1
00:00:00,280 --> 00:00:05,920
Speaker 1: It's nine O gen one with Jenny Garth and Tory spelling.

2
00:00:09,760 --> 00:00:12,920
Speaker 2: Mary. Christmas. Everybody, welcome to another episode of nine to

3
00:00:13,000 --> 00:00:16,240
Speaker 2: two one. Omg, we are so excited to be with you.

4
00:00:15,640 --> 00:00:18,880
Speaker 3: You got your hoe to your hoe to your hoe.

5
00:00:19,239 --> 00:00:20,960
Speaker 3: One ho ho ho.

6
00:00:21,400 --> 00:00:23,200
Speaker 4: You're in Christmas red.

7
00:00:23,239 --> 00:00:26,920
Speaker 3: Am genziness, which you're already but here Mary and Bright

8
00:00:27,080 --> 00:00:32,919
Speaker 3: She's marry too. I'm Mary, and I'm Bright and Jen

9
00:00:33,560 --> 00:00:36,800
Speaker 3: You're Bright, the endless flame that never gets put out.

10
00:00:38,280 --> 00:00:39,839
Speaker 4: Speaking of Mary.

11
00:00:41,920 --> 00:00:44,760
Speaker 2: Yeah, okay, stop, Amy, I know where you're going and

12
00:00:45,320 --> 00:00:49,320
Speaker 2: let us do our job first. Okay, you guys, this

13
00:00:49,560 --> 00:00:53,360
Speaker 2: is so cool because not only is it Christmas for us,

14
00:00:53,560 --> 00:00:57,680
Speaker 2: but it's Christmas for our pals in Beverly Hills. This

15
00:00:57,840 --> 00:01:02,040
Speaker 2: is the Christmas episode, Season five, episode fifteen. Christmas comes

16
00:01:02,160 --> 00:01:06,440
Speaker 2: each time this year. Aired December twenty first, nineteen ninety four.

17
00:01:06,720 --> 00:01:10,920
Speaker 4: How about that it's Christmas like it's Christmas and it's Christmas.

18
00:01:10,880 --> 00:01:14,520
Speaker 3: And the Christmas synopsis is you get it to us? Yep.

19
00:01:15,120 --> 00:01:18,320
Speaker 3: Donna's mom tries to pay Ray to disappear, leaving Donna

20
00:01:18,400 --> 00:01:21,120
Speaker 3: drowning in tears. Kelly is having a hard time accepting

21
00:01:21,200 --> 00:01:25,160
Speaker 3: Brandon's love and attention. Dylan seeks help from the FBI

22
00:01:25,720 --> 00:01:28,760
Speaker 3: but finds a familiar face at the bureau. Steve thinks

23
00:01:28,800 --> 00:01:31,960
Speaker 3: he has a Christmas curse, and Claire can't come clean

24
00:01:32,000 --> 00:01:33,600
Speaker 3: to her dad about David.

25
00:01:33,880 --> 00:01:38,000
Speaker 2: Directed by Richard Lang, written by The wasser Cline, Steve Wasserman,

26
00:01:38,120 --> 00:01:41,760
Speaker 2: and Jessa Klein. Well, this episode made me feel that

27
00:01:41,800 --> 00:01:45,000
Speaker 2: he's getting the spirit. I'll tell you that, even with

28
00:01:45,080 --> 00:01:48,200
Speaker 2: your mopiness there, Kelly, Yeah, even with my even with

29
00:01:48,280 --> 00:01:51,840
Speaker 2: my scar my bird Oh my gosh, yeah, it blurred.

30
00:01:51,880 --> 00:01:56,480
Speaker 3: I was like, Jen's not mopey now, it all blurs.

31
00:01:56,680 --> 00:01:59,840
Speaker 4: Yeah, there's so much to discuss, so much.

32
00:02:00,120 --> 00:02:03,040
Speaker 2: Well, let's just start with the first thing we see,

33
00:02:03,080 --> 00:02:08,839
Speaker 2: which is basically you and Donna and Ray eating each

34
00:02:08,880 --> 00:02:12,320
Speaker 2: other's faces off in Mom's living room.

35
00:02:12,360 --> 00:02:15,200
Speaker 3: I don't know where you're going with that. You get

36
00:02:15,400 --> 00:02:20,400
Speaker 3: so riled up when I have an open mouth kiss

37
00:02:20,960 --> 00:02:24,440
Speaker 3: because it's like, let me live my life out on

38
00:02:24,600 --> 00:02:28,680
Speaker 3: camera open, there's tongue flying.

39
00:02:29,160 --> 00:02:31,200
Speaker 4: It was a lot, Tori.

40
00:02:32,240 --> 00:02:36,400
Speaker 2: Was you can't say that wasn't like aggressive making out.

41
00:02:37,919 --> 00:02:39,880
Speaker 4: Yeah hmm.

42
00:02:40,320 --> 00:02:44,440
Speaker 3: In my defense, we needed it to be over the

43
00:02:44,520 --> 00:02:49,320
Speaker 3: top so that Folice, I mean your heard smacking, gross

44
00:02:49,840 --> 00:02:52,679
Speaker 3: and clear across the room. But if it was just

45
00:02:52,800 --> 00:02:56,120
Speaker 3: a pack, Folice wouldn't be as riled up. Like she's

46
00:02:56,280 --> 00:02:59,400
Speaker 3: probably like, oh my gosh, what's happening next? Like I

47
00:02:59,480 --> 00:03:01,639
Speaker 3: don't know, like maybe she's worried I'm going to lose

48
00:03:01,680 --> 00:03:04,320
Speaker 3: it to him. Oh right, you know a cherry on

49
00:03:04,400 --> 00:03:05,680
Speaker 3: top of the Christmas tree this year.

50
00:03:05,800 --> 00:03:11,519
Speaker 2: I don't know, Well she noticed, alrighty, but uh, you

51
00:03:11,720 --> 00:03:16,040
Speaker 2: told your mother you were going to marry Ray Rutt.

52
00:03:16,160 --> 00:03:21,280
Speaker 4: I know, I know. I was like, oh, sona, Donna,

53
00:03:21,800 --> 00:03:22,359
Speaker 4: I felt it.

54
00:03:22,560 --> 00:03:23,079
Speaker 3: I felt it.

55
00:03:23,240 --> 00:03:26,280
Speaker 2: You guys as as Donna. You felt like you were

56
00:03:26,360 --> 00:03:27,880
Speaker 2: so in love with him in this moment you were

57
00:03:27,919 --> 00:03:28,520
Speaker 2: going to marry him.

58
00:03:30,000 --> 00:03:34,120
Speaker 3: I feel like I feel like we're all in that

59
00:03:34,240 --> 00:03:37,600
Speaker 3: moment sometimes in life and there's that moment in that

60
00:03:37,960 --> 00:03:42,360
Speaker 3: first like honeymoon phase, super passionate, super like, oh my gosh,

61
00:03:42,720 --> 00:03:46,320
Speaker 3: this is everything that you're not thinking clearly and clearly.

62
00:03:47,040 --> 00:03:51,040
Speaker 3: You just you marry. Sometimes you jump in and marry them. Well,

63
00:03:51,120 --> 00:03:53,000
Speaker 3: we've both been there, yep.

64
00:03:53,800 --> 00:03:54,720
Speaker 2: I've been there, done that.

65
00:03:55,200 --> 00:03:58,680
Speaker 4: Twenty years old. I'm going to well about that age too, ye.

66
00:03:59,560 --> 00:04:00,839
Speaker 4: So fair.

67
00:04:02,280 --> 00:04:04,840
Speaker 2: If he asked me to marry him today, I would

68
00:04:05,000 --> 00:04:05,560
Speaker 2: marry him.

69
00:04:07,440 --> 00:04:08,600
Speaker 4: Maybe she just is.

70
00:04:08,960 --> 00:04:12,640
Speaker 3: Okay, this sounds gross to me even saying it, but

71
00:04:13,240 --> 00:04:16,120
Speaker 3: she's a girl, and I always feel like guys can

72
00:04:16,200 --> 00:04:18,840
Speaker 3: be horny, but girls can't be horny. Is there like

73
00:04:18,920 --> 00:04:20,160
Speaker 3: a feminine version of that?

74
00:04:20,400 --> 00:04:22,920
Speaker 2: No, I don't think Donna was horny. I don't think

75
00:04:22,960 --> 00:04:24,599
Speaker 2: that was where the statement was coming from.

76
00:04:24,839 --> 00:04:29,680
Speaker 3: Not I understand, but I'm sure on some level females

77
00:04:29,800 --> 00:04:33,600
Speaker 3: can feel passionate too. And I feel like she, you know,

78
00:04:34,279 --> 00:04:37,160
Speaker 3: wants to marry him emotion wise, her heart's like in it,

79
00:04:37,760 --> 00:04:40,000
Speaker 3: but she also is probably like, I'm going to marry

80
00:04:40,080 --> 00:04:44,040
Speaker 3: him and we're gonna consummate this relationship and we're gonna babies,

81
00:04:44,080 --> 00:04:46,160
Speaker 3: and you know, she's she's in it.

82
00:04:47,240 --> 00:04:48,960
Speaker 2: Yet I wanted to help her.

83
00:04:49,760 --> 00:04:52,320
Speaker 4: If you had a mom like that, oh might want

84
00:04:52,360 --> 00:04:56,440
Speaker 4: to get away too. Yeah, she's this all time low.

85
00:04:56,560 --> 00:04:58,560
Speaker 4: I thought she reached her lowest lows and.

86
00:04:59,480 --> 00:05:02,640
Speaker 2: She loved you so much. She is willing to part

87
00:05:02,720 --> 00:05:04,839
Speaker 2: with ten thousand dollars.

88
00:05:05,360 --> 00:05:08,279
Speaker 4: Guy, I don't think it's love. I think she wants

89
00:05:08,360 --> 00:05:09,760
Speaker 4: to control Donna Martin.

90
00:05:10,080 --> 00:05:10,279
Speaker 1: Duh.

91
00:05:10,680 --> 00:05:12,920
Speaker 4: It wasn't a good amount even for the nineties.

92
00:05:13,400 --> 00:05:16,800
Speaker 3: Ten grand pretty solid and offer, Yeah for a kid,

93
00:05:16,839 --> 00:05:19,400
Speaker 3: I think for that, I just don't. I can't gauge

94
00:05:19,480 --> 00:05:21,440
Speaker 3: how much the Martins have, Like, yeah.

95
00:05:21,279 --> 00:05:23,040
Speaker 2: But how do you put a price tag on Donna

96
00:05:23,080 --> 00:05:30,000
Speaker 2: Martin's head or her woo woo, or her virginity or

97
00:05:30,120 --> 00:05:32,400
Speaker 2: her heart or soul or that too?

98
00:05:32,680 --> 00:05:32,920
Speaker 3: Okay?

99
00:05:33,040 --> 00:05:34,159
Speaker 4: Fine? Gross?

100
00:05:34,360 --> 00:05:34,520
Speaker 1: Was that?

101
00:05:34,800 --> 00:05:39,240
Speaker 4: Like in all seriousness gross? Gross, so gross that she

102
00:05:39,360 --> 00:05:41,640
Speaker 4: goes and says she's so gross about it too with

103
00:05:41,760 --> 00:05:44,159
Speaker 4: the tree lot and like, did you notice she doesn't

104
00:05:44,200 --> 00:05:47,400
Speaker 4: really say it outwardly, Like she doesn't say like, hey,

105
00:05:47,400 --> 00:05:50,160
Speaker 4: I'll give you ten grand to get lost. She's so

106
00:05:50,440 --> 00:05:55,919
Speaker 4: like dark and just awful about it. That was her

107
00:05:56,240 --> 00:05:57,640
Speaker 4: that really actually disgusted me.

108
00:05:58,360 --> 00:06:00,960
Speaker 2: Well rightly, so yeah, it was bad.

109
00:06:01,120 --> 00:06:04,200
Speaker 4: It's just like and then Donna's dad is such a

110
00:06:04,240 --> 00:06:06,440
Speaker 4: sweet angel. He's so mad, but I wanted to see

111
00:06:06,520 --> 00:06:08,160
Speaker 4: him be more mad at missus Martin.

112
00:06:08,320 --> 00:06:09,320
Speaker 3: Like he doesn't get mad.

113
00:06:10,000 --> 00:06:12,680
Speaker 2: Yeah, he's like a doormat that guy. Sorry to say that,

114
00:06:12,920 --> 00:06:14,760
Speaker 2: he does whatever police tells him to do.

115
00:06:16,120 --> 00:06:19,320
Speaker 3: Mm feel like he actually doesn't.

116
00:06:20,040 --> 00:06:21,680
Speaker 2: Oh, he gets up in her face later in the

117
00:06:21,800 --> 00:06:23,960
Speaker 2: in the episode, he's like, I mean, what the hell

118
00:06:24,000 --> 00:06:24,560
Speaker 2: have you done?

119
00:06:26,880 --> 00:06:27,080
Speaker 3: Yeah?

120
00:06:28,720 --> 00:06:31,400
Speaker 2: It was this whole episode, I mean everything all the

121
00:06:31,440 --> 00:06:34,640
Speaker 2: episodes now are starting to feel really dramatic.

122
00:06:35,440 --> 00:06:39,920
Speaker 4: Yes, Jenny like soapy. There was a lot of heightened emotions,

123
00:06:40,000 --> 00:06:43,800
Speaker 4: not warranted when we talk about Dylan. Especially with Dylan,

124
00:06:43,839 --> 00:06:44,919
Speaker 4: I was like, what.

125
00:06:45,680 --> 00:06:50,680
Speaker 2: But wait, let's go back to the beginning. Because the

126
00:06:50,760 --> 00:06:55,320
Speaker 2: Walsh mom and dad, what are they are going to

127
00:06:55,400 --> 00:06:59,600
Speaker 2: see the daughter? That's never been mentioned, hardly ever been mentioned.

128
00:06:59,640 --> 00:07:02,839
Speaker 2: They're like, they're going to London to be with her

129
00:07:02,880 --> 00:07:03,400
Speaker 2: for Christmas?

130
00:07:03,520 --> 00:07:07,040
Speaker 1: Right, yeah, I always feel like they fling in a

131
00:07:07,120 --> 00:07:11,760
Speaker 1: curse when she come home. Great question, uh but you

132
00:07:11,880 --> 00:07:14,680
Speaker 1: know that answer she didn't want to.

133
00:07:16,520 --> 00:07:19,960
Speaker 4: And also how about mister Walls using profanity he couldn't

134
00:07:19,960 --> 00:07:22,760
Speaker 4: find his damn passport? It was hot.

135
00:07:24,360 --> 00:07:27,520
Speaker 3: What about Brandon saying they might think you're a terrorist

136
00:07:27,680 --> 00:07:27,920
Speaker 3: on the.

137
00:07:27,960 --> 00:07:28,960
Speaker 4: Oh, that was weird.

138
00:07:29,480 --> 00:07:31,440
Speaker 2: Yeah, yeah, you can't say you can't say like that

139
00:07:31,680 --> 00:07:33,360
Speaker 2: these days, Brandon totally.

140
00:07:34,480 --> 00:07:36,640
Speaker 3: I literally went back and I was like, wait, what

141
00:07:36,800 --> 00:07:40,280
Speaker 3: year will you're Oh my god, like it was yeh

142
00:07:40,360 --> 00:07:42,120
Speaker 3: we're nine to eleven, Oh my god, oh my god.

143
00:07:42,360 --> 00:07:43,080
Speaker 2: Like yeah.

144
00:07:44,080 --> 00:07:44,320
Speaker 4: Yeah.

145
00:07:44,760 --> 00:07:47,320
Speaker 2: So, if we were to break this episode down, we

146
00:07:47,440 --> 00:07:53,960
Speaker 2: have Donna's and Ray's storyline, we have Brandon and Kelly.

147
00:07:54,680 --> 00:07:59,800
Speaker 4: We have Dylan and unhinged Dylan, Dylan and.

148
00:08:00,160 --> 00:08:01,240
Speaker 2: Weird guy and.

149
00:08:02,800 --> 00:08:03,280
Speaker 4: We sort of.

150
00:08:05,120 --> 00:08:09,200
Speaker 2: And the Chrysanta Claus of it all, and then sort of.

151
00:08:09,200 --> 00:08:11,600
Speaker 4: A peach Pit after Dark slash.

152
00:08:13,520 --> 00:08:15,680
Speaker 3: I'm in now because I know it's coming.

153
00:08:16,320 --> 00:08:17,960
Speaker 4: Yeah, we sort of got a bit of Claire David

154
00:08:18,000 --> 00:08:20,160
Speaker 4: in different ways, like Claire David in the peach Pit

155
00:08:20,240 --> 00:08:23,520
Speaker 4: after Dark, Claire David with the Chancellor. Then we had

156
00:08:23,640 --> 00:08:27,720
Speaker 4: the the sort of we're feeding needy people at the

157
00:08:27,840 --> 00:08:29,840
Speaker 4: peach Pit. There there was sort of a mess of

158
00:08:30,000 --> 00:08:31,240
Speaker 4: stuff happening.

159
00:08:31,040 --> 00:08:31,720
Speaker 2: A lot going on.

160
00:08:32,320 --> 00:08:33,440
Speaker 4: Yeah, uh huh.

161
00:08:33,640 --> 00:08:37,880
Speaker 2: The only one, like the only like solid storylines I

162
00:08:38,000 --> 00:08:41,280
Speaker 2: felt like were Donna's and Kelly's and Brandon's.

163
00:08:41,840 --> 00:08:44,280
Speaker 4: Dylan Dylan had a storyline, but he was so.

164
00:08:45,000 --> 00:08:51,680
Speaker 2: Huh, I can't get it, Christine FBI like that okay,

165
00:08:51,760 --> 00:08:54,680
Speaker 2: who killed at the FBI man First of all, Okay,

166
00:08:54,720 --> 00:08:58,720
Speaker 2: my point is he's like screaming at a secret service

167
00:08:58,840 --> 00:09:01,360
Speaker 2: agent or what I for that guy was, And then

168
00:09:02,040 --> 00:09:03,960
Speaker 2: cut to the end of the show, he just lets

169
00:09:04,000 --> 00:09:07,280
Speaker 2: some strange, wild, crazy, weird man into his house and

170
00:09:07,520 --> 00:09:10,559
Speaker 2: lets him eat his donuts. Like what, there's no balance,

171
00:09:10,679 --> 00:09:13,040
Speaker 2: what's happening? That's not when he let that guy in.

172
00:09:13,160 --> 00:09:15,120
Speaker 2: At the end, I was like, Dylan would never let

173
00:09:15,160 --> 00:09:17,640
Speaker 2: that guy in, especially how aggravated he was at the

174
00:09:17,679 --> 00:09:18,040
Speaker 2: other guy.

175
00:09:18,600 --> 00:09:20,880
Speaker 4: Not only that, but when he goes into the FBI

176
00:09:21,280 --> 00:09:25,920
Speaker 4: and is completely unhinged yelling, they actually let him see

177
00:09:26,040 --> 00:09:30,000
Speaker 4: get an appointment. Yeah, I don't think he's Jack McKay's son.

178
00:09:30,840 --> 00:09:33,840
Speaker 4: The receptionist is like, oh, Jack mckay'son. Oh, send him

179
00:09:33,920 --> 00:09:34,280
Speaker 4: right back?

180
00:09:34,440 --> 00:09:34,680
Speaker 1: Like what.

181
00:09:36,480 --> 00:09:40,040
Speaker 3: Wait? Can I drive jet? Do you like Christine? The

182
00:09:40,160 --> 00:09:45,040
Speaker 3: name Christine Pettitt? We had a writer? Was that me? Okay,

183
00:09:45,120 --> 00:09:47,079
Speaker 3: do you know what I'm talking about? I might be

184
00:09:47,480 --> 00:09:50,839
Speaker 3: remembering this wrong. Was her name not Christine Pettitt or

185
00:09:51,000 --> 00:09:54,160
Speaker 3: was it something Pettit? I feel like it's her name,

186
00:09:54,480 --> 00:09:55,959
Speaker 3: and they they used it because they.

187
00:09:55,920 --> 00:09:58,760
Speaker 2: Could, And she said, okay, no, no, I don't know,

188
00:10:00,000 --> 00:10:04,040
Speaker 2: can help you there, but it does sound familiar. And

189
00:10:04,120 --> 00:10:07,480
Speaker 2: then are the Lovely Valerie.

190
00:10:07,240 --> 00:10:10,200
Speaker 4: Was back on and she was headed to cold Buffalo.

191
00:10:11,720 --> 00:10:14,160
Speaker 2: Oh not that Valerie, the very wild Vale.

192
00:10:14,240 --> 00:10:16,360
Speaker 4: Oh right right right, sorry, Valley Valerie Wildman.

193
00:10:16,480 --> 00:10:21,880
Speaker 2: Yes, Valerie Wildman as Christine so beautiful, she's great, geez

194
00:10:22,760 --> 00:10:26,640
Speaker 2: it's hot. Yeah, And I like, yes, I kind of

195
00:10:26,679 --> 00:10:29,840
Speaker 2: wanted them to get together. That would be a villain

196
00:10:29,920 --> 00:10:31,640
Speaker 2: and Jack's old lady.

197
00:10:33,000 --> 00:10:35,599
Speaker 4: It would have been a great twist. Wait, wait, have

198
00:10:35,760 --> 00:10:36,839
Speaker 4: so many things to ask you guys.

199
00:10:36,840 --> 00:10:39,000
Speaker 2: Wait, but Valerie was barely in this one again?

200
00:10:39,320 --> 00:10:41,280
Speaker 4: Right, Yeah, she's off to Buffalo.

201
00:10:41,480 --> 00:10:43,600
Speaker 2: Cool, she's going below for the holidays.

202
00:10:44,120 --> 00:10:48,040
Speaker 3: Why why do you think they did that? JN What?

203
00:10:49,559 --> 00:10:51,559
Speaker 2: Yeah, they had no storyline for her. I don't know

204
00:10:51,640 --> 00:10:52,720
Speaker 2: they had no Yeah.

205
00:10:53,440 --> 00:10:55,920
Speaker 3: I mean, here's the thing. You're paying a series regular,

206
00:10:55,960 --> 00:10:58,160
Speaker 3: why ship were off for the episode? Just have her there? Like,

207
00:10:58,280 --> 00:10:58,679
Speaker 3: I don't know.

208
00:10:59,640 --> 00:11:01,679
Speaker 4: Well, this makes me ask a weird question. Of course,

209
00:11:02,840 --> 00:11:05,240
Speaker 4: was she paid? Like to me, she's low man on

210
00:11:05,280 --> 00:11:07,160
Speaker 4: the totem pole, right, even though they brought her in

211
00:11:07,320 --> 00:11:12,000
Speaker 4: she was famous. It's was she paid the least? Like

212
00:11:12,080 --> 00:11:14,319
Speaker 4: would she be the first to not have a storyline

213
00:11:14,320 --> 00:11:15,920
Speaker 4: if the episode got too clogged up?

214
00:11:16,679 --> 00:11:19,439
Speaker 3: Here's the thing. If you're paid, you're paid. It's not

215
00:11:19,600 --> 00:11:23,719
Speaker 3: about how much. So she's in it. She's paid so

216
00:11:23,920 --> 00:11:26,280
Speaker 3: she can be in one scene, you know.

217
00:11:26,480 --> 00:11:29,120
Speaker 4: Oh god, it's the same.

218
00:11:29,000 --> 00:11:31,679
Speaker 3: Thing for them, so might as well use your regulars. Like,

219
00:11:31,760 --> 00:11:34,079
Speaker 3: I don't understand, right, that's a good point. They probably

220
00:11:34,120 --> 00:11:36,000
Speaker 3: Like I was bummed not to see her like, I'm

221
00:11:36,160 --> 00:11:39,120
Speaker 3: bummed officially at this point when I don't see Valerie

222
00:11:39,160 --> 00:11:41,840
Speaker 3: as much because she she gets the look, she gets

223
00:11:41,880 --> 00:11:47,120
Speaker 3: the really yes, she stirs up.

224
00:11:47,760 --> 00:11:51,760
Speaker 4: It was a welcome like I realize. I mean, I

225
00:11:51,840 --> 00:11:54,079
Speaker 4: don't like how she's sort of it's very weird to

226
00:11:54,120 --> 00:11:56,760
Speaker 4: me with Dylan, so just said it gets real.

227
00:11:56,720 --> 00:12:02,840
Speaker 2: Like again like Opie, with the way they're writing her

228
00:12:03,000 --> 00:12:06,920
Speaker 2: character just be so conniving and so I mean, I

229
00:12:07,000 --> 00:12:10,199
Speaker 2: know it's juicy, and like every show needs an antagonist,

230
00:12:10,320 --> 00:12:14,920
Speaker 2: but I understand what you're saying, Amy, you kind of

231
00:12:15,000 --> 00:12:17,959
Speaker 2: enjoyed a little break from the mind.

232
00:12:17,840 --> 00:12:22,920
Speaker 4: That sort of we had enough with Dylan being kind

233
00:12:22,960 --> 00:12:24,480
Speaker 4: of a mess that I sort of didn't need any

234
00:12:24,520 --> 00:12:27,640
Speaker 4: more menacing people, kind of pausing problems.

235
00:12:27,800 --> 00:12:30,640
Speaker 3: Everyone needs a villain, true, A show can't go on

236
00:12:30,760 --> 00:12:31,480
Speaker 3: without a villain.

237
00:12:32,040 --> 00:12:35,280
Speaker 4: I think we had so much drama happening. We've got

238
00:12:35,480 --> 00:12:41,400
Speaker 4: Kelly's got drama, Andrea's all got drama, unnecessary baby drama.

239
00:12:42,280 --> 00:12:45,559
Speaker 2: Okay, oh my gosh, okay, okay. When Jesse took that

240
00:12:45,679 --> 00:12:49,520
Speaker 2: baby out of Andrea's hands when it was crying, I

241
00:12:49,679 --> 00:12:51,520
Speaker 2: was like, oh no, he's gonna shake the baby. Did

242
00:12:51,679 --> 00:12:53,600
Speaker 2: shake that baby? Out of his hands. Didn't he seem

243
00:12:53,679 --> 00:12:55,680
Speaker 2: like way too upset to just rip the baby out.

244
00:12:55,559 --> 00:12:55,960
Speaker 3: Of her hands.

245
00:12:56,040 --> 00:12:59,480
Speaker 2: Yeah, he was also way too upset about a baby.

246
00:12:59,559 --> 00:13:02,280
Speaker 2: He was very upset about the baby crying.

247
00:13:03,520 --> 00:13:06,120
Speaker 4: All during midnight, Like at midnight. He was so mad

248
00:13:06,200 --> 00:13:08,240
Speaker 4: that the baby was crying at church at midnight, Like,

249
00:13:08,320 --> 00:13:09,520
Speaker 4: what baby's not crying at church?

250
00:13:09,600 --> 00:13:11,719
Speaker 2: I was yelling at the TV Andrea, I don't just

251
00:13:11,800 --> 00:13:14,400
Speaker 2: stand there. Take the baby back, like, get that baby,

252
00:13:15,840 --> 00:13:17,840
Speaker 2: because she just stands there. And it's like.

253
00:13:20,600 --> 00:13:22,400
Speaker 3: But here, I mean, here's the thing. We all know this,

254
00:13:22,840 --> 00:13:24,640
Speaker 3: Like you don't know how you're going to be as

255
00:13:24,679 --> 00:13:28,719
Speaker 3: a parent. And I'm sure that wasn't his choice, but

256
00:13:31,040 --> 00:13:32,920
Speaker 3: there's a lot of people that can't handle that.

257
00:13:34,360 --> 00:13:36,959
Speaker 4: I think they're trying to make a storyline out of that.

258
00:13:37,080 --> 00:13:38,400
Speaker 3: They have different nothings.

259
00:13:38,760 --> 00:13:40,560
Speaker 4: Oh thank you, Tory. No, that's right.

260
00:13:40,679 --> 00:13:44,520
Speaker 2: It's like they have different religious backgrounds, they have different

261
00:13:45,760 --> 00:13:51,720
Speaker 2: like holiday traditions. They're just they have different parenting styles.

262
00:13:52,679 --> 00:13:55,760
Speaker 2: Things are not looking good over there. Yeah, till the

263
00:13:55,800 --> 00:14:01,040
Speaker 2: whole gang comes over for Christmas. I really enjoyed that moment,

264
00:14:01,200 --> 00:14:06,599
Speaker 2: but it was, yeah, it was real. I don't know

265
00:14:06,679 --> 00:14:07,079
Speaker 2: what it was.

266
00:14:08,640 --> 00:14:23,720
Speaker 4: Yeah, it was a good moment. Don is definitely bonding

267
00:14:23,760 --> 00:14:27,040
Speaker 4: with Ray's mom. Now that, by the way, tell me

268
00:14:27,200 --> 00:14:30,280
Speaker 4: we all didn't appreciate the Princess cruise love boat.

269
00:14:30,440 --> 00:14:31,680
Speaker 2: Reference love boat tie.

270
00:14:31,920 --> 00:14:36,520
Speaker 3: Of course, little Grid have my shrimp and sipping on champagne.

271
00:14:37,560 --> 00:14:41,400
Speaker 2: But that's crazy. You're giving giving I mean, I get it.

272
00:14:41,440 --> 00:14:46,120
Speaker 2: You're giving away Felsa's dirty money and sending his mom

273
00:14:46,240 --> 00:14:48,720
Speaker 2: on the cruise. That's humongous.

274
00:14:49,680 --> 00:14:53,040
Speaker 3: It's a big step. That's Oh.

275
00:14:54,640 --> 00:14:57,040
Speaker 4: I suppose we're to assume that Ray cash the check then,

276
00:14:57,080 --> 00:14:59,920
Speaker 4: because the check was in his name, so they cash,

277
00:15:01,720 --> 00:15:03,000
Speaker 4: he cash? He did cash?

278
00:15:04,160 --> 00:15:07,080
Speaker 2: Yeah, but that was after Donna said he didn't cash.

279
00:15:07,200 --> 00:15:07,400
Speaker 1: Yeah.

280
00:15:07,920 --> 00:15:13,320
Speaker 3: Yeah, so I'm too I'm too close, closely related to

281
00:15:13,440 --> 00:15:16,560
Speaker 3: this in every way. So can you can you explain

282
00:15:16,640 --> 00:15:19,400
Speaker 3: to me, like how you felt about that, Like, wait,

283
00:15:19,560 --> 00:15:22,240
Speaker 3: what what do you mean I'm cashing to give it

284
00:15:22,320 --> 00:15:25,479
Speaker 3: to his mom? I felt like that was all Donna's idea.

285
00:15:25,720 --> 00:15:28,480
Speaker 4: Same same Jenny. I felt fine about it because she

286
00:15:28,800 --> 00:15:31,480
Speaker 4: insisted upon it. That was it was her choice.

287
00:15:32,320 --> 00:15:34,120
Speaker 2: I don't know, Donna wants to make him happy.

288
00:15:34,280 --> 00:15:36,040
Speaker 4: Do you think they're you're buying their love?

289
00:15:36,480 --> 00:15:38,360
Speaker 3: I don't know. I mean I guess it's like you're

290
00:15:38,360 --> 00:15:40,680
Speaker 3: supposed to say like no, no, thank you very much,

291
00:15:40,840 --> 00:15:42,680
Speaker 3: and the third time you're supposed to be like okay

292
00:15:42,760 --> 00:15:44,480
Speaker 3: and accept it. I don't know, that's like a myth.

293
00:15:45,000 --> 00:15:48,080
Speaker 2: She was like yay, Curis immediately upon opening it.

294
00:15:48,280 --> 00:15:51,880
Speaker 3: I just I don't know somewhere deep down, and maybe

295
00:15:51,960 --> 00:15:55,000
Speaker 3: this is like a personal thing because I feel like

296
00:15:55,240 --> 00:15:58,280
Speaker 3: when I was younger, guys would like me for my

297
00:15:58,360 --> 00:16:04,000
Speaker 3: dad's money. So it's like a triggering thing. It's overuse worse. Sorry,

298
00:16:04,160 --> 00:16:07,440
Speaker 3: but I don't know. I wish he had said no, like,

299
00:16:07,880 --> 00:16:11,200
Speaker 3: you know, I'll work, we'll work together and get my

300
00:16:11,280 --> 00:16:13,120
Speaker 3: mama cruise somehow. Let's not do that.

301
00:16:13,280 --> 00:16:15,720
Speaker 4: I don't know he did, though, So I get what

302
00:16:15,800 --> 00:16:18,080
Speaker 4: you're saying. And I also appreciate that it is triggering

303
00:16:18,280 --> 00:16:22,960
Speaker 4: because it's there is sort of some challenging stuff in

304
00:16:23,000 --> 00:16:25,880
Speaker 4: the here. But I think he said no, and then

305
00:16:25,920 --> 00:16:27,720
Speaker 4: I think she's saying I'm so mad.

306
00:16:27,600 --> 00:16:28,000
Speaker 3: At my mom.

307
00:16:28,040 --> 00:16:31,880
Speaker 4: I basically just like walked out of there f this.

308
00:16:32,160 --> 00:16:34,800
Speaker 4: Let's cash this check and get your mom what she wants.

309
00:16:35,040 --> 00:16:36,520
Speaker 3: But she can't make him do it.

310
00:16:39,200 --> 00:16:42,520
Speaker 4: She probably can, And I also think the Martins have

311
00:16:42,760 --> 00:16:45,840
Speaker 4: a lot of money. So it's just peanuts today.

312
00:16:46,280 --> 00:16:52,440
Speaker 2: So she's look at that staircase. You have that grand

313
00:16:52,560 --> 00:16:56,160
Speaker 2: staircase in the foyer. It's very ritzy, like.

314
00:16:56,240 --> 00:17:01,240
Speaker 4: If Dylan has eight millions, they definitely have millions. The

315
00:17:01,360 --> 00:17:02,320
Speaker 4: Martins have millions.

316
00:17:02,920 --> 00:17:08,320
Speaker 2: Okay, but from him being a doctor, that's maybe.

317
00:17:08,119 --> 00:17:11,240
Speaker 4: There's family money too. Maybe there's family money that we

318
00:17:11,320 --> 00:17:14,040
Speaker 4: don't Maybe police came in with a dowry. We don't know.

319
00:17:14,520 --> 00:17:20,560
Speaker 2: Maybe maybe he's like a doctor, like a facial doctor,

320
00:17:20,880 --> 00:17:24,560
Speaker 2: surgeon plus surgeon. Yeah, maybe he's making that he's getting

321
00:17:24,600 --> 00:17:25,720
Speaker 2: that Kardashian money.

322
00:17:26,320 --> 00:17:31,120
Speaker 3: I believe he's a heart doctor because Joe, Am I wrong?

323
00:17:31,160 --> 00:17:31,600
Speaker 3: Am I wrong?

324
00:17:31,800 --> 00:17:32,479
Speaker 2: I think you're right.

325
00:17:33,520 --> 00:17:34,600
Speaker 3: I just remember that.

326
00:17:35,200 --> 00:17:37,399
Speaker 2: Yeah, but he's not making that much money being a

327
00:17:37,480 --> 00:17:38,560
Speaker 2: heart doctor. I don't think.

328
00:17:38,840 --> 00:17:41,280
Speaker 4: Maybe he has his own practing heart doctor at cedars

329
00:17:41,680 --> 00:17:44,960
Speaker 4: in the world. Maybe he invented the pacemaker and we

330
00:17:45,040 --> 00:17:48,520
Speaker 4: don't know it, right, so we don't know. I think

331
00:17:48,520 --> 00:17:50,800
Speaker 4: we're to assume they've got a lot of dough.

332
00:17:51,080 --> 00:17:54,520
Speaker 2: So that's he made you feel weird because your character

333
00:17:54,800 --> 00:18:01,520
Speaker 2: was giving somebody's that you love's parent a mad massive gift.

334
00:18:01,800 --> 00:18:04,320
Speaker 3: It made me feel like my whole life when I

335
00:18:04,440 --> 00:18:08,040
Speaker 3: was trying to please someone and thought that I wasn't

336
00:18:08,160 --> 00:18:10,560
Speaker 3: worth enough for them to like me for me, so

337
00:18:10,720 --> 00:18:13,200
Speaker 3: I would think if I gave them a present or

338
00:18:13,400 --> 00:18:15,600
Speaker 3: like my hard earned money. It wasn't even my parents

339
00:18:15,680 --> 00:18:18,000
Speaker 3: that I worked hard for. So that's where it comes from.

340
00:18:21,000 --> 00:18:23,199
Speaker 2: Well, go back to light and bright. No, I.

341
00:18:24,760 --> 00:18:25,200
Speaker 3: I get that.

342
00:18:25,880 --> 00:18:26,879
Speaker 2: Unpack that in therapy.

343
00:18:27,880 --> 00:18:28,960
Speaker 3: That's all good, okay.

344
00:18:29,440 --> 00:18:32,600
Speaker 4: I'm like all the buying. Everybody's buying each other right,

345
00:18:32,800 --> 00:18:35,720
Speaker 4: Like she's trying to buy him off, and you take

346
00:18:35,760 --> 00:18:38,239
Speaker 4: the money and buy you at your parents. And then

347
00:18:38,240 --> 00:18:40,000
Speaker 4: there's a whole money thing going on with Dylan and

348
00:18:40,040 --> 00:18:42,440
Speaker 4: he's so desperate to get his there's a lot of money, money,

349
00:18:42,560 --> 00:18:45,840
Speaker 4: money things happening. So maybe and I and I.

350
00:18:45,880 --> 00:18:48,720
Speaker 2: Don't think that's a very good dynamic to set up

351
00:18:48,760 --> 00:18:54,800
Speaker 2: this young, immature relationship with Donna holding this you know,

352
00:18:55,680 --> 00:18:59,920
Speaker 2: money position over him, like she has so much money. Yeah, yeah,

353
00:19:00,040 --> 00:19:04,600
Speaker 2: I hate that. Oh he's never gonna feel like And.

354
00:19:04,680 --> 00:19:07,440
Speaker 4: We know that Mom is already so enamored by it,

355
00:19:07,480 --> 00:19:10,320
Speaker 4: because she's mentioned it multiple times in the previous episode,

356
00:19:10,440 --> 00:19:15,000
Speaker 4: like you go and enjoy this time. And I wish

357
00:19:15,080 --> 00:19:17,800
Speaker 4: I could drive up to Beverly Hills, like she's always

358
00:19:18,200 --> 00:19:21,200
Speaker 4: there's definitely like a whole storyline there of this.

359
00:19:21,480 --> 00:19:24,920
Speaker 3: Yeah, And I guess it's feeling bad because Donn and

360
00:19:25,000 --> 00:19:28,159
Speaker 3: I are so similar in so many ways, and I

361
00:19:28,720 --> 00:19:32,200
Speaker 3: would never have done that or never do it, because

362
00:19:32,280 --> 00:19:33,840
Speaker 3: while I'd be like, I want your mom to have

363
00:19:33,960 --> 00:19:37,000
Speaker 3: this and you know, screw her for doing this, I

364
00:19:37,080 --> 00:19:38,440
Speaker 3: would still at the end of the day be like,

365
00:19:38,480 --> 00:19:42,320
Speaker 3: I respect my mom and not do it. So but

366
00:19:42,440 --> 00:19:45,000
Speaker 3: it's interesting that it was written that way, so that

367
00:19:45,160 --> 00:19:48,119
Speaker 3: obviously came up in conversation that perhaps I would do that.

368
00:19:48,640 --> 00:19:52,119
Speaker 4: I think it was at that point in Fu to Felice, like.

369
00:19:52,280 --> 00:19:55,720
Speaker 3: Yeah, yeah, like I know, you can't do an f

370
00:19:55,800 --> 00:19:56,520
Speaker 3: you to your mom.

371
00:19:57,800 --> 00:20:01,439
Speaker 4: You can. She did an f you by offering them

372
00:20:01,520 --> 00:20:01,920
Speaker 4: the money.

373
00:20:02,119 --> 00:20:03,280
Speaker 3: It doesn't matter. I would never.

374
00:20:03,800 --> 00:20:04,800
Speaker 4: No, you wouldn't talk.

375
00:20:05,280 --> 00:20:06,040
Speaker 3: I am Donna.

376
00:20:07,280 --> 00:20:10,480
Speaker 2: Okay, okay, really really need to get to that therapy.

377
00:20:11,920 --> 00:20:13,719
Speaker 4: Oh my god, I am Donna.

378
00:20:14,480 --> 00:20:15,439
Speaker 3: I am Donna.

379
00:20:18,440 --> 00:20:19,160
Speaker 2: Oh my god.

380
00:20:19,359 --> 00:20:22,960
Speaker 4: Something we're talking about Donna and we're like and she's

381
00:20:23,000 --> 00:20:25,679
Speaker 4: like I was, I would live ever and we're like.

382
00:20:27,200 --> 00:20:30,360
Speaker 3: Something, I mean by now from the rew like from

383
00:20:30,440 --> 00:20:34,399
Speaker 3: rewatching this for five seasons now, we're starting to align

384
00:20:34,480 --> 00:20:37,240
Speaker 3: stuff that I'm like, uh, okay, yeah that happened in

385
00:20:37,359 --> 00:20:39,399
Speaker 3: real life. This is like they did this because of this.

386
00:20:39,880 --> 00:20:42,199
Speaker 3: There was a lot going on that I didn't realize

387
00:20:42,240 --> 00:20:44,800
Speaker 3: back then that maybe you know, they would do like

388
00:20:45,760 --> 00:20:48,760
Speaker 3: pitch meetings and you know, work sessions, and my dad

389
00:20:48,760 --> 00:20:50,320
Speaker 3: would be like, oh, this is happening, and this is

390
00:20:50,320 --> 00:20:53,560
Speaker 3: happening in my teen and her friends, and like it's

391
00:20:53,680 --> 00:20:56,240
Speaker 3: lining up a little bit too close to home.

392
00:20:57,520 --> 00:21:01,600
Speaker 4: I understand for you, Tour, we don't have to dig

393
00:21:01,640 --> 00:21:04,840
Speaker 4: into it too much. People using you like being your

394
00:21:04,920 --> 00:21:07,320
Speaker 4: friend because you're Tori spelling, whether it was for money

395
00:21:07,440 --> 00:21:09,680
Speaker 4: or maybe if I'm her best friend, her dad will

396
00:21:09,680 --> 00:21:13,240
Speaker 4: get me a gig or like, I definitely relate. I

397
00:21:13,280 --> 00:21:18,880
Speaker 4: don't relate personally, but I understand wondering what people sort

398
00:21:18,920 --> 00:21:26,360
Speaker 4: of like, yeah, like what they're true motives. Yeah.

399
00:21:26,520 --> 00:21:30,440
Speaker 3: So I'm bummed seeing this because I'm like, I wish

400
00:21:30,480 --> 00:21:32,720
Speaker 3: you wouldn't have done it. I wish his mom wouldn't

401
00:21:32,760 --> 00:21:34,920
Speaker 3: have said yes, Like, I just want them to work out.

402
00:21:35,000 --> 00:21:37,400
Speaker 3: At this point, I know I know what happens later,

403
00:21:37,480 --> 00:21:38,200
Speaker 3: but I'm in the moment.

404
00:21:38,600 --> 00:21:41,920
Speaker 4: Good crime scene, though you had good drama scene, and

405
00:21:42,240 --> 00:21:42,720
Speaker 4: I thought.

406
00:21:42,640 --> 00:21:43,800
Speaker 2: David a lot of drama.

407
00:21:44,080 --> 00:21:48,920
Speaker 4: David and Claire were very good friends to you, even

408
00:21:48,920 --> 00:21:51,399
Speaker 4: though it's still weird that David. That's still weird to me,

409
00:21:51,480 --> 00:21:54,320
Speaker 4: but yet good. They were super supportive. And then Ray

410
00:21:54,400 --> 00:21:56,600
Speaker 4: came and I actually thought that scene for being pretty

411
00:21:56,640 --> 00:22:03,480
Speaker 4: heightened believable. M hmm, good scene. Like your crying was

412
00:22:03,640 --> 00:22:11,240
Speaker 4: really good and you were yes, speaking of crying, Jenny

413
00:22:12,320 --> 00:22:16,520
Speaker 4: one loan tear rolling, she's the best. How did you

414
00:22:16,760 --> 00:22:17,119
Speaker 4: do that?

415
00:22:19,560 --> 00:22:22,520
Speaker 2: I don't know, Oh, that's my trained tear drop?

416
00:22:22,800 --> 00:22:24,960
Speaker 4: So were those real? Not those droppy things that you

417
00:22:25,040 --> 00:22:26,440
Speaker 4: guys do to make you cry.

418
00:22:26,920 --> 00:22:30,680
Speaker 2: Who knows what you do? Any scene and you can't

419
00:22:30,720 --> 00:22:32,720
Speaker 2: get there, You're like, give me the blower, give me

420
00:22:32,840 --> 00:22:34,240
Speaker 2: the drops, whatever it is.

421
00:22:35,520 --> 00:22:37,480
Speaker 3: I feel like you're the best crier in the biz.

422
00:22:38,960 --> 00:22:42,240
Speaker 3: She has a knack for it. It's real, Like it's good.

423
00:22:42,920 --> 00:22:45,200
Speaker 4: That was a great scene too. I think this whole

424
00:22:45,280 --> 00:22:50,960
Speaker 4: episode is other than Dylan that was we'll talk about that,

425
00:22:51,000 --> 00:22:57,480
Speaker 4: but that felt very real and like, yeah, like Brandon

426
00:22:57,600 --> 00:23:00,439
Speaker 4: seeing your back that we didn't realize is so burned

427
00:23:00,840 --> 00:23:04,920
Speaker 4: and he didn't realize because you haven't shown and the

428
00:23:05,040 --> 00:23:08,439
Speaker 4: vulnerability and the tear and in the bathroom and like.

429
00:23:10,000 --> 00:23:15,000
Speaker 3: You were MOPy but that now I got it warranted.

430
00:23:15,160 --> 00:23:19,560
Speaker 2: Yeah, yeah, yeah he looked pretty grossed out though.

431
00:23:20,680 --> 00:23:24,920
Speaker 4: I look sad. I thought he's just shocking bad like

432
00:23:25,160 --> 00:23:28,920
Speaker 4: also maybe a little bit of regret, like he didn't realize.

433
00:23:29,240 --> 00:23:31,560
Speaker 2: Oh yeah, yeah that's yeah.

434
00:23:32,520 --> 00:23:36,920
Speaker 4: That was a great scene too, both those dramatic scenes.

435
00:23:37,840 --> 00:23:40,560
Speaker 2: On Christmas in the Christmas episode so much drama?

436
00:23:41,160 --> 00:23:43,520
Speaker 3: Would you guys have rather the Christmas episode be a

437
00:23:43,880 --> 00:23:46,560
Speaker 3: like more light and bright. It's kind of the flip

438
00:23:46,760 --> 00:23:50,680
Speaker 3: of what you think most Christmas things are about. Usually

439
00:23:50,680 --> 00:23:51,199
Speaker 3: they're so like.

440
00:23:52,680 --> 00:23:57,520
Speaker 2: Like this was like, yeah, honestly, I really could have

441
00:23:57,640 --> 00:24:01,320
Speaker 2: used a little more levity in that in the Christmas episode.

442
00:24:01,600 --> 00:24:02,879
Speaker 2: You know, I think you're right.

443
00:24:03,000 --> 00:24:06,000
Speaker 4: Like the reason I liked it is that I didn't

444
00:24:06,040 --> 00:24:08,000
Speaker 4: feel like I was getting a phoned in episode. I

445
00:24:08,040 --> 00:24:09,320
Speaker 4: didn't feel like I was getting some.

446
00:24:09,680 --> 00:24:11,879
Speaker 2: You know, Christmas episodes flash by.

447
00:24:11,920 --> 00:24:16,040
Speaker 4: Actually Christmas, I still like corny thing. I felt like, Wow,

448
00:24:16,080 --> 00:24:21,760
Speaker 4: I got a real episode where real crap is happening. Yeah,

449
00:24:22,000 --> 00:24:25,119
Speaker 4: Like this is real storyline, super meedy, Like, if you

450
00:24:25,200 --> 00:24:29,200
Speaker 4: think about it, right, Jenny, your storyline super meedy, tory,

451
00:24:29,320 --> 00:24:35,280
Speaker 4: your storyline, even Luke slash Dylan real stuff's happening, and

452
00:24:35,440 --> 00:24:39,560
Speaker 4: even Jesse and Andrea, like every single storyline. The one

453
00:24:39,600 --> 00:24:41,600
Speaker 4: thing is I don't understand why Claire is not telling

454
00:24:41,680 --> 00:24:44,159
Speaker 4: the chancellor, Like why why why does the chancellor think

455
00:24:44,200 --> 00:24:47,160
Speaker 4: she's dating Brandon? Like on what planet is that? Even

456
00:24:47,280 --> 00:24:50,440
Speaker 4: what's what's going on? He still thinks that, Yes, that's

457
00:24:50,440 --> 00:24:52,239
Speaker 4: why he's like, you should bring Brandon and you can

458
00:24:52,359 --> 00:24:56,160
Speaker 4: invite your other friends, Kelly and Donna. Like, first of all,

459
00:24:56,240 --> 00:24:59,480
Speaker 4: what dad, that's so rude, Like she's literally just invited

460
00:24:59,600 --> 00:25:01,720
Speaker 4: in to her friend that's right there. Why would you

461
00:25:01,800 --> 00:25:04,240
Speaker 4: not be like and this guy, this new David guy, Like.

462
00:25:04,640 --> 00:25:09,560
Speaker 3: And also what why is she Yeah, maybe he knows

463
00:25:09,600 --> 00:25:11,159
Speaker 3: it's not going to work out long runs, so.

464
00:25:12,119 --> 00:25:14,160
Speaker 2: Yeah, I don't think they are together very long.

465
00:25:15,280 --> 00:25:18,520
Speaker 4: But the change is so clinless, Like there's just a

466
00:25:18,640 --> 00:25:22,600
Speaker 4: huge fire on his campus where you were badly burned,

467
00:25:22,640 --> 00:25:24,920
Speaker 4: and like student it was a student led thing. She

468
00:25:25,040 --> 00:25:28,400
Speaker 4: doesn't he doesn't know that the president of the school

469
00:25:28,960 --> 00:25:29,800
Speaker 4: is dating.

470
00:25:30,600 --> 00:25:34,680
Speaker 2: You the burn victim, right dumb, or that he's actually

471
00:25:34,800 --> 00:25:38,040
Speaker 2: at the burn victim's house. It's like when he goes

472
00:25:38,040 --> 00:25:40,639
Speaker 2: to see his daughter who's the roommate of the burn victim. Like,

473
00:25:41,359 --> 00:25:44,960
Speaker 2: so he feels like he's super self obsessed with being

474
00:25:45,040 --> 00:25:46,120
Speaker 2: the chancellor.

475
00:25:45,840 --> 00:25:48,200
Speaker 4: Right, He's just not that dopey. It's like, dude, you

476
00:25:48,280 --> 00:25:49,399
Speaker 4: know what's going on? What?

477
00:25:51,160 --> 00:25:53,440
Speaker 3: Or is he choosing not to see it?

478
00:25:55,520 --> 00:25:56,520
Speaker 2: The boyfriend thing here?

479
00:25:56,720 --> 00:25:59,720
Speaker 3: Yeah, and he wants her to be with Brandon, so

480
00:25:59,840 --> 00:26:00,480
Speaker 3: he just just.

481
00:26:00,560 --> 00:26:02,080
Speaker 2: Like, yeah, he just wants her to be a Brandon,

482
00:26:02,280 --> 00:26:02,760
Speaker 2: you know what I mean?

483
00:26:02,920 --> 00:26:06,480
Speaker 3: Like, yeah, I don't think he's that clueless, Like I

484
00:26:06,600 --> 00:26:10,600
Speaker 3: think he's just like, yes, self absorbed in his world,

485
00:26:10,680 --> 00:26:13,000
Speaker 3: but also like wants what he wants. And so you know,

486
00:26:13,040 --> 00:26:15,000
Speaker 3: if you just keep pretending you don't see it, maybe

487
00:26:15,040 --> 00:26:15,720
Speaker 3: it'll go away.

488
00:26:16,880 --> 00:26:17,560
Speaker 2: Yeah. Maybe.

489
00:26:17,760 --> 00:26:33,120
Speaker 4: And I don't know why David cares speaking of a trigger?

490
00:26:33,280 --> 00:26:35,160
Speaker 4: Do you want to know what triggered me in this episode?

491
00:26:35,359 --> 00:26:37,280
Speaker 2: What triggered you? Can we how many times can we

492
00:26:37,320 --> 00:26:38,800
Speaker 2: say trigger this?

493
00:26:40,160 --> 00:26:41,200
Speaker 4: Wait? What flames?

494
00:26:42,240 --> 00:26:44,639
Speaker 2: There was flames all around in this episode. There was

495
00:26:44,760 --> 00:26:49,679
Speaker 2: like the fire behind Dellie and Mommy, and then there

496
00:26:49,760 --> 00:26:51,800
Speaker 2: was the flames in front of Kelly and Brandon and

497
00:26:51,880 --> 00:26:54,639
Speaker 2: the fireplane, and then there was the flame that there

498
00:26:54,720 --> 00:26:59,000
Speaker 2: was flames everywhere. It was freaking me. I never told

499
00:26:59,040 --> 00:27:02,680
Speaker 2: you guys this. Okay, So the fire episode was two

500
00:27:02,760 --> 00:27:05,520
Speaker 2: weeks ago, right, So, over the course of the last

501
00:27:05,560 --> 00:27:10,040
Speaker 2: two weeks, I've been obsessed with any electrical things in

502
00:27:10,160 --> 00:27:13,480
Speaker 2: my house. I've bought like remote control clickers to be

503
00:27:13,560 --> 00:27:19,760
Speaker 2: able to turn things off and on. Then the place

504
00:27:19,800 --> 00:27:24,920
Speaker 2: where we golf buy our house, it caught fire from

505
00:27:24,960 --> 00:27:29,760
Speaker 2: an electrical fire. No what the same week that, right

506
00:27:29,800 --> 00:27:30,880
Speaker 2: after I watched the show.

507
00:27:31,359 --> 00:27:34,320
Speaker 3: What is the golf course? Okay, it's Dave, Okay.

508
00:27:35,359 --> 00:27:36,560
Speaker 2: It was just the snack shacks.

509
00:27:36,760 --> 00:27:41,879
Speaker 4: Everything's okay, sounds like a toaster a microwave in the

510
00:27:41,920 --> 00:27:42,760
Speaker 4: snackshack we have.

511
00:27:43,080 --> 00:27:44,840
Speaker 2: I'm so scared of fire right now.

512
00:27:45,080 --> 00:27:46,920
Speaker 4: I wonder if this episode is what caused me. You know,

513
00:27:46,960 --> 00:27:49,840
Speaker 4: I'm obsessed with not having fire. Like, do you guys

514
00:27:49,920 --> 00:27:52,399
Speaker 4: do the off off, off, off off every night on

515
00:27:52,520 --> 00:27:56,520
Speaker 4: your stove? H I do that everything off?

516
00:27:56,640 --> 00:27:56,840
Speaker 3: Yeah?

517
00:27:56,920 --> 00:27:57,560
Speaker 2: I don't think I do that.

518
00:27:58,080 --> 00:28:01,359
Speaker 3: Times there were lighting candles and I don't usually like candles. Yeah,

519
00:28:01,600 --> 00:28:04,240
Speaker 3: well because I have kids and still a six year old.

520
00:28:04,960 --> 00:28:07,480
Speaker 3: But yeah, last night I blew one out because I

521
00:28:07,520 --> 00:28:09,040
Speaker 3: was like, the kids are like, why are you blowing

522
00:28:09,080 --> 00:28:12,199
Speaker 3: it out? And I'm like, just because yeah, I'm just nervous.

523
00:28:12,280 --> 00:28:13,520
Speaker 3: You're walking your I don't know.

524
00:28:14,240 --> 00:28:16,680
Speaker 4: And Christmas is also a fire time where you're life. Yeah,

525
00:28:16,880 --> 00:28:18,280
Speaker 4: the tree and the whole thing.

526
00:28:18,440 --> 00:28:22,240
Speaker 2: Yeah, you know, public service announcement everybody out there, Yeah,

527
00:28:22,800 --> 00:28:27,960
Speaker 2: please be careful with TSA. Yes, make sure your house

528
00:28:28,040 --> 00:28:30,240
Speaker 2: is fireproof or go and get one of those things.

529
00:28:30,320 --> 00:28:35,240
Speaker 2: Do you have a fire distinguisher extinguisher? I have one,

530
00:28:35,280 --> 00:28:37,800
Speaker 2: but it's like in the backy backy backie of my

531
00:28:38,000 --> 00:28:41,520
Speaker 2: under my help you it would take I would be

532
00:28:41,560 --> 00:28:45,320
Speaker 2: burnt to a crisp back water and dryer like in between.

533
00:28:45,320 --> 00:28:48,560
Speaker 4: You know, everybody do what? And I still have to

534
00:28:48,600 --> 00:28:50,920
Speaker 4: say what triggered me? What everybody should do? Those since

535
00:28:50,960 --> 00:28:52,760
Speaker 4: at the end of the year, check your batteries and

536
00:28:52,800 --> 00:28:55,640
Speaker 4: you're it's a good time to like redo the batteries

537
00:28:55,880 --> 00:28:58,880
Speaker 4: the smoke detectors, because then you know, for twenty twenty

538
00:28:58,920 --> 00:29:02,280
Speaker 4: four you're like, Okay, I'm good, I know, and you don't.

539
00:29:02,080 --> 00:29:03,920
Speaker 3: Have to deal with that. I'll put the head on

540
00:29:04,080 --> 00:29:05,360
Speaker 3: top of my list of things to do.

541
00:29:06,920 --> 00:29:09,800
Speaker 4: Nothing else. So the no, the thing that triggered me

542
00:29:10,520 --> 00:29:13,640
Speaker 4: triggered trigger what the popcorn mess?

543
00:29:13,880 --> 00:29:17,560
Speaker 2: I was literally like, oh, okay, you are This is

544
00:29:17,720 --> 00:29:21,600
Speaker 2: now finally passing this judgment of me being so neat

545
00:29:21,640 --> 00:29:25,240
Speaker 2: and tidy onto her. This is Amy. Now, Amy is

546
00:29:25,320 --> 00:29:28,680
Speaker 2: the one that has too many control issues with cleaning.

547
00:29:28,880 --> 00:29:32,520
Speaker 4: I was so like, first, I'm not a huge tinsel girl, right,

548
00:29:32,640 --> 00:29:34,480
Speaker 4: so I already had written down the wall. She just

549
00:29:34,560 --> 00:29:36,240
Speaker 4: have a lot of tinsel on their tree.

550
00:29:37,200 --> 00:29:37,680
Speaker 3: What do they have?

551
00:29:37,760 --> 00:29:40,440
Speaker 2: Tinsel? Like? The little pieces or the garland.

552
00:29:40,040 --> 00:29:44,080
Speaker 4: Of tintal, the little just little little those oh so

553
00:29:44,240 --> 00:29:48,240
Speaker 4: messy draped over so many things. Then I think Claren

554
00:29:48,320 --> 00:29:51,560
Speaker 4: David and Donna, and I think Ray was there maybe too,

555
00:29:52,520 --> 00:29:55,960
Speaker 4: are stringing the you know, first grade popcorn.

556
00:29:56,280 --> 00:29:58,560
Speaker 2: All that was just Donna, Claren David. They were making

557
00:29:58,600 --> 00:30:01,440
Speaker 2: a big old mess and then Donna just walks out.

558
00:30:01,800 --> 00:30:04,520
Speaker 2: Does nobody cleans it on brand?

559
00:30:05,040 --> 00:30:05,600
Speaker 4: On brand?

560
00:30:05,800 --> 00:30:05,960
Speaker 3: Right?

561
00:30:06,840 --> 00:30:11,120
Speaker 4: Like the entire day went all over that floor with

562
00:30:11,280 --> 00:30:13,360
Speaker 4: the carpeting, and then.

563
00:30:13,240 --> 00:30:17,080
Speaker 2: They just walk around stomp it into the carpet. Yeah, yeah,

564
00:30:17,080 --> 00:30:17,800
Speaker 2: I was feeling it.

565
00:30:18,640 --> 00:30:20,800
Speaker 4: Cleaning that up is challenging, Like.

566
00:30:22,160 --> 00:30:24,360
Speaker 3: He's not there, Just show me how to use the vacuum,

567
00:30:24,600 --> 00:30:26,080
Speaker 3: I am, I didn't know how.

568
00:30:26,000 --> 00:30:26,320
Speaker 2: To do it.

569
00:30:26,400 --> 00:30:29,640
Speaker 4: Cut it because it's like ground into that carb.

570
00:30:30,680 --> 00:30:32,160
Speaker 2: You want to know what triggered me.

571
00:30:32,560 --> 00:30:33,560
Speaker 4: Yes, obviously.

572
00:30:33,880 --> 00:30:37,160
Speaker 2: Well, there were a few things. Honestly, one of them

573
00:30:37,320 --> 00:30:39,040
Speaker 2: not such a big deal. But why was there a

574
00:30:39,120 --> 00:30:41,200
Speaker 2: scene on the back of Dylan's head the scene with

575
00:30:41,720 --> 00:30:44,720
Speaker 2: Christine Pettitt in the FBI, They're like shooting the backs

576
00:30:44,760 --> 00:30:45,880
Speaker 2: of their heads. I hated it.

577
00:30:45,960 --> 00:30:46,680
Speaker 4: Wait, I miss that.

578
00:30:46,800 --> 00:30:49,720
Speaker 2: I have to rewatch that, like sometimes you instead of

579
00:30:50,200 --> 00:30:52,280
Speaker 2: shooting from the front angle, they do it from over

580
00:30:52,320 --> 00:30:56,880
Speaker 2: the back shore. I didn't love that. And the other thing, no,

581
00:30:57,520 --> 00:31:01,000
Speaker 2: because it was bad, like you know, but he's such

582
00:31:01,040 --> 00:31:01,480
Speaker 2: good hair.

583
00:31:01,680 --> 00:31:02,440
Speaker 3: I was okay with it.

584
00:31:02,760 --> 00:31:06,360
Speaker 2: I like, I don't know he was. I don't know

585
00:31:06,920 --> 00:31:07,520
Speaker 2: that whole thing.

586
00:31:09,440 --> 00:31:09,760
Speaker 4: Okay.

587
00:31:09,920 --> 00:31:13,880
Speaker 2: One other thing was in the peach pit when the

588
00:31:14,000 --> 00:31:18,560
Speaker 2: unhoused people are they're being fed and they pan across

589
00:31:18,640 --> 00:31:23,200
Speaker 2: the countertop and the patrons are eating. But you can

590
00:31:23,320 --> 00:31:26,959
Speaker 2: clearly tell they were told don't eat the food because

591
00:31:27,000 --> 00:31:29,040
Speaker 2: they were like this. They were like this with the food, like.

592
00:31:31,200 --> 00:31:35,040
Speaker 3: Oh no, like an sl swit yeah, and they were

593
00:31:35,120 --> 00:31:39,280
Speaker 3: drinking like this they were like like it was so clear.

594
00:31:39,400 --> 00:31:40,920
Speaker 2: If you go back and watch it, you can see

595
00:31:40,960 --> 00:31:43,080
Speaker 2: one guy not putting it in his mouth and pretending

596
00:31:43,160 --> 00:31:43,480
Speaker 2: to chew.

597
00:31:43,640 --> 00:31:46,560
Speaker 3: It's listen, it was the end of the year, Christmas.

598
00:31:46,680 --> 00:31:48,640
Speaker 3: You know, the budget was low, Like, don't eat the food.

599
00:31:48,680 --> 00:31:50,440
Speaker 3: You have to keep reheating it up and using it

600
00:31:50,520 --> 00:31:51,640
Speaker 3: for scene to see, you to see.

601
00:31:51,640 --> 00:31:55,240
Speaker 4: My favorite game is bad background acting. It's fun.

602
00:31:55,760 --> 00:31:58,560
Speaker 2: It's not their fault. They were literally told donate the food,

603
00:31:58,960 --> 00:32:02,000
Speaker 2: we don't have enough, or it's been sitting out. Those

604
00:32:02,040 --> 00:32:03,640
Speaker 2: are always those are the reasons.

605
00:32:03,720 --> 00:32:06,000
Speaker 4: Sometimes I always thought heard it was continuity, like if

606
00:32:06,040 --> 00:32:07,800
Speaker 4: you bite your burger and then we have to go back,

607
00:32:08,400 --> 00:32:11,120
Speaker 4: and then even that poor girl in the corner, oh,

608
00:32:11,160 --> 00:32:14,280
Speaker 4: the burned woman. Yes, okay, so I have a whole

609
00:32:14,360 --> 00:32:16,680
Speaker 4: question about her. So sorry to not figure out who

610
00:32:16,680 --> 00:32:18,760
Speaker 4: you're talking about. Am I the only one who at

611
00:32:18,880 --> 00:32:20,680
Speaker 4: first thought it was your friend?

612
00:32:21,760 --> 00:32:24,840
Speaker 2: I wanted it to be my friend Alison.

613
00:32:25,200 --> 00:32:28,800
Speaker 3: Wait, but was that supposed to be No, I just met,

614
00:32:29,480 --> 00:32:31,400
Speaker 3: but like for a moment you were supposed to think

615
00:32:32,120 --> 00:32:32,760
Speaker 3: maybe I did.

616
00:32:32,960 --> 00:32:34,960
Speaker 2: I was like, oh, maybe it's her, But no, it

617
00:32:35,120 --> 00:32:40,880
Speaker 2: was just some other terribly burned woman. It was very

618
00:32:41,480 --> 00:32:42,640
Speaker 2: and she was sitting all alone.

619
00:32:42,720 --> 00:32:45,760
Speaker 4: It was very sad, very upsetting. Yeah, that was just upsetting.

620
00:32:45,920 --> 00:32:49,600
Speaker 4: And I did like whoever said I think it was Brandon?

621
00:32:49,720 --> 00:32:51,800
Speaker 4: So you and Brandon are talking and you were very

622
00:32:51,880 --> 00:32:55,120
Speaker 4: upset over the responses, and I thought he said, you know,

623
00:32:55,240 --> 00:32:58,960
Speaker 4: maybe everybody was just feeling her pain, and I thought, yeah,

624
00:32:59,240 --> 00:33:01,080
Speaker 4: you know what, maybe they'res well.

625
00:33:01,160 --> 00:33:04,480
Speaker 2: No, because when they walked by, when Kelly heard them

626
00:33:04,560 --> 00:33:07,560
Speaker 2: like talking about her, I think one of them said

627
00:33:07,640 --> 00:33:09,840
Speaker 2: like sucks to be her something to that.

628
00:33:10,040 --> 00:33:11,880
Speaker 4: Yeah, yeah, we have to go back and see what

629
00:33:11,920 --> 00:33:14,760
Speaker 4: they exactly said, because I'm like, did they say something jerky.

630
00:33:14,800 --> 00:33:19,480
Speaker 2: Or did they just so very not very thoughtful.

631
00:33:20,280 --> 00:33:22,320
Speaker 3: Yeah, I'm in response and you get nervous.

632
00:33:22,640 --> 00:33:25,320
Speaker 2: Here's the other thing that really bothered me, really triggered

633
00:33:25,400 --> 00:33:35,600
Speaker 2: me was Brandon's giant dockers. Why are his pants like parachutes?

634
00:33:35,720 --> 00:33:38,840
Speaker 2: Like he could literally fly in those pants.

635
00:33:39,880 --> 00:33:42,760
Speaker 3: I'm telling you this is a personal choice because there

636
00:33:42,880 --> 00:33:47,920
Speaker 3: is no chance that they were like where It's just

637
00:33:48,080 --> 00:33:51,320
Speaker 3: like always I don't know, well because Ray's dress well,

638
00:33:52,040 --> 00:33:55,320
Speaker 3: like so my things, like Raise dressed, how Jamie dresses

639
00:33:55,400 --> 00:33:59,120
Speaker 3: in real life, which Donna slash Torri is now like

640
00:33:59,280 --> 00:34:04,360
Speaker 3: coppying his ale like ogre but like Jason must have

641
00:34:04,480 --> 00:34:05,840
Speaker 3: wanted that, Like that's not.

642
00:34:05,960 --> 00:34:08,480
Speaker 2: A good look.

643
00:34:09,360 --> 00:34:11,480
Speaker 4: Want me to tell you the fashion winner of this episode?

644
00:34:12,239 --> 00:34:18,719
Speaker 4: Tell us raised mom, red swede fringe jacket and cool, right, mall.

645
00:34:18,880 --> 00:34:19,319
Speaker 2: She had the.

646
00:34:19,440 --> 00:34:21,920
Speaker 4: Flannel and like some ear rings, Like I was like,

647
00:34:22,680 --> 00:34:25,480
Speaker 4: raise mom, Yeah, she.

648
00:34:25,560 --> 00:34:26,520
Speaker 2: Puts herself together.

649
00:34:27,320 --> 00:34:29,239
Speaker 3: At the time, I remember liking it because I love

650
00:34:29,360 --> 00:34:30,239
Speaker 3: vintage and I was.

651
00:34:30,280 --> 00:34:34,200
Speaker 4: Like that red suede jacket like on point, like.

652
00:34:35,200 --> 00:34:37,000
Speaker 3: I know it's I know they were going for like

653
00:34:37,120 --> 00:34:39,399
Speaker 3: something else, but I was like, it's it's kind of cool.

654
00:34:39,760 --> 00:34:41,640
Speaker 4: I always want to know what mall y'all are at too.

655
00:34:42,239 --> 00:34:42,920
Speaker 3: That was it.

656
00:34:43,080 --> 00:34:45,360
Speaker 2: It had to have been, right, what was it the

657
00:34:45,400 --> 00:34:46,080
Speaker 2: Beverly Center.

658
00:34:47,160 --> 00:34:51,279
Speaker 3: M Yeah, I was so.

659
00:34:53,520 --> 00:34:55,239
Speaker 4: Yeah. I was so into the episode that I didn't

660
00:34:55,280 --> 00:34:59,480
Speaker 4: do my normal like yeah, Auntie als or whatever, you

661
00:34:59,520 --> 00:35:01,840
Speaker 4: know whatever it's called. Oh, where's story?

662
00:35:01,920 --> 00:35:02,840
Speaker 3: That didn't exist?

663
00:35:02,880 --> 00:35:05,200
Speaker 4: But anymore did it not? When did that thing come around?

664
00:35:05,520 --> 00:35:06,879
Speaker 3: It was like missus Fields back then.

665
00:35:07,000 --> 00:35:08,600
Speaker 2: Oh yeah, missus Field.

666
00:35:08,840 --> 00:35:12,880
Speaker 4: Still around, but not as prevalent now as it was then.

667
00:35:14,200 --> 00:35:19,279
Speaker 2: Well, you're your buzzy sweater and little scalloped mini skirt.

668
00:35:19,120 --> 00:35:24,040
Speaker 3: Was pretty cute too. Oh my gosh, sorry, you know

669
00:35:24,120 --> 00:35:27,080
Speaker 3: what I just saw yesterday? You guys. I was at

670
00:35:27,239 --> 00:35:32,880
Speaker 3: Urban Outfitters and no joke, your prom dress Kelly and

671
00:35:32,960 --> 00:35:35,360
Speaker 3: Brenda's black dress with the white No.

672
00:35:36,160 --> 00:35:38,320
Speaker 4: No, I took a picture for you.

673
00:35:38,440 --> 00:35:40,200
Speaker 3: Jen, I'm gonna go buy it.

674
00:35:40,440 --> 00:35:41,239
Speaker 2: I really want that.

675
00:35:41,480 --> 00:35:42,600
Speaker 3: Oh my god, it's there.

676
00:35:43,000 --> 00:35:46,560
Speaker 4: And I literally was like oh and gasped.

677
00:35:47,080 --> 00:35:49,880
Speaker 3: I love it, and Stella and Hattie were with me,

678
00:35:50,080 --> 00:35:52,359
Speaker 3: and I was like okay, and I was like, sorry,

679
00:35:52,440 --> 00:35:54,320
Speaker 3: I'm not making this about me, and I hate doing that,

680
00:35:54,480 --> 00:35:57,040
Speaker 3: but I just got to tell you guys, like our

681
00:35:57,080 --> 00:36:00,279
Speaker 3: show literally created this. No literally it wasn't fair, like

682
00:36:00,360 --> 00:36:03,320
Speaker 3: we created this and it was done and then became

683
00:36:03,400 --> 00:36:05,640
Speaker 3: huge thing in the nineties and now everything's coming back

684
00:36:05,640 --> 00:36:07,840
Speaker 3: from the nineties. But this dress is from nine oh

685
00:36:07,880 --> 00:36:10,720
Speaker 3: too and oh, and I was like Jen and Shannon

686
00:36:10,800 --> 00:36:13,880
Speaker 3: wore this dress and they just both looked at me

687
00:36:14,080 --> 00:36:16,120
Speaker 3: like I had three heads, and I was like then

688
00:36:16,160 --> 00:36:20,120
Speaker 3: I got really embarrassed. And then they were like I

689
00:36:20,200 --> 00:36:22,600
Speaker 3: hate to tell you, mom, but like Olivia Rodrigo like

690
00:36:22,680 --> 00:36:26,200
Speaker 3: where's that? And I was like, uh, okay, well sorry.

691
00:36:26,680 --> 00:36:30,360
Speaker 3: Jenny Garth and She thirty were around a lot longer

692
00:36:30,760 --> 00:36:33,600
Speaker 3: and way before on trend than Olivia Rodrigo.

693
00:36:33,719 --> 00:36:35,759
Speaker 2: God, I'm going to buy it now.

694
00:36:36,640 --> 00:36:38,520
Speaker 3: Anyway you have to find out, okay, you have to

695
00:36:38,560 --> 00:36:41,080
Speaker 3: get it, but Jen, it's this big.

696
00:36:41,160 --> 00:36:43,640
Speaker 2: Now, oh, it's a little shorter.

697
00:36:44,680 --> 00:36:46,319
Speaker 3: It's a tube top that.

698
00:36:46,440 --> 00:36:47,160
Speaker 4: They call a dress.

699
00:36:47,800 --> 00:36:47,920
Speaker 2: Oh.

700
00:36:48,080 --> 00:36:49,960
Speaker 3: And then and then a fan comes up and she

701
00:36:50,120 --> 00:36:52,600
Speaker 3: was like, you know, in our age with her kids,

702
00:36:52,640 --> 00:36:54,239
Speaker 3: and she was like, oh my gosh, I'm sorry. Can

703
00:36:54,239 --> 00:36:55,960
Speaker 3: I take a picture with you? And I said yes,

704
00:36:56,040 --> 00:36:58,759
Speaker 3: of course. And I said, wait, sorry, are you a

705
00:36:58,880 --> 00:37:00,880
Speaker 3: nine o two? And oh fan? She's like of course.

706
00:37:01,160 --> 00:37:03,279
Speaker 3: I was like, okay, okay, wait, wait, wait for it.

707
00:37:03,440 --> 00:37:06,280
Speaker 3: What is this dress remind you of? And she froze

708
00:37:06,360 --> 00:37:10,399
Speaker 3: and she goes, I'm not sure. And I was like, yeah,

709
00:37:10,560 --> 00:37:12,759
Speaker 3: so not a super fan, just a fan. And then

710
00:37:12,800 --> 00:37:15,879
Speaker 3: I probably embarrassed her and I was just like, oh nothing.

711
00:37:16,000 --> 00:37:17,920
Speaker 3: It was like, you know, just nineties. It reminds me

712
00:37:17,960 --> 00:37:20,520
Speaker 3: of nineties. She was like, oh, okay, okay, not a

713
00:37:20,600 --> 00:37:21,080
Speaker 3: super fan.

714
00:37:22,400 --> 00:37:25,040
Speaker 2: Oh I've seen that dress pop up from time to

715
00:37:25,120 --> 00:37:28,760
Speaker 2: time just in random places. Yeah, right, that dress won't

716
00:37:29,280 --> 00:37:29,880
Speaker 2: won't go away.

717
00:37:30,480 --> 00:37:32,960
Speaker 4: You know what else won't go away? The shout out

718
00:37:33,440 --> 00:37:36,840
Speaker 4: to the club, did you hear? It was very soft?

719
00:37:37,320 --> 00:37:40,760
Speaker 4: But Ray's mom tells Donna, oh, I got Ray the club.

720
00:37:41,960 --> 00:37:42,919
Speaker 4: Do you guys know what the club?

721
00:37:43,680 --> 00:37:44,240
Speaker 2: The club?

722
00:37:44,840 --> 00:37:46,800
Speaker 3: Oh my gosh, I didn't know what that was.

723
00:37:47,640 --> 00:37:49,800
Speaker 2: That's the thing that keeps your car from getting stolen.

724
00:37:50,400 --> 00:37:52,520
Speaker 4: It was called the club. Of course I am because

725
00:37:53,719 --> 00:37:55,880
Speaker 4: and then you put on my steering wheel stop it.

726
00:37:55,960 --> 00:37:59,160
Speaker 4: So when this was airing, I was in college and

727
00:37:59,360 --> 00:38:02,719
Speaker 4: we all used the club first of all on our

728
00:38:04,000 --> 00:38:07,000
Speaker 4: rappy cars. We drove and called like, why somebody was

729
00:38:07,040 --> 00:38:11,560
Speaker 4: gonna steal my nineteen eighty seven accurate Integra. I have

730
00:38:11,680 --> 00:38:14,000
Speaker 4: no idea, but we were all clubbing it. And then

731
00:38:14,080 --> 00:38:17,279
Speaker 4: remember you'd take your radio out, so I just would

732
00:38:17,320 --> 00:38:19,479
Speaker 4: take the face offred, but other people I know were.

733
00:38:19,440 --> 00:38:22,960
Speaker 3: Taking Oh my god, I didn't know what was called that,

734
00:38:23,160 --> 00:38:25,399
Speaker 3: you guys the mom God.

735
00:38:26,680 --> 00:38:31,640
Speaker 2: That's so funny because Randy just told me yesterday or

736
00:38:31,680 --> 00:38:35,320
Speaker 2: the day before, he said the word the club, and

737
00:38:35,360 --> 00:38:38,320
Speaker 2: he was talking about that thing, that device. He was

738
00:38:38,360 --> 00:38:41,839
Speaker 2: saying that the best way you can deter people from

739
00:38:41,920 --> 00:38:44,879
Speaker 2: stealing your car is to have a stick shift car.

740
00:38:45,560 --> 00:38:47,120
Speaker 4: Oh, because they can't even drive it away.

741
00:38:47,000 --> 00:38:48,920
Speaker 2: Because they don't know how to drive them, so they

742
00:38:48,960 --> 00:38:51,919
Speaker 2: won't steal those cars. He said, it's actually a better

743
00:38:52,040 --> 00:38:55,720
Speaker 2: deterrent than the club. And then you said the club.

744
00:38:55,800 --> 00:38:59,240
Speaker 2: That's so weird. Well, this was a very exciting episode.

745
00:38:59,239 --> 00:39:02,840
Speaker 2: You know, I felt that the end for Andrea, it

746
00:39:02,920 --> 00:39:06,240
Speaker 2: felt bad at the end for Dylan, he just he's lonely.

747
00:39:06,320 --> 00:39:08,160
Speaker 2: He wants the family, he wants.

748
00:39:07,960 --> 00:39:10,480
Speaker 4: To have love in his life, and he's I think

749
00:39:10,520 --> 00:39:13,600
Speaker 4: he's coming off around. Yeah, he's coming back around, and

750
00:39:13,680 --> 00:39:15,759
Speaker 4: he's gonna go get his money back with Jonesy. But

751
00:39:15,920 --> 00:39:17,600
Speaker 4: Jonesy takes way too much.

752
00:39:18,120 --> 00:39:20,640
Speaker 2: What is happening with Jonesy and that fifty to fifty

753
00:39:20,640 --> 00:39:21,040
Speaker 2: spl So.

754
00:39:21,080 --> 00:39:25,440
Speaker 4: Here's an interesting little tidbit guys that you know, does

755
00:39:25,440 --> 00:39:26,640
Speaker 4: anyone watch Yellowstone?

756
00:39:27,560 --> 00:39:27,799
Speaker 3: Yes?

757
00:39:28,400 --> 00:39:31,920
Speaker 4: So you know Cole Hauser that's on Yellowstone.

758
00:39:31,800 --> 00:39:34,960
Speaker 2: Jenina Colhauser, damn a little bit.

759
00:39:35,160 --> 00:39:35,799
Speaker 3: Yeah, that's his.

760
00:39:36,040 --> 00:39:42,080
Speaker 4: Father or his uncle. Well, that guy Jonesy is related

761
00:39:42,120 --> 00:39:44,880
Speaker 4: to Cole Hauser. What's his name Wingshauser?

762
00:39:46,160 --> 00:39:49,960
Speaker 2: Wings Oh, wings Hauser. And that's why it makes perfect

763
00:39:50,040 --> 00:39:54,080
Speaker 2: sense now, yep, yeah, it makes perfect sense, just the

764
00:39:54,120 --> 00:39:57,520
Speaker 2: way Luke was in that scene because he was either

765
00:39:57,640 --> 00:40:01,040
Speaker 2: friends of wings Hauser or he was like he was

766
00:40:01,320 --> 00:40:04,840
Speaker 2: a fan kind of because him in that scene just

767
00:40:05,239 --> 00:40:06,400
Speaker 2: wasn't Dylan.

768
00:40:07,160 --> 00:40:08,040
Speaker 4: Oh, that's interesting.

769
00:40:08,440 --> 00:40:11,120
Speaker 2: His acting was felt different to me and I couldn't.

770
00:40:11,200 --> 00:40:12,960
Speaker 2: I was like, I think that he must know this

771
00:40:13,120 --> 00:40:15,880
Speaker 2: actor or love this guy or something.

772
00:40:16,080 --> 00:40:18,040
Speaker 3: No, it's all coming back. You're right, right, right?

773
00:40:19,080 --> 00:40:22,960
Speaker 4: So that's Wings close? Yeah they were close, is yeah,

774
00:40:23,040 --> 00:40:24,840
Speaker 4: Kolhauser's dad is Wings.

775
00:40:25,360 --> 00:40:30,719
Speaker 2: I just disagree with with Jonesy's split, Like he's of

776
00:40:30,840 --> 00:40:34,040
Speaker 2: Dylan's wealth too much. That's why would he agree to that?

777
00:40:34,760 --> 00:40:37,759
Speaker 4: Did Dylan agree to that? Yes? Oh too much?

778
00:40:38,800 --> 00:40:41,160
Speaker 3: I think clearly he's not good with money, you guys.

779
00:40:41,239 --> 00:40:43,560
Speaker 4: So yeah, and he's probably rather have four million than

780
00:40:43,600 --> 00:40:47,080
Speaker 4: no millions, but like a fair percentage. I mean, I

781
00:40:47,160 --> 00:40:50,160
Speaker 4: get that Jonesy's like a he seems like Dog the

782
00:40:50,200 --> 00:40:51,239
Speaker 4: bounty Hunter kind.

783
00:40:51,160 --> 00:40:52,120
Speaker 2: Of, but like.

784
00:40:54,320 --> 00:40:55,480
Speaker 4: Thirty Is he drunk?

785
00:40:56,480 --> 00:40:56,640
Speaker 3: Yeah?

786
00:40:56,680 --> 00:40:58,279
Speaker 4: I don't know what was he He was on a

787
00:40:58,320 --> 00:41:04,279
Speaker 4: weird diet. It was interesting, like he was stumbling all over.

788
00:41:04,440 --> 00:41:08,480
Speaker 4: Remember he's on the grapefruit juice diet when drinking his milk.

789
00:41:09,239 --> 00:41:11,239
Speaker 2: I'm pretty sure that's not on the grape juice diet.

790
00:41:14,800 --> 00:41:19,280
Speaker 4: That seemed very relatable. Oh my god, I love this episode.

791
00:41:19,800 --> 00:41:21,759
Speaker 2: I loved it too, but I didn't feel christmasy and

792
00:41:22,120 --> 00:41:25,680
Speaker 2: like warm until the very end, when when the whole

793
00:41:25,760 --> 00:41:29,080
Speaker 2: gang shows up at Andrea's house and holds baby Jesus

794
00:41:29,719 --> 00:41:29,960
Speaker 2: A ten.

795
00:41:30,080 --> 00:41:32,040
Speaker 4: What do you guys, I'm ten ten and.

796
00:41:32,120 --> 00:41:32,920
Speaker 3: It's my birthday.

797
00:41:33,640 --> 00:41:35,080
Speaker 4: Yeah, happy birthday, Donna.

798
00:41:35,440 --> 00:41:38,839
Speaker 2: We didn't even celebrate your birthday, though, Ray's mom kind

799
00:41:38,880 --> 00:41:39,080
Speaker 2: of did.

800
00:41:39,239 --> 00:41:42,719
Speaker 3: On brand. Like the Donna, Donna's a birthday always gets

801
00:41:42,760 --> 00:41:45,880
Speaker 3: forgotten story of her life. She always talks about that.

802
00:41:47,440 --> 00:41:52,560
Speaker 3: That's a tough one though, Benn, Wow, what do you guys?

803
00:41:52,560 --> 00:41:53,719
Speaker 2: I'm gonna give it like an eight.

804
00:41:54,200 --> 00:41:57,880
Speaker 3: Oh, I'm gonna go with eight point five, and not

805
00:41:58,080 --> 00:42:01,040
Speaker 3: just to go slightly above you. I just literally I

806
00:42:01,120 --> 00:42:01,960
Speaker 3: think eight point five.

807
00:42:02,719 --> 00:42:04,360
Speaker 4: What Merry Christmas?

808
00:42:04,520 --> 00:42:04,759
Speaker 2: Ten?

809
00:42:05,480 --> 00:42:07,359
Speaker 4: Nine oh two one Ho ho ho ten.

810
00:42:08,280 --> 00:42:10,680
Speaker 3: There you go, Ho Ho ho