1 00:00:00,720 --> 00:00:04,400 Speaker 1: Hey, everybody, it's your buddy Josh. And for this week's select, 2 00:00:04,559 --> 00:00:08,480 Speaker 1: I've chosen our May two thousand and eighteen episode on 3 00:00:08,560 --> 00:00:12,000 Speaker 1: the Pied Piper, one of those rare fairy tales that 4 00:00:12,200 --> 00:00:16,200 Speaker 1: actually may be rooted in fact and history, and it's 5 00:00:16,239 --> 00:00:19,160 Speaker 1: a good one. It's got a weird start for some reason. 6 00:00:19,160 --> 00:00:21,799 Speaker 1: I almost sound like I'm mad at Chuck, but rest 7 00:00:21,840 --> 00:00:25,120 Speaker 1: assured I wasn't. We finally catch our feet a few 8 00:00:25,400 --> 00:00:28,400 Speaker 1: minutes into it, and then the episode really takes off. 9 00:00:28,760 --> 00:00:30,960 Speaker 1: So I hope it takes you on a wild thrill 10 00:00:31,080 --> 00:00:33,839 Speaker 1: ride like it did me listening to it again. And 11 00:00:33,920 --> 00:00:36,879 Speaker 1: either way, just sit back and enjoy, as I know 12 00:00:37,000 --> 00:00:44,600 Speaker 1: you will. Our episode on the Pied Piper. Welcome to 13 00:00:44,680 --> 00:00:54,040 Speaker 1: Stuff you Should Know, a production of I Heart Radio. Hey, 14 00:00:54,160 --> 00:00:56,960 Speaker 1: welcome to the podcast. I'm Josh Clark, and there's Charles w. 15 00:00:57,120 --> 00:01:00,000 Speaker 1: Hu Bryant, and there's Jerry over there. This is stuff 16 00:01:00,000 --> 00:01:04,840 Speaker 1: if you should know, fairy Tale edition. Jerry is supposedly 17 00:01:05,240 --> 00:01:08,040 Speaker 1: on vacation. Yeah, what's going on? But she came in 18 00:01:08,080 --> 00:01:12,160 Speaker 1: here just for us. Why Jerry? I think she feels beholden. 19 00:01:13,160 --> 00:01:16,000 Speaker 1: That's nice, which is weird because she's we've had guest producers. 20 00:01:16,920 --> 00:01:18,959 Speaker 1: I don't know. Maybe she feels like her job is threatened. 21 00:01:19,920 --> 00:01:23,440 Speaker 1: Is today the day I die? Oh? Jeesus, hope Jerry 22 00:01:23,440 --> 00:01:25,160 Speaker 1: knows it. Can't we at least get these two in 23 00:01:25,160 --> 00:01:28,960 Speaker 1: the can first? Yeah? Well probably unless something really crazy 24 00:01:29,040 --> 00:01:32,320 Speaker 1: happens in the next hour and two. Yeah, that'll give 25 00:01:32,360 --> 00:01:34,360 Speaker 1: me time to get in touch with like the five 26 00:01:34,400 --> 00:01:36,160 Speaker 1: people I have on my list to replace you. Ye, 27 00:01:37,360 --> 00:01:44,319 Speaker 1: I know the five Bono right Obama? Right, Michael Stipe, 28 00:01:44,440 --> 00:01:47,800 Speaker 1: Michael Stipe, Bobby Fisher. I think there was one more. 29 00:01:47,800 --> 00:01:51,440 Speaker 1: I can't remember, Bobby Fisher, the chess player. Yeah, that's 30 00:01:51,440 --> 00:01:54,440 Speaker 1: a little random. Well I want to correct that episode 31 00:01:54,560 --> 00:01:59,840 Speaker 1: and Optimus Prime that's the fifth one, that's right. Yeah, uh, chucker. 32 00:02:01,280 --> 00:02:05,440 Speaker 1: Have you ever heard of fairy Tale before? Yeah? We uh, 33 00:02:05,680 --> 00:02:08,680 Speaker 1: we did two very good episodes. Oh, if you say 34 00:02:08,680 --> 00:02:11,680 Speaker 1: so yourself, know these were good. I don't often say that, 35 00:02:11,760 --> 00:02:14,720 Speaker 1: but in November of two thousand and fifteen, we did 36 00:02:14,760 --> 00:02:17,280 Speaker 1: it back to backer with the dark origins of fairy 37 00:02:17,280 --> 00:02:20,480 Speaker 1: tales and how the Grimm's fairy Tales work or the 38 00:02:20,480 --> 00:02:24,239 Speaker 1: grand Brothers. We had fairy tale fever, we did, but man, 39 00:02:24,240 --> 00:02:26,720 Speaker 1: we licked it. So did you go back and listen 40 00:02:26,760 --> 00:02:28,799 Speaker 1: to him and you're like, wow, these are good or 41 00:02:28,880 --> 00:02:31,840 Speaker 1: you just remember them being good. I remember them being good, okay, 42 00:02:32,000 --> 00:02:34,720 Speaker 1: and being especially kind of proud of those too. Really 43 00:02:35,120 --> 00:02:38,880 Speaker 1: that's fantastic. Yeah, that's how I feel about your limb 44 00:02:39,440 --> 00:02:42,320 Speaker 1: is torn off? Now what that was a good one. 45 00:02:42,360 --> 00:02:45,280 Speaker 1: It's a good title about reattachment surgery. Remember that. Yeah? 46 00:02:45,320 --> 00:02:48,000 Speaker 1: I think that that titles all you. That's a Josh 47 00:02:48,000 --> 00:02:50,440 Speaker 1: Clark title. You've got some good titles out there too. 48 00:02:51,639 --> 00:02:54,160 Speaker 1: What's the deal with blank? You know who's really good 49 00:02:54,160 --> 00:02:59,079 Speaker 1: at coming up with titles? Yeah? Where the streets have 50 00:02:59,120 --> 00:03:03,840 Speaker 1: no name? Right? Where the where the streets have no drums? 51 00:03:04,880 --> 00:03:07,760 Speaker 1: For a dam dude, you just did it. So we're 52 00:03:07,760 --> 00:03:11,760 Speaker 1: talking about fairy tales today, specifically, specifically, we're talking about 53 00:03:11,800 --> 00:03:15,040 Speaker 1: the fairy tale of the Pie Piper of Hamlet, and 54 00:03:15,080 --> 00:03:18,440 Speaker 1: as far as fairy tales go, it seems to be 55 00:03:18,800 --> 00:03:23,640 Speaker 1: a little different than other fairy tales. And the reason 56 00:03:23,680 --> 00:03:29,400 Speaker 1: why it's a little different is because, horrifically, it's people 57 00:03:29,560 --> 00:03:33,640 Speaker 1: think scholars, not just you know, average truck right, like, 58 00:03:34,200 --> 00:03:38,240 Speaker 1: real deal scholars think that something actually happened that formed 59 00:03:38,240 --> 00:03:43,680 Speaker 1: the basis of this fairy tale. Right, Whereas with Hansel 60 00:03:43,760 --> 00:03:47,280 Speaker 1: and Gretel it wasn't based on some witchy lady who 61 00:03:47,480 --> 00:03:50,120 Speaker 1: ate children. No, but that one might have had some 62 00:03:50,120 --> 00:03:53,920 Speaker 1: basis in fact too. How about like rumpel Stiltskin. Probably 63 00:03:53,960 --> 00:03:56,960 Speaker 1: not based in fact? Right? You remember the little guy 64 00:03:57,000 --> 00:03:59,760 Speaker 1: who like you trick him into saying his own name, 65 00:04:00,200 --> 00:04:02,400 Speaker 1: A little guy with a big heart. I don't think 66 00:04:02,400 --> 00:04:06,000 Speaker 1: he had a big heart. He had an insatiable sexual appetite, 67 00:04:06,040 --> 00:04:07,800 Speaker 1: is what it was. Oh, the little girl with the 68 00:04:07,840 --> 00:04:11,640 Speaker 1: big heart was Bono? Right man, We're gonna get so 69 00:04:11,680 --> 00:04:14,880 Speaker 1: many emails from people being like, layoff Bono. What's what's 70 00:04:14,880 --> 00:04:18,760 Speaker 1: with the bono references? Who's Bono? They must work with 71 00:04:18,800 --> 00:04:24,520 Speaker 1: that Bono guy? I wish so, chuck Um the pie Piper. 72 00:04:24,680 --> 00:04:26,720 Speaker 1: The reason why we say it might be based in 73 00:04:26,800 --> 00:04:30,680 Speaker 1: fact is because there's actual, like historic evidence that kind 74 00:04:30,720 --> 00:04:33,159 Speaker 1: of supports this thing. And you can find it in 75 00:04:33,200 --> 00:04:36,159 Speaker 1: this town of Hamlin, which is a real place. It's 76 00:04:36,160 --> 00:04:39,040 Speaker 1: not a made up like fairy tale land like you know, 77 00:04:39,320 --> 00:04:43,200 Speaker 1: ods your first clue. Yeah, most fairy tales are not 78 00:04:43,320 --> 00:04:47,080 Speaker 1: set in an actual place, right. I don't know, are 79 00:04:47,080 --> 00:04:50,560 Speaker 1: they know they're just made up? Or they're in a 80 00:04:50,640 --> 00:04:55,360 Speaker 1: very vague place, or they take place in a larger place, like, oh, 81 00:04:55,440 --> 00:04:58,440 Speaker 1: in Germany one day, or in Bavaria one day, not 82 00:04:58,560 --> 00:05:02,320 Speaker 1: like in this town, right, that actually existed at the 83 00:05:02,320 --> 00:05:04,640 Speaker 1: time we're saying it did. Which is another thing too, 84 00:05:04,680 --> 00:05:07,600 Speaker 1: because if you look at the actual fairy tales, you'll 85 00:05:07,600 --> 00:05:11,440 Speaker 1: get to in a second, there's like a specific date. Yeah, 86 00:05:11,839 --> 00:05:15,720 Speaker 1: that also is very unusual. For so the more you 87 00:05:15,760 --> 00:05:17,400 Speaker 1: dig into it, the more you're like, yeah, this might 88 00:05:17,400 --> 00:05:20,120 Speaker 1: have actually happened. And then what you think, oh, this 89 00:05:20,200 --> 00:05:24,599 Speaker 1: might have actually happened, then you're struck with some of 90 00:05:24,640 --> 00:05:29,920 Speaker 1: the greatest dread human being can experience, because there's something 91 00:05:29,960 --> 00:05:34,560 Speaker 1: bad happened, is what happened? Let's talk about it, all right? Well, 92 00:05:34,640 --> 00:05:38,120 Speaker 1: let's get into the original fairy tale, the Grimm's Brothers 93 00:05:38,120 --> 00:05:43,039 Speaker 1: Tale of the Pipe Piper. It was not even Irish 94 00:05:43,120 --> 00:05:48,560 Speaker 1: and German. Um Jane McGrath, good old Jane from back 95 00:05:48,600 --> 00:05:51,080 Speaker 1: in the day, wrote this one, and she points out 96 00:05:51,080 --> 00:05:54,400 Speaker 1: that it is a tale, a cautionary tale about governance 97 00:05:54,839 --> 00:05:59,440 Speaker 1: as well as taking responsibility for financial agreements. She's right, 98 00:05:59,480 --> 00:06:01,560 Speaker 1: but it put in that way, it seems a little funny, Yeah, 99 00:06:02,120 --> 00:06:07,120 Speaker 1: but it is twelve eighty four in Hamlin in Germany, 100 00:06:07,320 --> 00:06:11,440 Speaker 1: and there was a rat infestation in the town at 101 00:06:11,480 --> 00:06:13,919 Speaker 1: the time, and the mayor and this is the fairy 102 00:06:13,920 --> 00:06:16,400 Speaker 1: tale you're going over right, yeah, yeah, And so that 103 00:06:16,440 --> 00:06:18,840 Speaker 1: the mayor of the town didn't know what to do. 104 00:06:19,080 --> 00:06:24,200 Speaker 1: The Burger meister, Oh yeah, maister Burger, the stranger comes 105 00:06:24,200 --> 00:06:27,480 Speaker 1: into town and war and I didn't know what pid 106 00:06:27,520 --> 00:06:31,360 Speaker 1: even meant. I didn't either. What is it? Multi colored? Yeah, 107 00:06:31,560 --> 00:06:35,640 Speaker 1: he wore multi colored clothes, pied multi colored clothes. That's 108 00:06:35,640 --> 00:06:38,599 Speaker 1: all he was. He was a piper who were colorful clothing. 109 00:06:38,720 --> 00:06:42,240 Speaker 1: Had nothing to do with eating pies or I thought 110 00:06:42,320 --> 00:06:44,960 Speaker 1: walking on his feet, you know, you thought that's what 111 00:06:45,000 --> 00:06:48,280 Speaker 1: it meant. Yeah, why because I think, like a like 112 00:06:48,560 --> 00:06:54,280 Speaker 1: pedestrian comes from pied p Well, but I think it's 113 00:06:54,320 --> 00:06:57,880 Speaker 1: like maybe Italian or something that certainly makes more sense 114 00:06:57,880 --> 00:07:01,120 Speaker 1: than me having no clue. Yeah, but I was way off, 115 00:07:01,160 --> 00:07:05,839 Speaker 1: so it doesn't matter. He did walk. That was the 116 00:07:05,880 --> 00:07:09,000 Speaker 1: other reason I thought that too. So his outfit looked 117 00:07:09,000 --> 00:07:12,080 Speaker 1: a little weird. Apparently multicolored people didn't dress like that, 118 00:07:12,160 --> 00:07:15,600 Speaker 1: I reckon. I saw though that it was also like, um, 119 00:07:15,760 --> 00:07:20,080 Speaker 1: like a splendid outfit that he gets attracted a lot 120 00:07:20,120 --> 00:07:22,600 Speaker 1: of attention, and people were like, I wish I could, 121 00:07:22,800 --> 00:07:25,320 Speaker 1: I wish I had the cohones, dressed like you. Pie. 122 00:07:25,320 --> 00:07:29,480 Speaker 1: Piper dance around with a band. Uh and he had 123 00:07:29,480 --> 00:07:32,960 Speaker 1: a called it a musical pipe or some kind of flute, 124 00:07:33,080 --> 00:07:37,040 Speaker 1: not a smoking pipe. Heads no uh. And he hears 125 00:07:37,080 --> 00:07:41,280 Speaker 1: about this rat problem. He comes into town. He drags 126 00:07:41,280 --> 00:07:44,160 Speaker 1: his fingernails along the chalkboard and gets everyone attention. And 127 00:07:44,200 --> 00:07:47,440 Speaker 1: the down meeting says, I'll kill that shark. Oh, you 128 00:07:47,520 --> 00:07:50,960 Speaker 1: gotta do it, but no, no, no, I'll kill the rats. Yeah, 129 00:07:51,040 --> 00:07:54,239 Speaker 1: but in the voice I can't do quint well whatever, 130 00:07:54,360 --> 00:07:56,520 Speaker 1: you can do anything. You're like the rich little of 131 00:07:56,560 --> 00:07:59,320 Speaker 1: this this company. Jerry's laughing at us for no reason. 132 00:07:59,760 --> 00:08:04,520 Speaker 1: She so sick of this man. She's really tickled today, Jerry, 133 00:08:04,520 --> 00:08:07,920 Speaker 1: are you stoned? No, she's been smoking her own magical pipe. 134 00:08:08,640 --> 00:08:11,400 Speaker 1: So they agree on a price to get rid of 135 00:08:11,400 --> 00:08:15,040 Speaker 1: the rats. Piper takes out his his little his little 136 00:08:15,040 --> 00:08:17,760 Speaker 1: hand flute. Yeah, yeah, I don't know if that's what 137 00:08:17,800 --> 00:08:20,400 Speaker 1: it's called. But the price is important. Can I go 138 00:08:20,440 --> 00:08:23,480 Speaker 1: into the price for a second. So he initially said 139 00:08:23,480 --> 00:08:25,040 Speaker 1: that he would get rid of the rats for a 140 00:08:25,120 --> 00:08:29,240 Speaker 1: thousand florins, which is either coins or money from Italy 141 00:08:29,320 --> 00:08:32,679 Speaker 1: or France or the Netherlands, but money a thousand a 142 00:08:32,679 --> 00:08:35,520 Speaker 1: lot of the time, thousand pieces of money. And this 143 00:08:35,520 --> 00:08:38,400 Speaker 1: this town of Hamlin was so overrun by rats. Apparently 144 00:08:38,400 --> 00:08:42,360 Speaker 1: all their cats had died. Though yes they got they 145 00:08:42,400 --> 00:08:46,880 Speaker 1: beat the cats, said, I didn't see explained what happened 146 00:08:46,880 --> 00:08:48,600 Speaker 1: to the cats, just that the cats died, and that's 147 00:08:48,600 --> 00:08:51,240 Speaker 1: why the town was overrun, okay, which is a weird 148 00:08:51,280 --> 00:08:53,439 Speaker 1: little thing, don't you think? Yeah, because my first thing 149 00:08:53,480 --> 00:08:55,600 Speaker 1: was like, why a pie piper just get some cats? 150 00:08:56,200 --> 00:08:59,760 Speaker 1: The cats had all died? All right, good thinking, chuck um. 151 00:08:59,800 --> 00:09:02,960 Speaker 1: But they say a thousand florins, will give you fifty 152 00:09:03,000 --> 00:09:04,920 Speaker 1: thousand florins if you get rid of these rats. Our 153 00:09:04,960 --> 00:09:08,280 Speaker 1: problem is so bad, and he says done. But was 154 00:09:08,320 --> 00:09:11,680 Speaker 1: that a facetious offer? I think it was a desperate 155 00:09:11,720 --> 00:09:15,840 Speaker 1: a desperate boast. Okay. But the pipe piper I was like, 156 00:09:15,960 --> 00:09:18,000 Speaker 1: all right, I'll agree to your terms. I just wanted 157 00:09:18,040 --> 00:09:20,439 Speaker 1: a thousand, but fifty thousand it is. And they went, 158 00:09:20,600 --> 00:09:23,800 Speaker 1: I think we ever spent I regret saying that you 159 00:09:23,800 --> 00:09:27,480 Speaker 1: should hear the guy so he pulls out the instrument. 160 00:09:27,600 --> 00:09:31,199 Speaker 1: He um starts playing. As the story goes, all the 161 00:09:31,280 --> 00:09:35,120 Speaker 1: rats congregate around him, and he leaps about and dances 162 00:09:35,120 --> 00:09:41,080 Speaker 1: through town into the Weser River, which the rats drowned, 163 00:09:41,120 --> 00:09:46,079 Speaker 1: which is complete um fabrication, because rats are very good swimmers. 164 00:09:46,160 --> 00:09:48,040 Speaker 1: They really are. I thought about that too. I even 165 00:09:48,120 --> 00:09:50,719 Speaker 1: looked it up. They're good swimmers. Not just rats you've 166 00:09:50,720 --> 00:09:54,360 Speaker 1: seen it's rats in general. Yeah. I mean the first thing, honestly, 167 00:09:54,360 --> 00:09:55,880 Speaker 1: when I heard that, the first thing that made me 168 00:09:55,920 --> 00:09:58,560 Speaker 1: think that was like, wait a minute, first blood, he's 169 00:09:58,600 --> 00:10:01,760 Speaker 1: in that a band in mind chat, Those rats are 170 00:10:01,800 --> 00:10:03,800 Speaker 1: swimming all over the place. Yeah, So I looked it up. 171 00:10:03,840 --> 00:10:05,600 Speaker 1: I was like, is that true? And apparently rats are 172 00:10:05,600 --> 00:10:08,839 Speaker 1: really good swimmers, better than others too. So this fairy 173 00:10:08,840 --> 00:10:15,080 Speaker 1: tale stinks of BS already. Okay, but the story goes 174 00:10:15,120 --> 00:10:17,240 Speaker 1: that the rats followed this guy in a trance to 175 00:10:17,280 --> 00:10:19,400 Speaker 1: the river, whereupon they drowned. Maybe they were in the 176 00:10:19,400 --> 00:10:22,080 Speaker 1: trance and that was why they couldn't swim, because they 177 00:10:22,080 --> 00:10:26,400 Speaker 1: were just so lulled by his his hand flute, his 178 00:10:26,559 --> 00:10:29,560 Speaker 1: smooth jazz. Should you take a break there and finish 179 00:10:29,640 --> 00:10:32,400 Speaker 1: the story after? Oh it's quite a cliff banger, all right, 180 00:10:32,480 --> 00:10:59,839 Speaker 1: let's do that. Alright, Chuck, We're back to lay it 181 00:11:00,040 --> 00:11:02,920 Speaker 1: on them. Man. That was that was high class. Well, 182 00:11:03,000 --> 00:11:06,239 Speaker 1: they drown all the rats. The pie piper is successful. 183 00:11:06,320 --> 00:11:09,520 Speaker 1: Everyone parties German style, which is to say they probably 184 00:11:09,520 --> 00:11:14,960 Speaker 1: got hammered on eight eight ounce beers. Have you ever 185 00:11:15,000 --> 00:11:17,520 Speaker 1: been to Germany? You ever had the beers there? The 186 00:11:17,559 --> 00:11:19,920 Speaker 1: big Yeah? I mean they've got big old beers there 187 00:11:19,960 --> 00:11:22,880 Speaker 1: for sure. And they have lids on their their mugs too, 188 00:11:22,920 --> 00:11:25,800 Speaker 1: because you know, there's so much of it you can 189 00:11:25,800 --> 00:11:27,640 Speaker 1: just set it down, save it for later. But I 190 00:11:27,679 --> 00:11:29,560 Speaker 1: don't think they save it for later. The beer gardener 191 00:11:29,559 --> 00:11:32,400 Speaker 1: went two did not have the lids. Maybe I've just 192 00:11:32,440 --> 00:11:34,760 Speaker 1: seen in those on TV. But what they did have 193 00:11:35,000 --> 00:11:39,240 Speaker 1: was a four and a half foot tall woman with 194 00:11:40,280 --> 00:11:47,880 Speaker 1: popeye sized foe arms carrying six of those giant like 195 00:11:47,880 --> 00:11:50,320 Speaker 1: like a pro, not like a bro. They were pros. 196 00:11:50,400 --> 00:11:52,600 Speaker 1: Well two, it's probably sold to the beer garden at 197 00:11:52,640 --> 00:11:56,040 Speaker 1: a young age and was raised to that. Please, that's 198 00:11:56,040 --> 00:11:59,960 Speaker 1: not the case, um, all right, So where are we 199 00:12:00,000 --> 00:12:02,640 Speaker 1: townspeople are partying? They're they're getting hammered, They're singing, They're 200 00:12:02,760 --> 00:12:09,080 Speaker 1: they're they're prosting, singing their German beer hall. Uh songs 201 00:12:09,320 --> 00:12:14,439 Speaker 1: as they are want to do and then dude says, uh, 202 00:12:14,480 --> 00:12:18,400 Speaker 1: what's up with that? All those florins? Yeah, he's like, everybody, 203 00:12:18,400 --> 00:12:20,719 Speaker 1: I'm really glad that you enjoyed my work, but now 204 00:12:20,760 --> 00:12:23,520 Speaker 1: it's time for me to go pay me. And did 205 00:12:23,520 --> 00:12:25,720 Speaker 1: they just stiff them or did they say, well, let's 206 00:12:25,760 --> 00:12:29,480 Speaker 1: go back to the thousand. Uh? They said, we're not 207 00:12:29,520 --> 00:12:32,160 Speaker 1: giving you fifty thou florins. What you We thought you 208 00:12:32,200 --> 00:12:34,040 Speaker 1: were going to get rid of these rests through hard work. 209 00:12:34,080 --> 00:12:36,640 Speaker 1: You just played some flute, Like that's cool that you 210 00:12:36,679 --> 00:12:39,120 Speaker 1: can do that with the flute, but that's not really work. 211 00:12:39,240 --> 00:12:42,360 Speaker 1: So no, we're not gonna pay you fifty thou florens. 212 00:12:42,400 --> 00:12:45,120 Speaker 1: He's like, well, in a thousand florins, at least that's 213 00:12:45,120 --> 00:12:47,920 Speaker 1: what I originally agreed to. And they're like, how about this, 214 00:12:48,000 --> 00:12:50,800 Speaker 1: We're gonna give you fifty and if you're not happy 215 00:12:50,880 --> 00:12:54,080 Speaker 1: with that, then you're getting nothing. And he was still 216 00:12:54,160 --> 00:12:56,439 Speaker 1: so mad that they're like, fine, nothing, get out of town, 217 00:12:56,840 --> 00:13:00,560 Speaker 1: and he says, you will regret you know what that's like, 218 00:13:00,640 --> 00:13:03,520 Speaker 1: that's like highering the critter remover because you have a 219 00:13:03,600 --> 00:13:06,680 Speaker 1: raccoon in your attic. You agree to a price he 220 00:13:06,720 --> 00:13:10,120 Speaker 1: comes over and shoots the raccoon and says game over. 221 00:13:10,679 --> 00:13:13,200 Speaker 1: And you're like, wait a minute. I expected a little more, 222 00:13:13,679 --> 00:13:16,320 Speaker 1: like like you were going to hypnotize him or or 223 00:13:16,360 --> 00:13:19,880 Speaker 1: coax him down from the roof with your smooth jazz. Right, 224 00:13:20,720 --> 00:13:23,320 Speaker 1: not just shoot it. Anybody could shoot it. I thought 225 00:13:23,320 --> 00:13:25,640 Speaker 1: you're gonna like step on it or something. Yeah, like 226 00:13:25,640 --> 00:13:28,559 Speaker 1: I would have shot it. Looking for a peaceful, less 227 00:13:28,600 --> 00:13:31,199 Speaker 1: solution right in place, I have a bullet hole in 228 00:13:31,240 --> 00:13:32,920 Speaker 1: my house. Now, have you ever had to call one 229 00:13:32,920 --> 00:13:35,520 Speaker 1: of those people a raccoon remover? Well, I'll just you 230 00:13:35,520 --> 00:13:38,400 Speaker 1: know those dudes, just like you know, I'll do snakes 231 00:13:38,400 --> 00:13:42,320 Speaker 1: and raccoons or whatever. I haven't either, but a lot 232 00:13:42,360 --> 00:13:45,600 Speaker 1: of my friends do that. I'm over one. I think 233 00:13:45,600 --> 00:13:48,200 Speaker 1: I mentioned with cockroaches right now, and it's just it's 234 00:13:48,320 --> 00:13:51,560 Speaker 1: getting bad still, Yeah, dude, because I don't know what 235 00:13:51,640 --> 00:13:54,920 Speaker 1: to do. Hire an exterminator. Yeah, but we're not into 236 00:13:54,960 --> 00:13:57,440 Speaker 1: the poison stuff. But I think it's like, we gotta 237 00:13:57,480 --> 00:14:00,760 Speaker 1: do it. I think there's green exterminators that are not 238 00:14:00,960 --> 00:14:03,760 Speaker 1: quite as deadly. Jerry's nodding, But will they kill all 239 00:14:03,840 --> 00:14:09,400 Speaker 1: the cockroaches? Probably? You'll probably probably with their magic flute 240 00:14:10,360 --> 00:14:12,960 Speaker 1: and I need to do something. It's gotten out of hand. Yeah, 241 00:14:12,960 --> 00:14:16,120 Speaker 1: you got to do something like I almost I'm gonna 242 00:14:16,200 --> 00:14:20,080 Speaker 1: tell you what happens, but I feel like people judge 243 00:14:20,080 --> 00:14:22,640 Speaker 1: me on how disgusting it is. We can always edit 244 00:14:22,680 --> 00:14:25,160 Speaker 1: it out later, all right, I'll go in and and 245 00:14:25,200 --> 00:14:26,920 Speaker 1: this is not like it's not like food is out. 246 00:14:26,960 --> 00:14:29,560 Speaker 1: I will clean the kitchen. I will go in there 247 00:14:29,600 --> 00:14:31,840 Speaker 1: to get a glass of water. At midnight, I'll turn 248 00:14:31,880 --> 00:14:37,040 Speaker 1: the light on and a dozen will scatter Jerry's gay Nope, 249 00:14:37,880 --> 00:14:40,880 Speaker 1: like I will just I will hear them going, sure, yeah, 250 00:14:41,040 --> 00:14:43,560 Speaker 1: that's one of the creepiest things. And they you know, 251 00:14:43,600 --> 00:14:45,800 Speaker 1: as soon as they see that light, they're gone. And 252 00:14:45,840 --> 00:14:47,720 Speaker 1: it sounds like we live in filth. But it doesn't matter. 253 00:14:47,760 --> 00:14:52,640 Speaker 1: We're infested. They're just like, I don't know what to do. Yeah, well, um, 254 00:14:52,760 --> 00:14:55,600 Speaker 1: I think you may want to call an excreminator, but 255 00:14:55,800 --> 00:14:58,760 Speaker 1: find one you live into cater I'm sure you'd be 256 00:14:58,800 --> 00:15:01,800 Speaker 1: hard pestifind an extreme nator that did use deadlye. You 257 00:15:01,800 --> 00:15:03,280 Speaker 1: throw a rock in the cator and you'll hit a 258 00:15:04,360 --> 00:15:08,360 Speaker 1: dust right, So I yes, I think it might be time. 259 00:15:09,240 --> 00:15:13,120 Speaker 1: All right, Sorry about getting sidetracks, So much. They offer him, 260 00:15:13,120 --> 00:15:16,280 Speaker 1: what fifty fifty not even not fifty thou or a 261 00:15:16,280 --> 00:15:18,960 Speaker 1: thousand fifty? And so what does he say? He says, 262 00:15:19,600 --> 00:15:23,320 Speaker 1: but he did that little everybody. You can't see me, 263 00:15:23,360 --> 00:15:26,320 Speaker 1: but you know where you flick the underside of your chain, 264 00:15:26,400 --> 00:15:29,400 Speaker 1: that feel like that's Italian? Well, I mean this is Germany, 265 00:15:29,480 --> 00:15:31,880 Speaker 1: it's lower Saxon. It wasn't too far from Germ. No, 266 00:15:31,960 --> 00:15:34,240 Speaker 1: but is that Italian? I was just wondering, Yeah, it 267 00:15:34,240 --> 00:15:39,320 Speaker 1: feels like a very like Italian thing to do. Yeah, right, exactly. 268 00:15:39,320 --> 00:15:41,560 Speaker 1: You gotta say it like that, all right. So he 269 00:15:41,600 --> 00:15:44,000 Speaker 1: gives him that number and says, I'm going to come back. 270 00:15:44,920 --> 00:15:46,480 Speaker 1: Does he even warn them and say I'm gonna come 271 00:15:46,480 --> 00:15:48,400 Speaker 1: back and get your kids or I'm just gonna it 272 00:15:48,440 --> 00:15:51,200 Speaker 1: depends on It's all good, you'll see me again. It 273 00:15:51,280 --> 00:15:54,560 Speaker 1: depends on the story. Some say, yeah, he vowed vengeance. 274 00:15:54,600 --> 00:15:56,440 Speaker 1: Some say he came back a month later, Some say 275 00:15:56,440 --> 00:15:58,120 Speaker 1: he came back a year later. Some say he just 276 00:15:58,160 --> 00:16:01,680 Speaker 1: immediately started playing as flu Some say, and I think 277 00:16:01,720 --> 00:16:05,200 Speaker 1: the brothers grim version is that he waited until the 278 00:16:05,240 --> 00:16:07,880 Speaker 1: town went to sleep and then came through the town 279 00:16:07,920 --> 00:16:10,800 Speaker 1: and started playing again. All right, but this time he's 280 00:16:10,840 --> 00:16:15,760 Speaker 1: wearing hunter's clothing. Did not see that anywhere? Oh? Really 281 00:16:16,400 --> 00:16:19,080 Speaker 1: is that BS? Well? I don't think it's BS. I 282 00:16:19,120 --> 00:16:21,240 Speaker 1: think this story has just been added to so many 283 00:16:21,280 --> 00:16:23,880 Speaker 1: times over there. But yeah, I shouldn't have been to anything, 284 00:16:23,840 --> 00:16:26,480 Speaker 1: all right. So he comes back regardless of what he's wearing. 285 00:16:26,560 --> 00:16:29,160 Speaker 1: Let's say he's buck naked, which makes it even more fun. Well, 286 00:16:29,200 --> 00:16:31,920 Speaker 1: you just added to the legend just there. He starts 287 00:16:31,920 --> 00:16:35,880 Speaker 1: playing this flute again, but this time the children are entranced. 288 00:16:36,320 --> 00:16:40,480 Speaker 1: He leads like a hundred and thirty kids supposedly, Yeah, 289 00:16:40,640 --> 00:16:43,000 Speaker 1: pay attention to a number. It seems a little specific, 290 00:16:43,040 --> 00:16:45,360 Speaker 1: doesn't it. It It does. He leads a hundred and thirty 291 00:16:45,440 --> 00:16:48,520 Speaker 1: children out of town up a mountain to a cave. 292 00:16:49,080 --> 00:16:52,960 Speaker 1: They supposedly enter and are never heard from again. Right, 293 00:16:53,040 --> 00:16:57,040 Speaker 1: And the mountain has a landslide and covers up the 294 00:16:57,520 --> 00:17:00,320 Speaker 1: cave mouth. And supposedly it was a mad e gold 295 00:17:00,320 --> 00:17:04,320 Speaker 1: door that opened in the mountain that revealed the key. 296 00:17:04,440 --> 00:17:08,840 Speaker 1: They go in, doors closed, landslide, gone, never heard from again, 297 00:17:08,880 --> 00:17:11,040 Speaker 1: like you said, And the townspeople are like, there goes 298 00:17:11,040 --> 00:17:14,840 Speaker 1: are labor pool, you know, there goes my baby, There 299 00:17:14,840 --> 00:17:17,720 Speaker 1: goes are labor pool. Who's going to service at the 300 00:17:17,720 --> 00:17:21,720 Speaker 1: beer gardens, and supposedly there in one version at least 301 00:17:22,320 --> 00:17:26,480 Speaker 1: um there was the mayor's grown daughter was among that group, 302 00:17:26,640 --> 00:17:29,520 Speaker 1: and this feels like a specific jab at the mayor, 303 00:17:30,080 --> 00:17:33,560 Speaker 1: like even though your daughter's grown, I'm gonna in transfer 304 00:17:33,640 --> 00:17:36,760 Speaker 1: with my flute as well. Yeah. Well, I don't think 305 00:17:36,760 --> 00:17:39,360 Speaker 1: that was in the original Grim Brothers one either, but 306 00:17:39,359 --> 00:17:42,199 Speaker 1: but two children survived, correct or they come back. I 307 00:17:42,240 --> 00:17:45,280 Speaker 1: think in the Grim Brothers version it's just one. Sometimes 308 00:17:45,280 --> 00:17:48,200 Speaker 1: it's up to three. But there there's in a lot 309 00:17:48,240 --> 00:17:52,399 Speaker 1: of retellings there's a kid who either um is deaf 310 00:17:52,880 --> 00:17:57,200 Speaker 1: and so can't hear the magic flute, so it's not entranced. 311 00:17:57,480 --> 00:18:01,720 Speaker 1: Um has some sort of physical disability and so that 312 00:18:02,080 --> 00:18:03,840 Speaker 1: he or she can't keep up with the rest of 313 00:18:03,880 --> 00:18:08,000 Speaker 1: the kids and survives from that um or I think 314 00:18:08,000 --> 00:18:11,600 Speaker 1: it is blind and can't see their way. Either way, 315 00:18:11,840 --> 00:18:16,240 Speaker 1: some kid who had some unique characteristic that kept them 316 00:18:16,280 --> 00:18:21,800 Speaker 1: from being um entranced or whatever. UH is like the 317 00:18:21,840 --> 00:18:24,640 Speaker 1: eyewitness that comes back and tells the parents what happened, 318 00:18:25,040 --> 00:18:28,400 Speaker 1: or in another version, is just a skeptic, a child skeptic. 319 00:18:28,800 --> 00:18:37,960 Speaker 1: This can't be happening. Louis the child's skeptic um. That's funny. 320 00:18:38,080 --> 00:18:41,400 Speaker 1: So all right, so let's get into this. It may 321 00:18:41,440 --> 00:18:45,080 Speaker 1: not to be fictions, as it turns out, because a 322 00:18:45,119 --> 00:18:47,480 Speaker 1: lot of historians and scholars have looked into this. You 323 00:18:47,520 --> 00:18:51,200 Speaker 1: talked about the specificity being a little weird. One thing 324 00:18:51,240 --> 00:18:53,439 Speaker 1: we do know is that at one point there was 325 00:18:53,480 --> 00:18:56,520 Speaker 1: a stained glass window in the in the town church 326 00:18:57,359 --> 00:19:00,600 Speaker 1: um that depicted and this was what around thirdeen hundreds 327 00:19:00,680 --> 00:19:04,120 Speaker 1: is after it would have happened, but I mean sixteen 328 00:19:04,200 --> 00:19:08,280 Speaker 1: years in memory, living memory. It was when they first 329 00:19:08,280 --> 00:19:12,000 Speaker 1: erected that window, which kind of makes sense as a memorial. Uh. 330 00:19:12,080 --> 00:19:14,720 Speaker 1: And on that window it said on the day of 331 00:19:14,800 --> 00:19:18,520 Speaker 1: John Paul, I'm sorry John and Paul one thirty children 332 00:19:18,520 --> 00:19:21,560 Speaker 1: in Hamlin went to Calvary, were brought through all kinds 333 00:19:21,560 --> 00:19:26,680 Speaker 1: of danger to the Copen Mountain and lost. Yeah. So 334 00:19:26,720 --> 00:19:30,960 Speaker 1: the Calvary thing that I thought was another word for Heaven, 335 00:19:31,840 --> 00:19:35,080 Speaker 1: isn't it. I'm gone, I'm going to Calvary in that 336 00:19:35,119 --> 00:19:39,000 Speaker 1: was like in that like the hill where was crucified. 337 00:19:40,960 --> 00:19:43,000 Speaker 1: If I know this, surely you know I used to 338 00:19:43,040 --> 00:19:46,439 Speaker 1: know this. I know it looms large and in Christianity, 339 00:19:46,440 --> 00:19:48,879 Speaker 1: but I can't remember exactly. I think it's like shorthand 340 00:19:48,880 --> 00:19:52,320 Speaker 1: for I'm going to meet my Maker. I saw elsewhere 341 00:19:52,320 --> 00:19:56,720 Speaker 1: that they referred to the mountain as cavalry. Yeah. They 342 00:19:56,760 --> 00:19:59,320 Speaker 1: also referred to the area that the children went to 343 00:19:59,440 --> 00:20:03,520 Speaker 1: Calvary as the execution place. I never saw any explanation 344 00:20:03,600 --> 00:20:06,120 Speaker 1: of that. And then the copp And Mountain. I don't 345 00:20:06,240 --> 00:20:09,520 Speaker 1: understand why that would be also named Calvary, and they 346 00:20:09,520 --> 00:20:12,320 Speaker 1: would mention at the same place twice with two different names. 347 00:20:12,359 --> 00:20:14,719 Speaker 1: So it's a bit of a mystery. But the point is, 348 00:20:15,119 --> 00:20:19,800 Speaker 1: about fifteen sixteen years after this event supposedly happened, or 349 00:20:19,840 --> 00:20:23,520 Speaker 1: the fairy tale takes place, the town of Hamlin, Germany, 350 00:20:23,560 --> 00:20:27,879 Speaker 1: in um Lower Saxony or West Falley, I think is 351 00:20:27,920 --> 00:20:31,240 Speaker 1: what it's called. Now, put put up of stained glass 352 00:20:31,920 --> 00:20:35,399 Speaker 1: window commemorating this. And the window did not survive. But 353 00:20:35,480 --> 00:20:39,040 Speaker 1: apparently there are accounts of that window, yeah, like in 354 00:20:39,080 --> 00:20:40,679 Speaker 1: more than one place. Yeah, and it was I mean 355 00:20:40,720 --> 00:20:42,480 Speaker 1: you can understand that it would be because it was 356 00:20:42,520 --> 00:20:44,919 Speaker 1: in the town church for hundreds of years before it 357 00:20:44,960 --> 00:20:47,399 Speaker 1: was destroyed. No one knows how it was destroyed, but 358 00:20:47,480 --> 00:20:51,840 Speaker 1: there is documentation that this window existed. Obviously, no living 359 00:20:51,920 --> 00:20:55,400 Speaker 1: historians saw it with their own eyes. But there's enough, 360 00:20:55,640 --> 00:20:58,960 Speaker 1: um documentary evidence that it seems to be. Yes, there 361 00:20:59,000 --> 00:21:01,720 Speaker 1: was a window that was erected. That is a very 362 00:21:01,760 --> 00:21:04,760 Speaker 1: weird thing to do. Yeah, to just make up right, 363 00:21:04,960 --> 00:21:10,280 Speaker 1: yea very weird, especially in the church. Yeah, you don't lie. No, 364 00:21:10,680 --> 00:21:13,879 Speaker 1: you go to hell for that. So that was that 365 00:21:13,920 --> 00:21:17,800 Speaker 1: was the first documentary evidence, right. The next one I 366 00:21:17,840 --> 00:21:22,840 Speaker 1: saw comes a hundred years later in four and um 367 00:21:22,840 --> 00:21:26,480 Speaker 1: it's in the Hamlin Town Chronicle for that year and 368 00:21:26,920 --> 00:21:29,600 Speaker 1: all it says is it is one years since our 369 00:21:29,680 --> 00:21:33,800 Speaker 1: children left. Yeah. Kind of weird. And what is that? 370 00:21:33,880 --> 00:21:36,840 Speaker 1: Just a blurb? I guess so you'd think a hundred 371 00:21:36,920 --> 00:21:40,000 Speaker 1: year commemoration they might add a little more than that. Yeah. 372 00:21:40,000 --> 00:21:44,680 Speaker 1: And what is this the Luonberg manuscript. This was about 373 00:21:44,840 --> 00:21:48,280 Speaker 1: a hundred years after the window and this was a 374 00:21:48,320 --> 00:21:52,119 Speaker 1: monk who wrote it, Heinrich of Hereford, and he says 375 00:21:52,200 --> 00:21:55,240 Speaker 1: he writes an account and says a man about thirty 376 00:21:55,280 --> 00:21:57,640 Speaker 1: years old came to town playing a flute and lead 377 00:21:57,680 --> 00:22:02,200 Speaker 1: the children out. Yeah. Pretty simple. Yeah, but what's noteworthy 378 00:22:02,240 --> 00:22:06,120 Speaker 1: about that one. There's a couple of things. Um, so 379 00:22:06,280 --> 00:22:10,760 Speaker 1: the the piper doesn't show up in the first in 380 00:22:10,800 --> 00:22:17,160 Speaker 1: the window. But he does show up in the Lumberg manuscript. 381 00:22:17,480 --> 00:22:20,320 Speaker 1: He mentions the piper, but no rats in any of 382 00:22:20,320 --> 00:22:23,359 Speaker 1: these right, not yet. But the other thing about the 383 00:22:23,440 --> 00:22:27,359 Speaker 1: Luomburg manuscript is that it Looomberg is a nearby town. 384 00:22:27,560 --> 00:22:30,320 Speaker 1: So there are other towns that are talking about this 385 00:22:30,400 --> 00:22:35,320 Speaker 1: event that happened in their own chronicles. Right. One of 386 00:22:35,320 --> 00:22:37,920 Speaker 1: the reasons why, But it supports the idea that it's real, 387 00:22:38,000 --> 00:22:41,600 Speaker 1: because if it's just this one town that's deluded, even 388 00:22:41,640 --> 00:22:44,000 Speaker 1: if other towns are talking about it, they'll probably be 389 00:22:44,200 --> 00:22:48,440 Speaker 1: by the way, they're all nuts. But other towns chronicles 390 00:22:48,440 --> 00:22:51,760 Speaker 1: seem to be verifying that this happened or recounting this 391 00:22:51,880 --> 00:22:55,000 Speaker 1: story in like a credulous way. So something happened in 392 00:22:55,000 --> 00:22:58,280 Speaker 1: twelve eighty four, and the evidence is starting to mount. Um. 393 00:22:58,520 --> 00:23:00,480 Speaker 1: The other thing about the fact that this is another 394 00:23:00,560 --> 00:23:05,080 Speaker 1: town is that this town Loomburg and other towns um 395 00:23:05,119 --> 00:23:10,400 Speaker 1: cited that Hambling came to be known to commemorate things 396 00:23:11,080 --> 00:23:17,720 Speaker 1: counting backward or forward from the date of twelve eighty four. So, 397 00:23:17,840 --> 00:23:20,879 Speaker 1: for example, they put up a gate in fifteen fifty 398 00:23:20,960 --> 00:23:23,879 Speaker 1: six in the town. This is what they inscribed on 399 00:23:23,920 --> 00:23:27,840 Speaker 1: the gate. Chuck uh in this year of fifteen fifty six, 400 00:23:28,080 --> 00:23:30,800 Speaker 1: two hundred and seventy two years after the magician led 401 00:23:30,800 --> 00:23:33,040 Speaker 1: a hundred and thirty children out of the town, this 402 00:23:33,119 --> 00:23:37,720 Speaker 1: portal was erected. That's like saying, like this, we're putting 403 00:23:37,800 --> 00:23:40,440 Speaker 1: up the sewer two hundred and sixty two years after 404 00:23:40,440 --> 00:23:42,440 Speaker 1: our children were led out of town by a magician. 405 00:23:42,760 --> 00:23:46,800 Speaker 1: Enjoy the sewer. Like, that's a weird thing to inscribe 406 00:23:46,800 --> 00:23:49,560 Speaker 1: in something, and apparently the town became known for that 407 00:23:49,640 --> 00:23:54,399 Speaker 1: kind of thing. What just these random inscriptions about this weird, 408 00:23:54,840 --> 00:23:58,359 Speaker 1: like mysterious event. Yeah, just like dating everything from twelve 409 00:23:58,400 --> 00:24:01,919 Speaker 1: eighty four on bay Stan their their children leaving, and 410 00:24:01,960 --> 00:24:04,560 Speaker 1: again you'll notice it mentions a hundred and thirty children. 411 00:24:05,119 --> 00:24:08,760 Speaker 1: Things changed over the retelling, but the one thing that's 412 00:24:08,840 --> 00:24:11,840 Speaker 1: remained the same is the hundred and thirty children leaving. 413 00:24:12,040 --> 00:24:14,520 Speaker 1: Even before the piper shows up in the story, a 414 00:24:14,600 --> 00:24:17,720 Speaker 1: hundred and thirty children are cited each and every time. Yeah, 415 00:24:17,800 --> 00:24:19,520 Speaker 1: but in what we don't know is that, like some 416 00:24:19,680 --> 00:24:24,440 Speaker 1: symbolic things, that all metaphor Um. Should we take a 417 00:24:24,480 --> 00:24:27,000 Speaker 1: break and get to the theories, all right, let's do that, 418 00:24:52,320 --> 00:24:56,560 Speaker 1: all right? The theories are varied, Um, One of the 419 00:24:56,640 --> 00:25:00,480 Speaker 1: common ones make that makes a lot of sense is 420 00:25:00,480 --> 00:25:02,840 Speaker 1: that there was some disease that killed all these kids, 421 00:25:03,240 --> 00:25:06,520 Speaker 1: and then this story is some sort of metaphor for 422 00:25:06,640 --> 00:25:09,560 Speaker 1: what happened to their children. And the fact that rats 423 00:25:09,640 --> 00:25:11,919 Speaker 1: come into play at some point have led people to 424 00:25:11,920 --> 00:25:15,120 Speaker 1: speculate that it might be the bubonic plague. Yeah, there's 425 00:25:15,160 --> 00:25:20,280 Speaker 1: a guy named Count Froben Christoph von Zimmer. Can you 426 00:25:20,320 --> 00:25:22,760 Speaker 1: say it like that Froban? No, I don't know, but 427 00:25:22,880 --> 00:25:25,480 Speaker 1: I know that that guy will steal your soul in 428 00:25:25,520 --> 00:25:29,320 Speaker 1: the middle of the night if you're not careful. Yeah, So, 429 00:25:29,960 --> 00:25:32,800 Speaker 1: Count Froben Christoph von Zimmer, you can only say all 430 00:25:32,800 --> 00:25:36,760 Speaker 1: of his names, you can't, he wrote. He wrote a 431 00:25:36,840 --> 00:25:40,680 Speaker 1: chronicle in fifteen sixty five from another nearby town, and 432 00:25:40,760 --> 00:25:44,679 Speaker 1: he was the one who seems to have introduced the rats. Okay, 433 00:25:44,880 --> 00:25:47,280 Speaker 1: And so at that point the piper goes from just 434 00:25:47,320 --> 00:25:52,720 Speaker 1: a weirdo magician to ratten Fonger. Yeah, rat catcher. Yeah, 435 00:25:52,760 --> 00:25:55,600 Speaker 1: which was a job, it was, And I mean like 436 00:25:55,600 --> 00:25:57,600 Speaker 1: like this town would have had rats. Any town would 437 00:25:57,600 --> 00:25:59,880 Speaker 1: have had rats, So it would have been like it's 438 00:26:00,080 --> 00:26:03,480 Speaker 1: understandable like that the rats would come into it, and 439 00:26:03,520 --> 00:26:06,960 Speaker 1: it's not like that's just, you know, a totally outlandish 440 00:26:07,320 --> 00:26:10,000 Speaker 1: addition to the story. But the fact that it doesn't 441 00:26:10,000 --> 00:26:13,800 Speaker 1: show up until fifteen sixty five, and this has been 442 00:26:13,840 --> 00:26:16,399 Speaker 1: documented for hundreds of years up to that point, seems 443 00:26:16,400 --> 00:26:19,560 Speaker 1: a little fishy. And it certainly seems weird that it 444 00:26:19,600 --> 00:26:21,520 Speaker 1: would have been the plague because the play cadn't come 445 00:26:21,520 --> 00:26:24,280 Speaker 1: around yet, right right, And it also seems fishy that 446 00:26:24,480 --> 00:26:27,679 Speaker 1: it doesn't mention anything about adults in any sort of 447 00:26:27,800 --> 00:26:32,399 Speaker 1: rat carrying or diseased rat would It seems like it 448 00:26:32,400 --> 00:26:35,840 Speaker 1: wouldn't just affect kids. No, it doesn't make any sense. No, 449 00:26:35,960 --> 00:26:38,919 Speaker 1: it doesn't. But the idea that a hundred and thirty 450 00:26:39,000 --> 00:26:43,200 Speaker 1: kids were taken from the town in one form of fashion, 451 00:26:44,800 --> 00:26:47,040 Speaker 1: you could say, well, it's like some sort of disease. 452 00:26:47,840 --> 00:26:50,400 Speaker 1: One of the other diseases that got um put up 453 00:26:50,520 --> 00:26:56,280 Speaker 1: was Parkinson's I believe or no, Huntington's I'm Sorry, which 454 00:26:56,359 --> 00:27:00,480 Speaker 1: is a stupid theory. It's a terrible theory. Unting tense 455 00:27:00,520 --> 00:27:03,840 Speaker 1: disease is an inherited disease, so that would mean that 456 00:27:03,880 --> 00:27:06,239 Speaker 1: every kid in the town had inherited hunting Ten's from 457 00:27:06,280 --> 00:27:09,960 Speaker 1: their parents, who apparently weren't showing any symptoms. I don't know, 458 00:27:10,040 --> 00:27:12,639 Speaker 1: I couldn't find it, but it's a terrible one. And 459 00:27:12,680 --> 00:27:15,720 Speaker 1: then the idea that so it's not infectious, it's rare 460 00:27:16,560 --> 00:27:21,000 Speaker 1: and everybody's symptoms coming on at the same time in dying. 461 00:27:21,400 --> 00:27:25,160 Speaker 1: The reason why they said that those because supposedly um 462 00:27:25,240 --> 00:27:29,439 Speaker 1: the sheiks from it, the palsy would account for the 463 00:27:29,520 --> 00:27:32,560 Speaker 1: dancing of the children. It seems like a pretty dumb 464 00:27:32,560 --> 00:27:35,560 Speaker 1: thing to zero. That's a stretch. Hunting ten disease were 465 00:27:35,680 --> 00:27:38,040 Speaker 1: crossing off the list, all right. One of my favorites 466 00:27:38,200 --> 00:27:41,680 Speaker 1: is that the children left on their own as part 467 00:27:41,680 --> 00:27:45,960 Speaker 1: of one of the crusades. And apparently the one thing 468 00:27:45,960 --> 00:27:49,240 Speaker 1: that doesn't quite align is the timeline because a few 469 00:27:49,240 --> 00:27:54,719 Speaker 1: decades previous there were in fact young people children probably teenagers. 470 00:27:55,320 --> 00:27:59,040 Speaker 1: Do there like eight year old participating in the Crusades. 471 00:27:59,080 --> 00:28:01,840 Speaker 1: One of them would have a vision from God and say, 472 00:28:02,200 --> 00:28:04,600 Speaker 1: you know, we should totally cover the Crusades. I don't 473 00:28:04,640 --> 00:28:06,960 Speaker 1: think we No. Have we done that? No, not yet. 474 00:28:07,280 --> 00:28:09,320 Speaker 1: There's a really good article on the site too, would 475 00:28:09,320 --> 00:28:13,720 Speaker 1: be it's a pretty dense single. Yeah we might do too, alright, 476 00:28:14,000 --> 00:28:17,479 Speaker 1: two party on the Crusades coming at you, Uh, so 477 00:28:17,680 --> 00:28:19,000 Speaker 1: you would you know, one of those kids would have 478 00:28:19,040 --> 00:28:21,600 Speaker 1: a vision from God and then all the kids would 479 00:28:21,600 --> 00:28:24,040 Speaker 1: follow and say, all right, when we can take our 480 00:28:24,080 --> 00:28:27,919 Speaker 1: broadswords that we can barely lift and go fight the 481 00:28:27,960 --> 00:28:30,679 Speaker 1: good fight. Right. So that's one theory, and that's actually 482 00:28:30,680 --> 00:28:34,520 Speaker 1: a pretty uh It's that that's a little more rooted 483 00:28:34,520 --> 00:28:38,240 Speaker 1: in reality. Like, yes, there were children's crusade before documented, 484 00:28:38,480 --> 00:28:43,680 Speaker 1: It's possible it happened a decade or two later, Like 485 00:28:43,960 --> 00:28:46,040 Speaker 1: if if it was in the area and well known, 486 00:28:46,520 --> 00:28:49,040 Speaker 1: some other kid could have been like, Okay, let me 487 00:28:49,080 --> 00:28:51,440 Speaker 1: try my hand at it, changes his name to Jim 488 00:28:51,520 --> 00:28:54,840 Speaker 1: Jones and says follow me to Jerusalem. Right, that's right, 489 00:28:55,000 --> 00:28:58,320 Speaker 1: So that that one could have happened. It's possible. Um. 490 00:28:58,440 --> 00:29:01,000 Speaker 1: The other one, this is supposed of the most widely 491 00:29:01,040 --> 00:29:05,080 Speaker 1: held theory, Chuck, was that this is all part of 492 00:29:05,200 --> 00:29:10,040 Speaker 1: the Oh seed long o s this is a tongue 493 00:29:10,040 --> 00:29:13,520 Speaker 1: twister O S T S I E D l U 494 00:29:13,720 --> 00:29:18,440 Speaker 1: n G, which is basically an exodus or an eastward 495 00:29:18,480 --> 00:29:25,880 Speaker 1: expansion from Germany to Transylvania, Romania area which was being 496 00:29:25,920 --> 00:29:32,080 Speaker 1: newly settled by Um Western Europeans after conquering, Like the 497 00:29:32,120 --> 00:29:35,960 Speaker 1: whole Dracula era. So the idea is an adult came 498 00:29:36,480 --> 00:29:38,640 Speaker 1: and said, hey, kids, why don't you come with me 499 00:29:38,680 --> 00:29:42,800 Speaker 1: and we'll we'll go like populate eastern Europe pretty much 500 00:29:42,920 --> 00:29:46,440 Speaker 1: right right, So um, and there is evidence that this 501 00:29:46,440 --> 00:29:49,360 Speaker 1: this did, like this definitely happened, right there was a 502 00:29:49,440 --> 00:29:53,880 Speaker 1: migration eastward. Um. And the big thing about this one 503 00:29:53,960 --> 00:29:57,040 Speaker 1: is that they were misinterpreting the word kids or children 504 00:29:57,560 --> 00:30:01,240 Speaker 1: that it could have been the town's children in but 505 00:30:01,400 --> 00:30:04,080 Speaker 1: it's like their their children, they weren't kids. They were 506 00:30:04,320 --> 00:30:07,680 Speaker 1: you know, young adults who were who would have represented like, 507 00:30:07,840 --> 00:30:09,560 Speaker 1: you know, a lot of the workforce. So that would 508 00:30:09,560 --> 00:30:12,800 Speaker 1: have been a big deal had they left. So that's 509 00:30:12,840 --> 00:30:16,120 Speaker 1: a that's I think the most widely held one right now. Well, 510 00:30:16,120 --> 00:30:18,880 Speaker 1: one of the traditions you're hanging onto is uh. And 511 00:30:18,920 --> 00:30:20,800 Speaker 1: I kind of teased it with that dum bano jerk 512 00:30:21,440 --> 00:30:30,120 Speaker 1: jerk like that's a great botto that bono joke earlier 513 00:30:30,360 --> 00:30:34,960 Speaker 1: is uh today still um. The street where this supposedly 514 00:30:35,000 --> 00:30:41,880 Speaker 1: all happened UM is called the Bungalowsan stausa street with 515 00:30:41,960 --> 00:30:45,000 Speaker 1: no drums, street without drums, And to this day they 516 00:30:45,080 --> 00:30:47,800 Speaker 1: won't allow people to play music or dance on that street. Right, 517 00:30:48,000 --> 00:30:50,840 Speaker 1: the rest of the town and including that street, but 518 00:30:50,880 --> 00:30:52,720 Speaker 1: really the rest of the town is the whole town 519 00:30:52,800 --> 00:30:57,400 Speaker 1: is dedicated to this legend. Yeah, um, I thought you 520 00:30:57,440 --> 00:31:00,240 Speaker 1: can say dedicated to music and dancing. Well, I'm except 521 00:31:00,280 --> 00:31:02,600 Speaker 1: for the streets they do. There is a musical called 522 00:31:02,720 --> 00:31:06,920 Speaker 1: Rats that's put on in the town seriously, um. And 523 00:31:07,080 --> 00:31:10,840 Speaker 1: there's there's like a pie piper statue and recreations every 524 00:31:10,880 --> 00:31:14,280 Speaker 1: Sunday in the summer. Oh yeah, it's huge tourist town 525 00:31:14,360 --> 00:31:18,560 Speaker 1: for this. Um. There's like a I think a Rats 526 00:31:18,600 --> 00:31:21,520 Speaker 1: blug cocktails that they served. I saw. It's like a 527 00:31:21,520 --> 00:31:24,920 Speaker 1: mental Falss article I mentioned that. But um, the town 528 00:31:25,000 --> 00:31:28,360 Speaker 1: is dedicated to this. But there's there's the fact that 529 00:31:28,400 --> 00:31:33,040 Speaker 1: they're still talking about it is not just legend. It's um. 530 00:31:34,080 --> 00:31:37,960 Speaker 1: It's like they're they're still telling that story to an extent, 531 00:31:38,000 --> 00:31:40,240 Speaker 1: you know what I mean. Well, yeah, keeping it alive, 532 00:31:40,320 --> 00:31:45,400 Speaker 1: not just for tourist dollars because it looms large because 533 00:31:45,400 --> 00:31:49,600 Speaker 1: this is their ancestry. Well, they definitely. Um, there are 534 00:31:49,640 --> 00:31:52,600 Speaker 1: some more um theories that haven't gained as much traction, 535 00:31:52,680 --> 00:31:56,280 Speaker 1: Like there was a pedophile that came, Um, these children 536 00:31:56,320 --> 00:31:59,560 Speaker 1: were just maybe just simply sent away because they're very poor. 537 00:31:59,600 --> 00:32:02,600 Speaker 1: Because that happened. That's my theory that that was just 538 00:32:02,840 --> 00:32:04,800 Speaker 1: sort of the regular thing that would happen, is we're 539 00:32:04,840 --> 00:32:08,760 Speaker 1: also poor, you go away and live a better life somewhere. Yeah, 540 00:32:08,760 --> 00:32:11,080 Speaker 1: And that's where Hansel and Gretel is kind of rooted 541 00:32:11,120 --> 00:32:14,200 Speaker 1: in reality, the idea of child abandonment. Remember we talked 542 00:32:14,200 --> 00:32:16,560 Speaker 1: about that. I believe in the in one of the 543 00:32:16,640 --> 00:32:20,680 Speaker 1: fairy Tale episodes from before that like if you fell 544 00:32:20,720 --> 00:32:22,880 Speaker 1: on hard times, just taking your kid out to the 545 00:32:22,920 --> 00:32:25,560 Speaker 1: woods and being like, best of luck. It was a 546 00:32:25,640 --> 00:32:28,600 Speaker 1: viable thing to do during the Middle Ages. And it's 547 00:32:28,640 --> 00:32:32,040 Speaker 1: possible that this town basically said it would be like 548 00:32:32,080 --> 00:32:35,040 Speaker 1: a combination of the guy coming from Romania and saying 549 00:32:35,080 --> 00:32:38,920 Speaker 1: follow me, and the parents being like, maybe you should 550 00:32:38,960 --> 00:32:43,040 Speaker 1: go with him. And then that would explain why the 551 00:32:43,120 --> 00:32:46,760 Speaker 1: whole thing is written in like such vague, flowery language. 552 00:32:47,000 --> 00:32:50,800 Speaker 1: To me, that indicates that they're they're working out guilt. 553 00:32:51,160 --> 00:32:55,160 Speaker 1: There's guilt by this town, bague. They're not direct. Other 554 00:32:55,240 --> 00:32:58,680 Speaker 1: towns are talking about this legend in much more explicit terms, 555 00:32:59,120 --> 00:33:01,120 Speaker 1: But in the town of hay Amelin it's all very 556 00:33:01,200 --> 00:33:06,040 Speaker 1: like like flowery and and poetic and vague, and it 557 00:33:06,080 --> 00:33:09,480 Speaker 1: makes me think they're they're covering something up that they 558 00:33:09,760 --> 00:33:12,680 Speaker 1: have to get off their chest. But they're still they 559 00:33:13,200 --> 00:33:15,680 Speaker 1: can't bring themselves to actually say what it was. Well, 560 00:33:15,760 --> 00:33:19,560 Speaker 1: that sort of jibes the with um. This dude, he's 561 00:33:19,600 --> 00:33:22,480 Speaker 1: a children's poet named Michael Rosen. He sent that one article. 562 00:33:22,960 --> 00:33:25,680 Speaker 1: He actually went to Hamlin and hooked up with a 563 00:33:25,720 --> 00:33:30,240 Speaker 1: guy named Michael Boyer from the tourism office there, and 564 00:33:30,720 --> 00:33:34,080 Speaker 1: Boyer says that he thinks the rats were added and 565 00:33:34,120 --> 00:33:37,880 Speaker 1: this this makes sense with your theory. Was that just 566 00:33:37,920 --> 00:33:40,320 Speaker 1: sort of an attempt to wash away what he said, 567 00:33:40,400 --> 00:33:43,640 Speaker 1: we're bad memories, like a cover up to draw attention 568 00:33:43,640 --> 00:33:46,360 Speaker 1: away from this awful thing. They're like, hey, let's tell 569 00:33:46,360 --> 00:33:50,040 Speaker 1: this rat story. Right, But if you'll notice also in 570 00:33:50,120 --> 00:33:55,320 Speaker 1: that story with the rats there there is guilt by 571 00:33:55,360 --> 00:33:58,240 Speaker 1: the town. The town is guilty of something and they 572 00:33:58,280 --> 00:34:01,320 Speaker 1: lose their children as a result. Right, So if the 573 00:34:01,440 --> 00:34:04,239 Speaker 1: rats were actually part of the original story, even if 574 00:34:04,280 --> 00:34:07,040 Speaker 1: it wasn't documented, even if there weren't real rats, it 575 00:34:07,160 --> 00:34:11,360 Speaker 1: still is putting some veneer of guilt onto the town. 576 00:34:11,440 --> 00:34:14,600 Speaker 1: It wasn't something that just happened to them. This thing 577 00:34:14,680 --> 00:34:17,919 Speaker 1: befell them because they did something wrong. I don't feel 578 00:34:17,920 --> 00:34:19,840 Speaker 1: like there could be a deeper mystery, though, Yeah I 579 00:34:19,840 --> 00:34:22,160 Speaker 1: think there is, Like, for real, I think there's something 580 00:34:22,239 --> 00:34:25,600 Speaker 1: really happened in Hamlin in twelve eighty four and they 581 00:34:25,640 --> 00:34:28,760 Speaker 1: lost a hundred and thirty kids somehow, and the town 582 00:34:29,600 --> 00:34:33,040 Speaker 1: it was psychically damaged by it. Are you going to 583 00:34:33,120 --> 00:34:37,480 Speaker 1: title this one pie Piper colon cold Case? That's a 584 00:34:37,480 --> 00:34:41,560 Speaker 1: good one. Actually, Okay, you got anything else? No? Now 585 00:34:41,840 --> 00:34:44,760 Speaker 1: I want to know more. I know I got sucked 586 00:34:44,800 --> 00:34:46,800 Speaker 1: into this. I can't remember which of the articles I 587 00:34:46,880 --> 00:34:49,400 Speaker 1: sent it got me, but I don't remember how I 588 00:34:49,480 --> 00:34:51,480 Speaker 1: came across it, but it was it was like, oh, 589 00:34:51,480 --> 00:34:53,840 Speaker 1: I've never thought of this, And it's not like you 590 00:34:53,880 --> 00:34:59,280 Speaker 1: can do this with every um fairy tale, right there's 591 00:34:59,360 --> 00:35:02,440 Speaker 1: you know, there's was probably no rapondola, and probably no 592 00:35:02,560 --> 00:35:06,240 Speaker 1: rumble Stiltskin, Hansel and Gretel's just so vague. Probably happened 593 00:35:06,239 --> 00:35:10,280 Speaker 1: to multiple children, But this one, this happened in Hamlin 594 00:35:10,400 --> 00:35:13,839 Speaker 1: in twelve eighty four. Something happened. We may never know 595 00:35:13,880 --> 00:35:16,520 Speaker 1: what it was, but it's pretty interesting. My mind goes 596 00:35:16,560 --> 00:35:18,440 Speaker 1: really dark and thinks, like what if there was just 597 00:35:18,480 --> 00:35:22,520 Speaker 1: a mass murder, well parents. One more thing, One more thing. 598 00:35:22,680 --> 00:35:25,520 Speaker 1: I'm glad you brought that up. So the execution place 599 00:35:26,280 --> 00:35:29,719 Speaker 1: that the Coppin Mountain or Cavalry Mountain or whatever it was, 600 00:35:29,760 --> 00:35:33,560 Speaker 1: supposedly that was where they buried people too, So they 601 00:35:33,600 --> 00:35:36,680 Speaker 1: were saying that could be code for a mass grave 602 00:35:37,400 --> 00:35:40,319 Speaker 1: where they would have buried people, which would suggest a 603 00:35:40,440 --> 00:35:44,560 Speaker 1: mass death that happened in a short period of time. Man, 604 00:35:44,600 --> 00:35:47,520 Speaker 1: can you imagine if there was a discovery made of 605 00:35:48,239 --> 00:35:51,600 Speaker 1: children's bones and in a mountain somewhere north of Hamlin 606 00:35:51,680 --> 00:35:55,520 Speaker 1: to be neat nor because it's mountains, I just think 607 00:35:55,560 --> 00:35:57,960 Speaker 1: that means they're north. So one more you keep bringing 608 00:35:58,040 --> 00:36:02,640 Speaker 1: up this awesome stuff, dude. You ready, they recently discovered 609 00:36:02,680 --> 00:36:04,960 Speaker 1: I think they discovered it a while back, but they 610 00:36:05,000 --> 00:36:09,920 Speaker 1: recently publicized that the discovery of a and believe it was. 611 00:36:10,719 --> 00:36:13,160 Speaker 1: It was definitely in Peru. It wasn't Incan. It was 612 00:36:13,200 --> 00:36:18,319 Speaker 1: one of the Incan's rivals, the Inca rivals um. But 613 00:36:18,400 --> 00:36:22,000 Speaker 1: it was a mass sacrifice of hundreds of kids that 614 00:36:22,120 --> 00:36:25,960 Speaker 1: all happened on one day, one after the other. It was. 615 00:36:26,280 --> 00:36:28,640 Speaker 1: And like they found this and you're reading it and 616 00:36:28,640 --> 00:36:32,160 Speaker 1: you're like, this probably has never happened in the history 617 00:36:32,200 --> 00:36:35,600 Speaker 1: of the world anything like this, Nothing like this. I 618 00:36:35,600 --> 00:36:37,880 Speaker 1: mean it's they were probably child side or they're definitely 619 00:36:37,920 --> 00:36:40,000 Speaker 1: child sacrifices, but they would do it like once in 620 00:36:40,000 --> 00:36:43,640 Speaker 1: a while or something. But imagine a town gone that 621 00:36:43,920 --> 00:36:47,360 Speaker 1: berserk that they just let their kids, like hundreds of 622 00:36:47,440 --> 00:36:51,160 Speaker 1: kids just killed in a day in one area. It was. 623 00:36:51,280 --> 00:36:54,759 Speaker 1: It's really rough, man, it's but reading about it, it's 624 00:36:55,360 --> 00:36:58,439 Speaker 1: I mean, it's just too you can't help but pull 625 00:36:58,480 --> 00:37:00,960 Speaker 1: yourself back into that day and just see it and 626 00:37:01,000 --> 00:37:02,839 Speaker 1: want to be like, stop, what are you doing? You've 627 00:37:02,880 --> 00:37:05,000 Speaker 1: lost your mind? You know. And if it happened once, 628 00:37:05,040 --> 00:37:07,640 Speaker 1: it could happen again. I guess you know, maybe the 629 00:37:07,680 --> 00:37:12,000 Speaker 1: parents were all, uh, maybe they'll drank bad beer one 630 00:37:12,080 --> 00:37:16,279 Speaker 1: day it made him temporarily insane. That would be really bad. 631 00:37:16,840 --> 00:37:20,839 Speaker 1: It sounds like a Bloomhouse movie to come. What is that? 632 00:37:21,280 --> 00:37:22,920 Speaker 1: It's just that production company that makes a lot of 633 00:37:22,920 --> 00:37:26,319 Speaker 1: the horror movies. Now, what like what I think they 634 00:37:26,320 --> 00:37:30,839 Speaker 1: did get out among many others. Good, Okay, you've got 635 00:37:30,840 --> 00:37:34,600 Speaker 1: anything else? Now? I got nothing else? Jerry? No, okay, Well, 636 00:37:34,640 --> 00:37:36,759 Speaker 1: if you want to know more about the pipe Piper 637 00:37:36,800 --> 00:37:39,520 Speaker 1: and all that stuff, you can type that word in 638 00:37:39,560 --> 00:37:41,560 Speaker 1: the search bar how stuff works dot Com. And since 639 00:37:41,600 --> 00:37:45,879 Speaker 1: I said that, it's time for listener mail, I'm gonna 640 00:37:45,920 --> 00:37:50,120 Speaker 1: call this a double Kieta reply because you heard from 641 00:37:50,120 --> 00:37:53,399 Speaker 1: a couple of people with some good insight. First, Alexandra, 642 00:37:53,840 --> 00:37:57,319 Speaker 1: longtime listener from San Juan, Puerto Rico, loved episode on 643 00:37:57,440 --> 00:38:02,640 Speaker 1: Kensanetas's usually you did a great job approaching a cultural tradition, 644 00:38:02,960 --> 00:38:05,719 Speaker 1: but it is not your own, while providing a balanced information, 645 00:38:05,719 --> 00:38:10,000 Speaker 1: well rounded and textualization of the celebration and its influences. 646 00:38:10,080 --> 00:38:12,719 Speaker 1: And she's like in Parnes, it was the opposite of 647 00:38:12,719 --> 00:38:16,920 Speaker 1: the ing episode. Oh man, we've gotten beat up about that. 648 00:38:18,000 --> 00:38:20,120 Speaker 1: For my own Keen Saneta, my mother gave me the 649 00:38:20,160 --> 00:38:23,280 Speaker 1: option of the traditional coming of age party or a trip. 650 00:38:25,680 --> 00:38:27,879 Speaker 1: What do you think she chose. I'm guessing a trip. Yeah, 651 00:38:27,920 --> 00:38:30,360 Speaker 1: I would too. I chose to travel. It. Spent a 652 00:38:30,360 --> 00:38:32,719 Speaker 1: month in Germany this summer I turned fifteen. Looking back, 653 00:38:32,960 --> 00:38:34,800 Speaker 1: it's amazing that she trusted me enough at such a 654 00:38:34,880 --> 00:38:37,759 Speaker 1: young age travel on my own, although I did stay 655 00:38:37,760 --> 00:38:39,920 Speaker 1: with family. She's like, it's the greatest regret of my 656 00:38:40,000 --> 00:38:43,719 Speaker 1: young life. I wish I would have partied. Uh, I 657 00:38:43,880 --> 00:38:46,640 Speaker 1: just wanted to clarify a few things you brought up. Um, 658 00:38:46,840 --> 00:38:49,640 Speaker 1: l A T I n X is pronounced, she says, 659 00:38:49,800 --> 00:38:53,719 Speaker 1: latin X. It refers to those from Latin America or 660 00:38:53,760 --> 00:38:58,400 Speaker 1: Latin American descent. Hispanic refers to Spanish speaking persons. Oh 661 00:38:58,440 --> 00:39:02,000 Speaker 1: and your pronunciation of keen yeta was great, as the 662 00:39:02,320 --> 00:39:05,359 Speaker 1: r A is a soft our sound. Um, no need 663 00:39:05,400 --> 00:39:08,319 Speaker 1: to read this on the podcast. T s sorry, Alexandra. 664 00:39:09,360 --> 00:39:11,520 Speaker 1: And then this other follow up I want to this 665 00:39:11,560 --> 00:39:16,879 Speaker 1: guy says, this is Ti van Plinski. I recognize that name. 666 00:39:16,920 --> 00:39:19,719 Speaker 1: I think he's on Twitter or something. Really Yeah, great name. 667 00:39:19,840 --> 00:39:22,959 Speaker 1: He's local, is she said? Disclaimer, I'm a white person 668 00:39:23,080 --> 00:39:25,400 Speaker 1: from Georgia, so I have no authority here at all. 669 00:39:25,440 --> 00:39:29,280 Speaker 1: But we'll be referring to the opinions of actual Latino 670 00:39:29,560 --> 00:39:33,799 Speaker 1: Latina Latin X people I know or have read the 671 00:39:33,800 --> 00:39:36,799 Speaker 1: writings of. I've personally only heard that word pronounced with 672 00:39:36,880 --> 00:39:42,400 Speaker 1: confidence in the following two ways, Latin X and Latin X. However, 673 00:39:42,440 --> 00:39:49,120 Speaker 1: some people say latin X or latins latin X sounds 674 00:39:49,600 --> 00:39:54,080 Speaker 1: right because it's Latino Latina latin X, Yeah, that makes sense, 675 00:39:54,280 --> 00:39:57,080 Speaker 1: or LATINX rhymes with sphinx. Um I don't think that's 676 00:39:57,160 --> 00:40:00,640 Speaker 1: right or something else entirely, as evidenced by this Twitter poll, 677 00:40:01,200 --> 00:40:04,080 Speaker 1: and he shared a Twitter poll which was from a 678 00:40:04,120 --> 00:40:07,680 Speaker 1: media brand for Latino millennials. Interestingly, there appears to be 679 00:40:07,719 --> 00:40:10,640 Speaker 1: backlash against the term by some who view it as 680 00:40:10,680 --> 00:40:15,200 Speaker 1: an attempt, potential or not to anglicize Spanish. They say 681 00:40:15,239 --> 00:40:18,520 Speaker 1: this is part of a larger movement to paint Hispanic 682 00:40:18,600 --> 00:40:24,240 Speaker 1: Latino Latina Latin X people as sexist and ignorant. Mexican 683 00:40:24,239 --> 00:40:27,479 Speaker 1: American person who introduced me to the term was still 684 00:40:27,520 --> 00:40:31,600 Speaker 1: sorting out their feelings about the whole situation. Huh. So 685 00:40:31,600 --> 00:40:35,560 Speaker 1: that's where we step steps into a hornet's nice uh 686 00:40:35,680 --> 00:40:38,600 Speaker 1: tivon plinsky Uh. If you want to get in touch 687 00:40:38,600 --> 00:40:41,880 Speaker 1: with us, like Tie and Alexandra did, you can tweet 688 00:40:41,920 --> 00:40:44,240 Speaker 1: to us at s Y s K podcast and Chuck's 689 00:40:44,320 --> 00:40:47,560 Speaker 1: at movie Crush. You can join Chuck on Facebook at 690 00:40:47,600 --> 00:40:50,960 Speaker 1: Facebook dot com, slash Charles W. Chuck Bryant, and slash 691 00:40:51,000 --> 00:40:53,440 Speaker 1: Stuff you Should Know. You can send us all an email. 692 00:40:53,480 --> 00:40:56,120 Speaker 1: The Stuff podcast at how Stuff Works dot com and 693 00:40:56,160 --> 00:40:58,200 Speaker 1: has always joined us their home on the web, Stuff 694 00:40:58,239 --> 00:41:03,440 Speaker 1: you Should Know dot Com Radio. Stuff you Should Know 695 00:41:03,520 --> 00:41:06,320 Speaker 1: is a production of i heart Radio. For more podcasts 696 00:41:06,400 --> 00:41:09,799 Speaker 1: My heart Radio, visit the i heart Radio app, Apple podcasts, 697 00:41:09,880 --> 00:41:14,600 Speaker 1: or wherever you listen to your favorite shows. H