1 00:00:06,920 --> 00:00:11,920 Speaker 1: He's a sexy sexy man, a sexy sexy plan because 2 00:00:11,920 --> 00:00:14,440 Speaker 1: he ain't no stuck up looking so flight you could 3 00:00:14,480 --> 00:00:17,880 Speaker 1: try like a trucker, clean like a plank and solid, younger, 4 00:00:18,040 --> 00:00:20,919 Speaker 1: fool wheel dry so we never get stuck up. He 5 00:00:21,640 --> 00:00:24,080 Speaker 1: pray so far to get up a lot of bandwids. 6 00:00:24,160 --> 00:00:26,400 Speaker 1: And he's a guy. Yeah, he ain't no standing. He 7 00:00:26,480 --> 00:00:29,680 Speaker 1: doesn't have cheese on a nighttime standwich because everybody knows 8 00:00:29,720 --> 00:00:37,200 Speaker 1: he's the Burgens. He banded Ron Burgundy Podcast Live from Hollywood, California. 9 00:00:38,159 --> 00:00:48,519 Speaker 1: But your hat take out every Ron Bergar. Woh, oh 10 00:00:48,520 --> 00:01:00,440 Speaker 1: my godness, thank you, thank you yo, thank you, welcome, 11 00:01:00,800 --> 00:01:05,600 Speaker 1: welcome everyone. Great to see you all. Of course I'm 12 00:01:05,680 --> 00:01:13,040 Speaker 1: joined by the lovely Carolina. Great to have people out 13 00:01:13,040 --> 00:01:17,680 Speaker 1: on a Tuesday night. Thank you guys for buying tickets. Um. 14 00:01:17,800 --> 00:01:20,119 Speaker 1: All of the proceeds are going to Mercy Corps, which 15 00:01:20,160 --> 00:01:22,960 Speaker 1: is an amazing charity of helping families in the Ukraine 16 00:01:23,040 --> 00:01:26,640 Speaker 1: right now, so we really appreciate it and it's very special. 17 00:01:26,760 --> 00:01:37,920 Speaker 1: Tonight is our ten thousand podcast and not I'm I 18 00:01:37,920 --> 00:01:43,000 Speaker 1: think we've done like fifty tops maybe last Carolina, canna 19 00:01:43,000 --> 00:01:47,119 Speaker 1: have a quick sidebar with you look, here's the thing. 20 00:01:47,160 --> 00:01:51,520 Speaker 1: They don't know that and and what's the big deal. Well, 21 00:01:51,760 --> 00:01:53,840 Speaker 1: you know, they can look it up whether we've done 22 00:01:53,880 --> 00:01:58,040 Speaker 1: forty or fifty or two. All they know is that 23 00:01:58,080 --> 00:02:00,480 Speaker 1: this is our ten thousand show and it gives them 24 00:02:00,520 --> 00:02:02,560 Speaker 1: like it makes it a really special night. You know. 25 00:02:03,040 --> 00:02:04,920 Speaker 1: I'm sorry. I think they can hear us right now, 26 00:02:05,080 --> 00:02:07,280 Speaker 1: they can't. I called for a sidebar. Do you not 27 00:02:07,440 --> 00:02:12,760 Speaker 1: watch Law and Order? Whenever they say let's have a sidebar, 28 00:02:13,160 --> 00:02:15,520 Speaker 1: that means everyone in the court has to stop listening, 29 00:02:16,440 --> 00:02:19,840 Speaker 1: and it's a professional courtesy. Right now, they're just in 30 00:02:19,880 --> 00:02:22,040 Speaker 1: fact whatever they're laughing at. Incidentally, I don't know if 31 00:02:22,040 --> 00:02:26,320 Speaker 1: it's a far side cartoon or something, but they're they're 32 00:02:26,320 --> 00:02:29,440 Speaker 1: passing around a far side. That's why they keep laughing. 33 00:02:30,120 --> 00:02:32,720 Speaker 1: But I've called for a sidebar, so they're not paying 34 00:02:32,720 --> 00:02:35,480 Speaker 1: attention to anything we're saying. Okay, so just go with me. 35 00:02:36,400 --> 00:02:45,919 Speaker 1: It's our podcasts. Is that wonderful? Yeah? Quick sidebar. I 36 00:02:46,040 --> 00:02:50,800 Speaker 1: feel terrible. These people are the stupidest people have ever 37 00:02:50,840 --> 00:02:54,880 Speaker 1: seen and we've we're totally lying to them. And if 38 00:02:54,919 --> 00:02:59,720 Speaker 1: they don't know it, up, boy, I think we go 39 00:02:59,800 --> 00:03:01,560 Speaker 1: back and we're honest. This time, I'm not going to 40 00:03:01,639 --> 00:03:03,960 Speaker 1: sleep well to night. No, we can't go back, don't 41 00:03:04,040 --> 00:03:11,200 Speaker 1: ever go back. Thank you for that Sideby Anyway podcast. 42 00:03:11,680 --> 00:03:15,200 Speaker 1: And we're feeling great excite here to be at Largo. 43 00:03:15,480 --> 00:03:21,080 Speaker 1: One of them a wonderful establishment. Um do you know 44 00:03:21,160 --> 00:03:26,200 Speaker 1: the Flanagan, the proprietor of this establishment, has told me 45 00:03:26,440 --> 00:03:29,840 Speaker 1: that they are currently in construction. They're building a tunnel 46 00:03:30,440 --> 00:03:34,440 Speaker 1: underneath La Sienega that's gonna pop up in the middle 47 00:03:34,480 --> 00:03:40,200 Speaker 1: of Sin the Gentleman's Club across the way. So if 48 00:03:40,200 --> 00:03:46,400 Speaker 1: you want to go see some two for one and 49 00:03:46,440 --> 00:03:48,080 Speaker 1: the tell just goes into the middle of the floor 50 00:03:48,080 --> 00:03:50,440 Speaker 1: at the middle of Florence and you just pop up 51 00:03:50,440 --> 00:03:54,840 Speaker 1: on a cool little elevator with smoke. So that'll be 52 00:03:54,840 --> 00:04:00,440 Speaker 1: available spring of wo okay, something to look because he's 53 00:04:00,480 --> 00:04:07,120 Speaker 1: having to do the construction himself. That's crazy. It is crazy. 54 00:04:08,280 --> 00:04:11,240 Speaker 1: Where is the tunnel going to start? I think it's 55 00:04:11,240 --> 00:04:14,480 Speaker 1: starting somewhere in the lobby and uh yeah, they're just 56 00:04:14,520 --> 00:04:16,560 Speaker 1: you know, getting a bunch of jackhammers and doing it 57 00:04:16,600 --> 00:04:20,360 Speaker 1: on weekends. In fact, if anyone wants to stop buying 58 00:04:20,360 --> 00:04:24,400 Speaker 1: weekends and join the jackhammer party and build the tunnel 59 00:04:24,440 --> 00:04:30,919 Speaker 1: to Sin You're welcome to stop by it. We have 60 00:04:30,960 --> 00:04:33,880 Speaker 1: to talk about last night, So Sunday night, not last night. 61 00:04:34,120 --> 00:04:37,039 Speaker 1: I feel like I was last night. Well something happened 62 00:04:37,040 --> 00:04:39,880 Speaker 1: to me last night. But let's talk about Sunday night. 63 00:04:39,920 --> 00:04:42,160 Speaker 1: Let's talk about Sunday night. Just get it out of 64 00:04:42,160 --> 00:04:53,560 Speaker 1: the way. We all saw it. Jacob ALRTI Jacobi got 65 00:04:53,560 --> 00:04:56,080 Speaker 1: invited to be on the Oscars and it was like, 66 00:04:56,240 --> 00:05:01,400 Speaker 1: what is diacolordy doing out there? Are you? Who are you? 67 00:05:01,520 --> 00:05:05,800 Speaker 1: Jacob Lord? You're a tall boy? How does that qualify 68 00:05:05,839 --> 00:05:09,799 Speaker 1: you to present at the oscars? He's got baby smooth skin. 69 00:05:09,920 --> 00:05:14,800 Speaker 1: I'll know that tall drink of water? I know. Confuse me. 70 00:05:15,080 --> 00:05:20,000 Speaker 1: I was like, what my channel Jacob broken? I just 71 00:05:20,120 --> 00:05:23,640 Speaker 1: couldn't believe it. I was slack yard. Here's the other 72 00:05:23,720 --> 00:05:28,640 Speaker 1: question I have. Why was everyone doing jazz hands during 73 00:05:28,640 --> 00:05:33,880 Speaker 1: the show. It's a it's applause in sign language. It's 74 00:05:33,920 --> 00:05:43,120 Speaker 1: applause in what in sign language? And sign language does what? Sidebar? Sidebar? 75 00:05:43,320 --> 00:05:48,640 Speaker 1: You know what? It's okay, that's a longer episode. Anyway. 76 00:05:49,520 --> 00:05:54,240 Speaker 1: You said that you had great news. I've got great news. Okay, 77 00:05:56,160 --> 00:06:02,760 Speaker 1: who is right? Uh? I have been selected to host 78 00:06:02,839 --> 00:06:11,880 Speaker 1: next year's Oscars. Yes, how who were How did that 79 00:06:12,120 --> 00:06:14,839 Speaker 1: come to you? Well, they reached out to my people. 80 00:06:16,120 --> 00:06:20,440 Speaker 1: I'm your people, I know you and I are my people. 81 00:06:21,760 --> 00:06:24,360 Speaker 1: So they reached out to you. Well, they didn't reach out. 82 00:06:24,960 --> 00:06:28,080 Speaker 1: They start with a shortlist and they whittle it down. 83 00:06:29,200 --> 00:06:31,560 Speaker 1: But I've got every indication I'm on that short list. There. 84 00:06:31,760 --> 00:06:35,640 Speaker 1: They should be calling you soon. I can't wait. I'm 85 00:06:35,680 --> 00:06:38,279 Speaker 1: a little worried for you to host the Oscars, but no, 86 00:06:38,600 --> 00:06:42,159 Speaker 1: I'm I'm excited and I in fact, I've already started 87 00:06:42,200 --> 00:06:46,160 Speaker 1: working on my material and I would love to share 88 00:06:46,200 --> 00:06:52,400 Speaker 1: it with you tonight if I could. Yes, okay, alright, great. 89 00:06:52,520 --> 00:06:58,560 Speaker 1: I'm not a stand up comedian, so you'll have to 90 00:06:58,560 --> 00:07:02,360 Speaker 1: bear with me. Um. These are just a few things 91 00:07:02,360 --> 00:07:05,599 Speaker 1: I've jotted down, some notes. Uh. But you know a 92 00:07:05,600 --> 00:07:07,120 Speaker 1: lot of a lot of stand ups coming up to 93 00:07:07,400 --> 00:07:10,520 Speaker 1: places like Largo, and they work through their acting. So 94 00:07:11,440 --> 00:07:16,000 Speaker 1: if you'll, if you'll indulge me, elected work through. So 95 00:07:16,040 --> 00:07:22,360 Speaker 1: am I Oscar stand up for next year the Oscars. 96 00:07:24,920 --> 00:07:35,880 Speaker 1: M now you're doing tonight. Welcome to the the nine 97 00:07:35,960 --> 00:07:39,200 Speaker 1: at four. I don't know what. Okay, they'll tell me. 98 00:07:42,440 --> 00:07:46,880 Speaker 1: Welcome to the five Oscars years that will be, I 99 00:07:46,920 --> 00:07:52,840 Speaker 1: won't have to worry about that. Great. I see there's 100 00:07:52,880 --> 00:07:57,600 Speaker 1: a category for best hair and makeup and the winner 101 00:07:57,840 --> 00:08:11,240 Speaker 1: is not G I Jane two. You're okay, You're okay. 102 00:08:13,280 --> 00:08:23,240 Speaker 1: Ron looks a little scared, but it's all right, okay. 103 00:08:24,520 --> 00:08:27,840 Speaker 1: In fact, there wasn't any hair in makeup. Everyone had 104 00:08:27,920 --> 00:08:39,600 Speaker 1: shaved heads. It reminds me. I went to my barber 105 00:08:39,720 --> 00:08:44,320 Speaker 1: and I I say, take a little off the top, Pete. 106 00:08:45,440 --> 00:08:48,960 Speaker 1: And he says how much? And I say, not as 107 00:08:49,040 --> 00:08:54,200 Speaker 1: much as G I Jane too. It's okay. No one's coming, 108 00:08:54,360 --> 00:09:00,240 Speaker 1: No one's coming, No one's coming, No, no one's there. No, 109 00:09:00,400 --> 00:09:05,600 Speaker 1: I'm just I'm practicing. When my host, well, it's okay, 110 00:09:06,480 --> 00:09:09,480 Speaker 1: you got it. You're a you're taking yourself out. You're 111 00:09:09,480 --> 00:09:18,640 Speaker 1: taking yourself out. Okay. Uh, I tweaked my back on 112 00:09:18,679 --> 00:09:22,439 Speaker 1: that one. I'm not gonna lie to you a little bit. Okay, 113 00:09:22,480 --> 00:09:29,240 Speaker 1: what else? What else do I got? No? G I 114 00:09:29,320 --> 00:09:34,199 Speaker 1: j And Tune is a great movie. Huh, keep going 115 00:09:34,240 --> 00:09:38,520 Speaker 1: with it. Everyone loves it unless you happen to be 116 00:09:38,640 --> 00:09:46,800 Speaker 1: ad lies because there's no hair. There's no hair. There's 117 00:09:46,840 --> 00:09:50,839 Speaker 1: no hair. Are you going to do neat hair? They 118 00:09:50,840 --> 00:09:54,920 Speaker 1: need like a community an environment of hair, and without it, 119 00:09:55,400 --> 00:09:59,840 Speaker 1: they're bummed. They can't live. We get it, neurally, got it? 120 00:10:02,800 --> 00:10:07,480 Speaker 1: What else? Let's do? Then? I have some over, I 121 00:10:07,559 --> 00:10:11,800 Speaker 1: have some regional humor here, we got any people from 122 00:10:11,800 --> 00:10:19,920 Speaker 1: the Central Valley Oscar's audience. That'll work right for the 123 00:10:19,960 --> 00:10:24,719 Speaker 1: Oscar Maybe maybe it's a little inside baseball for those 124 00:10:24,760 --> 00:10:26,680 Speaker 1: of you watching at home. There's a place called the 125 00:10:26,720 --> 00:10:32,040 Speaker 1: Central Valley in California. Some people call it the bread Basket. 126 00:10:34,360 --> 00:10:38,480 Speaker 1: Uh did someone just say Jesus, give me a break, man, 127 00:10:38,520 --> 00:10:44,240 Speaker 1: I'm not a stand up. Hey, why do they call 128 00:10:44,320 --> 00:10:57,160 Speaker 1: it Sacramento? Do they make sacred mentos there? You guys 129 00:10:57,160 --> 00:11:07,920 Speaker 1: remember mentos? Right? Those odd commercials? They were weird. What 130 00:11:08,000 --> 00:11:11,880 Speaker 1: about the kid Cat Bar? Remember kid cat bars? Huh? 131 00:11:13,240 --> 00:11:17,360 Speaker 1: What if Bob Dylan did the kid Cat Bar song? 132 00:11:18,480 --> 00:11:24,720 Speaker 1: It would go something like this, give me a break, 133 00:11:28,200 --> 00:11:34,520 Speaker 1: That's all I got, Give me a break, break me up, 134 00:11:34,679 --> 00:11:44,600 Speaker 1: a bit of a kid kid bard. Mm hmm. Let 135 00:11:44,600 --> 00:11:47,360 Speaker 1: me write that down. That's an applause break. I don't 136 00:11:47,360 --> 00:11:50,440 Speaker 1: want to I forgot to bring my pin out here 137 00:11:50,480 --> 00:11:53,960 Speaker 1: with me. All right, Well, make a mental note. Okay, 138 00:11:55,040 --> 00:11:56,760 Speaker 1: what else? What the what else is in the news? 139 00:11:57,400 --> 00:12:00,800 Speaker 1: Oh oh, have you heard about these self driving cars? 140 00:12:02,520 --> 00:12:05,720 Speaker 1: Have these cars now that that drive around without a driver? 141 00:12:10,600 --> 00:12:18,560 Speaker 1: What if you're adam driver and you're in the back 142 00:12:18,559 --> 00:12:22,360 Speaker 1: seat of a driverless car and a cop pulls you over, 143 00:12:23,480 --> 00:12:28,000 Speaker 1: he says, are you the driver? How confusing would that be? 144 00:12:39,000 --> 00:12:45,360 Speaker 1: Governor rn De Santis is at it again. That guy 145 00:12:45,520 --> 00:12:50,719 Speaker 1: is so weird they should call him Randa Mentos, Right, am, 146 00:12:50,720 --> 00:12:59,680 Speaker 1: I right? Anyway, he doesn't want teachers to say the 147 00:12:59,679 --> 00:13:02,800 Speaker 1: word gay in the classroom like it's a dirty word. 148 00:13:04,360 --> 00:13:09,760 Speaker 1: The only wordy dirt in the only word, the only 149 00:13:10,120 --> 00:13:14,120 Speaker 1: the one, hold on, hold on, hold on, the only 150 00:13:14,160 --> 00:13:20,120 Speaker 1: flirty dirt and goddamn it, pull it together, on, pull it, 151 00:13:20,240 --> 00:13:23,520 Speaker 1: pull your together. Right now, you're on the oscars. For 152 00:13:23,600 --> 00:13:32,199 Speaker 1: Christ's sake. You're bleeding out here, buddy, Apply a tourniquet 153 00:13:32,200 --> 00:13:41,400 Speaker 1: and get your head screwed on. The only dirty word 154 00:13:42,360 --> 00:13:53,240 Speaker 1: in the state of Florida is de Santis. Anyway, we 155 00:13:53,320 --> 00:13:59,480 Speaker 1: got a great rest of the show. Uh, she was 156 00:13:59,520 --> 00:14:03,240 Speaker 1: a cat woman and he was in cats. Put your 157 00:14:03,280 --> 00:14:08,440 Speaker 1: hands together for a halle Berry and who was in cats? 158 00:14:08,600 --> 00:14:15,800 Speaker 1: To James Cordon, James Gordon, So there'd be a transition 159 00:14:15,880 --> 00:14:17,640 Speaker 1: like that don't. I'd have to worry about that they 160 00:14:17,679 --> 00:14:21,920 Speaker 1: would write that for me. But little work in progress, 161 00:14:21,920 --> 00:14:25,640 Speaker 1: something i'm you know, noodling with. But thank you, thank 162 00:14:25,680 --> 00:14:31,040 Speaker 1: you so much. It's so helpful to work out your material. 163 00:14:32,360 --> 00:14:35,280 Speaker 1: I'm gonna say there was there was three g I Jane, 164 00:14:35,280 --> 00:14:40,240 Speaker 1: two jokes, okay, so maybe just do too, maybe one tops, 165 00:14:40,320 --> 00:14:47,200 Speaker 1: just one tops, okay, all right, Yeah, we're working on 166 00:14:47,240 --> 00:14:50,560 Speaker 1: a catchphrase here at the Burgundy Podcast. Yes, this is 167 00:14:50,600 --> 00:14:54,880 Speaker 1: fun little audience participation, just if you feel so inclined 168 00:14:54,920 --> 00:15:05,080 Speaker 1: to repeat with me. Well, oh whoa, whoa, whoa whoa, 169 00:15:05,720 --> 00:15:12,240 Speaker 1: Sorry about that. Um, that happens often here at Largo. Uh. 170 00:15:12,280 --> 00:15:15,520 Speaker 1: For those of you who frequent this wonderful theater, you 171 00:15:15,680 --> 00:15:21,760 Speaker 1: all are aware, I'm sure by now that it is haunted. Yeah, 172 00:15:21,800 --> 00:15:28,800 Speaker 1: and spooky things happen occasionally. Um, but that's just what 173 00:15:28,840 --> 00:15:33,560 Speaker 1: are gonna do. It's a quirky place. That's a quirky 174 00:15:33,560 --> 00:15:42,320 Speaker 1: little place. Um, but it is haunted. So okay, no 175 00:15:42,360 --> 00:15:46,960 Speaker 1: big whoop, no big whoop. Slightly haunted. This is quite 176 00:15:46,960 --> 00:15:51,920 Speaker 1: a coup for us because we don't get high quality people, 177 00:15:54,640 --> 00:15:59,080 Speaker 1: not really. We just we get a motley rag tag 178 00:15:59,080 --> 00:16:04,280 Speaker 1: group and we're happy to have them. We love our guests, 179 00:16:04,280 --> 00:16:11,480 Speaker 1: but sometimes but sometimes they blow um and I'm sweating 180 00:16:11,480 --> 00:16:13,720 Speaker 1: my nuts off trying to figure out what to talk 181 00:16:13,800 --> 00:16:19,960 Speaker 1: to him about top dancing, tap dancing. But tonight we 182 00:16:20,000 --> 00:16:21,800 Speaker 1: don't have to worry about to worry about it, Ladies 183 00:16:21,840 --> 00:16:33,880 Speaker 1: and gentlemen, please put your hands together for Mr Anderson. Pack. Yes, 184 00:16:40,200 --> 00:16:46,720 Speaker 1: and it's a pack. Everyone pas to meet. Great to 185 00:16:46,760 --> 00:16:49,200 Speaker 1: see you, my friend. Oh my god, it's right, it's 186 00:16:49,200 --> 00:16:59,800 Speaker 1: really him, see I told you, yes, yes, lord? What 187 00:17:00,000 --> 00:17:06,600 Speaker 1: what's happening? Like? I never heard of Do you know that? Gentleman? Yeah? 188 00:17:06,960 --> 00:17:11,080 Speaker 1: I want to know him. Well, maybe this is maybe 189 00:17:11,119 --> 00:17:17,960 Speaker 1: something's gonna happen at the end of the night. Keep 190 00:17:18,000 --> 00:17:22,600 Speaker 1: it cool, everyone, keep it cool. Friday? What happened on Friday? 191 00:17:22,880 --> 00:17:25,440 Speaker 1: You must be talking about the residency Las Vegas? You 192 00:17:25,480 --> 00:17:28,440 Speaker 1: were in Las Vegas. You're currently doing a residency, got 193 00:17:28,440 --> 00:17:33,720 Speaker 1: a residency, got a new look? I needed a Vegas look. 194 00:17:33,880 --> 00:17:39,760 Speaker 1: You're doing that with Bruno Mars. Is that nice? And 195 00:17:39,840 --> 00:17:42,959 Speaker 1: how long has that been going on? We were like 196 00:17:43,000 --> 00:17:46,399 Speaker 1: twelve shows now okay, yeah, we have like all of me. 197 00:17:46,760 --> 00:17:48,920 Speaker 1: Let's take a little break. But we have a couple 198 00:17:49,000 --> 00:17:52,879 Speaker 1: more shows this week. Shows in you and you and 199 00:17:52,920 --> 00:17:55,879 Speaker 1: Bruno mar I mean, you guys are a wonderful pair together. 200 00:17:56,000 --> 00:18:01,439 Speaker 1: You guys, really are you? You're incredible? Um, I assume 201 00:18:01,480 --> 00:18:06,600 Speaker 1: he's a nice guy. Yeah I did too, but okay, 202 00:18:07,840 --> 00:18:13,320 Speaker 1: he's fair. Hey, kind of like my father. You just 203 00:18:13,359 --> 00:18:16,040 Speaker 1: make your money. You don't talk to each other, get 204 00:18:16,080 --> 00:18:19,720 Speaker 1: the job done. Simple yet stern. You go your way. 205 00:18:19,800 --> 00:18:23,320 Speaker 1: He goes his way. I like to go his way too, though. 206 00:18:25,000 --> 00:18:27,800 Speaker 1: I like picking his brain. He's a little guy. He's 207 00:18:27,800 --> 00:18:29,280 Speaker 1: like a little guy. Do you ever just knock him 208 00:18:29,280 --> 00:18:33,679 Speaker 1: down to the ground. The way he's built, It's like 209 00:18:33,840 --> 00:18:36,280 Speaker 1: I could break you in half. Never seen the shape. 210 00:18:36,600 --> 00:18:39,679 Speaker 1: I've never seen a shape like this, probably not since Prince. 211 00:18:40,040 --> 00:18:43,640 Speaker 1: Those guys can get into different situations like well, they're 212 00:18:43,680 --> 00:18:50,120 Speaker 1: all muscle, all muscle and sin. Yeah, exactly, all condensed. Yes, 213 00:18:50,640 --> 00:19:09,840 Speaker 1: like a like a wolverine. I can't believe we have 214 00:19:09,920 --> 00:19:12,880 Speaker 1: someone as cool as yourself on the show. Yes, it's 215 00:19:12,920 --> 00:19:16,960 Speaker 1: just this is sick. This is amazing. These crowds have 216 00:19:17,040 --> 00:19:20,280 Speaker 1: been fantastic. I mean, this crowd is a little dumb, 217 00:19:20,840 --> 00:19:26,200 Speaker 1: h but aren't they get the participation award for sure? 218 00:19:28,960 --> 00:19:31,680 Speaker 1: Now you're a local guy, you were born in Oxnard, 219 00:19:32,320 --> 00:19:35,720 Speaker 1: Ventura County. You were born, What do you remember of St. 220 00:19:35,800 --> 00:19:45,840 Speaker 1: John's Regional Medical Center? It was a dark time. Yes. 221 00:19:46,640 --> 00:19:48,560 Speaker 1: Do you remember your infancy? Do you remember coming out 222 00:19:48,600 --> 00:19:53,520 Speaker 1: of the Yeah. The reason why I ask is because 223 00:19:53,560 --> 00:19:56,960 Speaker 1: I've got a bone to pick with St. John's Medical Center. 224 00:19:57,960 --> 00:19:59,920 Speaker 1: I was up in one of the beaches there in 225 00:20:00,119 --> 00:20:04,480 Speaker 1: stepped on a rusty aboard with six rusty nails sticking 226 00:20:04,480 --> 00:20:06,359 Speaker 1: out of it, and I had to go and do 227 00:20:06,440 --> 00:20:09,439 Speaker 1: it to get a technics shop there, and they were rude. 228 00:20:09,680 --> 00:20:13,480 Speaker 1: They were just rude to me. Where did they say? Well, 229 00:20:13,520 --> 00:20:15,159 Speaker 1: they said it's time to pay, and I'm like, I 230 00:20:15,160 --> 00:20:19,320 Speaker 1: don't have any money on it. Yeah, depending on when 231 00:20:19,359 --> 00:20:25,200 Speaker 1: you go. They don't pay him well enough. So no, 232 00:20:25,280 --> 00:20:29,240 Speaker 1: real they birth you, They birth the legend and that's 233 00:20:29,240 --> 00:20:31,480 Speaker 1: their claim to fame. It's that in strawberries. That's what 234 00:20:31,520 --> 00:20:36,480 Speaker 1: the town is known Anderson strawberries. In fact, your mother 235 00:20:36,560 --> 00:20:40,600 Speaker 1: used to farm strawberries, is that correct? That's a sexy fruit. 236 00:20:42,880 --> 00:20:49,720 Speaker 1: Oh the shape, how I didn't even think about the shape. 237 00:20:50,960 --> 00:20:54,439 Speaker 1: I mean, I like him in champagne. I like dipped 238 00:20:54,440 --> 00:20:57,359 Speaker 1: in chocolate. What do you like to what do you 239 00:20:57,359 --> 00:21:05,119 Speaker 1: like to put strawberries in probably like a blender, and 240 00:21:05,200 --> 00:21:08,240 Speaker 1: do you do you sexily talk to eat strawberries? It 241 00:21:08,280 --> 00:21:10,960 Speaker 1: goes into the blender like on the season, I'm gonna 242 00:21:11,000 --> 00:21:12,760 Speaker 1: blend you up a little bit. We talked to him 243 00:21:12,760 --> 00:21:16,320 Speaker 1: too nice though. It's just okay, it's a fine line. Yeah, 244 00:21:16,440 --> 00:21:23,960 Speaker 1: right with my fruit's words to live by. What's another 245 00:21:24,040 --> 00:21:30,320 Speaker 1: sexy fruit? Okay? I think a pineapple. Pineapple is kind 246 00:21:30,320 --> 00:21:39,600 Speaker 1: of sexy. Dragon fruit. Come quiet. I was gonna say 247 00:21:39,600 --> 00:21:50,040 Speaker 1: a TAngelo persimmon, persimmon. Yeah, get me some of that 248 00:21:50,119 --> 00:21:55,800 Speaker 1: persimmon juice. Rub it all over my body, let it 249 00:21:55,880 --> 00:21:59,280 Speaker 1: drip down my back. It's got me going. Yeah, I'm 250 00:21:59,359 --> 00:22:05,280 Speaker 1: going right now too, Carolina. Any thoughts on fruits? I um, 251 00:22:05,640 --> 00:22:10,080 Speaker 1: I want to move on to the next question. You're 252 00:22:10,119 --> 00:22:15,680 Speaker 1: a singer, you're a songwriter, your rap, you play the drums, 253 00:22:16,080 --> 00:22:22,160 Speaker 1: you produce music. Is it too much? When? When does 254 00:22:22,200 --> 00:22:30,800 Speaker 1: it start to look like just bragging? It's genius? I 255 00:22:30,920 --> 00:22:34,159 Speaker 1: just I think it's better when other people say it. 256 00:22:34,280 --> 00:22:36,600 Speaker 1: For me, I try not to listen anything. I just 257 00:22:36,680 --> 00:22:39,639 Speaker 1: say I'm just here to be of service, and then 258 00:22:39,680 --> 00:22:41,119 Speaker 1: I go to the drums and start singing at the 259 00:22:41,119 --> 00:22:43,080 Speaker 1: same time and then I start, you know, dancing and 260 00:22:43,119 --> 00:22:45,320 Speaker 1: stuff and just kind of lits peep for itself and 261 00:22:45,400 --> 00:22:47,560 Speaker 1: that can gu tiring. But that's why I joined the group. 262 00:22:47,720 --> 00:22:49,359 Speaker 1: You know, I'm in a group. Now it sticks on 263 00:22:49,680 --> 00:22:52,159 Speaker 1: and I got someone to kind of you can go off, 264 00:22:52,280 --> 00:22:55,399 Speaker 1: you can share the burden getting older and there, um, 265 00:22:56,560 --> 00:22:59,080 Speaker 1: and they're not as good as you write exactly. You 266 00:22:59,160 --> 00:23:04,320 Speaker 1: see how this win. I wouldn't regardless of and and 267 00:23:04,400 --> 00:23:06,960 Speaker 1: we're all participating. It's like when I was in eighth grade. 268 00:23:07,000 --> 00:23:08,960 Speaker 1: I played with on the sixth grade basketball team and 269 00:23:09,040 --> 00:23:13,359 Speaker 1: I just dominated and it felt so good. And I 270 00:23:13,480 --> 00:23:21,360 Speaker 1: would laugh at them, aren't hair and a grade back hair? 271 00:23:21,520 --> 00:23:25,159 Speaker 1: And these snotty little kids were looking at me and 272 00:23:26,320 --> 00:23:29,800 Speaker 1: I was like, what's up, peach, fuzzly? Do something? Yeah, 273 00:23:29,960 --> 00:23:34,960 Speaker 1: do something, don't just stand. Yeah, you worked with Christina 274 00:23:35,040 --> 00:23:45,640 Speaker 1: agaul What one was that? How do you say your name? Christina? 275 00:23:45,800 --> 00:23:53,680 Speaker 1: I can't see it. Christina Aguilera, Yeah, Chris, Yeah, she's 276 00:23:53,680 --> 00:23:58,200 Speaker 1: got pipes right, come on? Yeah? Yeah? What did what 277 00:23:58,320 --> 00:24:00,399 Speaker 1: did you? Did you guys do a song together? Did 278 00:24:00,440 --> 00:24:05,119 Speaker 1: you did a few songs? Um? I produced some stuff, 279 00:24:05,160 --> 00:24:06,719 Speaker 1: But the best thing that I ever do with her 280 00:24:06,760 --> 00:24:10,760 Speaker 1: is a take the picture next to her Hollywood star, 281 00:24:11,040 --> 00:24:16,480 Speaker 1: like at three in the morning, just by yourself. Well, 282 00:24:16,720 --> 00:24:18,240 Speaker 1: she called me and she said, what are you doing 283 00:24:18,320 --> 00:24:21,399 Speaker 1: on just three in the morning. You know I'm up 284 00:24:21,880 --> 00:24:25,879 Speaker 1: by the week. And uh, she said, I'm picking you up. 285 00:24:25,920 --> 00:24:28,640 Speaker 1: We're gonna do something. So I went and she got 286 00:24:28,720 --> 00:24:32,600 Speaker 1: this escalade from like two thousand four. That's still that's 287 00:24:32,600 --> 00:24:35,600 Speaker 1: the best year about That's when they were really caring 288 00:24:35,640 --> 00:24:37,560 Speaker 1: about what they did. Run, don't walk, Get an old 289 00:24:37,560 --> 00:24:42,200 Speaker 1: four escalador. They don't make them like they used to. 290 00:24:42,359 --> 00:24:46,199 Speaker 1: I'm talking DVD play. It's that Fantis arrow where there 291 00:24:46,280 --> 00:24:48,560 Speaker 1: was you could watch a little g I j V. 292 00:24:52,240 --> 00:24:58,240 Speaker 1: Guess so sorry, and so you're in the old four escalade. 293 00:24:59,080 --> 00:25:01,600 Speaker 1: We're having a great time. I'm are we going? It's like, 294 00:25:01,680 --> 00:25:03,560 Speaker 1: we're gonna go take a picture next to my Hollywood 295 00:25:03,600 --> 00:25:06,240 Speaker 1: star three in the morning. She said, all right, you ready, 296 00:25:06,320 --> 00:25:09,919 Speaker 1: get out? Got out? She did selfie back in the car. 297 00:25:10,080 --> 00:25:13,000 Speaker 1: Now is it drop my ass off? Did you at 298 00:25:13,080 --> 00:25:16,040 Speaker 1: least go to Norms or something? I gotta wake up. 299 00:25:16,040 --> 00:25:17,200 Speaker 1: I got thing to do. I was like, yeah, we 300 00:25:17,280 --> 00:25:20,560 Speaker 1: can hit Norms, it's on the way. But she had 301 00:25:20,600 --> 00:25:22,200 Speaker 1: to wake up and do things. Are you just what 302 00:25:22,359 --> 00:25:30,760 Speaker 1: she told me. Yeah, yeah, classic. Yeah. I stayed outside 303 00:25:30,800 --> 00:25:32,000 Speaker 1: for a little bit to make sure. Yeah, I saw 304 00:25:32,000 --> 00:25:35,840 Speaker 1: her leave. She's a great Hollywood story for our ten 305 00:25:35,920 --> 00:25:40,159 Speaker 1: thousand podcasts. Incredible. What was it like working on a 306 00:25:40,240 --> 00:25:44,639 Speaker 1: pot farm? I miss it? Yeah, it would have been 307 00:25:44,680 --> 00:25:47,879 Speaker 1: so much better now that I don't smoke weed because 308 00:25:47,880 --> 00:25:54,600 Speaker 1: I quit recently. Okay, because oh oh, are you guys good? 309 00:25:55,000 --> 00:25:59,440 Speaker 1: We're all good? Uh, Anderson, we need to inform you 310 00:26:00,119 --> 00:26:04,120 Speaker 1: that this largo is haunted, just so you know. It's 311 00:26:04,160 --> 00:26:08,720 Speaker 1: not it's it's less. It's not a big deal. But 312 00:26:09,200 --> 00:26:13,399 Speaker 1: is everything all right? Everything alright? On? Hold on, hold on, 313 00:26:13,960 --> 00:26:22,560 Speaker 1: hold on God, it's a Colonial ghost Boy for those 314 00:26:22,760 --> 00:26:29,359 Speaker 1: our listeners. Colonial ghost Boy has walked onto the stage. 315 00:26:30,600 --> 00:26:32,840 Speaker 1: He's looking at us. He's holding a lantern, holding a 316 00:26:32,920 --> 00:26:36,040 Speaker 1: lanterns a zombie. He looks both a hundred years old 317 00:26:36,119 --> 00:26:40,800 Speaker 1: and six years old at the same time. He has 318 00:26:40,840 --> 00:26:46,240 Speaker 1: a devilish, impish grin on his face. He's wearing modern footwear, 319 00:26:46,480 --> 00:26:56,280 Speaker 1: which is which is an interesting touch. I can't seems 320 00:26:56,320 --> 00:27:00,840 Speaker 1: to be searching for someone something. Uh. Brief history. This 321 00:27:01,080 --> 00:27:04,360 Speaker 1: used to be the side of a pub, a British 322 00:27:04,400 --> 00:27:12,080 Speaker 1: pub burned to the ground in before the Spanish discovered California, 323 00:27:12,160 --> 00:27:20,520 Speaker 1: the and before the Germans discovered San Diego. Uh, I'm 324 00:27:20,600 --> 00:27:26,600 Speaker 1: sorry san Diego. H. It's just a lost little boy. 325 00:27:27,560 --> 00:27:29,280 Speaker 1: The British were here and they've built a pub on 326 00:27:29,320 --> 00:27:33,520 Speaker 1: this site. You must be looking colonial ghost boy. Can 327 00:27:33,640 --> 00:27:42,639 Speaker 1: we help you with something? Be gone? Be gone? Oh? Okay, 328 00:27:44,440 --> 00:27:51,159 Speaker 1: that was a lot all at once, good at that. 329 00:27:51,600 --> 00:27:53,880 Speaker 1: I need your help with that, are you okay? Anderson? 330 00:27:53,880 --> 00:27:57,400 Speaker 1: Because my heart is beating like a chinchilla and five 331 00:27:57,440 --> 00:28:02,400 Speaker 1: cups of five red bulls. I was trying to come 332 00:28:02,480 --> 00:28:09,440 Speaker 1: up with an analogy and kind of I gotta work 333 00:28:09,440 --> 00:28:11,520 Speaker 1: out the kinks because when I host the Oscars next year, 334 00:28:11,560 --> 00:28:18,600 Speaker 1: I can't I can't be flobbing things like that. Let's 335 00:28:18,640 --> 00:28:28,880 Speaker 1: get this back on track. It is right, Dre Snoop, 336 00:28:29,800 --> 00:28:38,760 Speaker 1: Kendrick Lamar, Busta Rhymes, Eminem, Bootsy Collins, Brandy Andre three thousand. 337 00:28:38,800 --> 00:28:45,920 Speaker 1: You've worked with everybody, I mean everybody the game. You know. 338 00:28:46,040 --> 00:28:50,680 Speaker 1: I played jazz flute right, I one of my whole 339 00:28:50,720 --> 00:28:53,760 Speaker 1: time favorites. And I sit by the phone for days 340 00:28:54,640 --> 00:28:57,320 Speaker 1: waiting for the call. I even when I'm cooking dinner. 341 00:28:57,320 --> 00:29:01,800 Speaker 1: I have a hundred foot long word on my phone. Yes, 342 00:29:02,040 --> 00:29:06,160 Speaker 1: I still have a landline waiting for that call. I 343 00:29:06,240 --> 00:29:10,080 Speaker 1: would love to get on one of your tracks. I would. 344 00:29:10,200 --> 00:29:15,240 Speaker 1: I would be like an absolute honor. We're Andre three thousand. 345 00:29:15,680 --> 00:29:19,640 Speaker 1: Now I know someone. I have an actor friend who 346 00:29:19,760 --> 00:29:27,520 Speaker 1: did a movie with him about ABA basketball, and I 347 00:29:27,560 --> 00:29:32,640 Speaker 1: know him very well and he just loved He told 348 00:29:32,680 --> 00:29:37,040 Speaker 1: me that Andre was the greatest guy, wonderful musician, loved 349 00:29:37,200 --> 00:29:41,400 Speaker 1: his music. But he is he still making music? Okay. 350 00:29:41,840 --> 00:29:43,200 Speaker 1: You can get him to make music if you have 351 00:29:43,240 --> 00:29:46,080 Speaker 1: a hundred thousand dollars for him. And then he gets 352 00:29:48,720 --> 00:29:54,280 Speaker 1: and he's playing flu and it's that's the special paint, 353 00:29:54,680 --> 00:30:00,120 Speaker 1: the special talents to get him back money. Yeah. Up. 354 00:30:00,200 --> 00:30:03,520 Speaker 1: And it was the best verses ever got on a record. 355 00:30:03,840 --> 00:30:10,280 Speaker 1: Blue cheese it's it's uh, it's definitely fetta. Do you 356 00:30:10,680 --> 00:30:12,760 Speaker 1: do you refer to hundred dollar bills as blue cheese 357 00:30:13,760 --> 00:30:18,800 Speaker 1: c notes? Yeah? Now I know that Andre tho thousand 358 00:30:18,840 --> 00:30:22,000 Speaker 1: got big into fashion. Do you think about getting into fashion? 359 00:30:22,040 --> 00:30:26,600 Speaker 1: Do you have a fashion line? Act gets into me? Okay, 360 00:30:27,960 --> 00:30:32,560 Speaker 1: I hear you, Yeah, yeah, because you know I know 361 00:30:32,720 --> 00:30:36,920 Speaker 1: someone who could use some help with their fashion. Uh, 362 00:30:41,240 --> 00:30:46,360 Speaker 1: I am fine, pain Okay, we got it. You can 363 00:30:46,600 --> 00:30:54,640 Speaker 1: see you pointing out. It's fine, Carolina, It's Carolina. Okay, 364 00:30:56,080 --> 00:31:00,560 Speaker 1: I'm not sitting next to sex fifth Avenue over here. Um, 365 00:31:03,200 --> 00:31:06,320 Speaker 1: we talked about you produced music and what's that like? 366 00:31:06,440 --> 00:31:10,360 Speaker 1: Do you just yell at people? Yeah? Yeah, yep, and 367 00:31:10,560 --> 00:31:12,640 Speaker 1: um I produced a lot with my band. What do 368 00:31:12,720 --> 00:31:14,960 Speaker 1: you try? How do you help someone to find the 369 00:31:15,160 --> 00:31:18,920 Speaker 1: encourage them by breaking them down and build them back up? 370 00:31:19,120 --> 00:31:22,760 Speaker 1: You stuck? Do it again? Yes, we're all waiting on you. Friend. 371 00:31:22,800 --> 00:31:25,360 Speaker 1: Phrases that used to help me out. Super constructive. If 372 00:31:25,400 --> 00:31:30,360 Speaker 1: you like it, I love it. That's cool. So you're 373 00:31:30,400 --> 00:31:33,360 Speaker 1: cool with that. Stuff like that, and then they start 374 00:31:33,440 --> 00:31:38,800 Speaker 1: to push and producing right there. That's how I was taught. Wow, 375 00:31:39,880 --> 00:31:42,040 Speaker 1: I mean I could do it all about myself. I 376 00:31:42,160 --> 00:31:46,280 Speaker 1: say that too, but it's kind of hard when I'm 377 00:31:46,320 --> 00:31:50,120 Speaker 1: defending on them to a second. But yeah, Now you 378 00:31:50,280 --> 00:31:55,000 Speaker 1: played drums during the super Bowl halftime show? Is that right? Eminem' drummer? Yea? 379 00:31:55,960 --> 00:31:58,960 Speaker 1: What an incredible some of you? I know me from that. Yeah, 380 00:31:59,280 --> 00:32:06,240 Speaker 1: I also have a Now talk about tickets to go. 381 00:32:07,560 --> 00:32:13,640 Speaker 1: Let's by the way, let's go residency everyone by, Let's 382 00:32:15,320 --> 00:32:17,240 Speaker 1: buy a block of eight tickets, doesn't matter if you 383 00:32:17,280 --> 00:32:25,040 Speaker 1: show up or not exactly because Tunnel to Sin Yes, 384 00:32:25,120 --> 00:32:31,240 Speaker 1: we do another tunnel, but I want to get back 385 00:32:31,240 --> 00:32:36,800 Speaker 1: to this halftime show. An incredible collection of artists. Uh. 386 00:32:37,560 --> 00:32:42,600 Speaker 1: Dr dre who's not a medical doctor. I looked it up. Uh, 387 00:32:43,160 --> 00:32:46,360 Speaker 1: all of these artists. Dr Drake discovered you as well. 388 00:32:46,440 --> 00:32:53,160 Speaker 1: I believe you're there in Inglewood in Compton, in front 389 00:32:53,200 --> 00:32:56,160 Speaker 1: of the world playing this music that that is the 390 00:32:56,320 --> 00:33:00,320 Speaker 1: heart of l A And are you sitting there thinking 391 00:33:01,280 --> 00:33:11,080 Speaker 1: how are the Bengals gonna win this day? I was thinking, like, 392 00:33:13,080 --> 00:33:15,800 Speaker 1: I have to time this out perfectly because if they 393 00:33:15,880 --> 00:33:21,320 Speaker 1: do win, I don't want to be here. And it 394 00:33:21,480 --> 00:33:25,080 Speaker 1: was getting really kind of close, and I'm looking at 395 00:33:25,120 --> 00:33:26,600 Speaker 1: my family. I'm like, we could probably be on the 396 00:33:26,680 --> 00:33:29,200 Speaker 1: other side of town if things go left, because Los 397 00:33:29,240 --> 00:33:32,480 Speaker 1: Angeles is very dramatic sometimes. So, um, did you have 398 00:33:32,560 --> 00:33:35,560 Speaker 1: money on the game? No? No, I was just trying 399 00:33:35,560 --> 00:33:38,440 Speaker 1: to hold my drumsticks keep you know, like stay focused. 400 00:33:38,480 --> 00:33:40,200 Speaker 1: And then I was like, oh, yeah, there's a game too, 401 00:33:40,720 --> 00:33:43,000 Speaker 1: and then um, it was an amazing show. Yeah, it 402 00:33:43,160 --> 00:33:46,400 Speaker 1: was great, and the whole day. The whole day was 403 00:33:46,560 --> 00:33:52,280 Speaker 1: definitely to see stadium full of a lot of uncoordinated 404 00:33:52,280 --> 00:33:56,600 Speaker 1: white people just having a great time. It was just 405 00:33:59,480 --> 00:34:08,680 Speaker 1: it's just people. Yeah. I like to move my body, 406 00:34:08,960 --> 00:34:12,560 Speaker 1: you know. But there was something beautiful about There's something 407 00:34:12,600 --> 00:34:30,640 Speaker 1: special about that, the freedom of it all. I've read 408 00:34:30,680 --> 00:34:33,160 Speaker 1: somewhere to you that you were a showcase model on 409 00:34:33,200 --> 00:34:36,359 Speaker 1: the Prices, right, is that? Yeah? That was the same 410 00:34:36,440 --> 00:34:39,120 Speaker 1: day I mack on us. But but did you already 411 00:34:39,160 --> 00:34:44,399 Speaker 1: have some level of notoriety notorary? What's the word umary? 412 00:34:45,360 --> 00:34:49,759 Speaker 1: Were you already famous? I've signed a few notaries, so 413 00:34:49,880 --> 00:34:55,520 Speaker 1: have I. But outside that U, was that just something 414 00:34:55,560 --> 00:34:59,839 Speaker 1: you wanted to do as a goof Yeah, that's amazing. Yeah, yeah, 415 00:35:00,400 --> 00:35:02,719 Speaker 1: I couldn't dig anything bigger. Like I grew up on that. 416 00:35:03,040 --> 00:35:06,239 Speaker 1: It was great prices right, showcase showdown. I had to 417 00:35:06,320 --> 00:35:09,680 Speaker 1: leave a session earlier, Oh to go do Dr Dre 418 00:35:09,760 --> 00:35:12,279 Speaker 1: and Kanye to go do the Prices right. You guys 419 00:35:12,360 --> 00:35:15,200 Speaker 1: got it from here, right, I gotta think, just tell 420 00:35:15,280 --> 00:35:18,440 Speaker 1: us what it is. It's all good, yeah me. And 421 00:35:19,680 --> 00:35:21,719 Speaker 1: then I was like, I got Prices right, and it 422 00:35:21,880 --> 00:35:27,640 Speaker 1: was just like they didn't. They seemed disappointed, and I 423 00:35:27,800 --> 00:35:32,920 Speaker 1: was they were a little super quiet because I was expecting, like, yo, 424 00:35:33,160 --> 00:35:38,839 Speaker 1: that's a mosque. That's crazy, Like, yeah, Dre was just yeah. 425 00:35:38,920 --> 00:35:41,360 Speaker 1: I was like, all right, well, maybe were they jealous? 426 00:35:41,560 --> 00:35:46,160 Speaker 1: I think so too it maybe they were so shocked 427 00:35:46,200 --> 00:35:53,080 Speaker 1: and jealous they were like this dude just flexed. It 428 00:35:53,280 --> 00:35:58,960 Speaker 1: came off as a disdained, arrogant. I just love that 429 00:35:59,040 --> 00:36:01,360 Speaker 1: you did that. Yeah. When I got on there, it 430 00:36:01,480 --> 00:36:06,239 Speaker 1: was got to do the whole running down the island presenting. 431 00:36:08,680 --> 00:36:16,520 Speaker 1: Did you practice, Yeah, it's a skateboard. Yeah, it was 432 00:36:16,600 --> 00:36:20,160 Speaker 1: say talking to the models, that's a rough life. Yeah, 433 00:36:21,320 --> 00:36:23,279 Speaker 1: did you think about just throwing it all away? And 434 00:36:23,400 --> 00:36:26,839 Speaker 1: I was gonna be a model and then was a spokesmodel. Yeah, 435 00:36:26,960 --> 00:36:29,000 Speaker 1: in between commercials you talked to the model, the dude 436 00:36:29,040 --> 00:36:31,440 Speaker 1: that's been with no shirt on for like eight hours 437 00:36:32,120 --> 00:36:35,320 Speaker 1: trying to keep like it's probably the only it's probably 438 00:36:35,360 --> 00:36:38,600 Speaker 1: the last bastion of spokesmodels prices, right, that's right, that's 439 00:36:38,600 --> 00:36:44,120 Speaker 1: the only place where you can judge and step on TV. 440 00:36:45,520 --> 00:36:47,520 Speaker 1: That's true. There's a lot of venues you can watch 441 00:36:47,600 --> 00:36:52,879 Speaker 1: spokes models and that are not televised. Yes, yes, I'm 442 00:36:52,960 --> 00:37:04,680 Speaker 1: forgetting that. I mean they're in Pickin, Like I've seen 443 00:37:04,760 --> 00:37:08,120 Speaker 1: a picture of your boy, your son, Uh, and he 444 00:37:08,239 --> 00:37:12,040 Speaker 1: looks like the coolest kid I've ever seen. I mean, 445 00:37:12,080 --> 00:37:13,719 Speaker 1: if I had a boy who was cooler than me, 446 00:37:13,840 --> 00:37:17,400 Speaker 1: I'd be so jealous of I'd lock him in the basement. 447 00:37:17,480 --> 00:37:20,239 Speaker 1: How I mean, how do you? How do you? How 448 00:37:20,280 --> 00:37:21,799 Speaker 1: do you deal? We learned if you can't beat him, 449 00:37:21,800 --> 00:37:24,120 Speaker 1: you got to join him. I start helping him out. 450 00:37:24,200 --> 00:37:27,759 Speaker 1: I was like, oh, you want subscribers, Okay, you know 451 00:37:27,800 --> 00:37:30,200 Speaker 1: you gotta do skits. Where's your bits? They don't You 452 00:37:30,239 --> 00:37:32,320 Speaker 1: don't have an exciting life. You can't be a vlogger. 453 00:37:32,400 --> 00:37:35,520 Speaker 1: You're just like you're home school, you know. Like so 454 00:37:35,800 --> 00:37:37,759 Speaker 1: I directed his bits now and he got it. He's 455 00:37:37,840 --> 00:37:42,320 Speaker 1: up to tink tin Case subs, tin Case subs on YouTube. 456 00:37:42,400 --> 00:37:48,200 Speaker 1: He wants to be a tin Case. He subs, I'm 457 00:37:48,239 --> 00:37:57,919 Speaker 1: talking content doesn't just sidebar? What does that mean? It's 458 00:37:57,960 --> 00:38:07,200 Speaker 1: like ten subscribers and it's just shortened up? Can't me? Dad? 459 00:38:10,080 --> 00:38:11,759 Speaker 1: Does he hope? Does he want to get to eleven k? 460 00:38:12,600 --> 00:38:14,239 Speaker 1: He got to tin and he just kind of was 461 00:38:14,360 --> 00:38:17,920 Speaker 1: like over. He got into all the work we did. 462 00:38:19,600 --> 00:38:22,279 Speaker 1: I mean, I have footage, a whole plot, like a line. 463 00:38:22,320 --> 00:38:25,480 Speaker 1: I was gonna do, no drive, he spoiled. I have 464 00:38:25,600 --> 00:38:27,279 Speaker 1: two of them now too. I always again, I have 465 00:38:27,320 --> 00:38:31,800 Speaker 1: a four year old two now not as cool. The 466 00:38:31,840 --> 00:38:37,600 Speaker 1: four year old, Yeah, born into Money's just no chance, 467 00:38:39,719 --> 00:38:43,279 Speaker 1: is is I ruined him. It's kind of like that 468 00:38:44,239 --> 00:38:47,000 Speaker 1: tail as old as the middle age this and I 469 00:38:47,120 --> 00:38:51,839 Speaker 1: just continue to spoil him. I can't stop. Well, that's 470 00:38:51,880 --> 00:38:57,120 Speaker 1: what we do. Great. I mean they say you're only 471 00:38:57,200 --> 00:39:06,640 Speaker 1: as happy as your unhappiest jobs, right, so I thank 472 00:39:06,680 --> 00:39:09,279 Speaker 1: you for that. Will give him whatever they want right 473 00:39:09,680 --> 00:39:12,399 Speaker 1: here you go. I mean, when you're getting back, you're 474 00:39:12,400 --> 00:39:15,600 Speaker 1: gonna have to do that residency for twenty years show. Yes, 475 00:39:15,680 --> 00:39:19,839 Speaker 1: a lot of show, Yeah, a lot of shows. Work 476 00:39:19,920 --> 00:39:23,640 Speaker 1: something out with Copperfield. So I'm in the groups. You 477 00:39:23,760 --> 00:39:30,200 Speaker 1: do something extraordinary, something that I just find incredibly astounding. 478 00:39:30,719 --> 00:39:33,439 Speaker 1: You played drums and you sing at the same time. 479 00:39:34,880 --> 00:39:38,120 Speaker 1: I mean, I'm trying to think of other musicians you've 480 00:39:38,160 --> 00:39:47,000 Speaker 1: done that. The first Phil Collins possibly, um but uh 481 00:39:47,960 --> 00:39:53,560 Speaker 1: oh yeah, well Collins sounds Fleetwood Mac. Did he sing 482 00:39:53,640 --> 00:39:57,960 Speaker 1: it all? Mick Fleetwood? I mean Fleetwood Mac. That's the 483 00:39:58,239 --> 00:40:01,920 Speaker 1: name of mad. Maybe I could throw that into the 484 00:40:01,960 --> 00:40:08,680 Speaker 1: stand up. Would you indulge just with some plague any 485 00:40:09,000 --> 00:40:16,279 Speaker 1: would you? It would be an honor right would never 486 00:40:16,280 --> 00:40:36,880 Speaker 1: be able. Well, I'm let's see, this is the hip poppy. No, Bobby, 487 00:40:37,120 --> 00:40:40,400 Speaker 1: don't ask me. I'm just so crush up and crush 488 00:40:40,440 --> 00:40:44,440 Speaker 1: it so clean, don't shoot down so sassy. I'm just 489 00:40:44,680 --> 00:40:50,120 Speaker 1: so cushop brush so clean clean. You know, the list 490 00:40:50,160 --> 00:40:56,640 Speaker 1: goes on and on. Who I guess I'm excited. I 491 00:40:56,800 --> 00:41:03,600 Speaker 1: know if anybody's gonna know it? So still Atlanta? Is 492 00:41:03,640 --> 00:41:14,719 Speaker 1: that where you're from? To the window Toma? That song 493 00:41:14,880 --> 00:41:18,880 Speaker 1: just got it? Didn't know? That's called when songs get 494 00:41:18,920 --> 00:41:24,600 Speaker 1: better with times you're not feeling it didn't did it? 495 00:41:26,000 --> 00:41:29,960 Speaker 1: It still feels good to sing the swems off my ba. 496 00:41:32,200 --> 00:41:35,040 Speaker 1: Is that where we're going? That was the song of 497 00:41:35,120 --> 00:41:41,560 Speaker 1: my youth? Yeah, yeah, yeah yeah. My generation is lyrics, 498 00:41:41,680 --> 00:41:48,120 Speaker 1: like yeah right, we made lyrics a bit like what 499 00:41:48,800 --> 00:41:52,279 Speaker 1: can I just yeah, that scares the hell out of 500 00:41:52,320 --> 00:41:56,839 Speaker 1: me to sing and to play drums. I just don't 501 00:41:56,880 --> 00:42:00,600 Speaker 1: know how you do it. It's nothing to be scared about, Broake, 502 00:42:04,280 --> 00:42:07,520 Speaker 1: Are you sure it's honest? I mean they say you 503 00:42:07,600 --> 00:42:13,640 Speaker 1: should always try things that scare you. Uh, okay, on 504 00:42:13,719 --> 00:42:19,960 Speaker 1: big fella, okay, okay, all right? Oh was I gonna 505 00:42:20,000 --> 00:42:25,000 Speaker 1: sit on your lap? Oh is that hell? Lessons are well, 506 00:42:25,560 --> 00:42:33,800 Speaker 1: that's a weird drum school. Then okay, I'll just dive in, 507 00:42:34,000 --> 00:43:03,360 Speaker 1: right mm hmm, Okay, take my time as I'm singing 508 00:43:03,480 --> 00:43:11,160 Speaker 1: and playing the drums at the same time. And now 509 00:43:11,280 --> 00:43:15,040 Speaker 1: that I'm doing it, it's not as hard as I drunk. 510 00:43:18,680 --> 00:43:27,480 Speaker 1: In fact, I'm pretty darn good at this. It's a 511 00:43:27,520 --> 00:43:30,840 Speaker 1: pleasing time I make when I sing and played drums. 512 00:43:33,600 --> 00:43:36,480 Speaker 1: Maybe someone will record this and put it on a 513 00:43:36,640 --> 00:43:48,800 Speaker 1: sleep machine. Whoa, whoa, that's pretty good. Um, all right, everyone, 514 00:43:48,880 --> 00:43:52,120 Speaker 1: just stay time, get up, get up. That's probably what 515 00:43:52,239 --> 00:43:57,960 Speaker 1: made him. That's fine, don't make it mad. Oh no, 516 00:43:58,080 --> 00:44:03,920 Speaker 1: the girl boy has returned? Ah? What is he looking for? 517 00:44:06,280 --> 00:44:10,160 Speaker 1: What happens to this poor little boy? I just want 518 00:44:10,200 --> 00:44:14,560 Speaker 1: to make sure that's something. What are you doing? What 519 00:44:14,640 --> 00:44:16,280 Speaker 1: are you checking him from? Just making sure he doesn't 520 00:44:16,280 --> 00:44:22,919 Speaker 1: have a doesn't have a ghost gun on him? He's clean? 521 00:44:27,280 --> 00:44:30,080 Speaker 1: What happened to you? Little boy? Can tell us what 522 00:44:30,239 --> 00:44:32,880 Speaker 1: happened to you? What haunts you? Can you whisper it? 523 00:44:35,040 --> 00:44:40,680 Speaker 1: Can you whisper? Oh? My god? Is he okay? He 524 00:44:40,840 --> 00:44:46,600 Speaker 1: murdered his whole entire family, all right, on this night, 525 00:44:47,520 --> 00:44:52,160 Speaker 1: this very spot. Three years ago. That can't be good 526 00:44:52,239 --> 00:44:57,880 Speaker 1: for us. Are you looking to murder again? Is it 527 00:44:58,000 --> 00:45:01,839 Speaker 1: someone here in this audience? M hm? Can you point 528 00:45:01,880 --> 00:45:07,560 Speaker 1: them out? Someone out there? Where are they? Oh? Not? 529 00:45:08,560 --> 00:45:16,600 Speaker 1: Are you? That is so rude? Thank god, it wasn't me. 530 00:45:16,640 --> 00:45:19,480 Speaker 1: I knew it wasn't gonna be Anderson for sure, he's 531 00:45:19,480 --> 00:45:24,560 Speaker 1: got a residency. I think we just have to get 532 00:45:24,600 --> 00:45:26,560 Speaker 1: him out of Oh I forgot. I have an agent 533 00:45:26,600 --> 00:45:31,560 Speaker 1: scroll a ghost. I always keep it next to the 534 00:45:31,600 --> 00:45:39,880 Speaker 1: beanie babies just in case. Okay, ye ghost, ye ghost, 535 00:45:40,719 --> 00:45:48,640 Speaker 1: Ye little boy Google, stop haunting Largo. We'd like to say, 536 00:45:48,800 --> 00:46:07,000 Speaker 1: chow chow chow. It worked. Wow ancient Italian spell Italian? Yes, 537 00:46:07,440 --> 00:46:11,160 Speaker 1: very savvy. Um Anderson, we can't thank you enough for 538 00:46:11,239 --> 00:46:16,600 Speaker 1: coming on tonight. You're an amazing artist. Anderson bark everyone, 539 00:46:20,719 --> 00:46:37,040 Speaker 1: Anderson bark. Oh my god. Now that's a star. I 540 00:46:37,120 --> 00:46:39,560 Speaker 1: always tell you you can see it. But mile a way. 541 00:46:39,560 --> 00:46:41,759 Speaker 1: When he walks into the room, it was it was 542 00:46:41,880 --> 00:46:45,319 Speaker 1: Boner city out there, you know what I mean. Oh 543 00:46:45,880 --> 00:46:50,560 Speaker 1: bo ouga uga. I'm afraid we're at the end of 544 00:46:50,600 --> 00:46:54,520 Speaker 1: our show. I know we've come to but I have 545 00:46:54,640 --> 00:46:56,919 Speaker 1: one last stegment. I like to end with a little 546 00:46:56,960 --> 00:47:05,520 Speaker 1: thing I like to call my take. Yeah, uh, I'll 547 00:47:05,600 --> 00:47:18,920 Speaker 1: just get out of here. One of the great quotes 548 00:47:19,000 --> 00:47:30,800 Speaker 1: in history, and I forget who said it. Whether it 549 00:47:30,880 --> 00:47:35,080 Speaker 1: was Buddha Gandhi or John F. Kennedy, it doesn't really matter. 550 00:47:36,719 --> 00:47:40,759 Speaker 1: The quote goes something like this, love makes you do 551 00:47:41,000 --> 00:47:57,080 Speaker 1: crazy things. Now, over the years, I have had many loves, 552 00:47:57,200 --> 00:48:00,439 Speaker 1: and I have been guilty of being crazy in love, 553 00:48:01,400 --> 00:48:05,239 Speaker 1: no question. I have loved people and objects as hard 554 00:48:05,280 --> 00:48:10,959 Speaker 1: as anyone could love, especially chocolate. Don't get me going 555 00:48:11,040 --> 00:48:17,360 Speaker 1: on chocolate. I'm a chocoholic. Dark chocolate, semi sweet milk, 556 00:48:17,680 --> 00:48:24,480 Speaker 1: yum yum yum. But I digress. I guess the big 557 00:48:24,600 --> 00:48:28,320 Speaker 1: question we're trying to ask ourselves is can love actually 558 00:48:28,520 --> 00:48:32,880 Speaker 1: make you do crazy things? Can you just walk onto 559 00:48:32,960 --> 00:48:36,719 Speaker 1: a commercial airline flight, refuse to wear a mask, and 560 00:48:36,840 --> 00:48:40,080 Speaker 1: then proclaim you know why I refuse to wear a 561 00:48:40,239 --> 00:48:47,080 Speaker 1: mask because I'm in love. I'm in love and I 562 00:48:47,360 --> 00:48:55,399 Speaker 1: don't care who knows it. Can I just walk into 563 00:48:55,480 --> 00:49:00,279 Speaker 1: my local Starbucks and start urinating on the wall. Yeah, 564 00:49:01,880 --> 00:49:04,320 Speaker 1: and when the staff says, sir, what are you doing? 565 00:49:04,440 --> 00:49:08,880 Speaker 1: There's a restroom just two ft away from you, I 566 00:49:09,000 --> 00:49:12,440 Speaker 1: can say I know I see it. I'm not blind. 567 00:49:13,960 --> 00:49:19,200 Speaker 1: I'm in love, and I'm going to direct my firm 568 00:49:19,440 --> 00:49:24,560 Speaker 1: hot urine stream so that it douses everything in your star. 569 00:49:30,000 --> 00:49:34,000 Speaker 1: Can I steal a car from a showroom floor, then 570 00:49:34,200 --> 00:49:37,760 Speaker 1: lead law enforcement on a six hour slow speed chase, 571 00:49:40,200 --> 00:49:42,000 Speaker 1: and then when they're cuffing me on the ground and 572 00:49:42,080 --> 00:49:44,719 Speaker 1: ask me why I did it? I can bellow. I 573 00:49:44,840 --> 00:49:50,840 Speaker 1: don't know what to say, but I'm in love. Cupid 574 00:49:51,160 --> 00:49:53,960 Speaker 1: arrow hit me and I was overcome with the need 575 00:49:54,120 --> 00:50:02,800 Speaker 1: to steal a fully loaded forward focus. These are the 576 00:50:02,960 --> 00:50:08,680 Speaker 1: questions that have baffled mankind for centuries. Experts say that 577 00:50:09,120 --> 00:50:12,319 Speaker 1: two people who are only vaguely attracted to each other 578 00:50:12,840 --> 00:50:15,400 Speaker 1: can fall madly in love if they go through a 579 00:50:15,520 --> 00:50:20,000 Speaker 1: scary or exciting experience together. Boy, don't I know it. 580 00:50:21,320 --> 00:50:23,600 Speaker 1: I was once trapped in a well for two weeks 581 00:50:23,840 --> 00:50:31,080 Speaker 1: with a with a Mexican guy named Alessandro Patadina, and 582 00:50:31,239 --> 00:50:36,399 Speaker 1: it was scary and exciting and we fell for each 583 00:50:36,440 --> 00:50:41,360 Speaker 1: other hard, nothing crazy, just some hand holding and he 584 00:50:41,400 --> 00:50:45,840 Speaker 1: would occasionally caress my cheek. We were eventually rescued, and 585 00:50:46,200 --> 00:50:49,240 Speaker 1: when we got back on solid ground and the cheering 586 00:50:49,360 --> 00:50:52,719 Speaker 1: was over, we looked at each other and realized the 587 00:50:52,800 --> 00:50:56,960 Speaker 1: spell was broken. Just like that, we were no longer 588 00:50:57,000 --> 00:51:00,320 Speaker 1: in love. So it was love just a chemical action? 589 00:51:01,200 --> 00:51:06,840 Speaker 1: Is it spiritual? Who knows? We all just need to 590 00:51:07,000 --> 00:51:10,920 Speaker 1: love and be willing to be loved. Do me a 591 00:51:11,000 --> 00:51:14,440 Speaker 1: favor when you go home tonight, grab your loved one 592 00:51:14,640 --> 00:51:19,879 Speaker 1: or ones, hold them tenderly, look them in the eye, 593 00:51:20,000 --> 00:51:22,120 Speaker 1: and then bite them as hard as you can in 594 00:51:22,200 --> 00:51:27,080 Speaker 1: a cheek and then just say I'm sorry. I know 595 00:51:27,239 --> 00:51:37,239 Speaker 1: that was crazy. I love you. And if we all 596 00:51:37,360 --> 00:51:39,360 Speaker 1: just took a moment to do that to the people 597 00:51:39,480 --> 00:51:42,080 Speaker 1: we care about, the world would be a better place. 598 00:51:42,760 --> 00:51:47,680 Speaker 1: I'm Ron Burgundy and that's my take on than what 599 00:51:47,920 --> 00:51:57,120 Speaker 1: that grag s sis me because he stuck looking so 600 00:51:57,320 --> 00:52:00,560 Speaker 1: fine to dry like a chuckle like a fla saw 601 00:52:00,680 --> 00:52:03,320 Speaker 1: him duncker fo we'll dry so we never gets a 602 00:52:03,400 --> 00:52:06,920 Speaker 1: duck fright so far to get up a lot of 603 00:52:07,000 --> 00:52:09,640 Speaker 1: band wins. And he's a guy. He ain't no stand 604 00:52:09,719 --> 00:52:12,399 Speaker 1: and he doesn't have he's on a nighttime sandwich because 605 00:52:12,440 --> 00:52:17,760 Speaker 1: everybody knows he's the Burgunzi bandit. The Ron Burgundy Podcast