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Speaker 1: The Nicky Glazer Podcast. Nicky, here's Nicky. Hello here, I

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Speaker 1: am welcome to the show. It's Nicky Glazer Podcast. I

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Speaker 1: am Nicky Glazer. I am here in Los Angeles. I'm

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Speaker 1: joined by in studio with me in my hotel room

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Speaker 1: in Beverly Hills. My boyfriend, you've heard him on the

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Speaker 1: show before. He's from the Courtney Show podcast and the

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Speaker 1: Courtney Show in in St. Louis. He was on Welcome Home,

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Speaker 1: Nicki Glazer. It's my lover. Don't I love you? It's

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Speaker 1: all I'm saying. I don't mean that in a sexual way,

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Speaker 1: but we do have sex with each other every day,

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Speaker 1: all every day. It's Chris con everyone, Chris Convey. And

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Speaker 1: then there's also on your Marina is here, welcome back

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Speaker 1: to the show. Anya, and we are lovers and we

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Speaker 1: have sex every day, every day, every single day. Um.

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Speaker 1: And then Noah is also here. Hey Noah, how's it

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Speaker 1: go overs? Part those balls with your nose? I told

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Speaker 1: Chris about that where Noah said that sometimes she likes

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Speaker 1: to put her nose between the ball sack and part

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Speaker 1: each ball will fall upon each nostril. Maybe tonight. Because

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Speaker 1: we have sex every day, every single day. Uh, Chris

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Speaker 1: is not taking part of this. We are out here

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Speaker 1: because I was at the well. There's a lot of reasons. Um.

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Speaker 1: We were here for the Critics Choice Awards, which was

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Speaker 1: last evening last night. Did you guys see did you

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Speaker 1: guys see what Nikki or did you see what she

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Speaker 1: looked like? Do you see in Cinderella come to I

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Speaker 1: love your face? I love your face? Noah, because that's

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Speaker 1: exactly what I felt. So Mickey. On page six, you

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Speaker 1: are number twenty best dressed number? Were they ranking it? Like?

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Speaker 1: Are they saying best? Yeah? Out of seven smokes, that's good,

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Speaker 1: but they really are ranking it? Or they like there's

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Speaker 1: seventy best dressed people and here's just a random or

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Speaker 1: is it a rank? I think up there it looks

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Speaker 1: like a rank. And you are number twenty. Who's ahead

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Speaker 1: of me? Like? Who's right ahead of me? Um? I'm

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Speaker 1: guessing that What's who? Who are? Sorry? Sorry? Gaddy? I

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Speaker 1: like her Santa Clair University number one. Don't even know

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Speaker 1: where she went to school because I went there. This

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Speaker 1: podcast is misery to me. Uh, Kathy Bates? Um, Okay, wait,

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Speaker 1: Who's who's above me? Um? I'll tell you so. Roy

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Speaker 1: Plaza let me just guess who is the best number one?

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Speaker 1: That was such a good dress, your enthusiasm for it

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Speaker 1: was unnecessary. I mean I whispered in Chris's ear like

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Speaker 1: that's a dress, and then he went on and on

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Speaker 1: and I go, you give him an inch and your

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Speaker 1: boy boy? Okay, that's what did he play in Maverick.

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Speaker 1: The most tense moment Nikki and I have had in

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Speaker 1: ten years was when I said, Hey, I'm gonna go.

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Speaker 1: I'm gonna go tell Glenn Powell, uh that you want

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Speaker 1: to say? Do you want to say hi? To him?

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Speaker 1: And I was just totally joking because I was getting

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Speaker 1: up to go say hi to a friend who was

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Speaker 1: sitting next to him, and He's like, don't do that.

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Speaker 1: I was like, yeah, I'm not going to, but I'm

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Speaker 1: going to. And then she was like, no, seriously, of

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Speaker 1: course I'm not going to go tell Glen, the most

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Speaker 1: handsome guy there, that I can't to say something to him.

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Speaker 1: I was like, oh my god, what am I even

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Speaker 1: going to say? I was going to tell him I

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Speaker 1: was gonna say hi because we used to see each

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Speaker 1: other at the we went to the same gym, yes,

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Speaker 1: because we were chasing the same body say he got there,

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Speaker 1: he got there first sooner and remains there. But yeah,

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Speaker 1: he was there. He looked good. He did look good,

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Speaker 1: not as good as you looked. I was even saying

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Speaker 1: to him. We saw Powell, who notoriously has been my like,

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Speaker 1: I was like, god, he's so attractive, Like I was

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Speaker 1: just very attracted him when I saw him the Maverick.

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Speaker 1: You were into him, yeah, and not in a weird way,

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Speaker 1: not in a weird way. I was just like, to me,

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Speaker 1: he stood out like he's THEO James level of like,

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Speaker 1: who's that? Like, there's sometimes actors that get you, you

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Speaker 1: know my and I'm into THEO James. I don't even

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Speaker 1: know who that is. No, I did not know that

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Speaker 1: this was a thing for you. What really? Okay, so

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Speaker 1: THEO James, it's the guy who are pas like, who's

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Speaker 1: might be cheating? Yes? Okay, yes, yes, I felt I

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Speaker 1: felt like you knew that for some reason, we've all

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Speaker 1: hung out together so much in my dream, We've spent

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Speaker 1: so much time on road tripping and just banging. Uh No,

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Speaker 1: but this guy Glenn Powell. When I the other day,

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Speaker 1: I was like, everyone on the podcast knows I've been

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Speaker 1: really into Chris's new haircut and just been like have

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Speaker 1: a renaissance of horny nous for a guy that I've

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Speaker 1: been with for a really long time in a way

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Speaker 1: that you just are like this. The other night you

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Speaker 1: were talking and I said this on the podcast, but

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Speaker 1: you're talking to me about about something logistic about like

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Speaker 1: and I just think, you know, a good goal for

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Speaker 1: us would be to you know, have a routine and

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Speaker 1: you know, we go to dinner, we have like you

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Speaker 1: were talking about something. Yeah, there was something like and

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Speaker 1: I just couldn't listen to you because I was like

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Speaker 1: I felt like the way I'm sorry to say that

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Speaker 1: this is a different way to feel than with your boyfriend,

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Speaker 1: but you know when you're dating someone new and you

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Speaker 1: haven't kissed yet and you kind of are just like

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Speaker 1: looking at their mouth a little bit and you're kind

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Speaker 1: of like, oh my god, I can't like I think

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Speaker 1: I'm going to get to do this, but I don't

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Speaker 1: know like where you're just I started kind of looking

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Speaker 1: at you like that, and I was like looking at

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Speaker 1: your mouth, like, God, this guy is so fucking hot.

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Speaker 1: Like it was so good. It was such a nice

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Speaker 1: moment to have. But um, later that week, I was

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Speaker 1: online and I saw Glenn Powell and I saw a

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Speaker 1: picture of him looking really hot because the algorithm can

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Speaker 1: read my mind, and then they served it up and

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Speaker 1: I almost send it to you because I knew that

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Speaker 1: you knew I was into him, but I was gonna

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Speaker 1: be like, you've got he's got nothing on you, Like

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Speaker 1: I really felt that way. And then we saw him

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Speaker 1: at this thing and I go again, like, my guy

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Speaker 1: is just I'm so into this. My man's look right now,

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Speaker 1: it's really nice here. You just really you just really

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Speaker 1: like me? That that that sort of yeah, I guess

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Speaker 1: that is like from like how much intimacy you're having

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Speaker 1: in your relationship, Like sometimes you get more attracted to

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Speaker 1: someone based on the conversations you're having and stuff, Anya

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Speaker 1: and know what, have you guys ever had any moment

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Speaker 1: that kind of a reminiscent of the um where you

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Speaker 1: of of the moment we had where he was like

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Speaker 1: I'm gonna go tell him, you say I, and I

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Speaker 1: was like, please don't. He's like, I'm just joking. WHOA

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Speaker 1: Like you think I would do that? Like you don't

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Speaker 1: know me? Do you does that? Because we have that

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Speaker 1: sometimes of like these big misunderstandings where I'm like, you're

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Speaker 1: joking and I think you're serious, and you're like, are

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Speaker 1: we even a couple? Because why would you even think

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Speaker 1: I would ever do that? Was like, why did you yes,

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Speaker 1: like ruin your bespurts your good name to like, you

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Speaker 1: know a guy who perfect name perfectly. I'm sure he's

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Speaker 1: a perfecly friendly guy. When I stand for it is

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Speaker 1: not good. But my name itself Nicky, Yeah, it's almost

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Speaker 1: as good as Vicky Seltzer. Yeah, that's my my stage name.

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Speaker 1: Um do you guys do does anything come to mind

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Speaker 1: of moments like that where it's like do you even

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Speaker 1: know me? Where Matt maybe misconstrued something you said. I

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Speaker 1: can't think of that, I was. I was thinking, I've

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Speaker 1: definitely had that moment where he either gets a haircut

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Speaker 1: or there's something and I'm just like, I can't know.

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Speaker 1: I can't believe this guy with these biceps is my guy?

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Speaker 1: Like I've had that. I can't think of do you

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Speaker 1: even know me? But I will, it's just not coming.

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Speaker 1: But you're you recall moments like that in your relationship

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Speaker 1: where you've been together with this person for so long

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Speaker 1: and they questioned something about you, and you go, what

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Speaker 1: is this the first is this our first date? Like

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Speaker 1: and then you feel so misunderstood. No, you relate to that. Yeah,

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Speaker 1: it happens to us all the time. Like abb will

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Speaker 1: say something in jest and I take it seriously and

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Speaker 1: then I like start like, wait, what do you mean

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Speaker 1: the shirts off? You know, and he's like, no, I'm

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Speaker 1: just kidding. Don't you know my sense of humor? How

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Speaker 1: long have you been together? Yes? Do you have one

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Speaker 1: to share? No? I don't think so. I will say

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Speaker 1: that you're you're that That moment last night was very

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Speaker 1: quick and you weren't. Nikki wasn't in the greatest like headspace,

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Speaker 1: like hanging and laughing. I went into it feeling so good.

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Speaker 1: So this weekend we had such a great weekend. We

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Speaker 1: were on the road Albany two shows Friday or Thursday

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Speaker 1: and Friday, which is awesome because usually if I'm doing

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Speaker 1: two shows, it's in one night and we have to

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Speaker 1: stay in one city for two nights. So not the

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Speaker 1: best city to be in for two nights. But you know,

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Speaker 1: flat Mignon of the actually it is beautiful, like the

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Speaker 1: downtown area, but your Portland was amazing to sold out

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Speaker 1: shows in one night, asked theater, I mean, how many

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Speaker 1: seats was it? Shows in one night? And said they're

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Speaker 1: really cool people too, and yes, thank you. They were Portland, Maine.

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Speaker 1: I realized it the first. After the first I was like,

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Speaker 1: these people are sucking get it on a level that

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Speaker 1: you know. There's been a few towns I've gone to.

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Speaker 1: Santa Rose I remember was a particularly great crowd, uh Seattle,

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Speaker 1: particularly great at Tulsa, Oklahoma city where you just go

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Speaker 1: there's something else extra, like they have a darkness to

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Speaker 1: them that I don't have to ease into it, like

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Speaker 1: they're just ready to like do anal right away. You

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Speaker 1: don't even have to love them up, Like it's almost

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Speaker 1: like they're already wet for whereas some crowds and I

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Speaker 1: don't begrudge them this. I come from one St. Louis.

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Speaker 1: You need to ease in a little bit, like and

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Speaker 1: that's fine if you're not from those towns. Don't feel like,

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Speaker 1: oh she thinks we don't get it. But Portland, Maine,

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Speaker 1: they were just dirty, right, not dirty, but just dark

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Speaker 1: right away. And then I thought about it, and I go,

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Speaker 1: that's where Stephen King is from. And Stephen King if

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Speaker 1: you really look into some of his stuff. I haven't

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Speaker 1: read a lot of his work, Like I haven't read

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Speaker 1: any really. I think I read Salem's Lot and then

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Speaker 1: I started reading this other book. But I followed the

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Speaker 1: SubOrbit called books, and they often get into his stuff,

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Speaker 1: and he is the most twisted motherfucker there is. I

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Speaker 1: mean some of this like pedophilia, incest, like really gross

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Speaker 1: stuff that I mean, I think even now, people tried

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Speaker 1: to cancel him for stuff he wrote in the seventies

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Speaker 1: because it's so dark and so twisted. Um, but that's

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Speaker 1: kind of a good that's a good point about even

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Speaker 1: the material you're doing right now because I think you

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Speaker 1: mentioned the word dirty. I think sometimes that's that's what

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Speaker 1: people expect. But right now what you're doing is darker

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Speaker 1: than it is. Yes, you know, like there is because

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Speaker 1: it isn't just dealing with you anymore. I mean there's

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Speaker 1: some of that stuff. It's more, it's more, there's more

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Speaker 1: like it's it's more dark than it is. Yeah, there's

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Speaker 1: been a couple it's new. It's cool it is. There'll

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Speaker 1: be whole sets where I think I've mentioned this before

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Speaker 1: where I just go like, oh, I didn't really talk

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Speaker 1: about sex at all, and that's kind of what people

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Speaker 1: expected me. And then when you get into it, you realize,

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Speaker 1: oh my god, sex jokes are such easy laughs, because

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Speaker 1: it's not easy laughs. I've never said it was easy.

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Speaker 1: It's easy for me because I'm I enjoy talking about

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Speaker 1: the stuff and it does. It's not hard for me

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Speaker 1: to talking about my sex life. But it's um it

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Speaker 1: just in terms of getting laughs, it's easier. It's just

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Speaker 1: a place to go where it's like guaranteed because people

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Speaker 1: love and if I'm talking about something sexual, it's not

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Speaker 1: well trod already, I don't think because I'm usually talking

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Speaker 1: about stuff that is just so out there. I mean,

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Speaker 1: I'm not putting You're not doing it for effect. You

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Speaker 1: were doing it because it's it's just a natural part

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Speaker 1: of who you are, and you're open. You're open and

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Speaker 1: honest about things, and you're you're saying things that maybe

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Speaker 1: other people wouldn't be willing to say yes, And that

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Speaker 1: is also why I just got into I just did

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Speaker 1: a um if you guys want to check it out,

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Speaker 1: I'm going to be in this podcast called The Celebrity

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Speaker 1: Book Memoir Club Celebrity I Forget, I gotta look at

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Speaker 1: the name of it. It's Chelsea Alvarez's show. It's not

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Speaker 1: Claire Parker, it's Chelsea Alvarez. But it's coming out tonight.

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Speaker 1: And we covered the Hairy Book. And she usually only

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Speaker 1: does female memoirs, but she made an exception for this one,

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Speaker 1: and we did the Harry book. And I love it. Oh, Anya,

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Speaker 1: has it? Are you reading it? We are reading it

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Speaker 1: as a couple. I'm not together. Oh my god, I know,

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Speaker 1: I have a only fifteen minutes in. I'm like, I'm

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Speaker 1: doing the audio. Matt's doing the actual book. He's not cheating,

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Speaker 1: and I already get it. I'm already like, oh, I'm in.

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Speaker 1: I guess well, here's the thing that I just realized

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Speaker 1: in doing this book club with her. I love this

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Speaker 1: book so much because for the same reason people are

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Speaker 1: hating this book, which is like it's too overshare. They're like,

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Speaker 1: we didn't need to know you that you had frost

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Speaker 1: bite on your penis. We didn't need to know that

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Speaker 1: you put a cream on it that your mom used

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Speaker 1: to wear, and that you smelled your mom in the

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Speaker 1: room when you're putting a cream on your penis. And

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Speaker 1: I love it because people do the when you start

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Speaker 1: to have those thoughts about this book of like why

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Speaker 1: did we need to know this? Because when you share

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Speaker 1: little details where you go, I didn't need to know that,

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Speaker 1: it builds trust with your audience to go, well, then

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Speaker 1: they're not going to hide anything else. If they're giving

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Speaker 1: me this little disgusting factoid, then I can trust them

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Speaker 1: in other areas that they're not going to gloss over stuff.

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Speaker 1: So that is why I really liked this book, because

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Speaker 1: he talks about things that I've only heard comedians divulge

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Speaker 1: on that level of um SPECIs specificity of I think

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Speaker 1: I said that wrong one. I think it put in

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Speaker 1: a specificity specs. Listen, Andrew's not on the show anymore.

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Speaker 1: Someone's got to pick up the slack. Sure no specificity

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Speaker 1: spec city specifity, specifit, specifit seriously talking me through this

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Speaker 1: so I'll never fuck it. Okay, specifit city and then

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Speaker 1: city specificity, city specificity, okay, specificity Okay, I'll never work

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Speaker 1: it up again. UM see, I want to learn um

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Speaker 1: so specificity that I didn't say that, Um, I mean

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Speaker 1: I did so I would like, uh yeah, So I

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Speaker 1: just like that level of like overshare because It just

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Speaker 1: always reminds me. I said on the podcast too, that

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Speaker 1: my when people are ever asking me for like my

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Speaker 1: worst tackle story, it's always just a girl going after

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Speaker 1: one of my jokes and I go, oh, really, does

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Speaker 1: no one ever come You're you've never had tasted come before?

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Speaker 1: And she goes, I mean, yeah, but I wouldn't talk

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Speaker 1: about it in front of people. And that was like

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Speaker 1: the most shameful moment of my life because she made

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Speaker 1: a really good point of like, we don't need to

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Speaker 1: know this, Nikki, and so I really like that he

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Speaker 1: he did that. I like that you like listen. I don't.

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Speaker 1: I don't love every part of this, but I do

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Speaker 1: appreciate that you do that you are that way because

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Speaker 1: I think you make you And maybe I haven't read

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Speaker 1: the Harry book. Maybe Harry in some ways have helped

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Speaker 1: make people feel less alone. When you're when people are

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Speaker 1: that open and that honest about things, you know other

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Speaker 1: people are thinking some of the same things. Sometimes not

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Speaker 1: everybody is, but it makes those people feel a little

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Speaker 1: bit less alone or a little bit less weird less.

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Speaker 1: And that's what I do appreciate about what you do.

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Speaker 1: And I guess what Harry Old Harry did in this

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Speaker 1: book is so you want to the audio book for

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Speaker 1: a little because it's insane. He's like, the past is

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Speaker 1: the past, but the past because of the past. How

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Speaker 1: good the is the first you already got through it.

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Speaker 1: But the moment that I turned to Chris in bed

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Speaker 1: and I already said this on the podcast, I think,

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Speaker 1: but I was like, oh, this is good. Was the

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Speaker 1: moment that he says he I bookmarked it. He said,

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Speaker 1: I looked at Willie, really looked at him, maybe for

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Speaker 1: the first time since we were boys. Now this is

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Speaker 1: at his grandfather's funeral. Is no, but Willie is what

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Speaker 1: they call penises in in England, and so this whole

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Speaker 1: book he calls him Willie. So it's pretty much he

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Speaker 1: hates his brother through this, like his brother hates him too,

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Speaker 1: like they it's not good. This is they'll never ever

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Speaker 1: speak again. I can almost guarante has any person have

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Speaker 1: ever had a fall fall from grace like physically looking

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Speaker 1: the way they look like Prince William has you mean

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Speaker 1: because of how he's aging? Yes, oh, because of the

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Speaker 1: really yeah, I don't think that attractive. But he gives

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Speaker 1: him a little dig just this is I looked at

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Speaker 1: Willie really looked at him, maybe for the first time

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Speaker 1: since we were boys. I took it all in his

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Speaker 1: Leo scowl, which had always been his default, and dealings

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Speaker 1: with me, his alarming baldness, more advanced than my own,

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Speaker 1: his famous resemblance to Mummy, which was fading with time

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Speaker 1: with age. In some ways he was my mirror. In

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Speaker 1: some ways he was my opposite, my beloved brother, my

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Speaker 1: arch nemesis. How had this happened? And so that's when

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Speaker 1: I go the baldness, the alarming baldness, worse than my own.

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Speaker 1: I was like, oh, let's bangle up, just gonna be good.

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Speaker 1: It is good the whole time. So, leaving Portland, Maine

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Speaker 1: at four o'clock in the morning, to then get drive

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Speaker 1: two hours to Boston and get on a flight to

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Speaker 1: l A to land in l A at eleven and

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Speaker 1: then I had to be at the Red carpet by

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Speaker 1: three o'clock. Um. I was in great spirits because I

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Speaker 1: didn't have to present an award, I didn't have to

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Speaker 1: do any interviews. I was just there to dress up.

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Speaker 1: I already knew I lost the ward because they told

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Speaker 1: me that they would tell me on Saturday if I

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Speaker 1: want or not, and I didn't hurt. And it's great

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Speaker 1: to lose to nor McDon I lost to nor mcdonn. Yes, yes, recipes,

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Speaker 1: and that special to me was so fucking phenomenal. So yeah,

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Speaker 1: I was more than happy to lose to him. There

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Speaker 1: was no pressure on the day. I just get to

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Speaker 1: be with my boyfriend. We get to go to this event,

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Speaker 1: we get to look at celebrities. We I get to

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Speaker 1: dress up, I get to be with my hair and

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Speaker 1: makeup team, my stylist. Everyone is so fun. I was like,

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Speaker 1: so excited, and I started to hear this voice in

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Speaker 1: my head that was like, Nikki, you're projecting too much

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Speaker 1: in tomorrow. I was texting Cris being like, I'm so excited.

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Speaker 1: I have no obligations. It's just gonna be fun. It's

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Speaker 1: just gonna be the best day. And I was like,

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Speaker 1: you are there's too many expectations. You are too excited

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Speaker 1: about this. And the expectations were not high because it's

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Speaker 1: just all we had to do is have a good time.

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Speaker 1: And I was setting myself up. I had this voice

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Speaker 1: in my head that said, expectations are future resentment. And

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Speaker 1: then I land and we will finish the story when

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Speaker 1: we get back from this break. That's not the first

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Speaker 1: time I've heard so land in l A. Go right

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Speaker 1: to the hotel. My stylists are already here setting up

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Speaker 1: a set up with the rack of clothing, and then

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Speaker 1: my hair and makeup team is here all ready to go.

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Speaker 1: Chris meets me in at the in the um the

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Speaker 1: valet with a fresh Starbucks that he got me. I

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Speaker 1: mean it was so nice, you know, I'm so excited. Yeah,

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Speaker 1: I get my hair and makeup done. We pick out

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Speaker 1: the dress, which is gorgeous. I had tried it on

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Speaker 1: before to maybe where do the People's Choice Awards and

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Speaker 1: it we we deemed it to be like two awards

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Speaker 1: showy for the People's Choice Awards, which is more like

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Speaker 1: fun and like kind of flirty and like pop, you know,

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Speaker 1: but this is more regal. I was, like, what other

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Speaker 1: opportunity I've I've no who knows if I'm ever going

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Speaker 1: to be nominated again, Like this is where you get

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Speaker 1: to really dress Oscar Glam Critics Choice Awards, And so

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Speaker 1: I wore this like boost it like it's like I

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Speaker 1: had a what's it called yeah boost where they of

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Speaker 1: course at yeah of course set of course at top

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Speaker 1: and bob bah bah booms, boobs out, spilling out the

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Speaker 1: top very um bridge a chain and then um and

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Speaker 1: his beautiful and it's like, you know, you really got

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Speaker 1: to suck into it. But it wasn't like deeply uncomfortable.

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Speaker 1: The shoes definitely were. They were too small. They put

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Speaker 1: my foot into it like a little wedge. But they

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Speaker 1: were cute, but they were fair. Every shoe is too small,

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Speaker 1: that's a good point. Even crocs. I suffer slipping those

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Speaker 1: in there. I mean this was these were so painful,

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Speaker 1: but it didn't matter because when your adrenaline is running,

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Speaker 1: your feet don't hurt. I always say this. People always

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Speaker 1: go the boots. You were on stage, the heels, and

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Speaker 1: I'm like, I don't feel my body is not like

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Speaker 1: I'm having fun. I'm in the moment. I don't feel

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Speaker 1: any pain. The second I stop, I step into the

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Speaker 1: wings of the stage. I'm not even joking you. I

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Speaker 1: will be on stage for an hour and a half

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Speaker 1: not one single pain in my foot. I won't even

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Speaker 1: think about my feet. The second the foot enters a

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Speaker 1: dark space where there's no spotlight, it starts screaming pain.

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Speaker 1: It's such a psychological thing, and I ripped them off

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Speaker 1: my feet and people always think, oh, you poor thing,

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Speaker 1: and I go, no, they just started hurting literally one

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Speaker 1: second ago, and this is it's bizarre. So as soon

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Speaker 1: as the adrenaline right, it wore off of like getting

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Speaker 1: into the car and I have to lay. I have

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Speaker 1: to lay completely flat. I don't posted Tony posted on

401
00:20:11,359 --> 00:20:15,000
Speaker 1: the podcast instance so funny. Nicky had to had to

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Speaker 1: do like a reverse crunch leading all the way back,

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Speaker 1: wrinkled the dress because the dress is very wrinklable. And

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Speaker 1: then also the corset I learned throughout the evening as

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Speaker 1: I'm sitting down after the Red Carpet that never happened.

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Speaker 1: We'll get to that in a second. I'm sitting the

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Speaker 1: whole day. The boning within the piping, like like the

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Speaker 1: the metal that's in the corset bent as I sat,

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Speaker 1: so it bent and slipped up at the bottom, and

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Speaker 1: then when I stood up again, it's just bent like

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Speaker 1: this because I've been sitting all this So it was

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Speaker 1: very smart of me not to do that in the car.

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Speaker 1: So it gets we get to the event. The Red

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Speaker 1: Carpet closes at UM three three thirty, is what we're told,

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Speaker 1: and I get there at three. I mean I could

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Speaker 1: have gotten there at three five and if it closed,

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Speaker 1: it you can rush through the red carpet. I've done

418
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Speaker 1: it before. And we get there and the red carpet

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Speaker 1: is closed, which is not closed. There's a line. I

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Speaker 1: see people in line to go to the red carpet,

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Speaker 1: but we are being told you have to go downstairs

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Speaker 1: to the basement. There is a step and repeat down there,

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Speaker 1: which is like kind of the backdrop where people take

424
00:21:18,080 --> 00:21:20,560
Speaker 1: pictures with. But I have to go, and I am

425
00:21:20,600 --> 00:21:23,919
Speaker 1: about to cry because I'm telling you this was a

426
00:21:23,920 --> 00:21:26,000
Speaker 1: fun date for us, and it was. There were a

427
00:21:26,040 --> 00:21:29,320
Speaker 1: lot of reasons I I went and decided to go.

428
00:21:29,440 --> 00:21:31,400
Speaker 1: But if I would have been told that I would

429
00:21:31,400 --> 00:21:34,760
Speaker 1: not get red carpet pictures, knowing what I know now,

430
00:21:34,840 --> 00:21:37,159
Speaker 1: I still would have gone. I would have handled your

431
00:21:37,119 --> 00:21:41,080
Speaker 1: whole day differently. I would have No, I don't think

432
00:21:41,080 --> 00:21:44,560
Speaker 1: anything would have been different I would have I don't

433
00:21:44,600 --> 00:21:47,600
Speaker 1: think I would have gone, actually, because the whole point

434
00:21:47,680 --> 00:21:50,080
Speaker 1: of this is to get a red carpet photo so

435
00:21:50,119 --> 00:21:51,840
Speaker 1: that you can put it on your Instagram and people

436
00:21:51,840 --> 00:21:54,400
Speaker 1: can go, wow, Nikki is famous, and then they give

437
00:21:54,440 --> 00:21:57,879
Speaker 1: you like I hope you understand the listeners listening, I

438
00:21:58,040 --> 00:22:00,600
Speaker 1: know that all of this is bullshit. It You got

439
00:22:00,600 --> 00:22:03,600
Speaker 1: to know that projects that you do don't matter. What

440
00:22:03,680 --> 00:22:06,480
Speaker 1: you do doesn't matter in Hollywood. What you make rarely

441
00:22:06,520 --> 00:22:09,520
Speaker 1: matters because not everyone watches everything. People watch like two things.

442
00:22:10,280 --> 00:22:14,119
Speaker 1: It matters telling people that you're making things. Telling people

443
00:22:14,160 --> 00:22:17,000
Speaker 1: that you're doing things. They don't watch the Critics Choice Awards,

444
00:22:17,119 --> 00:22:19,199
Speaker 1: but they see an image of you there, so they go,

445
00:22:19,359 --> 00:22:21,720
Speaker 1: she must be nominated people. I once made a joke

446
00:22:21,760 --> 00:22:24,640
Speaker 1: that I was filming a super Bowl commercial. I wasn't.

447
00:22:24,800 --> 00:22:26,639
Speaker 1: I thought it was a joke. People assumed I was

448
00:22:26,880 --> 00:22:28,880
Speaker 1: in a super Bowl commercial and thought that I had

449
00:22:28,880 --> 00:22:30,880
Speaker 1: more value just because of the joke of me being

450
00:22:30,920 --> 00:22:33,440
Speaker 1: in one. So this is like, it's all about getting

451
00:22:33,480 --> 00:22:39,119
Speaker 1: that photo. And and I spent I'm gonna say, at

452
00:22:38,720 --> 00:22:44,000
Speaker 1: at least on this whole endeavor not to mention waking

453
00:22:44,040 --> 00:22:47,200
Speaker 1: up super early, flying all day, the stress of this,

454
00:22:47,359 --> 00:22:50,159
Speaker 1: so all for this. And then I get there and

455
00:22:50,160 --> 00:22:52,479
Speaker 1: they're like, there's there's a little um, there's a ring

456
00:22:52,560 --> 00:22:55,960
Speaker 1: light downstairs and a guy with his iPhone eight and

457
00:22:56,040 --> 00:22:59,040
Speaker 1: you go, okay, great, And I was about to cry,

458
00:22:59,119 --> 00:23:03,880
Speaker 1: like you see I Besti's know me to look at

459
00:23:03,920 --> 00:23:06,760
Speaker 1: my face in these pictures. I am not happy. I

460
00:23:06,760 --> 00:23:11,000
Speaker 1: am camera even when during the I look pretty, but

461
00:23:11,000 --> 00:23:14,919
Speaker 1: I look sad pretty because I'm pretty. Yeah, yeah, I was.

462
00:23:15,280 --> 00:23:16,919
Speaker 1: I just was looking at pictures last night in bed

463
00:23:16,920 --> 00:23:19,120
Speaker 1: with Chris, and I was like, I really couldn't fake

464
00:23:19,160 --> 00:23:20,800
Speaker 1: it because I was trying to just be like just

465
00:23:20,920 --> 00:23:23,600
Speaker 1: look happy and like let it go, Like it's not

466
00:23:23,680 --> 00:23:25,400
Speaker 1: that big of a deal. What are you crying about

467
00:23:25,400 --> 00:23:26,960
Speaker 1: because you didn't get to do a red carpet? Oh,

468
00:23:27,000 --> 00:23:29,800
Speaker 1: poor Nikki. I was really trying to be like, maybe

469
00:23:29,800 --> 00:23:31,399
Speaker 1: if I did the red carpet, you know me, I'm

470
00:23:31,440 --> 00:23:33,480
Speaker 1: trying to be like it was meant to be. I

471
00:23:33,520 --> 00:23:35,520
Speaker 1: would have been shot on the red carpet or something

472
00:23:35,560 --> 00:23:38,120
Speaker 1: like a lighting picture would have fallen on my head

473
00:23:38,160 --> 00:23:41,240
Speaker 1: and I would be, you know, mentally handicapped the rest

474
00:23:41,280 --> 00:23:42,280
Speaker 1: of my life. I was trying to think of all

475
00:23:42,280 --> 00:23:44,800
Speaker 1: the things I avoided by not doing the Red carpet,

476
00:23:46,240 --> 00:23:49,639
Speaker 1: you know. Unfortunately, I was looking at some pretty women

477
00:23:49,720 --> 00:23:51,639
Speaker 1: that I was like, they could use a conk on

478
00:23:51,680 --> 00:23:53,520
Speaker 1: the head. Not that this is like a like an

479
00:23:53,520 --> 00:23:56,200
Speaker 1: equivalent thing, but I always think because of the radio show,

480
00:23:56,240 --> 00:23:57,840
Speaker 1: and this doesn't really apply if you don't have like

481
00:23:57,840 --> 00:24:00,240
Speaker 1: an outlook like your podcast. But every bad thing that

482
00:24:00,320 --> 00:24:03,000
Speaker 1: happens to you is also in a story that you

483
00:24:03,119 --> 00:24:06,520
Speaker 1: get past. Yes, but I feel like the story of

484
00:24:06,560 --> 00:24:08,200
Speaker 1: me walking the right carpet would have been better than

485
00:24:08,240 --> 00:24:11,280
Speaker 1: the story that I didn't get to. And I agree,

486
00:24:11,280 --> 00:24:14,000
Speaker 1: it's really just I know it's just a silver lining. No,

487
00:24:14,119 --> 00:24:16,240
Speaker 1: it's it really does help. And Chris, you do help

488
00:24:16,280 --> 00:24:18,040
Speaker 1: with that a lot of times because you have changed

489
00:24:18,080 --> 00:24:20,040
Speaker 1: your outlook on your life because of your radio show.

490
00:24:20,400 --> 00:24:22,160
Speaker 1: I can tell when you bad things happened to you

491
00:24:22,280 --> 00:24:24,879
Speaker 1: or like you can flip them and go this is

492
00:24:24,920 --> 00:24:27,560
Speaker 1: a good story, good radio story. It's a good radio story,

493
00:24:27,640 --> 00:24:29,679
Speaker 1: and just doing things, I mean in general going to

494
00:24:29,720 --> 00:24:32,640
Speaker 1: this thing which ended up being great, But the problem

495
00:24:32,720 --> 00:24:34,600
Speaker 1: was I was in a bad mood about the carpet

496
00:24:34,600 --> 00:24:36,320
Speaker 1: and then we sit down to go to the event,

497
00:24:37,320 --> 00:24:41,159
Speaker 1: and beforehand were like in the area where there's like

498
00:24:41,200 --> 00:24:43,359
Speaker 1: that shitty little red carpet thing in the basement, but

499
00:24:43,440 --> 00:24:45,800
Speaker 1: everyone is there. There's cold Stone Creamery like has a

500
00:24:45,840 --> 00:24:48,280
Speaker 1: setup for people to get ice cream, but we're seeing

501
00:24:48,359 --> 00:24:51,080
Speaker 1: so many celebrities, Like I'm like seth rog at eight o'clock,

502
00:24:51,440 --> 00:24:54,360
Speaker 1: you know, who was the first people I saw when

503
00:24:54,359 --> 00:24:56,160
Speaker 1: I got in there, Seth Rogan. I passed right away,

504
00:24:56,160 --> 00:24:57,840
Speaker 1: and I was like, we got the throgs here, said

505
00:24:58,119 --> 00:25:00,960
Speaker 1: gian Carlo espen Esposito was there, which was kind of

506
00:25:01,000 --> 00:25:03,080
Speaker 1: fun for me. He's in Breaking Bad and stuff. But

507
00:25:03,119 --> 00:25:08,600
Speaker 1: then Johnny Knoxville Laura Prepond. Great, she's on the list too,

508
00:25:08,920 --> 00:25:12,639
Speaker 1: behind you, way behind you. She looked amazing. Well, we

509
00:25:12,680 --> 00:25:14,560
Speaker 1: made a joke when we first because he didn't see her,

510
00:25:14,600 --> 00:25:18,080
Speaker 1: and I go or a Prepond, Really, it's funny because

511
00:25:18,080 --> 00:25:19,639
Speaker 1: you didn't know. I didn't even see her. He was

512
00:25:19,720 --> 00:25:22,160
Speaker 1: just you know, making a dumb paun and he was like, yeah,

513
00:25:22,240 --> 00:25:26,000
Speaker 1: more like Postpond or something like, just like about her age.

514
00:25:26,440 --> 00:25:28,320
Speaker 1: But he hadn't seen her. And then we get it

515
00:25:28,320 --> 00:25:30,760
Speaker 1: and he goes, oh, I had holy shit, And I

516
00:25:30,800 --> 00:25:34,240
Speaker 1: go easy like he goes, no, more like Laura, what

517
00:25:34,359 --> 00:25:43,160
Speaker 1: it was your second joke? Thank you. She's a great

518
00:25:43,200 --> 00:25:46,800
Speaker 1: example of someone who's embracing their pallor and doesn't need

519
00:25:46,840 --> 00:25:49,200
Speaker 1: a spray tan. You always talk about like I need

520
00:25:49,280 --> 00:25:52,960
Speaker 1: more examples of girls that they're not like me, though

521
00:25:53,320 --> 00:25:57,080
Speaker 1: they she's not like me. No, her skin is different

522
00:25:57,119 --> 00:25:59,959
Speaker 1: than my skin tone, my skin tone has like an

523
00:25:59,800 --> 00:26:03,560
Speaker 1: a grayness to it, and you can see my veins underneath.

524
00:26:03,640 --> 00:26:06,200
Speaker 1: Hers just looked porcelain, so does yours? So does know?

525
00:26:06,320 --> 00:26:08,360
Speaker 1: As they're like, I don't know about that. Is there

526
00:26:08,359 --> 00:26:13,119
Speaker 1: a spray white? Like? Can you spray yourself white? We

527
00:26:13,160 --> 00:26:18,160
Speaker 1: should ask? Dita Fanti's speaking. Yeah, I finished the Manson

528
00:26:18,240 --> 00:26:22,359
Speaker 1: duck on HBO, oh my god, on to watch the

529
00:26:22,400 --> 00:26:25,280
Speaker 1: Maryland Manson documentary. It is wild that man is walking

530
00:26:25,320 --> 00:26:29,080
Speaker 1: free for anyone who like and Dita Dita is it?

531
00:26:29,960 --> 00:26:32,600
Speaker 1: Cat Vonde had a party for him. I mix up

532
00:26:32,600 --> 00:26:36,560
Speaker 1: her in Dita Dita is not associated with Manson. Dita's

533
00:26:36,600 --> 00:26:41,320
Speaker 1: in Bejeweled, the music video for Taylor Swiftode was married. Yes,

534
00:26:41,400 --> 00:26:45,400
Speaker 1: she or she dated him? Really they were married? Oh

535
00:26:45,480 --> 00:26:47,520
Speaker 1: my god, well she escaped. She's not She's not co

536
00:26:47,640 --> 00:26:50,119
Speaker 1: signing anything he does now, because after you see that documentary,

537
00:26:50,600 --> 00:26:53,399
Speaker 1: anyone who supports him, I think cat Vond just had

538
00:26:53,400 --> 00:26:56,919
Speaker 1: a birthday party for him. Disgusting. Do your research. He

539
00:26:57,000 --> 00:26:59,520
Speaker 1: is a rapist. He's disgusting. I mean, what was us rizing?

540
00:26:59,720 --> 00:27:02,080
Speaker 1: HB Max. I only bring that up because you were

541
00:27:02,119 --> 00:27:05,040
Speaker 1: talking about how sometimes when people give details of things,

542
00:27:05,040 --> 00:27:08,959
Speaker 1: like Harry and spare you believe it more. There's this

543
00:27:08,960 --> 00:27:10,879
Speaker 1: one part where Evan rachel Wood is talking about how

544
00:27:10,960 --> 00:27:13,520
Speaker 1: she's trying to break free of him and like he

545
00:27:13,600 --> 00:27:19,040
Speaker 1: whipped her trigger warning with a whip from the Holocaust

546
00:27:19,080 --> 00:27:22,359
Speaker 1: because he collects Nazi paraphernalia. He whipped her many times

547
00:27:22,720 --> 00:27:25,040
Speaker 1: with this kind of a whip. Like that is a

548
00:27:25,080 --> 00:27:27,680
Speaker 1: detail you don't just make up and pull out the

549
00:27:27,800 --> 00:27:31,880
Speaker 1: air right of believable detail. He is a monster. Would

550
00:27:31,880 --> 00:27:34,680
Speaker 1: you say, don't you think he belongs in prison? Absolutely?

551
00:27:34,680 --> 00:27:37,960
Speaker 1: And it's it's it's not that he's not the same

552
00:27:38,000 --> 00:27:42,000
Speaker 1: with army hammer, Like get these men behind bars, they're awful.

553
00:27:42,160 --> 00:27:45,960
Speaker 1: Did you talk about a hatchet wheeling hitchiker hitchiker? Oh

554
00:27:45,960 --> 00:27:48,400
Speaker 1: my god, it was fucking the worst thing we've ever

555
00:27:48,400 --> 00:27:51,399
Speaker 1: seen in our lives. I gotta say the girls chat,

556
00:27:51,400 --> 00:27:54,360
Speaker 1: which I talked about on this, we were looking everyone's

557
00:27:54,400 --> 00:27:56,200
Speaker 1: looking for things to watch, like girls, what should we

558
00:27:56,240 --> 00:27:58,160
Speaker 1: what do you recommend? And carl I was like, hatch

559
00:27:58,200 --> 00:28:01,800
Speaker 1: wielding hitchhocker y'all, And then Kirsten even was like, oh

560
00:28:01,840 --> 00:28:04,600
Speaker 1: my god, so good. And so Chris comes over the night,

561
00:28:04,640 --> 00:28:07,480
Speaker 1: I'm like, let's put on the hatchet wielding hitchhiker and

562
00:28:07,560 --> 00:28:10,879
Speaker 1: we could not believe. It's a little bit of the

563
00:28:11,400 --> 00:28:13,920
Speaker 1: I think no, I think I would have hated alone too,

564
00:28:14,440 --> 00:28:19,000
Speaker 1: if I've watched it alone together, or like embarrassed, like

565
00:28:19,000 --> 00:28:20,480
Speaker 1: you were embarrassed, and then I was like this kind

566
00:28:20,480 --> 00:28:21,840
Speaker 1: of stinks. And then we were just like because I

567
00:28:21,920 --> 00:28:24,520
Speaker 1: suggested it and said my friends had said it was good,

568
00:28:24,800 --> 00:28:27,520
Speaker 1: I didn't say which ones it would. It wasn't crazy.

569
00:28:27,560 --> 00:28:31,679
Speaker 1: It was created for you. Um did you see it? No?

570
00:28:32,640 --> 00:28:36,000
Speaker 1: Oh yeah, I told you not to. Um it is

571
00:28:36,960 --> 00:28:39,560
Speaker 1: I mean, can you say exactly what it was? Because

572
00:28:40,040 --> 00:28:42,800
Speaker 1: it's a story that could have taken fifteen minutes to tell. Yeah,

573
00:28:42,800 --> 00:28:45,120
Speaker 1: it should have been like a like one of those

574
00:28:45,440 --> 00:28:48,120
Speaker 1: sixty minute murder things with a narrator who was like

575
00:28:48,200 --> 00:28:50,640
Speaker 1: really good and compelling, and instead it was just a

576
00:28:50,680 --> 00:28:54,640
Speaker 1: bunch of turkeys retelling the same sort of story and

577
00:28:54,680 --> 00:28:57,640
Speaker 1: sort of just like overlapping each other for you know,

578
00:28:57,680 --> 00:29:01,320
Speaker 1: an hour and thirty five minutes, and you know, nothing

579
00:29:01,400 --> 00:29:03,440
Speaker 1: was all that compelling. It honestly could have been a

580
00:29:03,520 --> 00:29:06,080
Speaker 1: twelve minute documentary where you just get the full story

581
00:29:06,120 --> 00:29:08,040
Speaker 1: and you're like, oh, man, I can't believe that was

582
00:29:08,080 --> 00:29:11,600
Speaker 1: a moment how dumb they think we are. It was

583
00:29:11,640 --> 00:29:13,840
Speaker 1: one of those times where I go, I wanted to

584
00:29:13,840 --> 00:29:15,800
Speaker 1: turn it off. We got almost got to the very end,

585
00:29:15,920 --> 00:29:17,720
Speaker 1: and you're like, we got we gotta watch the last

586
00:29:17,760 --> 00:29:20,120
Speaker 1: three minutes. I go, this has been disrespectful of our

587
00:29:20,120 --> 00:29:21,760
Speaker 1: time in the hold time. I don't want this. I

588
00:29:21,760 --> 00:29:24,480
Speaker 1: don't want the numbers to say I finished this, because

589
00:29:25,120 --> 00:29:28,000
Speaker 1: they're studying you. You gotta walk out of a movie

590
00:29:28,040 --> 00:29:29,800
Speaker 1: if you think it's bad. You have to get you know,

591
00:29:29,840 --> 00:29:31,160
Speaker 1: if I would have known that, I would have I

592
00:29:31,160 --> 00:29:35,040
Speaker 1: would have been like, oh yeah, definitely, Well, yeah, I don't.

593
00:29:35,080 --> 00:29:36,800
Speaker 1: I don't want them to. I'm mad we even got

594
00:29:36,800 --> 00:29:38,840
Speaker 1: that far. But at that point we had we were

595
00:29:38,880 --> 00:29:41,840
Speaker 1: just having fun, making fun of how bad it was.

596
00:29:41,920 --> 00:29:44,200
Speaker 1: Just nothing. It was like the Cecil Hotel documentary, which

597
00:29:44,200 --> 00:29:46,200
Speaker 1: I thought more compelling. I mean, that was a three

598
00:29:46,240 --> 00:29:48,800
Speaker 1: part that should have been thirteen minutes. Remember the girl

599
00:29:48,840 --> 00:29:53,040
Speaker 1: in the elevator that saw do the weir? Yes, yes,

600
00:29:53,360 --> 00:29:56,320
Speaker 1: that was actually good. That's an interesting story. This wasn't

601
00:29:56,360 --> 00:30:00,520
Speaker 1: that good of a story. Um, and you haven't even

602
00:30:00,560 --> 00:30:02,320
Speaker 1: gotten this one part. And I got to the one part,

603
00:30:02,320 --> 00:30:06,400
Speaker 1: I'm like, it wasn't that good. Sorry, Carlos. But I

604
00:30:06,480 --> 00:30:09,880
Speaker 1: just I really resented the time, the time it took

605
00:30:09,880 --> 00:30:12,440
Speaker 1: from my life. I resent right now even spending any time.

606
00:30:12,840 --> 00:30:14,600
Speaker 1: No, no no, no, no, it was. It was bad. Do

607
00:30:14,640 --> 00:30:16,280
Speaker 1: not watch it, everyone, or do watch it and let

608
00:30:16,280 --> 00:30:18,959
Speaker 1: me know how much it sucked with me? Um what

609
00:30:18,960 --> 00:30:22,120
Speaker 1: were you gonna say? No on Phoenix Rising could have

610
00:30:22,160 --> 00:30:24,280
Speaker 1: been one part. It was two parts. They really like

611
00:30:24,440 --> 00:30:27,560
Speaker 1: milk that it was a little bit long and lingering. Yeah,

612
00:30:28,000 --> 00:30:29,720
Speaker 1: I need to have these things up or at least

613
00:30:29,760 --> 00:30:33,040
Speaker 1: give the option HBO max to speed up the speed,

614
00:30:33,400 --> 00:30:40,200
Speaker 1: you know, at least do Yeah. Netflix is kind like

615
00:30:40,280 --> 00:30:42,520
Speaker 1: that and you can get through it a little bit faster.

616
00:30:42,640 --> 00:30:45,520
Speaker 1: But um so, then the People's Choice or the Critics

617
00:30:45,600 --> 00:30:51,760
Speaker 1: Choice Awards there it is star fucking study. It was.

618
00:30:52,160 --> 00:30:54,920
Speaker 1: It was. We chatted up Wells and Sarah Higland. I

619
00:30:54,960 --> 00:30:57,200
Speaker 1: ran into them again, also hung out with them at

620
00:30:57,200 --> 00:30:58,959
Speaker 1: the People's Choice Awards. They were nice to shut up,

621
00:30:59,080 --> 00:31:00,920
Speaker 1: and then we took our sea at a table and

622
00:31:01,000 --> 00:31:03,080
Speaker 1: sitting next to us were because we could see on

623
00:31:03,120 --> 00:31:06,600
Speaker 1: the table like people's name plates was Matt Smith, which

624
00:31:06,640 --> 00:31:08,160
Speaker 1: did not ring a bell to me, but he is

625
00:31:08,200 --> 00:31:11,560
Speaker 1: a Game of Thrones guy, and the Crown doctor who

626
00:31:11,680 --> 00:31:13,480
Speaker 1: the Crown. He's a huge year. He was in a

627
00:31:13,520 --> 00:31:16,320
Speaker 1: movie with Jared Leto That's a big deal. And that

628
00:31:16,680 --> 00:31:19,240
Speaker 1: was Chris. For a second, he looked like Chris. He

629
00:31:19,240 --> 00:31:25,080
Speaker 1: looked like Rob low So then from U t A.

630
00:31:25,160 --> 00:31:27,680
Speaker 1: But he was great to sit next to. He was

631
00:31:27,760 --> 00:31:31,440
Speaker 1: hilarious and um, yeah, the cameras thought we were coupled

632
00:31:31,440 --> 00:31:32,680
Speaker 1: because at one point I was just like kind of

633
00:31:32,800 --> 00:31:34,880
Speaker 1: I was just like naming this way. My arm was

634
00:31:34,880 --> 00:31:36,840
Speaker 1: like flush with his. He's a gay guy. I felt

635
00:31:36,880 --> 00:31:39,640
Speaker 1: like comfortable with him. We were kind of like just

636
00:31:39,840 --> 00:31:42,280
Speaker 1: browing down a little bit about he was. He was

637
00:31:42,320 --> 00:31:44,680
Speaker 1: really cool and yeah, they thought we were They gave

638
00:31:44,760 --> 00:31:48,120
Speaker 1: us a two shot and Chris is in front of me.

639
00:31:48,280 --> 00:31:51,880
Speaker 1: Chris was right right next to Kate Blanchett. She was

640
00:31:52,040 --> 00:31:53,880
Speaker 1: right in front of us, and he helped her with

641
00:31:53,880 --> 00:31:55,920
Speaker 1: her chair when she came back after winning an award.

642
00:31:56,000 --> 00:32:01,200
Speaker 1: He pulled out her chair. Convy, Yeah did she man? Yeah,

643
00:32:01,200 --> 00:32:06,040
Speaker 1: she gave me like a killer. You guys got a suitar.

644
00:32:06,320 --> 00:32:08,680
Speaker 1: It's a great film for a couple to watch and

645
00:32:08,680 --> 00:32:11,280
Speaker 1: then really discuss after it's why is it going to

646
00:32:11,360 --> 00:32:14,120
Speaker 1: cause some tension? Are we going to go? It's fun

647
00:32:14,160 --> 00:32:16,560
Speaker 1: to piece things together. There's a lot of clues in it,

648
00:32:16,600 --> 00:32:19,320
Speaker 1: and you're like, wait, did you catch this thing there?

649
00:32:19,400 --> 00:32:22,200
Speaker 1: Because that totally corresponds to this other important thing. That's

650
00:32:22,280 --> 00:32:25,400
Speaker 1: kind of fun. Okay, would you watch that that? That's

651
00:32:25,440 --> 00:32:27,000
Speaker 1: the thing about the critics choice of words. I wanted

652
00:32:27,000 --> 00:32:29,440
Speaker 1: to watch all those movies, everything, everywhere, all at once.

653
00:32:33,080 --> 00:32:40,320
Speaker 1: Fer was I mean, is unwell? Um? Sorry everyone? Physically no,

654
00:32:40,480 --> 00:32:46,040
Speaker 1: physically he looks great, he's emotionally a broken man and

655
00:32:46,920 --> 00:32:51,240
Speaker 1: he's crying like, it's just I'm sorry. You're actors and

656
00:32:51,280 --> 00:32:53,720
Speaker 1: you played a fat guy. I can't like, I don't

657
00:32:53,800 --> 00:32:58,240
Speaker 1: care about You're going to give Austin Butler a pass

658
00:32:58,480 --> 00:33:02,440
Speaker 1: for pretending to him fast because I just do believe

659
00:33:02,480 --> 00:33:06,360
Speaker 1: that when you, you know, portray a characters, it can

660
00:33:06,440 --> 00:33:08,880
Speaker 1: be in your DNA. Well, then why can't that happen

661
00:33:08,920 --> 00:33:12,600
Speaker 1: to Brendan Fraser? Probably broken? I actually made a joke

662
00:33:12,640 --> 00:33:15,800
Speaker 1: that was like, why can't you know Brendan Fraser is

663
00:33:15,840 --> 00:33:18,280
Speaker 1: not getting any ship for wheezing up there? Because he

664
00:33:18,320 --> 00:33:19,960
Speaker 1: was I was like, is he's still playing the fat character?

665
00:33:19,960 --> 00:33:21,400
Speaker 1: Because he came up with stage he was kind of

666
00:33:21,400 --> 00:33:24,680
Speaker 1: like and I was like, oh, he's doing you give

667
00:33:24,760 --> 00:33:26,840
Speaker 1: us the butler ship for playing Elvis. He's still like

668
00:33:27,000 --> 00:33:28,960
Speaker 1: has a fat guy, and don't get mad and be

669
00:33:29,000 --> 00:33:31,360
Speaker 1: like you're fat shaming. Fat people are out of breath sometimes,

670
00:33:31,440 --> 00:33:33,560
Speaker 1: so whatever. So I mean, that was a joke that

671
00:33:33,600 --> 00:33:34,920
Speaker 1: was kind of proud of to you that I whispered

672
00:33:34,920 --> 00:33:37,000
Speaker 1: in your ear that I didn't think you got because

673
00:33:37,000 --> 00:33:38,680
Speaker 1: it was a little bit. I mean, we're not even

674
00:33:38,680 --> 00:33:43,920
Speaker 1: getting it now, no one should. But anyway, Brendon Fraser

675
00:33:43,920 --> 00:33:46,360
Speaker 1: gets up there and he's he's like he's out of

676
00:33:46,360 --> 00:33:47,840
Speaker 1: breath because he ran up there. I mean, that was

677
00:33:47,960 --> 00:33:50,200
Speaker 1: it was just a dumb joke. But I'm talking about

678
00:33:50,200 --> 00:33:53,800
Speaker 1: his emotional state. I don't he I feel bad for him.

679
00:33:53,840 --> 00:33:57,040
Speaker 1: He was sexually harassed in the industry. He was put

680
00:33:57,040 --> 00:33:59,880
Speaker 1: out to pasture and he came back in with this

681
00:34:00,120 --> 00:34:02,840
Speaker 1: with a couple of performances recently. But he did the

682
00:34:02,880 --> 00:34:04,560
Speaker 1: Mummies and then we didn't hear from him and he

683
00:34:04,600 --> 00:34:08,399
Speaker 1: was really like done. Apparently he was the best green

684
00:34:08,480 --> 00:34:13,080
Speaker 1: screen actor, like nobody could react to things that weren't

685
00:34:13,120 --> 00:34:19,760
Speaker 1: there except with cold fronts and stuff. Pretty impressive. So,

686
00:34:20,360 --> 00:34:23,200
Speaker 1: but um, and they're always acting like they're like kind

687
00:34:23,200 --> 00:34:26,680
Speaker 1: of buddies with a sports guy. God like, they're pretty

688
00:34:26,680 --> 00:34:28,520
Speaker 1: good actors that they all act like they like each other.

689
00:34:28,880 --> 00:34:31,200
Speaker 1: But Brenda Freezer just got up there and I found

690
00:34:31,239 --> 00:34:33,520
Speaker 1: I think some people would be like it was so moving.

691
00:34:34,239 --> 00:34:37,680
Speaker 1: He gives it a moving I found it completely unhinged,

692
00:34:37,719 --> 00:34:40,759
Speaker 1: and that's fine. I'm also that way, like I get

693
00:34:40,800 --> 00:34:42,480
Speaker 1: put on the spot sometimes and I just show up

694
00:34:42,520 --> 00:34:44,640
Speaker 1: as I am, and I'm you can tell I'm going

695
00:34:44,640 --> 00:34:47,800
Speaker 1: through a mental crisis. I think he needs all hands

696
00:34:47,840 --> 00:34:50,120
Speaker 1: on deck. He is not well. I was watching a

697
00:34:50,120 --> 00:34:52,480
Speaker 1: man up there win an award that I'm like, he's

698
00:34:52,520 --> 00:34:54,960
Speaker 1: going through something. This is too much emotion in this

699
00:34:55,000 --> 00:34:56,879
Speaker 1: moment and it wasn't like the right kind. It made

700
00:34:56,880 --> 00:34:59,120
Speaker 1: me feel awkward. I don't know. Maybe did you not

701
00:34:59,200 --> 00:35:01,879
Speaker 1: what did he cry about? On on Wednesday he won

702
00:35:01,880 --> 00:35:04,560
Speaker 1: an award I think the first award that he's won.

703
00:35:05,440 --> 00:35:12,880
Speaker 1: Maybe Okay, maybe ever really unwell because he was weeping

704
00:35:12,960 --> 00:35:16,520
Speaker 1: or was it weeping too much? It was just too much,

705
00:35:16,600 --> 00:35:18,040
Speaker 1: and you know, I love a guy who cries, and

706
00:35:18,040 --> 00:35:19,840
Speaker 1: he just seem it wasn't that he was weeping, it

707
00:35:19,880 --> 00:35:24,680
Speaker 1: was that he was so like like emotionally was it

708
00:35:24,800 --> 00:35:28,120
Speaker 1: was that he had no ability to pull in the emotions,

709
00:35:28,120 --> 00:35:30,400
Speaker 1: which it just isn't the place for it sometimes, like

710
00:35:30,800 --> 00:35:36,120
Speaker 1: let that out on your own, Like listen, I never

711
00:35:36,160 --> 00:35:39,360
Speaker 1: do I begrudge someone having their emotions. I like, I

712
00:35:39,400 --> 00:35:41,640
Speaker 1: love emotions and I'm jealous of people that can have

713
00:35:41,719 --> 00:35:44,400
Speaker 1: them more openly. I just felt like this was unbridled

714
00:35:44,400 --> 00:35:46,480
Speaker 1: and there was no there was it was. It was

715
00:35:46,520 --> 00:35:49,480
Speaker 1: just uncomfortable. I felt uncomfortable, and I rarely feel that way.

716
00:35:49,880 --> 00:35:51,960
Speaker 1: I just thought you were cynical about the whole night.

717
00:35:52,160 --> 00:35:53,640
Speaker 1: This is what happens to me at award shows. Now.

718
00:35:53,680 --> 00:35:55,000
Speaker 1: I did it with the People's Choice too, and I

719
00:35:55,040 --> 00:35:57,120
Speaker 1: said on this, I look around and I go, this

720
00:35:57,280 --> 00:36:00,640
Speaker 1: is a middle school play. Everyone's playing dress up. All

721
00:36:00,680 --> 00:36:02,600
Speaker 1: of these people just want to be loved. They all

722
00:36:02,640 --> 00:36:05,560
Speaker 1: want eyes on them. Everyone's desperate for attention. None of

723
00:36:05,560 --> 00:36:10,080
Speaker 1: this is really about like telling stories and oh everything's

724
00:36:10,120 --> 00:36:11,879
Speaker 1: up that all they all they do is tell I'm

725
00:36:11,920 --> 00:36:15,319
Speaker 1: a storyteller. You're an actor. You want to be rich,

726
00:36:15,400 --> 00:36:18,560
Speaker 1: you do your mom and dad didn't like you enough,

727
00:36:18,640 --> 00:36:21,960
Speaker 1: Like stop this, I get it. You do tell a

728
00:36:22,000 --> 00:36:24,040
Speaker 1: story with it. You didn't even write it exactly on

729
00:36:24,120 --> 00:36:27,439
Speaker 1: your Mike White is a storyteller Jennifer Coolidge isn't She's

730
00:36:27,480 --> 00:36:30,920
Speaker 1: just a comedic actress. Like, yes, we can harald them,

731
00:36:30,920 --> 00:36:33,439
Speaker 1: we can celebrate them, but stop acting like these people

732
00:36:33,480 --> 00:36:36,320
Speaker 1: are heroes. So I got I'm getting depressed in real

733
00:36:36,400 --> 00:36:38,759
Speaker 1: time in the room because I'm looking around and I'm

734
00:36:38,800 --> 00:36:41,879
Speaker 1: just seeing and I'm not above it. You all know that,

735
00:36:42,000 --> 00:36:43,640
Speaker 1: I definitely. I just told you I wanted to post

736
00:36:43,680 --> 00:36:46,400
Speaker 1: on Instagram so people like me more. I play the game.

737
00:36:46,760 --> 00:36:49,080
Speaker 1: But it just made me sad that all of these people,

738
00:36:49,120 --> 00:36:51,400
Speaker 1: even Jeff Bridges is playing the game, you know, like

739
00:36:51,480 --> 00:36:53,160
Speaker 1: he's a little bit more sincere he got it like

740
00:36:53,160 --> 00:36:57,080
Speaker 1: a Lifetime Achievement award. It just it made me sad

741
00:36:57,680 --> 00:37:00,960
Speaker 1: because I look, I look around me, and I just

742
00:37:01,040 --> 00:37:05,200
Speaker 1: see desperation from everyone, and I see fakeness and I

743
00:37:05,280 --> 00:37:07,879
Speaker 1: just see people having conversations with people they don't want

744
00:37:07,880 --> 00:37:09,319
Speaker 1: to have. It made me not want to get up

745
00:37:09,360 --> 00:37:10,759
Speaker 1: and go up to people and be like I love

746
00:37:10,800 --> 00:37:12,680
Speaker 1: your work, because I just was like, it's because I

747
00:37:12,719 --> 00:37:14,400
Speaker 1: want something from this person, and this person is already

748
00:37:14,440 --> 00:37:16,200
Speaker 1: giving people so much, Like I don't need to go

749
00:37:16,760 --> 00:37:20,520
Speaker 1: get a selfie with Jennifer Coolidge, Like people just want, want, want,

750
00:37:20,560 --> 00:37:22,560
Speaker 1: because it's going to elevate them, and it made me,

751
00:37:23,120 --> 00:37:25,280
Speaker 1: I don't know, I was kind of having an existential crisis.

752
00:37:25,320 --> 00:37:26,680
Speaker 1: I think I have it in these moments because I

753
00:37:26,719 --> 00:37:29,320
Speaker 1: also have the thing up. I'll admit it. I feel invisible.

754
00:37:29,440 --> 00:37:32,279
Speaker 1: I'm like, I'm looking at Janelle Monet and looking at

755
00:37:32,400 --> 00:37:34,960
Speaker 1: when they're listing off her achievements, and I'm like, this

756
00:37:35,040 --> 00:37:38,200
Speaker 1: twenty seven year old girl has achieved more than whatever.

757
00:37:38,280 --> 00:37:40,560
Speaker 1: How over old she is, I'm guessing she's like late twenties,

758
00:37:40,600 --> 00:37:43,799
Speaker 1: maybe early thirties. She's one grammy, she's what she is.

759
00:37:44,719 --> 00:37:46,600
Speaker 1: They the way they talk about her, She's like, she's

760
00:37:46,640 --> 00:37:49,160
Speaker 1: done so much, and I'm like, even though I've done

761
00:37:49,200 --> 00:37:51,480
Speaker 1: so much, I'm sitting in the room. I'm nominated. All

762
00:37:51,520 --> 00:37:53,440
Speaker 1: I did was like walk on stage with a microphone

763
00:37:53,480 --> 00:37:55,320
Speaker 1: and go like this is why I useduld do anal

764
00:37:55,400 --> 00:37:57,479
Speaker 1: sex and I like had a little ted talk about

765
00:37:57,480 --> 00:37:59,840
Speaker 1: and these people are like putting on performances and the

766
00:38:00,120 --> 00:38:02,200
Speaker 1: lighting and like all the things that goes into these movies,

767
00:38:02,239 --> 00:38:04,759
Speaker 1: and I'm like, I'm never going to be as cool

768
00:38:04,800 --> 00:38:06,600
Speaker 1: as these people. It's kind of depressing me in that way.

769
00:38:06,640 --> 00:38:08,160
Speaker 1: But also it was depressing me because I was like,

770
00:38:08,200 --> 00:38:10,040
Speaker 1: I don't want to be because I see how sad

771
00:38:10,080 --> 00:38:12,840
Speaker 1: this all is and how the only person that actually

772
00:38:13,239 --> 00:38:15,319
Speaker 1: did it seem to care to be there and was

773
00:38:15,400 --> 00:38:17,839
Speaker 1: just like keeping it. Really person of the night and

774
00:38:17,880 --> 00:38:20,040
Speaker 1: the funniest person of the night by far, his speech

775
00:38:20,400 --> 00:38:23,120
Speaker 1: seth Rogan a real that's a real person who just

776
00:38:23,200 --> 00:38:27,120
Speaker 1: likes to make things. Isn't trying to tell stories. He's

777
00:38:27,160 --> 00:38:30,720
Speaker 1: not a storyteller. He's just trying to make funny stuff.

778
00:38:31,000 --> 00:38:32,879
Speaker 1: I don't mean to take anything away from what you're saying.

779
00:38:32,880 --> 00:38:34,600
Speaker 1: I just have a different perspective on the night because

780
00:38:34,600 --> 00:38:36,719
Speaker 1: I came at it from a different perspective. Nikki might

781
00:38:36,760 --> 00:38:40,120
Speaker 1: have felt differently if her day didn't stop, didn't start

782
00:38:40,120 --> 00:38:46,640
Speaker 1: out so uncomfortable. Literally, when I was sitting it, Nikki

783
00:38:46,760 --> 00:38:51,160
Speaker 1: sent us audio of the car driver who was supposed

784
00:38:51,160 --> 00:38:53,840
Speaker 1: to take her from the hotel in Portland, Maine, to

785
00:38:53,840 --> 00:38:56,319
Speaker 1: to the Boston airport, and she's like, listen to this

786
00:38:56,360 --> 00:38:59,640
Speaker 1: poor man struggle with my bags. This is the audio

787
00:38:59,680 --> 00:39:02,279
Speaker 1: of him after he got the bags into the car

788
00:39:02,400 --> 00:39:22,960
Speaker 1: and it took him ten minutes. Okay, because he had

789
00:39:22,960 --> 00:39:26,040
Speaker 1: the guy. He really made a display of how annoying

790
00:39:26,080 --> 00:39:28,480
Speaker 1: my bags were because he loaded them for like twenty minutes,

791
00:39:28,640 --> 00:39:30,680
Speaker 1: two bags in his trunk and kept taking men and

792
00:39:30,719 --> 00:39:33,520
Speaker 1: putting back out, and I'm like, he, I wasn't even

793
00:39:33,560 --> 00:39:35,080
Speaker 1: gonna attempt to help him, because it would have been

794
00:39:37,320 --> 00:39:40,359
Speaker 1: well official car service to pick me up. The girl

795
00:39:40,640 --> 00:39:43,759
Speaker 1: was overslept, and so she called this guy to fill in,

796
00:39:43,840 --> 00:39:45,960
Speaker 1: and then we met her at a truck stop and

797
00:39:46,000 --> 00:39:47,919
Speaker 1: then she got in the car and drilled and said

798
00:39:47,920 --> 00:39:49,759
Speaker 1: the way it was so funny. I'm like four in

799
00:39:49,760 --> 00:39:54,480
Speaker 1: the morning, it was crazy, so um yeah, I don't know.

800
00:39:54,600 --> 00:39:56,960
Speaker 1: I don't if I wouldn't have been deeply uncomfortable in

801
00:39:56,960 --> 00:39:58,560
Speaker 1: my dress, I think because at the end of it,

802
00:39:58,600 --> 00:40:00,360
Speaker 1: I go, why am I in such a bad mood? Chris,

803
00:40:00,360 --> 00:40:01,640
Speaker 1: Like I don't get it, Like why am I so

804
00:40:01,680 --> 00:40:04,200
Speaker 1: sad about? Like I was sitting there falling into a

805
00:40:04,200 --> 00:40:06,759
Speaker 1: deep depression during this thing and I couldn't And I go,

806
00:40:07,400 --> 00:40:09,920
Speaker 1: it's because I'm in pain, like I was begging. Like

807
00:40:09,920 --> 00:40:11,279
Speaker 1: when I was at the Peoples Choice towards, I was like,

808
00:40:11,280 --> 00:40:12,640
Speaker 1: I can't wait for the after party because I was

809
00:40:12,680 --> 00:40:15,759
Speaker 1: in this like nice dress that like breathed, and my

810
00:40:15,840 --> 00:40:19,239
Speaker 1: shoes were like platforms, so they didn't hurt, like and

811
00:40:19,320 --> 00:40:20,719
Speaker 1: I was in such pain. I was like, I hope

812
00:40:20,760 --> 00:40:23,319
Speaker 1: there's not an after party and I and it was

813
00:40:23,360 --> 00:40:26,600
Speaker 1: because I and now I realized if anyone out there

814
00:40:26,600 --> 00:40:30,000
Speaker 1: listening has chronic pain, it becomes so much a part

815
00:40:30,040 --> 00:40:32,720
Speaker 1: of your life, you don't even notice what it is anymore,

816
00:40:32,840 --> 00:40:36,000
Speaker 1: and you're just a bitch or a dick all the

817
00:40:36,040 --> 00:40:38,319
Speaker 1: time because you're If you have anyone in your life

818
00:40:38,320 --> 00:40:41,520
Speaker 1: that is just always a dick or a bit, it's

819
00:40:41,560 --> 00:40:44,080
Speaker 1: probably and they have chronic pain, just know that it

820
00:40:44,200 --> 00:40:47,440
Speaker 1: might just be that. Like it just it totally transforms

821
00:40:47,840 --> 00:40:50,120
Speaker 1: your your life. I do just want to say about

822
00:40:50,120 --> 00:40:51,520
Speaker 1: the critics choice of where it's coming in from a

823
00:40:51,560 --> 00:40:55,120
Speaker 1: totally different perspective than Nikki. I did see a lot

824
00:40:55,160 --> 00:40:57,880
Speaker 1: of reason that this type of thing I have no

825
00:40:58,040 --> 00:41:02,799
Speaker 1: love for, like zero celebrity worship in my bones, But

826
00:41:03,120 --> 00:41:05,120
Speaker 1: I did love how much fun some of them were having.

827
00:41:05,120 --> 00:41:09,920
Speaker 1: Henry Winkler was having his life, John Goodman was loving

828
00:41:10,239 --> 00:41:14,399
Speaker 1: seeing Jeff Bridges like get celebrated. Yeah, there's there's there's

829
00:41:14,680 --> 00:41:19,520
Speaker 1: Julia Roberts was walking around having a good time. Yeah. Um, well,

830
00:41:19,560 --> 00:41:22,440
Speaker 1: if you're totally dismissing my perspective, but I'm not dismissed.

831
00:41:22,440 --> 00:41:24,440
Speaker 1: There were people there that were having a like a

832
00:41:24,560 --> 00:41:27,640
Speaker 1: blast with each other, saying hi to each other and

833
00:41:27,800 --> 00:41:30,960
Speaker 1: like celebrating and having a good time with speeches were

834
00:41:31,320 --> 00:41:34,520
Speaker 1: more of this because there's more to be said instead

835
00:41:34,560 --> 00:41:35,920
Speaker 1: of me. And I just want to say, I'm not

836
00:41:35,920 --> 00:41:39,799
Speaker 1: comparing my corset to your mom's chronic like arthritis. Please

837
00:41:39,840 --> 00:41:42,920
Speaker 1: don't misconstrue those two. I understand the difference between my

838
00:41:42,960 --> 00:41:46,000
Speaker 1: like Bunyan's being shoved into like pretty heels and you

839
00:41:46,080 --> 00:41:48,439
Speaker 1: being like I have m S. I'm not comparing those two.

840
00:41:48,600 --> 00:41:50,280
Speaker 1: I'm just saying it made me have a little empathy

841
00:41:50,320 --> 00:41:51,719
Speaker 1: because I forgot about the pain I was in and

842
00:41:51,760 --> 00:41:54,000
Speaker 1: I was such a bit. And after this break, we're

843
00:41:54,000 --> 00:41:55,239
Speaker 1: going to come back and talk about some of the

844
00:41:55,239 --> 00:41:57,680
Speaker 1: more celebrity sightings we saw, because it was a joyful

845
00:41:57,760 --> 00:42:00,560
Speaker 1: night for celebrities and there was happiness happening all around us.

846
00:42:00,880 --> 00:42:05,160
Speaker 1: I was just a wearing an invisible cloak of judgment

847
00:42:05,200 --> 00:42:07,839
Speaker 1: and negativity, and I want to try to find some

848
00:42:07,840 --> 00:42:10,120
Speaker 1: silver linings because we did see some good moments. We're

849
00:42:10,160 --> 00:42:15,880
Speaker 1: talking about those right after this. Okay, so we're at

850
00:42:15,880 --> 00:42:18,440
Speaker 1: the Critics Choice Awards, which were three hours long, and

851
00:42:18,920 --> 00:42:21,879
Speaker 1: at one point they started shoving categories together. They were

852
00:42:21,880 --> 00:42:24,319
Speaker 1: like best Supporting Actor and Actress, and they like would

853
00:42:24,320 --> 00:42:26,080
Speaker 1: give out to award. They would name two people and

854
00:42:26,120 --> 00:42:27,840
Speaker 1: two people would come up and the only person to

855
00:42:27,880 --> 00:42:29,719
Speaker 1: call it out with Seth Rogan. When he got up

856
00:42:29,719 --> 00:42:32,560
Speaker 1: to give his ward, he goes, can I just say, uh,

857
00:42:32,600 --> 00:42:34,520
Speaker 1: why are they giving two awards out at the same time?

858
00:42:34,560 --> 00:42:36,839
Speaker 1: Like when did this start happening? He's like, just make

859
00:42:36,840 --> 00:42:39,600
Speaker 1: the show longer. This is on. He goes, I know

860
00:42:39,680 --> 00:42:41,239
Speaker 1: you can afford it. This is on the seat. He

861
00:42:41,320 --> 00:42:44,960
Speaker 1: was like, I know this can't be expensive television time.

862
00:42:45,000 --> 00:42:48,120
Speaker 1: This is on the c W at four o'clock. And

863
00:42:48,200 --> 00:42:50,160
Speaker 1: he was like the c W, by the way, which

864
00:42:50,160 --> 00:42:54,040
Speaker 1: is the only network that has no nominees this evening

865
00:42:54,800 --> 00:43:01,040
Speaker 1: give yourself so funny again calling out the obvious always

866
00:43:01,080 --> 00:43:03,239
Speaker 1: makes me happy. Of like and Seth Rogan, I have

867
00:43:03,320 --> 00:43:05,400
Speaker 1: to say, is I thought he was gonna be like,

868
00:43:05,719 --> 00:43:07,680
Speaker 1: like you know him, he's always like high and like

869
00:43:07,800 --> 00:43:09,560
Speaker 1: kind of like having fun. But he was like you

870
00:43:09,600 --> 00:43:11,359
Speaker 1: could tell he was just kind of like been through

871
00:43:11,400 --> 00:43:13,080
Speaker 1: a million of these. I was just kind of clocking

872
00:43:13,160 --> 00:43:15,160
Speaker 1: him the entire evening, like is he having fun? Oh,

873
00:43:15,200 --> 00:43:17,239
Speaker 1: he seems to be in the same position I am.

874
00:43:17,280 --> 00:43:18,320
Speaker 1: And then he got up on stage and he was

875
00:43:18,360 --> 00:43:23,040
Speaker 1: hilarious and and Chelsea Handler was so funny. She looked great.

876
00:43:23,600 --> 00:43:27,480
Speaker 1: She hosted it. Um, who were some other standouts. We

877
00:43:27,480 --> 00:43:29,319
Speaker 1: were also seeing a table with the other Game of

878
00:43:29,320 --> 00:43:33,920
Speaker 1: Thrones girl. Wait what other Game of Thrones girl? Or

879
00:43:33,960 --> 00:43:37,000
Speaker 1: maybe the House of Dragon's girl. I don't know, they're

880
00:43:37,000 --> 00:43:39,439
Speaker 1: all little British. There was another table, no, the goody

881
00:43:39,600 --> 00:43:42,560
Speaker 1: the young girl. That was Milly Alcock, Milly Alcohol, I

882
00:43:42,560 --> 00:43:46,000
Speaker 1: think you're saying it was another table at our table. Um,

883
00:43:46,040 --> 00:43:47,799
Speaker 1: so we're the HBO was there and she came over

884
00:43:47,800 --> 00:43:54,000
Speaker 1: and talk. So we were sitting with She's she's on

885
00:43:54,080 --> 00:43:57,120
Speaker 1: the list. Nick. He was sitting almost right next to

886
00:43:57,360 --> 00:44:00,399
Speaker 1: Matt Smith. Yeah and one a way. He seemed pretty cool.

887
00:44:00,400 --> 00:44:03,000
Speaker 1: And then that Milly add Alcock was there too, sitting

888
00:44:03,040 --> 00:44:04,680
Speaker 1: next to him, and they were having a good time.

889
00:44:04,719 --> 00:44:07,200
Speaker 1: And then Claire Foy came over and started clowning with them.

890
00:44:07,480 --> 00:44:11,239
Speaker 1: They were laughing at the storm. A cool thing I

891
00:44:11,280 --> 00:44:14,920
Speaker 1: noticed is that celebrities aren't that hot in person. It

892
00:44:15,000 --> 00:44:17,760
Speaker 1: is really something about what film captures on them. Because

893
00:44:18,040 --> 00:44:21,479
Speaker 1: a lot of these women, particularly, I'm like, that girl

894
00:44:21,520 --> 00:44:24,000
Speaker 1: has an interesting face, Like I'm like, she must be

895
00:44:24,040 --> 00:44:26,840
Speaker 1: famous because I just recognized it, like someone the Claire Foy.

896
00:44:26,960 --> 00:44:30,399
Speaker 1: She's not. She wasn't like breathtaking, even though I think

897
00:44:30,400 --> 00:44:38,000
Speaker 1: on film maybe I'm just breathtaking, absolutely, but in person

898
00:44:38,080 --> 00:44:40,360
Speaker 1: she just looked normal. Not like she didn't look beautiful,

899
00:44:40,400 --> 00:44:42,719
Speaker 1: but she just looked there was something about it that

900
00:44:42,800 --> 00:44:44,520
Speaker 1: was like, oh, I just want to stare. I wanted

901
00:44:44,560 --> 00:44:47,160
Speaker 1: to stare at her so bad because she just looked

902
00:44:48,200 --> 00:44:51,239
Speaker 1: like her face was just you were drawn to it. Um.

903
00:44:51,320 --> 00:44:55,520
Speaker 1: Julia Roberts looked stunning. Um. Kate Blanchett looked so much

904
00:44:55,520 --> 00:44:58,080
Speaker 1: like Anya. I couldn't even take it. Like she was

905
00:44:58,200 --> 00:44:59,960
Speaker 1: getting her word and I go, Chris, she looks like

906
00:45:00,080 --> 00:45:02,359
Speaker 1: because I kept saying, like, who does she look like?

907
00:45:02,560 --> 00:45:04,680
Speaker 1: She never looked better and she looked amazing. She was

908
00:45:04,719 --> 00:45:09,439
Speaker 1: wearing a linen dress, like a khaki linen dress, looked

909
00:45:09,480 --> 00:45:14,719
Speaker 1: like it was out of like yeah, but I have

910
00:45:14,800 --> 00:45:17,279
Speaker 1: a feeling that even the fabric linnen was like, we

911
00:45:17,320 --> 00:45:20,520
Speaker 1: can't wrinkle today, guys, this is you can't do this

912
00:45:20,640 --> 00:45:23,480
Speaker 1: on this woman. Because she was just there was just

913
00:45:23,520 --> 00:45:25,880
Speaker 1: an air around her. I mean we were sitting right

914
00:45:25,880 --> 00:45:27,919
Speaker 1: next to her, were in the air. I could barely breathe.

915
00:45:27,960 --> 00:45:32,040
Speaker 1: It was just like it was just a vibe she smells.

916
00:45:33,520 --> 00:45:38,520
Speaker 1: I mean, um good. There's no way that she is

917
00:45:38,600 --> 00:45:44,000
Speaker 1: ever like like, there was one someone made a joke

918
00:45:44,120 --> 00:45:46,600
Speaker 1: that I have in my act. Was it Chelsea? Yeah?

919
00:45:46,640 --> 00:45:48,719
Speaker 1: I think she said something about water. She was like,

920
00:45:48,960 --> 00:45:51,600
Speaker 1: you know something about this film is about honesty, and

921
00:45:51,640 --> 00:45:53,520
Speaker 1: she was like, not the kind of honesty where women

922
00:45:53,640 --> 00:45:55,920
Speaker 1: say that I've just been drinking more water and you

923
00:45:55,960 --> 00:45:59,160
Speaker 1: know that they're taking zem pic, which is the diabetes

924
00:45:59,160 --> 00:46:02,600
Speaker 1: medication that every woman in Hollywood is on. Let me repeat,

925
00:46:02,680 --> 00:46:05,360
Speaker 1: if you ever see a picture of a woman who's

926
00:46:05,360 --> 00:46:09,080
Speaker 1: suddenly thin or is just slightly more thin than they

927
00:46:09,080 --> 00:46:11,400
Speaker 1: have been most of their career, they are on a

928
00:46:11,440 --> 00:46:14,680
Speaker 1: diabetes medication that makes them ship and feel sick and

929
00:46:14,719 --> 00:46:18,160
Speaker 1: puke all the time, but they look amazing. It's you

930
00:46:18,280 --> 00:46:21,799
Speaker 1: will never look like them doing their exercise regimen, doing

931
00:46:21,800 --> 00:46:24,120
Speaker 1: their skincare regiment, eating what they say they eat in

932
00:46:24,120 --> 00:46:26,600
Speaker 1: Allure magazine, Follow me for one week, That's what I

933
00:46:26,600 --> 00:46:30,000
Speaker 1: eat in a day. They're lying to you their exercise routine.

934
00:46:30,080 --> 00:46:33,759
Speaker 1: It's not that they're taking a medication that makes them

935
00:46:33,800 --> 00:46:35,840
Speaker 1: not want to eat. Okay, unless you get that, you

936
00:46:35,920 --> 00:46:39,319
Speaker 1: won't look like them. Stop doing the regiments they're selling you.

937
00:46:39,400 --> 00:46:42,120
Speaker 1: I'm telling you they're all Everyone in Hollywood is on

938
00:46:42,120 --> 00:46:44,600
Speaker 1: this medication. I'm looking into it now. I will not

939
00:46:44,680 --> 00:46:47,560
Speaker 1: take that. I mean, I wish I didn't have recovery

940
00:46:47,560 --> 00:46:49,960
Speaker 1: from my eating disorder or else I would be definitely

941
00:46:50,000 --> 00:46:52,319
Speaker 1: trying to get it. But I will not ever take

942
00:46:52,360 --> 00:46:56,200
Speaker 1: that stuff. Final thought, what were some other highlights of

943
00:46:56,200 --> 00:47:00,399
Speaker 1: celebrities we saw for you? I mean, well, I got

944
00:47:00,440 --> 00:47:01,800
Speaker 1: to well for me, it was like I got to

945
00:47:01,840 --> 00:47:03,799
Speaker 1: see a guy I went to high school with win

946
00:47:04,000 --> 00:47:06,480
Speaker 1: for Abbot Elementary and it was really cool because he

947
00:47:06,520 --> 00:47:09,120
Speaker 1: was they went up to accept except the award and

948
00:47:09,160 --> 00:47:11,960
Speaker 1: he was in the bathroom and that was fun. Yeah.

949
00:47:11,960 --> 00:47:14,040
Speaker 1: Otherwise it's just been one of the suits in the background.

950
00:47:14,080 --> 00:47:18,480
Speaker 1: But in said they were like Marker, he's in the bathroom.

951
00:47:18,560 --> 00:47:22,120
Speaker 1: That was a cool moment for him. Um, I'm trying

952
00:47:22,160 --> 00:47:23,920
Speaker 1: to think of like there were some other people that

953
00:47:23,960 --> 00:47:26,200
Speaker 1: I was just like, oh my god, I can really

954
00:47:26,239 --> 00:47:30,000
Speaker 1: stand out. The one woman who won for Abbot Elementary

955
00:47:30,440 --> 00:47:32,080
Speaker 1: who said I want you to pull in the camera.

956
00:47:32,560 --> 00:47:34,759
Speaker 1: She was like, no matter who respects you, no matter

957
00:47:34,840 --> 00:47:36,920
Speaker 1: they may not like you, they may not respect you,

958
00:47:36,960 --> 00:47:39,600
Speaker 1: they may not love you, they may never like you.

959
00:47:39,800 --> 00:47:41,960
Speaker 1: But as long as you can look yourself in the

960
00:47:41,960 --> 00:47:45,160
Speaker 1: mirror and love what you see, that is all that matters.

961
00:47:45,160 --> 00:47:49,520
Speaker 1: That I was like, certainly not because you don't tell

962
00:47:49,600 --> 00:47:54,440
Speaker 1: from my impression to it was a joke. Yes, she was.

963
00:47:54,560 --> 00:47:58,560
Speaker 1: She was amazing. Ni, I feel inspired. It was awesome,

964
00:47:58,560 --> 00:48:00,200
Speaker 1: And I was like, that's what people need to here

965
00:48:00,239 --> 00:48:03,759
Speaker 1: because all like that was the one true moment of

966
00:48:03,800 --> 00:48:05,759
Speaker 1: the night, which was like it doesn't matter. There was

967
00:48:05,800 --> 00:48:08,799
Speaker 1: a lot of that, a lot of black women like

968
00:48:08,880 --> 00:48:12,560
Speaker 1: Janelle Muna being honored was incredible. And then uh, Nissy

969
00:48:12,680 --> 00:48:15,640
Speaker 1: Nash winning Nie looked probably she was the number one

970
00:48:15,680 --> 00:48:17,960
Speaker 1: for me that dress and her figure and like she

971
00:48:18,040 --> 00:48:20,960
Speaker 1: looked the best, and she was great and excited and happy,

972
00:48:21,040 --> 00:48:23,400
Speaker 1: and she said, you know, I was told I was

973
00:48:23,400 --> 00:48:26,560
Speaker 1: always a comedy Like the comedy world loved me. And

974
00:48:26,600 --> 00:48:29,399
Speaker 1: then you know I always told my mom like Mom,

975
00:48:29,440 --> 00:48:31,640
Speaker 1: I'm a dramatic actress, Like don't you think I'm good

976
00:48:31,640 --> 00:48:35,400
Speaker 1: at drama? And her mom was like no, then, but

977
00:48:35,480 --> 00:48:38,640
Speaker 1: she was like, you know, I always just I think

978
00:48:38,920 --> 00:48:41,719
Speaker 1: there was a it was this sentiment was said a

979
00:48:41,760 --> 00:48:44,040
Speaker 1: couple of times from black actresses that were told like,

980
00:48:44,120 --> 00:48:46,279
Speaker 1: you you don't fit in here, You're not And I

981
00:48:46,320 --> 00:48:49,279
Speaker 1: can only imagine being a black actress and coming up

982
00:48:49,280 --> 00:48:51,359
Speaker 1: in the nineties as a lot of these women did

983
00:48:51,440 --> 00:48:53,440
Speaker 1: they A lot of them were character actors throughout the

984
00:48:53,480 --> 00:48:56,360
Speaker 1: nineties and too early two thousand's. Only now has it

985
00:48:56,400 --> 00:49:01,440
Speaker 1: become like we need to embrace people of color and

986
00:49:01,520 --> 00:49:03,560
Speaker 1: film and we need to celebrate them and like push

987
00:49:03,640 --> 00:49:06,640
Speaker 1: them forward. But it must have been fucking hell back then.

988
00:49:07,040 --> 00:49:10,279
Speaker 1: Every single lead goes to a white, thin girl or like,

989
00:49:10,560 --> 00:49:12,960
Speaker 1: you know, like everything. The other roles were probably just

990
00:49:13,000 --> 00:49:17,280
Speaker 1: like these these like token rolls that weren't that cool. Yes,

991
00:49:17,680 --> 00:49:20,600
Speaker 1: and man, it was a celebration last night. It was

992
00:49:20,719 --> 00:49:27,240
Speaker 1: it was it Actually, what did people treat you invisible? Now? Listen, Nikki,

993
00:49:27,280 --> 00:49:31,480
Speaker 1: wouldn't hear when when people telling you no one cared,

994
00:49:30,200 --> 00:49:37,239
Speaker 1: no one, laser, I love no one. Yes, yes, yes,

995
00:49:37,320 --> 00:49:39,160
Speaker 1: several people came up to and that was one reason

996
00:49:39,360 --> 00:49:41,160
Speaker 1: I was like, let's let's walk around, let's go side

997
00:49:41,200 --> 00:49:44,960
Speaker 1: of these people, like I love it when people celebrate

998
00:49:45,040 --> 00:49:49,000
Speaker 1: Nikki and we weren't giving We weren't giving many people

999
00:49:49,000 --> 00:49:51,040
Speaker 1: an opportunity to do that table. Nicky didn't get up

1000
00:49:51,040 --> 00:49:53,120
Speaker 1: once from the table. My shoes hurt too much and

1001
00:49:53,320 --> 00:49:55,200
Speaker 1: the dress was bent, so it would have looked like

1002
00:49:55,239 --> 00:49:58,879
Speaker 1: I had like a fucking laptop table coming out of

1003
00:49:58,920 --> 00:50:01,399
Speaker 1: my airport. It looked like an airport table sticking out

1004
00:50:01,400 --> 00:50:04,520
Speaker 1: of my stomach. So I couldn't get out. Was like,

1005
00:50:04,600 --> 00:50:07,000
Speaker 1: you know, you would have to You would have to

1006
00:50:07,040 --> 00:50:09,120
Speaker 1: walk by Nikki to know she was there. And you know,

1007
00:50:09,160 --> 00:50:10,880
Speaker 1: most people looked like I was waiting at the DMV.

1008
00:50:11,040 --> 00:50:13,239
Speaker 1: My face was just it was it wasn't a good

1009
00:50:13,239 --> 00:50:17,640
Speaker 1: look for me, you know, I was I was just mad.

1010
00:50:17,800 --> 00:50:19,600
Speaker 1: I was just sad, you know, like I hate to

1011
00:50:19,640 --> 00:50:21,719
Speaker 1: say this. I got home and I told Chris, I'm

1012
00:50:21,760 --> 00:50:23,880
Speaker 1: so sorry that No. We got in the car and

1013
00:50:23,920 --> 00:50:27,000
Speaker 1: I go, I'm sorry. I couldn't rally like there were

1014
00:50:27,080 --> 00:50:29,560
Speaker 1: multiple times. I don't know if listeners relate, but do

1015
00:50:29,600 --> 00:50:32,680
Speaker 1: you ever relate when you're like you, you know, the

1016
00:50:32,719 --> 00:50:35,440
Speaker 1: moodarin is stupid. You know you're being a baby. You

1017
00:50:35,480 --> 00:50:40,880
Speaker 1: know that the circumstances do not there's no reason for

1018
00:50:40,920 --> 00:50:42,800
Speaker 1: you to feel this way, like you should be happy,

1019
00:50:42,840 --> 00:50:44,640
Speaker 1: but you just can't get out of it. Like I've

1020
00:50:44,640 --> 00:50:48,440
Speaker 1: really felt like stuck in this. Yeah, Mud, I couldn't

1021
00:50:48,440 --> 00:50:50,600
Speaker 1: get out of it. And I immediately had perspective as

1022
00:50:50,600 --> 00:50:51,560
Speaker 1: soon as I got in the car and I go

1023
00:50:51,840 --> 00:50:54,520
Speaker 1: I kind of squandered that by not I knew I

1024
00:50:54,560 --> 00:50:56,880
Speaker 1: was squandering in the monument. I couldn't. I couldn't. I

1025
00:50:56,880 --> 00:50:59,680
Speaker 1: was so uncomfortable. And yes, people did come up to me.

1026
00:50:59,680 --> 00:51:01,600
Speaker 1: There was a lot of critics there because it was

1027
00:51:01,640 --> 00:51:03,120
Speaker 1: critics to a sword. So a lot of people that

1028
00:51:03,160 --> 00:51:05,680
Speaker 1: I've met on zoom calls that have you know, are

1029
00:51:05,719 --> 00:51:09,000
Speaker 1: on radio stations and do movie reviews, and I've interviewed

1030
00:51:09,040 --> 00:51:10,759
Speaker 1: me for Foy Island. A lot of people that have

1031
00:51:10,840 --> 00:51:12,879
Speaker 1: only met on zoom calls like came up and we're like, oh,

1032
00:51:12,920 --> 00:51:15,560
Speaker 1: we've done and it was really nice. But there was

1033
00:51:15,600 --> 00:51:18,680
Speaker 1: no like there was. I didn't feel like a celebrity.

1034
00:51:18,680 --> 00:51:21,239
Speaker 1: I really felt like I was someone's date, which is

1035
00:51:21,239 --> 00:51:23,360
Speaker 1: not a bad thing to be. Chrisconby right here, I

1036
00:51:23,360 --> 00:51:26,120
Speaker 1: felt like I didn't belong there, even though I totally

1037
00:51:26,160 --> 00:51:28,680
Speaker 1: did because I was nominated. If I would have gotten

1038
00:51:28,719 --> 00:51:30,160
Speaker 1: to walk the red carpet, I think it would have

1039
00:51:30,239 --> 00:51:32,799
Speaker 1: had a more moment of like I'm a part of this,

1040
00:51:32,840 --> 00:51:34,960
Speaker 1: but instead I saw people walking the red carpet. I

1041
00:51:35,040 --> 00:51:37,799
Speaker 1: was told you, it felt like you're not famous enough.

1042
00:51:38,000 --> 00:51:39,600
Speaker 1: I aren't going to make an exception for you. Go

1043
00:51:39,680 --> 00:51:42,240
Speaker 1: to the basement, and I just and that's so dumb.

1044
00:51:42,440 --> 00:51:45,160
Speaker 1: I should just have let it be. Everybody knows how

1045
00:51:45,200 --> 00:51:46,880
Speaker 1: hard it is to rally, even when you know that

1046
00:51:46,920 --> 00:51:49,040
Speaker 1: you should, even in that moment, it's really hard. I

1047
00:51:49,080 --> 00:51:51,920
Speaker 1: was just sad because Nikki didn't give other people an

1048
00:51:51,920 --> 00:51:55,719
Speaker 1: opportunity to celebrate her, because you know, people were going

1049
00:51:55,760 --> 00:51:57,719
Speaker 1: up to each other talking about how much they loved

1050
00:51:57,719 --> 00:52:00,239
Speaker 1: each other, and yeah, it was stuck in a eat,

1051
00:52:00,640 --> 00:52:04,279
Speaker 1: buried in you know, like in between Jennifer Coolidge and

1052
00:52:04,320 --> 00:52:07,680
Speaker 1: Henry Winkler and Cap Blanche Jennifer there, Me and Jennifer

1053
00:52:07,680 --> 00:52:09,040
Speaker 1: were the only ones that didn't get up the whole

1054
00:52:09,080 --> 00:52:11,400
Speaker 1: time she sat down to and I kept looking to

1055
00:52:11,440 --> 00:52:13,120
Speaker 1: see if she got up, and I knew she didn't

1056
00:52:13,120 --> 00:52:15,000
Speaker 1: get up because she would have been hounded. But I

1057
00:52:15,040 --> 00:52:16,279
Speaker 1: was like, if she doesn't get up, I don't have

1058
00:52:16,280 --> 00:52:17,680
Speaker 1: to get up. And it was really about my shoes.

1059
00:52:17,680 --> 00:52:20,120
Speaker 1: They just her. But people did come up to Nikki

1060
00:52:20,200 --> 00:52:21,879
Speaker 1: and did go out of their way to tell Nikki

1061
00:52:21,920 --> 00:52:25,200
Speaker 1: how much they loved her and have great trips. Anyone

1062
00:52:25,680 --> 00:52:27,840
Speaker 1: make you not want to walk to go get a

1063
00:52:27,880 --> 00:52:31,000
Speaker 1: diet coke like they It felt like putting on like

1064
00:52:31,040 --> 00:52:35,120
Speaker 1: putting my feet in bear traps. It's like fashion. What

1065
00:52:35,480 --> 00:52:37,759
Speaker 1: don't they have waiters? They did, and we got good

1066
00:52:37,760 --> 00:52:40,839
Speaker 1: food though too. There was good hummus and I don't

1067
00:52:40,840 --> 00:52:46,239
Speaker 1: know woman, Yeah, we stole off Matt Smith's plate um

1068
00:52:46,239 --> 00:52:48,560
Speaker 1: when he got up, and then there was a good

1069
00:52:48,560 --> 00:52:50,520
Speaker 1: ice cream that they passed around. Like. So I was

1070
00:52:50,560 --> 00:52:53,759
Speaker 1: having fun, like eating my feelings and kind of um,

1071
00:52:54,120 --> 00:52:57,560
Speaker 1: just whispering little barbs here and there. But Julia Roberts

1072
00:52:57,640 --> 00:52:59,480
Speaker 1: looked stunning. She was right behind me at one point,

1073
00:52:59,520 --> 00:53:01,080
Speaker 1: like if I would have just knocked my head back,

1074
00:53:01,080 --> 00:53:02,640
Speaker 1: I would have hit her with my head Like she

1075
00:53:02,719 --> 00:53:06,640
Speaker 1: was right behind me. Um. I felt like I was like, please,

1076
00:53:06,880 --> 00:53:08,279
Speaker 1: I want her to bump into me and just to

1077
00:53:08,320 --> 00:53:10,840
Speaker 1: say I like touched her. Um. Who there was some

1078
00:53:10,920 --> 00:53:15,200
Speaker 1: other like really really, James Cameron was there. Austin Butler

1079
00:53:15,280 --> 00:53:17,200
Speaker 1: was there. Who, by the way, I am I love

1080
00:53:17,239 --> 00:53:20,240
Speaker 1: Austin Butler. I Um. Chris did one of the funniest

1081
00:53:20,239 --> 00:53:21,880
Speaker 1: things over the weekend. I did play it for Anya

1082
00:53:22,080 --> 00:53:25,319
Speaker 1: and can we just reference it on you you heard it?

1083
00:53:25,640 --> 00:53:29,799
Speaker 1: So Chriss's radio show the other morning, they were talking

1084
00:53:29,800 --> 00:53:32,600
Speaker 1: about Austin Butler saying like, you know this, this voice,

1085
00:53:32,600 --> 00:53:35,080
Speaker 1: it's just it's in my d NA, like I guess.

1086
00:53:35,080 --> 00:53:36,960
Speaker 1: Mario Lopez called him out on the red carpet, was like,

1087
00:53:37,000 --> 00:53:39,080
Speaker 1: come on, man, like the voice, you're still doing it,

1088
00:53:39,120 --> 00:53:40,759
Speaker 1: and he's like, you know, when you talk like this

1089
00:53:40,800 --> 00:53:42,480
Speaker 1: for four years for a part, like it just becomes

1090
00:53:42,480 --> 00:53:44,560
Speaker 1: a part of your d N A and I and

1091
00:53:44,680 --> 00:53:46,719
Speaker 1: women all over the country are buying it. This is

1092
00:53:47,280 --> 00:53:50,840
Speaker 1: not of us. This handsome guy is trying to act

1093
00:53:50,920 --> 00:53:54,480
Speaker 1: like the coolest guy of all time. And everybody's totally

1094
00:53:54,520 --> 00:53:59,120
Speaker 1: makes sense. It's it's a part of his DNA. Yeah,

1095
00:53:59,120 --> 00:54:02,799
Speaker 1: it's like, oh, a really good looking guy lowers his voice, which,

1096
00:54:02,800 --> 00:54:05,000
Speaker 1: by the way, everybody knows, like in studies that if

1097
00:54:05,000 --> 00:54:07,120
Speaker 1: you want to like people to respect you and like

1098
00:54:07,200 --> 00:54:09,920
Speaker 1: you and be attracted to you, you lower your voice.

1099
00:54:10,480 --> 00:54:13,000
Speaker 1: And so he did it, and it's working on everybody.

1100
00:54:13,000 --> 00:54:15,520
Speaker 1: Everybody's like, yeah, of course I'm enchanted by it, and

1101
00:54:15,560 --> 00:54:18,439
Speaker 1: so I. But if you're if your friend from high

1102
00:54:18,440 --> 00:54:20,879
Speaker 1: school goes to wait, hold on, wait for this whole

1103
00:54:20,920 --> 00:54:24,680
Speaker 1: innalogy because it's good. So Chris is on this radio

1104
00:54:24,719 --> 00:54:26,680
Speaker 1: show and they're like, you know, I couldn't even. I

1105
00:54:26,719 --> 00:54:28,520
Speaker 1: literally turned it off because I could hear Courtney was

1106
00:54:28,560 --> 00:54:31,200
Speaker 1: already like this is bullshit, and I was like, no

1107
00:54:31,239 --> 00:54:33,360
Speaker 1: one is going to stand up for this guy. Because

1108
00:54:33,400 --> 00:54:36,439
Speaker 1: I am someone who morphs into people. If I am

1109
00:54:36,480 --> 00:54:39,560
Speaker 1: around Australians, I start like talking like this, like a

1110
00:54:39,600 --> 00:54:42,080
Speaker 1: little bit like it's just if you admire something you like,

1111
00:54:42,160 --> 00:54:44,520
Speaker 1: start talking like it. I really do think if I

1112
00:54:44,560 --> 00:54:46,520
Speaker 1: did a role and was in that character, I would

1113
00:54:46,560 --> 00:54:48,400
Speaker 1: have I would I would walk away with part of it.

1114
00:54:48,600 --> 00:54:50,319
Speaker 1: So I relate, and I think that at this point

1115
00:54:50,320 --> 00:54:51,799
Speaker 1: he's been made fun of so much, why wouldn't he

1116
00:54:51,800 --> 00:54:53,640
Speaker 1: go back to his normal voice. It's like, I guess

1117
00:54:53,640 --> 00:54:57,040
Speaker 1: he will slowly, but anyway, So I turned off because

1118
00:54:57,040 --> 00:54:58,960
Speaker 1: I didn't want to hear. Sometimes on their show, if

1119
00:54:59,000 --> 00:55:01,319
Speaker 1: I have a dissenting, if they start like liking Brad Pitt,

1120
00:55:01,360 --> 00:55:03,160
Speaker 1: I just turn it off because I'm like, I hate

1121
00:55:03,160 --> 00:55:06,520
Speaker 1: Brad Pitt based on the abuse allegations that I've read about,

1122
00:55:06,640 --> 00:55:08,279
Speaker 1: and so I just turn it off and then turn

1123
00:55:08,320 --> 00:55:10,480
Speaker 1: it back on when they are talking about something I

1124
00:55:10,480 --> 00:55:13,480
Speaker 1: agree with because I can only echo Chamber, you know,

1125
00:55:13,760 --> 00:55:15,239
Speaker 1: and so I turned it off and I just wrote

1126
00:55:15,280 --> 00:55:18,000
Speaker 1: to Chris, I'm team Butler. I think I think it's legit,

1127
00:55:18,200 --> 00:55:20,360
Speaker 1: Like I think it's okay that he still talks like him.

1128
00:55:20,400 --> 00:55:23,279
Speaker 1: And then Chris later that night, we have this thing

1129
00:55:23,320 --> 00:55:25,719
Speaker 1: where we can only we have this, so we're really

1130
00:55:25,760 --> 00:55:28,440
Speaker 1: into the show. I think you should leave Tim Robinson

1131
00:55:28,480 --> 00:55:31,560
Speaker 1: Show on Netflix. And there's this Obsessed. There's this one

1132
00:55:31,600 --> 00:55:36,000
Speaker 1: sketch where he is a folk singer in a band

1133
00:55:37,200 --> 00:55:38,840
Speaker 1: and the fifties, and the lead singer the band is

1134
00:55:38,840 --> 00:55:40,319
Speaker 1: trying to get a record deal and he plays this

1135
00:55:40,360 --> 00:55:41,880
Speaker 1: song and they're like, we're just not looking there for

1136
00:55:41,880 --> 00:55:43,680
Speaker 1: that kind of music, and he goes, oh you're looking

1137
00:55:43,719 --> 00:55:45,759
Speaker 1: for something else, Okay, what about this? And he's like

1138
00:55:46,160 --> 00:55:48,960
Speaker 1: he starts playing the song and then the record exect

1139
00:55:49,080 --> 00:55:50,919
Speaker 1: is kind of like whoa. And then Tim Robinson's character

1140
00:55:50,960 --> 00:55:53,200
Speaker 1: who he's like the bassist in the background, and he

1141
00:55:53,400 --> 00:55:55,280
Speaker 1: and the guy the lead singer just goes like, follow

1142
00:55:55,360 --> 00:55:57,120
Speaker 1: my lead, and so he starts singing this song like

1143
00:55:57,520 --> 00:55:59,640
Speaker 1: about it sounds like a Johnny Cash, sounds like a

1144
00:55:59,680 --> 00:56:02,960
Speaker 1: Johnny and from Tim Robertson's perspective, it's like he's making

1145
00:56:03,000 --> 00:56:04,359
Speaker 1: it up as he's going on, and he's like, oh,

1146
00:56:04,400 --> 00:56:06,040
Speaker 1: the lead singers making the song up, like let's make

1147
00:56:06,120 --> 00:56:08,520
Speaker 1: up a song together, and like wow, these exacts, and

1148
00:56:08,560 --> 00:56:12,000
Speaker 1: then he just cuts in with like about that. He

1149
00:56:12,040 --> 00:56:13,960
Speaker 1: cuts in with a storyline that has nothing to do

1150
00:56:14,040 --> 00:56:17,319
Speaker 1: with the lead singer's storyline about skeletons coming out of

1151
00:56:17,400 --> 00:56:21,800
Speaker 1: the graves because the bones are their money and worms

1152
00:56:21,800 --> 00:56:25,479
Speaker 1: are there, and so he just does this whole song

1153
00:56:25,640 --> 00:56:27,920
Speaker 1: where he's like the worm, the bones are their money,

1154
00:56:28,120 --> 00:56:31,160
Speaker 1: the worms are their dollars, and it's that's like the

1155
00:56:31,680 --> 00:56:33,880
Speaker 1: melody of the song. You gotta watch it to understand it.

1156
00:56:33,920 --> 00:56:35,680
Speaker 1: And even then, I don't think that you might understand

1157
00:56:35,719 --> 00:56:38,880
Speaker 1: your T shirt by the way, because you are there. Yes,

1158
00:56:39,040 --> 00:56:42,440
Speaker 1: that was a reference. It takes Tim listens to understand

1159
00:56:42,480 --> 00:56:45,240
Speaker 1: the nuances. And how funny the funniest thing. I hated

1160
00:56:45,239 --> 00:56:46,480
Speaker 1: the sketch the first time I saw it, and then

1161
00:56:46,520 --> 00:56:47,800
Speaker 1: the second time I was like, this might be the

1162
00:56:47,840 --> 00:56:49,320
Speaker 1: most genius thing, and then I have watched it a

1163
00:56:49,360 --> 00:56:53,440
Speaker 1: million times. So the melodies the bones are like and

1164
00:56:53,560 --> 00:56:56,960
Speaker 1: Anya's pretty like Anna, like were you watching it five times,

1165
00:56:56,960 --> 00:57:00,799
Speaker 1: I means there's something there. So the bones are there, money,

1166
00:57:00,960 --> 00:57:04,719
Speaker 1: the worms are there dollar. And so I started we

1167
00:57:05,040 --> 00:57:07,360
Speaker 1: Chris and I started having conversations where we would do

1168
00:57:07,400 --> 00:57:10,440
Speaker 1: it in that melody, but we realized it was only

1169
00:57:10,480 --> 00:57:12,319
Speaker 1: things that were like too hard to talk about in

1170
00:57:12,400 --> 00:57:16,200
Speaker 1: regular something you would be like, maybe we should move

1171
00:57:16,280 --> 00:57:20,760
Speaker 1: in together. I think that it's time. I feel like

1172
00:57:21,000 --> 00:57:23,720
Speaker 1: we can get a bigger place. I feel like it's

1173
00:57:23,720 --> 00:57:26,960
Speaker 1: a natural transition for us. I'm not saying we should

1174
00:57:26,960 --> 00:57:35,560
Speaker 1: get married, but maybe get a bird. Um. So we

1175
00:57:35,560 --> 00:57:37,480
Speaker 1: were laughing that that's that's like a really good way

1176
00:57:37,480 --> 00:57:40,440
Speaker 1: for us to convey like heavier topics to each other

1177
00:57:40,480 --> 00:57:42,160
Speaker 1: because that song makes us laugh so much and it

1178
00:57:42,160 --> 00:57:45,080
Speaker 1: makes us feel safe. It's like our inside joke. So

1179
00:57:45,120 --> 00:57:47,600
Speaker 1: then Chris was like, over the weekend, he goes, I

1180
00:57:47,600 --> 00:57:49,840
Speaker 1: have an idea just in the same line of like

1181
00:57:50,280 --> 00:57:54,440
Speaker 1: you and I, you know, communicate really heavy topics to

1182
00:57:54,480 --> 00:57:56,760
Speaker 1: each other with this like song. I think we should

1183
00:57:56,760 --> 00:57:59,480
Speaker 1: also be able to like be critical of one another

1184
00:58:00,120 --> 00:58:03,120
Speaker 1: using the Bill Burr voice of like. And we also

1185
00:58:03,160 --> 00:58:04,880
Speaker 1: send each other Bill Burke clips all the time. And

1186
00:58:04,920 --> 00:58:07,320
Speaker 1: so Chris I go and I wrote back to it

1187
00:58:07,720 --> 00:58:09,680
Speaker 1: not wrote back. We were living voice memos, and I go,

1188
00:58:10,240 --> 00:58:12,560
Speaker 1: first of all, I'm really scared that you want to

1189
00:58:12,560 --> 00:58:15,560
Speaker 1: tell me something and you're gearing up to confront me,

1190
00:58:15,640 --> 00:58:17,280
Speaker 1: Like what do you need to criticize me about? I

1191
00:58:17,280 --> 00:58:19,880
Speaker 1: was so nervous. I was on the road. I was like, okay,

1192
00:58:20,080 --> 00:58:22,400
Speaker 1: I totally am into this. And he sounded it didn't

1193
00:58:22,400 --> 00:58:23,520
Speaker 1: sound like he was in a bad mood, like he

1194
00:58:23,560 --> 00:58:25,120
Speaker 1: was about to confront me. So I was like, what

1195
00:58:25,280 --> 00:58:26,800
Speaker 1: is the thing you need to be critical? And it

1196
00:58:26,880 --> 00:58:28,520
Speaker 1: was really sweet. You were like, first of all, I

1197
00:58:28,520 --> 00:58:30,960
Speaker 1: don't think there's anything to criticize about you at all.

1198
00:58:31,080 --> 00:58:35,280
Speaker 1: There's your there's nothing. I would never criticize you. I'm

1199
00:58:35,320 --> 00:58:37,480
Speaker 1: just saying it might be funny, and so he goes,

1200
00:58:37,520 --> 00:58:38,840
Speaker 1: I'm gonna try to do I go, I would like

1201
00:58:38,880 --> 00:58:40,680
Speaker 1: to see you give an example of this. But yeah,

1202
00:58:40,680 --> 00:58:42,640
Speaker 1: when handling hard topics, it's like I could try to

1203
00:58:42,680 --> 00:58:45,040
Speaker 1: make a case for myself and be like, hey, Glace,

1204
00:58:45,080 --> 00:58:46,800
Speaker 1: I know what you think about Austin Butler, but you

1205
00:58:46,840 --> 00:58:50,120
Speaker 1: have to consider these things. Or you could do it

1206
00:58:50,200 --> 00:58:53,280
Speaker 1: like Bill Burr and try to make like a perfect

1207
00:58:53,400 --> 00:58:57,120
Speaker 1: point with examples. Can I play it? Oh? I don't

1208
00:58:57,120 --> 00:58:59,720
Speaker 1: think we should do that. Really, I think it's really funny.

1209
00:59:00,000 --> 00:59:02,480
Speaker 1: Didn't do a very good impression. I don't know, it's

1210
00:59:02,560 --> 00:59:09,320
Speaker 1: so I'm sorry, but like I, I just don't think.

1211
00:59:09,360 --> 00:59:11,280
Speaker 1: I don't think you understand. I would not air this

1212
00:59:11,400 --> 00:59:13,080
Speaker 1: if I thought it was lame at all, or if

1213
00:59:13,080 --> 00:59:15,040
Speaker 1: I thought it wasn't it. That's a great point. I

1214
00:59:15,080 --> 00:59:18,120
Speaker 1: wish I had, like it's a good point and tries

1215
00:59:18,360 --> 00:59:20,960
Speaker 1: to get this right now. God, so this is this

1216
00:59:21,040 --> 00:59:23,000
Speaker 1: is okay. So this is him gearing upward. This is

1217
00:59:23,040 --> 00:59:24,800
Speaker 1: a cute part because you're just you go, let me

1218
00:59:24,840 --> 00:59:29,000
Speaker 1: just try this. It's adorable. Oa. I don't know if

1219
00:59:29,000 --> 00:59:31,120
Speaker 1: I have what it takes to a fill for impression.

1220
00:59:32,560 --> 00:59:35,200
Speaker 1: And then here we go. I don't know. I don't know.

1221
00:59:36,840 --> 00:59:39,800
Speaker 1: Has anybody seen this kid, This Austin Butler kid walking

1222
00:59:39,800 --> 00:59:43,960
Speaker 1: around he thinks he's Elvis. Yeah, this kid, he uh,

1223
00:59:44,040 --> 00:59:46,000
Speaker 1: he played Elvis in a movie for a few years

1224
00:59:46,080 --> 00:59:49,200
Speaker 1: and now he he thinks he's Elvis. He he walks around,

1225
00:59:49,240 --> 00:59:53,800
Speaker 1: he's like, act like Elvis. Women women love it. Reading

1226
00:59:53,840 --> 01:00:00,040
Speaker 1: this ship up Billy. And then then I start I

1227
01:00:00,120 --> 01:00:02,280
Speaker 1: was talking to my wife. She's you know, she thinks

1228
01:00:02,280 --> 01:00:04,920
Speaker 1: he's hot. You can tell. But she's like, leave the

1229
01:00:05,000 --> 01:00:08,080
Speaker 1: kid alone. You know it's in his DNA. Now he's

1230
01:00:08,280 --> 01:00:11,680
Speaker 1: he became Elvis. He had to become Elvis. And I'm like,

1231
01:00:12,320 --> 01:00:15,960
Speaker 1: you just just admit it. You think he's hot. You

1232
01:00:16,040 --> 01:00:19,400
Speaker 1: think he's a hot kid. He's imitating the coolest guy

1233
01:00:19,920 --> 01:00:23,280
Speaker 1: in the last eighty years. You think he's hot. Just admitutes.

1234
01:00:23,720 --> 01:00:27,240
Speaker 1: You mean to tell me that if Jessica Simpson moved

1235
01:00:27,240 --> 01:00:30,480
Speaker 1: to France for six months and comes back to America,

1236
01:00:30,600 --> 01:00:34,760
Speaker 1: starts talking about croissants and we you hit the roof,

1237
01:00:35,800 --> 01:00:42,080
Speaker 1: you'd be like, this dumb cunt's from France. You think

1238
01:00:42,200 --> 01:00:46,080
Speaker 1: you think that it's because the kid's hot. One more

1239
01:00:47,080 --> 01:00:49,760
Speaker 1: frank Oz. You know, you guys all know who frank

1240
01:00:49,760 --> 01:00:55,080
Speaker 1: Oz is. As motherfucker played Yoda for thirty years. He

1241
01:00:55,160 --> 01:00:57,720
Speaker 1: was playing Yoda. You think he brought that ship back

1242
01:00:57,760 --> 01:01:06,480
Speaker 1: to his wife saying, uh, say, you should make everybody.

1243
01:01:08,240 --> 01:01:10,720
Speaker 1: I want to say Chris does not use the sea word,

1244
01:01:12,840 --> 01:01:14,280
Speaker 1: even used it. He was like, oh my god, I

1245
01:01:14,280 --> 01:01:19,600
Speaker 1: said that. You really did a good setup. I feel

1246
01:01:19,600 --> 01:01:23,040
Speaker 1: like and the Yoda part really eight years with that

1247
01:01:23,080 --> 01:01:25,720
Speaker 1: bit in thirty seconds that was off the dome. That

1248
01:01:25,880 --> 01:01:28,200
Speaker 1: was clearly impressive to me as a comedian. I was like,

1249
01:01:28,280 --> 01:01:31,200
Speaker 1: that's a fully formed bit that he you could present

1250
01:01:31,280 --> 01:01:35,960
Speaker 1: that to him and he would do so. I was

1251
01:01:36,000 --> 01:01:41,000
Speaker 1: so hot, he's burning up you guys. He away, he

1252
01:01:41,120 --> 01:01:46,240
Speaker 1: says hot as built think he's a hot guy. He

1253
01:01:46,400 --> 01:01:49,479
Speaker 1: was so good. But I afterwards was like, I've never

1254
01:01:49,560 --> 01:01:52,440
Speaker 1: loved you more like that was you just had. That

1255
01:01:52,520 --> 01:01:54,720
Speaker 1: was so funny and so thought out and was just

1256
01:01:54,760 --> 01:01:56,040
Speaker 1: like it was the side of you that I had

1257
01:01:56,080 --> 01:01:58,120
Speaker 1: not seen. I've never seen seen you do impressions and

1258
01:01:58,120 --> 01:02:02,240
Speaker 1: they always blow me away, But like, I know what

1259
01:02:02,280 --> 01:02:08,120
Speaker 1: that like, that was any It was so sweet on fire.

1260
01:02:08,560 --> 01:02:10,680
Speaker 1: Thank you for being here. Thank you for letting me

1261
01:02:10,960 --> 01:02:13,560
Speaker 1: use that left. I really appreciate it. I know it's

1262
01:02:13,600 --> 01:02:17,160
Speaker 1: supposed to be just for me and now I've heard

1263
01:02:17,280 --> 01:02:25,479
Speaker 1: honestly Yes, Wait, what does he say he was? He says,

1264
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Speaker 1: um for the guys and the ladies. Yeah, he says that.

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01:02:30,720 --> 01:02:32,360
Speaker 1: We used to listen to his podcasts a lot. Um,

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Speaker 1: you're the best. Thank you for being here, Chris, Thank you, Anna,

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Speaker 1: thank you know, I thank you to the listener. We

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01:02:36,560 --> 01:02:40,080
Speaker 1: have dates coming up Kalamazoo this weekend. Um, and then

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Speaker 1: where are we on Saturday. It's call with Joliet, Illinois.

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Speaker 1: So that is closely to Chicago, so close fish, so

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Speaker 1: um fifty three minutes away, I think driving from down

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Speaker 1: down Chicago. So um. Shout out to the besties, because

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Speaker 1: I've met a bunch New Year's and and beyond, and

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01:02:57,240 --> 01:02:59,800
Speaker 1: some of them have started listening to the radio show.

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01:02:59,840 --> 01:03:04,720
Speaker 1: But they they're the nicest people. The people that are

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01:03:04,720 --> 01:03:06,400
Speaker 1: going to your shows are so nice. I met some

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01:03:06,520 --> 01:03:09,400
Speaker 1: this weekend and one girl cried and it was so sweet,

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01:03:09,440 --> 01:03:11,240
Speaker 1: and I just meant so much to like I can

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01:03:11,280 --> 01:03:12,960
Speaker 1: I have said it before, but I can always tell

1280
01:03:12,960 --> 01:03:15,400
Speaker 1: when it's a bestie in line like you, just like

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01:03:15,480 --> 01:03:18,680
Speaker 1: there's a different vibe. Um. And I truly feel like

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01:03:18,720 --> 01:03:20,760
Speaker 1: we're friends and you guys know that. And I love

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01:03:20,800 --> 01:03:22,680
Speaker 1: you guys so much. So thank you for listening to

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01:03:22,720 --> 01:03:25,520
Speaker 1: the podcast, and um, thank you for loving my friends

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01:03:25,520 --> 01:03:28,960
Speaker 1: and my boyfriend and just um yeah, and putting up

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01:03:28,960 --> 01:03:31,120
Speaker 1: with me complaining about having this amazing life where I

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01:03:31,160 --> 01:03:32,360
Speaker 1: get to go to the critics choice of words and

1288
01:03:32,360 --> 01:03:33,640
Speaker 1: all I do is bitch about it the whole time,

1289
01:03:33,720 --> 01:03:37,120
Speaker 1: like who am I? But I was just uncomfortable in

1290
01:03:37,120 --> 01:03:40,840
Speaker 1: my pretty thousand dollar quests. It's probably more than that. UM.

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01:03:40,840 --> 01:03:43,520
Speaker 1: Thank you guys so much for listening. Have a great day.

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01:03:43,520 --> 01:03:47,640
Speaker 1: We'll see you tomorrow on the podcast. Don't check on

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01:03:48,280 --> 01:03:51,640
Speaker 1: mail and gmail. Oh that's good. I just did our podcast.