WEBVTT - Who screwed up the keyboard?

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you get in touch with technology with

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<v Speaker 1>tech Stuff from how stuff works dot com. Hello everybody,

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<v Speaker 1>and welcome to tech stuff. My name is Chris Poulettin,

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<v Speaker 1>and I am the tech editor here at how stuff

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<v Speaker 1>works dot Com. Sitting across from me, as usual, is

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<v Speaker 1>senior writer Jonathan Strickland. I still have swine flu. I

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<v Speaker 1>should add that I've recorded this episode directly after another episode,

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<v Speaker 1>so please don't think that I've had swine flu for

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<v Speaker 1>like a month, just in case they don't play them sequentially. Yeah,

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<v Speaker 1>you better hope they don't play this one first. Yeah,

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<v Speaker 1>that would also be very confusing for you guys. But

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<v Speaker 1>if they do play this one first, trust me, it'll

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<v Speaker 1>all be worthwhile in the end. All right. So let's

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<v Speaker 1>start off with a little listener mail. Now, by a

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<v Speaker 1>little listener mail, I mean a lot of listener mail,

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<v Speaker 1>because I've got two different ones to read, alright. The

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<v Speaker 1>first one comes from Terrell and he says, hey, Jonathan

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<v Speaker 1>and Chris, I love listening to your podcast on my

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<v Speaker 1>drive to and from work. It makes being up at

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<v Speaker 1>five thirty bearable. Gosh, if only I had something like that,

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<v Speaker 1>I had a quick question for you. I have no

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<v Speaker 1>idea if this is a quick little subject or something longer,

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<v Speaker 1>but something I've always wondered. Why are the keys on

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<v Speaker 1>a computer keyboard laid out the way they are? I

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<v Speaker 1>understand that it came from typewriters, but when you look

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<v Speaker 1>at it and think about it, they just seemed to

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<v Speaker 1>be random letters and arbitrary places. I've been using a

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<v Speaker 1>keyboard my whole life, so I can type fast without

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<v Speaker 1>having to look at them without really a problem, but

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<v Speaker 1>the fact of the matter remains the same. I also

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<v Speaker 1>remember a couple of years ago hearing about a new

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<v Speaker 1>keyboard layout that was possibly going to happen, which supposedly

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<v Speaker 1>would make typing much faster. It's really glad it didn't

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<v Speaker 1>after using a keyboard for about two decades, but it's

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<v Speaker 1>interesting nonetheless. Anyways, thanks for a great podcast and hope

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<v Speaker 1>to hear from you. And then here's the second listener mail.

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<v Speaker 1>This one comes from Chad A k A. Chainsaw. Chainsaw

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<v Speaker 1>has this to say. Hey, there, as I was typing

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<v Speaker 1>up an email to your rival podcast, stuff, you should know,

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<v Speaker 1>I came up with an idea for your podcast. You see,

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<v Speaker 1>I don't use a normal quirty keyboard. I use a

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<v Speaker 1>divorate keyboard instead, So I thought a podcast on alternative

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<v Speaker 1>keyboard layouts could be fun. I also seem to remember

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<v Speaker 1>a keyboard made for gaming that you could buy custom

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<v Speaker 1>key layouts for that you would swap in and out

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<v Speaker 1>for each game. From what I remember, the main advantage

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<v Speaker 1>of it is that you would only have the keys

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<v Speaker 1>needed to play the game, So the buttons were bigger

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<v Speaker 1>and had the action printed right on it run, jump, reload, etcetera.

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<v Speaker 1>But I can't remember what it was called. The only

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<v Speaker 1>problem I see with this idea is explaining how the

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<v Speaker 1>keyboard looks with audio only. Anyways, let me know what

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<v Speaker 1>you think of the idea. So we're gonna do an

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<v Speaker 1>episode all about We're gonna talk about keyboards. That was

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<v Speaker 1>a long set up for a terrible job. You know

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<v Speaker 1>what Emily is gonna write to me about that? Probably Emily,

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<v Speaker 1>I've got swine flu. Go easy on me. So let's

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<v Speaker 1>start with the good old fashioned quirty keyboard. All no

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<v Speaker 1>and loath love. I don't load the quarty keyboard. Actually,

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<v Speaker 1>I'm quite proficient at the quarty keyboard, so I don't

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<v Speaker 1>loathe it either. Now, this comes from a design that

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<v Speaker 1>was patented way back in eighteen seven, in the eighteen seventies.

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<v Speaker 1>I thought I had the date, but I just have

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<v Speaker 1>the I have eighteen seventy three. Okay, so hum by

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<v Speaker 1>Christopher Shoals. Yes, and this was for something called a typewriter. Yes. Now,

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<v Speaker 1>the typewriter back in the day was a completely mechanical machine,

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<v Speaker 1>no electricity. Alright. I start to believe that some people

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<v Speaker 1>listening may not know that, but it is possible. So

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<v Speaker 1>if you may not have actually ever seen a real,

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<v Speaker 1>for honest goodness typewriter, I've used them before and they

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<v Speaker 1>are a challenge. An old one is really kind of

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<v Speaker 1>rough to use because if the action isn't great on

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<v Speaker 1>the keys, you have to push really hard to get

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<v Speaker 1>a good impression. I've got an Underwood at home. Actually,

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<v Speaker 1>the ways about seven hundred thousand pounds. It is very

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<v Speaker 1>very heavy. Yeah, I've I've I can't remember what the

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<v Speaker 1>brand was it was, what was the other big ones

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<v Speaker 1>sides Underwood, Remington, Yes, it was Remington's Remington. That was

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<v Speaker 1>the one that I used. Well, that's because you know,

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<v Speaker 1>Christopher Latham Shoals pitched it to Remington Arms Company. So

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<v Speaker 1>let's talk a little bit about why the keyboard, why

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<v Speaker 1>he decided to lay the keyboard out in this way.

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<v Speaker 1>First of all, well we'll talk about the whole way

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<v Speaker 1>a typewriter works is that the key is connected to

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<v Speaker 1>a mechanical arm that um, when you pressed out on

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<v Speaker 1>the key, little levers pushed the arm up and press

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<v Speaker 1>it against a ribbon and against a piece of paper,

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<v Speaker 1>and then you get the letter printed on the page.

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<v Speaker 1>Have you ever seen a piece of carbon paper? Again,

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<v Speaker 1>many of you may not have, But basically what it

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<v Speaker 1>does is as you press, if you put a piece

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<v Speaker 1>of paper down on the table and put a piece

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<v Speaker 1>of carbon paper down on top of it and then

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<v Speaker 1>rub something on it, you'll get a mark. When you

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<v Speaker 1>lift the carbon paper off the paper, it leaves a

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<v Speaker 1>mark on the paper. Well, that's essentially what the typewriter

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<v Speaker 1>ribbon is doing. The ribbon moves so that you're not

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<v Speaker 1>wearing a hole through the ribbon. Yeah, you would quickly

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<v Speaker 1>either wear a hole to the ribbon or you would

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<v Speaker 1>wear off the the inc essentially. Yeah, and it's pretty

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<v Speaker 1>fragile stuff too, so you don't want to, uh, you know,

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<v Speaker 1>type too many letters in one place on the ribbon.

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<v Speaker 1>But um, the typewriter keys on the older style typewriters,

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<v Speaker 1>and they were in use for I'm guessing probably around

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<v Speaker 1>a hundred years, you know, based on eighteen seventy three

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<v Speaker 1>to the IBM S Electric, one of which I also

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<v Speaker 1>have at home. Um, these little arms would come up

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<v Speaker 1>and they each have uh an individual letter on him.

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<v Speaker 1>They smack the ribbon and make the mark on the paper.

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<v Speaker 1>It's actually pretty simple stuff until you get to the

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<v Speaker 1>you know, mechanics of what happens when you start touch

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<v Speaker 1>typing and not hunting and pecking. Yeah. So one of

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<v Speaker 1>the issues here is that if you were a proficient

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<v Speaker 1>typist and you had the keys laid out in such

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<v Speaker 1>a way that the most the most common letters are

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<v Speaker 1>all under the strongest fingers, and you were to type

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<v Speaker 1>very quickly, you would suddenly start to experience problems with

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<v Speaker 1>this key, this this typewriter, and the problem was that

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<v Speaker 1>the arms would kind of get entangled. Um. I've actually

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<v Speaker 1>had this happen with old typewriters, where you know, you're

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<v Speaker 1>trying to type and then they a couple of them

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<v Speaker 1>stick together and you you have to you know, loosen

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<v Speaker 1>the two up and then you have to start over again. Um.

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<v Speaker 1>With the typewriter design that Schulz was working with, it

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<v Speaker 1>was particularly difficult because where the the the the little

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<v Speaker 1>arm was hitting the ribbon against the paper, it wasn't

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<v Speaker 1>in view of the type is. It was actually under

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<v Speaker 1>a carriage. You had to open the typewriter up to

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<v Speaker 1>get to that point. So if things jammed up, you

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<v Speaker 1>would not only have to stop, but you would actually

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<v Speaker 1>have to essentially remove part of the typewriter in order

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<v Speaker 1>to fix it. It was actually in your benefit to

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<v Speaker 1>two hunt and pack at that time, because the key

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<v Speaker 1>needed a chance to return to its play ace after

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<v Speaker 1>after you know, type a letter onto the paper. So

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<v Speaker 1>shoals is uh. His solution to this problem was a

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<v Speaker 1>pretty you know, ingenious one. What's the best way to

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<v Speaker 1>prevent keys from jamming up? Well, we could redesign the

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<v Speaker 1>typewriter so that it wasn't using that exact same method,

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<v Speaker 1>or you know, we could uh try and find some

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<v Speaker 1>way of of clearing each of the arms. But that's

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<v Speaker 1>a lot of work. Why don't we just put all

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<v Speaker 1>the keys in different places so that it naturally slows

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<v Speaker 1>down the type ist and and puts the most common

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<v Speaker 1>keys away from our common letters away from each other,

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<v Speaker 1>so that you're not likely to have two arms close

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<v Speaker 1>together strike at about the same time and then get

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<v Speaker 1>tangled up. Yep. So, in other words, bungling it up

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<v Speaker 1>for the rest of us on purpose, so that his

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<v Speaker 1>machine would work better. The thing is, though, it doesn't

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<v Speaker 1>always because as far as touched pin goes, once you

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<v Speaker 1>learned the layout of the keyboard, you know, it's a

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<v Speaker 1>matter of speed and proficiency. When you become proficient at

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<v Speaker 1>your speed increases anyway. Well, but the idea here was

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<v Speaker 1>that if you did keep the most common letters away

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<v Speaker 1>from each other, then even if you were a faster typist,

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<v Speaker 1>that you weren't likely to have them jam each other

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<v Speaker 1>because they wouldn't be right next to one another. Um,

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<v Speaker 1>sidebar number one, I have to sidebar number one. Uh.

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<v Speaker 1>My mother used to be a secretary back before they

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<v Speaker 1>were called admins. And um, she could type a hundred

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<v Speaker 1>thirty five words per minute. That's fast, that is very fast.

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<v Speaker 1>And um she you know, before this electric came out,

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<v Speaker 1>that'll be sidebart number two. Um, the before this electric

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<v Speaker 1>came out, the you know, and she would type on

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<v Speaker 1>one of these you know, quarty keyboards on a typewriter

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<v Speaker 1>with the all little arms, and eventually they had to

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<v Speaker 1>replace her typewriter because the little arms would wear on

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<v Speaker 1>one another so much that basically they were unusable, and

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<v Speaker 1>that the you know, they started wearing into the letters,

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<v Speaker 1>and that's sort of problematic. Um Sideboart number two, I

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<v Speaker 1>guess I'll go ahead and get it out of the way.

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<v Speaker 1>Is just you know, the other solution to the problem

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<v Speaker 1>is not the keyboard. Um. The later typewriters used a ball.

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<v Speaker 1>UM and it's it's pretty ingenious actually because all the

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<v Speaker 1>letters are you know, made into the single ball and

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<v Speaker 1>you can actually change fonts. It's actually pretty cool because

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<v Speaker 1>you can change fonts by changing the ball on the typewriter.

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<v Speaker 1>But what the the typewriter does when you press a key,

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<v Speaker 1>it rotates the ball and smacks the ribbon against the

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<v Speaker 1>paper for the position of that letter. So if the

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<v Speaker 1>t is on the side facing you, the typewriter actually

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<v Speaker 1>has to turn the ball all the way you know,

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<v Speaker 1>eight degrees, hit the paper, and then it returns to

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<v Speaker 1>its uh, you know place. But it also is very

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<v Speaker 1>uh it speeds up um for people who are typing

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<v Speaker 1>because uh, it is much much faster and the key

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<v Speaker 1>there's no there are no keys to jam on, you know,

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<v Speaker 1>on the other side, and it's you know, a lie

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<v Speaker 1>yea more efficient. However, you know, the keyboard is uh

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<v Speaker 1>now attached to a computer, and the whole point is

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<v Speaker 1>sort of mood yea. So here's the problem. Was that

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<v Speaker 1>the Rimington typewriter got really popular. It became the the

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<v Speaker 1>model that all other typewriters were essentially based off of

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<v Speaker 1>for in the at least in the English speaking world

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<v Speaker 1>for quite some time. And because of that, it meant

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<v Speaker 1>that we were kind of stuck with the quirty keyboard.

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<v Speaker 1>So even as technology advanced, because people have become so

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<v Speaker 1>used to the quirty keyboard, that became the standard, even

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<v Speaker 1>even when it became completely a non factor where your

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<v Speaker 1>technology advanced to the point where you didn't have to

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<v Speaker 1>worry about keys smashing into each other or or you know,

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<v Speaker 1>arms smashing into each other, or even then the electronic

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<v Speaker 1>age where you're not even having any moving parts didn't

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<v Speaker 1>matter because the quirty keyboard had been around so long.

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<v Speaker 1>For one thing, people had learned to type on the

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<v Speaker 1>quarty keyboard, and to change that would require retraining people

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<v Speaker 1>to type. They have to learn a new way to

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<v Speaker 1>type on a new keyboard, and that that's a you know,

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<v Speaker 1>a big turn off for a lot of organizations. They

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<v Speaker 1>don't want to spend the time and money that it

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<v Speaker 1>would take to retrain people to learn how to type

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<v Speaker 1>on a different kind of keyboard. Um, even if you

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<v Speaker 1>could technically type faster on the new keyboard once you

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<v Speaker 1>got proficient, because it just it means taking a step back.

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<v Speaker 1>You're like, well, yeah, I mean there are more efficient

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<v Speaker 1>ways to lay out the keyboard, but why would we

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<v Speaker 1>go through that trouble if this is good enough? Right,

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<v Speaker 1>and it's we've been using it for more than a

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<v Speaker 1>hundred years now, I mean, there's that's a lot of momentum.

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<v Speaker 1>Hasn't stopped people from trying. Nope, And I'm sure you're

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<v Speaker 1>probably going to start with Dr Augusta. Oh, I thought

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<v Speaker 1>it was John C. Dvorak. I was wondering why you

0:11:52.280 --> 0:11:57.920
<v Speaker 1>didn't have a key that just said. Anyone who knows

0:11:57.960 --> 0:12:00.480
<v Speaker 1>who John cvok is will find that funny, and everyone

0:12:00.520 --> 0:12:02.440
<v Speaker 1>else will have to go and google John C. Divora

0:12:02.440 --> 0:12:04.600
<v Speaker 1>I can find out why I made a grumpy noise

0:12:05.400 --> 0:12:10.120
<v Speaker 1>um nor nor is it the composer vor Jacques No

0:12:10.120 --> 0:12:15.320
<v Speaker 1>no so Nights Symphony is awesome. This this Divorac came

0:12:15.400 --> 0:12:19.880
<v Speaker 1>up with an alternative keyboard in the thirties, I believe, right. Yeah,

0:12:19.920 --> 0:12:24.760
<v Speaker 1>well apparently, um he sort of gained prominence thanks to

0:12:24.920 --> 0:12:29.160
<v Speaker 1>World War Two because they needed more efficient typists. And um,

0:12:29.679 --> 0:12:34.280
<v Speaker 1>from the information I've read, um, his his research indicated

0:12:34.280 --> 0:12:37.280
<v Speaker 1>that it took three years to reach forty seven words

0:12:37.280 --> 0:12:41.240
<v Speaker 1>per minute. Three years of touch typing on corty keyboards. Now, granted,

0:12:41.280 --> 0:12:43.760
<v Speaker 1>these are these are the old typewriters. Yeah, yeah, these

0:12:43.760 --> 0:12:46.000
<v Speaker 1>are this is pres electric days. You's got to remember

0:12:46.040 --> 0:12:49.199
<v Speaker 1>that that pressure that you use to press these keys

0:12:49.240 --> 0:12:52.120
<v Speaker 1>are in part what determines whether or not your letter

0:12:52.640 --> 0:12:55.800
<v Speaker 1>makes it onto the page. Because typing on these old

0:12:55.800 --> 0:12:58.160
<v Speaker 1>typewriters was a workout. Let me tell you, it's not

0:12:58.240 --> 0:12:59.680
<v Speaker 1>quite the same as like if you were to if

0:12:59.679 --> 0:13:02.720
<v Speaker 1>you were to take someone transport someone from the say

0:13:02.720 --> 0:13:04.520
<v Speaker 1>the eighteen eighties, who had been used to an old

0:13:04.600 --> 0:13:07.920
<v Speaker 1>eighteen eighties Remington typewriter and put them on, say a

0:13:08.559 --> 0:13:12.320
<v Speaker 1>MacBook Pro, you'd probably WinCE as they tried to type,

0:13:12.400 --> 0:13:14.280
<v Speaker 1>because you'd be worried that they were going to punch

0:13:14.360 --> 0:13:19.400
<v Speaker 1>holes through the machine. Um yeah, I'm sorry, I totally

0:13:19.400 --> 0:13:23.679
<v Speaker 1>derailed you. No no, no um. But according according to Dvorak.

0:13:23.840 --> 0:13:26.720
<v Speaker 1>Dr Dvorak, he uh, he said his on his keyboard,

0:13:26.840 --> 0:13:29.400
<v Speaker 1>you could reach that same level of proficiency after just

0:13:29.480 --> 0:13:32.920
<v Speaker 1>fifty two hours, and a Navy study seemed to back

0:13:33.000 --> 0:13:36.880
<v Speaker 1>him up because it said people using the Dvorak keyboards

0:13:36.920 --> 0:13:40.679
<v Speaker 1>were sent faster and they were sixty percent more accurate. Well,

0:13:40.720 --> 0:13:42.600
<v Speaker 1>I have to say, whenever I have a Navy official

0:13:42.760 --> 0:13:48.800
<v Speaker 1>viewing me, I do tend to type faster. Okay, I'm

0:13:48.840 --> 0:13:52.040
<v Speaker 1>just saying those guys are seals are scary guys. I'm

0:13:52.080 --> 0:13:54.480
<v Speaker 1>just saying I want to ask you when the last

0:13:54.480 --> 0:13:56.840
<v Speaker 1>time you had a seal watching you type was. But

0:13:56.920 --> 0:13:58.880
<v Speaker 1>I don't think I want to know. Well, the last

0:13:58.880 --> 0:14:00.680
<v Speaker 1>time was at Sea World, but was a totally different

0:14:00.720 --> 0:14:07.520
<v Speaker 1>kind of seal. I've been shammoon. Yeah, alright, So let's

0:14:07.559 --> 0:14:09.920
<v Speaker 1>talk a little bit about what DeVore I did to

0:14:10.080 --> 0:14:12.959
<v Speaker 1>design his keyboard, Like what what was he thinking about?

0:14:13.000 --> 0:14:15.800
<v Speaker 1>And he was thinking about a couple of thinking. Well,

0:14:15.880 --> 0:14:18.040
<v Speaker 1>he was thinking more than more than let's try and

0:14:18.120 --> 0:14:20.880
<v Speaker 1>space these letters apart so we slow people down. He

0:14:21.000 --> 0:14:23.800
<v Speaker 1>was he was concerned with making things easier for type

0:14:23.920 --> 0:14:27.360
<v Speaker 1>is not more difficult that that. Actually, uh yeah, a

0:14:27.360 --> 0:14:29.800
<v Speaker 1>lot of people think that it was directly for that,

0:14:29.920 --> 0:14:33.200
<v Speaker 1>but yeah, well, he was looking mainly at things like

0:14:33.680 --> 0:14:37.320
<v Speaker 1>how frequently certain letters are used in the English language,

0:14:37.760 --> 0:14:39.920
<v Speaker 1>so you know, the length. The letters that are used

0:14:39.920 --> 0:14:43.000
<v Speaker 1>more frequently should be located in ways that are easiest

0:14:43.040 --> 0:14:46.240
<v Speaker 1>to reach. The letters that are least frequently used should

0:14:46.280 --> 0:14:48.680
<v Speaker 1>be put someplace kind of out of the way because

0:14:48.760 --> 0:14:50.120
<v Speaker 1>you know, you're not gonna have to reach for him

0:14:50.120 --> 0:14:53.040
<v Speaker 1>that often. And then he also was looking at the

0:14:53.080 --> 0:14:56.760
<v Speaker 1>physiology of people's fingers. He wanted to see like, okay, well,

0:14:56.800 --> 0:14:59.480
<v Speaker 1>the strongest fingers should be the ones that are connected

0:14:59.520 --> 0:15:01.880
<v Speaker 1>to the that are you know, would be typing the

0:15:01.920 --> 0:15:04.320
<v Speaker 1>most common letters because you don't tire out as quickly,

0:15:04.640 --> 0:15:07.920
<v Speaker 1>you can go much faster. Um, So that also played

0:15:07.920 --> 0:15:10.080
<v Speaker 1>a part in it. So if you look at the

0:15:10.120 --> 0:15:13.200
<v Speaker 1>Divorak keyboard, I mean, it looks pretty much the same

0:15:13.240 --> 0:15:15.320
<v Speaker 1>as a Quarty keyboard is just the letters are all

0:15:15.320 --> 0:15:17.640
<v Speaker 1>in different places than what you're used to, except for

0:15:17.680 --> 0:15:20.240
<v Speaker 1>like the A the A button is pretty much in

0:15:20.280 --> 0:15:22.320
<v Speaker 1>the same place, and there are more than one Divorac

0:15:22.400 --> 0:15:26.800
<v Speaker 1>layout scheme. So when you say Divora keyboard, they're not

0:15:26.920 --> 0:15:32.000
<v Speaker 1>all the same, but the the Divora typists all have

0:15:32.320 --> 0:15:35.360
<v Speaker 1>atrophied pinkies because there are no they don't have to

0:15:35.480 --> 0:15:40.320
<v Speaker 1>use them for anything really well, the left pinky. That's

0:15:40.360 --> 0:15:42.640
<v Speaker 1>another thing I should point out is that the Corty keyboard,

0:15:42.760 --> 0:15:46.240
<v Speaker 1>um it favors left handers, which probably another reason why

0:15:46.320 --> 0:15:49.240
<v Speaker 1>I like, Yeah, there are more words that you can

0:15:49.280 --> 0:15:52.440
<v Speaker 1>type with just your left hand then you can type

0:15:52.440 --> 0:15:54.800
<v Speaker 1>with um your right hand. For instance, I think the

0:15:54.880 --> 0:15:58.680
<v Speaker 1>longest word that you can type with your left hand

0:15:58.960 --> 0:16:04.440
<v Speaker 1>is stewardess is really yeah, it's a flight attendants. You

0:16:04.480 --> 0:16:06.280
<v Speaker 1>can't type with one. I know. I I type that

0:16:06.320 --> 0:16:10.640
<v Speaker 1>word now and I get slapped. It happens. But anyway,

0:16:10.720 --> 0:16:13.360
<v Speaker 1>the the Divora keyboard kind of shifts that a little

0:16:13.360 --> 0:16:15.520
<v Speaker 1>bit over to the right hand. Uh so the right

0:16:15.560 --> 0:16:17.160
<v Speaker 1>hand gets a little more weight because I mean, more

0:16:17.160 --> 0:16:19.520
<v Speaker 1>people are right handed than left handed. So we sinister

0:16:19.680 --> 0:16:23.120
<v Speaker 1>people are kind of shoved aside yet again, made the

0:16:23.160 --> 0:16:26.840
<v Speaker 1>social pariah's forced to learn how to write with our

0:16:26.920 --> 0:16:29.880
<v Speaker 1>other hand when we're naturally gifted with the left hand.

0:16:31.120 --> 0:16:32.320
<v Speaker 1>I'm going to smack you in the hand with the

0:16:32.400 --> 0:16:34.800
<v Speaker 1>ruler if you type only only with the right hand.

0:16:34.800 --> 0:16:36.400
<v Speaker 1>If you smack me in the right hand, I'm okay

0:16:36.440 --> 0:16:41.320
<v Speaker 1>because I'm left handed. So but the other, you know,

0:16:41.400 --> 0:16:43.400
<v Speaker 1>the couple of other issues, like like all the all

0:16:43.400 --> 0:16:47.120
<v Speaker 1>the vowels in dr X keyboard are on a little

0:16:47.200 --> 0:16:51.200
<v Speaker 1>row on the home row on the left hand, so

0:16:51.280 --> 0:16:53.640
<v Speaker 1>instead of them being spread across the keyboard, they're all

0:16:53.680 --> 0:16:58.280
<v Speaker 1>located in one little so it's like a great vowel shift. Yes,

0:16:58.320 --> 0:17:01.360
<v Speaker 1>it is a great vowel shift. The three linguists and

0:17:01.600 --> 0:17:05.640
<v Speaker 1>listening are laughing. Everyone else is confused. Everyone else is like, huh,

0:17:06.400 --> 0:17:07.719
<v Speaker 1>I think I might have heard of that this in

0:17:07.720 --> 0:17:12.760
<v Speaker 1>my Shakespeare class. Um. I was just going to, well,

0:17:12.800 --> 0:17:15.879
<v Speaker 1>I want to make sure before we get to you know,

0:17:15.920 --> 0:17:18.600
<v Speaker 1>closing out the divorat keyboard, and I get to make

0:17:18.640 --> 0:17:20.600
<v Speaker 1>a point. All right, go ahead and make your point.

0:17:20.680 --> 0:17:23.080
<v Speaker 1>I was just gonna say that, apparently, based on an

0:17:23.160 --> 0:17:26.920
<v Speaker 1>article I saw in Reason magazine, the Navy study was biased.

0:17:27.920 --> 0:17:32.480
<v Speaker 1>In general, the divorat keyboard is not necessarily more efficient,

0:17:33.040 --> 0:17:35.439
<v Speaker 1>but it may be more ergonomic because a lot of

0:17:35.440 --> 0:17:38.320
<v Speaker 1>people have said that, or you know, people I've read

0:17:38.800 --> 0:17:42.920
<v Speaker 1>said that it can it can be a more casual

0:17:43.440 --> 0:17:46.280
<v Speaker 1>uh typing style. It can you know, it's not. You

0:17:46.280 --> 0:17:49.520
<v Speaker 1>don't have to twist and turn your your fingers quite

0:17:49.560 --> 0:17:51.960
<v Speaker 1>as much. I don't have quite as many finger gymnastics

0:17:51.960 --> 0:17:54.199
<v Speaker 1>going on as with the quarty keyboard, but I but

0:17:54.200 --> 0:17:56.159
<v Speaker 1>I kind of enjoy it. You know. My my pinky

0:17:56.160 --> 0:17:59.400
<v Speaker 1>finger is getting pretty good at the rings. Yeah. My

0:17:59.400 --> 0:18:02.000
<v Speaker 1>my typing speed on a quirty keyboard is about ninety

0:18:02.000 --> 0:18:04.840
<v Speaker 1>words per minuted. Um. It would take me a long time,

0:18:04.840 --> 0:18:06.440
<v Speaker 1>I think to get up to that speed with the

0:18:06.480 --> 0:18:09.040
<v Speaker 1>door at keyboard, just from just having to learn the

0:18:09.080 --> 0:18:13.479
<v Speaker 1>new layout. And like Chainsaw I uh and and some

0:18:13.560 --> 0:18:18.640
<v Speaker 1>of our other listeners, I'm perfectly comfortable typing without looking

0:18:18.720 --> 0:18:23.080
<v Speaker 1>at the keys. Uh. So you know, it's the idea

0:18:23.119 --> 0:18:24.679
<v Speaker 1>of having to learn a new keyboard is kind of

0:18:24.680 --> 0:18:26.720
<v Speaker 1>intimidating to me. But we wanted to talk about a

0:18:26.720 --> 0:18:30.920
<v Speaker 1>couple of other keyboards as well. Now you were looking

0:18:30.960 --> 0:18:36.040
<v Speaker 1>at some keyboards for different languages and regions, right, yeah,

0:18:36.080 --> 0:18:38.200
<v Speaker 1>about that a little bit. A lot of a lot

0:18:38.240 --> 0:18:40.720
<v Speaker 1>of the keyboards that you find around the world are

0:18:41.280 --> 0:18:44.159
<v Speaker 1>you know, if you went to another country, obviously, if

0:18:44.160 --> 0:18:47.400
<v Speaker 1>you went to someplace like China or um, you know,

0:18:47.640 --> 0:18:51.359
<v Speaker 1>Thailand or someplace, you're going to see quite different characters,

0:18:51.640 --> 0:18:54.200
<v Speaker 1>like a Kanji keyboard would be much different from an

0:18:54.200 --> 0:18:56.480
<v Speaker 1>English keyboard. And as you were you were saying before

0:18:56.520 --> 0:18:59.800
<v Speaker 1>we started recordings, a lot of these require multi key presses,

0:18:59.840 --> 0:19:03.800
<v Speaker 1>but because they're basically using very very similar layouts, I

0:19:03.800 --> 0:19:07.000
<v Speaker 1>would assume probably because the manufacturer of keyboards. You know,

0:19:07.040 --> 0:19:09.280
<v Speaker 1>if you're going to make keyboards for people all around

0:19:09.320 --> 0:19:12.199
<v Speaker 1>the world, you know you're gonna try to fit the

0:19:12.240 --> 0:19:16.959
<v Speaker 1>same rough number of keys. It's about keys, and if

0:19:17.040 --> 0:19:21.399
<v Speaker 1>you've got a language that has hundreds and hundreds of characters,

0:19:21.600 --> 0:19:25.879
<v Speaker 1>by whole characters, then you're going to need some sort

0:19:26.000 --> 0:19:30.640
<v Speaker 1>of of probably a software solution rather than a hardware

0:19:30.640 --> 0:19:35.560
<v Speaker 1>solution to try and and and equivalent make the equivalent

0:19:35.600 --> 0:19:37.760
<v Speaker 1>of that in your keyboard. So yeah, you would have

0:19:37.840 --> 0:19:41.800
<v Speaker 1>to maybe push five or six different keys in succession

0:19:41.880 --> 0:19:45.200
<v Speaker 1>to create one single character. But um, actually it's probably

0:19:45.240 --> 0:19:46.960
<v Speaker 1>less than that because that would be when I sit

0:19:47.000 --> 0:19:48.720
<v Speaker 1>there and think about that exponentially, that would be a

0:19:48.760 --> 0:19:50.920
<v Speaker 1>huge number of characters. It's probably more like two or three.

0:19:51.520 --> 0:19:53.960
<v Speaker 1>But it's funny because I was talking to our producer

0:19:53.960 --> 0:19:57.720
<v Speaker 1>Tyler right for we started recording about you know, the

0:19:57.760 --> 0:20:00.879
<v Speaker 1>operating system supports other layouts. You know we were talking about.

0:20:01.080 --> 0:20:03.919
<v Speaker 1>I've never seen a Warak keyboard in the in the

0:20:03.960 --> 0:20:09.520
<v Speaker 1>flesh or the plastic and um but you can easily

0:20:09.600 --> 0:20:13.080
<v Speaker 1>go and get into your computers OS settings and change

0:20:13.080 --> 0:20:17.120
<v Speaker 1>it over, but the letters will still be right. Most

0:20:17.160 --> 0:20:21.840
<v Speaker 1>of the most current operating systems do support alternate keyboard layouts,

0:20:21.880 --> 0:20:24.400
<v Speaker 1>and some of them you can even customize it exactly

0:20:24.400 --> 0:20:26.320
<v Speaker 1>the way you want. You don't even have to necessarily

0:20:26.400 --> 0:20:30.280
<v Speaker 1>use a a um uh you know, a standardized layout

0:20:30.320 --> 0:20:32.840
<v Speaker 1>at all if you really wanted to and the keys.

0:20:32.920 --> 0:20:36.240
<v Speaker 1>What will happen is operating system will map the the

0:20:36.320 --> 0:20:40.119
<v Speaker 1>keys to their new designations. So you might say, you

0:20:40.119 --> 0:20:42.480
<v Speaker 1>know what, UM, I don't want the Q key to

0:20:42.480 --> 0:20:45.800
<v Speaker 1>be the Q key anymore. I want that to be uh,

0:20:45.840 --> 0:20:47.960
<v Speaker 1>you know Z, because I hardly ever use Z and

0:20:48.000 --> 0:20:49.960
<v Speaker 1>I'll be from my little pinky and I'm gonna put

0:20:49.960 --> 0:20:51.800
<v Speaker 1>that right there. Not that I think you use Q

0:20:51.960 --> 0:20:55.240
<v Speaker 1>that off in either, but the point being that you

0:20:55.280 --> 0:20:57.439
<v Speaker 1>could relocate it and then when you press it, like

0:20:57.560 --> 0:21:02.639
<v Speaker 1>the operating system maps that pressed mean Z. Granted, the

0:21:02.760 --> 0:21:06.160
<v Speaker 1>physical key itself is still going to say Q. Well,

0:21:06.200 --> 0:21:08.439
<v Speaker 1>you could depending on the kind of keyboard you have

0:21:08.520 --> 0:21:10.240
<v Speaker 1>you may be able to pry the keys off and

0:21:10.320 --> 0:21:13.440
<v Speaker 1>replace them right or or you could always just put

0:21:13.480 --> 0:21:17.200
<v Speaker 1>stickers on top with new letters on them. But uh yeah,

0:21:17.240 --> 0:21:19.280
<v Speaker 1>I mean you could you could go you know, sort

0:21:19.320 --> 0:21:21.359
<v Speaker 1>of depends on the language. Like you might see the

0:21:21.400 --> 0:21:26.240
<v Speaker 1>ASSERTI keyboard in France or the Courts keyboard in in Germany,

0:21:26.800 --> 0:21:29.800
<v Speaker 1>and they've got specific keys for AO and you with

0:21:29.840 --> 0:21:32.679
<v Speaker 1>the umlaut because they're so frequently used, right, whereas we

0:21:32.720 --> 0:21:34.919
<v Speaker 1>have to like insert a symbol or something like that

0:21:35.080 --> 0:21:38.600
<v Speaker 1>or do uh some sort of macro or and you know,

0:21:38.680 --> 0:21:43.000
<v Speaker 1>you can find keyboards with a strict alphabetical uh layout,

0:21:43.080 --> 0:21:45.080
<v Speaker 1>you know, a B C D keyboards, that's what they

0:21:45.080 --> 0:21:48.600
<v Speaker 1>call us. And then there's the Expert keyboard, which is

0:21:48.600 --> 0:21:50.720
<v Speaker 1>a different layout that was designed in two thousand three.

0:21:50.760 --> 0:21:55.159
<v Speaker 1>We actually it's in our our article on keyboards on

0:21:55.520 --> 0:21:58.080
<v Speaker 1>the on the website you know, stuffworks dot com. Yeah,

0:21:58.119 --> 0:22:00.320
<v Speaker 1>what's what's the expert keyboard? I haven't read this article?

0:22:00.520 --> 0:22:02.720
<v Speaker 1>Um actually when I went to the website to learn

0:22:02.760 --> 0:22:05.920
<v Speaker 1>more about it. Uh, it's it's designed as an alternative

0:22:05.960 --> 0:22:08.639
<v Speaker 1>to the dvorate keyboard. It actually has it again as

0:22:08.920 --> 0:22:12.280
<v Speaker 1>you know, based on the keys that you want to strike,

0:22:12.359 --> 0:22:16.040
<v Speaker 1>and the frequency with which the letters occur. It has

0:22:16.080 --> 0:22:21.159
<v Speaker 1>to ease one for each hand because he appears so frequently. Interesting,

0:22:21.640 --> 0:22:24.040
<v Speaker 1>but it's supposed to, you know, make the key combinations

0:22:24.119 --> 0:22:27.000
<v Speaker 1>from hand to hand more efficient. I would definitely make

0:22:27.040 --> 0:22:31.159
<v Speaker 1>typing I E E E easier. True, not that we

0:22:31.200 --> 0:22:33.280
<v Speaker 1>write about them all that frequently, No, we just go I.

0:22:34.440 --> 0:22:36.959
<v Speaker 1>But those are just different keyboard layouts. And when we

0:22:36.960 --> 0:22:38.840
<v Speaker 1>were going to talk about different kinds of keyboards, like

0:22:38.840 --> 0:22:41.800
<v Speaker 1>the gaming keyboards, right, so there are gaming keyboards out there.

0:22:42.000 --> 0:22:43.680
<v Speaker 1>I really don't have a whole lot to say about them.

0:22:43.680 --> 0:22:46.240
<v Speaker 1>I mean, they're mainly they're just really a special kind

0:22:46.280 --> 0:22:48.240
<v Speaker 1>of control. Really, when you get down to it, well,

0:22:48.240 --> 0:22:50.480
<v Speaker 1>it's another way for it's another way for the keyboard

0:22:50.520 --> 0:22:53.160
<v Speaker 1>manufacturers to make money. Yeah, I mean here by another

0:22:53.160 --> 0:22:55.719
<v Speaker 1>eight dollar keyboard. Some of them are. Some of them

0:22:55.720 --> 0:22:57.679
<v Speaker 1>are designed in such a way so that it's easier

0:22:57.720 --> 0:22:59.399
<v Speaker 1>for you to reach certain keys, like the W A

0:22:59.640 --> 0:23:03.000
<v Speaker 1>S keys, which are often used in first person shooters

0:23:03.000 --> 0:23:06.600
<v Speaker 1>and other other games for moving your character around. Now,

0:23:06.600 --> 0:23:09.320
<v Speaker 1>on a standard keyboard, it might be a little cramp

0:23:09.359 --> 0:23:12.200
<v Speaker 1>to put your fingers there. You know, it's slowwle weird

0:23:12.240 --> 0:23:14.400
<v Speaker 1>because you're if you especially if you want to be

0:23:14.440 --> 0:23:17.160
<v Speaker 1>holding down all or have contact with all four keys

0:23:17.160 --> 0:23:19.040
<v Speaker 1>at the same time, you're gonna end up with a

0:23:19.080 --> 0:23:21.800
<v Speaker 1>cramped hand after about half an hour. UM. So a

0:23:21.840 --> 0:23:24.800
<v Speaker 1>lot of these keyboards just have a different spacing, um,

0:23:24.880 --> 0:23:26.720
<v Speaker 1>and they may be a little more reinforced. Some of

0:23:26.720 --> 0:23:30.159
<v Speaker 1>them have backlighting, um, you know, stuff that makes it

0:23:30.200 --> 0:23:34.840
<v Speaker 1>look a little fancier. In general, they're still very functional keyboards. Uh.

0:23:34.920 --> 0:23:38.440
<v Speaker 1>Some of them may have uh pre set macros where

0:23:38.480 --> 0:23:41.399
<v Speaker 1>you can, um, have things set up so that pushing

0:23:41.440 --> 0:23:45.520
<v Speaker 1>one button actually executes a series of commands, which you know,

0:23:45.560 --> 0:23:47.359
<v Speaker 1>a lot of games support that, and you can do

0:23:47.440 --> 0:23:49.679
<v Speaker 1>it on your own with a normal keyboard, but you

0:23:49.760 --> 0:23:51.199
<v Speaker 1>kind of have to know what you're doing. Some of

0:23:51.240 --> 0:23:53.320
<v Speaker 1>these kind of take that out of your you know,

0:23:53.320 --> 0:23:55.439
<v Speaker 1>out of your hands and do it automatically so you

0:23:55.440 --> 0:23:58.680
<v Speaker 1>don't have to actually, you know, sit there and follow

0:23:58.720 --> 0:24:01.120
<v Speaker 1>a set of instructions to pro graham your your macro's

0:24:01.440 --> 0:24:06.040
<v Speaker 1>so that you can be leaked. Um. I've never had

0:24:06.119 --> 0:24:09.280
<v Speaker 1>much use for or the gaming keyboards that much, but

0:24:09.280 --> 0:24:12.280
<v Speaker 1>then that's because I'm not a I'm not a big gamer. Um.

0:24:12.320 --> 0:24:14.680
<v Speaker 1>If I were, I probably would love one of those

0:24:15.040 --> 0:24:18.680
<v Speaker 1>there in general, I've heard good things about them from gamers,

0:24:19.400 --> 0:24:21.840
<v Speaker 1>but since I don't game often enough to be in there,

0:24:22.480 --> 0:24:27.720
<v Speaker 1>uh esteemed company, it's not something that I've ever invested in. Now,

0:24:27.800 --> 0:24:30.640
<v Speaker 1>if we want to talk about a real investment, well,

0:24:30.640 --> 0:24:32.680
<v Speaker 1>first let's talk about the first let's talk about the

0:24:32.720 --> 0:24:35.640
<v Speaker 1>major investment. Let's talk about the major league crazy investment.

0:24:36.400 --> 0:24:39.480
<v Speaker 1>Major investment would be Optimist Maximus. Yes, the O L

0:24:39.520 --> 0:24:43.160
<v Speaker 1>E ED or O lead keyboard from art limav. Yes,

0:24:43.240 --> 0:24:48.000
<v Speaker 1>it has keys that are each an individual display. And

0:24:48.720 --> 0:24:50.960
<v Speaker 1>you want to talk about for a keyboards or mapping

0:24:51.080 --> 0:24:52.960
<v Speaker 1>keys and pulling them off, you don't have to do

0:24:53.000 --> 0:24:55.520
<v Speaker 1>it because your keys can be anything you want them

0:24:55.560 --> 0:24:58.000
<v Speaker 1>to be, right, because each key is essentially a little Yeah,

0:24:58.000 --> 0:25:00.239
<v Speaker 1>it's a little display. So if you want to too,

0:25:00.640 --> 0:25:03.080
<v Speaker 1>if you somethingly wanted to type in the cyrillic alphabet,

0:25:03.119 --> 0:25:05.000
<v Speaker 1>you can tell your keyboard that that's what you want

0:25:05.000 --> 0:25:07.359
<v Speaker 1>and suddenly all of your English letters will change to

0:25:07.400 --> 0:25:11.080
<v Speaker 1>cyrillic letters. And hey, you know, at the bargain price

0:25:11.200 --> 0:25:15.000
<v Speaker 1>of fifteen on think geek dot com at the moment

0:25:15.040 --> 0:25:17.840
<v Speaker 1>they're out of stock. Yeah, I've seen they can. I

0:25:17.840 --> 0:25:21.439
<v Speaker 1>think the lowest I've seen is like fourteen fifty seven.

0:25:21.520 --> 0:25:23.960
<v Speaker 1>So we're talking around a thousand, five hundred bucks for

0:25:24.119 --> 0:25:28.480
<v Speaker 1>most places. For this keyboard. That's really really expensive. Now

0:25:28.520 --> 0:25:30.600
<v Speaker 1>that you might sit there and think like, wow, that's

0:25:30.640 --> 0:25:32.600
<v Speaker 1>got to be one of the most expensive keyboards out there,

0:25:33.080 --> 0:25:35.560
<v Speaker 1>why don't you take a little one of the most expensive.

0:25:35.720 --> 0:25:38.000
<v Speaker 1>But if you want to talk about a really expensive keyboard,

0:25:38.280 --> 0:25:43.080
<v Speaker 1>let's talk about fairlights z Energy keyboard. This thing costs

0:25:43.240 --> 0:25:47.120
<v Speaker 1>twenty eight grand. Now, when it came out, I saw

0:25:47.119 --> 0:25:50.840
<v Speaker 1>a lot of reports about twenty thousand dollar keyboard, and

0:25:51.000 --> 0:25:54.520
<v Speaker 1>you know, I actually wrote an article about how this

0:25:54.680 --> 0:25:59.320
<v Speaker 1>energy keyboard works, and uh, the headlines are a little

0:25:59.640 --> 0:26:02.159
<v Speaker 1>miss eating because you would think, like, who the heck

0:26:02.200 --> 0:26:05.280
<v Speaker 1>would pay twenty dollars for a keyboard? Well, it's not.

0:26:05.600 --> 0:26:09.080
<v Speaker 1>It's not just a keyboard. It's actually part of a

0:26:09.160 --> 0:26:14.360
<v Speaker 1>comprehensive audio and video engineering center. Okay, so it's it's

0:26:14.359 --> 0:26:16.920
<v Speaker 1>more like a it's more like a really complex audio

0:26:16.960 --> 0:26:19.600
<v Speaker 1>and video editing device as opposed to just a keyboard.

0:26:19.640 --> 0:26:22.840
<v Speaker 1>It actually has its own memory, it's got its own screen,

0:26:23.119 --> 0:26:25.800
<v Speaker 1>Like there's a screen built into the keyboard each key

0:26:25.880 --> 0:26:28.919
<v Speaker 1>just like optimist Maximus is its own screen. Um, you

0:26:28.960 --> 0:26:32.280
<v Speaker 1>can even if you wanted to display video through your keys.

0:26:32.640 --> 0:26:34.120
<v Speaker 1>I don't know why you would want to do that,

0:26:34.200 --> 0:26:39.480
<v Speaker 1>but you could. But you can create animated uh images

0:26:39.520 --> 0:26:42.120
<v Speaker 1>on your keys, so like, uh, maybe a flashing red

0:26:42.200 --> 0:26:44.720
<v Speaker 1>light when you're recording something, So one of your keys

0:26:44.720 --> 0:26:47.240
<v Speaker 1>is flashing red you know, Oh, that means that the

0:26:47.320 --> 0:26:50.359
<v Speaker 1>record button has been hit. We're actually recording this, Like

0:26:50.400 --> 0:26:52.680
<v Speaker 1>I have to ask Tyler all the time or Matt

0:26:52.840 --> 0:26:55.440
<v Speaker 1>or whoever is in here are we currently recording because

0:26:55.440 --> 0:26:57.040
<v Speaker 1>I kind of need to know if I have to

0:26:57.080 --> 0:27:01.000
<v Speaker 1>behave myself or not. Like that stops you. Yeah, well,

0:27:01.119 --> 0:27:03.080
<v Speaker 1>let's just say that we've had people ask us about

0:27:03.160 --> 0:27:05.360
<v Speaker 1>out takes. I'm just gonna tell you guys right now,

0:27:05.560 --> 0:27:08.000
<v Speaker 1>we don't really have any outtakes because when we make mistakes,

0:27:08.080 --> 0:27:10.520
<v Speaker 1>we kind of keep them in the show pretty much.

0:27:10.560 --> 0:27:12.560
<v Speaker 1>I mean some of you have pointed those out, but

0:27:12.840 --> 0:27:16.679
<v Speaker 1>um uh we do talk before and after the shows

0:27:16.800 --> 0:27:19.080
<v Speaker 1>and it's juicy and I'm sure you guys would all

0:27:19.080 --> 0:27:21.639
<v Speaker 1>love to hear that, but we don't record those. I

0:27:21.680 --> 0:27:24.360
<v Speaker 1>specifically request that we turned the recorder off for that,

0:27:25.160 --> 0:27:28.760
<v Speaker 1>um at any rate. So this twenty keyboard is really

0:27:28.880 --> 0:27:31.560
<v Speaker 1>for audio engineers and video engineers. It's not meant for

0:27:31.600 --> 0:27:34.040
<v Speaker 1>the average consumer. It's not meant for someone playing Doom

0:27:34.240 --> 0:27:36.880
<v Speaker 1>or Quake or Half Life two or anything like that.

0:27:37.160 --> 0:27:40.959
<v Speaker 1>It's meant for someone who's producing music videos or albums

0:27:41.040 --> 0:27:44.399
<v Speaker 1>or whatever and they need to have. Essentially a portable

0:27:44.440 --> 0:27:48.320
<v Speaker 1>studio is what it turns out to be. Yeah, Um,

0:27:48.359 --> 0:27:51.119
<v Speaker 1>are you done with this energy? Yeah? Well, I was

0:27:51.119 --> 0:27:54.520
<v Speaker 1>gonna say one other thing. It it can record up

0:27:54.520 --> 0:27:56.680
<v Speaker 1>to ninety It can do handle it to ninety six

0:27:56.760 --> 0:27:59.760
<v Speaker 1>channels for the base model. The top of the line

0:27:59.800 --> 0:28:04.520
<v Speaker 1>level two thirty channels. Okay, so when you think about

0:28:04.520 --> 0:28:09.400
<v Speaker 1>the Beatles recording their albums on four channels, yep, imagine

0:28:09.400 --> 0:28:12.280
<v Speaker 1>what they'd sound like with two and thirty channels. That's

0:28:12.320 --> 0:28:15.560
<v Speaker 1>a lot of ringo. So what were you going to say?

0:28:15.640 --> 0:28:18.720
<v Speaker 1>I was going to mention, um, another kind of keyboard

0:28:18.720 --> 0:28:22.400
<v Speaker 1>that's considerably less expensive than that. It's uh that John

0:28:22.400 --> 0:28:27.040
<v Speaker 1>Fuller wrote about the the laser virtual keyboard, right. Um,

0:28:27.080 --> 0:28:29.800
<v Speaker 1>Basically this isn't a keyboard at all, except it kind

0:28:29.800 --> 0:28:32.920
<v Speaker 1>of is. Um. It's a device that you can hook

0:28:33.000 --> 0:28:36.720
<v Speaker 1>up to uh while a computer or uh, you know,

0:28:36.840 --> 0:28:41.840
<v Speaker 1>certain types of other electronic devices that require keyboards and

0:28:42.080 --> 0:28:45.760
<v Speaker 1>UM basically uses a laser and it shines through what's

0:28:45.760 --> 0:28:49.800
<v Speaker 1>called a diffractive optical element UH. And with with that

0:28:49.880 --> 0:28:52.920
<v Speaker 1>and lenses, certain kinds of lenses, it projects an image

0:28:53.000 --> 0:28:56.600
<v Speaker 1>of a keyboard on say the desktop in front of you.

0:28:57.320 --> 0:28:59.920
<v Speaker 1>So in front of you where there was a blank table,

0:29:00.040 --> 0:29:03.240
<v Speaker 1>now you see the keys from a keyboard. UM, and

0:29:03.320 --> 0:29:07.880
<v Speaker 1>an infrared laser diode at the base UH shines a

0:29:07.960 --> 0:29:11.280
<v Speaker 1>beam of light parallel to the table surface, so that

0:29:11.320 --> 0:29:14.080
<v Speaker 1>when you when you type on you know, basically you're

0:29:14.120 --> 0:29:16.800
<v Speaker 1>drumming your fingers on the table in front of you

0:29:17.640 --> 0:29:21.160
<v Speaker 1>on the pictures of the select keys. UH. The complementary

0:29:21.200 --> 0:29:25.800
<v Speaker 1>metal oxide semiconductor that's CMOS looks at where your finger

0:29:25.920 --> 0:29:28.880
<v Speaker 1>is and determines the position relative to where it's supposed

0:29:28.880 --> 0:29:31.160
<v Speaker 1>to be and says, okay, well he's typing an S,

0:29:31.200 --> 0:29:38.800
<v Speaker 1>he's typing a G, he's typing an L. And then exactly, hey,

0:29:38.880 --> 0:29:41.440
<v Speaker 1>you know, maybe they're just transferring from a Dvorat keyboard

0:29:41.520 --> 0:29:46.240
<v Speaker 1>lamp anyway, UM, and it sends that information back to

0:29:46.280 --> 0:29:48.400
<v Speaker 1>the computer, and you know, the computer is using this

0:29:48.760 --> 0:29:52.120
<v Speaker 1>virtual keyboard to to do that. So but it's considerably

0:29:52.200 --> 0:29:55.320
<v Speaker 1>less expensive than this energy, Like you know, it's a

0:29:55.400 --> 0:30:00.640
<v Speaker 1>hundred and fifty dollars um. I don't no, I would

0:30:00.680 --> 0:30:03.720
<v Speaker 1>love to try. I've I've heard people say that it's

0:30:03.720 --> 0:30:06.240
<v Speaker 1>a neat idea, but that um that you know, it's

0:30:06.280 --> 0:30:08.040
<v Speaker 1>kind of weird to use it. I don't know if

0:30:08.040 --> 0:30:10.600
<v Speaker 1>that means that it's weird in the sense that since

0:30:10.640 --> 0:30:13.040
<v Speaker 1>you don't have the touch feedback, it just throws you off,

0:30:13.160 --> 0:30:15.120
<v Speaker 1>or you know, like because when you press the button,

0:30:15.480 --> 0:30:18.320
<v Speaker 1>there's something about that sense like it tells you that

0:30:18.440 --> 0:30:20.880
<v Speaker 1>you successfully press the button before you see that show

0:30:20.960 --> 0:30:23.960
<v Speaker 1>up on the screen. Thank you for the segue. What's

0:30:23.960 --> 0:30:27.440
<v Speaker 1>that one of the oddest things. I don't think it's

0:30:27.480 --> 0:30:29.400
<v Speaker 1>really that odd, but I think it's sort of odd

0:30:29.440 --> 0:30:33.240
<v Speaker 1>that one of the keyboards that's really really popular. Remember

0:30:33.240 --> 0:30:35.960
<v Speaker 1>those IBM keyboards that they used to make, the old

0:30:36.000 --> 0:30:39.280
<v Speaker 1>beige things and when you would hear somebody and they

0:30:39.280 --> 0:30:42.800
<v Speaker 1>would be really really loud, they had these really heavy

0:30:42.880 --> 0:30:45.880
<v Speaker 1>duty switches in them which made that loud noise. There

0:30:45.880 --> 0:30:49.120
<v Speaker 1>are people who absolutely love those things, are buying them refurbished,

0:30:50.120 --> 0:30:52.080
<v Speaker 1>And there's another company that's coming out with the same

0:30:52.160 --> 0:30:56.800
<v Speaker 1>thing called the DOSK keyboard, so it's it's specifically loud

0:30:56.840 --> 0:30:59.400
<v Speaker 1>and clackee on purpose. It is specifically loud and claque

0:30:59.400 --> 0:31:01.640
<v Speaker 1>on purpose. So you know you press that key well,

0:31:01.680 --> 0:31:04.480
<v Speaker 1>I mean, I cannot you know, a thin, rubbery membrane keyboard.

0:31:04.520 --> 0:31:07.520
<v Speaker 1>It is a big, thick, plastic, chunky thing with a

0:31:07.600 --> 0:31:10.240
<v Speaker 1>huge switch inside that clacks when you hit it. Well, again,

0:31:10.320 --> 0:31:12.760
<v Speaker 1>for for those of us who can type while looking

0:31:12.800 --> 0:31:14.920
<v Speaker 1>away from the screen, like often, I'll have someone come

0:31:14.960 --> 0:31:16.000
<v Speaker 1>up and talk to me, and I'll be in the

0:31:16.000 --> 0:31:17.680
<v Speaker 1>middle of typing a sense and I'll turn around. I'll

0:31:17.680 --> 0:31:19.680
<v Speaker 1>look at them while I'm still typing, which tends to

0:31:19.680 --> 0:31:22.160
<v Speaker 1>throw them off for some reason. Apparently that's creepy in

0:31:22.200 --> 0:31:24.600
<v Speaker 1>some way. I never really thought of it that way,

0:31:24.640 --> 0:31:26.400
<v Speaker 1>but yeah, you that could come in hand because you

0:31:26.400 --> 0:31:28.240
<v Speaker 1>could realize that, hey, I didn't actually hit that E

0:31:28.400 --> 0:31:30.719
<v Speaker 1>when I thought I hit the e. UM. Now, granted,

0:31:30.760 --> 0:31:33.960
<v Speaker 1>with a lot of autocorrect software, sometimes that's not really

0:31:33.960 --> 0:31:37.680
<v Speaker 1>necessary unless you're auto correct software is awful and keeps

0:31:37.720 --> 0:31:40.560
<v Speaker 1>on putting in words that you totally didn't mean to

0:31:40.600 --> 0:31:44.320
<v Speaker 1>have in there. Um, which does happen, and it's hilarious.

0:31:45.520 --> 0:31:48.840
<v Speaker 1>I am finished with keyboards. I think we are okay. Well,

0:31:48.840 --> 0:31:55.880
<v Speaker 1>then let's do a little quick listener mail. This listener

0:31:55.880 --> 0:32:00.440
<v Speaker 1>mail comes from Adrian and Adrian has hey, guys, love

0:32:00.480 --> 0:32:02.600
<v Speaker 1>your podcast. I'm planning to buy a computer, but I

0:32:02.640 --> 0:32:05.200
<v Speaker 1>want to know when Windows might be releasing their latest

0:32:05.240 --> 0:32:07.680
<v Speaker 1>operating system. Would you guys know when it might be out?

0:32:07.800 --> 0:32:11.440
<v Speaker 1>Thank you so much? Next week? Actually it's October twenty two,

0:32:12.040 --> 0:32:14.240
<v Speaker 1>um is the official release date, which, by the time

0:32:14.280 --> 0:32:17.160
<v Speaker 1>you hear this, may have been last week. We don't

0:32:17.160 --> 0:32:20.080
<v Speaker 1>know when when our podcast will be released, but people

0:32:20.080 --> 0:32:21.760
<v Speaker 1>are a lot of people have asked us this, so

0:32:21.800 --> 0:32:24.560
<v Speaker 1>there's chance that's already in stores now by the time

0:32:24.600 --> 0:32:26.880
<v Speaker 1>you hear this. But October twenty swod was the official

0:32:26.920 --> 0:32:30.160
<v Speaker 1>release date. UM. Thanks Adrian and if any of you

0:32:30.160 --> 0:32:35.320
<v Speaker 1>have any questions, concerns, criticisms, podcast suggestions, you can write us.

0:32:35.320 --> 0:32:38.360
<v Speaker 1>Our email address is tech stuff at how stuffworks dot com.

0:32:38.400 --> 0:32:40.640
<v Speaker 1>I do want to say that we talked about We

0:32:40.720 --> 0:32:43.640
<v Speaker 1>talked about the inventor of the Corty keyboard. We have

0:32:43.960 --> 0:32:47.320
<v Speaker 1>a special podcast, the Stuff of Genius, that has an

0:32:47.320 --> 0:32:49.960
<v Speaker 1>episode all about him. Indeed, so you should watch that.

0:32:50.000 --> 0:32:53.560
<v Speaker 1>Stuff of Genius is absolutely brilliant, very funny animation, to

0:32:54.200 --> 0:32:56.160
<v Speaker 1>great text. Yeah, you guys got to check that out.

0:32:56.960 --> 0:33:01.120
<v Speaker 1>And remember also at one pm Eastern one neusdays, Chris

0:33:01.160 --> 0:33:04.480
<v Speaker 1>and I host a live hooting Nanny. I mean a

0:33:04.560 --> 0:33:09.240
<v Speaker 1>live technology news podcast show. It's text stuff Live, vaguely

0:33:09.320 --> 0:33:11.400
<v Speaker 1>like a hooting nanny. Yeah. You can find all about

0:33:11.440 --> 0:33:13.720
<v Speaker 1>this hooting Nanny at our blogs. So go to house

0:33:13.720 --> 0:33:16.040
<v Speaker 1>stuff Works dot com and check it out. Crispy and

0:33:16.120 --> 0:33:21.680
<v Speaker 1>I will talk to you again really soon for more

0:33:21.720 --> 0:33:24.000
<v Speaker 1>on this and thousands of other topics. Does it how

0:33:24.080 --> 0:33:26.480
<v Speaker 1>stuff works dot com and be sure to check out

0:33:26.480 --> 0:33:28.680
<v Speaker 1>the new tech stuff blog now on the house stuff

0:33:28.680 --> 0:33:36.120
<v Speaker 1>Works homepage, brought to you by the reinvented two thousand

0:33:36.200 --> 0:33:38.360
<v Speaker 1>twelve camera. It's ready, are you