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Speaker 1: I Am all in. Oh, I.

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Speaker 2: Am all in with Scott Patterson an iHeartRadio podcast.

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Speaker 1: Everybody Scott Patterson, I Am all In podcast one eleven

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Speaker 1: productions iHeart Radio. I am joined by the Intrepid Crew,

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Speaker 1: all two thirds of the Intrepid Crew, Amy Sugarman, Danielle Romeo.

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Speaker 3: Have you been drinking Scotty Peas coffee? Because you seem

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Speaker 3: a little happinated.

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Speaker 1: Do I feel a little energized because I went to

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Speaker 1: the gym, I took a shower, I shaved, I ate

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Speaker 1: food all in the space of about forty five minutes

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Speaker 1: just to get to the podcast. And I did it.

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Speaker 1: And I'm very proud of myself and I'm energized. We're

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Speaker 1: ready to review season five, episodes twelve, Come Home and Boy,

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Speaker 1: after this episode, did I want to go home?

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Speaker 3: Okay?

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Speaker 1: Because it made me feel so nostalgic for home.

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Speaker 3: So there's a.

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Speaker 1: Lot, a lot, there's so many pieces of luggage here.

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Speaker 3: Yeah, because there's a lot of questions.

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Speaker 1: It's like, we need to check a lot of these bags.

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Speaker 4: Yeah.

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Speaker 1: They wouldn't let us on the plane with all these bags.

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Speaker 1: They said, you gotta check them.

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Speaker 3: I think we go in order we have to yeah,

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Speaker 3: because there's some major questions I have.

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Speaker 1: This This episode covered a lot of ground, so we better.

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Speaker 3: Yeah, let's go in order people's motivations. That's what that's

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Speaker 3: the tease I'll give, like I want to dig into

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Speaker 3: everyone's motivations. And yeah, I have to take a deep breath.

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Speaker 1: Let's all take it to come on, let's take a

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Speaker 1: breath ready.

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Speaker 3: I think everyone listening needs to take a deep breath.

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Speaker 1: To everybody to take a deep breath because we're about

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Speaker 1: to embark on a journey of a million steps here.

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Speaker 3: Could it could get rough? There's rough road ahead.

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Speaker 4: I think.

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Speaker 5: All right, this is season five, episode twelve, coming.

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Speaker 1: And spa Danielle Romo. It's going to take us on

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Speaker 1: the first part of the journey up the Mountain.

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Speaker 5: Air date February first, two thousand and five. Michelle is

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Speaker 5: upset that someone is sneaking into the guest rooms after

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Speaker 5: his room checks. Very offers to help Logan with his

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Speaker 5: article for the Yale Daily Newspaper. Richard learns of Emily's

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Speaker 5: date with Simon and Kim Wan's lane to attend her

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Speaker 5: lunar New Year party.

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Speaker 4: Was a pretty unpacked episode totally.

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Speaker 1: It was like it was like the one oh one

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Speaker 1: at rush hour. It was just it was amazing.

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Speaker 3: Before we start going through it, I want to ask

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Speaker 3: the three of you three questions right now. Give me

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Speaker 3: one word to describe how you feel about Logan.

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Speaker 1: I want to say, gifted, schmoozy.

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Speaker 3: Mine is three words.

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Speaker 5: You gave us one and you have to pick one.

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Speaker 3: It's playing the game, playing the game.

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Speaker 1: How she operates, see how she what she does.

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Speaker 3: Playing the game. So we'll dig into that. Now, give

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Speaker 3: me one word to describe your feelings right now about Emily.

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Speaker 1: Oh days of our Lives.

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Speaker 4: It was a little soap operating at the end. Now

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Speaker 4: you say it, I'm like, no, let me see it.

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Speaker 1: Yeah, a little bit.

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Speaker 3: I just got that wasn't my vibe, but I get

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Speaker 3: where you guys are coming from. For me, it was

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Speaker 3: just like, oh.

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Speaker 5: No, yeah, I don't have a word. It's literally, oh no,

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Speaker 5: Like that's no.

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Speaker 1: You know what the word is for that last scene

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Speaker 1: is arch. It was two arch.

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Speaker 3: I don't think I know that word.

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Speaker 1: Bringing getting Christopher involved, plotting, plotting to bring.

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Speaker 3: We'll get into it. We'll get into it, okay, So

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Speaker 3: let's start with the cutest scene in the bed with

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Speaker 3: Luke and Lorlai. They're so they're so in love, they're

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Speaker 3: so comfortable, they're so together.

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Speaker 5: Right here wearing their flannels. Cute.

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Speaker 3: Yeah, his bed is cute. I feel like he's got

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Speaker 3: like these cute sheets now and like more pillows and

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Speaker 3: like a cute comforter. They're going to bed at the

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Speaker 3: very early hour, can I tell you not? Really?

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Speaker 5: Nine thirty is not early for a four am wake up.

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Speaker 1: That's not early at all, Like Luke's on.

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Speaker 5: My schedule, nine thirty lights out, call it a day.

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Speaker 1: I wish I could get to bed at nine thirty.

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Speaker 1: I can't. I go upstairs at nine thirty, but I

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Speaker 1: don't go to bed.

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Speaker 3: I go to bed like two. Wait, what were you

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Speaker 3: gonna say? Two? Yeah, I'm like a vampire. But Scott,

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Speaker 3: you tell me what you're gonna say.

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Speaker 1: I want to hear you really look forward to those

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Speaker 1: scenes when you're just you're just laying in bed. So great.

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Speaker 1: Those are good days, man. When you get to do

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Speaker 1: a scene just laying in bed, you don't have to

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Speaker 1: move around, you don't have to block it. You just

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Speaker 1: get in the sheets.

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Speaker 5: Do you have to block like being in bed because

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Speaker 5: you know in the diner you're like, oh, here's the coffee,

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Speaker 5: here's the toast whatever, Like is it like, here's the sheet.

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Speaker 1: Well, you just sort of have to check. You have

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Speaker 1: to check positions right and that. But it's easy. It's

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Speaker 1: a very quick rehearsal.

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Speaker 3: And she does that move a lot coming out of

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Speaker 3: that bathroom in the shirt, Like I've seen that move

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Speaker 3: like four times now and in the shirt.

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Speaker 1: I love those bed scenes.

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Speaker 3: Love it you guys have on On just said it

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Speaker 3: so quiet? Doesn't e Wan have a pin? I want

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Speaker 3: to hear it drop? So good. Now here's my question

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Speaker 3: es Logistically, he lives three minutes from her, right, like,

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Speaker 3: what's the walk five minutes maybe? Mmmm?

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Speaker 1: Well, in real I mean the way the back lot.

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Speaker 3: Of sense Up said yeah, because let's pretend that's real.

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Speaker 1: Uh well, okay, so her house, Yeah, her house is

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Speaker 1: right across the town square, so it's like she can

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Speaker 1: be on her front stoop and see my diner.

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Speaker 3: Right. So here's what I would do. I would get

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Speaker 3: in bed with you fall asleep, I'd go across back

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Speaker 3: to my house, watch TV for a few hours, do

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Speaker 3: my pitdling around, my emails, my ironing, whatever I want

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Speaker 3: to do, and then come back. Nobody likes that. What

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Speaker 3: instead of trying to fall asleep at nine when she can't, you.

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Speaker 1: Have a chance to get in bed with Luke Dane.

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Speaker 1: And you're saying, I don't want to be in bed

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Speaker 1: with Luke Dane's I want to go do ironing.

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Speaker 3: Correct, She's gonna lay there while you fall asleep. You

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Speaker 3: have your like cuddling time, and then when you're snoring,

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Speaker 3: she gets up. She goes back to her house, watches

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Speaker 3: her shows, eats her popcorn, does her thing, and then

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Speaker 3: at midnight or whatever, she just walks back over. That

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Speaker 3: seems like so much work, really seems so logistically like.

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Speaker 1: That's you, that's Amy Sugarman.

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Speaker 3: I have used that time wise.

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Speaker 1: This week, Amy Sugarman will be playing the role of

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Speaker 1: Laurel I, and she won't be in bed. She'll be

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Speaker 1: doing a million different.

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Speaker 3: Because there's nothing worse for me than trying to fall

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Speaker 3: asleep early when I am not tired and cannot fall asleep.

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Speaker 3: That would be so terrible.

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Speaker 4: Do you guys sleep with the TV on or all?

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Speaker 1: Who? Luke and Laurel I?

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Speaker 4: Yeah, say you guys, we don't have.

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Speaker 1: A TV in the bedroom.

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Speaker 3: Oh that's a good question. Wait, Danielle, do you guys?

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Speaker 5: Well, my husband is always up later than I am,

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Speaker 5: so he always has the TV on. So technically I

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Speaker 5: do fall asleep with the TV on. But if it's

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Speaker 5: just me, that thing come turns off and I fall asleep.

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Speaker 4: Tara, I have a TV in my room, but I

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Speaker 4: turn it off before I go to bed, so I

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Speaker 4: never fall asleep with it on.

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Speaker 3: Same but I love I mean, look, let's just get

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Speaker 3: to the ending part. The fact that he got a

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Speaker 3: TV for her is.

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Speaker 1: Just no.

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Speaker 5: Very old old TV. That thing is only playing black

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Speaker 5: and white like cartoons, like that's all you got on.

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Speaker 3: Like a VCR. He's playing a VCR. She could watch

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Speaker 3: Back to the Future on v But okay, so we

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Speaker 3: all feel great about the opening, right.

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Speaker 1: Oh sure, yeah, seeing these two kids, take these crazy

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Speaker 1: kids together.

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Speaker 3: Then we bebop over to Yale and we're in the

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Speaker 3: newsroom and we learn that Mitcham has come.

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Speaker 1: By, and that was a funny scene.

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Speaker 3: Doyle's in a real dither like.

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Speaker 1: And what I loved about that scene is we found

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Speaker 1: out what I always suspected, that Logan is gifted, yeah,

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Speaker 1: and that he's a hell of a writer and he

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Speaker 1: doesn't even try, and he's you know, God gave him

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Speaker 1: everything with both hands, money and looks and talent and

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Speaker 1: brains and the whole thing, and he don't even care.

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Speaker 1: And it's just it's yay.

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Speaker 3: Right, he deserves to be at Yelle. He's super smart.

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Speaker 3: She's just that guy.

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Speaker 1: Can I just say, I just I love. I love

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Speaker 1: Matt Sugre's portrayal of this character because he's throwing everything

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Speaker 1: away and it's always about how he feels about Rory,

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Speaker 1: and it's always how he feels about something. He doesn't

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Speaker 1: make it about the dialogue. He just throws it away.

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Speaker 1: It's just like he clips it, clips and clips, and

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Speaker 1: he's he's got such an ease and he breeze and

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Speaker 1: that's perfect for that character.

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Speaker 3: Yeah, I love watching him.

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Speaker 1: I was waiting the entire episode just for Logan scenes.

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Speaker 1: There weren't enough. I was not happy. Where are they?

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Speaker 1: Let's you know, come on now?

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Speaker 3: So I get that Logan is a polarizing guy, right,

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Speaker 3: like people, they dislike Logan, But I think one of

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Speaker 3: the reasons I love him is Scott what you're saying,

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Speaker 3: I love probably love Matt Zuker's portrayal of this guy. Right,

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Speaker 3: he makes him so likable and cool, so like, I'm

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Speaker 3: not analyzing him like is this the greatest guy on

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Speaker 3: the planet. I'm analyzing it, like I freaking love watching this.

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Speaker 1: Guy because he's so present in those scenes. He's there

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Speaker 1: and he's with her, and he's paying looking at her,

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Speaker 1: and it's about her. He simplifies, He simplifies everything to

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Speaker 1: the point where it's down to its basic roots, and

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Speaker 1: it's really fascinating to watch.

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Speaker 3: I agree, because now Rory is just giddy, giddy two shoe,

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Speaker 3: like she can't deal anymore with how much she likes him.

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Speaker 1: Well, he threw in a Seymour hersh and she all

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Speaker 1: lit up, which I all of a sudden, she's getting

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Speaker 1: all giddy, and I'm just like, is that a good

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Speaker 1: look for Rory?

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Speaker 4: You know?

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Speaker 1: Is that it's like, all of a sudden, now she's

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Speaker 1: interested in a real sense.

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Speaker 3: So okay, that's a great question.

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Speaker 1: Right, how did you guys feel about that?

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Speaker 3: I like having someone have the upper hand over her

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Speaker 3: for once, because even with Jess, she's even though Jess

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Speaker 3: was kind of, you know, broody and like mysterious, She's

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Speaker 3: still always kind of had the upper hand or at

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Speaker 3: least it was really equal in this case. Now Logan

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Speaker 3: has the upper hand. They were sort of equal a

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Speaker 3: couple of weeks ago. But I think he's controlling this relationship.

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Speaker 1: Now, Okay, you you you, Here's here's a question for

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Speaker 1: each one. I'm gonna take a page out of Amy's book,

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Speaker 1: and I'm going to take over the podcast right now.

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Speaker 1: I'm gonna start asking people questions. I'm going to do.

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Speaker 1: Here we go, Ready, Ready? Would you watch the Logan

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Speaker 1: Rory Mitcham Yale review spin off?

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Speaker 4: I would?

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Speaker 1: That's a show. Why you're you're not a Logan fan, right, y'all.

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Speaker 3: Hasn't really met Mitcham yet either, that's true, and she

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Speaker 3: doesn't know Logan well enough.

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Speaker 5: Like I would watch, to be completely honest with everyone

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Speaker 5: on this podcast, the Yale Daily Newspaper scenes aren't it

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Speaker 5: for me? Okay, it's just a spin off of that.

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Speaker 5: It just always feels like filler to me.

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Speaker 3: I do like Doyle, really.

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Speaker 1: That's interesting where we're going? That is so interesting? That

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Speaker 1: feels like filler to you. For me, it's the main attraction.

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Speaker 1: It's like all the all the Korean stuff feels like

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Speaker 1: filler to oh.

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Speaker 5: That is definitely a filler, but.

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Speaker 3: Like, I disagree with you all so much because I

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Speaker 3: love everything at the Kims and we'll talk about why.

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Speaker 1: I got a lot of laughs out of it. But

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Speaker 1: it's like I'm not waiting for it, you know.

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Speaker 3: I'm waiting for Logan and Rory, and I'm waiting for

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Speaker 3: Lougan Lorli and I'm waiting for Emily and Richard. That's

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Speaker 3: like I like.

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Speaker 5: Rriyan Logan, you know, doing the secret society stuff and

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Speaker 5: you know the the Yale you know, the Yale stuff outside,

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Speaker 5: just like the newspaper room. Just like I'm always like, well.

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Speaker 3: What about the pub scenes the bar?

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Speaker 5: I love all that, okay, just like the newspaper stuff,

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Speaker 5: So I wouldn't watch it.

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Speaker 4: You know. It's kind of like they just needed to

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Speaker 4: be sitting in a classroom during school, but that's where

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Speaker 4: they can socialize, like you can't talk and like no.

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Speaker 3: But they need the newsroom because that's where we learn

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Speaker 3: that Mitch has come by, Doyle's freaking out, and Rory's like, oh,

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Speaker 3: help them, help.

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Speaker 4: Them, like what for Danielle. It's kind of like it's

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Speaker 4: the base of like what's to come, Like that's why

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Speaker 4: they meet at the pub or that's why they did

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Speaker 4: the you know, society. So I get what you're saying.

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Speaker 3: So what do you think of the inn scenes? So

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Speaker 3: after we leave the newsroom and we know that Rory's

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Speaker 3: definitely got a big old crush, we go to the

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Speaker 3: inn and we're having the staff meeting.

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Speaker 4: Oh my god, I love that Kirk is now getting

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Speaker 4: into hospitality.

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Speaker 6: That he also is like I want to get into it,

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Speaker 6: like like is he didn't just show up for no reason?

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Speaker 4: He's like I want to learn?

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Speaker 3: Oh god, what do you mean?

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Speaker 5: What do you think When Michelle says that someone is

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Speaker 5: stealing the chocolate? I was like, a wild guess who

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Speaker 5: is stealing the chocolate?

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Speaker 3: Did you know right away it was Suki?

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Speaker 5: Oh. I mean if it had to be anybody there,

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Speaker 5: it's going to be the pregnant lady for sure. He

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Speaker 5: was like too, yeah, like that would be me.

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Speaker 3: I love that it's to guys. So, Scott, what do

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Speaker 3: you think of like the sort of going to the end.

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Speaker 3: Does that feel like filler to you? Or that feels

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Speaker 3: like good content.

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Speaker 1: Filler ish?

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Speaker 3: Yeah? Yeah, you know to me it's the most filler ish.

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Speaker 3: I don't mind it.

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Speaker 1: When when how do I say this? It was like

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Speaker 1: almost like they're introducing a completely new It's like they

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Speaker 1: didn't really have a narrative to go with at the end.

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Speaker 1: It was just sort of hey, wacky funny stuff at

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Speaker 1: the end, and let's go touch on that stuff. But

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Speaker 1: it's there was no like real uh, it wasn't really

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Speaker 1: adding to the tension or the drama of.

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Speaker 3: I really as a whole.

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Speaker 1: It was just kind of funny Gilmoury. Yes, you know,

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Speaker 1: a chance for Michelle to shine what she always does,

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Speaker 1: a chance for Sewan Gun to shine what she always does. Ye,

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Speaker 1: you know that kind of thing. So it was a

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Speaker 1: nice It was a nice place to breathe and relax

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Speaker 1: and just sort of take it in and enjoy it,

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Speaker 1: you know.

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Speaker 3: Valid because I think there's parallels as well as connection

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Speaker 3: between Luke and Laura Lai, Emily and Richard Logan and Rory. Right,

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Speaker 3: we can like dissect it for days, the kim House

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Speaker 3: stuff which we can talk about, and the In stuff

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Speaker 3: is kind of like isolated, it's not totally connected. So

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Speaker 3: it is technically is filler. That's not even a criticism,

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Speaker 3: That's what it is.

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Speaker 1: Yeah, it's like another show almost.

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Speaker 3: Yeah, And I mean I enjoy it. I find myself

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Speaker 3: at the inn scenes just really looking at the decor of.

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Speaker 1: The inn, right good, didn't it?

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Speaker 4: The twall and the crazy It's.

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Speaker 3: Insane that that where they are all having their eating

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Speaker 3: and the tables and the detail and just all the

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Speaker 3: like blue and white decor and the chotchkey stuff everywhere.

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Speaker 3: And then when you're in the hotel room, the in room,

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Speaker 3: whatever you call it, it's just designed so detailed.

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Speaker 1: The one, the one knock I have about why wasn't

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Speaker 1: Sean I mean Sean, Why wasn't Kirk given a job

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Speaker 1: at the end? He's so useful. I mean, just to

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Speaker 1: hire the guy. Then he can be around more, He

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Speaker 1: can be in more scenes. Why can't he help out

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Speaker 1: in the kitchen?

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Speaker 4: Time for him to get to the end.

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Speaker 5: Didn't he have a job in the beginning?

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Speaker 1: But he's got a million jobs. He's always inventing. He's

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Speaker 1: always inventing a job for himself.

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Speaker 5: You mean, like a sturdy job at the Why not?

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Speaker 1: I mean he's a jack of all trades. You could

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Speaker 1: plug him into any situation. He could always enhance the comedy.

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Speaker 1: I mean Michelle's bringing the heat or Laurlize bring in

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Speaker 1: the heat. Suki's bringing the heat. You got another comedy

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Speaker 1: master there and showing gunn get him in the end,

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Speaker 1: get them in more scenes.

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Speaker 5: Let's go.

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Speaker 1: Don't don't like you know, Suki Like now I'll get

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Speaker 1: out of here. I'm not hiring you. Yes, hire them,

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Speaker 1: So we go from this.

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Speaker 3: I agree, we go from the end to the diner. Now,

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Speaker 3: I personally loved this scene. I love the scenes with

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Speaker 3: Lane and is it Kim? Does Suzanne play Kim? I

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Speaker 3: know her real name is Suzanne? What is the exchange

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Speaker 3: students for the Exchange?

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Speaker 4: Oh? Kay on.

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Speaker 3: Okay? So I love their banter and that she's bringing

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Speaker 3: the scoop because she wants the Monte Cristo sandwich. I'm

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Speaker 3: just like a fricking genius. Then I sort of did

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Speaker 3: like the interaction of the band looking at their photos

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Speaker 3: and Lane doesn't like how she looks right. Relatable, Yes,

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Speaker 3: it was relatable. It was like all relatable and funny

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Speaker 3: and just totally amusing, and I liked the whole thing.

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Speaker 4: I actually like the interaction here with Kaion compared to

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Speaker 4: the last time when we were like none of us

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Speaker 4: were really into that storyline, because I think now she

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Speaker 4: she's kind of in this world where she gets why

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Speaker 4: Lane left. Yeah, and so we're seeing that and Lane's

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Speaker 4: kind of helping her guide her like she's like I've

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Speaker 4: been through this, Like I'll sandwich she with Blane a bit. Yeah.

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Speaker 4: I thought it was a nice scene me too, And.

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Speaker 3: I actually am totally enjoying Brian and Zach. I think

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Speaker 3: they're bringing something. It's never going to be, you know,

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Speaker 3: what's his doozy Dave Bragowski, but it's bringing something. I

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Speaker 3: kept wanting, what is Adam's last name? Why isn't Adam

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Speaker 3: Adam Brody Adam Brody? Look, I'm old it went right

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Speaker 3: out of my head. So so Scott, like, where do

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Speaker 3: you stand on that filler or content?

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Speaker 1: If you have Sebastian Bach in a scene, I don't

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Speaker 1: know how you call it filler?

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Speaker 5: Right?

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Speaker 1: You know, he's he's a rock star for a reason

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Speaker 1: because he's got he's got that real presence. I agree.

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Speaker 3: I think he steals every scene he's in.

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Speaker 1: I don't know if he's ever going to be nominated

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Speaker 1: for an Emmy, right, but he's doing a solid job,

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Speaker 1: and he's got that screen presence, and he's got that delivery,

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Speaker 1: and he's gil he's he's Gil, He's he's one hundred

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Speaker 1: percent that character. He's that guy, and he's playing a

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Speaker 1: sort of a Korean loot like thing and he going

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Speaker 1: that ross, you know, and it's like who else can

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Speaker 1: do that?

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Speaker 3: Yeah? He levels up all those scenes. He wasn't in

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Speaker 3: this particular diner scene, but I know we're talking broad

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Speaker 3: strokes about the band, and it's like he does even

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Speaker 3: when they're at the door work and he's knocking, like

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Speaker 3: it's just like everything he does is when he has

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Speaker 3: the kid, can I get up?

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Speaker 1: But he's but he's used to, you know what, thirty

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Speaker 1: years now of being a charismatic frontman for a platinum

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Speaker 1: selling band. Yeah, and now you realize, well, that takes

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Speaker 1: a very charismatic individual.

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Speaker 3: That's such a great point because he has so much

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Speaker 3: stage presence, right, So you'd see that in his scenes.

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Speaker 1: And you either have that or you do not, and

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Speaker 1: there are not a lot of people that have that,

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Speaker 1: which is why frontmen are so vital. And now you

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Speaker 1: put him in a grape and you put him in

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Speaker 1: a TV show, right, and he's kind of rocking it.

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Speaker 3: He's totally rocketed. But whose hair was worse? Zach's weird mullet.

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Speaker 3: This is when I'm jumping ahead to the Kims or

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Speaker 3: Sebastian box, just like Crazy.

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Speaker 4: Maine, but I feel like that's Sebastian, like he has.

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Speaker 1: Yeah.

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00:22:01,680 --> 00:22:04,800
Speaker 3: So okay. So we go from the diner scene where

402
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Speaker 3: they're looking at the photos to Richard and Emily and

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Speaker 3: we see them for the first time in this episode.

404
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Speaker 3: Just you knew, you knew they were falling back in

405
00:22:15,600 --> 00:22:20,000
Speaker 3: love because they're they're having they're so civil discussing, you know,

406
00:22:20,119 --> 00:22:22,639
Speaker 3: talking about the Mercedes leases up and oh you should

407
00:22:22,680 --> 00:22:26,120
Speaker 3: buy it, but your hair looks perfect, and it's just like, oh,

408
00:22:26,280 --> 00:22:27,640
Speaker 3: man cute.

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Speaker 5: And that they should go both go to the event together.

410
00:22:32,320 --> 00:22:38,159
Speaker 3: Yeah, so I was so I'm so happy they're on

411
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Speaker 3: the road to recovery.

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Speaker 1: Yeah, that's nice. It's nice to see it.

413
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Speaker 3: So then my favorite scene, we go to the bar,

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Speaker 3: the pub whatever, I don't know the name of that.

415
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Speaker 3: It probably has a name and people are gonna yell

416
00:22:49,320 --> 00:22:54,719
Speaker 3: at me, but the ro the Yale Pub. Hey, Ace, oh, Logan,

417
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Speaker 3: I didn't see you.

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Speaker 5: And she she is in a tizzy like she control herself.

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Speaker 2: I just love how all of her notes are like,

420
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Speaker 2: like who takes that much notes to the pub like research,

421
00:23:10,200 --> 00:23:12,640
Speaker 2: like like I was like, you could have picked anywhere else,

422
00:23:12,760 --> 00:23:14,880
Speaker 2: or like it so obvious.

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Speaker 7: She's so squirrely good good good, so good, so good,

424
00:23:18,560 --> 00:23:24,760
Speaker 7: so good, Like it's just oh my god, my notes

425
00:23:25,000 --> 00:23:26,240
Speaker 7: just say she loves him.

426
00:23:27,080 --> 00:23:31,760
Speaker 5: Yeah, she's definitely definitely has a crush for sure.

427
00:23:32,720 --> 00:23:35,440
Speaker 3: Also, I love the scarves. The scars are back and

428
00:23:35,480 --> 00:23:37,119
Speaker 3: tells us that Swinter the scars.

429
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Speaker 4: Are you last I was like, it's always like thrown back,

430
00:23:40,600 --> 00:23:43,439
Speaker 4: like it's never like like down on the side. It's

431
00:23:43,480 --> 00:23:45,200
Speaker 4: always like wrapped around. I'm like, oh, it's.

432
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Speaker 3: Coold, Scott. I do not want to critique the wardrobe

433
00:23:48,320 --> 00:23:52,639
Speaker 3: person on Gilmore Girls, but literally scarf is just like

434
00:23:53,160 --> 00:23:57,119
Speaker 3: indicates it's cold. Oh my god, speaking up, did you

435
00:23:57,160 --> 00:24:00,919
Speaker 3: guys hear Melissa McCarthy just said in an interview her

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00:24:01,000 --> 00:24:02,159
Speaker 3: one did you see it? Scott?

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00:24:03,240 --> 00:24:05,280
Speaker 1: Yeah, I just was with talking to a friend on

438
00:24:05,320 --> 00:24:06,800
Speaker 1: the phone and it popped up, So it' Scott.

439
00:24:06,840 --> 00:24:10,119
Speaker 3: You tell her. One criticism of Gilmore Girls was that.

440
00:24:10,880 --> 00:24:13,800
Speaker 1: You know, it's winter and everybody's wearing coats and hats

441
00:24:13,800 --> 00:24:15,960
Speaker 1: and scarves, and Colt's one hundred and twelve degrees in

442
00:24:16,000 --> 00:24:18,720
Speaker 1: Burbank and it's just sweating your badoobies off.

443
00:24:20,520 --> 00:24:23,280
Speaker 6: Okay, there was a comment on our instagram like how

444
00:24:23,359 --> 00:24:25,600
Speaker 6: did they make this ice drink in the middle of

445
00:24:25,680 --> 00:24:26,440
Speaker 6: Los Angeles?

446
00:24:26,680 --> 00:24:28,560
Speaker 4: Like I was actually like, oh, you're in a good point.

447
00:24:28,760 --> 00:24:30,680
Speaker 1: Well it's not nice. It's it's as sort of a

448
00:24:30,760 --> 00:24:35,680
Speaker 1: plasticy substance that you can skate on top of. It's

449
00:24:35,720 --> 00:24:40,919
Speaker 1: not realized. Yeah, it's like a fiberglass thing kind of you.

450
00:24:40,920 --> 00:24:44,159
Speaker 3: Know what's funny? I interject of our breakdown in that, like,

451
00:24:44,760 --> 00:24:53,160
Speaker 3: think about this, you, Lauren, Melissa, Matt, Milo, chat everybody

452
00:24:53,280 --> 00:24:58,119
Speaker 3: right who's still working and doing things is always twenty

453
00:24:58,240 --> 00:25:01,240
Speaker 3: years later, asked about Gilmer, I mean, think of all

454
00:25:01,320 --> 00:25:03,920
Speaker 3: the things Melissa's done, and it still goes back to

455
00:25:03,960 --> 00:25:06,320
Speaker 3: Gilmore Girls, and like the things they say that get

456
00:25:06,480 --> 00:25:08,840
Speaker 3: press and I know I'm getting in the weeds. Here

457
00:25:09,040 --> 00:25:11,960
Speaker 3: is always about Gilmore Girls, Like when you're reading about Milow,

458
00:25:12,640 --> 00:25:15,679
Speaker 3: it's always like he's team Jess, you know or whatever,

459
00:25:15,880 --> 00:25:18,639
Speaker 3: Like it's always goes back. So anyway, I digress, No,

460
00:25:18,760 --> 00:25:19,639
Speaker 3: but I mean, just to.

461
00:25:22,880 --> 00:25:30,920
Speaker 1: Comment further, Yes, we were sweating profusely all day in

462
00:25:31,080 --> 00:25:33,720
Speaker 1: those winter scenes fall scene.

463
00:25:33,720 --> 00:25:36,200
Speaker 3: Maybe that's why the skinny scar It's never.

464
00:25:36,920 --> 00:25:42,600
Speaker 1: It's never below ninety degrees in Burbank. Never, it never

465
00:25:42,800 --> 00:25:47,720
Speaker 1: has been and it never will be. So you're going

466
00:25:47,800 --> 00:25:53,560
Speaker 1: to work in August July? Actually no, no, no, no,

467
00:25:53,760 --> 00:25:58,520
Speaker 1: you're not, but you are going when is our hate

468
00:25:58,520 --> 00:25:59,320
Speaker 1: this beginning July?

469
00:26:00,000 --> 00:26:01,399
Speaker 3: We were back by August.

470
00:26:01,680 --> 00:26:04,840
Speaker 1: Where we black by, but we were sweating our beans off.

471
00:26:04,960 --> 00:26:06,800
Speaker 3: Well, and you know, it's funny like that. There's not

472
00:26:06,800 --> 00:26:10,800
Speaker 3: a lot of trees kind of overhanging on that set.

473
00:26:11,119 --> 00:26:14,360
Speaker 3: It's pretty out there, so it'd be sweating.

474
00:26:14,760 --> 00:26:17,119
Speaker 1: I don't think there's anything more draining. And I know,

475
00:26:17,840 --> 00:26:19,879
Speaker 1: you know, and I've worked a lot of jobs in

476
00:26:20,000 --> 00:26:23,040
Speaker 1: my life, construction in the summers and all kinds of jobs,

477
00:26:23,119 --> 00:26:26,080
Speaker 1: and there's just nothing draine you faster than working in the.

478
00:26:26,080 --> 00:26:28,160
Speaker 3: Heat in a wool coat.

479
00:26:28,920 --> 00:26:31,240
Speaker 1: Well, I mean even like, you know, when I was

480
00:26:31,320 --> 00:26:33,320
Speaker 1: doing construction, it was in a T shirt obviously in

481
00:26:33,359 --> 00:26:39,000
Speaker 1: the same time. But man, yeah, you're wrapped in scarves

482
00:26:39,080 --> 00:26:43,680
Speaker 1: and wool gloves and hats, and oh god, it's hard.

483
00:26:43,880 --> 00:26:47,399
Speaker 1: It's hard, and it causes so many delays because the

484
00:26:47,480 --> 00:26:51,479
Speaker 1: makeup department in the hair department are losing their minds

485
00:26:51,640 --> 00:26:54,320
Speaker 1: because their jobs are so hard. At that point because

486
00:26:54,320 --> 00:26:57,280
Speaker 1: they have to everything's got a match. So it's like

487
00:26:57,720 --> 00:27:00,159
Speaker 1: they go to the director and say, we got to

488
00:27:00,280 --> 00:27:03,119
Speaker 1: go in and help Laurence hair and they have to

489
00:27:03,200 --> 00:27:05,800
Speaker 1: do it. I mean, it's like it just falls, it

490
00:27:06,040 --> 00:27:07,840
Speaker 1: gets flat, and they've got up fluff it up, and

491
00:27:07,880 --> 00:27:10,840
Speaker 1: it takes time to do it right, and poor Lauren

492
00:27:10,960 --> 00:27:13,680
Speaker 1: has to stand there and she's still sweating. So she's

493
00:27:13,800 --> 00:27:18,480
Speaker 1: got five assistants or PA's standing around her with these

494
00:27:18,600 --> 00:27:23,200
Speaker 1: mini fans, you know, those tiny little fans and just

495
00:27:23,320 --> 00:27:25,280
Speaker 1: like bombing her with those fans to try to cool

496
00:27:25,320 --> 00:27:28,680
Speaker 1: her down. And then they got to do her makeup again,

497
00:27:28,800 --> 00:27:33,720
Speaker 1: and it's just like it takes forever. Then you just

498
00:27:33,880 --> 00:27:36,479
Speaker 1: it just gets hotter and hotter and hotter, and they

499
00:27:36,560 --> 00:27:39,399
Speaker 1: try to pipe in some air conditioning in the tube

500
00:27:40,119 --> 00:27:42,280
Speaker 1: and sometimes it works and sometimes it doesn't. But they

501
00:27:42,320 --> 00:27:44,080
Speaker 1: can't play it during the scene because it makes too

502
00:27:44,119 --> 00:27:46,159
Speaker 1: much noise, and sound department says, hey, turn that off,

503
00:27:46,240 --> 00:27:49,200
Speaker 1: you know, and then Laurence starts sweating when they turn

504
00:27:49,240 --> 00:27:51,439
Speaker 1: it off and said, hey, turn the thing. Oh Laurence sweating.

505
00:27:51,480 --> 00:27:54,480
Speaker 1: It's like who's on first? Kind of a thing. I

506
00:27:54,640 --> 00:27:59,840
Speaker 1: took three changes of underwear to work per day. I

507
00:28:00,080 --> 00:28:06,280
Speaker 1: just want to say, you sweat, you sweat through your knickers.

508
00:28:07,480 --> 00:28:08,800
Speaker 4: Is your showers in your trailer?

509
00:28:08,920 --> 00:28:09,080
Speaker 1: Yes?

510
00:28:09,160 --> 00:28:09,800
Speaker 3: Oh good question.

511
00:28:10,040 --> 00:28:13,680
Speaker 1: Well once once we got larger trailers.

512
00:28:13,280 --> 00:28:19,880
Speaker 8: Yeah, got it, that would yeah, and they were used. Yeah, yeah,

513
00:28:21,200 --> 00:28:23,880
Speaker 8: turn on the cold water and just get in and yeah.

514
00:28:25,240 --> 00:28:25,440
Speaker 1: Yes.

515
00:28:30,920 --> 00:28:32,919
Speaker 3: So Logan says, how can I never see you around?

516
00:28:33,080 --> 00:28:35,359
Speaker 3: Which I kind of like because she's like, you know,

517
00:28:35,480 --> 00:28:38,880
Speaker 3: they just live such different lives at Yale.

518
00:28:39,000 --> 00:28:42,400
Speaker 4: And then she her whole freshman year, she didn't go anywhere, right,

519
00:28:42,560 --> 00:28:45,120
Speaker 4: and she still doesn't do much. Wouldn't go anywhere.

520
00:28:45,200 --> 00:28:47,520
Speaker 3: No, she's at the library and the coffee cart and

521
00:28:47,720 --> 00:28:51,120
Speaker 3: maybe the froyo. Oh my god. Shout out to everyone

522
00:28:51,200 --> 00:28:54,280
Speaker 3: who commented when for the guest we had last week,

523
00:28:54,400 --> 00:28:56,400
Speaker 3: you know who was the student that came to visit

524
00:28:56,440 --> 00:29:03,600
Speaker 3: from children And everyone's like, yeah, that girl's some froyo anyway,

525
00:29:04,080 --> 00:29:07,160
Speaker 3: So obviously, yes, as Scott mentioned, Rory is so like

526
00:29:07,280 --> 00:29:10,600
Speaker 3: excited about Seymour hirsh and how lucky Logan is that

527
00:29:10,680 --> 00:29:13,160
Speaker 3: he gets to go to this party and you do

528
00:29:13,440 --> 00:29:14,920
Speaker 3: think he's gonna ask her to go.

529
00:29:16,680 --> 00:29:18,080
Speaker 4: I was like on the edge of my seat.

530
00:29:18,120 --> 00:29:20,400
Speaker 1: I was like, here's the question, do you think he

531
00:29:20,560 --> 00:29:23,160
Speaker 1: knew that she wanted and was just playing with her.

532
00:29:27,520 --> 00:29:30,200
Speaker 3: Because he's like, I can't. He likes her too, right,

533
00:29:30,400 --> 00:29:32,720
Speaker 3: but he's not like gonna, you don't go from zero

534
00:29:32,760 --> 00:29:36,480
Speaker 3: to one hundred. He's like pace this, pace this anymore.

535
00:29:36,560 --> 00:29:40,600
Speaker 5: I think anything. He is playing games, that's what he's doing.

536
00:29:40,720 --> 00:29:43,280
Speaker 5: He's like, I know she wants to go. I like her,

537
00:29:43,440 --> 00:29:46,600
Speaker 5: but I'm not gonna invite her, you know.

538
00:29:46,880 --> 00:29:49,560
Speaker 4: Like he's got to watch her scorb want.

539
00:29:49,840 --> 00:29:52,440
Speaker 3: Yeah, but it was still so cute though. Did you

540
00:29:52,680 --> 00:29:54,720
Speaker 3: like the scene or did you not like that Logan

541
00:29:54,800 --> 00:29:55,480
Speaker 3: didn't ask her?

542
00:29:55,720 --> 00:29:58,040
Speaker 4: No, I liked it because I think Rory always with

543
00:29:58,280 --> 00:29:59,920
Speaker 4: previous guys, she kind of gets her way.

544
00:30:00,560 --> 00:30:02,560
Speaker 5: Yeah, I do agree with that. It was nice to

545
00:30:02,600 --> 00:30:05,480
Speaker 5: see her squirm, you know, like usually she's not the

546
00:30:05,560 --> 00:30:06,160
Speaker 5: one doing that.

547
00:30:06,960 --> 00:30:09,720
Speaker 3: Yeah, yeah, Scott, do you think Logan should have asked

548
00:30:09,760 --> 00:30:11,320
Speaker 3: her to go to the party.

549
00:30:13,200 --> 00:30:13,640
Speaker 4: Too much?

550
00:30:13,800 --> 00:30:15,440
Speaker 3: Too much? You can't just suddenly like they haven't even

551
00:30:15,480 --> 00:30:17,000
Speaker 3: been on a date and he's gonna.

552
00:30:17,360 --> 00:30:20,680
Speaker 1: He's playing. He's playing. He's playing a mean game of chess. Yeah,

553
00:30:22,200 --> 00:30:23,400
Speaker 1: he's a very patient player.

554
00:30:24,120 --> 00:30:27,120
Speaker 4: Also, like I think with inviting her, it's he has

555
00:30:27,160 --> 00:30:31,000
Speaker 4: to remember that, like his parents know the Gilmour's right,

556
00:30:31,240 --> 00:30:33,440
Speaker 4: So it kind of opens more of a can of worms.

557
00:30:33,600 --> 00:30:36,840
Speaker 5: And this is writing off of the prank that Richard

558
00:30:36,960 --> 00:30:41,160
Speaker 5: laid on him. He's up the wedding, you know, like right,

559
00:30:41,880 --> 00:30:45,000
Speaker 5: so I can I can understand why he's you know,

560
00:30:45,400 --> 00:30:46,720
Speaker 5: keeping a little bit of a distance.

561
00:30:46,800 --> 00:30:50,640
Speaker 3: But yeah, so we go back to the diner and

562
00:30:50,720 --> 00:30:53,080
Speaker 3: we see Lane without glasses. First of all, what does

563
00:30:53,120 --> 00:30:55,120
Speaker 3: everybody think of Lane without glasses?

564
00:30:56,440 --> 00:30:57,640
Speaker 5: She looks the same.

565
00:31:00,160 --> 00:31:00,520
Speaker 4: Totally.

566
00:31:01,120 --> 00:31:03,480
Speaker 1: I didn't. I didn't know what they were talking about.

567
00:31:04,960 --> 00:31:06,640
Speaker 1: I had no idea what she was. I was like,

568
00:31:06,760 --> 00:31:08,640
Speaker 1: what is the what is beautiful?

569
00:31:08,720 --> 00:31:12,480
Speaker 5: Either way? But I'm like, it's the same, it's still late.

570
00:31:13,080 --> 00:31:15,640
Speaker 3: I love that Zach loves the glasses. There is something

571
00:31:15,720 --> 00:31:18,400
Speaker 3: really cute about that, and he wants her to meet

572
00:31:18,440 --> 00:31:20,760
Speaker 3: with the glasses and he likes her how she is

573
00:31:20,840 --> 00:31:24,680
Speaker 3: and that she's smart and all the things a smart girl.

574
00:31:26,960 --> 00:31:27,120
Speaker 1: You know.

575
00:31:27,240 --> 00:31:29,880
Speaker 5: What it reminded me of is during COVID when everyone

576
00:31:29,960 --> 00:31:31,840
Speaker 5: wore a mask and you saw them without a mask

577
00:31:31,880 --> 00:31:32,600
Speaker 5: for the first.

578
00:31:32,400 --> 00:31:35,480
Speaker 4: Time and you were like, whoa about what I thought?

579
00:31:35,520 --> 00:31:38,640
Speaker 4: You looked like, Yeah, that's so true.

580
00:31:42,000 --> 00:31:45,200
Speaker 3: Just like everyone's like smiling under the you know, like

581
00:31:45,240 --> 00:31:48,400
Speaker 3: when someone you can't even smile under the mask, you

582
00:31:48,480 --> 00:31:52,040
Speaker 3: just don't even know what's happening in your eyes, like comparison.

583
00:31:53,120 --> 00:31:56,080
Speaker 3: So it is a little unrealistic that Lurlai read the

584
00:31:56,200 --> 00:31:59,480
Speaker 3: Oven Manual, but yet it was a funny bit. It

585
00:31:59,600 --> 00:32:02,280
Speaker 3: was like, okay, funny, funny bit.

586
00:32:03,560 --> 00:32:08,320
Speaker 5: But also like that's Luke's thing, you know, like he

587
00:32:08,480 --> 00:32:11,880
Speaker 5: knows everything. He would haven and like you know, like

588
00:32:12,520 --> 00:32:16,160
Speaker 5: he's not getting pointers from Lurlie, like he knows the manual,

589
00:32:16,320 --> 00:32:16,480
Speaker 5: you know.

590
00:32:16,680 --> 00:32:19,120
Speaker 3: Like I kind of was like, agree, he would have

591
00:32:19,240 --> 00:32:25,560
Speaker 3: known how to do it. Are so okay. So still

592
00:32:25,600 --> 00:32:28,560
Speaker 3: in that scene, I do like all the lane Zach

593
00:32:28,640 --> 00:32:32,840
Speaker 3: stuff there, and we got that whole thing. Then we

594
00:32:33,000 --> 00:32:38,480
Speaker 3: go to Richard's office and it felt random at first,

595
00:32:38,560 --> 00:32:43,400
Speaker 3: and then you realize, oh, leap, she's got the two guys.

596
00:32:43,440 --> 00:32:45,800
Speaker 3: They're hav an office talk. He's got his nice office

597
00:32:46,000 --> 00:32:48,200
Speaker 3: and they bring up Simon McLean and it's just.

598
00:32:48,520 --> 00:32:49,240
Speaker 2: Oh no.

599
00:32:50,400 --> 00:32:53,520
Speaker 1: I gotta say that was one of the best acting

600
00:32:53,680 --> 00:33:01,480
Speaker 1: jobs that I that the episode possesses. When he took

601
00:33:01,560 --> 00:33:04,840
Speaker 1: that hit, you could, you know, you could barely. It

602
00:33:04,920 --> 00:33:09,520
Speaker 1: didn't register. He wasn't gonna show his cards and man,

603
00:33:09,760 --> 00:33:13,200
Speaker 1: and then he he just did one of those. Yeah,

604
00:33:13,640 --> 00:33:16,720
Speaker 1: and he just don't know what a hit he took, man,

605
00:33:16,960 --> 00:33:19,600
Speaker 1: and he just he just toughed it out and got

606
00:33:19,720 --> 00:33:23,680
Speaker 1: through it. And great, great acting job. See if he

607
00:33:24,000 --> 00:33:25,920
Speaker 1: doesn't have to he has to feel it, but he

608
00:33:26,000 --> 00:33:28,120
Speaker 1: doesn't have to show it so that we can feel

609
00:33:28,160 --> 00:33:30,320
Speaker 1: it so much. Yeah, great job.

610
00:33:30,680 --> 00:33:33,440
Speaker 3: Great analyzing because I love how you're saying it because

611
00:33:33,680 --> 00:33:36,880
Speaker 3: I kind of wrote my notes like Richard rebounds because

612
00:33:36,920 --> 00:33:39,520
Speaker 3: it's like he did he acted it all and it

613
00:33:39,640 --> 00:33:44,000
Speaker 3: was quick, but you saw him go like, but.

614
00:33:44,080 --> 00:33:46,280
Speaker 1: It doesn't take much. It's like, let us feel it.

615
00:33:46,440 --> 00:33:48,720
Speaker 1: If you're feeling it too much, then we don't have

616
00:33:48,920 --> 00:33:49,360
Speaker 1: to feel it.

617
00:33:50,080 --> 00:33:54,560
Speaker 5: Should Emily felt him, m Should Emily have told him?

618
00:33:55,760 --> 00:33:55,800
Speaker 1: No?

619
00:33:56,640 --> 00:33:59,240
Speaker 4: I think that gets sticky with the whole penal and

620
00:33:59,360 --> 00:33:59,960
Speaker 4: lock situation.

621
00:34:00,440 --> 00:34:02,680
Speaker 5: But if he's doing if Richard's doing business with this

622
00:34:02,760 --> 00:34:04,240
Speaker 5: guy on like a regular.

623
00:34:03,960 --> 00:34:06,640
Speaker 3: Basis, do you think that she knew, Well, they know

624
00:34:06,760 --> 00:34:09,120
Speaker 3: each other from the club obviously, so it's a little

625
00:34:09,160 --> 00:34:12,480
Speaker 3: close to home, but yet I don't know, they're just

626
00:34:12,600 --> 00:34:15,040
Speaker 3: trying to I don't think she did anything wrong by

627
00:34:15,200 --> 00:34:15,960
Speaker 3: not telling him.

628
00:34:16,120 --> 00:34:18,720
Speaker 4: She also like I don't think they like kissed or anything,

629
00:34:18,760 --> 00:34:21,200
Speaker 4: so it could have been just like a dinner how

630
00:34:21,280 --> 00:34:24,520
Speaker 4: she would word it, even though it wasn't visidered a date.

631
00:34:25,040 --> 00:34:28,360
Speaker 1: But the Penal and Lot defense was lame because I

632
00:34:28,440 --> 00:34:31,799
Speaker 1: thought it was point taking, no, no, because she had

633
00:34:31,920 --> 00:34:35,520
Speaker 1: one dinner with that lawyer and there wasn't a separated

634
00:34:35,840 --> 00:34:39,440
Speaker 1: and they were separated, and there was not a second dinner,

635
00:34:40,280 --> 00:34:44,840
Speaker 1: and she broke down crying after after she okay, and

636
00:34:44,920 --> 00:34:47,959
Speaker 1: then and then Richard. But I thought Richard was seeing

637
00:34:48,080 --> 00:34:52,600
Speaker 1: Pendal and Lot every year, every year, once a year

638
00:34:52,719 --> 00:34:56,840
Speaker 1: to have lunch, and that is far worse in my opinion.

639
00:34:56,880 --> 00:34:58,719
Speaker 3: I agree with you. I agree with you guys.

640
00:34:58,760 --> 00:35:01,960
Speaker 1: So it wasn't a it wasn't an apt comparison, and

641
00:35:02,040 --> 00:35:06,680
Speaker 1: I thought, you go sorry, No, I thought I thought

642
00:35:06,719 --> 00:35:12,280
Speaker 1: Emily could have countered with something much stronger to illuminate

643
00:35:12,400 --> 00:35:13,880
Speaker 1: that fact. And she did not.

644
00:35:14,280 --> 00:35:17,640
Speaker 3: Such great points she could have. But I think she

645
00:35:17,960 --> 00:35:21,600
Speaker 3: she I think she knew like, oh this is I

646
00:35:21,800 --> 00:35:25,800
Speaker 3: want him to freak out, we're getting back together. But

647
00:35:25,880 --> 00:35:27,560
Speaker 3: I think Scott, you make a good point too, is

648
00:35:27,600 --> 00:35:30,920
Speaker 3: that Emily didn't do anything wrong by going on the

649
00:35:31,000 --> 00:35:36,560
Speaker 3: date they're separated, whereas Richard was betraying, not not physically.

650
00:35:36,680 --> 00:35:39,360
Speaker 3: He wasn't having an affair, but they were fully married

651
00:35:39,440 --> 00:35:41,120
Speaker 3: and he never said like I'm going to have lunch

652
00:35:41,160 --> 00:35:41,560
Speaker 3: with Penalin.

653
00:35:41,640 --> 00:35:46,520
Speaker 1: But it was having an emotional affair. Yeah, yeah, you

654
00:35:46,640 --> 00:35:48,359
Speaker 1: tall you once a year, you take a trip down

655
00:35:48,440 --> 00:35:50,880
Speaker 1: memory lane. You're having an emotional affair once a year.

656
00:35:50,960 --> 00:35:52,600
Speaker 4: And you have to lie because like, where was he

657
00:35:52,680 --> 00:35:55,160
Speaker 4: telling Emily that every time?

658
00:35:55,440 --> 00:35:58,200
Speaker 1: How many times did he lie to her every year?

659
00:35:58,320 --> 00:36:01,399
Speaker 3: Once the estalgic her? I don't think he was having

660
00:36:01,440 --> 00:36:04,439
Speaker 3: an emotional affair, but we do debate that. Yeah, it's fair.

661
00:36:06,640 --> 00:36:09,680
Speaker 1: Was it really explained to us what Penal and lot

662
00:36:11,120 --> 00:36:13,880
Speaker 1: it turned out to be and how she's still connected

663
00:36:13,960 --> 00:36:16,520
Speaker 1: in his life and maybe she's in the insurance business

664
00:36:16,600 --> 00:36:19,440
Speaker 1: or something, and it was required nothing like that was explained.

665
00:36:19,520 --> 00:36:23,879
Speaker 1: But it's a far more agree I mean, Emily didn't

666
00:36:23,880 --> 00:36:26,320
Speaker 1: do anything wrong, She just went on a date. She

667
00:36:26,480 --> 00:36:29,600
Speaker 1: did nothing wrong, and she suffered, and she suffered for it.

668
00:36:30,000 --> 00:36:33,320
Speaker 5: She showed her her pump rules of Emily though, because

669
00:36:33,360 --> 00:36:37,480
Speaker 5: she is dating within the pool. You know, like you

670
00:36:37,600 --> 00:36:40,840
Speaker 5: don't like and you're gonna even though you're separated, and

671
00:36:41,000 --> 00:36:44,520
Speaker 5: you you know, I understand they're separated, but like he

672
00:36:45,040 --> 00:36:48,640
Speaker 5: Simon is very much in Richard's pool, so right, so

673
00:36:48,760 --> 00:36:51,960
Speaker 5: it's kind of like, maybe give him the heads up.

674
00:36:53,080 --> 00:36:55,600
Speaker 3: I don't know, but who she supposed to meet, she

675
00:36:55,719 --> 00:36:57,719
Speaker 3: only knows who she knows from the country.

676
00:36:57,440 --> 00:37:01,040
Speaker 1: Club, because she wasn't trying to manipulate him. She told

677
00:37:01,120 --> 00:37:03,120
Speaker 1: she didn't tell him because she was really trying to

678
00:37:03,239 --> 00:37:06,400
Speaker 1: Maybe she's confused. She wants to break away, she thinks,

679
00:37:06,440 --> 00:37:08,800
Speaker 1: and then she realizes after going through that dinner that

680
00:37:08,920 --> 00:37:11,280
Speaker 1: it's she's her heart is with Richard and hers.

681
00:37:11,440 --> 00:37:14,840
Speaker 3: Although she seemed excited to see Simon at the car, but.

682
00:37:14,920 --> 00:37:16,880
Speaker 1: I thought she should look. I thought she showed a

683
00:37:16,960 --> 00:37:20,960
Speaker 1: great deal of strength going on that date and then

684
00:37:21,040 --> 00:37:23,440
Speaker 1: breaking down after the date was over. So it was

685
00:37:23,600 --> 00:37:26,200
Speaker 1: for me, it was just all strength, playing against strength

686
00:37:27,040 --> 00:37:29,080
Speaker 1: and trying to be strong and trying to move on.

687
00:37:29,239 --> 00:37:31,640
Speaker 1: And it was courageous. And I think what Richard did

688
00:37:31,880 --> 00:37:36,440
Speaker 1: was very cowardly. Having yes, I thought that whole thing was.

689
00:37:36,640 --> 00:37:38,319
Speaker 1: And I thought that line to her in the car

690
00:37:38,960 --> 00:37:42,640
Speaker 1: after he like weirdly like psychotically rams the back of

691
00:37:42,719 --> 00:37:45,920
Speaker 1: her car, What the hell was that?

692
00:37:46,800 --> 00:37:47,560
Speaker 5: Very psychotic?

693
00:37:47,640 --> 00:37:50,960
Speaker 1: But very psychotic, I mean it's like, you know, she

694
00:37:51,040 --> 00:37:53,440
Speaker 1: could have had whiplash and broken her neck or hurt

695
00:37:53,480 --> 00:37:55,839
Speaker 1: her neck. He he really hit it hard.

696
00:37:56,200 --> 00:37:57,080
Speaker 3: He couldn't take it.

697
00:37:57,680 --> 00:38:00,439
Speaker 1: It was like, wow, that was just way too much,

698
00:38:00,520 --> 00:38:03,600
Speaker 1: you cycle, he could have been arrested for attempted murder.

699
00:38:04,120 --> 00:38:05,320
Speaker 3: He was totally unhinged.

700
00:38:08,640 --> 00:38:11,360
Speaker 1: He whammed his own wife's car and then like like

701
00:38:11,480 --> 00:38:15,040
Speaker 1: starts yelling at her. Everybody knows you're supposed to get

702
00:38:15,040 --> 00:38:16,919
Speaker 1: out of the car after your foul a, And well

703
00:38:16,920 --> 00:38:18,560
Speaker 1: I was waiting for the man in the red coat.

704
00:38:19,360 --> 00:38:20,800
Speaker 1: He gotten out of the car. I mean, he was

705
00:38:20,960 --> 00:38:21,640
Speaker 1: just out of his.

706
00:38:23,280 --> 00:38:25,720
Speaker 3: Simon he's all, we don't need you, Simon.

707
00:38:25,920 --> 00:38:29,760
Speaker 1: No, you will not run into Simon's car. Run into Simon.

708
00:38:30,080 --> 00:38:33,760
Speaker 1: Don't run into your own wife. She's an elderly woman.

709
00:38:34,360 --> 00:38:37,400
Speaker 4: And I'm kill like not not Lisa or not buying

710
00:38:37,480 --> 00:38:39,600
Speaker 4: the car at the end, like I know, he's always.

711
00:38:39,360 --> 00:38:39,920
Speaker 3: Shouldn't put it.

712
00:38:40,120 --> 00:38:41,840
Speaker 1: I mean, she could have been if she was turned

713
00:38:41,920 --> 00:38:44,840
Speaker 1: facing the other way, she could have been bouncing her

714
00:38:44,880 --> 00:38:47,160
Speaker 1: head could have been bouncing around inside that dashboard like

715
00:38:47,200 --> 00:38:48,080
Speaker 1: a pinball machine.

716
00:38:48,840 --> 00:38:51,520
Speaker 4: So it is really quick. I do want to say

717
00:38:51,640 --> 00:38:53,680
Speaker 4: Scott brought something up that was really interesting. That made

718
00:38:53,719 --> 00:38:56,560
Speaker 4: me think, like this pedaling lot thing, like we brought

719
00:38:56,600 --> 00:38:59,799
Speaker 4: a pedal a lot more than like I know a lot,

720
00:39:00,040 --> 00:39:03,359
Speaker 4: and there's barely any information that we've gotten. Like I mean,

721
00:39:03,640 --> 00:39:06,360
Speaker 4: maybe the characters know and the audience doesn't, but like

722
00:39:06,760 --> 00:39:08,560
Speaker 4: with the amount of times we talk about her, we

723
00:39:08,719 --> 00:39:10,440
Speaker 4: really don't know exactly what happened.

724
00:39:10,600 --> 00:39:13,600
Speaker 3: And she's in the show one time, but she's one

725
00:39:13,640 --> 00:39:16,879
Speaker 3: of the most talked about characters and she only makes

726
00:39:16,960 --> 00:39:20,840
Speaker 3: one appearance. It's like, yeah, but I mean it was

727
00:39:21,160 --> 00:39:23,440
Speaker 3: what he did was brutal.

728
00:39:24,320 --> 00:39:26,719
Speaker 4: Yeah, we don't like Scott, so we just don't know

729
00:39:26,840 --> 00:39:27,400
Speaker 4: the details.

730
00:39:28,960 --> 00:39:31,600
Speaker 1: Yeah, I mean I think I obviously they had a

731
00:39:31,680 --> 00:39:33,160
Speaker 1: realist of it.

732
00:39:33,440 --> 00:39:34,719
Speaker 4: Yeah, but we just don't know.

733
00:39:35,360 --> 00:39:39,239
Speaker 3: That's interesting. That really makes me think because each of us,

734
00:39:39,800 --> 00:39:42,840
Speaker 3: because we know so little Tara, like you're saying, we

735
00:39:43,000 --> 00:39:46,840
Speaker 3: each take away from it what our perspective is. So

736
00:39:47,280 --> 00:39:49,680
Speaker 3: that's why maybe we're having this sort of like little

737
00:39:49,760 --> 00:39:53,360
Speaker 3: discussion about it, because like, I think, it's perfect perfectly

738
00:39:53,560 --> 00:39:56,040
Speaker 3: harmless what he did with Penal and law.

739
00:39:56,400 --> 00:40:00,399
Speaker 1: I get it, relationship, it's really damaging. You know, we're

740
00:40:00,760 --> 00:40:03,160
Speaker 1: talking about Panna Lot. She's not she's you know, is

741
00:40:03,200 --> 00:40:05,359
Speaker 1: that Richard's Camilla Parker bowls.

742
00:40:06,040 --> 00:40:06,840
Speaker 4: Well, I like you.

743
00:40:09,320 --> 00:40:12,800
Speaker 3: I don't know, I don't think so. But what I

744
00:40:12,960 --> 00:40:14,840
Speaker 3: like what you're saying is that you're taking it that

745
00:40:15,080 --> 00:40:18,280
Speaker 3: way where I'm like, this is his old friend from college,

746
00:40:18,360 --> 00:40:20,279
Speaker 3: his girlfriend and they meet once a year. What I

747
00:40:20,440 --> 00:40:22,600
Speaker 3: think is he should have told Emily, this is what

748
00:40:22,760 --> 00:40:25,960
Speaker 3: you like Christopher too, because I have terrible taste.

749
00:40:26,320 --> 00:40:34,520
Speaker 9: I saw the poop emojis. There's so many, everyone's like

750
00:40:38,400 --> 00:40:42,320
Speaker 9: my favorite, like, maybe I also have poop tastes.

751
00:40:43,320 --> 00:40:44,880
Speaker 3: I think I also have poop taste.

752
00:40:46,680 --> 00:40:48,680
Speaker 1: Fans are bringing the hate man and then they bring

753
00:40:48,760 --> 00:40:51,239
Speaker 1: the poop, right, they'll fling pop at you.

754
00:40:51,840 --> 00:40:55,960
Speaker 3: Speaking of the only okay this is I have to

755
00:40:56,000 --> 00:40:59,719
Speaker 3: bring it upcause it made me cringe so hard, and

756
00:40:59,880 --> 00:41:02,560
Speaker 3: I don't okay. I want to see what you guys think,

757
00:41:02,560 --> 00:41:05,600
Speaker 3: because I actually think they should have removed this joke

758
00:41:05,719 --> 00:41:08,360
Speaker 3: from the show, which I get that they can't. But

759
00:41:09,239 --> 00:41:12,960
Speaker 3: so we go back to the inn and Michelle's kind

760
00:41:12,960 --> 00:41:15,320
Speaker 3: of like the bed was must and someone's you know,

761
00:41:15,640 --> 00:41:18,600
Speaker 3: eating the toblerone and maybe it's so and so they're

762
00:41:18,640 --> 00:41:20,440
Speaker 3: having an affair and somebody goes, maybe it was a

763
00:41:20,560 --> 00:41:24,320
Speaker 3: ghost and then there is a Patrick swayzey joke that

764
00:41:24,560 --> 00:41:27,920
Speaker 3: literally like broke my heart because they're like Patrick Swayze

765
00:41:28,080 --> 00:41:32,040
Speaker 3: trying to find his career. And I was like, oh oh,

766
00:41:32,280 --> 00:41:34,239
Speaker 3: and I get it. At the time when they wrote it,

767
00:41:34,440 --> 00:41:37,240
Speaker 3: it was funny, but for me, it's like, oh my god,

768
00:41:38,360 --> 00:41:40,160
Speaker 3: I'm sure we'll talk about it in pop culture, but

769
00:41:40,239 --> 00:41:41,880
Speaker 3: it was like, oh, Patrick's sweezy.

770
00:41:42,040 --> 00:41:47,440
Speaker 1: Like I really think the Palladinos are not shy about,

771
00:41:51,120 --> 00:41:56,000
Speaker 1: you know, revealing who they find ridiculous in pop culture.

772
00:41:56,440 --> 00:42:00,600
Speaker 1: They've never been shy about it. They always reveal, you know,

773
00:42:00,680 --> 00:42:05,359
Speaker 1: they're always mocking somebody, right, and if we I'm sure

774
00:42:05,840 --> 00:42:08,000
Speaker 1: the fans know better than we do. They make a

775
00:42:08,080 --> 00:42:11,239
Speaker 1: list and let us know which fan which celebrities get

776
00:42:11,280 --> 00:42:15,920
Speaker 1: trashed that don't quite cut it with the Palladinos, you

777
00:42:16,000 --> 00:42:17,760
Speaker 1: know what I mean. So they're just sort of always

778
00:42:17,840 --> 00:42:20,160
Speaker 1: borrowing from pop culture and right, right, right.

779
00:42:20,080 --> 00:42:22,200
Speaker 3: And I get it was sort of a funny, amusing

780
00:42:22,280 --> 00:42:23,920
Speaker 3: joke at the time, but now it's.

781
00:42:23,800 --> 00:42:27,160
Speaker 1: Like in hindsight, you know, yeah, right, it does obviously what.

782
00:42:27,200 --> 00:42:30,200
Speaker 3: Happened, and he did get his career and he started

783
00:42:30,239 --> 00:42:32,640
Speaker 3: working again. It's just like and he's so I love

784
00:42:32,719 --> 00:42:35,560
Speaker 3: him so much and like his movies are so iconic,

785
00:42:35,680 --> 00:42:37,160
Speaker 3: and I got.

786
00:42:37,040 --> 00:42:40,400
Speaker 1: To work with him and he's the loveliest, the loveliest

787
00:42:40,440 --> 00:42:42,279
Speaker 1: guy you ever want to be around.

788
00:42:42,320 --> 00:42:43,239
Speaker 3: What did you work with him on?

789
00:42:44,400 --> 00:42:47,400
Speaker 1: A movie with Martha Coolidge, film called Three Wishes.

790
00:42:48,200 --> 00:42:50,000
Speaker 3: Yeah. So it's just like for me that joke, I

791
00:42:50,080 --> 00:42:50,960
Speaker 3: was like, oh and.

792
00:42:51,080 --> 00:42:54,319
Speaker 1: He was he was everything and more.

793
00:42:56,040 --> 00:42:56,719
Speaker 4: I mean this.

794
00:42:57,080 --> 00:43:00,680
Speaker 1: You know, stars don't have lunch with little pity actors

795
00:43:00,760 --> 00:43:02,239
Speaker 1: that just got a little bit of a break. They

796
00:43:02,239 --> 00:43:04,440
Speaker 1: don't sit down and have lunch with them. He did,

797
00:43:05,800 --> 00:43:07,759
Speaker 1: and he gave me all kinds of advice and he

798
00:43:07,960 --> 00:43:10,799
Speaker 1: was always very warm and friendly and just a very

799
00:43:11,000 --> 00:43:17,480
Speaker 1: loving soul. Yeah, and it was it was just like, gosh, man, yeah,

800
00:43:17,560 --> 00:43:19,520
Speaker 1: that was that was painful. I was going to bring

801
00:43:19,640 --> 00:43:20,960
Speaker 1: that up to It was.

802
00:43:21,080 --> 00:43:23,799
Speaker 3: A painful joke, and I get it. It's twenty years

803
00:43:23,840 --> 00:43:25,840
Speaker 3: and I'm looking at it with a different perspective.

804
00:43:26,040 --> 00:43:29,480
Speaker 1: It was like, oh then, and you know, it reminds

805
00:43:29,600 --> 00:43:32,799
Speaker 1: me of uh, you know, Treat Williams just passed. It's

806
00:43:32,840 --> 00:43:35,120
Speaker 1: just such a shocking tragic.

807
00:43:37,360 --> 00:43:39,640
Speaker 3: For me, Like, I don't know, Danielle and tar If,

808
00:43:39,640 --> 00:43:42,600
Speaker 3: you guys watched Everwood, But like I love Treat Williams,

809
00:43:42,680 --> 00:43:45,399
Speaker 3: He's oh Everwood. You guys have to watch everyone.

810
00:43:45,440 --> 00:43:47,800
Speaker 1: It's just such a such a top notch talent.

811
00:43:48,200 --> 00:43:49,240
Speaker 3: That made me so sad.

812
00:43:49,239 --> 00:43:51,400
Speaker 1: That's just that's the thing about him. He was one

813
00:43:51,440 --> 00:43:54,279
Speaker 1: of these guys that didn't seek publicity and he wasn't

814
00:43:54,360 --> 00:43:57,240
Speaker 1: all into the glitz of it. He lived in Vermont,

815
00:43:57,440 --> 00:43:59,560
Speaker 1: and he had his property, and he had his acres,

816
00:43:59,560 --> 00:44:01,799
Speaker 1: and he had his family and and he cared about

817
00:44:01,840 --> 00:44:04,680
Speaker 1: the work all the time. But he cares about the

818
00:44:04,840 --> 00:44:07,560
Speaker 1: work so deeply. He wants to He wants everybody to

819
00:44:07,719 --> 00:44:09,920
Speaker 1: do really deep and great work. And that's all he

820
00:44:10,040 --> 00:44:10,560
Speaker 1: cared about.

821
00:44:10,719 --> 00:44:12,800
Speaker 3: He was a great And I'm glad you mentioned that

822
00:44:12,880 --> 00:44:15,600
Speaker 3: because I've literally been thinking about it and I don't

823
00:44:15,680 --> 00:44:18,400
Speaker 3: know him at all. A couple times I don't know

824
00:44:18,480 --> 00:44:21,759
Speaker 3: him at all, and it like really bummed me out,

825
00:44:21,840 --> 00:44:24,720
Speaker 3: Like that was so tragic. It's so tragic.

826
00:44:25,000 --> 00:44:26,960
Speaker 1: Anyway, I wonder if he did anything to get on

827
00:44:27,200 --> 00:44:32,319
Speaker 1: the Palladino's hit list, you know, hope not, because I mean,

828
00:44:32,320 --> 00:44:34,320
Speaker 1: we're talking about two gems.

829
00:44:35,680 --> 00:44:37,240
Speaker 3: And I think at the time, I think the Patrick

830
00:44:37,280 --> 00:44:46,520
Speaker 3: Swayzey joke was probably funny but now it's just like okay.

831
00:44:46,680 --> 00:44:49,520
Speaker 3: So we go back and now Laura lies on the

832
00:44:49,560 --> 00:44:51,960
Speaker 3: phone with Rory and she does have a funny line

833
00:44:52,080 --> 00:44:54,520
Speaker 3: like there's maybe a ghost. Well that's better than rats.

834
00:44:54,960 --> 00:44:57,960
Speaker 3: And then Rory says I might have a thing on Friday,

835
00:44:58,320 --> 00:45:01,440
Speaker 3: and it's just like, oh, I hope you have a thing,

836
00:45:01,520 --> 00:45:03,400
Speaker 3: but you're not gonna have a thing, and oh.

837
00:45:03,600 --> 00:45:06,440
Speaker 5: No, you definitely don't have a thing.

838
00:45:06,840 --> 00:45:08,040
Speaker 1: You don't have a thing.

839
00:45:09,880 --> 00:45:13,279
Speaker 3: So anyway, then we go to band practice and did

840
00:45:13,320 --> 00:45:15,880
Speaker 3: you guys know immediately that knock was missus Kim. I'm like,

841
00:45:16,080 --> 00:45:20,040
Speaker 3: that's a missus Kim. Oh you didn't, Scott, Oh my god,

842
00:45:20,600 --> 00:45:24,680
Speaker 3: that was such a Misski. Okay, so you guys talk

843
00:45:24,680 --> 00:45:27,480
Speaker 3: about that like the band and the lunar New Year,

844
00:45:27,560 --> 00:45:30,880
Speaker 3: and she's suddenly Zach's invited, the whole bands invited, Like

845
00:45:30,960 --> 00:45:32,080
Speaker 3: what are you What were you thinking?

846
00:45:32,800 --> 00:45:32,920
Speaker 4: Well?

847
00:45:32,920 --> 00:45:35,600
Speaker 5: I thought it was pretty ballsy of Lane to be like, well,

848
00:45:36,239 --> 00:45:39,080
Speaker 5: you know, you have to invite these guys. You know,

849
00:45:39,360 --> 00:45:42,080
Speaker 5: Like I kind of love that she did that, you know,

850
00:45:42,200 --> 00:45:45,040
Speaker 5: because you know, missus Kim didn't want them there. But

851
00:45:45,160 --> 00:45:46,960
Speaker 5: she's like, if you're gonna get me, you're gonna get

852
00:45:47,239 --> 00:45:50,759
Speaker 5: these guys, and I was like, you know what, good

853
00:45:50,840 --> 00:45:53,839
Speaker 5: job Lane, I'm I'm standing up to her mom.

854
00:45:54,160 --> 00:45:59,120
Speaker 1: Yep, yeah yeah, gaining strength and winning.

855
00:45:59,760 --> 00:45:59,960
Speaker 4: Yeah.

856
00:46:00,000 --> 00:46:03,560
Speaker 1: I really liked seeing it. It's a nice progression for

857
00:46:03,760 --> 00:46:04,759
Speaker 1: her character.

858
00:46:05,719 --> 00:46:07,440
Speaker 3: And I love and Scott, you tell me this is

859
00:46:07,520 --> 00:46:09,520
Speaker 3: like a thing. I assume it is, like it breaks

860
00:46:09,600 --> 00:46:12,359
Speaker 3: the tension because they're having this heated thing and then

861
00:46:12,480 --> 00:46:16,120
Speaker 3: she comes in, we're all invited to a party.

862
00:46:18,400 --> 00:46:19,759
Speaker 5: It's as if they couldn't hear.

863
00:46:21,400 --> 00:46:23,640
Speaker 3: And then we immediately go to the party, so we

864
00:46:23,719 --> 00:46:26,600
Speaker 3: didn't go anywhere else. We like fast forward immediately and

865
00:46:26,680 --> 00:46:29,680
Speaker 3: we're at the party, and literally I thought the front

866
00:46:29,719 --> 00:46:33,640
Speaker 3: porch scene was hilarious. Gil knocking and Zach's hiding behind

867
00:46:33,840 --> 00:46:34,960
Speaker 3: and like the whole thing.

868
00:46:36,880 --> 00:46:40,080
Speaker 5: I mean, we understand why missus Kim just gave him

869
00:46:40,120 --> 00:46:41,920
Speaker 5: a mouthful episode.

870
00:46:43,360 --> 00:46:50,360
Speaker 3: Happy New Year, I guess. So then, I mean, this

871
00:46:50,400 --> 00:46:53,160
Speaker 3: show is jam packed, like we've still got a long

872
00:46:53,200 --> 00:46:56,720
Speaker 3: way to go. So Laura's looking all jumps into Jackson

873
00:46:56,800 --> 00:47:00,839
Speaker 3: and she realizes what like he's saying, Suki's working all

874
00:47:00,880 --> 00:47:02,600
Speaker 3: these late nights, and she's just like.

875
00:47:04,520 --> 00:47:07,520
Speaker 5: Right, So I thought it was gonna be something worse though,

876
00:47:07,719 --> 00:47:08,359
Speaker 5: I will say.

877
00:47:08,400 --> 00:47:10,360
Speaker 3: I was like, oh no, what is what?

878
00:47:10,760 --> 00:47:13,400
Speaker 5: Like, why is Suki lying to Jackson? Why is everybody

879
00:47:13,520 --> 00:47:14,520
Speaker 5: lying to each other?

880
00:47:17,160 --> 00:47:17,800
Speaker 1: With Michelle?

881
00:47:19,320 --> 00:47:21,920
Speaker 3: Okay, there is a lot of lying in Gilmour. Girl's

882
00:47:21,960 --> 00:47:27,520
Speaker 3: good point. They lie a lot this season.

883
00:47:27,600 --> 00:47:29,560
Speaker 1: Or she's having an affair with Sean Gunn.

884
00:47:30,719 --> 00:47:32,520
Speaker 5: I didn't think it was like a fair satisfied. I

885
00:47:32,520 --> 00:47:34,360
Speaker 5: thought she was like, I don't know. I thought it

886
00:47:34,520 --> 00:47:37,879
Speaker 5: was something she was just wanting to escape her life,

887
00:47:37,920 --> 00:47:39,600
Speaker 5: which I guess she was, but like I thought it

888
00:47:39,680 --> 00:47:42,319
Speaker 5: was gonna be more drastic than just wanting to watch

889
00:47:42,360 --> 00:47:43,800
Speaker 5: her TV show with chocolate?

890
00:47:44,520 --> 00:47:46,640
Speaker 3: Can we also talk about so we go back to there.

891
00:47:46,880 --> 00:47:48,719
Speaker 1: She didn't put the chocolate down on the bed, though,

892
00:47:49,239 --> 00:47:49,759
Speaker 1: Oh I do.

893
00:47:49,880 --> 00:47:54,239
Speaker 3: That was toon, by the way, the fact that she

894
00:47:54,480 --> 00:47:58,160
Speaker 3: actually was eating the tobolone. I zoomed in and was like, oh, yeah.

895
00:47:58,120 --> 00:48:01,800
Speaker 1: She just dropped just dropped it speaking of it like

896
00:48:01,880 --> 00:48:03,840
Speaker 1: that's going to cause us, that's gonna they're gonna have

897
00:48:03,880 --> 00:48:04,360
Speaker 1: to wash that.

898
00:48:05,080 --> 00:48:07,719
Speaker 3: It's true, it's not fair for the guest to crawl

899
00:48:07,760 --> 00:48:12,440
Speaker 3: into that. The Lunar Noon Year party food looked amazing.

900
00:48:12,880 --> 00:48:14,719
Speaker 3: I don't know if I was starving when I watched this.

901
00:48:14,920 --> 00:48:17,319
Speaker 3: I was just like, you know, they're like, it's slimy food.

902
00:48:17,360 --> 00:48:19,720
Speaker 1: It goes oh god, the minute they started saying slimy

903
00:48:19,760 --> 00:48:21,680
Speaker 1: and it goes down real easy, and then it comes

904
00:48:21,760 --> 00:48:23,360
Speaker 1: out the other round. I was like, you know what,

905
00:48:23,360 --> 00:48:26,319
Speaker 1: I don't think I lost. I see that's the guy

906
00:48:26,400 --> 00:48:30,120
Speaker 1: at the dinner table that I shush. It's like, don't

907
00:48:30,160 --> 00:48:30,799
Speaker 1: talk that way.

908
00:48:31,200 --> 00:48:32,240
Speaker 3: I wanted to eat everything.

909
00:48:32,440 --> 00:48:35,080
Speaker 1: We don't want to talk about bowel movements while we're eating.

910
00:48:35,920 --> 00:48:38,040
Speaker 3: I can talk about I don't mind it. I don't

911
00:48:38,080 --> 00:48:38,360
Speaker 3: mind it.

912
00:48:38,680 --> 00:48:41,520
Speaker 1: Oh no, no, no, no, no no, you talk about that.

913
00:48:41,600 --> 00:48:45,360
Speaker 1: It's a dinner table sometimes, Oh Amy, I'm sorry.

914
00:48:45,520 --> 00:48:46,440
Speaker 3: Sometimes it's funny.

915
00:48:46,520 --> 00:48:46,680
Speaker 1: You know.

916
00:48:46,800 --> 00:48:48,680
Speaker 3: I think diarrhea is so funny.

917
00:48:50,800 --> 00:48:51,680
Speaker 1: At the dinner table.

918
00:48:52,560 --> 00:48:54,840
Speaker 3: Not usually at the dinner table, but not usually.

919
00:48:54,960 --> 00:48:58,200
Speaker 1: It's just a couple of times a week.

920
00:48:58,480 --> 00:48:59,560
Speaker 3: It's general.

921
00:49:00,560 --> 00:49:02,160
Speaker 1: It actually goes the other way, it goes out.

922
00:49:02,200 --> 00:49:04,239
Speaker 3: I can have a conversation like, if you guys need

923
00:49:04,280 --> 00:49:09,759
Speaker 3: to talk about diaria, totally call me poop Emoji's okay.

924
00:49:09,960 --> 00:49:15,320
Speaker 3: So I thought that kid was hysterical. That was like

925
00:49:16,000 --> 00:49:20,960
Speaker 3: the dude on like that little guy was so good.

926
00:49:21,640 --> 00:49:24,520
Speaker 1: And then Brian ileitimate child.

927
00:49:25,760 --> 00:49:29,040
Speaker 3: Yeah, Brian flirting with Keon. I thought was like, this

928
00:49:29,239 --> 00:49:32,040
Speaker 3: is so great. The whole thing was great. That was cute.

929
00:49:32,120 --> 00:49:34,800
Speaker 5: I did like that Brian and Keon were like, you know,

930
00:49:35,160 --> 00:49:37,960
Speaker 5: being a flirty me too.

931
00:49:38,440 --> 00:49:40,759
Speaker 3: And then he's dancing later in the scene when they

932
00:49:40,800 --> 00:49:42,480
Speaker 3: come back and he's dancing as they're all having the

933
00:49:42,600 --> 00:49:44,960
Speaker 3: jam session, and he's just totally into it. I think

934
00:49:44,960 --> 00:49:48,320
Speaker 3: they're having a great time. So we go back to

935
00:49:48,440 --> 00:49:50,960
Speaker 3: the bar and now we're Logan and Morior are back

936
00:49:51,000 --> 00:49:55,360
Speaker 3: at the bar again. They've met up again, and he

937
00:49:55,719 --> 00:49:59,080
Speaker 3: just ooh, he's just like, this has been fun. Head

938
00:49:59,160 --> 00:50:01,560
Speaker 3: to New York, have a good weekend. Don't be stranger.

939
00:50:01,840 --> 00:50:02,920
Speaker 5: Don't be a stranger.

940
00:50:03,120 --> 00:50:03,680
Speaker 1: Was just the.

941
00:50:06,400 --> 00:50:08,239
Speaker 5: Right, Like that's when you're just like.

942
00:50:11,320 --> 00:50:17,960
Speaker 4: Like I felt so uncomfortable for her, so she is,

943
00:50:20,040 --> 00:50:22,200
Speaker 4: But that's what that's what I was saying. I enjoyed

944
00:50:22,239 --> 00:50:24,000
Speaker 4: it because like in her head, she's like, I have

945
00:50:24,120 --> 00:50:26,040
Speaker 4: a date tonight, I'm going to be going to this party.

946
00:50:26,160 --> 00:50:28,360
Speaker 4: But it's like you always get your way, Rory, you know.

947
00:50:28,400 --> 00:50:34,640
Speaker 3: Right right, Yeah, Okay, so we've kind of talked about it.

948
00:50:35,040 --> 00:50:37,640
Speaker 3: I'll move a little quicker that Suki's at the in

949
00:50:38,320 --> 00:50:42,000
Speaker 3: and lor Lion Suki have the talk about what she's doing,

950
00:50:42,120 --> 00:50:44,279
Speaker 3: and Laurai gets in bed with her and they watch

951
00:50:44,320 --> 00:50:49,520
Speaker 3: their show. So then my favorite the valet at the event,

952
00:50:49,640 --> 00:50:52,680
Speaker 3: which we've kind of started to touch on. We are

953
00:50:52,760 --> 00:50:56,400
Speaker 3: at the event. Simon comes up to the car and

954
00:50:56,480 --> 00:51:00,520
Speaker 3: he's all kinds of charming and she's kind of into.

955
00:51:00,360 --> 00:51:06,799
Speaker 1: It, and then just bam, just the weirdest thing. I mean,

956
00:51:06,840 --> 00:51:10,320
Speaker 1: he really rocked the back of that car. I was

957
00:51:10,520 --> 00:51:15,400
Speaker 1: so strange. I said to myself, is this Gilmore girls?

958
00:51:15,480 --> 00:51:16,040
Speaker 4: Is this really?

959
00:51:18,200 --> 00:51:21,040
Speaker 3: He's unhinged. He can't take it. He's done, he wants

960
00:51:21,080 --> 00:51:23,279
Speaker 3: her back, he loves her. We're all happy about it.

961
00:51:23,400 --> 00:51:25,640
Speaker 1: So he rams his wife's car.

962
00:51:26,120 --> 00:51:27,600
Speaker 3: It was a strange mood.

963
00:51:27,440 --> 00:51:30,840
Speaker 1: In front of their all of those people. I know

964
00:51:31,840 --> 00:51:33,720
Speaker 1: he couldn't he could have been arrested.

965
00:51:34,000 --> 00:51:36,319
Speaker 5: If Simon wasn't there, he wouldn't have rammed the car.

966
00:51:37,200 --> 00:51:41,080
Speaker 1: I understood, But why is he ramming her car?

967
00:51:43,000 --> 00:51:45,680
Speaker 3: Had to break them up, he had to stop it.

968
00:51:45,920 --> 00:51:47,960
Speaker 1: So he tries to kill his own wife.

969
00:51:50,280 --> 00:51:50,839
Speaker 5: It's bad.

970
00:51:52,440 --> 00:51:56,040
Speaker 1: That was literally there were two of the most bizarre

971
00:51:56,200 --> 00:51:59,880
Speaker 1: moments in Gilmore history.

972
00:52:00,719 --> 00:52:05,960
Speaker 6: In one episode, my wife away from this Van's ram

973
00:52:06,040 --> 00:52:07,719
Speaker 6: into her car, her.

974
00:52:07,680 --> 00:52:11,400
Speaker 3: Car, Guys, it is so funny when she gets in

975
00:52:11,480 --> 00:52:13,160
Speaker 3: the car and he goes, do you need to go

976
00:52:13,239 --> 00:52:15,719
Speaker 3: to the hospital, and she's like, who needs a trip

977
00:52:15,800 --> 00:52:16,640
Speaker 3: to the hospital.

978
00:52:19,320 --> 00:52:22,399
Speaker 1: He needed he needed a trip to the jail. Cell.

979
00:52:22,560 --> 00:52:24,560
Speaker 1: He needed a trip to jail, and he needed a

980
00:52:24,640 --> 00:52:27,880
Speaker 1: trip in front of a judge, just straighten his you

981
00:52:27,960 --> 00:52:28,239
Speaker 1: know what.

982
00:52:29,239 --> 00:52:31,640
Speaker 3: I know you dated him, and she's like, nothing happened.

983
00:52:31,680 --> 00:52:34,200
Speaker 3: And then all of a sudden you're like, oh, they're

984
00:52:34,239 --> 00:52:38,960
Speaker 3: in love again. It's all good. This craziness has just

985
00:52:39,040 --> 00:52:39,840
Speaker 3: brought us back.

986
00:52:40,480 --> 00:52:42,200
Speaker 5: They're in love again. But it was also like, is

987
00:52:42,239 --> 00:52:44,840
Speaker 5: this five steps backwards? Oh? No, like you know, like

988
00:52:44,920 --> 00:52:45,840
Speaker 5: you get nervous.

989
00:52:47,800 --> 00:52:54,880
Speaker 1: Guys, how would you feel if you're estranged husband rammed

990
00:52:54,920 --> 00:52:55,960
Speaker 1: the back of your car.

991
00:52:56,920 --> 00:52:59,720
Speaker 3: Possibly, I'm gonna go on a live here and say possibly.

992
00:52:59,800 --> 00:53:02,400
Speaker 3: All like you would.

993
00:53:04,000 --> 00:53:05,359
Speaker 5: Love me so much.

994
00:53:05,560 --> 00:53:08,640
Speaker 1: It was like the slowed up your motion.

995
00:53:11,200 --> 00:53:13,120
Speaker 3: It was crazy, I admit it, But it was like

996
00:53:13,360 --> 00:53:17,080
Speaker 3: the grand gesture. It was like so awesome.

997
00:53:17,960 --> 00:53:18,200
Speaker 1: Wow.

998
00:53:18,280 --> 00:53:21,440
Speaker 4: I think after they would laugh, like, how we're laughing now?

999
00:53:21,520 --> 00:53:22,879
Speaker 4: I would laugh after the fact.

1000
00:53:23,800 --> 00:53:26,680
Speaker 5: Oh, it's really bad. I'd rather keep my car intact.

1001
00:53:27,000 --> 00:53:27,879
Speaker 1: It's really bad.

1002
00:53:28,400 --> 00:53:30,160
Speaker 4: It is to take care of the car.

1003
00:53:31,600 --> 00:53:33,240
Speaker 5: It is bad for TV.

1004
00:53:33,160 --> 00:53:38,359
Speaker 1: Purposes, to the to the the woman that man.

1005
00:53:40,520 --> 00:53:42,800
Speaker 3: I get that, it's crazy, but I kind of love it.

1006
00:53:42,920 --> 00:53:44,440
Speaker 5: I feel you in that, Skuy, I get it.

1007
00:53:44,640 --> 00:53:46,920
Speaker 1: I have such a problem with that. So I know

1008
00:53:47,000 --> 00:53:48,880
Speaker 1: it's just a TV show and you know and all that,

1009
00:53:49,040 --> 00:53:52,239
Speaker 1: but geez, man, he's just like he came flying in

1010
00:53:52,400 --> 00:53:53,560
Speaker 1: and it was.

1011
00:53:53,680 --> 00:53:57,080
Speaker 3: Nuts, but it was awesome. He's like, no, I am not,

1012
00:53:57,560 --> 00:53:59,680
Speaker 3: this is not happening. Get out of here.

1013
00:53:59,760 --> 00:54:02,400
Speaker 1: Sign and he's, man, you know, my next lifetime. I

1014
00:54:02,480 --> 00:54:05,120
Speaker 1: want to grow up in northern California too, because then

1015
00:54:05,160 --> 00:54:08,320
Speaker 1: I can say things. It was nuts, but that was awesome.

1016
00:54:10,719 --> 00:54:14,040
Speaker 3: We're crazy af here and I love no, Simon, No,

1017
00:54:14,440 --> 00:54:17,239
Speaker 3: you will not. She is my wife. You will not.

1018
00:54:17,440 --> 00:54:20,360
Speaker 3: And Emily wanted him back, so she was like stoked.

1019
00:54:20,760 --> 00:54:23,600
Speaker 3: Oh yeah, it's all in the eye of the beholder, right.

1020
00:54:23,760 --> 00:54:25,560
Speaker 3: She was like she got right in the car with

1021
00:54:25,680 --> 00:54:28,560
Speaker 3: him and was totally happy, like this worked out.

1022
00:54:29,440 --> 00:54:33,080
Speaker 1: Simon should have knocked him out, put it, put him down, man,

1023
00:54:33,239 --> 00:54:37,040
Speaker 1: And he just tried to kill your wife with your car.

1024
00:54:37,920 --> 00:54:42,240
Speaker 3: If they went to fisticuts, I'm.

1025
00:54:42,120 --> 00:54:43,960
Speaker 1: Straight and knock your bow tie off.

1026
00:54:44,080 --> 00:54:48,880
Speaker 3: You so we go back to this episode is like

1027
00:54:49,080 --> 00:54:52,560
Speaker 3: just hacked because we then we go back to missus Kins.

1028
00:54:52,640 --> 00:54:54,520
Speaker 3: I mean, we still haven't even gotten to the most

1029
00:54:54,600 --> 00:54:57,960
Speaker 3: insane scene of all time. So we go back to

1030
00:54:58,000 --> 00:55:02,040
Speaker 3: missus Kins and this is where like Lane stands up

1031
00:55:02,120 --> 00:55:06,680
Speaker 3: to her mom and then what Scott talked about Sebastian. Oh, yeah,

1032
00:55:07,200 --> 00:55:10,880
Speaker 3: like you know, Zach and missus Kim bond over so

1033
00:55:11,719 --> 00:55:13,200
Speaker 3: that whole thing's happening.

1034
00:55:13,560 --> 00:55:16,640
Speaker 5: They both like her with her glasses totally.

1035
00:55:16,800 --> 00:55:17,960
Speaker 3: Now they kind of bonding.

1036
00:55:18,960 --> 00:55:22,359
Speaker 1: Okay, So missus Kim bonding with Zach was a lot

1037
00:55:22,560 --> 00:55:26,120
Speaker 1: like Emily bonding with Luke in the hospital, wasn't it.

1038
00:55:27,880 --> 00:55:28,120
Speaker 4: Yes?

1039
00:55:29,200 --> 00:55:33,120
Speaker 1: So many that feels like an ago, So many similarities

1040
00:55:33,239 --> 00:55:34,320
Speaker 1: running through this show.

1041
00:55:35,200 --> 00:55:37,759
Speaker 5: So then Richard and Emily get it did feel a

1042
00:55:37,800 --> 00:55:40,680
Speaker 5: little bit of a repeat of the Davidowski storyline. I'm

1043
00:55:40,719 --> 00:55:42,839
Speaker 5: not gonna lie, like I do have to point that out,

1044
00:55:43,040 --> 00:55:45,479
Speaker 5: you know, Like there, I'm like, oh, they're just trying

1045
00:55:45,480 --> 00:55:48,319
Speaker 5: to revive Dave's character in a different way.

1046
00:55:48,440 --> 00:55:53,960
Speaker 1: But to David galski ingratiation to missus Kim was brilliant.

1047
00:55:55,239 --> 00:55:58,440
Speaker 1: The little speech he had and his little strategy was

1048
00:55:58,680 --> 00:56:01,640
Speaker 1: just absolute brilliance. That's why people love him because he

1049
00:56:01,800 --> 00:56:05,040
Speaker 1: was just smarter than everybody, you know.

1050
00:56:05,880 --> 00:56:09,480
Speaker 3: So Okay, then we get to the scene where Emily

1051
00:56:09,520 --> 00:56:12,080
Speaker 3: and Richard come home you know, from and he's like,

1052
00:56:12,120 --> 00:56:14,160
Speaker 3: you're feeling all right, I don't want to go to

1053
00:56:14,200 --> 00:56:16,919
Speaker 3: the pole pool house, and then she says come home,

1054
00:56:17,120 --> 00:56:19,360
Speaker 3: and it's like all is right in the world.

1055
00:56:19,680 --> 00:56:24,759
Speaker 5: Yeah, she surrendered, you know what I mean. She she

1056
00:56:25,160 --> 00:56:28,400
Speaker 5: surrendered in the sense of of, you know, they've been

1057
00:56:28,560 --> 00:56:32,960
Speaker 5: both dancing around what's really going on? And she finally

1058
00:56:33,080 --> 00:56:36,080
Speaker 5: was like, we gotta we gotta put this to rest,

1059
00:56:36,239 --> 00:56:38,920
Speaker 5: like just come home. Yeah, we know we want to

1060
00:56:39,000 --> 00:56:39,680
Speaker 5: be back together.

1061
00:56:39,880 --> 00:56:41,920
Speaker 1: Just yeah, I think she did it just out of,

1062
00:56:42,120 --> 00:56:47,320
Speaker 1: you know, a need to to sort of feel safe

1063
00:56:47,600 --> 00:56:50,040
Speaker 1: with this crazy man who just ran her in his car.

1064
00:56:50,800 --> 00:56:53,840
Speaker 1: She was home to calm him down so he doesn't

1065
00:56:53,960 --> 00:56:56,120
Speaker 1: like continue to She like.

1066
00:56:56,200 --> 00:56:58,320
Speaker 3: Me, was stoked about kidding, you know, I'm just kidding,

1067
00:56:58,440 --> 00:56:59,960
Speaker 3: I know, but she was happy about the rear end

1068
00:57:00,080 --> 00:57:03,520
Speaker 3: because she she wants to be back together. She's known it.

1069
00:57:04,239 --> 00:57:07,840
Speaker 3: She's known it since she cried after Simon McLean. Okay,

1070
00:57:08,880 --> 00:57:20,440
Speaker 3: then it's Friday night dinner, but you're ending a lot more.

1071
00:57:21,600 --> 00:57:27,440
Speaker 1: Stop it stop stop at California Friday night dinner and Rory.

1072
00:57:27,320 --> 00:57:29,480
Speaker 3: Is there because her thing wasn't a thing. And did

1073
00:57:29,560 --> 00:57:31,560
Speaker 3: you notice Laura I said, is it Marty?

1074
00:57:33,160 --> 00:57:38,640
Speaker 4: Hm hmm. Yeah, Well she didn't really know Logan besides

1075
00:57:39,200 --> 00:57:40,880
Speaker 4: that she doesn't.

1076
00:57:40,840 --> 00:57:42,640
Speaker 3: Write, she doesn't know him at all. But I like

1077
00:57:42,720 --> 00:57:46,640
Speaker 3: that she called out Marty. So then they see through

1078
00:57:46,680 --> 00:57:50,360
Speaker 3: the window the big you know, there's Richard and Emily,

1079
00:57:50,440 --> 00:57:52,960
Speaker 3: and then there's the makeout. Oh my god, my parents

1080
00:57:53,000 --> 00:58:00,680
Speaker 3: are having an affair. Little I love Larelaes reaction is

1081
00:58:00,760 --> 00:58:04,960
Speaker 3: not as like, she's not as sold, but Rory, She's

1082
00:58:05,000 --> 00:58:08,080
Speaker 3: all I married a wonderful man. Yes you did like

1083
00:58:08,240 --> 00:58:10,160
Speaker 3: Rory stoked.

1084
00:58:11,680 --> 00:58:14,080
Speaker 4: Yeah. I think she's she loves her grandparents together, like

1085
00:58:14,160 --> 00:58:16,520
Speaker 4: she really loves them, so I think for her it

1086
00:58:16,680 --> 00:58:18,160
Speaker 4: was important they get back together.

1087
00:58:18,480 --> 00:58:19,240
Speaker 3: I'm stoked.

1088
00:58:24,640 --> 00:58:27,080
Speaker 1: That was actually really funny when when she was pulling

1089
00:58:27,160 --> 00:58:32,600
Speaker 1: Laurel up to the bedroom and Laurel, I don't want

1090
00:58:32,640 --> 00:58:34,360
Speaker 1: to go, why what's up there? What are we doing?

1091
00:58:34,520 --> 00:58:35,080
Speaker 1: What's happening?

1092
00:58:36,200 --> 00:58:38,280
Speaker 3: Really kind of learned this is important. We learned that

1093
00:58:38,680 --> 00:58:40,600
Speaker 3: Laura is the maid of honor and Rory's going to

1094
00:58:40,640 --> 00:58:42,680
Speaker 3: be the best man, so we learned that there's the

1095
00:58:42,840 --> 00:58:47,440
Speaker 3: vow renewal coming, which all you know, it becomes important. Okay,

1096
00:58:47,600 --> 00:58:48,760
Speaker 3: So Tara, what were we going to say?

1097
00:58:49,160 --> 00:58:51,720
Speaker 4: Well, one of the lines that's like so big it's

1098
00:58:51,720 --> 00:58:54,680
Speaker 4: always like a gift and stuff online is oh my god,

1099
00:58:54,760 --> 00:58:58,800
Speaker 4: it's Natalie Wood miss Seline's line. It's always everywhere, and

1100
00:58:58,840 --> 00:59:00,520
Speaker 4: I was like, oh my god, this is the episode,

1101
00:59:01,560 --> 00:59:03,880
Speaker 4: so i'out where it came in. But yeah, I don't

1102
00:59:03,880 --> 00:59:05,440
Speaker 4: know if you guys knew that, but that's usually like

1103
00:59:05,480 --> 00:59:06,600
Speaker 4: a big clip everywhere.

1104
00:59:07,520 --> 00:59:08,920
Speaker 5: This scene definitely annoyed me.

1105
00:59:09,720 --> 00:59:12,800
Speaker 3: Talk about what you don't like? You don't like Selene

1106
00:59:12,960 --> 00:59:14,360
Speaker 3: miss Selene, No, not Selene.

1107
00:59:14,480 --> 00:59:20,040
Speaker 5: It's you know, Loralai trying on the dresses and Emily,

1108
00:59:21,400 --> 00:59:21,600
Speaker 5: you know.

1109
00:59:22,520 --> 00:59:24,280
Speaker 3: And Laura's holding up the dress, yeah.

1110
00:59:24,080 --> 00:59:27,400
Speaker 5: Sorry, holding up the dresses and like you know, you know,

1111
00:59:27,520 --> 00:59:30,520
Speaker 5: she's she's clearly looking at herself in the mirror, being

1112
00:59:30,600 --> 00:59:32,440
Speaker 5: like I want to be a bride, and I think

1113
00:59:32,520 --> 00:59:34,280
Speaker 5: it's with Luke, you know, like you know that it's

1114
00:59:34,360 --> 00:59:38,280
Speaker 5: processing in her head, and it's like for this entire

1115
00:59:38,440 --> 00:59:41,240
Speaker 5: show so far, Emily has just always been like, well,

1116
00:59:41,280 --> 00:59:43,240
Speaker 5: why don't you tell me about your relationship, Like why

1117
00:59:43,240 --> 00:59:45,240
Speaker 5: don't you tell me about you know, like this and

1118
00:59:45,320 --> 00:59:47,000
Speaker 5: that I want to be included, you know, like all

1119
00:59:47,040 --> 00:59:49,400
Speaker 5: that kind of stuff. And this is the moment that

1120
00:59:49,520 --> 00:59:54,800
Speaker 5: Emily had to finally be there for her daughter, you know,

1121
00:59:55,040 --> 00:59:58,640
Speaker 5: like to be like Lorla, you're trying on dresses, like

1122
00:59:59,400 --> 01:00:01,960
Speaker 5: what's that You're looking at dresses? Like what's that about?

1123
01:00:02,080 --> 01:00:07,120
Speaker 3: You know, like just to like how it's especially painful

1124
01:00:07,240 --> 01:00:10,960
Speaker 3: because you see how happy Lorla was when Emily says

1125
01:00:11,120 --> 01:00:14,520
Speaker 3: to miss Selene, oh no, my daughter. She opens an

1126
01:00:14,600 --> 01:00:17,920
Speaker 3: inn and she's she's running out of business, and you

1127
01:00:18,000 --> 01:00:21,000
Speaker 3: can tell that Emily's so proud, and Lorala's face just

1128
01:00:21,120 --> 01:00:24,720
Speaker 3: lights up. She's so stoked that her mom is finally

1129
01:00:24,840 --> 01:00:29,120
Speaker 3: proud of her that it's just a gut punch what comes.

1130
01:00:29,200 --> 01:00:34,200
Speaker 5: Yeah, And Emily's just totally totally dropped, like dropping the

1131
01:00:34,280 --> 01:00:38,520
Speaker 5: ball here, like she she at some point, your daughter

1132
01:00:38,640 --> 01:00:42,640
Speaker 5: is not like sixteen years old anymore when all that crazy,

1133
01:00:42,680 --> 01:00:44,720
Speaker 5: you know, she got pregnant, all that, all that happened.

1134
01:00:45,080 --> 01:00:47,640
Speaker 5: She's a grown adult. She can make her own decisions

1135
01:00:48,080 --> 01:00:51,280
Speaker 5: at this point, Like at this point, as a mom,

1136
01:00:51,680 --> 01:00:55,600
Speaker 5: like you just need to support your daughter's happiness. And

1137
01:00:55,720 --> 01:00:59,840
Speaker 5: she can't do that, and that really really like stung me.

1138
01:01:00,080 --> 01:01:03,120
Speaker 5: In this episode, I'm like, like, why is it Emily

1139
01:01:03,240 --> 01:01:06,000
Speaker 5: saying like, Lorla, what do you like? You know, maybe

1140
01:01:06,040 --> 01:01:08,640
Speaker 5: you'll get married, you know, like what kind of dress

1141
01:01:08,680 --> 01:01:13,520
Speaker 5: do you want? Like she just totally missed that, And.

1142
01:01:13,640 --> 01:01:18,320
Speaker 3: So I have a different theory. Okay, I think she

1143
01:01:18,520 --> 01:01:22,080
Speaker 3: didn't miss it. No, I think I think she saw

1144
01:01:22,320 --> 01:01:25,440
Speaker 3: it and saw Lorelai holding up the dress and you

1145
01:01:25,640 --> 01:01:28,880
Speaker 3: see that Laura's like open to the idea of I

1146
01:01:28,960 --> 01:01:32,240
Speaker 3: want to get married. I want this, and Emily is

1147
01:01:32,560 --> 01:01:37,360
Speaker 3: one of two things, not having it with Luke or

1148
01:01:37,520 --> 01:01:41,440
Speaker 3: thinks that Luke will never do it, and she wants

1149
01:01:41,520 --> 01:01:43,800
Speaker 3: her daughter to have her dreams. So about him trying

1150
01:01:43,840 --> 01:01:47,200
Speaker 3: to look at it from like oh no, not all.

1151
01:01:47,880 --> 01:01:51,560
Speaker 5: I literally was like she Lorla, she sees that Lorelai

1152
01:01:52,240 --> 01:01:54,920
Speaker 5: will get married to Luke, like she sees it, and

1153
01:01:55,040 --> 01:01:57,560
Speaker 5: she sees that her her daughter has a desire to

1154
01:01:57,640 --> 01:02:01,040
Speaker 5: get married and it's like going to be with Luke

1155
01:02:01,440 --> 01:02:04,480
Speaker 5: and she's like no, no, no, no, no, this is

1156
01:02:04,600 --> 01:02:05,280
Speaker 5: not happening.

1157
01:02:05,840 --> 01:02:07,160
Speaker 3: Scott, what do you.

1158
01:02:07,240 --> 01:02:13,520
Speaker 1: Think I agree with everything Danielle said. I know, I

1159
01:02:14,160 --> 01:02:14,920
Speaker 1: don't know what else to.

1160
01:02:14,920 --> 01:02:18,920
Speaker 3: Say, is there any Okay, all right, let's go in order,

1161
01:02:18,960 --> 01:02:20,640
Speaker 3: and then we're going to debate this because it's just

1162
01:02:20,800 --> 01:02:25,080
Speaker 3: so gnarly. So Luke's in bed. We learned that they

1163
01:02:25,120 --> 01:02:28,080
Speaker 3: went to Al's Pancake World, and it's disgusting. They're never

1164
01:02:28,160 --> 01:02:30,120
Speaker 3: going there again. Luke doesn't really want to go to

1165
01:02:30,200 --> 01:02:32,800
Speaker 3: the vow renewal. She convinces him, and then we learned

1166
01:02:32,880 --> 01:02:37,000
Speaker 3: he got her the TV and it's just like, yeah, amazing, amazing, amazing.

1167
01:02:37,240 --> 01:02:41,040
Speaker 3: Right then the knock on Christopher's door, which at first,

1168
01:02:41,120 --> 01:02:44,160
Speaker 3: like to the casual viewer, you're like, don't even realize

1169
01:02:44,160 --> 01:02:47,200
Speaker 3: it's Christopher, Right, You're sort of like, wait, where are we?

1170
01:02:47,320 --> 01:02:50,040
Speaker 3: Suddenly we're at this apartment and there's just seen him

1171
01:02:50,040 --> 01:02:55,160
Speaker 3: all episode either, so right, and in walks Emily, and

1172
01:02:55,320 --> 01:03:04,720
Speaker 3: it literally was so shocking. It was like, oh, sh bleep.

1173
01:03:06,920 --> 01:03:10,680
Speaker 3: She just comes in, tells him what's up, and literally

1174
01:03:11,040 --> 01:03:15,240
Speaker 3: sabotages her daughter's relationship and basically says to Christopher, you

1175
01:03:15,480 --> 01:03:18,280
Speaker 3: need this is your time, you love her, you need

1176
01:03:18,360 --> 01:03:21,120
Speaker 3: to do it. Drops the mic, which is the invite,

1177
01:03:21,160 --> 01:03:21,680
Speaker 3: and I.

1178
01:03:21,840 --> 01:03:24,360
Speaker 5: Just was like the invites the worst part two because

1179
01:03:24,400 --> 01:03:26,880
Speaker 5: it's like, here's the carrot to lead you back to

1180
01:03:28,120 --> 01:03:30,280
Speaker 5: ruining lorealized relationship with Luke.

1181
01:03:30,680 --> 01:03:33,160
Speaker 4: Right, if you show up, here's the time and place

1182
01:03:33,280 --> 01:03:33,680
Speaker 4: to do it.

1183
01:03:34,480 --> 01:03:37,800
Speaker 3: Boom go and she rips on Luke and calls him

1184
01:03:37,800 --> 01:03:41,120
Speaker 3: a divorce say like to the guy who's left.

1185
01:03:41,240 --> 01:03:46,280
Speaker 4: No, like, it's just like, oh, So, here's here's what

1186
01:03:46,400 --> 01:03:49,360
Speaker 4: I say, Emily bad, like, what are you doing?

1187
01:03:50,760 --> 01:03:53,920
Speaker 1: Here's what I'll say. Here's what I'll say about this scene.

1188
01:03:55,280 --> 01:04:03,680
Speaker 1: Totally unnecessary. You did not need this scene. It did

1189
01:04:03,880 --> 01:04:09,640
Speaker 1: nothing further to deepen the characters or improve the storytelling,

1190
01:04:10,280 --> 01:04:15,120
Speaker 1: because Christopher could have just showed up, shown sorry, shown

1191
01:04:15,200 --> 01:04:22,120
Speaker 1: up to the event, and then all of those questions

1192
01:04:22,240 --> 01:04:25,440
Speaker 1: would be hanging in the air and all of that

1193
01:04:25,640 --> 01:04:30,760
Speaker 1: drama would be born out what is he doing here?

1194
01:04:31,360 --> 01:04:34,240
Speaker 1: What did you do? And then Loral I fans out

1195
01:04:34,360 --> 01:04:37,640
Speaker 1: Emily that scene did not need to be filmed.

1196
01:04:38,000 --> 01:04:41,680
Speaker 3: So I wanted to ask you. So you're saying, I

1197
01:04:41,760 --> 01:04:42,480
Speaker 3: thought it hurt.

1198
01:04:42,360 --> 01:04:45,240
Speaker 1: The episode, and I thought it really hurt Emily's character,

1199
01:04:45,320 --> 01:04:48,040
Speaker 1: and I thought it made him look even weaker than

1200
01:04:48,080 --> 01:04:49,400
Speaker 1: he could possibly look.

1201
01:04:50,400 --> 01:04:53,040
Speaker 3: Yeah, I'm assuming that it showed.

1202
01:04:52,840 --> 01:04:57,440
Speaker 1: A grandmother referring to her granddaughter as this thing it

1203
01:04:57,600 --> 01:05:02,560
Speaker 1: was a completely offensive I didn't hear that part she

1204
01:05:02,760 --> 01:05:05,680
Speaker 1: referred to that little girl as this thing.

1205
01:05:07,280 --> 01:05:08,880
Speaker 4: Yeah, I missed that.

1206
01:05:09,840 --> 01:05:11,880
Speaker 3: Scott Scott one.

1207
01:05:11,840 --> 01:05:16,320
Speaker 1: Question horrifying say that it portrayed Emily as a monster

1208
01:05:16,480 --> 01:05:17,680
Speaker 1: a conns.

1209
01:05:18,160 --> 01:05:20,120
Speaker 3: But here's my question for you. So say they did

1210
01:05:20,200 --> 01:05:24,040
Speaker 3: not show that scene, but are you saying it still happened?

1211
01:05:24,680 --> 01:05:26,880
Speaker 3: So my thing is, say they didn't show it, and

1212
01:05:26,960 --> 01:05:30,440
Speaker 3: then Christopher shows up, just shows up. But did Emily

1213
01:05:30,680 --> 01:05:31,760
Speaker 3: go there in the audience?

1214
01:05:31,760 --> 01:05:34,480
Speaker 1: It's like, wow, what is he doing here? How did

1215
01:05:34,520 --> 01:05:35,840
Speaker 1: he get didn't see that coming?

1216
01:05:36,120 --> 01:05:39,640
Speaker 3: But in your mind this scene did take place, We

1217
01:05:39,800 --> 01:05:43,160
Speaker 3: just didn't see it, or did Emily never do this? Okay, okay,

1218
01:05:43,240 --> 01:05:46,080
Speaker 3: I just wanted to like clarify so I understood. Tell

1219
01:05:46,120 --> 01:05:49,600
Speaker 3: me when she says the thing and she said, is

1220
01:05:49,680 --> 01:05:50,520
Speaker 3: this the child?

1221
01:05:51,120 --> 01:05:52,840
Speaker 1: That scene was soap opera quality.

1222
01:05:53,960 --> 01:05:54,680
Speaker 5: Yeah, that.

1223
01:05:59,520 --> 01:06:02,120
Speaker 3: Is this the child? And is the mother still gone?

1224
01:06:02,240 --> 01:06:03,320
Speaker 3: I never heard her say thing.

1225
01:06:04,240 --> 01:06:05,440
Speaker 1: Oh I thought she said this thing.

1226
01:06:05,560 --> 01:06:07,520
Speaker 3: Can someone pull up the script because I never saw

1227
01:06:07,840 --> 01:06:08,800
Speaker 3: it her safe thing.

1228
01:06:09,000 --> 01:06:12,760
Speaker 1: Whenever she said the way she referred to this child

1229
01:06:13,040 --> 01:06:13,880
Speaker 1: was haineous.

1230
01:06:13,920 --> 01:06:15,000
Speaker 3: She says, this is the child.

1231
01:06:15,120 --> 01:06:17,760
Speaker 1: It was dismissive and it was just awful.

1232
01:06:18,040 --> 01:06:21,200
Speaker 3: Well, the whole scene is heinous. She's who does that?

1233
01:06:21,720 --> 01:06:23,920
Speaker 1: It's like I want to you know, right when you're

1234
01:06:24,160 --> 01:06:29,800
Speaker 1: rehabilitating this relationship between Richard and Emily and you've got

1235
01:06:29,880 --> 01:06:32,560
Speaker 1: these people looking good, you make her do something like that.

1236
01:06:32,920 --> 01:06:36,320
Speaker 3: It's the lowest low she's ever done. Yeah, it was awful,

1237
01:06:36,840 --> 01:06:39,720
Speaker 3: But I it was totally intentional. They knew they were

1238
01:06:39,760 --> 01:06:44,640
Speaker 3: doing it for a reason. So we're looking at this.

1239
01:06:44,880 --> 01:06:47,560
Speaker 1: So this is the child this, so this is the child,

1240
01:06:47,640 --> 01:06:50,439
Speaker 1: This is the child. Basically, this is the child.

1241
01:06:50,760 --> 01:06:54,760
Speaker 3: So this child says, is the mother still gone? You know, look,

1242
01:06:54,880 --> 01:06:57,520
Speaker 3: I think it's hideous. I don't think it's I think

1243
01:06:57,560 --> 01:06:58,960
Speaker 3: it's even too low for Emily.

1244
01:06:59,200 --> 01:07:02,640
Speaker 1: It's so that was the ugliest scene I've ever ever

1245
01:07:03,000 --> 01:07:04,480
Speaker 1: witnessed in this whole.

1246
01:07:07,080 --> 01:07:09,840
Speaker 4: Yeah, that's right, rough, Yeah, I think you're right.

1247
01:07:10,040 --> 01:07:15,720
Speaker 5: The actually we really saw Richard and Emily be ugly

1248
01:07:15,920 --> 01:07:16,800
Speaker 5: in this episode.

1249
01:07:17,640 --> 01:07:22,400
Speaker 4: Really, I do agree with Scott, like maybe if we

1250
01:07:22,560 --> 01:07:25,400
Speaker 4: just skip this and and Christopher showed up, like it

1251
01:07:25,440 --> 01:07:29,000
Speaker 4: would be a different like shock. But I think for

1252
01:07:29,200 --> 01:07:32,280
Speaker 4: this it was more of how cruel Emily is. I

1253
01:07:33,000 --> 01:07:36,680
Speaker 4: think that's what it was, because every time Emily fixes

1254
01:07:36,760 --> 01:07:42,600
Speaker 4: something with Lorelei. She takes five steps backwards, like they're fine,

1255
01:07:42,680 --> 01:07:44,360
Speaker 4: She's going to be the maid of honor. Like that's

1256
01:07:44,400 --> 01:07:45,640
Speaker 4: the thing is, like, she's going to be the maid

1257
01:07:45,680 --> 01:07:48,200
Speaker 4: of honor. What are you doing? Why are you messing

1258
01:07:48,280 --> 01:07:48,560
Speaker 4: it up?

1259
01:07:48,720 --> 01:07:48,920
Speaker 5: You know?

1260
01:07:50,760 --> 01:07:56,560
Speaker 1: I think I think when characters take that huge a

1261
01:07:56,720 --> 01:08:01,720
Speaker 1: leap down the ladder, as it were, it's like, maybe

1262
01:08:01,800 --> 01:08:04,760
Speaker 1: you take them down one wrung, you don't take them

1263
01:08:04,800 --> 01:08:05,640
Speaker 1: down ten.

1264
01:08:06,880 --> 01:08:08,280
Speaker 3: And they took her down one hundred.

1265
01:08:08,440 --> 01:08:12,560
Speaker 1: I mean, you got to keep keep us believing in

1266
01:08:14,080 --> 01:08:18,360
Speaker 1: the humanity of a character, right, and people make mistakes

1267
01:08:18,439 --> 01:08:21,360
Speaker 1: and that's the soul of drama. But I mean when

1268
01:08:21,400 --> 01:08:25,200
Speaker 1: it's when it I mean, that was just evil. Yeah,

1269
01:08:25,640 --> 01:08:25,840
Speaker 1: it was.

1270
01:08:26,040 --> 01:08:26,240
Speaker 4: It was.

1271
01:08:26,479 --> 01:08:29,439
Speaker 3: It was. It was evil. I think you're right, Scott,

1272
01:08:29,640 --> 01:08:32,120
Speaker 3: it was really and to me, it was almost too

1273
01:08:32,240 --> 01:08:33,960
Speaker 3: evil for Emily. It was real.

1274
01:08:34,240 --> 01:08:37,519
Speaker 1: It was out of character. I felt it was just yeah,

1275
01:08:38,520 --> 01:08:40,599
Speaker 1: or she does it in a different way, and it's

1276
01:08:40,720 --> 01:08:41,679
Speaker 1: it's just the lowest.

1277
01:08:41,960 --> 01:08:42,880
Speaker 3: It's in character.

1278
01:08:43,240 --> 01:08:46,240
Speaker 1: It was also spelled out and it was so much

1279
01:08:46,320 --> 01:08:49,680
Speaker 1: exposition and explaining and this is how I feel and

1280
01:08:49,800 --> 01:08:52,559
Speaker 1: these are my feelings about it, and it's oh god, well.

1281
01:08:52,439 --> 01:08:55,559
Speaker 3: The inappropriateness of just showing up at Christopher's is kind

1282
01:08:55,640 --> 01:08:59,320
Speaker 3: of hardcore, Like, what what mom is doing that?

1283
01:08:59,560 --> 01:09:00,720
Speaker 1: I wish I hadn't seen that.

1284
01:09:01,160 --> 01:09:06,120
Speaker 3: You get why Loralai cannot stand them? Yeah? Yeah, Like

1285
01:09:06,320 --> 01:09:11,880
Speaker 3: this is why I think for us watching we see

1286
01:09:11,960 --> 01:09:14,519
Speaker 3: so many redeeming qualities in Emily and Richard especially.

1287
01:09:15,120 --> 01:09:17,040
Speaker 1: I don't I don't even know if it's I don't

1288
01:09:17,080 --> 01:09:20,720
Speaker 1: even know if it's about that. For me, it's it

1289
01:09:20,920 --> 01:09:26,240
Speaker 1: takes me completely out of the the piece. So because

1290
01:09:26,280 --> 01:09:29,479
Speaker 1: I don't believe it, it's like it's not believable that

1291
01:09:29,600 --> 01:09:32,040
Speaker 1: somebody is going to do that in that way.

1292
01:09:32,840 --> 01:09:33,600
Speaker 3: I believe it.

1293
01:09:33,680 --> 01:09:35,560
Speaker 1: It took me out of the character. It took me

1294
01:09:35,680 --> 01:09:39,280
Speaker 1: out of the show. And this is just a bridge

1295
01:09:39,320 --> 01:09:39,960
Speaker 1: to tell me.

1296
01:09:40,160 --> 01:09:42,280
Speaker 3: I think it's what Lorala has been telling us for

1297
01:09:42,400 --> 01:09:45,240
Speaker 3: all these years. Yeah, they are terrible, and we're always

1298
01:09:45,280 --> 01:09:47,599
Speaker 3: kind of like, are they that terrible? And you've even

1299
01:09:47,680 --> 01:09:51,160
Speaker 3: defended them, like we've all defended them. And I think

1300
01:09:51,280 --> 01:09:57,120
Speaker 3: that whether it was for whatever reason, writers, creators, they

1301
01:09:57,240 --> 01:10:02,400
Speaker 3: are showing us why Loralai has been repeatedly always dogging

1302
01:10:02,520 --> 01:10:04,160
Speaker 3: on the parents and we're always like, why is she's

1303
01:10:04,200 --> 01:10:06,880
Speaker 3: so mad? Why she's so mean. This is why. This

1304
01:10:07,160 --> 01:10:10,960
Speaker 3: is exactly why, because Emily would do this, and she

1305
01:10:11,360 --> 01:10:15,320
Speaker 3: did do this, and I'm heartbroken about it person and

1306
01:10:15,720 --> 01:10:16,840
Speaker 3: like so hurt by it.

1307
01:10:16,960 --> 01:10:18,519
Speaker 5: The reason why I do think it's like so in

1308
01:10:18,640 --> 01:10:21,760
Speaker 5: character for her, for Emily is she's just so insistent

1309
01:10:22,000 --> 01:10:26,880
Speaker 5: on it being the guy that that is satisfactory to her,

1310
01:10:27,520 --> 01:10:29,840
Speaker 5: Like she's doing that with Rory. We just saw that,

1311
01:10:30,280 --> 01:10:34,320
Speaker 5: you know, but you just saw a character get destroyed.

1312
01:10:35,800 --> 01:10:38,840
Speaker 1: How do you come back from that? You can't rehabilitate

1313
01:10:38,880 --> 01:10:42,080
Speaker 1: a character after that, once all those evil cards are

1314
01:10:42,120 --> 01:10:44,439
Speaker 1: laid out on the table. Who does an audience come

1315
01:10:44,520 --> 01:10:45,080
Speaker 1: back from that?

1316
01:10:45,520 --> 01:10:48,559
Speaker 3: We'll have to see if we can. That's the thing.

1317
01:10:48,680 --> 01:10:50,840
Speaker 1: And I'm sorry that was just it was just like

1318
01:10:51,160 --> 01:10:54,160
Speaker 1: she took a sledgehammer to Emily's character. I don't know.

1319
01:10:55,280 --> 01:10:59,080
Speaker 5: I mean, yes you do, but you also like I

1320
01:10:59,240 --> 01:10:59,920
Speaker 5: need to see more.

1321
01:11:01,800 --> 01:11:04,040
Speaker 1: I want to stay in the piece. I want to

1322
01:11:04,120 --> 01:11:06,120
Speaker 1: stay in it.

1323
01:11:07,160 --> 01:11:09,519
Speaker 5: Aren't you excited for the vour neal you.

1324
01:11:11,479 --> 01:11:13,800
Speaker 1: Now it's just hokey to me. Now, it's just like no,

1325
01:11:14,000 --> 01:11:16,479
Speaker 1: it's like pokem is on the way and here we go, and.

1326
01:11:16,720 --> 01:11:21,080
Speaker 3: I agree with you on how horrible it is The

1327
01:11:21,200 --> 01:11:24,320
Speaker 3: only thing I disagree on is that it shouldn't have

1328
01:11:24,360 --> 01:11:26,240
Speaker 3: been in there. I'm thrilled it's in there, but.

1329
01:11:27,160 --> 01:11:29,080
Speaker 1: I think that it was a I think it should

1330
01:11:29,120 --> 01:11:30,240
Speaker 1: not have been in That's.

1331
01:11:30,080 --> 01:11:32,400
Speaker 3: Just I mean, I I think it's yeah, and that's fine.

1332
01:11:32,479 --> 01:11:34,120
Speaker 1: I've been in the room. Had they asked me, and

1333
01:11:34,200 --> 01:11:38,759
Speaker 1: they don't. I do not film this scene. Cut this scene.

1334
01:11:39,120 --> 01:11:41,280
Speaker 1: And if I saw I saw a rough cut of this,

1335
01:11:41,439 --> 01:11:42,760
Speaker 1: I said, you don't need this scene.

1336
01:11:43,240 --> 01:11:47,000
Speaker 3: So yeah, for me, I do like the scene. I

1337
01:11:47,080 --> 01:11:49,840
Speaker 3: don't like what it is, but I like that it's

1338
01:11:49,880 --> 01:11:53,800
Speaker 3: in there because it's so clear, it's so shocking. I'm

1339
01:11:53,920 --> 01:11:54,960
Speaker 3: completely hooked.

1340
01:11:56,320 --> 01:11:58,680
Speaker 1: Have to get Bishop on this show and we have

1341
01:11:58,760 --> 01:12:01,840
Speaker 1: to ask her how she feels about that scene. Yeah,

1342
01:12:01,840 --> 01:12:04,080
Speaker 1: and I'll ask her point blank, did you did you

1343
01:12:04,240 --> 01:12:08,639
Speaker 1: have a talk with Amy about getting not doing this scene?

1344
01:12:09,479 --> 01:12:09,880
Speaker 3: Well, I don't know.

1345
01:12:11,040 --> 01:12:13,080
Speaker 1: I'd love to hear her views on.

1346
01:12:13,200 --> 01:12:15,960
Speaker 3: This for sure, because I think it's As an actor,

1347
01:12:16,000 --> 01:12:18,840
Speaker 3: I would want to play that scene of Emily where

1348
01:12:18,880 --> 01:12:23,040
Speaker 3: you're like, you see Emily being so loving and happy

1349
01:12:23,240 --> 01:12:26,120
Speaker 3: and in love with Richard and I'm so happy and

1350
01:12:26,280 --> 01:12:28,240
Speaker 3: trying on the wedding dresses and being so proud of

1351
01:12:28,320 --> 01:12:32,920
Speaker 3: Laurai and then just it is like what a juxtaposition.

1352
01:12:33,080 --> 01:12:37,479
Speaker 3: She is so dark and comes and just does this. Now,

1353
01:12:37,880 --> 01:12:40,080
Speaker 3: in her mind, I think she thinks she's doing it

1354
01:12:40,160 --> 01:12:42,559
Speaker 3: for the right reasons. The one thing I will ask

1355
01:12:42,640 --> 01:12:47,080
Speaker 3: you guys, though, is are we sure there's no chance

1356
01:12:47,160 --> 01:12:50,120
Speaker 3: she's doing it because she believes in her heart that

1357
01:12:50,320 --> 01:12:55,760
Speaker 3: Luke will never give Lorelai her dream with the dress. Okay,

1358
01:12:56,240 --> 01:12:57,479
Speaker 3: I'm all just throwing it out there.

1359
01:12:59,240 --> 01:13:01,720
Speaker 5: No, I think I don't think she's worried about his

1360
01:13:03,360 --> 01:13:07,640
Speaker 5: finances and not being owning, not franchising or being an

1361
01:13:07,680 --> 01:13:10,800
Speaker 5: owner of a franchised diner. You know, like she's just

1362
01:13:10,960 --> 01:13:16,559
Speaker 5: more about optics and society and you know, keeping up

1363
01:13:16,600 --> 01:13:19,840
Speaker 5: with the Joneses versus blood lines. Yeah, blood lines.

1364
01:13:20,160 --> 01:13:23,960
Speaker 1: Obviously there's some controversy here. We're not in agreement here.

1365
01:13:24,000 --> 01:13:26,760
Speaker 1: That's fine. I'm going to agree, we're not going to anyway.

1366
01:13:26,760 --> 01:13:31,600
Speaker 1: All right, So let's do let's do favorite lines and

1367
01:13:31,800 --> 01:13:34,240
Speaker 1: what is uh tar, what's your measuring stick here?

1368
01:13:35,400 --> 01:13:38,439
Speaker 4: Oh? Well, my favorite line is the the Slene line,

1369
01:13:38,479 --> 01:13:40,080
Speaker 4: just because I don't know, I love that line. The

1370
01:13:40,640 --> 01:13:44,920
Speaker 4: oh my god, it's Natalie would I'm going to give it.

1371
01:13:45,720 --> 01:13:47,320
Speaker 1: No, No, we're not there yet. We're not there yet.

1372
01:13:47,400 --> 01:13:51,640
Speaker 1: Let's just do no. Yeah, my bad, my bad. No,

1373
01:13:51,760 --> 01:13:56,040
Speaker 1: measuring stick, put it away, put it back, okay. Danielle.

1374
01:13:56,720 --> 01:13:58,720
Speaker 5: Favorite when Emily says come home.

1375
01:14:00,040 --> 01:14:00,720
Speaker 1: Amy.

1376
01:14:00,840 --> 01:14:03,599
Speaker 3: Favorite line it's Luke saying maybe I'll meet a nice

1377
01:14:03,600 --> 01:14:04,679
Speaker 3: girl at your parents wedding.

1378
01:14:07,439 --> 01:14:11,640
Speaker 1: Mine was Logan just saying every line he said in

1379
01:14:11,680 --> 01:14:15,960
Speaker 1: the whole thing. All right, Tara, measuring stick, how many.

1380
01:14:18,200 --> 01:14:20,400
Speaker 4: I'm going to do? Monte Cristo sandwiches?

1381
01:14:21,320 --> 01:14:21,760
Speaker 3: Good one?

1382
01:14:24,040 --> 01:14:27,320
Speaker 4: You know, I actually actually enjoyed this episode because of

1383
01:14:27,439 --> 01:14:30,639
Speaker 4: how much content was in. It kept me on my toes,

1384
01:14:31,240 --> 01:14:33,920
Speaker 4: and I feel like, even though the end listen it's

1385
01:14:34,000 --> 01:14:37,200
Speaker 4: I don't think. I think that it's moving the show

1386
01:14:37,280 --> 01:14:39,599
Speaker 4: along and it's keeping us coming back. So I'm actually

1387
01:14:39,600 --> 01:14:40,920
Speaker 4: going to give it an eight point five.

1388
01:14:42,000 --> 01:14:45,240
Speaker 5: Danielle, I'll give it a nine out of ten. Wedding dresses.

1389
01:14:46,760 --> 01:14:51,599
Speaker 3: Amy, I'm giving it normal flavored toothpaste a ten out

1390
01:14:51,640 --> 01:14:51,920
Speaker 3: of ten.

1391
01:14:52,920 --> 01:14:53,760
Speaker 1: I'm going to give this.

1392
01:14:57,280 --> 01:15:00,639
Speaker 3: And I'm so scared.

1393
01:15:00,800 --> 01:15:05,000
Speaker 1: I'm gonna give it a seven point eight three seven

1394
01:15:05,360 --> 01:15:14,599
Speaker 1: five crumpled, rumpled bumpers, dude, and that's going to wrap

1395
01:15:14,680 --> 01:15:17,160
Speaker 1: it up best fans on the planet. Thanks for downloading,

1396
01:15:17,680 --> 01:15:20,160
Speaker 1: and always remember I I'm all In. We'll see you

1397
01:15:20,240 --> 01:15:53,800
Speaker 1: next time. Stay safe everyone, Hey, everybody, and don't forget

1398
01:15:53,880 --> 01:15:57,880
Speaker 1: Follow us on Instagram at I Am all In podcast

1399
01:15:58,040 --> 01:16:03,120
Speaker 1: and email us at Gilmore at iHeartRadio dot com. Oh

1400
01:16:03,160 --> 01:16:05,000
Speaker 1: you Gilmore fans. If you're looking for the best cup

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01:16:05,080 --> 01:16:07,800
Speaker 1: of coffee in the world, go to my website from

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1403
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Speaker 1: y P dot com, scottyp dot com Grade one Specialty

1404
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Speaker 1: Coffee