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Speaker 1: At midnight when the album came out.

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Speaker 2: Did you secretly hope your ex of three years would

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Speaker 2: text you after she listened to it. I think a

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Speaker 2: new dude felt away when like maybe he was just

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Speaker 2: on her laptop.

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Speaker 3: In the industry. So you know what I'm saying, he probably.

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Speaker 4: Oh, he ain't playing that ship in the car. He

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Speaker 4: an industry dude, He ain't playing your ship.

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Speaker 5: They was like reading their jig started. I'm never listening

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Speaker 5: to them niggas again. Niggas all niggas is bigger than me.

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Speaker 1: Or I'm gonna talk to your therapist tonight.

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Speaker 4: Yeah, they gotta change the budget with the It's not

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Speaker 4: worth west Side Boogie. First of all, congratulations man, thank you.

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Speaker 4: I am I have been a fan of yours for years.

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Speaker 4: I played I played your music on an old pod

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Speaker 4: that we should do.

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Speaker 5: You know when I watched it, be feeling like Rory

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Speaker 5: Moore support my music more than you really like.

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Speaker 3: It feels like you feel.

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Speaker 4: Like or now you know what this when white boys

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Speaker 4: just like you a little bit, it feels like a

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Speaker 4: lot in comparison to brothers because we're supposed to support

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Speaker 4: each other. Yeah, just like you do that, not like yeah, no,

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Speaker 4: but you know why, because I've been fucking with your music.

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Speaker 4: I'm just happy to see it now everybody else catching up.

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Speaker 4: But it's like it's like if I was in a

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Speaker 4: party for a year and now y'all get there, I'm like,

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Speaker 4: yeah here.

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Speaker 6: Yeah exactly.

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Speaker 2: And Bug is like the cool uh real hip hop

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Speaker 2: card that white people be like, yo, I fuck it,

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Speaker 2: west Side Boogie.

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Speaker 5: That's probably why I go, I hope I got you

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Speaker 5: some of VAGAINA in the past, and I promise you.

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Speaker 1: That you didn't.

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Speaker 4: How you how you feeling, man, because I know it's

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Speaker 4: first turning guests by the way, Yeah yeah, I mean,

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Speaker 4: but he's not a guest, He's he's his family man.

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Speaker 4: This is bug Man, family man. Yeah, don't call him

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Speaker 4: a guest. This is family.

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Speaker 6: Right.

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Speaker 3: But back to I feel man, I'm happy I got that.

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Speaker 5: Uh the sophomore jitters out, yeah, because I can't lie.

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Speaker 5: Like it wasn't scary at times, you know what I'm saying,

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Speaker 5: Especially Drake announce him the same day as me.

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Speaker 4: I ain't gonna lie. That's something that me and Rory

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Speaker 4: looked at. We was in Mexico and we.

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Speaker 6: Was like, damn, Bug said at the same time, it.

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Speaker 1: Was like, fuck, you were the first first person we

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Speaker 1: thought of.

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Speaker 4: The first person we thought about was you, because like,

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Speaker 4: damn bug, I'm coming tomorrow to Drake just announced crazy.

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Speaker 5: It's been funny last Man for years, and I'm like,

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Speaker 5: this is just my luck.

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Speaker 3: It was so it was crazy. I was in no

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Speaker 3: let me tell you.

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Speaker 5: I was in forty forty club with Justice and my

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Speaker 5: managor of Justice in New York.

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Speaker 6: He wanted that guy.

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Speaker 5: He wanted me to celebrate my uh my album somewhere

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Speaker 5: else instead of LA because you know, I probably would

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Speaker 5: have stayed at the crib like got you the in that.

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Speaker 3: Comments, you know what I'm saying.

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Speaker 5: So I'm at the club, and then somebody liked drinking

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Speaker 5: I was album, so then I'm like watching a Warriors

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Speaker 5: game yelling over that because I'm finna win some money

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Speaker 5: and I'm like, nah, this is not real. Then it's

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Speaker 5: like start creeping up on me. Then it's like because

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Speaker 5: it's human nature. He like one of the biggest artists

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Speaker 5: in the world. But then it was like all the homies.

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Speaker 5: Everybody around was like, look you good. You know how

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Speaker 5: great you is?

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Speaker 3: You know what I'm saying.

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Speaker 5: So it didn't last that long, and I also knew

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Speaker 5: what type of album it was, like an hour before

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Speaker 5: you did. Yeah, I got a little wind of it

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Speaker 5: kind of like made me feel a little better. Not

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Speaker 5: that it's not a great album, it's just two different worlds.

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Speaker 5: So it made me like feel a little better. Okay,

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Speaker 5: you know what I'm saying.

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Speaker 1: Did you feel any way? Because when did Kendrick come

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Speaker 1: out a month?

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Speaker 3: Yeah, probably a month before.

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Speaker 2: And you were close to done at that time, and

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Speaker 2: he definitely gotten his therapy bag and kind of the

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Speaker 2: theme of yours too. So now you got Kendrick therapy

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Speaker 2: bag out Drake in six hours, and unfortunately you're in

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Speaker 2: the forty forty club.

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Speaker 5: Yeah, and it felt like the universe was just trying

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Speaker 5: to destroy me. I'm like, what did I do wrong?

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Speaker 5: I've been just you know what I'm saying. But what

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Speaker 5: I realized because when I did hear Kendrick album, I

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Speaker 5: was like, dang, it's kind of like the same message

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Speaker 5: talking about like healing as a black man in therapy.

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Speaker 5: But then I got over it quick because I realized

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Speaker 5: the message of gun violence is being used by everybody.

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Speaker 5: You know what I'm saying. It's not like just the

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Speaker 5: one person to talk about it. So I should be

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Speaker 5: happy that Kendrick is putting light on this message, so

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Speaker 5: this message could get out more to more people.

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Speaker 3: You know what I'm saying.

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Speaker 5: He being one of the biggest artists in the world

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Speaker 5: to just helped the message for real. So if I

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Speaker 5: really care about what I'm talking about, then I should

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Speaker 5: be happy that Kendrick delivering that message.

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Speaker 2: Did that journey start before you started the album or

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Speaker 2: in the middle of making it?

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Speaker 5: Not before that's started? Before that started after my breakup?

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Speaker 5: Just crying, figure out a way to stop crying.

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Speaker 1: And when was this?

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Speaker 3: What was that about three years ago? No?

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Speaker 5: I was with her two years ago. About two years ago,

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Speaker 5: I think I was in Atlanta. I was with this

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Speaker 5: girl for like three years. It felt like my first

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Speaker 5: healthy relationship because all my prior relationships was like based

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Speaker 5: off like trauma or like trauma, bit trauma, binding fighting

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Speaker 5: with each other. This we could make up, So this

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Speaker 5: was the first time I felt like I was in

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Speaker 5: a real relationship. So when we broke up, I was

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Speaker 5: so lost, you know what I'm saying. And anybody who

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Speaker 5: know me, they know my music is based off heartbreak.

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Speaker 5: I'm just like, oh, let me take this heartbreak. I

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Speaker 5: love gett my feeling hurt because I can make a

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Speaker 5: fire project off of it.

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Speaker 6: Wait wait, wait, you love getting your feeling shirts.

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Speaker 5: I wouldn't say I love it because it don't feel good,

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Speaker 5: but yeah, I do. Be like every time I just

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Speaker 5: channel look at something else, and that's where my best

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Speaker 5: music come from. So it'd be like when I'm not hurt.

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Speaker 5: It was the point when I wasn't hurt, I didn't

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Speaker 5: know how to make music. And so at this time

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Speaker 5: getting in therapy after I got the heart, after I

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Speaker 5: got my heart broke, I couldn't create because it was like,

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Speaker 5: oh now I got to hold myself accountable. I can't

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Speaker 5: use the same cheat code of blaming this girl. But

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Speaker 5: then I was just stuck, like am I going rap now?

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Speaker 5: Because like this girl trying to this lady trying to

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Speaker 5: heal me through therapy. And so you know, I spent

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Speaker 5: the first year just avoiding, like really growing all the way,

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Speaker 5: and I still do it. I don't think healing look cool.

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Speaker 5: You know what I'm saying. I can't even get a

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Speaker 5: lot of holes. I keep saying that it's like hard

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Speaker 5: to get girls when I'm healed.

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Speaker 6: All the way.

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Speaker 3: So I'm like fighting that too all the time. You

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Speaker 3: know what I'm saying.

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Speaker 4: We got it, But that was a funny line, and

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Speaker 4: that was that was a great line.

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Speaker 1: He just he's just saying this demon so he gets

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Speaker 1: some pussy feel me.

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Speaker 6: But do you feel like as black men we have

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Speaker 6: to find a for therapy.

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Speaker 4: I feel like all black men in America especially, I

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Speaker 4: think we all need some type of I think we've

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Speaker 4: all seen been through traumatic events, losing friends, family, and

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Speaker 4: then sometimes you know, we just we've been taught to

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Speaker 4: be strong man.

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Speaker 6: You know what I'm saying.

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Speaker 4: As an artist, you said, you know you write better

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Speaker 4: when you're hurt. Do you think that's something that we

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Speaker 4: should get away from, like feeling like we have to

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Speaker 4: be hurt to create great.

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Speaker 5: One hundred percent. That's why I don't like glorifying it.

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Speaker 5: But it was just my truth for a long time,

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Speaker 5: and so I'm still trying to, you know, I'm trying to.

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Speaker 5: It's something obviously deep in psyche of black men. My

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Speaker 5: mama never gave me a space to be like emotional

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Speaker 5: that she felt like I had to go out in

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Speaker 5: the world and be tough. So you know, I grew

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Speaker 5: up and I think the stigma around like therapy for

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Speaker 5: niggas is just like this shit is for cuckoos or

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Speaker 5: you soft, like you're supposed to just take it to

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Speaker 5: the chin. So there's that I got to get over.

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Speaker 5: And then yeah, just like finding a way to draw

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Speaker 5: from other experience besides hurt or like trying to force

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Speaker 5: yourself to be in a hurt all the time instead

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Speaker 5: of like trying to see the light at the end

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Speaker 5: of the tunnel. And I think in my previous music,

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Speaker 5: that's what my music was with just like just being hurt,

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Speaker 5: but it not being like no type of light at

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Speaker 5: the end of it. And I think with this album,

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Speaker 5: I kind of like showed at least a glimpse of light,

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Speaker 5: Like I'm trying to at least grow a little bit,

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Speaker 5: because like I can't stay in the same cycle and

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Speaker 5: say I'm trying to be an example for my kid

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Speaker 5: or even be an example for people in the world

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Speaker 5: if I'm just like not growing consciously, not growing especially

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Speaker 5: when I'm aware. And that's the part I hate, like

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Speaker 5: being aware of stuff because it was easier when I

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Speaker 5: was ignorant to it. You know what I'm saying.

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Speaker 1: It's a team on this podcast. Yeah, self awareness is

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Speaker 1: the most.

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Speaker 3: Annoyable trash, Like nobody want to.

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Speaker 1: It makes me more depressive.

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Speaker 3: I hate it.

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Speaker 1: How far the therapy did you start feeling creative again?

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Speaker 5: Mmm? Maybe, like I say, maybe six months into it,

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Speaker 5: But even then it was still ups and downs because

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Speaker 5: therapy start feeling like a job and I was still

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Speaker 5: trying to like push myself to find new sounds on

201
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Speaker 5: this project. Like three of the songs came in the

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Speaker 5: day before I had to turn the project in, you

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Speaker 5: know what I'm saying. Like, so that was like three

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Speaker 5: weeks ago. I did lols, mh and rash your Bug

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Speaker 5: like the day before I turned it in. So yeah,

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Speaker 5: it's still hard, you know what I'm saying, Still trying

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Speaker 5: to like channel new energies and not comfort this space

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Speaker 5: that hurt all the time. I'm pretty sure it slowed

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Speaker 5: down my production rate and I got to figure out

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Speaker 5: a way to fix it.

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Speaker 3: But I'm a human, I'm trying to figure it out.

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Speaker 6: Uh.

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Speaker 1: How far the therapy did you stop lying to your therapist?

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Speaker 5: I still like to hear sometimes. Yeah, it's still stuff.

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Speaker 5: I hied from a her because it's like I don't feel

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Speaker 5: like talking about it today.

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Speaker 3: You know what I'm saying.

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Speaker 5: It's some stuff I've already opened up to her about,

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Speaker 5: so we kind of just been staying on them topics

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Speaker 5: for the past couple of weeks. I'm like cheating right now.

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Speaker 6: I know it's like what you're paying for it?

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Speaker 5: Yeah, you know, it kind of feels like it kind

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Speaker 5: of feel like you're not paying for it when it's

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Speaker 5: like going through like a label situation. I never did,

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Speaker 5: and I'm pretty sure it's coming out of my buddy somewhere.

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Speaker 5: You paying for that? Yeah, but oh see, let me

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Speaker 5: not make false claims. Okay, An has it handled?

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Speaker 2: Shout out to them, You've deprived Justice of three pairs

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Speaker 2: of cool pants.

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Speaker 5: Because I'll never just say something out the background. He

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Speaker 5: has to make sure let me know. Non Nigga lv

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Speaker 5: R did that.

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Speaker 4: I want to talk about the out art work for

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Speaker 4: the album cover? Who creates? Who is the creative dark?

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Speaker 4: That was that y'all did?

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Speaker 5: Nah? I'm not really like stuff like that, you know

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Speaker 5: what I'm saying anything, That's why I got Yeah, I could,

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Speaker 5: You're right, but with this one. I hate taking pictures anyway.

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Speaker 5: I hate like like photo shoots. All that ship boring

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Speaker 5: to me. So yeah, it was either Carling somebody from Vran.

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Speaker 5: I'm just gonna say, el N, I love.

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Speaker 4: I love it, I love the I love the work.

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Speaker 4: I said it last week on the show, I said,

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Speaker 4: I love the artwork. More black superhero just with a

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Speaker 4: represented there. Having young black men on the on the

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Speaker 4: album cover with you, I thought that that was dope.

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Speaker 5: I was at the freaking when I was at the

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Speaker 5: club in New York. There was like me, He's so

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Speaker 5: brave for putting your kids on the cover. And I'm like, niggas,

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Speaker 5: ain't my kids.

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Speaker 6: Boy, I don't know them.

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Speaker 3: I don't know these kids, but you know, shout out.

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Speaker 1: The casting call for the kids.

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Speaker 3: I don't know the little niggas were just up there.

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Speaker 5: It was outside hell aware because when I'm sitting on

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Speaker 5: my shoulder, you know what I'm saying, Man.

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Speaker 3: He probably don't know.

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Speaker 5: Little boy got his meat by my head, man, and.

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Speaker 2: You look tired, You got your shoulders back like you

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Speaker 2: look like that ain't his son on his shoulders?

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Speaker 6: That's what you look like. Now that you really say

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Speaker 6: all of that, you start breaking down this.

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Speaker 1: Big you don't know me?

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Speaker 5: Is hell man be a superhero?

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Speaker 1: Not be able to pick up with ten year old.

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Speaker 6: Yeah that's true.

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Speaker 3: Yeah, man, I'm kids heavy.

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Speaker 2: But the theme of it seemed to have to do

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Speaker 2: with your relationship with your pops and your relationship with

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Speaker 2: your son. Was that something that came early with therapy

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Speaker 2: for the theme that was something you want to do

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Speaker 2: even before.

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Speaker 3: Yeah, everything.

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Speaker 5: For some reason, I couldn't figure out like a narrow

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Speaker 5: concept for the album.

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Speaker 6: At first.

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Speaker 5: It was hard. I was battling uh lvrn to like

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Speaker 5: push myself stop doing the same slow songs every time

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Speaker 5: because I'll get comfortable.

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Speaker 3: And if I know what worked for me, I think.

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Speaker 4: You really I have this theory that a lot of

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Speaker 4: rappers low key want to be R and b artists.

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Speaker 5: No, somebody said that to me yesterday, that you really

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Speaker 5: just want to be R and B artists and you

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Speaker 5: ain't got the voice. And I think that's really what

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Speaker 5: it is, and that's why I'm so inclined to like

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Speaker 5: do melodies on beats all the time, so you know

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Speaker 5: what I'm saying. That first year in therapy also like

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Speaker 5: mad at them for trying to make me try new

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Speaker 5: sounds was hard, and then no more. I started talking

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Speaker 5: about these things with my therapists. Also having a twelve

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Speaker 5: year old and realize realizing, like, it don't matter what

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Speaker 5: I say to him if I'm not leading by example.

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Speaker 5: It's like, at the end of the day, my words

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Speaker 5: is not matching. So going through his phone seeing him

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Speaker 5: say cud his friends, like, pissed me off because I'm blood,

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Speaker 5: for one, and then also.

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Speaker 3: Like, why are you gang banging? You know what I'm saying, It's.

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Speaker 1: Dumb, So I like that that was the second concern.

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Speaker 6: Yeah, not the.

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Speaker 3: First, right, I should have switched because I'm a blood Yeah.

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Speaker 5: Like, boy, why would you pick that side? But yeah,

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Speaker 5: just getting through that first. Yeah, then just figuring out

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Speaker 5: I had unaddressed trauma with my therapists, like stuff I

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Speaker 5: was mad at that. I didn't always mad at saying

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Speaker 5: I was always saying I don't care my day to

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Speaker 5: night in my life. But realizing the way I was,

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Speaker 5: the way I shut down from affection and stuff like

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Speaker 5: that started being more clear to me, and I started

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Speaker 5: wanting to talk about the message, and yeah, to start

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Speaker 5: falling in play. I say, yeah, like a year in

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Speaker 5: the therapy.

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Speaker 2: How do you approach relationships now? I'm not saying romantically.

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Speaker 3: Ah with friends?

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Speaker 5: More patient, I know, not everybody got the luxury I

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Speaker 5: got of therapy and understanding conflict resolution. I grew up

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Speaker 5: thinking like a fade with my homie is how we

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Speaker 5: saw this situation. And I just never lost to none

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Speaker 5: of my homies. That's why I'm still their friend, because

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Speaker 5: I can't picture myself, really with my ego getting beat

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Speaker 5: up by the homie and just like sitting with him

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Speaker 5: all day after. You just stumped me, you know what

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Speaker 5: I'm saying. So trying to figure out conflict resolute understanding

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Speaker 5: com definitely my friend.

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Speaker 3: Yeah, I'm just not with it.

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Speaker 5: It's letting me know that fighting don't Yeah not in

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Speaker 5: not with my ego and no at you said that's

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Speaker 5: a good point, But it's letting me know that conflict

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Speaker 5: resolution isn't just fighting. It's me like having patience to

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Speaker 5: understand your point of view because your truth is your truth,

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Speaker 5: but also not getting took advantage of and standing on

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Speaker 5: like firm on my morals. But yeah, just trying to

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Speaker 5: approach my friendships and a more patient point of patient perspective,

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Speaker 5: you know what I'm saying.

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Speaker 6: The album comes out.

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Speaker 4: As an artist, isn't creative the feeling that you had

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Speaker 4: before it comes out? Versus the next day, like, how

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Speaker 4: do you feel now that it's out. Everybody's listening to it,

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Speaker 4: people reacting, some hated, some love it. How do you

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Speaker 4: feel now as a creative? Like, Okay, this was something

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Speaker 4: I worked on and watching people respond to it.

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Speaker 5: Yeah, So the next morning I was hungover, like shit,

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Speaker 5: so I didn't feel nothing but like me throwing up.

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Speaker 5: But to fast forward when a day settled in and

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Speaker 5: I felt like and I started like feing, I started

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Speaker 5: seeing the reaction. It felt amazing, obviously, because it's your art.

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Speaker 5: I've been working on it for years. Even though we

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Speaker 5: in the space of the world where everybody dropping every week,

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Speaker 5: it's hard to cut through, you know what I'm saying.

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Speaker 5: If you can't not everybody is afforded to the luxury of

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Speaker 5: disappearing living in your mystique. So I was grateful that

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Speaker 5: I was able to withstand the test of time and

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Speaker 5: drop another project, and that people still cared about regardless

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Speaker 5: of the negative stuff, even though it do bother me,

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Speaker 5: you know what I'm saying. But I didn't see a

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Speaker 5: lot of it because my shit is that nice. I

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Speaker 5: don't never search my name on Twitter, so that's the

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Speaker 5: thing for me. Too it, so the people who at

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Speaker 5: me just it'd be like love most of the time.

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Speaker 5: So yeah, it felt great. Then it started being like

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Speaker 5: I've been feeling it. I've been new this, like y'all late,

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Speaker 5: I fuck with y'all, but I appreciate it. But come on,

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Speaker 5: but I've been knew how good I was. So then

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Speaker 5: there's that part, and then it's like, all right, what

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Speaker 5: we're gonna do now, like how we're gonna elevate again,

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Speaker 5: and how we're gonna like be better than this project.

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Speaker 6: Now that's like the thought the next day.

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Speaker 5: Everything in this next day, I'm saying, my brain crazy.

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Speaker 5: It's like I'm like, nah, all right, we gotta we

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Speaker 5: gotta figure it out now, because it's just like.

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Speaker 2: Does that make you nervous? Because you were saying this

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Speaker 2: all felt like this was my therapy album. I'm obviously

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Speaker 2: still working on ship, but you said most of your

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Speaker 2: music derives from pain. What happens when you get over

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Speaker 2: the hump of not being fully healed.

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Speaker 3: But yeah, so what what what freedom?

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Speaker 1: I do want to make happy music because.

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Speaker 3: I can't.

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Speaker 6: I'm not gonna do that.

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Speaker 5: I love it, I love it, but I can't do it. Well,

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Speaker 5: maybe one day. I'm nice like that, but I'm also saying,

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Speaker 5: like I was, I think doing this project and the

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Speaker 5: concept of me having a different person, no, just like

384
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Speaker 5: open a lot of different doors for me to like

385
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Speaker 5: do more stuff. Now, give me more freedom now that

386
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Speaker 5: I've introduced like my ignorance side, and people can't just

387
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Speaker 5: box me. And is this this rapper or just a

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Speaker 5: game banger rapper or just however you know what I'm

389
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Speaker 5: saying Now, I could be Ratchetbug when I won't. I

390
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Speaker 5: could be Anthony and I could just do whatever.

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Speaker 6: So the LA League is freestyle.

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Speaker 5: Yeah, one of my favorite, one of my my two.

393
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Speaker 5: And I appreciate you saying how Anthony got off the most,

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Speaker 5: because like people are always saying, like, man, Regie went crazy, but.

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Speaker 3: I really feel like that first verse was crazy.

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Speaker 4: But yeah, you know you're crazy right for you to

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Speaker 4: be able to sit there and write from that type

398
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Speaker 4: of perspective, that's not there's like a part of your

399
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Speaker 4: brain because you have to jump into each of the

400
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Speaker 4: one of those personalities not crazy in a bad way,

401
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Speaker 4: but that's appreciate that.

402
00:15:45,560 --> 00:15:47,960
Speaker 5: And I appreciate it, and I got it. What I

403
00:15:48,000 --> 00:15:50,760
Speaker 5: got to say is it's showing me the importance not

404
00:15:50,880 --> 00:15:53,680
Speaker 5: it don't gotta necessarily be management or just having somebody

405
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Speaker 5: in your life that you will let push you where

406
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Speaker 5: that's like gonna hold you accountable or like see greatness

407
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Speaker 5: in you that see the greatness scene when it's like

408
00:16:00,400 --> 00:16:02,520
Speaker 5: gonna make you step into that greatness because like I

409
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Speaker 5: would have went up there probably and just got off

410
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Speaker 5: thinking it's like my greatest verse ever. But it's having

411
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Speaker 5: a team like, no, you could do better than this.

412
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Speaker 5: Let's try to do something creative and you know what

413
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Speaker 5: I'm saying, and push me always like and it's uncomfortable,

414
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Speaker 5: but it's necessary.

415
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Speaker 4: So how important is it for you to be with

416
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Speaker 4: a group and people like LVRN because that's a family.

417
00:16:22,520 --> 00:16:25,080
Speaker 4: Like every time I see you guys, I'm just like, yo,

418
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Speaker 4: I just love And I told her we're tilling, Like

419
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Speaker 4: I love what they're doing. I love the fact that

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Speaker 4: they're so invested in each other on a personal level.

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Speaker 4: Because to me, if you're gonna work with somebody, especially

422
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Speaker 4: artists and creatives, you have to understand the person. The

423
00:16:38,720 --> 00:16:41,200
Speaker 4: artists like you can't just we need a record, we

424
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Speaker 4: need a song.

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Speaker 6: You know a lot of.

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Speaker 4: Labels, that's how they work when we need a record,

427
00:16:43,960 --> 00:16:47,240
Speaker 4: we need a song, it's like, but with LVRN, it's

428
00:16:47,280 --> 00:16:50,200
Speaker 4: almost like the cool kids at the high school in

429
00:16:50,240 --> 00:16:53,160
Speaker 4: the cafeteria at the table and everybody is dope and

430
00:16:53,200 --> 00:16:55,800
Speaker 4: everybody has a talent and everybody plays that part. How

431
00:16:55,840 --> 00:16:57,920
Speaker 4: important was it for you at this point in your life?

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Speaker 4: Is an artist to be surrounded by that type the energy?

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Speaker 5: Man, I didn't even know how necessary it was until

434
00:17:03,520 --> 00:17:06,080
Speaker 5: I got around them, because I had management before, and

435
00:17:06,119 --> 00:17:08,240
Speaker 5: I thought I had the greatest manager in the world,

436
00:17:08,240 --> 00:17:10,960
Speaker 5: because this was all I knew until we hit our ceiling.

437
00:17:11,440 --> 00:17:14,200
Speaker 5: Then I got around people that wasn't just letting me slide.

438
00:17:14,280 --> 00:17:16,360
Speaker 5: They was calling me out. And of course, like it's

439
00:17:16,400 --> 00:17:19,119
Speaker 5: irritating that first when your brain already conditioned a certain

440
00:17:19,119 --> 00:17:21,520
Speaker 5: way to get away with shit, But then you start

441
00:17:21,560 --> 00:17:23,320
Speaker 5: seeing the results of it, and you're like, why would

442
00:17:23,359 --> 00:17:25,320
Speaker 5: I ever do anything other than it? Or why would

443
00:17:25,359 --> 00:17:27,800
Speaker 5: I ever want any type of other circle around me?

444
00:17:27,840 --> 00:17:30,320
Speaker 5: So I'll be trying to preach it to my friends, like, man,

445
00:17:30,720 --> 00:17:32,199
Speaker 5: y'all need to be like this, because they be having

446
00:17:32,240 --> 00:17:34,159
Speaker 5: little groups and I'll be telling them, like, y'all need

447
00:17:34,200 --> 00:17:36,879
Speaker 5: to have conversations, be honest with each other like they

448
00:17:36,960 --> 00:17:38,719
Speaker 5: be saying crazy stuff to me, like in the message,

449
00:17:38,720 --> 00:17:40,639
Speaker 5: they'd be like the shit trash like and like, I

450
00:17:40,680 --> 00:17:42,720
Speaker 5: know right now we got that language with each other

451
00:17:42,720 --> 00:17:44,480
Speaker 5: and probably can't say that to everybody.

452
00:17:44,080 --> 00:17:46,080
Speaker 3: But I get it. It's love and they like bullieve

453
00:17:46,119 --> 00:17:47,719
Speaker 3: we know how great you is, So push yourself.

454
00:17:47,760 --> 00:17:51,280
Speaker 5: So that shit hell important, especially for somebody like me

455
00:17:51,320 --> 00:17:54,320
Speaker 5: who always in my head, who always like I'm doing

456
00:17:54,320 --> 00:17:56,439
Speaker 5: this wrong. I'm doing this wrong, battling these starts. I

457
00:17:56,520 --> 00:17:59,000
Speaker 5: need somebody around me that's gonna like calm me down

458
00:17:59,080 --> 00:17:59,680
Speaker 5: but still push me.

459
00:17:59,720 --> 00:18:03,080
Speaker 2: At this same time, it was, uh, I won't say

460
00:18:03,080 --> 00:18:04,919
Speaker 2: who the rappers are, rappers are shitty. I was in

461
00:18:05,240 --> 00:18:07,040
Speaker 2: a writing camp two days ago when were talking about

462
00:18:07,040 --> 00:18:07,919
Speaker 2: colors performances.

463
00:18:08,440 --> 00:18:11,080
Speaker 3: I was there. I was there too yesterday.

464
00:18:10,800 --> 00:18:12,440
Speaker 6: Okay, all three of you was there.

465
00:18:14,119 --> 00:18:16,040
Speaker 2: And you got brought up quick, and I was like, yeah,

466
00:18:16,040 --> 00:18:18,960
Speaker 2: book might have the best color performance. And then another

467
00:18:19,000 --> 00:18:22,480
Speaker 2: rapper that did colors was like, man, if I would

468
00:18:22,520 --> 00:18:23,720
Speaker 2: have known I could change outfits.

469
00:18:24,640 --> 00:18:26,879
Speaker 5: Reason told me this last night, So probably Reason. It

470
00:18:26,920 --> 00:18:29,720
Speaker 5: was probably him. I know he said you had he said,

471
00:18:29,720 --> 00:18:30,879
Speaker 5: I wish that would have told me. You know what

472
00:18:30,880 --> 00:18:32,680
Speaker 5: I'm saying, because his I think finish dropped. So shout

473
00:18:32,680 --> 00:18:34,600
Speaker 5: out to my boy me and him and Jed was

474
00:18:34,680 --> 00:18:35,880
Speaker 5: drunk as hell last night.

475
00:18:37,160 --> 00:18:38,760
Speaker 6: Yeah, that's an interesting group.

476
00:18:38,920 --> 00:18:39,080
Speaker 3: Yeah.

477
00:18:39,080 --> 00:18:41,240
Speaker 5: It was getting cused out by Jim Manager about how

478
00:18:42,440 --> 00:18:45,000
Speaker 5: I wouldn't necessarily say trap trap rappers, but you know,

479
00:18:45,119 --> 00:18:47,000
Speaker 5: just in that space are out working us and how

480
00:18:47,440 --> 00:18:50,879
Speaker 5: we think just because we created that we were gonna

481
00:18:51,000 --> 00:18:51,640
Speaker 5: beat them.

482
00:18:51,480 --> 00:18:52,080
Speaker 3: You know what I'm saying.

483
00:18:52,119 --> 00:18:54,639
Speaker 5: And he also said we the reason people getting killed

484
00:18:54,720 --> 00:18:57,800
Speaker 5: because little kid, little black kids is getting killed because

485
00:18:57,840 --> 00:19:01,000
Speaker 5: our message isn't as big is supposed to be because

486
00:19:01,000 --> 00:19:02,080
Speaker 5: that's our responsibility.

487
00:19:02,240 --> 00:19:04,159
Speaker 3: So harsh, but got a little bit.

488
00:19:04,240 --> 00:19:07,560
Speaker 1: But that's a lot hard.

489
00:19:08,040 --> 00:19:11,159
Speaker 5: You can't harsh, Yeah, obviously, but if you think about

490
00:19:11,160 --> 00:19:13,360
Speaker 5: the core of it, I know what you're trying to say.

491
00:19:13,440 --> 00:19:14,840
Speaker 4: You know what I'm saying, like y'all need to do

492
00:19:14,960 --> 00:19:17,359
Speaker 4: more and be more active and be more presidents.

493
00:19:17,440 --> 00:19:19,119
Speaker 6: And I understand what he's saying with us.

494
00:19:19,680 --> 00:19:21,840
Speaker 1: Why would the trap Rappers be out work? I want

495
00:19:21,840 --> 00:19:22,960
Speaker 1: to know the definition of outwork.

496
00:19:23,000 --> 00:19:25,400
Speaker 5: I think not out working, I think out dropping. It's

497
00:19:25,400 --> 00:19:27,520
Speaker 5: really the word is just out dropping. We take we

498
00:19:27,600 --> 00:19:33,200
Speaker 5: don't how so though Justine say they out working is

499
00:19:33,400 --> 00:19:37,320
Speaker 5: I think, yeah, I think from his mind whatever, from

500
00:19:37,320 --> 00:19:39,560
Speaker 5: the way he looking at it, they just going to studio.

501
00:19:39,600 --> 00:19:41,800
Speaker 5: They're not they just dropping records. They're going in their

502
00:19:41,840 --> 00:19:44,639
Speaker 5: recording and then they getting the song out. They're not overthinking,

503
00:19:44,680 --> 00:19:45,920
Speaker 5: they're not trying to disappear.

504
00:19:46,160 --> 00:19:50,680
Speaker 4: Well that's because to me, that's more it's like fast food. Yeah,

505
00:19:50,840 --> 00:19:52,720
Speaker 4: Like they're putting out those joints and it's like, yeah,

506
00:19:52,920 --> 00:19:55,440
Speaker 4: it take easier to create. We'll take those extra value meals.

507
00:19:55,480 --> 00:19:57,120
Speaker 4: It's like we all from the place like yeah, we'll

508
00:19:57,119 --> 00:19:59,880
Speaker 4: take the number seven. But it doesn't doesn't stick.

509
00:19:59,720 --> 00:20:02,119
Speaker 5: Not But I honestly I think it's still great in

510
00:20:02,160 --> 00:20:03,800
Speaker 5: the world. I don't want to say what we're doing

511
00:20:04,080 --> 00:20:07,920
Speaker 5: is greater. I just think if you're gonna choose at

512
00:20:07,920 --> 00:20:09,560
Speaker 5: this point, I'm learning, if you're gonna chose to play

513
00:20:09,600 --> 00:20:12,199
Speaker 5: the rap game or the music industry, you got to

514
00:20:12,359 --> 00:20:14,760
Speaker 5: really choose to play it and understand understand it for

515
00:20:14,800 --> 00:20:17,280
Speaker 5: what it is. Because artist was saying last night, but

516
00:20:17,280 --> 00:20:19,520
Speaker 5: we do it because we love it, And I understand

517
00:20:19,600 --> 00:20:22,080
Speaker 5: if you don't care about money or like your finances,

518
00:20:22,080 --> 00:20:24,680
Speaker 5: and you really doing it for that, then don't complain

519
00:20:24,720 --> 00:20:27,120
Speaker 5: about how the situation is you know what I'm saying.

520
00:20:27,359 --> 00:20:29,080
Speaker 5: But if you are trying to play this music game

521
00:20:29,080 --> 00:20:32,080
Speaker 5: and survive, play it AT's the high level.

522
00:20:31,920 --> 00:20:34,560
Speaker 2: Our work is the wrong. No, because because it's a

523
00:20:34,600 --> 00:20:37,359
Speaker 2: different approach in the way y'all create. You guys are

524
00:20:37,240 --> 00:20:40,000
Speaker 2: making album based just constant single. To tell me it's

525
00:20:40,000 --> 00:20:41,040
Speaker 2: a different approach.

526
00:20:40,760 --> 00:20:42,879
Speaker 5: He can't tell me I'm outworking if I if I'm

527
00:20:42,920 --> 00:20:44,720
Speaker 5: trying to figure out stuff in my brain all day,

528
00:20:44,800 --> 00:20:46,760
Speaker 5: Like it's not like I'm not sitting there trying to

529
00:20:46,760 --> 00:20:48,120
Speaker 5: write twenty four hours a day.

530
00:20:48,160 --> 00:20:51,000
Speaker 2: It's a different approach where they're allowed to higher volume.

531
00:20:51,119 --> 00:20:54,480
Speaker 7: Let me explain, it's not about volume, it's about presence.

532
00:20:54,800 --> 00:20:56,720
Speaker 7: So the thing is, it's not about he needs to

533
00:20:56,800 --> 00:21:00,960
Speaker 7: drop five albums a year. But you're looking at rap.

534
00:21:01,040 --> 00:21:03,639
Speaker 7: Rap is a lifestyle, right, So like I know, we

535
00:21:03,800 --> 00:21:06,200
Speaker 7: like to put a barrier in between two people now

536
00:21:06,480 --> 00:21:08,600
Speaker 7: or two different types of rap. But like when you

537
00:21:08,600 --> 00:21:10,240
Speaker 7: look at Tupac, when you look at Biggie, when you

538
00:21:10,280 --> 00:21:13,600
Speaker 7: look at Jay, it's a lifestyle. They embodied everything of it,

539
00:21:13,680 --> 00:21:15,960
Speaker 7: like they gave us great music, but they were also

540
00:21:16,000 --> 00:21:18,439
Speaker 7: still outside. They were they were networking, they were doing

541
00:21:18,480 --> 00:21:21,000
Speaker 7: everything they need to do and they were dropping all

542
00:21:21,040 --> 00:21:25,040
Speaker 7: the fly ship, the clothes, the videos, the movies, like

543
00:21:25,080 --> 00:21:28,240
Speaker 7: they're outworking, and that's what that's what the younger guys

544
00:21:28,280 --> 00:21:31,480
Speaker 7: are doing that are in this this trap situation, and

545
00:21:31,520 --> 00:21:34,280
Speaker 7: it makes it feel like guys that are on the

546
00:21:34,320 --> 00:21:36,440
Speaker 7: other side of hip hop are kind of more reclused

547
00:21:36,840 --> 00:21:37,800
Speaker 7: and not doing as much.

548
00:21:38,160 --> 00:21:42,000
Speaker 2: That's but that's a weird example because when Pop Big

549
00:21:42,440 --> 00:21:45,840
Speaker 2: and Jay at that time that was popular rap music.

550
00:21:46,680 --> 00:21:49,680
Speaker 1: They could do that because it's because they're outworking.

551
00:21:49,800 --> 00:21:52,960
Speaker 4: But then the game was it's because it's oversaturated now too, though,

552
00:21:52,960 --> 00:21:53,920
Speaker 4: because everybody.

553
00:21:54,160 --> 00:21:56,320
Speaker 1: Like, how do you explain Drake right, Like, that's what

554
00:21:56,400 --> 00:21:56,720
Speaker 1: I'm saying.

555
00:21:56,720 --> 00:21:59,359
Speaker 7: It's like, it's like if the mentality switches, as I

556
00:21:59,480 --> 00:22:03,040
Speaker 7: belong to be in the same space as a moneybag yo,

557
00:22:03,119 --> 00:22:06,560
Speaker 7: for example, and my music is not going to deter

558
00:22:07,000 --> 00:22:07,640
Speaker 7: any of that.

559
00:22:08,240 --> 00:22:09,520
Speaker 1: You're gonna put yourself in that space.

560
00:22:09,560 --> 00:22:11,800
Speaker 2: How would you explain Kendrick and Cole if we're going

561
00:22:11,800 --> 00:22:14,240
Speaker 2: off that that's the definition Kendrick Kendrick.

562
00:22:14,440 --> 00:22:17,320
Speaker 7: Kendrick Kendrick is not a real example because people forgot

563
00:22:17,400 --> 00:22:20,480
Speaker 7: Kendrick when he first started. Now he's in a different space.

564
00:22:20,480 --> 00:22:22,160
Speaker 7: He doesn't have to come outside. But when he first

565
00:22:22,160 --> 00:22:25,520
Speaker 7: started that man was working, he was outside, but he.

566
00:22:25,440 --> 00:22:30,400
Speaker 1: Hasn't really went outside since section eighty. Yeah, he wasn't really.

567
00:22:30,320 --> 00:22:32,719
Speaker 7: Outside like that when he dropped Goodkid Mass City, he

568
00:22:32,760 --> 00:22:33,560
Speaker 7: was not outside like that.

569
00:22:33,720 --> 00:22:35,520
Speaker 1: How was he not outside? Where was he? My man?

570
00:22:35,600 --> 00:22:39,000
Speaker 7: Literally was riding through California on top of trucks, literally

571
00:22:39,240 --> 00:22:42,200
Speaker 7: was in was at a Doctor Dre show and got

572
00:22:42,200 --> 00:22:44,280
Speaker 7: the keys to the city like he was hanged. He

573
00:22:44,320 --> 00:22:48,760
Speaker 7: did videos with Doctor that he was really doing what rappers.

574
00:22:47,800 --> 00:22:51,199
Speaker 2: Visual though it's not for see working and going out. Ever,

575
00:22:51,320 --> 00:22:55,120
Speaker 2: like Kendrick wasn't a lifestyle the way uh Jay was

576
00:22:55,240 --> 00:22:59,000
Speaker 2: with the champagne club culture and button downs and that

577
00:22:59,119 --> 00:22:59,560
Speaker 2: entire shit.

578
00:22:59,680 --> 00:23:02,680
Speaker 7: No, obviously, I would say, obviously Kendrick Kendrick is not

579
00:23:02,720 --> 00:23:06,080
Speaker 7: as outside as Jay was, right, but again there's a difference.

580
00:23:06,240 --> 00:23:08,640
Speaker 7: Doesn't doesn't change the fact that he was still doing

581
00:23:08,680 --> 00:23:11,240
Speaker 7: what he was supposed to do in their space. Like

582
00:23:11,320 --> 00:23:13,600
Speaker 7: for example, we're talking about Jed Rees and Bug. These

583
00:23:13,600 --> 00:23:15,959
Speaker 7: are all super fucking talented people. Obviously I think Bugs

584
00:23:15,960 --> 00:23:19,600
Speaker 7: more talented, but neither here nor there. I think that

585
00:23:19,880 --> 00:23:22,400
Speaker 7: I never see any of them outside. I never see

586
00:23:22,400 --> 00:23:24,359
Speaker 7: any of them do what rappers are supposed to do

587
00:23:24,880 --> 00:23:26,920
Speaker 7: at the need to be.

588
00:23:27,160 --> 00:23:28,119
Speaker 1: Quote unquote outside.

589
00:23:28,160 --> 00:23:29,400
Speaker 3: That's a good question.

590
00:23:29,880 --> 00:23:31,840
Speaker 2: Do you think they're afforded the opportunity to be quote

591
00:23:31,880 --> 00:23:32,560
Speaker 2: unquote outside.

592
00:23:32,640 --> 00:23:35,359
Speaker 7: You create the opportunity because I literally watched the artists like,

593
00:23:35,359 --> 00:23:37,239
Speaker 7: for example, I watched the artists like Travis Scott right

594
00:23:37,320 --> 00:23:40,639
Speaker 7: like it wasn't like it wasn't like Travis was always

595
00:23:40,640 --> 00:23:42,720
Speaker 7: destined to be where he was. He created the opportunity.

596
00:23:42,840 --> 00:23:44,720
Speaker 7: In fact, yeah, it's and that's what I'm saying. The

597
00:23:45,200 --> 00:23:47,480
Speaker 7: mentality has to change because it's like, at the end

598
00:23:47,520 --> 00:23:49,200
Speaker 7: of the day, it's just rap this music, right. I

599
00:23:49,200 --> 00:23:50,840
Speaker 7: can stand next to twenty one Savage, I can stand

600
00:23:50,840 --> 00:23:55,159
Speaker 7: next to fucking whoever it is, right, and I know

601
00:23:55,240 --> 00:23:57,800
Speaker 7: my skills are on your level. So we're supposed to

602
00:23:57,840 --> 00:23:59,479
Speaker 7: be in the same room. Now, I'm gonna do all

603
00:23:59,480 --> 00:24:01,520
Speaker 7: the flash that I'm supposed to do because at the

604
00:24:01,600 --> 00:24:04,080
Speaker 7: end of the day, rap is for kids. Kids love rap,

605
00:24:04,200 --> 00:24:05,680
Speaker 7: and you have to make the ship look fire.

606
00:24:06,000 --> 00:24:08,639
Speaker 2: Okay, but I watched I watched Reason do a video

607
00:24:08,680 --> 00:24:10,960
Speaker 2: with ab Sol where he brought out fucking ten thousand

608
00:24:11,000 --> 00:24:13,680
Speaker 2: people in front of a cleaner's in Carson, Like I've

609
00:24:13,680 --> 00:24:16,040
Speaker 2: seen him do the same thing. Jid did a thousand

610
00:24:16,040 --> 00:24:19,080
Speaker 2: tour a day after the Dream, though, shit like, I've

611
00:24:19,080 --> 00:24:21,240
Speaker 2: watched them constantly go outside of the last time.

612
00:24:21,240 --> 00:24:22,760
Speaker 7: When was the last time Reason went to one oh

613
00:24:22,880 --> 00:24:24,359
Speaker 7: and try to make everybody in their fans.

614
00:24:26,080 --> 00:24:27,679
Speaker 2: I don't think that's the strategy of the type of

615
00:24:27,720 --> 00:24:29,640
Speaker 2: music he's making. That was my point of saying digging

616
00:24:29,640 --> 00:24:32,639
Speaker 2: and that music was tight when they were doing Oh.

617
00:24:32,640 --> 00:24:33,320
Speaker 1: That's what I'm saying.

618
00:24:33,359 --> 00:24:36,240
Speaker 7: That's a perception when Jay, when Jay was used to

619
00:24:36,240 --> 00:24:39,320
Speaker 7: go to fucking whatever club that that was popping in

620
00:24:39,359 --> 00:24:42,359
Speaker 7: New York, he bought the whole table fucking champagne bottles

621
00:24:42,359 --> 00:24:43,199
Speaker 7: because youre gonna know my name.

622
00:24:43,240 --> 00:24:44,600
Speaker 1: You might not like my music, but you want to

623
00:24:44,600 --> 00:24:48,440
Speaker 1: know bricks and still crawl back. You can't affordable with

624
00:24:48,520 --> 00:24:50,880
Speaker 1: all the champagne. Say what he said?

625
00:24:50,880 --> 00:24:53,359
Speaker 2: What Reason didn't lose ninety two bricks and still crawl

626
00:24:53,400 --> 00:24:54,560
Speaker 2: back like that's mean.

627
00:24:54,920 --> 00:24:57,520
Speaker 7: I'm sure Reason, Reason can look at can look at

628
00:24:57,520 --> 00:24:59,199
Speaker 7: Top and say, hey, Top, I really want to go

629
00:24:59,200 --> 00:25:00,399
Speaker 7: outside and really want do this thing.

630
00:25:00,400 --> 00:25:01,840
Speaker 1: I need a budge. Let's figure it out. But if

631
00:25:01,840 --> 00:25:04,280
Speaker 1: that's not if that's not you, then it becomes corny.

632
00:25:05,000 --> 00:25:06,359
Speaker 4: Yeah, I think, I think. I think it's just that

633
00:25:06,400 --> 00:25:08,119
Speaker 4: it all depends on the artists. Like you can't I

634
00:25:08,200 --> 00:25:10,280
Speaker 4: understand what Justice is saying, you need to maybe like

635
00:25:10,800 --> 00:25:13,720
Speaker 4: Bug needs to be out more and be more, you know,

636
00:25:13,840 --> 00:25:16,440
Speaker 4: in people's faces and connecting with people on a real

637
00:25:16,560 --> 00:25:19,280
Speaker 4: level more so I understand working in that aspect. But

638
00:25:19,320 --> 00:25:21,480
Speaker 4: I just think that the game is a little different now.

639
00:25:21,960 --> 00:25:24,680
Speaker 4: I think that you know, with with with like drill rap,

640
00:25:24,720 --> 00:25:27,080
Speaker 4: which is like the popular rap now the popular sound.

641
00:25:27,600 --> 00:25:29,880
Speaker 4: It's just a little different when because now a guy

642
00:25:29,960 --> 00:25:33,439
Speaker 4: like Boogie is looked at as like, uh, like a

643
00:25:33,440 --> 00:25:36,959
Speaker 4: wordy or like trying to kick knowledge type of rapper,

644
00:25:37,320 --> 00:25:39,639
Speaker 4: where that's not really it's not really that. It's just

645
00:25:39,640 --> 00:25:42,280
Speaker 4: that it's not the drill, it's not the the not

646
00:25:42,359 --> 00:25:44,160
Speaker 4: I want to say basic, because it's it's an art

647
00:25:44,160 --> 00:25:46,680
Speaker 4: form to that drill shit, but it's not as complex

648
00:25:46,680 --> 00:25:49,520
Speaker 4: as what Bug is doing, switching you know, into different

649
00:25:49,520 --> 00:25:52,880
Speaker 4: personalities and characters and rapping from different perspectives and things

650
00:25:52,960 --> 00:25:53,199
Speaker 4: like that.

651
00:25:53,280 --> 00:25:55,920
Speaker 6: I just think that, you know, you have to find

652
00:25:55,920 --> 00:25:56,280
Speaker 6: a medium.

653
00:25:56,320 --> 00:25:58,200
Speaker 7: Like you you make a great point and I'm gonna

654
00:25:58,200 --> 00:25:59,479
Speaker 7: just say this last thing because it's not mine even

655
00:25:59,520 --> 00:26:01,520
Speaker 7: a Buzzifi. I'm gonna say, you make a great point.

656
00:26:01,520 --> 00:26:03,199
Speaker 7: The only thing is what I'm saying is that you

657
00:26:03,200 --> 00:26:05,679
Speaker 7: don't have to go to the club. You don't have

658
00:26:05,760 --> 00:26:08,120
Speaker 7: to do all these things that that are our low

659
00:26:08,160 --> 00:26:10,480
Speaker 7: hanging fruit that obviously you would sue a rapper would do.

660
00:26:10,880 --> 00:26:13,080
Speaker 1: But it's about creating your lifestyle.

661
00:26:13,200 --> 00:26:16,199
Speaker 7: Like for example, Kanye West was an artist that was

662
00:26:16,280 --> 00:26:19,800
Speaker 7: not like dipset, but his lifestyle was fashion.

663
00:26:20,280 --> 00:26:22,000
Speaker 1: He went to Paris, he did all.

664
00:26:21,880 --> 00:26:23,280
Speaker 7: The things that he was supposed to do to create

665
00:26:23,280 --> 00:26:25,879
Speaker 7: his lifestyle and document it, to make it. And that's

666
00:26:25,920 --> 00:26:28,000
Speaker 7: what I'm saying. It's like they haven't created what their

667
00:26:28,040 --> 00:26:30,720
Speaker 7: lifestyle is. Take an artist like Tyler, his lifestyle is

668
00:26:30,960 --> 00:26:34,640
Speaker 7: Fairfax and he created that lifestyle and that movement because

669
00:26:34,680 --> 00:26:35,320
Speaker 7: that's a part.

670
00:26:35,119 --> 00:26:38,000
Speaker 1: Of rap and targeted that group first.

671
00:26:38,080 --> 00:26:41,240
Speaker 2: That's that's a And even even with Cold with the

672
00:26:41,280 --> 00:26:43,080
Speaker 2: Doll in a Dream tour, we started like it. I

673
00:26:43,119 --> 00:26:44,800
Speaker 2: understand targeted colleges.

674
00:26:46,080 --> 00:26:47,240
Speaker 1: Lifestyles.

675
00:26:47,280 --> 00:26:47,480
Speaker 5: True.

676
00:26:47,520 --> 00:26:49,479
Speaker 3: I think it is true to both sides.

677
00:26:49,520 --> 00:26:51,919
Speaker 5: But I think, like I guess that s type of

678
00:26:51,920 --> 00:26:54,840
Speaker 5: creators got to find a way to work efficiently in

679
00:26:54,880 --> 00:26:57,320
Speaker 5: the same way that works for them because, like you said,

680
00:26:57,359 --> 00:26:59,520
Speaker 5: we can't just go out and like go to the

681
00:26:59,520 --> 00:27:00,359
Speaker 5: club because that's.

682
00:27:00,200 --> 00:27:01,160
Speaker 3: Not gonna work for us.

683
00:27:01,359 --> 00:27:03,120
Speaker 5: But we got to stop thinking we can just live

684
00:27:03,160 --> 00:27:05,680
Speaker 5: off our like live off our talent and creative video

685
00:27:06,240 --> 00:27:07,920
Speaker 5: or more film or something like that, you know what

686
00:27:07,920 --> 00:27:08,240
Speaker 5: I'm saying.

687
00:27:08,240 --> 00:27:10,520
Speaker 3: And there's little one pieces you do. Got to create

688
00:27:10,560 --> 00:27:11,040
Speaker 3: the lifestyle.

689
00:27:11,080 --> 00:27:13,600
Speaker 5: But I don't think everybody knows how to create a

690
00:27:13,640 --> 00:27:17,359
Speaker 5: lifestyle either. That's difficult. Ships not easy, She's just not

691
00:27:17,880 --> 00:27:20,400
Speaker 5: genuinely it comes out. You create a lifestyle when you're

692
00:27:20,440 --> 00:27:22,200
Speaker 5: just trying to bar up, you know what I'm saying.

693
00:27:22,600 --> 00:27:26,040
Speaker 4: I see something like like like Bug and Jid, Like

694
00:27:26,280 --> 00:27:28,440
Speaker 4: if y'all could do something like every week y'all just

695
00:27:28,480 --> 00:27:30,920
Speaker 4: hang out on like different college campuses and.

696
00:27:30,920 --> 00:27:33,320
Speaker 5: Just kidding, not just for me in on college world,

697
00:27:33,480 --> 00:27:33,840
Speaker 5: why not.

698
00:27:34,480 --> 00:27:37,760
Speaker 6: And just do like ciphers with like the students that I.

699
00:27:38,040 --> 00:27:41,160
Speaker 3: Like backpack niggas. You don't like back No, I hate

700
00:27:41,720 --> 00:27:44,320
Speaker 3: ship no, because that's born in me.

701
00:27:44,520 --> 00:27:46,720
Speaker 4: No, it's not boring, but that ship is it's a

702
00:27:46,760 --> 00:27:50,040
Speaker 4: different I get that back I don't because we ain't

703
00:27:50,080 --> 00:27:50,880
Speaker 4: make it cool born.

704
00:27:51,280 --> 00:27:56,040
Speaker 5: That's vale That's what I'm saying. Also, growing up for

705
00:27:56,119 --> 00:27:57,879
Speaker 5: me with just like I'm either R and B or

706
00:27:57,920 --> 00:27:59,920
Speaker 5: super ignorant music. That's just the only music I listen.

707
00:28:00,119 --> 00:28:00,960
Speaker 5: I know it's probably.

708
00:28:01,040 --> 00:28:03,119
Speaker 6: Ignorant students on college campuses is right now.

709
00:28:04,760 --> 00:28:08,080
Speaker 5: But I'm not trying to about like the universe and

710
00:28:08,119 --> 00:28:10,639
Speaker 5: stuff like that with no college now.

711
00:28:10,720 --> 00:28:12,280
Speaker 4: I think you think I'm just saying like more so

712
00:28:12,400 --> 00:28:16,000
Speaker 4: like just connect with like like college students and just

713
00:28:16,080 --> 00:28:18,560
Speaker 4: like just be because they are the next.

714
00:28:18,600 --> 00:28:22,240
Speaker 5: You're right, and they get they be like the main

715
00:28:22,280 --> 00:28:25,360
Speaker 5: ones understanding my message about like absolutely staying their potential

716
00:28:25,400 --> 00:28:26,040
Speaker 5: in their future.

717
00:28:26,080 --> 00:28:28,679
Speaker 4: So you're right, ship like that just hanging out on

718
00:28:28,720 --> 00:28:30,800
Speaker 4: college campuses world, No, I'm telling you.

719
00:28:30,880 --> 00:28:32,199
Speaker 1: I mean I became a J.

720
00:28:32,280 --> 00:28:35,080
Speaker 7: Cole fan for life because of that, right, Like like

721
00:28:35,080 --> 00:28:37,920
Speaker 7: like college students are a huge market, right J. Cole

722
00:28:38,000 --> 00:28:41,360
Speaker 7: Will even Kendrick, that was your circuit, right, and they

723
00:28:41,400 --> 00:28:44,400
Speaker 7: worked it like like Cole will be Cole might just

724
00:28:44,440 --> 00:28:47,440
Speaker 7: on a random Saturday Tuesday you walking to Howard University

725
00:28:47,440 --> 00:28:49,920
Speaker 7: campus mm hmm, and that just is what it is

726
00:28:50,680 --> 00:28:53,040
Speaker 7: and you got to touch people like that's that's just

727
00:28:53,680 --> 00:28:54,760
Speaker 7: you got to create your culture.

728
00:28:55,040 --> 00:28:59,520
Speaker 2: But also the major label push does help in that regard.

729
00:28:59,720 --> 00:29:03,360
Speaker 2: And unless she was drill for example, Well, the lyrical

730
00:29:03,400 --> 00:29:05,880
Speaker 2: rap shit, yes, it's profitable. There's always the number one

731
00:29:05,960 --> 00:29:08,640
Speaker 2: rapper every year is always lyrical, no matter what, No

732
00:29:08,640 --> 00:29:10,480
Speaker 2: matter what year you talk about, the number one is

733
00:29:10,480 --> 00:29:12,960
Speaker 2: always a lyrical due. But below that is where all

734
00:29:13,000 --> 00:29:16,040
Speaker 2: the real profit is and volume game. Right now, Drill

735
00:29:16,080 --> 00:29:18,200
Speaker 2: would be more profitable than trying to find that one

736
00:29:18,280 --> 00:29:21,440
Speaker 2: standout lyrical person that we're gonna put dollars bond and

737
00:29:22,400 --> 00:29:24,880
Speaker 2: make create this lifestyle shit, because yes, did Cole do

738
00:29:24,920 --> 00:29:26,880
Speaker 2: a lot of that dollar and dream shit all by himself.

739
00:29:26,880 --> 00:29:29,240
Speaker 2: And we feel like Rock would even admit they fucked

740
00:29:29,240 --> 00:29:30,840
Speaker 2: that up and didn't realize what Cold was doing making

741
00:29:30,880 --> 00:29:33,280
Speaker 2: them single Chase and all that. But it did help

742
00:29:33,320 --> 00:29:35,720
Speaker 2: that he was on fucking Columbia, like he was able

743
00:29:35,760 --> 00:29:38,960
Speaker 2: to take risks by himself because he had that backing.

744
00:29:39,040 --> 00:29:41,400
Speaker 2: And I just feel like with the Drill shit, they're

745
00:29:41,400 --> 00:29:42,960
Speaker 2: maybe not outworking, they just may.

746
00:29:42,840 --> 00:29:46,480
Speaker 1: Have more resources because it's easier for these labels. Now.

747
00:29:46,520 --> 00:29:49,000
Speaker 2: You know, Atlantic doesn't give a fuck about an album. Atlantic

748
00:29:49,000 --> 00:29:51,280
Speaker 2: wants to put out singles. That's what's profitable right now,

749
00:29:51,640 --> 00:29:54,840
Speaker 2: and Drill you're able to do that, whereas what Bug,

750
00:29:54,880 --> 00:29:57,000
Speaker 2: Reason and Jit are trying to do is projects, and

751
00:29:57,040 --> 00:30:00,200
Speaker 2: those take three years to do, and we're gonna at

752
00:30:00,240 --> 00:30:02,120
Speaker 2: on something that takes three years that may not work.

753
00:30:02,840 --> 00:30:04,920
Speaker 2: Or I could take this two minute record that I

754
00:30:04,960 --> 00:30:07,640
Speaker 2: know is going to playlist and find the next sound

755
00:30:07,720 --> 00:30:08,959
Speaker 2: that's going to be just like that and put out

756
00:30:09,000 --> 00:30:10,520
Speaker 2: twenty of them and then move on to the next sound.

757
00:30:10,960 --> 00:30:11,160
Speaker 3: Yeah.

758
00:30:11,200 --> 00:30:13,520
Speaker 7: But my thing is, it's not even again, it's not

759
00:30:13,560 --> 00:30:14,560
Speaker 7: about the music output.

760
00:30:14,680 --> 00:30:16,560
Speaker 1: It's just about being.

761
00:30:16,480 --> 00:30:18,400
Speaker 7: The sound output is when I'm talking about Yeah, I mean,

762
00:30:18,400 --> 00:30:20,000
Speaker 7: that's one thing, But what I'm saying is that at

763
00:30:20,040 --> 00:30:22,040
Speaker 7: the end of the day, mal just had an idea

764
00:30:22,080 --> 00:30:23,840
Speaker 7: where it's just like how are you in people's faces?

765
00:30:23,880 --> 00:30:25,959
Speaker 1: Like my thing is, it's like creating stories.

766
00:30:26,000 --> 00:30:29,240
Speaker 7: It's like if next story was fuck, like Bug went

767
00:30:29,280 --> 00:30:31,000
Speaker 7: to go to Moorhouse and like he got a dorm

768
00:30:31,080 --> 00:30:32,600
Speaker 7: and he created his album there. You know what I'm saying,

769
00:30:32,600 --> 00:30:34,560
Speaker 7: that's a story. Now you're creating a whole lifestyle, like

770
00:30:34,560 --> 00:30:36,160
Speaker 7: you know what I'm saying. And also like it's also

771
00:30:36,200 --> 00:30:38,360
Speaker 7: about tapping into like Bug, it's not really like the

772
00:30:38,400 --> 00:30:40,080
Speaker 7: party guy, you know what I'm saying, Like I'm a

773
00:30:40,120 --> 00:30:43,720
Speaker 7: party nigga, Like tap into the resources around you to

774
00:30:43,760 --> 00:30:45,880
Speaker 7: be able to help create your lifestyle too, Like The

775
00:30:45,880 --> 00:30:47,880
Speaker 7: Weekend does that very well. He doesn't go outside like

776
00:30:48,200 --> 00:30:50,120
Speaker 7: you know what I'm saying, but he taps everybody around

777
00:30:50,200 --> 00:30:51,920
Speaker 7: him to help create that and shield.

778
00:30:51,760 --> 00:30:53,920
Speaker 6: It brings everybody into his world exactly. You know what

779
00:30:53,960 --> 00:30:54,240
Speaker 6: I mean.

780
00:31:00,040 --> 00:31:04,360
Speaker 4: The features on the album, Uh, Shelley shout out to.

781
00:31:04,400 --> 00:31:08,080
Speaker 6: Drama, my boy, Snoop uncle.

782
00:31:09,120 --> 00:31:13,520
Speaker 4: How that's like two totally different all over the place,

783
00:31:13,560 --> 00:31:14,120
Speaker 4: you know what I mean?

784
00:31:14,960 --> 00:31:16,840
Speaker 6: How how did that come about? Like as far as

785
00:31:16,880 --> 00:31:18,680
Speaker 6: you did, you do? You hit the record and you're like, Okay,

786
00:31:18,680 --> 00:31:21,200
Speaker 6: I gotta get Drama on this or Snoop.

787
00:31:21,280 --> 00:31:24,000
Speaker 5: When I was working when I did the song, I

788
00:31:24,520 --> 00:31:28,040
Speaker 5: remember Elviren just complaining behind the hand no single, and

789
00:31:28,080 --> 00:31:30,240
Speaker 5: I took it like offensive because I was like, they're

790
00:31:30,240 --> 00:31:31,920
Speaker 5: trying to make something like I'm being lazy. So I

791
00:31:32,000 --> 00:31:34,440
Speaker 5: was crying. Then I got the phone with my because

792
00:31:34,680 --> 00:31:36,280
Speaker 5: Nag was like telling me I was being lazy.

793
00:31:36,320 --> 00:31:39,240
Speaker 3: So I cried. Then I recorded all right, and I

794
00:31:39,280 --> 00:31:41,120
Speaker 3: was like, oh, look we gotta sing. All we gotta

795
00:31:41,120 --> 00:31:42,040
Speaker 3: do is like say this to you.

796
00:31:42,080 --> 00:31:43,920
Speaker 5: So then I went to Atlanta to finish it with

797
00:31:44,160 --> 00:31:46,960
Speaker 5: Justice and Shelley just in the background, singing over every

798
00:31:47,000 --> 00:31:49,240
Speaker 5: goddamn beat you play in the studio. You don't let

799
00:31:49,320 --> 00:31:51,960
Speaker 5: you have your own session. The nigga just sing, so

800
00:31:52,080 --> 00:31:54,720
Speaker 5: you know he's these niggas ain't nothing. I was like, yeah,

801
00:31:54,760 --> 00:31:58,240
Speaker 5: that's hard. You know that that happened organically in the

802
00:31:58,240 --> 00:32:01,480
Speaker 5: studio with us Snoop. My mom used to be married

803
00:32:01,480 --> 00:32:03,960
Speaker 5: to this this fuck nigga. But you know what I'm saying.

804
00:32:03,960 --> 00:32:05,960
Speaker 5: He from twenty Crip, which is a long beach game,

805
00:32:05,960 --> 00:32:07,920
Speaker 5: which is where Snoop was from. So I kind of

806
00:32:07,920 --> 00:32:09,880
Speaker 5: met them when I was younger. And then I say

807
00:32:09,920 --> 00:32:11,240
Speaker 5: that trump cardy you know my mom and not with

808
00:32:11,320 --> 00:32:13,640
Speaker 5: the dude no more. I got booming and Snoop always

809
00:32:13,640 --> 00:32:15,360
Speaker 5: still supported me. So I knew I could get a

810
00:32:15,440 --> 00:32:17,920
Speaker 5: feature and they gave me two verses in like thirty

811
00:32:17,920 --> 00:32:20,640
Speaker 5: minutes and get a rapping I think, so that's so.

812
00:32:20,840 --> 00:32:22,280
Speaker 1: How did the Soldier Boy want coming up?

813
00:32:22,880 --> 00:32:25,160
Speaker 5: I was in the studio, bullshit. I didn't even think

814
00:32:25,200 --> 00:32:26,960
Speaker 5: I wanted to keep that song. I was just playing,

815
00:32:26,960 --> 00:32:28,800
Speaker 5: trying to record. I was like, hold on this ship

816
00:32:28,880 --> 00:32:30,640
Speaker 5: hidden and I was like, it's giving me.

817
00:32:30,720 --> 00:32:31,000
Speaker 3: I don't know.

818
00:32:31,040 --> 00:32:32,800
Speaker 5: This gave me Soldier Boy energy and I was playing,

819
00:32:32,800 --> 00:32:34,960
Speaker 5: and I sent Justice to text like yo, can we

820
00:32:34,960 --> 00:32:37,400
Speaker 5: get solgierble on this, and like got it back in

821
00:32:37,400 --> 00:32:38,360
Speaker 5: a couple of days.

822
00:32:38,760 --> 00:32:40,640
Speaker 1: I like it. When I saw it on the track list,

823
00:32:40,640 --> 00:32:41,080
Speaker 1: I was like this.

824
00:32:41,800 --> 00:32:43,640
Speaker 6: Yeah, that was when I was like soldier.

825
00:32:43,760 --> 00:32:44,959
Speaker 1: I heard the beat and I was like, all right,

826
00:32:44,960 --> 00:32:45,720
Speaker 1: where is this gonna go?

827
00:32:45,800 --> 00:32:47,520
Speaker 5: The Reason walked up to me yesterday and said, or

828
00:32:47,560 --> 00:32:49,320
Speaker 5: two days ago, say he didn't like Snoop Dogg verse

829
00:32:50,160 --> 00:32:50,719
Speaker 5: on the album.

830
00:32:51,320 --> 00:32:53,760
Speaker 6: I don't know if Snoop to know that.

831
00:32:54,240 --> 00:32:57,960
Speaker 3: Yeah, oh my god. See that's what I do. I

832
00:32:58,040 --> 00:32:59,280
Speaker 3: just be rambling time.

833
00:32:59,480 --> 00:33:00,000
Speaker 6: It's all good.

834
00:33:00,040 --> 00:33:04,600
Speaker 2: It wasn't my favorite Snoop verse, but man, I like

835
00:33:04,640 --> 00:33:06,760
Speaker 2: the Snoopers on it.

836
00:33:06,120 --> 00:33:09,000
Speaker 4: Yeah, it's it's it's it's Snoop, you know what I mean,

837
00:33:09,120 --> 00:33:11,200
Speaker 4: Like it's it's Snoop. We're not expecting Snoop to go

838
00:33:11,240 --> 00:33:13,120
Speaker 4: in in kick your ass on the on.

839
00:33:13,080 --> 00:33:15,720
Speaker 3: The then, No, I like that.

840
00:33:16,800 --> 00:33:20,880
Speaker 5: I didn't nobody kick my ass, not you, Snoop, not nobody,

841
00:33:21,080 --> 00:33:21,360
Speaker 5: that's me.

842
00:33:21,440 --> 00:33:21,480
Speaker 1: No.

843
00:33:22,480 --> 00:33:23,680
Speaker 6: That's that's one thing I like.

844
00:33:24,520 --> 00:33:27,720
Speaker 5: Though he's been words, that's not even I can't compete

845
00:33:27,720 --> 00:33:28,880
Speaker 5: with the nigga who make up words.

846
00:33:30,040 --> 00:33:31,200
Speaker 6: That's one thing I like about.

847
00:33:34,080 --> 00:33:36,080
Speaker 4: But but but always been the type of artist Like

848
00:33:36,160 --> 00:33:38,760
Speaker 4: I start talking about somebody, I'm like, I'm like, but

849
00:33:38,760 --> 00:33:41,520
Speaker 4: but he can't fuck with you though, and Bog nobody

850
00:33:41,600 --> 00:33:43,680
Speaker 4: can't fuck me, and I'm just like a man my bad.

851
00:33:43,720 --> 00:33:45,440
Speaker 5: I believe it now, though I think last year I

852
00:33:45,440 --> 00:33:46,080
Speaker 5: was saying that ship, but I.

853
00:33:46,080 --> 00:33:47,480
Speaker 6: Didn't really believe it. I ain't believe it.

854
00:33:48,080 --> 00:33:49,680
Speaker 3: You feel like hype myself up. Now.

855
00:33:49,720 --> 00:33:52,200
Speaker 5: I feel like when I just it's the people I

856
00:33:52,240 --> 00:33:54,360
Speaker 5: looked up to, and I really feel like I could

857
00:33:54,400 --> 00:33:54,960
Speaker 5: compete with him.

858
00:33:54,960 --> 00:33:56,760
Speaker 6: That's how I know I really believe it now. What's

859
00:33:56,800 --> 00:33:58,720
Speaker 6: one rapper where you hear him every time and you like,

860
00:33:59,080 --> 00:33:59,920
Speaker 6: fuck he nice?

861
00:34:00,360 --> 00:34:03,120
Speaker 3: Drake and Kendrick. Those are the two niggas.

862
00:34:03,160 --> 00:34:05,920
Speaker 5: Every time Drake do sometime a day in the city,

863
00:34:06,000 --> 00:34:08,120
Speaker 5: like three am in somewhere, you know what I'm saying.

864
00:34:08,120 --> 00:34:10,440
Speaker 5: I was like, damn, this nigga get on my nerves?

865
00:34:10,560 --> 00:34:12,600
Speaker 5: Or when you know when Kendrick got When I heard

866
00:34:12,640 --> 00:34:15,400
Speaker 5: count Me Out or the song with Kendrick fighting a

867
00:34:15,440 --> 00:34:18,000
Speaker 5: girl on the album, those two songs, I was like,

868
00:34:18,080 --> 00:34:20,440
Speaker 5: fuck me hot.

869
00:34:20,040 --> 00:34:22,520
Speaker 6: And the Kendrick album You.

870
00:34:22,000 --> 00:34:23,120
Speaker 1: He wasn't even running.

871
00:34:25,000 --> 00:34:27,040
Speaker 5: From marketing that's I got a baby mom. Man, it

872
00:34:27,120 --> 00:34:29,520
Speaker 5: sounds like how we used to be my kill.

873
00:34:29,800 --> 00:34:32,759
Speaker 4: That's like everybody cannot think that had a relationships related

874
00:34:32,760 --> 00:34:35,960
Speaker 4: to the record. So did you the record with Kendrick

875
00:34:36,040 --> 00:34:40,040
Speaker 4: in Summer? Did you write some of that?

876
00:34:40,920 --> 00:34:42,840
Speaker 5: I helped with Summer Verse? You are you R and

877
00:34:42,880 --> 00:34:45,360
Speaker 5: b D exactly? That's my vibe, Man, don't play with me?

878
00:34:46,480 --> 00:34:47,200
Speaker 3: Was somebody else?

879
00:34:47,920 --> 00:34:50,240
Speaker 2: I just don't understand how you could love that Kendrick

880
00:34:50,320 --> 00:34:52,479
Speaker 2: interlude of the Fighting and then write something that's shut

881
00:34:52,480 --> 00:34:54,239
Speaker 2: the fuck up when you hear Love talking.

882
00:34:54,840 --> 00:34:59,800
Speaker 3: I mean that part that boss Love talking last time.

883
00:35:00,080 --> 00:35:01,080
Speaker 6: So you wrote Summer's Verse.

884
00:35:01,280 --> 00:35:03,279
Speaker 3: I didn't say that. I said I helped with Summer Verse.

885
00:35:06,680 --> 00:35:07,160
Speaker 5: That's for real.

886
00:35:07,200 --> 00:35:07,960
Speaker 3: I just helped.

887
00:35:07,960 --> 00:35:11,480
Speaker 6: You know you helped? You helped with Summer's Summer's.

888
00:35:11,200 --> 00:35:12,880
Speaker 2: Part at midnight when the album came out, did you

889
00:35:12,880 --> 00:35:14,920
Speaker 2: secretly hope your ex of three years would text you

890
00:35:14,960 --> 00:35:15,959
Speaker 2: after she listened to it?

891
00:35:16,160 --> 00:35:17,000
Speaker 6: And did she text you?

892
00:35:17,480 --> 00:35:20,040
Speaker 5: Na, my ex is happily moved on and probably with

893
00:35:20,080 --> 00:35:23,360
Speaker 5: the don't know she's happily. I like her page every day.

894
00:35:23,719 --> 00:35:24,319
Speaker 3: You know what I'm saying?

895
00:35:24,400 --> 00:35:25,799
Speaker 1: And what do you think of the new dude?

896
00:35:26,120 --> 00:35:29,160
Speaker 5: I think he's I think they good for each other.

897
00:35:29,800 --> 00:35:32,560
Speaker 5: I think I feel like obviously mad about the situation

898
00:35:32,600 --> 00:35:34,279
Speaker 5: because I know him. You know what I'm saying. Somebody

899
00:35:34,360 --> 00:35:36,319
Speaker 5: not know him like that, but somebody around. So that

900
00:35:36,360 --> 00:35:38,400
Speaker 5: part frustrate me. But when I removed my ego from it,

901
00:35:38,880 --> 00:35:40,839
Speaker 5: I wasn't a good boyfriend. Okay, you know what I'm

902
00:35:40,840 --> 00:35:42,320
Speaker 5: saying that there's also.

903
00:35:42,040 --> 00:35:42,759
Speaker 1: That I appreciate that.

904
00:35:42,840 --> 00:35:45,960
Speaker 5: Yeah, so do you think she listened? Yeah, I'm pretty sure.

905
00:35:46,000 --> 00:35:47,879
Speaker 5: It's still a flex. I always still want to flex

906
00:35:47,880 --> 00:35:49,759
Speaker 5: on her all the time, so I don't. I don't

907
00:35:49,760 --> 00:35:51,160
Speaker 5: want to see her lose. I want her to win

908
00:35:51,200 --> 00:35:53,000
Speaker 5: in life, but I want to I want to win more.

909
00:35:53,080 --> 00:35:56,920
Speaker 6: Yeah, that's what that's real though. I want to win.

910
00:35:57,320 --> 00:35:58,759
Speaker 6: I want her to win, but I want to win more.

911
00:35:58,800 --> 00:36:00,520
Speaker 2: I think a new dude felt away and like maybe

912
00:36:00,520 --> 00:36:03,040
Speaker 2: he was just on her laptop going to Apple Music

913
00:36:03,080 --> 00:36:05,719
Speaker 2: to type in some ship and so I mean.

914
00:36:06,200 --> 00:36:08,239
Speaker 3: Playing in the industry. So you know what I'm saying,

915
00:36:08,239 --> 00:36:09,080
Speaker 3: he probably.

916
00:36:08,960 --> 00:36:10,360
Speaker 4: Oh, he ain't playing that ship in the car. He

917
00:36:10,440 --> 00:36:13,239
Speaker 4: an industry dude. He ain't playing your ship. Like if

918
00:36:13,239 --> 00:36:14,719
Speaker 4: he get in the car and your ship playing, she

919
00:36:14,800 --> 00:36:16,239
Speaker 4: in it byself. Like he went in the store to

920
00:36:16,239 --> 00:36:18,920
Speaker 4: get something, he come back and bug coming through the speakers.

921
00:36:18,920 --> 00:36:20,000
Speaker 6: He's for sure turning that off.

922
00:36:20,280 --> 00:36:22,520
Speaker 5: She never gonna play my ship around him, and he's

923
00:36:22,520 --> 00:36:23,640
Speaker 5: not gonna play my ship no more.

924
00:36:23,840 --> 00:36:26,279
Speaker 6: I just hate, though, Why you hating?

925
00:36:26,920 --> 00:36:28,080
Speaker 1: What if I like your old dude?

926
00:36:28,200 --> 00:36:30,680
Speaker 6: Like he nice? He tellents to like if my ex

927
00:36:30,760 --> 00:36:34,000
Speaker 6: girl used to date. I don't know, Kyrie Irving.

928
00:36:34,000 --> 00:36:36,960
Speaker 4: You think I'm not gonna watch the game because it's

929
00:36:37,040 --> 00:36:39,400
Speaker 4: like he's nice and I'm gonna draft him on fantasy

930
00:36:39,400 --> 00:36:40,600
Speaker 4: team if he's available.

931
00:36:40,680 --> 00:36:42,600
Speaker 1: I ask her how he's feeling.

932
00:36:44,120 --> 00:36:46,920
Speaker 5: I think it depends on how Yeah, if like theal

933
00:36:47,040 --> 00:36:49,480
Speaker 5: was like reason or Jig started, I'm never listening to

934
00:36:49,560 --> 00:36:50,239
Speaker 5: the niggas again.

935
00:36:51,320 --> 00:36:52,600
Speaker 6: No, man, you can't see that.

936
00:36:54,520 --> 00:36:58,080
Speaker 5: Because you're kind of like the direct peers, Like you

937
00:36:58,120 --> 00:36:59,680
Speaker 5: know what I'm saying, anybody, I feel like it's like

938
00:37:00,080 --> 00:37:02,560
Speaker 5: I mean the world with them, I ain't playing the

939
00:37:02,640 --> 00:37:06,160
Speaker 5: niggas no more. It's like, hell no niggas a niggas

940
00:37:06,880 --> 00:37:07,520
Speaker 5: bigger than me.

941
00:37:07,640 --> 00:37:09,920
Speaker 1: Or I'm gonna talk to your therapist tonight.

942
00:37:10,160 --> 00:37:14,280
Speaker 8: Yeah, they gotta change the budget with it's not working.

943
00:37:17,160 --> 00:37:18,440
Speaker 6: You don't even want to listen.

944
00:37:18,239 --> 00:37:20,840
Speaker 5: To the music man, maybe I'll do better in that situation,

945
00:37:20,960 --> 00:37:22,520
Speaker 5: you know what I'm saying. But I'm also glad I'm

946
00:37:22,520 --> 00:37:25,080
Speaker 5: showing this part and that people understand therapy ain't not

947
00:37:25,239 --> 00:37:26,840
Speaker 5: just like immediate results, you know.

948
00:37:27,080 --> 00:37:28,720
Speaker 1: I mean that's that's the new wave.

949
00:37:28,800 --> 00:37:31,799
Speaker 2: And you know, because therapy has become trendy one things

950
00:37:31,800 --> 00:37:33,440
Speaker 2: like oh in therapy, like you fixed.

951
00:37:34,360 --> 00:37:36,840
Speaker 4: Let's make hanging out on college campuses doing ciphers with

952
00:37:36,880 --> 00:37:38,280
Speaker 4: the kids make that trendy.

953
00:37:38,680 --> 00:37:40,000
Speaker 6: You know what I'm saying. We can make any in

954
00:37:40,040 --> 00:37:41,759
Speaker 6: our culture. We can make anything.

955
00:37:41,440 --> 00:37:44,680
Speaker 4: Cool, and it can't be cool bed the man college

956
00:37:44,760 --> 00:37:46,759
Speaker 4: Come on college, of.

957
00:37:46,800 --> 00:37:49,120
Speaker 2: Course, but I will say they're not. They're going to

958
00:37:49,160 --> 00:37:50,840
Speaker 2: walk right past the cipher and go to the party

959
00:37:50,840 --> 00:37:54,800
Speaker 2: with the music. Yeah, if they can't work to it, therapy,

960
00:37:57,400 --> 00:38:00,319
Speaker 2: is that what works? I don't think you the skin

961
00:38:00,480 --> 00:38:02,120
Speaker 2: they see that it might be go go back to

962
00:38:02,160 --> 00:38:03,960
Speaker 2: the doing boogie. Was the first blood I met that

963
00:38:04,040 --> 00:38:06,640
Speaker 2: wore crocs? You thought that was an interesting fact my

964
00:38:06,760 --> 00:38:07,520
Speaker 2: sense of like.

965
00:38:07,760 --> 00:38:10,040
Speaker 6: But why though, like gang bang is always with house slip.

966
00:38:11,239 --> 00:38:12,759
Speaker 5: I don't even know how to travel, for one, I

967
00:38:12,760 --> 00:38:14,920
Speaker 5: don't even understand what you're supposed to wear when you

968
00:38:14,960 --> 00:38:18,719
Speaker 5: go places. Justice sending us this list of colors and pastels.

969
00:38:18,760 --> 00:38:20,520
Speaker 5: I'm like, what the fuck, I'm trying to wear a

970
00:38:20,719 --> 00:38:23,640
Speaker 5: basketball chort, it's a wife beater. And now my assistant

971
00:38:23,640 --> 00:38:26,200
Speaker 5: got me wearing his dumb ass silk shirt. It was

972
00:38:26,280 --> 00:38:27,440
Speaker 5: like yeah, I was.

973
00:38:27,400 --> 00:38:29,320
Speaker 6: Like, Justice is just trying to change your palate.

974
00:38:30,160 --> 00:38:31,360
Speaker 5: Man, we gotta get you in fashion.

975
00:38:31,520 --> 00:38:33,280
Speaker 3: Yeah, what I'm saying, absolutely you should.

976
00:38:33,320 --> 00:38:34,080
Speaker 6: Even that's fashion.

977
00:38:34,080 --> 00:38:37,120
Speaker 3: Though my assistant brought me these fans. I don't. I

978
00:38:37,160 --> 00:38:38,520
Speaker 3: can't get it.

979
00:38:38,560 --> 00:38:39,680
Speaker 6: No, that's a that's a good look.

980
00:38:39,719 --> 00:38:46,720
Speaker 4: That's not yeah good vibe.

981
00:38:47,560 --> 00:38:50,200
Speaker 1: Wait, but is your assistant in fashion? No?

982
00:38:50,360 --> 00:38:53,080
Speaker 6: She just a girl, and that's what you need.

983
00:38:53,120 --> 00:38:55,279
Speaker 4: You just need a girl that with pieces to go

984
00:38:55,400 --> 00:38:59,040
Speaker 4: grab you in fashion now.

985
00:38:58,160 --> 00:38:59,759
Speaker 1: Sucking up with the lifestyle. You should be in Paris

986
00:38:59,800 --> 00:39:00,719
Speaker 1: right now, exactly.

987
00:39:00,960 --> 00:39:03,480
Speaker 3: Man, I sucked there.

988
00:39:04,480 --> 00:39:07,600
Speaker 5: I feel like I was sucked there, like Paris, Like

989
00:39:08,040 --> 00:39:10,680
Speaker 5: so when that seemed boring, just sitting there watching people walk.

990
00:39:10,719 --> 00:39:13,200
Speaker 5: I love fashion people, I love models. I don't want

991
00:39:13,239 --> 00:39:15,160
Speaker 5: to get Are.

992
00:39:15,080 --> 00:39:16,919
Speaker 1: You talking of this new lifestyle we're gonna create?

993
00:39:17,360 --> 00:39:20,960
Speaker 3: Man, It's like we're just quiet watching people walk.

994
00:39:21,600 --> 00:39:23,960
Speaker 6: Like no, but then they got no.

995
00:39:24,440 --> 00:39:26,200
Speaker 5: Kendrick just perform that look hard.

996
00:39:26,239 --> 00:39:27,000
Speaker 6: This is Kendrick.

997
00:39:27,080 --> 00:39:31,360
Speaker 5: Kendrick performed performing, but still sitting there look boring. I

998
00:39:31,400 --> 00:39:32,439
Speaker 5: don't want to sit there.

999
00:39:32,600 --> 00:39:34,720
Speaker 4: Yeah, but I mean if you if, if if Bug

1000
00:39:34,760 --> 00:39:38,400
Speaker 4: had the opportunity to perform at Paris fashion, we.

1001
00:39:38,520 --> 00:39:39,319
Speaker 5: Bro, you know I gonna go.

1002
00:39:39,680 --> 00:39:42,600
Speaker 6: Of course, you got it. You gotta go. You gotta ship.

1003
00:39:42,680 --> 00:39:44,080
Speaker 6: Yeah man, why not that?

1004
00:39:44,239 --> 00:39:47,680
Speaker 4: But just make it's gonna make you going with some

1005
00:39:47,719 --> 00:39:48,000
Speaker 4: of his.

1006
00:39:47,920 --> 00:39:50,720
Speaker 1: Cool pinch fashion. We does look out in Paris.

1007
00:39:50,719 --> 00:39:52,600
Speaker 2: I just don't know what again, Like you said, i'd

1008
00:39:52,600 --> 00:39:54,200
Speaker 2: stand there with like a seat through shirt.

1009
00:39:55,200 --> 00:39:56,680
Speaker 5: Vib I don't know nothing.

1010
00:39:58,040 --> 00:39:59,360
Speaker 2: I feel like that's all I've seen on I g

1011
00:39:59,560 --> 00:40:02,440
Speaker 2: is just see through shirts Paris fashion.

1012
00:40:02,719 --> 00:40:06,920
Speaker 4: Yes, that's probably the next season. That's you know, coming in.

1013
00:40:07,200 --> 00:40:10,640
Speaker 3: I won't be Where's Kendrick in him at Paris?

1014
00:40:11,080 --> 00:40:15,239
Speaker 4: I'd imagine at the Louis Vuittona fashion show at the

1015
00:40:15,600 --> 00:40:17,719
Speaker 4: ever day.

1016
00:40:17,719 --> 00:40:20,000
Speaker 2: Free is the best name dashball time because he just

1017
00:40:20,040 --> 00:40:21,240
Speaker 2: he just said there, don't talk.

1018
00:40:21,480 --> 00:40:23,440
Speaker 3: They Free is amazing from the hood. Shout out to

1019
00:40:23,440 --> 00:40:23,960
Speaker 3: the hommies.

1020
00:40:25,080 --> 00:40:25,920
Speaker 6: I'm scared.

1021
00:40:27,480 --> 00:40:29,360
Speaker 1: Take back. That was offensive. I apologize.

1022
00:40:29,400 --> 00:40:35,399
Speaker 6: Shout out today, Free Man an artist that you want

1023
00:40:35,400 --> 00:40:36,200
Speaker 6: to work with, but.

1024
00:40:37,880 --> 00:40:41,880
Speaker 4: You won't say it, like you won't approach him about it. Hmmm,

1025
00:40:43,719 --> 00:40:45,400
Speaker 4: and for whatever reason, you just won't never bring it.

1026
00:40:45,400 --> 00:40:52,399
Speaker 5: Up to him. That's a great question. Probably I think

1027
00:40:52,480 --> 00:40:58,920
Speaker 5: Game is a legend for sure. Yeah, probably him. He

1028
00:40:58,960 --> 00:41:00,760
Speaker 5: gave me a look though, he gave me a video

1029
00:41:00,760 --> 00:41:01,319
Speaker 5: shoot before.

1030
00:41:01,560 --> 00:41:02,040
Speaker 3: You know what I'm saying.

1031
00:41:02,080 --> 00:41:03,920
Speaker 5: But he is competitive bag and he keeps saying you

1032
00:41:03,960 --> 00:41:04,640
Speaker 5: the best rapperols.

1033
00:41:04,600 --> 00:41:06,400
Speaker 3: So now I'm not going, well, he's doing a roll

1034
00:41:06,400 --> 00:41:08,279
Speaker 3: out right now. Yeah, don't care me too.

1035
00:41:08,480 --> 00:41:10,400
Speaker 6: I saw him. He just put up hip Boy. Him

1036
00:41:10,400 --> 00:41:11,400
Speaker 6: and hit Boy put a record out to you.

1037
00:41:12,200 --> 00:41:14,040
Speaker 5: Violent had It's very hard.

1038
00:41:14,080 --> 00:41:17,560
Speaker 2: I'm curious though, with the album titled Dramatic, And when

1039
00:41:17,560 --> 00:41:19,919
Speaker 2: I heard Violence, I was happy because I love games.

1040
00:41:20,920 --> 00:41:23,480
Speaker 5: Wanted to see she was playing two K. I need

1041
00:41:23,480 --> 00:41:24,960
Speaker 5: to get to that point where I could just ignore

1042
00:41:25,000 --> 00:41:25,759
Speaker 5: six million dollars.

1043
00:41:25,800 --> 00:41:28,239
Speaker 4: How much do we believe Game though? Because Game got

1044
00:41:28,360 --> 00:41:31,040
Speaker 4: legendary lodge like getting some off.

1045
00:41:31,080 --> 00:41:32,239
Speaker 6: It's like, bro, hold up.

1046
00:41:32,200 --> 00:41:34,120
Speaker 3: Y'all, don't think he could get a six million dollar tour?

1047
00:41:34,320 --> 00:41:35,960
Speaker 6: No, we know.

1048
00:41:36,200 --> 00:41:36,759
Speaker 1: I just don't think.

1049
00:41:36,880 --> 00:41:38,279
Speaker 6: I don't think he turned it down to play two

1050
00:41:38,320 --> 00:41:39,080
Speaker 6: K's what I'm saying.

1051
00:41:39,200 --> 00:41:42,080
Speaker 5: Yeah, I didn't been in some dark video game bags

1052
00:41:42,640 --> 00:41:45,200
Speaker 5: like to where like I look up and I've been

1053
00:41:45,239 --> 00:41:48,360
Speaker 5: in my underwears for two days, and I'm like, what

1054
00:41:48,640 --> 00:41:49,480
Speaker 5: the fuck going on?

1055
00:41:50,000 --> 00:41:50,200
Speaker 3: Yeah?

1056
00:41:50,200 --> 00:41:52,640
Speaker 6: But in that bag if it was a six million

1057
00:41:52,640 --> 00:41:53,400
Speaker 6: dollar tour week.

1058
00:41:53,360 --> 00:41:55,520
Speaker 5: Nah, But I also haven't made as much money as

1059
00:41:55,600 --> 00:41:58,000
Speaker 5: him to have the luxury to turn down six million dollars.

1060
00:41:58,040 --> 00:41:59,080
Speaker 5: But I don't know if I'm ever going to get

1061
00:41:59,080 --> 00:42:00,520
Speaker 5: to that point. But you can to that point.

1062
00:42:00,680 --> 00:42:03,520
Speaker 3: Six means I was just turning down six mens.

1063
00:42:04,160 --> 00:42:05,360
Speaker 6: Yeah, I don't know. I don't I don't know if

1064
00:42:05,400 --> 00:42:07,880
Speaker 6: I believe money the game, but I don't know.

1065
00:42:07,880 --> 00:42:10,840
Speaker 3: If he said I could have been been a billionaire

1066
00:42:10,840 --> 00:42:11,520
Speaker 3: if I wanted to.

1067
00:42:12,760 --> 00:42:15,640
Speaker 6: See even that is like who.

1068
00:42:14,840 --> 00:42:16,560
Speaker 3: Said that game exactly?

1069
00:42:17,320 --> 00:42:19,319
Speaker 4: It could have been a billion if I wanted to

1070
00:42:19,480 --> 00:42:20,960
Speaker 4: K was out and I wanted to play t K.

1071
00:42:21,640 --> 00:42:23,959
Speaker 6: That's just like, Okay, we need to get you some help.

1072
00:42:24,120 --> 00:42:26,880
Speaker 2: I mean, that's just like I respect uh juicy smell

1073
00:42:27,080 --> 00:42:28,399
Speaker 2: right now, still dying on the line.

1074
00:42:28,880 --> 00:42:31,480
Speaker 1: He did a whole interview sweat. Yeah, they're still died

1075
00:42:31,520 --> 00:42:32,000
Speaker 1: on the line now.

1076
00:42:32,040 --> 00:42:33,600
Speaker 5: They turned the comments off. I was watching, I was

1077
00:42:33,640 --> 00:42:35,719
Speaker 5: looking at that yesterday that it was funny because now

1078
00:42:35,760 --> 00:42:37,840
Speaker 5: the comments is going to my sway freestyle because it

1079
00:42:37,880 --> 00:42:39,840
Speaker 5: was the last thing that came out before Jesse. So

1080
00:42:42,640 --> 00:42:46,799
Speaker 5: my whole comment session. Why the y'all turned, Jesse, I'm

1081
00:42:46,800 --> 00:42:49,480
Speaker 5: thinking they come give me comments.

1082
00:42:49,520 --> 00:42:52,160
Speaker 3: My ship got up, Jesse.

1083
00:42:52,920 --> 00:42:55,280
Speaker 1: I mean all the ship that happened around your release,

1084
00:42:55,760 --> 00:42:59,000
Speaker 1: Jesse Drake Warriors.

1085
00:43:00,520 --> 00:43:02,280
Speaker 6: There's a lot of ship around Boogies.

1086
00:43:02,360 --> 00:43:09,480
Speaker 5: Really me hot, it's a conspiracy. I just went to

1087
00:43:09,560 --> 00:43:11,040
Speaker 5: a couple of parts. I kept trying to look for

1088
00:43:11,080 --> 00:43:13,680
Speaker 5: the part where he called out the let me get

1089
00:43:13,719 --> 00:43:18,160
Speaker 5: these letters right l g B t q Q community.

1090
00:43:19,040 --> 00:43:20,880
Speaker 6: The one way to remember that is let's get Biden

1091
00:43:20,920 --> 00:43:21,239
Speaker 6: to quit.

1092
00:43:21,880 --> 00:43:23,920
Speaker 5: Oh I'm up. I'm finna use that every time. No, No,

1093
00:43:24,000 --> 00:43:25,760
Speaker 5: that ship hadn't fallen off. The bike was so funny.

1094
00:43:25,800 --> 00:43:29,239
Speaker 5: But anyways, fucking yeah, I watched some of it, but

1095
00:43:29,239 --> 00:43:31,600
Speaker 5: I couldn't find that part where he called the community out.

1096
00:43:32,120 --> 00:43:34,440
Speaker 5: Mm hmm. So but I'm standing on his truth, right,

1097
00:43:34,440 --> 00:43:35,359
Speaker 5: he said it's the truth.

1098
00:43:35,360 --> 00:43:37,400
Speaker 6: Still he's standing on his line. Yeah, I mean, we

1099
00:43:37,480 --> 00:43:38,920
Speaker 6: know he lied, but he's gonna die.

1100
00:43:38,960 --> 00:43:39,520
Speaker 1: I can't respect it.

1101
00:43:39,800 --> 00:43:41,960
Speaker 5: So if he ended up, if it ended up coming

1102
00:43:41,960 --> 00:43:47,320
Speaker 5: out there, he told the truth, y'all gonna all like publicly, he's.

1103
00:43:45,920 --> 00:43:47,440
Speaker 6: Not telling it. Boogie.

1104
00:43:47,480 --> 00:43:50,040
Speaker 4: If you've been in situations where niggas have gotten jumped before,

1105
00:43:50,040 --> 00:43:52,880
Speaker 4: I'm sure that you think if they had a subway sandwich,

1106
00:43:52,920 --> 00:43:54,600
Speaker 4: that subway sandwich is making it home with that.

1107
00:43:54,600 --> 00:43:56,719
Speaker 6: Jeni fact that one of the homies gonna pick it

1108
00:43:56,800 --> 00:44:00,279
Speaker 6: up like yo fan and we're taking your hilarious. That's say.

1109
00:44:00,360 --> 00:44:02,400
Speaker 4: We know Jesse's lyning about that whole thing, but you

1110
00:44:02,400 --> 00:44:04,560
Speaker 4: know he wanted to. He want to donalyize it is

1111
00:44:04,600 --> 00:44:05,040
Speaker 4: what it is.

1112
00:44:05,120 --> 00:44:05,400
Speaker 3: I don't know.

1113
00:44:05,440 --> 00:44:07,359
Speaker 6: I don't pay attention to that ship Jesse Man.

1114
00:44:07,360 --> 00:44:08,239
Speaker 3: What show is he from?

1115
00:44:08,400 --> 00:44:09,440
Speaker 6: Empire?

1116
00:44:11,360 --> 00:44:13,680
Speaker 2: Where's your love life now? Because after this album, I

1117
00:44:13,719 --> 00:44:15,560
Speaker 2: can tell you it sounds like it's some fucking shambles.

1118
00:44:16,000 --> 00:44:18,440
Speaker 5: It's not as I think. I'm more what I'm what

1119
00:44:18,520 --> 00:44:20,239
Speaker 5: I've been trying to do. Think I've been thinking, because

1120
00:44:20,239 --> 00:44:22,439
Speaker 5: I'm being honest with girls that if I still move

1121
00:44:22,640 --> 00:44:25,600
Speaker 5: like a fuck nigga, that it exempts me from all

1122
00:44:25,680 --> 00:44:28,200
Speaker 5: like blame. And I'm trying to realize even if I

1123
00:44:28,280 --> 00:44:30,600
Speaker 5: be honest to these girls and I don't, and then

1124
00:44:30,640 --> 00:44:32,440
Speaker 5: I tell them I'm not ready for a relationship. But

1125
00:44:32,440 --> 00:44:34,759
Speaker 5: I see that they still on relationship time and I

1126
00:44:34,800 --> 00:44:36,000
Speaker 5: still move forward with them.

1127
00:44:36,200 --> 00:44:37,960
Speaker 3: I'm kind of still wrong in a sense, you know

1128
00:44:39,040 --> 00:44:39,759
Speaker 3: over there, so.

1129
00:44:40,320 --> 00:44:42,560
Speaker 1: Being honest, like what's the problem, you're also being an asshole?

1130
00:44:42,760 --> 00:44:43,160
Speaker 6: Yeah?

1131
00:44:43,480 --> 00:44:47,360
Speaker 5: Yeah, So I'm dealing with like I've been like going

1132
00:44:47,400 --> 00:44:49,320
Speaker 5: out because my album came out and not being inviting

1133
00:44:49,360 --> 00:44:51,400
Speaker 5: all the girls I talked to, and it's just like

1134
00:44:51,480 --> 00:44:53,960
Speaker 5: I realized this is messed up because like you know,

1135
00:44:54,280 --> 00:44:56,000
Speaker 5: they just all feeling the way they can all tell.

1136
00:44:56,040 --> 00:44:58,280
Speaker 5: But I'm like, man, I told all you all the truth.

1137
00:44:59,040 --> 00:45:00,759
Speaker 6: But that's always being a dad.

1138
00:45:00,760 --> 00:45:03,760
Speaker 4: How do you feel like that is affecting your career

1139
00:45:04,520 --> 00:45:05,640
Speaker 4: in a positive way?

1140
00:45:06,880 --> 00:45:11,319
Speaker 5: Mmm? The patient's part just because like stuff not going

1141
00:45:11,360 --> 00:45:14,560
Speaker 5: my way. I don't know how I could correlate it

1142
00:45:14,600 --> 00:45:16,279
Speaker 5: from the too, but I'm just more patient in life

1143
00:45:16,320 --> 00:45:20,600
Speaker 5: because of my kid. So there's that when I'm like

1144
00:45:20,719 --> 00:45:23,680
Speaker 5: feeling low, Like even before I go perform, I always

1145
00:45:23,680 --> 00:45:26,279
Speaker 5: like this picture my kid right before I go on

1146
00:45:26,320 --> 00:45:28,680
Speaker 5: stage for some reason, or I like tap his face

1147
00:45:28,680 --> 00:45:30,560
Speaker 5: on my phone or some ship like that, and now

1148
00:45:30,640 --> 00:45:32,799
Speaker 5: just he al. It's like a Chico for niggas. If

1149
00:45:32,840 --> 00:45:34,279
Speaker 5: you got a kid, you could It's always like a

1150
00:45:34,280 --> 00:45:36,879
Speaker 5: source of strength every time you're feeling down or low.

1151
00:45:36,920 --> 00:45:39,200
Speaker 5: It's like, I got this whole life, I'm responsible for

1152
00:45:39,239 --> 00:45:40,799
Speaker 5: who I gotta be a light for.

1153
00:45:41,080 --> 00:45:42,880
Speaker 6: So that's how Rory is with Baislely.

1154
00:45:43,239 --> 00:45:43,759
Speaker 1: That is true.

1155
00:45:43,800 --> 00:45:44,600
Speaker 3: That's whenever we.

1156
00:45:44,560 --> 00:45:46,399
Speaker 4: Got a pod and he's feeling down, he just face

1157
00:45:46,480 --> 00:45:47,440
Speaker 4: times Baisley and.

1158
00:45:47,600 --> 00:45:49,200
Speaker 1: I haven't seen her jumps in the game.

1159
00:45:52,400 --> 00:45:54,839
Speaker 3: Okay, that's what's up, man shout out to basically.

1160
00:45:55,960 --> 00:45:58,520
Speaker 1: Speaking of parenting, and I know we're jumping over the place.

1161
00:45:58,600 --> 00:46:01,520
Speaker 2: I love with the Killer Mode video at the end,

1162
00:46:01,719 --> 00:46:03,759
Speaker 2: did you share that note with your mother before the

1163
00:46:03,840 --> 00:46:04,959
Speaker 2: video came out or does she watching?

1164
00:46:05,040 --> 00:46:06,680
Speaker 3: Really the crazy part.

1165
00:46:06,719 --> 00:46:09,640
Speaker 5: I did a Colors interview before that, and I never

1166
00:46:09,680 --> 00:46:12,520
Speaker 5: had spoke about nothing outside of my therapist how I

1167
00:46:12,560 --> 00:46:14,600
Speaker 5: was angry with my mom, Like for the past since

1168
00:46:14,640 --> 00:46:16,279
Speaker 5: I've been a grown up. My mama caused me to

1169
00:46:16,280 --> 00:46:17,799
Speaker 5: tell me she loved me, like heyb beyead look and

1170
00:46:17,840 --> 00:46:21,319
Speaker 5: it pisses me off, like it irritates me. It's like, Okay,

1171
00:46:21,400 --> 00:46:23,040
Speaker 5: you doing too much, you know what I'm saying. And

1172
00:46:23,080 --> 00:46:24,879
Speaker 5: I couldn't figure out why I was so angry until

1173
00:46:24,880 --> 00:46:26,719
Speaker 5: my therapists. We talked about me not having that space

1174
00:46:26,719 --> 00:46:28,880
Speaker 5: to be emotional now like now when she tried to

1175
00:46:28,880 --> 00:46:30,200
Speaker 5: do it now, it's just like it's too late.

1176
00:46:30,800 --> 00:46:31,239
Speaker 3: So I talked.

1177
00:46:31,239 --> 00:46:33,480
Speaker 5: I said that on Colors, and my mama called me

1178
00:46:33,560 --> 00:46:35,640
Speaker 5: the next day like being passive behind what you doing?

1179
00:46:36,239 --> 00:46:38,920
Speaker 3: Oh yeah, I saw your interview and then you know

1180
00:46:38,960 --> 00:46:39,359
Speaker 3: what I'm saying.

1181
00:46:39,360 --> 00:46:41,640
Speaker 5: So that part her not being offended. We had to

1182
00:46:41,640 --> 00:46:43,040
Speaker 5: get through that, and then she finally came to a

1183
00:46:43,080 --> 00:46:45,200
Speaker 5: space like I get it, you know what I'm saying.

1184
00:46:45,280 --> 00:46:47,360
Speaker 5: And she was just mad that I didn't talk to

1185
00:46:47,400 --> 00:46:49,840
Speaker 5: her about the first which is understandable. So when she

1186
00:46:49,880 --> 00:46:51,720
Speaker 5: saw that letter, she wasn't tripping because I had already

1187
00:46:51,719 --> 00:46:54,120
Speaker 5: went on the whole interview about how she did me scandless.

1188
00:46:54,880 --> 00:46:57,040
Speaker 2: Yeah, I tried to talk about my parents behind the

1189
00:46:57,080 --> 00:46:58,880
Speaker 2: paywall a Patreon.

1190
00:46:58,560 --> 00:47:03,520
Speaker 6: Didn't and then caught you. They paid for they.

1191
00:47:02,760 --> 00:47:05,160
Speaker 1: Caught They paid the ten dollars.

1192
00:47:05,480 --> 00:47:07,880
Speaker 5: So my daddy too, I'll be going. He sent me

1193
00:47:07,920 --> 00:47:09,680
Speaker 5: like a He sent me like a Facebook message like

1194
00:47:09,719 --> 00:47:11,960
Speaker 5: once a year. He left my life when I was twelve.

1195
00:47:12,000 --> 00:47:13,480
Speaker 6: And then he just sent you a Facebook message.

1196
00:47:13,520 --> 00:47:15,360
Speaker 5: I'm saying, fast forward. I got a brother on my

1197
00:47:15,400 --> 00:47:17,719
Speaker 5: daddy side who older than me. I hadn't seen him

1198
00:47:17,760 --> 00:47:19,560
Speaker 5: since I was twelve either, And then when I was

1199
00:47:19,600 --> 00:47:23,279
Speaker 5: like when I was eighteen, I was walking with my

1200
00:47:23,320 --> 00:47:25,719
Speaker 5: best friend, who a crip, who was walking in Long Beach,

1201
00:47:25,960 --> 00:47:29,120
Speaker 5: like just walking around being seventeen, was walking around being ghetto,

1202
00:47:29,280 --> 00:47:31,759
Speaker 5: you know, just walking from the park. I seen my

1203
00:47:31,840 --> 00:47:33,760
Speaker 5: brother and I'm like, damn, I see you in forever.

1204
00:47:34,239 --> 00:47:36,120
Speaker 5: He grew up to be a crip, and I'm with

1205
00:47:36,239 --> 00:47:38,520
Speaker 5: some crips he don't get along with at the time,

1206
00:47:38,880 --> 00:47:41,279
Speaker 5: so I'm like, everybody cool. He like, I miss you,

1207
00:47:41,280 --> 00:47:43,160
Speaker 5: give me your number. I'm gonna see you later. I

1208
00:47:43,200 --> 00:47:44,879
Speaker 5: go to my baby mama house at the time, before

1209
00:47:44,920 --> 00:47:46,680
Speaker 5: my kid was born. I had already ran away from

1210
00:47:46,680 --> 00:47:49,040
Speaker 5: home and was living with her, so me and all

1211
00:47:49,080 --> 00:47:51,440
Speaker 5: the homies in the front yard my brother. I gave

1212
00:47:51,480 --> 00:47:53,279
Speaker 5: my brother the address, but then I thought about it, like,

1213
00:47:53,719 --> 00:47:55,480
Speaker 5: it's probably not smart if my brother come over here,

1214
00:47:55,480 --> 00:47:56,840
Speaker 5: because I don't want them to get into it. I

1215
00:47:56,880 --> 00:48:00,800
Speaker 5: had already gave an address at this time. Let me

1216
00:48:00,840 --> 00:48:02,640
Speaker 5: make sure I don't dry snitch or anything. So either way,

1217
00:48:02,760 --> 00:48:05,319
Speaker 5: go that night my house, my baby Mama house got

1218
00:48:05,320 --> 00:48:07,919
Speaker 5: shut up. My brother didn't do it. I'm not saying

1219
00:48:07,920 --> 00:48:08,480
Speaker 5: he did it, but.

1220
00:48:09,160 --> 00:48:12,399
Speaker 6: Wait wait wait wait, wait wait wait wait, we can't.

1221
00:48:12,680 --> 00:48:13,360
Speaker 6: We can't do that.

1222
00:48:13,719 --> 00:48:16,120
Speaker 5: I'm just saying he's I ain't saying he did it,

1223
00:48:16,160 --> 00:48:18,239
Speaker 5: but he's a I'm just saying my baby mama house

1224
00:48:18,320 --> 00:48:21,040
Speaker 5: got shot up. So either way, and my best friend,

1225
00:48:21,080 --> 00:48:22,600
Speaker 5: my best friend got shot in the neck. I only

1226
00:48:22,640 --> 00:48:25,000
Speaker 5: bring this story up to talk about how after that,

1227
00:48:25,120 --> 00:48:26,839
Speaker 5: my daddy reached out to me for the first time

1228
00:48:26,880 --> 00:48:28,920
Speaker 5: since I was twelve. I was like, why are you

1229
00:48:28,960 --> 00:48:34,040
Speaker 5: trying to set your brother up? And that ship pissed

1230
00:48:34,239 --> 00:48:37,759
Speaker 5: me off because I was just like, what, you know.

1231
00:48:38,360 --> 00:48:41,960
Speaker 8: That's only a black family, not no other no other

1232
00:48:42,080 --> 00:48:45,600
Speaker 8: culture could tell that story. That's a black problem, Black problems.

1233
00:48:45,640 --> 00:48:48,440
Speaker 8: We got furishment though y'all don't do ship.

1234
00:48:48,360 --> 00:48:51,560
Speaker 1: Like that West than guns.

1235
00:48:51,600 --> 00:48:54,080
Speaker 2: But you know, we said logic should be the face

1236
00:48:54,120 --> 00:48:56,360
Speaker 2: of twenty three and me, I think, now maybe Boogie

1237
00:48:56,400 --> 00:48:57,720
Speaker 2: could finding your siblings.

1238
00:48:59,040 --> 00:49:00,760
Speaker 6: That's a twenty story.

1239
00:49:01,080 --> 00:49:01,279
Speaker 4: Yeah.

1240
00:49:01,400 --> 00:49:02,799
Speaker 5: So then my best friend got shot in the neck.

1241
00:49:03,000 --> 00:49:05,640
Speaker 5: It was our first time doing lean, so he didn't panic,

1242
00:49:05,800 --> 00:49:07,520
Speaker 5: and I feel like that's what saved his life because

1243
00:49:07,520 --> 00:49:09,319
Speaker 5: he was just sitting there like like chilling, like damn.

1244
00:49:09,360 --> 00:49:11,520
Speaker 6: I think the bullet in his neck caused him the

1245
00:49:11,600 --> 00:49:12,960
Speaker 6: chill I'm just taking.

1246
00:49:13,200 --> 00:49:15,880
Speaker 5: He wasn't crying though, he was just like, like I

1247
00:49:15,880 --> 00:49:16,919
Speaker 5: had seen people get shot.

1248
00:49:16,960 --> 00:49:17,479
Speaker 3: I got shot.

1249
00:49:17,520 --> 00:49:19,279
Speaker 5: I was screaming like a little bit. And the neck

1250
00:49:19,920 --> 00:49:22,719
Speaker 5: the foot, so the neck is he was like, I

1251
00:49:22,719 --> 00:49:25,279
Speaker 5: ain't moving because that you can't.

1252
00:49:26,520 --> 00:49:31,120
Speaker 6: So why try to set your brother up? Your brother

1253
00:49:31,280 --> 00:49:32,000
Speaker 6: definitely shot that.

1254
00:49:32,600 --> 00:49:34,439
Speaker 8: He shot that house up and said, yeah, that little

1255
00:49:34,480 --> 00:49:36,560
Speaker 8: nigga trying to set me and.

1256
00:49:36,600 --> 00:49:38,360
Speaker 5: That shaped be hot because I'm like I had just

1257
00:49:38,440 --> 00:49:40,960
Speaker 5: walked in the house like five seconds before. So it's like,

1258
00:49:41,040 --> 00:49:43,680
Speaker 5: damn niggas was trying to really smoke me. Like I

1259
00:49:43,800 --> 00:49:45,799
Speaker 5: know it's nighttime, so I know you weren't aiming at

1260
00:49:46,160 --> 00:49:49,120
Speaker 5: my homie who liked the op. So then my daddy

1261
00:49:49,280 --> 00:49:51,600
Speaker 5: and I didn't reply to my daddy. So then like

1262
00:49:51,800 --> 00:49:55,160
Speaker 5: five years later, I got a Sneaker's commercial. I go

1263
00:49:55,280 --> 00:49:55,960
Speaker 5: to his page.

1264
00:49:56,040 --> 00:49:58,560
Speaker 3: He like, I don't listen to my kid music, but

1265
00:49:58,600 --> 00:50:00,160
Speaker 3: I like this in post.

1266
00:50:00,120 --> 00:50:03,680
Speaker 5: The Sneakers commercial with Elton John, that's such.

1267
00:50:03,520 --> 00:50:07,040
Speaker 6: A proud Black day. Look at the message with his music.

1268
00:50:07,080 --> 00:50:07,400
Speaker 5: But I like.

1269
00:50:08,880 --> 00:50:10,719
Speaker 1: This, But was that message right above them?

1270
00:50:11,560 --> 00:50:13,759
Speaker 5: Message this on his feed? He finally proud to like

1271
00:50:13,840 --> 00:50:15,680
Speaker 5: shot me out, you know what I'm saying. So then

1272
00:50:15,800 --> 00:50:17,479
Speaker 5: he just sent me a long message. I'll be listening

1273
00:50:17,560 --> 00:50:19,759
Speaker 5: to your music. It seemed like you got resemmed towards me.

1274
00:50:20,040 --> 00:50:21,480
Speaker 5: I just want you to know I tried to be

1275
00:50:21,560 --> 00:50:23,160
Speaker 5: in your life with your mama chased me away like

1276
00:50:23,239 --> 00:50:24,120
Speaker 5: I tried to go to court.

1277
00:50:24,520 --> 00:50:25,080
Speaker 3: You know what I'm saying.

1278
00:50:25,160 --> 00:50:26,719
Speaker 5: I'm not saying my mama was easy to deal with,

1279
00:50:26,800 --> 00:50:28,600
Speaker 5: but I just know it's nobody that could keep me

1280
00:50:28,600 --> 00:50:30,319
Speaker 5: away from my kids. So it's never gonna I'm never

1281
00:50:30,360 --> 00:50:31,600
Speaker 5: gonna take that as an excuse.

1282
00:50:31,680 --> 00:50:34,480
Speaker 1: Should have gave the address too exactly.

1283
00:50:37,120 --> 00:50:39,640
Speaker 6: He would have shot that shout give.

1284
00:50:39,560 --> 00:50:41,800
Speaker 2: Me the goddamn So at no point the friend that

1285
00:50:41,840 --> 00:50:44,000
Speaker 2: got shot in the neck didn't ask you, did you say?

1286
00:50:44,040 --> 00:50:44,120
Speaker 7: Now?

1287
00:50:44,200 --> 00:50:45,040
Speaker 5: You know? You know he know?

1288
00:50:45,400 --> 00:50:46,880
Speaker 3: I mean he was there when it happened. He know,

1289
00:50:47,080 --> 00:50:49,040
Speaker 3: Like how I blew it? You know what I'm saying

1290
00:50:49,080 --> 00:50:50,880
Speaker 3: by even giving up the address, but also.

1291
00:50:50,760 --> 00:50:52,680
Speaker 6: Like, wait, were you there when shot up?

1292
00:50:52,760 --> 00:50:54,560
Speaker 5: Yes? So I said it was standing in the front.

1293
00:50:54,719 --> 00:50:56,839
Speaker 5: I was like, I'm finna go pee. As soon as

1294
00:50:56,840 --> 00:50:57,480
Speaker 5: I got in the house.

1295
00:50:58,520 --> 00:51:01,520
Speaker 6: Oh yeah, that's you walked through. That's why you like

1296
00:51:01,880 --> 00:51:04,480
Speaker 6: seeing belly. I'm I'm about to blow down, you know,

1297
00:51:05,920 --> 00:51:08,240
Speaker 6: lean And you gave him to parallel.

1298
00:51:09,880 --> 00:51:12,160
Speaker 5: I didn't give him Aleen. I didn't even take none

1299
00:51:12,200 --> 00:51:12,920
Speaker 5: of the lian he was.

1300
00:51:14,800 --> 00:51:15,319
Speaker 1: You were sober.

1301
00:51:15,840 --> 00:51:18,399
Speaker 3: He brought that shipping sorrow man. That's my best friend.

1302
00:51:18,480 --> 00:51:19,399
Speaker 1: But I'm glad he's okay.

1303
00:51:20,120 --> 00:51:22,279
Speaker 6: But that is one of the craziest stories I've ever

1304
00:51:22,320 --> 00:51:22,839
Speaker 6: heard of my mom.

1305
00:51:22,960 --> 00:51:23,120
Speaker 5: Man.

1306
00:51:23,239 --> 00:51:24,960
Speaker 3: But and then now and then my brother pastor.

1307
00:51:25,080 --> 00:51:26,400
Speaker 6: Now he's a pastor.

1308
00:51:26,560 --> 00:51:28,719
Speaker 1: Yes, oh wow, you speak to your brother after that?

1309
00:51:29,040 --> 00:51:30,880
Speaker 5: Hell no, I never talked to that man. But I

1310
00:51:30,960 --> 00:51:32,800
Speaker 5: got a message for him one time, saying his pastor.

1311
00:51:33,120 --> 00:51:35,200
Speaker 5: He I think he just acts like he just acts

1312
00:51:35,200 --> 00:51:36,040
Speaker 5: like the situation happen.

1313
00:51:36,080 --> 00:51:36,560
Speaker 3: You know what I'm saying.

1314
00:51:41,560 --> 00:51:42,560
Speaker 1: How come Paul doesn't like us?

1315
00:51:43,480 --> 00:51:44,720
Speaker 3: Damn, that was crazy.

1316
00:51:46,200 --> 00:51:48,160
Speaker 4: I think I think he Well, I think Paul doesn't

1317
00:51:48,200 --> 00:51:50,200
Speaker 4: like you. I just think that because like you, my man,

1318
00:51:50,280 --> 00:51:51,520
Speaker 4: I just got to take that beef for you.

1319
00:51:51,680 --> 00:51:53,520
Speaker 5: Yeah. I don't think it's nothing he don't like you.

1320
00:51:53,680 --> 00:51:55,440
Speaker 5: I don't think he's walking around holding that energy. I

1321
00:51:55,520 --> 00:51:58,360
Speaker 5: just I don't think Paul care his valid that he

1322
00:51:58,440 --> 00:52:01,000
Speaker 5: will be like hesitant to fuck with y'all. Y'all be

1323
00:52:01,080 --> 00:52:02,719
Speaker 5: critiquing the label something.

1324
00:52:02,520 --> 00:52:03,120
Speaker 6: But out of love?

1325
00:52:03,239 --> 00:52:06,040
Speaker 1: Though, do we do we critique the label like that?

1326
00:52:06,800 --> 00:52:08,560
Speaker 5: Do you think you do? I think we.

1327
00:52:08,800 --> 00:52:10,320
Speaker 4: I think I can make a case that Rory and

1328
00:52:10,360 --> 00:52:13,000
Speaker 4: I have supported a lot of the Shady artists artists.

1329
00:52:13,200 --> 00:52:16,239
Speaker 2: I don't think no one supports in media more of

1330
00:52:16,320 --> 00:52:18,279
Speaker 2: that roster than most agree. I agree with you from

1331
00:52:18,320 --> 00:52:19,280
Speaker 2: this from the start.

1332
00:52:19,440 --> 00:52:23,120
Speaker 5: Definitely, But so you think, but you critique the infrastructure,

1333
00:52:23,200 --> 00:52:25,359
Speaker 5: the system of Shady, the Shady system in a way

1334
00:52:25,360 --> 00:52:26,480
Speaker 5: it set up or the business.

1335
00:52:26,520 --> 00:52:29,080
Speaker 1: Yeah, it's the same way I do every other well

1336
00:52:29,160 --> 00:52:30,840
Speaker 1: not yeah, every other label.

1337
00:52:31,360 --> 00:52:34,200
Speaker 4: But it's more so because of the artists that we

1338
00:52:34,560 --> 00:52:36,880
Speaker 4: know that the sign of Shady, how talented they are.

1339
00:52:37,880 --> 00:52:39,400
Speaker 4: It's just like I want to see them get a

1340
00:52:39,520 --> 00:52:41,399
Speaker 4: fair shot, like and I want to see them get

1341
00:52:41,960 --> 00:52:45,800
Speaker 4: the opportunities and have the access that a lot of

1342
00:52:45,880 --> 00:52:48,879
Speaker 4: other artists have that are not near as talented as

1343
00:52:49,600 --> 00:52:50,640
Speaker 4: the roster that Shady has.

1344
00:52:50,680 --> 00:52:50,920
Speaker 6: That's all.

1345
00:52:51,000 --> 00:52:52,759
Speaker 5: And I feel you, and I know that's coming out

1346
00:52:52,760 --> 00:52:55,960
Speaker 5: of a place to love, and but y'all understand the

1347
00:52:55,960 --> 00:52:57,759
Speaker 5: other side to it, is like, all right, if y'all

1348
00:52:58,000 --> 00:52:59,920
Speaker 5: with y'all right to critique if y'all gonna do the

1349
00:53:00,080 --> 00:53:03,000
Speaker 5: it's also my right to just not funck with y'all question.

1350
00:53:03,239 --> 00:53:07,239
Speaker 6: Let me explain. Don't care, y'all, don't care.

1351
00:53:07,920 --> 00:53:08,480
Speaker 5: Y'all don't care.

1352
00:53:08,680 --> 00:53:10,040
Speaker 4: I know that, but I would just say, it's no

1353
00:53:10,120 --> 00:53:14,080
Speaker 4: disrespect to anybody, just like I said some things that

1354
00:53:14,600 --> 00:53:16,279
Speaker 4: you may feel some type of way about, or somebody

1355
00:53:16,320 --> 00:53:17,800
Speaker 4: may feel some type of way about, but I understand

1356
00:53:17,800 --> 00:53:22,200
Speaker 4: it's never like any intended disrespect because my point of view,

1357
00:53:22,680 --> 00:53:23,960
Speaker 4: it's his baby, it's his project.

1358
00:53:24,640 --> 00:53:26,520
Speaker 1: But I could get a weird text messages from people

1359
00:53:26,560 --> 00:53:27,600
Speaker 1: that work at Shady.

1360
00:53:27,400 --> 00:53:32,919
Speaker 3: And like probably me, like bro, calm down, I'm just playing.

1361
00:53:32,920 --> 00:53:34,080
Speaker 3: I never said that, But it's a.

1362
00:53:34,160 --> 00:53:37,560
Speaker 2: Lot of it's a critique because I feel because again

1363
00:53:37,560 --> 00:53:38,680
Speaker 2: I feel I never heard.

1364
00:53:38,719 --> 00:53:40,680
Speaker 5: I've also never heard none of this. I ain't gonna

1365
00:53:40,719 --> 00:53:43,480
Speaker 5: lie the critique towards Shady.

1366
00:53:43,640 --> 00:53:46,200
Speaker 4: So from what I can think, it's a lot of

1367
00:53:46,239 --> 00:53:49,680
Speaker 4: old previous ship that was said. And sure we were

1368
00:53:49,719 --> 00:53:51,480
Speaker 4: standing near it, so it's kind of like.

1369
00:53:51,760 --> 00:53:54,000
Speaker 2: Oh but as a reason, we did a Conway interview

1370
00:53:54,040 --> 00:53:56,840
Speaker 2: at Soul House that it was like for the audience

1371
00:53:56,960 --> 00:53:57,880
Speaker 2: and we put it on patreoon.

1372
00:53:57,880 --> 00:53:59,719
Speaker 1: I don't even think maybe some of it made you too.

1373
00:54:00,400 --> 00:54:02,879
Speaker 2: It was like, and I think I could be wrong,

1374
00:54:02,920 --> 00:54:04,880
Speaker 2: because I always I am not sure what I say

1375
00:54:04,920 --> 00:54:06,879
Speaker 2: on this podcast, and I look back, I'm like, oh fuck,

1376
00:54:07,080 --> 00:54:09,840
Speaker 2: from what I remember, all I said was it appears

1377
00:54:10,880 --> 00:54:13,240
Speaker 2: like Conway did most of this rollout by himself.

1378
00:54:13,440 --> 00:54:14,960
Speaker 1: It appears that's all.

1379
00:54:15,480 --> 00:54:17,239
Speaker 6: And you can't be that full of yourself to get

1380
00:54:17,280 --> 00:54:18,200
Speaker 6: mad at somebody saying that.

1381
00:54:18,440 --> 00:54:24,600
Speaker 5: Yeah, so I think, uh, I think the misconception that

1382
00:54:25,760 --> 00:54:27,759
Speaker 5: why I'm so cool with being that shady and I

1383
00:54:27,840 --> 00:54:31,280
Speaker 5: can't speak on other people problems. My expectations is just different,

1384
00:54:31,320 --> 00:54:33,200
Speaker 5: you know what I'm saying. I don't go into it

1385
00:54:33,440 --> 00:54:35,799
Speaker 5: expecting them like to hand me a bag of money

1386
00:54:35,960 --> 00:54:38,200
Speaker 5: create ideas for me. I think it's just to help

1387
00:54:38,200 --> 00:54:40,520
Speaker 5: when they can, and like I just look at it,

1388
00:54:40,680 --> 00:54:42,880
Speaker 5: like you letting me have your platform to make my

1389
00:54:42,960 --> 00:54:46,319
Speaker 5: platform bigger. If Eminem handed me a stack of money,

1390
00:54:46,360 --> 00:54:47,839
Speaker 5: I'm just gonna look at them like I'm gonna owe

1391
00:54:47,840 --> 00:54:50,200
Speaker 5: you this later. I'm not sure absolutely, you know what

1392
00:54:50,200 --> 00:54:52,200
Speaker 5: I'm saying. So it's not really nothing they could do

1393
00:54:52,239 --> 00:54:55,040
Speaker 5: for me. My rollout come from my infrastructure LVR in

1394
00:54:55,560 --> 00:54:58,200
Speaker 5: my homies and you know what I'm saying I think

1395
00:54:58,280 --> 00:54:59,840
Speaker 5: everybody should have their own team when they go on

1396
00:54:59,880 --> 00:55:03,120
Speaker 5: to for sure. So if Conway did, he probably did

1397
00:55:03,200 --> 00:55:04,920
Speaker 5: do it by stuff. He probably wanted to do it byself.

1398
00:55:04,960 --> 00:55:08,120
Speaker 5: Who fucking knows, But yeah, I just don't know. What

1399
00:55:08,560 --> 00:55:10,479
Speaker 5: What would you expect the label to do for artists

1400
00:55:10,480 --> 00:55:11,000
Speaker 5: that I roll out?

1401
00:55:11,000 --> 00:55:11,560
Speaker 3: What do you expect?

1402
00:55:11,840 --> 00:55:14,560
Speaker 5: Like if it certain looks, it's certain like like why

1403
00:55:14,640 --> 00:55:17,520
Speaker 5: you're not doing these magazines or like what do you expect?

1404
00:55:17,960 --> 00:55:20,560
Speaker 1: Yeah, I think at this point with the majors, it's

1405
00:55:20,680 --> 00:55:21,239
Speaker 1: certain looks.

1406
00:55:21,840 --> 00:55:24,920
Speaker 4: Yeah, like certainly, and every artist what every artists should

1407
00:55:25,000 --> 00:55:27,960
Speaker 4: not get the same looks as other artists, But it's

1408
00:55:28,040 --> 00:55:31,600
Speaker 4: just certain certain energy and certain just uh you know,

1409
00:55:31,760 --> 00:55:34,120
Speaker 4: you see you see certain artists that's like damn, like

1410
00:55:34,600 --> 00:55:37,280
Speaker 4: he's so dope, but she's so dope, but she doesn't

1411
00:55:37,280 --> 00:55:40,000
Speaker 4: get the push and the attention and you know, she

1412
00:55:40,080 --> 00:55:42,479
Speaker 4: doesn't get the whole building behind her like this artist.

1413
00:55:42,600 --> 00:55:45,320
Speaker 6: Yeah, and granted you have to work up to that.

1414
00:55:45,480 --> 00:55:47,640
Speaker 4: But my thing is if I'm in the building and

1415
00:55:47,719 --> 00:55:49,239
Speaker 4: this is my team, this is my family, that's why

1416
00:55:49,239 --> 00:55:52,719
Speaker 4: I'm with and we have access to these things, like

1417
00:55:53,600 --> 00:55:56,359
Speaker 4: just give me a certain amount of looks on these

1418
00:55:57,120 --> 00:55:58,719
Speaker 4: these different legs where I could be like, okay, you

1419
00:55:58,760 --> 00:56:01,000
Speaker 4: can help push my it to the front a little bit.

1420
00:56:01,080 --> 00:56:04,640
Speaker 4: But again, it's just we were talking. We're just throws back,

1421
00:56:04,640 --> 00:56:07,439
Speaker 4: and it's not disrespect. It's not hate, like we don't

1422
00:56:07,480 --> 00:56:08,120
Speaker 4: hate anybody.

1423
00:56:08,200 --> 00:56:08,719
Speaker 6: We don't mean.

1424
00:56:09,080 --> 00:56:12,240
Speaker 2: I feel like shady signs a lot of self sufficient artists,

1425
00:56:12,320 --> 00:56:15,319
Speaker 2: especially with Griselda like that, so they are I think

1426
00:56:15,360 --> 00:56:17,560
Speaker 2: in a lot of sense a bank. Like I took

1427
00:56:17,600 --> 00:56:19,359
Speaker 2: a bank loan out to buy my crib. When people

1428
00:56:19,400 --> 00:56:20,680
Speaker 2: come to my house, I'm just like, yo, you see

1429
00:56:20,719 --> 00:56:22,319
Speaker 2: what me and the bank did. Yeah, Like I mean,

1430
00:56:22,360 --> 00:56:25,160
Speaker 2: I put the crib together, but that helped.

1431
00:56:25,520 --> 00:56:27,759
Speaker 5: Yeah, you know what I'm saying. And yes, M I

1432
00:56:27,880 --> 00:56:29,920
Speaker 5: just get to learn from M. Also at the same time,

1433
00:56:30,040 --> 00:56:31,560
Speaker 5: it's it's hard than they are a bank too, because

1434
00:56:31,560 --> 00:56:33,320
Speaker 5: that's my label. But I don't want to make it

1435
00:56:33,880 --> 00:56:34,719
Speaker 5: just that because.

1436
00:56:34,680 --> 00:56:36,440
Speaker 2: I think a lot of majors some degrees are though

1437
00:56:37,000 --> 00:56:38,360
Speaker 2: I think a lot of majors now are just.

1438
00:56:38,400 --> 00:56:41,399
Speaker 5: Yeah, that's all it is. I mean, just understanding game

1439
00:56:41,440 --> 00:56:42,759
Speaker 5: you play, That's what it's talking about.

1440
00:56:42,840 --> 00:56:44,680
Speaker 4: But banks, you know, if you have a certain amount

1441
00:56:45,080 --> 00:56:46,719
Speaker 4: in the bank with them, you you walk in, they

1442
00:56:46,960 --> 00:56:47,839
Speaker 4: take you to a private room.

1443
00:56:47,880 --> 00:56:48,720
Speaker 6: Off your champagne.

1444
00:56:49,640 --> 00:56:52,160
Speaker 4: Now it's like I got to count here too, like

1445
00:56:52,200 --> 00:56:54,239
Speaker 4: give me a bottle of water, like don't just be

1446
00:56:54,360 --> 00:56:55,239
Speaker 4: like yo, what you want?

1447
00:56:55,400 --> 00:56:57,120
Speaker 6: Like yeah, and it is.

1448
00:56:57,280 --> 00:57:01,759
Speaker 5: And I remember being at Innerscope with feeling like I

1449
00:57:01,800 --> 00:57:04,080
Speaker 5: had no leverage there because I didn't have LVRN who

1450
00:57:04,160 --> 00:57:07,120
Speaker 5: got already got Summer in Black, who was more established

1451
00:57:07,120 --> 00:57:09,400
Speaker 5: than me, to like get me more leverage, or just

1452
00:57:09,520 --> 00:57:11,520
Speaker 5: like Paul being able to get on the phone anytime.

1453
00:57:12,000 --> 00:57:14,480
Speaker 5: So yeah, it's a real thing. You need that leverage.

1454
00:57:14,520 --> 00:57:18,120
Speaker 5: And I can't never say I don't ask for a

1455
00:57:18,160 --> 00:57:19,720
Speaker 5: lot of stuff either, So maybe I should get better

1456
00:57:19,760 --> 00:57:21,920
Speaker 5: at that. And I could give y'all real, like honest

1457
00:57:21,960 --> 00:57:24,840
Speaker 5: opinion on it, because whatever I asked for I get.

1458
00:57:24,880 --> 00:57:26,040
Speaker 5: I don't ask for a lot, So you know what

1459
00:57:26,080 --> 00:57:26,439
Speaker 5: I'm saying.

1460
00:57:26,560 --> 00:57:28,400
Speaker 2: How did the shady deal even come about? I don't

1461
00:57:28,400 --> 00:57:29,760
Speaker 2: even know the history, really shit, I don't.

1462
00:57:30,160 --> 00:57:31,439
Speaker 3: It was God, I can't.

1463
00:57:31,480 --> 00:57:33,600
Speaker 5: It was no formula. I was back broke, ran through

1464
00:57:33,640 --> 00:57:37,760
Speaker 5: my events, didn't understand what PAN taxes was twenty fifteen

1465
00:57:38,120 --> 00:57:40,960
Speaker 5: most yeah, twenty fifteen. I had no financial literacy, which

1466
00:57:40,960 --> 00:57:43,360
Speaker 5: is something obviously we gotta fix. So yeah, they dangled

1467
00:57:43,960 --> 00:57:47,000
Speaker 5: pause dangles sound crazy, so they dangled one hundred thousand

1468
00:57:47,040 --> 00:57:50,240
Speaker 5: dollars in my face. That even sounds crazy in my face.

1469
00:57:50,760 --> 00:57:53,640
Speaker 5: So they did that, and of course, thinking I'm gonna

1470
00:57:53,680 --> 00:57:55,640
Speaker 5: change my life, thinking the world gonna get easier, I'm

1471
00:57:55,680 --> 00:57:59,360
Speaker 5: finna sign I signed. I'm not saying it was a

1472
00:57:59,360 --> 00:58:00,840
Speaker 5: bad decision, but I also didn't know what I was

1473
00:58:00,880 --> 00:58:02,920
Speaker 5: signing at the time. But I was able to move out,

1474
00:58:03,000 --> 00:58:05,320
Speaker 5: finally get a crib on my own, my baby could

1475
00:58:05,360 --> 00:58:08,400
Speaker 5: finally be in a good neighborhood. That last about a

1476
00:58:08,440 --> 00:58:10,480
Speaker 5: year because I was buying Postmates every day, buying weed

1477
00:58:10,560 --> 00:58:14,120
Speaker 5: every day back in the hood, and which was always

1478
00:58:14,120 --> 00:58:15,680
Speaker 5: my fear because like, you're gonna look like the one

1479
00:58:15,760 --> 00:58:18,600
Speaker 5: that made it and came back. So back broke. I

1480
00:58:18,640 --> 00:58:20,360
Speaker 5: had twenty thousand dollars left and I had to pay

1481
00:58:20,400 --> 00:58:23,160
Speaker 5: forty thousand in taxes, so I was sick, ended up

1482
00:58:23,200 --> 00:58:27,960
Speaker 5: on a payment plan. So back just recording innerscope, not

1483
00:58:28,040 --> 00:58:29,920
Speaker 5: really answering my emails the more because I don't really

1484
00:58:29,960 --> 00:58:31,800
Speaker 5: like my manager. I didn't really have no leverage. We

1485
00:58:31,920 --> 00:58:34,880
Speaker 5: kind of hit our selling with that. But I did

1486
00:58:34,960 --> 00:58:36,480
Speaker 5: have a good relationship with my A and R who

1487
00:58:36,560 --> 00:58:38,680
Speaker 5: signed me initially, so he didn't like give up on me,

1488
00:58:38,760 --> 00:58:40,520
Speaker 5: but he was just waiting for me to figure it out.

1489
00:58:40,520 --> 00:58:42,680
Speaker 5: And I had to stay at home with my homies,

1490
00:58:43,280 --> 00:58:47,120
Speaker 5: keep recording, and I think the universe or God or

1491
00:58:47,120 --> 00:58:49,240
Speaker 5: whatever you believe in just like saw that. And just

1492
00:58:49,400 --> 00:58:52,880
Speaker 5: at the same time Eminem calls out or Paul Rosenberg

1493
00:58:52,960 --> 00:58:55,520
Speaker 5: call out of nowhere and say like, oh, I don't

1494
00:58:55,560 --> 00:58:58,000
Speaker 5: know how we found you somehow, but I showed him

1495
00:58:58,000 --> 00:58:59,560
Speaker 5: an them and he liked you flew me out the

1496
00:58:59,600 --> 00:59:01,840
Speaker 5: next day. And at the same time, l v r

1497
00:59:01,920 --> 00:59:04,120
Speaker 5: N popped up in my life because I don't know

1498
00:59:04,200 --> 00:59:07,560
Speaker 5: how Tim my A and R. I'm disconnected to dots.

1499
00:59:07,640 --> 00:59:10,640
Speaker 5: So yeah, it's not That's why I tell people it's

1500
00:59:10,640 --> 00:59:13,280
Speaker 5: no formula. You just really gotta believe and like really

1501
00:59:13,400 --> 00:59:16,200
Speaker 5: keep going until the payoff. And that's it's cliche as

1502
00:59:16,240 --> 00:59:16,600
Speaker 5: it sounds.

1503
00:59:16,720 --> 00:59:20,640
Speaker 1: Facts dangle, money, flyouts, crazy.

1504
00:59:22,640 --> 00:59:23,080
Speaker 5: Gone.

1505
00:59:23,520 --> 00:59:26,360
Speaker 3: And then I had lv RN everything for the Soho House.

1506
00:59:26,440 --> 00:59:31,360
Speaker 3: You know what I'm saying, the boy, that's.

1507
00:59:31,200 --> 00:59:32,240
Speaker 1: How you got I was mad.

1508
00:59:33,480 --> 00:59:35,720
Speaker 6: We weren't able to come to the h the album.

1509
00:59:35,880 --> 00:59:36,760
Speaker 3: Yeah, wasn't allowed.

1510
00:59:37,360 --> 00:59:37,960
Speaker 5: We were banned.

1511
00:59:38,160 --> 00:59:43,400
Speaker 6: Yeah, I just but it looked like a great night.

1512
00:59:43,560 --> 00:59:47,959
Speaker 5: It was amazing, amazing. Yeah, I'm glad I was able

1513
00:59:48,040 --> 00:59:50,480
Speaker 5: to like hear my music in that type of environment

1514
00:59:50,520 --> 00:59:52,680
Speaker 5: instead of like into the dark room and actually see

1515
00:59:52,720 --> 00:59:56,600
Speaker 5: people like reactions to it and like still delivered my message,

1516
00:59:56,640 --> 00:59:58,720
Speaker 5: but people having fun. And that's that's I think it's

1517
00:59:58,760 --> 01:00:01,680
Speaker 5: a real like a girl on growing things for me

1518
01:00:01,760 --> 01:00:03,160
Speaker 5: because like I never seen that.

1519
01:00:03,320 --> 01:00:07,080
Speaker 4: I believe you're one of those artists that people are

1520
01:00:07,120 --> 01:00:12,080
Speaker 4: gonna go back to your projects. It's gonna it's gonna

1521
01:00:12,400 --> 01:00:15,600
Speaker 4: you're gonna take off. You're gonna become this superstar one

1522
01:00:15,680 --> 01:00:18,480
Speaker 4: of these years soon, I believe, and people gonna be

1523
01:00:18,520 --> 01:00:21,040
Speaker 4: like damn, like but his this project was fired that

1524
01:00:21,200 --> 01:00:23,640
Speaker 4: one And that's why to me, this project was important

1525
01:00:23,680 --> 01:00:25,120
Speaker 4: for you to get out, because I do believe that

1526
01:00:25,160 --> 01:00:26,520
Speaker 4: this is gonna be the one that people go back

1527
01:00:26,520 --> 01:00:28,280
Speaker 4: to and be like, yo, nah, he's been putting out

1528
01:00:28,320 --> 01:00:28,880
Speaker 4: some dope ship.

1529
01:00:29,680 --> 01:00:29,880
Speaker 3: Yeah.

1530
01:00:29,880 --> 01:00:34,480
Speaker 5: And that's why I'm not really living in the space

1531
01:00:34,520 --> 01:00:36,640
Speaker 5: of like waiting for recognition from people and more so

1532
01:00:36,800 --> 01:00:39,960
Speaker 5: like enjoying the process and giving myself credit, because if

1533
01:00:40,040 --> 01:00:41,480
Speaker 5: I keep waiting for the world to catch up, I

1534
01:00:41,640 --> 01:00:44,480
Speaker 5: driving myself crazy like it might happen. That's the somebody

1535
01:00:44,520 --> 01:00:46,320
Speaker 5: shoot me or something in the world. Let me like,

1536
01:00:46,400 --> 01:00:51,400
Speaker 5: who knows you know what I'm saying, so please, I'm

1537
01:00:51,440 --> 01:00:54,000
Speaker 5: not gonna get I'm not gonna get touched with.

1538
01:00:54,000 --> 01:00:55,440
Speaker 3: Then it's like niggas untouchable.

1539
01:00:56,240 --> 01:00:58,360
Speaker 1: Highest tile, lowest low and making the album.

1540
01:00:58,960 --> 01:01:03,520
Speaker 3: Highest high was when it came out. That was probably

1541
01:01:03,560 --> 01:01:06,640
Speaker 3: the high for me. Low It's low.

1542
01:01:08,320 --> 01:01:11,680
Speaker 5: Was just like feeling like I didn't know when this

1543
01:01:11,800 --> 01:01:14,640
Speaker 5: project was gonna come out or what the direction of

1544
01:01:14,720 --> 01:01:17,920
Speaker 5: it was. So maybe like two years ago, super low

1545
01:01:17,960 --> 01:01:19,680
Speaker 5: point for me, I didn't really had no motivation.

1546
01:01:21,600 --> 01:01:25,200
Speaker 3: It was tough. I was doing random features, get some bread.

1547
01:01:25,200 --> 01:01:27,320
Speaker 3: I still be doing that sometimes and.

1548
01:01:27,360 --> 01:01:29,400
Speaker 1: Then tell justice make sure they don't clear it.

1549
01:01:29,880 --> 01:01:31,520
Speaker 3: Yeah, I just be like, man, my manager's tripper.

1550
01:01:31,600 --> 01:01:33,000
Speaker 5: Man, I'm just but.

1551
01:01:37,520 --> 01:01:39,760
Speaker 1: You're in therapy. Where do you find fulfillment outside of

1552
01:01:39,840 --> 01:01:40,439
Speaker 1: music and family?

1553
01:01:41,840 --> 01:01:44,520
Speaker 3: Coaching my kid basketball team, that's that's really I.

1554
01:01:44,560 --> 01:01:47,040
Speaker 6: Love the videos with your kid when you recording me

1555
01:01:47,040 --> 01:01:48,680
Speaker 6: and he hates it. He's at that age where he

1556
01:01:50,040 --> 01:01:50,480
Speaker 6: and I love it.

1557
01:01:50,520 --> 01:01:52,400
Speaker 3: I'm gonna keep doing it, but it do hurt my feelings.

1558
01:01:52,400 --> 01:01:52,720
Speaker 6: Sometimes.

1559
01:01:52,760 --> 01:01:55,120
Speaker 5: I went to his game, his game like six months

1560
01:01:55,120 --> 01:01:57,160
Speaker 5: ago and I was late and when his teammates was like, oh,

1561
01:01:57,240 --> 01:01:59,000
Speaker 5: Deres said he was happy there, said he was happy.

1562
01:01:59,000 --> 01:02:01,160
Speaker 3: He wasn't here. I was Ain't that a bitch? And

1563
01:02:01,240 --> 01:02:02,320
Speaker 3: I was like, I'm gonna way to the end of

1564
01:02:02,400 --> 01:02:02,680
Speaker 3: the game.

1565
01:02:03,120 --> 01:02:06,560
Speaker 5: Halftime came halftime camera, I'm like, came here like and

1566
01:02:06,600 --> 01:02:09,000
Speaker 5: then I had to check myself, like I do be

1567
01:02:09,080 --> 01:02:12,200
Speaker 5: too like hype O d living vicariously through him, Like

1568
01:02:12,280 --> 01:02:13,560
Speaker 5: you know what I'm saying, So I need to be

1569
01:02:13,680 --> 01:02:16,560
Speaker 5: a dad at the games and probably been a dad

1570
01:02:16,640 --> 01:02:19,000
Speaker 5: you proud, Yeah, but I'll be tripping though, like and

1571
01:02:19,200 --> 01:02:21,320
Speaker 5: sometimes he'd be like, you don't understand the game's going

1572
01:02:21,360 --> 01:02:24,160
Speaker 5: on in the court. It's like, boy, I'll be like, man,

1573
01:02:24,160 --> 01:02:25,400
Speaker 5: I've been playing basketball longer than you.

1574
01:02:25,480 --> 01:02:26,480
Speaker 3: He's like, you're playing right now.

1575
01:02:26,800 --> 01:02:29,160
Speaker 6: At that you sound like that I've been doing this.

1576
01:02:30,240 --> 01:02:32,520
Speaker 6: I've been doing this. Yeah, he would have went to

1577
01:02:32,560 --> 01:02:32,919
Speaker 6: the league.

1578
01:02:32,920 --> 01:02:35,880
Speaker 5: But my answer, so he's be on that and you

1579
01:02:35,920 --> 01:02:38,080
Speaker 5: know what I'm saying, He like, you might understand the

1580
01:02:38,120 --> 01:02:39,720
Speaker 5: game buried than me now just because he actually on

1581
01:02:39,800 --> 01:02:40,680
Speaker 5: the court, you know what I'm saying.

1582
01:02:40,720 --> 01:02:43,480
Speaker 4: So that's dope though that you had that that type

1583
01:02:43,480 --> 01:02:45,440
Speaker 4: of relationship with your son trying to scale back.

1584
01:02:46,520 --> 01:02:48,480
Speaker 6: Do you want him to pursue music at all?

1585
01:02:49,280 --> 01:02:52,280
Speaker 5: Or do you because I don't because I think he'll

1586
01:02:52,320 --> 01:02:54,760
Speaker 5: be trash, because I think my first initial reaction to

1587
01:02:54,760 --> 01:02:55,960
Speaker 5: everybody is that you're gonna be trash.

1588
01:02:56,480 --> 01:02:58,360
Speaker 3: That's not a good thing. But he's gonna have to

1589
01:02:58,360 --> 01:03:00,680
Speaker 3: show me nice and so that's.

1590
01:03:00,560 --> 01:03:01,120
Speaker 5: A tough role.

1591
01:03:01,400 --> 01:03:02,920
Speaker 6: He's more athletic than yeah, creative.

1592
01:03:02,960 --> 01:03:04,800
Speaker 5: He don't even know how to dance, so he don't

1593
01:03:04,800 --> 01:03:07,160
Speaker 5: got no rhythm, and I feel like it like plays

1594
01:03:07,200 --> 01:03:08,560
Speaker 5: a part into being able to wrap your for.

1595
01:03:08,640 --> 01:03:10,479
Speaker 6: Some reason, rhythm rhythm.

1596
01:03:10,960 --> 01:03:12,479
Speaker 5: I believe my kid got no rhythm.

1597
01:03:13,560 --> 01:03:15,560
Speaker 6: So you get that from his mom got to you

1598
01:03:15,600 --> 01:03:17,160
Speaker 6: can't get it, yeah, cause she's.

1599
01:03:17,040 --> 01:03:18,800
Speaker 5: Stiff now so, but she used to throw it. She

1600
01:03:18,920 --> 01:03:21,000
Speaker 5: used to be throwing that wagon. I ain't gonna lie

1601
01:03:21,680 --> 01:03:25,280
Speaker 5: how he showed up exactly, raw dog assassin.

1602
01:03:26,680 --> 01:03:29,000
Speaker 6: I just wanted to progress his people.

1603
01:03:29,080 --> 01:03:32,840
Speaker 1: Man rhythm can't rap. He likes ball. How told is

1604
01:03:32,880 --> 01:03:33,400
Speaker 1: your baby mother?

1605
01:03:33,720 --> 01:03:35,960
Speaker 5: My baby mama is shorter than me. But my kid

1606
01:03:36,000 --> 01:03:39,520
Speaker 5: already hired at twelve. Yeah he got he got her

1607
01:03:39,680 --> 01:03:42,080
Speaker 5: dad and all them is huge. And my brother six

1608
01:03:42,160 --> 01:03:44,880
Speaker 5: foot something. But me and my mama just short. But

1609
01:03:44,960 --> 01:03:47,720
Speaker 5: me and my brother got different daddy too, So my mama,

1610
01:03:49,560 --> 01:03:50,200
Speaker 5: my mama life.

1611
01:03:50,520 --> 01:03:53,880
Speaker 6: The most interesting wrapper I've ever sat down by.

1612
01:03:57,320 --> 01:04:00,400
Speaker 1: I had an address joke of doubling a but I

1613
01:04:00,560 --> 01:04:05,840
Speaker 1: just you know, Flad would have a blast. Now you

1614
01:04:05,880 --> 01:04:06,720
Speaker 1: got me crimes.

1615
01:04:06,840 --> 01:04:10,000
Speaker 3: He got me block to shout out to flat maybe

1616
01:04:10,080 --> 01:04:12,160
Speaker 3: unblock me his bumper.

1617
01:04:12,320 --> 01:04:12,520
Speaker 2: Yeah.

1618
01:04:13,520 --> 01:04:15,560
Speaker 5: I used to make random tweets like niggas really go

1619
01:04:15,640 --> 01:04:17,640
Speaker 5: to vlat and stuff like that.

1620
01:04:17,800 --> 01:04:20,040
Speaker 6: If he hates Roy, yeah, oh he hates.

1621
01:04:20,360 --> 01:04:22,560
Speaker 4: So Robby has a lot of white on white He's

1622
01:04:22,600 --> 01:04:24,439
Speaker 4: single handedly bringing white on white crime.

1623
01:04:24,720 --> 01:04:27,160
Speaker 5: But also I'm beef with black because it kind of

1624
01:04:27,200 --> 01:04:29,400
Speaker 5: white on white crime because after not really white on

1625
01:04:29,440 --> 01:04:32,040
Speaker 5: white crime. But after mac Miller died the day after,

1626
01:04:32,080 --> 01:04:34,640
Speaker 5: he was like who's better mac Miller Eminem and that

1627
01:04:34,640 --> 01:04:39,040
Speaker 5: ship pissed me off, so like just too soon. Yeah,

1628
01:04:39,200 --> 01:04:41,520
Speaker 5: he was like, I was the first person to ever

1629
01:04:41,600 --> 01:04:43,920
Speaker 5: support you. But you're choosing this route blocked. There's some

1630
01:04:44,120 --> 01:04:44,919
Speaker 5: dumb ass line.

1631
01:04:45,320 --> 01:04:49,400
Speaker 1: He's very arrogant, and how you beat You're choosing this route?

1632
01:04:49,640 --> 01:04:53,280
Speaker 5: My dad talking to like whatever he said, but.

1633
01:04:53,360 --> 01:04:55,360
Speaker 1: I felt when he did that fucking video. When someone

1634
01:04:55,400 --> 01:04:58,560
Speaker 1: asked if you would have Roy, I would never have.

1635
01:04:58,840 --> 01:04:59,880
Speaker 6: I never said I wanted to go on.

1636
01:05:03,200 --> 01:05:05,920
Speaker 1: I'm saying you and I'm saying I don't want to

1637
01:05:05,960 --> 01:05:06,120
Speaker 1: go on.

1638
01:05:06,600 --> 01:05:09,040
Speaker 5: But I do like how he opened his platform to

1639
01:05:09,160 --> 01:05:11,080
Speaker 5: like up and coming journalists now letting other people do

1640
01:05:11,160 --> 01:05:11,760
Speaker 5: the interviews.

1641
01:05:12,280 --> 01:05:14,120
Speaker 1: But here's my ship with lad when you strip away

1642
01:05:14,320 --> 01:05:14,760
Speaker 1: the bullshit.

1643
01:05:14,840 --> 01:05:17,200
Speaker 2: A good journalist, he's a he can conduct a good

1644
01:05:17,240 --> 01:05:18,960
Speaker 2: in it. He can, he's he's good at that. He

1645
01:05:19,080 --> 01:05:22,000
Speaker 2: just he has too much funk shit attached to him. Yeah,

1646
01:05:22,240 --> 01:05:24,920
Speaker 2: but I'm sure that affected your career drastically since you

1647
01:05:25,000 --> 01:05:25,600
Speaker 2: chose that route.

1648
01:05:25,720 --> 01:05:29,320
Speaker 5: Yeah, got no flat in my life. I was beefing

1649
01:05:29,440 --> 01:05:34,200
Speaker 5: with the nigga who'll be judging albums, Anthony Fatimo.

1650
01:05:36,280 --> 01:05:39,560
Speaker 1: About Yeah, he had no hat, so he looks like

1651
01:05:39,640 --> 01:05:40,480
Speaker 1: me if I let myself and.

1652
01:05:40,480 --> 01:05:43,040
Speaker 5: Pitchfork gave me seven point three. I've seen it last night.

1653
01:05:43,080 --> 01:05:45,240
Speaker 5: They got me fucked up. But shout out to Pitchfork

1654
01:05:45,360 --> 01:05:46,160
Speaker 5: for even like, you know.

1655
01:05:46,240 --> 01:05:48,400
Speaker 6: Seven point three out of ten. Yeah, how do you

1656
01:05:48,400 --> 01:05:50,360
Speaker 6: feel about reviews from I don't really.

1657
01:05:50,240 --> 01:05:52,160
Speaker 5: Care, but they in my brain they always say, they

1658
01:05:52,200 --> 01:05:54,120
Speaker 5: always say Pitchfork is the one he's supposed to care about.

1659
01:05:54,120 --> 01:05:56,440
Speaker 5: So it's like, I guess my subconscious like.

1660
01:05:56,880 --> 01:05:58,840
Speaker 1: Why is that? Why should we care about the pitchfork?

1661
01:05:58,960 --> 01:06:01,200
Speaker 5: Shouldn't I'm not that's the finding. I'm just telling you.

1662
01:06:01,280 --> 01:06:04,000
Speaker 5: I'm a human, a flawed human who cares about things

1663
01:06:04,080 --> 01:06:06,320
Speaker 5: like that. So you just said you didn't care exactly,

1664
01:06:06,360 --> 01:06:07,160
Speaker 5: that's the flawed.

1665
01:06:08,520 --> 01:06:11,040
Speaker 1: I would care. I understand what they say in the review.

1666
01:06:12,480 --> 01:06:14,040
Speaker 3: Uh, well, I didn't have my glasses on, so I

1667
01:06:14,080 --> 01:06:15,080
Speaker 3: couldn't read everything on the way.

1668
01:06:15,120 --> 01:06:17,480
Speaker 6: That's hilarious. I'm using that.

1669
01:06:17,920 --> 01:06:20,360
Speaker 4: No, they said about your last episode. I didn't have

1670
01:06:20,440 --> 01:06:22,360
Speaker 4: my glasses on, so I couldn't really even tell you

1671
01:06:22,440 --> 01:06:22,800
Speaker 4: what they.

1672
01:06:22,760 --> 01:06:24,680
Speaker 5: Was in the common Ship and it was too long.

1673
01:06:24,800 --> 01:06:26,880
Speaker 5: But I just seen my boy told me. They said

1674
01:06:26,880 --> 01:06:31,160
Speaker 5: something about they didn't like one of the transitions, that

1675
01:06:31,200 --> 01:06:32,720
Speaker 5: a sequence or something like that.

1676
01:06:32,920 --> 01:06:33,840
Speaker 1: That sounds like a pitchfork.

1677
01:06:34,880 --> 01:06:36,480
Speaker 6: Like when you start getting comments.

1678
01:06:36,280 --> 01:06:38,320
Speaker 5: Like that and y'all just trying to find something.

1679
01:06:38,720 --> 01:06:41,320
Speaker 1: But you know, does the written review matter anymore?

1680
01:06:41,640 --> 01:06:42,520
Speaker 3: Nah, it don't matter.

1681
01:06:42,640 --> 01:06:45,080
Speaker 5: It just mattered to industry people in our fake little

1682
01:06:45,080 --> 01:06:47,480
Speaker 5: world we create. That's true, But I don't think nobody.

1683
01:06:47,800 --> 01:06:49,480
Speaker 5: My homies ain't looking at no Pitchfork. You know what

1684
01:06:49,480 --> 01:06:49,800
Speaker 5: I'm saying.

1685
01:06:49,800 --> 01:06:52,040
Speaker 4: No, nigga, I know looking at Pitchfork, So yeah, that's

1686
01:06:52,080 --> 01:06:54,080
Speaker 4: not that's not that's not really mean like that. We

1687
01:06:54,120 --> 01:06:56,800
Speaker 4: don't really pay attention to what Pitchfork is rating. And

1688
01:06:56,880 --> 01:06:58,919
Speaker 4: none of the bitches or women I need something bitches

1689
01:06:58,920 --> 01:07:00,320
Speaker 4: so much. None of the women I deal with everything,

1690
01:07:00,400 --> 01:07:02,800
Speaker 4: Like your Pitchfork review was crazy, you know what I'm saying,

1691
01:07:03,000 --> 01:07:03,959
Speaker 4: and didn't let me hit.

1692
01:07:03,960 --> 01:07:05,920
Speaker 6: So yeah, they give you.

1693
01:07:06,240 --> 01:07:07,320
Speaker 1: You would have got a seven point.

1694
01:07:09,840 --> 01:07:10,160
Speaker 5: You know what.

1695
01:07:10,280 --> 01:07:11,560
Speaker 6: I was gonna give you some pussy if you got

1696
01:07:11,640 --> 01:07:15,080
Speaker 6: a seven, I can't really fuck with you.

1697
01:07:15,880 --> 01:07:16,600
Speaker 1: What are you listening to?

1698
01:07:17,880 --> 01:07:20,720
Speaker 5: Uh? The King King Jams album myself for the first

1699
01:07:20,760 --> 01:07:22,600
Speaker 5: time because I never listened to myself or never let

1700
01:07:22,720 --> 01:07:25,000
Speaker 5: nobody play it around me. So I'm finally listening to

1701
01:07:25,040 --> 01:07:28,640
Speaker 5: my project. I've been listening to that a lot. It's

1702
01:07:28,680 --> 01:07:32,959
Speaker 5: another album I downloaded. No, it's not just King Jams

1703
01:07:33,000 --> 01:07:35,080
Speaker 5: and R and B stuff. So what R and B

1704
01:07:35,160 --> 01:07:36,240
Speaker 5: singer am I listening to? Then?

1705
01:07:36,920 --> 01:07:39,640
Speaker 3: Frank Ocean Blind still gets every play for me.

1706
01:07:40,800 --> 01:07:43,320
Speaker 6: Classic yep.

1707
01:07:43,360 --> 01:07:43,880
Speaker 3: It's about it.

1708
01:07:45,800 --> 01:07:48,120
Speaker 6: To like current rap and you don't really like let

1709
01:07:48,160 --> 01:07:48,680
Speaker 6: me let me not.

1710
01:07:49,640 --> 01:07:51,880
Speaker 5: Ramona Park Broke My Heart was a good album. I

1711
01:07:51,920 --> 01:07:53,960
Speaker 5: don't really listen to rap, but that was a good album.

1712
01:07:54,040 --> 01:07:55,600
Speaker 1: But you've had some problems in Long Beach, so I

1713
01:07:55,640 --> 01:07:56,240
Speaker 1: can understand.

1714
01:07:56,520 --> 01:08:00,240
Speaker 5: Yeah, Kendrick, you said I got problems in Long Beach. Yeah,

1715
01:08:00,240 --> 01:08:01,560
Speaker 5: I did get ship, but my boy got shot and

1716
01:08:01,640 --> 01:08:02,600
Speaker 5: I got shot in Long Beach.

1717
01:08:03,000 --> 01:08:03,439
Speaker 3: That's crazy.

1718
01:08:03,440 --> 01:08:04,439
Speaker 6: You should stay out of Long Beach.

1719
01:08:04,480 --> 01:08:06,160
Speaker 5: I got shot, but I got Long Beach in New York.

1720
01:08:06,200 --> 01:08:11,520
Speaker 5: It's really yeah, man, hold on, no sleazy you know

1721
01:08:11,600 --> 01:08:13,600
Speaker 5: how dude, what they gonna do to me?

1722
01:08:13,960 --> 01:08:14,000
Speaker 1: That?

1723
01:08:14,160 --> 01:08:15,880
Speaker 3: And then a little baby helped on the remix. Okay,

1724
01:08:15,920 --> 01:08:16,680
Speaker 3: it's a trap song.

1725
01:08:16,760 --> 01:08:17,600
Speaker 6: Yeah, I know that, and I know that.

1726
01:08:17,760 --> 01:08:19,559
Speaker 2: This is my favorite question to ask artists because I'd

1727
01:08:19,560 --> 01:08:21,200
Speaker 2: love to watch them lie about what they're listening to.

1728
01:08:22,000 --> 01:08:23,080
Speaker 1: Listening shit, I don't.

1729
01:08:23,200 --> 01:08:26,719
Speaker 4: It's shit crazy because artists and y'all in you'all own world,

1730
01:08:27,000 --> 01:08:29,040
Speaker 4: like y'all create your own world, and y'all just stay

1731
01:08:29,080 --> 01:08:31,479
Speaker 4: in there and y'all create from that world, and then

1732
01:08:31,600 --> 01:08:33,240
Speaker 4: y'all come out when it's time to come out, and

1733
01:08:33,240 --> 01:08:34,840
Speaker 4: you're like, oh shit, like I never heard this another

1734
01:08:34,880 --> 01:08:35,320
Speaker 4: sho me.

1735
01:08:35,479 --> 01:08:37,439
Speaker 5: But I try to stay. I try to stay like

1736
01:08:37,600 --> 01:08:39,439
Speaker 5: up to date. I just don't really go back a

1737
01:08:39,520 --> 01:08:41,040
Speaker 5: lot because a lot of people don't got to replace

1738
01:08:41,240 --> 01:08:44,000
Speaker 5: value for me. But Mary Jo much music, Mary J Blig,

1739
01:08:46,000 --> 01:08:48,519
Speaker 5: that's my ship right now. I'm playing that every day.

1740
01:08:49,040 --> 01:08:51,200
Speaker 5: And White Left John and Mary J nine one one

1741
01:08:51,760 --> 01:08:55,599
Speaker 5: that's really my ship right now. And yeah those two

1742
01:08:55,640 --> 01:08:58,200
Speaker 5: songs Stevie wonder Uh.

1743
01:09:01,240 --> 01:09:02,479
Speaker 3: All I do stinger?

1744
01:09:03,160 --> 01:09:06,679
Speaker 5: Yeah, Life after Death, Life after Death Biggie.

1745
01:09:06,880 --> 01:09:09,360
Speaker 4: Yeah, like that's the new one that shout out to Biggie.

1746
01:09:09,800 --> 01:09:14,800
Speaker 4: You won't listen to that, Huh, this is shut out.

1747
01:09:15,720 --> 01:09:18,559
Speaker 3: No, I'm not really a cultured hip hop fan.

1748
01:09:19,360 --> 01:09:19,960
Speaker 6: That's interesting.

1749
01:09:20,040 --> 01:09:22,719
Speaker 5: I don't know. No, I've never sn it's gonna be crazy.

1750
01:09:23,200 --> 01:09:26,479
Speaker 5: I've never listened to Outcast album through. I've never listened

1751
01:09:26,520 --> 01:09:28,439
Speaker 5: to Life after Death. I'm not even trying to listen

1752
01:09:28,439 --> 01:09:29,519
Speaker 5: to a Tupac album through.

1753
01:09:30,000 --> 01:09:32,040
Speaker 3: I just listen, just listen to.

1754
01:09:34,479 --> 01:09:35,000
Speaker 5: All the way through.

1755
01:09:35,160 --> 01:09:36,360
Speaker 3: Nah, I can't think.

1756
01:09:36,400 --> 01:09:38,320
Speaker 2: I don't think I have what And I hate this

1757
01:09:38,360 --> 01:09:40,120
Speaker 2: because it's such a cliche question. But I'm only asking

1758
01:09:40,160 --> 01:09:41,519
Speaker 2: because you just said that, what did you listen to

1759
01:09:41,640 --> 01:09:42,000
Speaker 2: growing up?

1760
01:09:42,560 --> 01:09:43,160
Speaker 3: Church music?

1761
01:09:43,840 --> 01:09:45,960
Speaker 5: And then Wayne a Little took over my life and

1762
01:09:46,040 --> 01:09:48,400
Speaker 5: that was all I listened to, I get it, and

1763
01:09:48,520 --> 01:09:51,120
Speaker 5: then jay Z I got my jay Z bag. Jay

1764
01:09:51,160 --> 01:09:52,680
Speaker 5: Z and Wayne is like was my two people I

1765
01:09:52,800 --> 01:09:56,040
Speaker 5: only listened to as rappers, and so I hated when

1766
01:09:56,040 --> 01:09:58,120
Speaker 5: people used to say Bigie was better than Jay used

1767
01:09:58,160 --> 01:09:58,800
Speaker 5: to piss me off.

1768
01:09:58,880 --> 01:10:02,160
Speaker 3: So anybody that go again. He said, what.

1769
01:10:04,560 --> 01:10:07,320
Speaker 5: We're talking about my life where what I was raised on.

1770
01:10:07,760 --> 01:10:09,640
Speaker 5: I listened to him as like a rapper. He's one

1771
01:10:09,680 --> 01:10:11,000
Speaker 5: of the greatest rappers ever. I'm telling you in the

1772
01:10:11,040 --> 01:10:11,760
Speaker 5: hood what I was listening to.

1773
01:10:13,040 --> 01:10:15,320
Speaker 1: Kawa got in trouble for saying the same thing you're saying.

1774
01:10:15,360 --> 01:10:18,640
Speaker 5: But good, Yeah, niggas eminem he the greatest I listened to.

1775
01:10:19,120 --> 01:10:22,599
Speaker 5: You're not doing this to me, but fucking anybody who

1776
01:10:22,640 --> 01:10:24,120
Speaker 5: beat with jay Z I used to this and I

1777
01:10:24,240 --> 01:10:28,559
Speaker 5: listened to like I never would listen in nas because he.

1778
01:10:28,560 --> 01:10:31,479
Speaker 6: Would be interesting because you was a West Coast gosh.

1779
01:10:31,640 --> 01:10:34,519
Speaker 5: And then I just like singing singing songs. Oh I

1780
01:10:34,640 --> 01:10:38,200
Speaker 5: love ja Rue really that was my nigga. Fucking he

1781
01:10:38,320 --> 01:10:41,559
Speaker 5: was amazing and fifty cent was amazing that that wave

1782
01:10:41,680 --> 01:10:43,200
Speaker 5: was amazing, and yeah him.

1783
01:10:43,080 --> 01:10:45,720
Speaker 6: Of course, that's what I never would have thought you were.

1784
01:10:46,400 --> 01:10:49,240
Speaker 5: Nah. I hated him losing like that. Damn. I just

1785
01:10:49,320 --> 01:10:51,680
Speaker 5: thought about that. That's funny because he got destroyed by

1786
01:10:51,720 --> 01:10:55,040
Speaker 5: the big dog My nigga destroyed you. That's funny, but

1787
01:10:55,320 --> 01:10:59,280
Speaker 5: fucking that's hilarious. That's life a full circle.

1788
01:11:01,360 --> 01:11:03,719
Speaker 3: But yeah, destroying, well, he helped.

1789
01:11:03,880 --> 01:11:05,840
Speaker 5: He didn't have to under That's what made it so

1790
01:11:05,920 --> 01:11:07,960
Speaker 5: fucked up because him didn't even have to jump into that,

1791
01:11:08,400 --> 01:11:10,559
Speaker 5: and he still came in. It was he did.

1792
01:11:11,040 --> 01:11:12,160
Speaker 1: He had to protect his investment.

1793
01:11:12,320 --> 01:11:14,320
Speaker 5: Fifty was destroyed. Fifty could have destroyed.

1794
01:11:14,080 --> 01:11:16,920
Speaker 1: Itself, the biggest rapper. Let me double down and make

1795
01:11:16,960 --> 01:11:17,280
Speaker 1: it worse.

1796
01:11:17,840 --> 01:11:19,400
Speaker 4: I think with job fucked up in that he took

1797
01:11:19,439 --> 01:11:22,160
Speaker 4: too long to respond. I think in that whole job

1798
01:11:22,200 --> 01:11:24,400
Speaker 4: fifty things, job took a little too long to respond.

1799
01:11:24,520 --> 01:11:26,880
Speaker 4: And it's crazy because fifty went on to like make

1800
01:11:26,960 --> 01:11:27,840
Speaker 4: the same music that he was.

1801
01:11:28,640 --> 01:11:30,600
Speaker 2: That was the funniest part about the entire thing. Like

1802
01:11:30,760 --> 01:11:34,040
Speaker 2: so on record singing and ship goes in a massacre.

1803
01:11:34,080 --> 01:11:34,559
Speaker 5: That's an R and B.

1804
01:11:37,560 --> 01:11:42,120
Speaker 2: Fuck And that's not fair. John IRV got fucked on

1805
01:11:42,200 --> 01:11:45,240
Speaker 2: that job. But IRV got arrested, They froze their assets.

1806
01:11:45,360 --> 01:11:46,080
Speaker 1: It was just Tommy.

1807
01:11:46,400 --> 01:11:51,400
Speaker 4: Yeah, Jo was to revisit that whole timeline of events

1808
01:11:51,439 --> 01:11:54,360
Speaker 4: that happened around that time, and it was a lot. Man,

1809
01:11:54,439 --> 01:11:56,240
Speaker 4: it was job was Jo was up against a lot.

1810
01:11:56,320 --> 01:11:59,040
Speaker 4: It wasn't just wrap. There was a lot of shitty.

1811
01:11:58,800 --> 01:12:03,920
Speaker 3: Fast forward they got Shady, got the Boy, and Murden got.

1812
01:12:05,240 --> 01:12:05,599
Speaker 5: Mm hmm.

1813
01:12:06,200 --> 01:12:07,840
Speaker 3: Shout out to Murden, man, that's sucked up.

1814
01:12:07,880 --> 01:12:10,880
Speaker 5: I'm just playing Goody said, earth Gotty is a fucking

1815
01:12:11,000 --> 01:12:12,920
Speaker 5: legend the fact, and.

1816
01:12:13,360 --> 01:12:15,120
Speaker 4: He was pissed off about the Drake album. He said,

1817
01:12:15,160 --> 01:12:17,479
Speaker 4: he doesn't that's not hip hop. He don't understand. But

1818
01:12:17,560 --> 01:12:19,880
Speaker 4: we were trying to. We were talking about earlier on

1819
01:12:20,000 --> 01:12:23,960
Speaker 4: another episode. I was saying that it wasn't intended to

1820
01:12:23,960 --> 01:12:24,719
Speaker 4: be a hip hop album.

1821
01:12:24,920 --> 01:12:28,240
Speaker 5: Nine sacks and what I appreciate y'all saying. What I'm

1822
01:12:28,240 --> 01:12:30,800
Speaker 5: starting to understand is it really matter your environment when

1823
01:12:30,840 --> 01:12:33,160
Speaker 5: you first hear music, and like, oh absolutely, I'm saying

1824
01:12:33,160 --> 01:12:36,000
Speaker 5: how people was in bed like waiting. Yeah, I get so,

1825
01:12:36,080 --> 01:12:38,920
Speaker 5: I get that frustration. But you know what I'm saying,

1826
01:12:39,080 --> 01:12:41,200
Speaker 5: it was a little bit because even if all of

1827
01:12:41,280 --> 01:12:43,320
Speaker 5: my album stuck, I played it for reasons in the studio.

1828
01:12:43,360 --> 01:12:44,960
Speaker 5: I played all these songs in niggas in the studio,

1829
01:12:45,040 --> 01:12:46,920
Speaker 5: and you know, they didn't give me no energy. I

1830
01:12:47,040 --> 01:12:48,960
Speaker 5: noticed it. They didn't want stuck him out. Reason like

1831
01:12:49,240 --> 01:12:51,439
Speaker 5: why you didn't play me this song? This shit amazing nigga.

1832
01:12:51,520 --> 01:12:53,439
Speaker 5: I was like, boy, I'll let you hear this a

1833
01:12:53,600 --> 01:12:54,120
Speaker 5: lying ass.

1834
01:12:54,200 --> 01:12:56,479
Speaker 4: So yeah, it definitely is is where you at. This

1835
01:12:56,720 --> 01:12:59,720
Speaker 4: is the type of environment you're around. Also your move

1836
01:13:00,120 --> 01:13:02,000
Speaker 4: like that you're dealing with in real life, like when

1837
01:13:02,000 --> 01:13:03,800
Speaker 4: you hear her music. Because I've gone back and listening

1838
01:13:03,800 --> 01:13:06,280
Speaker 4: to albums and I'm like, damn, this should sounds way

1839
01:13:06,400 --> 01:13:09,439
Speaker 4: better now that I'm in the better mental space, just

1840
01:13:09,560 --> 01:13:11,560
Speaker 4: like you know what I mean, so exactly.

1841
01:13:11,200 --> 01:13:13,080
Speaker 5: Because now that I dropped my album and I'm not like,

1842
01:13:13,200 --> 01:13:17,960
Speaker 5: really stressed your pussy it's calling my name? You know

1843
01:13:18,200 --> 01:13:20,000
Speaker 5: that song slap that It is hard?

1844
01:13:24,320 --> 01:13:25,519
Speaker 1: No, that's a social clip right there.

1845
01:13:25,840 --> 01:13:28,719
Speaker 3: Absolutely absolutely that song.

1846
01:13:29,960 --> 01:13:33,040
Speaker 1: Did you get pussy? On? The album released night I

1847
01:13:33,160 --> 01:13:36,360
Speaker 1: was in New York, Man, What was I doing? I

1848
01:13:36,520 --> 01:13:38,040
Speaker 1: saw it. I followed a lot of hoes that was

1849
01:13:38,080 --> 01:13:40,240
Speaker 1: at forty forty that night which I was there. I

1850
01:13:40,320 --> 01:13:41,479
Speaker 1: was I was piecing the whole.

1851
01:13:41,439 --> 01:13:43,439
Speaker 5: Matter of fact, the girl who threw helped out the event.

1852
01:13:43,520 --> 01:13:45,479
Speaker 5: I slid on her and then I was telling her

1853
01:13:45,479 --> 01:13:46,920
Speaker 5: to come to the hotel and then I fell asleep,

1854
01:13:47,120 --> 01:13:49,639
Speaker 5: I remember, and then I woke up next you fall.

1855
01:13:49,560 --> 01:13:52,200
Speaker 6: Asleep on them? Blew it great nights had the greatest.

1856
01:13:52,240 --> 01:13:53,720
Speaker 1: I appreciated your honesty.

1857
01:13:53,400 --> 01:13:57,080
Speaker 3: On No Jumper, which part, well, I'm always honest, you

1858
01:13:57,120 --> 01:13:57,519
Speaker 3: know what I'm saying.

1859
01:13:57,600 --> 01:13:59,800
Speaker 2: Yeah, but it was like a different level of honesty man,

1860
01:14:00,120 --> 01:14:03,559
Speaker 2: Like there's there's some shit you probably just shouldn't say.

1861
01:14:03,680 --> 01:14:03,840
Speaker 7: Nah.

1862
01:14:03,920 --> 01:14:07,400
Speaker 5: And I knew because that's such like the only podcast

1863
01:14:07,479 --> 01:14:09,000
Speaker 5: my homie front the Hood Watch is ship like No

1864
01:14:09,120 --> 01:14:11,040
Speaker 5: Jumper because it's like they put all the game members

1865
01:14:11,080 --> 01:14:13,519
Speaker 5: on there to give a platform to up and coming artists.

1866
01:14:13,560 --> 01:14:16,040
Speaker 5: So I knew I had to be responsible what I

1867
01:14:16,120 --> 01:14:19,280
Speaker 5: said and like make sure I didn't let like it

1868
01:14:19,360 --> 01:14:21,200
Speaker 5: turned into a clickbait moment, because I know it can,

1869
01:14:21,320 --> 01:14:23,040
Speaker 5: even though I said to Selena Power, she's like an

1870
01:14:23,040 --> 01:14:25,360
Speaker 5: idiot and turn into a clickbait.

1871
01:14:25,720 --> 01:14:29,280
Speaker 3: Okay, yeah, shout out to Selena Power.

1872
01:14:29,320 --> 01:14:29,600
Speaker 5: Free her.

1873
01:14:31,439 --> 01:14:35,360
Speaker 3: She locked up. She had two years for what uh?

1874
01:14:35,960 --> 01:14:37,320
Speaker 6: She didn't pay taxes on that money.

1875
01:14:37,600 --> 01:14:39,680
Speaker 5: I gotta look though. It was something though, But it

1876
01:14:39,760 --> 01:14:43,559
Speaker 5: was right after the interviews and I was like, fuck, huh, oh,

1877
01:14:43,600 --> 01:14:46,679
Speaker 5: there we go. What was she in probation for doing

1878
01:14:46,760 --> 01:14:49,840
Speaker 5: me scanless. I called the boys on her. I'm just playing.

1879
01:14:49,880 --> 01:14:51,160
Speaker 5: I don't call the police.

1880
01:14:52,200 --> 01:14:54,519
Speaker 1: Never you're gonna put something on your books.

1881
01:14:55,920 --> 01:14:58,760
Speaker 5: Actually, I ain't gonna lie. Selena reached out. I put

1882
01:14:58,800 --> 01:15:01,519
Speaker 5: something on her books because that's no. I'm a caring person.

1883
01:15:01,640 --> 01:15:03,200
Speaker 5: And I really felt bad for her when we had

1884
01:15:03,240 --> 01:15:07,080
Speaker 5: to talk. So I respect that she drove a getaway car.

1885
01:15:08,240 --> 01:15:08,400
Speaker 3: Man.

1886
01:15:09,120 --> 01:15:11,679
Speaker 5: C oh god, than that queen.

1887
01:15:11,760 --> 01:15:12,280
Speaker 6: She really out.

1888
01:15:12,400 --> 01:15:15,560
Speaker 5: She say queen, somebody said, or the black girl, something like,

1889
01:15:15,680 --> 01:15:18,679
Speaker 5: being like when I call other people queen, that's not black.

1890
01:15:19,120 --> 01:15:22,160
Speaker 4: Well, two women tweeted me one time when I called

1891
01:15:22,800 --> 01:15:26,360
Speaker 4: a black woman the queen, and they said, uh, don't us.

1892
01:15:26,439 --> 01:15:29,439
Speaker 6: What was the worst she said, uh, basically like I was.

1893
01:15:30,160 --> 01:15:32,160
Speaker 3: I was like being condescending type of thing.

1894
01:15:32,280 --> 01:15:35,320
Speaker 4: No, but I was like not objectifying, but I was

1895
01:15:35,400 --> 01:15:39,280
Speaker 4: doing something to it. It was like, bro, everything is offense.

1896
01:15:39,360 --> 01:15:41,120
Speaker 5: Now they don't like that word no more either everything,

1897
01:15:41,320 --> 01:15:43,800
Speaker 5: but I know how I'll be using it sometimes when

1898
01:15:43,840 --> 01:15:45,920
Speaker 5: they be like people be talking, girls be talking too much,

1899
01:15:45,920 --> 01:15:47,439
Speaker 5: and I like, you got a queen, So I get

1900
01:15:47,680 --> 01:15:48,240
Speaker 5: what they.

1901
01:15:48,160 --> 01:15:51,519
Speaker 4: Were and of course it's like trying to just me,

1902
01:15:51,960 --> 01:15:54,000
Speaker 4: but I really wasn't and they told me that, oh yeah,

1903
01:15:54,000 --> 01:15:55,240
Speaker 4: you're trying to like you.

1904
01:15:55,320 --> 01:15:59,880
Speaker 3: Always on Twitter though you are a great Twitter personality.

1905
01:16:00,600 --> 01:16:01,360
Speaker 6: I'll be chilling.

1906
01:16:01,439 --> 01:16:03,160
Speaker 5: I love it. You got like a rapper in Twitter.

1907
01:16:03,479 --> 01:16:06,320
Speaker 4: But like I think if people saw me like what

1908
01:16:06,400 --> 01:16:08,640
Speaker 4: I was doing while I was tweeting, they would be like, nah, we.

1909
01:16:08,640 --> 01:16:12,360
Speaker 6: Can't take this, like I beat shipped, like I'll be

1910
01:16:12,479 --> 01:16:13,000
Speaker 6: in the crib.

1911
01:16:13,240 --> 01:16:15,320
Speaker 4: I can't find my other slipper, Like I'm just walking

1912
01:16:15,360 --> 01:16:17,799
Speaker 4: around on my phone, like I don't be trying to bather.

1913
01:16:17,760 --> 01:16:20,080
Speaker 5: Them when they got so many opinions of your personality

1914
01:16:20,200 --> 01:16:21,240
Speaker 5: that should be so funny.

1915
01:16:21,400 --> 01:16:23,360
Speaker 4: People don't really know me, man, that's fire though, and

1916
01:16:23,640 --> 01:16:24,880
Speaker 4: they mad that they don't know me and I only

1917
01:16:24,920 --> 01:16:27,800
Speaker 4: give them doses like my people know me, but the

1918
01:16:27,880 --> 01:16:29,040
Speaker 4: Twitter world they don't really know me.

1919
01:16:29,200 --> 01:16:31,200
Speaker 5: They they think they know Rory. We think Rory more

1920
01:16:31,280 --> 01:16:32,760
Speaker 5: like open to the world things.

1921
01:16:33,640 --> 01:16:38,160
Speaker 4: And they have no idea how socially awkward Rory. You

1922
01:16:38,160 --> 01:16:40,960
Speaker 4: don't have no idea, Like what, wait, do you see

1923
01:16:40,960 --> 01:16:42,519
Speaker 4: this guy in person? He's not going to speak to you.

1924
01:16:44,240 --> 01:16:46,679
Speaker 4: He's not going to say anything, y'all love Rory.

1925
01:16:46,720 --> 01:16:47,160
Speaker 6: Wait till he.

1926
01:16:48,840 --> 01:16:51,200
Speaker 1: Won't say anything nothing at all.

1927
01:16:51,800 --> 01:16:53,720
Speaker 6: So yeah, book more Black Superheroes.

1928
01:16:54,680 --> 01:16:58,120
Speaker 4: Congratulations, man, we appreciate you coming through kicking it with

1929
01:16:58,200 --> 01:16:59,240
Speaker 4: us while we are in l A.

1930
01:16:59,439 --> 01:17:01,800
Speaker 3: Thank y'all for having me. I'm goin to try to

1931
01:17:01,840 --> 01:17:03,000
Speaker 3: go be in this right.

1932
01:17:03,040 --> 01:17:05,000
Speaker 5: I'm not going to this writing camp. You got to

1933
01:17:05,000 --> 01:17:09,000
Speaker 5: go to artists, get out your comfort zone. Do stuff

1934
01:17:09,040 --> 01:17:12,880
Speaker 5: you don't want to do. Man, except for you learn

1935
01:17:13,080 --> 01:17:15,800
Speaker 5: learn from me. Please to any any shows coming up.

1936
01:17:15,920 --> 01:17:17,479
Speaker 5: I just announced it today, announce it.

1937
01:17:17,680 --> 01:17:17,920
Speaker 3: Thank you.

1938
01:17:19,120 --> 01:17:22,840
Speaker 6: I knew I told you literally, I literally woke up

1939
01:17:22,920 --> 01:17:23,559
Speaker 6: Shot and King.

1940
01:17:24,720 --> 01:17:27,320
Speaker 5: I just announced it today. Tickets gonna sell tomorrow. I

1941
01:17:27,360 --> 01:17:29,240
Speaker 5: don't know when it's going when it's going on this

1942
01:17:29,360 --> 01:17:30,519
Speaker 5: hour right now, this live? What is no?

1943
01:17:30,600 --> 01:17:32,600
Speaker 6: This is all Tuesday, Okay.

1944
01:17:32,439 --> 01:17:35,200
Speaker 1: Next we took a whole break you thought watching right.

1945
01:17:35,280 --> 01:17:38,680
Speaker 5: Actually, I'll be all over the place. Man. Shout out

1946
01:17:38,680 --> 01:17:40,560
Speaker 5: to Tuesday when it's come out. Shout out to my

1947
01:17:40,640 --> 01:17:43,080
Speaker 5: tour too, y'all go get some tickets and all that.

1948
01:17:43,400 --> 01:17:44,280
Speaker 6: Shot. Who are you on tour with?

1949
01:17:45,080 --> 01:17:48,759
Speaker 5: I'm bringing Grip. Shout out to Grippy from Atlanta. He hard,

1950
01:17:49,520 --> 01:17:52,719
Speaker 5: big shady gang. Nobody say nothing crazy.

1951
01:17:52,560 --> 01:17:55,639
Speaker 1: No, no, no, no, no love word about somebody named Grip.

1952
01:17:55,920 --> 01:17:57,759
Speaker 6: Yeah, yeah, he got it on them. I'm chilling.

1953
01:17:59,000 --> 01:18:00,960
Speaker 4: Shout out to West Shide Boogie, shout out to LVR,

1954
01:18:01,040 --> 01:18:03,080
Speaker 4: and shout out to Shady Super proud of you, bro,

1955
01:18:03,200 --> 01:18:04,360
Speaker 4: happy you got your project out.

1956
01:18:04,439 --> 01:18:06,040
Speaker 5: Thank you man, I appreciate you all. Shout out to

1957
01:18:06,120 --> 01:18:08,360
Speaker 5: y'all on y'all growth. Y'all know y'all leading man, Thank

1958
01:18:08,360 --> 01:18:10,040
Speaker 5: you man, appreciate it. We all here just trying to

1959
01:18:10,040 --> 01:18:11,800
Speaker 5: push the coach a little bit. He people say that,

1960
01:18:11,880 --> 01:18:15,240
Speaker 5: but we're doing the coaches man, y'all leading the charge.

1961
01:18:17,080 --> 01:18:18,000
Speaker 6: Book is crazy. Bro.

1962
01:18:18,040 --> 01:18:19,280
Speaker 5: I'm just I'm trying to lead it away.

1963
01:18:19,400 --> 01:18:19,559
Speaker 4: Man.

1964
01:18:21,960 --> 01:18:26,040
Speaker 5: I do that a lot. You call one of my

1965
01:18:26,120 --> 01:18:27,240
Speaker 5: default answers.

1966
01:18:29,720 --> 01:18:30,080
Speaker 6: Nobody.

1967
01:18:30,120 --> 01:18:31,920
Speaker 5: The other day, I don't leave in the restaurant and

1968
01:18:32,080 --> 01:18:33,560
Speaker 5: it was like this homeless man. I gave him some

1969
01:18:33,600 --> 01:18:35,040
Speaker 5: money and I was like, all right, man, keep killing it.

1970
01:18:35,120 --> 01:18:38,960
Speaker 1: And I was like, all right, yeah, you know what, No, Boogie,

1971
01:18:39,120 --> 01:18:41,040
Speaker 1: I promise you you want to go to Black birthday party.

1972
01:18:41,040 --> 01:18:42,280
Speaker 5: If you don't, I'm definitely here.

1973
01:18:42,320 --> 01:18:43,880
Speaker 3: That's what I'm trying to all time.

1974
01:18:43,960 --> 01:18:44,920
Speaker 5: No, I promise I'm going to.

1975
01:18:45,360 --> 01:18:51,280
Speaker 6: Justice Black album win. All right. We were talking last episode,

1976
01:18:51,280 --> 01:18:52,120
Speaker 6: were trying to figure out.

1977
01:18:52,120 --> 01:18:55,520
Speaker 3: Check out a Black News record on me, says.

1978
01:18:56,400 --> 01:18:57,720
Speaker 1: That's how I know you didn't listen to any music

1979
01:18:57,760 --> 01:18:58,040
Speaker 1: growing up.

1980
01:18:58,080 --> 01:18:59,839
Speaker 5: I did. I know what's the remake?

1981
01:19:00,160 --> 01:19:00,200
Speaker 7: No?

1982
01:19:00,360 --> 01:19:03,200
Speaker 5: I just heard the original song that day when my

1983
01:19:03,240 --> 01:19:05,120
Speaker 5: assistant was like, you don't notice the remake, and I

1984
01:19:05,200 --> 01:19:06,080
Speaker 5: was like, what the fuck?

1985
01:19:06,240 --> 01:19:06,880
Speaker 3: It'sh it hard.

1986
01:19:07,080 --> 01:19:09,840
Speaker 4: Anybody that didn't hear a Tupac album definitely doesn't know that.

1987
01:19:09,960 --> 01:19:12,479
Speaker 4: Umi says, I'm not even mad at that Boogie no

1988
01:19:12,520 --> 01:19:14,320
Speaker 4: more like he knows.

1989
01:19:14,200 --> 01:19:18,599
Speaker 1: Ja rule, like he just did his mother on his album.

1990
01:19:19,280 --> 01:19:20,160
Speaker 1: That didn't listen.

1991
01:19:20,840 --> 01:19:21,240
Speaker 4: That's hard.

1992
01:19:21,520 --> 01:19:22,679
Speaker 6: Sometimes you gotta dis moms.

1993
01:19:23,000 --> 01:19:25,200
Speaker 1: Therapy told me that Chicken wasn't that good.

1994
01:19:25,880 --> 01:19:27,840
Speaker 2: I thought I had daddy issues my whole life, just

1995
01:19:27,920 --> 01:19:29,280
Speaker 2: up until recently I found out I had.

1996
01:19:29,240 --> 01:19:30,320
Speaker 5: Mommy mommy issues.

1997
01:19:31,320 --> 01:19:32,920
Speaker 6: When you find that out, yeah.

1998
01:19:33,720 --> 01:19:37,439
Speaker 1: Well, sometimes Boomi does not shine to light on your world.

1999
01:19:37,840 --> 01:19:39,320
Speaker 6: No, they shine a light that you get your ass

2000
01:19:39,400 --> 01:19:40,720
Speaker 6: up and go who is though?

2001
01:19:41,360 --> 01:19:41,559
Speaker 5: Mother?

2002
01:19:41,720 --> 01:19:44,080
Speaker 6: Umi means like Grandma Arabica.

2003
01:19:45,000 --> 01:19:49,360
Speaker 4: That's tight, yo, listen, man, bug, thank you, we appreciate

2004
01:19:49,400 --> 01:19:51,800
Speaker 4: you coming out kicking with us and Grass on the

2005
01:19:51,880 --> 01:19:55,920
Speaker 4: album All Black Superheroes in your DSPs and your Phones Now,

2006
01:19:56,520 --> 01:19:57,800
Speaker 4: Boogie on tour with Grip.

2007
01:19:58,320 --> 01:20:01,679
Speaker 6: Check out the tour dates. Follow buz uh very interesting.

2008
01:20:01,720 --> 01:20:03,439
Speaker 4: If you're not following book, you should be following because

2009
01:20:03,439 --> 01:20:06,160
Speaker 4: he's hilarious, good Instagram love his personality.

2010
01:20:06,200 --> 01:20:08,400
Speaker 6: Shout to the VR and shout the shady All.

2011
01:20:08,320 --> 01:20:10,519
Speaker 1: Love book with Sea Soon.

2012
01:20:10,640 --> 01:20:14,120
Speaker 5: Y'all coming into the party tonight, right, Yeah, it's lit. Yeah,

2013
01:20:14,160 --> 01:20:17,040
Speaker 5: we definitely gonna be yes, it's gonna be lit. We're

2014
01:20:17,040 --> 01:20:19,519
Speaker 5: finna get drunk. We're gonna treat you like d R again.

2015
01:20:20,320 --> 01:20:21,280
Speaker 5: Boating hose.

2016
01:20:23,240 --> 01:20:26,240
Speaker 1: That was the That was the most relationship dr all

2017
01:20:26,240 --> 01:20:26,519
Speaker 1: the time.

2018
01:20:29,280 --> 01:20:30,479
Speaker 5: It was no hose, it was a girlfriend.

2019
01:20:30,640 --> 01:20:30,720
Speaker 1: Uh.

2020
01:20:30,800 --> 01:20:33,800
Speaker 5: We love I had I paid.

2021
01:20:35,120 --> 01:20:36,240
Speaker 3: For myself on bill.

2022
01:20:37,040 --> 01:20:40,160
Speaker 5: Yeah, I swear.

2023
01:20:40,200 --> 01:20:42,800
Speaker 4: I'm trying to wrap this up for y'all. Listen, man,

2024
01:20:43,120 --> 01:20:45,080
Speaker 4: Thank y'all for listening. Thank y'all for coming on this

2025
01:20:45,920 --> 01:20:49,320
Speaker 4: audio journey with us. Shout out the book once again.

2026
01:20:50,200 --> 01:20:52,360
Speaker 4: Proud of you, bro, Appreciate your having me. Man, Peace

2027
01:20:52,400 --> 01:20:53,760
Speaker 4: and love. We'll talk to you on the next one.