WEBVTT - The Large Professor Episode

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<v Speaker 1>Get you know, boys, it's back and reoded all in

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<v Speaker 1>your mind. Yeah, and that deep throating. This is for

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<v Speaker 1>the streets, the reel, the railroading, the distant franchise, the

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<v Speaker 1>truth escape building. And they ain't know when we speak

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<v Speaker 1>the truth, so they ain't quoted because we wrote it.

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<v Speaker 1>The North South East coat is the g B my

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<v Speaker 1>twa keeping your head bobbing. It ain't no stopping and

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<v Speaker 1>wants to be drips head by And then the system

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<v Speaker 1>is so corrupt they throw the rock out of their

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<v Speaker 1>heads and then blame it on us. Don't get twisted

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<v Speaker 1>on code and me dancing for no buttament biscuits. It's

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<v Speaker 1>Willie d y'all scar faces in the building. Collectively we

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<v Speaker 1>are the ghetto Boys Reloaded, Reloaded with another episode of

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<v Speaker 1>information and instructions to help you navigate through this wild, crazy,

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<v Speaker 1>beautiful world. And the studio large, Professor, appreciate your respect,

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<v Speaker 1>super respect that that we are sitting in the building

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<v Speaker 1>with with not only hip hop history, but hip hop royalty.

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<v Speaker 1>Bro Man, appreciate it. Appreciate it. Man, I'm just trying

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<v Speaker 1>to live up. Man, got a bunch of records in

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<v Speaker 1>the in the call right now, Man, Man, forever, man

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<v Speaker 1>doing it. We're still doing it, man. This is what

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<v Speaker 1>we do. What we do. You know what, Man, when

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<v Speaker 1>I when I think of you, when I look at you, man,

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<v Speaker 1>it's just would be tripping me out a lot, because

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<v Speaker 1>I know that we know who you are, we know

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<v Speaker 1>what you've done, we know your contributions. But you know,

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<v Speaker 1>you take the average blow, you know, out on the

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<v Speaker 1>street or whatever. They don't know, they don't understand the impact.

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<v Speaker 1>I got work to do. I got work to do.

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<v Speaker 1>We won't be here for it. Was that something that

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<v Speaker 1>you did. You did you intentionally like play playing low key,

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<v Speaker 1>you know, and not really trying to get all the

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<v Speaker 1>way after that, everybody know, yeah I did this, Yeah,

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<v Speaker 1>I did this, I did this, I did that. I

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<v Speaker 1>did this, I did that. I did that, Like you

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<v Speaker 1>did that. You did this, you did that, you did that. Yeah,

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<v Speaker 1>people don't even know. Yeah, you know, I think I

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<v Speaker 1>can attribute that to like just that industry thing. You know,

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<v Speaker 1>once you get in the industry, it started becoming you know,

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<v Speaker 1>like I was one of them dudes from that ever

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<v Speaker 1>where dudes thought they had to go up in the

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<v Speaker 1>office to get their music out there, you know what

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<v Speaker 1>I mean. That's one of the earlier days. So that

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<v Speaker 1>was my thing. But I think that was a thing

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<v Speaker 1>that kind of contributed to that where it was like,

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<v Speaker 1>all right, he's on this label and name promoting and

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<v Speaker 1>you know, so it wasn't me because I was trying

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<v Speaker 1>to stick my chest out as far as I could

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<v Speaker 1>with the music, you know what I mean, and put

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<v Speaker 1>it out there, MTV, whatever, whoever. You know, it wasn't

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<v Speaker 1>for them. But if y'all want offer the platform, we're

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<v Speaker 1>gonna rap. You know. That was my thing. So now

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<v Speaker 1>it's it's when I look at it in retrospect, I'm like, yo,

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<v Speaker 1>I don't know if the industry was meant for me,

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<v Speaker 1>you know what I'm saying. I don't know if it was.

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<v Speaker 1>I mean, it got me out there, It definitely got

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<v Speaker 1>me out there, but you know, I think that's what

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<v Speaker 1>that was. It was like a like an industry stigma

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<v Speaker 1>with you know, just the big corporations and the indies

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<v Speaker 1>and you know that kind of that was a real

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<v Speaker 1>turn off for me too. Man, when it came. You know,

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<v Speaker 1>at first making records, it was fun, man, you know

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<v Speaker 1>what I mean, it really it was, um, it was

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<v Speaker 1>it was an outlet for me. You know, free to

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<v Speaker 1>express however it was I felt that day. And as

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<v Speaker 1>time went on, the ship turned into a business that

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<v Speaker 1>turned into another business that's now totally different business. You

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<v Speaker 1>know what I mean. I'm like, bro, I don't really

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<v Speaker 1>want to be a part of this ship. Certain things,

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<v Speaker 1>you know, certain things we want to you know, we

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<v Speaker 1>we're like this right here, this is beautiful. You know

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<v Speaker 1>what I'm saying. All right, yo, ghetto boys and laws

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<v Speaker 1>pro kicking it like beautiful, man, like beautif. I'm glad

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<v Speaker 1>we hear you know what I'm saying. And but it's

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<v Speaker 1>just certain things that the industry board that you know,

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<v Speaker 1>I kind of shot away. So that might be what

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<v Speaker 1>it was like, because there was a lot of the

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<v Speaker 1>industry stuff. I was like, that ain't for me. Right there,

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<v Speaker 1>I'm I'm gonna do. I got the records in the car.

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<v Speaker 1>I'm ready for the turntables. I'm ready to get busy

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<v Speaker 1>in a sense, man, in a sense like like our music,

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<v Speaker 1>like music is now like an n F T. Bro,

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<v Speaker 1>because you can't you can't touch it no more, you

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<v Speaker 1>know what I mean. At first we have CDs. Uh,

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<v Speaker 1>you can open the ship up. You can read the creatives. Man,

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<v Speaker 1>you can actually physically touch the product, man, But now

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<v Speaker 1>it's like you can't tell. It's just in the atmosphere,

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<v Speaker 1>in the air of the cloud, you know, things like yeah,

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<v Speaker 1>and it caused less than the penity hit this dude ship. Yeah,

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<v Speaker 1>Like that's a fucking that. That's a disgrace to humanity

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<v Speaker 1>in my opinion when it comes to the music, bro.

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<v Speaker 1>That's why we had in these streets. Man. We was

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<v Speaker 1>out there in Austen last night. Yo, um discovered the

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<v Speaker 1>this girl was spitting last night. I'm in there cutting

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<v Speaker 1>the records up. We're doing it like original recipe, favor staff.

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<v Speaker 1>You know what I'm saying, Get busy, I'm cutting the

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<v Speaker 1>records up. I got the forty five. I opened the

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<v Speaker 1>mic up, like, yo, who get busy. This girl took

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<v Speaker 1>flight this other dude Like so that's where you know.

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<v Speaker 1>And so once I revisited that, I was like, right,

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<v Speaker 1>this is what I always want, you know, just the

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<v Speaker 1>party's going out to Germany with these people, you know,

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<v Speaker 1>where it's a community man like that. We were out

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<v Speaker 1>here now like we it's not them corporations, it's it's us.

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<v Speaker 1>So that's what I was. I think I was waiting

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<v Speaker 1>for that like, so we're here now and it's good.

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<v Speaker 1>We tend to rolls up, you know, doing doing what

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<v Speaker 1>we gotta do. Take hippop back. Is that kind of

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<v Speaker 1>like going in full circle? Man, when you think about

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<v Speaker 1>where you started in Queen's New York, absolutely all were

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<v Speaker 1>doing it and it wasn't really about corporations and money.

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<v Speaker 1>It was for the love of the art and just

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<v Speaker 1>who got the busy is you know, you gotta you

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<v Speaker 1>gotta remember I grew up in Flushing. That's over there

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<v Speaker 1>by the globe, by the tennis courts and all of

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<v Speaker 1>that where they do um the tennis you know tournaments.

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<v Speaker 1>Then now right across the bridge is like Eric being

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<v Speaker 1>rock Kim Kid and playing all of them. So you know,

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<v Speaker 1>it's it's it's like, it's it's these people. It was

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<v Speaker 1>like right there, like I could go down the block

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<v Speaker 1>and see Herbie love Bug count out stacks in front

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<v Speaker 1>of the mall type ship with that red that same

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<v Speaker 1>red ship that he had on and adding a heavy

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<v Speaker 1>D video that red that red whip he had. He

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<v Speaker 1>had that ship down the block from me. So I'm

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<v Speaker 1>seeing that video called I'm like, man, like, so you

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<v Speaker 1>want to do it big? You know, and I was

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<v Speaker 1>more reliant on my skills, not on my marketing or nothing.

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<v Speaker 1>I was like, yo, I know if I chopped this,

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<v Speaker 1>oh man, we're gonna get him. Man. You hit that

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<v Speaker 1>ship then, my man. And they're like, yeah, oh ship,

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<v Speaker 1>how you get that ship like that? Then we're like, yeah,

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<v Speaker 1>we're gonna get So I was more relying on my skills.

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<v Speaker 1>And we know, industry ain't about skills. They're about ma

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<v Speaker 1>and y'all brothers, y'all took to you know, y'all took

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<v Speaker 1>the reins, you know what I'm saying. Like we in

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<v Speaker 1>New York, we was more like, yo, go out to

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<v Speaker 1>the city real quick, you know, get with these people

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<v Speaker 1>like the south Board that shipped to the game big time. Like, Yo,

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<v Speaker 1>we're taking this ship in our own hands and blasting it.

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<v Speaker 1>We had to. We did it out of necessity because

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<v Speaker 1>nobody wanted right now from New York to see. That's

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<v Speaker 1>what it was. Y'all was going up to New York

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<v Speaker 1>and it was and it was kind of the same

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<v Speaker 1>for us. So I'm just glad to be, you know,

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<v Speaker 1>like doing it how we're doing it. I'm glad that,

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<v Speaker 1>you know, I did what I did in the industry,

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<v Speaker 1>and now the proceeds have me in a position where

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<v Speaker 1>I could go out here and spread love to the

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<v Speaker 1>hip hop community how we're supposed to and build it

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<v Speaker 1>strong where we you know, just the arts and everybody

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<v Speaker 1>making money, you know, getting busy. So you know, yeah,

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<v Speaker 1>I definitely all the way back. Man. I want to

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<v Speaker 1>know who raised you? Oh man, Man, it was a

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<v Speaker 1>whole community, man, Like I was born in hallm uh

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<v Speaker 1>who raised me was my mother and father, you know

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<v Speaker 1>what I'm saying. Mother, I always thought she was she

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<v Speaker 1>was born in Queens, but you were born in Hallan

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<v Speaker 1>born in Ham. Yeah. My moms and pops they was

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<v Speaker 1>they was living in Queens and they just so happened

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<v Speaker 1>to be in Halem when you know she went in

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<v Speaker 1>the labor But her mother, my grandmother, she lived in

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<v Speaker 1>the building that Big Els standing in front of on

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<v Speaker 1>his album cover DA. So that's Grandma's house right there

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<v Speaker 1>with Big Ell of standing. That's grandma's house. You know.

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<v Speaker 1>That's where I was going back and forth from Flushing

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<v Speaker 1>to uptown and so like you you know what I'm saying.

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<v Speaker 1>But I had more close you know, proximity. Yo. We

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<v Speaker 1>was good, Like I always getting my uptown you know,

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<v Speaker 1>my original because my mom was just from Uptown, my

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<v Speaker 1>pops from Virginia. So you know, it was that dynamic.

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<v Speaker 1>You know, I had the sassy my mom's ain't you know,

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<v Speaker 1>like maybe your moms maybe you'll you know what I mean.

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<v Speaker 1>Where it was just like, yo, it ain't no joke,

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<v Speaker 1>you know what I mean for real, she put it down.

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<v Speaker 1>And you know, I think I am who I am

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<v Speaker 1>a lot because of her and my pops. You know,

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<v Speaker 1>I got a smooth side to that. My pops are smooth.

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<v Speaker 1>He put a lot of people, like a lot of

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<v Speaker 1>people like he was a messenger dispatcher and so like

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<v Speaker 1>you know, you'd be chilling in the projects. He did

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<v Speaker 1>his thing, you know, smoke a little weed, drink all

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<v Speaker 1>that type ship and you know a lot of like

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<v Speaker 1>my man l E. S who produced produced on like

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<v Speaker 1>you know, he used to you know, like my pops

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<v Speaker 1>used to be in the projects like you know, and

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<v Speaker 1>dudes giving dudes jobs and things like that with the

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<v Speaker 1>messenger dispatching, you know, things like that. So it was

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<v Speaker 1>it was cool because I was always like in the

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<v Speaker 1>communities where I was supposed to be at, like I

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<v Speaker 1>was catching Paul jams, because Flushing ain't really like the hood.

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<v Speaker 1>Hood is hood. You know. We got the Globe, we

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<v Speaker 1>got the tennis tournament and all that, you know, city field,

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<v Speaker 1>you know, and all that so and this diverse, but

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<v Speaker 1>it ain't like the most hood hood place. But it

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<v Speaker 1>got it hood. It has its hood elements. But I

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<v Speaker 1>was still like, we got the Bland projects. That's where

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<v Speaker 1>my man black sheep dress is from. Hell of a

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<v Speaker 1>golfer too, exactly. So his, his father and my father

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<v Speaker 1>used to hang out back in the days, what I'm saying,

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<v Speaker 1>and they had us like together, we're growing up. We're

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<v Speaker 1>here in the park jams and all of that, you know.

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<v Speaker 1>So it was a community kind of thing, man. But

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<v Speaker 1>I mean Grandma's grandpops like I had. And now I'm

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<v Speaker 1>even learning more because I thought I came from a

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<v Speaker 1>small family, but now I'm learning more. Man. And the

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<v Speaker 1>people's out in Virginia. Man very prestigious man, very prestigious

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<v Speaker 1>man for real. So you've got siblings I had. I

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<v Speaker 1>had an older system man twelve years older than me,

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<v Speaker 1>and it was like Tom and Jerry like it. My

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<v Speaker 1>my I think my my sticking my chest out is

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<v Speaker 1>a lot because of her, you know what I mean,

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<v Speaker 1>like she she it wasn't no joke, like you know,

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<v Speaker 1>she raised me kind of like a pitbull almost like

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<v Speaker 1>it was like because she was like my second mother

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<v Speaker 1>a little bit, you know. And after a while, after all,

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<v Speaker 1>you know, I was able to withstand when she was

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<v Speaker 1>sending at me. You know, I mean, I'm going out

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<v Speaker 1>there now, I'm conquering you know, the streets like Nicks

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<v Speaker 1>can't tell me, you know, I'm I'm ready. So you know,

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<v Speaker 1>after a while, man, you know, shout out to my

0:11:33.160 --> 0:11:40.880
<v Speaker 1>sister Nina. Her name was Lofty times lofty times crazy crazy.

0:11:41.200 --> 0:11:45.200
<v Speaker 1>My sister used to be shout out to calin man crazy.

0:11:45.600 --> 0:11:48.679
<v Speaker 1>I was. I was like, will you you your sister

0:11:48.760 --> 0:11:53.280
<v Speaker 1>beat you man? My sister beat anybody I see. I

0:11:53.360 --> 0:11:55.920
<v Speaker 1>see my sister kicked. I see my sister kick this

0:11:56.000 --> 0:11:58.080
<v Speaker 1>dude in his face. I came, I was like, yo,

0:11:58.520 --> 0:12:02.040
<v Speaker 1>she so was that ever? That was that ever? You

0:12:02.040 --> 0:12:04.240
<v Speaker 1>know what I mean, liked that was that ever where

0:12:04.280 --> 0:12:09.240
<v Speaker 1>where the sisters was just as I mean, they still

0:12:09.240 --> 0:12:11.200
<v Speaker 1>got him, you know, because Megan the Stallion, I don't know,

0:12:11.320 --> 0:12:12.520
<v Speaker 1>you know what I mean, Like, I don't know if

0:12:12.520 --> 0:12:17.320
<v Speaker 1>you want to around, you know, what exactly, So you

0:12:17.360 --> 0:12:19.679
<v Speaker 1>know they're still around, but at that time there was

0:12:19.720 --> 0:12:22.280
<v Speaker 1>a lot more prevalent and it was like, no, I

0:12:22.320 --> 0:12:25.640
<v Speaker 1>know a few still to this day that who you know,

0:12:25.760 --> 0:12:28.360
<v Speaker 1>it's a problem and ship, but they they beautiful women

0:12:28.440 --> 0:12:32.800
<v Speaker 1>to this day. But question what, um, at what point

0:12:32.840 --> 0:12:36.040
<v Speaker 1>in your life did you just fall in love with

0:12:36.120 --> 0:12:39.760
<v Speaker 1>hip hop? Like I love you like that? When did

0:12:39.760 --> 0:12:42.320
<v Speaker 1>you say that to hip hop? Like yeah, when I

0:12:42.440 --> 0:12:47.040
<v Speaker 1>you know, it was one thing. I'm just saying, I

0:12:47.160 --> 0:12:49.160
<v Speaker 1>love that. I mean, that's that's that's how you know

0:12:49.440 --> 0:12:54.080
<v Speaker 1>about this ship? I love. I love the game, man,

0:12:54.120 --> 0:13:00.240
<v Speaker 1>I love, but I don't like that. I'm melting for man,

0:13:00.280 --> 0:13:02.880
<v Speaker 1>because when it comes to music, bro, and putting uh

0:13:04.960 --> 0:13:08.000
<v Speaker 1>instruments where they go, not cluttering this ship up, putting

0:13:08.000 --> 0:13:10.880
<v Speaker 1>them where they go. Man, you know, like it's it's

0:13:10.920 --> 0:13:15.280
<v Speaker 1>it's it's a beautiful thing, bro. It's almost it's probably

0:13:15.320 --> 0:13:22.480
<v Speaker 1>the piece of as saying. I'm telling you, man, you made.

0:13:24.160 --> 0:13:28.280
<v Speaker 1>I was watching Hawaii five Oh in my studio and

0:13:30.480 --> 0:13:33.880
<v Speaker 1>I did a song for the product and the song

0:13:34.040 --> 0:13:36.679
<v Speaker 1>was called shoot. I can't even remember the name of it.

0:13:38.200 --> 0:13:40.960
<v Speaker 1>I don't remember, but I'll snap back to me. But

0:13:41.000 --> 0:13:43.360
<v Speaker 1>it had that Hawaii five. Oh, vibe to it. Man,

0:13:43.400 --> 0:13:45.760
<v Speaker 1>It's crazy how you can be watching some ship no

0:13:45.920 --> 0:13:51.160
<v Speaker 1>sound but just vibe, man, just the vibe man, na

0:13:51.480 --> 0:13:56.400
<v Speaker 1>na it was it was Hawaifi five. I don't know.

0:13:56.440 --> 0:13:59.040
<v Speaker 1>I didn't have a sound on. I just had the

0:13:59.800 --> 0:14:03.000
<v Speaker 1>very yours. Well, y'all know that that fat Joe loop

0:14:03.440 --> 0:14:08.160
<v Speaker 1>gotta flow Joe, that's her life. Yeah, shout out the

0:14:08.240 --> 0:14:14.800
<v Speaker 1>diamond D. That's right there. But man, when when when

0:14:14.880 --> 0:14:17.439
<v Speaker 1>did that? Like? Oh man, well, I think I think

0:14:17.520 --> 0:14:20.240
<v Speaker 1>for all of us, probably it happened even before hipcom

0:14:20.720 --> 0:14:22.680
<v Speaker 1>you know what I'm saying, Like because Marvin Gaye all

0:14:22.720 --> 0:14:24.720
<v Speaker 1>of that. You know, I'm like Tupac like Yo, I

0:14:25.160 --> 0:14:27.480
<v Speaker 1>was rocking. I was rocking all of that. I loved

0:14:27.520 --> 0:14:30.040
<v Speaker 1>all of that. So when hip hop came, it was

0:14:30.160 --> 0:14:33.360
<v Speaker 1>like the Because I always try to explain to people

0:14:33.400 --> 0:14:36.040
<v Speaker 1>like for hip hop with us like me, you know,

0:14:36.240 --> 0:14:39.760
<v Speaker 1>Fisher Price turntables and a like Records was like toys

0:14:39.840 --> 0:14:42.680
<v Speaker 1>to us. So now when hip hop came around, like

0:14:42.760 --> 0:14:45.920
<v Speaker 1>remember the Fisher Price turn I mean for real, like

0:14:46.560 --> 0:14:50.520
<v Speaker 1>for real, you know. But so when hip hop came around,

0:14:50.600 --> 0:14:53.040
<v Speaker 1>it's like, oh man, that's that like that, you know,

0:14:53.120 --> 0:14:55.160
<v Speaker 1>we're touching the record and we're moving to you know,

0:14:55.320 --> 0:14:58.320
<v Speaker 1>that kind of thing. And it was like you here

0:14:59.080 --> 0:15:01.640
<v Speaker 1>a grand Master Flash record, and then that you're going

0:15:01.720 --> 0:15:05.160
<v Speaker 1>your parents records and here the record that they use,

0:15:05.240 --> 0:15:07.880
<v Speaker 1>and it's like, oh, that's what they're doing, like okay,

0:15:08.320 --> 0:15:10.640
<v Speaker 1>Like and then now you get out there and start

0:15:11.600 --> 0:15:13.640
<v Speaker 1>getting with the you know, the elders like my man

0:15:13.960 --> 0:15:16.800
<v Speaker 1>and the b X, my man, Sergeant Laying Funk. He

0:15:16.920 --> 0:15:19.200
<v Speaker 1>used to put me on the Mad records like and

0:15:19.320 --> 0:15:21.600
<v Speaker 1>get me the stores to go get you know. So

0:15:21.840 --> 0:15:25.400
<v Speaker 1>it was just that that community thing, man, And and

0:15:26.760 --> 0:15:29.280
<v Speaker 1>you have different versions of it. Some people getting you know,

0:15:30.000 --> 0:15:32.320
<v Speaker 1>they fall in love with hin themself talk all day

0:15:32.360 --> 0:15:35.000
<v Speaker 1>and fucking wrapped two people all day they you know,

0:15:35.320 --> 0:15:39.280
<v Speaker 1>and really we all got some ship to say, though,

0:15:40.640 --> 0:15:43.040
<v Speaker 1>he got some ship to say. Y'all better listen every

0:15:43.080 --> 0:15:47.960
<v Speaker 1>time that man speak, both of them for real. So

0:15:48.240 --> 0:15:50.280
<v Speaker 1>I mean, you know, it was just basically that man.

0:15:50.360 --> 0:15:52.800
<v Speaker 1>It was like, you know, and and because it was

0:15:53.160 --> 0:15:56.360
<v Speaker 1>the birthplace, you know, I'm going uptown. I'm getting the

0:15:56.440 --> 0:15:59.880
<v Speaker 1>real uptown flavor and coming back to Queens, which is

0:16:00.000 --> 0:16:06.680
<v Speaker 1>a little bit more I would it's more a little

0:16:06.720 --> 0:16:09.640
<v Speaker 1>more sophisticated you know what I mean, Like you could

0:16:09.720 --> 0:16:13.520
<v Speaker 1>hear some R and B ship uh linked up with

0:16:13.960 --> 0:16:17.320
<v Speaker 1>some hip hop vocals like a blending that was the

0:16:17.480 --> 0:16:20.760
<v Speaker 1>Queen style and like it was. It was just so

0:16:21.080 --> 0:16:24.040
<v Speaker 1>you had them two different worlds together and I was like, yeah, no,

0:16:24.200 --> 0:16:26.480
<v Speaker 1>this is for me. And then as a hip hop kid,

0:16:27.640 --> 0:16:31.200
<v Speaker 1>breaking drunk graffiti all of that, I went through all

0:16:31.240 --> 0:16:33.080
<v Speaker 1>the channels, you know what I mean. So it was like,

0:16:33.760 --> 0:16:35.280
<v Speaker 1>you know, we were here with it. You know, this

0:16:35.400 --> 0:16:37.440
<v Speaker 1>is what we're doing. All right, I'm with it, So

0:16:37.600 --> 0:16:41.600
<v Speaker 1>check this out. When when? When when did the cuts

0:16:41.640 --> 0:16:47.040
<v Speaker 1>and scratches come about? Because to me and for me,

0:16:48.120 --> 0:16:51.480
<v Speaker 1>when I heard Herbie Hancock due Rocket, you know, that's

0:16:51.560 --> 0:16:54.160
<v Speaker 1>the you know what I mean? And then and then

0:16:54.240 --> 0:16:56.800
<v Speaker 1>the the Hungry like a Wolf was I think the

0:16:56.880 --> 0:17:02.440
<v Speaker 1>first sample was the first, like it was something yeah,

0:17:03.200 --> 0:17:06.840
<v Speaker 1>yeah from Duran durand you can't mention music. No, Now

0:17:06.920 --> 0:17:09.680
<v Speaker 1>we didn't talk. I don't know, We're gonna talk a

0:17:09.720 --> 0:17:12.000
<v Speaker 1>little bit, but yeah, I think that was the first

0:17:12.080 --> 0:17:15.600
<v Speaker 1>sample really on the record. Really word but yeah, the

0:17:15.640 --> 0:17:19.760
<v Speaker 1>Herbie Handcock I think was the first because that's when

0:17:19.800 --> 0:17:22.119
<v Speaker 1>I heard it. Yeah, it could could be, but I

0:17:22.640 --> 0:17:25.920
<v Speaker 1>think definitely sugar hell in them was kind of putting it.

0:17:26.240 --> 0:17:28.959
<v Speaker 1>They were the backspinning it, you know what I mean,

0:17:29.320 --> 0:17:32.200
<v Speaker 1>Like when when when when we got homework, I'm gonna

0:17:32.200 --> 0:17:35.560
<v Speaker 1>do the home. Let me respond respond with that fact

0:17:35.680 --> 0:17:37.840
<v Speaker 1>the rappers did Light? Was that a backspin? Was that

0:17:37.920 --> 0:17:41.000
<v Speaker 1>a sample? Now? That was a band? Really? Yeah? Rappers

0:17:41.040 --> 0:17:43.640
<v Speaker 1>Delight was a band. Sylvia and them had the band

0:17:43.720 --> 0:17:45.960
<v Speaker 1>up in that. The message was a band. Oh, I

0:17:46.080 --> 0:17:49.680
<v Speaker 1>know that was a drum machine and dudes, you know, like, yeah,

0:17:49.840 --> 0:17:52.119
<v Speaker 1>that was a drum machine and dudes playing, you know,

0:17:52.280 --> 0:17:54.879
<v Speaker 1>but yeah, no, that was damn it man. Yeah, and

0:17:54.960 --> 0:17:58.160
<v Speaker 1>I'm thinking that that was a Curtis Blow was an

0:17:58.240 --> 0:18:03.720
<v Speaker 1>incredible producer as well and sing in sane. You know

0:18:03.960 --> 0:18:06.520
<v Speaker 1>you already know, man, Curtis Blow had one of my

0:18:06.680 --> 0:18:14.040
<v Speaker 1>favorite rap songs ever, way back West, from away back East,

0:18:14.160 --> 0:18:16.960
<v Speaker 1>coming from the place you'd expect the least that came

0:18:17.040 --> 0:18:19.800
<v Speaker 1>a stranger, just the black from a hall of town

0:18:20.119 --> 0:18:24.360
<v Speaker 1>a long way back like Curtis Blow. Man, YO, give

0:18:24.440 --> 0:18:27.320
<v Speaker 1>me all that job about things you wrote before a

0:18:27.400 --> 0:18:34.680
<v Speaker 1>live three. Now I'm the guy named Curtis Blow. And

0:18:34.840 --> 0:18:38.000
<v Speaker 1>Christmas is one thing I know, so every year, just

0:18:38.160 --> 0:18:42.480
<v Speaker 1>about this time, I celebrate it ware the rhyme doing

0:18:42.680 --> 0:18:47.520
<v Speaker 1>crazy like so you know it's coming coming from Curtis,

0:18:48.040 --> 0:18:55.240
<v Speaker 1>Thank you, Curtis blown like mod and insane inspirations for

0:18:55.359 --> 0:18:57.879
<v Speaker 1>me man. So you know, just hearing them guys like

0:18:58.280 --> 0:19:01.800
<v Speaker 1>hearing their palk tapes, hearing s Ricks park tapes, like

0:19:02.200 --> 0:19:05.440
<v Speaker 1>you know those tapes used to circulate like records. Was

0:19:06.240 --> 0:19:08.800
<v Speaker 1>do you have like early records from Slick Rick before

0:19:08.840 --> 0:19:11.320
<v Speaker 1>he got with Douggete Fresh, No, they were the park tapes,

0:19:11.840 --> 0:19:14.560
<v Speaker 1>him and him and him and Doug like out there

0:19:14.720 --> 0:19:16.920
<v Speaker 1>like in parks, you know what I'm saying, getting busy.

0:19:17.000 --> 0:19:19.920
<v Speaker 1>So that was our culture before records. It was like

0:19:20.080 --> 0:19:23.680
<v Speaker 1>you would have like the uh, the cold crushed Forward

0:19:23.760 --> 0:19:27.960
<v Speaker 1>tape with them doing her over, you know, the Billy

0:19:28.119 --> 0:19:31.520
<v Speaker 1>Joel stiletto, you know, and they got routines like things

0:19:31.600 --> 0:19:33.800
<v Speaker 1>that are record ready, but they just doing it in

0:19:33.880 --> 0:19:37.200
<v Speaker 1>the park like they're treating it like a whole show,

0:19:37.520 --> 0:19:40.560
<v Speaker 1>you know, and you getting it on tape. It's like

0:19:40.720 --> 0:19:44.840
<v Speaker 1>that so crazy, so crazy that you know, just the

0:19:45.080 --> 0:19:48.440
<v Speaker 1>ingenuity and the thought that went into that, like that's

0:19:48.520 --> 0:19:52.960
<v Speaker 1>something from nothing thing that now we're sitting here, you know,

0:19:53.160 --> 0:19:55.720
<v Speaker 1>it's worldwide. I swear. We go all over the world

0:19:55.800 --> 0:19:59.160
<v Speaker 1>and there's a community, there's a hip hop community that's there.

0:20:00.160 --> 0:20:03.200
<v Speaker 1>I just went we was in Cologne, Germany. I went

0:20:03.240 --> 0:20:10.760
<v Speaker 1>to a fifty cent show out there, arena packed, packed packed,

0:20:10.880 --> 0:20:13.920
<v Speaker 1>they know the words everything. I'm like hip hop man,

0:20:14.000 --> 0:20:17.960
<v Speaker 1>it started. It started in New York bro and and

0:20:18.160 --> 0:20:22.640
<v Speaker 1>and and everybody speaks the language. Everybody speaks the hip

0:20:22.680 --> 0:20:25.959
<v Speaker 1>hop language. And that's that's probably the most beautiful thing

0:20:26.040 --> 0:20:30.159
<v Speaker 1>about that art man. Everybody around the world speaks And

0:20:30.280 --> 0:20:32.720
<v Speaker 1>that's that's why I always say my man m c

0:20:32.920 --> 0:20:36.840
<v Speaker 1>shan is a prophet because he made the song living

0:20:36.880 --> 0:20:39.840
<v Speaker 1>in the World of hip Hop, and he said that,

0:20:40.119 --> 0:20:43.040
<v Speaker 1>he said all all the things that we're doing right now,

0:20:43.440 --> 0:20:45.280
<v Speaker 1>he said that, he said, we're gonna be living in

0:20:45.359 --> 0:20:49.119
<v Speaker 1>the world of hip hop and that's where we at. Man, Like,

0:20:49.320 --> 0:20:52.120
<v Speaker 1>that's the coolest ship you could be as someone who

0:20:52.960 --> 0:20:55.600
<v Speaker 1>hip hop. Like, you know, either your friend you ain't

0:20:55.640 --> 0:20:57.600
<v Speaker 1>gotta be hip hop, but you know you you got

0:20:57.680 --> 0:21:00.159
<v Speaker 1>a friend that you know and you know you know

0:21:00.280 --> 0:21:04.480
<v Speaker 1>Wouchane clan, you better know whoch clan. Yeah. Yeah, So

0:21:04.680 --> 0:21:07.200
<v Speaker 1>it's it's you know, if you want to get a

0:21:07.359 --> 0:21:10.160
<v Speaker 1>you know, more go down the rabbit hole and find

0:21:10.200 --> 0:21:12.320
<v Speaker 1>the rest of that. You know. That's what you know.

0:21:12.520 --> 0:21:15.000
<v Speaker 1>Everybody know a little something to that. It got a

0:21:15.080 --> 0:21:17.560
<v Speaker 1>new it got in the windows, see through the events

0:21:19.720 --> 0:21:23.600
<v Speaker 1>when um you're being from Queen's Rock San Sean take

0:21:25.200 --> 0:21:28.520
<v Speaker 1>Queens And I got a chance to actually check out

0:21:28.600 --> 0:21:35.280
<v Speaker 1>her um movie on Netflix and like Roxane started a

0:21:35.440 --> 0:21:38.280
<v Speaker 1>whole lot of ship in Queens when it came to

0:21:38.400 --> 0:21:42.560
<v Speaker 1>hip hop. Absolutely she was on the front line. Shout

0:21:42.800 --> 0:21:47.639
<v Speaker 1>to her and and then Nas tell me about the

0:21:47.800 --> 0:21:54.000
<v Speaker 1>Nas encounter man, So Nas Nas Nas cool brother from

0:21:54.080 --> 0:21:57.560
<v Speaker 1>queens Bridge, My man Joe Fatal, I know on him,

0:21:57.680 --> 0:22:01.080
<v Speaker 1>And Flushing says five five years old, Like we was

0:22:01.200 --> 0:22:03.359
<v Speaker 1>like you know, we was out and rocked the bells

0:22:03.400 --> 0:22:06.000
<v Speaker 1>when him Fader was in there, and yeah, so Fader

0:22:06.080 --> 0:22:08.880
<v Speaker 1>was in there. So I know him since five years old.

0:22:09.160 --> 0:22:12.040
<v Speaker 1>Every something happened where he moved away for a while,

0:22:12.640 --> 0:22:15.000
<v Speaker 1>then like high school days, he just popped back up

0:22:15.080 --> 0:22:18.680
<v Speaker 1>and now he's this long island city Queensbridge dude. And

0:22:18.760 --> 0:22:20.560
<v Speaker 1>I'm like, oh, ship, damn, I ain't seen you in

0:22:20.600 --> 0:22:23.680
<v Speaker 1>the wild, Like you're like, yo, I know, g rap

0:22:23.800 --> 0:22:25.359
<v Speaker 1>I know that's when I know that one and I

0:22:25.520 --> 0:22:28.280
<v Speaker 1>was already kind of making beats, so he's like, Yo,

0:22:28.600 --> 0:22:31.520
<v Speaker 1>bring yo, come to this party. Come there. Uh. So

0:22:31.680 --> 0:22:34.439
<v Speaker 1>he started connecting the dots. Then one day he was like, Yo,

0:22:35.119 --> 0:22:37.359
<v Speaker 1>I got this dude, Yo, he's mad nights, I'm telling you,

0:22:37.600 --> 0:22:40.280
<v Speaker 1>you know, because I was reluctant with like I was

0:22:40.320 --> 0:22:42.560
<v Speaker 1>ready to go, like I was already kind of working

0:22:42.600 --> 0:22:45.119
<v Speaker 1>with g rap so I ain't want hit none of

0:22:45.200 --> 0:22:48.160
<v Speaker 1>these sub level you know what I mean, Like I'm

0:22:48.200 --> 0:22:51.159
<v Speaker 1>like dogs, like were you He's all right, man, all right,

0:22:51.160 --> 0:22:53.520
<v Speaker 1>I'm gonna do this with you. Like and so this

0:22:53.720 --> 0:22:55.200
<v Speaker 1>was nas you know what I'm saying. We went out

0:22:55.680 --> 0:22:59.000
<v Speaker 1>to Coney Island. We took a damn a system cab

0:22:59.200 --> 0:23:01.600
<v Speaker 1>Like I don't knew you. We used to have cabs

0:23:01.720 --> 0:23:04.400
<v Speaker 1>that used to have the crazy system like y'all had

0:23:04.480 --> 0:23:06.600
<v Speaker 1>to damn your own car and ship. But we used

0:23:06.600 --> 0:23:09.679
<v Speaker 1>to call a cab and get that had a system

0:23:09.720 --> 0:23:12.080
<v Speaker 1>and ship you know, he's Latin brother or whatever and

0:23:12.160 --> 0:23:14.800
<v Speaker 1>ship goose neck ship all that, you know, I mean

0:23:15.119 --> 0:23:18.040
<v Speaker 1>back in the days e Q all that bang. That's

0:23:18.080 --> 0:23:20.040
<v Speaker 1>how we got faking the funk popping and ship because

0:23:20.040 --> 0:23:21.879
<v Speaker 1>we used to ride around the system cab with that

0:23:22.280 --> 0:23:24.280
<v Speaker 1>going to the weed spots and ship like that. Just

0:23:24.400 --> 0:23:27.280
<v Speaker 1>listening to that ship blasting, like yo, it's gonna be

0:23:27.359 --> 0:23:30.440
<v Speaker 1>a record, you know. So we took the System cab

0:23:30.520 --> 0:23:32.840
<v Speaker 1>out to Coney Island. That ship. I know that ship,

0:23:32.920 --> 0:23:34.960
<v Speaker 1>I don't. I didn't know then, but I know that

0:23:35.040 --> 0:23:38.200
<v Speaker 1>she was a grip because that's miles and miles. So

0:23:38.320 --> 0:23:41.399
<v Speaker 1>we did that, went to this studio named Staring the Sky.

0:23:42.320 --> 0:23:45.359
<v Speaker 1>I made the beat on site and he said the

0:23:45.480 --> 0:23:48.320
<v Speaker 1>rhymes right there, my man. Where was there a few

0:23:48.359 --> 0:23:52.840
<v Speaker 1>other people? My man rage um yeah rail um yo.

0:23:53.080 --> 0:23:56.680
<v Speaker 1>So and I was like when I first had and

0:23:56.840 --> 0:23:58.880
<v Speaker 1>after that, I like I said, I was already working

0:23:58.920 --> 0:24:02.040
<v Speaker 1>with g Rap. So we was like Queensbridge and Power

0:24:02.119 --> 0:24:04.920
<v Speaker 1>Place Studios. I got some great stories for y'all two

0:24:05.000 --> 0:24:07.919
<v Speaker 1>about like you know, some of the origins. But um,

0:24:08.040 --> 0:24:11.040
<v Speaker 1>if that involved y'all, you know what I'm saying. Uh So,

0:24:12.200 --> 0:24:14.520
<v Speaker 1>Queen's Bridge is right there and then the studios right there.

0:24:14.640 --> 0:24:18.000
<v Speaker 1>So like late night, if Rock Kilmer g Rap wasn't

0:24:18.040 --> 0:24:21.240
<v Speaker 1>coming in, I'll be like, yo, the studio is open,

0:24:22.000 --> 0:24:24.880
<v Speaker 1>come through. You know. After that first session I established

0:24:24.920 --> 0:24:27.359
<v Speaker 1>with him, I'm like, yo, we're gonna work again. And

0:24:27.480 --> 0:24:29.359
<v Speaker 1>so I would be in the lab and I'll be like, yo,

0:24:29.480 --> 0:24:31.719
<v Speaker 1>come through. The lab is open, and be like two

0:24:31.800 --> 0:24:34.439
<v Speaker 1>or three in the morning. His mom's pick up the phone.

0:24:34.680 --> 0:24:37.359
<v Speaker 1>I'll be like, you know ms Jones. She'd be like, oh,

0:24:37.400 --> 0:24:41.080
<v Speaker 1>I'm gonna get him up boom and be like yo, yo,

0:24:41.160 --> 0:24:44.359
<v Speaker 1>come up the block right now. Labs open. So you

0:24:44.400 --> 0:24:46.480
<v Speaker 1>know he was He met me halfway with that, and

0:24:46.560 --> 0:24:49.480
<v Speaker 1>that's why he is where he is now at this

0:24:49.640 --> 0:24:54.600
<v Speaker 1>at this time, nas is what seventeen, Absolutely, something like seventeen.

0:24:54.760 --> 0:25:00.840
<v Speaker 1>What was the live at the Barbecue the first song

0:25:00.960 --> 0:25:03.119
<v Speaker 1>that you recorded with him that that was from the

0:25:03.440 --> 0:25:09.280
<v Speaker 1>Breaking Adams album. Absolutely? Absolutely, yes, sir, Yeah, now wet

0:25:10.040 --> 0:25:12.159
<v Speaker 1>we had love, man, we had love. We didn't do

0:25:12.320 --> 0:25:15.200
<v Speaker 1>many many shows, but we did do a show in

0:25:15.320 --> 0:25:18.200
<v Speaker 1>Houston and we had love out here. It was packed.

0:25:18.240 --> 0:25:21.119
<v Speaker 1>It wasn't like a strip mold kind of spot that

0:25:22.800 --> 0:25:25.480
<v Speaker 1>it was. It was like a corner spot. He was

0:25:25.600 --> 0:25:29.480
<v Speaker 1>at the Ryan Stone Wrangler or the Thunderdome or something

0:25:29.560 --> 0:25:34.200
<v Speaker 1>like that. What was it ull It was nice. It

0:25:34.280 --> 0:25:38.320
<v Speaker 1>was like a grocery exactly, and it was but it

0:25:38.440 --> 0:25:41.679
<v Speaker 1>was the corner joint like it was in the corner here.

0:25:41.840 --> 0:25:43.920
<v Speaker 1>It was packed. It was packed, and they in that

0:25:44.080 --> 0:25:46.920
<v Speaker 1>front door joint was they joint? That was they joined.

0:25:47.000 --> 0:25:48.840
<v Speaker 1>They was cool with the other ones. But they in

0:25:48.960 --> 0:25:52.280
<v Speaker 1>barbe Q two where you heard a seventeen year old

0:25:52.440 --> 0:25:56.360
<v Speaker 1>Nas speaking on that track, what's your first impression? Well,

0:25:56.359 --> 0:25:59.240
<v Speaker 1>I already knew he was ill and out of the ordinary,

0:25:59.560 --> 0:26:02.080
<v Speaker 1>because you know, you're here dudes rhyme cat and Hat.

0:26:02.280 --> 0:26:04.920
<v Speaker 1>You know, he's like cat and arafat, you know what

0:26:04.960 --> 0:26:09.200
<v Speaker 1>I mean? Like that You're like, oh, okay, you know

0:26:09.240 --> 0:26:11.520
<v Speaker 1>what I mean. So I already knew it was. It

0:26:11.600 --> 0:26:13.560
<v Speaker 1>was just like what is he gonna say now? That

0:26:13.720 --> 0:26:15.840
<v Speaker 1>kind of thing, because we had a couple of renditions

0:26:15.920 --> 0:26:18.359
<v Speaker 1>of the song that were trying to get together. But

0:26:18.480 --> 0:26:20.359
<v Speaker 1>then when we was like it was go time, it

0:26:20.480 --> 0:26:22.359
<v Speaker 1>was like and so when we heard it, it was

0:26:22.520 --> 0:26:25.119
<v Speaker 1>you know, he delivered, man, it was it was I

0:26:25.240 --> 0:26:29.320
<v Speaker 1>think Nas may have. I mean, because there are a

0:26:29.400 --> 0:26:32.960
<v Speaker 1>couple of people all this earlier that have, but I

0:26:33.080 --> 0:26:39.159
<v Speaker 1>think he kind of re rejuvenated, like shock rap, like

0:26:40.080 --> 0:26:42.840
<v Speaker 1>that ship that's like what did that nigga say? Yeah,

0:26:43.480 --> 0:26:47.080
<v Speaker 1>like what huh? Let me bring that back? Like I

0:26:47.200 --> 0:26:49.560
<v Speaker 1>think after that, like eminem kind of you know what

0:26:49.600 --> 0:26:51.800
<v Speaker 1>I'm saying kind of follow suit with like a lot

0:26:51.880 --> 0:26:55.119
<v Speaker 1>of shock rap, like just ship that shocked you that

0:26:55.240 --> 0:26:57.720
<v Speaker 1>the Nickel would say on the mic. You're like, huh,

0:26:58.800 --> 0:27:00.720
<v Speaker 1>let me rewind that what I'm saying. And then it

0:27:00.800 --> 0:27:04.720
<v Speaker 1>becomes a norm. No, now it's like the norm. It's

0:27:04.800 --> 0:27:06.879
<v Speaker 1>like now that ain't shock rap no more. That's just

0:27:06.960 --> 0:27:10.000
<v Speaker 1>the norm. That's just how we're speaking now. So it's

0:27:10.040 --> 0:27:12.680
<v Speaker 1>a beautiful thing man, that you know he had he

0:27:12.800 --> 0:27:14.800
<v Speaker 1>had a lot of you know, and then I didn't

0:27:14.960 --> 0:27:17.680
<v Speaker 1>know as much about his father, but but he had

0:27:17.720 --> 0:27:22.240
<v Speaker 1>a legacy exactly, so he already had that in his bloodline.

0:27:22.440 --> 0:27:25.000
<v Speaker 1>So you know, he just applied it to wrap you know,

0:27:25.080 --> 0:27:27.440
<v Speaker 1>which is a beautiful you know, and that's why he

0:27:27.600 --> 0:27:30.840
<v Speaker 1>is with no much success world? How did how did

0:27:30.920 --> 0:27:34.280
<v Speaker 1>you foster that relationship with man? So it's that was

0:27:34.320 --> 0:27:36.720
<v Speaker 1>a high school thing. That was like kids getting busy.

0:27:36.760 --> 0:27:39.119
<v Speaker 1>I still got that spirit too, you know you hear me, Man,

0:27:39.160 --> 0:27:40.879
<v Speaker 1>I'm like, yeall got the records in the car, like

0:27:40.920 --> 0:27:43.400
<v Speaker 1>where's the turntables? Like that was my thing. So after

0:27:43.520 --> 0:27:47.040
<v Speaker 1>school we jet over their house or whatever. You know.

0:27:47.200 --> 0:27:51.200
<v Speaker 1>Their moms was like really, I mean I had my turntables.

0:27:51.240 --> 0:27:52.919
<v Speaker 1>I had my things, but you know, we jet over

0:27:53.000 --> 0:27:56.359
<v Speaker 1>their house. You know, their moms was like really like

0:27:56.560 --> 0:28:00.719
<v Speaker 1>in the beginning, she was really inviting, really supportive, like no, yo,

0:28:00.840 --> 0:28:02.760
<v Speaker 1>y'all come over here, y'all do your work and I

0:28:02.880 --> 0:28:05.120
<v Speaker 1>want to hear it, and you know that kind of thing.

0:28:05.280 --> 0:28:07.840
<v Speaker 1>So you know, I'll go over there and after schools.

0:28:08.480 --> 0:28:12.119
<v Speaker 1>It's funny because Shae Stadium City Field, like where I

0:28:12.320 --> 0:28:18.320
<v Speaker 1>was working, they their their window looked straight at City Field, like,

0:28:18.560 --> 0:28:21.400
<v Speaker 1>you know, because that's the Flushing Corona area right there,

0:28:21.440 --> 0:28:24.359
<v Speaker 1>Like g rappers right there, Corona, like all of them.

0:28:24.440 --> 0:28:26.879
<v Speaker 1>So it was that it was just a lot of

0:28:27.359 --> 0:28:30.720
<v Speaker 1>good vibes and you know, things going on. So we

0:28:30.920 --> 0:28:32.960
<v Speaker 1>was able to like put it out there to the

0:28:33.040 --> 0:28:35.480
<v Speaker 1>world musically and ship. But it was like a high

0:28:35.520 --> 0:28:38.960
<v Speaker 1>school thing. No dudes just getting up after high school

0:28:39.040 --> 0:28:42.560
<v Speaker 1>on some wrap, watch the watch the videos. You know

0:28:42.560 --> 0:28:45.200
<v Speaker 1>what I'm saying, Do a little scratch and take some

0:28:45.320 --> 0:28:47.600
<v Speaker 1>flicks for the chicks. You know that type of thing.

0:28:50.080 --> 0:28:53.800
<v Speaker 1>Man did I man yo during those times. And and

0:28:53.960 --> 0:28:56.920
<v Speaker 1>I'll tell you one thing, man, while we were recording

0:28:57.080 --> 0:29:01.120
<v Speaker 1>Wanted Dead or Alive, I listened to a lot of

0:29:01.280 --> 0:29:11.840
<v Speaker 1>ghetto boys. Bro really and g Wraps call word up man,

0:29:12.000 --> 0:29:14.800
<v Speaker 1>like we was listening to y'all. We was listening to

0:29:15.000 --> 0:29:18.960
<v Speaker 1>y'all and to que because I always remember the line

0:29:20.000 --> 0:29:22.160
<v Speaker 1>because I always said I want to use that ship

0:29:22.240 --> 0:29:24.280
<v Speaker 1>as a scratch. And I think it was Bill God

0:29:24.360 --> 0:29:27.520
<v Speaker 1>bless Yo. I think he was like, some of y'all

0:29:27.600 --> 0:29:31.680
<v Speaker 1>niggas are bitches too. I wrote that. Well he did

0:29:31.840 --> 0:29:36.600
<v Speaker 1>right there, I said, will I know? I said, Bill, Yeah, Bill.

0:29:36.880 --> 0:29:43.360
<v Speaker 1>Bill said it sounds like, yo, that ship that one line,

0:29:43.600 --> 0:29:47.320
<v Speaker 1>some of you niggas are bitches too, Yo that ship

0:29:48.200 --> 0:29:50.680
<v Speaker 1>something about that one. And g Rap used to play

0:29:50.840 --> 0:29:54.680
<v Speaker 1>that album and for and that one line used always

0:29:55.000 --> 0:29:58.240
<v Speaker 1>like and I was like, Yo, now these brothers is

0:29:58.280 --> 0:30:00.680
<v Speaker 1>ill and que. He listened to a lot of Cube

0:30:00.680 --> 0:30:05.120
<v Speaker 1>while we was McCoy and word ice Cube is a

0:30:05.240 --> 0:30:08.720
<v Speaker 1>class act too, man. So g Rap and I got

0:30:09.480 --> 0:30:13.320
<v Speaker 1>to hanging out in New York um and we became

0:30:13.480 --> 0:30:18.240
<v Speaker 1>tight man. And he was like a big gass influence,

0:30:18.360 --> 0:30:21.479
<v Speaker 1>you know what I mean, from from listening to uh,

0:30:22.840 --> 0:30:25.640
<v Speaker 1>you should stand on the block, selling cooked up rocks,

0:30:26.160 --> 0:30:28.720
<v Speaker 1>busting out my socks and a really good clock. That

0:30:28.880 --> 0:30:33.040
<v Speaker 1>was all kind of things, bringing Jackison, jeans, magazines, anything

0:30:33.200 --> 0:30:36.520
<v Speaker 1>just hustle of being he was. He was what I

0:30:36.600 --> 0:30:39.640
<v Speaker 1>had was bad from my shoes to and the first

0:30:39.680 --> 0:30:46.080
<v Speaker 1>time in my life, dadrazy man, I love it man,

0:30:46.480 --> 0:30:51.479
<v Speaker 1>It's yeah, I love it, bro. Yeah, you work with Molly, yo.

0:30:51.600 --> 0:30:54.600
<v Speaker 1>Molly gave me my first check, you know. Molly gave

0:30:54.640 --> 0:30:56.760
<v Speaker 1>me my first check for doing the stuff I did.

0:30:56.880 --> 0:30:59.719
<v Speaker 1>Uh gave me my friends. Not to cut you off, man,

0:30:59.760 --> 0:31:03.200
<v Speaker 1>but only game my first check on production. You know, man,

0:31:03.360 --> 0:31:06.120
<v Speaker 1>One thing that I've been hearing about Marley I never met.

0:31:06.160 --> 0:31:07.840
<v Speaker 1>I don't think I haven't met Molly. But one thing

0:31:07.880 --> 0:31:10.200
<v Speaker 1>I always hear about him is that you're afraid to

0:31:10.240 --> 0:31:15.520
<v Speaker 1>break bread. Oh no, because his his cup runneth over.

0:31:15.760 --> 0:31:19.040
<v Speaker 1>Like you know why. You know why, because Molly got

0:31:19.120 --> 0:31:24.640
<v Speaker 1>the motherfucking skills. Molly got them skills. Molly touched the

0:31:24.680 --> 0:31:30.320
<v Speaker 1>fucking machine and this money every fucking time. Man, Molly

0:31:30.400 --> 0:31:33.520
<v Speaker 1>got them skills. And like me, like he gets busy, man,

0:31:33.600 --> 0:31:37.200
<v Speaker 1>Molly just be dj and for nothing, just getting busy.

0:31:37.920 --> 0:31:40.560
<v Speaker 1>And that's that spirit. So his cup gonna running over

0:31:40.680 --> 0:31:43.080
<v Speaker 1>for forever. So it ain't nothing for that man to get,

0:31:43.200 --> 0:31:45.720
<v Speaker 1>you know, lose something something though for this because his

0:31:45.840 --> 0:31:50.080
<v Speaker 1>cup gonna he got them skills. That's that's why I

0:31:50.120 --> 0:31:53.600
<v Speaker 1>want following that. He's like, YO, any year, any time,

0:31:53.760 --> 0:31:56.080
<v Speaker 1>like Yo, what you got? You know, they won't hit

0:31:56.160 --> 0:31:58.080
<v Speaker 1>me with the O G ship now, they won't hit

0:31:58.120 --> 0:32:01.880
<v Speaker 1>me with now and all that ship. But when they're like,

0:32:02.120 --> 0:32:04.280
<v Speaker 1>oh ship, you know, we want to pull me to

0:32:04.360 --> 0:32:07.520
<v Speaker 1>the side now like oh shine you know, and things

0:32:07.600 --> 0:32:10.680
<v Speaker 1>like that. So you know we're still standing. Man, I

0:32:10.760 --> 0:32:14.959
<v Speaker 1>didn't think this. I never foresaw this time frame happening

0:32:15.040 --> 0:32:17.480
<v Speaker 1>where it's like you're gonna be doing this and be

0:32:17.720 --> 0:32:21.240
<v Speaker 1>this person in this, you know. So now I'm just

0:32:21.480 --> 0:32:24.040
<v Speaker 1>kind of standing up like for like, I just want

0:32:24.240 --> 0:32:27.760
<v Speaker 1>us to always be able to party New York style,

0:32:27.880 --> 0:32:31.000
<v Speaker 1>like Park style, have some records. You know what I'm saying,

0:32:31.040 --> 0:32:33.560
<v Speaker 1>like get funky, if face more, if well won't pick

0:32:33.640 --> 0:32:38.200
<v Speaker 1>up the mike. Absolutely I will always encourage that. You

0:32:38.240 --> 0:32:40.200
<v Speaker 1>know what I'm saying that just drop a gem on him,

0:32:40.680 --> 0:32:42.160
<v Speaker 1>break out, you know what I'm saying, jump in the

0:32:42.200 --> 0:32:45.080
<v Speaker 1>fly ship. You know what I'm saying. Practice I might

0:32:45.200 --> 0:32:48.400
<v Speaker 1>have practiced, but will yeah, I'm sure. But that that's

0:32:48.560 --> 0:32:51.200
<v Speaker 1>that's that's where you know, like last night in Austin,

0:32:51.400 --> 0:32:53.360
<v Speaker 1>it was that kind of thing and it pleads my heart.

0:32:53.400 --> 0:32:55.920
<v Speaker 1>Ain't nobody know what nobody was gonna say, even though

0:32:56.240 --> 0:32:57.960
<v Speaker 1>you know we did the show ed O g was

0:32:58.000 --> 0:33:02.560
<v Speaker 1>dead big up. That's my dog right now. So you know,

0:33:02.680 --> 0:33:06.120
<v Speaker 1>he puts some gems out there, you know. So that's

0:33:06.480 --> 0:33:09.760
<v Speaker 1>where I think us as artists, like you know, we

0:33:10.160 --> 0:33:12.120
<v Speaker 1>we want to give him. You know, we won't give

0:33:12.160 --> 0:33:15.400
<v Speaker 1>him that like I we got the arenas we got,

0:33:15.600 --> 0:33:18.840
<v Speaker 1>but we won't give him that that that Marvin Gay cover,

0:33:19.600 --> 0:33:22.200
<v Speaker 1>Marvin Gay cover, the uh I want you to cover

0:33:23.080 --> 0:33:25.040
<v Speaker 1>with all the people dancing and ship like that and

0:33:25.120 --> 0:33:28.360
<v Speaker 1>it's the boarding ship and yeah, that's what we want,

0:33:28.800 --> 0:33:31.360
<v Speaker 1>you know. Was l L was l L already big

0:33:31.800 --> 0:33:35.960
<v Speaker 1>at that time. He was huge. He was already big.

0:33:36.120 --> 0:33:43.480
<v Speaker 1>Huhvous as that to be nineties the nineties nineties, it

0:33:43.600 --> 0:33:48.440
<v Speaker 1>was already no, oh yeah, L was that was had

0:33:49.240 --> 0:33:53.600
<v Speaker 1>ninety aready No I'm talking. I'm talking about this is

0:33:53.960 --> 0:33:58.000
<v Speaker 1>where I'm at right now. He shout out, my man

0:33:58.120 --> 0:33:59.880
<v Speaker 1>shot to page. I'll sitting in the call with my

0:34:00.040 --> 0:34:02.880
<v Speaker 1>man shot you page. He played me some old Paul

0:34:03.000 --> 0:34:12.560
<v Speaker 1>jam sh l Tennis niggaup damn oh l Tenny. I'm like,

0:34:12.719 --> 0:34:15.800
<v Speaker 1>oh ship, I had to jump on Instagram and I

0:34:15.840 --> 0:34:17.960
<v Speaker 1>didn't know what he posted or nothing. I'm just like, yo,

0:34:18.120 --> 0:34:21.719
<v Speaker 1>I heard this tape L like YO had to comment, man, yo,

0:34:21.840 --> 0:34:25.040
<v Speaker 1>not L being a beast man like shout out Dr Butcher,

0:34:25.200 --> 0:34:28.160
<v Speaker 1>like all Original Crew, Royal Rich, all of them, man

0:34:28.280 --> 0:34:31.279
<v Speaker 1>like Mikey d all of them dudes. Man, L been

0:34:31.320 --> 0:34:33.720
<v Speaker 1>a beast man and he just took the reins early

0:34:33.880 --> 0:34:37.120
<v Speaker 1>man like he he'd been a beast on the microphone

0:34:37.160 --> 0:34:40.759
<v Speaker 1>man like from one man. Yeahah, when I heard that

0:34:40.880 --> 0:34:43.840
<v Speaker 1>Paul jam ship, that was solidified, because you know, you

0:34:43.920 --> 0:34:45.959
<v Speaker 1>want to hear that. That's why I'm like, I feel

0:34:46.000 --> 0:34:48.200
<v Speaker 1>like I gotta do you know. I kind of went

0:34:48.320 --> 0:34:50.359
<v Speaker 1>straight to doing records and ship. It was like, Yo,

0:34:50.400 --> 0:34:52.640
<v Speaker 1>we're your Paul Jam m looms and ship like that,

0:34:52.800 --> 0:34:54.520
<v Speaker 1>like so you know, I gotta get that in now,

0:34:54.680 --> 0:34:56.399
<v Speaker 1>Like Yo, we're doing it, but we're doing it big,

0:34:56.560 --> 0:34:58.719
<v Speaker 1>you know, so I do it like that. But L

0:34:58.920 --> 0:35:02.200
<v Speaker 1>like when I heard that Paul Jam ship, I was like, man,

0:35:02.360 --> 0:35:04.279
<v Speaker 1>so that's some ship that never made that nowhere. Now.

0:35:04.560 --> 0:35:07.160
<v Speaker 1>I was that was streaked ship that you know, dudes

0:35:07.280 --> 0:35:11.440
<v Speaker 1>just got circulating around and I was like, man, yeah,

0:35:11.520 --> 0:35:13.560
<v Speaker 1>not sat you page. We were good. And then there's

0:35:13.640 --> 0:35:15.719
<v Speaker 1>there's my man. I can't think of his name right now,

0:35:15.800 --> 0:35:18.200
<v Speaker 1>but he's the tape master. He got all that ship man,

0:35:18.280 --> 0:35:20.640
<v Speaker 1>all of them a little like Bis and Red Man

0:35:21.400 --> 0:35:27.360
<v Speaker 1>a Farmers and all that. Yeah, we're much love to

0:35:27.400 --> 0:35:33.000
<v Speaker 1>be hell too. Absolutely man Funky is held like I

0:35:33.040 --> 0:35:38.759
<v Speaker 1>gotta beat from U Biz before he left, and I

0:35:38.880 --> 0:35:41.960
<v Speaker 1>want to record it. But this is this is big

0:35:42.120 --> 0:35:46.239
<v Speaker 1>with me because Biz Biz always like Bis business like

0:35:46.840 --> 0:35:50.799
<v Speaker 1>so Biz always. He said, like, Yo, I'm the one

0:35:50.840 --> 0:35:52.520
<v Speaker 1>that brought you out, like because you know I met

0:35:52.560 --> 0:35:57.800
<v Speaker 1>Bi my, my my mentor, my mentor, Paul C. He

0:35:57.960 --> 0:36:00.200
<v Speaker 1>let me his drum machine for like two weeks. He

0:36:00.360 --> 0:36:02.759
<v Speaker 1>was he was, he was already he was working with Latifa,

0:36:02.920 --> 0:36:10.160
<v Speaker 1>he was working with Ultramagnetic. Yes, yes, sir. So he

0:36:10.280 --> 0:36:13.239
<v Speaker 1>lent me the sp and I'll beat it out for

0:36:13.320 --> 0:36:16.320
<v Speaker 1>like two weeks. He came back, got the machine. He

0:36:16.440 --> 0:36:19.319
<v Speaker 1>was like, Yo, let me let me slide with these disks.

0:36:19.360 --> 0:36:21.000
<v Speaker 1>You know, like I ain't got no machine, but you

0:36:21.040 --> 0:36:22.719
<v Speaker 1>know he's taking the machine, so like, yo, let me

0:36:22.719 --> 0:36:26.200
<v Speaker 1>slide with you this No but no, but I ain't

0:36:26.200 --> 0:36:28.319
<v Speaker 1>got no machine no more because he's taking that ship back.

0:36:28.360 --> 0:36:30.000
<v Speaker 1>He lent it to me. So he's taking it back

0:36:30.040 --> 0:36:31.919
<v Speaker 1>now and he's like, yo, let me take the dish too.

0:36:32.400 --> 0:36:35.120
<v Speaker 1>So he got back to the studio. He plays the

0:36:35.280 --> 0:36:38.960
<v Speaker 1>beat for bids. He played one of my beats for bits.

0:36:39.760 --> 0:36:42.200
<v Speaker 1>It was just Bob Mauley joint. I had um um

0:36:42.360 --> 0:36:45.960
<v Speaker 1>the uh the um. It's funny because you pulled up.

0:36:47.040 --> 0:36:49.520
<v Speaker 1>So it was the Bob Mauley was the joint called Uh,

0:36:50.040 --> 0:36:54.759
<v Speaker 1>I don't know if it was cornerstone. Yeah, the the

0:36:54.920 --> 0:37:00.640
<v Speaker 1>cornerstone joint. Uh. The builder will be the head cone.

0:37:01.280 --> 0:37:05.040
<v Speaker 1>The stone that the build a refuse will always be

0:37:05.280 --> 0:37:11.640
<v Speaker 1>the head cornerstone. Man, I need to hear that. It's

0:37:11.719 --> 0:37:17.839
<v Speaker 1>hell yeah, the stone that we're using the boomdocks right,

0:37:18.440 --> 0:37:24.880
<v Speaker 1>the stonege the head cornerstone. That's the Bob Marley joints.

0:37:25.000 --> 0:37:27.920
<v Speaker 1>It may you know have earlier, but um, yeah, it

0:37:28.000 --> 0:37:30.080
<v Speaker 1>was the Ball Mauley joint and bars. You know. My

0:37:30.200 --> 0:37:31.800
<v Speaker 1>man Paul called me. He was like, Yo, come to

0:37:31.840 --> 0:37:34.760
<v Speaker 1>the studio right now. Man. I'm like, all right, boom

0:37:35.160 --> 0:37:36.440
<v Speaker 1>to get on the bus and should I had to

0:37:36.480 --> 0:37:39.359
<v Speaker 1>walk man oh types of ship. It was crazy went

0:37:39.480 --> 0:37:43.600
<v Speaker 1>there is right there? Yo, you made that Bess just

0:37:43.840 --> 0:37:46.920
<v Speaker 1>funcky y'all listen to what we listen to what we

0:37:47.080 --> 0:37:51.400
<v Speaker 1>and they was working on fucking just a Friend. He

0:37:51.520 --> 0:37:53.600
<v Speaker 1>played me just a friend that day he played me

0:37:53.719 --> 0:37:56.440
<v Speaker 1>the mud for ship, all that ship. So I was

0:37:56.560 --> 0:37:59.480
<v Speaker 1>like inducted. I was like, oh shoot, I'm saying with busy.

0:37:59.800 --> 0:38:02.320
<v Speaker 1>They asking me how I feel about the ship and everything.

0:38:02.360 --> 0:38:04.359
<v Speaker 1>They're like, how you like that? I'm like, no, that's

0:38:04.480 --> 0:38:07.480
<v Speaker 1>that's ill. So I'm like, you know, got Chelsea do?

0:38:07.560 --> 0:38:09.399
<v Speaker 1>And after that he's like, yo, how you get old?

0:38:09.480 --> 0:38:11.160
<v Speaker 1>I'm like, get on the bus. He's like, now, come

0:38:11.200 --> 0:38:14.279
<v Speaker 1>with me. Man getting a small gray maximum and she

0:38:14.400 --> 0:38:17.440
<v Speaker 1>got the fucking system is going crazy all through the street.

0:38:17.480 --> 0:38:20.480
<v Speaker 1>People like this. But we go to the Colosseum. They

0:38:20.560 --> 0:38:25.799
<v Speaker 1>got the shirt kings downstairs, everybody bis been. He takes

0:38:25.840 --> 0:38:28.759
<v Speaker 1>me back the flushing and ship everybody, Yo, who ship?

0:38:29.280 --> 0:38:31.880
<v Speaker 1>He come upstairs? Meet my Mom's the whole man. It

0:38:32.040 --> 0:38:34.880
<v Speaker 1>was crazy man. Bears Man, God, bless you bear Man,

0:38:35.000 --> 0:38:40.560
<v Speaker 1>love you man. This man before we go to let's

0:38:40.600 --> 0:38:46.640
<v Speaker 1>go back to policy possi. Uh it's this little known

0:38:47.160 --> 0:38:52.160
<v Speaker 1>genius people that no no right. Paul worked with a

0:38:52.320 --> 0:38:55.560
<v Speaker 1>lot of artists from back in the gap, and but

0:38:55.680 --> 0:38:59.920
<v Speaker 1>he meant an early demise. Uh what was Paul I?

0:39:00.040 --> 0:39:05.800
<v Speaker 1>Twenty four years old and he died under tragic circumstances?

0:39:06.440 --> 0:39:09.680
<v Speaker 1>Did they ever find out, you know, why he was killed?

0:39:10.080 --> 0:39:13.719
<v Speaker 1>But they didn't. They arrest somebody they had. He was

0:39:13.880 --> 0:39:18.480
<v Speaker 1>actually one of the episodes of America's Most Want It

0:39:18.560 --> 0:39:20.920
<v Speaker 1>was actually New York Most Wanted. It was New York's

0:39:20.920 --> 0:39:25.560
<v Speaker 1>Most Wanted. Man. I wish, man, I wish, you know,

0:39:25.719 --> 0:39:31.200
<v Speaker 1>just you know, they're they're speculations of suspects and you know,

0:39:31.320 --> 0:39:34.760
<v Speaker 1>but I think somebody did. I don't know, but it's

0:39:34.840 --> 0:39:37.480
<v Speaker 1>just like they made they made I know they heard

0:39:37.520 --> 0:39:40.839
<v Speaker 1>that they made a couple of arrests, and I don't

0:39:40.880 --> 0:39:43.360
<v Speaker 1>know whatever happened to it because it just was not

0:39:43.560 --> 0:39:47.799
<v Speaker 1>something that was that was put out there to begin with, right, Yeah,

0:39:47.880 --> 0:39:50.520
<v Speaker 1>but that was tragic. Man. I would really like to

0:39:50.560 --> 0:39:54.920
<v Speaker 1>see what he was, yeah, man, and and so gifted,

0:39:54.960 --> 0:39:56.520
<v Speaker 1>and he was working with a lot of people, he

0:39:56.640 --> 0:39:59.680
<v Speaker 1>was doing a lot and so unique to be a

0:40:00.440 --> 0:40:03.520
<v Speaker 1>dude doing this, man, and to be so funky man

0:40:03.719 --> 0:40:06.759
<v Speaker 1>like it was it was like man like, you know,

0:40:07.440 --> 0:40:09.759
<v Speaker 1>it was almost I don't know, man, I don't want

0:40:09.760 --> 0:40:12.600
<v Speaker 1>to say nothing spiritually, man, but you know, God blessed man,

0:40:12.680 --> 0:40:15.840
<v Speaker 1>my man Paul, So I have a production company to

0:40:15.960 --> 0:40:20.840
<v Speaker 1>this day. I dedicated to him poule C Productions instead

0:40:20.880 --> 0:40:23.920
<v Speaker 1>of the letter C is S E A because we

0:40:24.160 --> 0:40:29.239
<v Speaker 1>both liked, uh, we liked Alan Toussaint and Marshall C. Horn,

0:40:29.520 --> 0:40:32.919
<v Speaker 1>the producers for the Meters, and that was a black

0:40:33.000 --> 0:40:35.800
<v Speaker 1>dude and a white dude, you know, working together. So

0:40:36.080 --> 0:40:40.040
<v Speaker 1>I made it Paul C s E A because Marshall C.

0:40:40.280 --> 0:40:44.439
<v Speaker 1>Horn and Allan Toussaint always did funny ways with their

0:40:44.600 --> 0:40:48.440
<v Speaker 1>publishing companies or what is to C C two and

0:40:48.600 --> 0:40:51.560
<v Speaker 1>things like that, So I did Paul C. You know,

0:40:51.719 --> 0:40:55.040
<v Speaker 1>from a production company man too, And now we're here

0:40:55.080 --> 0:40:58.120
<v Speaker 1>with Mad Productions man, and um it's all under poll C.

0:40:58.400 --> 0:41:02.279
<v Speaker 1>So definitely they were questioning a lot of people, I know,

0:41:02.520 --> 0:41:06.279
<v Speaker 1>they they questioned a whole lot of people from it.

0:41:06.360 --> 0:41:09.200
<v Speaker 1>They they, I mean, they really was seeing I ain't.

0:41:10.080 --> 0:41:13.200
<v Speaker 1>I think that was probably the most investigated. The big,

0:41:13.320 --> 0:41:17.399
<v Speaker 1>big Big. Maybe the big Big might be more big Big,

0:41:17.520 --> 0:41:19.560
<v Speaker 1>might be a little bit more. I mean, but damn

0:41:19.600 --> 0:41:21.400
<v Speaker 1>they ain't. They still ain't come up with nothing for

0:41:21.520 --> 0:41:24.000
<v Speaker 1>neither one of them. I think the big thing was

0:41:24.120 --> 0:41:27.239
<v Speaker 1>more like Yo, let's just do this because let's put

0:41:27.280 --> 0:41:28.640
<v Speaker 1>our name in the book so I can write this

0:41:28.719 --> 0:41:31.120
<v Speaker 1>book or whatever. I don't think they were ever serious

0:41:31.160 --> 0:41:33.160
<v Speaker 1>about trying to starve a big murder, because if they

0:41:33.200 --> 0:41:35.400
<v Speaker 1>wanted to, they would have done it, the same thing

0:41:35.480 --> 0:41:37.600
<v Speaker 1>with Pop they wanted to, they could have done it. Yeah,

0:41:38.560 --> 0:41:42.000
<v Speaker 1>they can find a man and a whole clear across

0:41:42.080 --> 0:41:45.480
<v Speaker 1>the globe exact, could have found out who did that

0:41:45.560 --> 0:41:48.280
<v Speaker 1>in the desert exactly what you know with that yellow

0:41:48.400 --> 0:41:53.919
<v Speaker 1>journalism man, Ever since I learned that term man, man,

0:41:54.040 --> 0:41:56.600
<v Speaker 1>that's when they just put the paper out and they

0:41:56.719 --> 0:41:59.000
<v Speaker 1>just tell you whatever the funk they want to tell you,

0:41:59.160 --> 0:42:01.799
<v Speaker 1>and you don't know fucking ben Loud and even really

0:42:01.880 --> 0:42:05.279
<v Speaker 1>exists and ship like that. Like I'm serious, man, I'm

0:42:05.360 --> 0:42:08.320
<v Speaker 1>I've been skeptical of all of that ship man since

0:42:08.600 --> 0:42:11.400
<v Speaker 1>ever since I learned that learned that term though. It's like,

0:42:11.680 --> 0:42:14.200
<v Speaker 1>I don't, I don't mess with that ship man, I don't,

0:42:15.360 --> 0:42:17.840
<v Speaker 1>I know you, you know you, But you got a

0:42:17.960 --> 0:42:20.359
<v Speaker 1>nice radar on all of that, man, So you could

0:42:20.360 --> 0:42:23.080
<v Speaker 1>speak on it, man, and my man Lord j to

0:42:23.320 --> 0:42:25.960
<v Speaker 1>Lord Jamal, he he'd be speaking on it, you know

0:42:26.040 --> 0:42:30.040
<v Speaker 1>a lot. So look absolutely so you know it's it's

0:42:30.080 --> 0:42:32.239
<v Speaker 1>a beautiful thing. We need brothers like y'all, you know

0:42:32.239 --> 0:42:34.880
<v Speaker 1>what I'm saying. And then after y'all get that lesson

0:42:34.920 --> 0:42:37.759
<v Speaker 1>and should come get that musical blessing you know me,

0:42:37.880 --> 0:42:40.359
<v Speaker 1>and then you know we're gonna think, Yo, all of that. Man,

0:42:40.560 --> 0:42:43.879
<v Speaker 1>just get busy, man, like we wortered this earth. Man,

0:42:43.960 --> 0:42:46.360
<v Speaker 1>this is our ship. Man, like Swan said, this is

0:42:46.440 --> 0:42:52.879
<v Speaker 1>for us. You know about dot Com named you as

0:42:52.960 --> 0:42:59.880
<v Speaker 1>the number thirteen produce it in hip hop history? Wowte best. Uh.

0:43:00.120 --> 0:43:04.360
<v Speaker 1>Now that's on a list of top and then the

0:43:04.440 --> 0:43:07.359
<v Speaker 1>greater list. That's halfway almost, that's almost halfway and that's

0:43:07.440 --> 0:43:11.200
<v Speaker 1>the greater list. Is like everybody right, Uh, what do

0:43:11.280 --> 0:43:12.960
<v Speaker 1>you think about that on it? Or? Is it an

0:43:13.000 --> 0:43:16.040
<v Speaker 1>honor to year? Yes? I don't mean it's cool just

0:43:16.200 --> 0:43:19.200
<v Speaker 1>to even be on the list, man, And to you know,

0:43:19.320 --> 0:43:22.680
<v Speaker 1>I took this likeness, this name laws professor, you know,

0:43:22.920 --> 0:43:25.200
<v Speaker 1>sticking my chest out, you know, talking that ship on

0:43:25.280 --> 0:43:28.600
<v Speaker 1>the mic and all of that ship and put it

0:43:28.640 --> 0:43:30.160
<v Speaker 1>out here in the world. And now it's on the

0:43:30.239 --> 0:43:33.680
<v Speaker 1>list somewhere. So yo, man, I I'm I'm with it. Man.

0:43:34.040 --> 0:43:35.600
<v Speaker 1>Anybody on that list you think you should be a

0:43:35.680 --> 0:43:41.080
<v Speaker 1>hit of mad dudes mad that's that's that's really popping.

0:43:42.840 --> 0:43:45.759
<v Speaker 1>But look, man, we got we got we got the list.

0:43:47.280 --> 0:43:54.560
<v Speaker 1>Let's go to about dot com uh best hip hop producers.

0:43:55.680 --> 0:43:58.399
<v Speaker 1>So I mean you've got different categories of it though,

0:43:58.520 --> 0:44:00.880
<v Speaker 1>so and I'm accepting of that. Is that you know,

0:44:01.120 --> 0:44:05.440
<v Speaker 1>you got boomed back, you got trapped, draill all of that.

0:44:06.080 --> 0:44:08.239
<v Speaker 1>So I played my part man on the you know,

0:44:08.840 --> 0:44:12.560
<v Speaker 1>on the boom back failed fore front, and I'm like, yo,

0:44:13.840 --> 0:44:17.240
<v Speaker 1>we're good, man, Like just started from you know, started

0:44:17.280 --> 0:44:20.160
<v Speaker 1>from the bottom. Now we're here, yeah for real, man,

0:44:20.320 --> 0:44:24.000
<v Speaker 1>Like this is being tape recorded. Man, people are gonna

0:44:24.080 --> 0:44:26.680
<v Speaker 1>see this, man Like, that's what we wanted, you know,

0:44:26.840 --> 0:44:30.239
<v Speaker 1>just to put our likeness out there and the art man.

0:44:30.360 --> 0:44:35.359
<v Speaker 1>So I'm I'm grateful not not to be labor the point,

0:44:35.920 --> 0:44:39.840
<v Speaker 1>but I really want to know how you feel, you know,

0:44:40.040 --> 0:44:43.600
<v Speaker 1>about your status in the game with all that you

0:44:43.800 --> 0:44:47.080
<v Speaker 1>brought to the game. I really want to know how

0:44:47.200 --> 0:44:49.959
<v Speaker 1>you feel, like deep ones side, how you really feel

0:44:50.320 --> 0:44:53.560
<v Speaker 1>political career. Absolutely, you want to know really how you

0:44:53.680 --> 0:44:57.320
<v Speaker 1>feel somebody who's given so much right. I feel excited

0:44:57.480 --> 0:45:02.279
<v Speaker 1>because I've always been like now I need to put

0:45:02.360 --> 0:45:04.520
<v Speaker 1>in more work I need to put in more work,

0:45:05.000 --> 0:45:07.680
<v Speaker 1>like I need to put in more work. And now,

0:45:08.000 --> 0:45:09.360
<v Speaker 1>you know, I mean, I don't know if it's too

0:45:09.480 --> 0:45:11.520
<v Speaker 1>you know, I don't know what's going on. But I

0:45:11.680 --> 0:45:15.759
<v Speaker 1>now feel like, all right, all right, And I've been

0:45:15.760 --> 0:45:17.920
<v Speaker 1>saying that a lot lately to people, the work is in,

0:45:18.719 --> 0:45:21.000
<v Speaker 1>the work is in. I've been saying that a lot lately.

0:45:21.040 --> 0:45:23.279
<v Speaker 1>I've been saying stay close, and the work is in

0:45:23.440 --> 0:45:27.080
<v Speaker 1>a lot lately. But yeah, the work is in. And

0:45:27.760 --> 0:45:32.480
<v Speaker 1>so I feel good, man, because the community now is

0:45:32.880 --> 0:45:36.640
<v Speaker 1>not and it's it's not an industry community. It's just

0:45:36.760 --> 0:45:42.239
<v Speaker 1>a natural like the Internet, technology has it fun. The

0:45:42.320 --> 0:45:44.720
<v Speaker 1>industry shipped up, you know, the industry had a hold

0:45:44.920 --> 0:45:47.719
<v Speaker 1>on like oh no, you can't, you know, And it's

0:45:47.760 --> 0:45:50.400
<v Speaker 1>like the Internet just like now you're gonna see whatever

0:45:50.480 --> 0:45:53.239
<v Speaker 1>you're interested in and if you if that man get

0:45:53.360 --> 0:45:56.200
<v Speaker 1>his you know, ship popping like that, and you're gonna

0:45:56.239 --> 0:45:58.839
<v Speaker 1>see it like it's gonna go viral whatever. So that's

0:45:58.880 --> 0:46:01.239
<v Speaker 1>what I'm loving. That's what I think is part of

0:46:01.320 --> 0:46:04.600
<v Speaker 1>the reason why I'm like I'm excited now because like

0:46:04.719 --> 0:46:08.640
<v Speaker 1>the Internet, like all right, you put remember I'm skill driven,

0:46:09.040 --> 0:46:12.200
<v Speaker 1>I'm I'm I'm I'm based on that's the first song.

0:46:12.400 --> 0:46:15.160
<v Speaker 1>I can't based on skill, that's the first. Like when

0:46:15.200 --> 0:46:18.600
<v Speaker 1>I made my little tapes and ship, I had concentration

0:46:18.719 --> 0:46:22.960
<v Speaker 1>on work and I had based on skill. And that's

0:46:23.040 --> 0:46:24.800
<v Speaker 1>my ship now. So I'm like, you know, if you

0:46:24.880 --> 0:46:27.080
<v Speaker 1>look at my I g all I'm doing is just

0:46:27.120 --> 0:46:31.200
<v Speaker 1>putting up records ship like that people. You know, it's

0:46:31.239 --> 0:46:34.600
<v Speaker 1>a small community now, but it's gonna grow. I'm taking

0:46:34.640 --> 0:46:38.759
<v Speaker 1>all these records from America, American history, sucking them up

0:46:38.880 --> 0:46:41.520
<v Speaker 1>like twist them up on some hip hop ship, making

0:46:41.560 --> 0:46:43.800
<v Speaker 1>them translating to some hip hop ship, and people was

0:46:43.840 --> 0:46:46.799
<v Speaker 1>getting it, and you know, it's growing worldwide and that's

0:46:46.840 --> 0:46:49.680
<v Speaker 1>what I'm loving. So I'm excited. Yeah, I'm excited. The

0:46:49.800 --> 0:46:55.600
<v Speaker 1>god rock can't Rock Cam. He was somebody that keeps

0:46:55.600 --> 0:46:59.880
<v Speaker 1>collaborating with a few times now. Rock Kim has a

0:47:00.360 --> 0:47:03.480
<v Speaker 1>mythical type aura about it, mystique, right, Yeah, I mean

0:47:03.719 --> 0:47:07.759
<v Speaker 1>he's like he's a very down to earth, humble guy.

0:47:08.680 --> 0:47:14.239
<v Speaker 1>But yeah, you don't allow too much access to himself. Uh,

0:47:15.440 --> 0:47:17.400
<v Speaker 1>give us a story. I think I think that I

0:47:17.520 --> 0:47:21.120
<v Speaker 1>think that's double edge. And he said that just recently,

0:47:21.200 --> 0:47:23.920
<v Speaker 1>that that that was double edged about him because the

0:47:24.040 --> 0:47:29.000
<v Speaker 1>industry started turning into like everyone coming together and like yo,

0:47:29.120 --> 0:47:31.560
<v Speaker 1>we collaboro and all of that. And you know, at

0:47:31.640 --> 0:47:34.279
<v Speaker 1>that time, he was just a stand alone dude and

0:47:34.400 --> 0:47:37.120
<v Speaker 1>dudes were just like you know, he was always approachable

0:47:37.160 --> 0:47:39.040
<v Speaker 1>and the God always show love. But just on the

0:47:39.200 --> 0:47:41.480
<v Speaker 1>artist tip. It was just like a one of one,

0:47:41.600 --> 0:47:47.719
<v Speaker 1>like stand alone type. But um man, yo, rock kim Man, Man,

0:47:48.200 --> 0:47:50.480
<v Speaker 1>give us give us one of them stories about Rock him,

0:47:50.520 --> 0:47:53.760
<v Speaker 1>because we don't really have stories about Rockets. What style,

0:47:54.000 --> 0:47:57.040
<v Speaker 1>like what some crazy something? I mean because the god,

0:47:57.160 --> 0:48:00.160
<v Speaker 1>that's that's the god. Like maybe something happened in the

0:48:00.239 --> 0:48:02.680
<v Speaker 1>studio or he gave you a car one day that

0:48:02.800 --> 0:48:08.640
<v Speaker 1>you ain't will never forget. All right, oh man, One

0:48:08.719 --> 0:48:12.200
<v Speaker 1>time we were in the lab. I think he was

0:48:12.320 --> 0:48:16.680
<v Speaker 1>working on his solo joints. It wasn't it could have

0:48:16.760 --> 0:48:18.440
<v Speaker 1>been every being rocking. I don't, I don't know. But

0:48:18.920 --> 0:48:21.600
<v Speaker 1>we was in the lab in the city and uh

0:48:22.400 --> 0:48:25.920
<v Speaker 1>I had my man Land with me and lan Lane.

0:48:26.320 --> 0:48:28.640
<v Speaker 1>We was cool. And Ship he knew Rock him from

0:48:28.680 --> 0:48:30.479
<v Speaker 1>when when I was working with him. This is after

0:48:30.719 --> 0:48:32.640
<v Speaker 1>all the work was in from that time. Now we

0:48:32.719 --> 0:48:34.600
<v Speaker 1>got another time we're working with him and Ship we're

0:48:34.600 --> 0:48:36.879
<v Speaker 1>gonna see him. Oh man Land with me and ship

0:48:36.960 --> 0:48:40.480
<v Speaker 1>were chilling, rock him, embracing him. You know, they clicked

0:48:40.560 --> 0:48:43.440
<v Speaker 1>up and ships everybody smoking weed, chilling whatever. So my

0:48:43.560 --> 0:48:47.880
<v Speaker 1>man Lane he going downstairs and ship go to store whatever.

0:48:47.920 --> 0:48:51.279
<v Speaker 1>He coming back upstairs, got this girl or whatever. He

0:48:51.360 --> 0:48:54.799
<v Speaker 1>got some girl with him, might have been two or whatever.

0:48:54.920 --> 0:48:58.320
<v Speaker 1>Wanted two girls and ship Russian chick. I guess he

0:48:58.400 --> 0:49:01.680
<v Speaker 1>told her downstairs like Man, I got rock Himmel. No

0:49:02.560 --> 0:49:06.560
<v Speaker 1>Ra allowed it. So now the chicks is in there.

0:49:09.320 --> 0:49:12.320
<v Speaker 1>That's the end of the story. I go. You know,

0:49:12.480 --> 0:49:14.520
<v Speaker 1>I ain't gonna say nothing else. Man, I ain't gonna

0:49:14.520 --> 0:49:18.040
<v Speaker 1>say nothing else. Man, it was why now I'll tell you.

0:49:18.120 --> 0:49:20.680
<v Speaker 1>I'll tell you this. I'm i'm, i'm, I'm. I'm gonna

0:49:20.680 --> 0:49:23.160
<v Speaker 1>block out one part and go to this. I'm gonna

0:49:23.160 --> 0:49:26.759
<v Speaker 1>go to this right here. So my man Land right

0:49:26.920 --> 0:49:29.239
<v Speaker 1>now to check like one of them. I guess it was.

0:49:29.320 --> 0:49:32.239
<v Speaker 1>I don't know, Oh man Land, try to, you know,

0:49:33.080 --> 0:49:34.800
<v Speaker 1>because it was trying. You know, everybody was trying to

0:49:34.880 --> 0:49:37.080
<v Speaker 1>do their little studio thing at the time, Like you

0:49:37.120 --> 0:49:39.200
<v Speaker 1>know we're talking earlier about to you know, pull a

0:49:39.280 --> 0:49:42.359
<v Speaker 1>seat back in the g type ship. No they're trying

0:49:42.360 --> 0:49:46.080
<v Speaker 1>to do their studio thing, right, so you know the

0:49:46.160 --> 0:49:48.680
<v Speaker 1>chick just come up. No no, no, no rock him

0:49:48.840 --> 0:49:58.640
<v Speaker 1>Rocky not you rock not not who my manly man, Right,

0:49:58.800 --> 0:50:07.440
<v Speaker 1>that's what you're saying. Yeah, we was all laughing then.

0:50:07.600 --> 0:50:10.719
<v Speaker 1>You know it was crazy man, Yeah, you know it

0:50:10.840 --> 0:50:12.560
<v Speaker 1>was It was crazy. It was crazy. It was some

0:50:12.680 --> 0:50:15.560
<v Speaker 1>wild ship. It was some wild ship. Uh you know

0:50:15.680 --> 0:50:19.239
<v Speaker 1>for a studio session. We didn't supposed to be doing music. Yeah,

0:50:21.400 --> 0:50:27.480
<v Speaker 1>happens should be happening. Work with tribe call Quest oh man, yeah, man,

0:50:27.680 --> 0:50:31.840
<v Speaker 1>honorable brother Q Tip, oh man, Yo, that's that like

0:50:32.000 --> 0:50:35.520
<v Speaker 1>to be involved with a brother that you know Q

0:50:35.760 --> 0:50:39.520
<v Speaker 1>Tip with brothers actually. But I was like, you know

0:50:39.680 --> 0:50:43.040
<v Speaker 1>because we had so many similarities on me and my

0:50:43.120 --> 0:50:45.560
<v Speaker 1>man Q Tip, Like we're both to every ship and

0:50:46.239 --> 0:50:49.839
<v Speaker 1>using same records and all this, you know wild ship

0:50:50.040 --> 0:50:52.480
<v Speaker 1>we found out about the other each other whatever and ship.

0:50:52.600 --> 0:50:55.560
<v Speaker 1>So it's like wow, man, like yo, we got a

0:50:55.600 --> 0:51:00.640
<v Speaker 1>lot in common. Start rocking like dogs man, that the

0:51:00.960 --> 0:51:05.080
<v Speaker 1>records that they put the world onto, that the world

0:51:05.239 --> 0:51:11.080
<v Speaker 1>still reverves through their music like artists. Now, like this

0:51:11.320 --> 0:51:14.960
<v Speaker 1>is like a portal, man, this is like them dudes.

0:51:15.080 --> 0:51:17.440
<v Speaker 1>Was like you know, even their album covered with all

0:51:17.520 --> 0:51:19.480
<v Speaker 1>the faces on. You know what I'm saying. They were

0:51:19.520 --> 0:51:22.200
<v Speaker 1>like a portal for like hip hop man and to

0:51:22.320 --> 0:51:25.279
<v Speaker 1>this day man, like you know, I reach out to

0:51:25.400 --> 0:51:28.239
<v Speaker 1>Tip Man. He just recently rocked on a song that

0:51:28.320 --> 0:51:30.840
<v Speaker 1>I have my Mannique the Exotic. He was on faking

0:51:30.880 --> 0:51:33.640
<v Speaker 1>the funk with me. Um. We just did a project

0:51:33.719 --> 0:51:36.080
<v Speaker 1>called Extra Exotic, so q Tip came through on that.

0:51:36.239 --> 0:51:39.000
<v Speaker 1>We did a joint co qu I talked to him

0:51:39.040 --> 0:51:40.480
<v Speaker 1>here and there, you know what I mean, like he

0:51:40.680 --> 0:51:44.000
<v Speaker 1>he out there, Man, that that's a that man has,

0:51:44.560 --> 0:51:46.600
<v Speaker 1>you know, put the world onto something, you know, and

0:51:46.719 --> 0:51:49.640
<v Speaker 1>just trial Man brought just such a great vibe man,

0:51:49.760 --> 0:51:52.440
<v Speaker 1>and just for me to get a shout out and

0:51:52.680 --> 0:51:54.600
<v Speaker 1>to like do a track for them, you know, it

0:51:54.719 --> 0:51:56.959
<v Speaker 1>was just like an honor man like them. Them dudes

0:51:57.160 --> 0:52:02.759
<v Speaker 1>was already going and we clicked up. They got greater better,

0:52:02.960 --> 0:52:05.600
<v Speaker 1>you know when they kept going and getting great at

0:52:05.640 --> 0:52:11.319
<v Speaker 1>your incredible man, incredible experience. My um. Okay, So when

0:52:11.400 --> 0:52:13.960
<v Speaker 1>the Midnight I've been on tripic call question since um

0:52:14.600 --> 0:52:19.919
<v Speaker 1>the low End theory, but when the Midnight Marauders came out,

0:52:21.600 --> 0:52:24.799
<v Speaker 1>I was smoking. We really really really a body. Everybody

0:52:25.600 --> 0:52:29.000
<v Speaker 1>at that time, and I had an eighth fifty what

0:52:29.160 --> 0:52:33.680
<v Speaker 1>color black? Okay, had an eight fifty with two fifteens

0:52:34.400 --> 0:52:36.960
<v Speaker 1>and all it like it was done up like professional sound.

0:52:37.040 --> 0:52:38.960
<v Speaker 1>You remember that. You remember that with that here's talking

0:52:38.960 --> 0:52:44.000
<v Speaker 1>about right there with black joint. You had a black

0:52:46.680 --> 0:52:49.239
<v Speaker 1>I love this. A couple of dynamic y'all got man,

0:52:49.400 --> 0:52:53.680
<v Speaker 1>I love it, man, And every day call you, no doubt,

0:52:55.480 --> 0:53:01.360
<v Speaker 1>make big money, Big calls him man. All right, so

0:53:01.440 --> 0:53:08.120
<v Speaker 1>you're fifty man and riding. Molly had the red one. Yeah,

0:53:08.160 --> 0:53:11.480
<v Speaker 1>everybody in the bridge like man. Prince had a purple one,

0:53:11.560 --> 0:53:13.560
<v Speaker 1>I mean a yellow one. You remember that. Willie went

0:53:13.680 --> 0:53:16.200
<v Speaker 1>the Princess of Yeah, you went to that compound. I

0:53:16.239 --> 0:53:18.400
<v Speaker 1>went to that compound. He had a yellow eight fifty

0:53:18.440 --> 0:53:20.600
<v Speaker 1>with purple seats in it. I went to that compound.

0:53:20.640 --> 0:53:24.439
<v Speaker 1>He clowned Tevin Campbell, Chris came to a ghetto boys

0:53:24.480 --> 0:53:28.920
<v Speaker 1>show show? Did he? Sure? Did? Two? We had to.

0:53:29.080 --> 0:53:35.319
<v Speaker 1>We played two shows at glam and I was out

0:53:35.360 --> 0:53:37.839
<v Speaker 1>there with Rice was in the back and the singing

0:53:37.960 --> 0:53:41.080
<v Speaker 1>every word. And Prince went and Willy said, they go

0:53:41.239 --> 0:53:43.520
<v Speaker 1>Prince up at the top and people look back, and

0:53:43.640 --> 0:53:48.879
<v Speaker 1>Prince did this, and big dude hauled him out real ship.

0:53:49.040 --> 0:53:51.520
<v Speaker 1>All right, you said chial cold question. So I'm wait,

0:53:51.640 --> 0:53:55.120
<v Speaker 1>let me finish. William't cut me off no more. So

0:53:55.280 --> 0:54:00.600
<v Speaker 1>I'm in that, bitch man, let's go. So hit the weed,

0:54:00.800 --> 0:54:04.880
<v Speaker 1>right and this is this is my partner is coming

0:54:04.920 --> 0:54:09.879
<v Speaker 1>down from uh Oakland nice and they're bringing that. They're

0:54:09.880 --> 0:54:12.640
<v Speaker 1>bringing that weed that's rolled up like you wouldn't believe.

0:54:13.360 --> 0:54:15.680
<v Speaker 1>So I fired up the square man. I go to

0:54:15.760 --> 0:54:18.799
<v Speaker 1>the record so I'm high as fuck. I pick up

0:54:18.840 --> 0:54:22.680
<v Speaker 1>the Midnight maraudas bro and that'ship so fucking how do

0:54:22.680 --> 0:54:35.080
<v Speaker 1>I put it in the cranky Doom Doom? Yeah? Blown

0:54:36.120 --> 0:54:42.400
<v Speaker 1>the fuck? Yeah, oh way. Yeah. To this day, that

0:54:42.600 --> 0:54:48.000
<v Speaker 1>is my favorite tribe called quest album because of the experience,

0:54:49.400 --> 0:54:51.160
<v Speaker 1>like yeah, yeah, yeah, yeah, I know what you're saying.

0:54:51.680 --> 0:54:54.480
<v Speaker 1>That's like a game Star joint. Yeah where you were where?

0:54:54.600 --> 0:54:57.080
<v Speaker 1>Yeah you remember? I remember that ship like it was

0:54:57.200 --> 0:55:00.960
<v Speaker 1>this morning. I was high as fuck and that song

0:55:01.160 --> 0:55:07.399
<v Speaker 1>came on, yeah, and I was just drove. Yo tip

0:55:07.480 --> 0:55:10.600
<v Speaker 1>throw the Brethren Jones behind the Ronnie Forrester guard man,

0:55:13.040 --> 0:55:21.520
<v Speaker 1>Yo shoever you are tip tip to ghetto boys. Yeah

0:55:21.800 --> 0:55:28.920
<v Speaker 1>know that your tip throw the Brethren behind yo bro man.

0:55:29.160 --> 0:55:31.600
<v Speaker 1>Now that's a fly guy man. All right. So y'all

0:55:31.640 --> 0:55:33.920
<v Speaker 1>told the Prince story. So I'm riding the Jersey, go

0:55:34.080 --> 0:55:36.319
<v Speaker 1>get some records with this dude. There was just diner man.

0:55:36.400 --> 0:55:38.920
<v Speaker 1>This dude. I found out, my man, Charlie, there was

0:55:38.960 --> 0:55:41.600
<v Speaker 1>a diner. My bad. I'm gonna rambler. So there's this

0:55:41.760 --> 0:55:45.759
<v Speaker 1>diner man to dude, white guy man, Yo, tough, tough guy.

0:55:45.920 --> 0:55:48.360
<v Speaker 1>Tough guy. He's a tough guy, short too man, but

0:55:48.560 --> 0:55:51.800
<v Speaker 1>tough like what you want type ship. So we're in,

0:55:51.840 --> 0:55:54.120
<v Speaker 1>they're getting records. He's showing us love doing it like

0:55:54.160 --> 0:55:59.280
<v Speaker 1>we so borm. We're driving over there. Ship fucking phone

0:55:59.360 --> 0:56:02.120
<v Speaker 1>ranging ship he talking and ship like yo, Prince with

0:56:02.320 --> 0:56:05.040
<v Speaker 1>up man like I don't want to speak of ship.

0:56:05.480 --> 0:56:08.719
<v Speaker 1>I'm like, oh, okay, I had a good Prince moment

0:56:08.760 --> 0:56:14.720
<v Speaker 1>for you. Okay. So Prince Londale and Q two. Londale

0:56:15.400 --> 0:56:19.279
<v Speaker 1>and Prince were together and Londale was representing me and

0:56:19.440 --> 0:56:22.680
<v Speaker 1>Lindale made me let me meet Prince man and he

0:56:22.800 --> 0:56:26.840
<v Speaker 1>told my name or whatever. He said, hello, brand, that's crazy,

0:56:27.239 --> 0:56:31.000
<v Speaker 1>and then he said tip and they went to the back.

0:56:31.200 --> 0:56:36.680
<v Speaker 1>All right, all right, all right, all right, well okay,

0:56:36.960 --> 0:56:40.279
<v Speaker 1>well fly guy Q Tip my brother. I love man

0:56:40.360 --> 0:56:47.600
<v Speaker 1>comal the abstract. So I'm with the family Christmas Day chilling.

0:56:47.760 --> 0:56:51.160
<v Speaker 1>We're chilling, you know what I'm saying, family, extended family, everybody.

0:56:51.200 --> 0:56:54.560
<v Speaker 1>You know. He called me up, yo, I'm coming, I'm

0:56:54.719 --> 0:56:57.480
<v Speaker 1>coming through. I'm coming through, all right, cool? You know

0:56:57.640 --> 0:57:00.200
<v Speaker 1>because he I moved out to Jamaica. He had just

0:57:00.360 --> 0:57:03.040
<v Speaker 1>left it. You you know, so like, Yo're go and

0:57:03.200 --> 0:57:06.040
<v Speaker 1>visit Marvs and I'm gonna come through. Come to the

0:57:06.120 --> 0:57:09.640
<v Speaker 1>back doorship, opened the door and ship got Jannie Jackson

0:57:09.719 --> 0:57:16.520
<v Speaker 1>with him. I'm like, come in. What was he doing

0:57:16.600 --> 0:57:21.880
<v Speaker 1>with Jenny? Man? Bro? They were just hanging out there?

0:57:22.320 --> 0:57:24.880
<v Speaker 1>Just want to man. It was in the movie together

0:57:24.960 --> 0:57:26.920
<v Speaker 1>on the table. Bro. They was in the movie together.

0:57:27.200 --> 0:57:29.640
<v Speaker 1>Quane minds want to know you got Jannie Jackson? What

0:57:29.720 --> 0:57:34.760
<v Speaker 1>you're doing with them? Said? You didn't say? Johnny gets

0:57:34.800 --> 0:57:38.200
<v Speaker 1>Tall Wahsington was from over there, man fifth Ward man hard.

0:57:38.400 --> 0:57:46.760
<v Speaker 1>It's hard, It's hard. I don't know what Jennie. Where

0:57:46.880 --> 0:57:49.560
<v Speaker 1>is Johnny? We can't be canceled. I think Johnny get

0:57:49.600 --> 0:57:53.040
<v Speaker 1>Tard Washson might be young. Galveston is a Galviston. That's

0:57:53.120 --> 0:58:00.760
<v Speaker 1>that's a very white right right right? Good? So no

0:58:01.040 --> 0:58:08.800
<v Speaker 1>now like Queens, the the ependyme like the start of it,

0:58:09.520 --> 0:58:12.880
<v Speaker 1>and in our opinion down here was run DMC. That's

0:58:12.880 --> 0:58:17.240
<v Speaker 1>when we first heard about Yeah, somebody's just saying Queens

0:58:17.320 --> 0:58:21.560
<v Speaker 1>loud and proud. Yeah, absolutely, Kings from Queens. From Queens

0:58:21.680 --> 0:58:28.280
<v Speaker 1>comes Kings. Fifth Ward. They don't say no fifth Ward.

0:58:29.840 --> 0:58:36.600
<v Speaker 1>Oh really the King from Queens, from Queens comes Kings. Yeah, Houston, Texas,

0:58:36.960 --> 0:58:43.400
<v Speaker 1>but it don't say no, Yes, sir, I see all right,

0:58:45.200 --> 0:58:51.480
<v Speaker 1>fifth board. So that's that's shout south the Fifth War.

0:58:52.200 --> 0:58:54.520
<v Speaker 1>How about that? Did you ever get a chance to

0:58:54.520 --> 0:58:56.200
<v Speaker 1>work with run DMC or talk to them and hang

0:58:56.240 --> 0:58:58.920
<v Speaker 1>out with them? Me and and D Me and D

0:58:59.200 --> 0:59:01.560
<v Speaker 1>is like I'm young Brol because I was like the

0:59:01.640 --> 0:59:04.600
<v Speaker 1>second dude to come out with glasses from Queens. So

0:59:05.200 --> 0:59:07.560
<v Speaker 1>I was inducted in that way. So you know, we

0:59:08.000 --> 0:59:11.840
<v Speaker 1>got that camaraderie like that. But um nah, man, I

0:59:11.880 --> 0:59:13.960
<v Speaker 1>didn't get to I ain't get not yet, not yet,

0:59:14.000 --> 0:59:16.240
<v Speaker 1>because them brothers are still credible and I know they

0:59:16.320 --> 0:59:19.720
<v Speaker 1>could pulla that's my mission these days. Yeah, because um,

0:59:20.120 --> 0:59:23.080
<v Speaker 1>I just recently gave a beat the Grandmaster cast like

0:59:23.320 --> 0:59:26.520
<v Speaker 1>one of the yeah, the originator, like it is rapture

0:59:26.600 --> 0:59:29.360
<v Speaker 1>so I'm kind of going in different ways with who

0:59:29.440 --> 0:59:31.520
<v Speaker 1>I want to work with and and and things that

0:59:31.600 --> 0:59:33.960
<v Speaker 1>I think people you know. So yeah, man, we know

0:59:34.120 --> 0:59:35.760
<v Speaker 1>all of that. Man, we might still be able to

0:59:35.840 --> 0:59:38.120
<v Speaker 1>do that with running them. Man for real. I walked

0:59:38.160 --> 0:59:43.720
<v Speaker 1>out the a loft in Harlem. Oh yeah yeah, right yeah,

0:59:43.880 --> 0:59:47.040
<v Speaker 1>and on the block. Who do I see cool Mo

0:59:47.280 --> 0:59:50.320
<v Speaker 1>d No but he was from right down the block. Yeah,

0:59:50.400 --> 0:59:53.920
<v Speaker 1>comment and all that right there. Yeah, and man, that

0:59:54.160 --> 0:59:57.360
<v Speaker 1>was like wow, that was that was a hip hop

0:59:57.400 --> 1:00:00.080
<v Speaker 1>wild moment. Yeah. And Doug Doug live right up the

1:00:00.120 --> 1:00:03.000
<v Speaker 1>block first, right up the block from there. Yeah. Hell yeah.

1:00:03.160 --> 1:00:05.919
<v Speaker 1>So man, I get I get I get birthday calls

1:00:06.000 --> 1:00:09.880
<v Speaker 1>from O D. I get Ice Yeah when he heard

1:00:09.920 --> 1:00:11.880
<v Speaker 1>I got sick, man, I got calls from my beat

1:00:11.960 --> 1:00:14.520
<v Speaker 1>and when when I got my transplain you know, check

1:00:14.560 --> 1:00:17.920
<v Speaker 1>on me like like tips, Like yeah, that's a beautiful

1:00:18.040 --> 1:00:21.160
<v Speaker 1>damn man. To have people that you grew up listening

1:00:21.280 --> 1:00:24.440
<v Speaker 1>to to be your friend like l L, like you know,

1:00:24.840 --> 1:00:28.520
<v Speaker 1>l L. Hit me up a cube, you know, text cube,

1:00:28.560 --> 1:00:34.240
<v Speaker 1>and like these are my people. Ice team Man, ice Man, Yeah,

1:00:35.880 --> 1:00:38.000
<v Speaker 1>Ice Man Man. I did an art I did an

1:00:38.160 --> 1:00:42.080
<v Speaker 1>art exhibit with Ice Man. We did a show called lyrics.

1:00:42.360 --> 1:00:45.720
<v Speaker 1>It was me Ice, and so it was like the

1:00:45.800 --> 1:00:47.720
<v Speaker 1>dude do a painting or whatever. We just write the

1:00:47.840 --> 1:00:50.240
<v Speaker 1>lyrics over the painting. And you know, it was cool

1:00:50.320 --> 1:00:54.320
<v Speaker 1>with me Ice, Cool, Keith Smooth, the hustler. A few

1:00:54.400 --> 1:00:56.680
<v Speaker 1>of us were. That was just recently, no, and I

1:00:56.760 --> 1:00:59.600
<v Speaker 1>was a few years ago because Chuck just told me

1:00:59.720 --> 1:01:01.840
<v Speaker 1>he was with iced Tea and some kind of art

1:01:02.000 --> 1:01:05.280
<v Speaker 1>thing that was branching out. So that, yeah, that was

1:01:05.320 --> 1:01:08.920
<v Speaker 1>a cool experience. Man. That's that's the to what he

1:01:08.960 --> 1:01:11.640
<v Speaker 1>say is to real o G. It was he's the

1:01:11.800 --> 1:01:16.440
<v Speaker 1>He's the O G tle. I'm o G realie double

1:01:16.480 --> 1:01:20.400
<v Speaker 1>o G. So iced ta gotta be triple o G. Whatever.

1:01:20.440 --> 1:01:23.880
<v Speaker 1>The motherucking you ain't that you ain't old yet. It

1:01:23.920 --> 1:01:30.680
<v Speaker 1>ain't gotta be flavor flamel than you experienced ex experience.

1:01:30.840 --> 1:01:38.880
<v Speaker 1>So iced t nobody reckless. Got a song called reckless Man,

1:01:38.880 --> 1:01:41.440
<v Speaker 1>and people didn't know that was iced tea. That's iced tea, right,

1:01:41.640 --> 1:01:45.680
<v Speaker 1>reckless reckless. I don't I can't think of that right now.

1:01:45.800 --> 1:01:51.800
<v Speaker 1>I know a DJ's task was just to play records.

1:01:52.000 --> 1:01:54.480
<v Speaker 1>When more could you ask that first record? You're talking

1:01:54.520 --> 1:01:57.560
<v Speaker 1>about mixes, scratches and cuts, when you're talking about that

1:01:57.680 --> 1:02:01.080
<v Speaker 1>first record, Reckless. Yeah, they just sently. I think they

1:02:01.160 --> 1:02:04.600
<v Speaker 1>had them on the series that Cash actually was hosting

1:02:04.760 --> 1:02:07.720
<v Speaker 1>and they yeah, yeah, yeah, I think so. It's it's

1:02:08.000 --> 1:02:10.320
<v Speaker 1>like with the b Boys or something like that was

1:02:10.400 --> 1:02:14.000
<v Speaker 1>with the Breaking Up. Ye see, it's from like New

1:02:14.120 --> 1:02:19.880
<v Speaker 1>Jersey or absolutely. Yeah. Yeah. Man, You've been with a

1:02:19.960 --> 1:02:22.120
<v Speaker 1>lot of records. Man, You've done a lot of business

1:02:22.200 --> 1:02:24.880
<v Speaker 1>with a whole lot of people. Yeah. You ever thought

1:02:24.920 --> 1:02:28.560
<v Speaker 1>about being an executive? Yo, I'm doing that now, man.

1:02:28.840 --> 1:02:31.440
<v Speaker 1>I mean I know people were like, yo, words, you're

1:02:31.440 --> 1:02:33.240
<v Speaker 1>gonna do that now. I'm like, yeah, man, I'm gonna

1:02:33.280 --> 1:02:35.240
<v Speaker 1>do that now. I got a good team around me.

1:02:36.040 --> 1:02:39.720
<v Speaker 1>It's industry free. All that bitch ass industry ship ain't

1:02:39.760 --> 1:02:42.240
<v Speaker 1>nowhere around me. Man. I got Gorillage next to me.

1:02:42.360 --> 1:02:45.080
<v Speaker 1>That's fucking tanning up the road. We was just in Denver,

1:02:45.640 --> 1:02:49.760
<v Speaker 1>all over the place. She fucking Oakland del Dell came out.

1:02:49.880 --> 1:02:52.720
<v Speaker 1>It was like, you know, yo, Dell, don't never Dell,

1:02:52.760 --> 1:02:56.240
<v Speaker 1>don't never pop out for people. You already know when

1:02:56.440 --> 1:02:59.040
<v Speaker 1>I was out there with High Road, you know what

1:02:59.080 --> 1:03:00.760
<v Speaker 1>I mean. Like, so we just hand up the road

1:03:00.840 --> 1:03:03.440
<v Speaker 1>with you know, with the respected artists that we know

1:03:03.640 --> 1:03:06.120
<v Speaker 1>from our ever, from the new era, all of that, man,

1:03:06.280 --> 1:03:08.800
<v Speaker 1>And I don't know what just made to click, man,

1:03:08.880 --> 1:03:11.360
<v Speaker 1>but just more than ever now it's like, you know,

1:03:11.520 --> 1:03:15.080
<v Speaker 1>so I'm kind of doing that now, man, Like you know,

1:03:15.640 --> 1:03:17.680
<v Speaker 1>to some it may be late, but we're working with

1:03:17.760 --> 1:03:20.360
<v Speaker 1>a lot of times. So you know, it's still a

1:03:20.400 --> 1:03:24.120
<v Speaker 1>lot of talent to scale, man, based on scale brothers,

1:03:24.680 --> 1:03:30.080
<v Speaker 1>based on the experience and and and and the respect

1:03:30.800 --> 1:03:32.880
<v Speaker 1>and so it shouldn't be hard for you to make

1:03:32.920 --> 1:03:37.080
<v Speaker 1>the moves and you got to connect absolutely do whatever

1:03:37.160 --> 1:03:40.080
<v Speaker 1>you want to do at that man. So what's next? Yo? Man?

1:03:40.520 --> 1:03:43.840
<v Speaker 1>We got this up down south up top project with

1:03:43.960 --> 1:03:46.439
<v Speaker 1>my man Royal. Why this man, he's actually the brother

1:03:46.520 --> 1:03:48.440
<v Speaker 1>He reached out to eight King. He was like, Yo,

1:03:48.520 --> 1:03:51.080
<v Speaker 1>while we're out here, man, you gotta go see the brothers.

1:03:51.120 --> 1:03:52.680
<v Speaker 1>I was like, well, damn, we just just at rock

1:03:52.760 --> 1:03:54.800
<v Speaker 1>the bells. I'm like, Yo, that make all the sense

1:03:54.880 --> 1:03:57.160
<v Speaker 1>in the world. Man. So Roal, why this man? We

1:03:57.240 --> 1:03:59.840
<v Speaker 1>got that project. We're turning up. Yo. We we all

1:04:00.000 --> 1:04:02.520
<v Speaker 1>over the place right now. You know, the families got

1:04:02.600 --> 1:04:04.320
<v Speaker 1>our back, you know what I mean, Like we we

1:04:04.440 --> 1:04:07.240
<v Speaker 1>are here, you know, picking up the luggage, doing what

1:04:07.320 --> 1:04:10.200
<v Speaker 1>the funk. We do ship like that, Um, I mean

1:04:11.520 --> 1:04:14.360
<v Speaker 1>always man. I just I just knocked out a joint

1:04:14.400 --> 1:04:17.439
<v Speaker 1>for the locks, you know, and they last joint, Yeah,

1:04:18.080 --> 1:04:21.160
<v Speaker 1>it's it's it was ringing off real real funky joint,

1:04:21.200 --> 1:04:24.920
<v Speaker 1>real funky joint. And they actually included, um that new

1:04:25.000 --> 1:04:29.000
<v Speaker 1>movement to Griselda Brothers was on there, Benny the Butcher.

1:04:31.240 --> 1:04:35.200
<v Speaker 1>Yeah so that yeah, they yo, so, And it was

1:04:35.280 --> 1:04:37.439
<v Speaker 1>good to have a new movement come from New York.

1:04:37.520 --> 1:04:39.400
<v Speaker 1>And it wasn't from the Inner City, you know what

1:04:39.400 --> 1:04:41.640
<v Speaker 1>I'm saying. It was like the brothers from up top

1:04:41.680 --> 1:04:44.920
<v Speaker 1>because they know, they they you know, the city, the city.

1:04:45.440 --> 1:04:48.320
<v Speaker 1>I came front, and I'll actually I'll say it, man,

1:04:48.440 --> 1:04:52.120
<v Speaker 1>like the inner city got kind of like not boogie,

1:04:52.200 --> 1:04:54.120
<v Speaker 1>but got kind of like you know, like you no,

1:04:54.360 --> 1:04:58.000
<v Speaker 1>that's stable. Yeah yeah, yeah, yeah, yeah yeah yeah. And

1:04:58.160 --> 1:05:00.400
<v Speaker 1>and in the South like all these other just was

1:05:00.480 --> 1:05:02.560
<v Speaker 1>coming through and they you know these people, you know,

1:05:02.640 --> 1:05:05.120
<v Speaker 1>they know, y'all brothers come, you know, like yo, we're

1:05:05.240 --> 1:05:08.480
<v Speaker 1>hitting these streets like New York and you know the

1:05:08.600 --> 1:05:11.280
<v Speaker 1>officers was right there, you know, you know somebody there

1:05:11.400 --> 1:05:14.840
<v Speaker 1>that you know, so like I came front, I was

1:05:14.920 --> 1:05:16.640
<v Speaker 1>one of them. You know I was the office. You know,

1:05:16.840 --> 1:05:18.800
<v Speaker 1>you get out to the city, go to the office,

1:05:18.840 --> 1:05:21.160
<v Speaker 1>see what's up. Like so now to open up and

1:05:21.280 --> 1:05:23.640
<v Speaker 1>just like go to all these different regions and the

1:05:23.720 --> 1:05:25.920
<v Speaker 1>work is in, so people, it ain't like I'm going

1:05:25.960 --> 1:05:29.720
<v Speaker 1>out here square one. You know, it's like I'm I'm

1:05:29.880 --> 1:05:31.920
<v Speaker 1>going out here with some working so you know, it's

1:05:32.000 --> 1:05:34.320
<v Speaker 1>the likeness. But just put that work in and I

1:05:34.400 --> 1:05:36.360
<v Speaker 1>think we'll get it to where we where we needed

1:05:36.400 --> 1:05:40.600
<v Speaker 1>to be so that you know, uh not even on

1:05:40.680 --> 1:05:43.480
<v Speaker 1>the industry tip, just for the culture. You know, we'll

1:05:43.560 --> 1:05:46.680
<v Speaker 1>we'll have because I was always inspired by like Africa

1:05:46.760 --> 1:05:52.480
<v Speaker 1>band Bada you know, um uh, Africa Islam. You know

1:05:52.560 --> 1:05:56.000
<v Speaker 1>the Zulu dudes. These were they had a term called

1:05:56.080 --> 1:06:00.080
<v Speaker 1>record masters. These were record masters. These were dudes that

1:06:00.320 --> 1:06:03.400
<v Speaker 1>you know, your bam got every break, you know, that

1:06:03.560 --> 1:06:05.760
<v Speaker 1>type of ship. You know, that's that was where I was.

1:06:05.920 --> 1:06:10.120
<v Speaker 1>I was like, oh ship Yo and Yo bam played

1:06:10.200 --> 1:06:13.520
<v Speaker 1>Frisco disco at you know, like you know Africa Islam

1:06:13.640 --> 1:06:16.040
<v Speaker 1>and that like that was the ship that always had

1:06:16.120 --> 1:06:19.800
<v Speaker 1>me wide. I like Africa Islam, cutting up Bob James

1:06:19.920 --> 1:06:22.600
<v Speaker 1>Nordless and ship on the you know the Zulu Beat show.

1:06:23.120 --> 1:06:26.480
<v Speaker 1>Jazzy J and them record masters and ship like that. Like,

1:06:27.040 --> 1:06:31.360
<v Speaker 1>that's what I think because that community, the records store community.

1:06:31.480 --> 1:06:34.640
<v Speaker 1>Like I've been linking with record store owners and things.

1:06:34.720 --> 1:06:37.960
<v Speaker 1>So it's just a whole other world out there, man

1:06:38.080 --> 1:06:40.880
<v Speaker 1>that I see how it could be done, and we're

1:06:40.920 --> 1:06:45.120
<v Speaker 1>gonna get it done. For show Magacine. Man, it's definitely secure.

1:06:45.800 --> 1:06:50.080
<v Speaker 1>Breby louis absolutely man. That's what we was out there.

1:06:50.240 --> 1:06:52.880
<v Speaker 1>He was, That's where we was out in Oakland. He's

1:06:52.920 --> 1:06:55.360
<v Speaker 1>out there posted with the high Road Brothers now Man.

1:06:55.680 --> 1:06:58.160
<v Speaker 1>So yeah, he the o G take care of the

1:06:58.240 --> 1:07:00.760
<v Speaker 1>turntable is um Yeah, definitely man. So you know we

1:07:00.880 --> 1:07:03.560
<v Speaker 1>are circulating with the old and the new man and

1:07:03.960 --> 1:07:07.320
<v Speaker 1>just in the name of hip hop in your opinion,

1:07:07.560 --> 1:07:13.960
<v Speaker 1>in your opinion, what can we do to make hip

1:07:14.000 --> 1:07:17.280
<v Speaker 1>hop better? Like, what can we do to make hip

1:07:17.320 --> 1:07:19.160
<v Speaker 1>hop better? What can hip hop do to make hip

1:07:19.200 --> 1:07:21.320
<v Speaker 1>hop back? Well, one thing that I saw that was

1:07:21.440 --> 1:07:24.480
<v Speaker 1>really nice was my man Puff opened out Academy up

1:07:24.520 --> 1:07:27.080
<v Speaker 1>Man for them children, man, the kind of like because

1:07:27.120 --> 1:07:29.960
<v Speaker 1>that's what we need. We need these next generations, man,

1:07:30.520 --> 1:07:33.840
<v Speaker 1>to know what it really is and to follow suit

1:07:34.160 --> 1:07:36.840
<v Speaker 1>and to have the proper guidance man, So y'all you,

1:07:37.280 --> 1:07:40.240
<v Speaker 1>especially you when you came in that I didn't even

1:07:40.280 --> 1:07:42.560
<v Speaker 1>say how. I was like, Yo, I love what you're

1:07:42.600 --> 1:07:44.760
<v Speaker 1>doing because you're putting a lot of common sense out

1:07:44.800 --> 1:07:47.960
<v Speaker 1>there for a lot of people who just like it's

1:07:48.040 --> 1:07:50.600
<v Speaker 1>this is common sense, like you know, and I love

1:07:50.720 --> 1:07:55.720
<v Speaker 1>that man and your brothers. Man, just just keep forging ahead, man,

1:07:55.800 --> 1:07:58.320
<v Speaker 1>how y'all do man? And you're doing it now. Man

1:07:58.400 --> 1:08:00.240
<v Speaker 1>when you hit the stage at the rock to else,

1:08:00.720 --> 1:08:03.200
<v Speaker 1>when you putting the word out there, that's the good

1:08:03.280 --> 1:08:05.480
<v Speaker 1>word man for real. I'm telling you there ain't no

1:08:05.600 --> 1:08:09.200
<v Speaker 1>bullshit man. You you you are upright dude, man. And

1:08:09.600 --> 1:08:14.240
<v Speaker 1>you you're standing on something. You're standing on something like people. People.

1:08:15.280 --> 1:08:17.800
<v Speaker 1>People may not be able to you know pinpoint what

1:08:17.920 --> 1:08:20.880
<v Speaker 1>it is, but you got a solid stance that you

1:08:21.120 --> 1:08:24.320
<v Speaker 1>come from that's like, Yo, this is the world that's

1:08:24.560 --> 1:08:27.400
<v Speaker 1>that's heavy and and and it's real in my heart.

1:08:27.680 --> 1:08:30.400
<v Speaker 1>And I'm the relatest to you. If you if you

1:08:30.600 --> 1:08:32.640
<v Speaker 1>if you come up with something different, you know, like

1:08:32.760 --> 1:08:35.519
<v Speaker 1>you you're there for if somebody got something you know,

1:08:35.680 --> 1:08:37.640
<v Speaker 1>to add on or if they want you know, but

1:08:38.080 --> 1:08:42.439
<v Speaker 1>where you stand is strong, and I we need black

1:08:42.520 --> 1:08:46.240
<v Speaker 1>men to you know and very very well spoken, you

1:08:46.280 --> 1:08:48.720
<v Speaker 1>know what I mean, from start to finish, like very

1:08:48.840 --> 1:08:51.120
<v Speaker 1>well spoken, both of your brothers. Like I think that

1:08:51.320 --> 1:08:54.519
<v Speaker 1>was part of the law, is how well spoken your

1:08:54.600 --> 1:08:59.479
<v Speaker 1>law and yo, just continue that man, and y'all we're good. Man.

1:08:59.800 --> 1:09:02.439
<v Speaker 1>I I got chills when they told me, man, because

1:09:02.439 --> 1:09:04.920
<v Speaker 1>I'm like, yo, man, the brothers man, and I know

1:09:05.080 --> 1:09:09.040
<v Speaker 1>we all got mutual respect for one another, art and everything, man,

1:09:09.120 --> 1:09:11.840
<v Speaker 1>but to actually sit down and chop it with y'all,

1:09:11.920 --> 1:09:14.560
<v Speaker 1>man is a super honor man for real, because I

1:09:14.800 --> 1:09:20.840
<v Speaker 1>got super respected before we get out of here, Before

1:09:20.880 --> 1:09:24.599
<v Speaker 1>we get out of here in October in eighteen sixty six,

1:09:25.360 --> 1:09:29.200
<v Speaker 1>Texas passed as a law providing that black people cannot

1:09:29.320 --> 1:09:33.960
<v Speaker 1>testify in court unless the defendant is black or the

1:09:34.080 --> 1:09:39.840
<v Speaker 1>crime charge was committed against a black person. M M yo,

1:09:40.040 --> 1:09:43.160
<v Speaker 1>it's crazy. It was a law, bro, Yo, brother. This

1:09:43.360 --> 1:09:46.040
<v Speaker 1>is what's crazy is that. Um I was. I I'm

1:09:46.120 --> 1:09:49.640
<v Speaker 1>sitting out there and on Fort Worth and I mean,

1:09:50.160 --> 1:09:54.120
<v Speaker 1>y'all maybe y'all maybe like really uh acclimated to this.

1:09:54.280 --> 1:09:58.160
<v Speaker 1>But you know, the police called Robot and that ship

1:09:58.240 --> 1:10:07.960
<v Speaker 1>said white settlement on it Settlement County, but the police

1:10:08.000 --> 1:10:12.840
<v Speaker 1>car said white Settlement and believe it or not, I

1:10:13.000 --> 1:10:14.760
<v Speaker 1>kind of felt good because I'm like, you know, we

1:10:14.840 --> 1:10:17.000
<v Speaker 1>got a lot of black black lives matter, you know,

1:10:17.040 --> 1:10:19.559
<v Speaker 1>all of that kind and I kind of want, like, yo,

1:10:19.720 --> 1:10:22.000
<v Speaker 1>you know what I'm saying, Let's not hide that ship. Man,

1:10:22.040 --> 1:10:23.840
<v Speaker 1>put it out there. Man, if you won't be proud

1:10:23.920 --> 1:10:25.519
<v Speaker 1>to be white, you know, don't put it out there

1:10:25.560 --> 1:10:28.080
<v Speaker 1>and ship, like, don't don't hide that ship and you know,

1:10:28.280 --> 1:10:30.559
<v Speaker 1>under the hood or nothing, and do all this ship

1:10:30.680 --> 1:10:32.559
<v Speaker 1>like just play and put it out there like we're

1:10:32.600 --> 1:10:36.160
<v Speaker 1>putting it out there. Black lives matter, Like, yo, I know,

1:10:36.400 --> 1:10:38.519
<v Speaker 1>it ain't gonna be no wall if we're being you

1:10:38.600 --> 1:10:41.000
<v Speaker 1>know what I'm saying, We're just having everybody gonna have

1:10:41.400 --> 1:10:44.840
<v Speaker 1>motherfucking pride. People have pride. I don't want to go

1:10:45.080 --> 1:10:46.479
<v Speaker 1>you know, I don't want to go there, you know,

1:10:46.640 --> 1:10:49.320
<v Speaker 1>but like every don't hide it man like. So it

1:10:49.479 --> 1:10:51.719
<v Speaker 1>was it was kind of like, oh, ship, white Settlement,

1:10:51.840 --> 1:10:54.160
<v Speaker 1>Like it's a city. It's a city. It's a city, yo.

1:10:54.520 --> 1:10:56.920
<v Speaker 1>And it was crazy because I looked up. I looked

1:10:57.000 --> 1:11:00.880
<v Speaker 1>up White Settlement police car showing enough that ship came

1:11:00.960 --> 1:11:04.080
<v Speaker 1>up and it says white Settlement on the side. Man,

1:11:04.200 --> 1:11:07.880
<v Speaker 1>I was like, Wow, that's that's so when you read that, man,

1:11:08.000 --> 1:11:10.320
<v Speaker 1>I'm like, I know it still exists, but you know,

1:11:10.479 --> 1:11:14.920
<v Speaker 1>hip hop is is definitely penetrating, man, because that ship

1:11:15.000 --> 1:11:17.560
<v Speaker 1>looks stupid as funk when these people be racist and

1:11:17.600 --> 1:11:20.400
<v Speaker 1>all of that ship, man, because it's like, man, you

1:11:20.720 --> 1:11:25.760
<v Speaker 1>you part of the like the fucking the small Like nah, man,

1:11:25.880 --> 1:11:30.880
<v Speaker 1>you've got too many people. That's like we were rocking together, man,

1:11:31.040 --> 1:11:33.559
<v Speaker 1>Like it's so crazy. Man, I don't I don't know nothing.

1:11:33.920 --> 1:11:36.800
<v Speaker 1>I mean, Flushing was a fucking melting pot. Man, Like

1:11:36.960 --> 1:11:39.040
<v Speaker 1>I grew up with Hang June. I grew up with

1:11:39.680 --> 1:11:43.040
<v Speaker 1>John Soul. You know what I'm saying, My man, our galoes,

1:11:43.200 --> 1:11:46.519
<v Speaker 1>Ja rookies and you know Joel Lestraw. You know, I

1:11:47.120 --> 1:11:51.040
<v Speaker 1>mad people. So I ain't never had no fucking racism

1:11:51.120 --> 1:11:54.000
<v Speaker 1>ship with me, you know, just from where I came

1:11:54.120 --> 1:11:56.760
<v Speaker 1>up at. You know, understand for you to go and

1:11:56.800 --> 1:12:00.360
<v Speaker 1>you ain't got no more how you want to be remembered, Man,

1:12:01.080 --> 1:12:04.800
<v Speaker 1>I'm gonna be remembered, that's it. Yeah, that's it. I'm

1:12:04.880 --> 1:12:07.880
<v Speaker 1>gonna be remembered. That's it. Man. They in some history

1:12:07.960 --> 1:12:10.639
<v Speaker 1>books somewhere, they're gonna be like large professor and Nick

1:12:10.960 --> 1:12:14.400
<v Speaker 1>guarantee there's gonna be the bloodline still holding it strong

1:12:14.520 --> 1:12:17.439
<v Speaker 1>because I got I just seen man. Mom oh man,

1:12:17.760 --> 1:12:19.439
<v Speaker 1>that's a whole another show. Man. I know where you're

1:12:19.439 --> 1:12:24.360
<v Speaker 1>going with this, but YO, definitely man, Ladies and gentlemen. Man,

1:12:24.600 --> 1:12:31.519
<v Speaker 1>love y'all. Manl Gettle Toys reloaded bird page. This episode

1:12:31.640 --> 1:12:33.840
<v Speaker 1>was produced by A King and brought to you by

1:12:34.120 --> 1:12:38.439
<v Speaker 1>The Black Effect Podcast Network at I Heart Radio