WEBVTT - The History of Slavery

0:00:05.680 --> 0:00:09.800
<v Speaker 1>I'm Erica Alexander and I'm Whitney down Welcome to Reparations

0:00:09.840 --> 0:00:12.720
<v Speaker 1>The Big Payback, a production of Color Farm Media, I

0:00:12.880 --> 0:00:17.279
<v Speaker 1>Heart Radio and The Black Effect Podcast Network. Erica, I

0:00:17.320 --> 0:00:24.680
<v Speaker 1>want to play you something two stitches, two tiny stitches

0:00:25.520 --> 0:00:32.120
<v Speaker 1>and one across like this man, excellent, Only you have

0:00:32.200 --> 0:00:36.159
<v Speaker 1>clever fingers and the mind to match you make it

0:00:36.240 --> 0:00:42.480
<v Speaker 1>easy to learn. Man. Sound familiar? Yes? Yes, uh, that's

0:00:42.520 --> 0:00:46.040
<v Speaker 1>the ghost from mini series past. It's a familiar because

0:00:46.040 --> 0:00:48.559
<v Speaker 1>it's me. I'm sixteen and I'm playing the part of

0:00:48.840 --> 0:00:51.400
<v Speaker 1>a slave name only Judge in a mini series called

0:00:51.440 --> 0:00:55.800
<v Speaker 1>George Washington The Forging of a Nation. Yeah, I remember that.

0:00:55.840 --> 0:01:00.000
<v Speaker 1>Where'd you get that from? Wow, Whitney, Yeah, I see,

0:01:00.400 --> 0:01:03.880
<v Speaker 1>Well she was Martha Washington's personal slave, is what I know.

0:01:03.960 --> 0:01:06.680
<v Speaker 1>At least that's what they told me. And you might

0:01:06.720 --> 0:01:11.200
<v Speaker 1>add other duties, you know, like polishing Georgie Porgie's cherry tree.

0:01:11.800 --> 0:01:13.680
<v Speaker 1>But yeah, that was one of my first gigs. I

0:01:13.760 --> 0:01:16.160
<v Speaker 1>was thrilled to get it too because I got to

0:01:16.200 --> 0:01:19.760
<v Speaker 1>act alongside of the legendary Patty Duke and shop at

0:01:19.800 --> 0:01:22.880
<v Speaker 1>the gift shop. You know, they filmed that at Mount

0:01:23.040 --> 0:01:25.720
<v Speaker 1>Vernon Plantation. Well, you know Erica. I had a chance

0:01:25.760 --> 0:01:28.640
<v Speaker 1>to watch this many series and it looked like in

0:01:28.680 --> 0:01:30.839
<v Speaker 1>this that you and Martha were pretty tight. No, only

0:01:30.959 --> 0:01:33.720
<v Speaker 1>and Martha were pretty tight, not me, don't get it.

0:01:33.800 --> 0:01:36.600
<v Speaker 1>Let's let's be clear about this. And maybe I don't know.

0:01:37.200 --> 0:01:40.399
<v Speaker 1>You know my friend Gingeri who does the Uncivil podcast,

0:01:40.440 --> 0:01:43.520
<v Speaker 1>that's the first place I heard on these real story

0:01:44.120 --> 0:01:46.120
<v Speaker 1>Otherwise I wouldn't know much about it. But I mean,

0:01:46.200 --> 0:01:52.560
<v Speaker 1>it's extraordinary how African American and their slave experience have

0:01:52.680 --> 0:01:55.040
<v Speaker 1>mostly been authored by white people. I mean to a

0:01:55.040 --> 0:01:58.520
<v Speaker 1>lot of black people. That's like Nazis writing Jewish Holocaust

0:01:58.600 --> 0:02:01.960
<v Speaker 1>memoirs and think it's for roots. Because boom, that's when

0:02:02.000 --> 0:02:04.120
<v Speaker 1>it changed things and we started taking the narrative back.

0:02:04.160 --> 0:02:07.560
<v Speaker 1>But up until that point, for the most part, it

0:02:07.640 --> 0:02:09.080
<v Speaker 1>was from a white point of view. And just to

0:02:09.080 --> 0:02:11.480
<v Speaker 1>be clear, George Washington, the Forge in nomination is supposed

0:02:11.480 --> 0:02:13.799
<v Speaker 1>to be about his life, not hers. But if there's

0:02:13.840 --> 0:02:17.600
<v Speaker 1>an industry that could need urgent care and redress of

0:02:17.680 --> 0:02:22.680
<v Speaker 1>reparations inside of media and storytelling, yeah that's Hollywood. Because

0:02:22.720 --> 0:02:26.320
<v Speaker 1>the white gaze is single handedly deformed and destroyed blackness. Well,

0:02:26.360 --> 0:02:28.840
<v Speaker 1>I would argue that the media has also deformed whiteness

0:02:28.840 --> 0:02:31.200
<v Speaker 1>to Erica, not to destroy it, but to present it

0:02:31.200 --> 0:02:34.160
<v Speaker 1>as something that it wasn't. Now, do you mind hearing

0:02:34.200 --> 0:02:36.680
<v Speaker 1>from some more white people on slavery? Yes? I mind?

0:02:36.720 --> 0:02:38.800
<v Speaker 1>Are you crazy? Did you just hear what I just said?

0:02:39.280 --> 0:02:43.000
<v Speaker 1>I mean, we're like on different planets right now. But Erica,

0:02:43.000 --> 0:02:44.720
<v Speaker 1>I think you're letting white people off the hark I

0:02:44.800 --> 0:02:46.960
<v Speaker 1>let them off the hook. Okay, Yes, they should have

0:02:47.000 --> 0:02:49.280
<v Speaker 1>to tell the accurate story. There are some white people

0:02:49.320 --> 0:02:51.079
<v Speaker 1>who are trying to do that. Will you give it

0:02:51.240 --> 0:02:53.840
<v Speaker 1>just a chance? It's you're saying it's possible that they can.

0:02:53.919 --> 0:02:56.160
<v Speaker 1>I mean, but see, I'm saying that they did it

0:02:56.240 --> 0:02:58.320
<v Speaker 1>whether it was possible or not. And I'm sure, by

0:02:58.320 --> 0:03:00.680
<v Speaker 1>the way, some people did a lot better than most.

0:03:00.720 --> 0:03:03.120
<v Speaker 1>But you want to do it now here? Do the

0:03:03.200 --> 0:03:07.280
<v Speaker 1>history of slavery from a white point of view? That's ballsy,

0:03:07.400 --> 0:03:11.880
<v Speaker 1>I can. Okay, black people, everybody, you know what. I'm

0:03:11.880 --> 0:03:13.880
<v Speaker 1>gonna give this white man a chance to do his

0:03:13.960 --> 0:03:16.760
<v Speaker 1>thing here. Do not send the letters to me. Okay,

0:03:16.760 --> 0:03:20.440
<v Speaker 1>thank you, Erica, Good luck player. Okay, now let's get

0:03:20.440 --> 0:03:26.840
<v Speaker 1>back to ony lovely, only lovely. I watch you like

0:03:26.880 --> 0:03:29.359
<v Speaker 1>a hawk man. Then I practice in my room till

0:03:29.400 --> 0:03:32.120
<v Speaker 1>I get it right. I'm beginning to think that you

0:03:32.240 --> 0:03:37.480
<v Speaker 1>learn faster than I can teach you. Ma'am. I I've

0:03:37.480 --> 0:03:39.880
<v Speaker 1>been wanting to say this for a long time. When

0:03:39.920 --> 0:03:43.480
<v Speaker 1>Mama died of the fever, he took us in. I

0:03:43.560 --> 0:03:45.880
<v Speaker 1>just want you to know how thankful I was and

0:03:46.040 --> 0:03:53.800
<v Speaker 1>always want me My dear only took us in thankful. Well,

0:03:53.880 --> 0:03:58.480
<v Speaker 1>it's interesting phrasing for a slave. Well, what could I say?

0:03:58.800 --> 0:04:02.200
<v Speaker 1>The whole truth would have distr Roy George Washington's hero mythology.

0:04:02.760 --> 0:04:06.400
<v Speaker 1>So the writers created a story that preserves him and

0:04:07.320 --> 0:04:11.520
<v Speaker 1>mangles only Yeah, the story is sanitize. The result is

0:04:11.560 --> 0:04:16.000
<v Speaker 1>a made for TV Frankenstein movie, Miss thank You. It

0:04:16.120 --> 0:04:18.000
<v Speaker 1>was one of my first I'm happy to be in

0:04:18.080 --> 0:04:20.160
<v Speaker 1>this Whitney. You're bringing this up and you're tearing it

0:04:20.200 --> 0:04:26.480
<v Speaker 1>apart now rethinking everything If that's not my attention. But now,

0:04:26.640 --> 0:04:29.479
<v Speaker 1>I don't know if you remember there's a big plot twist.

0:04:29.960 --> 0:04:36.080
<v Speaker 1>One is missing. Oh I remember, then where could she be, George? Oh,

0:04:36.080 --> 0:04:37.920
<v Speaker 1>I'm sure she just met a friend in the market

0:04:38.000 --> 0:04:40.960
<v Speaker 1>and they went down to look at the ships. I

0:04:41.120 --> 0:04:46.880
<v Speaker 1>have the most awful feeling something's happened Christopher. Mrs Washington

0:04:47.000 --> 0:04:49.719
<v Speaker 1>is worried about Ony. She's been missing for several hours.

0:04:49.760 --> 0:04:54.640
<v Speaker 1>You know where she might be. I say she's been

0:04:54.640 --> 0:04:58.800
<v Speaker 1>acting out the strange later, strange this for an all

0:04:58.800 --> 0:05:04.200
<v Speaker 1>the time, Molly. Would you bring Molly to us? Please? Yes, sir.

0:05:04.920 --> 0:05:06.960
<v Speaker 1>She hasn't been herself. She used to come to me

0:05:07.160 --> 0:05:11.120
<v Speaker 1>with all her little concerns and questions. For days now

0:05:11.240 --> 0:05:17.240
<v Speaker 1>she's kept herself, hasn't affected her work. She's too conscientious

0:05:17.279 --> 0:05:22.000
<v Speaker 1>for that. But all I get is yes, ma'am. No, ma'am,

0:05:22.040 --> 0:05:27.960
<v Speaker 1>I'm afraid for George. Molly. Do you know where only is? No, Sir,

0:05:28.400 --> 0:05:32.400
<v Speaker 1>I think you do. No, Sir, Molly, you must tell

0:05:32.480 --> 0:05:37.800
<v Speaker 1>us the truth. She may be in trouble, need help. No, please, Molly.

0:05:39.200 --> 0:05:43.839
<v Speaker 1>She run away with Gerald, the Frenchman. I wondered, ma'am

0:05:43.960 --> 0:05:47.719
<v Speaker 1>vernon because he tried with me first. He's gonna do

0:05:47.800 --> 0:05:53.479
<v Speaker 1>it wrong. I know, Oh, George, Molly, do you know

0:05:53.520 --> 0:05:59.120
<v Speaker 1>where they went? They long gone, Newson, New England. Freedom

0:05:59.720 --> 0:06:04.839
<v Speaker 1>free either he doesn't care about her freedom. He wants her.

0:06:05.839 --> 0:06:08.840
<v Speaker 1>She'll be ruined and he'll abandoned her. I didn't want

0:06:08.880 --> 0:06:11.280
<v Speaker 1>her to go, ma'am. I swear I didn't. I know,

0:06:12.080 --> 0:06:15.920
<v Speaker 1>it's all right, Why would she want to flee situation

0:06:15.960 --> 0:06:22.680
<v Speaker 1>where she's treated so well, where she's loved. Wow, there's

0:06:22.720 --> 0:06:25.479
<v Speaker 1>a lot to unpack in that scene, Erica, Yeah, that

0:06:25.640 --> 0:06:30.240
<v Speaker 1>was riveting. No comment on the plot. Media and storytelling

0:06:30.920 --> 0:06:36.360
<v Speaker 1>suffered then like it does now from a chronic white superiority.

0:06:36.400 --> 0:06:38.359
<v Speaker 1>It's like a dry rod. It's just up in there,

0:06:39.200 --> 0:06:42.560
<v Speaker 1>and um, only or any other black person is unrecognizable,

0:06:43.279 --> 0:06:46.159
<v Speaker 1>you know inside of that. That's not only by the way,

0:06:46.200 --> 0:06:52.239
<v Speaker 1>that's her hologram, her balances visited and made it made

0:06:52.240 --> 0:06:55.320
<v Speaker 1>for TV movie, that's not her. So yeah, but Erica,

0:06:55.440 --> 0:06:58.320
<v Speaker 1>let's be honest here. Don't you think that was the goal? Right,

0:06:58.680 --> 0:07:01.600
<v Speaker 1>Like the rewriting and presentation of history to support the

0:07:01.640 --> 0:07:06.640
<v Speaker 1>idea of American exceptionalism and the inherent goodness of white Americans. Right?

0:07:06.760 --> 0:07:09.400
<v Speaker 1>You know, the scene seems laughable now to us, but

0:07:09.520 --> 0:07:12.320
<v Speaker 1>it's really not because the real story of Owny Judge

0:07:12.320 --> 0:07:16.160
<v Speaker 1>and George Washington was so bonkers. You know, George Washington

0:07:16.200 --> 0:07:19.920
<v Speaker 1>place an ad in the Philadelphia Gazette on May seventy

0:07:20.000 --> 0:07:22.640
<v Speaker 1>six after you know, his loving ony went missing, and

0:07:22.760 --> 0:07:26.120
<v Speaker 1>this is what he said, absconded from the household of

0:07:26.160 --> 0:07:29.360
<v Speaker 1>the President of the United States. Owny Judge, a lightning

0:07:29.400 --> 0:07:31.720
<v Speaker 1>loottle girl, much freckled, with the very black eyes and

0:07:31.760 --> 0:07:37.440
<v Speaker 1>bushy hair, just like you. She said, I just now

0:07:37.480 --> 0:07:39.400
<v Speaker 1>I'm really happy I got the role because I don't know.

0:07:39.960 --> 0:07:43.040
<v Speaker 1>I don't look anything like who they're describing. But gone.

0:07:44.000 --> 0:07:48.760
<v Speaker 1>She's a middle stature, slender and deliberate, Oh delicately delicately,

0:07:49.000 --> 0:07:51.640
<v Speaker 1>about twenty years of age. She has many changes of

0:07:51.680 --> 0:07:54.240
<v Speaker 1>good clothes of all sorts, but they are not sufficiently

0:07:54.280 --> 0:07:56.680
<v Speaker 1>recollected to be described, which I think is really weird.

0:07:56.720 --> 0:07:58.760
<v Speaker 1>Here's those person he loves. He doesn't even remember what

0:07:58.880 --> 0:08:00.960
<v Speaker 1>she looks like, really saying that, you know, Well, no,

0:08:01.080 --> 0:08:02.840
<v Speaker 1>he didn't know, he said, he knows what she looks like.

0:08:03.480 --> 0:08:06.480
<v Speaker 1>She he doesn't know where her clothes looked like. Trust me,

0:08:06.560 --> 0:08:10.280
<v Speaker 1>that black, bushy eyed stuff. That's telling us a lot freckled.

0:08:10.760 --> 0:08:14.520
<v Speaker 1>It's like, no, she knows, he knows, you know. Then

0:08:14.560 --> 0:08:16.960
<v Speaker 1>he goes on with my favorite line. He says, there

0:08:17.040 --> 0:08:20.240
<v Speaker 1>was no suspicion of her going off, nor no provocation

0:08:20.320 --> 0:08:23.520
<v Speaker 1>to do so, no provocation, And then he goes on

0:08:23.560 --> 0:08:26.280
<v Speaker 1>to offer ten dollars to anyone who will quote bring

0:08:26.320 --> 0:08:30.720
<v Speaker 1>her home only ten Wow, damn as if that's her home? Right?

0:08:31.160 --> 0:08:34.360
<v Speaker 1>So right? No provocation apparently, Erica, owning someone who you

0:08:34.400 --> 0:08:36.360
<v Speaker 1>know is supposed to provoke you. If if somebody owned you,

0:08:36.360 --> 0:08:40.160
<v Speaker 1>would that provoke you? Please? I get provoked nowadays if

0:08:40.200 --> 0:08:42.480
<v Speaker 1>you look at me wrong. So you know, what do

0:08:42.520 --> 0:08:46.120
<v Speaker 1>you want? Look? I know I know that I provoke

0:08:46.200 --> 0:08:49.200
<v Speaker 1>you at times two. But that's that's another story, Erica.

0:08:49.240 --> 0:08:50.959
<v Speaker 1>When you play it roll, you said that you didn't

0:08:50.960 --> 0:08:53.360
<v Speaker 1>know owing his real story that you were here. You

0:08:53.400 --> 0:08:55.800
<v Speaker 1>are yet a young black woman playing a young black

0:08:55.840 --> 0:08:59.440
<v Speaker 1>woman who was a slaved by George Washington, the father

0:08:59.480 --> 0:09:02.120
<v Speaker 1>of our country, and he was so concerned about escape

0:09:02.160 --> 0:09:04.520
<v Speaker 1>because he quote loved her at the time. How did

0:09:04.520 --> 0:09:07.200
<v Speaker 1>that hit your ears? It didn't, I know awareness of it.

0:09:07.400 --> 0:09:11.040
<v Speaker 1>You know. By the way, being black is a state

0:09:11.040 --> 0:09:13.560
<v Speaker 1>of minds. Certainly being negro is a state of minds.

0:09:13.559 --> 0:09:16.240
<v Speaker 1>Being a nigger is a state of mind. And she

0:09:16.280 --> 0:09:19.320
<v Speaker 1>would have seen herself as maybe a very you know,

0:09:19.360 --> 0:09:21.720
<v Speaker 1>she's in the big house, but she's still a nigger

0:09:21.760 --> 0:09:23.560
<v Speaker 1>in their eyes. So the film is faithful to her

0:09:23.600 --> 0:09:26.800
<v Speaker 1>status only didn't exist anymore to the filmmakers than she

0:09:26.920 --> 0:09:31.360
<v Speaker 1>existed in seventeen seventy three, except as decoration to George

0:09:31.400 --> 0:09:34.960
<v Speaker 1>Washington and his benevolence and all other stuff. And look

0:09:35.000 --> 0:09:39.000
<v Speaker 1>at it was interesting when you say delicately formed. That's

0:09:39.040 --> 0:09:41.840
<v Speaker 1>amazing that they described her that way. That's a mind ripper.

0:09:41.920 --> 0:09:45.160
<v Speaker 1>But it makes me think, you know, talking about not existing.

0:09:45.800 --> 0:09:49.079
<v Speaker 1>You know, there's another famous George, George Floyd, who was

0:09:49.160 --> 0:09:52.920
<v Speaker 1>killed in an eight minute, forty six second blockbuster. Everyone

0:09:52.960 --> 0:09:55.880
<v Speaker 1>saw that one, but he did not exist to that

0:09:56.000 --> 0:10:00.920
<v Speaker 1>white officer. And that's why if you look at media,

0:10:01.280 --> 0:10:04.960
<v Speaker 1>representation matters, and we need reparations. If you want black

0:10:05.000 --> 0:10:07.559
<v Speaker 1>lives to matter, well, let me try and do my

0:10:07.640 --> 0:10:10.079
<v Speaker 1>part here, Erica, and re contextualize the story that we

0:10:10.160 --> 0:10:13.360
<v Speaker 1>just heard the story of Onie and George. Here's the

0:10:13.400 --> 0:10:16.720
<v Speaker 1>real story that there was no Frenchman only found out

0:10:16.840 --> 0:10:19.560
<v Speaker 1>that the loving Martha had decided to give her as

0:10:19.640 --> 0:10:22.560
<v Speaker 1>a wedding present to her granddaughter. And she knew this

0:10:22.600 --> 0:10:25.880
<v Speaker 1>granddaughter who was just awful, so she decided to leave.

0:10:26.559 --> 0:10:28.400
<v Speaker 1>She just jumped on the ship called the Nancy that

0:10:28.400 --> 0:10:31.320
<v Speaker 1>was headed to Portsmouth, New Hampshire, and she settled down there,

0:10:31.480 --> 0:10:34.280
<v Speaker 1>married a free black man named Jack Stains and they

0:10:34.280 --> 0:10:39.320
<v Speaker 1>had three children. Now Washington never stopped pursuing her, of course,

0:10:39.360 --> 0:10:41.800
<v Speaker 1>and when he discovered her whereabouts, he sent this man

0:10:41.880 --> 0:10:44.120
<v Speaker 1>named Whipple to try and convince her to come back.

0:10:45.160 --> 0:10:48.199
<v Speaker 1>What's amazing is she agreed, but she had one condition

0:10:48.400 --> 0:10:50.719
<v Speaker 1>that if she came back, the Washington's would promise to

0:10:50.800 --> 0:10:53.320
<v Speaker 1>free her after their death, not while they were she

0:10:53.400 --> 0:10:55.400
<v Speaker 1>was alive for coming back, but after they died. So

0:10:55.480 --> 0:10:58.800
<v Speaker 1>she essentially was agreeing to serve as their slave for

0:10:59.320 --> 0:11:02.760
<v Speaker 1>have her long we're gonna be alive for and well,

0:11:02.960 --> 0:11:05.680
<v Speaker 1>that of course was not agreeable to George Washington, so

0:11:05.679 --> 0:11:07.640
<v Speaker 1>he hatched another plan with his nephew, and he was

0:11:07.679 --> 0:11:10.520
<v Speaker 1>gonna kidnap her, but luckily for her, the locals tipped

0:11:10.520 --> 0:11:13.040
<v Speaker 1>her off and she got away. Grape Vine worked finally

0:11:13.120 --> 0:11:15.959
<v Speaker 1>for once. Yeah, but he never stopped trying to get her,

0:11:16.000 --> 0:11:18.080
<v Speaker 1>and he wanted to come for her children too, because

0:11:18.120 --> 0:11:21.080
<v Speaker 1>even though Stains her husband was a freeman, the children

0:11:21.120 --> 0:11:23.600
<v Speaker 1>had with only legally belonged to the Washington So by

0:11:23.640 --> 0:11:26.120
<v Speaker 1>getting her he could get her three children as well.

0:11:26.120 --> 0:11:30.520
<v Speaker 1>He didn't become George Washington, the general that saved America

0:11:30.679 --> 0:11:34.360
<v Speaker 1>from the British by giving up. He was always going

0:11:34.400 --> 0:11:36.880
<v Speaker 1>to come for her. That's her, you know, he was

0:11:36.920 --> 0:11:40.640
<v Speaker 1>his property to her. I mean, she was no one.

0:11:41.240 --> 0:11:43.200
<v Speaker 1>But we got to give a shout out to the

0:11:43.280 --> 0:11:47.200
<v Speaker 1>underground Grapevine finally working for a sister. You know, they

0:11:47.240 --> 0:11:51.640
<v Speaker 1>helped her escape. Again, She's being watched, she's being pursued,

0:11:51.760 --> 0:11:55.080
<v Speaker 1>she's on the run. I mean, only's white folks keep

0:11:55.120 --> 0:11:57.560
<v Speaker 1>popping up and saying we own you your hours, We're

0:11:57.559 --> 0:11:59.760
<v Speaker 1>gonna pursue you and find ways to pursue you over

0:12:00.040 --> 0:12:03.080
<v Speaker 1>yind you that we still own you Black folks. I

0:12:03.120 --> 0:12:05.720
<v Speaker 1>promise you feel that today. I mean, we are just

0:12:05.880 --> 0:12:11.040
<v Speaker 1>surveilled all the time, under surveillance, and it's astonishing and

0:12:11.120 --> 0:12:14.840
<v Speaker 1>it's manifested in just different ways. You heard that young

0:12:14.960 --> 0:12:18.080
<v Speaker 1>black man in Texas, Rodney Reese, he's walking home from work,

0:12:18.120 --> 0:12:21.440
<v Speaker 1>Whitney crazy story. Yeah, well he was arrested because he

0:12:21.480 --> 0:12:23.520
<v Speaker 1>was walking in the street. Now this is during a

0:12:23.559 --> 0:12:27.760
<v Speaker 1>massive climate catastrophe. The police had time to do that,

0:12:28.160 --> 0:12:30.240
<v Speaker 1>to arrest a young man. He had his mask on.

0:12:30.280 --> 0:12:34.320
<v Speaker 1>He's balking home from Walmart, minding his own business. But

0:12:34.920 --> 0:12:38.720
<v Speaker 1>their business has always been to undermine our business, to

0:12:38.840 --> 0:12:41.320
<v Speaker 1>watch us, to pursue us. And you know, I have

0:12:41.400 --> 0:12:44.760
<v Speaker 1>friends who right now say they feel surveilled through zoom

0:12:44.840 --> 0:12:48.000
<v Speaker 1>and claim they have to justify their whereabouts even under quarantine,

0:12:48.040 --> 0:12:50.040
<v Speaker 1>like oh where you ad you know, and they don't

0:12:50.080 --> 0:12:52.520
<v Speaker 1>like doing that. I mean, everything is connected, you know,

0:12:52.640 --> 0:12:56.559
<v Speaker 1>the will turns. It's interesting Erica. Also, what we see

0:12:56.640 --> 0:12:59.320
<v Speaker 1>with the storytelling. One of the things that white people

0:12:59.320 --> 0:13:01.559
<v Speaker 1>have always done is they've been able to tell stories

0:13:01.600 --> 0:13:05.920
<v Speaker 1>about themselves because they didn't have They could always deny

0:13:06.040 --> 0:13:08.880
<v Speaker 1>the evidence. There was like plausible deniability. And what's happening

0:13:08.880 --> 0:13:10.440
<v Speaker 1>with all these things like that, like you know, talking

0:13:10.440 --> 0:13:12.720
<v Speaker 1>about Rodney Reaess and some of these other stories, is

0:13:12.720 --> 0:13:14.920
<v Speaker 1>that there's actually evidence now that can't there. With these

0:13:14.960 --> 0:13:18.600
<v Speaker 1>bodycams on the police, with the cell phones people are carrying,

0:13:18.840 --> 0:13:21.600
<v Speaker 1>they're now showing the story and white people are forced

0:13:21.640 --> 0:13:24.559
<v Speaker 1>to watch this new story and reevaluate the context of

0:13:24.559 --> 0:13:27.240
<v Speaker 1>how they're seeing things. And you know, this is what

0:13:27.280 --> 0:13:29.679
<v Speaker 1>we're learning. There's what we're talking about, right, is that

0:13:29.720 --> 0:13:32.360
<v Speaker 1>the stories we tell ourselves about America, as you call it,

0:13:32.440 --> 0:13:36.000
<v Speaker 1>America the Beautiful, is that things are always a little

0:13:36.000 --> 0:13:38.880
<v Speaker 1>more complicated, a little darker than we'd like to admit,

0:13:39.080 --> 0:13:41.120
<v Speaker 1>not just a little whitney. Come on, they're a lot

0:13:41.240 --> 0:13:44.400
<v Speaker 1>darker and they're very complicated. You know, you're doing too

0:13:44.480 --> 0:13:47.520
<v Speaker 1>much little stuff that's minimizing. It's not little, it's a

0:13:47.600 --> 0:13:52.079
<v Speaker 1>very it's a lot complicated, Yes, a lot more complicated. Continue.

0:13:52.280 --> 0:13:54.559
<v Speaker 1>The other thing we've been talking about, how this strand

0:13:54.760 --> 0:13:58.000
<v Speaker 1>of slavery, the sort of strand of horror that sort

0:13:58.000 --> 0:14:00.600
<v Speaker 1>of permeates so many of these stories that's not called out.

0:14:00.880 --> 0:14:05.560
<v Speaker 1>I think I think that reparations include a storytelling component,

0:14:05.760 --> 0:14:08.920
<v Speaker 1>a component where we retell our stories and we people

0:14:08.960 --> 0:14:11.520
<v Speaker 1>have to relearn history and learn the full story so

0:14:11.600 --> 0:14:15.160
<v Speaker 1>Americans have a true understanding of their history. So in

0:14:15.200 --> 0:14:17.720
<v Speaker 1>the full story of Washington, you know, Mr I cannot

0:14:17.720 --> 0:14:20.640
<v Speaker 1>tell a lie, and who was celebrated for freeing his slaves.

0:14:20.680 --> 0:14:23.960
<v Speaker 1>After his death, he pursued a young black woman who's

0:14:24.080 --> 0:14:27.280
<v Speaker 1>only crime what she wanted to seek, the same freedom

0:14:27.360 --> 0:14:29.720
<v Speaker 1>that he had spent decades fighting for. You know, it's

0:14:29.720 --> 0:14:32.760
<v Speaker 1>funny that guy Whipple who sent to actually try and

0:14:32.800 --> 0:14:35.440
<v Speaker 1>convince her to come back. He wrote to Washington telling

0:14:35.480 --> 0:14:38.240
<v Speaker 1>him quote, a thirst for freedom had been her only

0:14:38.320 --> 0:14:42.280
<v Speaker 1>motive for absconding. And this is how you know, the

0:14:42.320 --> 0:14:44.960
<v Speaker 1>founder of our country, the father of our country, responded,

0:14:45.000 --> 0:14:48.040
<v Speaker 1>which is pretty depressing. I regret that the attempt you

0:14:48.120 --> 0:14:51.560
<v Speaker 1>made to restore the girl should have been attended with

0:14:51.600 --> 0:14:55.520
<v Speaker 1>so little success to reward unfaithfulness. This was about her

0:14:55.560 --> 0:14:58.840
<v Speaker 1>asking to be freed out of death with a premature preference,

0:14:59.240 --> 0:15:02.880
<v Speaker 1>thereby connect beforehand the minds of all her fellow servants, who,

0:15:02.880 --> 0:15:06.400
<v Speaker 1>by their steady achievements, are far more deserving than herself

0:15:06.400 --> 0:15:11.480
<v Speaker 1>of favor. So what he's saying is that only people

0:15:11.480 --> 0:15:14.640
<v Speaker 1>who submit to bondage willingly are deserving your freedom. Anybody

0:15:14.640 --> 0:15:17.160
<v Speaker 1>who has the temerity to try and take freedom for

0:15:17.200 --> 0:15:22.720
<v Speaker 1>theirselves like he did, well they should forget about it. Yeah, well,

0:15:22.760 --> 0:15:24.720
<v Speaker 1>you know, the father of our country is the father

0:15:24.840 --> 0:15:29.120
<v Speaker 1>of our suffering, the father of our bondage, the father

0:15:29.240 --> 0:15:33.280
<v Speaker 1>of tremendous evil. And again, you know, And if you

0:15:33.360 --> 0:15:35.080
<v Speaker 1>just flip the script a little bit and see it

0:15:35.160 --> 0:15:38.880
<v Speaker 1>from the Africans point of view, he's he's worse than Hitler.

0:15:39.440 --> 0:15:45.360
<v Speaker 1>He's setting up a country to be independent but self

0:15:45.400 --> 0:15:50.920
<v Speaker 1>supportive of the biggest holocaust in world history. So let's

0:15:50.960 --> 0:15:53.920
<v Speaker 1>get that straight. Number one. But I think we should

0:15:54.000 --> 0:15:57.000
<v Speaker 1>move on because holl is this is cute, and I

0:15:57.120 --> 0:15:59.640
<v Speaker 1>like thinking about, you know, old jobs that I have

0:16:00.120 --> 0:16:02.640
<v Speaker 1>and I really really do despite that, I still will

0:16:02.880 --> 0:16:04.960
<v Speaker 1>chair us the time I had on there, and you

0:16:05.000 --> 0:16:07.240
<v Speaker 1>know what it meant for me to be chosen to

0:16:07.320 --> 0:16:09.160
<v Speaker 1>be on a series like that, because it was a

0:16:09.160 --> 0:16:12.160
<v Speaker 1>big deal and moved me forward. But let's move on,

0:16:12.200 --> 0:16:15.320
<v Speaker 1>because only just one slave story in a long history

0:16:15.320 --> 0:16:16.840
<v Speaker 1>of slavey, and we got a hall ask if we're

0:16:16.840 --> 0:16:20.720
<v Speaker 1>going to get through it. So this woman, she's got

0:16:20.720 --> 0:16:23.920
<v Speaker 1>a very interesting history and has been telling the truth

0:16:24.480 --> 0:16:27.640
<v Speaker 1>and putting it out there. Her family was an owner

0:16:27.680 --> 0:16:32.120
<v Speaker 1>of slaves, a white woman named Brown. My father would

0:16:32.200 --> 0:16:35.520
<v Speaker 1>whisper when he was talking about black people, and there

0:16:35.600 --> 0:16:39.000
<v Speaker 1>was just a message that came through that whisper that

0:16:39.160 --> 0:16:41.920
<v Speaker 1>was we have to be very carefully and we can't

0:16:41.960 --> 0:16:44.760
<v Speaker 1>talk about this much. So it wasn't that he was

0:16:44.800 --> 0:16:49.200
<v Speaker 1>saying anything overtly racist or anything like that, but just

0:16:49.280 --> 0:16:53.000
<v Speaker 1>to sort of like tread lightly, kind of feeling that

0:16:53.240 --> 0:16:58.320
<v Speaker 1>pervaded the low voice. My name is Katrina Brown, and

0:16:58.640 --> 0:17:02.920
<v Speaker 1>my life revolves primarily around my discovery that my ancestors

0:17:02.920 --> 0:17:06.919
<v Speaker 1>were the largest slave trading family in US history. It

0:17:07.040 --> 0:17:10.440
<v Speaker 1>was just complete cognitive dissonance the idea that they could

0:17:10.440 --> 0:17:12.720
<v Speaker 1>have been slave traders, so the idea that I came

0:17:12.800 --> 0:17:17.000
<v Speaker 1>from a family of ministers and academics, and like my

0:17:17.160 --> 0:17:21.600
<v Speaker 1>grandfather was a philosophy professor, my other grandfather was a minister,

0:17:22.480 --> 0:17:27.359
<v Speaker 1>So there was some pride around not being in money

0:17:27.400 --> 0:17:31.639
<v Speaker 1>making occupations but being in more service the betterment of

0:17:31.640 --> 0:17:36.360
<v Speaker 1>mankind type occupations. So no one realized that the Dwolves

0:17:36.400 --> 0:17:40.600
<v Speaker 1>were basically the largest slave trading family in US history.

0:17:41.240 --> 0:17:45.600
<v Speaker 1>So statistically they brought more Africans on their ships than

0:17:45.800 --> 0:17:51.000
<v Speaker 1>any other family north or south. So a huge fortune

0:17:51.040 --> 0:17:54.400
<v Speaker 1>was amassed from all of this that was pretty much

0:17:54.560 --> 0:17:58.720
<v Speaker 1>squandered by a couple of generations later. We wouldn't be

0:17:58.720 --> 0:18:01.320
<v Speaker 1>able to say we inherited my directly from the slave trade,

0:18:01.359 --> 0:18:04.680
<v Speaker 1>but it's really obvious to me that we have been

0:18:04.720 --> 0:18:08.440
<v Speaker 1>in the elite ever since, and it fits the pattern

0:18:08.480 --> 0:18:12.040
<v Speaker 1>where once you're in the elite, you marry other elite families.

0:18:12.040 --> 0:18:16.159
<v Speaker 1>So I'm like super aware of the class privilege that

0:18:16.280 --> 0:18:19.520
<v Speaker 1>has remained even if we're not at like the uber

0:18:19.680 --> 0:18:24.360
<v Speaker 1>rich level, and I'm super aware of how much social

0:18:24.400 --> 0:18:27.359
<v Speaker 1>capital I have. So we've gone to a lot of

0:18:27.400 --> 0:18:31.320
<v Speaker 1>Ivy League schools, private schools, you know. So I've had

0:18:31.600 --> 0:18:35.760
<v Speaker 1>just the best education, and that's a pattern in the family.

0:18:35.880 --> 0:18:40.280
<v Speaker 1>So just extremely aware of how much we were set

0:18:40.359 --> 0:18:42.959
<v Speaker 1>up to succeed basically, and to be able to go

0:18:43.000 --> 0:18:47.280
<v Speaker 1>into the professions of our choosing, etcetera, etcetera. Embarrassing might

0:18:47.320 --> 0:18:50.000
<v Speaker 1>sound like too small of a word, but it's just

0:18:50.200 --> 0:18:54.680
<v Speaker 1>embarrassing to admit the ways in which the cover up manifested,

0:18:54.920 --> 0:18:58.639
<v Speaker 1>you know what I mean. It's so mortifying still, Like

0:18:58.760 --> 0:19:01.000
<v Speaker 1>can I even say this that it was being trivialized?

0:19:01.000 --> 0:19:03.720
<v Speaker 1>How could it have been trivialized, of all things to trivialize.

0:19:04.240 --> 0:19:07.320
<v Speaker 1>But there was the kind of party line, shall we

0:19:07.359 --> 0:19:13.320
<v Speaker 1>call it was about referring to them as pirates, scally wags,

0:19:14.119 --> 0:19:16.359
<v Speaker 1>boys will be boys, you know. That was kind of

0:19:16.359 --> 0:19:20.960
<v Speaker 1>the energy around it, like a dismissive like those back then,

0:19:21.080 --> 0:19:23.400
<v Speaker 1>those you know, that's what people did back then, and

0:19:23.720 --> 0:19:27.560
<v Speaker 1>those wrapped scallions. You know, there's a way in which,

0:19:27.880 --> 0:19:30.959
<v Speaker 1>despite working on this for twenty five years, it's still

0:19:31.000 --> 0:19:34.760
<v Speaker 1>too shocking to even contemplate. There's still too much nous

0:19:34.880 --> 0:19:38.880
<v Speaker 1>to it that operates within my psyche. I had a

0:19:38.920 --> 0:19:43.600
<v Speaker 1>cousin who shared with me early on she said, I

0:19:43.640 --> 0:19:46.720
<v Speaker 1>assumed that if it was the Dewolf's and it was

0:19:46.800 --> 0:19:49.919
<v Speaker 1>the slave trade, it must have been a polite slave trade.

0:19:50.600 --> 0:19:52.560
<v Speaker 1>And then she of course laughed at herself because she

0:19:52.640 --> 0:19:55.160
<v Speaker 1>was like, of course, it wasn't a polite slave trade.

0:19:55.200 --> 0:19:57.639
<v Speaker 1>There's no such thing as a polite slave trade. But

0:19:57.760 --> 0:20:00.359
<v Speaker 1>it was by way of saying, like, we're good. People

0:20:00.400 --> 0:20:02.800
<v Speaker 1>were nice, people were polite, right, That's who we are.

0:20:03.280 --> 0:20:04.960
<v Speaker 1>So if we did it, we must have done it

0:20:05.000 --> 0:20:08.240
<v Speaker 1>in a polite manner. So you have caught me in

0:20:08.280 --> 0:20:11.879
<v Speaker 1>the act of manifesting that tendency to minimize and to

0:20:12.240 --> 0:20:17.040
<v Speaker 1>understate it, because to state it baldly as it is

0:20:17.040 --> 0:20:20.399
<v Speaker 1>is just still to me so upsetting. So if I

0:20:20.440 --> 0:20:23.560
<v Speaker 1>were doing it, do over, I would say, they purchased

0:20:23.640 --> 0:20:28.840
<v Speaker 1>human beings who had been kidnapped by force, and we're

0:20:28.920 --> 0:20:32.760
<v Speaker 1>in a complete and utter state of terror. And it

0:20:32.840 --> 0:20:36.480
<v Speaker 1>was the most horrific type of circumstance one could possibly imagine.

0:20:36.600 --> 0:20:39.399
<v Speaker 1>And my ancestors did it over and over and over again.

0:20:39.600 --> 0:20:42.680
<v Speaker 1>And as my cousin Tom said, they must have known

0:20:42.720 --> 0:20:44.359
<v Speaker 1>it was evil. How could you not when you were

0:20:44.359 --> 0:20:48.160
<v Speaker 1>hearing people screaming in the holds below and yet they

0:20:48.200 --> 0:20:52.399
<v Speaker 1>somehow told themselves stories to justify that this was okay.

0:20:52.600 --> 0:21:01.400
<v Speaker 1>And their blood runs in me rascals in scallywags, that's

0:21:01.400 --> 0:21:04.600
<v Speaker 1>another way to put it. Uh yeah, Or at least

0:21:04.600 --> 0:21:07.439
<v Speaker 1>she's admitting that her family history had been sanitized, like

0:21:07.520 --> 0:21:12.639
<v Speaker 1>George Washington. There's a pattern that develops very clearly. What

0:21:12.720 --> 0:21:16.359
<v Speaker 1>a brutal system though, right? I mean, it makes me

0:21:16.400 --> 0:21:20.040
<v Speaker 1>wonder just karma exists. I'm not mean spirited, Whitney, I

0:21:20.040 --> 0:21:22.760
<v Speaker 1>don't want you to think that. But has this knowledge

0:21:23.720 --> 0:21:28.560
<v Speaker 1>been brutal for Katrina Brown's family because they've prospered, they've

0:21:28.600 --> 0:21:31.520
<v Speaker 1>done well. I mean, are the sins of the father

0:21:31.720 --> 0:21:35.600
<v Speaker 1>really visited upon the sun inside of the family? What

0:21:35.640 --> 0:21:37.399
<v Speaker 1>do they feel? But she's certainly trying to bear the

0:21:37.440 --> 0:21:40.840
<v Speaker 1>weight and atone for that evil legacy. But I don't know.

0:21:40.880 --> 0:21:43.199
<v Speaker 1>Maybe white folks, you know, in in your DNA, it

0:21:43.240 --> 0:21:45.600
<v Speaker 1>isn't encoded the same way that it is for the

0:21:45.600 --> 0:21:48.840
<v Speaker 1>descendants of slaves. But I'll keep looking for signs of life.

0:21:49.160 --> 0:21:52.560
<v Speaker 1>Maybe it's a cosmic curse, Whitney, that's cast upon your

0:21:52.560 --> 0:21:56.679
<v Speaker 1>people that will always keep most whites at arm's length

0:21:57.040 --> 0:22:00.760
<v Speaker 1>with their reckoning of slavery. Yeah. I mean it may

0:22:00.960 --> 0:22:02.680
<v Speaker 1>you may have that, but it's working for you now,

0:22:02.720 --> 0:22:06.080
<v Speaker 1>but it will not stop nemesis. If we're talking about storytelling,

0:22:06.400 --> 0:22:10.320
<v Speaker 1>Nemesis is on your ass, no doubt. I think the

0:22:10.359 --> 0:22:12.440
<v Speaker 1>only way to stop at Erica's for wet Americans to

0:22:12.520 --> 0:22:15.960
<v Speaker 1>fully acknowledge their legacy. They have to accept their history

0:22:15.960 --> 0:22:17.919
<v Speaker 1>if they want to live as moral humans. That's kind

0:22:17.920 --> 0:22:20.640
<v Speaker 1>of what I think. And I think that any sentient

0:22:20.720 --> 0:22:23.479
<v Speaker 1>white person with the slightest bit of self reflection has

0:22:23.520 --> 0:22:27.399
<v Speaker 1>to grapple with us. You know, we white people have

0:22:27.440 --> 0:22:31.160
<v Speaker 1>been the dominant storytellers for so long, and we could

0:22:31.400 --> 0:22:34.119
<v Speaker 1>use tools to lie the necessary facts, or we'd use

0:22:34.200 --> 0:22:36.800
<v Speaker 1>minimizing language to create a moral space for ourselves in

0:22:36.800 --> 0:22:39.560
<v Speaker 1>a story. We know that in our hearts is immral.

0:22:40.560 --> 0:22:43.280
<v Speaker 1>And I'm gonna get a little fan boy here when

0:22:43.320 --> 0:22:45.840
<v Speaker 1>I talk about Edward Baptist. He wrote a book called

0:22:45.840 --> 0:22:47.520
<v Speaker 1>The Half Has Never Been Told that I think all

0:22:47.520 --> 0:22:49.800
<v Speaker 1>white people should read, and I'm gonna paraphrase him here,

0:22:50.240 --> 0:22:53.240
<v Speaker 1>and he says something like historians have for years to

0:22:53.320 --> 0:22:57.000
<v Speaker 1>use minimizing language about the true nature of the slave system.

0:22:57.160 --> 0:23:01.200
<v Speaker 1>They talk about discipline, quote, and punishment as if there

0:23:01.200 --> 0:23:03.960
<v Speaker 1>were some logical basis for the system of slavery, rather

0:23:03.960 --> 0:23:07.480
<v Speaker 1>than simply naming it for what it was, a super

0:23:07.640 --> 0:23:12.240
<v Speaker 1>profitable economic system. Who lowest gear was torture. A man

0:23:12.320 --> 0:23:16.159
<v Speaker 1>named Henry Clay, named after the almost president, Secretary of

0:23:16.200 --> 0:23:19.720
<v Speaker 1>State senator from Kentucky. Henry Clay, who had been born

0:23:19.800 --> 0:23:23.720
<v Speaker 1>in North Carolina and then as a young adult sold

0:23:23.760 --> 0:23:28.320
<v Speaker 1>to Louisiana, talks about the enslavery who had he was

0:23:28.320 --> 0:23:31.240
<v Speaker 1>owned by, who had a whipping machine, and so when

0:23:31.280 --> 0:23:33.960
<v Speaker 1>somebody didn't do their work at the speed in the

0:23:34.000 --> 0:23:36.960
<v Speaker 1>pace that the slave owner thought was appropriate, they'd be

0:23:37.000 --> 0:23:40.080
<v Speaker 1>tied down on the whipping machine and somebody would crank

0:23:40.080 --> 0:23:42.320
<v Speaker 1>a handle and that would turn a wheel which had

0:23:42.359 --> 0:23:44.800
<v Speaker 1>a bunch of whips attached to it, and it would

0:23:44.800 --> 0:23:46.760
<v Speaker 1>whip the person who was tied down on the bench

0:23:46.800 --> 0:23:49.160
<v Speaker 1>that was part of the machine. I read this story

0:23:49.200 --> 0:23:51.720
<v Speaker 1>and I said, you know, this is working on a

0:23:51.760 --> 0:23:54.679
<v Speaker 1>couple of different levels here, right, So it's working on

0:23:54.720 --> 0:23:57.280
<v Speaker 1>a level for Henry Clay and that he may or

0:23:57.320 --> 0:24:01.000
<v Speaker 1>may not have actually seen this thing, right, But it's

0:24:01.040 --> 0:24:03.320
<v Speaker 1>also working on a level that I think he probably

0:24:03.600 --> 0:24:07.159
<v Speaker 1>intended as a metaphor. Right, This is a metaphor for

0:24:07.440 --> 0:24:12.280
<v Speaker 1>the system of labor. En slavery itself didn't do the

0:24:12.320 --> 0:24:15.120
<v Speaker 1>amount of labor that you were supposed to do. Right,

0:24:15.200 --> 0:24:18.720
<v Speaker 1>If you refuse to to consent to the extraction of

0:24:18.760 --> 0:24:22.120
<v Speaker 1>your labor, you were going to be tortured in a

0:24:22.160 --> 0:24:27.800
<v Speaker 1>predictable fashion, which of course inspires people to do whatever

0:24:27.840 --> 0:24:30.960
<v Speaker 1>they can to try to avoid that torture. So I

0:24:31.000 --> 0:24:33.760
<v Speaker 1>thought about that, and I said, you know, this also

0:24:33.920 --> 0:24:37.080
<v Speaker 1>is a a metaphor for the system on a couple

0:24:37.119 --> 0:24:39.199
<v Speaker 1>of levels as well, because there are a number of

0:24:39.200 --> 0:24:43.120
<v Speaker 1>different forces that are acting to push even en slavers

0:24:43.119 --> 0:24:46.240
<v Speaker 1>are getting pushed right to extract even more labor. Right,

0:24:46.560 --> 0:24:50.680
<v Speaker 1>the more cotton that gets produced relative to supply, the

0:24:50.720 --> 0:24:52.560
<v Speaker 1>lower the price is going to be. And so to

0:24:52.640 --> 0:24:56.080
<v Speaker 1>increase revenue, they are going to push. They're going to

0:24:56.200 --> 0:24:58.280
<v Speaker 1>turn the whipping machine, if you will. They are going

0:24:58.320 --> 0:25:02.119
<v Speaker 1>to push enslave people to work harder. And so the

0:25:02.119 --> 0:25:04.800
<v Speaker 1>whipping machine, if you think about it as a metaphor

0:25:04.840 --> 0:25:09.159
<v Speaker 1>for the system of measurement and torture with the intent

0:25:09.240 --> 0:25:13.520
<v Speaker 1>of increasing the amount of labor extracted, that whipping machine, right,

0:25:13.640 --> 0:25:17.880
<v Speaker 1>is geared into the other machines, the other relationships which

0:25:18.000 --> 0:25:22.199
<v Speaker 1>might call the political economy of the Atlantic world, of

0:25:22.840 --> 0:25:26.480
<v Speaker 1>the Anglo European world in the first half of the

0:25:26.560 --> 0:25:29.840
<v Speaker 1>nineteenth century all the way up until the Civil War, right,

0:25:29.880 --> 0:25:35.560
<v Speaker 1>Because if cotton prices go up, that's going to inspire

0:25:36.040 --> 0:25:39.840
<v Speaker 1>more people to buy more slaves increase their amount of production.

0:25:40.480 --> 0:25:43.960
<v Speaker 1>If cotton prices go down in many cases, will inspire

0:25:44.000 --> 0:25:46.199
<v Speaker 1>them to increase production as well, so they can increase

0:25:46.240 --> 0:25:49.480
<v Speaker 1>the total amount of revenue. So, no matter what happened,

0:25:49.960 --> 0:25:53.320
<v Speaker 1>the whipping machine was going to keep turning faster and

0:25:53.359 --> 0:25:56.080
<v Speaker 1>faster because it's tied into these other movements of supply

0:25:56.160 --> 0:26:01.960
<v Speaker 1>and demand. In the industrializing West, the whipping machine used

0:26:02.000 --> 0:26:06.719
<v Speaker 1>to inspire fear, used to improve productivity from other slaves

0:26:06.760 --> 0:26:10.320
<v Speaker 1>who want to avoid a similar fate. It reminds me

0:26:10.320 --> 0:26:12.760
<v Speaker 1>of stopping frisk It reminds me of three strikes, you're out.

0:26:13.640 --> 0:26:16.679
<v Speaker 1>I mean, it's all ways to keep a nigger in line. Really,

0:26:16.800 --> 0:26:20.200
<v Speaker 1>it's insidious. Well, you wanted to have white people talk

0:26:20.200 --> 0:26:23.840
<v Speaker 1>about slavery, how's your team doing? Well, that's not really

0:26:23.840 --> 0:26:25.280
<v Speaker 1>for me to answer, right, I think it's for you,

0:26:25.720 --> 0:26:28.160
<v Speaker 1>And I think that if we're gonna talk about slavery,

0:26:28.200 --> 0:26:32.320
<v Speaker 1>who better we created it, we perpetuated it, we benefited

0:26:32.400 --> 0:26:35.240
<v Speaker 1>from it. Don't you think we should also contribute to

0:26:35.280 --> 0:26:39.159
<v Speaker 1>explaining it accurately for a change, you know, as well

0:26:39.200 --> 0:26:42.160
<v Speaker 1>as work to help clean up the mess. And that's

0:26:42.520 --> 0:26:44.240
<v Speaker 1>you know. I think a lot about this Baldwin quote

0:26:44.240 --> 0:26:46.600
<v Speaker 1>about not being able to change anything you don't face.

0:26:46.800 --> 0:26:50.080
<v Speaker 1>So I think it's our obligation it is. I mean, look,

0:26:50.080 --> 0:26:53.000
<v Speaker 1>white people always rely on black people to lead the

0:26:53.080 --> 0:26:56.119
<v Speaker 1>racial conversations, and it gives them permission to lay in

0:26:56.119 --> 0:26:59.119
<v Speaker 1>the cut. But if you ignore it, it's self sabotage.

0:26:59.160 --> 0:27:02.440
<v Speaker 1>We see what happens racist a white construct fixed to

0:27:02.520 --> 0:27:06.159
<v Speaker 1>black people. Black people cannot save you all from destruction.

0:27:06.840 --> 0:27:10.520
<v Speaker 1>You know, how can you save a destroyer? White people

0:27:10.560 --> 0:27:12.480
<v Speaker 1>have to get it there, tearing up their own village

0:27:12.520 --> 0:27:16.000
<v Speaker 1>by denying that they're not only the source of the boogeyman,

0:27:16.520 --> 0:27:27.600
<v Speaker 1>they are the boogeyman. Boom whin, Sorry, Whitney. I know

0:27:27.720 --> 0:27:30.240
<v Speaker 1>I tried. I tried to let you use all white

0:27:30.320 --> 0:27:33.120
<v Speaker 1>voices to tell the story of the history of slavery,

0:27:33.119 --> 0:27:35.959
<v Speaker 1>but it just didn't feel right. So it's time for

0:27:35.960 --> 0:27:40.120
<v Speaker 1>me Errikey to disrupt the disruptor. I gotta figure out

0:27:40.119 --> 0:27:43.480
<v Speaker 1>how though you actually think that there should be a

0:27:43.480 --> 0:27:46.080
<v Speaker 1>hotline for black people. When we need to talk to

0:27:46.160 --> 0:27:49.320
<v Speaker 1>white people about difficult topics that have to do with

0:27:49.400 --> 0:27:53.160
<v Speaker 1>black people, we call the hotline and it would immediately

0:27:53.200 --> 0:27:55.800
<v Speaker 1>patch us through to somebody that can help the rest

0:27:55.840 --> 0:27:58.840
<v Speaker 1>of us sort this stuff out. I know Mega Marcot

0:27:58.840 --> 0:28:00.640
<v Speaker 1>where she had that hotline with. She was hanging out

0:28:00.640 --> 0:28:05.399
<v Speaker 1>with those royals and Buckingham Palace. I'm lucky because I

0:28:05.400 --> 0:28:07.200
<v Speaker 1>have friends who have friends who have friends who can

0:28:07.200 --> 0:28:09.560
<v Speaker 1>help me. So let's do this. Like who wants to

0:28:09.560 --> 0:28:11.679
<v Speaker 1>be a millionaire? I'm gonna call a friend. Who am

0:28:11.720 --> 0:28:14.240
<v Speaker 1>I gonna call? Oh? I know, I know, I know

0:28:14.240 --> 0:28:17.000
<v Speaker 1>who to call. This be all he's perfect, he's perfect.

0:28:17.080 --> 0:28:20.399
<v Speaker 1>Let me do this. Come on, come on, please be in.

0:28:21.240 --> 0:28:24.440
<v Speaker 1>He's an o G, raised by o G, was born

0:28:24.480 --> 0:28:27.040
<v Speaker 1>a print of the movement and raised by black kings.

0:28:27.160 --> 0:28:30.080
<v Speaker 1>And this man is in the struggle. He's our equivalent

0:28:30.280 --> 0:28:34.240
<v Speaker 1>of American royalty. Yeah, I know he can figure this out.

0:28:35.280 --> 0:28:37.560
<v Speaker 1>Reverend Owl, thank you so much for this. I know

0:28:37.680 --> 0:28:40.200
<v Speaker 1>you are very busy man, and I admire you so much.

0:28:40.280 --> 0:28:45.280
<v Speaker 1>I really appreciate your time. Asked to be with you, Erica,

0:28:45.400 --> 0:28:47.400
<v Speaker 1>No problem, and I have a lot of respect for

0:28:47.480 --> 0:28:49.840
<v Speaker 1>you down through the years. Oh thank you, sir. I

0:28:49.880 --> 0:28:53.640
<v Speaker 1>appreciate that. I don't need to tell you that everywhere

0:28:53.680 --> 0:28:57.760
<v Speaker 1>we go there are white voices who author black stories,

0:28:57.800 --> 0:28:59.840
<v Speaker 1>and they've done it throughout the years, whether it's slave

0:29:00.040 --> 0:29:03.520
<v Speaker 1>narratives and those types of things. Why do you think

0:29:03.800 --> 0:29:06.480
<v Speaker 1>that white people feel compelled to take the lead and

0:29:06.520 --> 0:29:10.880
<v Speaker 1>sometimes take over telling stories and narratives about black folks.

0:29:10.880 --> 0:29:16.960
<v Speaker 1>What it comes down to is white supremacy. They take

0:29:17.200 --> 0:29:20.480
<v Speaker 1>ownership and some of the the cucriminal, but it's there

0:29:20.960 --> 0:29:24.760
<v Speaker 1>that they are more qualified to tell us our story

0:29:24.840 --> 0:29:28.200
<v Speaker 1>and others our story than we are ourselves. I was

0:29:28.240 --> 0:29:32.120
<v Speaker 1>reading this book on Frederick Douglas and how when Frederick

0:29:32.200 --> 0:29:35.840
<v Speaker 1>Douglas was the runaway slave workers way from New York

0:29:35.880 --> 0:29:40.360
<v Speaker 1>to New England, and there was buzz around the abolitionists

0:29:40.760 --> 0:29:46.840
<v Speaker 1>world about this well built slave that was bright, could read,

0:29:47.120 --> 0:29:50.160
<v Speaker 1>and that we could use him to go out there

0:29:50.160 --> 0:29:53.200
<v Speaker 1>and push our cars. And the white New Englanders who

0:29:53.240 --> 0:29:58.120
<v Speaker 1>were being abolitionist movement brought him in and they started

0:29:58.160 --> 0:30:02.160
<v Speaker 1>bringing them around the various allemages, and then he started speaking,

0:30:02.200 --> 0:30:03.760
<v Speaker 1>and they were like no, no, no, no, we don't

0:30:03.760 --> 0:30:05.760
<v Speaker 1>need you to talk. We just need you to be there,

0:30:05.880 --> 0:30:09.120
<v Speaker 1>be the slave. We'll do the talking. It's like we

0:30:10.080 --> 0:30:14.920
<v Speaker 1>are really not saying you're equal. We sympathize with y'all,

0:30:15.200 --> 0:30:17.480
<v Speaker 1>but let us do the talking. Let let us write

0:30:17.480 --> 0:30:20.840
<v Speaker 1>out the screenplay. Let us tell the black experience, Oh no,

0:30:20.960 --> 0:30:24.840
<v Speaker 1>you're not ghetto enough. Come on, that's moneyed up, rather

0:30:24.960 --> 0:30:29.320
<v Speaker 1>than allowing us as equals to say, wait, manute, this

0:30:29.440 --> 0:30:32.800
<v Speaker 1>is our journey and we know our journey better than anybody.

0:30:33.160 --> 0:30:36.800
<v Speaker 1>And that is a form of white supremacy. I run

0:30:36.800 --> 0:30:40.000
<v Speaker 1>into it even in my civil rights political work, where

0:30:40.040 --> 0:30:44.240
<v Speaker 1>progressives feel that they can tell blacks how we deal

0:30:44.280 --> 0:30:47.240
<v Speaker 1>without suffering. Lady, we get you all ourselves. And I'm

0:30:47.240 --> 0:30:49.160
<v Speaker 1>not saying we shouldn't have allies. I'm not saying we

0:30:49.200 --> 0:30:52.320
<v Speaker 1>can't work with people, but you can't take ownership of

0:30:52.440 --> 0:30:56.600
<v Speaker 1>me and you. A person that was like a father

0:30:56.760 --> 0:31:00.520
<v Speaker 1>figure to be James Brown, and part of the problem

0:31:00.640 --> 0:31:04.040
<v Speaker 1>that I saw a first hand that he had is

0:31:04.080 --> 0:31:09.400
<v Speaker 1>that you actually had musical producers and presidents of record

0:31:09.440 --> 0:31:13.680
<v Speaker 1>companies that wanted to tell him how to do black music. Well,

0:31:13.720 --> 0:31:16.120
<v Speaker 1>you know, Mr Brown, that's a little too raw, that's

0:31:16.120 --> 0:31:19.200
<v Speaker 1>a little too why don't we kind of modify that

0:31:19.320 --> 0:31:21.920
<v Speaker 1>a little. And Jay was saying, maybe that's where I

0:31:21.960 --> 0:31:24.240
<v Speaker 1>got it from. You're gonna tell me how to be black.

0:31:24.320 --> 0:31:27.640
<v Speaker 1>You're gonna tell me what I'm doing. And that was

0:31:27.680 --> 0:31:29.960
<v Speaker 1>his fight, and he did not get some of the

0:31:30.080 --> 0:31:34.360
<v Speaker 1>things that other more quote mainstream black artists got till

0:31:34.480 --> 0:31:37.680
<v Speaker 1>later in light because they considered him to get up

0:31:38.240 --> 0:31:40.360
<v Speaker 1>and I'll never get Erica. In the last year of

0:31:40.360 --> 0:31:42.600
<v Speaker 1>his life, he said to me, he said, you know

0:31:42.680 --> 0:31:46.440
<v Speaker 1>what raver I said. What he said, The difference between

0:31:46.480 --> 0:31:51.240
<v Speaker 1>me and some artists is they wanted to go mainstream

0:31:51.920 --> 0:31:56.440
<v Speaker 1>for commercial and financial success. He says, I wanted to

0:31:56.480 --> 0:32:00.320
<v Speaker 1>make mainstream come black because I was not gonna be

0:32:00.520 --> 0:32:03.640
<v Speaker 1>me in order to make a few doubts. And that's

0:32:03.680 --> 0:32:05.720
<v Speaker 1>how I grew up an activism and what I do

0:32:05.760 --> 0:32:09.440
<v Speaker 1>immediate and a lot of people they will play whatever role,

0:32:09.560 --> 0:32:12.480
<v Speaker 1>not only on the screen on the set, they play

0:32:12.560 --> 0:32:14.720
<v Speaker 1>that role in the office and let other people write

0:32:14.800 --> 0:32:17.520
<v Speaker 1>their story to them, like we don't have enough sense

0:32:17.560 --> 0:32:19.800
<v Speaker 1>to know our own stories, to write our own story.

0:32:20.160 --> 0:32:23.880
<v Speaker 1>And we thank them for interpreting to us a journey

0:32:23.960 --> 0:32:27.240
<v Speaker 1>that we went through and know that they only are

0:32:27.280 --> 0:32:31.320
<v Speaker 1>guessing about that's I think where the rubber meets the

0:32:31.400 --> 0:32:34.960
<v Speaker 1>road is the exact storytelling that we tell ourselves. I

0:32:35.000 --> 0:32:38.240
<v Speaker 1>have a theory about Mr George Floyd. I believe that

0:32:38.280 --> 0:32:40.760
<v Speaker 1>he was killed because of the narrative in the white

0:32:41.080 --> 0:32:43.920
<v Speaker 1>officer's mind who told him that he was not only

0:32:43.960 --> 0:32:45.880
<v Speaker 1>able to do it, he would do it with impunity,

0:32:46.320 --> 0:32:48.680
<v Speaker 1>and he could do it in broad daylight. And that's

0:32:48.720 --> 0:32:51.719
<v Speaker 1>still were not better because as a white man, as

0:32:51.760 --> 0:32:55.160
<v Speaker 1>you say, white superiority, that narrative runs deep. What do

0:32:55.240 --> 0:32:58.560
<v Speaker 1>you say to that type of thinking and how it's

0:32:58.600 --> 0:33:02.240
<v Speaker 1>placed in the white of mind. I think that you

0:33:02.400 --> 0:33:06.200
<v Speaker 1>hit it right on the head. It's a bond sense

0:33:06.240 --> 0:33:11.360
<v Speaker 1>of entitlement, that of costs. I can put my knee

0:33:11.360 --> 0:33:14.560
<v Speaker 1>on the neck and uh, it might not be nice

0:33:14.640 --> 0:33:17.600
<v Speaker 1>to the family, but nothing's going to happen to because

0:33:17.600 --> 0:33:20.920
<v Speaker 1>I'm white and they are blacks. That's just the assumption,

0:33:21.560 --> 0:33:24.880
<v Speaker 1>which is why of walking to the pulpit to preach

0:33:25.240 --> 0:33:29.240
<v Speaker 1>the funeral of George Floyd. But halfway through the sermon, Erica,

0:33:29.840 --> 0:33:34.040
<v Speaker 1>it hit me why George Floyd resonated with so many

0:33:34.080 --> 0:33:36.600
<v Speaker 1>of us, Because we've gone through a lot of police

0:33:36.600 --> 0:33:40.800
<v Speaker 1>fatality before but the outporn was global, and it was

0:33:40.960 --> 0:33:45.000
<v Speaker 1>because the knee on his neck symbolized what all of

0:33:45.080 --> 0:33:48.320
<v Speaker 1>us have gone through. And that's what I preached about.

0:33:48.360 --> 0:33:51.920
<v Speaker 1>We would have been better in Hollywood and Halem if

0:33:52.000 --> 0:33:55.000
<v Speaker 1>y'all didn't put your knee on our neck, that knee

0:33:55.040 --> 0:33:59.680
<v Speaker 1>on our neck, that you would hold us down and

0:33:59.720 --> 0:34:02.840
<v Speaker 1>as because why we weren't rising, we were a rose

0:34:02.920 --> 0:34:05.040
<v Speaker 1>if you didn't have your knee on our net. And

0:34:05.080 --> 0:34:08.799
<v Speaker 1>when we saw that cops knee on George's neck, we

0:34:08.880 --> 0:34:11.839
<v Speaker 1>thought about what happened to our career, as our professions,

0:34:11.920 --> 0:34:15.200
<v Speaker 1>our families, because we've been fighting the knee on our

0:34:15.280 --> 0:34:18.959
<v Speaker 1>neck all of our lives, all of our existence since

0:34:19.000 --> 0:34:23.200
<v Speaker 1>we got here. And that is what George Floyd represented,

0:34:23.440 --> 0:34:26.320
<v Speaker 1>and that's why it resonated inside of us even so

0:34:26.520 --> 0:34:31.320
<v Speaker 1>consciously when we didn't understand why, well, we've been told

0:34:31.600 --> 0:34:34.520
<v Speaker 1>a version of ourselves that is stereotypical. I don't even

0:34:34.520 --> 0:34:36.360
<v Speaker 1>know if we know what a real black person looks

0:34:36.400 --> 0:34:39.080
<v Speaker 1>like half the time because it's been distorted, and we've

0:34:39.320 --> 0:34:42.759
<v Speaker 1>also accepted that distortion. What do we need to do

0:34:42.960 --> 0:34:46.800
<v Speaker 1>to return ourselves to some sort of narrative that starts

0:34:46.840 --> 0:34:48.800
<v Speaker 1>to not only tell our story, but tell our story

0:34:48.840 --> 0:34:53.040
<v Speaker 1>not through the Negro that was created beforehand. I think

0:34:53.120 --> 0:34:57.879
<v Speaker 1>we've gotta go back and discover who and what we are,

0:34:58.040 --> 0:35:01.600
<v Speaker 1>and that is manifested in different ways. We owe different tribes,

0:35:02.000 --> 0:35:04.960
<v Speaker 1>but that all of those were real. We've got to

0:35:05.040 --> 0:35:11.480
<v Speaker 1>claim who we are unapologetically, and then we must stand

0:35:11.719 --> 0:35:16.160
<v Speaker 1>and own that space and say that's non negotiable. And

0:35:16.400 --> 0:35:21.319
<v Speaker 1>anyone else from the outside that wants to interfere and

0:35:21.600 --> 0:35:25.960
<v Speaker 1>in many ways modify our story. We must tell our

0:35:26.000 --> 0:35:29.680
<v Speaker 1>community we are not patronize them or support them. We

0:35:30.000 --> 0:35:35.560
<v Speaker 1>can no longer allow ourselves to be interpreted by those

0:35:35.920 --> 0:35:39.880
<v Speaker 1>that do not understand us. And that's why I think

0:35:39.920 --> 0:35:43.719
<v Speaker 1>that we've got to start with our authenticity. If I've

0:35:43.760 --> 0:35:46.680
<v Speaker 1>got to be somebody else for you to accept me,

0:35:47.000 --> 0:35:50.839
<v Speaker 1>then I'm bowing the white supremacy. God made me. You

0:35:50.840 --> 0:35:53.359
<v Speaker 1>don't have to remake me. I will find the way

0:35:53.360 --> 0:35:55.799
<v Speaker 1>He made me. Just get out of my way, get

0:35:55.840 --> 0:36:02.160
<v Speaker 1>your need on my neck. That's the best hotline you

0:36:02.160 --> 0:36:06.839
<v Speaker 1>could ever have, straight to Reverend Shopton. But I need

0:36:06.840 --> 0:36:08.880
<v Speaker 1>to get back to Whitney. See what he's got in

0:36:08.960 --> 0:36:14.359
<v Speaker 1>store for me. Whin There's one more thing I want

0:36:14.400 --> 0:36:16.520
<v Speaker 1>to talk about when it comes to storytelling, Erica and

0:36:16.520 --> 0:36:21.520
<v Speaker 1>that's protagonists. You know, protagonists have names Adam Ishmael Lowman. Yes,

0:36:21.560 --> 0:36:24.160
<v Speaker 1>I know, they're all white men. Our names means something

0:36:24.200 --> 0:36:26.239
<v Speaker 1>and tell us something about the role of the hero

0:36:26.400 --> 0:36:30.560
<v Speaker 1>in the story. And you're My name's Erica. Alexander and

0:36:30.640 --> 0:36:33.799
<v Speaker 1>Doo mean very very different things. When I was growing up,

0:36:33.840 --> 0:36:35.239
<v Speaker 1>we had a book in our house called the Book

0:36:35.280 --> 0:36:38.320
<v Speaker 1>of Doo. This book cataloged various branches of our family,

0:36:38.360 --> 0:36:41.920
<v Speaker 1>going back to nine when a guy named Henry Dow

0:36:42.040 --> 0:36:44.520
<v Speaker 1>sailed here from England. You know, I was never that

0:36:44.560 --> 0:36:46.399
<v Speaker 1>interested in the book. It was big, had a lot

0:36:46.400 --> 0:36:49.120
<v Speaker 1>of charts and stuff, but it did have some value

0:36:49.120 --> 0:36:51.920
<v Speaker 1>to me in the sense that I kind of knew

0:36:52.200 --> 0:36:54.719
<v Speaker 1>where I came from in a very specific sense, like

0:36:54.760 --> 0:36:57.200
<v Speaker 1>who my ancestors were and how their stories flowed through

0:36:57.239 --> 0:36:59.799
<v Speaker 1>the history of our country. And I bring this up

0:36:59.800 --> 0:37:02.120
<v Speaker 1>because I thought about this the other day when you

0:37:02.160 --> 0:37:05.440
<v Speaker 1>were we were talking to our producer and you complimented

0:37:05.440 --> 0:37:08.200
<v Speaker 1>her on her name and she replied, that's my slave name.

0:37:09.239 --> 0:37:12.719
<v Speaker 1>And that phrase always brings me up short. It's so

0:37:12.800 --> 0:37:15.759
<v Speaker 1>direct into the point, and it's a hard reminder of

0:37:15.760 --> 0:37:19.000
<v Speaker 1>how different our histories are and how visible those histories

0:37:19.040 --> 0:37:23.680
<v Speaker 1>are in the most direct and gratidian ways. So thinking

0:37:23.680 --> 0:37:25.680
<v Speaker 1>about that, maybe want to ask you Eric about your

0:37:25.800 --> 0:37:28.560
<v Speaker 1>name Alexander. I wondered if you do it's origin and

0:37:28.600 --> 0:37:31.120
<v Speaker 1>how you felt connected to it. You know, I know

0:37:31.160 --> 0:37:35.240
<v Speaker 1>you know genealogy, but your name reflects a very different history,

0:37:35.239 --> 0:37:38.360
<v Speaker 1>and I wondered how you thought about it well with me.

0:37:38.640 --> 0:37:40.200
<v Speaker 1>First of all, I want to say that I think

0:37:40.239 --> 0:37:42.560
<v Speaker 1>it's really cool that you know who you are. It's

0:37:42.560 --> 0:37:46.400
<v Speaker 1>even some heavy stuff. It's a rare gift for anybody

0:37:46.440 --> 0:37:48.880
<v Speaker 1>to have a book like that, and I recommend you

0:37:48.880 --> 0:37:53.040
<v Speaker 1>spend more time appreciating that mighty Book of dow And

0:37:53.760 --> 0:37:56.719
<v Speaker 1>I'd like to see it too. Did y'all put any

0:37:56.760 --> 0:37:59.880
<v Speaker 1>of your bad deeds in it? You rascals and scaliwags

0:38:00.400 --> 0:38:04.160
<v Speaker 1>or worse? It's just just the good stuff. But listen,

0:38:04.200 --> 0:38:07.600
<v Speaker 1>You're yesterday contained seeds to your tomorrow, So it's no

0:38:07.680 --> 0:38:10.040
<v Speaker 1>shade to you. By the way, I can bet you

0:38:10.200 --> 0:38:13.319
<v Speaker 1>that what your family accomplished with all those centuries, and

0:38:13.320 --> 0:38:15.239
<v Speaker 1>I'm not saying they didn't work hard and sweat and

0:38:15.239 --> 0:38:17.080
<v Speaker 1>toil all that stuff in the Book of Down but

0:38:18.000 --> 0:38:21.000
<v Speaker 1>I know I accomplished in half a lifetime and on

0:38:21.040 --> 0:38:24.520
<v Speaker 1>a Google doc with the help of a series TV

0:38:26.200 --> 0:38:30.760
<v Speaker 1>in network you know presents. But the people who write

0:38:30.760 --> 0:38:33.239
<v Speaker 1>these things down and appreciate it and move it on,

0:38:33.280 --> 0:38:37.120
<v Speaker 1>they're seeking immortality. And I think I have already a

0:38:37.120 --> 0:38:40.960
<v Speaker 1>little piece of that. And it wasn't easy to get

0:38:40.960 --> 0:38:44.600
<v Speaker 1>because both my parents were orphans. And yes, DNA tells

0:38:44.640 --> 0:38:46.640
<v Speaker 1>the real story of who I am. I know I

0:38:46.680 --> 0:38:49.880
<v Speaker 1>have this blood from the Congo and from Ghana on

0:38:50.560 --> 0:38:54.440
<v Speaker 1>a few other places, but my real self is manifested

0:38:54.440 --> 0:38:57.239
<v Speaker 1>in real time. I I'm who I am right now,

0:38:58.040 --> 0:39:02.319
<v Speaker 1>And like many black people, I created myself from the

0:39:02.440 --> 0:39:04.920
<v Speaker 1>mud that was laid at my feet. But whatever parts

0:39:04.920 --> 0:39:07.920
<v Speaker 1>and pieces I could get, So no, if you want

0:39:07.960 --> 0:39:11.239
<v Speaker 1>to know, I don't care or know what white man

0:39:11.360 --> 0:39:14.960
<v Speaker 1>or woman gave my family its name, because it was

0:39:14.960 --> 0:39:18.640
<v Speaker 1>not meant to identify me, certainly not anybody who had

0:39:18.640 --> 0:39:22.400
<v Speaker 1>gotten that name. It was meant to disappear us a brand.

0:39:22.480 --> 0:39:25.359
<v Speaker 1>It's an ugly brand as far as I'm concerned, and

0:39:25.400 --> 0:39:28.080
<v Speaker 1>it's meant to lay claim to our family's destiny, and

0:39:28.160 --> 0:39:31.719
<v Speaker 1>it hasn't invested in our welfare or our human potential.

0:39:32.400 --> 0:39:36.600
<v Speaker 1>I can't quantify the weight of my enslaver's inherited name.

0:39:37.600 --> 0:39:41.800
<v Speaker 1>It's impossible. I just feel that the loss of having

0:39:42.040 --> 0:39:46.000
<v Speaker 1>to carry it while I accomplish the impossible. That's why

0:39:46.040 --> 0:39:49.279
<v Speaker 1>so many Black people change or alter and dispose of

0:39:49.320 --> 0:39:52.240
<v Speaker 1>their names. If you're talking about people like Muhammad Ali,

0:39:52.680 --> 0:39:55.560
<v Speaker 1>my friend Queen Latifa, L. L. Coo, J quest Love,

0:39:56.080 --> 0:40:00.719
<v Speaker 1>Malcolm X, Harry Tubman, my Angelou Stevie, wonder they they

0:40:00.760 --> 0:40:04.840
<v Speaker 1>gave themselves those names. We implant our intention inside of

0:40:04.880 --> 0:40:09.560
<v Speaker 1>them and and a rebirth happens. It creates space from it.

0:40:09.960 --> 0:40:13.680
<v Speaker 1>You know, in America, black people need an alter ego

0:40:13.800 --> 0:40:18.319
<v Speaker 1>to vanquish the evil that is around us. Now, after

0:40:18.400 --> 0:40:22.640
<v Speaker 1>having said all that, my name is Erica Rose Alexander,

0:40:23.400 --> 0:40:28.760
<v Speaker 1>and Alexander means protector of the people, and I shall

0:40:28.800 --> 0:40:32.560
<v Speaker 1>continue to endeavor in that pursuit. I was renamed princess

0:40:32.560 --> 0:40:34.719
<v Speaker 1>by the way twice in Africa by two different queen

0:40:34.760 --> 0:40:38.320
<v Speaker 1>mothers in two different countries, thirty years apart. That was

0:40:38.360 --> 0:40:42.239
<v Speaker 1>a powerful thing to go back and experience that. So

0:40:42.719 --> 0:40:46.000
<v Speaker 1>you should know that I am African royalty. But to

0:40:46.080 --> 0:40:48.600
<v Speaker 1>keep things casual, I give you permission Whitney Dow of

0:40:48.760 --> 0:40:52.120
<v Speaker 1>the Book of Doos to simply call me your highness

0:40:52.560 --> 0:41:00.880
<v Speaker 1>for the great it's your choice, and you're welcome next

0:41:00.880 --> 0:41:06.719
<v Speaker 1>time on reparations. The big payback. Slavery was eliminated in

0:41:06.800 --> 0:41:09.880
<v Speaker 1>eighteen sixty five around the passage of the thirteenth Amendment.

0:41:10.080 --> 0:41:13.040
<v Speaker 1>So people think that's history, that's a long time adult,

0:41:14.200 --> 0:41:17.120
<v Speaker 1>and why are we still talking about it. The attitude

0:41:17.160 --> 0:41:19.520
<v Speaker 1>is get over it, And so I think it's important

0:41:19.560 --> 0:41:22.759
<v Speaker 1>to restate some of those very pointed facts of brutality

0:41:22.880 --> 0:41:27.920
<v Speaker 1>in the inhumanity of slavery. Most of our education we

0:41:27.920 --> 0:41:33.040
<v Speaker 1>were deprived of really in depth understanding of slavery. It

0:41:33.160 --> 0:41:36.520
<v Speaker 1>wasn't in our schools. We were basically trying to overcome.

0:41:37.120 --> 0:41:39.879
<v Speaker 1>And I remember the slave narratives. I've read them here

0:41:39.920 --> 0:41:43.520
<v Speaker 1>and there in the recent years. And I remember the

0:41:43.560 --> 0:41:48.279
<v Speaker 1>writing of a slave woman to her husband he had

0:41:48.320 --> 0:41:52.520
<v Speaker 1>been sent to another plantation. She said, come quickly, because

0:41:52.600 --> 0:41:55.759
<v Speaker 1>I and your daughter are going to be sold tomorrow,

0:41:55.760 --> 0:41:58.880
<v Speaker 1>and your son will be sold on the block in

0:41:58.960 --> 0:42:02.360
<v Speaker 1>another day. Who could live like this? Is that not

0:42:02.520 --> 0:42:06.839
<v Speaker 1>worthy of a commission to study and to determine how

0:42:06.880 --> 0:42:09.600
<v Speaker 1>we can do better and how we can make amends.

0:42:10.280 --> 0:42:13.319
<v Speaker 1>How we can make the healing not only reflect on

0:42:13.360 --> 0:42:21.200
<v Speaker 1>African Americans, but all of America. This podcast is produced

0:42:21.239 --> 0:42:24.880
<v Speaker 1>by Eric Alexander ben Arnon in Whitney Down. The executive

0:42:24.880 --> 0:42:28.000
<v Speaker 1>producers are Charlemagne the God and Dolly s. Bishop. The

0:42:28.040 --> 0:42:31.319
<v Speaker 1>supervising producers Nicole Childers, and the lead producer is Devin

0:42:31.400 --> 0:42:35.320
<v Speaker 1>Mavock Robins. The producer writer Serres Castle, and the Associate

0:42:35.360 --> 0:42:38.680
<v Speaker 1>producer is Kevin Famm. With additional research and writing support

0:42:38.680 --> 0:42:42.239
<v Speaker 1>provided by Nile Blast. Original music by d J d

0:42:42.400 --> 0:42:51.719
<v Speaker 1>t P Reparations. The Big Payback as a production of

0:42:51.719 --> 0:42:54.840
<v Speaker 1>Color Farm Media, I Heart Radio and The Black Effect

0:42:54.920 --> 0:42:59.120
<v Speaker 1>Podcast Network in association with Best Case Studios. For more

0:42:59.200 --> 0:43:02.319
<v Speaker 1>podcasts from I Heart Radio, visit the I Heart Radio app,

0:43:02.480 --> 0:43:05.680
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.