WEBVTT - It's Christmas....ON CHRISTMAS!!

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<v Speaker 1>It's nine O gen one with Jenny Garth and Tory spelling.

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<v Speaker 2>Mary. Christmas. Everybody, welcome to another episode of nine to

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<v Speaker 2>two one. Omg, we are so excited to be with you.

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<v Speaker 3>You got your hoe to your hoe to your hoe.

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<v Speaker 3>One ho ho ho.

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<v Speaker 4>You're in Christmas red.

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<v Speaker 3>Am genziness, which you're already but here Mary and Bright

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<v Speaker 3>She's marry too. I'm Mary, and I'm Bright and Jen

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<v Speaker 3>You're Bright, the endless flame that never gets put out.

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<v Speaker 4>Speaking of Mary.

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<v Speaker 2>Yeah, okay, stop, Amy, I know where you're going and

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<v Speaker 2>let us do our job first. Okay, you guys, this

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<v Speaker 2>is so cool because not only is it Christmas for us,

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<v Speaker 2>but it's Christmas for our pals in Beverly Hills. This

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<v Speaker 2>is the Christmas episode, Season five, episode fifteen. Christmas comes

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<v Speaker 2>each time this year. Aired December twenty first, nineteen ninety four.

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<v Speaker 4>How about that it's Christmas like it's Christmas and it's Christmas.

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<v Speaker 3>And the Christmas synopsis is you get it to us? Yep.

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<v Speaker 3>Donna's mom tries to pay Ray to disappear, leaving Donna

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<v Speaker 3>drowning in tears. Kelly is having a hard time accepting

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<v Speaker 3>Brandon's love and attention. Dylan seeks help from the FBI

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<v Speaker 3>but finds a familiar face at the bureau. Steve thinks

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<v Speaker 3>he has a Christmas curse, and Claire can't come clean

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<v Speaker 3>to her dad about David.

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<v Speaker 2>Directed by Richard Lang, written by The wasser Cline, Steve Wasserman,

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<v Speaker 2>and Jessa Klein. Well, this episode made me feel that

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<v Speaker 2>he's getting the spirit. I'll tell you that, even with

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<v Speaker 2>your mopiness there, Kelly, Yeah, even with my even with

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<v Speaker 2>my scar my bird Oh my gosh, yeah, it blurred.

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<v Speaker 3>I was like, Jen's not mopey now, it all blurs.

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<v Speaker 4>Yeah, there's so much to discuss, so much.

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<v Speaker 2>Well, let's just start with the first thing we see,

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<v Speaker 2>which is basically you and Donna and Ray eating each

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<v Speaker 2>other's faces off in Mom's living room.

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<v Speaker 3>I don't know where you're going with that. You get

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<v Speaker 3>so riled up when I have an open mouth kiss

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<v Speaker 3>because it's like, let me live my life out on

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<v Speaker 3>camera open, there's tongue flying.

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<v Speaker 4>It was a lot, Tori.

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<v Speaker 2>Was you can't say that wasn't like aggressive making out.

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<v Speaker 4>Yeah hmm.

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<v Speaker 3>In my defense, we needed it to be over the

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<v Speaker 3>top so that Folice, I mean your heard smacking, gross

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<v Speaker 3>and clear across the room. But if it was just

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<v Speaker 3>a pack, Folice wouldn't be as riled up. Like she's

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<v Speaker 3>probably like, oh my gosh, what's happening next? Like I

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<v Speaker 3>don't know, like maybe she's worried I'm going to lose

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<v Speaker 3>it to him. Oh right, you know a cherry on

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<v Speaker 3>top of the Christmas tree this year.

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<v Speaker 2>I don't know, Well she noticed, alrighty, but uh, you

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<v Speaker 2>told your mother you were going to marry Ray Rutt.

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<v Speaker 4>I know, I know. I was like, oh, sona, Donna,

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<v Speaker 4>I felt it.

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<v Speaker 3>I felt it.

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<v Speaker 2>You guys as as Donna. You felt like you were

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<v Speaker 2>so in love with him in this moment you were

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<v Speaker 2>going to marry him.

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<v Speaker 3>I feel like I feel like we're all in that

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<v Speaker 3>moment sometimes in life and there's that moment in that

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<v Speaker 3>first like honeymoon phase, super passionate, super like, oh my gosh,

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<v Speaker 3>this is everything that you're not thinking clearly and clearly.

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<v Speaker 3>You just you marry. Sometimes you jump in and marry them. Well,

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<v Speaker 3>we've both been there, yep.

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<v Speaker 2>I've been there, done that.

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<v Speaker 4>Twenty years old. I'm going to well about that age too, ye.

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<v Speaker 4>So fair.

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<v Speaker 2>If he asked me to marry him today, I would

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<v Speaker 2>marry him.

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<v Speaker 4>Maybe she just is.

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<v Speaker 3>Okay, this sounds gross to me even saying it, but

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<v Speaker 3>she's a girl, and I always feel like guys can

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<v Speaker 3>be horny, but girls can't be horny. Is there like

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<v Speaker 3>a feminine version of that?

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<v Speaker 2>No, I don't think Donna was horny. I don't think

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<v Speaker 2>that was where the statement was coming from.

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<v Speaker 3>Not I understand, but I'm sure on some level females

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<v Speaker 3>can feel passionate too. And I feel like she, you know,

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<v Speaker 3>wants to marry him emotion wise, her heart's like in it,

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<v Speaker 3>but she also is probably like, I'm going to marry

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<v Speaker 3>him and we're gonna consummate this relationship and we're gonna babies,

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<v Speaker 3>and you know, she's she's in it.

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<v Speaker 2>Yet I wanted to help her.

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<v Speaker 4>If you had a mom like that, oh might want

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<v Speaker 4>to get away too. Yeah, she's this all time low.

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<v Speaker 4>I thought she reached her lowest lows and.

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<v Speaker 2>She loved you so much. She is willing to part

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<v Speaker 2>with ten thousand dollars.

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<v Speaker 4>Guy, I don't think it's love. I think she wants

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<v Speaker 4>to control Donna Martin.

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<v Speaker 1>Duh.

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<v Speaker 4>It wasn't a good amount even for the nineties.

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<v Speaker 3>Ten grand pretty solid and offer, Yeah for a kid,

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<v Speaker 3>I think for that, I just don't. I can't gauge

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<v Speaker 3>how much the Martins have, Like, yeah.

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<v Speaker 2>But how do you put a price tag on Donna

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<v Speaker 2>Martin's head or her woo woo, or her virginity or

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<v Speaker 2>her heart or soul or that too?

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<v Speaker 3>Okay?

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<v Speaker 4>Fine? Gross?

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<v Speaker 1>Was that?

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<v Speaker 4>Like in all seriousness gross? Gross, so gross that she

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<v Speaker 4>goes and says she's so gross about it too with

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<v Speaker 4>the tree lot and like, did you notice she doesn't

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<v Speaker 4>really say it outwardly, Like she doesn't say like, hey,

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<v Speaker 4>I'll give you ten grand to get lost. She's so

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<v Speaker 4>like dark and just awful about it. That was her

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<v Speaker 4>that really actually disgusted me.

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<v Speaker 2>Well rightly, so yeah, it was bad.

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<v Speaker 4>It's just like and then Donna's dad is such a

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<v Speaker 4>sweet angel. He's so mad, but I wanted to see

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<v Speaker 4>him be more mad at missus Martin.

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<v Speaker 3>Like he doesn't get mad.

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<v Speaker 2>Yeah, he's like a doormat that guy. Sorry to say that,

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<v Speaker 2>he does whatever police tells him to do.

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<v Speaker 3>Mm feel like he actually doesn't.

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<v Speaker 2>Oh, he gets up in her face later in the

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<v Speaker 2>in the episode, he's like, I mean, what the hell

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<v Speaker 2>have you done?

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<v Speaker 3>Yeah?

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<v Speaker 2>It was this whole episode, I mean everything all the

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<v Speaker 2>episodes now are starting to feel really dramatic.

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<v Speaker 4>Yes, Jenny like soapy. There was a lot of heightened emotions,

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<v Speaker 4>not warranted when we talk about Dylan. Especially with Dylan,

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<v Speaker 4>I was like, what.

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<v Speaker 2>But wait, let's go back to the beginning. Because the

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<v Speaker 2>Walsh mom and dad, what are they are going to

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<v Speaker 2>see the daughter? That's never been mentioned, hardly ever been mentioned.

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<v Speaker 2>They're like, they're going to London to be with her

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<v Speaker 2>for Christmas?

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<v Speaker 1>Right, yeah, I always feel like they fling in a

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<v Speaker 1>curse when she come home. Great question, uh but you

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<v Speaker 1>know that answer she didn't want to.

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<v Speaker 4>And also how about mister Walls using profanity he couldn't

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<v Speaker 4>find his damn passport? It was hot.

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<v Speaker 3>What about Brandon saying they might think you're a terrorist

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<v Speaker 3>on the.

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<v Speaker 4>Oh, that was weird.

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<v Speaker 2>Yeah, yeah, you can't say you can't say like that

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<v Speaker 2>these days, Brandon totally.

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<v Speaker 3>I literally went back and I was like, wait, what

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<v Speaker 3>year will you're Oh my god, like it was yeh

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<v Speaker 3>we're nine to eleven, Oh my god, oh my god.

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<v Speaker 2>Like yeah.

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<v Speaker 4>Yeah.

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<v Speaker 2>So, if we were to break this episode down, we

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<v Speaker 2>have Donna's and Ray's storyline, we have Brandon and Kelly.

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<v Speaker 4>We have Dylan and unhinged Dylan, Dylan and.

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<v Speaker 2>Weird guy and.

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<v Speaker 4>We sort of.

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<v Speaker 2>And the Chrysanta Claus of it all, and then sort of.

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<v Speaker 4>A peach Pit after Dark slash.

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<v Speaker 3>I'm in now because I know it's coming.

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<v Speaker 4>Yeah, we sort of got a bit of Claire David

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<v Speaker 4>in different ways, like Claire David in the peach Pit

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<v Speaker 4>after Dark, Claire David with the Chancellor. Then we had

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<v Speaker 4>the the sort of we're feeding needy people at the

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<v Speaker 4>peach Pit. There there was sort of a mess of

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<v Speaker 4>stuff happening.

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<v Speaker 2>A lot going on.

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<v Speaker 4>Yeah, uh huh.

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<v Speaker 2>The only one, like the only like solid storylines I

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<v Speaker 2>felt like were Donna's and Kelly's and Brandon's.

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<v Speaker 4>Dylan Dylan had a storyline, but he was so.

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<v Speaker 2>Huh, I can't get it, Christine FBI like that okay,

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<v Speaker 2>who killed at the FBI man First of all, Okay,

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<v Speaker 2>my point is he's like screaming at a secret service

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<v Speaker 2>agent or what I for that guy was, And then

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<v Speaker 2>cut to the end of the show, he just lets

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<v Speaker 2>some strange, wild, crazy, weird man into his house and

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<v Speaker 2>lets him eat his donuts. Like what, there's no balance,

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<v Speaker 2>what's happening? That's not when he let that guy in.

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<v Speaker 2>At the end, I was like, Dylan would never let

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<v Speaker 2>that guy in, especially how aggravated he was at the

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<v Speaker 2>other guy.

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<v Speaker 4>Not only that, but when he goes into the FBI

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<v Speaker 4>and is completely unhinged yelling, they actually let him see

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<v Speaker 4>get an appointment. Yeah, I don't think he's Jack McKay's son.

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<v Speaker 4>The receptionist is like, oh, Jack mckay'son. Oh, send him

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<v Speaker 4>right back?

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<v Speaker 1>Like what.

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<v Speaker 3>Wait? Can I drive jet? Do you like Christine? The

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<v Speaker 3>name Christine Pettitt? We had a writer? Was that me? Okay,

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<v Speaker 3>do you know what I'm talking about? I might be

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<v Speaker 3>remembering this wrong. Was her name not Christine Pettitt or

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<v Speaker 3>was it something Pettit? I feel like it's her name,

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<v Speaker 3>and they they used it because they.

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<v Speaker 2>Could, And she said, okay, no, no, I don't know,

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<v Speaker 2>can help you there, but it does sound familiar. And

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<v Speaker 2>then are the Lovely Valerie.

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<v Speaker 4>Was back on and she was headed to cold Buffalo.

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<v Speaker 2>Oh not that Valerie, the very wild Vale.

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<v Speaker 4>Oh right right right, sorry, Valley Valerie Wildman.

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<v Speaker 2>Yes, Valerie Wildman as Christine so beautiful, she's great, geez

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<v Speaker 2>it's hot. Yeah, And I like, yes, I kind of

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<v Speaker 2>wanted them to get together. That would be a villain

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<v Speaker 2>and Jack's old lady.

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<v Speaker 4>It would have been a great twist. Wait, wait, have

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<v Speaker 4>so many things to ask you guys.

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<v Speaker 2>Wait, but Valerie was barely in this one again?

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<v Speaker 4>Right, Yeah, she's off to Buffalo.

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<v Speaker 2>Cool, she's going below for the holidays.

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<v Speaker 3>Why why do you think they did that? JN What?

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<v Speaker 2>Yeah, they had no storyline for her. I don't know

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<v Speaker 2>they had no Yeah.

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<v Speaker 3>I mean, here's the thing. You're paying a series regular,

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<v Speaker 3>why ship were off for the episode? Just have her there? Like,

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<v Speaker 3>I don't know.

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<v Speaker 4>Well, this makes me ask a weird question. Of course,

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<v Speaker 4>was she paid? Like to me, she's low man on

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<v Speaker 4>the totem pole, right, even though they brought her in

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<v Speaker 4>she was famous. It's was she paid the least? Like

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<v Speaker 4>would she be the first to not have a storyline

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<v Speaker 4>if the episode got too clogged up?

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<v Speaker 3>Here's the thing. If you're paid, you're paid. It's not

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<v Speaker 3>about how much. So she's in it. She's paid so

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<v Speaker 3>she can be in one scene, you know.

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<v Speaker 4>Oh god, it's the same.

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<v Speaker 3>Thing for them, so might as well use your regulars. Like,

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<v Speaker 3>I don't understand, right, that's a good point. They probably

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<v Speaker 3>Like I was bummed not to see her like, I'm

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<v Speaker 3>bummed officially at this point when I don't see Valerie

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<v Speaker 3>as much because she she gets the look, she gets

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<v Speaker 3>the really yes, she stirs up.

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<v Speaker 4>It was a welcome like I realize. I mean, I

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<v Speaker 4>don't like how she's sort of it's very weird to

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<v Speaker 4>me with Dylan, so just said it gets real.

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<v Speaker 2>Like again like Opie, with the way they're writing her

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<v Speaker 2>character just be so conniving and so I mean, I

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<v Speaker 2>know it's juicy, and like every show needs an antagonist,

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<v Speaker 2>but I understand what you're saying, Amy, you kind of

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<v Speaker 2>enjoyed a little break from the mind.

0:12:17.840 --> 0:12:22.920
<v Speaker 4>That sort of we had enough with Dylan being kind

0:12:22.960 --> 0:12:24.480
<v Speaker 4>of a mess that I sort of didn't need any

0:12:24.520 --> 0:12:27.640
<v Speaker 4>more menacing people, kind of pausing problems.

0:12:27.800 --> 0:12:30.640
<v Speaker 3>Everyone needs a villain, true, A show can't go on

0:12:30.760 --> 0:12:31.480
<v Speaker 3>without a villain.

0:12:32.040 --> 0:12:35.280
<v Speaker 4>I think we had so much drama happening. We've got

0:12:35.480 --> 0:12:41.400
<v Speaker 4>Kelly's got drama, Andrea's all got drama, unnecessary baby drama.

0:12:42.280 --> 0:12:45.559
<v Speaker 2>Okay, oh my gosh, okay, okay. When Jesse took that

0:12:45.679 --> 0:12:49.520
<v Speaker 2>baby out of Andrea's hands when it was crying, I

0:12:49.679 --> 0:12:51.520
<v Speaker 2>was like, oh no, he's gonna shake the baby. Did

0:12:51.679 --> 0:12:53.600
<v Speaker 2>shake that baby? Out of his hands. Didn't he seem

0:12:53.679 --> 0:12:55.680
<v Speaker 2>like way too upset to just rip the baby out.

0:12:55.559 --> 0:12:55.960
<v Speaker 3>Of her hands.

0:12:56.040 --> 0:12:59.480
<v Speaker 2>Yeah, he was also way too upset about a baby.

0:12:59.559 --> 0:13:02.280
<v Speaker 2>He was very upset about the baby crying.

0:13:03.520 --> 0:13:06.120
<v Speaker 4>All during midnight, Like at midnight. He was so mad

0:13:06.200 --> 0:13:08.240
<v Speaker 4>that the baby was crying at church at midnight, Like,

0:13:08.320 --> 0:13:09.520
<v Speaker 4>what baby's not crying at church?

0:13:09.600 --> 0:13:11.719
<v Speaker 2>I was yelling at the TV Andrea, I don't just

0:13:11.800 --> 0:13:14.400
<v Speaker 2>stand there. Take the baby back, like, get that baby,

0:13:15.840 --> 0:13:17.840
<v Speaker 2>because she just stands there. And it's like.

0:13:20.600 --> 0:13:22.400
<v Speaker 3>But here, I mean, here's the thing. We all know this,

0:13:22.840 --> 0:13:24.640
<v Speaker 3>Like you don't know how you're going to be as

0:13:24.679 --> 0:13:28.719
<v Speaker 3>a parent. And I'm sure that wasn't his choice, but

0:13:31.040 --> 0:13:32.920
<v Speaker 3>there's a lot of people that can't handle that.

0:13:34.360 --> 0:13:36.959
<v Speaker 4>I think they're trying to make a storyline out of that.

0:13:37.080 --> 0:13:38.400
<v Speaker 3>They have different nothings.

0:13:38.760 --> 0:13:40.560
<v Speaker 4>Oh thank you, Tory. No, that's right.

0:13:40.679 --> 0:13:44.520
<v Speaker 2>It's like they have different religious backgrounds, they have different

0:13:45.760 --> 0:13:51.720
<v Speaker 2>like holiday traditions. They're just they have different parenting styles.

0:13:52.679 --> 0:13:55.760
<v Speaker 2>Things are not looking good over there. Yeah, till the

0:13:55.800 --> 0:14:01.040
<v Speaker 2>whole gang comes over for Christmas. I really enjoyed that moment,

0:14:01.200 --> 0:14:06.599
<v Speaker 2>but it was, yeah, it was real. I don't know

0:14:06.679 --> 0:14:07.079
<v Speaker 2>what it was.

0:14:08.640 --> 0:14:23.720
<v Speaker 4>Yeah, it was a good moment. Don is definitely bonding

0:14:23.760 --> 0:14:27.040
<v Speaker 4>with Ray's mom. Now that, by the way, tell me

0:14:27.200 --> 0:14:30.280
<v Speaker 4>we all didn't appreciate the Princess cruise love boat.

0:14:30.440 --> 0:14:31.680
<v Speaker 2>Reference love boat tie.

0:14:31.920 --> 0:14:36.520
<v Speaker 3>Of course, little Grid have my shrimp and sipping on champagne.

0:14:37.560 --> 0:14:41.400
<v Speaker 2>But that's crazy. You're giving giving I mean, I get it.

0:14:41.440 --> 0:14:46.120
<v Speaker 2>You're giving away Felsa's dirty money and sending his mom

0:14:46.240 --> 0:14:48.720
<v Speaker 2>on the cruise. That's humongous.

0:14:49.680 --> 0:14:53.040
<v Speaker 3>It's a big step. That's Oh.

0:14:54.640 --> 0:14:57.040
<v Speaker 4>I suppose we're to assume that Ray cash the check then,

0:14:57.080 --> 0:14:59.920
<v Speaker 4>because the check was in his name, so they cash,

0:15:01.720 --> 0:15:03.000
<v Speaker 4>he cash? He did cash?

0:15:04.160 --> 0:15:07.080
<v Speaker 2>Yeah, but that was after Donna said he didn't cash.

0:15:07.200 --> 0:15:07.400
<v Speaker 1>Yeah.

0:15:07.920 --> 0:15:13.320
<v Speaker 3>Yeah, so I'm too I'm too close, closely related to

0:15:13.440 --> 0:15:16.560
<v Speaker 3>this in every way. So can you can you explain

0:15:16.640 --> 0:15:19.400
<v Speaker 3>to me, like how you felt about that, Like, wait,

0:15:19.560 --> 0:15:22.240
<v Speaker 3>what what do you mean I'm cashing to give it

0:15:22.320 --> 0:15:25.479
<v Speaker 3>to his mom? I felt like that was all Donna's idea.

0:15:25.720 --> 0:15:28.480
<v Speaker 4>Same same Jenny. I felt fine about it because she

0:15:28.800 --> 0:15:31.480
<v Speaker 4>insisted upon it. That was it was her choice.

0:15:32.320 --> 0:15:34.120
<v Speaker 2>I don't know, Donna wants to make him happy.

0:15:34.280 --> 0:15:36.040
<v Speaker 4>Do you think they're you're buying their love?

0:15:36.480 --> 0:15:38.360
<v Speaker 3>I don't know. I mean I guess it's like you're

0:15:38.360 --> 0:15:40.680
<v Speaker 3>supposed to say like no, no, thank you very much,

0:15:40.840 --> 0:15:42.680
<v Speaker 3>and the third time you're supposed to be like okay

0:15:42.760 --> 0:15:44.480
<v Speaker 3>and accept it. I don't know, that's like a myth.

0:15:45.000 --> 0:15:48.080
<v Speaker 2>She was like yay, Curis immediately upon opening it.

0:15:48.280 --> 0:15:51.880
<v Speaker 3>I just I don't know somewhere deep down, and maybe

0:15:51.960 --> 0:15:55.000
<v Speaker 3>this is like a personal thing because I feel like

0:15:55.240 --> 0:15:58.280
<v Speaker 3>when I was younger, guys would like me for my

0:15:58.360 --> 0:16:04.000
<v Speaker 3>dad's money. So it's like a triggering thing. It's overuse worse. Sorry,

0:16:04.160 --> 0:16:07.440
<v Speaker 3>but I don't know. I wish he had said no, like,

0:16:07.880 --> 0:16:11.200
<v Speaker 3>you know, I'll work, we'll work together and get my

0:16:11.280 --> 0:16:13.120
<v Speaker 3>mama cruise somehow. Let's not do that.

0:16:13.280 --> 0:16:15.720
<v Speaker 4>I don't know he did, though, So I get what

0:16:15.800 --> 0:16:18.080
<v Speaker 4>you're saying. And I also appreciate that it is triggering

0:16:18.280 --> 0:16:22.960
<v Speaker 4>because it's there is sort of some challenging stuff in

0:16:23.000 --> 0:16:25.880
<v Speaker 4>the here. But I think he said no, and then

0:16:25.920 --> 0:16:27.720
<v Speaker 4>I think she's saying I'm so mad.

0:16:27.600 --> 0:16:28.000
<v Speaker 3>At my mom.

0:16:28.040 --> 0:16:31.880
<v Speaker 4>I basically just like walked out of there f this.

0:16:32.160 --> 0:16:34.800
<v Speaker 4>Let's cash this check and get your mom what she wants.

0:16:35.040 --> 0:16:36.520
<v Speaker 3>But she can't make him do it.

0:16:39.200 --> 0:16:42.520
<v Speaker 4>She probably can, And I also think the Martins have

0:16:42.760 --> 0:16:45.840
<v Speaker 4>a lot of money. So it's just peanuts today.

0:16:46.280 --> 0:16:52.440
<v Speaker 2>So she's look at that staircase. You have that grand

0:16:52.560 --> 0:16:56.160
<v Speaker 2>staircase in the foyer. It's very ritzy, like.

0:16:56.240 --> 0:17:01.240
<v Speaker 4>If Dylan has eight millions, they definitely have millions. The

0:17:01.360 --> 0:17:02.320
<v Speaker 4>Martins have millions.

0:17:02.920 --> 0:17:08.320
<v Speaker 2>Okay, but from him being a doctor, that's maybe.

0:17:08.119 --> 0:17:11.240
<v Speaker 4>There's family money too. Maybe there's family money that we

0:17:11.320 --> 0:17:14.040
<v Speaker 4>don't Maybe police came in with a dowry. We don't know.

0:17:14.520 --> 0:17:20.560
<v Speaker 2>Maybe maybe he's like a doctor, like a facial doctor,

0:17:20.880 --> 0:17:24.560
<v Speaker 2>surgeon plus surgeon. Yeah, maybe he's making that he's getting

0:17:24.600 --> 0:17:25.720
<v Speaker 2>that Kardashian money.

0:17:26.320 --> 0:17:31.120
<v Speaker 3>I believe he's a heart doctor because Joe, Am I wrong?

0:17:31.160 --> 0:17:31.600
<v Speaker 3>Am I wrong?

0:17:31.800 --> 0:17:32.479
<v Speaker 2>I think you're right.

0:17:33.520 --> 0:17:34.600
<v Speaker 3>I just remember that.

0:17:35.200 --> 0:17:37.399
<v Speaker 2>Yeah, but he's not making that much money being a

0:17:37.480 --> 0:17:38.560
<v Speaker 2>heart doctor. I don't think.

0:17:38.840 --> 0:17:41.280
<v Speaker 4>Maybe he has his own practing heart doctor at cedars

0:17:41.680 --> 0:17:44.960
<v Speaker 4>in the world. Maybe he invented the pacemaker and we

0:17:45.040 --> 0:17:48.520
<v Speaker 4>don't know it, right, so we don't know. I think

0:17:48.520 --> 0:17:50.800
<v Speaker 4>we're to assume they've got a lot of dough.

0:17:51.080 --> 0:17:54.520
<v Speaker 2>So that's he made you feel weird because your character

0:17:54.800 --> 0:18:01.520
<v Speaker 2>was giving somebody's that you love's parent a mad massive gift.

0:18:01.800 --> 0:18:04.320
<v Speaker 3>It made me feel like my whole life when I

0:18:04.440 --> 0:18:08.040
<v Speaker 3>was trying to please someone and thought that I wasn't

0:18:08.160 --> 0:18:10.560
<v Speaker 3>worth enough for them to like me for me, so

0:18:10.720 --> 0:18:13.200
<v Speaker 3>I would think if I gave them a present or

0:18:13.400 --> 0:18:15.600
<v Speaker 3>like my hard earned money. It wasn't even my parents

0:18:15.680 --> 0:18:18.000
<v Speaker 3>that I worked hard for. So that's where it comes from.

0:18:21.000 --> 0:18:23.199
<v Speaker 2>Well, go back to light and bright. No, I.

0:18:24.760 --> 0:18:25.200
<v Speaker 3>I get that.

0:18:25.880 --> 0:18:26.879
<v Speaker 2>Unpack that in therapy.

0:18:27.880 --> 0:18:28.960
<v Speaker 3>That's all good, okay.

0:18:29.440 --> 0:18:32.600
<v Speaker 4>I'm like all the buying. Everybody's buying each other right,

0:18:32.800 --> 0:18:35.720
<v Speaker 4>Like she's trying to buy him off, and you take

0:18:35.760 --> 0:18:38.239
<v Speaker 4>the money and buy you at your parents. And then

0:18:38.240 --> 0:18:40.000
<v Speaker 4>there's a whole money thing going on with Dylan and

0:18:40.040 --> 0:18:42.440
<v Speaker 4>he's so desperate to get his there's a lot of money, money,

0:18:42.560 --> 0:18:45.840
<v Speaker 4>money things happening. So maybe and I and I.

0:18:45.880 --> 0:18:48.720
<v Speaker 2>Don't think that's a very good dynamic to set up

0:18:48.760 --> 0:18:54.800
<v Speaker 2>this young, immature relationship with Donna holding this you know,

0:18:55.680 --> 0:18:59.920
<v Speaker 2>money position over him, like she has so much money. Yeah, yeah,

0:19:00.040 --> 0:19:04.600
<v Speaker 2>I hate that. Oh he's never gonna feel like And.

0:19:04.680 --> 0:19:07.440
<v Speaker 4>We know that Mom is already so enamored by it,

0:19:07.480 --> 0:19:10.320
<v Speaker 4>because she's mentioned it multiple times in the previous episode,

0:19:10.440 --> 0:19:15.000
<v Speaker 4>like you go and enjoy this time. And I wish

0:19:15.080 --> 0:19:17.800
<v Speaker 4>I could drive up to Beverly Hills, like she's always

0:19:18.200 --> 0:19:21.200
<v Speaker 4>there's definitely like a whole storyline there of this.

0:19:21.480 --> 0:19:24.920
<v Speaker 3>Yeah, And I guess it's feeling bad because Donn and

0:19:25.000 --> 0:19:28.159
<v Speaker 3>I are so similar in so many ways, and I

0:19:28.720 --> 0:19:32.200
<v Speaker 3>would never have done that or never do it, because

0:19:32.280 --> 0:19:33.840
<v Speaker 3>while I'd be like, I want your mom to have

0:19:33.960 --> 0:19:37.000
<v Speaker 3>this and you know, screw her for doing this, I

0:19:37.080 --> 0:19:38.440
<v Speaker 3>would still at the end of the day be like,

0:19:38.480 --> 0:19:42.320
<v Speaker 3>I respect my mom and not do it. So but

0:19:42.440 --> 0:19:45.000
<v Speaker 3>it's interesting that it was written that way, so that

0:19:45.160 --> 0:19:48.119
<v Speaker 3>obviously came up in conversation that perhaps I would do that.

0:19:48.640 --> 0:19:52.119
<v Speaker 4>I think it was at that point in Fu to Felice, like.

0:19:52.280 --> 0:19:55.720
<v Speaker 3>Yeah, yeah, like I know, you can't do an f

0:19:55.800 --> 0:19:56.520
<v Speaker 3>you to your mom.

0:19:57.800 --> 0:20:01.439
<v Speaker 4>You can. She did an f you by offering them

0:20:01.520 --> 0:20:01.920
<v Speaker 4>the money.

0:20:02.119 --> 0:20:03.280
<v Speaker 3>It doesn't matter. I would never.

0:20:03.800 --> 0:20:04.800
<v Speaker 4>No, you wouldn't talk.

0:20:05.280 --> 0:20:06.040
<v Speaker 3>I am Donna.

0:20:07.280 --> 0:20:10.480
<v Speaker 2>Okay, okay, really really need to get to that therapy.

0:20:11.920 --> 0:20:13.719
<v Speaker 4>Oh my god, I am Donna.

0:20:14.480 --> 0:20:15.439
<v Speaker 3>I am Donna.

0:20:18.440 --> 0:20:19.160
<v Speaker 2>Oh my god.

0:20:19.359 --> 0:20:22.960
<v Speaker 4>Something we're talking about Donna and we're like and she's

0:20:23.000 --> 0:20:25.679
<v Speaker 4>like I was, I would live ever and we're like.

0:20:27.200 --> 0:20:30.360
<v Speaker 3>Something, I mean by now from the rew like from

0:20:30.440 --> 0:20:34.399
<v Speaker 3>rewatching this for five seasons now, we're starting to align

0:20:34.480 --> 0:20:37.240
<v Speaker 3>stuff that I'm like, uh, okay, yeah that happened in

0:20:37.359 --> 0:20:39.399
<v Speaker 3>real life. This is like they did this because of this.

0:20:39.880 --> 0:20:42.199
<v Speaker 3>There was a lot going on that I didn't realize

0:20:42.240 --> 0:20:44.800
<v Speaker 3>back then that maybe you know, they would do like

0:20:45.760 --> 0:20:48.760
<v Speaker 3>pitch meetings and you know, work sessions, and my dad

0:20:48.760 --> 0:20:50.320
<v Speaker 3>would be like, oh, this is happening, and this is

0:20:50.320 --> 0:20:53.560
<v Speaker 3>happening in my teen and her friends, and like it's

0:20:53.680 --> 0:20:56.240
<v Speaker 3>lining up a little bit too close to home.

0:20:57.520 --> 0:21:01.600
<v Speaker 4>I understand for you, Tour, we don't have to dig

0:21:01.640 --> 0:21:04.840
<v Speaker 4>into it too much. People using you like being your

0:21:04.920 --> 0:21:07.320
<v Speaker 4>friend because you're Tori spelling, whether it was for money

0:21:07.440 --> 0:21:09.680
<v Speaker 4>or maybe if I'm her best friend, her dad will

0:21:09.680 --> 0:21:13.240
<v Speaker 4>get me a gig or like, I definitely relate. I

0:21:13.280 --> 0:21:18.880
<v Speaker 4>don't relate personally, but I understand wondering what people sort

0:21:18.920 --> 0:21:26.360
<v Speaker 4>of like, yeah, like what they're true motives. Yeah.

0:21:26.520 --> 0:21:30.440
<v Speaker 3>So I'm bummed seeing this because I'm like, I wish

0:21:30.480 --> 0:21:32.720
<v Speaker 3>you wouldn't have done it. I wish his mom wouldn't

0:21:32.760 --> 0:21:34.920
<v Speaker 3>have said yes, Like, I just want them to work out.

0:21:35.000 --> 0:21:37.400
<v Speaker 3>At this point, I know I know what happens later,

0:21:37.480 --> 0:21:38.200
<v Speaker 3>but I'm in the moment.

0:21:38.600 --> 0:21:41.920
<v Speaker 4>Good crime scene, though you had good drama scene, and

0:21:42.240 --> 0:21:42.720
<v Speaker 4>I thought.

0:21:42.640 --> 0:21:43.800
<v Speaker 2>David a lot of drama.

0:21:44.080 --> 0:21:48.920
<v Speaker 4>David and Claire were very good friends to you, even

0:21:48.920 --> 0:21:51.399
<v Speaker 4>though it's still weird that David. That's still weird to me,

0:21:51.480 --> 0:21:54.320
<v Speaker 4>but yet good. They were super supportive. And then Ray

0:21:54.400 --> 0:21:56.600
<v Speaker 4>came and I actually thought that scene for being pretty

0:21:56.640 --> 0:22:03.480
<v Speaker 4>heightened believable. M hmm, good scene. Like your crying was

0:22:03.640 --> 0:22:11.240
<v Speaker 4>really good and you were yes, speaking of crying, Jenny

0:22:12.320 --> 0:22:16.520
<v Speaker 4>one loan tear rolling, she's the best. How did you

0:22:16.760 --> 0:22:17.119
<v Speaker 4>do that?

0:22:19.560 --> 0:22:22.520
<v Speaker 2>I don't know, Oh, that's my trained tear drop?

0:22:22.800 --> 0:22:24.960
<v Speaker 4>So were those real? Not those droppy things that you

0:22:25.040 --> 0:22:26.440
<v Speaker 4>guys do to make you cry.

0:22:26.920 --> 0:22:30.680
<v Speaker 2>Who knows what you do? Any scene and you can't

0:22:30.720 --> 0:22:32.720
<v Speaker 2>get there, You're like, give me the blower, give me

0:22:32.840 --> 0:22:34.240
<v Speaker 2>the drops, whatever it is.

0:22:35.520 --> 0:22:37.480
<v Speaker 3>I feel like you're the best crier in the biz.

0:22:38.960 --> 0:22:42.240
<v Speaker 3>She has a knack for it. It's real, Like it's good.

0:22:42.920 --> 0:22:45.200
<v Speaker 4>That was a great scene too. I think this whole

0:22:45.280 --> 0:22:50.960
<v Speaker 4>episode is other than Dylan that was we'll talk about that,

0:22:51.000 --> 0:22:57.480
<v Speaker 4>but that felt very real and like, yeah, like Brandon

0:22:57.600 --> 0:23:00.439
<v Speaker 4>seeing your back that we didn't realize is so burned

0:23:00.840 --> 0:23:04.920
<v Speaker 4>and he didn't realize because you haven't shown and the

0:23:05.040 --> 0:23:08.439
<v Speaker 4>vulnerability and the tear and in the bathroom and like.

0:23:10.000 --> 0:23:15.000
<v Speaker 3>You were MOPy but that now I got it warranted.

0:23:15.160 --> 0:23:19.560
<v Speaker 2>Yeah, yeah, yeah he looked pretty grossed out though.

0:23:20.680 --> 0:23:24.920
<v Speaker 4>I look sad. I thought he's just shocking bad like

0:23:25.160 --> 0:23:28.920
<v Speaker 4>also maybe a little bit of regret, like he didn't realize.

0:23:29.240 --> 0:23:31.560
<v Speaker 2>Oh yeah, yeah that's yeah.

0:23:32.520 --> 0:23:36.920
<v Speaker 4>That was a great scene too, both those dramatic scenes.

0:23:37.840 --> 0:23:40.560
<v Speaker 2>On Christmas in the Christmas episode so much drama?

0:23:41.160 --> 0:23:43.520
<v Speaker 3>Would you guys have rather the Christmas episode be a

0:23:43.880 --> 0:23:46.560
<v Speaker 3>like more light and bright. It's kind of the flip

0:23:46.760 --> 0:23:50.680
<v Speaker 3>of what you think most Christmas things are about. Usually

0:23:50.680 --> 0:23:51.199
<v Speaker 3>they're so like.

0:23:52.680 --> 0:23:57.520
<v Speaker 2>Like this was like, yeah, honestly, I really could have

0:23:57.640 --> 0:24:01.320
<v Speaker 2>used a little more levity in that in the Christmas episode.

0:24:01.600 --> 0:24:02.879
<v Speaker 2>You know, I think you're right.

0:24:03.000 --> 0:24:06.000
<v Speaker 4>Like the reason I liked it is that I didn't

0:24:06.040 --> 0:24:08.000
<v Speaker 4>feel like I was getting a phoned in episode. I

0:24:08.040 --> 0:24:09.320
<v Speaker 4>didn't feel like I was getting some.

0:24:09.680 --> 0:24:11.879
<v Speaker 2>You know, Christmas episodes flash by.

0:24:11.920 --> 0:24:16.040
<v Speaker 4>Actually Christmas, I still like corny thing. I felt like, Wow,

0:24:16.080 --> 0:24:21.760
<v Speaker 4>I got a real episode where real crap is happening. Yeah,

0:24:22.000 --> 0:24:25.119
<v Speaker 4>Like this is real storyline, super meedy, Like, if you

0:24:25.200 --> 0:24:29.200
<v Speaker 4>think about it, right, Jenny, your storyline super meedy, tory,

0:24:29.320 --> 0:24:35.280
<v Speaker 4>your storyline, even Luke slash Dylan real stuff's happening, and

0:24:35.440 --> 0:24:39.560
<v Speaker 4>even Jesse and Andrea, like every single storyline. The one

0:24:39.600 --> 0:24:41.600
<v Speaker 4>thing is I don't understand why Claire is not telling

0:24:41.680 --> 0:24:44.159
<v Speaker 4>the chancellor, Like why why why does the chancellor think

0:24:44.200 --> 0:24:47.160
<v Speaker 4>she's dating Brandon? Like on what planet is that? Even

0:24:47.280 --> 0:24:50.440
<v Speaker 4>what's what's going on? He still thinks that, Yes, that's

0:24:50.440 --> 0:24:52.239
<v Speaker 4>why he's like, you should bring Brandon and you can

0:24:52.359 --> 0:24:56.160
<v Speaker 4>invite your other friends, Kelly and Donna. Like, first of all,

0:24:56.240 --> 0:24:59.480
<v Speaker 4>what dad, that's so rude, Like she's literally just invited

0:24:59.600 --> 0:25:01.720
<v Speaker 4>in to her friend that's right there. Why would you

0:25:01.800 --> 0:25:04.240
<v Speaker 4>not be like and this guy, this new David guy, Like.

0:25:04.640 --> 0:25:09.560
<v Speaker 3>And also what why is she Yeah, maybe he knows

0:25:09.600 --> 0:25:11.159
<v Speaker 3>it's not going to work out long runs, so.

0:25:12.119 --> 0:25:14.160
<v Speaker 2>Yeah, I don't think they are together very long.

0:25:15.280 --> 0:25:18.520
<v Speaker 4>But the change is so clinless, Like there's just a

0:25:18.640 --> 0:25:22.600
<v Speaker 4>huge fire on his campus where you were badly burned,

0:25:22.640 --> 0:25:24.920
<v Speaker 4>and like student it was a student led thing. She

0:25:25.040 --> 0:25:28.400
<v Speaker 4>doesn't he doesn't know that the president of the school

0:25:28.960 --> 0:25:29.800
<v Speaker 4>is dating.

0:25:30.600 --> 0:25:34.680
<v Speaker 2>You the burn victim, right dumb, or that he's actually

0:25:34.800 --> 0:25:38.040
<v Speaker 2>at the burn victim's house. It's like when he goes

0:25:38.040 --> 0:25:40.639
<v Speaker 2>to see his daughter who's the roommate of the burn victim. Like,

0:25:41.359 --> 0:25:44.960
<v Speaker 2>so he feels like he's super self obsessed with being

0:25:45.040 --> 0:25:46.120
<v Speaker 2>the chancellor.

0:25:45.840 --> 0:25:48.200
<v Speaker 4>Right, He's just not that dopey. It's like, dude, you

0:25:48.280 --> 0:25:49.399
<v Speaker 4>know what's going on? What?

0:25:51.160 --> 0:25:53.440
<v Speaker 3>Or is he choosing not to see it?

0:25:55.520 --> 0:25:56.520
<v Speaker 2>The boyfriend thing here?

0:25:56.720 --> 0:25:59.720
<v Speaker 3>Yeah, and he wants her to be with Brandon, so

0:25:59.840 --> 0:26:00.480
<v Speaker 3>he just just.

0:26:00.560 --> 0:26:02.080
<v Speaker 2>Like, yeah, he just wants her to be a Brandon,

0:26:02.280 --> 0:26:02.760
<v Speaker 2>you know what I mean?

0:26:02.920 --> 0:26:06.480
<v Speaker 3>Like, yeah, I don't think he's that clueless, Like I

0:26:06.600 --> 0:26:10.600
<v Speaker 3>think he's just like, yes, self absorbed in his world,

0:26:10.680 --> 0:26:13.000
<v Speaker 3>but also like wants what he wants. And so you know,

0:26:13.040 --> 0:26:15.000
<v Speaker 3>if you just keep pretending you don't see it, maybe

0:26:15.040 --> 0:26:15.720
<v Speaker 3>it'll go away.

0:26:16.880 --> 0:26:17.560
<v Speaker 2>Yeah. Maybe.

0:26:17.760 --> 0:26:33.120
<v Speaker 4>And I don't know why David cares speaking of a trigger?

0:26:33.280 --> 0:26:35.160
<v Speaker 4>Do you want to know what triggered me in this episode?

0:26:35.359 --> 0:26:37.280
<v Speaker 2>What triggered you? Can we how many times can we

0:26:37.320 --> 0:26:38.800
<v Speaker 2>say trigger this?

0:26:40.160 --> 0:26:41.200
<v Speaker 4>Wait? What flames?

0:26:42.240 --> 0:26:44.639
<v Speaker 2>There was flames all around in this episode. There was

0:26:44.760 --> 0:26:49.679
<v Speaker 2>like the fire behind Dellie and Mommy, and then there

0:26:49.760 --> 0:26:51.800
<v Speaker 2>was the flames in front of Kelly and Brandon and

0:26:51.880 --> 0:26:54.639
<v Speaker 2>the fireplane, and then there was the flame that there

0:26:54.720 --> 0:26:59.000
<v Speaker 2>was flames everywhere. It was freaking me. I never told

0:26:59.040 --> 0:27:02.680
<v Speaker 2>you guys this. Okay, So the fire episode was two

0:27:02.760 --> 0:27:05.520
<v Speaker 2>weeks ago, right, So, over the course of the last

0:27:05.560 --> 0:27:10.040
<v Speaker 2>two weeks, I've been obsessed with any electrical things in

0:27:10.160 --> 0:27:13.480
<v Speaker 2>my house. I've bought like remote control clickers to be

0:27:13.560 --> 0:27:19.760
<v Speaker 2>able to turn things off and on. Then the place

0:27:19.800 --> 0:27:24.920
<v Speaker 2>where we golf buy our house, it caught fire from

0:27:24.960 --> 0:27:29.760
<v Speaker 2>an electrical fire. No what the same week that, right

0:27:29.800 --> 0:27:30.880
<v Speaker 2>after I watched the show.

0:27:31.359 --> 0:27:34.320
<v Speaker 3>What is the golf course? Okay, it's Dave, Okay.

0:27:35.359 --> 0:27:36.560
<v Speaker 2>It was just the snack shacks.

0:27:36.760 --> 0:27:41.879
<v Speaker 4>Everything's okay, sounds like a toaster a microwave in the

0:27:41.920 --> 0:27:42.760
<v Speaker 4>snackshack we have.

0:27:43.080 --> 0:27:44.840
<v Speaker 2>I'm so scared of fire right now.

0:27:45.080 --> 0:27:46.920
<v Speaker 4>I wonder if this episode is what caused me. You know,

0:27:46.960 --> 0:27:49.840
<v Speaker 4>I'm obsessed with not having fire. Like, do you guys

0:27:49.920 --> 0:27:52.399
<v Speaker 4>do the off off, off, off off every night on

0:27:52.520 --> 0:27:56.520
<v Speaker 4>your stove? H I do that everything off?

0:27:56.640 --> 0:27:56.840
<v Speaker 3>Yeah?

0:27:56.920 --> 0:27:57.560
<v Speaker 2>I don't think I do that.

0:27:58.080 --> 0:28:01.359
<v Speaker 3>Times there were lighting candles and I don't usually like candles. Yeah,

0:28:01.600 --> 0:28:04.240
<v Speaker 3>well because I have kids and still a six year old.

0:28:04.960 --> 0:28:07.480
<v Speaker 3>But yeah, last night I blew one out because I

0:28:07.520 --> 0:28:09.040
<v Speaker 3>was like, the kids are like, why are you blowing

0:28:09.080 --> 0:28:12.199
<v Speaker 3>it out? And I'm like, just because yeah, I'm just nervous.

0:28:12.280 --> 0:28:13.520
<v Speaker 3>You're walking your I don't know.

0:28:14.240 --> 0:28:16.680
<v Speaker 4>And Christmas is also a fire time where you're life. Yeah,

0:28:16.880 --> 0:28:18.280
<v Speaker 4>the tree and the whole thing.

0:28:18.440 --> 0:28:22.240
<v Speaker 2>Yeah, you know, public service announcement everybody out there, Yeah,

0:28:22.800 --> 0:28:27.960
<v Speaker 2>please be careful with TSA. Yes, make sure your house

0:28:28.040 --> 0:28:30.240
<v Speaker 2>is fireproof or go and get one of those things.

0:28:30.320 --> 0:28:35.240
<v Speaker 2>Do you have a fire distinguisher extinguisher? I have one,

0:28:35.280 --> 0:28:37.800
<v Speaker 2>but it's like in the backy backy backie of my

0:28:38.000 --> 0:28:41.520
<v Speaker 2>under my help you it would take I would be

0:28:41.560 --> 0:28:45.320
<v Speaker 2>burnt to a crisp back water and dryer like in between.

0:28:45.320 --> 0:28:48.560
<v Speaker 4>You know, everybody do what? And I still have to

0:28:48.600 --> 0:28:50.920
<v Speaker 4>say what triggered me? What everybody should do? Those since

0:28:50.960 --> 0:28:52.760
<v Speaker 4>at the end of the year, check your batteries and

0:28:52.800 --> 0:28:55.640
<v Speaker 4>you're it's a good time to like redo the batteries

0:28:55.880 --> 0:28:58.880
<v Speaker 4>the smoke detectors, because then you know, for twenty twenty

0:28:58.920 --> 0:29:02.280
<v Speaker 4>four you're like, Okay, I'm good, I know, and you don't.

0:29:02.080 --> 0:29:03.920
<v Speaker 3>Have to deal with that. I'll put the head on

0:29:04.080 --> 0:29:05.360
<v Speaker 3>top of my list of things to do.

0:29:06.920 --> 0:29:09.800
<v Speaker 4>Nothing else. So the no, the thing that triggered me

0:29:10.520 --> 0:29:13.640
<v Speaker 4>triggered trigger what the popcorn mess?

0:29:13.880 --> 0:29:17.560
<v Speaker 2>I was literally like, oh, okay, you are This is

0:29:17.720 --> 0:29:21.600
<v Speaker 2>now finally passing this judgment of me being so neat

0:29:21.640 --> 0:29:25.240
<v Speaker 2>and tidy onto her. This is Amy. Now, Amy is

0:29:25.320 --> 0:29:28.680
<v Speaker 2>the one that has too many control issues with cleaning.

0:29:28.880 --> 0:29:32.520
<v Speaker 4>I was so like, first, I'm not a huge tinsel girl, right,

0:29:32.640 --> 0:29:34.480
<v Speaker 4>so I already had written down the wall. She just

0:29:34.560 --> 0:29:36.240
<v Speaker 4>have a lot of tinsel on their tree.

0:29:37.200 --> 0:29:37.680
<v Speaker 3>What do they have?

0:29:37.760 --> 0:29:40.440
<v Speaker 2>Tinsel? Like? The little pieces or the garland.

0:29:40.040 --> 0:29:44.080
<v Speaker 4>Of tintal, the little just little little those oh so

0:29:44.240 --> 0:29:48.240
<v Speaker 4>messy draped over so many things. Then I think Claren

0:29:48.320 --> 0:29:51.560
<v Speaker 4>David and Donna, and I think Ray was there maybe too,

0:29:52.520 --> 0:29:55.960
<v Speaker 4>are stringing the you know, first grade popcorn.

0:29:56.280 --> 0:29:58.560
<v Speaker 2>All that was just Donna, Claren David. They were making

0:29:58.600 --> 0:30:01.440
<v Speaker 2>a big old mess and then Donna just walks out.

0:30:01.800 --> 0:30:04.520
<v Speaker 2>Does nobody cleans it on brand?

0:30:05.040 --> 0:30:05.600
<v Speaker 4>On brand?

0:30:05.800 --> 0:30:05.960
<v Speaker 3>Right?

0:30:06.840 --> 0:30:11.120
<v Speaker 4>Like the entire day went all over that floor with

0:30:11.280 --> 0:30:13.360
<v Speaker 4>the carpeting, and then.

0:30:13.240 --> 0:30:17.080
<v Speaker 2>They just walk around stomp it into the carpet. Yeah, yeah,

0:30:17.080 --> 0:30:17.800
<v Speaker 2>I was feeling it.

0:30:18.640 --> 0:30:20.800
<v Speaker 4>Cleaning that up is challenging, Like.

0:30:22.160 --> 0:30:24.360
<v Speaker 3>He's not there, Just show me how to use the vacuum,

0:30:24.600 --> 0:30:26.080
<v Speaker 3>I am, I didn't know how.

0:30:26.000 --> 0:30:26.320
<v Speaker 2>To do it.

0:30:26.400 --> 0:30:29.640
<v Speaker 4>Cut it because it's like ground into that carb.

0:30:30.680 --> 0:30:32.160
<v Speaker 2>You want to know what triggered me.

0:30:32.560 --> 0:30:33.560
<v Speaker 4>Yes, obviously.

0:30:33.880 --> 0:30:37.160
<v Speaker 2>Well, there were a few things. Honestly, one of them

0:30:37.320 --> 0:30:39.040
<v Speaker 2>not such a big deal. But why was there a

0:30:39.120 --> 0:30:41.200
<v Speaker 2>scene on the back of Dylan's head the scene with

0:30:41.720 --> 0:30:44.720
<v Speaker 2>Christine Pettitt in the FBI, They're like shooting the backs

0:30:44.760 --> 0:30:45.880
<v Speaker 2>of their heads. I hated it.

0:30:45.960 --> 0:30:46.680
<v Speaker 4>Wait, I miss that.

0:30:46.800 --> 0:30:49.720
<v Speaker 2>I have to rewatch that, like sometimes you instead of

0:30:50.200 --> 0:30:52.280
<v Speaker 2>shooting from the front angle, they do it from over

0:30:52.320 --> 0:30:56.880
<v Speaker 2>the back shore. I didn't love that. And the other thing, no,

0:30:57.520 --> 0:31:01.000
<v Speaker 2>because it was bad, like you know, but he's such

0:31:01.040 --> 0:31:01.480
<v Speaker 2>good hair.

0:31:01.680 --> 0:31:02.440
<v Speaker 3>I was okay with it.

0:31:02.760 --> 0:31:06.360
<v Speaker 2>I like, I don't know he was. I don't know

0:31:06.920 --> 0:31:07.520
<v Speaker 2>that whole thing.

0:31:09.440 --> 0:31:09.760
<v Speaker 4>Okay.

0:31:09.920 --> 0:31:13.880
<v Speaker 2>One other thing was in the peach pit when the

0:31:14.000 --> 0:31:18.560
<v Speaker 2>unhoused people are they're being fed and they pan across

0:31:18.640 --> 0:31:23.200
<v Speaker 2>the countertop and the patrons are eating. But you can

0:31:23.320 --> 0:31:26.959
<v Speaker 2>clearly tell they were told don't eat the food because

0:31:27.000 --> 0:31:29.040
<v Speaker 2>they were like this. They were like this with the food, like.

0:31:31.200 --> 0:31:35.040
<v Speaker 3>Oh no, like an sl swit yeah, and they were

0:31:35.120 --> 0:31:39.280
<v Speaker 3>drinking like this they were like like it was so clear.

0:31:39.400 --> 0:31:40.920
<v Speaker 2>If you go back and watch it, you can see

0:31:40.960 --> 0:31:43.080
<v Speaker 2>one guy not putting it in his mouth and pretending

0:31:43.160 --> 0:31:43.480
<v Speaker 2>to chew.

0:31:43.640 --> 0:31:46.560
<v Speaker 3>It's listen, it was the end of the year, Christmas.

0:31:46.680 --> 0:31:48.640
<v Speaker 3>You know, the budget was low, Like, don't eat the food.

0:31:48.680 --> 0:31:50.440
<v Speaker 3>You have to keep reheating it up and using it

0:31:50.520 --> 0:31:51.640
<v Speaker 3>for scene to see, you to see.

0:31:51.640 --> 0:31:55.240
<v Speaker 4>My favorite game is bad background acting. It's fun.

0:31:55.760 --> 0:31:58.560
<v Speaker 2>It's not their fault. They were literally told donate the food,

0:31:58.960 --> 0:32:02.000
<v Speaker 2>we don't have enough, or it's been sitting out. Those

0:32:02.040 --> 0:32:03.640
<v Speaker 2>are always those are the reasons.

0:32:03.720 --> 0:32:06.000
<v Speaker 4>Sometimes I always thought heard it was continuity, like if

0:32:06.040 --> 0:32:07.800
<v Speaker 4>you bite your burger and then we have to go back,

0:32:08.400 --> 0:32:11.120
<v Speaker 4>and then even that poor girl in the corner, oh,

0:32:11.160 --> 0:32:14.280
<v Speaker 4>the burned woman. Yes, okay, so I have a whole

0:32:14.360 --> 0:32:16.680
<v Speaker 4>question about her. So sorry to not figure out who

0:32:16.680 --> 0:32:18.760
<v Speaker 4>you're talking about. Am I the only one who at

0:32:18.880 --> 0:32:20.680
<v Speaker 4>first thought it was your friend?

0:32:21.760 --> 0:32:24.840
<v Speaker 2>I wanted it to be my friend Alison.

0:32:25.200 --> 0:32:28.800
<v Speaker 3>Wait, but was that supposed to be No, I just met,

0:32:29.480 --> 0:32:31.400
<v Speaker 3>but like for a moment you were supposed to think

0:32:32.120 --> 0:32:32.760
<v Speaker 3>maybe I did.

0:32:32.960 --> 0:32:34.960
<v Speaker 2>I was like, oh, maybe it's her, But no, it

0:32:35.120 --> 0:32:40.880
<v Speaker 2>was just some other terribly burned woman. It was very

0:32:41.480 --> 0:32:42.640
<v Speaker 2>and she was sitting all alone.

0:32:42.720 --> 0:32:45.760
<v Speaker 4>It was very sad, very upsetting. Yeah, that was just upsetting.

0:32:45.920 --> 0:32:49.600
<v Speaker 4>And I did like whoever said I think it was Brandon?

0:32:49.720 --> 0:32:51.800
<v Speaker 4>So you and Brandon are talking and you were very

0:32:51.880 --> 0:32:55.120
<v Speaker 4>upset over the responses, and I thought he said, you know,

0:32:55.240 --> 0:32:58.960
<v Speaker 4>maybe everybody was just feeling her pain, and I thought, yeah,

0:32:59.240 --> 0:33:01.080
<v Speaker 4>you know what, maybe they'res well.

0:33:01.160 --> 0:33:04.480
<v Speaker 2>No, because when they walked by, when Kelly heard them

0:33:04.560 --> 0:33:07.560
<v Speaker 2>like talking about her, I think one of them said

0:33:07.640 --> 0:33:09.840
<v Speaker 2>like sucks to be her something to that.

0:33:10.040 --> 0:33:11.880
<v Speaker 4>Yeah, yeah, we have to go back and see what

0:33:11.920 --> 0:33:14.760
<v Speaker 4>they exactly said, because I'm like, did they say something jerky.

0:33:14.800 --> 0:33:19.480
<v Speaker 2>Or did they just so very not very thoughtful.

0:33:20.280 --> 0:33:22.320
<v Speaker 3>Yeah, I'm in response and you get nervous.

0:33:22.640 --> 0:33:25.320
<v Speaker 2>Here's the other thing that really bothered me, really triggered

0:33:25.400 --> 0:33:35.600
<v Speaker 2>me was Brandon's giant dockers. Why are his pants like parachutes?

0:33:35.720 --> 0:33:38.840
<v Speaker 2>Like he could literally fly in those pants.

0:33:39.880 --> 0:33:42.760
<v Speaker 3>I'm telling you this is a personal choice because there

0:33:42.880 --> 0:33:47.920
<v Speaker 3>is no chance that they were like where It's just

0:33:48.080 --> 0:33:51.320
<v Speaker 3>like always I don't know, well because Ray's dress well,

0:33:52.040 --> 0:33:55.320
<v Speaker 3>like so my things, like Raise dressed, how Jamie dresses

0:33:55.400 --> 0:33:59.120
<v Speaker 3>in real life, which Donna slash Torri is now like

0:33:59.280 --> 0:34:04.360
<v Speaker 3>coppying his ale like ogre but like Jason must have

0:34:04.480 --> 0:34:05.840
<v Speaker 3>wanted that, Like that's not.

0:34:05.960 --> 0:34:08.480
<v Speaker 2>A good look.

0:34:09.360 --> 0:34:11.480
<v Speaker 4>Want me to tell you the fashion winner of this episode?

0:34:12.239 --> 0:34:18.719
<v Speaker 4>Tell us raised mom, red swede fringe jacket and cool, right, mall.

0:34:18.880 --> 0:34:19.319
<v Speaker 2>She had the.

0:34:19.440 --> 0:34:21.920
<v Speaker 4>Flannel and like some ear rings, Like I was like,

0:34:22.680 --> 0:34:25.480
<v Speaker 4>raise mom, Yeah, she.

0:34:25.560 --> 0:34:26.520
<v Speaker 2>Puts herself together.

0:34:27.320 --> 0:34:29.239
<v Speaker 3>At the time, I remember liking it because I love

0:34:29.360 --> 0:34:30.239
<v Speaker 3>vintage and I was.

0:34:30.280 --> 0:34:34.200
<v Speaker 4>Like that red suede jacket like on point, like.

0:34:35.200 --> 0:34:37.000
<v Speaker 3>I know it's I know they were going for like

0:34:37.120 --> 0:34:39.399
<v Speaker 3>something else, but I was like, it's it's kind of cool.

0:34:39.760 --> 0:34:41.640
<v Speaker 4>I always want to know what mall y'all are at too.

0:34:42.239 --> 0:34:42.920
<v Speaker 3>That was it.

0:34:43.080 --> 0:34:45.360
<v Speaker 2>It had to have been, right, what was it the

0:34:45.400 --> 0:34:46.080
<v Speaker 2>Beverly Center.

0:34:47.160 --> 0:34:51.279
<v Speaker 3>M Yeah, I was so.

0:34:53.520 --> 0:34:55.239
<v Speaker 4>Yeah. I was so into the episode that I didn't

0:34:55.280 --> 0:34:59.480
<v Speaker 4>do my normal like yeah, Auntie als or whatever, you

0:34:59.520 --> 0:35:01.840
<v Speaker 4>know whatever it's called. Oh, where's story?

0:35:01.920 --> 0:35:02.840
<v Speaker 3>That didn't exist?

0:35:02.880 --> 0:35:05.200
<v Speaker 4>But anymore did it not? When did that thing come around?

0:35:05.520 --> 0:35:06.879
<v Speaker 3>It was like missus Fields back then.

0:35:07.000 --> 0:35:08.600
<v Speaker 2>Oh yeah, missus Field.

0:35:08.840 --> 0:35:12.880
<v Speaker 4>Still around, but not as prevalent now as it was then.

0:35:14.200 --> 0:35:19.279
<v Speaker 2>Well, you're your buzzy sweater and little scalloped mini skirt.

0:35:19.120 --> 0:35:24.040
<v Speaker 3>Was pretty cute too. Oh my gosh, sorry, you know

0:35:24.120 --> 0:35:27.080
<v Speaker 3>what I just saw yesterday? You guys. I was at

0:35:27.239 --> 0:35:32.880
<v Speaker 3>Urban Outfitters and no joke, your prom dress Kelly and

0:35:32.960 --> 0:35:35.360
<v Speaker 3>Brenda's black dress with the white No.

0:35:36.160 --> 0:35:38.320
<v Speaker 4>No, I took a picture for you.

0:35:38.440 --> 0:35:40.200
<v Speaker 3>Jen, I'm gonna go buy it.

0:35:40.440 --> 0:35:41.239
<v Speaker 2>I really want that.

0:35:41.480 --> 0:35:42.600
<v Speaker 3>Oh my god, it's there.

0:35:43.000 --> 0:35:46.560
<v Speaker 4>And I literally was like oh and gasped.

0:35:47.080 --> 0:35:49.880
<v Speaker 3>I love it, and Stella and Hattie were with me,

0:35:50.080 --> 0:35:52.359
<v Speaker 3>and I was like okay, and I was like, sorry,

0:35:52.440 --> 0:35:54.320
<v Speaker 3>I'm not making this about me, and I hate doing that,

0:35:54.480 --> 0:35:57.040
<v Speaker 3>but I just got to tell you guys, like our

0:35:57.080 --> 0:36:00.279
<v Speaker 3>show literally created this. No literally it wasn't fair, like

0:36:00.360 --> 0:36:03.320
<v Speaker 3>we created this and it was done and then became

0:36:03.400 --> 0:36:05.640
<v Speaker 3>huge thing in the nineties and now everything's coming back

0:36:05.640 --> 0:36:07.840
<v Speaker 3>from the nineties. But this dress is from nine oh

0:36:07.880 --> 0:36:10.720
<v Speaker 3>too and oh, and I was like Jen and Shannon

0:36:10.800 --> 0:36:13.880
<v Speaker 3>wore this dress and they just both looked at me

0:36:14.080 --> 0:36:16.120
<v Speaker 3>like I had three heads, and I was like then

0:36:16.160 --> 0:36:20.120
<v Speaker 3>I got really embarrassed. And then they were like I

0:36:20.200 --> 0:36:22.600
<v Speaker 3>hate to tell you, mom, but like Olivia Rodrigo like

0:36:22.680 --> 0:36:26.200
<v Speaker 3>where's that? And I was like, uh, okay, well sorry.

0:36:26.680 --> 0:36:30.360
<v Speaker 3>Jenny Garth and She thirty were around a lot longer

0:36:30.760 --> 0:36:33.600
<v Speaker 3>and way before on trend than Olivia Rodrigo.

0:36:33.719 --> 0:36:35.759
<v Speaker 2>God, I'm going to buy it now.

0:36:36.640 --> 0:36:38.520
<v Speaker 3>Anyway you have to find out, okay, you have to

0:36:38.560 --> 0:36:41.080
<v Speaker 3>get it, but Jen, it's this big.

0:36:41.160 --> 0:36:43.640
<v Speaker 2>Now, oh, it's a little shorter.

0:36:44.680 --> 0:36:46.319
<v Speaker 3>It's a tube top that.

0:36:46.440 --> 0:36:47.160
<v Speaker 4>They call a dress.

0:36:47.800 --> 0:36:47.920
<v Speaker 2>Oh.

0:36:48.080 --> 0:36:49.960
<v Speaker 3>And then and then a fan comes up and she

0:36:50.120 --> 0:36:52.600
<v Speaker 3>was like, you know, in our age with her kids,

0:36:52.640 --> 0:36:54.239
<v Speaker 3>and she was like, oh my gosh, I'm sorry. Can

0:36:54.239 --> 0:36:55.960
<v Speaker 3>I take a picture with you? And I said yes,

0:36:56.040 --> 0:36:58.759
<v Speaker 3>of course. And I said, wait, sorry, are you a

0:36:58.880 --> 0:37:00.880
<v Speaker 3>nine o two? And oh fan? She's like of course.

0:37:01.160 --> 0:37:03.279
<v Speaker 3>I was like, okay, okay, wait, wait, wait for it.

0:37:03.440 --> 0:37:06.280
<v Speaker 3>What is this dress remind you of? And she froze

0:37:06.360 --> 0:37:10.399
<v Speaker 3>and she goes, I'm not sure. And I was like, yeah,

0:37:10.560 --> 0:37:12.759
<v Speaker 3>so not a super fan, just a fan. And then

0:37:12.800 --> 0:37:15.879
<v Speaker 3>I probably embarrassed her and I was just like, oh nothing.

0:37:16.000 --> 0:37:17.920
<v Speaker 3>It was like, you know, just nineties. It reminds me

0:37:17.960 --> 0:37:20.520
<v Speaker 3>of nineties. She was like, oh, okay, okay, not a

0:37:20.600 --> 0:37:21.080
<v Speaker 3>super fan.

0:37:22.400 --> 0:37:25.040
<v Speaker 2>Oh I've seen that dress pop up from time to

0:37:25.120 --> 0:37:28.760
<v Speaker 2>time just in random places. Yeah, right, that dress won't

0:37:29.280 --> 0:37:29.880
<v Speaker 2>won't go away.

0:37:30.480 --> 0:37:32.960
<v Speaker 4>You know what else won't go away? The shout out

0:37:33.440 --> 0:37:36.840
<v Speaker 4>to the club, did you hear? It was very soft?

0:37:37.320 --> 0:37:40.760
<v Speaker 4>But Ray's mom tells Donna, oh, I got Ray the club.

0:37:41.960 --> 0:37:42.919
<v Speaker 4>Do you guys know what the club?

0:37:43.680 --> 0:37:44.240
<v Speaker 2>The club?

0:37:44.840 --> 0:37:46.800
<v Speaker 3>Oh my gosh, I didn't know what that was.

0:37:47.640 --> 0:37:49.800
<v Speaker 2>That's the thing that keeps your car from getting stolen.

0:37:50.400 --> 0:37:52.520
<v Speaker 4>It was called the club. Of course I am because

0:37:53.719 --> 0:37:55.880
<v Speaker 4>and then you put on my steering wheel stop it.

0:37:55.960 --> 0:37:59.160
<v Speaker 4>So when this was airing, I was in college and

0:37:59.360 --> 0:38:02.719
<v Speaker 4>we all used the club first of all on our

0:38:04.000 --> 0:38:07.000
<v Speaker 4>rappy cars. We drove and called like, why somebody was

0:38:07.040 --> 0:38:11.560
<v Speaker 4>gonna steal my nineteen eighty seven accurate Integra. I have

0:38:11.680 --> 0:38:14.000
<v Speaker 4>no idea, but we were all clubbing it. And then

0:38:14.080 --> 0:38:17.279
<v Speaker 4>remember you'd take your radio out, so I just would

0:38:17.320 --> 0:38:19.479
<v Speaker 4>take the face offred, but other people I know were.

0:38:19.440 --> 0:38:22.960
<v Speaker 3>Taking Oh my god, I didn't know what was called that,

0:38:23.160 --> 0:38:25.399
<v Speaker 3>you guys the mom God.

0:38:26.680 --> 0:38:31.640
<v Speaker 2>That's so funny because Randy just told me yesterday or

0:38:31.680 --> 0:38:35.320
<v Speaker 2>the day before, he said the word the club, and

0:38:35.360 --> 0:38:38.320
<v Speaker 2>he was talking about that thing, that device. He was

0:38:38.360 --> 0:38:41.839
<v Speaker 2>saying that the best way you can deter people from

0:38:41.920 --> 0:38:44.879
<v Speaker 2>stealing your car is to have a stick shift car.

0:38:45.560 --> 0:38:47.120
<v Speaker 4>Oh, because they can't even drive it away.

0:38:47.000 --> 0:38:48.920
<v Speaker 2>Because they don't know how to drive them, so they

0:38:48.960 --> 0:38:51.919
<v Speaker 2>won't steal those cars. He said, it's actually a better

0:38:52.040 --> 0:38:55.720
<v Speaker 2>deterrent than the club. And then you said the club.

0:38:55.800 --> 0:38:59.240
<v Speaker 2>That's so weird. Well, this was a very exciting episode.

0:38:59.239 --> 0:39:02.840
<v Speaker 2>You know, I felt that the end for Andrea, it

0:39:02.920 --> 0:39:06.240
<v Speaker 2>felt bad at the end for Dylan, he just he's lonely.

0:39:06.320 --> 0:39:08.160
<v Speaker 2>He wants the family, he wants.

0:39:07.960 --> 0:39:10.480
<v Speaker 4>To have love in his life, and he's I think

0:39:10.520 --> 0:39:13.600
<v Speaker 4>he's coming off around. Yeah, he's coming back around, and

0:39:13.680 --> 0:39:15.759
<v Speaker 4>he's gonna go get his money back with Jonesy. But

0:39:15.920 --> 0:39:17.600
<v Speaker 4>Jonesy takes way too much.

0:39:18.120 --> 0:39:20.640
<v Speaker 2>What is happening with Jonesy and that fifty to fifty

0:39:20.640 --> 0:39:21.040
<v Speaker 2>spl So.

0:39:21.080 --> 0:39:25.440
<v Speaker 4>Here's an interesting little tidbit guys that you know, does

0:39:25.440 --> 0:39:26.640
<v Speaker 4>anyone watch Yellowstone?

0:39:27.560 --> 0:39:27.799
<v Speaker 3>Yes?

0:39:28.400 --> 0:39:31.920
<v Speaker 4>So you know Cole Hauser that's on Yellowstone.

0:39:31.800 --> 0:39:34.960
<v Speaker 2>Jenina Colhauser, damn a little bit.

0:39:35.160 --> 0:39:35.799
<v Speaker 3>Yeah, that's his.

0:39:36.040 --> 0:39:42.080
<v Speaker 4>Father or his uncle. Well, that guy Jonesy is related

0:39:42.120 --> 0:39:44.880
<v Speaker 4>to Cole Hauser. What's his name Wingshauser?

0:39:46.160 --> 0:39:49.960
<v Speaker 2>Wings Oh, wings Hauser. And that's why it makes perfect

0:39:50.040 --> 0:39:54.080
<v Speaker 2>sense now, yep, yeah, it makes perfect sense, just the

0:39:54.120 --> 0:39:57.520
<v Speaker 2>way Luke was in that scene because he was either

0:39:57.640 --> 0:40:01.040
<v Speaker 2>friends of wings Hauser or he was like he was

0:40:01.320 --> 0:40:04.840
<v Speaker 2>a fan kind of because him in that scene just

0:40:05.239 --> 0:40:06.400
<v Speaker 2>wasn't Dylan.

0:40:07.160 --> 0:40:08.040
<v Speaker 4>Oh, that's interesting.

0:40:08.440 --> 0:40:11.120
<v Speaker 2>His acting was felt different to me and I couldn't.

0:40:11.200 --> 0:40:12.960
<v Speaker 2>I was like, I think that he must know this

0:40:13.120 --> 0:40:15.880
<v Speaker 2>actor or love this guy or something.

0:40:16.080 --> 0:40:18.040
<v Speaker 3>No, it's all coming back. You're right, right, right?

0:40:19.080 --> 0:40:22.960
<v Speaker 4>So that's Wings close? Yeah they were close, is yeah,

0:40:23.040 --> 0:40:24.840
<v Speaker 4>Kolhauser's dad is Wings.

0:40:25.360 --> 0:40:30.719
<v Speaker 2>I just disagree with with Jonesy's split, Like he's of

0:40:30.840 --> 0:40:34.040
<v Speaker 2>Dylan's wealth too much. That's why would he agree to that?

0:40:34.760 --> 0:40:37.759
<v Speaker 4>Did Dylan agree to that? Yes? Oh too much?

0:40:38.800 --> 0:40:41.160
<v Speaker 3>I think clearly he's not good with money, you guys.

0:40:41.239 --> 0:40:43.560
<v Speaker 4>So yeah, and he's probably rather have four million than

0:40:43.600 --> 0:40:47.080
<v Speaker 4>no millions, but like a fair percentage. I mean, I

0:40:47.160 --> 0:40:50.160
<v Speaker 4>get that Jonesy's like a he seems like Dog the

0:40:50.200 --> 0:40:51.239
<v Speaker 4>bounty Hunter kind.

0:40:51.160 --> 0:40:52.120
<v Speaker 2>Of, but like.

0:40:54.320 --> 0:40:55.480
<v Speaker 4>Thirty Is he drunk?

0:40:56.480 --> 0:40:56.640
<v Speaker 3>Yeah?

0:40:56.680 --> 0:40:58.279
<v Speaker 4>I don't know what was he He was on a

0:40:58.320 --> 0:41:04.279
<v Speaker 4>weird diet. It was interesting, like he was stumbling all over.

0:41:04.440 --> 0:41:08.480
<v Speaker 4>Remember he's on the grapefruit juice diet when drinking his milk.

0:41:09.239 --> 0:41:11.239
<v Speaker 2>I'm pretty sure that's not on the grape juice diet.

0:41:14.800 --> 0:41:19.280
<v Speaker 4>That seemed very relatable. Oh my god, I love this episode.

0:41:19.800 --> 0:41:21.759
<v Speaker 2>I loved it too, but I didn't feel christmasy and

0:41:22.120 --> 0:41:25.680
<v Speaker 2>like warm until the very end, when when the whole

0:41:25.760 --> 0:41:29.080
<v Speaker 2>gang shows up at Andrea's house and holds baby Jesus

0:41:29.719 --> 0:41:29.960
<v Speaker 2>A ten.

0:41:30.080 --> 0:41:32.040
<v Speaker 4>What do you guys, I'm ten ten and.

0:41:32.120 --> 0:41:32.920
<v Speaker 3>It's my birthday.

0:41:33.640 --> 0:41:35.080
<v Speaker 4>Yeah, happy birthday, Donna.

0:41:35.440 --> 0:41:38.839
<v Speaker 2>We didn't even celebrate your birthday, though, Ray's mom kind

0:41:38.880 --> 0:41:39.080
<v Speaker 2>of did.

0:41:39.239 --> 0:41:42.719
<v Speaker 3>On brand. Like the Donna, Donna's a birthday always gets

0:41:42.760 --> 0:41:45.880
<v Speaker 3>forgotten story of her life. She always talks about that.

0:41:47.440 --> 0:41:52.560
<v Speaker 3>That's a tough one though, Benn, Wow, what do you guys?

0:41:52.560 --> 0:41:53.719
<v Speaker 2>I'm gonna give it like an eight.

0:41:54.200 --> 0:41:57.880
<v Speaker 3>Oh, I'm gonna go with eight point five, and not

0:41:58.080 --> 0:42:01.040
<v Speaker 3>just to go slightly above you. I just literally I

0:42:01.120 --> 0:42:01.960
<v Speaker 3>think eight point five.

0:42:02.719 --> 0:42:04.360
<v Speaker 4>What Merry Christmas?

0:42:04.520 --> 0:42:04.759
<v Speaker 2>Ten?

0:42:05.480 --> 0:42:07.359
<v Speaker 4>Nine oh two one Ho ho ho ten.

0:42:08.280 --> 0:42:10.680
<v Speaker 3>There you go, Ho Ho ho