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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 3: Either way, we.

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Speaker 2: Want to be there.

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Speaker 4: Doesn't matter how much baggage you claim and give us

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Speaker 4: time and a terminol ingage.

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Speaker 3: We want to send you off in style.

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Speaker 4: We wanna welcome you back home. Tell us all about.

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Speaker 3: Every scared her? Was it fine? Malcorn? Do you need

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Speaker 3: to ride? Do you need to ride? Do you need

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Speaker 3: to ride? Do you need to ride? Do you need

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Speaker 3: to ride? Do your need to ride?

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Speaker 2: With Karen and Chris welcome to Do you need to ride?

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Speaker 2: This is Chris.

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Speaker 3: Fairbanks and this is Karen Kilgarriff.

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Speaker 2: I had some trouble with the saying of our party.

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Speaker 2: I had to retell it, which why even re record

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Speaker 2: if I'm gonna tell on myself?

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Speaker 4: I mean, I think this is the behind the scenes

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Speaker 4: stuff that people really This is what gets people about us.

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Speaker 2: People love when you say a thing and then immediately

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Speaker 2: dissect it.

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Speaker 3: Yes.

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Speaker 4: Yeah, especially on a podcast where people are just trying

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Speaker 4: to escape the bullshit of their own life.

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Speaker 3: We're like, no, no, no, we have tons of bullshit

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Speaker 3: on this podcast.

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Speaker 2: Yeah. I actually, I do think dealing with other people's

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Speaker 2: bullshit is a relief from your bullshit, Even if it's

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Speaker 2: very similar bullshit, because especially if.

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Speaker 4: It's similar to bullshit, do you mind if I mispronounced

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Speaker 4: the words similar.

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Speaker 2: I have a tendency I rub off on.

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Speaker 4: People catching it from you. I think other people's bullshit.

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Speaker 4: The more similar it is, the better you feel. Because

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Speaker 4: you don't, you can be in total denial about how

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Speaker 4: similar it is, and they'd be like, oh, let me

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Speaker 4: help you with this terrible problem you seem to have alone,

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Speaker 4: and it's like, well, yeah, it's everybody's problem.

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Speaker 2: No, exactly. That's what I try and do with so

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Speaker 2: many conversations. But then you read about what you're not

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Speaker 2: supposed to do in a conversation, and that is listen

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Speaker 2: to someone's problem and then try and relate it to

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Speaker 2: one of your problems. You're just supposed to listen to

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Speaker 2: someone's problem. I've been trying to work on that.

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Speaker 4: It's hard because also you still are in I was

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Speaker 4: just talking to somebody about this because I was saying

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Speaker 4: I read that, and I read it that they said

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Speaker 4: it's a sign of being on the spectrum. Maybe that

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Speaker 4: people on the spectrum want you to understand that they

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Speaker 4: understand what you're saying by saying, here's how it happened

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Speaker 4: to me, right, And then people who are on a

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Speaker 4: different sort of type of brain style, they're like, how

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Speaker 4: dare you change the subject off of me?

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Speaker 2: Exactly? And it's usually when you're talking to someone that

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Speaker 2: isn't a comedian. I think a lot of the comics

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Speaker 2: we know are in the spectrum hell yeah, because that's

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Speaker 2: how you, you know, go from one joke and segue

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Speaker 2: and think on your feet. It's because you can't sit

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Speaker 2: in a moment yes like a normal person.

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Speaker 3: You truly don't want to.

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Speaker 4: And then especially if that moment's not about you, What

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Speaker 4: the hell are you even doing here?

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Speaker 3: Is my thinking.

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Speaker 2: Exactly, because when you're doing stand up you learn right

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Speaker 2: away it has to be about you, yes, which I

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Speaker 2: always had trouble with who am I? I'm not gonna

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Speaker 2: tell stories about me. I will steal interesting stories from

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Speaker 2: my friends and say it's me, yes, but I'm sure

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Speaker 2: still pretending it's me.

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Speaker 4: One of my favorite bits in my first like ten

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Speaker 4: minutes of comedy, was a thing I saw my friend

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Speaker 4: Alicia do one time, and it was so funny when

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Speaker 4: she did it that I was like, oh, that's mine. Now,

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Speaker 4: didn't discuss it with her. I was just like, oh, yeah,

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Speaker 4: that's so funny. I'll do it like I'm representing funny

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Speaker 4: ideas from this part of the state.

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Speaker 3: Right, was kind of my interview.

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Speaker 2: As a representative of just everyone that's been in my life.

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Speaker 2: I'm going to adopt this. And I've done it so

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Speaker 2: many times on this podcast. So many stories I've left

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Speaker 2: out that it was a friend of a friend. I

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Speaker 2: just say it's me, because you know what, it will

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Speaker 2: make a story boring credit. Yeah, giving a bibliography as

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Speaker 2: you tell.

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Speaker 4: It, but just the big bibliography is one listing and

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Speaker 4: it would be easy to say yeah.

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Speaker 2: But it's not doesn't a You gotta get to the

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Speaker 2: story that's true. You can't cite your sources.

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Speaker 4: You can also do a thing where you act like

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Speaker 4: it's your story, let everybody experience it's that, and then afterwards, ago,

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Speaker 4: that actually happened to my friend Dan. Right.

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Speaker 2: Then that's like a fun way to end a story.

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Speaker 2: Maybe I'll start doing that.

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Speaker 3: That's kind of a funny way going. Here's me lying again.

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Speaker 2: Yeah, I told I talked to my sister on the

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Speaker 2: phone last night and she reminded me of how many

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Speaker 2: stories because she is a listener of our podcast. I'm

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Speaker 2: told that they are not me. It was a cousin

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Speaker 2: or my friend ross or and I don't I do

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Speaker 2: it so effortlessly because I got to trim the fat.

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Speaker 4: Yes, for sure, you have to trim that credit fat. Yep,

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Speaker 4: that makes me so grateful. My sister is not interested

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Speaker 4: in anything I do or say, and it doesn't listen

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Speaker 4: to any of these podcasts because.

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Speaker 3: She would be She would truly call up and be like,

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Speaker 3: that was an outright lie because I do stuff like that.

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Speaker 4: We're like, and I don't think I do it that often,

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Speaker 4: but when I do it, it's very bewildering. Or I'm like,

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Speaker 4: I just kind of jug the end of that in

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Speaker 4: a way that's factually untrue.

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Speaker 2: Yeah, it's what we learned to do.

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Speaker 3: Yeah.

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Speaker 2: If every story had all the elements of entertainment, our

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Speaker 2: jobs would be everyone would be a comedian. We wouldn't

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Speaker 2: need comedians. You need someone to edit a story to

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Speaker 2: make it good. That's called a joke. Yes, I'm simplifying everything.

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Speaker 4: It's about efficiency at the end of the day, right,

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Speaker 4: that's all we care about. It's not about us people

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Speaker 4: loving us. It's not that right. We just want people

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Speaker 4: to use their time correctly. Thank you, You're welcome.

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Speaker 2: We had. Oftentimes people call me that our friends and

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Speaker 2: family in other cities, and they're like, oh, you had

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Speaker 2: a big earthquake, Like the news will blow things out

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Speaker 2: of proportion, and I've gotten eerily used to just my

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Speaker 2: house shaking. But the one the other day it felt

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Speaker 2: like the initial bank. It was a loud bang. I

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Speaker 2: thought a car somehow drove up to my little place

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Speaker 2: on a hill and ran into the wall. It felt

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Speaker 2: like a car hitting the wall. And I immediately got

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Speaker 2: up and looked at my eighty five pound redwood burrel

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Speaker 2: clock that my dad made, and it was leaning forward

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Speaker 2: and I just grabbed it. It would have totally injured me,

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Speaker 2: but so I kind of reacted in a way. And

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Speaker 2: then I went outside and I could hear I'd never

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Speaker 2: been outside for during what I knew was an earthquake,

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Speaker 2: and usually you don't feel them outside, but I could

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Speaker 2: hear slabs of cement grinding together. Really, yeah, it was

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Speaker 2: a big one, and I or maybe it wasn't a

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Speaker 2: big one richter scale wise, but it went right through

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Speaker 2: downtown Los Angeles.

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Speaker 4: Well, I do believe it was a long one, that

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Speaker 4: this is what somebody else told me I think it

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Speaker 4: was Georgia when we were talking about it on the

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Speaker 4: other podcast, My Favorite Murder?

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Speaker 3: Have you ever listen that?

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Speaker 2: I of course I've heard of it.

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Speaker 4: We were talking about this because she said, did you

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Speaker 4: feel the earthquake? And I said no, I was at

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Speaker 4: the dentist, And then we couldn't stop laughing because that

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Speaker 4: it made perfect sense to me as I said it

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Speaker 4: to her, but she was like, what the fuck are

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Speaker 4: you talking about? And I was like, yep, you're right

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Speaker 4: on this one. But I just didn't feel anything. And

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Speaker 4: I don't know if it was just because the spot

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Speaker 4: I was in, you know, doesn't have those there, or what, right,

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Speaker 4: but I felt truly nothing it.

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Speaker 2: Yeah, I think I was near that fault line, which

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Speaker 2: apparently is more dangerous than the San Andreas one.

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Speaker 3: The Los Angeles fault line.

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Speaker 2: It is called something, and I do not remember what

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Speaker 2: it is called. It's it's got a serious let's call

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Speaker 2: it the Los Angeles fault line. Okay, Yeah, that was

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Speaker 2: my idea, right, Okay, but let's agree that your idea

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Speaker 2: is the best one and we're going to adopt.

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Speaker 3: It, okay.

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Speaker 4: And then when we do adopt my ideas, I think

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Speaker 4: it's really important that you say that was the best idea,

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Speaker 4: real loud, that.

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Speaker 2: Was a really good idea. We should call the news

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Speaker 2: and tell them to change the name of whatever it

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Speaker 2: is right now perfect.

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Speaker 5: I do have the name if you'd like it.

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Speaker 3: It's just the Los Angeles one. I mean, we can't anymore.

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Speaker 3: Go ahead. Twente Hill's fault I.

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Speaker 2: Kind of like lifeless Handel's fault line or twenty Hills.

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Speaker 3: Yeah, twenty it would ruin the magic.

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Speaker 2: Yeah, Twente Hills sounds pretentious.

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Speaker 4: It also reminds me of Dorothea Puente, who is the

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Speaker 4: old lady in Sacramento who killed all of the people

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Speaker 4: in her boarding house and buried them in the backyard.

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Speaker 2: I mean, but was it her fault? No? Get that

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Speaker 2: was an old joke.

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Speaker 3: Oh, her fault line?

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Speaker 2: Yeah, got it. We can edit, we and we do.

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Speaker 2: Yeah we will. Yeah, we'll take that one out. I'd

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Speaker 2: like it stricken from the record. We have a bailiff

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Speaker 2: in the backseat that takes jokes and strikes them from

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Speaker 2: the guy, so you only get the good stuff.

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Speaker 4: And he's he's his name is Rusty. He's tired. He's

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Speaker 4: been doing it a long time. Wasn't that the guy

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Speaker 4: on the People's Court Rusty Uh.

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Speaker 2: In the Doug Luellen days, douglu Allen was the interviewer. Yep,

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Speaker 2: how do you feel about losing? Not good? Yeah, that

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Speaker 2: was half the show. I loved it as a kid.

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Speaker 2: And Rusty. Yeah it was Wapner's bailiff or some name.

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Speaker 4: Maybe some name that was a little bit nickname me

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Speaker 4: country vibes.

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Speaker 2: Bull? Are you thinking of Bull from Night Court? Let's

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Speaker 2: talk about all the TV bailiffs. Let's see who's judge duties.

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Speaker 2: That guy he's a firecracker.

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Speaker 3: Yeah, that's true.

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Speaker 2: Yeah, he tells it like it is. He's one of

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Speaker 2: my favorite bailiffs.

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Speaker 3: His name's Rusty.

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Speaker 2: He's Rusty. Also, you have no choice when your name's Rusty.

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Speaker 2: You're either a bailiff or a truck driver.

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Speaker 3: Yep, yeah, or the tin man.

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Speaker 2: Yes. Have I watched the documentary about how the set

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Speaker 2: of The Wizard of Oz was cursed? Why?

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Speaker 6: Yes?

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Speaker 2: I have?

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Speaker 3: Oh did you see the thing?

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Speaker 4: It looks like someone swinging from a tree in the background,

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Speaker 4: and the rumor was that someone killed themselves, but the

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Speaker 4: truth of it was it was just a bird walking through.

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Speaker 2: Well, it was something hanging, and they let you think

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Speaker 2: maybe it was, but it was not a munchkin actor.

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Speaker 2: The munchkins were what they were called in the TV show.

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Speaker 2: I don't believe that's a slight. It's from a TV show.

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Speaker 2: They put a bird in there to cover the shadow.

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Speaker 2: They superposed a beautiful bird to cover that shadow. Oh

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Speaker 2: and one of the people in the documentary is Neil Hamburger.

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Speaker 2: What's his real names? Greg, Greg Turkenton.

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Speaker 3: I believe, okay, he.

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Speaker 2: Is like a video buff and he has a VHS

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Speaker 2: of the very rare copy where they don't have the

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Speaker 2: bird covering up. Oh what very much looks like a

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Speaker 2: human form hanging, and so they kind of leave it open.

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Speaker 2: But someone saying, ah, it's a sandbag that fell off

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Speaker 2: a girder, but man, it looks like a person to me. Yeah,

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Speaker 2: And so it's it's very much. It hasn't been debunked

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Speaker 2: like the you know, the cardboard cutout. We grew up

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Speaker 2: fearing and free men and a baby, but so many

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Speaker 2: things happened, and it did debunk the the model painted

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Speaker 2: gold that I've always thought died because in the closing

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Speaker 2: finger apparently that didn't happen. But the guy who played

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Speaker 2: the tin man Rusty as you like to call him.

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Speaker 2: He actually was very ill and it was because they

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Speaker 2: were putting silver spray paint on him.

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Speaker 3: Yeah, he.

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Speaker 2: Was sickly his whole life. Oh yeah, there's a lot

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Speaker 2: of that in movie another Russian movie where people were

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Speaker 2: like laying. They were doing a lot of shoots in

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Speaker 2: this toxic water like Chernobyl water. Oh and and they

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Speaker 2: all these actors had died that were acted in this

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Speaker 2: film that is apparently Tarkowski or some filmmaker classic. It

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Speaker 2: was really interesting. So watch that if you're looking for

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Speaker 2: more TV to watch, uh, to then talk.

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Speaker 4: About, because there there's another one where it was the

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Speaker 4: there's a John Wayne movie that they filmed in the

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Speaker 4: desert after they did the A bomb tests or then

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Speaker 4: those nuclear tests.

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Speaker 2: Oh you know, there's like that.

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Speaker 4: Footage where the people's like lips are blown back and

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Speaker 4: they have the goggles on right right, and they just

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Speaker 4: they like went out there to intentionally watch the tests.

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Speaker 2: Like New Mexico maybe. Yeah.

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Speaker 4: So they soon after went and filmed a western out there,

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Speaker 4: and you know, John Wayne died of cancer. The the

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Speaker 4: theory is that that a bunch of cast members from

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Speaker 4: that movie got cancer, and the theory is because of that,

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Speaker 4: because it was basically still radioactive and they didn't know.

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Speaker 2: I mean there was so much back then. The little

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Speaker 2: lifts that he put in his boots to make him

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Speaker 2: six ' five, He had little wedges, Oh yeah, those

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Speaker 2: could have been made of lead. So many things. You know,

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Speaker 2: they used to give heroin to as cough syrup to children. Yes,

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Speaker 2: baby's teething, how do you assuthe it? Cocaine and mental

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Speaker 2: cigarettes And that's like the era that you know, our

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Speaker 2: parents grew up in. So yeah, I'm happy we have

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Speaker 2: our dads. It's my point.

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Speaker 4: It's pretty nice. Yes, it's pretty It's things have definitely

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Speaker 4: gotten better.

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Speaker 2: Yes, I think so, except now we're all just walking

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Speaker 2: around with like a confetti bushel of microplastics in our skin,

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Speaker 2: and it's.

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Speaker 3: Making us mispronounce easy to pronounce.

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Speaker 2: Yes, yes, certainly. Uh did I say some petty wrong? Yeah?

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Speaker 3: What is top?

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Speaker 2: Yeah? I there's different things that we need to worry about,

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Speaker 2: but at least it's not you know, actual carcinogens.

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Speaker 4: I have another creepy one. I covered this on a

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Speaker 4: very early episode of My Favorite Murder. The set of

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Speaker 4: the Exorcist there's this Do you remember the part of

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Speaker 4: the Exorcist where the mother takes Reagan to the hospital

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Speaker 4: to get her looked at, and they like have her

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Speaker 4: in an MRI machine and it's really scary and weird and.

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Speaker 3: Like, I don't know, you want to remember maybe not.

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Speaker 3: I it's great.

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Speaker 2: This whole time I've been thinking of Poltergeist. I don't

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Speaker 2: think I really ever watched the ex Oh you got it.

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Speaker 3: It's so scary. It is such a good movie.

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Speaker 4: It's like Rosemary's Baby where you're like, oh my god,

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Speaker 4: I feel like I want to start screaming, and it's

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Speaker 4: purely just the filmmaking.

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Speaker 3: It's not like cause a knife is coming at you

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Speaker 3: right right.

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Speaker 2: I did just watch that and it's very scary.

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Speaker 3: Oh, it's so good.

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Speaker 4: And apparently Mia Farrow I just heard this on TikTok.

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00:16:14,120 --> 00:16:17,800
Speaker 4: Mia Farrow cut that hair that was not She did

303
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Speaker 4: that as a fuck you to Frank Sinatra, who was

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Speaker 4: her husband at the time. That haircut was not a

305
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Speaker 4: plan and it turned into like the haircut of the era.

306
00:16:27,520 --> 00:16:31,240
Speaker 4: Oh wow, yeah, but it was actually nobody wanted her

307
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Speaker 4: to do it and that wasn't the plan, but she

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Speaker 4: did it anyway.

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Speaker 3: Like basically just almost shaved her head. It was such

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Speaker 3: short hair.

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Speaker 2: Wow. And then a new actress in Los Angeles saw

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Speaker 2: that movie cut her hair. Bam. She was the mom

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Speaker 2: on the Brady Bunch Boom, same hair.

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Speaker 3: Thank you, Florence Henderson, but Lawrence, thank you.

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Speaker 4: The scary thing I'm going to tell you about The

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Speaker 4: Exorcist is when Reagan's in the hospital getting the MRI,

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00:16:53,360 --> 00:16:56,400
Speaker 4: there is a MRI like technician, an X ray tech

318
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Speaker 4: that's in the room with her.

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Speaker 3: He was a serial killer.

320
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Speaker 2: Oh wow.

321
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Speaker 3: And they find out.

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Speaker 2: Afterwards, Oh, that's so scary.

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Speaker 3: Isn't that insane?

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Speaker 4: He's just a creepy blonde guy that's standing there, and

325
00:17:07,480 --> 00:17:09,800
Speaker 4: it's like, oh, that guy ends up killing a bunch of.

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Speaker 2: Oh you you would love this show. And actually one

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Speaker 2: of the episodes does mention Rosemary's baby a bunch the

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Speaker 2: things that were wrong on that set.

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Speaker 3: Oh. So it's like a TV show of creepy Yeah.

330
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Speaker 2: It's it's each each episode focuses on a different movie.

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Speaker 2: It was really good.

332
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Speaker 3: And what channel did you say it was on?

333
00:17:31,200 --> 00:17:33,720
Speaker 2: And all the music and it is made by ways

334
00:17:33,840 --> 00:17:38,200
Speaker 2: Blood a band, Oh very much like I love her. Yeah. Yeah,

335
00:17:38,400 --> 00:17:42,199
Speaker 2: it's mostly instrumental. So that's how I found out ways

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00:17:42,240 --> 00:17:45,119
Speaker 2: Blood wasn't just a person, It's an entire band.

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Speaker 3: I thought that was her name.

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Speaker 2: I know, I know me too. I mean, who does

339
00:17:50,880 --> 00:17:52,199
Speaker 2: him on the last name blood?

340
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Speaker 3: Ways? Where it was like ways Blood?

341
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Speaker 4: She must be like a blue blood from Yeah, like

342
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Speaker 4: the East Coast.

343
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Speaker 2: Yes of the Charles Fredrick Blood.

344
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Speaker 3: The band is named Way's Blood.

345
00:18:05,440 --> 00:18:05,680
Speaker 2: Yeah.

346
00:18:05,920 --> 00:18:08,440
Speaker 3: I have to tell my friend Bradford that. I wonder

347
00:18:08,480 --> 00:18:09,040
Speaker 3: if he knows.

348
00:18:09,480 --> 00:18:13,320
Speaker 2: Yeah, it's there. I learned so much, and that is

349
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Speaker 2: to never feel safe even on set.

350
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Speaker 4: No, and certainly never feel safe having a casual conversation

351
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Speaker 4: about bands.

352
00:18:21,200 --> 00:18:24,560
Speaker 2: Oh no, someone will get very angry.

353
00:18:24,359 --> 00:18:30,719
Speaker 3: Someone will be wronged. But sorry, what channel is that

354
00:18:30,760 --> 00:18:31,280
Speaker 3: show on?

355
00:18:31,800 --> 00:18:36,000
Speaker 2: I should know that, But it's one of the big.

356
00:18:35,960 --> 00:18:39,040
Speaker 3: Three Hulu, Netflix, Amazon Prime.

357
00:18:39,240 --> 00:18:43,920
Speaker 2: Thank you. You can go to your TV and just search,

358
00:18:44,920 --> 00:18:48,639
Speaker 2: you know, the same place you find apps and just

359
00:18:48,760 --> 00:18:51,359
Speaker 2: type and it'll tell you all the different places you

360
00:18:51,400 --> 00:18:51,959
Speaker 2: can watch.

361
00:18:52,119 --> 00:18:55,399
Speaker 3: What's the name of the show, E It would be hard.

362
00:18:56,240 --> 00:18:57,400
Speaker 2: I swear it exists.

363
00:18:57,520 --> 00:18:58,440
Speaker 3: Cursed on a set.

364
00:18:58,800 --> 00:19:03,439
Speaker 2: It is cursed. Cursed movies, I think cursed films, curse films.

365
00:19:03,760 --> 00:19:05,760
Speaker 2: The word cursed type in cursed.

366
00:19:06,720 --> 00:19:09,280
Speaker 3: See what happens, get back to us next week.

367
00:19:09,200 --> 00:19:12,000
Speaker 2: And spell a wrong and accidentally watch a bunch of

368
00:19:12,080 --> 00:19:19,920
Speaker 2: Kirsty Alley movies which we're coming up on near her

369
00:19:20,080 --> 00:19:21,280
Speaker 2: old house by the way.

370
00:19:21,440 --> 00:19:22,080
Speaker 3: How do you know?

371
00:19:22,280 --> 00:19:24,840
Speaker 2: Oh, I golfed by it. I've noticed they've been working

372
00:19:24,880 --> 00:19:30,119
Speaker 2: on it about seven years. It has eight air conditioning

373
00:19:30,240 --> 00:19:33,760
Speaker 2: units on it. It has an alarm that scares away

374
00:19:33,800 --> 00:19:37,080
Speaker 2: coyotes because she had rabbits and other animals. I believe

375
00:19:37,160 --> 00:19:41,399
Speaker 2: lamas okay, it is? It is. It was pink like

376
00:19:41,440 --> 00:19:49,399
Speaker 2: a Pueblo style with the clay shingles, and they've really

377
00:19:49,440 --> 00:19:52,439
Speaker 2: modernized it. But I don't know. I haven't talked to

378
00:19:52,600 --> 00:19:55,399
Speaker 2: whoever's in charge, but they've been working on it.

379
00:19:55,440 --> 00:19:57,520
Speaker 3: Could you call them for years and years?

380
00:19:57,600 --> 00:20:00,000
Speaker 2: I do have his phone number, I just can't remember

381
00:20:00,280 --> 00:20:00,680
Speaker 2: his name.

382
00:20:02,600 --> 00:20:03,679
Speaker 3: Is it waste blood?

383
00:20:03,960 --> 00:20:08,399
Speaker 2: Every time I golf with Vincent CJ on the eighth hole,

384
00:20:08,560 --> 00:20:12,000
Speaker 2: you always see the Christy Alley house and that's when

385
00:20:12,040 --> 00:20:14,760
Speaker 2: CJ gives he's done a lot of research in whoever

386
00:20:14,760 --> 00:20:17,440
Speaker 2: we're golfing with, he will give them a little tour

387
00:20:17,480 --> 00:20:19,840
Speaker 2: of it. Oh and it's a fun little tradition.

388
00:20:20,359 --> 00:20:23,280
Speaker 4: Got you that, so we really have CJ to think

389
00:20:23,320 --> 00:20:25,280
Speaker 4: this is like what your sister was talking about.

390
00:20:25,480 --> 00:20:27,080
Speaker 3: Yes, it's CJ's information.

391
00:20:27,200 --> 00:20:31,879
Speaker 2: It was me until I finally added the bibliography of

392
00:20:31,920 --> 00:20:32,439
Speaker 2: my story.

393
00:20:33,440 --> 00:20:33,800
Speaker 3: C J.

394
00:20:33,960 --> 00:20:37,159
Speaker 2: Sullivan. He's your go to. Everything I know about the

395
00:20:37,240 --> 00:20:39,640
Speaker 2: Christy Alley House I learned from him.

396
00:20:40,040 --> 00:20:43,080
Speaker 4: I'm gonna get your T shirt that says that what

397
00:20:43,400 --> 00:20:45,240
Speaker 4: Why does his name sound so familiar?

398
00:20:45,359 --> 00:20:45,919
Speaker 3: Is he a comic?

399
00:20:46,080 --> 00:20:51,159
Speaker 2: He is a comic and he uh is someone that

400
00:20:52,160 --> 00:20:56,760
Speaker 2: I started golfing with and I like his temperament.

401
00:20:59,040 --> 00:21:03,479
Speaker 6: And so you're gonna not shop and yes, I'm gonna

402
00:21:04,760 --> 00:21:06,960
Speaker 6: just because the way he acts, I'm going to adopt

403
00:21:07,000 --> 00:21:11,800
Speaker 6: a freeway nice and I yeah, I really have become

404
00:21:11,880 --> 00:21:13,359
Speaker 6: really good friends with him, And.

405
00:21:13,440 --> 00:21:15,840
Speaker 4: Vince, would you mind looking up a picture just to

406
00:21:15,920 --> 00:21:18,199
Speaker 4: show it to me? Because it sounds so familiar that

407
00:21:18,240 --> 00:21:20,919
Speaker 4: I'm like, do I actually know this person? And this

408
00:21:21,160 --> 00:21:23,920
Speaker 4: is the day where my brain truly starts to crumble

409
00:21:23,920 --> 00:21:24,760
Speaker 4: inside my skull.

410
00:21:25,320 --> 00:21:27,000
Speaker 2: Oh, okay, I will, I will.

411
00:21:27,359 --> 00:21:29,320
Speaker 3: Did you know him before you started golphing with him?

412
00:21:29,440 --> 00:21:29,640
Speaker 1: Yes?

413
00:21:30,200 --> 00:21:35,160
Speaker 2: And he is someone that helped me get sober, oh,

414
00:21:35,280 --> 00:21:39,320
Speaker 2: just because I saw how it changed him as a person.

415
00:21:39,400 --> 00:21:39,920
Speaker 2: For the better.

416
00:21:40,160 --> 00:21:40,520
Speaker 3: Wow.

417
00:21:41,080 --> 00:21:43,600
Speaker 2: And I don't know that he knows this, but there's

418
00:21:43,640 --> 00:21:49,720
Speaker 2: a business named after him in Nottingham, England. C J.

419
00:21:49,920 --> 00:21:52,119
Speaker 3: Sullivan's I don't know.

420
00:21:52,320 --> 00:21:56,440
Speaker 2: Well, it's a bad picture. He's making a grumpy face.

421
00:21:56,600 --> 00:21:57,200
Speaker 2: There's CJ.

422
00:21:57,440 --> 00:21:58,359
Speaker 3: I don't know CJ.

423
00:21:58,560 --> 00:22:01,680
Speaker 2: Yeah. Yeah, he's great friend of the friend of my life,

424
00:22:01,840 --> 00:22:03,800
Speaker 2: friend of my real life, soon to be friend of

425
00:22:03,800 --> 00:22:04,240
Speaker 2: the show.

426
00:22:04,440 --> 00:22:07,080
Speaker 3: Should he be on the show, of course he should. Okay.

427
00:22:07,160 --> 00:22:12,640
Speaker 2: He does a podcast about sports, and I don't ever know.

428
00:22:12,880 --> 00:22:16,439
Speaker 2: I mean he invents often talk about traditional stick and

429
00:22:16,520 --> 00:22:21,280
Speaker 2: ball based sports and I never can chime in.

430
00:22:21,480 --> 00:22:24,560
Speaker 6: That's when you start going, do the dude, Yeah, I

431
00:22:24,640 --> 00:22:28,320
Speaker 6: start playing blowing dandee lions and catch and trying to

432
00:22:28,400 --> 00:22:30,960
Speaker 6: chase butterflies, you know, because I was that kid.

433
00:22:31,040 --> 00:22:32,440
Speaker 2: That's what I did in the outfield.

434
00:22:32,600 --> 00:22:33,159
Speaker 3: Yeah.

435
00:22:33,280 --> 00:22:35,919
Speaker 4: Oh, look at the somebody put a picture of someone's

436
00:22:35,960 --> 00:22:38,160
Speaker 4: face on the light pole over there.

437
00:22:38,359 --> 00:22:38,960
Speaker 3: Can you see that?

438
00:22:39,920 --> 00:22:43,760
Speaker 2: Light poles are the milk curtains of the streets. But

439
00:22:43,800 --> 00:22:47,639
Speaker 2: I feel like that, Yeah, that that looks promotional. It

440
00:22:47,680 --> 00:22:48,120
Speaker 2: looks like.

441
00:22:48,200 --> 00:22:51,360
Speaker 3: Mark Cohen kind of do you know Mark Conak It does.

442
00:22:51,200 --> 00:22:53,800
Speaker 2: Look like Mark Cohen. Is that Mark Cohen.

443
00:22:53,960 --> 00:22:57,400
Speaker 4: Who put their big face on that light. I'm saying

444
00:22:57,440 --> 00:22:59,400
Speaker 4: light pole. What I mean is the traffic light.

445
00:22:59,800 --> 00:23:04,240
Speaker 2: Yeah, well there's lights on it. It's all. I'll tell

446
00:23:04,280 --> 00:23:06,320
Speaker 2: you what isn't on that poll traffic?

447
00:23:06,440 --> 00:23:08,880
Speaker 3: Traffic. It's cleared it up.

448
00:23:09,359 --> 00:23:13,119
Speaker 2: Yeah. So yeah, I think that was just there's a

449
00:23:13,160 --> 00:23:17,280
Speaker 2: lot of you know, people have been posting bills.

450
00:23:18,160 --> 00:23:20,760
Speaker 3: And is that bill? That is Bill?

451
00:23:21,200 --> 00:23:25,359
Speaker 2: Bill Cohen. I don't think that Mark Cohen knows about

452
00:23:25,359 --> 00:23:29,720
Speaker 2: his son Bill, but it's time to tell him. Mark

453
00:23:29,720 --> 00:23:33,000
Speaker 2: Cohen is one of those comics that I got to

454
00:23:33,080 --> 00:23:39,000
Speaker 2: know through our friend Henry Phillips, and he is off

455
00:23:39,119 --> 00:23:44,520
Speaker 2: stage riffing, much like Todd Glass. Uh. You want to

456
00:23:44,560 --> 00:23:47,199
Speaker 2: play along, but you can't keep up, and you just

457
00:23:47,240 --> 00:23:49,560
Speaker 2: want to see where he goes on his own. Yes,

458
00:23:49,640 --> 00:23:55,439
Speaker 2: and so I just giggle almost, Oh what the fuck

459
00:23:55,800 --> 00:23:59,280
Speaker 2: that's I guess you could run into that. But it's

460
00:23:59,320 --> 00:24:01,720
Speaker 2: a bag of jagged materials.

461
00:24:01,840 --> 00:24:03,919
Speaker 3: I mean, that's someone's garbage in the lane.

462
00:24:04,280 --> 00:24:08,320
Speaker 2: Yeah. Luckily I think it was cardboard at first, but.

463
00:24:08,560 --> 00:24:11,080
Speaker 3: It could have been baby birds inside.

464
00:24:10,720 --> 00:24:17,159
Speaker 2: The cardboard exactly recently hatched, still alive and it boxed up.

465
00:24:17,800 --> 00:24:22,280
Speaker 2: There are there? You know you mentioned animals? Why do

466
00:24:22,359 --> 00:24:22,960
Speaker 2: I go there.

467
00:24:23,080 --> 00:24:25,920
Speaker 4: I mean, well, but it's because I was implying it,

468
00:24:25,960 --> 00:24:28,240
Speaker 4: but then you actually put it into words. But I

469
00:24:28,320 --> 00:24:31,720
Speaker 4: tricked you, yeah, into going with what I was saying.

470
00:24:31,520 --> 00:24:34,639
Speaker 2: Right, you know about it? But I yes, ANDed and then,

471
00:24:35,680 --> 00:24:38,520
Speaker 2: but I do want to go somewhere where I think

472
00:24:38,560 --> 00:24:41,720
Speaker 2: of animals having a great future ahead of them.

473
00:24:42,800 --> 00:24:45,399
Speaker 4: You would like to go somewhere conversationally that way, or

474
00:24:45,400 --> 00:24:45,800
Speaker 4: you would like.

475
00:24:45,800 --> 00:24:49,840
Speaker 2: To actually mentally and then and then therefore conversational, Okay,

476
00:24:49,840 --> 00:24:51,879
Speaker 2: I'd like to go to a place where I only

477
00:24:52,119 --> 00:24:54,560
Speaker 2: have good things to say about the future of animals.

478
00:24:54,560 --> 00:24:57,520
Speaker 2: But I fear it's out of it, it's out of

479
00:24:57,560 --> 00:25:00,760
Speaker 2: caring for them. Sure, we live in a doggy dog

480
00:25:01,040 --> 00:25:04,240
Speaker 2: literal world. Dogs are eating dogs, It's what I'm saying.

481
00:25:04,440 --> 00:25:09,720
Speaker 3: Where in the streets, No, what streets?

482
00:25:09,880 --> 00:25:13,440
Speaker 2: Wild shows that I watched that are after a war happens,

483
00:25:13,520 --> 00:25:17,160
Speaker 2: dogs take over, But I'm sure it happens occasionally out

484
00:25:17,200 --> 00:25:18,800
Speaker 2: in the streets.

485
00:25:20,160 --> 00:25:22,200
Speaker 3: And a dog just eats another dog.

486
00:25:22,520 --> 00:25:24,960
Speaker 2: Yeah. See, it's it's actually.

487
00:25:25,240 --> 00:25:29,960
Speaker 3: It's pretty enjoyable. It's not the worst thing. No, there's definitely.

488
00:25:29,600 --> 00:25:31,639
Speaker 2: Worse because it's not based in reality.

489
00:25:32,200 --> 00:25:36,119
Speaker 4: Because you've got to picture a really small dog like

490
00:25:36,160 --> 00:25:39,760
Speaker 4: a chihuahua eating like a golden lab That's hilarious.

491
00:25:40,280 --> 00:25:44,920
Speaker 2: Was it just a joke that I believe Paton Oswald

492
00:25:45,080 --> 00:25:49,840
Speaker 2: told or maybe a video that clearly has been doctored,

493
00:25:50,000 --> 00:25:54,040
Speaker 2: But someone witnessed, and I'm sure it's happened. A giant

494
00:25:54,080 --> 00:26:01,560
Speaker 2: bird carrying a barking dog, like a tiny dog that

495
00:26:01,680 --> 00:26:05,240
Speaker 2: was in Paris Hilton's purse. No, the dog was like

496
00:26:05,280 --> 00:26:10,399
Speaker 2: we burnt and the birds rested it down on a

497
00:26:10,440 --> 00:26:15,000
Speaker 2: little cedar chip bed. Oh yeah, that's how it ends. Okay, great,

498
00:26:15,080 --> 00:26:16,200
Speaker 2: see I'm getting better.

499
00:26:16,560 --> 00:26:18,600
Speaker 3: You really are making huge improvements.

500
00:26:18,600 --> 00:26:22,600
Speaker 2: Well, you know what happens I mean with this show

501
00:26:22,680 --> 00:26:25,639
Speaker 2: is based in a place called reality, and birds are

502
00:26:25,680 --> 00:26:28,920
Speaker 2: out there, giant eagles, they're picking up rabbits and stuff.

503
00:26:29,240 --> 00:26:33,320
Speaker 2: And then they're in the city. There's coyotes out here too. Yep,

504
00:26:33,680 --> 00:26:36,919
Speaker 2: things happen. Little dogs get picked up by big birds.

505
00:26:37,160 --> 00:26:40,280
Speaker 4: I live in the fear of this because I don't

506
00:26:40,320 --> 00:26:43,679
Speaker 4: think anyone, any coyote or anybody is gonna touch Frank

507
00:26:44,200 --> 00:26:46,879
Speaker 4: because he's from the streets and he right, you just

508
00:26:46,960 --> 00:26:49,720
Speaker 4: know not to go near Frank as a animal of prey.

509
00:26:50,400 --> 00:26:53,359
Speaker 3: But my baby Blossom who's scared of everything. It's like

510
00:26:53,480 --> 00:26:54,720
Speaker 3: my constant fear.

511
00:26:55,080 --> 00:26:56,840
Speaker 4: Yeah, because I have to leave the house and leave

512
00:26:56,880 --> 00:26:58,679
Speaker 4: the door open so they can pee and stuff. And

513
00:26:58,680 --> 00:27:02,760
Speaker 4: then it's like hope, I hope nothing kills awesome today.

514
00:27:02,840 --> 00:27:08,639
Speaker 2: Yeah, it's it's worth thinking about. I've been very seriously

515
00:27:08,840 --> 00:27:14,520
Speaker 2: thinking about a cat that I've I just have my

516
00:27:14,600 --> 00:27:17,280
Speaker 2: eye on this cat that's being fostered and I but

517
00:27:17,400 --> 00:27:20,320
Speaker 2: I keep worrying about things that could go wrong, or

518
00:27:20,359 --> 00:27:24,280
Speaker 2: if I can provide the best cat place. Because Los

519
00:27:24,320 --> 00:27:28,320
Speaker 2: Angeles is riddled with coyotes, and unlike dogs, they don't

520
00:27:28,320 --> 00:27:34,080
Speaker 2: care if you're confident, no coyotes will mad dog you

521
00:27:35,080 --> 00:27:38,359
Speaker 2: in the as a human holding a golf club. They

522
00:27:38,359 --> 00:27:40,720
Speaker 2: will come up and go, oh yeah, what are you

523
00:27:40,760 --> 00:27:41,600
Speaker 2: going to do about it?

524
00:27:41,800 --> 00:27:43,679
Speaker 3: Sir? It's my side of the street.

525
00:27:43,920 --> 00:27:47,000
Speaker 2: It was a car in our lane coming at us,

526
00:27:47,080 --> 00:27:51,119
Speaker 2: a white camera, an eighty nine license plate six seven

527
00:27:51,240 --> 00:27:56,920
Speaker 2: two C three D one seven. Sorry, get them, get them,

528
00:27:57,000 --> 00:28:00,320
Speaker 2: get them. That would be a weird way to get sued.

529
00:28:00,200 --> 00:28:03,840
Speaker 4: Just a weird grassroots podcast attack where people are like, well,

530
00:28:04,160 --> 00:28:05,600
Speaker 4: I tried to look it up online.

531
00:28:05,640 --> 00:28:06,920
Speaker 3: I don't know what you want me to do.

532
00:28:07,200 --> 00:28:09,680
Speaker 2: Yeah, just send him a nasty message.

533
00:28:11,520 --> 00:28:12,399
Speaker 3: That's the one though.

534
00:28:12,800 --> 00:28:16,080
Speaker 4: I get real offended when people do it coming at

535
00:28:16,119 --> 00:28:17,479
Speaker 4: me on the wrong side of the road, But I

536
00:28:17,520 --> 00:28:18,120
Speaker 4: fucking do it.

537
00:28:18,040 --> 00:28:18,520
Speaker 3: All the time.

538
00:28:18,800 --> 00:28:24,560
Speaker 2: Yeah, it's something we all need to remember. Whatever infraction

539
00:28:25,040 --> 00:28:29,640
Speaker 2: or a non courtesy someone gives you out on the road,

540
00:28:30,040 --> 00:28:33,560
Speaker 2: Oh chances are you've done it. Yes, unless it's that

541
00:28:33,800 --> 00:28:41,960
Speaker 2: goddamn intersection drifting something that my phone decided I want

542
00:28:41,960 --> 00:28:45,959
Speaker 2: to see. Maybe it's because I keep mentioning it on

543
00:28:46,000 --> 00:28:46,760
Speaker 2: this podcast.

544
00:28:46,880 --> 00:28:50,920
Speaker 4: You mean, like, first of all, really quick, there's a

545
00:28:50,960 --> 00:28:53,959
Speaker 4: sign there. Adam Shift's office is right down the street.

546
00:28:54,680 --> 00:28:56,000
Speaker 2: Let me go Adam B.

547
00:28:56,160 --> 00:28:59,560
Speaker 4: Shift, Congressman twenty district District office. And then there's an

548
00:28:59,680 --> 00:29:02,360
Speaker 4: arrow and there's a narrow there. Look, there's another sign.

549
00:29:02,200 --> 00:29:03,240
Speaker 3: Over there you can go in.

550
00:29:03,800 --> 00:29:08,200
Speaker 2: Yeah, it's telling you that it's right at fifty five hundred.

551
00:29:08,960 --> 00:29:09,680
Speaker 3: That's weird.

552
00:29:10,360 --> 00:29:15,479
Speaker 2: Yeah, So contact Adam B. Schiff and tell him. Let

553
00:29:15,560 --> 00:29:22,200
Speaker 2: him know white Toyota Cameron license plate. Yeah, what do

554
00:29:22,280 --> 00:29:24,240
Speaker 2: we know about Shiff? We should know about our.

555
00:29:24,160 --> 00:29:26,480
Speaker 3: Life, yift is, we do know a little bit about it.

556
00:29:27,000 --> 00:29:31,800
Speaker 4: He was running for senate State Senate. You've got to

557
00:29:31,840 --> 00:29:34,800
Speaker 4: be fucking kidding. Me, all of you.

558
00:29:35,320 --> 00:29:38,840
Speaker 2: Right, this I've never done. I've actually oh and now

559
00:29:38,840 --> 00:29:40,200
Speaker 2: they're just driving into people.

560
00:29:40,760 --> 00:29:44,440
Speaker 4: Okay, yeah, that was a bad one, that people taking left,

561
00:29:44,840 --> 00:29:47,680
Speaker 4: taking a left instead of waiting at the red right.

562
00:29:47,760 --> 00:29:50,640
Speaker 2: I've actually, I'm gonna say, I don't ever do that.

563
00:29:50,840 --> 00:29:54,480
Speaker 2: I've annoyed people my whole life by stopping at a yellow. Yes,

564
00:29:54,640 --> 00:30:00,640
Speaker 2: you have to, Yeah, Schiff was did you say comtroll Shift?

565
00:30:00,920 --> 00:30:06,880
Speaker 4: He's a state com patroller. Shift was running against Katie Porter. Uh,

566
00:30:07,480 --> 00:30:10,400
Speaker 4: I don't remember what happened. That's it feels like eight

567
00:30:10,480 --> 00:30:12,800
Speaker 4: hundred years ago, and it was just like recently.

568
00:30:14,200 --> 00:30:14,720
Speaker 3: Did he win?

569
00:30:15,040 --> 00:30:19,040
Speaker 5: So he's going on to run against a republic in November.

570
00:30:19,120 --> 00:30:21,480
Speaker 3: So okay, Katie Porter didn't win that.

571
00:30:21,800 --> 00:30:25,920
Speaker 4: No, I know I voted for her. But he's good too.

572
00:30:26,200 --> 00:30:28,760
Speaker 4: You know, it's like that was a six to one situation.

573
00:30:29,200 --> 00:30:33,480
Speaker 2: Yeah, it's you can be almost We live in a

574
00:30:33,480 --> 00:30:35,479
Speaker 2: bit of a bubble in Los Angeles where you can

575
00:30:35,520 --> 00:30:38,440
Speaker 2: be kind of hands off if you you can look

576
00:30:38,440 --> 00:30:41,800
Speaker 2: at the specifics and realize, no, we still got some

577
00:30:41,840 --> 00:30:44,880
Speaker 2: weirdos here. Yes, a word that's being thrown around a walk.

578
00:30:45,000 --> 00:30:48,040
Speaker 3: Hey, oh, it's another white car in my lane.

579
00:30:48,120 --> 00:30:53,360
Speaker 2: Well, actually I do. That was before it became your lane.

580
00:30:53,480 --> 00:30:54,280
Speaker 3: Oh that's true.

581
00:30:54,760 --> 00:30:56,560
Speaker 2: Now I'm just looking for to see. That was an

582
00:30:56,600 --> 00:30:58,640
Speaker 2: example of we all do it.

583
00:31:00,920 --> 00:31:01,480
Speaker 3: Be fair.

584
00:31:03,920 --> 00:31:07,320
Speaker 2: We're getting klouse, are we? God damn it, it's okay.

585
00:31:07,480 --> 00:31:09,960
Speaker 3: I thought I was wrong. I was gonna turn that way,

586
00:31:09,960 --> 00:31:10,760
Speaker 3: and I thought I was wrong.

587
00:31:10,920 --> 00:31:14,840
Speaker 2: What if we did or just nope, that's not naley.

588
00:31:15,720 --> 00:31:20,240
Speaker 2: But we do this just to do a little turnaround. Yeah,

589
00:31:20,400 --> 00:31:22,560
Speaker 2: do this in three or four points.

590
00:31:23,040 --> 00:31:24,920
Speaker 3: I'm going to do it. I think I can get

591
00:31:24,920 --> 00:31:25,920
Speaker 3: it done in three points.

592
00:31:26,040 --> 00:31:28,760
Speaker 2: Yeah, I say you drop pennagram.

593
00:31:29,840 --> 00:31:33,360
Speaker 3: Ugh, this isn't ideal.

594
00:31:33,600 --> 00:31:35,640
Speaker 2: This This person, of course, wants to be where the

595
00:31:35,720 --> 00:31:38,560
Speaker 2: minute you want to turn around in someone's driveway.

596
00:31:38,280 --> 00:31:39,000
Speaker 3: Is anyone gonna?

597
00:31:40,800 --> 00:31:44,360
Speaker 2: I think you're good? They just show up, thank you?

598
00:31:44,440 --> 00:31:47,400
Speaker 2: Sorry urgently. Oh he's not happy here.

599
00:31:47,560 --> 00:31:48,960
Speaker 3: I mean, I don't care if he's happy or.

600
00:31:48,920 --> 00:31:52,760
Speaker 2: Not to bags filled with ice cream. He's got to

601
00:31:52,800 --> 00:31:53,400
Speaker 2: get in there.

602
00:31:53,760 --> 00:31:56,479
Speaker 4: The thing is, guys, it's not a very wide street

603
00:31:56,640 --> 00:31:58,000
Speaker 4: and we all have to be on it.

604
00:31:58,320 --> 00:32:07,080
Speaker 2: Yeah, God damn goddamn. Anyway, don't worry about your.

605
00:32:07,000 --> 00:32:10,000
Speaker 3: Pets or adam shift right.

606
00:32:10,560 --> 00:32:16,000
Speaker 4: That's over. I've had your chance to worry about that. Yeah,

607
00:32:17,240 --> 00:32:17,840
Speaker 4: is that them?

608
00:32:18,320 --> 00:32:22,280
Speaker 2: I think it might be today's guest. I'm very excited.

609
00:32:22,720 --> 00:32:25,800
Speaker 2: You know today's guests from their work at clubs and

610
00:32:25,920 --> 00:32:31,640
Speaker 2: colleges throughout the country. I'm starting too early. It's a

611
00:32:31,680 --> 00:32:46,040
Speaker 2: common mistake. Everyone put your ears together for everywhere we're in. Yeah,

612
00:32:46,080 --> 00:32:48,040
Speaker 2: it's it's the immediacy.

613
00:32:48,560 --> 00:32:51,360
Speaker 3: This is the most daunting thing I've seen in my life.

614
00:32:51,480 --> 00:32:55,080
Speaker 3: White seats in the back of a beautiful Tesla. Is

615
00:32:55,120 --> 00:32:57,080
Speaker 3: that doxing you guys in any way to take care

616
00:32:57,120 --> 00:32:59,000
Speaker 3: of No, it's too late, it's all out. It's all

617
00:32:59,400 --> 00:33:00,360
Speaker 3: it's all come out already.

618
00:33:00,480 --> 00:33:02,600
Speaker 2: I mentioned the white seats constantly.

619
00:33:03,000 --> 00:33:03,880
Speaker 3: I love that fan.

620
00:33:05,920 --> 00:33:09,000
Speaker 2: I am a big fan me too, but that it

621
00:33:09,000 --> 00:33:10,160
Speaker 2: would have been horrible.

622
00:33:09,800 --> 00:33:14,120
Speaker 3: To hear you were both foes alone alone with this.

623
00:33:14,920 --> 00:33:18,520
Speaker 3: Is this your car, Karen? It is? Yeah, Okay, it's beautiful.

624
00:33:18,640 --> 00:33:21,280
Speaker 3: Oh congratulations, I mean, thank you very much.

625
00:33:21,400 --> 00:33:25,360
Speaker 2: Karen has mixed feelings about the Tesla company.

626
00:33:25,400 --> 00:33:29,640
Speaker 4: Of course, I got it before the Nazism really started

627
00:33:29,640 --> 00:33:30,280
Speaker 4: to shine through.

628
00:33:30,400 --> 00:33:35,320
Speaker 3: For your post X, I believe pre okay still.

629
00:33:35,120 --> 00:33:39,000
Speaker 2: Twitter days you should laminate and show your title to people.

630
00:33:39,080 --> 00:33:41,920
Speaker 3: Just improvement with the date. Yeah, I think that's a

631
00:33:41,920 --> 00:33:44,320
Speaker 3: great idea. Maybe take it to the windshield just in case.

632
00:33:44,640 --> 00:33:47,440
Speaker 2: Yeah, right side of history arrow.

633
00:33:49,280 --> 00:33:52,440
Speaker 4: Refer to this if you have any questions about who

634
00:33:52,520 --> 00:33:53,120
Speaker 4: I am.

635
00:33:53,000 --> 00:33:54,680
Speaker 3: And just your phone number in case people sort of

636
00:33:54,680 --> 00:33:57,680
Speaker 3: want to chat about it quick text you want if

637
00:33:57,680 --> 00:33:59,480
Speaker 3: you want any confirmation. How are you?

638
00:34:00,080 --> 00:34:02,400
Speaker 1: I'm doing great, happy to be here. Fun being a

639
00:34:02,440 --> 00:34:04,440
Speaker 1: passenger in a car. I'm a perpetual driver.

640
00:34:05,040 --> 00:34:05,760
Speaker 3: Yeah, welcome.

641
00:34:06,080 --> 00:34:09,319
Speaker 2: Yeah. I think you'll or at least I noticed. When

642
00:34:09,320 --> 00:34:13,560
Speaker 2: I'm a passenger, I am discovering Los Angeles for the first.

643
00:34:13,320 --> 00:34:14,400
Speaker 3: Time looking around.

644
00:34:14,600 --> 00:34:17,360
Speaker 2: Yeah, it's really fun. You're looking at roofs.

645
00:34:17,880 --> 00:34:21,600
Speaker 3: You're constantly looking at roofs. I'm finding out myself too.

646
00:34:22,040 --> 00:34:24,279
Speaker 2: I gaze up as I drive. You know, I was

647
00:34:24,360 --> 00:34:27,560
Speaker 2: on the street being a passenger. It's your chance to

648
00:34:27,760 --> 00:34:31,000
Speaker 2: just check out these rooms.

649
00:34:33,560 --> 00:34:34,319
Speaker 3: I love that.

650
00:34:34,520 --> 00:34:37,120
Speaker 1: I love that attitude, and I'm gonna start bringing that

651
00:34:37,400 --> 00:34:39,320
Speaker 1: energy to more things.

652
00:34:39,480 --> 00:34:42,080
Speaker 3: I think I really love that. I'm doing well. I'm

653
00:34:42,080 --> 00:34:43,880
Speaker 3: happy to be here. Thank you so much for having me,

654
00:34:44,160 --> 00:34:44,640
Speaker 3: of course.

655
00:34:44,800 --> 00:34:48,239
Speaker 2: Yeah, I was very excited that we're having you. I've

656
00:34:48,840 --> 00:34:54,319
Speaker 2: I am a fan. I think I stumbled across. The

657
00:34:54,360 --> 00:34:59,120
Speaker 2: first thing I saw was you interviewing Jordan Rubin with

658
00:34:59,160 --> 00:35:01,400
Speaker 2: the Ventriloquist Stummy.

659
00:35:01,560 --> 00:35:03,600
Speaker 3: Oh Josh, yes, Josh.

660
00:35:03,600 --> 00:35:11,680
Speaker 2: Yeah, yeah, Josh with the Ventriloquist Stummy. And I you

661
00:35:11,719 --> 00:35:14,880
Speaker 2: know that first edit like kind of described very well

662
00:35:15,000 --> 00:35:17,480
Speaker 2: what that show. Very interesting people.

663
00:35:17,480 --> 00:35:20,160
Speaker 3: It's called very important people, very important for the part.

664
00:35:20,400 --> 00:35:25,319
Speaker 2: I'm so good nailing and this is a shot in

665
00:35:25,360 --> 00:35:28,040
Speaker 2: the dark, but it's called very important people.

666
00:35:28,120 --> 00:35:31,760
Speaker 3: That's it. Take wonder. That's what I've been saying.

667
00:35:32,160 --> 00:35:35,720
Speaker 2: And I think that I told I was talking about

668
00:35:35,760 --> 00:35:38,680
Speaker 2: it and showing it to enough people that my phone

669
00:35:38,800 --> 00:35:44,680
Speaker 2: then started showing me everything you've been doing and introduced

670
00:35:44,680 --> 00:35:46,040
Speaker 2: me to drop Out TV.

671
00:35:46,400 --> 00:35:48,800
Speaker 3: Absolutely huge for me. Thank you so much. I really

672
00:35:48,800 --> 00:35:49,600
Speaker 3: appreciate it.

673
00:35:49,960 --> 00:35:50,359
Speaker 2: So cool.

674
00:35:50,480 --> 00:35:53,160
Speaker 1: Yeah, and I'm such a fan. You're from Minnesota? Is

675
00:35:53,200 --> 00:35:53,640
Speaker 1: that correct?

676
00:35:53,719 --> 00:35:58,600
Speaker 2: I am actually and people think Montana is the mid Yeah,

677
00:35:58,680 --> 00:36:01,799
Speaker 2: they very But what people don't know, and maybe that's

678
00:36:01,800 --> 00:36:05,160
Speaker 2: why they're thinking this, there was an in state tuition deal.

679
00:36:05,600 --> 00:36:10,360
Speaker 2: People from Montana could play in state tuition in Minnesota. Minnesota.

680
00:36:10,600 --> 00:36:13,080
Speaker 1: And you know where I went wrong is your IMDb

681
00:36:13,200 --> 00:36:15,560
Speaker 1: says you're from the big the big Sky state.

682
00:36:15,800 --> 00:36:17,839
Speaker 3: Is that what it is? Yeah? And I said that

683
00:36:17,960 --> 00:36:19,400
Speaker 3: is Minnesota. Yeah.

684
00:36:19,480 --> 00:36:22,760
Speaker 4: I think that's the effect right where you're just everything's

685
00:36:22,800 --> 00:36:23,880
Speaker 4: Minnesota these days.

686
00:36:23,960 --> 00:36:25,000
Speaker 2: Yeah, yeah, because.

687
00:36:24,800 --> 00:36:25,680
Speaker 3: Everything is Minnesota.

688
00:36:25,680 --> 00:36:27,640
Speaker 1: I also recently found out Minnesota is a part of

689
00:36:27,680 --> 00:36:29,600
Speaker 1: the Midwest, and I said that to somebody and they

690
00:36:29,640 --> 00:36:31,919
Speaker 1: got very upset with me. And it was a good

691
00:36:31,920 --> 00:36:34,040
Speaker 1: faith question, if I'm being honest, Well.

692
00:36:34,000 --> 00:36:37,080
Speaker 2: It is, isn't it that Minnesota is where you think

693
00:36:37,120 --> 00:36:41,000
Speaker 2: of first or mon Yes. I grew up people thinking

694
00:36:41,120 --> 00:36:44,600
Speaker 2: Montana is the Midwest, and I'm like, hey, there's a

695
00:36:44,760 --> 00:36:48,320
Speaker 2: couple of Dakotas that are substantial in size.

696
00:36:48,000 --> 00:36:48,640
Speaker 3: In the middle.

697
00:36:48,960 --> 00:36:49,960
Speaker 2: Yeah.

698
00:36:49,360 --> 00:36:52,920
Speaker 1: I think I'm somebody that I really prided myself. I

699
00:36:52,920 --> 00:36:54,279
Speaker 1: think it was the only thing I had, was like

700
00:36:54,320 --> 00:36:56,520
Speaker 1: being able to memorize state capitals.

701
00:36:56,520 --> 00:36:59,759
Speaker 3: And then I.

702
00:36:58,440 --> 00:37:00,040
Speaker 1: I'm not in front of a map and some but

703
00:37:00,120 --> 00:37:03,640
Speaker 1: he's like, tell me where North Dakota is and I couldn't.

704
00:37:03,880 --> 00:37:05,640
Speaker 1: I couldn't describe it. I couldn't tell you what states

705
00:37:05,640 --> 00:37:07,320
Speaker 1: are around it. It's just sort of an island.

706
00:37:07,560 --> 00:37:07,759
Speaker 6: Yeah.

707
00:37:08,040 --> 00:37:12,680
Speaker 2: Yeah, well, I think that knowing all the capitals, it's

708
00:37:12,800 --> 00:37:16,520
Speaker 2: just a thing that you memorized, and I question someone's

709
00:37:16,800 --> 00:37:20,080
Speaker 2: integrity when they've done that. This is a party trick.

710
00:37:20,520 --> 00:37:25,479
Speaker 3: Huh intro very confrontational, yea guest. No, I'm being called

711
00:37:25,480 --> 00:37:26,279
Speaker 3: out and I love that.

712
00:37:26,560 --> 00:37:29,759
Speaker 2: Actually, I will flip a table and someone says I

713
00:37:29,760 --> 00:37:32,640
Speaker 2: can draw the shape of all the states. That's where

714
00:37:32,680 --> 00:37:34,399
Speaker 2: I cut it off.

715
00:37:34,480 --> 00:37:36,160
Speaker 3: So there we actually do have common ground.

716
00:37:36,280 --> 00:37:41,799
Speaker 2: Yeah, when when I got fake angry about that, I

717
00:37:41,920 --> 00:37:45,839
Speaker 2: forgot you had just said.

718
00:37:45,320 --> 00:37:47,000
Speaker 1: No, it's okay. And to be honest, I'm not very

719
00:37:47,000 --> 00:37:49,200
Speaker 1: good at it. I'm good at it, but there's absolutely

720
00:37:49,560 --> 00:37:51,920
Speaker 1: in any given room there's one person that's better at

721
00:37:51,920 --> 00:37:55,000
Speaker 1: it than me. I'm a solid number two across.

722
00:37:54,680 --> 00:37:59,239
Speaker 2: The boarder, right right, there's someone that uh knows the

723
00:37:59,320 --> 00:38:02,960
Speaker 2: past capitals, Yes, up until seventy eight, which, of course

724
00:38:03,640 --> 00:38:07,520
Speaker 2: they'll talk about some you know, movement that changed things.

725
00:38:08,040 --> 00:38:12,120
Speaker 4: I learned the capitals because my sister memorized the capitals

726
00:38:12,719 --> 00:38:16,479
Speaker 4: by making a tape recording of herself on the brand

727
00:38:16,520 --> 00:38:19,239
Speaker 4: new stereo my parents had just bought that, and it

728
00:38:19,440 --> 00:38:22,520
Speaker 4: came with this microphone you plugged in, and she stood

729
00:38:22,520 --> 00:38:23,560
Speaker 4: there and made.

730
00:38:23,280 --> 00:38:25,600
Speaker 3: A tape and then listened to the tape over and over.

731
00:38:25,760 --> 00:38:26,680
Speaker 3: Oh my gosh.

732
00:38:26,719 --> 00:38:28,720
Speaker 4: So when I'm trying to think of a state capital,

733
00:38:28,880 --> 00:38:32,520
Speaker 4: I can hear my sister. She's like, you know, Alaska,

734
00:38:32,640 --> 00:38:34,520
Speaker 4: she was trying to do like an announcer voice as

735
00:38:34,520 --> 00:38:34,880
Speaker 4: she did it.

736
00:38:35,120 --> 00:38:38,000
Speaker 1: Did she get into podcasting, because that sounds like maybe

737
00:38:38,200 --> 00:38:39,120
Speaker 1: she also should.

738
00:38:38,880 --> 00:38:40,279
Speaker 3: Have gotten into podcasting.

739
00:38:40,480 --> 00:38:43,000
Speaker 4: She probably should have, but I think maybe I was like,

740
00:38:43,160 --> 00:38:45,000
Speaker 4: give me that mic, and so I really had the

741
00:38:45,160 --> 00:38:48,520
Speaker 4: drive to get into podcasting because it was withheld from me.

742
00:38:48,920 --> 00:38:51,120
Speaker 1: Absolutely, you didn't have an opportunity with the mic. So

743
00:38:51,160 --> 00:38:53,560
Speaker 1: you said, the MIC's going to become my personality.

744
00:38:53,040 --> 00:38:54,880
Speaker 3: Right, I was like, I love that.

745
00:38:55,239 --> 00:38:58,400
Speaker 4: Yeah, I'm tired of being this outsider watching my sister

746
00:38:58,440 --> 00:38:59,240
Speaker 4: get all the glory.

747
00:38:59,520 --> 00:39:02,439
Speaker 2: Right. That was a glory. Actually, that was the start

748
00:39:02,520 --> 00:39:06,680
Speaker 2: of my career, is recording my sister, recording me say

749
00:39:06,760 --> 00:39:09,440
Speaker 2: things and playing it back. And that was the funnest

750
00:39:09,480 --> 00:39:09,919
Speaker 2: game ever.

751
00:39:10,239 --> 00:39:10,800
Speaker 3: Is that true?

752
00:39:11,000 --> 00:39:17,040
Speaker 2: Yes? Like what I just making me act things out

753
00:39:17,239 --> 00:39:19,480
Speaker 2: or sing little songs and then we'd listen to the

754
00:39:19,520 --> 00:39:21,400
Speaker 2: recording and it was so exciting. It was like a

755
00:39:21,440 --> 00:39:23,600
Speaker 2: fun game to play with a much older sister.

756
00:39:23,680 --> 00:39:25,280
Speaker 3: Were you the funny one in the family.

757
00:39:26,120 --> 00:39:29,319
Speaker 2: I think I read somewhere actually that you used to

758
00:39:29,880 --> 00:39:33,080
Speaker 2: reenact movie scenes in front of your family, and I

759
00:39:33,160 --> 00:39:36,400
Speaker 2: related that to that very much, because yes, my family

760
00:39:36,880 --> 00:39:40,280
Speaker 2: would have me perform. Oftentimes it was puppets.

761
00:39:40,440 --> 00:39:41,279
Speaker 3: Oh, I love that.

762
00:39:41,480 --> 00:39:44,320
Speaker 2: I thought the show would be promoted throughout the house.

763
00:39:45,000 --> 00:39:49,239
Speaker 2: I'd hide behind the dining room table, and I don't

764
00:39:49,280 --> 00:39:53,480
Speaker 2: remember many of the productions, but they were mostly puppet

765
00:39:53,480 --> 00:39:56,600
Speaker 2: based and yours were full movie.

766
00:39:56,800 --> 00:39:59,200
Speaker 1: So we got really into the Lion, the Witch, and

767
00:39:59,239 --> 00:40:01,080
Speaker 1: the wardrobe. The one or till the Swinton was the

768
00:40:01,080 --> 00:40:03,200
Speaker 1: White Witch, and I was in love with Tilda Swinton

769
00:40:03,280 --> 00:40:05,160
Speaker 1: at the time, and so I was like, Okay, great,

770
00:40:05,200 --> 00:40:05,759
Speaker 1: I'm the White Witch.

771
00:40:05,800 --> 00:40:07,080
Speaker 3: The White Witch is the star of the show.

772
00:40:07,480 --> 00:40:10,000
Speaker 1: She was popping up in scenes where she wasn't ordinarily,

773
00:40:10,080 --> 00:40:13,759
Speaker 1: giving looks sort of great, improvising a little bit of dialogue,

774
00:40:14,040 --> 00:40:16,759
Speaker 1: she was getting interacting with characters maybe she wouldn't be

775
00:40:16,880 --> 00:40:20,960
Speaker 1: interacting with ordinarily. And then I was also so it

776
00:40:21,000 --> 00:40:24,319
Speaker 1: was me and my siblings and my cousins, and they

777
00:40:24,320 --> 00:40:26,960
Speaker 1: were getting recast on the fly as well. I just

778
00:40:27,000 --> 00:40:27,839
Speaker 1: had a real vision for.

779
00:40:27,800 --> 00:40:28,920
Speaker 3: What the show was supposed to look like.

780
00:40:29,160 --> 00:40:35,320
Speaker 1: Who was in the audience, sometimes my aunt, sometimes nobody.

781
00:40:35,840 --> 00:40:38,080
Speaker 1: Sometimes we were just performing for the love of performing,

782
00:40:38,080 --> 00:40:40,759
Speaker 1: which I actually think maybe is the thing that I

783
00:40:40,800 --> 00:40:43,799
Speaker 1: think performing for almost no people sets you up to

784
00:40:44,000 --> 00:40:46,040
Speaker 1: understand what you find funny.

785
00:40:45,760 --> 00:40:48,560
Speaker 2: The best, Yeah right, and it gets you used to

786
00:40:48,600 --> 00:40:52,640
Speaker 2: being on set because I've noticed from starting in stand

787
00:40:52,719 --> 00:40:55,560
Speaker 2: up comedy, I panic when no one's laughing, and that's

788
00:40:55,600 --> 00:40:58,480
Speaker 2: because they're holding a camera or doing their job or

789
00:40:58,520 --> 00:40:59,240
Speaker 2: doing sound.

790
00:40:59,719 --> 00:41:02,200
Speaker 3: Yeah sure, and then I don't want to ruin the

791
00:41:02,239 --> 00:41:04,200
Speaker 3: take and blah blah blah.

792
00:41:04,280 --> 00:41:08,239
Speaker 2: So I do, honestly have trouble knowing if I've done

793
00:41:08,280 --> 00:41:10,840
Speaker 2: a good job because I base it on laughter. And

794
00:41:10,960 --> 00:41:15,280
Speaker 2: that's that's the downfall of being a comic.

795
00:41:15,520 --> 00:41:17,399
Speaker 3: I think my sister used to make.

796
00:41:17,719 --> 00:41:20,960
Speaker 4: My sister used to come into my room and go

797
00:41:21,640 --> 00:41:24,440
Speaker 4: She would say the name she should be like Pat Benatar,

798
00:41:24,560 --> 00:41:27,359
Speaker 4: hit me with your best shot two minutes and then

799
00:41:27,400 --> 00:41:29,560
Speaker 4: she would go back and her friend Adriam would be

800
00:41:29,560 --> 00:41:32,239
Speaker 4: in her room and then I had two minutes to

801
00:41:32,400 --> 00:41:36,200
Speaker 4: make up a routine and basically like it always involved

802
00:41:36,200 --> 00:41:38,759
Speaker 4: a chair and dancing around a chair, and then I

803
00:41:38,760 --> 00:41:42,440
Speaker 4: would have to go in my hit me with your

804
00:41:42,440 --> 00:41:46,320
Speaker 4: best shot performance for them, do a full like dance

805
00:41:46,360 --> 00:41:49,759
Speaker 4: and usually lip sync, and then it would be over

806
00:41:50,000 --> 00:41:51,080
Speaker 4: and then she go get out.

807
00:41:51,600 --> 00:41:54,279
Speaker 3: There was no applause. There was no any appreciation.

808
00:41:54,520 --> 00:41:56,080
Speaker 4: It would just be like get out, and I knew

809
00:41:56,080 --> 00:41:58,600
Speaker 4: they'd come back and assign me a new one. So

810
00:41:58,640 --> 00:42:00,319
Speaker 4: I was just sitting in the other room wait for

811
00:42:00,400 --> 00:42:01,239
Speaker 4: the next thing.

812
00:42:01,520 --> 00:42:06,200
Speaker 7: And you, sister Laura Michaels, I know she's I think

813
00:42:06,280 --> 00:42:09,840
Speaker 7: she really set in this kind of like a hardcore

814
00:42:09,960 --> 00:42:12,680
Speaker 7: training early of like you'll get no applause and you'll

815
00:42:12,760 --> 00:42:14,080
Speaker 7: keep coming back and performing.

816
00:42:14,320 --> 00:42:16,560
Speaker 3: Yeah, because this is the only stage in town. Baby.

817
00:42:16,719 --> 00:42:20,319
Speaker 2: Yeah, yeah, you have you auditioned for Saturday Night Live?

818
00:42:20,560 --> 00:42:21,239
Speaker 3: I have not.

819
00:42:21,680 --> 00:42:24,480
Speaker 1: I one of my friends was on one year and

820
00:42:24,520 --> 00:42:28,120
Speaker 1: I submitted a packet and she then was not on

821
00:42:28,280 --> 00:42:32,360
Speaker 1: SNL the next year. And that's as far as my

822
00:42:32,520 --> 00:42:37,120
Speaker 1: SNL knowledge. Because I am such an appreciator of the show.

823
00:42:37,160 --> 00:42:38,760
Speaker 1: I feel like I was one of those kids where

824
00:42:38,760 --> 00:42:42,319
Speaker 1: like I watched all of the ones from the late

825
00:42:42,360 --> 00:42:44,480
Speaker 1: seventies and into the early eighties. If we had those

826
00:42:44,520 --> 00:42:46,440
Speaker 1: box DVD sets when they were coming out sort of

827
00:42:46,480 --> 00:42:49,759
Speaker 1: in the mid aughts, is that what we're calling it?

828
00:42:50,360 --> 00:42:51,959
Speaker 2: I think, So there's nothing else.

829
00:42:52,320 --> 00:42:54,239
Speaker 1: I feel self conscious about that, but I'm gonna do

830
00:42:54,280 --> 00:42:58,160
Speaker 1: it during that time period. But I you know, I

831
00:42:58,200 --> 00:43:00,719
Speaker 1: knew pretty early on that I didn't think that like

832
00:43:00,840 --> 00:43:04,120
Speaker 1: that was a route for me, even though I was

833
00:43:04,120 --> 00:43:06,880
Speaker 1: an appreciator of like the comedy, and it definitely shaped

834
00:43:06,920 --> 00:43:09,040
Speaker 1: a lot of like especially like the Christen Wig era

835
00:43:09,120 --> 00:43:11,680
Speaker 1: shaped a lot of like my comedic sensibilities, like sketch

836
00:43:11,719 --> 00:43:13,640
Speaker 1: has never per se been.

837
00:43:13,600 --> 00:43:17,040
Speaker 3: Like my uh my big, my big thing.

838
00:43:17,360 --> 00:43:21,680
Speaker 2: Right right. I started in an improv group and I

839
00:43:21,719 --> 00:43:26,520
Speaker 2: got kind of traumatized by that format of really, here's

840
00:43:26,600 --> 00:43:28,800
Speaker 2: for people. We're all gonna wear a white dress shirt

841
00:43:29,480 --> 00:43:33,120
Speaker 2: and we need a suggestion Like I did it enough

842
00:43:33,120 --> 00:43:37,080
Speaker 2: to wear it, I would panic, And then when I

843
00:43:37,120 --> 00:43:41,600
Speaker 2: started doing stand up, it gave me more control and

844
00:43:41,640 --> 00:43:42,920
Speaker 2: I was less scared.

845
00:43:43,239 --> 00:43:44,280
Speaker 3: Oh how interesting.

846
00:43:44,360 --> 00:43:46,040
Speaker 1: I do find that that happens a lot with improve

847
00:43:46,160 --> 00:43:47,680
Speaker 1: where it's people that are sort of like this would

848
00:43:47,680 --> 00:43:49,680
Speaker 1: be so much funnier if I just wrote everything down.

849
00:43:50,239 --> 00:43:53,319
Speaker 2: Well, that's why I like all the shows you've been

850
00:43:53,960 --> 00:43:57,240
Speaker 2: a part of with the dropout dot TV, right.

851
00:43:57,400 --> 00:44:00,480
Speaker 1: Yeah, it's it's a really fun and interesting way to

852
00:44:00,520 --> 00:44:03,520
Speaker 1: do improv because I I first and foreman like, I

853
00:44:03,560 --> 00:44:05,160
Speaker 1: spent a lot of time by myself as a kid,

854
00:44:05,200 --> 00:44:06,799
Speaker 1: and so I spent a lot of time watching TV,

855
00:44:07,280 --> 00:44:10,480
Speaker 1: and I especially really like comedy stuff, and I've seen

856
00:44:10,560 --> 00:44:16,920
Speaker 1: like every recorded improv special and thing that's out there. Obviously,

857
00:44:17,280 --> 00:44:19,400
Speaker 1: you know, Mister Show was a huge influence on me.

858
00:44:19,400 --> 00:44:25,880
Speaker 1: I'm a huge fan that I pointed to you.

859
00:44:25,920 --> 00:44:27,759
Speaker 3: But we were in a car, so that was sort

860
00:44:27,760 --> 00:44:29,200
Speaker 3: of a felling on my ear.

861
00:44:30,360 --> 00:44:33,000
Speaker 1: It was because I tickled your ear a little bit,

862
00:44:33,840 --> 00:44:36,959
Speaker 1: seems like across this carrier, right of course.

863
00:44:37,800 --> 00:44:39,439
Speaker 3: Yeah, I see. You guys have like that screen back

864
00:44:39,480 --> 00:44:41,440
Speaker 3: here that's playing ass in my face.

865
00:44:41,680 --> 00:44:43,160
Speaker 2: No spitting, no swearing.

866
00:44:44,360 --> 00:44:46,960
Speaker 3: Five stars. You're yet to dog. You have to be

867
00:44:47,040 --> 00:44:48,520
Speaker 3: kept in the backseat at all times.

868
00:44:48,600 --> 00:44:51,480
Speaker 1: Yeah, yeah, and you guys have a fur guard here

869
00:44:51,520 --> 00:44:52,839
Speaker 1: for me, which is probably fair.

870
00:44:54,120 --> 00:44:56,080
Speaker 3: But how was I saying?

871
00:44:57,360 --> 00:44:58,200
Speaker 2: Just the different?

872
00:44:59,200 --> 00:45:02,640
Speaker 3: Like, but you liked about me on Mister Show. So talented,

873
00:45:02,719 --> 00:45:04,440
Speaker 3: it's so funny.

874
00:45:05,360 --> 00:45:08,720
Speaker 1: Oh but so I think, like, especially going into something

875
00:45:08,760 --> 00:45:10,640
Speaker 1: like this and knowing that it was going to be improvised,

876
00:45:10,920 --> 00:45:12,640
Speaker 1: I think a lot about like why you're putting a

877
00:45:12,680 --> 00:45:15,520
Speaker 1: format in a certain medium, and I think a lot

878
00:45:15,560 --> 00:45:19,560
Speaker 1: of times with I am a big fan of theater,

879
00:45:20,400 --> 00:45:22,520
Speaker 1: musical theater. This is coming back around to make a point.

880
00:45:22,520 --> 00:45:26,720
Speaker 1: I promise there was this thing called like Broadway Direct

881
00:45:27,120 --> 00:45:29,040
Speaker 1: there was like a Broadway streaming service, and it makes

882
00:45:29,040 --> 00:45:32,040
Speaker 1: a huge difference when you see people pro shot stuff

883
00:45:32,080 --> 00:45:34,040
Speaker 1: and they just sort of put cameras in three places

884
00:45:34,080 --> 00:45:36,080
Speaker 1: and then put it out there. People that like Broadway

885
00:45:36,120 --> 00:45:37,200
Speaker 1: are going to watch it, but it really is like

886
00:45:37,239 --> 00:45:39,160
Speaker 1: why are we watching it in this format? It's meant

887
00:45:39,160 --> 00:45:40,960
Speaker 1: to be watched live, and especially with improv, where it's

888
00:45:41,000 --> 00:45:44,200
Speaker 1: a lot about like your relationship to the audience, right,

889
00:45:45,160 --> 00:45:47,200
Speaker 1: and like that's a part of the magic is like

890
00:45:47,320 --> 00:45:49,520
Speaker 1: you know that it's created on the spot because you're

891
00:45:50,040 --> 00:45:51,759
Speaker 1: you got it, you gave a suggestion or you told

892
00:45:51,760 --> 00:45:53,800
Speaker 1: a story or whatever, and then you're watching it happen

893
00:45:53,880 --> 00:45:57,200
Speaker 1: in real time. I think especially with like my show,

894
00:45:57,239 --> 00:46:00,680
Speaker 1: which is like an improvised VFX, like characters get into

895
00:46:00,680 --> 00:46:02,279
Speaker 1: the efs makeup and then I interviewed them.

896
00:46:02,600 --> 00:46:05,400
Speaker 3: Part of what was interesting and cool about.

897
00:46:05,160 --> 00:46:07,239
Speaker 1: That for that format was going like, oh, we had

898
00:46:07,239 --> 00:46:09,480
Speaker 1: the ability to edit it really heavily, so I like

899
00:46:09,520 --> 00:46:13,239
Speaker 1: take huge swings. And then our director tomorow Vine, who's

900
00:46:13,280 --> 00:46:16,719
Speaker 1: like absolutely incredible. She is not an improv person or

901
00:46:16,760 --> 00:46:19,480
Speaker 1: a comedy person, but she is like a brilliant experimental

902
00:46:19,480 --> 00:46:22,640
Speaker 1: film director. And so because of that she sort of

903
00:46:22,680 --> 00:46:24,920
Speaker 1: has this idea of like she can take out all

904
00:46:24,960 --> 00:46:27,680
Speaker 1: of the comedy from it and go like, Okay, what

905
00:46:28,600 --> 00:46:29,759
Speaker 1: is gonna make most sense for story?

906
00:46:29,800 --> 00:46:31,160
Speaker 3: What's gonna make the most sense in it? Edit?

907
00:46:31,280 --> 00:46:34,080
Speaker 1: What's like the cool things that we can do afterwards

908
00:46:34,080 --> 00:46:36,000
Speaker 1: to make this all like fit together? Like how do

909
00:46:36,040 --> 00:46:37,799
Speaker 1: I take something from the end and re order it

910
00:46:37,840 --> 00:46:40,000
Speaker 1: to make it like look cohesive and things like that.

911
00:46:40,320 --> 00:46:43,400
Speaker 1: So that to me was an interesting way to showcase

912
00:46:43,600 --> 00:46:44,840
Speaker 1: and improv show.

913
00:46:44,920 --> 00:46:48,280
Speaker 2: Yeah, that likes sense. Yeah, like documentary editing, like finding

914
00:46:48,320 --> 00:46:50,160
Speaker 2: the story from the footage you have?

915
00:46:50,520 --> 00:46:52,480
Speaker 3: Yeah to Oh, I never thought about it that way.

916
00:46:52,520 --> 00:46:54,600
Speaker 3: I really like that. Yeah, Yeah, I think that that

917
00:46:54,680 --> 00:46:55,800
Speaker 3: definitely feels true to me.

918
00:46:56,160 --> 00:46:58,640
Speaker 2: Yeah, that first one. I know, I keep bringing it,

919
00:46:58,680 --> 00:47:02,879
Speaker 2: but I excitement of being So the guest is put

920
00:47:03,040 --> 00:47:06,120
Speaker 2: in makeup or a costume. They don't they have a

921
00:47:06,160 --> 00:47:08,960
Speaker 2: minute to like riff on what they might do, right,

922
00:47:10,120 --> 00:47:14,120
Speaker 2: But the guest is improvising who they are as you're

923
00:47:14,160 --> 00:47:16,840
Speaker 2: getting to figure out who they are in an interview

924
00:47:16,880 --> 00:47:18,759
Speaker 2: and you have to pretend you're doing an interview with

925
00:47:18,840 --> 00:47:23,560
Speaker 2: someone who you already know about. There's it seems so

926
00:47:23,760 --> 00:47:27,240
Speaker 2: complicated when I watched it that it made me nervous,

927
00:47:28,880 --> 00:47:30,040
Speaker 2: but that's a goal.

928
00:47:30,200 --> 00:47:31,879
Speaker 1: Is we just really wanted to make people feel really

929
00:47:31,880 --> 00:47:34,799
Speaker 1: nervous watching it did especially in a time like now

930
00:47:34,920 --> 00:47:38,200
Speaker 1: where people need more nervous kind of experience. Yeah, it's

931
00:47:38,239 --> 00:47:44,359
Speaker 1: too cozy, that's what we kept saying, blanket of anxiety.

932
00:47:45,160 --> 00:47:47,760
Speaker 2: Yeah, it's so fun to watch.

933
00:47:47,880 --> 00:47:50,120
Speaker 3: Oh, thank you, truly, that means so much. I really

934
00:47:50,160 --> 00:47:52,640
Speaker 3: appreciate you taking the time to watch it. Yeah, it's

935
00:47:52,640 --> 00:47:55,200
Speaker 3: something that like too. We made it. It was based

936
00:47:55,200 --> 00:47:56,480
Speaker 3: off speaking of Josh Rubin.

937
00:47:56,800 --> 00:47:59,960
Speaker 1: He Impact Castles were the ones that it was originally

938
00:48:00,040 --> 00:48:01,719
Speaker 1: college humor series, and they were these like five to

939
00:48:01,719 --> 00:48:04,520
Speaker 1: seven minute videos. And then I got an email from

940
00:48:04,600 --> 00:48:06,440
Speaker 1: the CEO Samurai. She was like, hey, we want to

941
00:48:06,440 --> 00:48:07,960
Speaker 1: reboot this. We don't totally know what it's going to

942
00:48:08,040 --> 00:48:11,520
Speaker 1: look like, so that are it's sort of like a

943
00:48:11,560 --> 00:48:13,640
Speaker 1: sam keeps calling it a spiritual sequel to the original,

944
00:48:13,640 --> 00:48:16,319
Speaker 1: which feels very true. It's a sort of like and

945
00:48:16,360 --> 00:48:18,080
Speaker 1: now it's a it's a lot longer. We sort of

946
00:48:18,080 --> 00:48:21,920
Speaker 1: created our own lord to what's happening. But it's like

947
00:48:21,960 --> 00:48:25,239
Speaker 1: it's very it's it's the most artistically satisfying thing I've

948
00:48:25,239 --> 00:48:29,120
Speaker 1: gotten to do. I feel so grateful because I think

949
00:48:29,160 --> 00:48:30,880
Speaker 1: I didn't think that there was ever an option to

950
00:48:30,920 --> 00:48:33,880
Speaker 1: make any money doing improv and to have it be

951
00:48:34,640 --> 00:48:35,959
Speaker 1: like a big part of.

952
00:48:38,520 --> 00:48:40,319
Speaker 3: What I'm doing has just been such a gift. I

953
00:48:40,320 --> 00:48:41,160
Speaker 3: feel so grateful.

954
00:48:41,480 --> 00:48:44,480
Speaker 2: Yeah, and I've become a fan of everyone that I

955
00:48:44,520 --> 00:48:47,520
Speaker 2: saw on that that is also on the game show

956
00:48:47,960 --> 00:48:50,680
Speaker 2: format where what is that show called?

957
00:48:50,840 --> 00:48:53,319
Speaker 3: Oh, game Changers? Are you like a game show fan?

958
00:48:53,560 --> 00:48:54,840
Speaker 3: In general? Do you like games?

959
00:48:54,880 --> 00:48:58,440
Speaker 2: I am. I've been addicted to the one Paton Oswald

960
00:48:58,480 --> 00:49:01,799
Speaker 2: that's doing. That's like it's called one percent and it

961
00:49:01,800 --> 00:49:07,160
Speaker 2: has nothing to do with high tax bracket conservatives. It's

962
00:49:07,200 --> 00:49:11,360
Speaker 2: like the last question, they have only one percent of

963
00:49:11,640 --> 00:49:15,440
Speaker 2: the people pulled who and who knows where they are?

964
00:49:15,640 --> 00:49:19,000
Speaker 2: How large group it is got it right? So it

965
00:49:19,120 --> 00:49:22,160
Speaker 2: is a very hard question, but it starts with the

966
00:49:22,200 --> 00:49:26,200
Speaker 2: easy ones, and they're all like IQ test type question.

967
00:49:26,320 --> 00:49:27,960
Speaker 3: Can you give us an example of a question see

968
00:49:27,960 --> 00:49:28,719
Speaker 3: if we can get it?

969
00:49:28,840 --> 00:49:32,480
Speaker 2: Oh? Right? That would be unless I have to memorized,

970
00:49:32,480 --> 00:49:36,040
Speaker 2: but I'm going to pretend I'm on one of your shows.

971
00:49:36,200 --> 00:49:38,439
Speaker 2: They're One of the questions, was.

972
00:49:40,320 --> 00:49:41,560
Speaker 3: Angel falls.

973
00:49:42,719 --> 00:49:42,959
Speaker 2: Right?

974
00:49:43,280 --> 00:49:46,320
Speaker 3: That's the tallest waterfall in the world. Is that true?

975
00:49:46,600 --> 00:49:50,480
Speaker 3: It's on Jeopardy all the time? Is Angel Falls? Is

976
00:49:50,480 --> 00:49:52,839
Speaker 3: that the FAVORITEAM show? Yes, Jeopardy for sure.

977
00:49:53,000 --> 00:49:55,879
Speaker 2: Jeopardy makes me feel dumb. And maybe it's a.

978
00:49:55,880 --> 00:49:59,000
Speaker 3: Mirror one doesn't make you feel well.

979
00:49:58,760 --> 00:50:02,640
Speaker 2: No, because the tie the questions are visual. That's why

980
00:50:02,640 --> 00:50:05,160
Speaker 2: it's hard for me to think of an example, because

981
00:50:05,480 --> 00:50:08,120
Speaker 2: like one of the first ones will be here's here's

982
00:50:08,200 --> 00:50:12,640
Speaker 2: a maze, which route and you only have enough time

983
00:50:12,719 --> 00:50:15,680
Speaker 2: to find out, you know, they only show it to you.

984
00:50:15,840 --> 00:50:18,280
Speaker 2: It's timed, so you have to figure out a maze

985
00:50:18,400 --> 00:50:22,839
Speaker 2: very quickly. Which Those kind of things or word jumbles,

986
00:50:23,360 --> 00:50:26,560
Speaker 2: How many different words can fit into this jumble of words?

987
00:50:26,960 --> 00:50:28,839
Speaker 2: Things like that I'm good at. But if you ask

988
00:50:28,920 --> 00:50:31,839
Speaker 2: me a trivia question and it is about someone in

989
00:50:31,880 --> 00:50:36,440
Speaker 2: my own family, I will freeze just because of past

990
00:50:36,719 --> 00:50:38,360
Speaker 2: I don't know. Test anxiety.

991
00:50:38,600 --> 00:50:40,960
Speaker 1: Oh sure, we're all of a sudden. It's like there

992
00:50:41,040 --> 00:50:43,040
Speaker 1: is a definitive writer, wrong answer. The person that it's

993
00:50:43,040 --> 00:50:44,840
Speaker 1: going to mean something too is looking you dead in

994
00:50:44,880 --> 00:50:45,160
Speaker 1: the eyes.

995
00:50:45,239 --> 00:50:45,399
Speaker 3: Yeah.

996
00:50:45,480 --> 00:50:50,399
Speaker 2: Yes, and that can be just knowing a friend's name

997
00:50:50,440 --> 00:50:55,719
Speaker 2: at a party. Yeah I am, I will that's the

998
00:50:55,800 --> 00:50:56,759
Speaker 2: anxiety life.

999
00:50:58,280 --> 00:51:00,960
Speaker 5: Yes, yes, I did find a site with some one

1000
00:51:01,000 --> 00:51:01,920
Speaker 5: percent questions.

1001
00:51:02,480 --> 00:51:05,319
Speaker 3: Yes, let's do some come on just a few weeks.

1002
00:51:06,480 --> 00:51:09,279
Speaker 3: This is an immigration, this is patent paid us, all right,

1003
00:51:09,440 --> 00:51:11,760
Speaker 3: so this is skipping all the way to the one percent.

1004
00:51:11,880 --> 00:51:12,279
Speaker 1: Oh shit?

1005
00:51:12,600 --> 00:51:16,080
Speaker 5: What is the first number in English that, when spelled out,

1006
00:51:16,480 --> 00:51:18,879
Speaker 5: has its letters in alphabetical order?

1007
00:51:20,120 --> 00:51:23,799
Speaker 2: What the first could you repeat the question? I know

1008
00:51:23,840 --> 00:51:26,320
Speaker 2: they don't do it, but it's usually shown on a chiron.

1009
00:51:26,760 --> 00:51:28,560
Speaker 3: So what is the first number?

1010
00:51:28,920 --> 00:51:31,680
Speaker 5: So like the spelling of that number in English that,

1011
00:51:31,719 --> 00:51:35,160
Speaker 5: when spelled out, has its letters in alphabetical four?

1012
00:51:35,719 --> 00:51:38,839
Speaker 3: No, because you comes after RK. Are you sure? No?

1013
00:51:39,719 --> 00:51:43,200
Speaker 3: Is that right? You're You're close, You're actually got in

1014
00:51:43,520 --> 00:51:44,359
Speaker 3: in a way. You're close?

1015
00:51:44,719 --> 00:51:44,840
Speaker 7: Is it?

1016
00:51:45,239 --> 00:51:45,399
Speaker 4: No?

1017
00:51:45,520 --> 00:51:48,839
Speaker 3: Five? Five is definitely down there. Six you're on the right.

1018
00:51:49,040 --> 00:51:52,040
Speaker 3: Six you were closer with four, but not numerically. Let

1019
00:51:52,040 --> 00:51:54,360
Speaker 3: me just say that twenty.

1020
00:51:54,120 --> 00:52:02,440
Speaker 4: Four Wow, warmer forty four double ditches digits eighty nine?

1021
00:52:03,960 --> 00:52:04,200
Speaker 2: Wow?

1022
00:52:04,520 --> 00:52:06,480
Speaker 3: Is this one? Is this a crazy one where it's

1023
00:52:06,520 --> 00:52:09,399
Speaker 3: like the eight is a doctor? You know what I mean?

1024
00:52:09,800 --> 00:52:12,839
Speaker 3: It did seventy eight nine in this one. Oh, that's

1025
00:52:12,880 --> 00:52:14,240
Speaker 3: actually a really great question.

1026
00:52:15,040 --> 00:52:18,279
Speaker 2: I all of the questions, I will say, as we

1027
00:52:18,400 --> 00:52:22,200
Speaker 2: continue to think about the answer. I do require you

1028
00:52:22,840 --> 00:52:26,120
Speaker 2: to be able to look at the sample like it

1029
00:52:26,120 --> 00:52:30,319
Speaker 2: it's so hard to imagine, so.

1030
00:52:30,400 --> 00:52:32,440
Speaker 3: Like they write out a thousand numbers, and then you

1031
00:52:32,480 --> 00:52:35,960
Speaker 3: would get to what I'm oh, you're I'm brushing.

1032
00:52:35,600 --> 00:52:38,399
Speaker 2: The you're visualizing it.

1033
00:52:38,560 --> 00:52:41,000
Speaker 3: Did you do spelling bees ever anything like that?

1034
00:52:41,880 --> 00:52:43,759
Speaker 1: No, because isn't that a thing with spelling bees that

1035
00:52:43,800 --> 00:52:45,279
Speaker 1: they do where they like rate them with their feet

1036
00:52:45,360 --> 00:52:47,480
Speaker 1: or they like or they like do something with their

1037
00:52:47,520 --> 00:52:50,399
Speaker 1: hands and then they like wipe it away because once

1038
00:52:50,480 --> 00:52:52,400
Speaker 1: you start talking, you can't go back. And I know

1039
00:52:52,440 --> 00:52:55,799
Speaker 1: that because then you'll put them cutty spelling bee, which

1040
00:52:55,800 --> 00:52:56,759
Speaker 1: you were in that good show.

1041
00:52:56,840 --> 00:52:58,400
Speaker 3: I was not, but they did it.

1042
00:52:58,440 --> 00:53:01,640
Speaker 1: They're going to graduate like the year I graduated, and

1043
00:53:01,680 --> 00:53:04,080
Speaker 1: I did consider coming back, and I was politely told

1044
00:53:04,800 --> 00:53:07,080
Speaker 1: that it was for people that were still amressed.

1045
00:53:08,280 --> 00:53:11,920
Speaker 2: Yeah, like a spelling bee. I would. I have always

1046
00:53:11,960 --> 00:53:15,360
Speaker 2: had trouble visualizing saying it out loud, but if you

1047
00:53:15,360 --> 00:53:17,920
Speaker 2: could have a pen and paper during a spelling bee,

1048
00:53:18,400 --> 00:53:22,440
Speaker 2: I would do very well. That that's kind of explaining

1049
00:53:22,520 --> 00:53:24,440
Speaker 2: my issue in a nutshell.

1050
00:53:24,960 --> 00:53:26,600
Speaker 3: I really like that visual learner.

1051
00:53:27,040 --> 00:53:30,400
Speaker 2: Yes, yes, and that one percent show. My point is

1052
00:53:30,520 --> 00:53:33,680
Speaker 2: it's very visual, learner based knowledge.

1053
00:53:33,760 --> 00:53:36,320
Speaker 4: What is Can we just have the answer? It's forty

1054
00:53:37,200 --> 00:53:38,200
Speaker 4: fucking forty?

1055
00:53:38,560 --> 00:53:38,680
Speaker 1: You?

1056
00:53:39,160 --> 00:53:40,400
Speaker 2: Yeah, that would take forever?

1057
00:53:40,640 --> 00:53:40,799
Speaker 1: Why?

1058
00:53:41,400 --> 00:53:41,760
Speaker 2: Why?

1059
00:53:42,040 --> 00:53:43,040
Speaker 3: Like ending? And why?

1060
00:53:43,200 --> 00:53:45,520
Speaker 2: If you were looking at the word though, you would

1061
00:53:45,560 --> 00:53:48,640
Speaker 2: just go ABC, ABC. You would do that with each.

1062
00:53:49,040 --> 00:53:53,439
Speaker 4: Right word, well until you get to forty, right or yes,

1063
00:53:53,600 --> 00:53:54,520
Speaker 4: that's good TV.

1064
00:53:54,680 --> 00:53:56,360
Speaker 3: You're right TV.

1065
00:53:57,640 --> 00:54:00,880
Speaker 2: Yeah. I was imagining a multiple choice verse and forty

1066
00:54:01,080 --> 00:54:04,439
Speaker 2: was presented to you, So yeah, that wouldn't work either.

1067
00:54:04,520 --> 00:54:05,880
Speaker 2: I swear I was good at it.

1068
00:54:06,160 --> 00:54:09,000
Speaker 3: I try, I trust you. Can we do another question?

1069
00:54:09,160 --> 00:54:11,840
Speaker 4: Just because that was so fucking hard and hilarious that

1070
00:54:12,239 --> 00:54:13,240
Speaker 4: I just want one one?

1071
00:54:13,320 --> 00:54:14,719
Speaker 3: Can we do one that maybe I'm gonna be better at?

1072
00:54:15,040 --> 00:54:15,239
Speaker 2: Yeah?

1073
00:54:15,480 --> 00:54:16,600
Speaker 3: Can I look better in this one?

1074
00:54:16,719 --> 00:54:17,840
Speaker 2: Let's do a thirty?

1075
00:54:19,160 --> 00:54:21,880
Speaker 3: Yeah, let's so it goes down from like one hundred

1076
00:54:22,000 --> 00:54:26,840
Speaker 3: to like, yes, Okay, questions are very visual.

1077
00:54:27,080 --> 00:54:28,040
Speaker 2: That's one hundred.

1078
00:54:28,880 --> 00:54:31,719
Speaker 5: That was That was like the easiest one to describe

1079
00:54:32,000 --> 00:54:33,440
Speaker 5: without showing it to anybody.

1080
00:54:33,440 --> 00:54:38,520
Speaker 3: So let's see, let's do Okay, this is a ten

1081
00:54:38,560 --> 00:54:39,240
Speaker 3: percent question.

1082
00:54:40,520 --> 00:54:44,920
Speaker 5: The first letter of the alphabet that doesn't rhyme with

1083
00:54:45,040 --> 00:54:49,359
Speaker 5: another letter of the alphabet is F. But what is

1084
00:54:49,440 --> 00:54:53,240
Speaker 5: the next one? G?

1085
00:54:54,120 --> 00:54:59,720
Speaker 2: H yeah, I would.

1086
00:54:59,560 --> 00:55:03,280
Speaker 5: Say, l you know what's crazy is you each said

1087
00:55:03,360 --> 00:55:05,560
Speaker 5: one of the I'm such an asshole.

1088
00:55:07,040 --> 00:55:08,160
Speaker 3: It's multiple cho.

1089
00:55:09,800 --> 00:55:11,600
Speaker 2: Okay, we are so sorry.

1090
00:55:11,640 --> 00:55:14,200
Speaker 1: No, you named one of them, but mine is wrong

1091
00:55:14,280 --> 00:55:17,200
Speaker 1: because I immediately came up with the rhyme it was

1092
00:55:16,920 --> 00:55:20,600
Speaker 1: it was, it was, you're so good at this, your genius.

1093
00:55:20,640 --> 00:55:23,160
Speaker 4: I think, I mean, thank you, but I think it's

1094
00:55:23,200 --> 00:55:25,080
Speaker 4: just guessing mostly right.

1095
00:55:25,160 --> 00:55:27,480
Speaker 1: Well, the good news is there for this one in particular,

1096
00:55:27,600 --> 00:55:30,360
Speaker 1: there are only twenty five possibilities.

1097
00:55:30,520 --> 00:55:34,319
Speaker 2: True, right, Yeah, No, I had to.

1098
00:55:34,239 --> 00:55:36,279
Speaker 4: Think about that too, like, hold on, I don't know

1099
00:55:36,280 --> 00:55:37,399
Speaker 4: if I I have to.

1100
00:55:37,360 --> 00:55:40,000
Speaker 2: Have the alphabet in front of me, so I actually

1101
00:55:40,080 --> 00:55:41,160
Speaker 2: count to know.

1102
00:55:41,280 --> 00:55:47,040
Speaker 3: Are we going with the English alphabet, Let's do the Arabic? Yeah, letters,

1103
00:55:47,120 --> 00:55:49,600
Speaker 3: I would prefer to the Arabic letters, if that's okay.

1104
00:55:49,960 --> 00:55:50,359
Speaker 3: There's a.

1105
00:55:51,960 --> 00:55:53,800
Speaker 4: I was I was about to say, there's a famous

1106
00:55:53,840 --> 00:55:54,840
Speaker 4: story in my family.

1107
00:55:55,040 --> 00:55:57,279
Speaker 3: All lies. I don't know why I'm setting it up

1108
00:55:57,320 --> 00:55:57,960
Speaker 3: this way.

1109
00:55:58,520 --> 00:56:01,520
Speaker 4: One time I was at home by myself and Jeopardy

1110
00:56:01,600 --> 00:56:03,879
Speaker 4: was on at like four o'clock and I watched it,

1111
00:56:04,000 --> 00:56:06,319
Speaker 4: and then at seven o'clock when everybody else got home

1112
00:56:06,320 --> 00:56:09,760
Speaker 4: in my family, because because My family has watched Jeopardy

1113
00:56:10,080 --> 00:56:12,640
Speaker 4: every night at seven for like thirty fucking years.

1114
00:56:12,680 --> 00:56:13,560
Speaker 3: Oh I love that.

1115
00:56:13,840 --> 00:56:17,600
Speaker 4: And so at seven when everyone was there, it was on,

1116
00:56:17,719 --> 00:56:19,280
Speaker 4: and I just started answering all the questions.

1117
00:56:19,360 --> 00:56:20,879
Speaker 3: I was probably in seventh grade or something.

1118
00:56:20,880 --> 00:56:21,680
Speaker 2: That's so great.

1119
00:56:21,719 --> 00:56:25,120
Speaker 3: My mother was. She was over the moon. She was

1120
00:56:25,239 --> 00:56:28,960
Speaker 3: so thrilled. She was caring, you have to try it whatever.

1121
00:56:29,080 --> 00:56:31,960
Speaker 4: And finally I had to tell on myself because she

1122
00:56:32,080 --> 00:56:34,759
Speaker 4: was getting too no she was like too happy about it.

1123
00:56:34,760 --> 00:56:38,920
Speaker 3: Or I'm like I already watched did you know relationship?

1124
00:56:39,080 --> 00:56:42,040
Speaker 3: Well she was like, oh, I'm back to being disappointed

1125
00:56:42,040 --> 00:56:42,799
Speaker 3: and with you.

1126
00:56:43,440 --> 00:56:45,160
Speaker 2: There was a little window it.

1127
00:56:45,080 --> 00:56:47,759
Speaker 4: Was she was it was hilarious, and I was just like, well,

1128
00:56:47,800 --> 00:56:49,600
Speaker 4: this is truly stolen valor.

1129
00:56:49,680 --> 00:56:52,360
Speaker 3: I can't I can't really let this continue any further.

1130
00:56:52,600 --> 00:56:54,400
Speaker 1: Is there even like a small part of you that

1131
00:56:54,520 --> 00:56:58,120
Speaker 1: was like I could watch Jeopardy early for the rest

1132
00:56:58,160 --> 00:56:59,520
Speaker 1: of my life and then come.

1133
00:56:59,400 --> 00:57:02,560
Speaker 4: Back and then be a genius and then finally get

1134
00:57:02,560 --> 00:57:05,120
Speaker 4: the goddamn credit in this family that I deserve, just

1135
00:57:05,160 --> 00:57:06,920
Speaker 4: the respect that you really deserve.

1136
00:57:07,560 --> 00:57:10,760
Speaker 2: Yeah, it really does get you the respect of your elders.

1137
00:57:11,040 --> 00:57:15,040
Speaker 2: Jeopardy nothing like it yeah. Yeah, there's nothing else you

1138
00:57:15,080 --> 00:57:16,680
Speaker 2: can do to make your grandma love you.

1139
00:57:17,080 --> 00:57:19,720
Speaker 4: Also, there is a part of watching Jeopardy because it's,

1140
00:57:20,080 --> 00:57:23,200
Speaker 4: you know, going to visit my dad now, Like it's

1141
00:57:23,280 --> 00:57:25,640
Speaker 4: really like whatever happens in the day, we're meeting back here,

1142
00:57:25,720 --> 00:57:27,600
Speaker 4: and this is what we're going to be doing. And

1143
00:57:27,880 --> 00:57:33,280
Speaker 4: I do guess almost like instinctually, where it is pretty

1144
00:57:33,320 --> 00:57:35,240
Speaker 4: amazing when you're like, oh my god, I was actually

1145
00:57:35,280 --> 00:57:38,360
Speaker 4: right about that, Like where did that come from? There's

1146
00:57:38,520 --> 00:57:41,000
Speaker 4: like some reservoir in my brain that's like I'm ready

1147
00:57:41,040 --> 00:57:43,439
Speaker 4: for you to watch Jeopardy and get something right.

1148
00:57:43,720 --> 00:57:46,120
Speaker 1: WHOA. Yeah, that is always kind of crazy to think about.

1149
00:57:46,120 --> 00:57:47,520
Speaker 1: It's like how much do you know that you just

1150
00:57:47,560 --> 00:57:50,400
Speaker 1: can't remember? That's like rattling around in there somewhere. Yeah,

1151
00:57:50,400 --> 00:57:52,000
Speaker 1: because I feel like there is stuff like that where

1152
00:57:52,000 --> 00:57:55,040
Speaker 1: like moments where like that are high stress moments. All

1153
00:57:55,040 --> 00:57:57,360
Speaker 1: of a sudden, something that I was trying to remember

1154
00:57:57,480 --> 00:57:58,320
Speaker 1: really hard.

1155
00:57:58,120 --> 00:58:00,680
Speaker 3: Like weeks before will shake loose. I feel like that

1156
00:58:00,760 --> 00:58:03,080
Speaker 3: happens to me a lot. Mm hmm. Is that a sickness?

1157
00:58:03,160 --> 00:58:04,240
Speaker 3: Is that being ill?

1158
00:58:04,440 --> 00:58:04,800
Speaker 2: I feel?

1159
00:58:05,720 --> 00:58:07,720
Speaker 4: Because you said you're in theater, so I bet you

1160
00:58:07,800 --> 00:58:10,400
Speaker 4: that has to do with like you can't blank on

1161
00:58:10,440 --> 00:58:11,000
Speaker 4: your lines.

1162
00:58:11,120 --> 00:58:12,320
Speaker 3: You have to know all of them.

1163
00:58:12,360 --> 00:58:15,640
Speaker 4: You have to know other people's lines, Like there's there's

1164
00:58:15,720 --> 00:58:18,920
Speaker 4: that right where you're just like you get into a

1165
00:58:18,960 --> 00:58:20,600
Speaker 4: new show, here's your new job.

1166
00:58:20,960 --> 00:58:24,280
Speaker 3: Oh get it? Really the old jobs and the old

1167
00:58:24,280 --> 00:58:27,440
Speaker 3: stuff come back to the new stuff. Yeah, that brings

1168
00:58:27,440 --> 00:58:27,880
Speaker 3: true to me.

1169
00:58:28,000 --> 00:58:29,560
Speaker 1: I like that, though, I will say I don't think

1170
00:58:29,600 --> 00:58:31,840
Speaker 1: I've ever done a production of anything where I haven't

1171
00:58:31,840 --> 00:58:33,440
Speaker 1: forgotten at least a chunk of something.

1172
00:58:35,360 --> 00:58:38,840
Speaker 3: What's your favorite play you've ever been in or Sean,

1173
00:58:39,280 --> 00:58:40,280
Speaker 3: That's a great question.

1174
00:58:40,400 --> 00:58:42,400
Speaker 1: I'm doing a show right now at uc B that's

1175
00:58:42,480 --> 00:58:44,200
Speaker 1: just been like the most fun thing in the entire

1176
00:58:44,200 --> 00:58:47,520
Speaker 1: world called Mama Mia. Bit different and it is literally

1177
00:58:47,560 --> 00:58:52,280
Speaker 1: all it is is Uh. The philosophy is that Mamma

1178
00:58:52,360 --> 00:58:54,880
Speaker 1: Mia is like the MCU where it has it can

1179
00:58:54,920 --> 00:58:58,160
Speaker 1: be anything, and you can collect any like eight Abba

1180
00:58:58,240 --> 00:59:01,640
Speaker 1: songs and they can be their own show that's completely

1181
00:59:01,680 --> 00:59:05,040
Speaker 1: unrelated to Mama Mia proper. So just every month we

1182
00:59:05,080 --> 00:59:09,520
Speaker 1: have new writers write these Mama Mia shows and they've

1183
00:59:09,520 --> 00:59:11,400
Speaker 1: all been really different and really crazy.

1184
00:59:11,520 --> 00:59:12,240
Speaker 2: It's so fun.

1185
00:59:12,400 --> 00:59:14,520
Speaker 1: Yeah, we did one that was like a bluegrassy one

1186
00:59:14,560 --> 00:59:19,440
Speaker 1: called Avalatcha Mama Mia, but Everyone's Babies is the one

1187
00:59:19,440 --> 00:59:22,880
Speaker 1: we're doing this month, and we did Mama Mia the

1188
00:59:22,920 --> 00:59:25,920
Speaker 1: Piper the first month. You know that Abba song the Piper, No,

1189
00:59:26,240 --> 00:59:28,000
Speaker 1: neither did I. And now when we did a whole

1190
00:59:28,040 --> 00:59:28,840
Speaker 1: musical around it.

1191
00:59:29,320 --> 00:59:30,720
Speaker 2: But if I heard it, i'd know it.

1192
00:59:31,120 --> 00:59:33,960
Speaker 3: Well, you might not have it's a it's a deeper cut.

1193
00:59:34,080 --> 00:59:37,520
Speaker 2: Oh okay, okay, I do only know the Abba hits.

1194
00:59:38,040 --> 00:59:40,560
Speaker 1: Yeah, I would sing it, but I as much as

1195
00:59:40,640 --> 00:59:43,640
Speaker 1: I enjoy singing, I was always somebody that was a

1196
00:59:43,640 --> 00:59:46,880
Speaker 1: really loud singer, and I think for it gets you

1197
00:59:47,080 --> 00:59:50,880
Speaker 1: pretty far until you hit like regional theater, and then

1198
00:59:50,920 --> 00:59:53,560
Speaker 1: all of a sudden, people are like, Okay, now tone's

1199
00:59:53,600 --> 00:59:54,520
Speaker 1: gonna matter a little bit.

1200
00:59:56,080 --> 00:59:58,760
Speaker 3: This ANNI production is over and you are now in

1201
00:59:58,800 --> 01:00:02,520
Speaker 3: the real work. Yes, yeah, well that really is.

1202
01:00:02,560 --> 01:00:04,200
Speaker 1: It is like because as soon as you hit regional,

1203
01:00:04,240 --> 01:00:06,520
Speaker 1: it's like, if you're a dancer, that will get you

1204
01:00:06,560 --> 01:00:08,360
Speaker 1: through to the next round of things, because they're always

1205
01:00:08,400 --> 01:00:09,400
Speaker 1: desperate for dancers.

1206
01:00:09,960 --> 01:00:12,160
Speaker 3: But then again, singing.

1207
01:00:11,800 --> 01:00:14,600
Speaker 1: Like you need a little little under there, a little

1208
01:00:14,600 --> 01:00:16,840
Speaker 1: bit of training, a little bit of breath support, I.

1209
01:00:16,840 --> 01:00:22,480
Speaker 4: Do it makes me simultaneously incredibly sad and then also absolutely,

1210
01:00:22,560 --> 01:00:27,520
Speaker 4: like just in love the way people are such good singers,

1211
01:00:27,560 --> 01:00:30,520
Speaker 4: like the people on TikTok that get famous because they

1212
01:00:30,600 --> 01:00:34,040
Speaker 4: are in their room and they just record and they're amazing,

1213
01:00:34,120 --> 01:00:35,720
Speaker 4: and then suddenly everyone knows that they are.

1214
01:00:35,760 --> 01:00:38,960
Speaker 3: Like I love that. I love how good people are.

1215
01:00:39,320 --> 01:00:41,600
Speaker 4: But I used to get to live in this totally

1216
01:00:41,760 --> 01:00:45,200
Speaker 4: ignorant bliss that I was really good and then you're

1217
01:00:45,280 --> 01:00:48,200
Speaker 4: like even like and truly I'm not saying it to

1218
01:00:48,280 --> 01:00:52,880
Speaker 4: like nothing, truly I'm not. But it's like people so

1219
01:00:53,000 --> 01:00:55,800
Speaker 4: many people have auditioned for American Idol. Yeah, they're all

1220
01:00:55,880 --> 01:01:00,560
Speaker 4: American Idol level except for the joking. People like good

1221
01:01:00,800 --> 01:01:03,720
Speaker 4: and they just aren't as good as like Kelly Clarkson

1222
01:01:03,960 --> 01:01:07,400
Speaker 4: or whatever. It's like the ceiling is so high for that.

1223
01:01:07,720 --> 01:01:10,880
Speaker 4: It's kind of great, but it also it's sad.

1224
01:01:11,320 --> 01:01:12,440
Speaker 3: Yeah, it's so tough.

1225
01:01:13,280 --> 01:01:15,200
Speaker 1: I think singing is that thing for me where I'm like,

1226
01:01:15,640 --> 01:01:18,240
Speaker 1: if I could wake up tomorrow and be so good

1227
01:01:18,240 --> 01:01:19,840
Speaker 1: at something that you have to be really skilled to

1228
01:01:19,840 --> 01:01:21,280
Speaker 1: do and takes a lot of time to learn how

1229
01:01:21,320 --> 01:01:23,040
Speaker 1: to do, I think I'd pick singing. Do you guys

1230
01:01:23,080 --> 01:01:25,720
Speaker 1: have something like that where it's like tomorrow, like you

1231
01:01:25,720 --> 01:01:28,480
Speaker 1: would have all of the like baked in skill sets,

1232
01:01:28,520 --> 01:01:30,440
Speaker 1: like I think it would be singing or maybe cooking.

1233
01:01:30,640 --> 01:01:34,800
Speaker 2: Yeah, it's funny. Even as a child, my fantasy, and

1234
01:01:34,880 --> 01:01:38,240
Speaker 2: I'm sure I mentioned this, but I always thought as

1235
01:01:38,280 --> 01:01:40,680
Speaker 2: a kid, when I come back for I guess a

1236
01:01:40,880 --> 01:01:45,320
Speaker 2: high school reunion or maybe just during school a pep assembly,

1237
01:01:45,600 --> 01:01:51,280
Speaker 2: my fantasy would be doing this amazing concert piano recital

1238
01:01:51,360 --> 01:01:53,760
Speaker 2: yeah for all the other kids when they didn't know

1239
01:01:54,440 --> 01:01:56,920
Speaker 2: I could even play piano, yeah, and just blow it

1240
01:01:56,960 --> 01:02:00,360
Speaker 2: out of the water. I or sometimes it was sex phone.

1241
01:02:00,720 --> 01:02:03,720
Speaker 2: It was a different time, but that was what I

1242
01:02:03,840 --> 01:02:05,880
Speaker 2: wanted to be good at piano.

1243
01:02:06,040 --> 01:02:06,600
Speaker 3: I would.

1244
01:02:08,040 --> 01:02:11,480
Speaker 4: I have dreams where I can play the piano and

1245
01:02:11,520 --> 01:02:13,720
Speaker 4: it is so exciting in the dream where I'm like

1246
01:02:14,120 --> 01:02:16,200
Speaker 4: it's nuts, I just sit down and start doing it,

1247
01:02:16,280 --> 01:02:16,960
Speaker 4: or I'm like this.

1248
01:02:17,120 --> 01:02:19,000
Speaker 3: Is amazing, and then I wake up. I'm like, oh

1249
01:02:19,160 --> 01:02:19,840
Speaker 3: damn it.

1250
01:02:19,920 --> 01:02:20,160
Speaker 2: Yeah.

1251
01:02:20,560 --> 01:02:22,200
Speaker 1: Is it that type of thing where it's like that

1252
01:02:22,280 --> 01:02:24,560
Speaker 1: idea of like, you know how when somebody's like choking

1253
01:02:24,560 --> 01:02:26,120
Speaker 1: and they're like is there a doctor? Is it like

1254
01:02:26,160 --> 01:02:28,880
Speaker 1: somebody takes a break from the piano at the piano

1255
01:02:28,920 --> 01:02:30,840
Speaker 1: bar and there's like does anybody play piano?

1256
01:02:33,120 --> 01:02:40,040
Speaker 2: He's fainted again. Yeah, it's I That is a deep

1257
01:02:40,280 --> 01:02:44,280
Speaker 2: old fantasy of mine. But I was raised in a

1258
01:02:44,320 --> 01:02:46,480
Speaker 2: house where a piano was in the other room that

1259
01:02:46,520 --> 01:02:49,640
Speaker 2: I never touched. Yeah, I think I hit it and

1260
01:02:49,760 --> 01:02:53,000
Speaker 2: chipped some keys with a hammer as a toddler. That's

1261
01:02:53,080 --> 01:02:54,280
Speaker 2: the most I played it.

1262
01:02:54,160 --> 01:02:56,200
Speaker 3: With a hammer as a toddler.

1263
01:02:56,920 --> 01:02:59,840
Speaker 2: Okay, that was another example. That was some kids that

1264
01:03:00,040 --> 01:03:02,240
Speaker 2: were friends of my mom's. But I wanted to just

1265
01:03:03,000 --> 01:03:06,800
Speaker 2: bypass the bibliography of the story. But that was Matthew

1266
01:03:06,840 --> 01:03:08,080
Speaker 2: and David Bebe.

1267
01:03:08,120 --> 01:03:10,080
Speaker 3: Give you a hammer, and we're like, go nuts, kid.

1268
01:03:10,400 --> 01:03:12,600
Speaker 2: I don't know why I'm tried tried to take credit

1269
01:03:12,640 --> 01:03:17,160
Speaker 2: for badhole. These monsters came over and grabbed a hammer.

1270
01:03:18,560 --> 01:03:20,600
Speaker 1: But we're talking about them right now, So who won

1271
01:03:20,760 --> 01:03:23,680
Speaker 1: you know what I mean, like you name drop them

1272
01:03:23,720 --> 01:03:25,880
Speaker 1: on your podcast today?

1273
01:03:25,840 --> 01:03:28,560
Speaker 2: Yeah, I could probably put a little bleep in there.

1274
01:03:28,760 --> 01:03:31,240
Speaker 4: It turns out, though, that that was a young Joe Rogan,

1275
01:03:31,400 --> 01:03:32,600
Speaker 4: so his podcast is big.

1276
01:03:32,800 --> 01:03:37,680
Speaker 3: His podcast is pretty huge. It's no you were no.

1277
01:03:38,320 --> 01:03:40,600
Speaker 2: Oh, he has a tuxedo, he's got somewhere to be

1278
01:03:40,760 --> 01:03:47,920
Speaker 2: a piano player just fainted. Yeah, It's it's hilarious that

1279
01:03:47,920 --> 01:03:51,120
Speaker 2: that I started talking, I can't remember what I said.

1280
01:03:51,520 --> 01:03:53,680
Speaker 3: Well, that happens to me literally all the time.

1281
01:03:54,560 --> 01:03:55,640
Speaker 2: That's what traffical do.

1282
01:03:55,960 --> 01:03:58,600
Speaker 3: That's what traffical duty. Yeah, though, honestly, like I kind

1283
01:03:58,600 --> 01:04:03,400
Speaker 3: of like sitting in traffic. It's very like forced soothing.

1284
01:04:03,200 --> 01:04:06,600
Speaker 1: As a passenger, right, as a passenger, I want to say,

1285
01:04:06,600 --> 01:04:09,520
Speaker 1: as a driver too. I used to live in Culver City,

1286
01:04:09,520 --> 01:04:13,040
Speaker 1: a little bit of la geography everybody always loves hearing about, yeah,

1287
01:04:13,120 --> 01:04:15,120
Speaker 1: and so I used to like have to take three

1288
01:04:15,200 --> 01:04:18,120
Speaker 1: highways to get out here, and usually I was coming

1289
01:04:18,200 --> 01:04:22,320
Speaker 1: like during rush hour in the morning, and you know,

1290
01:04:22,400 --> 01:04:23,880
Speaker 1: you'd sit there for like an hour and a half

1291
01:04:23,960 --> 01:04:26,280
Speaker 1: or whatever. And I've never listened to so many books

1292
01:04:26,480 --> 01:04:29,680
Speaker 1: in my life. Like I was going through like a

1293
01:04:29,720 --> 01:04:32,320
Speaker 1: bunch of like language podcasts, like I was learning how

1294
01:04:32,320 --> 01:04:33,120
Speaker 1: to speak Spanish.

1295
01:04:33,240 --> 01:04:35,040
Speaker 3: I'm like, I feel like I was being very enriched

1296
01:04:35,040 --> 01:04:38,720
Speaker 3: as a person. Oh that's again, you were using your time. Yeah,

1297
01:04:38,760 --> 01:04:40,520
Speaker 3: I just don't listen to music. I think that helps.

1298
01:04:40,560 --> 01:04:43,920
Speaker 1: I think if you like music, that's it's hard to

1299
01:04:44,000 --> 01:04:46,400
Speaker 1: switch off from music.

1300
01:04:46,400 --> 01:04:50,600
Speaker 2: Right, Yeah, I think I would save when I lived

1301
01:04:50,640 --> 01:04:53,120
Speaker 2: in Marvista, which is basically Culver City.

1302
01:04:53,240 --> 01:04:55,480
Speaker 3: I lived in marvist to two, but that felt too niche, so.

1303
01:04:55,440 --> 01:05:00,840
Speaker 1: I said, you're stoner. I was off of Okay, this

1304
01:05:00,880 --> 01:05:03,880
Speaker 1: is very embarrassing. In the street called Sawtel, but I

1305
01:05:03,960 --> 01:05:06,560
Speaker 1: had never heard it said out loud until after we moved.

1306
01:05:06,560 --> 01:05:08,440
Speaker 1: I'd lived there for like a year and a half

1307
01:05:08,600 --> 01:05:11,080
Speaker 1: and I thought it was satellite, and I kept telling

1308
01:05:11,080 --> 01:05:13,320
Speaker 1: people I lived on satellite, and people were.

1309
01:05:13,120 --> 01:05:14,479
Speaker 3: Like, what are you talking about?

1310
01:05:14,520 --> 01:05:17,720
Speaker 1: And nobody ever said anything to me until I turned

1311
01:05:17,720 --> 01:05:19,680
Speaker 1: on my serie voice one day and it was like

1312
01:05:19,720 --> 01:05:20,400
Speaker 1: turning onto.

1313
01:05:20,240 --> 01:05:23,000
Speaker 3: Sawtel and I was like, what is going on? There

1314
01:05:23,080 --> 01:05:25,000
Speaker 3: was like ha ha hah, and they're like, no, that

1315
01:05:25,080 --> 01:05:26,160
Speaker 3: is how it is pronounced.

1316
01:05:26,400 --> 01:05:31,000
Speaker 2: Yeah, the double tea that you just maybe put in there.

1317
01:05:30,880 --> 01:05:33,840
Speaker 3: Thank you for visionally, thank you for trying to help

1318
01:05:33,880 --> 01:05:35,640
Speaker 3: me there. I really appreciate that.

1319
01:05:35,720 --> 01:05:40,360
Speaker 2: I'm just saying I put double t's everywhere. I've done

1320
01:05:40,400 --> 01:05:42,800
Speaker 2: it in a million times. No, I would. I would

1321
01:05:42,840 --> 01:05:45,680
Speaker 2: prepare for work in the car. I would like, not

1322
01:05:46,440 --> 01:05:49,560
Speaker 2: prepare things, but I knew that the drive would be

1323
01:05:49,560 --> 01:05:52,800
Speaker 2: an hour long, so in lieu of music, I would

1324
01:05:52,880 --> 01:05:56,760
Speaker 2: write that was what I was supposed to do, just

1325
01:05:56,800 --> 01:06:00,120
Speaker 2: by like you said, recording it and listening to it.

1326
01:06:00,280 --> 01:06:02,040
Speaker 3: Oh, that's really in my head.

1327
01:06:02,640 --> 01:06:04,720
Speaker 1: And now with the technology of the like speak to

1328
01:06:05,080 --> 01:06:09,440
Speaker 1: text or whatever, I mean, that's that's billble hours at

1329
01:06:09,440 --> 01:06:10,800
Speaker 1: the Yeah, exactly.

1330
01:06:11,760 --> 01:06:12,200
Speaker 7: Yeah.

1331
01:06:12,400 --> 01:06:15,840
Speaker 2: You punched in at nine. Yeah, but I started driving

1332
01:06:15,880 --> 01:06:16,200
Speaker 2: at eight.

1333
01:06:16,960 --> 01:06:19,560
Speaker 1: How hard is it not to constantly docks yourselves on

1334
01:06:19,600 --> 01:06:20,880
Speaker 1: this podcast because I feel.

1335
01:06:20,680 --> 01:06:22,200
Speaker 3: Like I'm hearing about this and I was like, Oh,

1336
01:06:22,320 --> 01:06:24,000
Speaker 3: what area do you live? And I'm not gonna ask

1337
01:06:24,040 --> 01:06:25,280
Speaker 3: that writing.

1338
01:06:25,960 --> 01:06:30,560
Speaker 2: Yeah, I it's hopefully we back in the early days

1339
01:06:30,600 --> 01:06:34,280
Speaker 2: when I was recording in my lap and we were

1340
01:06:34,360 --> 01:06:35,400
Speaker 2: driving to the airport.

1341
01:06:35,600 --> 01:06:38,000
Speaker 3: Chris is the sound guy, but he had never used

1342
01:06:38,000 --> 01:06:38,880
Speaker 3: any of the equipment.

1343
01:06:39,680 --> 01:06:43,240
Speaker 2: Very fraud Yeah, it all sounded like the first season

1344
01:06:43,360 --> 01:06:47,200
Speaker 2: was just basically underwater. There was just a lot of.

1345
01:06:46,960 --> 01:06:49,440
Speaker 3: The underwater season, the famous underwater.

1346
01:06:49,000 --> 01:06:55,040
Speaker 2: Season, a lot of gurgling and bubbling, but never edited anything.

1347
01:06:56,320 --> 01:06:59,120
Speaker 2: Who knows what's back there? Yeah?

1348
01:06:59,360 --> 01:07:02,760
Speaker 1: I tweet at us, let us know what's back Yeah,

1349
01:07:02,920 --> 01:07:04,120
Speaker 1: tell me about my mistake.

1350
01:07:05,360 --> 01:07:08,160
Speaker 2: Cancel me for things I've said.

1351
01:07:08,200 --> 01:07:10,160
Speaker 3: Because that's so crazy. I feel like that's something that

1352
01:07:10,200 --> 01:07:11,120
Speaker 3: I never thought about.

1353
01:07:11,160 --> 01:07:13,400
Speaker 1: And then all of a sudden in the last year here,

1354
01:07:13,520 --> 01:07:15,920
Speaker 1: it's like I took a photo and somebody's like, oh,

1355
01:07:15,960 --> 01:07:18,160
Speaker 1: this is the street that Vick was on, and this

1356
01:07:18,360 --> 01:07:21,840
Speaker 1: was the intersection, and I think Vick shops here, And

1357
01:07:21,880 --> 01:07:23,720
Speaker 1: I was like, that is so scary.

1358
01:07:23,800 --> 01:07:25,760
Speaker 3: And I don't think it's people meaning to be scary,

1359
01:07:25,840 --> 01:07:27,280
Speaker 3: but it feels very scary.

1360
01:07:27,560 --> 01:07:30,960
Speaker 4: No, it's I think it's people forgetting that you're actually

1361
01:07:31,000 --> 01:07:33,760
Speaker 4: real and you and like have a life. And I

1362
01:07:33,800 --> 01:07:36,480
Speaker 4: think people are like, oh, no, you're the subject of

1363
01:07:36,480 --> 01:07:40,120
Speaker 4: my interest, therefore we're just going to discuss you like

1364
01:07:40,160 --> 01:07:40,680
Speaker 4: a topic.

1365
01:07:40,880 --> 01:07:44,840
Speaker 3: Oh that's really interesting. Yeah, that makes sense where it's.

1366
01:07:44,680 --> 01:07:49,120
Speaker 4: Like there's not any usually because I think people who

1367
01:07:49,200 --> 01:07:52,480
Speaker 4: love especially people who love comedy, it truly is like

1368
01:07:52,520 --> 01:07:55,400
Speaker 4: a it's a love. It's different than like if you're

1369
01:07:55,440 --> 01:07:58,520
Speaker 4: a famous you know, starlet or something, where it's like

1370
01:07:58,920 --> 01:08:01,760
Speaker 4: there's a real connect and there's a reason that they

1371
01:08:01,840 --> 01:08:03,000
Speaker 4: like you're specifically and.

1372
01:08:03,920 --> 01:08:06,960
Speaker 8: Yeah, and I would imagine with you guys, especially with podcasting,

1373
01:08:07,000 --> 01:08:09,200
Speaker 8: that must be like a really tricky line where like

1374
01:08:09,400 --> 01:08:12,120
Speaker 8: you talk so much like just by nature, like you know,

1375
01:08:12,160 --> 01:08:14,280
Speaker 8: you're you're chatting about things and like things that are

1376
01:08:14,320 --> 01:08:16,800
Speaker 8: happening in your lives that people must feel, especially like

1377
01:08:16,920 --> 01:08:20,680
Speaker 8: extra connected to what's happening, Yeah, with you on the

1378
01:08:20,760 --> 01:08:21,280
Speaker 8: day to day.

1379
01:08:21,360 --> 01:08:25,160
Speaker 2: Yeah, it's true. Even in listening to podcasts myself, it

1380
01:08:25,280 --> 01:08:28,280
Speaker 2: is so much. It's the closest thing to being in

1381
01:08:28,320 --> 01:08:33,880
Speaker 2: a conversation with someone that you know them. They don't

1382
01:08:33,880 --> 01:08:36,080
Speaker 2: know you, but you know them, and so it seems

1383
01:08:36,080 --> 01:08:38,280
Speaker 2: like a normal thing to message them and say, hey,

1384
01:08:38,760 --> 01:08:40,840
Speaker 2: I took this picture of the top of your house.

1385
01:08:41,600 --> 01:08:42,679
Speaker 2: Do you want to use it?

1386
01:08:42,680 --> 01:08:44,920
Speaker 3: It looks so beautiful from the passenger seat here.

1387
01:08:45,000 --> 01:08:49,400
Speaker 2: Yeah, so it doesn't seem like it's out of bounds,

1388
01:08:48,880 --> 01:08:53,479
Speaker 2: but it isn't. Don't hover over houses all you drone

1389
01:08:53,560 --> 01:08:55,439
Speaker 2: operating podcast fans.

1390
01:08:56,479 --> 01:08:58,040
Speaker 3: Oh, somebody sent me a picture.

1391
01:08:58,320 --> 01:09:01,920
Speaker 4: I think it was Bridger because uh, he looked up

1392
01:09:01,960 --> 01:09:04,720
Speaker 4: my address or something and he goes, did you know

1393
01:09:04,760 --> 01:09:07,360
Speaker 4: this horrifying picture of the front of your house? He's

1394
01:09:07,439 --> 01:09:09,559
Speaker 4: on Google Maps and it was a picture of my

1395
01:09:09,600 --> 01:09:12,559
Speaker 4: front door. And then I think they the like car

1396
01:09:12,680 --> 01:09:16,559
Speaker 4: drove by on my birthday because there was a very

1397
01:09:16,600 --> 01:09:20,479
Speaker 4: beautiful bouquet of flowers laying on my doorstep, but it

1398
01:09:20,520 --> 01:09:23,640
Speaker 4: looked like someone took that and posted it. So it

1399
01:09:23,680 --> 01:09:26,439
Speaker 4: was like it looked and there were like kind of

1400
01:09:26,520 --> 01:09:30,160
Speaker 4: lilies and like it was fancy enough as a bouquet

1401
01:09:30,600 --> 01:09:33,240
Speaker 4: that it looked scary, like it was just kind of

1402
01:09:33,280 --> 01:09:36,120
Speaker 4: like who left that that from? So Bridger was all

1403
01:09:36,120 --> 01:09:38,240
Speaker 4: freaked out. I'm like, that was my birthday. I think

1404
01:09:38,240 --> 01:09:39,639
Speaker 4: those those were from all?

1405
01:09:39,720 --> 01:09:42,800
Speaker 3: But why was Bridger google image searching your home?

1406
01:09:42,920 --> 01:09:45,599
Speaker 4: And this is why I brought it up because I

1407
01:09:45,640 --> 01:09:48,720
Speaker 4: don't want to question him. I want him to be questioned,

1408
01:09:48,880 --> 01:09:50,240
Speaker 4: right right, we want answers.

1409
01:09:50,320 --> 01:09:52,599
Speaker 3: Yeah, I didn't, so Bridger tweet at us. Let us

1410
01:09:52,640 --> 01:09:54,240
Speaker 3: know for sure you were up.

1411
01:09:54,160 --> 01:09:59,240
Speaker 2: To He wanted to know if his flowers arrived.

1412
01:09:59,320 --> 01:10:01,759
Speaker 3: Oh kay, yeah, and you said the Google car to

1413
01:10:01,840 --> 01:10:02,479
Speaker 3: check on them.

1414
01:10:02,640 --> 01:10:05,559
Speaker 4: That'd be incredible if like you forgot to say thank

1415
01:10:05,600 --> 01:10:07,280
Speaker 4: you to someone who's saying then it's like, did you

1416
01:10:07,320 --> 01:10:08,799
Speaker 4: know this weird picture is somewhere?

1417
01:10:08,840 --> 01:10:11,080
Speaker 3: It's like it's in my phone. I took it. I'm

1418
01:10:11,080 --> 01:10:13,280
Speaker 3: mad at you. Well, this is like telling on myself

1419
01:10:13,320 --> 01:10:13,720
Speaker 3: a little bit.

1420
01:10:13,720 --> 01:10:15,479
Speaker 1: But do you ever have that where like somebody messages

1421
01:10:15,520 --> 01:10:17,519
Speaker 1: you and then you like saw it but forgot to

1422
01:10:17,560 --> 01:10:19,920
Speaker 1: respond to it, and so then enough time goes by

1423
01:10:19,960 --> 01:10:21,760
Speaker 1: that then they message you back about it and you're like,

1424
01:10:21,760 --> 01:10:24,040
Speaker 1: oh sorry that last message, Like I just didn't see

1425
01:10:24,120 --> 01:10:25,880
Speaker 1: or like didn't come through or whatever, just a little

1426
01:10:25,880 --> 01:10:26,599
Speaker 1: white lie.

1427
01:10:27,280 --> 01:10:29,519
Speaker 3: Oh yes, Oh yeah, I do it all the time,

1428
01:10:29,560 --> 01:10:30,800
Speaker 3: all the time. I do that too much.

1429
01:10:30,880 --> 01:10:32,920
Speaker 1: Especially I travel back and forth from Canada, and so

1430
01:10:32,960 --> 01:10:34,519
Speaker 1: I have some plausible deniability to.

1431
01:10:34,520 --> 01:10:35,920
Speaker 3: Be like, oh I just didn't come through. I was

1432
01:10:35,960 --> 01:10:36,759
Speaker 3: out of the country.

1433
01:10:37,240 --> 01:10:41,200
Speaker 4: But I do think I feel like everyone tells that

1434
01:10:41,240 --> 01:10:45,120
Speaker 4: lie and participates in that lie, so nobody can truly

1435
01:10:46,280 --> 01:10:48,560
Speaker 4: like confront you without being a hypocrite.

1436
01:10:48,680 --> 01:10:49,599
Speaker 3: Oh that's interesting.

1437
01:10:49,640 --> 01:10:51,840
Speaker 1: I feel that way about talking behind people's backs too,

1438
01:10:51,840 --> 01:10:54,080
Speaker 1: where I'm just like, I literally don't want to know

1439
01:10:54,160 --> 01:10:56,920
Speaker 1: anything about anything that anyone is saying about me. Yeah,

1440
01:10:56,960 --> 01:10:58,920
Speaker 1: I unless it's something that I have to address. If

1441
01:10:58,920 --> 01:11:00,760
Speaker 1: people are just blowing off steam. Everybody has to do

1442
01:11:00,840 --> 01:11:02,640
Speaker 1: it every once in a while, Like if you need

1443
01:11:02,720 --> 01:11:04,479
Speaker 1: to talk some shit about me that it's one thousand

1444
01:11:04,560 --> 01:11:05,280
Speaker 1: percent fine.

1445
01:11:05,520 --> 01:11:07,519
Speaker 3: Yes, I just do not want to be party to

1446
01:11:07,560 --> 01:11:08,960
Speaker 3: it in any way, shape or form. I don't want

1447
01:11:08,960 --> 01:11:09,080
Speaker 3: to know.

1448
01:11:09,080 --> 01:11:10,320
Speaker 1: I don't want to hear about it. I don't want

1449
01:11:10,439 --> 01:11:12,640
Speaker 1: another friend telling me about it. I'm just like, I

1450
01:11:12,680 --> 01:11:14,920
Speaker 1: want no part in it.

1451
01:11:14,320 --> 01:11:18,800
Speaker 2: How about reading comments on videos online? Do you do

1452
01:11:18,840 --> 01:11:20,080
Speaker 2: you ever dive into that.

1453
01:11:20,320 --> 01:11:22,599
Speaker 3: Same thought people's thoughts on me or none of my business.

1454
01:11:22,680 --> 01:11:26,280
Speaker 1: Yeah, Like I do think, especially doing having any kind

1455
01:11:26,360 --> 01:11:29,360
Speaker 1: of art online. It's like, if people are coming to

1456
01:11:29,400 --> 01:11:32,480
Speaker 1: my page with something that I've reposted to say something.

1457
01:11:32,400 --> 01:11:33,680
Speaker 3: You're gonna get blocked immediately.

1458
01:11:33,760 --> 01:11:36,360
Speaker 1: I'm fine, Like that's like, you know, there's but like

1459
01:11:36,640 --> 01:11:38,760
Speaker 1: if people are going to drop outs page or like

1460
01:11:39,439 --> 01:11:42,559
Speaker 1: online forums or whatever, that people should be able to

1461
01:11:42,560 --> 01:11:43,759
Speaker 1: discuss art online.

1462
01:11:43,880 --> 01:11:45,040
Speaker 3: I think you know what I mean.

1463
01:11:45,160 --> 01:11:48,280
Speaker 1: And like again, unless it's something that like I have

1464
01:11:48,400 --> 01:11:51,200
Speaker 1: to address in one in any way, some way, shape

1465
01:11:51,280 --> 01:11:54,880
Speaker 1: or form, I think that people should and shouldn't be

1466
01:11:54,880 --> 01:11:57,320
Speaker 1: having conversations about art. And I feel very privileged to

1467
01:11:57,320 --> 01:11:59,559
Speaker 1: be in a position that, like people enough people are

1468
01:11:59,600 --> 01:12:01,559
Speaker 1: watching this stuff that I'm doing that like there.

1469
01:12:01,400 --> 01:12:04,280
Speaker 3: Are conversations around it. I think that's really cool. It is,

1470
01:12:04,560 --> 01:12:06,559
Speaker 3: It's very cool, and you're so right.

1471
01:12:06,640 --> 01:12:10,840
Speaker 4: It's like that idea I think some people want some

1472
01:12:11,400 --> 01:12:15,200
Speaker 4: that's an attempt at engagement, is like well I didn't

1473
01:12:15,280 --> 01:12:17,519
Speaker 4: like this, or you know, they're coming with some sort

1474
01:12:17,520 --> 01:12:21,080
Speaker 4: of criticism and I'm always like god, bless, like yeah,

1475
01:12:21,320 --> 01:12:24,360
Speaker 4: everybody gets to have their own thing about what's happening.

1476
01:12:24,479 --> 01:12:27,400
Speaker 3: For sure. It's yeah, you're not looking for consensus.

1477
01:12:27,640 --> 01:12:30,760
Speaker 2: I am so it's so unhealthy. But I care so

1478
01:12:30,920 --> 01:12:34,960
Speaker 2: much about the opinions strangers and if there is.

1479
01:12:35,080 --> 01:12:37,280
Speaker 3: A how do you engage with them? Though? Are you

1480
01:12:37,360 --> 01:12:39,320
Speaker 3: like chatting with people back and forth and people like

1481
01:12:39,320 --> 01:12:40,840
Speaker 3: saying stuff? When are you sort of like, oh, noted?

1482
01:12:40,920 --> 01:12:42,639
Speaker 3: Or are you just lurking? It is?

1483
01:12:43,040 --> 01:12:46,840
Speaker 2: I'm I'm thinking more of like when I'm doing stand up.

1484
01:12:47,000 --> 01:12:52,720
Speaker 2: If there's a sleeveless shirt dad up front that has

1485
01:12:52,760 --> 01:12:55,760
Speaker 2: his arms crossed and isn't enjoying me, That's who I

1486
01:12:55,840 --> 01:12:59,160
Speaker 2: focus on and that's always been the case. Everyone else

1487
01:12:59,320 --> 01:13:03,120
Speaker 2: is laughing. Great, why is this person not? I can't.

1488
01:13:03,360 --> 01:13:04,439
Speaker 2: I can't deal with it?

1489
01:13:04,479 --> 01:13:06,880
Speaker 3: Can I be? Honestly? This shirt dad? What are you

1490
01:13:06,960 --> 01:13:08,160
Speaker 3: doing sitting in the front row?

1491
01:13:08,240 --> 01:13:10,040
Speaker 1: You got brought here by your daughter because it was

1492
01:13:10,080 --> 01:13:12,639
Speaker 1: your weekend that she wanted to come sit like, sit

1493
01:13:12,720 --> 01:13:15,880
Speaker 1: in the backsit respectfully, somewhere in the middle behind the lights,

1494
01:13:16,040 --> 01:13:16,760
Speaker 1: you know what I mean.

1495
01:13:17,120 --> 01:13:19,240
Speaker 2: We were yelling at each other at home and then

1496
01:13:19,240 --> 01:13:22,760
Speaker 2: I realized I won these free comedy tickets tickets from

1497
01:13:22,800 --> 01:13:24,120
Speaker 2: the radio this morning.

1498
01:13:24,680 --> 01:13:25,400
Speaker 3: Well, also, I.

1499
01:13:25,320 --> 01:13:28,800
Speaker 4: Feel like those some audience members don't realize that where

1500
01:13:28,840 --> 01:13:30,800
Speaker 4: it's like, you know how you can see me, I

1501
01:13:30,840 --> 01:13:34,120
Speaker 4: can also see yes, looking at me and keeping the

1502
01:13:34,160 --> 01:13:36,360
Speaker 4: look on your face of how you actually feel about

1503
01:13:36,360 --> 01:13:40,880
Speaker 4: me is absolutely very rude and aggressive, even though you're

1504
01:13:40,920 --> 01:13:43,680
Speaker 4: just in the audience having your experience, but like the

1505
01:13:43,760 --> 01:13:44,800
Speaker 4: lights are on your friend.

1506
01:13:45,120 --> 01:13:48,320
Speaker 2: Yeah, yeah, yeah, you would think that. A number of

1507
01:13:48,360 --> 01:13:51,880
Speaker 2: times the person that I thought was hating me that

1508
01:13:52,040 --> 01:13:54,080
Speaker 2: comes up and said that was so fun.

1509
01:13:54,680 --> 01:13:56,680
Speaker 3: Yeah? Is that always so interesting?

1510
01:13:57,080 --> 01:14:01,160
Speaker 2: Your face is not in line with what you just said.

1511
01:14:01,680 --> 01:14:03,719
Speaker 3: But I'm like, to be judged just on your resting

1512
01:14:03,760 --> 01:14:04,759
Speaker 3: face is so hard.

1513
01:14:04,960 --> 01:14:07,000
Speaker 1: Somebody when I was in college said I had a

1514
01:14:07,040 --> 01:14:11,679
Speaker 1: really stern resting face. And I've thought about that every

1515
01:14:11,720 --> 01:14:15,360
Speaker 1: single day since, and so I've literally practiced in the

1516
01:14:15,360 --> 01:14:17,439
Speaker 1: mirror of my resting face being sort of like a

1517
01:14:18,000 --> 01:14:21,519
Speaker 1: pleasantly amused, you know what I mean, sort of like

1518
01:14:21,520 --> 01:14:23,200
Speaker 1: I smelled something kind of nice.

1519
01:14:23,080 --> 01:14:24,760
Speaker 3: Like that's like my resting face.

1520
01:14:24,880 --> 01:14:27,559
Speaker 4: Yeah, that's what people are talking about behind your back.

1521
01:14:28,439 --> 01:14:29,880
Speaker 2: Yeah you want to know.

1522
01:14:30,080 --> 01:14:32,160
Speaker 3: Oh that's right, you just said you didn't want to know.

1523
01:14:32,640 --> 01:14:33,000
Speaker 2: Sorry.

1524
01:14:34,280 --> 01:14:36,559
Speaker 1: Oh man, Yeah, it's like I don't know what's so

1525
01:14:36,640 --> 01:14:39,160
Speaker 1: interesting that I mean, coming back to theater. Seeing as

1526
01:14:39,200 --> 01:14:43,120
Speaker 1: we were talking about the twenty minutes ago, that was

1527
01:14:43,160 --> 01:14:44,720
Speaker 1: like the hardest part of it. I think about, like

1528
01:14:44,760 --> 01:14:48,240
Speaker 1: growing up doing theater. I highly recommended anybody that's like

1529
01:14:48,439 --> 01:14:50,640
Speaker 1: got teenagers like get them in the theater department in

1530
01:14:50,680 --> 01:14:52,880
Speaker 1: some capacity. I think it's really good and really healthy

1531
01:14:52,880 --> 01:14:55,920
Speaker 1: for dealing with conflict resolution and like, you know, just

1532
01:14:55,960 --> 01:14:58,680
Speaker 1: like preparing something and performing and I think has a

1533
01:14:58,680 --> 01:15:01,120
Speaker 1: lot of things. But like, I have never met a

1534
01:15:01,120 --> 01:15:03,960
Speaker 1: group of kids that are like, will tear each other

1535
01:15:04,000 --> 01:15:06,760
Speaker 1: down only to build each other back up again faster.

1536
01:15:06,680 --> 01:15:09,519
Speaker 3: You know, right, do you guys do theater at all?

1537
01:15:10,479 --> 01:15:10,679
Speaker 2: Yeah?

1538
01:15:10,680 --> 01:15:13,960
Speaker 3: I did it, and well we didn't. I went to

1539
01:15:13,960 --> 01:15:14,880
Speaker 3: a tiny high school.

1540
01:15:14,880 --> 01:15:18,599
Speaker 4: We only got drama my senior year, and then I

1541
01:15:18,760 --> 01:15:23,160
Speaker 4: was a theater major in college. Then I dropped out

1542
01:15:23,200 --> 01:15:27,599
Speaker 4: of college because I became a beer major, and then

1543
01:15:27,640 --> 01:15:28,680
Speaker 4: I became a comedian.

1544
01:15:28,880 --> 01:15:29,599
Speaker 2: I love that.

1545
01:15:29,880 --> 01:15:32,759
Speaker 3: It's a pretty nice arc your time in college.

1546
01:15:32,960 --> 01:15:35,040
Speaker 1: What plays did you do or did you get to

1547
01:15:35,040 --> 01:15:36,280
Speaker 1: the phase where you were doing plays?

1548
01:15:36,640 --> 01:15:36,920
Speaker 3: Yes?

1549
01:15:37,800 --> 01:15:43,280
Speaker 4: The first one was Carnival, the musical Carnival. Yes, kind

1550
01:15:43,280 --> 01:15:45,599
Speaker 4: of boring, but some a couple of good songs. And

1551
01:15:45,640 --> 01:15:51,120
Speaker 4: I was just a lady in the background. Then the next.

1552
01:15:51,200 --> 01:15:53,400
Speaker 3: Did I do other plays? I can't remember.

1553
01:15:53,560 --> 01:15:55,799
Speaker 4: I think it was just in those kind of bigger

1554
01:15:55,880 --> 01:15:59,599
Speaker 4: musicals because then the smaller ones were like the really

1555
01:15:59,640 --> 01:16:02,720
Speaker 4: talent sophomores and the juniors and seniors would be in

1556
01:16:02,800 --> 01:16:05,800
Speaker 4: like the non musicals, right, So I never kind of

1557
01:16:05,840 --> 01:16:09,720
Speaker 4: made it to that. Then the next musical was On

1558
01:16:09,840 --> 01:16:13,640
Speaker 4: the Town, which was the next year's musical, super fun

1559
01:16:12,960 --> 01:16:14,360
Speaker 4: on the Town.

1560
01:16:14,640 --> 01:16:16,200
Speaker 3: It's an old one, it's an oldie.

1561
01:16:16,280 --> 01:16:19,240
Speaker 4: So then after I dropped out, I started going to

1562
01:16:19,280 --> 01:16:23,599
Speaker 4: the community college in Sacramento, and they had this really

1563
01:16:23,680 --> 01:16:28,639
Speaker 4: cool kind of it was the Sacramentous City Actors Theater.

1564
01:16:28,880 --> 01:16:33,560
Speaker 4: Oh cool, and I got immediately got cast as Antigony

1565
01:16:34,200 --> 01:16:36,759
Speaker 4: no way. So I went from like, can't get a part,

1566
01:16:37,160 --> 01:16:39,800
Speaker 4: nobody will pick me for anything, like, oh, I guess

1567
01:16:39,800 --> 01:16:41,040
Speaker 4: I'm maybe not that good.

1568
01:16:40,880 --> 01:16:44,080
Speaker 3: At it, to antigony and Antigony to the lead in the.

1569
01:16:44,120 --> 01:16:46,439
Speaker 4: Fucking play where I was just like, oh, oh no,

1570
01:16:46,560 --> 01:16:48,679
Speaker 4: I don't know if I can do that. Really yeah,

1571
01:16:48,680 --> 01:16:51,559
Speaker 4: it was crazy, and I go, I think, really well,

1572
01:16:52,560 --> 01:16:55,839
Speaker 4: I had a teacher that was like a history teacher,

1573
01:16:56,400 --> 01:16:59,559
Speaker 4: and I always skip skipped that class or whatever. But

1574
01:16:59,640 --> 01:17:03,639
Speaker 4: I went to that class, and he started the class

1575
01:17:03,680 --> 01:17:06,400
Speaker 4: by saying like pointing at me and being like, that's

1576
01:17:06,439 --> 01:17:09,920
Speaker 4: the best play I've seen at this school in like

1577
01:17:10,040 --> 01:17:12,880
Speaker 4: thirty years. And he was just like, A, you know,

1578
01:17:13,080 --> 01:17:15,280
Speaker 4: I don't it's like just a history teacher. It wasn't

1579
01:17:15,320 --> 01:17:17,240
Speaker 4: he was like, oh, I need to make her feel good.

1580
01:17:17,320 --> 01:17:19,920
Speaker 4: It was like he needed to let me know. And

1581
01:17:19,960 --> 01:17:22,400
Speaker 4: then I was like again, it was that kind of

1582
01:17:22,439 --> 01:17:23,760
Speaker 4: thing of like, that's all I need to hear.

1583
01:17:23,800 --> 01:17:25,240
Speaker 3: I don't care what anybody else thinks.

1584
01:17:25,240 --> 01:17:27,840
Speaker 4: That's the ultimate fucking compliment and I'm just gonna take

1585
01:17:27,880 --> 01:17:29,000
Speaker 4: it as a win.

1586
01:17:29,280 --> 01:17:31,719
Speaker 1: Yeah, that really is it a and like oh man,

1587
01:17:31,760 --> 01:17:34,479
Speaker 1: and also to like, I think how incredible that you

1588
01:17:34,560 --> 01:17:37,759
Speaker 1: also have like the ability to go like I'm gonna

1589
01:17:37,760 --> 01:17:39,960
Speaker 1: receive this and just go thank you, because I feel

1590
01:17:39,960 --> 01:17:41,960
Speaker 1: like that's a hard thing to do sometimes too. And

1591
01:17:42,000 --> 01:17:44,400
Speaker 1: I think something I'm working on personally is just going

1592
01:17:44,439 --> 01:17:46,920
Speaker 1: like there's a compliment flying in my direction, I'm gonna

1593
01:17:46,920 --> 01:17:49,040
Speaker 1: take it because life is hard, and like it's a

1594
01:17:49,080 --> 01:17:52,280
Speaker 1: hard industry, and like why you could always question it,

1595
01:17:52,320 --> 01:17:53,760
Speaker 1: but also you could just take it.

1596
01:17:54,560 --> 01:17:59,320
Speaker 4: Yeah, because the taking it is respecting someone else's opinion

1597
01:17:59,479 --> 01:18:02,160
Speaker 4: and not. I'm kind of not putting your insecurity in

1598
01:18:02,160 --> 01:18:04,800
Speaker 4: the foreground to go arguing or whatever. It's like, no,

1599
01:18:05,120 --> 01:18:08,520
Speaker 4: let other people's opinions sway you when it's good.

1600
01:18:08,720 --> 01:18:11,400
Speaker 3: Like you're saying, it's the least you can do for yourself.

1601
01:18:11,040 --> 01:18:14,000
Speaker 2: In this and the other person my mom growing up,

1602
01:18:14,720 --> 01:18:17,880
Speaker 2: people would always compliment my mom and she'd go, well, no,

1603
01:18:17,960 --> 01:18:21,760
Speaker 2: not really. She would like try and talk them out

1604
01:18:21,760 --> 01:18:24,320
Speaker 2: of it. You look nice today, Oh this old thing.

1605
01:18:24,520 --> 01:18:27,680
Speaker 2: Oh yeah, yeah, And I'm like, okay, don't do that.

1606
01:18:27,920 --> 01:18:30,559
Speaker 2: But of course I do it. Of course I do

1607
01:18:30,640 --> 01:18:31,519
Speaker 2: that all the time.

1608
01:18:31,680 --> 01:18:36,280
Speaker 3: It's hard. It's hard not to. Okay, theater, what shows

1609
01:18:36,280 --> 01:18:36,920
Speaker 3: were we in?

1610
01:18:37,720 --> 01:18:42,280
Speaker 2: Oh, that's funny. I guess the plays I did in

1611
01:18:42,400 --> 01:18:46,000
Speaker 2: high school. I didn't realize that it would. I just

1612
01:18:46,040 --> 01:18:50,160
Speaker 2: thought it was a fun thing to do in high school.

1613
01:18:50,360 --> 01:18:54,200
Speaker 2: And I didn't know that after that at college they

1614
01:18:54,200 --> 01:18:59,479
Speaker 2: didn't really, it wasn't presented to me. I don't. I didn't. Yeah.

1615
01:18:59,520 --> 01:19:03,559
Speaker 2: I did go Chasers, a loosely based on Ghostbusters I suppose,

1616
01:19:04,640 --> 01:19:07,880
Speaker 2: but it was so fun. And again it was just

1617
01:19:07,920 --> 01:19:11,280
Speaker 2: like you said. My my Spanish teacher was said that

1618
01:19:11,400 --> 01:19:13,400
Speaker 2: was great, and I that was a class that I

1619
01:19:13,439 --> 01:19:16,600
Speaker 2: had been kicked out of We had some issues.

1620
01:19:17,439 --> 01:19:18,760
Speaker 4: But he had to give it to you for your

1621
01:19:18,800 --> 01:19:21,000
Speaker 4: ghost Yeah, yeah, yeah.

1622
01:19:21,120 --> 01:19:24,559
Speaker 2: And it felt great. But in college it just seemed like, well,

1623
01:19:24,560 --> 01:19:29,679
Speaker 2: there's the dance department. I'm in the visual arts arts. Yeah,

1624
01:19:29,800 --> 01:19:31,720
Speaker 2: painting and drawing. That's why I went to school for

1625
01:19:31,920 --> 01:19:35,880
Speaker 2: so I so focused on that and and currently doing,

1626
01:19:37,080 --> 01:19:40,640
Speaker 2: you know, painting signs and doing T shirt designs. Like

1627
01:19:40,720 --> 01:19:43,639
Speaker 2: I thought that was going to be my job until

1628
01:19:43,680 --> 01:19:48,519
Speaker 2: I was drunk at a party, got kicked out, and

1629
01:19:48,560 --> 01:19:51,360
Speaker 2: then in the back of the newspaper the woman who's

1630
01:19:52,200 --> 01:19:54,160
Speaker 2: whose house it was said, Hey, do you want to

1631
01:19:54,200 --> 01:19:57,360
Speaker 2: do start an improv group? I didn't even know what

1632
01:19:57,400 --> 01:20:01,599
Speaker 2: that meant. And then she said, I'm sorry, yes, whose

1633
01:20:01,640 --> 01:20:02,519
Speaker 2: line is it? Anyway?

1634
01:20:03,640 --> 01:20:04,200
Speaker 3: A party?

1635
01:20:04,320 --> 01:20:07,080
Speaker 2: Yes for trying on. I was drunk. I was with

1636
01:20:07,160 --> 01:20:09,240
Speaker 2: a bunch of friends. I think I broke a lamp.

1637
01:20:09,520 --> 01:20:11,360
Speaker 1: But and then the woman whose house it was was like,

1638
01:20:11,960 --> 01:20:14,160
Speaker 1: you got to get out, but also do you want

1639
01:20:14,160 --> 01:20:14,760
Speaker 1: to come back?

1640
01:20:14,960 --> 01:20:17,880
Speaker 2: Days later, my mother was looking in the back of

1641
01:20:17,920 --> 01:20:21,599
Speaker 2: the newspaper and the personals ads a had leopard print hair,

1642
01:20:22,560 --> 01:20:24,799
Speaker 2: so she knew was about me, and she said, someone

1643
01:20:24,840 --> 01:20:28,400
Speaker 2: wants to do improv with you, and I was like,

1644
01:20:28,439 --> 01:20:29,439
Speaker 2: I don't know what that is?

1645
01:20:29,680 --> 01:20:31,960
Speaker 3: No way, yeah, and.

1646
01:20:31,880 --> 01:20:35,800
Speaker 2: Then so I called the number and yes, that's that's

1647
01:20:35,800 --> 01:20:38,559
Speaker 2: how I got started. It was a weird way to

1648
01:20:38,640 --> 01:20:39,360
Speaker 2: get started.

1649
01:20:39,800 --> 01:20:42,479
Speaker 1: Mind it alone, that's incredible. I've never met somebody that

1650
01:20:42,520 --> 01:20:44,639
Speaker 1: found themselves in a personals I.

1651
01:20:44,560 --> 01:20:47,920
Speaker 2: Know, I've never heard that story because oh wow, okay,

1652
01:20:47,960 --> 01:20:50,200
Speaker 2: I would have thought that's something I've told a million

1653
01:20:50,280 --> 01:20:54,240
Speaker 2: times on here. Yeah it. Otherwise I know that I

1654
01:20:54,280 --> 01:20:59,160
Speaker 2: would have just continued doing like graphic design and illustration work,

1655
01:20:59,200 --> 01:21:02,320
Speaker 2: and I still do at here and there. But it

1656
01:21:02,439 --> 01:21:04,320
Speaker 2: was being in that group. And then we went to

1657
01:21:04,360 --> 01:21:07,880
Speaker 2: Austin and there was like an improv festival there and

1658
01:21:07,920 --> 01:21:10,000
Speaker 2: I took a stand up class, so I moved there

1659
01:21:10,320 --> 01:21:13,240
Speaker 2: to do both, and then I just ended up going

1660
01:21:13,280 --> 01:21:18,040
Speaker 2: with stand up. So I didn't really act in plays

1661
01:21:18,080 --> 01:21:22,280
Speaker 2: so much. But hilariously, like the piano outside my bedroom,

1662
01:21:22,640 --> 01:21:26,680
Speaker 2: there's something called Missoula Children's Theater that when I was

1663
01:21:26,720 --> 01:21:29,400
Speaker 2: doing press jun kids act like Chris Pine said, I

1664
01:21:29,439 --> 01:21:32,640
Speaker 2: did the Missoula Children's Theater. There's all these kids that,

1665
01:21:33,479 --> 01:21:37,439
Speaker 2: as young actors moved to Missoula. So it was right

1666
01:21:37,560 --> 01:21:39,679
Speaker 2: outside my door and I never knew.

1667
01:21:39,720 --> 01:21:42,280
Speaker 3: Like specifically to get like a jump start in the industry.

1668
01:21:42,400 --> 01:21:47,439
Speaker 2: Yes, I apparently it's a highly regarded children's uh you know,

1669
01:21:48,040 --> 01:21:50,000
Speaker 2: school and production. They do plays.

1670
01:21:50,479 --> 01:21:52,160
Speaker 3: Wait, what are your plays?

1671
01:21:52,400 --> 01:21:52,439
Speaker 7: Me?

1672
01:21:52,720 --> 01:21:56,040
Speaker 1: Okay, yeah, So I I had this weird thing where

1673
01:21:56,040 --> 01:21:58,040
Speaker 1: I did stuff with toy t Toronto Youth Theater.

1674
01:21:58,560 --> 01:22:02,000
Speaker 3: I like, I didn't do any any thing. Really. I

1675
01:22:02,040 --> 01:22:04,960
Speaker 3: did a little bit of children's theater when I lived in.

1676
01:22:04,920 --> 01:22:08,920
Speaker 1: Illinois, and I had just always been like, if I

1677
01:22:08,960 --> 01:22:10,720
Speaker 1: have a chance to reinvent myself, I'm just going to

1678
01:22:10,760 --> 01:22:13,519
Speaker 1: start telling people that I do acting, which I did

1679
01:22:13,560 --> 01:22:15,680
Speaker 1: when we moved up to Toronto. And then I had

1680
01:22:15,720 --> 01:22:19,200
Speaker 1: the worst audition for my school play ever. But because

1681
01:22:19,240 --> 01:22:21,599
Speaker 1: everybody had thought that I did theater at my old school,

1682
01:22:21,600 --> 01:22:22,880
Speaker 1: they thought it was just a bad audition and I

1683
01:22:22,960 --> 01:22:26,120
Speaker 1: ended up getting a lead in the show. It was

1684
01:22:26,840 --> 01:22:29,640
Speaker 1: a bad show, but it was a great learning experience.

1685
01:22:29,479 --> 01:22:31,680
Speaker 1: Since then, I's a bunch of the kids that were

1686
01:22:31,680 --> 01:22:33,960
Speaker 1: like the really intense theater kids were like, We're going

1687
01:22:34,000 --> 01:22:36,439
Speaker 1: to go audition for Toronto Youth Theater. So I did

1688
01:22:36,439 --> 01:22:38,360
Speaker 1: that too, and Toronto Youth Theater was like the type

1689
01:22:38,360 --> 01:22:40,479
Speaker 1: of theater that we did Hair, and we did Rent,

1690
01:22:40,840 --> 01:22:42,799
Speaker 1: and the whole thing was like we were the first

1691
01:22:42,840 --> 01:22:45,439
Speaker 1: like youth theater troupe that were granted the rights to

1692
01:22:45,520 --> 01:22:50,920
Speaker 1: the full production of Rent with like what's that song called?

1693
01:22:51,000 --> 01:22:53,040
Speaker 3: Is it called Heat? I can't remember.

1694
01:22:53,080 --> 01:22:55,599
Speaker 1: It's like the sex scene song basically, but it's cut

1695
01:22:55,600 --> 01:22:57,400
Speaker 1: from the high school version for you know, you don't

1696
01:22:57,400 --> 01:22:59,400
Speaker 1: want to see sixteen year olds doing that.

1697
01:23:00,200 --> 01:23:00,920
Speaker 3: It's problematic.

1698
01:23:01,360 --> 01:23:03,960
Speaker 1: Yeah, And then Hair, which has like the big nude

1699
01:23:04,000 --> 01:23:05,760
Speaker 1: scene in the middle of it, which we cut and

1700
01:23:06,280 --> 01:23:07,840
Speaker 1: put in a stomp number.

1701
01:23:07,680 --> 01:23:12,879
Speaker 2: Into really based on the very popular at the time Stop, based.

1702
01:23:12,680 --> 01:23:15,920
Speaker 3: On the super popular at the time. Stop was all

1703
01:23:16,000 --> 01:23:17,519
Speaker 3: the rage in twenty eleven.

1704
01:23:17,720 --> 01:23:20,360
Speaker 2: Was that because there was trash cans already on set.

1705
01:23:20,600 --> 01:23:24,080
Speaker 1: I guess it was like it was so strange, but

1706
01:23:24,520 --> 01:23:26,080
Speaker 1: it was, I mean, it was life changing.

1707
01:23:26,120 --> 01:23:28,840
Speaker 3: It was so fun. I had the absolute time of

1708
01:23:28,840 --> 01:23:31,679
Speaker 3: my life. Oh it's so fun. It's so fun.

1709
01:23:31,880 --> 01:23:33,600
Speaker 1: And it was like the first time that I like

1710
01:23:34,160 --> 01:23:36,200
Speaker 1: I was like going to parties, Like I'd never been

1711
01:23:36,240 --> 01:23:38,320
Speaker 1: to parties or anything like that before then. It was

1712
01:23:38,400 --> 01:23:41,080
Speaker 1: just like, I mean, it really changed my life completely.

1713
01:23:42,200 --> 01:23:45,120
Speaker 4: It's so like I just remember being because I came

1714
01:23:45,160 --> 01:23:47,559
Speaker 4: from like kind of a small farm town and so

1715
01:23:47,880 --> 01:23:52,280
Speaker 4: doing plays and being in that kind of very regimented

1716
01:23:52,320 --> 01:23:55,120
Speaker 4: system and whatever. It was like it felt like so

1717
01:23:55,360 --> 01:23:58,960
Speaker 4: glamorous to me, like beyond where. I'm like, we're gonna

1718
01:23:58,960 --> 01:24:02,160
Speaker 4: work on this for secret for months and months, and

1719
01:24:02,200 --> 01:24:04,479
Speaker 4: then we're gonna, you know, go in front of the

1720
01:24:04,479 --> 01:24:06,599
Speaker 4: whole town and everyone's going to see all the work

1721
01:24:06,640 --> 01:24:08,320
Speaker 4: we did and they're not going to believe it. It

1722
01:24:08,360 --> 01:24:12,519
Speaker 4: was like that idea was so satisfying to actually get

1723
01:24:12,560 --> 01:24:12,800
Speaker 4: to do.

1724
01:24:13,160 --> 01:24:16,360
Speaker 1: What a beautiful way to put that is that you're

1725
01:24:16,439 --> 01:24:18,720
Speaker 1: preparing for it in secret. I've never thought of it

1726
01:24:18,760 --> 01:24:22,080
Speaker 1: that way, but what a beautiful framing that really is.

1727
01:24:22,040 --> 01:24:25,320
Speaker 3: Just like so deeply specific. You don't have to cross

1728
01:24:25,360 --> 01:24:25,639
Speaker 3: the street.

1729
01:24:25,640 --> 01:24:27,439
Speaker 1: I'm actually walking down this way, so even if you

1730
01:24:27,479 --> 01:24:29,759
Speaker 1: want to drop me on this side, that is perfect.

1731
01:24:29,760 --> 01:24:31,720
Speaker 4: Okay, I'm going to turn down this so we can

1732
01:24:31,840 --> 01:24:33,439
Speaker 4: just have a goodbye moment.

1733
01:24:34,360 --> 01:24:36,599
Speaker 2: Yet I love that we have a routine. We need

1734
01:24:36,640 --> 01:24:38,400
Speaker 2: you to learn to handshake.

1735
01:24:39,280 --> 01:24:41,400
Speaker 3: Like to sign all the PaperWorks. What's that movie where

1736
01:24:41,400 --> 01:24:45,280
Speaker 3: she does the handshake? Is it called the Handshake? Yeah,

1737
01:24:45,320 --> 01:24:51,400
Speaker 3: it's the handshake the parent trap. Only thank you.

1738
01:24:53,040 --> 01:24:55,320
Speaker 1: And I'm sorry once again, I keep looking at you

1739
01:24:55,800 --> 01:24:58,759
Speaker 1: because we're in the backseat together, so I need your support.

1740
01:24:59,160 --> 01:25:02,120
Speaker 3: Appreciate I wasn't making enough, No, you really were.

1741
01:25:02,640 --> 01:25:06,240
Speaker 1: You're wearing really great sunglasses right now. Also, the listener

1742
01:25:06,240 --> 01:25:07,240
Speaker 1: can use that as a visual.

1743
01:25:08,560 --> 01:25:11,360
Speaker 4: I just want you to know Vic that we Chris

1744
01:25:11,400 --> 01:25:14,320
Speaker 4: has been so excited that you were.

1745
01:25:14,240 --> 01:25:15,440
Speaker 3: Coming on this podcast.

1746
01:25:15,439 --> 01:25:18,040
Speaker 4: God, and we've been talking about you for a while

1747
01:25:18,280 --> 01:25:21,479
Speaker 4: and it's oh, sorry, there's a car behind me. So

1748
01:25:21,560 --> 01:25:23,960
Speaker 4: we're just so excited that we finally got to talk

1749
01:25:23,960 --> 01:25:24,240
Speaker 4: to you.

1750
01:25:24,200 --> 01:25:26,559
Speaker 1: And here, Chris, I really literally cannot tell you how

1751
01:25:26,560 --> 01:25:29,479
Speaker 1: lovely this has been, and what a joy it was

1752
01:25:29,520 --> 01:25:31,280
Speaker 1: to go and listen to some of the episodes of

1753
01:25:31,320 --> 01:25:34,240
Speaker 1: the podcast and like now it'd be a podcast that

1754
01:25:34,320 --> 01:25:36,599
Speaker 1: I listened to and I am sitting in traffic. Well,

1755
01:25:37,560 --> 01:25:39,240
Speaker 1: I'm such a fan of both of yours, and I

1756
01:25:39,520 --> 01:25:42,200
Speaker 1: really can't thank you enough for having me on here today.

1757
01:25:42,280 --> 01:25:43,639
Speaker 3: This was so fun and of.

1758
01:25:43,600 --> 01:25:48,519
Speaker 2: Course, again a lot of the things Vic does. It's

1759
01:25:48,560 --> 01:25:51,200
Speaker 2: on dropout TV, which I think it's like five bucks

1760
01:25:51,200 --> 01:25:53,800
Speaker 2: a month, and you go to the website, right or

1761
01:25:53,880 --> 01:25:56,280
Speaker 2: is it streaming on networks.

1762
01:25:55,880 --> 01:25:58,639
Speaker 1: Or yeah, it's if you want to subscribe you can

1763
01:25:58,640 --> 01:26:01,679
Speaker 1: go to drop out and also it lives a lot

1764
01:26:01,720 --> 01:26:03,080
Speaker 1: on clips online.

1765
01:26:03,920 --> 01:26:05,479
Speaker 3: By show is very important people.

1766
01:26:05,920 --> 01:26:07,759
Speaker 1: But then there's also if you just look at Dropout

1767
01:26:08,680 --> 01:26:10,759
Speaker 1: on any kind of socials, they'll point in the right direction.

1768
01:26:11,000 --> 01:26:15,720
Speaker 2: Yeah, it's it's if you like our sensibilities on the show,

1769
01:26:15,760 --> 01:26:18,479
Speaker 2: I promise you'll like the things that are on uh,

1770
01:26:18,880 --> 01:26:20,920
Speaker 2: that I've seen on dropout dot tv.

1771
01:26:21,120 --> 01:26:24,240
Speaker 3: Yeah, Chris, that means the world, seriously, truly, it really does.

1772
01:26:24,520 --> 01:26:27,360
Speaker 2: Yeah, you're the best you've been listening to. Do you

1773
01:26:27,479 --> 01:26:38,519
Speaker 2: need ride d y n R. This has been an

1774
01:26:38,520 --> 01:26:43,800
Speaker 2: Exactly Right production produced by Analise Nelson, mixed by Edson Choi.

1775
01:26:44,200 --> 01:26:46,080
Speaker 4: Our talent booker is Patrick Kottner.

1776
01:26:46,360 --> 01:26:48,960
Speaker 2: Theme song by Karen Kilgarret.

1777
01:26:48,760 --> 01:26:50,160
Speaker 3: Artwork by Chris Fairbanks.

1778
01:26:50,400 --> 01:26:53,479
Speaker 4: Follow the show on Instagram, Twitter, and Facebook at dinar

1779
01:26:53,600 --> 01:26:56,680
Speaker 4: podcast That's d y n ar podcast.

1780
01:26:57,120 --> 01:27:00,000
Speaker 2: For more information, go to exactly Rightmedia dot com.

1781
01:27:00,680 --> 01:27:02,960
Speaker 3: Thank you both, You're welcome.