960 --> 00:18:30,160 Speaker 1: then I would love to hear them do Faithfully again. 317 00:18:30,680 --> 00:18:32,960 Speaker 1: So that would have been one that I would have 318 00:18:32,960 --> 00:18:36,600 Speaker 1: put in. But I was really trying to be season 319 00:18:36,600 --> 00:18:41,239 Speaker 1: three centric with some flares of old Lee. Yeah, like 320 00:18:41,280 --> 00:18:43,399 Speaker 1: I would throw in Halo Sunshine because, like I know, 321 00:18:43,640 --> 00:18:48,440 Speaker 1: people love it for the girls. But this is a 322 00:18:48,560 --> 00:18:51,000 Speaker 1: good we have. We have a lot of crossover here. 323 00:18:51,480 --> 00:18:54,160 Speaker 2: We do, but we also have a lot that's different 324 00:18:54,160 --> 00:18:59,399 Speaker 2: and that makes me excited. So do you think I 325 00:18:59,400 --> 00:19:01,800 Speaker 2: think we do a choir room section again? So how 326 00:19:01,840 --> 00:19:03,919 Speaker 2: that if you guys didn't see the tour, how it 327 00:19:03,960 --> 00:19:06,720 Speaker 2: worked was you'd usually come out. We would do three 328 00:19:06,840 --> 00:19:09,960 Speaker 2: group numbers back to back to back. Both tours started 329 00:19:10,000 --> 00:19:14,760 Speaker 2: with Don't Stop Believing, right, and then you would break 330 00:19:14,880 --> 00:19:21,359 Speaker 2: up into some duets, some boys, girls. You just break 331 00:19:21,359 --> 00:19:22,800 Speaker 2: it up, and then you throw in a couple group 332 00:19:22,880 --> 00:19:28,080 Speaker 2: numbers and then yeah, some event numbers like that, and 333 00:19:28,119 --> 00:19:30,760 Speaker 2: then just sprinkle it up throughout the rest of it. 334 00:19:30,800 --> 00:19:34,280 Speaker 2: Sprinkle it up. Sure, Yeah, should we build this now 335 00:19:34,640 --> 00:19:38,439 Speaker 2: our dream set together? I mean yeah, it doesn't have 336 00:19:38,480 --> 00:19:42,480 Speaker 2: to be perfect, no, no, but I think we can 337 00:19:42,720 --> 00:19:48,960 Speaker 2: we can combine. So so opener, Yeah, let's talk about that. 338 00:19:49,119 --> 00:19:51,479 Speaker 1: Well we have run the world in there, yes, But 339 00:19:51,520 --> 00:19:53,600 Speaker 1: to me, that's a solo song. And what did you 340 00:19:53,640 --> 00:19:54,280 Speaker 1: open with again? 341 00:19:55,240 --> 00:19:58,399 Speaker 2: Somebody to Love? Which is a little lackluster. 342 00:19:59,080 --> 00:20:01,520 Speaker 1: It's just so I can't like next to Empire State 343 00:20:01,640 --> 00:20:04,480 Speaker 1: like Empire State is like's it brings a crowd up, 344 00:20:04,520 --> 00:20:07,440 Speaker 1: but it's not quite as iconic as Somebody to Love? 345 00:20:07,600 --> 00:20:09,600 Speaker 2: So should we start with somebody? 346 00:20:09,800 --> 00:20:10,119 Speaker 1: Sure? 347 00:20:10,440 --> 00:20:13,560 Speaker 2: Okay, we're starting with Somebody to Love? Okay, so we 348 00:20:13,640 --> 00:20:16,040 Speaker 2: need three group numbers, I think, right, did you have 349 00:20:16,080 --> 00:20:17,080 Speaker 2: we found love up there? 350 00:20:17,640 --> 00:20:19,640 Speaker 1: No, we did? We are young? I had we are young, 351 00:20:20,680 --> 00:20:22,960 Speaker 1: and I had we run the world. 352 00:20:24,359 --> 00:20:25,680 Speaker 2: Let me pitch you we found love. 353 00:20:26,320 --> 00:20:28,440 Speaker 1: I'm for it. You don't have to pitch it. I 354 00:20:28,880 --> 00:20:29,840 Speaker 1: like it. I like it. 355 00:20:29,960 --> 00:20:32,600 Speaker 2: You know it finishes Somebody to Love. I can pitch 356 00:20:32,640 --> 00:20:36,280 Speaker 2: it anyway. Right, everybody's screaming, and then we do our 357 00:20:36,320 --> 00:20:39,680 Speaker 2: intros like hey everyone, thank you for coming. And then 358 00:20:39,760 --> 00:20:41,920 Speaker 2: as every like we're saying thank you, it's so good 359 00:20:41,920 --> 00:20:45,440 Speaker 2: to be in Tampa. Yeah, and then you're. 360 00:20:45,440 --> 00:20:48,840 Speaker 1: Dunk dunk dunk dunk dun dun dunk dunk. Yeah. It's good. 361 00:20:49,280 --> 00:20:54,160 Speaker 1: It's really good. It's what sings should have been. Yes, yes, okay. 362 00:20:54,680 --> 00:20:58,399 Speaker 2: Now I don't know about this third one. Yes, okay. 363 00:20:59,119 --> 00:21:02,360 Speaker 1: Paradise is so are strong like that is? 364 00:21:02,680 --> 00:21:04,840 Speaker 2: That's a lot. That's too much. It's too much. 365 00:21:05,119 --> 00:21:07,080 Speaker 1: It's almost a little bit too much. I'm gonna fight 366 00:21:07,119 --> 00:21:07,760 Speaker 1: that one a little bit. 367 00:21:07,880 --> 00:21:13,119 Speaker 2: Yeah, I agree, it's too much. So we found love 368 00:21:13,880 --> 00:21:17,879 Speaker 2: until we are Young? Yeah, so if the vibes are 369 00:21:17,880 --> 00:21:21,440 Speaker 2: coming off of we are Young, we got to open 370 00:21:21,480 --> 00:21:25,280 Speaker 2: with is this trouble Jones? I know, I think we 371 00:21:25,320 --> 00:21:29,399 Speaker 2: should do some more Glee kids stuff. 372 00:21:29,440 --> 00:21:33,080 Speaker 1: Okay, I would say, then either we go the Michael route, 373 00:21:33,480 --> 00:21:35,439 Speaker 1: we go the choir room route, or we go the 374 00:21:35,440 --> 00:21:36,080 Speaker 1: Whitney route. 375 00:21:37,480 --> 00:21:40,679 Speaker 2: So why don't we have like a girl's moment? We 376 00:21:40,720 --> 00:21:44,840 Speaker 2: are doing Girls around the World. Who's all in that? 377 00:21:45,000 --> 00:21:47,320 Speaker 2: Are all the girls in that number? We could make 378 00:21:47,359 --> 00:21:50,800 Speaker 2: it that, but that's not so. Then some girls can 379 00:21:50,800 --> 00:21:53,720 Speaker 2: come in and sing after. Okay, so let's put let's 380 00:21:53,720 --> 00:21:56,240 Speaker 2: put Santana in there. Santana's definitely in their teen is 381 00:21:56,240 --> 00:22:01,919 Speaker 2: definitely in there with Heather. Let's put some of our 382 00:22:02,000 --> 00:22:05,399 Speaker 2: dancers in there. Let's put Vanessa in there, and then 383 00:22:05,520 --> 00:22:07,439 Speaker 2: let's leave Amber out so that she can. 384 00:22:07,320 --> 00:22:10,000 Speaker 1: Be the next one I had her doing I will 385 00:22:10,000 --> 00:22:11,560 Speaker 1: always love you. I don't know what other souls you 386 00:22:11,560 --> 00:22:12,320 Speaker 1: had in there first. 387 00:22:13,400 --> 00:22:15,480 Speaker 2: I like that I had to try little tenderness, but 388 00:22:15,520 --> 00:22:17,080 Speaker 2: I think I will always love you as better. 389 00:22:17,160 --> 00:22:18,359 Speaker 1: Yeah, we haven't heard that one. 390 00:22:18,880 --> 00:22:24,800 Speaker 2: But okay, hold on, what if we don't put because 391 00:22:24,800 --> 00:22:26,720 Speaker 2: it's an uptempost song. Do you want to keep it up? 392 00:22:27,720 --> 00:22:28,600 Speaker 1: What around the world? 393 00:22:29,960 --> 00:22:33,399 Speaker 2: Yeah? Like, do we keep it up? Do we go 394 00:22:33,440 --> 00:22:35,080 Speaker 2: into I Feel Pretty Unpretty? 395 00:22:35,680 --> 00:22:39,200 Speaker 1: Oh? WHOA just threw that one out there? 396 00:22:40,359 --> 00:22:41,960 Speaker 2: Did I forget to mention that we did? 397 00:22:42,640 --> 00:22:43,320 Speaker 1: Put that in there? 398 00:22:44,480 --> 00:22:47,959 Speaker 2: Okay? So then we go into so we're taking out 399 00:22:48,000 --> 00:22:49,840 Speaker 2: Dane and Leett. We're putting them into I Feel Pretty 400 00:22:49,880 --> 00:22:57,399 Speaker 2: Unpretty exactly, and then maybe we do another girl's maybe 401 00:22:57,400 --> 00:23:05,879 Speaker 2: we do love song? Yes, correct, Okay, great, you're a winner. Okay, 402 00:23:05,920 --> 00:23:09,119 Speaker 2: So then we've done girls, So then we do some boys. Okay, 403 00:23:09,160 --> 00:23:12,280 Speaker 2: so maybe we do what makes You Beautiful? 404 00:23:13,080 --> 00:23:14,000 Speaker 1: Yes, let's do it. 405 00:23:14,400 --> 00:23:15,399 Speaker 2: I mean that's enough boys. 406 00:23:15,760 --> 00:23:17,359 Speaker 1: Yeah. 407 00:23:17,400 --> 00:23:19,240 Speaker 2: So then maybe do we going to blame it? That's 408 00:23:19,240 --> 00:23:19,800 Speaker 2: a good mixture. 409 00:23:19,880 --> 00:23:23,960 Speaker 1: Yeah, let's do that. It's easy, fun, free form rock 410 00:23:24,040 --> 00:23:28,359 Speaker 1: out exactly. So I have four trouble tone songs. I 411 00:23:28,359 --> 00:23:31,520 Speaker 1: have Candy Man, Rumor, Survivors Stronger. I think we just 412 00:23:31,560 --> 00:23:34,480 Speaker 1: do it. That's why I have the exact same dream segment. 413 00:23:34,560 --> 00:23:36,320 Speaker 1: Let's just do it, put it, put it in there, 414 00:23:36,359 --> 00:23:37,040 Speaker 1: cut and copy. 415 00:23:37,200 --> 00:23:39,760 Speaker 2: It has to start with rumor, has it though. 416 00:23:40,160 --> 00:23:43,119 Speaker 1: Yes, then we go to why don't we do Rumor 417 00:23:43,640 --> 00:23:46,040 Speaker 1: Survivor Candy Man Stronger? 418 00:23:46,200 --> 00:23:46,560 Speaker 2: Correct? 419 00:23:46,920 --> 00:23:47,800 Speaker 1: Okay, that's correct. 420 00:23:47,880 --> 00:23:51,719 Speaker 2: That feels good. Yes, okay, you know you know when 421 00:23:51,760 --> 00:23:52,160 Speaker 2: you know it? 422 00:23:52,560 --> 00:23:52,879 Speaker 1: No? 423 00:23:52,880 --> 00:23:59,520 Speaker 2: No, totally okay. So after Trouble Tones, we could go 424 00:23:59,640 --> 00:24:03,960 Speaker 2: into you had Man in the Mirror? Right, I didn min? 425 00:24:04,000 --> 00:24:06,040 Speaker 2: Do we start Michael off with Man in the Mirror? 426 00:24:06,560 --> 00:24:08,600 Speaker 1: Great? I also had ABC and Smooth? 427 00:24:09,040 --> 00:24:13,800 Speaker 2: Then maybe we go to Smooth Criminal so it gives 428 00:24:13,880 --> 00:24:15,800 Speaker 2: people more time to get back up on stage. 429 00:24:16,400 --> 00:24:22,240 Speaker 1: Great? Great, and then we do ABC. Yeah, it feels 430 00:24:22,240 --> 00:24:26,520 Speaker 1: like a solid Michael segment. Yeah, it does, okay? Or 431 00:24:26,520 --> 00:24:29,000 Speaker 1: what about Thriller? It hads a rule we leave I 432 00:24:29,040 --> 00:24:31,840 Speaker 1: think we leave that out for now. Okay, let's leave 433 00:24:31,880 --> 00:24:33,800 Speaker 1: it out for now. I think we can always leave 434 00:24:33,840 --> 00:24:35,919 Speaker 1: it for encore and it doesn't feel right, we can 435 00:24:35,920 --> 00:24:37,040 Speaker 1: stick it somewhere else. Great. 436 00:24:37,760 --> 00:24:42,720 Speaker 2: So then after our Michael segment, do we I have 437 00:24:42,800 --> 00:24:44,680 Speaker 2: a disco segment? Should we just exlay that. 438 00:24:46,440 --> 00:24:47,600 Speaker 1: I left it out for a reason. 439 00:24:48,040 --> 00:24:51,440 Speaker 2: Yeah, okay, I was just thinking dou alipa. 440 00:24:51,960 --> 00:24:54,639 Speaker 1: You know right? Right? No? I mean I like it, 441 00:24:54,720 --> 00:24:57,000 Speaker 1: I just I don't think it's necessary for the tool, right, 442 00:24:57,040 --> 00:25:00,000 Speaker 1: I don't. I don't think it's right. 443 00:25:00,440 --> 00:25:07,080 Speaker 2: Okay, fine, after MJ. Then why don't we have Chris 444 00:25:07,080 --> 00:25:10,560 Speaker 2: come out after ABC? Not the Boy next Door? Yes, 445 00:25:13,320 --> 00:25:16,120 Speaker 2: and then we have Leah do a song. 446 00:25:17,000 --> 00:25:21,639 Speaker 1: Right, firework? What other songs is she saying? 447 00:25:21,760 --> 00:25:25,600 Speaker 2: I don't know? Oh without you? 448 00:25:26,040 --> 00:25:26,920 Speaker 1: Oh that's a good one. 449 00:25:26,960 --> 00:25:31,480 Speaker 2: Let's do that one without you? Okay, great one. Then 450 00:25:32,560 --> 00:25:36,360 Speaker 2: it's time for some Whitney. Oh Whitney. 451 00:25:37,400 --> 00:25:39,560 Speaker 1: We can't combine Whitney and cell block. It doesn't have 452 00:25:39,600 --> 00:25:41,200 Speaker 1: to be an all Whitney. Second, you're right, I don't 453 00:25:41,200 --> 00:25:42,359 Speaker 1: think that we should be doing that. 454 00:25:42,640 --> 00:25:43,040 Speaker 2: You're right. 455 00:25:43,320 --> 00:25:43,960 Speaker 1: So let's do. 456 00:25:45,640 --> 00:25:47,560 Speaker 2: Who's who's in? How How will I know? 457 00:25:48,960 --> 00:25:54,280 Speaker 1: Uh? Leah, Chris, Amber and Naya? Is that right? 458 00:25:54,440 --> 00:25:56,439 Speaker 2: You have Nya just saying you got to give her 459 00:25:56,480 --> 00:25:56,879 Speaker 2: a break? 460 00:25:57,119 --> 00:26:01,600 Speaker 1: Okay, So what do we do? Mean perfect? I still 461 00:26:01,640 --> 00:26:03,480 Speaker 1: have a edge of glory here that we haven't done. 462 00:26:03,960 --> 00:26:06,080 Speaker 2: Okay, So mean that will be the end of the 463 00:26:06,119 --> 00:26:09,560 Speaker 2: solo section, right, and then we'll go into cell block. 464 00:26:10,760 --> 00:26:13,159 Speaker 2: Love it? Okay kidding me? 465 00:26:13,960 --> 00:26:16,000 Speaker 1: This feels really good. I wish we could actually do 466 00:26:16,000 --> 00:26:27,160 Speaker 1: this tour, I know, So. 467 00:26:27,200 --> 00:26:29,280 Speaker 2: Let's close it out. Then, now we need to close 468 00:26:29,320 --> 00:26:29,800 Speaker 2: it out. 469 00:26:29,720 --> 00:26:33,200 Speaker 1: Like a prayer. Yeah, no, we did that last time 470 00:26:33,240 --> 00:26:37,680 Speaker 1: though for the first tour Glory. Edge of Glory is good. 471 00:26:40,080 --> 00:26:41,240 Speaker 1: I just like doing that song. 472 00:26:42,640 --> 00:26:47,560 Speaker 2: Yeah, Edge of Glory into maybe do light up the world. 473 00:26:49,760 --> 00:26:51,440 Speaker 1: And then you get what you get. We didn't do 474 00:26:51,480 --> 00:27:00,119 Speaker 1: that either, Edge of Glory get what you give Paradise for. 475 00:27:01,720 --> 00:27:02,639 Speaker 2: Oh my god. 476 00:27:03,040 --> 00:27:10,720 Speaker 1: Yeah that's insane, but yeah right, yeah, because not everybody's 477 00:27:10,720 --> 00:27:13,320 Speaker 1: in Edgeglory, so it does give you some people a break. 478 00:27:14,840 --> 00:27:19,800 Speaker 2: Okay, So Encore, Oh my god, Encore. We'll do five songs. Okay, 479 00:27:19,840 --> 00:27:20,720 Speaker 2: we'll cap it at five. 480 00:27:21,119 --> 00:27:25,440 Speaker 1: Okay, cough syrup has to be there, cough syrup, shake 481 00:27:25,480 --> 00:27:27,199 Speaker 1: it out. I think it starts to shake it out. 482 00:27:27,520 --> 00:27:28,520 Speaker 1: Did we do Jesse's Girl? 483 00:27:28,840 --> 00:27:29,840 Speaker 2: Ding do Jesse's Girl? 484 00:27:30,080 --> 00:27:34,280 Speaker 1: Oh? I think that's gonna be an Encore you. 485 00:27:33,800 --> 00:27:36,480 Speaker 2: Yeah, Jesse's Girl, and then we need like two group numbers. 486 00:27:36,720 --> 00:27:41,679 Speaker 2: Don't stop mm hm. So you don't want to do 487 00:27:41,760 --> 00:27:46,840 Speaker 2: my idea of doing a full competition faithfully Jesse's Girl 488 00:27:46,840 --> 00:27:48,639 Speaker 2: and the Faithfully Great. 489 00:27:48,880 --> 00:27:51,840 Speaker 1: I love this. This is a great list. Okay, should 490 00:27:51,840 --> 00:27:56,080 Speaker 1: post this list. This is pretty solid. Okay, all right, 491 00:27:56,640 --> 00:28:00,399 Speaker 1: she posts this list somewhere so people can see it online. 492 00:28:00,680 --> 00:28:03,080 Speaker 2: Yeah, definitely. Do you want to review real quick? We 493 00:28:03,080 --> 00:28:05,440 Speaker 2: didn't do a choir room segment, but like whatever, I 494 00:28:05,480 --> 00:28:08,400 Speaker 2: don't think we need to. I think they're all choir room. 495 00:28:09,000 --> 00:28:11,680 Speaker 2: So here's what's happening. We're all somebody to love and 496 00:28:11,800 --> 00:28:16,240 Speaker 2: to we found love until we are young. Then Heather 497 00:28:16,320 --> 00:28:17,680 Speaker 2: Moore is going to give it to us around the 498 00:28:17,680 --> 00:28:20,359 Speaker 2: world and the ladies, and then we're going to get 499 00:28:20,359 --> 00:28:22,440 Speaker 2: I feel pretty, I'm pretty mash up and to love 500 00:28:22,480 --> 00:28:23,280 Speaker 2: you like a love song. 501 00:28:23,560 --> 00:28:24,240 Speaker 1: Oh I love this. 502 00:28:24,359 --> 00:28:26,200 Speaker 2: Boys are going to come out to what makes you beautiful? 503 00:28:26,359 --> 00:28:27,879 Speaker 2: We're all going to come out and do blame it, 504 00:28:28,960 --> 00:28:32,280 Speaker 2: and then we're all going to scram and curtain blame, 505 00:28:32,320 --> 00:28:36,200 Speaker 2: are going to do perfect and then oh Lenji's comes 506 00:28:36,240 --> 00:28:39,479 Speaker 2: out and does and does a bit as hey big spender, 507 00:28:39,840 --> 00:28:44,760 Speaker 2: I love that gets stopped and then the trouble tones happen. 508 00:28:45,320 --> 00:28:48,040 Speaker 1: Yes, yes, yes, yes, this is good. 509 00:28:47,920 --> 00:28:49,719 Speaker 2: And they go into rumor has it someone like you? 510 00:28:49,760 --> 00:28:52,760 Speaker 2: Mash up and to survivor I will survive mash up 511 00:28:53,280 --> 00:28:56,120 Speaker 2: and to Candy Man and too Stronger, what doesn't kill you? 512 00:28:56,720 --> 00:28:59,320 Speaker 1: Amber's like you remember yelling at me right now? Yeah? 513 00:28:59,320 --> 00:29:03,160 Speaker 2: Amber would have and would never Then we go into 514 00:29:03,240 --> 00:29:10,760 Speaker 2: Man of the Mirror, smooth criminal and ABC great, into 515 00:29:11,160 --> 00:29:14,240 Speaker 2: not the Boy next Door. We have some soulos here, 516 00:29:14,280 --> 00:29:18,040 Speaker 2: not the Boy next Door without you, constant craving slash 517 00:29:18,080 --> 00:29:24,040 Speaker 2: Valerie and mean I love this. And then we go 518 00:29:24,160 --> 00:29:29,720 Speaker 2: big and we go sell Block Tango, and then Darren 519 00:29:29,800 --> 00:29:31,800 Speaker 2: comes out and does someone only we know. We go 520 00:29:31,840 --> 00:29:36,680 Speaker 2: into Acapella, how will I know? Into my Love is 521 00:29:36,720 --> 00:29:41,960 Speaker 2: your Love? Yes, Into Edge of Glory, get what you give, 522 00:29:42,440 --> 00:29:45,520 Speaker 2: finishing it off with Paradise by the dashboard Light. Oh 523 00:29:45,640 --> 00:29:51,640 Speaker 2: my god, that's a strong ending. Yes, very, And then 524 00:29:51,640 --> 00:29:55,080 Speaker 2: we come off for the encore and the ladies do 525 00:29:55,240 --> 00:29:59,640 Speaker 2: shake it out. Oh great, And then Darren comes out 526 00:30:00,080 --> 00:30:03,040 Speaker 2: Actually no, I think. Then Corey comes out and does 527 00:30:03,120 --> 00:30:09,560 Speaker 2: Jesse's Girl. Ye. Then Darren comes out and does Coughs Europe, 528 00:30:10,120 --> 00:30:12,160 Speaker 2: and then we all come out with Lee and Corey 529 00:30:12,240 --> 00:30:13,960 Speaker 2: to do faithfully and to don't stop. 530 00:30:14,240 --> 00:30:16,960 Speaker 1: Oh I love this. This is great. This is a 531 00:30:17,040 --> 00:30:18,680 Speaker 1: really strong tour list. 532 00:30:21,160 --> 00:30:24,440 Speaker 2: It would be really difficult to do. 533 00:30:25,040 --> 00:30:27,720 Speaker 1: This is why we this is only our dream list, 534 00:30:28,120 --> 00:30:31,320 Speaker 1: only our dream list, very, because it would be so 535 00:30:31,400 --> 00:30:34,320 Speaker 1: hard for certain people that I'm not even sure it's 536 00:30:35,280 --> 00:30:36,240 Speaker 1: Oh I'm tired looking. 537 00:30:36,360 --> 00:30:37,680 Speaker 2: We didn't give either of us a song. 538 00:30:39,440 --> 00:30:41,240 Speaker 1: Oh we didn't put your scream. We don't put scream 539 00:30:41,240 --> 00:30:41,600 Speaker 1: in there. 540 00:30:42,440 --> 00:30:44,080 Speaker 2: But we need you need to have a song, can 541 00:30:44,080 --> 00:30:47,160 Speaker 2: you because you love me? No, we need solow. 542 00:30:47,680 --> 00:30:48,960 Speaker 1: No, I don't need to do that every night. 543 00:30:51,480 --> 00:30:52,200 Speaker 2: You can live sing. 544 00:30:54,880 --> 00:30:58,960 Speaker 1: I feel pretty good about this. I feel solid. I 545 00:30:58,960 --> 00:31:00,480 Speaker 1: don't know if this was fun to listen too, but 546 00:31:00,960 --> 00:31:03,720 Speaker 1: I know, but we sure had a good time making it. Yeah, 547 00:31:03,920 --> 00:31:05,480 Speaker 1: right in and tell us if we missed anything or 548 00:31:05,520 --> 00:31:08,560 Speaker 1: if you disagree. I loved our stage for the Arena 549 00:31:08,600 --> 00:31:13,120 Speaker 1: tour so pretty. That was really cool. The stage and 550 00:31:13,120 --> 00:31:16,120 Speaker 1: then the B stage and the Sea stage, which was 551 00:31:16,160 --> 00:31:20,320 Speaker 1: like the farthest stage. Amber was on a lot. The 552 00:31:20,440 --> 00:31:23,240 Speaker 1: encore was crazy for me because I had to do 553 00:31:25,920 --> 00:31:29,719 Speaker 1: we did Friday. We were changing into single Ladies and 554 00:31:29,760 --> 00:31:32,960 Speaker 1: then I put I ran to do Single Ladies, and 555 00:31:33,000 --> 00:31:35,080 Speaker 1: then I ran back, and then I had to get 556 00:31:35,160 --> 00:31:38,280 Speaker 1: dressed to do Empire, State of Mind, Somebody to Love 557 00:31:38,440 --> 00:31:43,240 Speaker 1: True Colors all at once. Yeah, it was psycho and like, 558 00:31:43,320 --> 00:31:46,160 Speaker 1: the arena's really big, so you're just running across to 559 00:31:46,200 --> 00:31:48,400 Speaker 1: the other side of the arena and then back. 560 00:31:49,880 --> 00:31:52,920 Speaker 2: Can we have a big cat walk this time instead 561 00:31:52,920 --> 00:31:55,880 Speaker 2: of the c stage. I guess we couldn't do Diva. 562 00:31:56,040 --> 00:31:57,600 Speaker 2: That would have been fun to do, but that's the 563 00:31:57,720 --> 00:32:01,640 Speaker 2: future season, you know. Oh and they had like a 564 00:32:01,680 --> 00:32:03,560 Speaker 2: real catwalk and done that. I can't wait to get 565 00:32:03,600 --> 00:32:06,920 Speaker 2: to that episode. Diva hasn't hackened yet. 566 00:32:07,520 --> 00:32:10,280 Speaker 1: No, that's Paris Barclay, that's with all of our friends, 567 00:32:10,320 --> 00:32:12,040 Speaker 1: Alex is there be there? 568 00:32:12,200 --> 00:32:15,000 Speaker 2: You're right, I get confused because I've watched it recently 569 00:32:16,840 --> 00:32:21,720 Speaker 2: for fun. I think a catwalk would be fun to 570 00:32:21,760 --> 00:32:23,520 Speaker 2: c r B stage. 571 00:32:23,840 --> 00:32:25,920 Speaker 1: Yes, I think the catwalk would be a lot of fun. 572 00:32:26,240 --> 00:32:30,440 Speaker 1: Whether they build that like during the show or it's 573 00:32:30,520 --> 00:32:34,000 Speaker 1: just there. I don't know. There's some logistics there. 574 00:32:34,040 --> 00:32:36,040 Speaker 2: But and then I think you still have them monitors, 575 00:32:36,160 --> 00:32:40,040 Speaker 2: the bits from Schuster and and Sue. 576 00:32:40,400 --> 00:32:44,719 Speaker 1: It's a faster yeah, exactly, Well right in tell us 577 00:32:44,760 --> 00:32:47,120 Speaker 1: if you liked it, If you hated it, I'm sorry, 578 00:32:47,760 --> 00:32:49,080 Speaker 1: and thanks for joining us. 579 00:32:49,520 --> 00:32:51,600 Speaker 2: That's what you really missed from this non insistent tour 580 00:32:51,640 --> 00:32:55,880 Speaker 2: that will never happen. See yeah, thanks for listening and 581 00:32:56,040 --> 00:32:58,680 Speaker 2: follow us on Instagram at and that's what you really 582 00:32:58,680 --> 00:33:00,760 Speaker 2: miss pod. Make sure to write us a review and 583 00:33:00,920 --> 00:33:02,840 Speaker 2: leave us five stars. See you next time.