WEBVTT - Anderson .Paak

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<v Speaker 1>He's a sexy sexy man, a sexy sexy plan because

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<v Speaker 1>he ain't no stuck up looking so flight you could

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<v Speaker 1>try like a trucker, clean like a plank and solid, younger,

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<v Speaker 1>fool wheel dry so we never get stuck up. He

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<v Speaker 1>pray so far to get up a lot of bandwids.

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<v Speaker 1>And he's a guy. Yeah, he ain't no standing. He

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<v Speaker 1>doesn't have cheese on a nighttime standwich because everybody knows

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<v Speaker 1>he's the Burgens. He banded Ron Burgundy Podcast Live from Hollywood, California.

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<v Speaker 1>But your hat take out every Ron Bergar. Woh, oh

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<v Speaker 1>my godness, thank you, thank you yo, thank you, welcome,

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<v Speaker 1>welcome everyone. Great to see you all. Of course I'm

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<v Speaker 1>joined by the lovely Carolina. Great to have people out

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<v Speaker 1>on a Tuesday night. Thank you guys for buying tickets. Um.

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<v Speaker 1>All of the proceeds are going to Mercy Corps, which

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<v Speaker 1>is an amazing charity of helping families in the Ukraine

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<v Speaker 1>right now, so we really appreciate it and it's very special.

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<v Speaker 1>Tonight is our ten thousand podcast and not I'm I

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<v Speaker 1>think we've done like fifty tops maybe last Carolina, canna

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<v Speaker 1>have a quick sidebar with you look, here's the thing.

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<v Speaker 1>They don't know that and and what's the big deal. Well,

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<v Speaker 1>you know, they can look it up whether we've done

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<v Speaker 1>forty or fifty or two. All they know is that

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<v Speaker 1>this is our ten thousand show and it gives them

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<v Speaker 1>like it makes it a really special night. You know.

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<v Speaker 1>I'm sorry. I think they can hear us right now,

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<v Speaker 1>they can't. I called for a sidebar. Do you not

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<v Speaker 1>watch Law and Order? Whenever they say let's have a sidebar,

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<v Speaker 1>that means everyone in the court has to stop listening,

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<v Speaker 1>and it's a professional courtesy. Right now, they're just in

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<v Speaker 1>fact whatever they're laughing at. Incidentally, I don't know if

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<v Speaker 1>it's a far side cartoon or something, but they're they're

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<v Speaker 1>passing around a far side. That's why they keep laughing.

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<v Speaker 1>But I've called for a sidebar, so they're not paying

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<v Speaker 1>attention to anything we're saying. Okay, so just go with me.

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<v Speaker 1>It's our podcasts. Is that wonderful? Yeah? Quick sidebar. I

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<v Speaker 1>feel terrible. These people are the stupidest people have ever

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<v Speaker 1>seen and we've we're totally lying to them. And if

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<v Speaker 1>they don't know it, up, boy, I think we go

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<v Speaker 1>back and we're honest. This time, I'm not going to

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<v Speaker 1>sleep well to night. No, we can't go back, don't

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<v Speaker 1>ever go back. Thank you for that Sideby Anyway podcast.

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<v Speaker 1>And we're feeling great excite here to be at Largo.

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<v Speaker 1>One of them a wonderful establishment. Um do you know

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<v Speaker 1>the Flanagan, the proprietor of this establishment, has told me

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<v Speaker 1>that they are currently in construction. They're building a tunnel

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<v Speaker 1>underneath La Sienega that's gonna pop up in the middle

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<v Speaker 1>of Sin the Gentleman's Club across the way. So if

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<v Speaker 1>you want to go see some two for one and

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<v Speaker 1>the tell just goes into the middle of the floor

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<v Speaker 1>at the middle of Florence and you just pop up

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<v Speaker 1>on a cool little elevator with smoke. So that'll be

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<v Speaker 1>available spring of wo okay, something to look because he's

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<v Speaker 1>having to do the construction himself. That's crazy. It is crazy.

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<v Speaker 1>Where is the tunnel going to start? I think it's

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<v Speaker 1>starting somewhere in the lobby and uh yeah, they're just

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<v Speaker 1>you know, getting a bunch of jackhammers and doing it

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<v Speaker 1>on weekends. In fact, if anyone wants to stop buying

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<v Speaker 1>weekends and join the jackhammer party and build the tunnel

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<v Speaker 1>to Sin You're welcome to stop by it. We have

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<v Speaker 1>to talk about last night, So Sunday night, not last night.

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<v Speaker 1>I feel like I was last night. Well something happened

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<v Speaker 1>to me last night. But let's talk about Sunday night.

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<v Speaker 1>Let's talk about Sunday night. Just get it out of

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<v Speaker 1>the way. We all saw it. Jacob ALRTI Jacobi got

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<v Speaker 1>invited to be on the Oscars and it was like,

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<v Speaker 1>what is diacolordy doing out there? Are you? Who are you?

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<v Speaker 1>Jacob Lord? You're a tall boy? How does that qualify

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<v Speaker 1>you to present at the oscars? He's got baby smooth skin.

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<v Speaker 1>I'll know that tall drink of water? I know. Confuse me.

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<v Speaker 1>I was like, what my channel Jacob broken? I just

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<v Speaker 1>couldn't believe it. I was slack yard. Here's the other

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<v Speaker 1>question I have. Why was everyone doing jazz hands during

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<v Speaker 1>the show. It's a it's applause in sign language. It's

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<v Speaker 1>applause in what in sign language? And sign language does what? Sidebar? Sidebar?

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<v Speaker 1>You know what? It's okay, that's a longer episode. Anyway.

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<v Speaker 1>You said that you had great news. I've got great news. Okay,

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<v Speaker 1>who is right? Uh? I have been selected to host

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<v Speaker 1>next year's Oscars. Yes, how who were How did that

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<v Speaker 1>come to you? Well, they reached out to my people.

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<v Speaker 1>I'm your people, I know you and I are my people.

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<v Speaker 1>So they reached out to you. Well, they didn't reach out.

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<v Speaker 1>They start with a shortlist and they whittle it down.

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<v Speaker 1>But I've got every indication I'm on that short list. There.

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<v Speaker 1>They should be calling you soon. I can't wait. I'm

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<v Speaker 1>a little worried for you to host the Oscars, but no,

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<v Speaker 1>I'm I'm excited and I in fact, I've already started

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<v Speaker 1>working on my material and I would love to share

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<v Speaker 1>it with you tonight if I could. Yes, okay, alright, great.

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<v Speaker 1>I'm not a stand up comedian, so you'll have to

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<v Speaker 1>bear with me. Um. These are just a few things

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<v Speaker 1>I've jotted down, some notes. Uh. But you know a

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<v Speaker 1>lot of a lot of stand ups coming up to

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<v Speaker 1>places like Largo, and they work through their acting. So

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<v Speaker 1>if you'll, if you'll indulge me, elected work through. So

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<v Speaker 1>am I Oscar stand up for next year the Oscars.

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<v Speaker 1>M now you're doing tonight. Welcome to the the nine

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<v Speaker 1>at four. I don't know what. Okay, they'll tell me.

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<v Speaker 1>Welcome to the five Oscars years that will be, I

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<v Speaker 1>won't have to worry about that. Great. I see there's

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<v Speaker 1>a category for best hair and makeup and the winner

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<v Speaker 1>is not G I Jane two. You're okay, You're okay.

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<v Speaker 1>Ron looks a little scared, but it's all right, okay.

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<v Speaker 1>In fact, there wasn't any hair in makeup. Everyone had

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<v Speaker 1>shaved heads. It reminds me. I went to my barber

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<v Speaker 1>and I I say, take a little off the top, Pete.

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<v Speaker 1>And he says how much? And I say, not as

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<v Speaker 1>much as G I Jane too. It's okay. No one's coming,

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<v Speaker 1>No one's coming, No one's coming, No, no one's there. No,

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<v Speaker 1>I'm just I'm practicing. When my host, well, it's okay,

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<v Speaker 1>you got it. You're a you're taking yourself out. You're

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<v Speaker 1>taking yourself out. Okay. Uh, I tweaked my back on

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<v Speaker 1>that one. I'm not gonna lie to you a little bit. Okay,

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<v Speaker 1>what else? What else do I got? No? G I

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<v Speaker 1>j And Tune is a great movie. Huh, keep going

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<v Speaker 1>with it. Everyone loves it unless you happen to be

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<v Speaker 1>ad lies because there's no hair. There's no hair. There's

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<v Speaker 1>no hair. Are you going to do neat hair? They

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<v Speaker 1>need like a community an environment of hair, and without it,

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<v Speaker 1>they're bummed. They can't live. We get it, neurally, got it?

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<v Speaker 1>What else? Let's do? Then? I have some over, I

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<v Speaker 1>have some regional humor here, we got any people from

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<v Speaker 1>the Central Valley Oscar's audience. That'll work right for the

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<v Speaker 1>Oscar Maybe maybe it's a little inside baseball for those

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<v Speaker 1>of you watching at home. There's a place called the

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<v Speaker 1>Central Valley in California. Some people call it the bread Basket.

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<v Speaker 1>Uh did someone just say Jesus, give me a break, man,

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<v Speaker 1>I'm not a stand up. Hey, why do they call

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<v Speaker 1>it Sacramento? Do they make sacred mentos there? You guys

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<v Speaker 1>remember mentos? Right? Those odd commercials? They were weird. What

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<v Speaker 1>about the kid Cat Bar? Remember kid cat bars? Huh?

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<v Speaker 1>What if Bob Dylan did the kid Cat Bar song?

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<v Speaker 1>It would go something like this, give me a break,

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<v Speaker 1>That's all I got, Give me a break, break me up,

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<v Speaker 1>a bit of a kid kid bard. Mm hmm. Let

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<v Speaker 1>me write that down. That's an applause break. I don't

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<v Speaker 1>want to I forgot to bring my pin out here

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<v Speaker 1>with me. All right, Well, make a mental note. Okay,

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<v Speaker 1>what else? What the what else is in the news?

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<v Speaker 1>Oh oh, have you heard about these self driving cars?

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<v Speaker 1>Have these cars now that that drive around without a driver?

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<v Speaker 1>What if you're adam driver and you're in the back

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<v Speaker 1>seat of a driverless car and a cop pulls you over,

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<v Speaker 1>he says, are you the driver? How confusing would that be?

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<v Speaker 1>Governor rn De Santis is at it again. That guy

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<v Speaker 1>is so weird they should call him Randa Mentos, Right, am,

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<v Speaker 1>I right? Anyway, he doesn't want teachers to say the

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<v Speaker 1>word gay in the classroom like it's a dirty word.

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<v Speaker 1>The only wordy dirt in the only word, the only

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<v Speaker 1>the one, hold on, hold on, hold on, the only

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<v Speaker 1>flirty dirt and goddamn it, pull it together, on, pull it,

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<v Speaker 1>pull your together. Right now, you're on the oscars. For

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<v Speaker 1>Christ's sake. You're bleeding out here, buddy, Apply a tourniquet

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<v Speaker 1>and get your head screwed on. The only dirty word

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<v Speaker 1>in the state of Florida is de Santis. Anyway, we

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<v Speaker 1>got a great rest of the show. Uh, she was

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<v Speaker 1>a cat woman and he was in cats. Put your

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<v Speaker 1>hands together for a halle Berry and who was in cats?

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<v Speaker 1>To James Cordon, James Gordon, So there'd be a transition

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<v Speaker 1>like that don't. I'd have to worry about that they

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<v Speaker 1>would write that for me. But little work in progress,

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<v Speaker 1>something i'm you know, noodling with. But thank you, thank

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<v Speaker 1>you so much. It's so helpful to work out your material.

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<v Speaker 1>I'm gonna say there was there was three g I Jane,

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<v Speaker 1>two jokes, okay, so maybe just do too, maybe one tops,

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<v Speaker 1>just one tops, okay, all right, Yeah, we're working on

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<v Speaker 1>a catchphrase here at the Burgundy Podcast. Yes, this is

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<v Speaker 1>fun little audience participation, just if you feel so inclined

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<v Speaker 1>to repeat with me. Well, oh whoa, whoa, whoa whoa,

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<v Speaker 1>Sorry about that. Um, that happens often here at Largo. Uh.

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<v Speaker 1>For those of you who frequent this wonderful theater, you

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<v Speaker 1>all are aware, I'm sure by now that it is haunted. Yeah,

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<v Speaker 1>and spooky things happen occasionally. Um, but that's just what

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<v Speaker 1>are gonna do. It's a quirky place. That's a quirky

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<v Speaker 1>little place. Um, but it is haunted. So okay, no

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<v Speaker 1>big whoop, no big whoop. Slightly haunted. This is quite

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<v Speaker 1>a coup for us because we don't get high quality people,

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<v Speaker 1>not really. We just we get a motley rag tag

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<v Speaker 1>group and we're happy to have them. We love our guests,

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<v Speaker 1>but sometimes but sometimes they blow um and I'm sweating

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<v Speaker 1>my nuts off trying to figure out what to talk

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<v Speaker 1>to him about top dancing, tap dancing. But tonight we

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<v Speaker 1>don't have to worry about to worry about it, Ladies

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<v Speaker 1>and gentlemen, please put your hands together for Mr Anderson. Pack. Yes,

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<v Speaker 1>and it's a pack. Everyone pas to meet. Great to

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<v Speaker 1>see you, my friend. Oh my god, it's right, it's

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<v Speaker 1>really him, see I told you, yes, yes, lord? What

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<v Speaker 1>what's happening? Like? I never heard of Do you know that? Gentleman? Yeah?

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<v Speaker 1>I want to know him. Well, maybe this is maybe

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<v Speaker 1>something's gonna happen at the end of the night. Keep

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<v Speaker 1>it cool, everyone, keep it cool. Friday? What happened on Friday?

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<v Speaker 1>You must be talking about the residency Las Vegas? You

0:17:25.480 --> 0:17:28.440
<v Speaker 1>were in Las Vegas. You're currently doing a residency, got

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<v Speaker 1>a residency, got a new look? I needed a Vegas look.

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<v Speaker 1>You're doing that with Bruno Mars. Is that nice? And

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<v Speaker 1>how long has that been going on? We were like

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<v Speaker 1>twelve shows now okay, yeah, we have like all of me.

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<v Speaker 1>Let's take a little break. But we have a couple

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<v Speaker 1>more shows this week. Shows in you and you and

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<v Speaker 1>Bruno mar I mean, you guys are a wonderful pair together.

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<v Speaker 1>You guys, really are you? You're incredible? Um, I assume

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<v Speaker 1>he's a nice guy. Yeah I did too, but okay,

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<v Speaker 1>he's fair. Hey, kind of like my father. You just

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<v Speaker 1>make your money. You don't talk to each other, get

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<v Speaker 1>the job done. Simple yet stern. You go your way.

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<v Speaker 1>He goes his way. I like to go his way too, though.

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<v Speaker 1>I like picking his brain. He's a little guy. He's

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<v Speaker 1>like a little guy. Do you ever just knock him

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<v Speaker 1>down to the ground. The way he's built, It's like

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<v Speaker 1>I could break you in half. Never seen the shape.

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<v Speaker 1>I've never seen a shape like this, probably not since Prince.

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<v Speaker 1>Those guys can get into different situations like well, they're

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<v Speaker 1>all muscle, all muscle and sin. Yeah, exactly, all condensed. Yes,

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<v Speaker 1>like a like a wolverine. I can't believe we have

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<v Speaker 1>someone as cool as yourself on the show. Yes, it's

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<v Speaker 1>just this is sick. This is amazing. These crowds have

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<v Speaker 1>been fantastic. I mean, this crowd is a little dumb,

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<v Speaker 1>h but aren't they get the participation award for sure?

0:19:28.960 --> 0:19:31.680
<v Speaker 1>Now you're a local guy, you were born in Oxnard,

0:19:32.320 --> 0:19:35.720
<v Speaker 1>Ventura County. You were born, What do you remember of St.

0:19:35.800 --> 0:19:45.840
<v Speaker 1>John's Regional Medical Center? It was a dark time. Yes.

0:19:46.640 --> 0:19:48.560
<v Speaker 1>Do you remember your infancy? Do you remember coming out

0:19:48.600 --> 0:19:53.520
<v Speaker 1>of the Yeah. The reason why I ask is because

0:19:53.560 --> 0:19:56.960
<v Speaker 1>I've got a bone to pick with St. John's Medical Center.

0:19:57.960 --> 0:19:59.920
<v Speaker 1>I was up in one of the beaches there in

0:20:00.119 --> 0:20:04.480
<v Speaker 1>stepped on a rusty aboard with six rusty nails sticking

0:20:04.480 --> 0:20:06.359
<v Speaker 1>out of it, and I had to go and do

0:20:06.440 --> 0:20:09.439
<v Speaker 1>it to get a technics shop there, and they were rude.

0:20:09.680 --> 0:20:13.480
<v Speaker 1>They were just rude to me. Where did they say? Well,

0:20:13.520 --> 0:20:15.159
<v Speaker 1>they said it's time to pay, and I'm like, I

0:20:15.160 --> 0:20:19.320
<v Speaker 1>don't have any money on it. Yeah, depending on when

0:20:19.359 --> 0:20:25.200
<v Speaker 1>you go. They don't pay him well enough. So no,

0:20:25.280 --> 0:20:29.240
<v Speaker 1>real they birth you, They birth the legend and that's

0:20:29.240 --> 0:20:31.480
<v Speaker 1>their claim to fame. It's that in strawberries. That's what

0:20:31.520 --> 0:20:36.480
<v Speaker 1>the town is known Anderson strawberries. In fact, your mother

0:20:36.560 --> 0:20:40.600
<v Speaker 1>used to farm strawberries, is that correct? That's a sexy fruit.

0:20:42.880 --> 0:20:49.720
<v Speaker 1>Oh the shape, how I didn't even think about the shape.

0:20:50.960 --> 0:20:54.439
<v Speaker 1>I mean, I like him in champagne. I like dipped

0:20:54.440 --> 0:20:57.359
<v Speaker 1>in chocolate. What do you like to what do you

0:20:57.359 --> 0:21:05.119
<v Speaker 1>like to put strawberries in probably like a blender, and

0:21:05.200 --> 0:21:08.240
<v Speaker 1>do you do you sexily talk to eat strawberries? It

0:21:08.280 --> 0:21:10.960
<v Speaker 1>goes into the blender like on the season, I'm gonna

0:21:11.000 --> 0:21:12.760
<v Speaker 1>blend you up a little bit. We talked to him

0:21:12.760 --> 0:21:16.320
<v Speaker 1>too nice though. It's just okay, it's a fine line. Yeah,

0:21:16.440 --> 0:21:23.960
<v Speaker 1>right with my fruit's words to live by. What's another

0:21:24.040 --> 0:21:30.320
<v Speaker 1>sexy fruit? Okay? I think a pineapple. Pineapple is kind

0:21:30.320 --> 0:21:39.600
<v Speaker 1>of sexy. Dragon fruit. Come quiet. I was gonna say

0:21:39.600 --> 0:21:50.040
<v Speaker 1>a TAngelo persimmon, persimmon. Yeah, get me some of that

0:21:50.119 --> 0:21:55.800
<v Speaker 1>persimmon juice. Rub it all over my body, let it

0:21:55.880 --> 0:21:59.280
<v Speaker 1>drip down my back. It's got me going. Yeah, I'm

0:21:59.359 --> 0:22:05.280
<v Speaker 1>going right now too, Carolina. Any thoughts on fruits? I um,

0:22:05.640 --> 0:22:10.080
<v Speaker 1>I want to move on to the next question. You're

0:22:10.119 --> 0:22:15.680
<v Speaker 1>a singer, you're a songwriter, your rap, you play the drums,

0:22:16.080 --> 0:22:22.160
<v Speaker 1>you produce music. Is it too much? When? When does

0:22:22.200 --> 0:22:30.800
<v Speaker 1>it start to look like just bragging? It's genius? I

0:22:30.920 --> 0:22:34.159
<v Speaker 1>just I think it's better when other people say it.

0:22:34.280 --> 0:22:36.600
<v Speaker 1>For me, I try not to listen anything. I just

0:22:36.680 --> 0:22:39.639
<v Speaker 1>say I'm just here to be of service, and then

0:22:39.680 --> 0:22:41.119
<v Speaker 1>I go to the drums and start singing at the

0:22:41.119 --> 0:22:43.080
<v Speaker 1>same time and then I start, you know, dancing and

0:22:43.119 --> 0:22:45.320
<v Speaker 1>stuff and just kind of lits peep for itself and

0:22:45.400 --> 0:22:47.560
<v Speaker 1>that can gu tiring. But that's why I joined the group.

0:22:47.720 --> 0:22:49.359
<v Speaker 1>You know, I'm in a group. Now it sticks on

0:22:49.680 --> 0:22:52.159
<v Speaker 1>and I got someone to kind of you can go off,

0:22:52.280 --> 0:22:55.399
<v Speaker 1>you can share the burden getting older and there, um,

0:22:56.560 --> 0:22:59.080
<v Speaker 1>and they're not as good as you write exactly. You

0:22:59.160 --> 0:23:04.320
<v Speaker 1>see how this win. I wouldn't regardless of and and

0:23:04.400 --> 0:23:06.960
<v Speaker 1>we're all participating. It's like when I was in eighth grade.

0:23:07.000 --> 0:23:08.960
<v Speaker 1>I played with on the sixth grade basketball team and

0:23:09.040 --> 0:23:13.359
<v Speaker 1>I just dominated and it felt so good. And I

0:23:13.480 --> 0:23:21.360
<v Speaker 1>would laugh at them, aren't hair and a grade back hair?

0:23:21.520 --> 0:23:25.159
<v Speaker 1>And these snotty little kids were looking at me and

0:23:26.320 --> 0:23:29.800
<v Speaker 1>I was like, what's up, peach, fuzzly? Do something? Yeah,

0:23:29.960 --> 0:23:34.960
<v Speaker 1>do something, don't just stand. Yeah, you worked with Christina

0:23:35.040 --> 0:23:45.640
<v Speaker 1>agaul What one was that? How do you say your name? Christina?

0:23:45.800 --> 0:23:53.680
<v Speaker 1>I can't see it. Christina Aguilera, Yeah, Chris, Yeah, she's

0:23:53.680 --> 0:23:58.200
<v Speaker 1>got pipes right, come on? Yeah? Yeah? What did what

0:23:58.320 --> 0:24:00.399
<v Speaker 1>did you? Did you guys do a song together? Did

0:24:00.440 --> 0:24:05.119
<v Speaker 1>you did a few songs? Um? I produced some stuff,

0:24:05.160 --> 0:24:06.719
<v Speaker 1>But the best thing that I ever do with her

0:24:06.760 --> 0:24:10.760
<v Speaker 1>is a take the picture next to her Hollywood star,

0:24:11.040 --> 0:24:16.480
<v Speaker 1>like at three in the morning, just by yourself. Well,

0:24:16.720 --> 0:24:18.240
<v Speaker 1>she called me and she said, what are you doing

0:24:18.320 --> 0:24:21.399
<v Speaker 1>on just three in the morning. You know I'm up

0:24:21.880 --> 0:24:25.879
<v Speaker 1>by the week. And uh, she said, I'm picking you up.

0:24:25.920 --> 0:24:28.640
<v Speaker 1>We're gonna do something. So I went and she got

0:24:28.720 --> 0:24:32.600
<v Speaker 1>this escalade from like two thousand four. That's still that's

0:24:32.600 --> 0:24:35.600
<v Speaker 1>the best year about That's when they were really caring

0:24:35.640 --> 0:24:37.560
<v Speaker 1>about what they did. Run, don't walk, Get an old

0:24:37.560 --> 0:24:42.200
<v Speaker 1>four escalador. They don't make them like they used to.

0:24:42.359 --> 0:24:46.199
<v Speaker 1>I'm talking DVD play. It's that Fantis arrow where there

0:24:46.280 --> 0:24:48.560
<v Speaker 1>was you could watch a little g I j V.

0:24:52.240 --> 0:24:58.240
<v Speaker 1>Guess so sorry, and so you're in the old four escalade.

0:24:59.080 --> 0:25:01.600
<v Speaker 1>We're having a great time. I'm are we going? It's like,

0:25:01.680 --> 0:25:03.560
<v Speaker 1>we're gonna go take a picture next to my Hollywood

0:25:03.600 --> 0:25:06.240
<v Speaker 1>star three in the morning. She said, all right, you ready,

0:25:06.320 --> 0:25:09.919
<v Speaker 1>get out? Got out? She did selfie back in the car.

0:25:10.080 --> 0:25:13.000
<v Speaker 1>Now is it drop my ass off? Did you at

0:25:13.080 --> 0:25:16.040
<v Speaker 1>least go to Norms or something? I gotta wake up.

0:25:16.040 --> 0:25:17.200
<v Speaker 1>I got thing to do. I was like, yeah, we

0:25:17.280 --> 0:25:20.560
<v Speaker 1>can hit Norms, it's on the way. But she had

0:25:20.600 --> 0:25:22.200
<v Speaker 1>to wake up and do things. Are you just what

0:25:22.359 --> 0:25:30.760
<v Speaker 1>she told me. Yeah, yeah, classic. Yeah. I stayed outside

0:25:30.800 --> 0:25:32.000
<v Speaker 1>for a little bit to make sure. Yeah, I saw

0:25:32.000 --> 0:25:35.840
<v Speaker 1>her leave. She's a great Hollywood story for our ten

0:25:35.920 --> 0:25:40.159
<v Speaker 1>thousand podcasts. Incredible. What was it like working on a

0:25:40.240 --> 0:25:44.639
<v Speaker 1>pot farm? I miss it? Yeah, it would have been

0:25:44.680 --> 0:25:47.879
<v Speaker 1>so much better now that I don't smoke weed because

0:25:47.880 --> 0:25:54.600
<v Speaker 1>I quit recently. Okay, because oh oh, are you guys good?

0:25:55.000 --> 0:25:59.440
<v Speaker 1>We're all good? Uh, Anderson, we need to inform you

0:26:00.119 --> 0:26:04.120
<v Speaker 1>that this largo is haunted, just so you know. It's

0:26:04.160 --> 0:26:08.720
<v Speaker 1>not it's it's less. It's not a big deal. But

0:26:09.200 --> 0:26:13.399
<v Speaker 1>is everything all right? Everything alright? On? Hold on, hold on,

0:26:13.960 --> 0:26:22.560
<v Speaker 1>hold on God, it's a Colonial ghost Boy for those

0:26:22.760 --> 0:26:29.359
<v Speaker 1>our listeners. Colonial ghost Boy has walked onto the stage.

0:26:30.600 --> 0:26:32.840
<v Speaker 1>He's looking at us. He's holding a lantern, holding a

0:26:32.920 --> 0:26:36.040
<v Speaker 1>lanterns a zombie. He looks both a hundred years old

0:26:36.119 --> 0:26:40.800
<v Speaker 1>and six years old at the same time. He has

0:26:40.840 --> 0:26:46.240
<v Speaker 1>a devilish, impish grin on his face. He's wearing modern footwear,

0:26:46.480 --> 0:26:56.280
<v Speaker 1>which is which is an interesting touch. I can't seems

0:26:56.320 --> 0:27:00.840
<v Speaker 1>to be searching for someone something. Uh. Brief history. This

0:27:01.080 --> 0:27:04.360
<v Speaker 1>used to be the side of a pub, a British

0:27:04.400 --> 0:27:12.080
<v Speaker 1>pub burned to the ground in before the Spanish discovered California,

0:27:12.160 --> 0:27:20.520
<v Speaker 1>the and before the Germans discovered San Diego. Uh, I'm

0:27:20.600 --> 0:27:26.600
<v Speaker 1>sorry san Diego. H. It's just a lost little boy.

0:27:27.560 --> 0:27:29.280
<v Speaker 1>The British were here and they've built a pub on

0:27:29.320 --> 0:27:33.520
<v Speaker 1>this site. You must be looking colonial ghost boy. Can

0:27:33.640 --> 0:27:42.639
<v Speaker 1>we help you with something? Be gone? Be gone? Oh? Okay,

0:27:44.440 --> 0:27:51.159
<v Speaker 1>that was a lot all at once, good at that.

0:27:51.600 --> 0:27:53.880
<v Speaker 1>I need your help with that, are you okay? Anderson?

0:27:53.880 --> 0:27:57.400
<v Speaker 1>Because my heart is beating like a chinchilla and five

0:27:57.440 --> 0:28:02.400
<v Speaker 1>cups of five red bulls. I was trying to come

0:28:02.480 --> 0:28:09.440
<v Speaker 1>up with an analogy and kind of I gotta work

0:28:09.440 --> 0:28:11.520
<v Speaker 1>out the kinks because when I host the Oscars next year,

0:28:11.560 --> 0:28:18.600
<v Speaker 1>I can't I can't be flobbing things like that. Let's

0:28:18.640 --> 0:28:28.880
<v Speaker 1>get this back on track. It is right, Dre Snoop,

0:28:29.800 --> 0:28:38.760
<v Speaker 1>Kendrick Lamar, Busta Rhymes, Eminem, Bootsy Collins, Brandy Andre three thousand.

0:28:38.800 --> 0:28:45.920
<v Speaker 1>You've worked with everybody, I mean everybody the game. You know.

0:28:46.040 --> 0:28:50.680
<v Speaker 1>I played jazz flute right, I one of my whole

0:28:50.720 --> 0:28:53.760
<v Speaker 1>time favorites. And I sit by the phone for days

0:28:54.640 --> 0:28:57.320
<v Speaker 1>waiting for the call. I even when I'm cooking dinner.

0:28:57.320 --> 0:29:01.800
<v Speaker 1>I have a hundred foot long word on my phone. Yes,

0:29:02.040 --> 0:29:06.160
<v Speaker 1>I still have a landline waiting for that call. I

0:29:06.240 --> 0:29:10.080
<v Speaker 1>would love to get on one of your tracks. I would.

0:29:10.200 --> 0:29:15.240
<v Speaker 1>I would be like an absolute honor. We're Andre three thousand.

0:29:15.680 --> 0:29:19.640
<v Speaker 1>Now I know someone. I have an actor friend who

0:29:19.760 --> 0:29:27.520
<v Speaker 1>did a movie with him about ABA basketball, and I

0:29:27.560 --> 0:29:32.640
<v Speaker 1>know him very well and he just loved He told

0:29:32.680 --> 0:29:37.040
<v Speaker 1>me that Andre was the greatest guy, wonderful musician, loved

0:29:37.200 --> 0:29:41.400
<v Speaker 1>his music. But he is he still making music? Okay.

0:29:41.840 --> 0:29:43.200
<v Speaker 1>You can get him to make music if you have

0:29:43.240 --> 0:29:46.080
<v Speaker 1>a hundred thousand dollars for him. And then he gets

0:29:48.720 --> 0:29:54.280
<v Speaker 1>and he's playing flu and it's that's the special paint,

0:29:54.680 --> 0:30:00.120
<v Speaker 1>the special talents to get him back money. Yeah. Up.

0:30:00.200 --> 0:30:03.520
<v Speaker 1>And it was the best verses ever got on a record.

0:30:03.840 --> 0:30:10.280
<v Speaker 1>Blue cheese it's it's uh, it's definitely fetta. Do you

0:30:10.680 --> 0:30:12.760
<v Speaker 1>do you refer to hundred dollar bills as blue cheese

0:30:13.760 --> 0:30:18.800
<v Speaker 1>c notes? Yeah? Now I know that Andre tho thousand

0:30:18.840 --> 0:30:22.000
<v Speaker 1>got big into fashion. Do you think about getting into fashion?

0:30:22.040 --> 0:30:26.600
<v Speaker 1>Do you have a fashion line? Act gets into me? Okay,

0:30:27.960 --> 0:30:32.560
<v Speaker 1>I hear you, Yeah, yeah, because you know I know

0:30:32.720 --> 0:30:36.920
<v Speaker 1>someone who could use some help with their fashion. Uh,

0:30:41.240 --> 0:30:46.360
<v Speaker 1>I am fine, pain Okay, we got it. You can

0:30:46.600 --> 0:30:54.640
<v Speaker 1>see you pointing out. It's fine, Carolina, It's Carolina. Okay,

0:30:56.080 --> 0:31:00.560
<v Speaker 1>I'm not sitting next to sex fifth Avenue over here. Um,

0:31:03.200 --> 0:31:06.320
<v Speaker 1>we talked about you produced music and what's that like?

0:31:06.440 --> 0:31:10.360
<v Speaker 1>Do you just yell at people? Yeah? Yeah, yep, and

0:31:10.560 --> 0:31:12.640
<v Speaker 1>um I produced a lot with my band. What do

0:31:12.720 --> 0:31:14.960
<v Speaker 1>you try? How do you help someone to find the

0:31:15.160 --> 0:31:18.920
<v Speaker 1>encourage them by breaking them down and build them back up?

0:31:19.120 --> 0:31:22.760
<v Speaker 1>You stuck? Do it again? Yes, we're all waiting on you. Friend.

0:31:22.800 --> 0:31:25.360
<v Speaker 1>Phrases that used to help me out. Super constructive. If

0:31:25.400 --> 0:31:30.360
<v Speaker 1>you like it, I love it. That's cool. So you're

0:31:30.400 --> 0:31:33.360
<v Speaker 1>cool with that. Stuff like that, and then they start

0:31:33.440 --> 0:31:38.800
<v Speaker 1>to push and producing right there. That's how I was taught. Wow,

0:31:39.880 --> 0:31:42.040
<v Speaker 1>I mean I could do it all about myself. I

0:31:42.160 --> 0:31:46.280
<v Speaker 1>say that too, but it's kind of hard when I'm

0:31:46.320 --> 0:31:50.120
<v Speaker 1>defending on them to a second. But yeah, Now you

0:31:50.280 --> 0:31:55.000
<v Speaker 1>played drums during the super Bowl halftime show? Is that right? Eminem' drummer? Yea?

0:31:55.960 --> 0:31:58.960
<v Speaker 1>What an incredible some of you? I know me from that. Yeah,

0:31:59.280 --> 0:32:06.240
<v Speaker 1>I also have a Now talk about tickets to go.

0:32:07.560 --> 0:32:13.640
<v Speaker 1>Let's by the way, let's go residency everyone by, Let's

0:32:15.320 --> 0:32:17.240
<v Speaker 1>buy a block of eight tickets, doesn't matter if you

0:32:17.280 --> 0:32:25.040
<v Speaker 1>show up or not exactly because Tunnel to Sin Yes,

0:32:25.120 --> 0:32:31.240
<v Speaker 1>we do another tunnel, but I want to get back

0:32:31.240 --> 0:32:36.800
<v Speaker 1>to this halftime show. An incredible collection of artists. Uh.

0:32:37.560 --> 0:32:42.600
<v Speaker 1>Dr dre who's not a medical doctor. I looked it up. Uh,

0:32:43.160 --> 0:32:46.360
<v Speaker 1>all of these artists. Dr Drake discovered you as well.

0:32:46.440 --> 0:32:53.160
<v Speaker 1>I believe you're there in Inglewood in Compton, in front

0:32:53.200 --> 0:32:56.160
<v Speaker 1>of the world playing this music that that is the

0:32:56.320 --> 0:33:00.320
<v Speaker 1>heart of l A And are you sitting there thinking

0:33:01.280 --> 0:33:11.080
<v Speaker 1>how are the Bengals gonna win this day? I was thinking, like,

0:33:13.080 --> 0:33:15.800
<v Speaker 1>I have to time this out perfectly because if they

0:33:15.880 --> 0:33:21.320
<v Speaker 1>do win, I don't want to be here. And it

0:33:21.480 --> 0:33:25.080
<v Speaker 1>was getting really kind of close, and I'm looking at

0:33:25.120 --> 0:33:26.600
<v Speaker 1>my family. I'm like, we could probably be on the

0:33:26.680 --> 0:33:29.200
<v Speaker 1>other side of town if things go left, because Los

0:33:29.240 --> 0:33:32.480
<v Speaker 1>Angeles is very dramatic sometimes. So, um, did you have

0:33:32.560 --> 0:33:35.560
<v Speaker 1>money on the game? No? No, I was just trying

0:33:35.560 --> 0:33:38.440
<v Speaker 1>to hold my drumsticks keep you know, like stay focused.

0:33:38.480 --> 0:33:40.200
<v Speaker 1>And then I was like, oh, yeah, there's a game too,

0:33:40.720 --> 0:33:43.000
<v Speaker 1>and then um, it was an amazing show. Yeah, it

0:33:43.160 --> 0:33:46.400
<v Speaker 1>was great, and the whole day. The whole day was

0:33:46.560 --> 0:33:52.280
<v Speaker 1>definitely to see stadium full of a lot of uncoordinated

0:33:52.280 --> 0:33:56.600
<v Speaker 1>white people just having a great time. It was just

0:33:59.480 --> 0:34:08.680
<v Speaker 1>it's just people. Yeah. I like to move my body,

0:34:08.960 --> 0:34:12.560
<v Speaker 1>you know. But there was something beautiful about There's something

0:34:12.600 --> 0:34:30.640
<v Speaker 1>special about that, the freedom of it all. I've read

0:34:30.680 --> 0:34:33.160
<v Speaker 1>somewhere to you that you were a showcase model on

0:34:33.200 --> 0:34:36.359
<v Speaker 1>the Prices, right, is that? Yeah? That was the same

0:34:36.440 --> 0:34:39.120
<v Speaker 1>day I mack on us. But but did you already

0:34:39.160 --> 0:34:44.399
<v Speaker 1>have some level of notoriety notorary? What's the word umary?

0:34:45.360 --> 0:34:49.759
<v Speaker 1>Were you already famous? I've signed a few notaries, so

0:34:49.880 --> 0:34:55.520
<v Speaker 1>have I. But outside that U, was that just something

0:34:55.560 --> 0:34:59.839
<v Speaker 1>you wanted to do as a goof Yeah, that's amazing. Yeah, yeah,

0:35:00.400 --> 0:35:02.719
<v Speaker 1>I couldn't dig anything bigger. Like I grew up on that.

0:35:03.040 --> 0:35:06.239
<v Speaker 1>It was great prices right, showcase showdown. I had to

0:35:06.320 --> 0:35:09.680
<v Speaker 1>leave a session earlier, Oh to go do Dr Dre

0:35:09.760 --> 0:35:12.279
<v Speaker 1>and Kanye to go do the Prices right. You guys

0:35:12.360 --> 0:35:15.200
<v Speaker 1>got it from here, right, I gotta think, just tell

0:35:15.280 --> 0:35:18.440
<v Speaker 1>us what it is. It's all good, yeah me. And

0:35:19.680 --> 0:35:21.719
<v Speaker 1>then I was like, I got Prices right, and it

0:35:21.880 --> 0:35:27.640
<v Speaker 1>was just like they didn't. They seemed disappointed, and I

0:35:27.800 --> 0:35:32.920
<v Speaker 1>was they were a little super quiet because I was expecting, like, yo,

0:35:33.160 --> 0:35:38.839
<v Speaker 1>that's a mosque. That's crazy, Like, yeah, Dre was just yeah.

0:35:38.920 --> 0:35:41.360
<v Speaker 1>I was like, all right, well, maybe were they jealous?

0:35:41.560 --> 0:35:46.160
<v Speaker 1>I think so too it maybe they were so shocked

0:35:46.200 --> 0:35:53.080
<v Speaker 1>and jealous they were like this dude just flexed. It

0:35:53.280 --> 0:35:58.960
<v Speaker 1>came off as a disdained, arrogant. I just love that

0:35:59.040 --> 0:36:01.360
<v Speaker 1>you did that. Yeah. When I got on there, it

0:36:01.480 --> 0:36:06.239
<v Speaker 1>was got to do the whole running down the island presenting.

0:36:08.680 --> 0:36:16.520
<v Speaker 1>Did you practice, Yeah, it's a skateboard. Yeah, it was

0:36:16.600 --> 0:36:20.160
<v Speaker 1>say talking to the models, that's a rough life. Yeah,

0:36:21.320 --> 0:36:23.279
<v Speaker 1>did you think about just throwing it all away? And

0:36:23.400 --> 0:36:26.839
<v Speaker 1>I was gonna be a model and then was a spokesmodel. Yeah,

0:36:26.960 --> 0:36:29.000
<v Speaker 1>in between commercials you talked to the model, the dude

0:36:29.040 --> 0:36:31.440
<v Speaker 1>that's been with no shirt on for like eight hours

0:36:32.120 --> 0:36:35.320
<v Speaker 1>trying to keep like it's probably the only it's probably

0:36:35.360 --> 0:36:38.600
<v Speaker 1>the last bastion of spokesmodels prices, right, that's right, that's

0:36:38.600 --> 0:36:44.120
<v Speaker 1>the only place where you can judge and step on TV.

0:36:45.520 --> 0:36:47.520
<v Speaker 1>That's true. There's a lot of venues you can watch

0:36:47.600 --> 0:36:52.879
<v Speaker 1>spokes models and that are not televised. Yes, yes, I'm

0:36:52.960 --> 0:37:04.680
<v Speaker 1>forgetting that. I mean they're in Pickin, Like I've seen

0:37:04.760 --> 0:37:08.120
<v Speaker 1>a picture of your boy, your son, Uh, and he

0:37:08.239 --> 0:37:12.040
<v Speaker 1>looks like the coolest kid I've ever seen. I mean,

0:37:12.080 --> 0:37:13.719
<v Speaker 1>if I had a boy who was cooler than me,

0:37:13.840 --> 0:37:17.400
<v Speaker 1>I'd be so jealous of I'd lock him in the basement.

0:37:17.480 --> 0:37:20.239
<v Speaker 1>How I mean, how do you? How do you? How

0:37:20.280 --> 0:37:21.799
<v Speaker 1>do you deal? We learned if you can't beat him,

0:37:21.800 --> 0:37:24.120
<v Speaker 1>you got to join him. I start helping him out.

0:37:24.200 --> 0:37:27.759
<v Speaker 1>I was like, oh, you want subscribers, Okay, you know

0:37:27.800 --> 0:37:30.200
<v Speaker 1>you gotta do skits. Where's your bits? They don't You

0:37:30.239 --> 0:37:32.320
<v Speaker 1>don't have an exciting life. You can't be a vlogger.

0:37:32.400 --> 0:37:35.520
<v Speaker 1>You're just like you're home school, you know. Like so

0:37:35.800 --> 0:37:37.759
<v Speaker 1>I directed his bits now and he got it. He's

0:37:37.840 --> 0:37:42.320
<v Speaker 1>up to tink tin Case subs, tin Case subs on YouTube.

0:37:42.400 --> 0:37:48.200
<v Speaker 1>He wants to be a tin Case. He subs, I'm

0:37:48.239 --> 0:37:57.919
<v Speaker 1>talking content doesn't just sidebar? What does that mean? It's

0:37:57.960 --> 0:38:07.200
<v Speaker 1>like ten subscribers and it's just shortened up? Can't me? Dad?

0:38:10.080 --> 0:38:11.759
<v Speaker 1>Does he hope? Does he want to get to eleven k?

0:38:12.600 --> 0:38:14.239
<v Speaker 1>He got to tin and he just kind of was

0:38:14.360 --> 0:38:17.920
<v Speaker 1>like over. He got into all the work we did.

0:38:19.600 --> 0:38:22.279
<v Speaker 1>I mean, I have footage, a whole plot, like a line.

0:38:22.320 --> 0:38:25.480
<v Speaker 1>I was gonna do, no drive, he spoiled. I have

0:38:25.600 --> 0:38:27.279
<v Speaker 1>two of them now too. I always again, I have

0:38:27.320 --> 0:38:31.800
<v Speaker 1>a four year old two now not as cool. The

0:38:31.840 --> 0:38:37.600
<v Speaker 1>four year old, Yeah, born into Money's just no chance,

0:38:39.719 --> 0:38:43.279
<v Speaker 1>is is I ruined him. It's kind of like that

0:38:44.239 --> 0:38:47.000
<v Speaker 1>tail as old as the middle age this and I

0:38:47.120 --> 0:38:51.839
<v Speaker 1>just continue to spoil him. I can't stop. Well, that's

0:38:51.880 --> 0:38:57.120
<v Speaker 1>what we do. Great. I mean they say you're only

0:38:57.200 --> 0:39:06.640
<v Speaker 1>as happy as your unhappiest jobs, right, so I thank

0:39:06.680 --> 0:39:09.279
<v Speaker 1>you for that. Will give him whatever they want right

0:39:09.680 --> 0:39:12.399
<v Speaker 1>here you go. I mean, when you're getting back, you're

0:39:12.400 --> 0:39:15.600
<v Speaker 1>gonna have to do that residency for twenty years show. Yes,

0:39:15.680 --> 0:39:19.839
<v Speaker 1>a lot of show, Yeah, a lot of shows. Work

0:39:19.920 --> 0:39:23.640
<v Speaker 1>something out with Copperfield. So I'm in the groups. You

0:39:23.760 --> 0:39:30.200
<v Speaker 1>do something extraordinary, something that I just find incredibly astounding.

0:39:30.719 --> 0:39:33.439
<v Speaker 1>You played drums and you sing at the same time.

0:39:34.880 --> 0:39:38.120
<v Speaker 1>I mean, I'm trying to think of other musicians you've

0:39:38.160 --> 0:39:47.000
<v Speaker 1>done that. The first Phil Collins possibly, um but uh

0:39:47.960 --> 0:39:53.560
<v Speaker 1>oh yeah, well Collins sounds Fleetwood Mac. Did he sing

0:39:53.640 --> 0:39:57.960
<v Speaker 1>it all? Mick Fleetwood? I mean Fleetwood Mac. That's the

0:39:58.239 --> 0:40:01.920
<v Speaker 1>name of mad. Maybe I could throw that into the

0:40:01.960 --> 0:40:08.680
<v Speaker 1>stand up. Would you indulge just with some plague any

0:40:09.000 --> 0:40:16.279
<v Speaker 1>would you? It would be an honor right would never

0:40:16.280 --> 0:40:36.880
<v Speaker 1>be able. Well, I'm let's see, this is the hip poppy. No, Bobby,

0:40:37.120 --> 0:40:40.400
<v Speaker 1>don't ask me. I'm just so crush up and crush

0:40:40.440 --> 0:40:44.440
<v Speaker 1>it so clean, don't shoot down so sassy. I'm just

0:40:44.680 --> 0:40:50.120
<v Speaker 1>so cushop brush so clean clean. You know, the list

0:40:50.160 --> 0:40:56.640
<v Speaker 1>goes on and on. Who I guess I'm excited. I

0:40:56.800 --> 0:41:03.600
<v Speaker 1>know if anybody's gonna know it? So still Atlanta? Is

0:41:03.640 --> 0:41:14.719
<v Speaker 1>that where you're from? To the window Toma? That song

0:41:14.880 --> 0:41:18.880
<v Speaker 1>just got it? Didn't know? That's called when songs get

0:41:18.920 --> 0:41:24.600
<v Speaker 1>better with times you're not feeling it didn't did it?

0:41:26.000 --> 0:41:29.960
<v Speaker 1>It still feels good to sing the swems off my ba.

0:41:32.200 --> 0:41:35.040
<v Speaker 1>Is that where we're going? That was the song of

0:41:35.120 --> 0:41:41.560
<v Speaker 1>my youth? Yeah, yeah, yeah yeah. My generation is lyrics,

0:41:41.680 --> 0:41:48.120
<v Speaker 1>like yeah right, we made lyrics a bit like what

0:41:48.800 --> 0:41:52.279
<v Speaker 1>can I just yeah, that scares the hell out of

0:41:52.320 --> 0:41:56.839
<v Speaker 1>me to sing and to play drums. I just don't

0:41:56.880 --> 0:42:00.600
<v Speaker 1>know how you do it. It's nothing to be scared about, Broake,

0:42:04.280 --> 0:42:07.520
<v Speaker 1>Are you sure it's honest? I mean they say you

0:42:07.600 --> 0:42:13.640
<v Speaker 1>should always try things that scare you. Uh, okay, on

0:42:13.719 --> 0:42:19.960
<v Speaker 1>big fella, okay, okay, all right? Oh was I gonna

0:42:20.000 --> 0:42:25.000
<v Speaker 1>sit on your lap? Oh is that hell? Lessons are well,

0:42:25.560 --> 0:42:33.800
<v Speaker 1>that's a weird drum school. Then okay, I'll just dive in,

0:42:34.000 --> 0:43:03.360
<v Speaker 1>right mm hmm, Okay, take my time as I'm singing

0:43:03.480 --> 0:43:11.160
<v Speaker 1>and playing the drums at the same time. And now

0:43:11.280 --> 0:43:15.040
<v Speaker 1>that I'm doing it, it's not as hard as I drunk.

0:43:18.680 --> 0:43:27.480
<v Speaker 1>In fact, I'm pretty darn good at this. It's a

0:43:27.520 --> 0:43:30.840
<v Speaker 1>pleasing time I make when I sing and played drums.

0:43:33.600 --> 0:43:36.480
<v Speaker 1>Maybe someone will record this and put it on a

0:43:36.640 --> 0:43:48.800
<v Speaker 1>sleep machine. Whoa, whoa, that's pretty good. Um, all right, everyone,

0:43:48.880 --> 0:43:52.120
<v Speaker 1>just stay time, get up, get up. That's probably what

0:43:52.239 --> 0:43:57.960
<v Speaker 1>made him. That's fine, don't make it mad. Oh no,

0:43:58.080 --> 0:44:03.920
<v Speaker 1>the girl boy has returned? Ah? What is he looking for?

0:44:06.280 --> 0:44:10.160
<v Speaker 1>What happens to this poor little boy? I just want

0:44:10.200 --> 0:44:14.560
<v Speaker 1>to make sure that's something. What are you doing? What

0:44:14.640 --> 0:44:16.280
<v Speaker 1>are you checking him from? Just making sure he doesn't

0:44:16.280 --> 0:44:22.919
<v Speaker 1>have a doesn't have a ghost gun on him? He's clean?

0:44:27.280 --> 0:44:30.080
<v Speaker 1>What happened to you? Little boy? Can tell us what

0:44:30.239 --> 0:44:32.880
<v Speaker 1>happened to you? What haunts you? Can you whisper it?

0:44:35.040 --> 0:44:40.680
<v Speaker 1>Can you whisper? Oh? My god? Is he okay? He

0:44:40.840 --> 0:44:46.600
<v Speaker 1>murdered his whole entire family, all right, on this night,

0:44:47.520 --> 0:44:52.160
<v Speaker 1>this very spot. Three years ago. That can't be good

0:44:52.239 --> 0:44:57.880
<v Speaker 1>for us. Are you looking to murder again? Is it

0:44:58.000 --> 0:45:01.839
<v Speaker 1>someone here in this audience? M hm? Can you point

0:45:01.880 --> 0:45:07.560
<v Speaker 1>them out? Someone out there? Where are they? Oh? Not?

0:45:08.560 --> 0:45:16.600
<v Speaker 1>Are you? That is so rude? Thank god, it wasn't me.

0:45:16.640 --> 0:45:19.480
<v Speaker 1>I knew it wasn't gonna be Anderson for sure, he's

0:45:19.480 --> 0:45:24.560
<v Speaker 1>got a residency. I think we just have to get

0:45:24.600 --> 0:45:26.560
<v Speaker 1>him out of Oh I forgot. I have an agent

0:45:26.600 --> 0:45:31.560
<v Speaker 1>scroll a ghost. I always keep it next to the

0:45:31.600 --> 0:45:39.880
<v Speaker 1>beanie babies just in case. Okay, ye ghost, ye ghost,

0:45:40.719 --> 0:45:48.640
<v Speaker 1>Ye little boy Google, stop haunting Largo. We'd like to say,

0:45:48.800 --> 0:46:07.000
<v Speaker 1>chow chow chow. It worked. Wow ancient Italian spell Italian? Yes,

0:46:07.440 --> 0:46:11.160
<v Speaker 1>very savvy. Um Anderson, we can't thank you enough for

0:46:11.239 --> 0:46:16.600
<v Speaker 1>coming on tonight. You're an amazing artist. Anderson bark everyone,

0:46:20.719 --> 0:46:37.040
<v Speaker 1>Anderson bark. Oh my god. Now that's a star. I

0:46:37.120 --> 0:46:39.560
<v Speaker 1>always tell you you can see it. But mile a way.

0:46:39.560 --> 0:46:41.759
<v Speaker 1>When he walks into the room, it was it was

0:46:41.880 --> 0:46:45.319
<v Speaker 1>Boner city out there, you know what I mean. Oh

0:46:45.880 --> 0:46:50.560
<v Speaker 1>bo ouga uga. I'm afraid we're at the end of

0:46:50.600 --> 0:46:54.520
<v Speaker 1>our show. I know we've come to but I have

0:46:54.640 --> 0:46:56.919
<v Speaker 1>one last stegment. I like to end with a little

0:46:56.960 --> 0:47:05.520
<v Speaker 1>thing I like to call my take. Yeah, uh, I'll

0:47:05.600 --> 0:47:18.920
<v Speaker 1>just get out of here. One of the great quotes

0:47:19.000 --> 0:47:30.800
<v Speaker 1>in history, and I forget who said it. Whether it

0:47:30.880 --> 0:47:35.080
<v Speaker 1>was Buddha Gandhi or John F. Kennedy, it doesn't really matter.

0:47:36.719 --> 0:47:40.759
<v Speaker 1>The quote goes something like this, love makes you do

0:47:41.000 --> 0:47:57.080
<v Speaker 1>crazy things. Now, over the years, I have had many loves,

0:47:57.200 --> 0:48:00.439
<v Speaker 1>and I have been guilty of being crazy in love,

0:48:01.400 --> 0:48:05.239
<v Speaker 1>no question. I have loved people and objects as hard

0:48:05.280 --> 0:48:10.959
<v Speaker 1>as anyone could love, especially chocolate. Don't get me going

0:48:11.040 --> 0:48:17.360
<v Speaker 1>on chocolate. I'm a chocoholic. Dark chocolate, semi sweet milk,

0:48:17.680 --> 0:48:24.480
<v Speaker 1>yum yum yum. But I digress. I guess the big

0:48:24.600 --> 0:48:28.320
<v Speaker 1>question we're trying to ask ourselves is can love actually

0:48:28.520 --> 0:48:32.880
<v Speaker 1>make you do crazy things? Can you just walk onto

0:48:32.960 --> 0:48:36.719
<v Speaker 1>a commercial airline flight, refuse to wear a mask, and

0:48:36.840 --> 0:48:40.080
<v Speaker 1>then proclaim you know why I refuse to wear a

0:48:40.239 --> 0:48:47.080
<v Speaker 1>mask because I'm in love. I'm in love and I

0:48:47.360 --> 0:48:55.399
<v Speaker 1>don't care who knows it. Can I just walk into

0:48:55.480 --> 0:49:00.279
<v Speaker 1>my local Starbucks and start urinating on the wall. Yeah,

0:49:01.880 --> 0:49:04.320
<v Speaker 1>and when the staff says, sir, what are you doing?

0:49:04.440 --> 0:49:08.880
<v Speaker 1>There's a restroom just two ft away from you, I

0:49:09.000 --> 0:49:12.440
<v Speaker 1>can say I know I see it. I'm not blind.

0:49:13.960 --> 0:49:19.200
<v Speaker 1>I'm in love, and I'm going to direct my firm

0:49:19.440 --> 0:49:24.560
<v Speaker 1>hot urine stream so that it douses everything in your star.

0:49:30.000 --> 0:49:34.000
<v Speaker 1>Can I steal a car from a showroom floor, then

0:49:34.200 --> 0:49:37.760
<v Speaker 1>lead law enforcement on a six hour slow speed chase,

0:49:40.200 --> 0:49:42.000
<v Speaker 1>and then when they're cuffing me on the ground and

0:49:42.080 --> 0:49:44.719
<v Speaker 1>ask me why I did it? I can bellow. I

0:49:44.840 --> 0:49:50.840
<v Speaker 1>don't know what to say, but I'm in love. Cupid

0:49:51.160 --> 0:49:53.960
<v Speaker 1>arrow hit me and I was overcome with the need

0:49:54.120 --> 0:50:02.800
<v Speaker 1>to steal a fully loaded forward focus. These are the

0:50:02.960 --> 0:50:08.680
<v Speaker 1>questions that have baffled mankind for centuries. Experts say that

0:50:09.120 --> 0:50:12.319
<v Speaker 1>two people who are only vaguely attracted to each other

0:50:12.840 --> 0:50:15.400
<v Speaker 1>can fall madly in love if they go through a

0:50:15.520 --> 0:50:20.000
<v Speaker 1>scary or exciting experience together. Boy, don't I know it.

0:50:21.320 --> 0:50:23.600
<v Speaker 1>I was once trapped in a well for two weeks

0:50:23.840 --> 0:50:31.080
<v Speaker 1>with a with a Mexican guy named Alessandro Patadina, and

0:50:31.239 --> 0:50:36.399
<v Speaker 1>it was scary and exciting and we fell for each

0:50:36.440 --> 0:50:41.360
<v Speaker 1>other hard, nothing crazy, just some hand holding and he

0:50:41.400 --> 0:50:45.840
<v Speaker 1>would occasionally caress my cheek. We were eventually rescued, and

0:50:46.200 --> 0:50:49.240
<v Speaker 1>when we got back on solid ground and the cheering

0:50:49.360 --> 0:50:52.719
<v Speaker 1>was over, we looked at each other and realized the

0:50:52.800 --> 0:50:56.960
<v Speaker 1>spell was broken. Just like that, we were no longer

0:50:57.000 --> 0:51:00.320
<v Speaker 1>in love. So it was love just a chemical action?

0:51:01.200 --> 0:51:06.840
<v Speaker 1>Is it spiritual? Who knows? We all just need to

0:51:07.000 --> 0:51:10.920
<v Speaker 1>love and be willing to be loved. Do me a

0:51:11.000 --> 0:51:14.440
<v Speaker 1>favor when you go home tonight, grab your loved one

0:51:14.640 --> 0:51:19.879
<v Speaker 1>or ones, hold them tenderly, look them in the eye,

0:51:20.000 --> 0:51:22.120
<v Speaker 1>and then bite them as hard as you can in

0:51:22.200 --> 0:51:27.080
<v Speaker 1>a cheek and then just say I'm sorry. I know

0:51:27.239 --> 0:51:37.239
<v Speaker 1>that was crazy. I love you. And if we all

0:51:37.360 --> 0:51:39.360
<v Speaker 1>just took a moment to do that to the people

0:51:39.480 --> 0:51:42.080
<v Speaker 1>we care about, the world would be a better place.

0:51:42.760 --> 0:51:47.680
<v Speaker 1>I'm Ron Burgundy and that's my take on than what

0:51:47.920 --> 0:51:57.120
<v Speaker 1>that grag s sis me because he stuck looking so

0:51:57.320 --> 0:52:00.560
<v Speaker 1>fine to dry like a chuckle like a fla saw

0:52:00.680 --> 0:52:03.320
<v Speaker 1>him duncker fo we'll dry so we never gets a

0:52:03.400 --> 0:52:06.920
<v Speaker 1>duck fright so far to get up a lot of

0:52:07.000 --> 0:52:09.640
<v Speaker 1>band wins. And he's a guy. He ain't no stand

0:52:09.719 --> 0:52:12.399
<v Speaker 1>and he doesn't have he's on a nighttime sandwich because

0:52:12.440 --> 0:52:17.760
<v Speaker 1>everybody knows he's the Burgunzi bandit. The Ron Burgundy Podcast