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Speaker 1: Ka boom. If you thought more hours a day, minutes

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Speaker 1: a week was enough, I think again. He's the last

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Speaker 1: remnants of the old republic, a sole fashion of fairness.

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Speaker 1: He treats crackheads in the ghetto cutter the same as

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Speaker 1: the rich pill poppers in the penthouse to clearing house

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Speaker 1: of hot takes, break free for something special. The Fifth

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Speaker 1: Hour with Ben Maller starts right now. The jibber jabber begins.

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Speaker 1: Another weekend is upon us. Remember the official start of

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Speaker 1: the weekend, the roller coaster ride that is the Fifth

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Speaker 1: Hour with Ben Maller. As we are back at it

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Speaker 1: yet again, here on a Friday, a college basketball weekend,

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Speaker 1: and I know that the podcast numbers are not going

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Speaker 1: to go down because of the n c A A tournament.

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Speaker 1: Because this podcast is a great companion, right, great companion

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Speaker 1: to the n c A tournaments. Were not running a

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Speaker 1: battle with that as a competitor. We are side by side,

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Speaker 1: side by side, and that we are joined. I looked

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Speaker 1: at the schedule. I thought this must be a mistake. Yeah,

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Speaker 1: I mean this he's due to not show up. But

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Speaker 1: there he is, right there, David gascon Like setting in here.

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Speaker 1: The rest of the four five hand, proud noise. I

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Speaker 1: feel really good about about myself in the n C

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Speaker 1: Double A tournament. Here nine o'clock Pacific in the morning

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Speaker 1: time and then of course twelve o'clock Eastern for all

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Speaker 1: those and I could say this comfortably now, Ben Mallory,

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Speaker 1: it's not Pacific Standard time. It was just Pacific time

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Speaker 1: as we have leaked forward, thank god to uh the

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Speaker 1: daylight savings. Now we will address that in future podcast

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Speaker 1: because the whole time changed thing. They can get take

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Speaker 1: that whole ball of wax and chuck it, especially for

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Speaker 1: a nightcrawler like you are. True, I don't I don't

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Speaker 1: get to it now. But because this is not about that,

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Speaker 1: you know, this is an interview podcast. We've had very

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Speaker 1: powerful people. We've had CEOs, We've had legendary Hall of

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Speaker 1: Fame broadcasters on we we have had big name athletes,

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Speaker 1: super Bowl heroes like Plexico Burris. Uh. These are these

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Speaker 1: are very important people, heroic people in the sporting world,

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Speaker 1: peerless people, aristocrats. That's a lot. But the difference between

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Speaker 1: me and you, guesscan is I am a man of

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Speaker 1: the people. Okay, I am a man of the people.

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Speaker 1: I'm trying to teach you I'm trying to teach you

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Speaker 1: the difference here and that I don't have a problem

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Speaker 1: talking to the powerful, but I also like to talk

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Speaker 1: to me the regular, not regular, but the the listener.

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Speaker 1: Contributor is just as important. The one that gets their

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Speaker 1: hands dirty adding to the show, uh, is just as

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Speaker 1: important as a guy running a baseball team, or a

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Speaker 1: big broadcaster or any of those people. I'm gonna I'm

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Speaker 1: gonna pass that message a line of Leo terrell as

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Speaker 1: uh as we've had him on as a guest. I

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Speaker 1: love Leo. Leo's great, Leo's a radio guy. I love

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Speaker 1: talking to radio guys, but I also like talking to

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Speaker 1: people that are behind the scenes. We're gonna talk to

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Speaker 1: one of them in a few minutes, but before we

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Speaker 1: get to that, all right, that's a tease, by the way, guests, guy, right,

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Speaker 1: that's a tease. All right. I know you're gonna rise

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Speaker 1: from the ashes of your career here, and you're gonna

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Speaker 1: you're gonna be okay. Alright, anyway, so we were blessed

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Speaker 1: on the Ben Mallory Show. It's an overnight show. Guest

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Speaker 1: gon you might have heard about it. You don't listen

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Speaker 1: because you go to bed earlier. Yes, but we were

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Speaker 1: blessed with a tremendous tune. Um and you know, I

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Speaker 1: got my starting radio as a DJ. And there's a

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Speaker 1: lot of phrases and slogans about music, you know, turning

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Speaker 1: music into memories and things like that. And uh, we

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Speaker 1: have a love hate relationship with music on the show

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Speaker 1: because I've always goofed on bumper music a Lee Klein

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Speaker 1: who we've had on the show on this podcast multiple times,

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Speaker 1: my radio buddy Lee Kleine from back in the day.

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Speaker 1: And Lee would obsess over his bumper music, right sending

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Speaker 1: out good vibrations uh and uh and and people would

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Speaker 1: call up and they wouldn't talk about sports. They'd ask,

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Speaker 1: you know, what was that song you played coming into

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Speaker 1: the into the talk set and it It was always

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Speaker 1: ridiculous to me because it's spoken word radio. Why why

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Speaker 1: would you obsess with the music which you only play

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Speaker 1: forty five seconds of the music. But he would do it,

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Speaker 1: and people would call up and they wanted to talk

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Speaker 1: about the music, you know, and all that. Well, we

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Speaker 1: we have Roberto's the music. I don't I don't have

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Speaker 1: any say over the music, any control over it on

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Speaker 1: our show, but we have listeners that are very talented

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Speaker 1: musicians that bring harmony to the world of the Mallard Militia.

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Speaker 1: And one of those is a gentleman named Jay Scoop

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Speaker 1: from Seattle along with Just Josh. These two guys, Just

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Speaker 1: Josh is in Cincinnati, Jay Scoop is in Seattle, and

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Speaker 1: these guys hooked up because of our show and collaborated

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Speaker 1: together and have created a couple of songs over the years,

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Speaker 1: and they just released one this week. If you listen

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Speaker 1: to the Overnight Show the other night, you heard this melody.

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Speaker 1: We're about to play it right here, and it's it's

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Speaker 1: called Mallard Odyssey. If you miss that podcast that was

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Speaker 1: the Thursday podcast we played this, we debuted. I played

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Speaker 1: Casey Kayson and uh boy, I love playing Casey Kayson

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Speaker 1: on the on the Casey's a legend and it's just

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Speaker 1: it's just wonderful too. So I keep your feet on

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Speaker 1: the ground and keep reaching for the stars. What all?

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Speaker 1: What a great catchphrase? Anyway, this is the tune now,

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Speaker 1: it's actually just Josh is singing. Jay Scoop is doing

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Speaker 1: backup vocals on this and let's let the music tell

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Speaker 1: the stories. Music to your ears is what it is here.

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Speaker 1: It is Fox Control to Ben Malla. Everyone loves the

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Speaker 1: donkey and I like being the donker Fox Control. Then

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Speaker 1: I love losers. I'm a fan of losers. Check you out,

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Speaker 1: then send down good headphones on Fox Control to Ben

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Speaker 1: ma h, he's got the cleanest ask at Jack a

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Speaker 1: radio box turned on. You pay me five on a

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Speaker 1: thousand dollars, will endorse the game magazine look Fu Grandinns

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Speaker 1: and Rutburn tells cooking too. You want to poop me

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Speaker 1: biek kicking say this is Fox Control to me? Your

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Speaker 1: Monala made the great and I Alicia wants to hear

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Speaker 1: what you had to say, and it's time to leave

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Speaker 1: the melons. Care. This is Penno to bus Control. I'm

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Speaker 1: lifting from my chair and I'm flouting in the airy

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Speaker 1: where Eddy got see in the very Different Today? Does

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Speaker 1: it sounds like I'm talking in the tan? Care? Continue

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Speaker 1: and there's nothing I can do. Job bye. Just Josh

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Speaker 1: who was the lead singer in this, and Jay Scoop

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Speaker 1: doing the backup vocals, and we're actually gonna chat with

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Speaker 1: j Scoop here momentarily he is standing by, standing by,

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Speaker 1: as they say in Big Time Radio and podcast programs.

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Speaker 1: But before we get to J Scoop, Uh, you have

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Speaker 1: not heard that song before Gascon? You don't listen to

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Speaker 1: the overnight show. Uh. Your initial thoughts on this piece

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Speaker 1: of music magic here just outstanding? Well, a couple of things.

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Speaker 1: I will say it's a job well done. First of all,

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Speaker 1: I think that's a plus production. I thought the acoustics

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Speaker 1: were good, thought the vocals were fantastic. And I think

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Speaker 1: when you combine all that together, the timeline on the

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Speaker 1: track is only two minutes of nineteen seconds, And I

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Speaker 1: think that's important because as good as it is, it

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Speaker 1: probably would have gotten progressively worse had it been three

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Speaker 1: or four or five minutes. So short and sweet and

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Speaker 1: to the point I thought was what was the home

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Speaker 1: run hack on that? And I thought the guys did

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Speaker 1: a good job. Well. I've stressed that, you know when

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Speaker 1: when when guys do song parodies on the show, I've said,

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Speaker 1: less is more. I learned that from my Heart University

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Speaker 1: many years ago. But less is more and when in

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Speaker 1: doubt leave it out. Guests learned that as well. I mean,

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Speaker 1: you think about TV shows. TV shows that are are

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Speaker 1: non comedy related are typically sixty minutes long, but all

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Speaker 1: comedy shows are only thirty minutes in length because you

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Speaker 1: need to get to the punchline, get to the jokes,

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Speaker 1: get to the funny, and be quick and be memorable

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Speaker 1: and then get the hell out. Yeah. I mean it's

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Speaker 1: a phrase that we've all learned, like, you know, make

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Speaker 1: them want more, leave them wanting more, and if you

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Speaker 1: can keep it shorter, and it makes it easier for

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Speaker 1: you too, And so Jay Scoop did a great job

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Speaker 1: on that and and You're welcome. You're welcome, Gascon. You know,

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Speaker 1: not to blow my own horn here, but there's no

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Speaker 1: other way you would be mentioned in a professional sounding song.

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Speaker 1: You were part of the lyrics there. West of the

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Speaker 1: four oh five made it into a song and your

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Speaker 1: name was the one of the final lyrics of this

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Speaker 1: particular tune. Was you. I like to You're welcome as

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Speaker 1: a closer, not a starter, but as a closer. And

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Speaker 1: I think you would agree with me that there's no

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Speaker 1: one else on this network upper management that has your

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Speaker 1: back like West in the four O file. You got

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Speaker 1: my back last time you show up, you have my back.

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Speaker 1: It's a ringing endorsement from from Gaston Gascan. I always

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Speaker 1: called you the name of the district attorney. Uh, we're

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Speaker 1: gonna met you guys on the recall, So I understand.

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Speaker 1: I get it. It's the age of the recall and

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Speaker 1: they all have the same it's all blaming the same

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Speaker 1: people for the recall, no personal accountability, which is why

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Speaker 1: they're being recalled. But it's the beauty of mine. Anyway.

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Speaker 1: List enough about that. Let's go now and welcome in

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Speaker 1: a man, a myth, a legend. Be sure to catch

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Speaker 1: live editions of The Ben Maller Show week days at

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Speaker 1: two am Eastern eleven Empacific on Fox Sports Radio and

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Speaker 1: the I Heart Radio app. Be sure to catch live

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Speaker 1: editions of The Ben Maller Show weekdays at two am

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Speaker 1: Eastern eleven pm Pacific. J Scoop, that's right, the man

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Speaker 1: of the hour right here from Seattle, a decorated member

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Speaker 1: of the Mallard Militia who helped put that song together

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Speaker 1: in collaboration with Just Josh, who was the lead singer,

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Speaker 1: and Jay Scoop. You are the answer to a tribute question.

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Speaker 1: I believe you are the first listener that we have

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Speaker 1: had on the podcast because Gascon does not want to

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Speaker 1: put anyone that's a fan of the show on the air.

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Speaker 1: So congratulations, you have defied the odds here, J Scoop, Yes,

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Speaker 1: I broke that glass ceiling. Finally it's been done. And

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Speaker 1: I consider in an honor. Yeah, well, I considered an

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Speaker 1: honor that you spent a good amount of time working

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Speaker 1: on this song. And I know you have a passion

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Speaker 1: a few music, Jay Scoop, I've heard that about you,

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Speaker 1: and I've i've met you. We'll get to that later.

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Speaker 1: But how long did this particular song, Mallard Odyssey take

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Speaker 1: to put together from start to finish? Oh my gosh.

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Speaker 1: I mean, you know, it can be tough because you know,

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Speaker 1: just like a lot of artists, painters and whatnot, you'll

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Speaker 1: sit there and you'll have you'll have a product in

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Speaker 1: front of you you're trying to do, but you'll you'll

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Speaker 1: keep nitpicking. You'll want it to be better and better.

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Speaker 1: So you know, you could you could have had a

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Speaker 1: crap song. They're probably a couple of months ago, but

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Speaker 1: of course we're gonna keep going to the well and

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Speaker 1: trying to make it better and better. So I believe

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Speaker 1: Jeff Josh said it properly that when we first considered

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Speaker 1: this song, it was actually a couple of months ago,

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Speaker 1: so um, probably around about two two and a half

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Speaker 1: months just for that two minutes and whatever twenty seconds

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Speaker 1: that you got on the radio. Yeah, and we well

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Speaker 1: we were saying in j school, but you did a

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Speaker 1: great job. Is less is more? You know that you

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Speaker 1: don't you don't want to go too long that you know,

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Speaker 1: especially in our format, you know, the shorter the better,

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Speaker 1: Right around two minutes is like, that's the goldilocks on

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Speaker 1: that's if you can get you a minute thirty to

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Speaker 1: two minutes a little over that to thirty, that's perfect.

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Speaker 1: And you did it. So whose idea was it? I mean,

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Speaker 1: you guys have worked together on stuff in the past.

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Speaker 1: Here that was it? Just Josh the callege up said hey,

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Speaker 1: I got an idea. Were you like, hey I got

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Speaker 1: something here or were you guys just searching for something? Yeah.

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Speaker 1: So our current trend has kind of been that we go,

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Speaker 1: we we alternate. So I think I had done the

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Speaker 1: last one. I'm spacing out which one was the one prior?

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Speaker 1: But this time it was Josh, so he was the

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Speaker 1: one that chose this. Actually asked them before before you

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Speaker 1: guys contact me. I'm like, well, what why, why did

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Speaker 1: you choose this one, and and he said, well, to

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Speaker 1: be honest, uh, I was high as a kite listening

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Speaker 1: to David Bowie and and then I said, it's changed

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Speaker 1: the line to Fox Control the Ben Miller and that's

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Speaker 1: how it originated. And so he took it and ran

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Speaker 1: from from there with it. But yeah, it kind of

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Speaker 1: just go. We go back and forth. He'll he'll pick

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Speaker 1: a song. I'll be like, okay, I either love that song. Honestly,

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Speaker 1: when I first heard his submission on this one, I

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Speaker 1: was like, I don't know. It's a little bit older, though,

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Speaker 1: is that One'm gonna be okay? It's like no, you know,

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Speaker 1: there's definitely enough demographic that are going to know the song.

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Speaker 1: And trust me, with the idea that I have on this,

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Speaker 1: it's probably going to transcend for the the younger listeners

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Speaker 1: as well. And that's what it seemed to do. Yeah, well,

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Speaker 1: I know absolutely mean any you know song and this

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Speaker 1: is a classic, right you can? You can? It's generational,

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Speaker 1: it's timeless, you know, and not that that song is

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Speaker 1: particularly timeless, but but yeah, I agree with you know.

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Speaker 1: Obviously it worked. People loved it. You guys, uh, I

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Speaker 1: hope you you got all those nice things that people

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Speaker 1: were saying about you, j Scoop, but I got an

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Speaker 1: email from people that was great, you know, not just

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Speaker 1: the people on social media, but people that aren't on

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Speaker 1: social media that that loved it as well. So you

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Speaker 1: guys absolutely nailed it. Absolutely. Now you've been the sing

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Speaker 1: you've been the lead guy. You were not the lead

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Speaker 1: guy this time, Jay Scoop, just Josh sliding over. I

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Speaker 1: know you have a music background, does just Josh to me?

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Speaker 1: I don't think he does. I don't know him that well,

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Speaker 1: but I don't think he's got a great musical background

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Speaker 1: like you had, right, No, he doesn't. And and it

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Speaker 1: kind of happened by accident, because what typically happens is

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Speaker 1: he you know, again we you know, we're picking the song,

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Speaker 1: but it's pretty much a foregone conclusion that I'm going

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Speaker 1: to sing and do whatever. Well, when we were first

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Speaker 1: pitching this song and he's bringing it up and he's

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Speaker 1: telling me the lyrics and whatnot, and then some along

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Speaker 1: the line, he did he just did like a short

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Speaker 1: clip and sent it to me just so I could

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Speaker 1: kind of understand what direction he was he was going

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Speaker 1: with it. And I listened to it and I'm like, man,

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Speaker 1: this sounds really good. And and you know, I went

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Speaker 1: back and I listened to David Bowie because I'm a

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Speaker 1: stickler for you try to whether it's parody or not,

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Speaker 1: you're trying to sound and and do as much justice

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Speaker 1: for the original artists as you can't. So I'm listening

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Speaker 1: to David Bowie and his voice, and I'm like, it

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Speaker 1: just Josh has this twang in his voice that just

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Speaker 1: has something with I don't know if it's like that

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Speaker 1: British thing or what, but I was like, I know,

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Speaker 1: for me, it's probably gonna take a little while to

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Speaker 1: get it down to sound just like that, whereas it

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Speaker 1: was just coming off natural. I don't know if he's

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Speaker 1: been singing this song his whole life as a fan

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Speaker 1: or what, but it was perfect. So I I told him,

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Speaker 1: I'm like, dude, I think you're the one to do

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Speaker 1: this song and I think I made it. But cheeks

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Speaker 1: clench up a little bit because he didn't have any

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Speaker 1: experience with that. But yeah, yeah, well that's great. And

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Speaker 1: so because of the Internet, obviously, you guys can you're

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Speaker 1: in totally different cities and you're far across the country

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Speaker 1: from each other, and you know you just did you

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Speaker 1: record together or did you did did you do your part?

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Speaker 1: I mean, you get you had to do this together.

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Speaker 1: I would assume right the timing and all that, but

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Speaker 1: did Josh, how did it work? Is what I'm trying

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Speaker 1: to say. Did you do it? Uh? You know, on

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Speaker 1: the weekends or when did this take place? We're pretty

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Speaker 1: much going. Once we got rolling, we were going every day.

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Speaker 1: But the problem is if you know, be done recording. Um,

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Speaker 1: it's the best if the person is right there because

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Speaker 1: when they do it, take and be like, hey, you

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Speaker 1: know that part was messed up there, this was sharp,

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Speaker 1: this was flat? Hey that cut out? And and we

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Speaker 1: didn't have that because he's all the way in Cincinnati

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Speaker 1: and I'm out here in Seattle. So what I would

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Speaker 1: do is have him do some takes. But the problem

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Speaker 1: in the beginning was he had some kind of I

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Speaker 1: don't know, radio shock headset Mike, and the thing was

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Speaker 1: cutting out the end of lines. And I'm like, I

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Speaker 1: can only do so much magic on my on my

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Speaker 1: MacBook Pro. You know, like I'm not. I'm not some

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Speaker 1: high level studio and have all all this crazy equipment,

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Speaker 1: So I'm like, I need a solid take from you, Matt.

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Speaker 1: So eventually he finally picked up a decent mike on

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Speaker 1: the store on the way home how him do a

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Speaker 1: bunch of takes and then I basically just had to

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Speaker 1: go deep into the logic pro software and try to

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Speaker 1: make it sounds good when you added the drops, which

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Speaker 1: made me sound like a goofball. But they were very

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Speaker 1: they were nice, they were clean, they were smooth. How

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Speaker 1: the heck did you get those? Did did somebody on

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Speaker 1: the inside give you those? Or did you just take

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Speaker 1: those off the podcast? Come on, man, it's all about

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Speaker 1: the podcast. When you when you know, you know exact

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Speaker 1: actually where Roberto is gonna drop those nuggets on the show,

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Speaker 1: and go in there and and pluck them out. Sometimes

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Speaker 1: it can be hard because you guys aren't given the

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Speaker 1: right ones, and then you just got to go back

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Speaker 1: into the archive a little bit. But I had a

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Speaker 1: little little experience before when I did a little thing

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Speaker 1: called the Drop Chronicles. I just grabbed a bunch of

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Speaker 1: the drops that were my favorite favorites and then I

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Speaker 1: put them over over a tune and just kind of

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Speaker 1: made fun fun with it. But uh, I want you

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Speaker 1: to know Jay scoop that and you you Listen, you've

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Speaker 1: been a listener. You know this because these are damaging

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Speaker 1: quotations that are used as drops, and they are out

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Speaker 1: of context. Like sometimes we get new listeners to the

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Speaker 1: show and they hear you know, they're new. We go

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Speaker 1: on new radio stations and people are sampling the show

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Speaker 1: and they hear this, and it's they're like, oh, this

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Speaker 1: is ridiculous. I can't believe you would say that they

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Speaker 1: have no idea J Scoop that you know, I'm talking

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Speaker 1: about something totally different, which in context makes sense, and

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Speaker 1: then out of on text makes me sound like, you know,

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Speaker 1: chuckles the clown, how dare them? Jay School? But I

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Speaker 1: love the drops in the song it was and Roberto

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Speaker 1: to me, that's the funniest one poopy pie that's out me.

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Speaker 1: Especially the way it went with the music right there.

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Speaker 1: It just made it sound like, oh yeah, like it

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Speaker 1: was shocking. But you're right. But to be fair, you

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Speaker 1: do that to the other guys too, and that's why

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Speaker 1: we have content for them as well. Well that's not true. Listen,

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Speaker 1: Eddie as says so many dumb things, and that they

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Speaker 1: these guys don't cut those drops up. They don't, uh.

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Speaker 1: I mean, we've there's only a few Eddie outtakes. There

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Speaker 1: are so many more Eddie outcome it's so big I

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Speaker 1: can hardly get my mouth around it. And well, yeah,

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Speaker 1: but you know, most of them are like my favorite

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Speaker 1: drop as the Canadians beat the Canadians, which is great.

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Speaker 1: It's like a parody on Saturday Night Live back in

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Speaker 1: the day, which is uhh. And the fab the Fab

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Speaker 1: five when he couldn't pronounce the Fab five that was

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Speaker 1: that was also out standing. In Indeed, so I've been

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Speaker 1: told by people Ja School that we need to cancel

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Speaker 1: the Talent Show, that this is so good that your

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Speaker 1: work along with your guy there just josh, this dynamic duel,

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Speaker 1: that we don't even need to have a talent show.

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Speaker 1: That you've already won the Talent Show, you've won in

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Speaker 1: the past multiple times, and then this is over. Should

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Speaker 1: we have the Talent show? J School, Well, you know,

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Speaker 1: I'm all for for the next generation and encouraging creativity.

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Speaker 1: So I would never say to stop the Talent Show.

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Speaker 1: But if you want to do some something, I don't know.

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Speaker 1: I can't think of what would be the alternate solution.

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Speaker 1: I do kind of consider myself kind of like the

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Speaker 1: Green Bay packers though of the Talent Show World and

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Speaker 1: that I won the first two, But then that makes

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00:22:53,920 --> 00:22:56,800
Speaker 1: me worry because they didn't win another one until like

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Speaker 1: how many years later, So I'm hoping that's not not

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Speaker 1: the Friends. But I definitely think the townships got to continue.

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Speaker 1: I mean, we got all the guy you got people

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Speaker 1: burping songs and and of course, hey Mona, I mean,

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Speaker 1: you're you're gonna lose that magic if you stop the

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Speaker 1: Talent Show, so you gotta continue. All right, Well, we

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Speaker 1: will have to have different layers to the Talent Show.

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Speaker 1: We'll have to have multiple winners. Um, you know, everyone

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Speaker 1: will get a participation price. But no, I mean we'll

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Speaker 1: have a few winners. We're not gonna have everyone's gonna win,

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Speaker 1: and we will, oh yeah, we'll have it. Sometimes. Usually

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Speaker 1: it's in June, right around um they used to call

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Speaker 1: the dead zone. There's really no dead zone, but after

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Speaker 1: the NBA Finals, before football gets going, before training camp

390
00:23:40,960 --> 00:23:44,359
Speaker 1: gets going in football, that's typically around the time that

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Speaker 1: we do it. There you go. You gotta name that thing, though,

392
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Speaker 1: just like the Genie and Medford Color of the Year,

393
00:23:52,280 --> 00:23:54,880
Speaker 1: and you gotta you gotta name some of those ones

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Speaker 1: that people will feel like a tie to you know,

395
00:23:57,720 --> 00:24:01,720
Speaker 1: something like you gotta brand it right. It's all about

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00:24:01,800 --> 00:24:08,119
Speaker 1: Brandy And sorry David, but you know we we we

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Speaker 1: had to we had to go after whatever target was

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Speaker 1: in view, and and and you popped up, you silhouetted yourself.

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Speaker 1: So yeah, so I thought it was great. And it

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00:24:17,600 --> 00:24:19,640
Speaker 1: was great and it's the only way guests got will

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Speaker 1: ever be mentioned in the song. So's uh, Jay Scoopy

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Speaker 1: did a good job, and Ben and I had talked

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Speaker 1: about that a few moments ago. But I want to

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00:24:28,960 --> 00:24:30,679
Speaker 1: ask you this, and it has to do with with

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Speaker 1: the end goal. Um I was. I was realizing this

406
00:24:34,440 --> 00:24:36,080
Speaker 1: when I listened to the song that you and Josh

407
00:24:36,119 --> 00:24:39,359
Speaker 1: had put together. But you actually have something unique in

408
00:24:39,400 --> 00:24:44,399
Speaker 1: common with doctors and lawyers. Do you know what that is? Oh? God?

409
00:24:44,640 --> 00:24:49,440
Speaker 1: What's that they have both gone into debt by taking

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Speaker 1: on for the education. And you are the remember the

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Speaker 1: malor militia that has actually gone into debt because you

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Speaker 1: had to cater and wind dine. Ben Mallord when he

413
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Speaker 1: made his trip up to Jay Scoop, he is so

414
00:25:04,359 --> 00:25:08,240
Speaker 1: he is so bitter about how much of a line

415
00:25:08,240 --> 00:25:10,760
Speaker 1: of credit do you have in order to get that

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Speaker 1: guy up there, and what is the end goal for

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Speaker 1: you on all this? Like I just I'm baffled by

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Speaker 1: all of it. Glad we all know you don't tell

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Speaker 1: people how the hot dogs are made, So all I

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Speaker 1: can say is that had to do with the saving

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Speaker 1: of a few coupons here there possibly you know, look

422
00:25:28,640 --> 00:25:32,280
Speaker 1: at that, see that gascon. This guy's a frugal travel

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Speaker 1: consultant guy. J School unbelievable. And and let me tell you,

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Speaker 1: Jay Scoop, you were part that Mallard meet and great

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00:25:39,000 --> 00:25:42,160
Speaker 1: which we at the time at the end of nineteen

426
00:25:43,200 --> 00:25:45,600
Speaker 1: we were like, okay, you know, I was like I'm

427
00:25:45,600 --> 00:25:47,600
Speaker 1: gonna I had a plan to go to Cincinnati. I

428
00:25:47,600 --> 00:25:49,600
Speaker 1: was gonna go to Minnesota and do one of these things.

429
00:25:49,840 --> 00:25:52,240
Speaker 1: And that was the last one. That was it right

430
00:25:52,240 --> 00:25:55,159
Speaker 1: before the calendar flipped to and we all know what

431
00:25:55,200 --> 00:25:58,040
Speaker 1: happened in But that was we had a really good

432
00:25:58,080 --> 00:26:01,160
Speaker 1: time hanging out with everybody, and um didn't get into

433
00:26:01,160 --> 00:26:05,720
Speaker 1: the Seahawk game, but uh, I got to stand outside

434
00:26:05,720 --> 00:26:08,240
Speaker 1: the stadium. It was a nice stadium, beautiful stadium and

435
00:26:08,240 --> 00:26:10,920
Speaker 1: all that, and UH had had a wonderful time and

436
00:26:10,920 --> 00:26:13,800
Speaker 1: and then like all all the crazy stuff happened after that,

437
00:26:13,880 --> 00:26:16,280
Speaker 1: but that March when we were walking around the streets

438
00:26:16,280 --> 00:26:19,320
Speaker 1: of Seattle, Jay Scoop, it was. It was awesome. It

439
00:26:19,400 --> 00:26:22,199
Speaker 1: was great. I had such fun that day, dude, that

440
00:26:22,280 --> 00:26:24,880
Speaker 1: was so much fun. But I was so worried because

441
00:26:24,960 --> 00:26:27,040
Speaker 1: I was looking at your face as we're going through

442
00:26:27,119 --> 00:26:30,280
Speaker 1: there and ed belting out building it out on that

443
00:26:30,600 --> 00:26:33,760
Speaker 1: megaphone and people are looking at it like like like

444
00:26:33,800 --> 00:26:36,199
Speaker 1: we're crazy, and then I'm looking at your face and

445
00:26:36,240 --> 00:26:40,160
Speaker 1: you're just like okay, I'm kind of probably kind of embarrassed.

446
00:26:40,240 --> 00:26:42,800
Speaker 1: I don't know what to do. Yeah, oh yeah, yeah,

447
00:26:42,840 --> 00:26:45,600
Speaker 1: it was. It was very awkward for me because it

448
00:26:45,720 --> 00:26:48,560
Speaker 1: was you know, you were there. We had as you said,

449
00:26:48,600 --> 00:26:51,880
Speaker 1: you know, Robbie the Mariner fan had had popped in.

450
00:26:52,080 --> 00:26:55,760
Speaker 1: We had uh, you know, big names, big names in

451
00:26:55,800 --> 00:26:59,800
Speaker 1: the Mallam militia who showed up there edding Spokene and

452
00:27:00,240 --> 00:27:02,800
Speaker 1: his uh, I guess they're getting married here, his future

453
00:27:03,560 --> 00:27:05,160
Speaker 1: I don't if they're married yet, don't think they're married,

454
00:27:05,200 --> 00:27:08,680
Speaker 1: but anyway, his wife or future wife and uh in

455
00:27:08,800 --> 00:27:10,760
Speaker 1: marching around. He's got the bull horn. We're holding up

456
00:27:10,760 --> 00:27:14,000
Speaker 1: fat heads because I don't know where those came from.

457
00:27:14,040 --> 00:27:17,200
Speaker 1: But somebody got his fat heads. And so we're marching

458
00:27:17,200 --> 00:27:22,400
Speaker 1: through the streets of Seattle on a Sunday late afternoon

459
00:27:23,359 --> 00:27:27,879
Speaker 1: and you know, he's edding, spoken, screaming out you know chance,

460
00:27:27,960 --> 00:27:30,320
Speaker 1: you know, hey, ho, here we go, you know, Ben

461
00:27:30,400 --> 00:27:33,120
Speaker 1: Maller Show or something like that, and all these people

462
00:27:33,160 --> 00:27:34,879
Speaker 1: are looking at us like who are these idiots? You know,

463
00:27:34,920 --> 00:27:37,600
Speaker 1: and they're like, you know, homeless people trying to sleep

464
00:27:37,960 --> 00:27:40,879
Speaker 1: and we're waking them up. And uh, it was It

465
00:27:40,960 --> 00:27:43,040
Speaker 1: was wild. It was crazy, but a good time. And

466
00:27:43,040 --> 00:27:45,080
Speaker 1: we actually I did that night showing up at the

467
00:27:45,240 --> 00:27:48,040
Speaker 1: end and that's remember. But we were making a push

468
00:27:48,080 --> 00:27:51,159
Speaker 1: to try to get They had the what was it

469
00:27:51,240 --> 00:27:56,959
Speaker 1: the Sunday night um football like set up there were

470
00:27:57,359 --> 00:28:00,399
Speaker 1: they're gonna be over there like let's try to get

471
00:28:00,440 --> 00:28:05,199
Speaker 1: Ben's face on the camera. You're trying to do stuff.

472
00:28:05,200 --> 00:28:07,160
Speaker 1: But you know, I think it was time for them

473
00:28:07,200 --> 00:28:08,879
Speaker 1: to fill him or whatever. But we were we were

474
00:28:08,920 --> 00:28:11,560
Speaker 1: doing the best we could to get the exposure. Yeah,

475
00:28:11,560 --> 00:28:15,560
Speaker 1: they were taping Colmsworth was they had this studio set

476
00:28:15,640 --> 00:28:17,880
Speaker 1: up right where all the Seahawks fans were hanging out

477
00:28:17,920 --> 00:28:21,040
Speaker 1: to get ready and forty fans like yourself. But we're

478
00:28:21,040 --> 00:28:23,920
Speaker 1: getting ready for the for the game, and you know,

479
00:28:23,920 --> 00:28:28,440
Speaker 1: it's kind of mulling about, and then it was yeah,

480
00:28:28,440 --> 00:28:31,320
Speaker 1: we had Ed and it'll do anything. Ed's like the

481
00:28:31,359 --> 00:28:33,360
Speaker 1: guy that will like jump out of a building. He'll

482
00:28:33,400 --> 00:28:35,359
Speaker 1: he'll do any of that. He'll he'll go nuts o

483
00:28:35,480 --> 00:28:40,080
Speaker 1: for that. But yeah, you need a guy and you've

484
00:28:40,120 --> 00:28:42,160
Speaker 1: got a price. You might not even have to give

485
00:28:42,240 --> 00:28:44,480
Speaker 1: him the price. You just say it and he'll do it.

486
00:28:44,880 --> 00:28:48,280
Speaker 1: But I love that about it. Yeah, he's a character.

487
00:28:48,320 --> 00:28:51,200
Speaker 1: And the JJ from Renton who showed up and j J.

488
00:28:52,320 --> 00:28:55,200
Speaker 1: It was great because he he he was right up

489
00:28:55,240 --> 00:28:58,040
Speaker 1: until kickoff. J J was coming back and he's like,

490
00:28:58,160 --> 00:28:59,800
Speaker 1: I'm gonna get your ticket. I'm gonna get you in

491
00:28:59,800 --> 00:29:02,560
Speaker 1: this adium, right, So I'm hanging out and you know,

492
00:29:02,600 --> 00:29:05,280
Speaker 1: we were like going back and forth and you couldn't

493
00:29:05,320 --> 00:29:07,080
Speaker 1: get the ticket. I guess he has a relative that

494
00:29:07,160 --> 00:29:09,640
Speaker 1: works in the ticket office with the Seahawks. But that

495
00:29:09,800 --> 00:29:12,000
Speaker 1: that was such a hot game that there were no

496
00:29:12,880 --> 00:29:15,840
Speaker 1: no tickets available even for a loser like myself here

497
00:29:16,080 --> 00:29:19,120
Speaker 1: and so we ended up going right across the parking

498
00:29:19,160 --> 00:29:22,360
Speaker 1: lot there. Well you were at you had tickets, Jay Scoop,

499
00:29:22,440 --> 00:29:24,360
Speaker 1: So you got to go into the game, but we

500
00:29:24,360 --> 00:29:28,160
Speaker 1: we went out and uh watched the game at some

501
00:29:28,160 --> 00:29:30,040
Speaker 1: some restaurant. It was great right at wonderful time. But

502
00:29:30,200 --> 00:29:32,520
Speaker 1: I brought I think Robbie was with us, and we

503
00:29:32,560 --> 00:29:36,040
Speaker 1: had ed from spoken and a bunch of a bunch

504
00:29:36,080 --> 00:29:37,680
Speaker 1: of the big stars there that were there. So it

505
00:29:37,800 --> 00:29:40,320
Speaker 1: was a lot of fun, good time. Yeah, for sure,

506
00:29:40,360 --> 00:29:42,040
Speaker 1: it was. It was a blast. And even the night

507
00:29:42,400 --> 00:29:45,960
Speaker 1: excuse me, the night before meeting everybody there and some

508
00:29:46,040 --> 00:29:48,800
Speaker 1: of them that couldn't couldn't make the game, and then

509
00:29:48,800 --> 00:29:52,440
Speaker 1: the prizes lead handed out. I gave up some oodles

510
00:29:52,440 --> 00:29:56,200
Speaker 1: and noodles and talk hard lemonade and stuff like that.

511
00:29:56,720 --> 00:29:57,960
Speaker 1: It was a lot of fun. There were a lot

512
00:29:57,960 --> 00:30:00,360
Speaker 1: of people, a decent show up. Yeah, it was a

513
00:30:00,360 --> 00:30:01,920
Speaker 1: good turn It was a good turn out, and you

514
00:30:01,960 --> 00:30:03,280
Speaker 1: never know who was going to show up, and you

515
00:30:03,360 --> 00:30:05,120
Speaker 1: don't expect anyone to show up to these things. But

516
00:30:05,160 --> 00:30:07,640
Speaker 1: it was a lot of fun. And uh that was

517
00:30:07,680 --> 00:30:09,840
Speaker 1: also awkward when I walked into the restaurant and people

518
00:30:09,920 --> 00:30:12,360
Speaker 1: started changing my name. That was very awkward, very awkward there,

519
00:30:12,400 --> 00:30:14,440
Speaker 1: but it was It was a lot of fun. Jay

520
00:30:14,440 --> 00:30:17,680
Speaker 1: Scoop and I told just Josh this, I said, you know,

521
00:30:17,760 --> 00:30:19,640
Speaker 1: you guys, Now you put a couple of songs together,

522
00:30:19,680 --> 00:30:24,040
Speaker 1: you keep this up. I'm thinking like a Mallard Show

523
00:30:24,280 --> 00:30:27,120
Speaker 1: theme like album type thing, or you can all put

524
00:30:27,120 --> 00:30:30,400
Speaker 1: these in one place, because I gotta be able to

525
00:30:30,440 --> 00:30:32,760
Speaker 1: monetize it though, Jay scooped right, there's gonna be a

526
00:30:32,800 --> 00:30:35,520
Speaker 1: way you can. You can make some money somehow. But

527
00:30:35,560 --> 00:30:38,840
Speaker 1: they're they're good songs for sure. It's tricky because you know,

528
00:30:38,840 --> 00:30:42,200
Speaker 1: when we're using songs that already exist in parody, you know,

529
00:30:42,240 --> 00:30:45,200
Speaker 1: they're really quick to jump onto you if you when

530
00:30:45,240 --> 00:30:47,040
Speaker 1: you do that, you got to do a certain way.

531
00:30:47,160 --> 00:30:49,920
Speaker 1: That's where I'm not as keen on on how it works.

532
00:30:50,000 --> 00:30:52,800
Speaker 1: But but yeah, we started with it. It's all because

533
00:30:52,840 --> 00:30:57,200
Speaker 1: of Quarantine. We started with that first little little snippet

534
00:30:57,320 --> 00:31:02,480
Speaker 1: of that what is it uh uh Neil Diamond Forever

535
00:31:02,560 --> 00:31:06,560
Speaker 1: and Quarantine. Yes, that was great. That was solid, absolutely

536
00:31:06,600 --> 00:31:10,080
Speaker 1: and and and also really a song for the times, right,

537
00:31:10,160 --> 00:31:12,000
Speaker 1: That's one we'll play later and we'll be like, oh,

538
00:31:12,040 --> 00:31:14,760
Speaker 1: this is this is perfect. This sums up what that

539
00:31:14,800 --> 00:31:18,000
Speaker 1: time was like exactly. But who would have known it

540
00:31:18,040 --> 00:31:22,920
Speaker 1: would we would still be in Quarantine. You know the

541
00:31:23,040 --> 00:31:25,640
Speaker 1: reason why we did it was because we were still crazy,

542
00:31:25,680 --> 00:31:27,760
Speaker 1: but little did we know we weren't even close to

543
00:31:27,800 --> 00:31:30,600
Speaker 1: being done. Yeah, well, you could always move to like

544
00:31:30,640 --> 00:31:32,680
Speaker 1: Texas or Mississippi or something like that and you'll be

545
00:31:32,720 --> 00:31:35,239
Speaker 1: out of quarantine. But you know, on the West coast here,

546
00:31:35,320 --> 00:31:38,920
Speaker 1: J Scoop, on the West coast, quarantine never ends, although

547
00:31:39,120 --> 00:31:41,840
Speaker 1: it is getting a little better in California. So finally

548
00:31:41,920 --> 00:31:44,520
Speaker 1: there's a there's a light at the end of the tunnel.

549
00:31:45,320 --> 00:31:47,400
Speaker 1: As they say, Jay School, you wanna I know you're

550
00:31:47,440 --> 00:31:51,760
Speaker 1: on Twitter, you wanna give out ways people can contact

551
00:31:51,800 --> 00:31:55,720
Speaker 1: you here and get ahold of and all that good stuff. Yeah,

552
00:31:55,880 --> 00:31:59,880
Speaker 1: for now, just my personal at Jesse Crean's a es

553
00:32:00,200 --> 00:32:03,640
Speaker 1: se c r E a n on on Twitter, and

554
00:32:04,040 --> 00:32:06,640
Speaker 1: my band which will be changing names but we'll update

555
00:32:06,680 --> 00:32:09,800
Speaker 1: it on there. But my band is at Rhino Rising.

556
00:32:12,760 --> 00:32:17,560
Speaker 1: At Rhino Rising, very very cool. Al Right, well, Jay Scoop,

557
00:32:17,640 --> 00:32:20,960
Speaker 1: thank you man. I appreciate the work you and Josh

558
00:32:21,040 --> 00:32:24,479
Speaker 1: did making that song. It was a enjoyable so everyone

559
00:32:24,520 --> 00:32:27,520
Speaker 1: loved it. And uh, I don't think you mentioned Cooping there,

560
00:32:27,520 --> 00:32:29,120
Speaker 1: which is good too. I don't think he gotta he

561
00:32:29,200 --> 00:32:32,560
Speaker 1: gotta know he was right before it went in the chorus.

562
00:32:32,600 --> 00:32:36,520
Speaker 1: He did the baby oh that's right. There you go,

563
00:32:36,760 --> 00:32:38,719
Speaker 1: there you go, but not a name. He didn't get

564
00:32:39,080 --> 00:32:41,600
Speaker 1: no lyrics though he wasn't mentioned in the lyrics though

565
00:32:41,800 --> 00:32:47,080
Speaker 1: with that left out, all right, thank you Jay School, alright, buddy,

566
00:32:47,120 --> 00:32:49,800
Speaker 1: thanks Jay Scoop. Be sure to catch live editions of

567
00:32:49,880 --> 00:32:52,840
Speaker 1: The Ben Maller Show weekdays at two am eastern eleven

568
00:32:52,840 --> 00:32:56,400
Speaker 1: pm pacifect on Fox Sports Radio and the I Heart

569
00:32:56,480 --> 00:32:58,880
Speaker 1: Radio app. Be sure to catch live editions of The

570
00:32:58,880 --> 00:33:01,760
Speaker 1: Ben Maller Show week days at two am eastern eleven

571
00:33:01,760 --> 00:33:02,640
Speaker 1: pm Pacific