WEBVTT - With Great Bars Come Great Responsibility

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<v Speaker 1>My check. You're listening to Waiting on Reparations, a production

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<v Speaker 1>of My Heart Radio Waiting a reparation dope do but

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<v Speaker 1>when they can just calling them George Curry, but they

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<v Speaker 1>hintend and Bern Nickinson's jail judge there and then that beat.

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<v Speaker 1>He's raking in a whale ton of money. But are

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<v Speaker 1>they're taking the golden girls about your lot? But you

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<v Speaker 1>feel like y'all sucking hearing me? Have I said it wrong?

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<v Speaker 1>On the CIA and the cops and the Pentagon. I

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<v Speaker 1>don't give a fuck. Make the RAI their money with

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<v Speaker 1>the cover thought the racism that makes them sick of

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<v Speaker 1>sentences and set them off, putting setting up for keeping

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<v Speaker 1>up people houses shot wouldn't allowments and eno parching all

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<v Speaker 1>the kitchen bridges, kicking stock. You don't have to send

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<v Speaker 1>the don key, putting them prison locked. I really don't

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<v Speaker 1>understand what makes this decision high. I was know when

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<v Speaker 1>they didn't give a funk about my black life back

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<v Speaker 1>when you was playing Half life. A baby in the

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<v Speaker 1>world was the way of baptized. The scarboard felt, but

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<v Speaker 1>it made me mad. Night story, move forward me if

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<v Speaker 1>you cruise corny and I'm too sorry. Plus I'll leave

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<v Speaker 1>your coo groory. I'm a true boy. He's boy. Please,

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<v Speaker 1>ain't afraid of no harm the funk. They're gonna dude,

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<v Speaker 1>shoot me while I'm am which that I could do

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<v Speaker 1>like ballads disappear on the farm. Then I hear a

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<v Speaker 1>sound guy and someone rings the alarm and I'm back

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<v Speaker 1>in it. I can't help you in a damn synic.

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<v Speaker 1>His damn planet got a lot of fucking whacking it.

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<v Speaker 1>I don't need no cash, so SiO path, what see

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<v Speaker 1>no stack of mostly smoke cash boy green, the no

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<v Speaker 1>po stash with the same brick used to whip Deebo's ash.

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<v Speaker 1>Yo Yo, my name's dope knife. We are waiting on reparations.

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<v Speaker 1>How are you doing, Mac, I've been good. Another week

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<v Speaker 1>in Corona Land, been productive. You know. My comic book

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<v Speaker 1>is almost getting that But now I get to see it.

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<v Speaker 1>You're the one that I'm nervous about seeing it. Why

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<v Speaker 1>I want to see it? Okay, I mean, I'm gonna

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<v Speaker 1>let you see it. I've been I've shared it with

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<v Speaker 1>a few people and they're digging where it's at. Show

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<v Speaker 1>me It's like it's not it's not finished, but it's

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<v Speaker 1>gotten there so care, show me how was your week.

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<v Speaker 1>I think it's been fine. I mean trying to try

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<v Speaker 1>to pivot politically having been defeated and defunding the police.

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<v Speaker 1>I heard about that. So your proposal got voted down,

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<v Speaker 1>and uh so, I mean it's really funny because I

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<v Speaker 1>saw one of my talking to my friends about like

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<v Speaker 1>task forces and how like they're this like unique kind

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<v Speaker 1>of bureaucratic nightmare where so many good ideas go to

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<v Speaker 1>task force to die, and that is the level of groveling.

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<v Speaker 1>I think sometimes they even task force to kind of

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<v Speaker 1>play dying to give you a task force. Yeah, and

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<v Speaker 1>so I'm shifting to like, okay, maybe holding out hope,

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<v Speaker 1>but I think you can get some really dope people

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<v Speaker 1>on this task force who are like abolitionists or like

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<v Speaker 1>down to the police. Well, I mean it's okay, So

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<v Speaker 1>explain because to a cat like me, it's like you

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<v Speaker 1>know you hear free is like, ay, we're setting up

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<v Speaker 1>a task force. We're going to discuss these issues like

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<v Speaker 1>what does that mean in real life? Like and not

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<v Speaker 1>like political speak, like what does the task force actually

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<v Speaker 1>do when they set it up? So like they're given

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<v Speaker 1>some things to think about, like some goals, Like hey,

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<v Speaker 1>figure out these things and they kind of just shove

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<v Speaker 1>them in a broom closet together, lights off, and then um,

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<v Speaker 1>all the people with like really entrenched like institutional power

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<v Speaker 1>shout over everyone. That is like normal and good. And

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<v Speaker 1>especially if you know this task force, you know, being

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<v Speaker 1>tasked with addressing community building in public safety. If a

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<v Speaker 1>bunch of cops are on there just like scripping their guns,

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<v Speaker 1>that like formerly incarcerated people trying to tell their stories

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<v Speaker 1>of how they've been harmed by like the police. Yeah,

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<v Speaker 1>so that's gonna be really great. That's what that's gonna be.

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<v Speaker 1>Unless we can get people out here in these streets

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<v Speaker 1>still believing that we can still win something. Seven if

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<v Speaker 1>we lost a lot of what we wanted. That doesn't

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<v Speaker 1>sound like good environment where you can get test them exactly.

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<v Speaker 1>I mean something you're not are you not hopeful? I

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<v Speaker 1>Mean what I've seen lately is that like public pressure

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<v Speaker 1>campaigns just make elected officials really nervous and they kind

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<v Speaker 1>of like may tuck their tail between their legs and

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<v Speaker 1>like scurry to a corner angrily and like raise their

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<v Speaker 1>hackles at you. If you just demand what you want

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<v Speaker 1>in mass which is what has been happening, and so um,

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<v Speaker 1>I don't know where to go from here. And that's

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<v Speaker 1>the only tactic I am aware of. Its people in

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<v Speaker 1>the streets, like and then then these people just run away.

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<v Speaker 1>I think the next step is like because I mean,

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<v Speaker 1>surely the people in the streets wasn't gonna last forever.

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<v Speaker 1>But at the same time, I think if you if

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<v Speaker 1>it can kind of be harnessed. I'm not saying this

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<v Speaker 1>is even kind of over. I'm not to be in

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<v Speaker 1>these streets, goddamn. Oh no, no, I mean, I'm not

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<v Speaker 1>saying it's over, but you know, it's definitely not a

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<v Speaker 1>month ago. It's definitely not a month ago. Hopefully that

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<v Speaker 1>you guys can can get some of those don't want

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<v Speaker 1>to talk about it. I'm sound, I don't want to

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<v Speaker 1>to talk about it. Yeah, you even took a whole

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<v Speaker 1>bottle of moscado to the dome. So I didn't say nothing.

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<v Speaker 1>I was just I'm just saying I felt your pain.

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<v Speaker 1>I had the news on all weekend in the background

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<v Speaker 1>while I was drawn. So I've been seeing this nigga.

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<v Speaker 1>Trump just suffer implosions right before our very eyes, which

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<v Speaker 1>I mean, I just mean the total thing. Obviously, it's

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<v Speaker 1>still like four or five months out from the election,

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<v Speaker 1>so anything can happen. But my god, as somebody who's

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<v Speaker 1>been just an observer of like political theater for a

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<v Speaker 1>long time, Nigga is doing pretty bad at it. I mean, yeah,

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<v Speaker 1>e they're talking about his white power hissy fit the

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<v Speaker 1>other day. There's mild to streal strength treason. This just

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<v Speaker 1>the ship show. So last week we were talking about

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<v Speaker 1>the j Cole and No Name situation, which more or

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<v Speaker 1>less had to do with artists using their platform and

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<v Speaker 1>voice to speak on the current situation ahead, and that

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<v Speaker 1>started off a you know, further conversation that we had

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<v Speaker 1>off of the mic as to whether or not artists

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<v Speaker 1>have an inherent responsibility to use their voice and to

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<v Speaker 1>use their art in their platform to speak out about

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<v Speaker 1>you know, our troubled times as they are, as well

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<v Speaker 1>as just like what there what their participation in various

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<v Speaker 1>forms of like activism means, and like look at some

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<v Speaker 1>of the different ways people are engaging the present moment.

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<v Speaker 1>We wanted to start off by asking some folks on

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<v Speaker 1>Instagram are artists responsible for using their plat forms to

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<v Speaker 1>amplify social movements in times like these? Gone terrific says Yes, absolutely,

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<v Speaker 1>artists are tuned in people who know what's going on

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<v Speaker 1>in the world. If they're using social media to communicate,

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<v Speaker 1>that's not a one sided act. Most people know what

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<v Speaker 1>side they're on. Good point. So if they're not saying anything,

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<v Speaker 1>that's saying something. Yeah, no, I can agree with that. Um.

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<v Speaker 1>I've actually seen a couple of situations where people have

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<v Speaker 1>commented a man, I've been waiting like weeks for the

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<v Speaker 1>artists that I like to say something, and they they're

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<v Speaker 1>like posted their posting about other ship and I was

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<v Speaker 1>just like, it's like, damn, that was a really hard

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<v Speaker 1>unfollowed because now I know where they stay. It's like,

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<v Speaker 1>don't go putting motherfucker's on a pedestal. Always love music

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<v Speaker 1>says only if the artist truly believes in the movement.

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<v Speaker 1>It's honestly frustrating watching people post, slash repost things if

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<v Speaker 1>they're not actually doing the work themselves. By work, I

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<v Speaker 1>mean educating both themselves and those around them outside the

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<v Speaker 1>social media bubble. Who cares if it's not part of

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<v Speaker 1>your actual dialogue in real life. I feel that too, though,

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<v Speaker 1>I mean I would rather someone like and I guess

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<v Speaker 1>We'll get into this later in the show, like what

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<v Speaker 1>I think real solidarity looks like it is, but like, yeah,

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<v Speaker 1>if you're faking it, fuck you, fuck you. Yeah. I mean,

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<v Speaker 1>what's gonna be a recurring thing that I'm going to

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<v Speaker 1>say all episode is? In times like these, I think

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<v Speaker 1>authenticity is pretty important too. So on one hand, I

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<v Speaker 1>do understand, you know, that line of if your fans

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<v Speaker 1>or if people just in general see you not saying anything,

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<v Speaker 1>then they take your silence as a cue for where

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<v Speaker 1>you saying. I'm not wanting to stay silent and having

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<v Speaker 1>people think that you don't care that you're not you know,

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<v Speaker 1>I think that your position is something it isn't. But

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<v Speaker 1>at the same time, you know, I'm an artist too,

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<v Speaker 1>and it is your art to make of it what

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<v Speaker 1>you want to. So if you don't feel like expressing that, hey,

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<v Speaker 1>that's on you. Like whether I agree with the message

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<v Speaker 1>or not, if the message isn't genuine, then it's just propaganda,

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<v Speaker 1>not really a message. And I feel like this gets

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<v Speaker 1>into somewhat of something someone else said. Action brand owner

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<v Speaker 1>said mixed if they have the ability to convey the message, yes, no,

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<v Speaker 1>because not all artists are created equal, but use the

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<v Speaker 1>word artists who loosely these days and expect those who

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<v Speaker 1>entertainers that have something viable to say. I think it

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<v Speaker 1>all comes down to people wanting to be entertained by

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<v Speaker 1>their favorite personality. Do I want talent police speaking on

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<v Speaker 1>current issues? Yes? Do I want Mike Tyson speaking on

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<v Speaker 1>current issues? The reason I think this is interesting Nina

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<v Speaker 1>Simone's voice amplify the movement and Cap Colagway's amplified the culture.

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<v Speaker 1>So some people really just shouldn't speak on should Maybe

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<v Speaker 1>I agree same, you know, if some people just really

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<v Speaker 1>shouldn't speak on should. You ever heard the Day Chappelle

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<v Speaker 1>stand up bit jaw Rule where he's watching like I

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<v Speaker 1>think MTV or something or the news or something after

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<v Speaker 1>nine eleven, and they're they're talking to jaw Rule and

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<v Speaker 1>he's thinking, damned, I really want to hear what jow

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<v Speaker 1>Rule has to say at a time like this. It's like,

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<v Speaker 1>where's jaw I mean, I get that it's funny at

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<v Speaker 1>the same time, you know, just personally speaking, I gotta

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<v Speaker 1>admit that a lot of my political interests was unlocked

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<v Speaker 1>by listening to like Iced Tea and Ship when I

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<v Speaker 1>was a kid. So I do think that somebody here

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<v Speaker 1>in their favorite artists or favorite rapper what they you know,

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<v Speaker 1>what they have to say about an important issue of

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<v Speaker 1>the day. I do think it kind of makes a

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<v Speaker 1>difference to be sappy with it. That kind of reminds

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<v Speaker 1>me of what event Tire said. He says, I think

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<v Speaker 1>artists are always responsible for that, though sometimes the movement

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<v Speaker 1>can be as simple as reminding people what joy feels like,

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<v Speaker 1>which can be pretty radical. And I think especially in

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<v Speaker 1>like times like these, where people are facing such economic

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<v Speaker 1>austerity and like health concerns and just like real unsure

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<v Speaker 1>futures like it can be some welaboratory just to be

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<v Speaker 1>able to forget that for a little while. They should

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<v Speaker 1>as long as they know what they're talking about and

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<v Speaker 1>know how to effectively communicate the message. Recent releases from

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<v Speaker 1>people like Kimba or Morning a Black Star great, But

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<v Speaker 1>if you're going to give me another montage of celebrities

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<v Speaker 1>with a week let's dream of a better world bullshit,

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<v Speaker 1>get the funk out. And that I cannot agree more with.

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<v Speaker 1>And I mean, if you look historically, like back during

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<v Speaker 1>the Civil rights era, like nine like, we can think

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<v Speaker 1>about some of the precursors and previous movements of like

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<v Speaker 1>black artists, like what their response has been as like

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<v Speaker 1>a precedent for where we are now. You still have

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<v Speaker 1>folks like Marvin Gay creating hits like What's going On

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<v Speaker 1>and slying the family Stone with songs like everyday people.

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<v Speaker 1>They might not have like an explicit like policy thing

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<v Speaker 1>to it or anything, it still resonates as songs of

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<v Speaker 1>struggle all these decades later. I feel, how would you

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<v Speaker 1>described the difference between the art and the platform, Like

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<v Speaker 1>are those two different things? Are we just generally speaking

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<v Speaker 1>on the same because the art is like the music

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<v Speaker 1>and the songs and the music videos and stuff, and

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<v Speaker 1>then the platforms like uh, I just got taco ballot

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<v Speaker 1>for I am, but a thousand people still see that

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<v Speaker 1>even if it's not your art anymore. And so there's

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<v Speaker 1>the social media component to it. But I'd like to

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<v Speaker 1>talk a lot about I think I said earlier, like

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<v Speaker 1>solidarity and what it looks like because like there's a platform,

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<v Speaker 1>and then it's like, as a celebrity, what do you

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<v Speaker 1>do with your time and your money and like your

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<v Speaker 1>physical presence for people as well, because you have like

0:12:34.880 --> 0:12:38.480
<v Speaker 1>access to weird amounts of influence, but also like cash.

0:12:38.920 --> 0:12:40.920
<v Speaker 1>Also you can do really interesting things with your time

0:12:41.480 --> 0:12:44.000
<v Speaker 1>to draw attention to these movements, and so like all

0:12:44.080 --> 0:12:59.160
<v Speaker 1>of those different ways of like engaging with them. So

0:12:59.480 --> 0:13:01.880
<v Speaker 1>let's talk the a bit about who's been out in

0:13:01.960 --> 0:13:05.319
<v Speaker 1>the streets, and I specifically when to talk about this

0:13:05.480 --> 0:13:07.120
<v Speaker 1>is I think one of the most important ways that

0:13:07.280 --> 0:13:11.000
<v Speaker 1>like artists can engage with the movement, because I mean

0:13:11.040 --> 0:13:13.480
<v Speaker 1>everyone has their part to play, from telling petitions to

0:13:13.600 --> 0:13:16.120
<v Speaker 1>like you know, amplifying messages on social media, to making

0:13:16.200 --> 0:13:18.440
<v Speaker 1>really large donations, which you can do with your famous

0:13:18.480 --> 0:13:21.520
<v Speaker 1>which I have different feelings about. But when you're putting

0:13:21.520 --> 0:13:25.800
<v Speaker 1>yourself in harm's way with the people, it's like really powerful.

0:13:25.840 --> 0:13:28.160
<v Speaker 1>It's like really democratizing in a way because it puts

0:13:28.200 --> 0:13:30.079
<v Speaker 1>you on the same playing field as the people that

0:13:30.200 --> 0:13:34.600
<v Speaker 1>respect to you so much. Um, So you're no longer celebrity.

0:13:34.640 --> 0:13:36.559
<v Speaker 1>You're just a regular person to any of the regular

0:13:36.600 --> 0:13:39.800
<v Speaker 1>people for justice. And I think that like that's the

0:13:39.960 --> 0:13:43.599
<v Speaker 1>hardest thing for people to do. Uh, And so like

0:13:43.720 --> 0:13:47.160
<v Speaker 1>showing up for the movement in that way, uh means

0:13:47.200 --> 0:13:49.959
<v Speaker 1>a lot for the people who are there, who are

0:13:50.040 --> 0:13:53.679
<v Speaker 1>you know, also doing the hardest work, and so um

0:13:54.400 --> 0:13:56.080
<v Speaker 1>it just means a lot to me when people actually

0:13:56.280 --> 0:13:59.600
<v Speaker 1>get out there, I agree to reiteray is like when

0:13:59.640 --> 0:14:02.640
<v Speaker 1>you have a platform and eyes are on you, you know,

0:14:03.679 --> 0:14:05.920
<v Speaker 1>it's just it just creates an opportunity for you to

0:14:06.000 --> 0:14:10.040
<v Speaker 1>bring awareness to issues that people generally wouldn't be able

0:14:10.080 --> 0:14:13.760
<v Speaker 1>to or wouldn't be open to paying attention to. Like

0:14:13.920 --> 0:14:16.760
<v Speaker 1>you use the example of going to Taco Bell. You

0:14:16.800 --> 0:14:20.080
<v Speaker 1>could have people know that you went to Taco Bell.

0:14:20.800 --> 0:14:23.320
<v Speaker 1>So think if you were like using that to draw

0:14:23.360 --> 0:14:26.120
<v Speaker 1>attention to something that's importantly Yeah, you have a lot

0:14:26.120 --> 0:14:28.320
<v Speaker 1>of people were like posting about it. But then you

0:14:28.440 --> 0:14:31.400
<v Speaker 1>have the fact that like j Cole went to protest

0:14:31.440 --> 0:14:34.560
<v Speaker 1>in North Carolina and Faytteville and May thirtieth, but he

0:14:34.680 --> 0:14:39.040
<v Speaker 1>was spotted, he was spotted by folks um and then

0:14:39.280 --> 0:14:41.400
<v Speaker 1>he actually declined to speak on camera. And I think

0:14:41.480 --> 0:14:44.440
<v Speaker 1>that like that sort of presence especially, I mean, people

0:14:44.480 --> 0:14:47.160
<v Speaker 1>are gonna know you're there, You're fucking Jacole whatever. But

0:14:48.080 --> 0:14:50.960
<v Speaker 1>but like just making yourself one with with people and

0:14:51.080 --> 0:14:53.920
<v Speaker 1>it makes it it makes it not about you. Yeah,

0:14:54.280 --> 0:14:56.040
<v Speaker 1>Like it's just a really humbling thing that I'd like

0:14:56.120 --> 0:14:58.920
<v Speaker 1>wish more people, dude not But also I've seen the

0:14:58.960 --> 0:15:04.520
<v Speaker 1>same thing you're saying of using like your presence to amplify,

0:15:04.680 --> 0:15:06.440
<v Speaker 1>to like draw people into this sense of like, oh

0:15:06.640 --> 0:15:08.720
<v Speaker 1>I could be that could be me. I could be

0:15:08.800 --> 0:15:11.120
<v Speaker 1>out there. Well yeah, I mean the next person about

0:15:11.120 --> 0:15:15.000
<v Speaker 1>to mention California rapper YG just in terms of keeping

0:15:15.000 --> 0:15:17.840
<v Speaker 1>a low profile, he did the exact opposite, where he,

0:15:18.080 --> 0:15:21.520
<v Speaker 1>in collaboration with Black Lives Matter and Build Power, ended

0:15:21.600 --> 0:15:24.440
<v Speaker 1>up bringing tens of thousands of people to Hollywood Boulevard

0:15:24.600 --> 0:15:26.640
<v Speaker 1>and they were blasting his music and it was it

0:15:26.760 --> 0:15:29.360
<v Speaker 1>was all like a peaceful protest, but it did seem

0:15:29.440 --> 0:15:30.800
<v Speaker 1>like he was front and center of it, you know,

0:15:31.120 --> 0:15:35.200
<v Speaker 1>but into a position of leadership and these things exactly.

0:15:35.280 --> 0:15:37.440
<v Speaker 1>You know, that sort of that fits his persona as

0:15:37.480 --> 0:15:39.960
<v Speaker 1>a as an artist. So that's authentic, you know. And

0:15:40.160 --> 0:15:42.320
<v Speaker 1>I feel like j Cole to like just show up

0:15:42.360 --> 0:15:45.360
<v Speaker 1>at a protest and not really be front center and

0:15:45.480 --> 0:15:47.800
<v Speaker 1>I'm not going to speak and just kind of be incognito.

0:15:49.080 --> 0:15:51.880
<v Speaker 1>I think that fits his persona too. Yeah. Oh the

0:15:52.000 --> 0:15:56.960
<v Speaker 1>thing about YG though, I almost missed this, So he said,

0:15:57.400 --> 0:16:00.280
<v Speaker 1>they hear FTP and they think I'm gonna com and

0:16:00.360 --> 0:16:02.320
<v Speaker 1>burned my city. So we showed up and we did

0:16:02.360 --> 0:16:05.600
<v Speaker 1>it right, you proved them wrong. You're on this on Instagram. Um.

0:16:07.000 --> 0:16:09.560
<v Speaker 1>But then later on Instagram he said, all of us

0:16:09.600 --> 0:16:12.440
<v Speaker 1>protesting on the same side here, instead of questioning each

0:16:12.480 --> 0:16:15.480
<v Speaker 1>other's active activism should be directing the energy of the

0:16:15.520 --> 0:16:17.680
<v Speaker 1>confident government and helping create change you want to see.

0:16:17.880 --> 0:16:20.400
<v Speaker 1>So I just feel like those conflicting messages here. Yeah,

0:16:20.400 --> 0:16:22.200
<v Speaker 1>I mean, I can see that. I mean, but although

0:16:22.760 --> 0:16:26.200
<v Speaker 1>I don't necessarily think that, you know, calling for a

0:16:26.320 --> 0:16:31.840
<v Speaker 1>unity amongst the activists and trying to direct anger towards

0:16:31.920 --> 0:16:34.920
<v Speaker 1>the government and the police is necessarily synonymous with let's

0:16:34.960 --> 0:16:38.480
<v Speaker 1>burn this ship down. Though that's not among protests none

0:16:38.520 --> 0:16:42.040
<v Speaker 1>at all. Um. Even Little Yadi was leading the peaceful

0:16:42.080 --> 0:16:45.400
<v Speaker 1>protests in Atlanta. He had as a bullhorn talking about

0:16:46.000 --> 0:16:48.640
<v Speaker 1>we gotta stand for something or will fall for anything,

0:16:49.080 --> 0:16:52.680
<v Speaker 1>you know, doing a little thing. Hey, it's even even

0:16:52.960 --> 0:16:56.280
<v Speaker 1>rappers who aren't known for speaking about social change or

0:16:57.200 --> 0:17:00.520
<v Speaker 1>social justice or anything like that. The more of voices

0:17:00.600 --> 0:17:03.920
<v Speaker 1>on the subject, but better so brought vote a little Yadi.

0:17:04.280 --> 0:17:09.320
<v Speaker 1>Oh and I saw a thread on Instagram via twenty

0:17:09.359 --> 0:17:14.720
<v Speaker 1>three year old Alabama rapper Chica Um. She posted some

0:17:15.040 --> 0:17:19.359
<v Speaker 1>Instagram stories and Instagram videos just documenting her experience in

0:17:19.440 --> 0:17:24.080
<v Speaker 1>one of the protests, she ended up getting arrested entertained.

0:17:24.080 --> 0:17:27.560
<v Speaker 1>I think her manager got locked up in in helping

0:17:27.760 --> 0:17:30.280
<v Speaker 1>or defending her managers. Yeah, we need celebrities getting arrested.

0:17:30.480 --> 0:17:34.159
<v Speaker 1>That's what we need, the celebrities getting arrested, because you

0:17:34.200 --> 0:17:35.760
<v Speaker 1>know who's going to be fine and then get arrested.

0:17:36.240 --> 0:17:39.639
<v Speaker 1>Fucking Beyonce beyonest, she'd be in jail right now and

0:17:39.760 --> 0:17:42.880
<v Speaker 1>everybody who's in the cell. Beyonce was gonna probably be fine.

0:17:42.960 --> 0:17:46.479
<v Speaker 1>To everybody in the I'll be fine. So yeah, now

0:17:46.560 --> 0:17:49.160
<v Speaker 1>we need more celebrities getting arrested. That's what we need

0:17:49.280 --> 0:17:52.359
<v Speaker 1>right now. I recently come to terms with my potential arrest.

0:17:52.480 --> 0:17:53.960
<v Speaker 1>I was brought to my attention that I hadn't been

0:17:53.960 --> 0:17:57.040
<v Speaker 1>getting a permit for these caravans. I've been had it

0:17:57.760 --> 0:17:59.920
<v Speaker 1>and some city manager called me. It was just like yeah,

0:18:00.480 --> 0:18:03.600
<v Speaker 1>permiant and you know it's organized by many people, so I,

0:18:03.840 --> 0:18:05.760
<v Speaker 1>you know, did say I would pass the information on

0:18:05.840 --> 0:18:09.119
<v Speaker 1>to the organizers, but like it's not a protest. Did

0:18:09.119 --> 0:18:10.879
<v Speaker 1>you ask did you for did you forget or you

0:18:10.920 --> 0:18:12.960
<v Speaker 1>were just like oh no, I mean like I forgot,

0:18:13.040 --> 0:18:15.960
<v Speaker 1>but also like you don't ask for permission to happen,

0:18:17.840 --> 0:18:21.159
<v Speaker 1>and so the cost might be less nice um in

0:18:21.240 --> 0:18:25.280
<v Speaker 1>future ones. But you know, the tactic, the tactics with

0:18:25.560 --> 0:18:29.080
<v Speaker 1>I shouldn't talk about it's not Yeah, okay, well it's

0:18:29.119 --> 0:18:31.159
<v Speaker 1>gonna be fine. It's all I want to say is

0:18:31.240 --> 0:18:34.840
<v Speaker 1>that it's gonna be fine. Are you mentally Have you

0:18:34.960 --> 0:18:38.480
<v Speaker 1>ever been arrested before? Yeah, I've been arrested before. Okay, alright, Yeah,

0:18:38.600 --> 0:18:42.399
<v Speaker 1>I would have my ship way more together this time. Yeah,

0:18:43.200 --> 0:18:45.080
<v Speaker 1>I'm assuming that the last time it wasn't for any

0:18:45.119 --> 0:18:48.080
<v Speaker 1>day important. No, I was still in fucking boost. Yeah,

0:18:49.600 --> 0:18:52.760
<v Speaker 1>that's what I can steal an alcohol. Yeah, Shore when

0:18:52.800 --> 0:18:54.720
<v Speaker 1>I used to get arrested in high school for the

0:18:54.800 --> 0:18:57.680
<v Speaker 1>same reasons it was when I was living in Cameroon,

0:18:58.600 --> 0:19:01.080
<v Speaker 1>which is why I haven't been arrested since I've been

0:19:01.119 --> 0:19:02.920
<v Speaker 1>living in the States as an adult, because it's like,

0:19:03.520 --> 0:19:05.920
<v Speaker 1>once you've been in a Cameroonian jail, you're good on

0:19:06.000 --> 0:19:10.040
<v Speaker 1>all that jail ship. On June seven, Kendrick Lamar was

0:19:10.440 --> 0:19:13.280
<v Speaker 1>protesting and Compton he kind of did the same thing

0:19:13.359 --> 0:19:15.600
<v Speaker 1>that j Cole did, where you know, he showed up

0:19:15.640 --> 0:19:19.920
<v Speaker 1>in cognito. Wasn't too much fanfare around. It didn't draw

0:19:20.000 --> 0:19:22.880
<v Speaker 1>too much attention to himself. Again, I like that. Yeah.

0:19:23.040 --> 0:19:26.000
<v Speaker 1>And then Kanye also showed up to a Chicago protest

0:19:26.080 --> 0:19:29.080
<v Speaker 1>on June four, but also he donated two million dollars

0:19:29.119 --> 0:19:31.720
<v Speaker 1>to support the family and legal teams of George Floyd, Brown, Taylor,

0:19:31.760 --> 0:19:34.520
<v Speaker 1>and Ahmad are very um. Some of the money donated

0:19:34.560 --> 0:19:37.880
<v Speaker 1>with food cover college tuition for George Floyd's six year

0:19:37.880 --> 0:19:42.160
<v Speaker 1>old daughter, Gianna. But I don't know how I feel

0:19:42.280 --> 0:19:46.439
<v Speaker 1>about kanye're doing anything. What are your initial what are

0:19:46.480 --> 0:19:50.000
<v Speaker 1>your initial feelings? Well, I feel like fucking money, Like

0:19:50.160 --> 0:19:56.000
<v Speaker 1>throwing your money around is like the least, Like charity

0:19:56.160 --> 0:20:01.440
<v Speaker 1>is a problem. Charity is like shouldn't exist, Like everybody

0:20:01.480 --> 0:20:03.760
<v Speaker 1>should just have all the stuff they need, like I

0:20:03.800 --> 0:20:06.160
<v Speaker 1>guess as a socialist, Like that's how I always feel.

0:20:06.520 --> 0:20:08.879
<v Speaker 1>So like Kanye shouldn't have enough money that he can

0:20:08.920 --> 0:20:13.119
<v Speaker 1>give two million dollars someone because they're their dad got

0:20:13.200 --> 0:20:16.560
<v Speaker 1>murdered by police. Just have a world. People will get

0:20:16.640 --> 0:20:20.560
<v Speaker 1>murdered by police and everybody because we don't have the

0:20:20.800 --> 0:20:24.240
<v Speaker 1>crazy amount of wealth inequality we have his country. So anyway,

0:20:25.800 --> 0:20:28.320
<v Speaker 1>I just don't any money to charity, I feel you,

0:20:28.480 --> 0:20:30.480
<v Speaker 1>But I mean the fact remains that we do have

0:20:30.640 --> 0:20:33.439
<v Speaker 1>a world where people have that much money? I mean,

0:20:33.800 --> 0:20:38.040
<v Speaker 1>what is Kanye doing to like to like redistribute his wealth.

0:20:38.320 --> 0:20:39.880
<v Speaker 1>I mean, we should do we should do a deep

0:20:39.920 --> 0:20:42.320
<v Speaker 1>dive and you know what, let's not get sidetracked because

0:20:42.440 --> 0:20:46.920
<v Speaker 1>we should probably do a deep dive into Kanye on

0:20:47.040 --> 0:20:50.920
<v Speaker 1>an episode the complicated politics of Kanye West or some ship.

0:20:51.560 --> 0:20:53.760
<v Speaker 1>But I did want to look at, um, what Lebron

0:20:53.920 --> 0:20:55.639
<v Speaker 1>James is doing a little bit, And I mean, I

0:20:55.720 --> 0:20:58.480
<v Speaker 1>know he's an athlete, but I figured the hip hop

0:20:58.560 --> 0:21:01.639
<v Speaker 1>tie in is that for the last seventeen years, Lebron

0:21:01.800 --> 0:21:06.080
<v Speaker 1>James has had this almost symbiotic relationship with mainstream hip

0:21:06.160 --> 0:21:09.280
<v Speaker 1>hop and mainstream rappers. I mean, he's been referenced in

0:21:09.400 --> 0:21:13.199
<v Speaker 1>countless songs. He's fringe with a bunch of rappers. Uh.

0:21:13.320 --> 0:21:17.840
<v Speaker 1>He even executive produced to Chain's latest album. Nine times

0:21:17.880 --> 0:21:20.119
<v Speaker 1>out of ten, there's no mainstream rapper that we're not

0:21:20.280 --> 0:21:22.400
<v Speaker 1>we're going to talk about that doesn't have some sort

0:21:22.440 --> 0:21:24.600
<v Speaker 1>of connection to Lebron James. So that's the hip hop

0:21:24.680 --> 0:21:28.320
<v Speaker 1>tie in. But um, he's actually taking the initiative of

0:21:28.400 --> 0:21:31.280
<v Speaker 1>starting an organization called More Than a Vote. Per the

0:21:31.359 --> 0:21:35.280
<v Speaker 1>New York Times, he started the More than a Vote,

0:21:35.600 --> 0:21:38.719
<v Speaker 1>which was initially funded by James and his business manager,

0:21:38.840 --> 0:21:42.679
<v Speaker 1>Maverick Carter, while ESPN commentator Jalen Rose, as well as

0:21:42.720 --> 0:21:47.080
<v Speaker 1>current basketball stars Trey Young and Skylar Diggin Smith are

0:21:47.119 --> 0:21:52.280
<v Speaker 1>also involved in the organization. The nonprofit will team up

0:21:52.320 --> 0:21:55.600
<v Speaker 1>with voting rights groups to register black voters. James said

0:21:55.640 --> 0:21:58.040
<v Speaker 1>he will use his large social media following to draw

0:21:58.119 --> 0:22:01.359
<v Speaker 1>attentions to the efforts to suppress the vote in racial minorities.

0:22:02.000 --> 0:22:04.359
<v Speaker 1>James said the death of Floyd pushed them to consider

0:22:04.440 --> 0:22:07.240
<v Speaker 1>taking more action, and that was starting with Tuesday after

0:22:07.320 --> 0:22:10.000
<v Speaker 1>he saw the bullshit that went down with the Georgia

0:22:10.040 --> 0:22:15.840
<v Speaker 1>primary election. So with calls to voting, I mean, we

0:22:15.960 --> 0:22:18.719
<v Speaker 1>hope that we can circumvent another catastrophe like we had

0:22:18.800 --> 0:22:21.879
<v Speaker 1>in the Georgia primary when it comes to November. And

0:22:22.000 --> 0:22:25.280
<v Speaker 1>I think that definitely boosting youth turned out and the

0:22:25.359 --> 0:22:29.760
<v Speaker 1>black vote is really critical to ushering in a different era.

0:22:29.960 --> 0:22:33.640
<v Speaker 1>But like helping but all that and getting people involved

0:22:33.680 --> 0:22:37.720
<v Speaker 1>in the many kinds of civics that are possible, because

0:22:37.840 --> 0:22:40.920
<v Speaker 1>even if Democrats win in November, we're gonna have to

0:22:41.000 --> 0:22:44.040
<v Speaker 1>push them on things like Medicare for all, on dismantling

0:22:44.080 --> 0:22:46.879
<v Speaker 1>the president industrial complex. That's not They helped architect and

0:22:46.920 --> 0:22:49.119
<v Speaker 1>they're gonna need to be pushed left on those issues.

0:22:49.200 --> 0:22:52.800
<v Speaker 1>And so um, as long as like calls to action

0:22:52.880 --> 0:22:56.480
<v Speaker 1>around voting are coupled with like education on how voting

0:22:56.640 --> 0:22:59.360
<v Speaker 1>is a part of a broader spectrum of actions, I'm

0:22:59.440 --> 0:23:01.240
<v Speaker 1>down with it. I just don't want people to get

0:23:01.280 --> 0:23:02.720
<v Speaker 1>caught up on like, well, this is the only way

0:23:02.760 --> 0:23:08.160
<v Speaker 1>to participate. Agree with that. Yeah, So we've got calls

0:23:08.200 --> 0:23:12.640
<v Speaker 1>to vote, We've got people taken to the streets. I've

0:23:12.640 --> 0:23:16.040
<v Speaker 1>got people using their platforms retweeting or posting pictures of

0:23:16.080 --> 0:23:18.600
<v Speaker 1>them at these events, themselves at these events to help

0:23:18.680 --> 0:23:22.280
<v Speaker 1>bring awareness to the ongoing you know, the the mainstream

0:23:22.320 --> 0:23:24.720
<v Speaker 1>media wants to say this is pretty much it's all over,

0:23:24.880 --> 0:23:27.440
<v Speaker 1>But we can actually get that reporting from on the

0:23:27.520 --> 0:23:30.440
<v Speaker 1>ground of people of prominence who are spreading that awareness

0:23:30.480 --> 0:23:34.160
<v Speaker 1>and this is still happening. Helps like renew that fight

0:23:34.320 --> 0:23:36.760
<v Speaker 1>by bringing more people into it. And then you have

0:23:37.640 --> 0:23:39.600
<v Speaker 1>you know, earlier we're talking a little bit about charity.

0:23:40.080 --> 0:23:42.840
<v Speaker 1>Kanye West had donated money to the legal teams and

0:23:42.920 --> 0:23:46.240
<v Speaker 1>families of George Floyd and others, and so I talked

0:23:46.240 --> 0:23:48.520
<v Speaker 1>a little bit about My problem with charity how it

0:23:48.600 --> 0:23:51.600
<v Speaker 1>still maintains the power structure that we still have black

0:23:51.640 --> 0:23:54.320
<v Speaker 1>capitalists at the top making money off slave labor for

0:23:54.960 --> 0:23:59.320
<v Speaker 1>you know, people building their fashion brands in Bangladesh. They're

0:23:59.359 --> 0:24:02.080
<v Speaker 1>essentially take the whole loaf of bread and giving slices

0:24:02.160 --> 0:24:04.879
<v Speaker 1>back to the people make rather than make sure everyone

0:24:05.000 --> 0:24:06.720
<v Speaker 1>has bread in the first place. And that's kind of

0:24:06.760 --> 0:24:11.720
<v Speaker 1>what I felt about them, not controversy, but like the beef.

0:24:11.920 --> 0:24:14.720
<v Speaker 1>A couple of days ago between make Meek Mill and

0:24:14.760 --> 0:24:17.160
<v Speaker 1>Trey Songs, they were going back and forth in each

0:24:17.160 --> 0:24:20.879
<v Speaker 1>other on Meek's Instagram about who's donated more to charity. Oh,

0:24:20.920 --> 0:24:23.399
<v Speaker 1>I didn't even hear about Yeah, And Trey commented on

0:24:23.520 --> 0:24:26.080
<v Speaker 1>Meek's account of him a picture of him holding several

0:24:26.160 --> 0:24:29.440
<v Speaker 1>hundred dollar bills um asking Meek to donate to a

0:24:29.520 --> 0:24:32.399
<v Speaker 1>good chot Uh, donate to a good cause. He used

0:24:32.400 --> 0:24:34.280
<v Speaker 1>to take some of them bands and accept the feed

0:24:34.320 --> 0:24:38.080
<v Speaker 1>your Community challenge, And so they kind of went back

0:24:38.119 --> 0:24:41.040
<v Speaker 1>and forth about how much money that they've donated. You know, Oh,

0:24:41.119 --> 0:24:46.960
<v Speaker 1>I've donated to Philadelphia schools. I helped raise fifty million

0:24:47.000 --> 0:24:49.440
<v Speaker 1>dollars for reform. You know, Meek Mills has been more

0:24:49.800 --> 0:24:52.320
<v Speaker 1>involved in the reform alliance, will be mentioning that in

0:24:52.680 --> 0:24:55.000
<v Speaker 1>future Yeah, I'm just gonna come up in a future episode.

0:24:55.720 --> 0:25:00.200
<v Speaker 1>But man like, yeah, no, there's something about the at

0:25:00.280 --> 0:25:05.080
<v Speaker 1>that's like, really, it feels kind of disconnected, don't you think,

0:25:05.400 --> 0:25:09.800
<v Speaker 1>especially given the exact moment of time that we're in

0:25:10.080 --> 0:25:13.639
<v Speaker 1>where we're under this hard to hit economic recession. It's like,

0:25:13.760 --> 0:25:18.840
<v Speaker 1>even though I understand they're talking about money being put

0:25:18.920 --> 0:25:21.400
<v Speaker 1>towards things that are I guess good causes, but still

0:25:21.560 --> 0:25:26.320
<v Speaker 1>there's there's something almost inherently gross about well, I dropped,

0:25:26.400 --> 0:25:30.359
<v Speaker 1>I raised fifine, like inherently a little gross. But like,

0:25:30.600 --> 0:25:33.040
<v Speaker 1>you know, we all pay taxes, we all pay taxes,

0:25:33.119 --> 0:25:36.880
<v Speaker 1>trade songs pay taxes, make male pay taxes. Probably, I mean,

0:25:37.040 --> 0:25:39.400
<v Speaker 1>I'm assuming they all pay taxes. I kind of pay

0:25:39.480 --> 0:25:42.600
<v Speaker 1>my taxes, but like, make the government fund these things.

0:25:42.680 --> 0:25:46.120
<v Speaker 1>We shouldn't be like groveling to celebrities to like feed

0:25:46.160 --> 0:25:49.120
<v Speaker 1>our communities and fund our schools. Like we all pay

0:25:49.160 --> 0:25:51.200
<v Speaker 1>into the system, we should all be getting in equal

0:25:51.240 --> 0:25:54.000
<v Speaker 1>benefit from it, which I guess is why I wish

0:25:54.119 --> 0:25:56.479
<v Speaker 1>people would spend more time on like calling for us

0:25:56.520 --> 0:25:59.920
<v Speaker 1>to to fund the fucking police than we do bickering

0:26:00.080 --> 0:26:03.080
<v Speaker 1>over who donates more money to those organizations that could

0:26:03.200 --> 0:26:06.400
<v Speaker 1>use that police funding instead. Yeah, I mean it's kind

0:26:06.400 --> 0:26:10.159
<v Speaker 1>of like, yeah, the saying that people say, like go

0:26:10.400 --> 0:26:12.600
<v Speaker 1>fund me shouldn't have to be a people's health care

0:26:12.680 --> 0:26:29.199
<v Speaker 1>plan exactly. All right. So for the music discussion, I mean,

0:26:29.600 --> 0:26:31.280
<v Speaker 1>first of all, speaking of music, did you get a

0:26:31.359 --> 0:26:34.399
<v Speaker 1>chance to watch any of the b t yours. I did. Um.

0:26:35.440 --> 0:26:38.000
<v Speaker 1>I saw you know, Anderson Pack shouting out the black

0:26:38.040 --> 0:26:40.360
<v Speaker 1>trans victims at the b t R A to thought,

0:26:40.400 --> 0:26:43.760
<v Speaker 1>I was dope, way to use your platform, because black

0:26:43.800 --> 0:26:45.920
<v Speaker 1>trans folks are definitely, i mean, like have the highest

0:26:46.000 --> 0:26:49.720
<v Speaker 1>rate murder rates of any population, and definitely when we

0:26:49.800 --> 0:26:52.960
<v Speaker 1>talk about saying their names, their names don't get said

0:26:53.040 --> 0:26:56.120
<v Speaker 1>as much because there's still a lot of like transphobia

0:26:56.160 --> 0:26:59.160
<v Speaker 1>and homophobia in the hip hop community, in the black community,

0:26:59.400 --> 0:27:01.760
<v Speaker 1>and then especially me to like haven't highlighted like that.

0:27:02.800 --> 0:27:04.640
<v Speaker 1>What do you think? I mean, I thought it was cool.

0:27:04.720 --> 0:27:06.399
<v Speaker 1>There was there was a lot of interesting things. It

0:27:06.560 --> 0:27:10.080
<v Speaker 1>was kind of odd. You know, it's still odd watching

0:27:10.160 --> 0:27:13.400
<v Speaker 1>these awards shows that are kind of live streamed now

0:27:13.720 --> 0:27:17.200
<v Speaker 1>with social distancing and stuff, it's it takes some getting

0:27:17.280 --> 0:27:18.960
<v Speaker 1>used to, but I thought there was some cool stuff.

0:27:19.000 --> 0:27:22.040
<v Speaker 1>I like that remix if you want to call it that,

0:27:22.240 --> 0:27:25.040
<v Speaker 1>or update of Fight the Power that they did. That's

0:27:25.040 --> 0:27:28.160
<v Speaker 1>what we are actually going to be going a bit

0:27:28.280 --> 0:27:30.960
<v Speaker 1>more in depth into the song Fight the Power of

0:27:31.000 --> 0:27:32.879
<v Speaker 1>the Public Enemy song Fight the Power. But at the

0:27:32.920 --> 0:27:36.000
<v Speaker 1>bat He Awards they did a rendition of it that

0:27:36.160 --> 0:27:39.800
<v Speaker 1>had partially the original song with Chuck the and Flavor Flavor,

0:27:39.960 --> 0:27:42.640
<v Speaker 1>but then they added in a verse from nas Rap

0:27:42.720 --> 0:27:46.400
<v Speaker 1>City Black. Thought y g it actually turned out really dope.

0:27:46.440 --> 0:27:50.640
<v Speaker 1>I liked it, um, but that just got me thinking

0:27:50.720 --> 0:27:53.440
<v Speaker 1>for the music discussion for this episode. You know, with

0:27:53.600 --> 0:27:56.080
<v Speaker 1>everything that's happened in the last month and some change,

0:27:57.040 --> 0:27:59.560
<v Speaker 1>there's actually been a good amount of music that's been

0:27:59.680 --> 0:28:03.359
<v Speaker 1>made either directly about the George Floyd murder or the

0:28:03.480 --> 0:28:07.000
<v Speaker 1>protests that have been going on ever since. So that's

0:28:07.000 --> 0:28:08.800
<v Speaker 1>what we're gonna be taking a look at today, which

0:28:09.480 --> 0:28:11.600
<v Speaker 1>you know, we might as well start with the Anderson

0:28:11.680 --> 0:28:16.520
<v Speaker 1>Pack Lockdown song. Let's check this out, sleep you Don't

0:28:16.560 --> 0:28:20.440
<v Speaker 1>eat screens when we kitchen feet down. Yeah, So Lockdown,

0:28:20.720 --> 0:28:24.439
<v Speaker 1>I think itself it addresses a number of intertwining political

0:28:24.520 --> 0:28:26.560
<v Speaker 1>crises that are in Gulf in the nation right now,

0:28:26.680 --> 0:28:30.480
<v Speaker 1>from the pandemic to rising unemployment rates, it's both uprising itself.

0:28:30.520 --> 0:28:33.840
<v Speaker 1>So lockdown here, could you used to refer to the

0:28:33.920 --> 0:28:38.640
<v Speaker 1>pandemic shutdowns of you know, businesses, bars, restaurants, et cetera,

0:28:39.320 --> 0:28:41.720
<v Speaker 1>or curfew is being put in place to stop people

0:28:41.720 --> 0:28:45.400
<v Speaker 1>from exercising their First Amendment rights. But I feel like

0:28:45.520 --> 0:28:47.680
<v Speaker 1>of the songs that we look at today, it's one

0:28:47.720 --> 0:28:50.160
<v Speaker 1>of the more incisive descriptions of the moment I've heard

0:28:50.360 --> 0:28:53.440
<v Speaker 1>because of its kind of all encompassing nature. But then

0:28:53.640 --> 0:28:57.400
<v Speaker 1>in describing you know, looting in first person, you speak

0:28:57.440 --> 0:28:59.600
<v Speaker 1>in some real ship about protest safety. When he says,

0:28:59.640 --> 0:29:02.080
<v Speaker 1>little to your gas, clear the whole place out, I'll

0:29:02.080 --> 0:29:04.160
<v Speaker 1>be back with the has Matt for the next round.

0:29:04.600 --> 0:29:06.840
<v Speaker 1>He was trying to protest and the fires broke out.

0:29:07.160 --> 0:29:08.960
<v Speaker 1>Look out for the secret agents. They'd be planted in

0:29:09.040 --> 0:29:12.720
<v Speaker 1>the crowd, Like this is some real ship Adan for vokaturs,

0:29:13.840 --> 0:29:16.520
<v Speaker 1>Anderson Pack is always dope, yo. I mean for me,

0:29:16.800 --> 0:29:19.040
<v Speaker 1>it's like I thought you didn't like those Singing rappers.

0:29:19.240 --> 0:29:22.000
<v Speaker 1>I mean, I'm not the biggest fan of the Singing Rappers,

0:29:22.120 --> 0:29:24.680
<v Speaker 1>but I kind of look at Anderson Pack Moore as

0:29:24.800 --> 0:29:27.760
<v Speaker 1>with a singer, so in that in that regards, this

0:29:27.800 --> 0:29:31.880
<v Speaker 1>seems more like he's a singer who is rapping, you

0:29:31.920 --> 0:29:33.760
<v Speaker 1>know what I'm saying, which kind of makes the rapping

0:29:33.840 --> 0:29:36.280
<v Speaker 1>more impressive because it's like, oh man, he's like pretty

0:29:36.280 --> 0:29:37.840
<v Speaker 1>good for a guy who's how do you feel about

0:29:37.920 --> 0:29:41.080
<v Speaker 1>him making looting seem really cool in the song? It's interesting.

0:29:41.160 --> 0:29:43.840
<v Speaker 1>It's it makes it not preachy, you know what I'm saying.

0:29:43.960 --> 0:29:45.800
<v Speaker 1>It's not preachy. He's just like I'm on the I'm

0:29:45.840 --> 0:29:47.960
<v Speaker 1>on the boat, I'm on the boardwalk, I'm on the boulevard.

0:29:48.040 --> 0:29:50.880
<v Speaker 1>I'm putting the mannekins in my in the backshop, back

0:29:50.960 --> 0:29:53.440
<v Speaker 1>of my car. Like I mean, obviously I don't know

0:29:53.520 --> 0:29:56.200
<v Speaker 1>what he's thinking. I doubt that he means it literally,

0:29:56.400 --> 0:30:00.680
<v Speaker 1>but like yeah, I mean like for the art, it's

0:30:00.720 --> 0:30:02.520
<v Speaker 1>like you get get yourself in the mind frame of

0:30:02.560 --> 0:30:04.480
<v Speaker 1>the character that you're playing. I get that. Yeah, he's

0:30:04.480 --> 0:30:08.160
<v Speaker 1>still really powerful. What I perceived are probably fishings before

0:30:08.280 --> 0:30:11.160
<v Speaker 1>songs like Milk and Honey where he describes like, you know,

0:30:11.600 --> 0:30:14.320
<v Speaker 1>taking all this money from this sugar mama and then

0:30:14.440 --> 0:30:17.360
<v Speaker 1>like getting busted and going to jail with bricks. Yeah, exactly,

0:30:17.440 --> 0:30:20.720
<v Speaker 1>like you know, like, hey, yeah, it's a dope story. Yeah,

0:30:20.760 --> 0:30:23.760
<v Speaker 1>it's a dope story. Yeah yeah. Speaking of dope, the

0:30:23.880 --> 0:30:29.000
<v Speaker 1>next joint is front Lines by Conway. The Machine's killing

0:30:29.080 --> 0:30:33.600
<v Speaker 1>black people. Don't Caroline, don't get charged taking normal just press.

0:30:34.840 --> 0:30:37.959
<v Speaker 1>Griselda are always bringing that. He what did you think

0:30:38.000 --> 0:30:40.280
<v Speaker 1>about this? I thought this was interesting because it's kind

0:30:40.280 --> 0:30:42.880
<v Speaker 1>of like a mixture of this like a regular flex

0:30:43.040 --> 0:30:44.920
<v Speaker 1>rap in like the first verse, and then in like

0:30:45.000 --> 0:30:46.920
<v Speaker 1>the second and third verses he kind of gets into

0:30:47.000 --> 0:30:50.280
<v Speaker 1>like describing what he's seen on the news, and the

0:30:50.360 --> 0:30:52.640
<v Speaker 1>third verse he describes a black man getting pulled over

0:30:52.720 --> 0:30:55.160
<v Speaker 1>in the predicament of blackness in the situation, so like

0:30:55.280 --> 0:30:57.080
<v Speaker 1>if he reaches for his ID, they think it, they'll

0:30:57.080 --> 0:30:59.440
<v Speaker 1>think he's reaching for a gun. He puts his hands up,

0:30:59.520 --> 0:31:01.560
<v Speaker 1>it's still he runs away. They shoot him in the

0:31:01.680 --> 0:31:05.120
<v Speaker 1>bag um. And so like I thought that was interesting,

0:31:05.280 --> 0:31:07.360
<v Speaker 1>like how it's just sort of like seamlessly put into

0:31:07.400 --> 0:31:09.600
<v Speaker 1>this track that other watch it's about banging. It was

0:31:10.400 --> 0:31:13.239
<v Speaker 1>that's like that's like their usual style with Griselda, I mean,

0:31:13.320 --> 0:31:15.200
<v Speaker 1>and that's how the song kind of has that format

0:31:15.240 --> 0:31:17.280
<v Speaker 1>where it's like the first half of it, it's like

0:31:17.360 --> 0:31:20.840
<v Speaker 1>a typical you know, Griselda song, shoot him Up, bars flexing,

0:31:21.480 --> 0:31:24.200
<v Speaker 1>you know, I'm fly like that sort of stuff. But

0:31:24.600 --> 0:31:26.720
<v Speaker 1>Conway always has like a style where it's kind of

0:31:26.760 --> 0:31:29.640
<v Speaker 1>like a stream of consciousness sort of vibe to it.

0:31:30.240 --> 0:31:34.040
<v Speaker 1>So for me, you know, with the way that his

0:31:34.760 --> 0:31:37.880
<v Speaker 1>topics and subject matter normally just like go from one

0:31:37.960 --> 0:31:40.480
<v Speaker 1>thing to the next, for for him to just like

0:31:40.600 --> 0:31:43.680
<v Speaker 1>have a point in the verse where it's just dedicated

0:31:43.720 --> 0:31:45.720
<v Speaker 1>to this where it's like it goes from describing the

0:31:45.760 --> 0:31:49.280
<v Speaker 1>George watching the George Floyd tape to like then describing

0:31:49.400 --> 0:31:51.480
<v Speaker 1>the situation, you know, the conditions of black people and

0:31:51.560 --> 0:31:53.880
<v Speaker 1>believe it's just like you really, you know, he really

0:31:53.920 --> 0:31:56.000
<v Speaker 1>felt it. Especially as a fan who's listened to a

0:31:56.080 --> 0:31:58.040
<v Speaker 1>bunch of his music before, it's like, oh man, yeah

0:31:58.080 --> 0:32:00.080
<v Speaker 1>that this ship was really on his mind, you know,

0:32:00.200 --> 0:32:01.600
<v Speaker 1>I mean you just had to put that into the

0:32:01.680 --> 0:32:05.240
<v Speaker 1>song like that. And I'm also noticing with this this

0:32:05.480 --> 0:32:07.080
<v Speaker 1>in this, and it's in a lot of the other

0:32:07.160 --> 0:32:10.800
<v Speaker 1>songs that we have, is um you're kind of seeing

0:32:11.040 --> 0:32:15.240
<v Speaker 1>the effects of like how the media coverage of this

0:32:15.520 --> 0:32:17.520
<v Speaker 1>is kind of like affecting some of the music because

0:32:17.680 --> 0:32:22.920
<v Speaker 1>everybody is using samples from Yeah, this one, he samples

0:32:22.960 --> 0:32:26.760
<v Speaker 1>a newscaster describing the Third Precinct getting burnt down in Minneapolis. Yeah,

0:32:26.840 --> 0:32:28.560
<v Speaker 1>and you'll see that as a trend in a lot

0:32:28.640 --> 0:32:30.440
<v Speaker 1>of the other songs that we have to So then

0:32:30.520 --> 0:32:32.720
<v Speaker 1>up next we got Cupcakes Lemon Pepper, which is a

0:32:32.760 --> 0:32:37.120
<v Speaker 1>pretty standard ratchet track from this Chicago Spider. Let's check

0:32:37.160 --> 0:32:43.920
<v Speaker 1>it out down telling me great for an old wait,

0:32:44.240 --> 0:32:47.440
<v Speaker 1>I mean, I think it's dope that half proceeds are

0:32:47.480 --> 0:32:50.120
<v Speaker 1>going to the Ministry so to Freedom Fund to help

0:32:50.280 --> 0:32:54.440
<v Speaker 1>bail out those arrested over protests for George Floyd's murder.

0:32:55.160 --> 0:32:57.720
<v Speaker 1>I think it's an earnest gesture to me, because it's like,

0:32:58.440 --> 0:33:02.840
<v Speaker 1>like we're talking about earlier the questions, not everybody is

0:33:02.880 --> 0:33:06.440
<v Speaker 1>going to have the right words or even the desire

0:33:06.560 --> 0:33:09.760
<v Speaker 1>to speak directly on the situation. But if you want

0:33:09.800 --> 0:33:13.120
<v Speaker 1>to party and still contribute to the costs, help out

0:33:13.440 --> 0:33:15.680
<v Speaker 1>and contribute to it in some way, I think, you know,

0:33:16.080 --> 0:33:19.120
<v Speaker 1>I think the heart's in the right place. Yeah, for sure, definitely. Definitely.

0:33:19.760 --> 0:33:23.280
<v Speaker 1>Up next, we got probably, I would have to say,

0:33:23.440 --> 0:33:26.920
<v Speaker 1>just from what I've been seeing, is probably the most

0:33:27.040 --> 0:33:29.400
<v Speaker 1>popular song out of this crop of songs have been

0:33:29.440 --> 0:33:31.760
<v Speaker 1>made yeah, the bigger picture of violent a rapper a

0:33:31.760 --> 0:33:36.160
<v Speaker 1>little baby. Let's let's hear that real quick. That should

0:33:36.160 --> 0:33:41.720
<v Speaker 1>be were your thoughts on that? Um? So, I really

0:33:41.760 --> 0:33:45.000
<v Speaker 1>like this track because it's really uncomplicated lyrically, Unlike a

0:33:45.080 --> 0:33:47.400
<v Speaker 1>lot of political or conscious hip hop, which tends to

0:33:47.480 --> 0:33:50.760
<v Speaker 1>turn people off with some of its density. Um, it

0:33:50.840 --> 0:33:53.600
<v Speaker 1>gives off a defiant ambiance and tells a story or

0:33:53.680 --> 0:33:55.760
<v Speaker 1>like a train of thought that's fairly easy to follow.

0:33:55.920 --> 0:33:59.200
<v Speaker 1>And so, like, I think it's really powerful in its simplicity.

0:33:59.720 --> 0:34:02.200
<v Speaker 1>I think, even though like it's basic in terms of

0:34:02.320 --> 0:34:05.680
<v Speaker 1>rhyme schemes and stuff, he's flowing consistently throughout it. And

0:34:06.480 --> 0:34:08.680
<v Speaker 1>I mean I always think that, like you just said,

0:34:08.719 --> 0:34:11.960
<v Speaker 1>the biggest problem with sometimes when rappers are trying to

0:34:12.040 --> 0:34:15.960
<v Speaker 1>get across a message with songs, and sometimes they try

0:34:16.040 --> 0:34:20.080
<v Speaker 1>to pack a little bit too much information into the

0:34:20.200 --> 0:34:23.560
<v Speaker 1>lines and it kind of takes away from the song

0:34:23.719 --> 0:34:26.400
<v Speaker 1>sounds to someone's ear. So with this, it's just like

0:34:26.800 --> 0:34:29.160
<v Speaker 1>I was even just listening to this just for like

0:34:29.640 --> 0:34:31.800
<v Speaker 1>to write some notes on it. It's like I just

0:34:31.920 --> 0:34:33.480
<v Speaker 1>the next thing I knew I had listened to it

0:34:33.560 --> 0:34:36.120
<v Speaker 1>like twelve times in a row. Yeah, yeah, yeah, this

0:34:36.239 --> 0:34:40.080
<v Speaker 1>is really I dig it just because again, whenever it

0:34:40.200 --> 0:34:44.239
<v Speaker 1>feels real and it feels like it's honest, that's when

0:34:44.280 --> 0:34:47.359
<v Speaker 1>I really like, Yeah, you can really feel a little

0:34:47.440 --> 0:34:50.319
<v Speaker 1>baby working through. You know. He talks about like why

0:34:50.400 --> 0:34:52.520
<v Speaker 1>not start here? Why not start now? He might not

0:34:52.560 --> 0:34:54.520
<v Speaker 1>have always been involved in this kind of work, but

0:34:54.600 --> 0:34:57.719
<v Speaker 1>now he's here, and now he's showing up. Um, he's

0:34:57.760 --> 0:35:00.520
<v Speaker 1>working through various things. He thought some lines I saw

0:35:00.600 --> 0:35:02.920
<v Speaker 1>you pull out corrupt police been a problem where I'm from,

0:35:03.000 --> 0:35:04.520
<v Speaker 1>But I'd be lying if I said it was all

0:35:04.600 --> 0:35:08.440
<v Speaker 1>of them, just like an example exactly. It's a conflicted

0:35:08.560 --> 0:35:10.719
<v Speaker 1>nature just coming out there on the song, because like

0:35:11.520 --> 0:35:13.919
<v Speaker 1>he probably could have thought about that message a little

0:35:13.960 --> 0:35:16.640
<v Speaker 1>bit more like if you if you thought about if

0:35:16.680 --> 0:35:18.799
<v Speaker 1>he was thinking about it and thinking about what people thought,

0:35:19.000 --> 0:35:22.320
<v Speaker 1>he probably would have been like, man, maybe I shouldn't

0:35:22.320 --> 0:35:24.800
<v Speaker 1>say something good about the cops are. But he's presenting

0:35:24.840 --> 0:35:28.279
<v Speaker 1>a nuanced perspective that is like not always commonly found.

0:35:28.320 --> 0:35:30.480
<v Speaker 1>You found a lot of anti cops songs within the

0:35:30.560 --> 0:35:33.440
<v Speaker 1>hip hop literature, But to have a kind of a

0:35:33.520 --> 0:35:35.759
<v Speaker 1>nuanced perspective like that, to acknowledge that a lot of

0:35:35.840 --> 0:35:39.120
<v Speaker 1>people in our communities do trust the police or some

0:35:39.280 --> 0:35:41.359
<v Speaker 1>of them or see their utility, Like, I think it's

0:35:41.360 --> 0:35:44.279
<v Speaker 1>a needed counterpoint in this moment, even if I don't

0:35:44.320 --> 0:35:47.359
<v Speaker 1>necessarily agree. And then it's dope. On top of all

0:35:47.440 --> 0:35:50.440
<v Speaker 1>this that proceeds from the bigger picture are going to

0:35:50.560 --> 0:35:53.040
<v Speaker 1>the National Association of Black Journalists to be on A.

0:35:53.080 --> 0:35:55.799
<v Speaker 1>Taylor's Attorney, the Bail Project, as well as Black Lives Matter.

0:35:56.320 --> 0:36:01.239
<v Speaker 1>That's really dope. Yeah. Um up next we have um

0:36:01.920 --> 0:36:05.640
<v Speaker 1>de Smoke featuring Sir with the track let Go de

0:36:05.840 --> 0:36:08.920
<v Speaker 1>Smoke is the winner of the I Believe Rhythm and

0:36:09.040 --> 0:36:12.200
<v Speaker 1>Flow the netflace. Oh yeah, yah, yeah, I'm gonna check

0:36:12.239 --> 0:36:14.880
<v Speaker 1>this out. How are you supposed to protest with no

0:36:15.080 --> 0:36:17.080
<v Speaker 1>chest a big hot but they closed down at the

0:36:17.200 --> 0:36:21.000
<v Speaker 1>chance which you have. Yeah, that should smooth you know.

0:36:21.120 --> 0:36:24.000
<v Speaker 1>It's like an emotional ride where you go from hearing

0:36:24.040 --> 0:36:27.719
<v Speaker 1>him wax poetic about the black condition in the first verse,

0:36:27.760 --> 0:36:30.160
<v Speaker 1>and then in the second verse he's like it's really

0:36:30.200 --> 0:36:32.520
<v Speaker 1>well wrapped. It's like a personal account of him being

0:36:32.600 --> 0:36:35.440
<v Speaker 1>pulled over by the cops. He even mentions how he

0:36:35.520 --> 0:36:37.680
<v Speaker 1>wrote the song. He wrote this verse on the day

0:36:37.719 --> 0:36:40.320
<v Speaker 1>that George Floyd died. Then the third verse he's like

0:36:40.440 --> 0:36:42.800
<v Speaker 1>a lot more animated, and he's like, funk this, you

0:36:42.840 --> 0:36:44.960
<v Speaker 1>know what I mean, kind of going in on the condition.

0:36:45.120 --> 0:36:47.840
<v Speaker 1>So it has that sort of build to a climax

0:36:47.960 --> 0:36:51.640
<v Speaker 1>that was really dope. I'm next, we got Dreys captured

0:36:51.680 --> 0:36:54.600
<v Speaker 1>on an iPhone, so this is Florida based Dre of

0:36:54.719 --> 0:36:56.759
<v Speaker 1>Cool and Dre, not to be confused with Dr Dre,

0:36:57.640 --> 0:37:00.800
<v Speaker 1>who dedicates this song to folks whose murders weren't filmed,

0:37:00.960 --> 0:37:03.839
<v Speaker 1>the folks that don't become hashtags. Like Will Smith said,

0:37:04.120 --> 0:37:06.799
<v Speaker 1>I think in two thousand sixteen, racism isn't getting worse,

0:37:06.920 --> 0:37:10.520
<v Speaker 1>it's getting filmed. It's just nice team that dropped somebody.

0:37:10.560 --> 0:37:15.960
<v Speaker 1>WI should ful for the soul is anything. So I

0:37:16.080 --> 0:37:19.560
<v Speaker 1>really love that he samples Girls Got Heron's The Revolution

0:37:19.640 --> 0:37:22.800
<v Speaker 1>will not be televised on Lockdown. Actually Jay Rock and

0:37:22.960 --> 0:37:25.960
<v Speaker 1>his feature talks about how the Revolution will not be televised,

0:37:26.000 --> 0:37:28.520
<v Speaker 1>and so I feel I'm like, I'm really stoked that

0:37:28.640 --> 0:37:31.719
<v Speaker 1>people are hearkening back to like the revolutionary roots of

0:37:31.960 --> 0:37:35.600
<v Speaker 1>spoken word that Gil kind of helped boost into the

0:37:35.760 --> 0:37:39.160
<v Speaker 1>mainstream back in his day. Like I'm glad we're kind

0:37:39.200 --> 0:37:42.240
<v Speaker 1>of circling back around to those ideas Now it's interesting

0:37:42.440 --> 0:37:46.000
<v Speaker 1>as well that Drey sizes his inspiration for the track

0:37:46.080 --> 0:37:47.839
<v Speaker 1>that he's a huge fan of m W. A Ice

0:37:47.880 --> 0:37:51.600
<v Speaker 1>cute public enemy in Tupac and that you know, they

0:37:51.640 --> 0:37:53.759
<v Speaker 1>spoke truth of power in their music and he felt

0:37:53.800 --> 0:37:57.640
<v Speaker 1>compelled to do the same. Interestingly, he takes a different

0:37:57.680 --> 0:37:59.959
<v Speaker 1>stance on violence against cops than some of us IDOL

0:38:00.000 --> 0:38:02.200
<v Speaker 1>host when he says, in search for more than just

0:38:02.360 --> 0:38:04.400
<v Speaker 1>a message here, how about I send one spend the

0:38:04.440 --> 0:38:07.000
<v Speaker 1>block like the precinct up and hit a cop. You're crazy,

0:38:07.040 --> 0:38:09.520
<v Speaker 1>you're talking about killing cops? Fuck that all? I see

0:38:09.560 --> 0:38:11.800
<v Speaker 1>his ops popping iced tea in the drop, so like

0:38:12.680 --> 0:38:15.560
<v Speaker 1>he's like, no, niggas, don't be out here killing cops.

0:38:15.960 --> 0:38:20.160
<v Speaker 1>And he's very right. I interpreted that is not necessarily

0:38:20.200 --> 0:38:23.360
<v Speaker 1>a declaration, but again like one of those internal monologues,

0:38:23.400 --> 0:38:26.520
<v Speaker 1>because even it almost sounds like the you crazy, you're

0:38:26.520 --> 0:38:28.680
<v Speaker 1>talking about killing cops. You have a different voice to it.

0:38:28.760 --> 0:38:33.279
<v Speaker 1>You cops, you talking about killing cops. It's like the

0:38:33.400 --> 0:38:37.560
<v Speaker 1>Angel and the devil. Yeah yeah, yeah, yeah, Okay, So

0:38:37.920 --> 0:38:40.600
<v Speaker 1>I really am excited to talk about My favorite track

0:38:40.840 --> 0:38:44.720
<v Speaker 1>in this whole crop is Terroris Martin featuring Denzel Curry Daylett,

0:38:44.719 --> 0:38:49.200
<v Speaker 1>and Kamassi Washington, as well as Chiparico, Pig Feetigee, so

0:38:49.360 --> 0:38:53.160
<v Speaker 1>fucking dope. Let's check this out, White Life, Stock Into Twilight,

0:38:54.520 --> 0:38:57.839
<v Speaker 1>sing Hot Prey, catch up with Mott You Mitchell, don't mind? Okay?

0:38:58.040 --> 0:39:00.640
<v Speaker 1>Instantly it gives me a rage against the machine kind

0:39:00.680 --> 0:39:03.560
<v Speaker 1>of vibe for work. But then commosity of Watchington with

0:39:03.640 --> 0:39:06.680
<v Speaker 1>the Sacks also puts this layer like seventies black sportation

0:39:06.800 --> 0:39:10.160
<v Speaker 1>film score in it. You know what that Sacks reminds

0:39:10.200 --> 0:39:14.200
<v Speaker 1>me of? Um, have you ever seen Spike Leaves Malcolm X. Yeah,

0:39:14.440 --> 0:39:18.239
<v Speaker 1>the score was done by Terrence Blanchard, and it has

0:39:18.360 --> 0:39:21.040
<v Speaker 1>like that sort of crazy, wildly jazz sax to it

0:39:21.440 --> 0:39:24.000
<v Speaker 1>that really reminds me of that. I thought that that

0:39:24.120 --> 0:39:25.840
<v Speaker 1>was the almost I wonder if that was the field

0:39:25.840 --> 0:39:28.480
<v Speaker 1>that they were going forward. Yeah yeah, but um yeah

0:39:28.480 --> 0:39:33.800
<v Speaker 1>another song is really good Daylights Verse, very impressionistic, like

0:39:33.920 --> 0:39:35.520
<v Speaker 1>I kind of don't know what the fun he's talking about,

0:39:35.560 --> 0:39:38.560
<v Speaker 1>but I feel it. I feel it though, so and

0:39:38.640 --> 0:39:40.840
<v Speaker 1>then I like how you know? In the first first

0:39:40.920 --> 0:39:43.520
<v Speaker 1>of Zel refers to the class of Snoop Dog line

0:39:43.560 --> 0:39:46.279
<v Speaker 1>for Dr Dre's ninety two Little Ghetto Boy, when he

0:39:46.360 --> 0:39:49.439
<v Speaker 1>talks about murder. Was the case that gave me another

0:39:49.520 --> 0:39:54.000
<v Speaker 1>throwback to some O G some O G lines, Um,

0:39:54.280 --> 0:39:56.800
<v Speaker 1>what do you think about? So? Like, in contrast to

0:39:57.640 --> 0:40:00.480
<v Speaker 1>the devil on either shoulder in the dre song the

0:40:00.680 --> 0:40:04.279
<v Speaker 1>Cool and Cool and dre Um, this one. In the

0:40:04.360 --> 0:40:06.959
<v Speaker 1>intro woman is hurt, screaming because I'm not in person

0:40:07.000 --> 0:40:08.960
<v Speaker 1>which has killed on the police. And then halfway through

0:40:09.040 --> 0:40:11.040
<v Speaker 1>the song her voice is hurt again and the man

0:40:11.200 --> 0:40:12.680
<v Speaker 1>is heard calling for it, told me to swing the

0:40:12.719 --> 0:40:16.880
<v Speaker 1>car around, and him cocking a gun for revenge again.

0:40:17.000 --> 0:40:23.919
<v Speaker 1>I don't necessarily think that everything that every depiction is advocacy,

0:40:24.360 --> 0:40:27.759
<v Speaker 1>you know what I'm saying. So just because a song

0:40:27.960 --> 0:40:30.560
<v Speaker 1>is bringing for at that point of view, I don't

0:40:30.640 --> 0:40:35.000
<v Speaker 1>think that the instant message for that is, oh, let's

0:40:35.040 --> 0:40:36.840
<v Speaker 1>get a gun and go fight, you know, shoot shoot

0:40:36.880 --> 0:40:40.840
<v Speaker 1>cops and get revenge. It's just it's just painting, like

0:40:40.920 --> 0:40:44.120
<v Speaker 1>a mind frame and like, you know, a state of

0:40:44.160 --> 0:40:45.960
<v Speaker 1>mind that people are in. People are hurting, you know,

0:40:46.000 --> 0:40:49.280
<v Speaker 1>I'm saying, people are angry, people are upset, and that's

0:40:49.320 --> 0:40:52.719
<v Speaker 1>what art is for, you know. I mean, that's just me.

0:40:52.840 --> 0:40:56.200
<v Speaker 1>I don't I don't believe that. I don't believe that

0:40:56.280 --> 0:40:57.960
<v Speaker 1>share that controls your brain. I know better than that.

0:40:58.040 --> 0:41:00.359
<v Speaker 1>That's game. And then of course we've got to talk

0:41:00.400 --> 0:41:03.160
<v Speaker 1>about r t J four, which was already slated to

0:41:03.239 --> 0:41:06.479
<v Speaker 1>come out and then dilated to come out a little

0:41:06.480 --> 0:41:09.000
<v Speaker 1>bit later, but they released it early, and they released

0:41:09.040 --> 0:41:11.200
<v Speaker 1>it kind of for free where you could just stream it,

0:41:11.360 --> 0:41:14.240
<v Speaker 1>you can get it. So but they've already I've always

0:41:14.280 --> 0:41:17.920
<v Speaker 1>embraced this revolutionary aesthetic, if not like over you know,

0:41:18.320 --> 0:41:21.319
<v Speaker 1>I mean just listening to it. You hear you hear

0:41:21.840 --> 0:41:24.719
<v Speaker 1>lines and gems throughout the album where you're like, damn,

0:41:24.880 --> 0:41:26.920
<v Speaker 1>this motherfucker's right the shoot like now you know what

0:41:26.960 --> 0:41:29.759
<v Speaker 1>I'm saying. Right, they've kind of been about that life.

0:41:29.800 --> 0:41:34.000
<v Speaker 1>I mean, like it's it's a brutal contrast between what

0:41:34.160 --> 0:41:37.600
<v Speaker 1>Kilor Mike had to say in his press conference with

0:41:37.840 --> 0:41:42.240
<v Speaker 1>Atlanta Mayor Kisha Lance bottoms Um when violence was starting

0:41:42.239 --> 0:41:47.040
<v Speaker 1>to break out in Atlanta Um urging people to you know, vote,

0:41:47.840 --> 0:41:51.560
<v Speaker 1>urging people to not burn stuff down because of all

0:41:51.600 --> 0:41:55.000
<v Speaker 1>the black businesses in Atlanta, versus this nigga has been about,

0:41:55.080 --> 0:41:57.960
<v Speaker 1>Like when you nigga's going to unite and killed the Polis.

0:41:58.040 --> 0:42:01.600
<v Speaker 1>Motherfucker's for like years, and so like I just have

0:42:01.719 --> 0:42:03.360
<v Speaker 1>to take it with a grain of salt. It's like

0:42:03.680 --> 0:42:05.839
<v Speaker 1>you think I want to put on and like Bob too,

0:42:06.360 --> 0:42:08.680
<v Speaker 1>as I like get hyped up to go out in

0:42:08.800 --> 0:42:11.160
<v Speaker 1>the streets and stuff. But like I mean, I hear you.

0:42:11.239 --> 0:42:13.480
<v Speaker 1>This is another one of those instances where it's like,

0:42:13.600 --> 0:42:17.239
<v Speaker 1>I think rappers have the freedom or artists have the

0:42:17.320 --> 0:42:19.920
<v Speaker 1>freedom to not be literal and everything that they do,

0:42:20.480 --> 0:42:24.080
<v Speaker 1>you know. But also it's like the music clashing with

0:42:24.200 --> 0:42:26.040
<v Speaker 1>the realities of real life. I don't know. Maybe we

0:42:26.080 --> 0:42:28.040
<v Speaker 1>can ask him about this one day. We'll ask him

0:42:28.080 --> 0:42:30.399
<v Speaker 1>one day. We'll ask him one day. My favorite line

0:42:30.400 --> 0:42:32.279
<v Speaker 1>on r t J four though, is when he is

0:42:32.320 --> 0:42:34.880
<v Speaker 1>when Mike goes, I support the sex workers unionized and

0:42:34.920 --> 0:42:38.440
<v Speaker 1>their services. Shout out of the sex worker. I know

0:42:38.600 --> 0:42:41.479
<v Speaker 1>it's hard times in a pandemic for y'all. Hazard pay.

0:42:42.239 --> 0:42:44.920
<v Speaker 1>The main reason that the RTJ is honorable mention there

0:42:45.040 --> 0:42:47.320
<v Speaker 1>is just because of when it was made. Because a

0:42:47.360 --> 0:42:48.960
<v Speaker 1>lot of as a matter of fact, I think all

0:42:49.000 --> 0:42:51.000
<v Speaker 1>of the songs that we actually put on the list,

0:42:51.080 --> 0:42:55.600
<v Speaker 1>we're actually written and reported in this last month. So

0:42:57.040 --> 0:43:00.640
<v Speaker 1>and with that is our episode best it you feel

0:43:00.640 --> 0:43:02.960
<v Speaker 1>like rapping of course I feel like rapping you guys

0:43:03.000 --> 0:43:04.239
<v Speaker 1>want to hear us rap. Of course you want to

0:43:04.280 --> 0:43:09.840
<v Speaker 1>hear his rap. Let's get a beat. Oh yeah, yeah, dope,

0:43:15.520 --> 0:43:17.759
<v Speaker 1>uh so boof for dot but not that proper stuff

0:43:17.800 --> 0:43:19.719
<v Speaker 1>for substenance, more like some squash it. But I'm not

0:43:19.840 --> 0:43:22.000
<v Speaker 1>processed for pumpkin dip cup for the lumps in it,

0:43:22.120 --> 0:43:24.279
<v Speaker 1>but at the west move. So the assumption is the

0:43:24.360 --> 0:43:27.600
<v Speaker 1>substance win a really honestly haven't said nothing yet, equal

0:43:27.680 --> 0:43:32.320
<v Speaker 1>parts exhibitionists and for punishment people hearted existeptualists not really

0:43:32.400 --> 0:43:35.800
<v Speaker 1>publishing better bill caps so fat well. If you understood,

0:43:35.840 --> 0:43:38.719
<v Speaker 1>you'd understand that these stands is a functionally subject list.

0:43:38.800 --> 0:43:40.440
<v Speaker 1>But I guess it's a cut up up all the

0:43:40.560 --> 0:43:42.960
<v Speaker 1>duck from the dumpster ship that radio is relish. The

0:43:43.040 --> 0:43:46.399
<v Speaker 1>club's bumping the youngsters nick watched me, whip, watched me name,

0:43:46.480 --> 0:43:48.879
<v Speaker 1>they watched me get fucking puffing it for profit bust

0:43:48.920 --> 0:43:52.160
<v Speaker 1>some highly accompas Harvard economists sits book on the flip

0:43:52.280 --> 0:43:54.840
<v Speaker 1>Dot Martin's propped on the complets of all the workers

0:43:54.880 --> 0:43:57.279
<v Speaker 1>and all of the optics who attick to get the

0:43:57.520 --> 0:44:01.239
<v Speaker 1>OPTI stick quickly hollow dot liscens watching they Benjaminton the

0:44:01.400 --> 0:44:05.480
<v Speaker 1>Washington thought Dwy and Richard entertain the cooks for it

0:44:05.600 --> 0:44:08.480
<v Speaker 1>political never get any place, and said, I'm straightning metal

0:44:08.560 --> 0:44:11.000
<v Speaker 1>for as up in my kitchen, A senting then the

0:44:11.080 --> 0:44:14.800
<v Speaker 1>great and sending the Hey, yo. This is the story

0:44:14.920 --> 0:44:18.160
<v Speaker 1>y'all about how the Knife came up with a new

0:44:18.280 --> 0:44:21.080
<v Speaker 1>lifestyle that you like. Wow, I'm try of seeing u

0:44:21.280 --> 0:44:23.680
<v Speaker 1>y style. I'm sucking pissed. I ain't trying to be

0:44:23.800 --> 0:44:26.719
<v Speaker 1>too nice now. It all started at age six, when

0:44:26.800 --> 0:44:29.879
<v Speaker 1>I came to hate this makeshift made trix I'm talking

0:44:29.920 --> 0:44:32.600
<v Speaker 1>about fake ship. Then I became eight bitch like I

0:44:32.719 --> 0:44:35.160
<v Speaker 1>got a facelift the grapes Hip, and then I got

0:44:35.280 --> 0:44:38.160
<v Speaker 1>the urge to say ship thirteen. I went crazy and

0:44:38.280 --> 0:44:40.800
<v Speaker 1>thoughted to hear things. I thought I could rebel a

0:44:40.840 --> 0:44:43.239
<v Speaker 1>bit if I get in a piercing ear ring. I

0:44:43.400 --> 0:44:45.719
<v Speaker 1>didn't give a damn with my pierced thing. And then

0:44:45.800 --> 0:44:49.520
<v Speaker 1>I got crazy, started thinking the weird things, like being

0:44:49.600 --> 0:44:53.080
<v Speaker 1>on a motherfucking podcast where I could grab the microphone

0:44:53.120 --> 0:44:56.360
<v Speaker 1>and hear the bomb bass talk Helen ship like a

0:44:56.480 --> 0:44:59.840
<v Speaker 1>militant still equipped. The wrapper is rapping like you were literate.

0:45:00.080 --> 0:45:02.319
<v Speaker 1>I've been dope since I was a little kid. Now

0:45:02.400 --> 0:45:05.080
<v Speaker 1>I'm just sitting here, wrapping until I'm skinny with the

0:45:05.200 --> 0:45:07.920
<v Speaker 1>little ribs. I'm eating so many rappers. I need to

0:45:08.040 --> 0:45:10.439
<v Speaker 1>get a bib. We're about to end. To see you next.

0:45:10.480 --> 0:45:14.440
<v Speaker 1>We can hear our ship. See you next week. My

0:45:14.520 --> 0:45:20.080
<v Speaker 1>name's Dope Knife. We are waiting on reparations. Hurry up.

0:45:21.160 --> 0:45:23.840
<v Speaker 1>Waiting on Reparations is a production of I Heart Radio.

0:45:24.120 --> 0:45:27.000
<v Speaker 1>Listen to Waiting on Reparations on the I heart Radio app,

0:45:27.239 --> 0:45:29.680
<v Speaker 1>Apple Podcasts, or wherever you get your podcasts.