1 00:00:03,720 --> 00:00:05,640 Speaker 1: Hey fam, Hello Sunshine. 2 00:00:05,680 --> 00:00:08,639 Speaker 2: Today on the bright Side, we're joined by Emmy nominated actor, 3 00:00:08,880 --> 00:00:13,200 Speaker 2: writer and producer Natasha Rothwell. Her new Hulu series How 4 00:00:13,200 --> 00:00:14,800 Speaker 2: to Dialan is out now. 5 00:00:15,000 --> 00:00:17,959 Speaker 3: I wanted to give people someone to root for because 6 00:00:17,960 --> 00:00:19,680 Speaker 3: that's how I got to where I am. You know, 7 00:00:19,720 --> 00:00:21,840 Speaker 3: It's being able to cheer myself on and having my 8 00:00:21,880 --> 00:00:23,960 Speaker 3: friends cheer me on as I'm fuck up and make 9 00:00:24,000 --> 00:00:25,440 Speaker 3: mistakes as I'm growing. 10 00:00:25,720 --> 00:00:26,200 Speaker 4: All of that. 11 00:00:26,680 --> 00:00:29,160 Speaker 2: Natasha is telling us how she's ready to take center 12 00:00:29,200 --> 00:00:32,760 Speaker 2: stage and revealing the Steve Martin quote that guides her 13 00:00:32,920 --> 00:00:37,640 Speaker 2: every single day. It's Thursday, September twenty sixth I'm Danielle Robe. 14 00:00:37,320 --> 00:00:39,800 Speaker 5: And I'm Simone Boyce and this is the bright Side 15 00:00:39,800 --> 00:00:42,880 Speaker 5: from Hello Sunshine, a daily show where we come together 16 00:00:43,000 --> 00:00:46,840 Speaker 5: to share women's stories, laugh, learn, and brighten your day. 17 00:00:49,360 --> 00:00:51,680 Speaker 2: Okay, before we get into today's episode, we want to 18 00:00:51,680 --> 00:00:54,480 Speaker 2: take a second to welcome all you new listeners that 19 00:00:54,560 --> 00:00:58,600 Speaker 2: found us via Apple Podcasts monthly Spotlight Pick. We're so 20 00:00:58,760 --> 00:01:00,880 Speaker 2: thrilled to be on Apple's list of the most exciting 21 00:01:00,960 --> 00:01:05,840 Speaker 2: vital voices and personalities in podcasting today and super humbled. 22 00:01:05,880 --> 00:01:07,880 Speaker 2: So if you're new here, dive into our feed and 23 00:01:07,920 --> 00:01:11,640 Speaker 2: take a listen to our conversations that aim to inspire, educate, 24 00:01:11,720 --> 00:01:14,880 Speaker 2: and empower women as we tackle life each and every day. 25 00:01:15,360 --> 00:01:18,440 Speaker 5: Ay. Welcome to the party, y'all, and today's guest is 26 00:01:18,480 --> 00:01:23,399 Speaker 5: the true embodiment of inspiration and empowerment. As we mentioned, 27 00:01:23,560 --> 00:01:27,399 Speaker 5: Joining us today is actor, writer and director Natasha Rothwell. 28 00:01:27,959 --> 00:01:30,480 Speaker 5: You all know her as Kelly Prenny in the Ray 29 00:01:30,560 --> 00:01:36,000 Speaker 5: created series Insecure. Insecure did something so revolutionary. It created 30 00:01:36,000 --> 00:01:41,480 Speaker 5: a cast of characters that felt so incredibly viscerally real, 31 00:01:42,000 --> 00:01:44,360 Speaker 5: Like we all felt like, I know these people. 32 00:01:44,440 --> 00:01:46,720 Speaker 1: I've got a Kelly in my life. Oh my god, 33 00:01:46,720 --> 00:01:47,600 Speaker 1: that's so well said. 34 00:01:48,080 --> 00:01:51,400 Speaker 2: Natasha was actually hired on Insecure as a writer and 35 00:01:51,480 --> 00:01:54,920 Speaker 2: so she didn't come to be on the cast until 36 00:01:55,000 --> 00:01:58,000 Speaker 2: later in the show, and she became a fan favorite 37 00:01:58,040 --> 00:02:01,000 Speaker 2: so quickly. She was known for like her clever comebacks, 38 00:02:01,040 --> 00:02:02,000 Speaker 2: her one liners. 39 00:02:02,200 --> 00:02:04,560 Speaker 1: A lot of people say Kelly was the funniest character. 40 00:02:04,880 --> 00:02:08,720 Speaker 2: We also can't forget Natasha's Emmy nominated performance as Belinda 41 00:02:08,760 --> 00:02:11,720 Speaker 2: in The White Lotus because she's set to reprise that 42 00:02:11,840 --> 00:02:14,520 Speaker 2: role in the upcoming third season of the series, which 43 00:02:14,560 --> 00:02:16,720 Speaker 2: makes her one of the only actors with a recurring 44 00:02:16,800 --> 00:02:19,160 Speaker 2: role on the show, so she's also a favorite of 45 00:02:19,160 --> 00:02:19,640 Speaker 2: that show. 46 00:02:20,240 --> 00:02:22,359 Speaker 5: It's so funny because she was one of the most 47 00:02:22,480 --> 00:02:26,079 Speaker 5: colorful characters on Insecure, and then on The White Lotus 48 00:02:26,160 --> 00:02:28,200 Speaker 5: she plays the straight man, which is a term in 49 00:02:28,240 --> 00:02:31,840 Speaker 5: comedy to describe the person who is behaving normally when 50 00:02:31,840 --> 00:02:33,840 Speaker 5: everyone else around them is chaotic. 51 00:02:34,160 --> 00:02:36,000 Speaker 1: So I think that just speaks to her range. 52 00:02:36,080 --> 00:02:39,639 Speaker 5: I mean, she's had some truly iconic roles throughout her career, 53 00:02:40,600 --> 00:02:44,359 Speaker 5: always in a supporting role until now, because she's taking 54 00:02:44,400 --> 00:02:45,480 Speaker 5: center stage. 55 00:02:45,639 --> 00:02:47,040 Speaker 1: In a big way. 56 00:02:47,160 --> 00:02:49,560 Speaker 2: Her new series is called How To Die Alone, and 57 00:02:49,680 --> 00:02:53,760 Speaker 2: it is out now. She created it, she executive produced it, 58 00:02:53,880 --> 00:02:57,480 Speaker 2: she starred in the show, and it follows her character Melissa, 59 00:02:57,840 --> 00:03:02,000 Speaker 2: which is quote a broke, fat JFK airport employee who's 60 00:03:02,080 --> 00:03:04,880 Speaker 2: never been in love and forgotten how to dream. But 61 00:03:04,919 --> 00:03:08,000 Speaker 2: then she has an accidental brush with death and it 62 00:03:08,080 --> 00:03:10,440 Speaker 2: leads her to finally taking charge of her own life. 63 00:03:10,840 --> 00:03:15,560 Speaker 2: So now Natasha's here to talk to us about it all. Natasha, 64 00:03:15,720 --> 00:03:17,000 Speaker 2: welcome to the bright Side. 65 00:03:17,320 --> 00:03:19,920 Speaker 4: Thank you for having me. I'm so excited to be here. 66 00:03:20,400 --> 00:03:23,440 Speaker 2: Well, we're so excited, and a huge congratulations is in 67 00:03:23,600 --> 00:03:26,320 Speaker 2: order because your new show just came out. Simone and 68 00:03:26,400 --> 00:03:29,360 Speaker 2: I both loved it, were excited to finish the season. 69 00:03:30,040 --> 00:03:32,360 Speaker 2: And you've really been a part of shows that have 70 00:03:32,400 --> 00:03:35,400 Speaker 2: shaped culture in the last few years, shows that everybody's 71 00:03:35,480 --> 00:03:38,920 Speaker 2: talking about. And now you're stepping into this major creative role. 72 00:03:38,960 --> 00:03:41,200 Speaker 2: And Simona and I were like, she's literally the main 73 00:03:41,280 --> 00:03:45,960 Speaker 2: character now, it's so exciting. And speaking of cheering you on, 74 00:03:46,280 --> 00:03:49,440 Speaker 2: Gail King, she picked your show as a must watch 75 00:03:49,480 --> 00:03:51,800 Speaker 2: for this fall, which I. 76 00:03:55,400 --> 00:03:59,160 Speaker 1: Do not know this. No, Oh my god, we're breaking 77 00:03:59,240 --> 00:04:00,440 Speaker 1: news right now. 78 00:04:00,760 --> 00:04:01,920 Speaker 4: Are you serious? 79 00:04:02,160 --> 00:04:02,480 Speaker 1: Yes? 80 00:04:02,720 --> 00:04:06,240 Speaker 4: This is and you're not pulling my leg? Is it serious? 81 00:04:06,560 --> 00:04:06,760 Speaker 2: Yes? 82 00:04:06,880 --> 00:04:10,880 Speaker 5: Girl, it's an Oprah Daily. Wow, I did that. I 83 00:04:10,920 --> 00:04:12,680 Speaker 5: did an interview with her and she was so kind, 84 00:04:12,680 --> 00:04:16,640 Speaker 5: but I didn't know it was a I'm gonna need 85 00:04:16,680 --> 00:04:17,719 Speaker 5: the vapors in a minute. 86 00:04:17,880 --> 00:04:23,080 Speaker 2: What I think we have to put your Google alerts 87 00:04:23,120 --> 00:04:24,640 Speaker 2: on so that you catch. 88 00:04:24,400 --> 00:04:27,200 Speaker 3: I've been so this is the busiest I've been in 89 00:04:27,200 --> 00:04:29,560 Speaker 3: my life in a way where I'm just like, because 90 00:04:29,560 --> 00:04:32,360 Speaker 3: I don't have main character energy in real life, truly, 91 00:04:32,440 --> 00:04:35,039 Speaker 3: I don't, and so having to do all of the 92 00:04:35,080 --> 00:04:37,480 Speaker 3: press for all of it, and like I just haven't 93 00:04:37,520 --> 00:04:39,240 Speaker 3: been on my phone, like I usually. 94 00:04:38,960 --> 00:04:41,880 Speaker 4: Am, and so I love that you broke this news. 95 00:04:42,240 --> 00:04:46,000 Speaker 3: I'm very excited. That means she probably told Oprah about it. 96 00:04:46,040 --> 00:04:48,400 Speaker 4: Am. I this is one step closer. 97 00:04:48,080 --> 00:04:52,320 Speaker 5: To you are literally one degree away, half a degree. 98 00:04:52,520 --> 00:04:53,440 Speaker 1: They talk every day. 99 00:04:53,600 --> 00:04:56,200 Speaker 4: Have you met Opri yet? Oh no, no I haven't. 100 00:04:56,320 --> 00:04:57,679 Speaker 4: My soul would leave my body. 101 00:04:57,920 --> 00:04:59,680 Speaker 5: Okay, So your soul is going to leave your body. 102 00:04:59,680 --> 00:05:03,280 Speaker 5: I give I give it literally six months, you're gonna. 103 00:05:03,040 --> 00:05:05,240 Speaker 4: Meet your mouth from your mouth to God's ears. Okay. 104 00:05:05,360 --> 00:05:07,720 Speaker 5: Just because you haven't seen this article yet, I feel 105 00:05:07,720 --> 00:05:09,560 Speaker 5: like we need to read it to her, Danielle. The 106 00:05:09,560 --> 00:05:12,440 Speaker 5: headline is Gail King found the perfect solve for your 107 00:05:12,600 --> 00:05:16,560 Speaker 5: end of summer scaries. Natasha Rothwell's new series How to 108 00:05:16,600 --> 00:05:19,000 Speaker 5: Die Alone is part of Gail's September lineup. 109 00:05:19,160 --> 00:05:24,880 Speaker 3: Wow wow wow wow wow wow. Yeah that is I Yeah, 110 00:05:25,960 --> 00:05:32,040 Speaker 3: it's so funny to me being in this moment and 111 00:05:33,279 --> 00:05:39,240 Speaker 3: having empathy in hindsight for Taylor Swift. Hear me out 112 00:05:39,960 --> 00:05:44,159 Speaker 3: there are Okay, So you know, okay, you know she 113 00:05:44,360 --> 00:05:47,680 Speaker 3: was kind of you know, lampooned for her shucks you know, 114 00:05:47,800 --> 00:05:51,280 Speaker 3: all shucks campaign every time she won an award, and 115 00:05:51,360 --> 00:05:53,359 Speaker 3: everyone's like, you should be used to it by now, 116 00:05:54,880 --> 00:05:57,159 Speaker 3: there is no version of my existence where I will 117 00:05:57,160 --> 00:06:01,120 Speaker 3: get used to people consuming things that make seeing me, 118 00:06:01,880 --> 00:06:05,320 Speaker 3: supporting me in mass, having people who. 119 00:06:05,279 --> 00:06:08,640 Speaker 4: I look up to see my work and validate what 120 00:06:08,720 --> 00:06:09,120 Speaker 4: I do. 121 00:06:10,600 --> 00:06:13,760 Speaker 3: Each one of those instances doesn't play on my heart 122 00:06:13,800 --> 00:06:17,000 Speaker 3: and soul in a small way. They're like these mighty explosions. 123 00:06:17,520 --> 00:06:20,520 Speaker 3: And so I feel like since this press tour has started, 124 00:06:20,600 --> 00:06:25,120 Speaker 3: it's been like every day I'm like Jesus crazy, and 125 00:06:25,160 --> 00:06:28,080 Speaker 3: my publicist, you know, she's just been on this ride 126 00:06:28,160 --> 00:06:31,520 Speaker 3: with me. But it's purely authentic, and I really I 127 00:06:31,680 --> 00:06:36,440 Speaker 3: understand now in hindsight how you might win the same 128 00:06:36,440 --> 00:06:40,040 Speaker 3: award every single year, but it feels brand new because 129 00:06:40,040 --> 00:06:41,919 Speaker 3: it's it's that little girl that didn't think that she 130 00:06:42,000 --> 00:06:43,919 Speaker 3: was going to get seen. It's that little girl that 131 00:06:44,040 --> 00:06:47,960 Speaker 3: didn't know that anyone cared what she had to say. 132 00:06:48,400 --> 00:06:51,760 Speaker 3: And she's still around and I'm treating her a lot 133 00:06:51,800 --> 00:06:54,160 Speaker 3: better now, But I think it comes from that, you know. 134 00:06:54,360 --> 00:06:57,599 Speaker 1: Yeah, thanks for your honesty, Natasha. 135 00:06:57,880 --> 00:07:00,320 Speaker 5: We talk about representation a lot on this show show, 136 00:07:00,360 --> 00:07:02,000 Speaker 5: but we try to do it in a way that 137 00:07:02,240 --> 00:07:06,080 Speaker 5: is rooted in data and science, right, and we have 138 00:07:06,279 --> 00:07:09,359 Speaker 5: seen so much progress. I know that I have so 139 00:07:09,480 --> 00:07:12,320 Speaker 5: many more women in TV and film that I can 140 00:07:12,360 --> 00:07:16,320 Speaker 5: look to and feel represented by, and yet in twenty 141 00:07:16,400 --> 00:07:19,000 Speaker 5: twenty four, it still feels unique to have a show 142 00:07:19,080 --> 00:07:21,280 Speaker 5: like this one with a lead who is a black 143 00:07:21,320 --> 00:07:23,080 Speaker 5: woman who isn't a size. 144 00:07:22,880 --> 00:07:24,760 Speaker 1: Zero or double zero or two. 145 00:07:25,480 --> 00:07:29,800 Speaker 5: So how did you approach writing her identity as a 146 00:07:29,800 --> 00:07:32,680 Speaker 5: plus sized black woman into the story without making that 147 00:07:32,920 --> 00:07:35,320 Speaker 5: the story? Because I think that's the goal, right, It's 148 00:07:35,360 --> 00:07:38,440 Speaker 5: like this balance of being honest about identity while also 149 00:07:38,920 --> 00:07:42,760 Speaker 5: exploring the full breath of who these characters are. Absolutely, 150 00:07:43,000 --> 00:07:46,560 Speaker 5: I mean the cornerstone of Big Hattie Productions is that 151 00:07:47,000 --> 00:07:49,600 Speaker 5: the humanity of our character begins on page one. We 152 00:07:49,680 --> 00:07:54,480 Speaker 5: refuse to do projects, produce projects, be in projects where 153 00:07:54,880 --> 00:07:59,400 Speaker 5: you're wasting page real estate to explain away my otherness, 154 00:07:59,440 --> 00:08:00,760 Speaker 5: so then my story can start. 155 00:08:01,440 --> 00:08:04,560 Speaker 4: And for me, I wanted to have a show in 156 00:08:04,600 --> 00:08:05,880 Speaker 4: which it's not. 157 00:08:05,880 --> 00:08:08,880 Speaker 3: About, you know, a plus sized girlie who gets bonked 158 00:08:08,920 --> 00:08:10,960 Speaker 3: in the head and figures out that the right man 159 00:08:11,040 --> 00:08:13,240 Speaker 3: was under her nose the whole time, you know what 160 00:08:13,280 --> 00:08:16,800 Speaker 3: I mean? Like, I think we're smarter than that, and 161 00:08:17,120 --> 00:08:20,160 Speaker 3: it was important for me to allow someone who looks 162 00:08:20,240 --> 00:08:24,560 Speaker 3: like me to exist and not have to make her 163 00:08:24,600 --> 00:08:27,800 Speaker 3: existence a radical act of defiance. 164 00:08:28,000 --> 00:08:29,080 Speaker 4: She could just be. 165 00:08:29,760 --> 00:08:32,760 Speaker 3: And I think we talk a lot about self love, 166 00:08:32,800 --> 00:08:35,960 Speaker 3: but there's not There's starting to be more talk about 167 00:08:36,000 --> 00:08:41,360 Speaker 3: body neutrality and the privilege it is to have body neutrality. 168 00:08:41,800 --> 00:08:44,320 Speaker 3: It is a burden to have to walk around and 169 00:08:44,360 --> 00:08:47,559 Speaker 3: feel like you have to cheerlead the way you look. 170 00:08:47,840 --> 00:08:52,520 Speaker 3: It's false positivity that is really, I think, detrimental to 171 00:08:52,600 --> 00:08:56,000 Speaker 3: one's health. And we don't want the negativity. We want 172 00:08:56,000 --> 00:08:59,400 Speaker 3: to be able to exist in the world where we 173 00:08:59,480 --> 00:09:03,200 Speaker 3: can just exist and we can be more than how 174 00:09:03,280 --> 00:09:06,960 Speaker 3: you perceived me. And so the show, to me was 175 00:09:07,000 --> 00:09:10,959 Speaker 3: that putting into practice the mission of my production company 176 00:09:11,000 --> 00:09:18,199 Speaker 3: and really allowing the protagonist to exist without an astisk 177 00:09:18,280 --> 00:09:19,319 Speaker 3: by her identity. 178 00:09:20,200 --> 00:09:23,480 Speaker 2: Have you found spaces in your personal life where you 179 00:09:23,600 --> 00:09:25,840 Speaker 2: feel like you exist without the astris. 180 00:09:25,880 --> 00:09:26,640 Speaker 4: Depends on the day. 181 00:09:27,520 --> 00:09:30,440 Speaker 3: I think that it's not something that you can solve, 182 00:09:30,960 --> 00:09:33,720 Speaker 3: and because so much of it is external, but a 183 00:09:33,720 --> 00:09:36,200 Speaker 3: lot of it is internal. I mean, the truth of 184 00:09:36,240 --> 00:09:39,000 Speaker 3: the matter is is that I grew up plus size 185 00:09:39,280 --> 00:09:43,760 Speaker 3: and black and a woman, and for me, those were 186 00:09:43,800 --> 00:09:46,480 Speaker 3: things I spent a great deal of time apologizing for 187 00:09:47,200 --> 00:09:50,480 Speaker 3: and so it's a hard thing when you have a 188 00:09:51,280 --> 00:09:53,839 Speaker 3: kind of a knee jerk reaction to triggers. 189 00:09:53,880 --> 00:09:57,840 Speaker 4: And you know, thank fuck for therapy. My therapist is 190 00:09:57,880 --> 00:09:58,440 Speaker 4: well paid. 191 00:09:58,640 --> 00:10:01,040 Speaker 3: And one of the things that I learned is that 192 00:10:01,120 --> 00:10:03,480 Speaker 3: you know so much of this it sticks with you. 193 00:10:03,880 --> 00:10:06,920 Speaker 3: And it's about having agency in those moments, not to 194 00:10:06,960 --> 00:10:09,720 Speaker 3: stay in them and not to give them power. And 195 00:10:09,760 --> 00:10:14,160 Speaker 3: so even though I do recognize that I'm Natasha Rothwell 196 00:10:14,280 --> 00:10:18,640 Speaker 3: no asterisk, if everyone creeps up, I can easily acknowledge 197 00:10:18,640 --> 00:10:22,360 Speaker 3: it and erase it and stand tintes down in who 198 00:10:22,400 --> 00:10:26,360 Speaker 3: I am. But it's not easy. It's a process. It's hard, 199 00:10:27,120 --> 00:10:33,080 Speaker 3: especially when you have media and external opinions about your 200 00:10:33,120 --> 00:10:36,400 Speaker 3: otherness that can kind of force the narrative. But I'm 201 00:10:36,400 --> 00:10:38,440 Speaker 3: proud of the work that I've done, and this show 202 00:10:38,559 --> 00:10:40,040 Speaker 3: is a consequence of that, for sure. 203 00:10:40,320 --> 00:10:43,200 Speaker 2: I've been thinking a lot lately about the difference between 204 00:10:43,200 --> 00:10:46,560 Speaker 2: self love and self worth. I used to think they 205 00:10:46,559 --> 00:10:50,760 Speaker 2: were the same thing. And a good friend of mine 206 00:10:51,440 --> 00:10:52,160 Speaker 2: called me out. 207 00:10:53,920 --> 00:10:58,040 Speaker 1: She really saw me, which sucks, don't it. 208 00:10:58,040 --> 00:11:00,520 Speaker 5: It hurts like I like to be seen, but not 209 00:11:00,640 --> 00:11:03,520 Speaker 5: that scene you know yet exactly. 210 00:11:04,559 --> 00:11:06,960 Speaker 2: She said to me, You've always been so confident, but 211 00:11:07,040 --> 00:11:08,680 Speaker 2: I think you have a self worth issue. 212 00:11:08,960 --> 00:11:13,640 Speaker 3: Whoo, it's a real friend, that's a real ass friend 213 00:11:13,640 --> 00:11:14,240 Speaker 3: who will. 214 00:11:14,040 --> 00:11:17,160 Speaker 2: Say that it really is. I started digging on what 215 00:11:17,440 --> 00:11:21,600 Speaker 2: the hell the difference was. But I'm wondering if you've 216 00:11:21,720 --> 00:11:23,959 Speaker 2: explored that personally or within the show. 217 00:11:25,240 --> 00:11:31,839 Speaker 3: Yeah, personally, for sure. I think that you're worth and 218 00:11:32,520 --> 00:11:37,800 Speaker 3: worthiness it's inextricably linked. And I think feeling worthy of 219 00:11:37,840 --> 00:11:41,680 Speaker 3: love and feeling worthy of being the star of a 220 00:11:41,840 --> 00:11:45,680 Speaker 3: show that shit creeps up, you know, and it's real. 221 00:11:45,840 --> 00:11:51,200 Speaker 3: Imposture syndrome is real, and loving something and valuing something 222 00:11:51,240 --> 00:11:56,720 Speaker 3: it's very different. I can really really love my you know, 223 00:11:57,960 --> 00:12:00,600 Speaker 3: favorite pair of earrings, but if I'm really value it, 224 00:12:00,640 --> 00:12:04,120 Speaker 3: I'm taking care of it, I'm looking after it, I'm 225 00:12:04,160 --> 00:12:07,319 Speaker 3: thinking about it, making and considering it, and making sure 226 00:12:07,360 --> 00:12:11,240 Speaker 3: that everything that I do is in an effort to 227 00:12:11,360 --> 00:12:16,520 Speaker 3: protect that item, that things, that person's that their wholeness. 228 00:12:17,080 --> 00:12:20,959 Speaker 3: And I think that so much of what we were 229 00:12:21,000 --> 00:12:24,040 Speaker 3: taught and sometimes still being taught, is just like, oh, 230 00:12:24,080 --> 00:12:26,920 Speaker 3: just love yourself. But what does it mean when you 231 00:12:27,000 --> 00:12:33,600 Speaker 3: really think about your worth and your value? And how 232 00:12:33,640 --> 00:12:40,040 Speaker 3: much more am I to value myself more than the 233 00:12:40,080 --> 00:12:43,840 Speaker 3: opinions of other people, and that has been a real 234 00:12:43,920 --> 00:12:47,800 Speaker 3: journey for me of triaging that priority list, you know, 235 00:12:47,920 --> 00:12:50,320 Speaker 3: not caring about what other people think and putting my 236 00:12:50,440 --> 00:12:53,719 Speaker 3: needs first and considering what my needs are. And I 237 00:12:53,760 --> 00:12:56,079 Speaker 3: think that's the beauty of having a character like Melissa 238 00:12:56,600 --> 00:13:00,680 Speaker 3: to explore, because she's really kind of the for the 239 00:13:00,760 --> 00:13:03,400 Speaker 3: unhealed version of myself, and I really wanted to write 240 00:13:03,400 --> 00:13:07,480 Speaker 3: a character that was going through that process of trying 241 00:13:07,480 --> 00:13:11,600 Speaker 3: to heal. And it's not a straight line, you know, 242 00:13:11,720 --> 00:13:14,000 Speaker 3: it's up back, and sometimes you start at square one, 243 00:13:14,040 --> 00:13:16,560 Speaker 3: you're all over the place, but ultimately the momentum leads 244 00:13:16,600 --> 00:13:19,319 Speaker 3: you forward. And I wanted to give people someone to 245 00:13:19,440 --> 00:13:22,280 Speaker 3: root for because that's how I got to where I am, 246 00:13:22,440 --> 00:13:24,440 Speaker 3: you know, It's being able to cheer myself on and 247 00:13:24,480 --> 00:13:26,679 Speaker 3: having my friends cheer me on as I'm fuck up 248 00:13:26,679 --> 00:13:29,120 Speaker 3: and make mistakes as I'm growing all of that. 249 00:13:30,400 --> 00:13:32,000 Speaker 2: We have to take a quick break, but we'll be 250 00:13:32,080 --> 00:13:34,360 Speaker 2: right back with more from actor and creator of the 251 00:13:34,360 --> 00:13:48,280 Speaker 2: show How to Die Alone, Natasha Rothwell. And we're back 252 00:13:48,320 --> 00:13:53,160 Speaker 2: with Natasha Rothwell. Okay, Natasha, you started on Insecure as 253 00:13:53,160 --> 00:13:55,720 Speaker 2: a writer and then you transition to a role in 254 00:13:55,760 --> 00:13:58,719 Speaker 2: front of the camera Kelly, who, honestly, if you read 255 00:13:58,760 --> 00:14:01,800 Speaker 2: any Reddit thread, everyone says Kelly's the funniest character on 256 00:14:01,840 --> 00:14:04,959 Speaker 2: the entire show. So you were straddling both lanes, which 257 00:14:05,000 --> 00:14:07,800 Speaker 2: I think is really rare. When you watched Asa do 258 00:14:07,920 --> 00:14:10,199 Speaker 2: her thing, What did you think about her? What did 259 00:14:10,200 --> 00:14:13,360 Speaker 2: you learn from her that you implemented now in your 260 00:14:13,400 --> 00:14:14,400 Speaker 2: show How To Die Alone? 261 00:14:15,120 --> 00:14:18,600 Speaker 3: Yeah, I mean starting on the show as a writer, 262 00:14:20,040 --> 00:14:24,440 Speaker 3: I had blinders on. I wanted to be the best 263 00:14:24,440 --> 00:14:29,720 Speaker 3: writer possible. I wanted to prove to myself and regrettably 264 00:14:29,840 --> 00:14:32,640 Speaker 3: including others in that that I belonged in the room 265 00:14:32,680 --> 00:14:36,600 Speaker 3: because I hadn't written for television before outside of sketch, 266 00:14:36,720 --> 00:14:42,640 Speaker 3: you know, coming from SNL. And when Lisa tapped me 267 00:14:42,720 --> 00:14:47,800 Speaker 3: to play Kelly, she in that moment saw. 268 00:14:47,720 --> 00:14:54,400 Speaker 4: Me as a creator. She didn't limit her vision of. 269 00:14:54,280 --> 00:14:57,120 Speaker 3: Me to my vision of me in that time because 270 00:14:57,160 --> 00:14:59,200 Speaker 3: I didn't even aspire to act on the show. 271 00:14:59,240 --> 00:15:00,360 Speaker 4: I was that in it. 272 00:15:01,240 --> 00:15:04,120 Speaker 3: And so one of the ways that I've chosen to 273 00:15:04,200 --> 00:15:08,920 Speaker 3: replicate that is CP Powell, who's on the show. 274 00:15:09,160 --> 00:15:12,200 Speaker 4: Of that Sean and DeShawn Duo on the tarmac. 275 00:15:12,480 --> 00:15:16,520 Speaker 3: He's a writer in the room, and so being able 276 00:15:16,640 --> 00:15:21,080 Speaker 3: to pass the baton to someone who is so funny, 277 00:15:21,920 --> 00:15:27,000 Speaker 3: so like side splitting funny and such a just a 278 00:15:27,200 --> 00:15:32,680 Speaker 3: powerful contribution to the room and an amazing writer. I 279 00:15:32,800 --> 00:15:36,280 Speaker 3: knew that I wanted to see him as a whole 280 00:15:36,480 --> 00:15:39,480 Speaker 3: creator and not limit him just to being on screen. 281 00:15:39,560 --> 00:15:43,720 Speaker 3: And so that's something definitely I took from Issa, is 282 00:15:44,440 --> 00:15:47,120 Speaker 3: to use the gifts that are in front of you 283 00:15:47,280 --> 00:15:51,120 Speaker 3: and not allowing other. 284 00:15:51,000 --> 00:15:52,480 Speaker 4: People to get in their own way. 285 00:15:52,520 --> 00:15:54,320 Speaker 3: And I think that was just very generous of her 286 00:15:54,600 --> 00:15:57,360 Speaker 3: to not allow me to get my own way and 287 00:15:57,920 --> 00:16:01,520 Speaker 3: really saw me and wanted to use me. And of 288 00:16:01,560 --> 00:16:03,960 Speaker 3: course when she did, I activated, because of course I 289 00:16:04,000 --> 00:16:05,560 Speaker 3: love to do both. You know, That's what I'm doing 290 00:16:05,560 --> 00:16:08,240 Speaker 3: with the show now, and so I'm just really grateful 291 00:16:08,280 --> 00:16:13,480 Speaker 3: for her ability to see through my bullshit and allow 292 00:16:13,560 --> 00:16:16,920 Speaker 3: me to flourish as a creator and not just you know, 293 00:16:17,480 --> 00:16:18,520 Speaker 3: staying in one lane. 294 00:16:19,000 --> 00:16:21,760 Speaker 2: Okay, So I heard you have a frame Steve Martin 295 00:16:21,840 --> 00:16:26,200 Speaker 2: quote and it says, be so good they can't ignore you. 296 00:16:26,600 --> 00:16:27,080 Speaker 4: Yeah. 297 00:16:27,160 --> 00:16:28,520 Speaker 1: Why did you frame that quote? 298 00:16:29,120 --> 00:16:33,400 Speaker 3: I think primarily for me again, walking through the world 299 00:16:33,400 --> 00:16:38,320 Speaker 3: as a plus size black woman being overlooked was something 300 00:16:38,440 --> 00:16:44,240 Speaker 3: that was par for the course of having people fully 301 00:16:44,280 --> 00:16:46,440 Speaker 3: walk into me on the street because they're not looking 302 00:16:46,760 --> 00:16:52,920 Speaker 3: or not seeing myself represented on TV, and feeling like 303 00:16:52,920 --> 00:16:56,120 Speaker 3: I had no power in this situation, that I was powerless. 304 00:16:56,680 --> 00:16:59,120 Speaker 4: And I remember coming across that quote very early on 305 00:16:59,200 --> 00:17:00,320 Speaker 4: in my time at. 306 00:17:00,280 --> 00:17:06,800 Speaker 3: University of Maryland, and it sparked in me this agency 307 00:17:06,880 --> 00:17:09,280 Speaker 3: that I didn't know I had. Where it's just like, 308 00:17:09,960 --> 00:17:14,480 Speaker 3: I can't control other people's willingness to see me, willingness 309 00:17:14,480 --> 00:17:18,399 Speaker 3: to support me, and I don't want to exhaust myself 310 00:17:18,680 --> 00:17:23,200 Speaker 3: in trying to appease their idea of who I should 311 00:17:23,240 --> 00:17:27,000 Speaker 3: be or live within those limitations. But I know what 312 00:17:27,040 --> 00:17:28,919 Speaker 3: I love to do, and I'm just going to do 313 00:17:28,960 --> 00:17:33,040 Speaker 3: it the best fucking way I know how, and I'm 314 00:17:33,040 --> 00:17:36,280 Speaker 3: going to invest in myself and I'm going to read 315 00:17:36,320 --> 00:17:40,400 Speaker 3: the books and take the classes. And it wasn't about 316 00:17:40,680 --> 00:17:44,320 Speaker 3: proving other people wrong. It was proving me right, being like, oh, I'm. 317 00:17:44,160 --> 00:17:46,440 Speaker 4: Good at this. I'm really fucking good at this. 318 00:17:47,000 --> 00:17:51,560 Speaker 3: So even though my existence might be something that you're 319 00:17:51,720 --> 00:17:56,679 Speaker 3: wanting to ignore or are predisposed to ignore, my talent 320 00:17:56,800 --> 00:17:58,760 Speaker 3: is going to make you sit up and take notice. 321 00:17:58,840 --> 00:18:00,760 Speaker 4: And that's it. 322 00:18:02,080 --> 00:18:05,480 Speaker 5: That is a word that is I'm going to frame 323 00:18:05,520 --> 00:18:09,359 Speaker 5: that quote. Wait, give it to me one more time, Natasha, 324 00:18:09,560 --> 00:18:10,280 Speaker 5: be so good. 325 00:18:10,119 --> 00:18:13,119 Speaker 3: They can't ignore you, And yeah, that's the quote, and 326 00:18:13,200 --> 00:18:14,960 Speaker 3: that's that's the one you gotta frame. But you just 327 00:18:15,000 --> 00:18:17,280 Speaker 3: got to tap into the fact that you're going to 328 00:18:17,280 --> 00:18:20,440 Speaker 3: be a bad bitch by yourself for yourself, and people 329 00:18:20,480 --> 00:18:21,439 Speaker 3: will take notice. 330 00:18:23,000 --> 00:18:26,400 Speaker 2: I have a question about that voice, the proving yourself right. 331 00:18:27,840 --> 00:18:30,720 Speaker 2: I interviewed Kevin Hart a few years ago and I 332 00:18:30,760 --> 00:18:33,520 Speaker 2: asked him, like, you know, he was finding this incredible 333 00:18:33,560 --> 00:18:39,239 Speaker 2: success that other comedians hadn't found monetarily financially, and I 334 00:18:39,320 --> 00:18:41,320 Speaker 2: was like, did you always know when you were in 335 00:18:41,359 --> 00:18:42,720 Speaker 2: Philly selling shoes? 336 00:18:43,000 --> 00:18:44,240 Speaker 1: Did you have that voice? 337 00:18:44,640 --> 00:18:46,760 Speaker 2: And he looked at me and he was like, no, 338 00:18:47,200 --> 00:18:49,040 Speaker 2: I had no idea my life was going to turn 339 00:18:49,080 --> 00:18:52,359 Speaker 2: out like this. And I didn't freaking believe him. And 340 00:18:52,440 --> 00:18:56,080 Speaker 2: I want to know if you had that voice and 341 00:18:56,200 --> 00:18:57,480 Speaker 2: have that voice still. 342 00:18:57,920 --> 00:19:01,840 Speaker 3: Here's what I've always known. I've always known I've been 343 00:19:01,880 --> 00:19:05,280 Speaker 3: called to do this work. I've always known that my 344 00:19:05,400 --> 00:19:09,600 Speaker 3: purpose is to put myself in a position of visibility 345 00:19:09,680 --> 00:19:10,520 Speaker 3: so other feel seen. 346 00:19:11,200 --> 00:19:13,120 Speaker 4: Those two I know to be true. 347 00:19:13,320 --> 00:19:16,880 Speaker 3: This life that I currently have, I didn't know that 348 00:19:18,160 --> 00:19:21,800 Speaker 3: it would happen, and I think that's just true. But 349 00:19:22,080 --> 00:19:24,440 Speaker 3: and I understand why he said that. But I'll tell 350 00:19:24,440 --> 00:19:28,040 Speaker 3: you what I did do. When I was in New York, 351 00:19:28,280 --> 00:19:31,560 Speaker 3: broke as can be, I wrote a check to myself 352 00:19:31,560 --> 00:19:34,240 Speaker 3: in the total amount of my college debt that I 353 00:19:34,280 --> 00:19:37,440 Speaker 3: could never cash less go to jail, and I kept 354 00:19:37,440 --> 00:19:39,240 Speaker 3: it in my wallet. 355 00:19:39,760 --> 00:19:42,920 Speaker 4: That's how big my dreams were. My dreams were. 356 00:19:42,960 --> 00:19:44,119 Speaker 3: I just want to be able to pay off my 357 00:19:44,160 --> 00:19:47,159 Speaker 3: college debt and do what I do for a living, 358 00:19:48,080 --> 00:19:51,040 Speaker 3: and to me, that really was success. I wanted to 359 00:19:51,040 --> 00:19:53,600 Speaker 3: be able to pay my rent and do my art 360 00:19:53,920 --> 00:19:56,240 Speaker 3: and not be in debt. That was the trifecta of 361 00:19:56,280 --> 00:19:58,760 Speaker 3: my goals at the time. And so to be in 362 00:19:58,760 --> 00:20:01,320 Speaker 3: a position where I have a production company, I'm starring 363 00:20:01,359 --> 00:20:05,160 Speaker 3: in my own show, at the distinct privilege of being 364 00:20:05,160 --> 00:20:07,440 Speaker 3: a part of some of the most iconic shows that 365 00:20:07,880 --> 00:20:11,400 Speaker 3: have been around in the last ten years, it is 366 00:20:11,480 --> 00:20:15,320 Speaker 3: so unfathomable to me that this is my life. And 367 00:20:15,320 --> 00:20:17,479 Speaker 3: I think this is where I the Taylor Swift all 368 00:20:17,520 --> 00:20:20,960 Speaker 3: Shucks sort of analogy comes in, because it just's I 369 00:20:22,320 --> 00:20:24,880 Speaker 3: feel so lucky, I feel so blessed, and. 370 00:20:26,560 --> 00:20:32,560 Speaker 4: It's overwhelming to wake up every day to this life. 371 00:20:32,880 --> 00:20:35,520 Speaker 3: And yes, it's a life that I worked for and 372 00:20:35,520 --> 00:20:38,679 Speaker 3: that I've prayed for and did vision boards for and 373 00:20:38,720 --> 00:20:42,640 Speaker 3: got crystals for. But even still, it's a humbling thing. 374 00:20:42,760 --> 00:20:45,600 Speaker 3: It's a humbling thing to have a dream come true 375 00:20:45,800 --> 00:20:46,679 Speaker 3: in front of people. 376 00:20:46,800 --> 00:20:48,040 Speaker 4: It's a humbling thing. 377 00:20:48,600 --> 00:20:51,879 Speaker 2: It's amazing how dreams will make you so well because 378 00:20:51,880 --> 00:20:54,920 Speaker 2: you need to believe in something larger. It's like otherwise 379 00:20:54,920 --> 00:20:55,879 Speaker 2: it's crazy making. 380 00:20:56,160 --> 00:20:59,040 Speaker 4: It is crazy making, it really really is. 381 00:20:59,119 --> 00:21:03,919 Speaker 3: And like before I moved to La, I didn't know 382 00:21:04,760 --> 00:21:07,640 Speaker 3: any like I knew my birth sign, I didn't know anything. 383 00:21:08,000 --> 00:21:09,960 Speaker 4: Now a bitch got crystals. 384 00:21:10,280 --> 00:21:13,960 Speaker 3: I'm invested in the mystery of life because I can't 385 00:21:14,000 --> 00:21:18,879 Speaker 3: explain my good fortune. And I'm not gonna cry. But 386 00:21:19,000 --> 00:21:23,160 Speaker 3: I just had my premiere last night, and I took 387 00:21:23,200 --> 00:21:26,560 Speaker 3: a moment just to stare at the audience, and I 388 00:21:26,600 --> 00:21:29,439 Speaker 3: asked them for permission, just to be weird, because and 389 00:21:29,520 --> 00:21:31,240 Speaker 3: I didn't plan on doing it, but I was just 390 00:21:31,240 --> 00:21:32,879 Speaker 3: standing there and I was about to get into the 391 00:21:32,880 --> 00:21:34,520 Speaker 3: thank yous, and I looked out and I saw the 392 00:21:34,560 --> 00:21:38,399 Speaker 3: faces of all these people that I love and have 393 00:21:38,560 --> 00:21:42,919 Speaker 3: supported me showing up for my own show, and I 394 00:21:43,080 --> 00:21:44,840 Speaker 3: was in a bit of disbelief, so I needed to 395 00:21:44,880 --> 00:21:48,400 Speaker 3: pause and take a look at it. And yeah, it's 396 00:21:48,440 --> 00:21:51,480 Speaker 3: crazy making to think that life led me to that 397 00:21:51,560 --> 00:21:53,960 Speaker 3: moment when I just I have all of these acute 398 00:21:54,000 --> 00:21:57,840 Speaker 3: memories of the struggle and being in New York and 399 00:21:58,720 --> 00:22:01,480 Speaker 3: leaving an improv show and not having enough money on 400 00:22:01,520 --> 00:22:04,280 Speaker 3: my Metro card and picking up cards on the subway 401 00:22:04,320 --> 00:22:06,320 Speaker 3: floor just so I could get home because I had 402 00:22:06,359 --> 00:22:09,000 Speaker 3: no money in my account because I've overdrawn it because 403 00:22:09,000 --> 00:22:10,800 Speaker 3: I needed a prop for a sketch, you know what 404 00:22:10,840 --> 00:22:13,760 Speaker 3: I mean. And to go from that to last night, 405 00:22:15,160 --> 00:22:17,240 Speaker 3: it could be crazy making if you don't acknowledge that 406 00:22:17,280 --> 00:22:19,160 Speaker 3: there's something else going on. 407 00:22:19,640 --> 00:22:21,200 Speaker 1: De Lulu is the Sululu. 408 00:22:21,359 --> 00:22:24,439 Speaker 4: Lululu is the Sululu. I'm trying to look. I have 409 00:22:24,520 --> 00:22:25,320 Speaker 4: this beautiful beat. 410 00:22:25,359 --> 00:22:27,520 Speaker 3: I'm trying not to waste the face, and I'm holding 411 00:22:27,560 --> 00:22:30,800 Speaker 3: back tears, but I'm just trying to enjoy the ride. 412 00:22:31,080 --> 00:22:33,119 Speaker 4: But yeah, I think De Lulu is the Sululu. 413 00:22:35,640 --> 00:22:38,040 Speaker 1: We need to take another short break. We'll be right back. 414 00:22:44,920 --> 00:22:48,600 Speaker 2: We're back with Natasha Rothwell, Natasha, we saw that you're 415 00:22:48,600 --> 00:22:51,800 Speaker 2: going to be developing an adaptation of a very wild 416 00:22:51,920 --> 00:22:55,440 Speaker 2: TikTok series that went viral earlier this year. Simone and 417 00:22:55,520 --> 00:22:59,920 Speaker 2: I watched many many clips from it. It's called Who 418 00:23:00,000 --> 00:23:03,520 Speaker 2: Who the F? Did I Marry? It's a fifty two 419 00:23:03,560 --> 00:23:07,160 Speaker 2: part series from Reesa Tisa all about her ex husband 420 00:23:07,160 --> 00:23:10,760 Speaker 2: who was a compulsive liar or pathological liar. What did 421 00:23:10,800 --> 00:23:12,280 Speaker 2: you see in it? Why did you want to bring 422 00:23:12,320 --> 00:23:13,000 Speaker 2: this to life? 423 00:23:13,160 --> 00:23:14,080 Speaker 4: A couple of things. 424 00:23:14,440 --> 00:23:18,360 Speaker 3: One in February when she dropped the series, I was 425 00:23:18,840 --> 00:23:19,800 Speaker 3: in Thailand. 426 00:23:19,960 --> 00:23:23,159 Speaker 4: I was working, and I was being tagged. 427 00:23:22,880 --> 00:23:26,679 Speaker 3: On her story like constantly on social media, and I 428 00:23:26,720 --> 00:23:29,640 Speaker 3: didn't have the time because I was working to explore 429 00:23:29,680 --> 00:23:32,600 Speaker 3: what it was. But then it popped up on my cousins, 430 00:23:32,760 --> 00:23:34,240 Speaker 3: like all the cousins in my family we have a 431 00:23:34,320 --> 00:23:36,679 Speaker 3: chat in on our phone, and I was just and 432 00:23:36,720 --> 00:23:40,920 Speaker 3: it was someone mocked up the cover of what an 433 00:23:40,920 --> 00:23:44,080 Speaker 3: adaptation would look like and had cast me in the 434 00:23:44,160 --> 00:23:45,439 Speaker 3: part of her. And I was like, Okay, I'll go 435 00:23:45,520 --> 00:23:50,399 Speaker 3: check it out. And I watched all eight hours and 436 00:23:51,280 --> 00:23:58,760 Speaker 3: I was blown away by this act of radical vulnerability. 437 00:24:00,080 --> 00:24:02,720 Speaker 3: She did not know that this was going to turn 438 00:24:02,760 --> 00:24:05,240 Speaker 3: into what it was. She just knew that she had 439 00:24:05,280 --> 00:24:10,520 Speaker 3: to tell her story for herself. Uninterrupted with the details 440 00:24:10,640 --> 00:24:13,000 Speaker 3: as a way to cleanse it and to get it 441 00:24:13,040 --> 00:24:15,879 Speaker 3: out of her. And when I saw that, I was 442 00:24:15,960 --> 00:24:19,359 Speaker 3: just genuinely moved. I understood why it had four hundred 443 00:24:19,359 --> 00:24:22,480 Speaker 3: and fifty million impressions and how she gained three million 444 00:24:22,480 --> 00:24:24,399 Speaker 3: TikTok followers in the span. 445 00:24:24,200 --> 00:24:25,000 Speaker 4: Of three weeks. 446 00:24:25,760 --> 00:24:31,440 Speaker 3: People are attracted and become addicted to that vulnerability, that honesty, 447 00:24:32,119 --> 00:24:34,920 Speaker 3: and not only that, she's an amazing storyteller, and that's 448 00:24:34,960 --> 00:24:38,359 Speaker 3: a hallmark of what Big Hattie Productions like, what we 449 00:24:38,480 --> 00:24:42,240 Speaker 3: look for is centering a marginalized voice and telling a 450 00:24:42,280 --> 00:24:45,840 Speaker 3: story that we haven't heard from that specific pov. 451 00:24:46,160 --> 00:24:51,480 Speaker 4: And it was a very intense battle to. 452 00:24:51,480 --> 00:24:53,600 Speaker 3: Get the rights because a lot of people through their 453 00:24:53,640 --> 00:24:57,000 Speaker 3: hat in the Ring, and this was a really trust 454 00:24:57,000 --> 00:24:59,600 Speaker 3: the universe moment because there are a lot of bigger. 455 00:24:59,359 --> 00:25:01,640 Speaker 4: Names than mine that tossed their hat in the ring. 456 00:25:02,600 --> 00:25:04,280 Speaker 3: But when I sat down with her to do our 457 00:25:04,359 --> 00:25:06,760 Speaker 3: pitch of like what I was thinking about for the series, 458 00:25:07,720 --> 00:25:11,720 Speaker 3: we just connected and I let her know that as 459 00:25:11,880 --> 00:25:14,720 Speaker 3: moved as I was by her act of vulnerability and 460 00:25:15,600 --> 00:25:20,040 Speaker 3: how compelling the story was, I was more interested in 461 00:25:20,080 --> 00:25:24,679 Speaker 3: the woman telling the story, and I wanted to approach 462 00:25:24,760 --> 00:25:28,040 Speaker 3: it from that pov of not just what happened to 463 00:25:28,080 --> 00:25:31,760 Speaker 3: you as a result of having married a pathological liar, 464 00:25:32,600 --> 00:25:36,920 Speaker 3: but what has happened to you after viral fame and 465 00:25:37,240 --> 00:25:42,679 Speaker 3: people are eating up your trauma like capital t trauma 466 00:25:43,440 --> 00:25:44,480 Speaker 3: for sport. 467 00:25:44,200 --> 00:25:45,880 Speaker 4: And how does that affect you as a person? 468 00:25:46,000 --> 00:25:49,240 Speaker 3: And I think we just connected on that really wanting 469 00:25:49,280 --> 00:25:53,119 Speaker 3: to not just capitalize on a hot moment, but to 470 00:25:53,320 --> 00:25:57,960 Speaker 3: really use this as an opportunity to do what I 471 00:25:58,000 --> 00:26:00,720 Speaker 3: did with how to die alone and really work out 472 00:26:00,760 --> 00:26:03,280 Speaker 3: some shit and get real with some shit and have 473 00:26:03,320 --> 00:26:04,720 Speaker 3: fun with it at the same time. 474 00:26:04,840 --> 00:26:08,119 Speaker 4: And so yeah, I'm just really grateful for the opportunity. 475 00:26:08,520 --> 00:26:13,879 Speaker 2: You seem so clear on what your production company wants 476 00:26:13,880 --> 00:26:17,399 Speaker 2: to be a part of. To me, that signals like 477 00:26:17,440 --> 00:26:22,400 Speaker 2: a very strong value system. Personally, I'm wondering what your 478 00:26:22,480 --> 00:26:26,200 Speaker 2: most deeply held belief is that guides your life's work 479 00:26:26,920 --> 00:26:28,320 Speaker 2: or guid's your life and your work. 480 00:26:28,359 --> 00:26:29,280 Speaker 1: Let me put it that way. 481 00:26:29,880 --> 00:26:34,440 Speaker 3: Yeah, I operate from a place of kindness and being 482 00:26:34,560 --> 00:26:36,280 Speaker 3: nice and kind or vastly different. 483 00:26:37,000 --> 00:26:39,200 Speaker 4: One is hollow and one is you know, substantive. 484 00:26:39,240 --> 00:26:43,880 Speaker 3: And it's not because I want something from someone. It's 485 00:26:43,920 --> 00:26:48,040 Speaker 3: because I'm operating from that place of empathy and understanding 486 00:26:48,080 --> 00:26:48,959 Speaker 3: first and grace. 487 00:26:49,640 --> 00:26:50,800 Speaker 4: It's how I was raised. 488 00:26:50,800 --> 00:26:52,919 Speaker 3: But outside of that, it makes the most sense of 489 00:26:52,960 --> 00:26:59,160 Speaker 3: me as a person. And so I think that kindness 490 00:26:59,359 --> 00:27:03,160 Speaker 3: can sometime and be looked at as weakness, and. 491 00:27:04,480 --> 00:27:06,880 Speaker 4: I can say fuck you in a very kind. 492 00:27:06,680 --> 00:27:09,720 Speaker 3: Way, do you know what I'm saying. So don't mistaken 493 00:27:09,760 --> 00:27:14,280 Speaker 3: for weakness, but for me seeing people, meeting them where 494 00:27:14,280 --> 00:27:18,320 Speaker 3: they are, looking at them in the eye, auditing what 495 00:27:18,400 --> 00:27:22,080 Speaker 3: it is that I have and how it might be 496 00:27:22,160 --> 00:27:25,240 Speaker 3: of service to someone else, Not because I want something back, 497 00:27:25,320 --> 00:27:27,040 Speaker 3: but because it. 498 00:27:27,080 --> 00:27:28,879 Speaker 4: Feels good to do. I just. 499 00:27:30,600 --> 00:27:33,960 Speaker 3: It's literally it's who I am, and I think the 500 00:27:34,000 --> 00:27:36,200 Speaker 3: world could use a little more of it. But yeah, 501 00:27:36,400 --> 00:27:40,960 Speaker 3: I think it's kindness can be sometimes an underrated sort 502 00:27:41,000 --> 00:27:43,159 Speaker 3: of guiding principle. 503 00:27:42,720 --> 00:27:44,080 Speaker 4: But I think it's very important. 504 00:27:44,840 --> 00:27:45,399 Speaker 1: Natasha. 505 00:27:45,920 --> 00:27:48,080 Speaker 5: It's been such a pleasure getting to know you a 506 00:27:48,080 --> 00:27:50,320 Speaker 5: little bit better over the course of this interview, because 507 00:27:50,520 --> 00:27:52,560 Speaker 5: of course I've only gotten to see your work on 508 00:27:52,640 --> 00:27:55,240 Speaker 5: TV and you've had me in stitches. There are three 509 00:27:55,359 --> 00:27:59,280 Speaker 5: words that come to mind when I think of you 510 00:27:59,640 --> 00:28:06,040 Speaker 5: now that we've had this conversation. Kindness, for sure, expansiveness, 511 00:28:08,119 --> 00:28:11,240 Speaker 5: that act of taking up space. And then finally it's 512 00:28:11,280 --> 00:28:15,000 Speaker 5: this phrase that you disdropped, radical vulnerability, And I feel 513 00:28:15,040 --> 00:28:16,760 Speaker 5: like that's the title of this episode, Danielle. 514 00:28:16,760 --> 00:28:17,720 Speaker 4: I don't know, let me know. 515 00:28:17,640 --> 00:28:21,160 Speaker 5: What a radical vulnerability because I see that in your characters, 516 00:28:21,440 --> 00:28:23,480 Speaker 5: the kind of work you want to do, what you 517 00:28:23,520 --> 00:28:24,520 Speaker 5: want to be known for. 518 00:28:25,320 --> 00:28:26,560 Speaker 1: That seems to be the through line. 519 00:28:26,880 --> 00:28:28,120 Speaker 4: Thank you. That means a lot. 520 00:28:28,160 --> 00:28:30,480 Speaker 3: I feel very seen by you two, and I'm just 521 00:28:30,480 --> 00:28:34,359 Speaker 3: so appreciative for this conversation. I love to chinwag about 522 00:28:34,400 --> 00:28:37,200 Speaker 3: deep things and this has been just such a treat. 523 00:28:37,320 --> 00:28:39,760 Speaker 3: And yeah, just thank you for your support for this 524 00:28:39,840 --> 00:28:43,040 Speaker 3: show and for always. It's lovely to hear and it 525 00:28:43,080 --> 00:28:43,720 Speaker 3: means everything. 526 00:28:43,800 --> 00:28:46,840 Speaker 1: Thanks for your heart, Natasha, thank you, Thank you. 527 00:28:48,920 --> 00:28:52,080 Speaker 2: Natasha Rothwell is an Emmy nominated actor and the creator 528 00:28:52,120 --> 00:28:54,560 Speaker 2: and star of Hulu's new show How to Die Alone. 529 00:28:55,000 --> 00:28:57,320 Speaker 2: She'll be reprising her role on The White Lotus in 530 00:28:57,360 --> 00:28:59,000 Speaker 2: its upcoming third season. 531 00:29:04,520 --> 00:29:06,840 Speaker 5: That's it for today's show. Tomorrow, we're popping off with 532 00:29:06,920 --> 00:29:09,080 Speaker 5: the co host of the Talk Amanda Klutes. 533 00:29:10,280 --> 00:29:13,240 Speaker 2: Listen and follow the bright Side on the iHeartRadio app, 534 00:29:13,280 --> 00:29:16,720 Speaker 2: Apple Podcasts, or wherever you get your podcasts. Join the 535 00:29:16,720 --> 00:29:20,080 Speaker 2: conversation using hashtag the bright Side and connect with us 536 00:29:20,120 --> 00:29:23,560 Speaker 2: on social media at Hello Sunshine on Instagram and at 537 00:29:23,560 --> 00:29:26,320 Speaker 2: the bright Side Pod on TikTok, and feel free to 538 00:29:26,360 --> 00:29:29,320 Speaker 2: tag us Simone Boys and Danielle Robe See 539 00:29:29,360 --> 00:29:34,120 Speaker 5: You tomorrow, folks, Keep looking on the bright side,